Podcast appearances and mentions of Joseph Haydn

In deze aflevering van Kalm met Klassiek is het de beurt aan een tweede wereldberoemde componist uit de Klassieke tijd: Joseph Haydn. In het tweede deel uit zijn 'Pianoconcert in G-groot' kun je goed luisteren naar één van de ontwikkelingen in de Klassieke periode: de komst van de fortepiano. Presentator Ab Nieuwdorp vertelt je meer over dit instrument. En vervolgens mag je je oren spitsen. Hoor jij het verschil met de moderne piano?  Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

In deze week bij Kalm met Klassiek duiken we de Klassieke tijd in, de stijlperiode van omstreeks 1750 tot 1800. Deze periode wordt ook wel gezien als het startpunt van wat we nu klassieke muziek noemen. Verwacht de mooiste, rustgevende muziek van grootmeesters als Wolfgang Amadeus Mozart, Joseph Haydn, en Ludwig van Beethoven. Met die laatste openen we de week. Beethoven schreef een 'Sextet voor 2 hoorns en strijkkwartet', en daaruit hoor je het heerlijk kalmerende tweede deel. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37). 

"Aus dem Nähkästchen plaudern", lautet eine deutsche Redewendung, mit der zum Ausdruck gebracht wird, wenn jemand etwas Intimes einer mehr oder minder großen Öffentlichkeit preisgibt. Wie verwerflich ist das, und wie verhält es sich ist bei Personen des öffentlichen Lebens, zum Beispiel bei großen Komponisten? Haben sie eine Anrecht auf eine Privatsphäre, oder darf verraten werden, was sie so getrieben haben, wenn sie nicht gerade komponierten? Unser ZOOM hat sich über alle Bedenken hinweg gesetzt und einem berühmten Musiker unter die Bettdecke geschaut.

Moin! Wir vom Team um "Philipps Playlist" wollen den Podcast immer weiter verbessern. Um das zu tun, möchten wir gerne Deine Meinung, Deine Ideen und Deine Kritik hören. Und ganz nebenbei möchten wir auch Dich und alle anderen besser kennenlernen. Vielen Dank, dass du an dieser Umfrage teilnimmst, das hilft uns wirklich sehr: https://umfrage-ndr.limequery.com/247836?lang=de-informal Wenn sich die Müdigkeit wie eine sanfte Decke über alles legt. Der Körper wird schwer, die Augen fallen zu. Jeder Gedanke gleitet träge dahin, wie ein Blatt, das vom Wind getragen wird. Und dann setzt die Musik ein, warm und vertraut: Diese Musikstücke hast Du in der Folge gehört: Hayato Sumino – "After Dawn" // Sergej Rachmaninow – "Vocalise" // Chad Lawson – "Falling Ocean" // Ola Gjeilo – "Ubi Caritas" // Joseph Haydn – "Klavierkonzert F-Dur, Largo cantabile" // Den Podcast "Mein Mensch" von SWR Kultur findest Du hier: https://www.ardaudiothek.de/sendung/mein-mensch/14301485/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Carlos Iribarren | La imagen de la Virgen María sosteniendo el cuerpo de su hijo tras la crucifixión ha inspirado a artistas de todas las épocas y disciplinas. Aunque quizá nos vengan primero a la cabeza los cuadros y las esculturas más célebres, aquí nos dedicamos a la música y queremos compartir con vosotros varias obras tituladas Stabat Mater, en las que se ha destacado ese momento tan emotivo a través de una música conmovedora. Son piezas compuestas por Joseph Haydn, Zoltán Kodaly, Nicola Bonifacio Logroscino, Giovanni Battista Pergolesi y 3 maestros checos: Ryba, Tucapsky y el genio Antonín Dvorak. Carlos y Mario comparten micrófonos con el musicólogo y entusiasta David González Nuño, quien tiene la habilidad de contarnos muchos detalles con precisión de cirujano. Todo con la finalidad de que disfrutes al máximo de la nueva y sacra entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender

Una Constitución formal tiene que constituir la separación de poderes y por lo tanto no puede ser ideológica. -Fuentes del audio- Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-26-piensa-veras-audios-mp3_rf_23386869_1.html Música: 2º mov. Largo de la sinfonía nº88 de Joseph Haydn. ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ---------------------------- mcrc.es diariorc.com.

