Year
POPULARITY
Categories
556 episodes with 2022
1,899 episodes with 2022
779 episodes with 2022
254 episodes with 2022
258 episodes with 2022
265 episodes with 2022
457 episodes with 2022
448 episodes with 2022
318 episodes with 2022
138 episodes with 2022
257 episodes with 2022
244 episodes with 2022
3,306 episodes with 2022
319 episodes with 2022
167 episodes with 2022
189 episodes with 2022
152 episodes with 2022
244 episodes with 2022
2,622 episodes with 2022
2,587 episodes with 2022
293 episodes with 2022
2,552 episodes with 2022
2,447 episodes with 2022
2,446 episodes with 2022
222 episodes with 2022
2,138 episodes with 2022
2,051 episodes with 2022
110 episodes with 2022
2,005 episodes with 2022
1,979 episodes with 2022
1,789 episodes with 2022
1,779 episodes with 2022
1,768 episodes with 2022
127 episodes with 2022
80 episodes with 2022
54 episodes with 2022
1,729 episodes with 2022
1,681 episodes with 2022
115 episodes with 2022
87 episodes with 2022
181 episodes with 2022
76 episodes with 2022
50 episodes with 2022
88 episodes with 2022
1,371 episodes with 2022
52 episodes with 2022
57 episodes with 2022
1,316 episodes with 2022
1,309 episodes with 2022
1,265 episodes with 2022
45 episodes with 2022
81 episodes with 2022
114 episodes with 2022
1,146 episodes with 2022
In this episode of the Broad Street Review Podcast, host Darnelle Radford speaks with Susan McKey, a seasoned actor involved in Hedgerow Theatre's production of 'Fly Me to the Moon.' They discuss Susan's extensive experience in theater, the dynamics of the play, the challenges of rehearsals, and the themes of loneliness and connection that resonate throughout the performance. The conversation highlights the importance of humor in addressing serious topics and the audience's experience of live theater.Chapters00:00 Introduction to the Podcast and Guest02:37 Susan McKey's Journey in Theater05:10 Exploring 'Fly Me to the Moon'07:58 Rehearsal Dynamics and Challenges10:24 Character Dynamics and Relationships13:01 Themes of Loneliness and Connection15:24 The Role of Humor in Serious Topics17:41 Audience Experience and Expectations20:39 Conclusion and Final ThoughtsSusan McKey and co-star Marcia Saunders star as Loretta and Francis, two cash-strapped community care workers, are on their way to another routine visit to their patient, Davey McGee, a lonely man dedicated to his newspaper, horse races, and memories of Frank Sinatra. The day takes an unexpected turn for poor Davey, as Jones spins a sharply funny tale exploring what happens when ordinary people are tempted with extraordinary (if not slightly outrageous) opportunities.“Fly Me to the Moon is a play about making the wrong decisions and then making the right ones,” shared Gibson. “As with all good farce, Marie Jones has crafted two credible characters that we can't help but fall in love with. While the play does speak to economic hardship and senior loneliness, what impresses me is the way Jones finds humor in their desperation. What charms me most about this play, however, is its optimism. The belief that, despite your circumstances, your life might just get better, Frank Sinatra might sing to you, or maybe your horse will finally come in.”FOR TICKETS AND INFORMATION: https://hedgerowtheatre.org
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. It's the Halloween Edition of the After Party and for this one we invite our friends over from P.R.I to come on share some spooky stories and they also bring some of their EMF devices for us to check out! They also tell us about some of the spooky places they've investigated and personal encounters. Follow us on social media @AaronScenesAfterParty
Have we seen this movie? Nope! But did we like it? Yup! The Just Play It crew avoid eye contact with a hungry-hungry UAP in this genre morphing horror-western! The ghoulish fool and the spookie dookie take a wild trip to the Burbank Fry's Electronics to check out Jordan Peele's blockbuster movie, Nope. We get into the details of this film that make it so cool. We can't tell what would be scarier, the Star Lasso Experience or missing out on this spooky episode.-Music by these extremely talented artists:"Spooky Swing (Electro Swing Mix)" - Captain Matt & Electro Swing Thing @ElectroSwingThing "Halloween Theme (Electro Swing Mix)" - Betty Booom @bettybooomswing "Danger" - Odd Chap @OddChap "Nightmare Cure" - DanyloM & Electro Swing ThingCheck them out at:https://electroswingthing.comhttps://www.youtube.com/@OddChap/featuredhttps://www.youtube.com/@bettybooomswing Thanks for tuning in. For more, follow us on Instagram & YouTube @justplayitpodcast & X (fka Twitter) @justplayitpod
In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Nell Bang-Jensen, CEO and producing director of Fringe Arts, as they reflect on her first year in the role. They discuss the importance of Fringe Arts in supporting new and experimental work, the growth of the festival, and the significance of community engagement in the arts. Nell shares insights on the challenges faced by artists, the role of workshops, and the unique experiences offered by events like Feastival. The conversation also touches on funding challenges and the potential for more festivals in Philadelphia, emphasizing the need for continued support for the arts community.Chapters00:00 Introduction to Fringe Arts and Nell Bang-Jensen02:12 Reflecting on a Year at Fringe Arts04:06 The Importance of Fringe Festivals06:30 Supporting Artists and Workshops08:29 Navigating the Festival Landscape11:04 The Role of Community in the Arts14:19 Festival Growth and Audience Engagement15:29 Curated vs. Neighborhood Festivals17:54 Thematic Hubs and Community Engagement20:35 Challenges with Non-Traditional Spaces23:29 The Future of Fringe Arts25:59 Feastival: A Culinary and Arts Experience28:16 Planning for the Future of Fringe Arts33:51 Community Needs and Artist Support35:59 The Future of Festivals in Philadelphia38:56 Funding Challenges in the Arts39:48 Conclusion and Future AspirationsABOUT NELL BANG-JENSEN (CEO and Producing Director of FringeArts)Nell Bang-Jensen is a Philadelphia-based theater maker and the newly appointed Artistic Director of Theatre Horizon She has created four full-scale, original works, in addition to directing and producing for many of Philadelphia's major theater institutions, including Philadelphia Theatre Company, the Wilma, Pig Iron, and the Painted Bride. Nell is a recipient of a 2019 Map Fund Award, a Next Stage Director's Fellowship from the Drama League (2019), a Thomas J. Watson Fellow (2011-2012), a Frank 5 Fellow for the Aydelotte Foundation (2017), and a participant in the Leadership U: One-on-One program, funded by the Andrew W. Mellon Foundation and administered by Theatre Communications group; a national fellowship given to eight individuals who TCG believes are the core and future of theater. In October 2018, American Theatre magazine named her one of six "theatre workers to know" across the nation.FOR MORE ABOUT FRINGE ARTS: https://fringearts.com
"Cryptozoology is the study of a creature that probably doesn ot exist. Think Bigfoot. What is great about it is that every state seems to have its own monster. Maybe people really do think it exists or maybe it was invented to scare children at Halloween. We built up a list along with songs about candy. It is Halloween 2025."
