Podcasts about 2022

"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."

The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Peep the brand new episode featuring the one and only El Paso Foos! As he comes on reveals the face behind the instagram account and we chop it up and get to know him. He tells us about his early success in the music scene and his transition to talent management plus he names some of the best artists in the Sun City. Follow us on social media @AaronScenesAfterParty

Today on the podcast:Director, Amina Robinson drops in to talk about the Interact Theatre Company production in collaboration with Theatre In The X of ON MY DEEN by Antu Yacob, commissioned as part of The Philly Cycle, on stage through June 28th. Here is my interview with Amina Robinson for ON MY DEEN.ON MY DEENby Antu Yacob directed by Amina Robinson (Fat Ham, Once On This Island, Intimate Apparel, The Color Purple)June 6-28, 2025 World premiere, commissioned as part of The Philly Cycle (A new three-part play commission project. Sponsored by THE WILLIAM PENN FOUNDATION)ON MY DEEN was written about and with Philadelphia's Black Muslim Community.West Philly. Spring 1962. Faye Ann has just joined the Nation of Islam, setting her life on a whole new path. Her best friend, Michael, would like to be a lot more than friends, but the two can't seem to agree on religion, politics, or even what makes a good pie. Over the passing decades, personal circumstances and cultural upheavals bring Faye Ann and Michael together as much as they keep them apart. Can these would-be lovers find each other while seeking their own paths to peace?In this engaging podcast episode, host Darnelle Radford speaks with director Amina Robinson about her journey in theater and the world premiere of 'On My Dean.' They explore the themes of the play, which serves as a love letter to Islam, and discuss the importance of authenticity and cultural sensitivity in theater production. Amina shares her personal connection to the story, rooted in her father's experiences, and highlights the dynamic nature of the creative process in theater. In this conversation, Amina Robinson and Darnelle Radford discuss the intricacies of staging a new play that explores Muslim identity and community. They delve into the importance of cultural sensitivity in storytelling, the evolution of the play, the dynamics of the cast, and the challenges faced during the production process. Amina shares her personal connections to the themes of faith and representation, highlighting the significance of portraying authentic narratives in theater. The conversation culminates in an invitation for audiences to experience the play, emphasizing its unique storytelling and cultural relevance.Chapters* 00:00 Introduction to Amina Robinson and On My Dean* 09:03 Exploring the Themes of On My Dean* 12:04 The Writer's Journey and Authentic Representation* 14:58 Cultural Sensitivity in Theater Production* 17:08 Cultural Sensitivity in Storytelling* 18:44 The Evolution of the Play* 20:09 Cast Dynamics and Community Representation* 21:52 Challenges of Last-Minute Casting* 24:21 Personal Connections to Faith* 25:36 The Importance of Faith in Daily Life* 27:27 Representation in Media* 29:00 Memorable Moments in the Play* 31:32 The Structure of the Play* 33:34 The Significance of New Plays* 34:54 Invitation to Experience the PlayFOR TICKETS AND INFORMATION: https://interacttheatre.org and https://theatreinthex.com

Today on the podcast:Co-Director Steve Pacek stop say to talk about the Arden Theatre Company musical production of RENT, by Jonathan Larson. Here is my interview with Steve Pacek for Arden's production of RENT.ABOUT RENTAt the end of the millennium, a group of bohemians in the East Village struggle with love, loss, and gentrification amidst the AIDS crisis. In this exciting new production, Jonathan Larson's Tony Award™ and Pulitzer Prize-winning musical will transform the Haas Stage and shake the rafters with the iconic chords of “Seasons of Love,” “I'll Cover You, ” and the thrilling, soaring score that is RENT!FOR TICKETS AND INFORMATION: https://ardentheatre.org

"Back in 1973 Muhammad Ali knocks out George Foreman in what was called The Rumble in the Jungle. This victory inspires Johnny Wakelin to write the song Black Superman. He gets a hit with it. So what other songs are written for or about athletes. We have a list."