In this episode, we talk about how how Jane Austen has solved the problem of the infodump, the realism of the scene with little Walter, how she shows the relations within families, and how events on the walk to Winthrop affect Wentworth's feelings.The characters we discuss Louisa and Henrietta Musgrove. In the historical section, Ellen talks about curates, and for popular culture both Harriet discusses the 2007 ITV film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth (reference in the Persuasion footnotes is to A Memoir of Maria Edgeworth with a Selection from her Letters (1867), vold. 2, pp. 5-6.)Character discussion:Irene Collins, Jane Austen and the Clergy (2002)Historical discussion:Anthony Trollope, The Last Chronicle of Barset (1867)Stipendiary Curate Act 1713 Popular culture discussion:Clerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Tauchen Sie ein mit uns in die faszinierende Klangwelt des späten 18. Jahrhunderts! In dieser Folge nehmen wir Sie mit zu unseren beiden »Vor Ort Konzerten«, welche die Verbindung zwischen Bonn und Paris hörbar machen. Werke von Joseph Haydn, François-Joseph Gossec, Anton Romberg und Luigi Boccherini erzählen von kulturellem Austausch, musikalischen Strömungen und den klanglichen Besonderheiten dieser Epoche. Was machte Paris zur Musikmetropole ihrer Zeit? Wie beeinflussten sich deutsche und französische Komponisten gegenseitig? Und welche Rolle spielte Bonn in diesem musikalischen Dialog? Begleite uns auf eine Reise durch kunstvolle Sinfonien, ein virtuoses Solo-Konzert und mitreißende Orchesterklänge – ein Fest für alle Liebhaber der klassischen Musik!

On parle toujours des plus grands compositeurs comme Mozart, Beethoven, Chopin... Olivier Bellamy raconte le destin du grand compositeur du 18e siècle Joseph Haydn, contemporain de Mozart, à l'origine de 104 symphonies... Chaque semaine, retrouvez les meilleurs moments de l'émission "Ça va faire des histoires" diffusée l'été 2024 sur RTL. Jean-Michel Zecca avait réuni les meilleurs experts de RTL pour un grand concours d'anecdotes.

Interpreten: Thomas Hampson, Würth Philharmoniker, Claudio VandelliLabel: hänssler ClassicEAN: 881488240214Dass es auch in unserer Zeit und unseren Breiten noch wirkliches, gelebtes Kultur- und Musikmäzenatentum gibt, beweist nicht nur HP Haselsteiner mit seinem Engagement u.a. in Erl, sondern auch die Würth-Gruppe mit eigenem Konzertsaal und Museum im kleinen deutschen Städtchen Künzelsau. Und wenn schon eiin Konzertsaal gebaut wurde, hat die Reinhold Würth Musikstiftung 2017 auch gleich ein dazu passendes Orchester ins Leben gerufen. Auf der bereits dritten CD haben sich die Würth Philharmoniker mit Thomas Hampson einen besonderen Gast eingeladen. Michael Gmasz berichtet. Für ihr drittes Album sind die Würth Philharmoniker unter Chefdirigent Claudio Vandelli ihrer schon bisherigen Leidenschaft treu geblieben, nämlich Altbekanntem in neuer Fassung auf den Grund zu gehen. Thema des Albums mit Werken von Schubert, Brahms und Mendelssohn-Bartholdy ist die Orchestrierung, also die Kunst, Musik auf eine neue Orchesterbesetzung zu übertragen. Schuberts Lieder für mittlere Singstimme und Orchester erklingen in der Fassung von Brahms, aus seiner Feder gibt es auch die Variationen über ein Thema von Joseph Haydn. Zu original Brahms wiederum hat Detlev Glanert vier Präludien und ernste Gesänge für Bassbariton und Orchester geschrieben. Und zu guter Letzt ist das einzige Werk in „Originalbesetzung“ die Hebriden Konzertouvertüre von Felix Mendelssohn-Bartholdy.Thomas Hampson verleiht den Liedern von Schubert eine Dringlichkeit und Dramatik, bringt aber auch verliebten Schmelz zutage. Absoluter Höhepunkt auf dieser CD sind für mich aber vor allem die Vier Präludien und Ernsten Gesänge von Brahms und Detlev Glanert. Verwendet Glanert bei seinen Brahms-Bearbeitungen ausschließlich originales Musikmaterial, so schafft er mit seinen eigenen instrumentalen Zwischenspielen einen zeitgenössischen und zeitgemäßen Blick auf die 150 Jahre alten Lieder. Als durchkomponierte Suite angelegt, gelingen hier, inklusive Postludium, gute 22 Minuten spannungsreiche Musikdramatik. Die Würth Philharmoniker selbst präsentieren sich mit Brahms‘ Variationen über Haydns St-Antoni Choral und Mendelssohn Hebriden-Ouvertüre als ganz ausgezeichneter Klangkörper! Und lassen Sie mich noch einen Satz zur Reinhold Würth Musikstiftung sagen: man kann Geld auch auf viel schlechtere Weise anlegen, als in Kunst und Kultur. Also danke! (mg)

Bridgetower wird als Wunderkind und "Schwarzer Geiger" berühmt. Am 19.02.1790 wird er entdeckt - und begeistert Beethoven später so, dass der ihm ein Meisterwerk widmet. Von Holger Noltze.