In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with director Damien Figueras about Curio Theater's upcoming production of 'Dracula: A Comedy of Terrors.' They discuss Figueras's background in sound design, the rehearsal process, the unique comedic adaptation of Dracula, and the collaborative nature of theater in Philadelphia. The conversation highlights the enduring appeal of the Dracula story, the importance of character dynamics, and the creative decisions behind the production's design elements.Chapters00:00 Introduction to Curio Theater and Dracula02:27 Damien Figueras: The Multi-Hyphenate Artist05:16 The Unique Approach to Dracula08:10 The Humor and Modern Resonance of Dracula11:03 Rehearsal Process and Creative Collaboration13:25 Design Elements: Blending Classic and Modern16:17 The Cast: Bringing Characters to Life18:52 The Enduring Appeal of Dracula21:37 Personal Favorites and Future Aspirations24:22 Closing Thoughts and Audience EngagementDRACULA: A COMEDY OF TERRORS is a Bram-new comedy you can really sink your teeth into. Filled with clever wordplay and anything-goes pop culture references, it's a 90-minute, gender-bending, quick-changing, laugh-out-loud reimagining of the gothic classic, perfect for audiences of all blood types.Written by Gordon Greenberg and Steve RosenDirected by Damien FiguerasPreviews: October 15, 16, 17 at 8pmOpens: October 18 at 8pmRuns: October 22 to November 1 at 8pm(Two matinee performances at 3pm)Recommended for ages 13 and up due to mature humor.Warning: There will be some strobe lighting and haze/fog effects.FOR MORE INFORMATION: https://curiotheatre.org
Want more exclusive content?! http://prometheuslens.supercast.com to sign up for the "All Access Pass" and get early access to episodes, private community, members only episodes, private Q & A's, and coming documentaries. We also have a $4 dollar a month package that gets you early access and an ad free listening experience!====================
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Its the return of our boy Champagne Eli! As he comes on after a two year hiatus. We talk about the last time he came on the podcast and he ended up where no one wants to be, find out how the ladies have been treating him plus Mark chimes in and Mark gives us the scoop on why he's still single. Follow us on social media @AaronScenesAfterParty
"Many music outlets noticed there was no traditional Summer Song this year. No poppy dance tune that rose to the top of the charts. The Billboard Summer Song chart claimed a number one but it was a down tempo ballad. We will explore what happened and why."