In this episode, host Darnelle Radford speaks with Ross Beschler about the Wilma Theater's final production of the season, A Summer Day, written by Jan Fosse. They discuss the unique Hothouse ensemble experience, the themes of love, loss, and memory in the play, and the challenges of communication and language in expressing deep emotions. The conversation highlights the importance of ensemble work and the artistic journey of the Hothouse members. In this conversation, Ross Beschler and Darnelle Radford explore the themes of language, memory, identity, and the dynamics of relationships through the lens of the play 'A Summer Day' by Jan Fossa. They discuss how exaggeration in language can shape perceptions, the role of characters in navigating crises, and the importance of introspection versus action in understanding oneself and others. The conversation delves into the complexities of memory and how it influences identity, as well as the societal challenges of understanding and miscommunication. Ultimately, they reflect on the human experience and the significance of connection in the face of life's uncertainties.A SUMMER DAYBY JON FOSSETRANSLATED BY SARAH CAMERON SUNDEDIRECTED BY YURY URNOVJune 10–29, 2025Experience the haunting beauty of Norwegian playwright Jon Fosse's A Summer Day, directed by inventive Co-Artistic Director Yury Urnov (Mr. Burns, Minor Character, 12th Night) in a production that delves into the depths of human connection, memory, and existential longing. Is there one day in your past you keep replaying again and again? When do we start spending more time in the past than in the present? Through Fosse's poetic language and Urnov's innovative direction and immersive visual design, audiences are transported into an epic and intimate world where past and present intertwine, inviting reflection on the fleeting nature of time and the eternal search for meaning. Often referred to as a modern-day Ibsen, Fosse won a Nobel Prize in Literature in 2023 – one of the few playwrights to ever receive that honor – and is rarely produced in the United States.Chapters00:00 Introduction to the Wilma Theater and A Summer Day02:40 The Hothouse Experience and Ensemble Work11:30 Exploring the Play: A Summer Day17:24 Themes of Love, Loss, and Memory20:30 Language and Communication in A Summer Day24:30 The Power of Language and Exaggeration26:41 Character Dynamics and Intrusions29:58 Memory and Identity in Relationships32:00 Understanding and Misunderstanding in Society36:45 Introspection vs. Action39:32 Replaying Moments and Learning from the Past44:53 The Essence of A Summer DayFOR TICKETS AND INFORMATION: https://wilmatheater.org/event/asummerday/

The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. The boyz are back with another episode! And on this one we feature the return of Louyah! Who comes on talks about his first time in Mexico, his latest Dive Bar Tour run and new projects he's been working on. Plus his tour manager comes on and gives him hell and he shares some crazy stories from his tour! Follow us on social media @AaronScenesAfterParty

In this engaging conversation, host Darnelle Radford speaks with playwright R. Eric Thomas and director Ontaria Kim Wilson about the regional premiere of 'Glitter in the Glass.' They explore themes of identity, community, and the cultural significance of their work, while reflecting on personal journeys and the importance of storytelling in the Black experience. The discussion also touches on the contrasts within Baltimore and Philadelphia, the impact of generational wisdom, and the ongoing quest for belonging and understanding in a complex world. In this conversation, R. Eric Thomas, Ontaria Kim Wilson and Darnelle Radford explore the significance of monuments, symbols, and storytelling in relation to African American history and culture. They discuss the relevance of historical monuments today, the impact of the National Museum of African American History and Culture, and the importance of empathy in understanding the past. The dialogue also touches on the role of art in reflecting identity and the necessity of continuing to tell stories that resonate with the community.Chapters00:00 Introduction to Glitter in the Glass02:59 The Journey of Ontario Wilson05:59 Eric Thomas: The Playwright's Perspective09:01 Exploring Identity Through Names12:02 Thematic Depth of Glitter in the Glass14:55 Cultural Reflections and Black Utopias17:51 Baltimore: A City of Contrasts21:06 Community and History in Black Spaces24:05 Generational Wisdom and Fear27:01 Conclusion and Future Aspirations29:32 Symbols and Their Meanings32:50 The Impact of the National Museum of African American History35:44 The Importance of Storytelling40:41 Art as a Reflection of Identity44:37 Confronting the Past51:11 The Role of Empathy in Understanding History54:57 The Call to Action for Art and CommunityWritten by R. Eric ThomasMay 29, 2025 — June 22, 2025Directed By: Ontaria Kim WilsonOpening Night: June 5, 2025Theatre Exile, 1340 S. 13th Street, Philadelphia, PA 19147120 minutes including 10 minute intermission THIS SHOW CONTAINS THE USE OF THEATRICAL FOG Chelle, a Black mid-career artist, has written a check that she's not sure her talent can cash. When the city of Baltimore takes down the Confederate monument in the park across the street from her childhood home, she has an idea. She'll apply for a grant to create a piece to replace it. Caught between the past, the present, and the future, Chelle, portrayed by Jennifer Kidwell, is catapulted into a journey that takes her back before the Middle Passage and out beyond the bounds of this planet. “Wildly funny and thought-provoking” (CTX Life Theatre), Glitter in the Glass by multi-award winning playwright, R. Eric Thomas, is about liminal spaces, and a world on the cusp of exploding. FOR TICKETS AND INFORMATION: https://theatreexile.org