This is an in-between ‘extras' episode. Our episodes are normally not more than an hour in length, which means that we usually have to cut a certain amount of material in the editing. But for Episode 3, we had much more material than usual. So we kept the episode down to an hour, but decided to release an ‘extras' episode, with some of the bits we edited out.It's a bit disjointed, but we hope you enjoy it.THINGS WE MENTIONCharacter discussion:Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:The Aubrey & Maturin novels of Patrick O'BrienAdmiral Thomas Cochrane (1775-1860)Popular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsThe Bounty (1984)CREATIVE COMMONS MUSIC USEDExtract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

To mark his inauguration as Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, Sir Simon Rattle chose Joseph Haydn's oratorio The Creation. After two concerts on September 21 and 22, 2023 in Munich's Herkulessaal, the work was performed on September 24 in the historic basilica of Ottobeuren in Upper Swabia, together with the three outstanding soloists Lucy Crowe (soprano), Benjamin Bruns (tenor) and Christian Gerhaher (baritone). This album comes from these inaugural concerts.  

"Das Glück dieser Erde liegt auf dem Rücken der Pferde": Diesen Satz hätte Joseph Haydn wahrscheinlich nicht unterschrieben. Ihm persönlich war die Reiterei nämlich nicht mehr so ganz geheuer, nachdem er einmal vom Pferd gefallen war. Doch trotz Haydns schlechten Erfahrungen mit Pferden, hat er ein Quartett komponiert, das ausgerechnet den Beinamen "Reiterquartett" trägt.

In this episode, we talk about how how Jane Austen tells us about the feelings of Anne and Captain Wentworth, and how the narrator captures Anne's emotions; the building up of the relationship between Charles and Mary, and their reaction to Little Charles' accident; Mrs Musgrove's feelings about her son; and Mrs Croft's travels.The character we discuss is Captain Wentworth. In the historical section, Harriet's partner Michael talks about the Navy, and for popular culture both Harriet and Michael discuss 1995 BBC film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:First Impressions podcast, ‘Ep 17: Persuading Kristin to Like Persuasion‘, 22 January 2017.Historical discussion:Security to Merchant Ships Act 1707 (6 Ann. c. 65), generally known as the Cruisers and Convoys Act 1708Distribution of prize money: see table on our websitePopular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

durée : 01:28:09 - Une heure et plus, un compositeur : Joseph Haydn - par : Aurélie Moreau - Comme il le disait lui-même : « Il n'est besoin que de quelques mots pour dire la vérité. » Cette sagesse, teintée de modestie, caractérise bien sa personnalité. À la fois inventif et pragmatique, Haydn a forgé sa renommée grâce à son génie, sa rigueur et son engagement pour la musique.

Franz Steindl -Als Geschäftsführer der Joseph-Haydn-Privathochschule ist Franz Steindl maßgeblich an deren erfolgreicher Akkreditierung beteiligt gewesen. Dieses international anerkannte Institut fördert Talente aus 32 Nationen. Er kocht: Spaghetti Bolognese.

In deze Masterworks-aflevering staat de vlotte en vrolijke Symfonie nr. 59 van Joseph Haydn centraal, also known as de ‘Vuursymfonie'. Gecomponeerd in hooguit een week, in opdracht van de adellijke Esterhazy-familie waar Haydn huiscomponist was. Hoe komt het stuk aan zijn bijnaam? Wat is dat eigenlijk: een symfonie? En wat is de impact van Haydns werk, dat stamt uit de experimentele beginfase van het fenomeen ‘symfonie'?

Hoje, temos o prazer de receber Ricardo Cabaça, um dramaturgo cujo trabalho nos desafia a refletir sobre temas universais e intemporais.A nossa conversa centra-se em "Dramaturgia: Paixões", um ciclo de peças curtas que terá lugar no Teatro São Luiz, e que parte das sete últimas palavras de Jesus Cristo. Inspirado pela obra de Joseph Haydn e atravessado por questões como a dor, o sacrifício e a fé, este projecto estabelece uma ligação única entre dramaturgia e música, explorando ainda o potencial das ferramentas digitais no processo criativo.Ao longo desta conversa, falamos sobre o que levou o Ricardo a revisitar estas palavras tão carregadas de significado, como foi transformar esse fascínio inicial em texto, e o papel dos leitores-críticos na construção das peças. Refletimos também sobre a recepção do seu trabalho em diferentes países e o impacto das perspetivas artísticas dos convidados que integram este ciclo.Preparem o vosso café e juntem-se a nós nesta conversa sobre paixão, arte e a capacidade do teatro para criar ligações profundas com o público contemporâneo. Fiquem desse lado.RecursosDramaturgia: Paixões (Teatro São Luiz)Mr Bird  (autor da música)Nicolás Fabian (autor do design)Subscreve no SpotifySubscreve na Apple Podcasts