In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Kendyll Young and Grant Struble, founders of the Relic Theatre Company, about their journey in establishing a new theater company in Philadelphia. They discuss the challenges and excitement of starting a theater, the importance of branding, the current landscape of theater, and the need for community support. The conversation also touches on their production of 'Spring Awakening' and the significance of creating opportunities for local artists.Chapters00:00 Introduction to Relic Theatre Company02:51 The Journey of Starting a Theater Company05:45 Building a Foundation: Early Steps and Challenges08:22 The Importance of Branding and Identity11:21 Navigating the Current Theater Landscape13:53 Funding and Sustainability in Theater16:41 Casting and Team Dynamics19:40 The Creative Process and Production Insights22:31 Community Engagement and Support25:07 Final Thoughts and Future AspirationsBased on Frank Wedekind's controversial 1891 play, Spring Awakening opened on Broadway to mass acclaim in 2006, and has not lost an ounce of relevancy since. Exploring themes of sexuality, women's reproductive rights, mental health, and the consequences of intellectual repression, the musical celebrates and mourns the invariable struggles young people face. With a blend of gritty, rock-infused melodies and poetic, poignant lyrics, the musical offers a raw and unflinching look at the journey into adulthood.October 9-26, 2025Christ Church Neighborhood House - 20 N American Street, Philadelphia, PA 19106At the Relic Theatre Company, we believe great theater has the power to change the lives of both the audience who experiences it and the artists who create it. But this power is only manifested when the work is relevant, passionate, and financially accessible. We aim to produce a wide range of plays and musicals that embody these three principles while utilizing the rich artistic landscape of Philadelphia as our greatest resource.Music Director - Jake CollinsChoreographer - Julianna BabbAssociate Producer / Dramaturg - Lizzie Newcomb GumlaCostume Designer - Asaki KurumaAsher Vaglica - Production Stage ManagerLighting Designer - Bless RudisillScenic Designeer - Chris HaigAssistant Stage Manager - Ronnie HernandezProps Designer - Emily SchumanSound Designer - Larry FowlerFight Director - J. Oliver DonahueDirector - Robi HagerFOR TICKETS AND INFORMATION: https://relictheatre.org
De gasmarkt is de afgelopen jaren een echte rollercoaster geweest. Door de Russische inval in Oekraïne in 2022 explodeerden de gasprijzen, maar ondertussen is de grote paniek weggeebd. Hoe we staan we er voor? We bespreken het met Laurens Bouckaert, journalist bij Trends. In Trends podcasts vind je alle podcasts van Trends en Trends Z, netjes geordend volgens publicatie. De redactie van Trends brengt u verschillende podcasts over wat onze wereld en maatschappij beheerst. Vanuit diverse invalshoeken en met een uitgesproken focus op economie en ondernemingen, op business, personal finance en beleggen. Onafhankelijk, relevant, telkens constructief en toekomstgericht. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this engaging podcast episode, host Darnelle Radford speaks with Kaisheem Fowler-Bryant about his journey as a new artist in Philadelphia and his involvement in the production of 'FIRE,' a play centered around the life and works of Wallace Thurman. They discuss the significance of Thurman's contributions to literature and theater, the challenges and joys of bringing a new work to life, and the relevance of historical themes in today's society. Kaisheem shares insights from his rehearsal experiences, the importance of joy amidst adversity, and the audience's potential takeaways from the production.FOR TICKETS AND INFORMATION: https://www.quintessencetheatre.org/
durée : 00:13:07 - Journal de 7 h - Un rapport des Nations unies fait le point sur la situation effroyable qui sévit en Haïti depuis des années, dans une relative indifférence médiatique.
durée : 00:13:07 - Journal de 7 h - Un rapport des Nations unies fait le point sur la situation effroyable qui sévit en Haïti depuis des années, dans une relative indifférence médiatique.
"Many countries around the world take time each year to poll their citizens about their favorite songs. It usually happens around Christmas and a major media outlet plays the songs. We will tell you about some of the biggest ones and try to figure out why we don't do that here in America."
The squad makes a spectacle of Colton's pick, NOPE (2022). Does Peele return with a film as good as GET OUT? Can we get on-board with a creature like Jean Jacket? And, saddle up folks, are we in for the much-coveted quadruple SLAY!? Tune in to find out if we gave this film a NEIGH, OKAY, YAY, or SLAY!CHAPTERS:Theme/Intro (00:00:00)What We Been Consuming?/Why We Picked It (00:02:32)Trailer (00:47:00)Synopsis/First Experiences (00:47:30)Review (00:50:23)Rating/What Did You Think? (01:38:01)Horrific Hotline (01:46:30)Promotions (Horrific Hotline/Social Media/Patreon/It Slays Podcast's Horrific Playlist/Events) (01:50:39)Upcoming Episode/Outro (01:53:17)Follow us on all social media:FacebookTwitterInstagramTumblrYoutubeTikTokSlasherThreadsBlueskyWant some official Merch?!SHOP HERE!*Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)*Support the show
In this episode of the Broad Street Review podcast, host Darnelle Radford engages with Anna Snapp, a performer at the Philadelphia Fringe Festival, discussing her production 'I Found the Sun Will Rise Tomorrow.' They explore Anna's artistic journey, the evolution of her work, and the healing power of performance. The conversation delves into the importance of audience engagement, the role of direction in theater, and the personal growth Anna has experienced through her art. The episode highlights the significance of self-discovery and the necessity of checking in with oneself amidst the hustle of life.Chapters00:00 Exploring the Philadelphia Fringe Festival02:04 Anna Snapp's Artistic Journey04:05 The Evolution of 'I Found the Sun Will Rise Tomorrow'08:30 The Impact of Performance on Healing14:20 Shifting Perspectives: From Victimhood to Empowerment18:42 The Role of Direction in Artistic Expression22:00 Engaging with the Audience: The Emotional Connection27:32 Self-Discovery Through Art32:54 The Importance of Checking In with OneselfI FOUND THAT the SUN WILL RISE TOMORROWAnna Snapp boldly shares the deeply personal, painful, and earth-shattering details of her long-term battle with chronic disease, mental illness, and sexual trauma in “one of the bravest performances [I] have seen in a long time.” (“I Found That the Sun Will Rise Tomorrow is a Brave Emotional Rollercoaster” - All About Solo). Snapp takes the audience through her atypical and agonizing coming-of-age story through the lens of being a young woman who was forced to put a terrifying puzzle together without the picture on the front of the box.About the ArtistAnna Snapp is a Philly-based actor, writer, and content creator whose work has been seen at festivals and companies including but not limited to the Edinburgh Fringe Festival, Off-Broadway on Theatre Row at The United Solo Theatre Festival, the Capital Fringe in Washington, D.C., New York Shakespeare Exchange, The Brick Theater, Irish Heritage Theatre, Blunt Ensemble, and Rising Sun Performance Company, and various medical establishments nationwide. She studied at The American Academy of Dramatic Arts in New York, Temple University, and at the London Academy of Music and Dramatic Art. She has a deep passion for creating art for social change, eliminating stigma surrounding mental illness, and transforming the healthcare system from within through the telling of her experiences with health crises that changed her life forever.FOR MORE INFORMATION: https://phillyfringe.org/events/i-found-that-the-sun-will-rise-tomorrow/
"An Idiom is a group of words that suggest a meaning different than their specific words. Many of them come from the world of music and we have created a solid list. You will recognize a lot of them."