In this podcast episode, host Darnelle Radford engages with the director and cast of Inis Nua Theatre Company's production of 'Square Go.' They discuss the play's premise, themes of adolescence, audience engagement, and the rehearsal process. The conversation highlights the importance of vulnerability in performance and the unique dialect work that brings authenticity to the characters. The episode concludes with reflections on the impact of the play on both the cast and the audience, emphasizing the shared experience of theater.Chapters00:00 Introduction to Square Go01:22 Exploring the Premise of the Play03:41 Thematic Depth and Character Exploration10:30 Audience Engagement and Immersive Experience15:49 Reflecting on Adolescence and Vulnerability19:32 Rehearsal Dynamics and Creative Collaboration23:32 Dialect Work and Authenticity29:45 Takeaways and Audience ImpactBy: Kieran Hurley and Gary McNairDirected By: Kathryn MacMillanMAX - Owen CoreySTEVIE - Tyler ElliotBeing a smart arse in class has put daydreamer Max in the crosshairs of the school bully–he's been challenged to his first ‘square go,' or after-school fight. But while hiding out in the school bathrooms with his best mate, Stevie, it's his own demons he must wrestle with first. This high-octane coming of age comedy builds to an emotional conclusion about masculinity, friendship, and fathers and sons.Our all-new Philadelphia premiere follows smash-hit, sold-out runs at the Edinburgh Fringe and across the world. From ScotlandFOR TICKETS AND INFORMATION: https://inisnuatheatre.org/show/square-go

Chapters00:00 Introduction to Obvious Agency and Space Opera10:56 The Development Journey of Space Opera19:58 Understanding Space Opera: Concept and Gameplay30:12 Audience Engagement and Accessibility in Space OperaSpace Opera is an innovative and radical combination of tabletop roleplaying games, democratic organizing practice, and theatrical spectacle, testing your very ability to work together in order to thwart existential consequences. Planets revolt, wonders appear, governments crumble, and you roll the dice. The fate of the universe hangs in the balance!June 14th, 21st, and 28th of 2025 pull up a seat and see how, in adrienne marie brown's words, "science fiction is simply a way to practice the future together."Director - Cat RamirezStage Manager- Kel FlemingGame Designers- John Bezark, Ari Gass, Daniel Park, Dain SaintPerformer/Facilitators- Joseph Ahmed, Matthew Armstead, KC Legacion, Sulu LeoNimm, Anthony Martinez-Briggs, Jackie Soro, Sam RiseProduction Designers- doug greene, Harbour Edney, Evelyn Langley, Taj Rauch, Dain SaintHospitality and Care Coordinators- Karen Orrick, Vanessa Ogbuehi, Uriah BusseyCommunity Partnerships Manager- Marisol Rosa-ShapiroCircles Administrator- Evelyn LangleyABOUT OBVIOUS AGENCYObvious Agency creates interactive, experiential art that ranges from the personal, to the institutional, to the ridiculous. Blending theatrical and digital arts, we create spaces where participants can co-create their own experiences through first-hand exploration of the worlds we create. Always serious, always silly, we believe that by helping create and define culture, we can create systemic and interpersonal change.FOR MORE INFORMATION:https://obvious-agency.com