Nádherymilovný a Veľkolepý. Takéto prívlastky si vyslúžili dve kniežatá a dvaja Mikulášovia z rodu Esterházyovcov, ktorých nám dodnes v blízkosti Neziderského jazera pripomínajú dva zámky – Esterháza a Eisenstadt. Tie sa v priebehu druhej polovice 18. a na začiatku 19. storočia stali miestami, kde sa sústredil život najvyššej aristokracie, vyberaný vkus, umelecké zbierky nesmiernej hodnoty a hudobná produkcia, ktorá vďaka ikonickej značke Joseph Haydn žije dodnes. Už súčasníci však upozorňovali na obrovské výdavky a priam až neuveriteľnú márnivosť kniežat Mikuláša I. a Mikuláša II. Esterházyovcov. Jej symbolom sa stala perlami a briliantmi vyšívaná uniforma nosená pri prehliadkach uhorskej Kráľovskej telesnej stráže, z ktorej neskôr vyžilo niekoľko aukčných spoločností a v jednej chvíli takmer položila trh s diamantmi. Esterházyovci teda netrochárčili a boli rozhodne veľkolepí v každom ohľade. A práve o tomto zlatom veku dejín esterházyovského rodu sa Jaro Valent rozpráva s historičkou Annou Fundárkovou z HÚ SAV. *Podporte podcast Dejiny v aplikácii Toldo na sme.sk/extradejiny. – Ak máte pre nás spätnú väzbu, odkaz alebo nápad, napíšte nám na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaroslav.valent@petitpress.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Všetky podcasty denníka SME nájdete na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj denný newsletter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/suhrnsme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Ďakujeme, že počúvate podcast Dejiny.See omnystudio.com/listener for privacy information.

In this episode, we talk about how the backstory of Anne and Wentworth is presented without comedy, and yet is absolutely enjoyable. We then move on to the introduction of Mary, and why she is the way she is, the generational change we see in the Musgrove family, and the very unsympathetic portrayal of Dick Musgrove.The character we discuss is Lady Russell. In the historical section, Ellen talks about social precedence, and for popular culture Harriet has watched the 1972 Spanish television adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)George Eliot, Middlemarch(1872)Maria Edgeworth, The Good French Governess (1801)Charlotte M. Yonge, The Daisy Chain (1856)Ethel Turner, Seven Little Australians(1894)Historical discussion:Anthony Powell, The Acceptance World (1955)The Right Hon. the Countess of *******, Mixing in Society: A Complete Manual of Manners (1870)Debrett's Tables of PrecedencePopular culture discussion:TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTube: PlaylistCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In een nieuwe aflevering van Europa Draait Door bespreken Tim en Arend Jan de alarmerende staat van de Russische economie met Derk Sauer, uitgever van de Moscow Times. Terwijl de oorlog in Oekraïne voortduurt, begint de Russische economie steeds meer te piepen en kraken: Inflatie giert de pan uit, de waarde van de roebel keldert de laatste weken en ook sommige sancties van het Westen lijken hun tol te eisen. Wat betekent dit voor de toekomst van de oorlog en voor Europa? En komt het voor Rusland misschien ook zo slecht nog niet uit dat Trump zo snel mogelijk een deal wil sluiten als hij weer aan de macht komt? Daarnaast aandacht voor de memoires van Angela Merkel en wordt er een blik geworpen op de presidentsverkiezingen in Roemenië, waar een pro-Russische kandidaat tot ieders verbazing de eerste ronde wist te winnen. Shownotes: BBC Global News Podcast over memoires Merkel (https://www.bbc.co.uk/programmes/p0k6tf5l) Angela who? Merkel's legacy looks increasingly terrible (https://www.economist.com/europe/2024/10/24/angela-who-merkels-legacy-looks-increasingly-terrible) De Russische moeders zijn cheerleaders geworden van de oorlog die hun eigen zonen verslindt (https://www.parool.nl/columns-opinie/de-russische-moeders-zijn-cheerleaders-geworden-van-de-oorlog-die-hun-eigen-zonen-verslindt~badb64fd/) Putin says Russia fired experimental ballistic missile into Ukraine (https://www.theguardian.com/world/2024/nov/21/putin-says-russia-fired-experimental-ballistic-missile-into-ukraine?CMP=Share_iOSApp_Other) How a pro-Putin TikTok star topped Romania's presidential poll (https://www.ft.com/content/47b8b7f0-95d6-4fe0-aec9-ae28e3690d19) Joseph Haydn, Alfred Brendel - Piano Sonata in E minor, H.XVI No.34: 1. Presto  (https://open.spotify.com/track/6LkmJhMYWn2lrN8Lu935t2?si=c48a636ce602478b)  

In this episode, we talk about the publishing history of Persuasion, the precise dates we are given in the book, the fact that we learn very little about Anne in the first chapters, and how well Mr Shepherd is managing Sir Walter.The character we discuss is Sir Walter Elliot. In the historical section, Ellen talks about baronets, and for popular culture Harriet gives an overview of the screen adaptations of Persuasion, and then talks in more detail about the about the 1971 BBC adaptation.Things we mention:Historical discussion:John Debrett, The Baronetage of England, containing their Descent and Present State (1808)William Dugdale, The antient usage in bearing of such ensigns of honour as are commonly called arms (1682)Thomas Wotton, The English Baronetage : containing a genealogical and historical account of all the English baronets, now existing (1741)John Burke, A Genealogical and Heraldic History of the Landed Gentry (1838)Popular culture discussion:BBC, Persuasion (1960) – starring Daphne Slater and Paul DanemanBBC, Persuasion (1971) – starring Ann Firbank and Bryan MarshallWatch on YouTube: Part 1 and Part 2Stairs on the CobbTVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoBBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsClerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesNetflix, Persuasion (2022) – starring Dakota Johnson and Cosmo JarvisCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

This weekend the DSO performs Gustav Mahler's monumental Symphony No. 5. Joseph Haydn's 100th Symphony opens the program. DSO concertmaster Robyn Bollinger joins 90.9 WRCJ's Peter Whorf to talk about Mahler, Haydn and Beethoven.