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. It's the UNCUT x AFTER PARTY Collab you've been waiting for! Eddie Blendz steps into the After Party and talks about his journey in becoming a barber, owning his own studio and talks up WEST TEXAS SHOWDOWN. Plus! He answers some horny questions and gives us the Eddie Tea. Follow us on social media @AaronScenesAfterParty Watch the full video and listen to the episode on all platforms and head over to our instagram @ AaronScenesAfterParty
In this episode of the Broad Street Review Podcast, host Darnelle Radford speaks with playwright Daniel Neer about his new work, 'Dachau for Queers,' which explores the historical context of a psychiatric hospital in California that incarcerated gay men. The conversation delves into themes of empathy, self-acceptance, family dynamics, and the importance of community support within the LGBTQ+ experience. Neer shares insights into the creative process and the role of theater in fostering social change, emphasizing the need for understanding and connection in a fragmented society.Chapters00:00 Introduction to the Play and the Artist02:05 Exploring the Themes of 'Dachau for Queers'06:02 The Creative Process Behind the Play11:58 Family Dynamics and Identity18:14 Community and Empathy in the LGBTQ+ Experience24:00 The Importance of Storytelling in ArtDACHAU FOR QUEERS Workshop Production of a New Play by Daniel NeerDirected by Ted GorodetzkyProduced by The LAB It's 1970, and runaway Jonah Goodson is confined at California's notorious Atascadero Psychiatric Hospital. His “sickness”? Homosexuality. Navigating a psychotropic maze of barbaric treatments, he encounters the most unlikely guides – but are they real or imagined?Gruesomely referred to as Dachau for Queers, the maximum-security forensic institution Atascadero Psychiatric Hospital was widely renowned for its experimental therapies of electrical and pharmacological shock treatments subjected upon inmates to "cure" them of their perceived sexual deviations. The fictional Jonah Goodson, estranged from his family and adrift in 1970's San Francisco, gets caught in the belly of that beast and wrestles with his jumbled mind to carve a journey out. At times shockingly brutal and at others comically surreal, Daniel Neer's new play is an innovative odyssey punctuated by surprising characters, leaps of fantasy, and heartfelt truths.Written by Daniel Neer Directed by Ted Gorodetzky Cast: Tristan Jenis, Lois Sach*, Neena Boyle, Ted Gorodetzky*, Avery Leach (*appearing courtesy AEA)FOR MORE INFORMATION: https://phillyfringe.org/events/dachau-for-queers/
In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Aaron Pang, a storyteller and performer whose production 'Falling, a Disabled Love Story' was featured in the 2025 Philly Fringe Festival. They discuss Aaron's multifaceted identity, his approach to storytelling, and the unique challenges and experiences of presenting disability in art. The conversation explores audience expectations, cultural differences in reception, and the importance of vulnerability in storytelling. Aaron shares insights from his experiences at the Edinburgh Festival and his aspirations for future performances.Chapters00:00 Introduction to Aaron Pang and Falling02:41 Aaron's Identity and Storytelling Style05:32 The Creative Process Behind Falling08:06 Audience Reception and Expectations11:02 Challenging Ableism in Theater13:53 The Role of Disability in Performance16:38 Experiences at the Edinburgh Festival19:22 Cultural Differences in Audience Reactions22:09 Adapting Stories for International Audiences25:00 The Importance of Vulnerability in Storytelling27:27 Future Plans for Falling30:24 What Artists Need to ShineABOUT AARON PANGAn Oakland native, Aaron Pang is just a guy telling stories to any one who will listen. A first generation child of Chinese immigrants, a choir boy, a tech guy, and a disabled person, Aaron hopes his stories will inspire others to embrace their multi-faceted identities.ABOUT FALLING - A DISABLED LOVE STORYOne accident, two stories: one you've heard a thousand times, one you've never heard before. Falling is an uncomfortably sexy and hilariously vulnerable stumble through Aaron's misadventures searching for love, lust, and life after disability.Come to see if he falls on stage or if he falls in love!Edinburgh Fringe 2025 Most Thought Provoking Show - The Scotsman“sweet, sharp, and provocative.” - The Guardian“an intelligent original.” - The Stage“a tidal wave of good vibes” ★★★★★ - The Neurodivergence Review“Bold, intimate, and constantly subverting our expectations” ★★★★★ - FringeReview“stunning” ★★★★ - The List“unmissable” ★★★★ - Theatre Weekly“tender, intimate, and uncompromising... and very VERY funny” ★★★★ - Broadway Baby★★★★ - EdFringe Review★★★★ - Indiependent★★★★ - ThreeWeeks★★★★ - LondonTheatre1★★★★ - The RealChrisparkleEdFringe ‘25 - Brighton Fringe Excellence Award - RUNNER UPEdFringe ‘25 - Birds of Paradise Exceptional Theatre Award - ShortlistEdFringe ‘25 - NBC Writing Award - ShortlistHollywood Fringe ‘25 Top of Fringe - NomineeHollywood Fringe ‘25 Best Comedic Theater - NomineeHollywood Fringe ‘25 Movie Club Award - WINNERFOR MORE INFORMATION: https://phillyfringe.org/events/falling-a-disabled-love-story/
"This past 4th of July someone posted the Preamble and I wondered who the singer was. I watched a few more and wondered who they were. We will answer that today. We will play some of their Schoolhouse Rock song and then one of their singles. Plus we have some trivia about the show."