EAST COAST PREMIEREBook and Lyrics by Mickle Maher Music by Merel van Dijk and Anthony Barilla Directed by Taibi Magar & Tyler Dobrowsky Commissioned and Co-Produced by Daryl Morey, Philadelphia 76ers President of Basketball OperationsPhiladelphia loves sports, so why not a sports-themed musical? Step into the surreal, magical world of Small Ball, where melancholy journeyman basketball player Michael Jordan (no, not that Michael Jordan) has recently started playing in the international league with the Lilliput Existers – as in Lilliput, from Gulliver's Travels. With teammates who are only six inches tall, the team's fortunes, and the post-game press conferences, rest on Michael's shoulders. Small Ball is an off -beat musical delight, commissioned and co-produced by Daryl Morey, President of Basketball Operations for the Philadelphia 76ers. Directed by Co-Artistic Directors Taibi Magar and Tyler Dobrowsky. An East Coast Premiere.Content Advisory: Small Ball contains strong language, adult themes, and surreal humor. Recommended for ages 13 and up.Adam Chandler-Berat - PIPPINPTC: Debut. Broadway: Next to Normal (original cast); Peter and the Starcatcher (original cast); Amélie (original cast); Saint Joan (revival). Off-Broadway: The Jonathan Larson Project; I Can Get It for You Wholesale; Assassins; The Fortress of Solitude (Lortel Award nomination); Rent; Fly by Night; How to Load a Musket; Nantucket Sleigh Ride; Zorba; Titanic. Regional: A New Brain, Barrington Stage Company; Sunday in the Park with George, Huntington Theatre Company; The Year to Come, La Jolla Playhouse. Film: Delivery Man. TV: Gossip Girl (HBO Max); Veep; Elementary; The Good Wife; Doubt; The Code; NCIS: New Orleans; Soundtrack.JORDAN DOBSON, MICHAEL JORDONPTC: Night Side Songs. Broadway: Bad Cinderella (Prince Sebastian, OBC); Hadestown (Orpheus); A Beautiful Noise (Shilo, OBC); West Side Story (Tony, dir. Ivo van Hove). Tour: Rent (Angel), Japan Tour. Regional: Hair, Signature Theatre and Two River Theater; Austen's Pride, Into the Woods, ACT of Connecticut; The Wanderer, Paper Mill Playhouse; Cabaret, Gypsy, Arden Theatre Company; The Color Purple, Theatre Horizon. Film: Maestro (William), dir. Bradley Cooper; Closing Night (Jericho). More: @jordandobson_.

"Back in March of 1979 the movie The China Syndrome came out. Weeks later the Three Mile Island nuclear disaster occurred. This lead to musicians setting up MUSE and holding the NO Nukes concerts, albums and film. We have the entire story including the first time Bruce Springsteen was recorded live."

"Last week we spoke of Dockery Farms which the birthplace of The Blues. As all music does it was expanded and taken to different places by the musicians who played it. Here is a run down and description of the most popular forms of The Blues."

durée : 00:11:23 - L'Avant-scène - par : Aurélie Charon - Viktor Kyrylov écrit son histoire dans le spectacle "Maintenant je n'écris plus qu'en français", au Théâtre de Belleville jusqu'au 20 juin à Paris. Etudiant en théâtre à Moscou, ukrainien né à Odessa en 2001, sa vie bascule avec la guerre. - réalisation : Alexandre Fougeron - invités : Viktor Kyrylov comédien et metteur en scène ukrainien

durée : 00:11:23 - L'Avant-scène - par : Aurélie Charon - Viktor Kyrylov écrit son histoire dans le spectacle "Maintenant je n'écris plus qu'en français", au Théâtre de Belleville jusqu'au 20 juin à Paris. Etudiant en théâtre à Moscou, ukrainien né à Odessa en 2001, sa vie bascule avec la guerre. - réalisation : Alexandre Fougeron - invités : Viktor Kyrylov comédien et metteur en scène ukrainien

Send us a textDisclaimer: As fun as it is to kick back with friends and consume alcohol; The Couchaholics always condone drinking responsibly and never drink and drive... all of our opinions are our own,  and don't reflect upon the quality of any particular brewery or business. This podcast contains explicit language.

"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."