Die wohl exzentrischste der Pariser Sinfonie ist die Nr. 83 «La Poule». Die gackernde Oboe im ersten Satz hat ihr den Namen gegeben. Haydn liebte solche Anspielungen, kleine Witze, humorvolle Themen – und das französische Publikum frass ihm aus der Hand. Haydn ist hier der intellektuelle Ironiker, die Sturm-und-Drang-Phase ist abgeschlossen. Und ja, das gackernde Seitenthema im ersten Satz, das der Sinfonie den Namen gegeben hat, könnte ironischer nicht sein, das unwillkürliche Fortissimo im Andante, das bukolische Menuett und dann schliesslich das Jagdfinale: Alles deutet auf einen neuen Stil hin, den Haydn dem internationalen Publikum in Paris serviert. In der öffentlichen Diskothek im Musik- und Kulturzentrum Don Bosco in Basel hat Annelis Berger zwei Gäste geladen: Meret Lüthi, Geigerin und Leiterin des Ensembles «Les Passions de lÂme» und Christian Wildhagen, NZZ-Musikkritiker.

Die wohl exzentrischste der Pariser Sinfonie ist die Nr. 83 «La Poule». Die gackernde Oboe im ersten Satz hat ihr den Namen gegeben. Haydn liebte solche Anspielungen, kleine Witze, humorvolle Themen – und das französische Publikum frass ihm aus der Hand. Haydn ist hier der intellektuelle Ironiker, die Sturm-und-Drang-Phase ist abgeschlossen. Und ja, das gackernde Seitenthema im ersten Satz, das der Sinfonie den Namen gegeben hat, könnte ironischer nicht sein, das unwillkürliche Fortissimo im Andante, das bukolische Menuett und dann schliesslich das Jagdfinale: Alles deutet auf einen neuen Stil hin, den Haydn dem internationalen Publikum in Paris serviert. In der öffentlichen Diskothek im Musik- und Kulturzentrum Don Bosco in Basel hat Annelis Berger zwei Gäste geladen: Meret Lüthi, Geigerin und Leiterin des Ensembles «Les Passions de lÂme» und Christian Wildhagen, NZZ-Musikkritiker.

Sand unter den Füßen, Seeluft um die Nase und Musik im Ohr. Komm mit auf eine musikalische Reise an die Nordsee: Endlose Wellen und Geschichten von fremden Gestaden. Diese Musikstücke hörst Du in dieser Folge: Jon – "Am Meer" // Norma – "Gul ruad blä" // Joseph Haydn – "Klavierkonzert F-Dur, Adagio" // Stephan Diez – "Above" // Anton Arensky – "Romanze" // Den Podcast "WDR 3 Klassik Crush" findest du hier: https://www.ardaudiothek.de/sendung/wdr-3-klassik-crush/94599094/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

This August I shall be supplementing each new episode published with a first-time general posting of bonus episodes which were originally available only for my Patreon subscribers. Today, in the first of my “new reissues,” I present “George Shirley Revisited,” a supplement to the tribute I posted three years ago, and which I now offer as a belated 90th birthday salute. In this episode, I offer further examples of the great tenor's eclectic repertoire and interpretive depth. Guest vocalists include Shirley Verrett and Elisabeth Söderström and conductors include Pierre Boulez, Thomas Schippers, Eugene Ormandy, Colin Davis, Antal Doráti, Jesús López Cobos, and Igor Stravinsky himself. Composers sampled include Jules Massenet, Howard Swanson, Wolfgang Amadeus Mozart, Richard Strauss, Johann Sebastian Bach, Richard Wagner, Norman Dello Joio, Felix Mendelssohn, Vally Weigl, Joseph Haydn, and James Dashow, whose Second Voyage, a setting of John Ashberry scored for tenor voice and recorded electronic sounds, was commissioned for George Shirley by the National Endowment for the Arts in 1976. I also include a number of rare recordings that George Shirley and Wayne Sanders made in 1973 for Music Minus One's Laureate Series and that, to my knowledge, are among his rarest recordings. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Mit einem Gastspiel des Streichquartetts „Novo Quartet“ in Diemarden geht das Festival „Kultur im Kreis“ am 4. August an den Start. Nicht nur für die musikalische Begegnung mit Werken von Joseph Haydn, Ludwig van Beethoven und Caroline Shaw in der St. Michaelis-Kirche ist am Wochenende ein Ausflug nach Diemarden fällig. Dort organisiert nämlich der Heimatverein Diemarden nicht nur ein abwechslungsreiches Konzertprogramm, sondern auch Erzählcafés, historische Exkursionen und jede ...