In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with performance artist John Michael about his work, particularly his production 'Spank Bank Time Machine.' They discuss the themes of grief, loss, and the importance of addressing societal issues such as addiction and mental health through art. John Michael shares his personal experiences and the impact of his performances on audiences, emphasizing the need for empathy and understanding in the face of tragedy. The conversation also touches on the role of audience participation and the significance of Narcan in combating the overdose epidemic. Ultimately, the discussion highlights the transformative power of art and the responsibility of artists to engage with pressing social issues.Chapters* 00:00 Introduction to the Philly Fringe Festival and John Michael's Work* 02:27 The Inspiration Behind 'Spank Bank Time Machine'* 05:12 Exploring Identity and the Role of Art in Healing* 08:12 The Importance of Addressing Difficult Topics in Art* 10:49 Navigating the Challenges of Performance Art* 13:39 The Role of Narcan in the Community and Its Stigma* 16:01 The Impact of Overdose Epidemic on Society* 18:29 The Personal Connection to the Overdose Crisis* 21:23 The Role of Artists in Addressing Social Issues* 24:12 The Mechanics of Performance and Audience Engagement* 26:54 Reflections on the First Performance and Artistic Growth* 29:38 The Journey of 'Spank Bank Time Machine' and Its Evolution* 32:43 Engaging the Audience with Narcan* 35:39 Embracing the Unwanted in Performance* 37:19 The Bystander Effect and Audience Participation* 39:32 The Influence of Taylor Mac* 41:47 Theater's Role in Addressing Loneliness* 44:37 The Power of Audience Participation* 46:03 Navigating the Theater Landscape* 47:53 Sex Positivity and Public Health Advocacy* 50:12 The Impact of Sharing Names* 52:59 Funding and Support for Artistic WorkSpank Bank Time MachineQueer Fantasia Time Travel Adventure with trauma clown John Michael - it's Angels in America meets Snakes on a Plane, but with DRUGS! Time travel with John Michael and receive free lifesaving NARCAN time machines: learn how to go back in time after an overdose.“A celebration of life, ... Big belly laughs.... Art never dies!” ★★★★★ —Free Press“It's fun, raunchy, outrageous, touching, and incredible. Easily my favorite show at the entire festival.” —UMFM"A whirlwind of a journey delivered at a breakneck pace — full of gay sex, drugs, and charismatic performer John Michael in a mankini. A human example of the cost of the opioid epidemic.” —Orlando Sentinel“Wild, Raw, and quite Moving. Not everyone attending Fringe may be ready for Spank Bank Time Machine” —The League of Cincinnati Theatres"John Michael hits the stage like a popper-powered hurricane... If only one life is saved by his harrowing audience-participation Narcan demonstration, this carefully crafted yet bravely unbound show was worth it." —Orlando Weekly**We will have leftover NARCAN KITS, and if you want more to proliferate, please text me at 773-263-9284. Additionally, consider getting involved with Prevention Point PhiladelphiaMESSAGE FRON JOHN MICHAEL:As a professional artist, I believe it's important to talk finances, and at this moment, the show is making $500, which is 50% of the costs to be here. Other Ways you can support my work: Contribution to my venmo link here.Tax-deductible contributions can be found hereBuy a Narcan Time Machine t-shirt at this link hereA personal introduction to Universities, health organizations, or philanthropists who might want to book or support the young adult play. Check out this trailer for the young adult play here. Please reach out to me for copy/more information about the show's impact individually for you to forward to interested parties. FOR MORE INFORMATION: https://phillyfringe.org/events/spank-bank-time-machine/
"Long before American Idol and Americas Got Talent, there was Star Search. It was pretty schmaltzy but looking back, some of the biggest singers, actors and comedians got their big break on Star Search. We have grabbed as many examples as we could."
Today on the podcast, Tina Brock drops in to talk about the IRC FringeArts offering, Painting Churches by Tina Howe. On Stage at Theatre Exile through September 21st. Here is my interview with Tina Brock for Painting Churches.Described as “... beautifully written... a theatrical family portrait that has the shimmer and depth of Renoir portraits... ” by The New York Times, Tina Howe's 1984 Pulitzer Prize-nominated play is a provocative exploration of the parent-child relationship, art and aging. The IRC production features Kirsten Quinn as Mags Church, the successful artist and daughter of Fanny and Gardner Church, who returns home with a life-changing announcement to the chaos of her parent's impending move from their lifelong home in Boston's Beacon Hill. John Zak plays Gardner Church, a Pulitzer Prize-winning poet facing dementia after a lifetime devoted to intellectual and creative pursuits. Tina Ann Brock plays Fanny Church, Gardner's wife and Mags' quirky mother, who has a penchant for ostentatious hats and criticizing her daughter's choices in life. The trio explores their changing dynamic relationship over the span of several days.Painting Churches production designers include Set Designer Dirk Durossette; Sound Designer Andrew Nelson, Lighting Designer Eric Baker, Projection/Media Designer Mark Williams, and IRC resident Costume Designer Erica Hoelscher/IRC Producing Artistic Associate. Megan Coyle is the Stage Manager. Tina Ann Brock, IRC's Producing Artistic Director, and Peggy Mecham of the Irish Heritage Theatre, direct.FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/painting-churches-by-tina-howe/
"Here is a game to play. Name as many two minute songs as you can following these rules. Only one song per group and you cannot name just punk songs. We then go one step farther and change the game to as many one minute songs as you can."
In this episode of the Broad Street Review podcast, host Darnelle Radford welcomes guests Will and Mike to discuss their journey in creating the play 'Dogberry and Verges Are Scared' for the Philadelphia Fringe Festival. They explore the collaborative nature of theater, the challenges of producing a new work, and the excitement of engaging with audiences. The conversation highlights the importance of support from the artistic community and the evolution of their script through various readings and workshops. As they prepare for their upcoming performances, they reflect on the creative process and the joy of bringing new stories to life.Chapters00:00 Introduction and Welcome to Season 1001:05 Meet the Guests: Will and Mike02:22 The Journey of Creating a Play05:33 The Importance of Collaboration in Theater11:11 Navigating the Current Climate for Artists14:44 First Performance and Audience Reactions18:55 The Evolution of the Script25:00 The Role of Support and Collaboration27:52 Closing Thoughts and Ticket InformationDogberry and Verges Are Scared is a pants-pissingly funny new comedy that follows everyone's third favorite pair of Shakespearean clowns as they blunder through the events of Much Ado About Nothing and beyond.Their friendship and their wits will be tested as they attempt to foil Don John's evil plot, save Fair Hero's wedding, and hopefully earn a few ducats while they're at it. Borrowing from the rich theatrical history that traces its roots from Rosencrantz and Guildenstern are Dead to Waiting for Godot to the storied stages of the vaudeville circuit.This rolling world premiere, produced in partnership with Cincinnati Shakespeare Company, hopes to shed new light on familiar characters by mixing a modern comedic sensibility and exciting new scenes with a light sprinkling Shakespeare's own words, words, words. It's chock full of easter eggs for people with a season subscription to the Folger and the perfect gateway drug for those who think “iambic pentameter” is a model of Buick. Starring Philadelphia theater legends Scott Greer and Anthony Lawton, Dogberry and Verges Are Scared is bursting with heart, highbrow comedy, vaudevillian gags, and... dancing? Only 10 performances. Do not miss this play!Slippery Trout Productions was formed in 2025 by Michael Doherty and Will Mobley. They are two clowns that have no business running a business.FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/dogberry-and-verges-are-scared/
Sometimes the best lessons don't come from textbooks or classrooms... they come from the stories we see on screen. In Metal Lords, a coming-of-age Netflix film, two high school outsiders form a heavy metal band in hopes of competing in the “Battle of the Bands.” What starts as a quest to play loud music quickly turns into a journey of self-discovery, belonging, and resilience. So how does a movie about teens rocking out connect to education? At its core, Metal Lords highlights what we talk about so often on the Better Learning Podcast: that schools are not just about content, but about creating spaces where students can express themselves, collaborate, and feel valued. The characters in the film struggle with identity, acceptance, and confidence — the same challenges many of our students face every day. When schools provide flexible environments and opportunities for students to pursue their passions, they're not just teaching academics, they're helping students discover their voice. In our podcast, we often ask school leaders, educators, and designers: What should students feel when they walk into a learning space? Metal Lords gives us one answer: students should feel like they belong. Whether through music, art, or academics, the best school experiences help students connect with something bigger than themselves. And maybe that's the real message for all of us in education: sometimes the path to “better learning” starts when we let students turn up the volume on who they really are. Takeaways: Connection and acceptance are critical for motivation. When students feel seen and valued, they're more likely to take risks and fully engage in learning. The power of teamwork in the movie mirrors what happens in classrooms: collaborative projects help students develop creativity, problem-solving, and communication skills. Just as the concert venues and rehearsal spaces impact the band's journey, school design and classroom setup can support or hinder student engagement and creativity—a core idea we explore on the Better Learning Podcast. About Peter Sharma: Peter Sharma is a senior sustainability consultant and Carbon Lead for Stantec's Education sector, where he champions holistic sustainability, embodied carbon reduction, and health and wellbeing in learning environments. With over a decade of experience in the building industry —including numerous K-12 projects—Peter brings a deep understanding of how sustainable design can shape healthier, more inspiring spaces for students and educators alike. Peter is driven by a deep commitment to leaving behind a healthier, more resilient world for his daughter and future generations. He believes that thoughtful design must serve both people and the planet, and that true sustainability is built through collaboration—creating learning environments that uplift communities, foster connection, and stand the test of time. A recognized leader in the building industry, he was honored with the Emerging Green Leader award by the Alberta chapter of Canada Green Building Council (CAGBC) in 2018 for his commitment to advocating, educating, and practicing green buildings. Peter joins the podcast to explore how sustainability and wellbeing aren't just about buildings—they're about the people inside them, and the bold ideas that can rock the system. Learn More About Peter Sharma: LinkedIn: https://www.linkedin.com/in/prateekat/ Learn More About Stantec: Website: https://www.stantec.com/ LinkedIn: linkedin.com/company/stantec Facebook: https://www.facebook.com/StantecInc Twitter: https://x.com/Stantec Instagram: https://www.instagram.com/stantec/ Connect with host, Kevin Stoller: LinkedIn: https://www.linkedin.com/in/kevinstoller/ Learn More About Kay-Twelve: Website: https://kay-twelve.com/ LinkedIn: https://www.linkedin.com/company/kay-twelve-com/ Instagram: https://www.instagram.com/kay_twelve/ Episode 246 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com. For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website