The South Dakota Symphony performs Joseph Haydn's Symphony No. 59 in A major.

durée : 01:27:36 - En pistes ! du lundi 24 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce lundi matin, Emilie et Rodolphe vous proposent d'écouter les œuvres de François Colin de Blamont, Joseph Haydn, Frédéric Chopin, Wolfgang Amadeus Mozart, György Ligeti et Antonio Rosetti. En pistes !

Den Tag langsam in die Nacht schicken und den Frieden ins Haus lassen. Hier kommst du entspannt zur Ruhe. Diese Musikstücke hast Du in der Folge gehört: Carmen Cuesta – "Shape Of My Heart" // Joseph Haydn – "Klavierkonzert 3 (Largo cantabile)" // Paul McCartney – "Calico Skies" // Ludwig van Beethoven – "Klaviersonate Pathetique (Adagio cantabile)" // Nighthawks – "Define The Day" // Den Podcast "I Will Survive – Der Kampf gegen die AIDS-Krise" von BR 2 findest du hier: https://1.ard.de/der_kampf_gegen_die_aids_krise Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib mir eine Mail: playlist@ndr.de

"Er durchbrach die Grenzen des Himmels", das steht auf dem Grab von William Herschel geschrieben. Herschel ist uns als Musiker bekannt, aber berühmt wurde er als Astronom. Er entdeckte Sternenbilder und zeigte die auch seinen Zeitgenossen. Der Blick ins Weltall konnte allerdings wahrhaft schockierend sein. Davon zeugt ein wichtiges musikalisches Dokument. "Die Schöpfung". Bevor Joseph Haydn die zu komponieren begann, erlebte er diesen Schock - den Blick in die Ewigkeit. Unser ZOOM fängt diese Begebenheit ein.

durée : 01:28:10 - En pistes ! du vendredi 17 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe vous proposent de clôturer la semaine en parcourant les œuvres de Tommaso Carapella, Isaac Albéniz, Ludwig van Beethoven, Jules Massenet, François Couperin, Johannes Brahms, Arturo Márquez et Joseph Haydn. En pistes !

1979 wurde das Ensemble "Les Arts Florissants" von William Christie gegründet. Seine Spezialität war die französische Musik des Barock - das Repertoire wuchs mit der Zeit bis zu Klassikern wie Joseph Haydn. Nur Johann Sebastian Bach sparte Christie aus. Diese Lücke will sein Nachfolger Paul Agnew jetzt füllen. Er beginnt am Anfang - mit frühen Kantaten Bachs.

Inside The Music explores works of composers Joseph Haydn and Ludwig van Beethoven following the connection between the two. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores the path from Haydn to Beethoven through live CRC performances by the Jupiter and Brentano quartets featuring an interview with Misha Amory, violist of the Brentano Quartet.Haydn: String Quartet in F Major, Op. 77, No. 2Allegro moderatoAndanteJupiter Quartet [10/2/2008]Beethoven: String Quartet in F Major, Op. 18, No. 1Allegro con brioAdagio affettuoso ed appassionatoBrentano Quartet [1/24/2010]Featuring an interview with Misha Amory, violist of the Brentano QuartetDive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

durée : 01:27:42 - En pistes ! du vendredi 26 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Emilie et Rodolphe vous proposent de clôturer la semaine en compagnie de Sergueï Rachmaninov, Georg Friedrich Haendel, Dmitri Chostakovitch, Johannes Brahms, Melchior Neusidler, Hans Judenkönig et Joseph Haydn. En pistes !

durée : 00:13:50 - Le Disque classique du jour du jeudi 25 avril 2024 - Le violoniste et altiste Ryo Terekado et la claveciniste Noriko Amano, qui dirige également l'ensemble Pearls in Baroque, nous offrent un enregistrement d'œuvres de Joseph Haydn et de son frère cadet, Michael Haydn

Inside The Music explores works of composer Joseph Haydn leading to his being the father of the Classical era. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores Haydn through live CRC performances by pianist Paul Lewis, the Belcea and Doric Quartets, Trio Cavatina, and the Haydn-Ensemble Berlin with conductor Hansjörg Schellenberger.Haydn: Piano Sonata in E Minor, Hob. XVI:34PrestoAdagioVivace moltoPaul Lewis, piano [10/20/2019 performance]Haydn: String Quartet in G Major, Op. 33, No. 5Largo e cantabileScherzo: AllegroBelcea Quartet [10/14/2018 performance]Haydn: String Quartet in B-flat Major, Op. 64, No. 3 – Menuet: AllegrettoDoric Quartet [3/10/2017]Haydn: Piano Trio in E Minor, Hob. XV:12 – Allegro moderatoTrio Cavatina [10/28/2009]Haydn: Symphony No. 22 in E-flat Major, Hob. I:22, The PhilosopherMenuetFinale: PrestoHaydn-Ensemble BerlinHansjörg Schellenberger, conductor [10/14/2000]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

durée : 01:28:26 - En pistes ! du mardi 09 avril 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce mardi matin, nous parcourons les époques et les styles avec les œuvres de Gustav Mahler, Claude Debussy, Domenico Scarlatti, Joseph Haydn, Nikolai Kapustin, mais également Franz Schubert, Maurice Ravel et Richard Strauss. En pistes !