In this episode of the Broad Street Review podcast, host Darnelle Radford celebrates the 10th season with guest Chris Davis, discussing the evolution of his work, the current state of the arts, and the significance of theater in today's society. They explore the challenges faced by artists, the importance of community engagement, and the resilience of the Philadelphia Fringe Festival. Chris shares insights on the future of live theater and the necessity of promoting artistic work to ensure audiences are aware of the vibrant cultural landscape.Chapters00:00 Celebrating a Decade of Podcasting02:51 The Evolution of 'The Presented'05:25 Art in a Changing Political Landscape08:01 The Golden Age of Theater: A Distant Memory?10:33 The Importance of Art in Society13:39 The Resilience of the Fringe Festival16:03 The Future of Live Theater18:43 Engaging the Community with Art21:25 The Role of Awareness in Theater Attendance24:23 Closing Thoughts and EncouragementFROM THE CREATOR OF ONE-MAN NUTCRACKER, AND THE 40-YEAR-OLD BALLERINOThe Golden Age of Theater has ended: grants canceled, theaters shuttered, universities gone bankrupt. Amongst the wrecked landscape comes The Presented. First performed in Philly Fringe 2018, and later Edinburgh 2019, Chris Davis' The Presented has been updated to address the challenges of making art in 2025 asking: where do we go from here?The Presented follows Chris, a struggling artist working concessions at a movie theater, who finds himself spiraling into a surreal subconscious journey triggered (naturally) by popping popcorn. On his quest to confront artistic failure and doubt, Chris meets a parade of strange and compelling characters: a disgraced 19th-century actress, a volatile fringe producer, and a very large bear, among others. With wit, physicality, and an always theatrical flair, Davis explores what it means to be a “chosen” artist in today's world - and why that pursuit might drive you to madness.Running approximately 50 minutes and directed by MK Tuomanen, The Presented is a genre-bending, laugh-out-loud examination of rejection, ambition, and the darkly funny terrain of the creative mind. Whether you're a fellow artist or just someone who's ever dared to dream big, this show will resonate... and possibly convince you to choose a more stable career."the kind of innovative spirit that the Fringe was originally created to showcase." - The List ★★★★FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/the-presented/
"A band named The Velvet Sundown had a hit a short while ago. The concern was that the band and the music were all fake. They were both fully AI generated. It is easier than you think. We have the story and some examples of when I did the same thing for an audience just to prove how easy it is to do."
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Its a brand new episode of the After Party and on this one we bring on Baby Mama Bree! As she comes on spills some much need tea. She tells about her first time on the mean streets of Cinci, she gives us some tips and tricks on rizzing her up plus we catch up with the roll taco queen Tori. Follow us on social media @AaronScenesAfterParty
Join host Darnelle Radford as he sits down with Ang Bey, also known as Rayne, to discuss her innovative play "New Heaven, New Earth." This episode delves into the creative process behind adapting Shakespeare's "Antony and Cleopatra" into a modern narrative that explores themes of identity, power, and cultural legacy. ABOUT NEW HEAVEN, NEW EARTH On the edge of empire, Cleopatra battles a soothsaying Crocodile in this revisionist, Afrocentric adaptation of Shakespeare's “Antony and Cleopatra”. Written by Rayne, directed by Shamus, with live music by Karen Smith, "new heaven new earth” is an allegory that blends ancient history with poetic futurism. When peace demands war, what will you become, and for whom? After an over-sold, one-night showing at Philly Theatre Week, "new heaven new earth" continues its development through Philadelphia Theatre Company's Text and Dramaturgy Cohort at Cannonball. Join us for two, developmental staged-readings of this new play commissioned and produced by Shakespeare in Clark Park with Upstream Performance Collaborative and Cannonball. Rayne the Playwright Kishia Nixon* as Cleopatra Ross Beschler* as Marc Antony STARFIRE as Charmian & Crocodile Adam Howard as Octavius et al Jo Vito Ramírez* as Enobarbus et al Katherine Perry as Octavia et al Live Original Music by Karen Smith Stage Management by Randi Alexis Hickey* FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/new-heaven-new-earth/
"The Rock School show is now a part of the Library of Congress through their American Archive of Public Broadcasting. I know. I can barely believe it myself. Here is the story of the Library of Congress and how this all came to be. Check the calendar. It is not April and I am not fooling."
"This is a fun parlor game. Name a band, a song by that band and then an album from that band that are all named exactly the same. Here is an example. Bad Company by Bad Company on the album Bad Company. There are many that are close but a true Trilogy is all three exactly the same."
Movie Meltdown - Episode 646 (For our Patreon "Horror Club") This episode we discuss the 2022 film Soft & Quiet, written and directed by Beth de Araújo. And while we critique certain people's pie skills, we also cover… Barbarian, Sinners, Naked Lunch, I Know What You Did Last Summer, Crystal Lake, David Cronenberg, dalliance, Zach Cregger, Linda Cardellini, the director's perspective and making people very upset and very uncomfortable. Spoiler Alert: Full spoilers for the “Soft & Quiet”, so watch the movie before you listen. “I will say, immediately… you get bad vibes from that lady.”
"Naming a band can be quite difficult. The list of bands we will discuss today went back into history to grab a name or an event to come up with a moniker. You know a good many of them. "
"The K Pop band EXO claimed that one of their concerts in South Korea sold out in less than two seconds. It sounds impossible because you are not being told the entire story. It is a badge of honor for bands to sell out quickly. Other than EXO, who did legitimately sell out the fastest. We will tell you our pick."
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. On this episode we're joined by an After Party legend: ROMAN ROUGE. He comes on we talk about his rebrand as a DJ/Producer, finding his way through it and when we can expect his return. Plus we talk about our favorite pandemic moments and what he's been up to nowadays. Follow us on social media @AaronScenesAfterParty
"Often an actor will start a band once her or she is famous. However many actors start as musicians. Some saw great success. We have some surprising names this week."
"Rock and Roll really came into its own in the 1950s and once it did someone was always proclaiming it bad for the youth in one way or another. These were generally called Moral Panics. Here is the history and some examples of a few of the most popular Moral Panics."
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Its a special Independence Day episode featuring our girl VOO. She tells us all about how she got started dancing in the Sun City, some wild club stories and we talk about good and bad times at the infamous Jaguars Gentleman's Club. Plus she tells us what she's up to nowadays including her brand new single life. Follow us on social media @AaronScenesAfterParty.
"Here is the second show where we play songs you might not know were covers. Often the cover version of a song becomes a bigger hit. And even if you did know the hit was a cover you may not know the original. We will play you a few."
"This is the first of a two show set. Often people are shocked to hear that a hit song is a cover. We have put together a long list of hit songs that are covers and we will play the original to you can hear where the hit you know came from."
"In July of 1962, the Rolling Stones play their first gig in the Marquee Club. The Marquee Club was one of the main venues for 1960s British rock. This week we will discuss the rather interesting history of the Marquee Club."
"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. Peep the brand new episode featuring the one and only El Paso Foos! As he comes on reveals the face behind the instagram account and we chop it up and get to know him. He tells us about his early success in the music scene and his transition to talent management plus he names some of the best artists in the Sun City. Follow us on social media @AaronScenesAfterParty
Today on the podcast:Director, Amina Robinson drops in to talk about the Interact Theatre Company production in collaboration with Theatre In The X of ON MY DEEN by Antu Yacob, commissioned as part of The Philly Cycle, on stage through June 28th. Here is my interview with Amina Robinson for ON MY DEEN.ON MY DEENby Antu Yacob directed by Amina Robinson (Fat Ham, Once On This Island, Intimate Apparel, The Color Purple)June 6-28, 2025 World premiere, commissioned as part of The Philly Cycle (A new three-part play commission project. Sponsored by THE WILLIAM PENN FOUNDATION)ON MY DEEN was written about and with Philadelphia's Black Muslim Community.West Philly. Spring 1962. Faye Ann has just joined the Nation of Islam, setting her life on a whole new path. Her best friend, Michael, would like to be a lot more than friends, but the two can't seem to agree on religion, politics, or even what makes a good pie. Over the passing decades, personal circumstances and cultural upheavals bring Faye Ann and Michael together as much as they keep them apart. Can these would-be lovers find each other while seeking their own paths to peace?In this engaging podcast episode, host Darnelle Radford speaks with director Amina Robinson about her journey in theater and the world premiere of 'On My Dean.' They explore the themes of the play, which serves as a love letter to Islam, and discuss the importance of authenticity and cultural sensitivity in theater production. Amina shares her personal connection to the story, rooted in her father's experiences, and highlights the dynamic nature of the creative process in theater. In this conversation, Amina Robinson and Darnelle Radford discuss the intricacies of staging a new play that explores Muslim identity and community. They delve into the importance of cultural sensitivity in storytelling, the evolution of the play, the dynamics of the cast, and the challenges faced during the production process. Amina shares her personal connections to the themes of faith and representation, highlighting the significance of portraying authentic narratives in theater. The conversation culminates in an invitation for audiences to experience the play, emphasizing its unique storytelling and cultural relevance.Chapters* 00:00 Introduction to Amina Robinson and On My Dean* 09:03 Exploring the Themes of On My Dean* 12:04 The Writer's Journey and Authentic Representation* 14:58 Cultural Sensitivity in Theater Production* 17:08 Cultural Sensitivity in Storytelling* 18:44 The Evolution of the Play* 20:09 Cast Dynamics and Community Representation* 21:52 Challenges of Last-Minute Casting* 24:21 Personal Connections to Faith* 25:36 The Importance of Faith in Daily Life* 27:27 Representation in Media* 29:00 Memorable Moments in the Play* 31:32 The Structure of the Play* 33:34 The Significance of New Plays* 34:54 Invitation to Experience the PlayFOR TICKETS AND INFORMATION: https://interacttheatre.org and https://theatreinthex.com
"Back in 1973 Muhammad Ali knocks out George Foreman in what was called The Rumble in the Jungle. This victory inspires Johnny Wakelin to write the song Black Superman. He gets a hit with it. So what other songs are written for or about athletes. We have a list."
The new Rumps & Bumps jersey just dropped! Check out afterpartyinc.com. The boyz are back with another episode! And on this one we feature the return of Louyah! Who comes on talks about his first time in Mexico, his latest Dive Bar Tour run and new projects he's been working on. Plus his tour manager comes on and gives him hell and he shares some crazy stories from his tour! Follow us on social media @AaronScenesAfterParty
© 2020-2025 Ivy Podcast Discovery LLC