In this episode, we are joined by Harriet's partner, Michael, and read chapters 46 to 50 of Emma. We talk about Emma's emotional roller coaster, reactions to the Frank-Jane revelation, the proposal scene and Emma's commitment to her father.The character we discuss is Frank Churchill, and then Michael talks about the changing lifestyle of Regency gentleman. In the popular culture section, Harriet talks about three books that are modernised versions of Emma.Things we mention:Character discussion: Serene, The Piano Scene: through Jane's eyes (11 December 2023) – and some other posts about EmmaPopular culture discussion:Alexander McCall Smith, Emma: A modern retelling (2014)Sonali Dev, The Emma Project(2022)Audrey Bellezza and Emily Harding, Emma of 83rd Street(2023)Mäda Primavesi by Gustav KlimtCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Tras un monográfico musical alrededor del Ave María, el tenor José Manuel Zapata se pone más ecléctico para continuar avanzando en esta música sagrada que arropa la Semana Santa y que hoy nos acerca, entre otros, a grandes maestros de la música como Johann Sebastian Bach, Beethoven o Joseph Haydn. ¡Sube el volumen porque esta música te elevará!Escuchar audio

This Day in Legal History: Canada CreatedOn March 29, 1867, a pivotal moment in legal and political history unfolded as the British Parliament passed the British North America Act, laying the groundwork for a united and independent Dominion of Canada. This act was a monumental step, not just for the territories involved, but for the concept of nation-building and governance in the 19th century. It provided a structured constitution for Canada, which at the time, united the provinces of Nova Scotia, New Brunswick, and the Canada province (which was subsequently divided into Ontario and Quebec) under a single federal government. This legislative move was pivotal in defining Canada's national identity and sovereignty.The British North America Act, also known as the Constitution Act of 1867, is celebrated for introducing a federal system of government, allocating specific powers to the provinces and others to the federal government, a structure that has endured and evolved. It also established the bicameral legislature comprising the House of Commons and the Senate, adopting a parliamentary system modelled after that of the United Kingdom. This act not only marked the legal birth of Canada but also set a precedent for the peaceful transition of power and the creation of new nations through legislative means.The passage of this act was the culmination of a series of conferences and negotiations among the leaders of the British North American colonies, reflecting a mature and collaborative approach to nationhood. It addressed the pressing need for a united front in the face of external threats and internal discord, particularly the Fenian raids and the threat of American expansionism. When the act took effect on July 1, 1867, it did not merely create a new country; it established a framework for democracy, rights, and governance that Canadians continue to build upon. This legislation stands as a testament to the enduring values of unity, cooperation, and self-governance, marking March 29 as a day of significant legal and historical importance in the creation of the Dominion of Canada.The U.S. is facing a growing legal dispute over nuclear waste storage, likely headed for the Supreme Court, following conflicting appellate court decisions regarding the Nuclear Regulatory Commission's (NRC) authority to license two proposed storage facilities. The most recent decision from the Fifth Circuit Court vacated a license for Holtec International to store spent nuclear fuel in New Mexico, similar to an earlier ruling against a Texas facility by Interim Storage Partners (ISP). These decisions oppose a prior ruling from the District of Columbia Circuit, which approved the ISP facility's license, highlighting a significant legal split.Holtec and ISP, along with government support, are expected to challenge the Fifth Circuit's decisions, suggesting a Supreme Court review could overturn them. This legal stalemate underscores the challenges of finding a solution for the 86,000 metric tons of nuclear waste stored across 33 states. Efforts to establish a permanent site have been stalled, notably with the withdrawal from the Yucca Mountain project, leading to temporary storage proposals. The Supreme Court's potential involvement could resolve the legal impasse and address the broader issue of nuclear waste management in the U.S.US Efforts to Store Nuclear Waste Poised for High Court ReviewSam Bankman-Fried, the founder of the now-defunct FTX cryptocurrency exchange, was sentenced to 25 years in prison for a fraud involving $8 billion stolen from customers, marking a significant moment in his rapid fall from grace. U.S. District Judge Lewis Kaplan in Manhattan imposed the sentence after finding Bankman-Fried guilty of seven fraud and conspiracy charges related to FTX's 2022 collapse, rejecting the defense's claims that customers did not lose money and deeming Bankman-Fried unremorseful. Despite apologizing for the impact on customers and colleagues, Bankman-Fried did not admit to criminal actions and plans to appeal both his conviction and sentence.The sentencing reflects the severe consequences of defrauding investors and customers in the financial industry, underscoring the message from U.S. Attorney General Merrick Garland about the accountability awaiting those who commit financial crimes. Kaplan highlighted the significant losses incurred by FTX customers, equity investors, and lenders to the Alameda Research hedge fund, founded by Bankman-Fried, totaling over $11 billion in losses. This led to an $11 billion forfeiture order to compensate the victims.Prosecutors had requested a sentence ranging from 40 to 50 years, while Bankman-Fried's defense argued for a significantly shorter term, portraying him as an awkward but non-malicious figure who attempted to recover customer funds post-collapse. Despite efforts to distance Bankman-Fried from infamous fraudsters and emphasize his mathematical decision-making, the court remained focused on the extensive harm caused by his actions.Bankman-Fried's status as a prominent political donor and figure in the cryptocurrency space, known for his commitment to effective altruism and significant contributions to political causes, was also scrutinized. His detention since August 2023, due to concerns over witness tampering, and the judge's recommendation for his incarceration near San Francisco, highlight the gravity of his offenses and the legal system's response to financial malfeasance in the emerging cryptocurrency market.Bankman-Fried sentenced to 25 years for multi-billion dollar FTX fraud | ReutersTexas Attorney General Ken Paxton has initiated an investigation into Spirit AeroSystems Holdings Inc, a key supplier of parts for Boeing, due to ongoing issues with some of these parts. This inquiry comes in the wake of Boeing CEO Dave Calhoun's announcement of his departure by year's end, following a series of concerns raised by regulators and airline customers, notably after a panel detached from a 737 MAX 9 jet in January.Texas attorney general opens investigation into parts supplier for Boeing | ReutersDetails have emerged regarding Facebook's extensive history of spying on its users' encrypted communications across various apps and services, highlighting a broader issue of online privacy exploitation by numerous entities. In 2018, Facebook was discovered using a "privacy protecting VPN" called Onavo as spyware to monitor user activity on other platforms, an operation that had been sanctioned by CEO Mark Zuckerberg under "Project Ghostbusters." This project aimed to intercept and decrypt encrypted app traffic from users of Snapchat, YouTube, and Amazon, effectively conducting a large-scale "man in the middle attack" to spy on users. The strategy involved developing spyware capable of accessing data before encryption, utilizing the Onavo VPN, acquired by Facebook in 2013 and repurposed for espionage without clear disclosure to users.Internal documents from a lawsuit against Facebook's parent company, Meta, reveal that high-ranking Facebook executives were aware of the ethical and security issues posed by such surveillance but proceeded regardless. This revelation is part of a class action lawsuit filed in 2020, accusing Facebook of spying on users and lying about it. The case underscores the lax consumer privacy protections in the U.S. and the vast, loosely regulated ecosystem of data surveillance that compromises personal information for profit, often under the guise of anonymization. Despite numerous privacy scandals, there has been little meaningful action from Congress to address these concerns, particularly when lobbyists for companies like Facebook aim to eliminate competitors like TikTok. The situation raises alarms about the potential for future scandals that could finally prompt legislative action on privacy.Details Emerge Of Facebook's Long History Of Spying On Encrypted User Communications Across Different Apps And Service | TechdirtJoseph Haydn (1732-1809), was a towering figure in the Classical period of Western music, and holds a foundational place in the history of symphonic and chamber music. Born in Rohrau, Austria, Haydn's musical journey began at a young age, leading him to become a choirboy at St. Stephen's Cathedral in Vienna. Despite a challenging start, Haydn's undeniable talent and relentless work ethic propelled him into the circles of the Esterházy family, one of the most influential patrons of the arts in Austria, where he spent much of his career as a court musician.Haydn's contributions to music are monumental, having composed over 100 symphonies, numerous operas, string quartets, piano sonatas, and two celebrated oratorios, "The Creation" and "The Seasons." His work laid the groundwork for future generations, earning him the titles "Father of the Symphony" and "Father of the String Quartet." Through his innovative structures, development of musical motifs, and the exploration of dynamic contrasts, Haydn shaped the Classical style, influencing contemporaries and successors alike, including Mozart and Beethoven.Haydn's legacy is not just in his compositions but in his approach to music as a vibrant, living art form. His ability to infuse his works with wit, humor, and deep emotion speaks to his profound understanding of the human experience, making his music timeless and universally admired.Featured Piece: Symphony No. 77 in B flat major, IV. Allegro spiritosoThis week, we feature the exhilarating final movement, "Allegro spiritoso," from Joseph Haydn's Symphony No. 77 in B flat major. Composed during the zenith of Haydn's career in the late 18th century, this symphony exemplifies Haydn's mastery in orchestrating dynamic contrasts and his flair for thematic development.The Symphony No. 77 is part of Haydn's middle-period works, where he experimented with form and harmony to expand the expressive capabilities of the symphony. The "Allegro spiritoso" movement, in particular, showcases Haydn's skill in creating engaging musical narratives that are both intellectually satisfying and emotionally compelling. This movement is characterized by its spirited tempo and the lively, joyful themes that dance throughout the piece, providing a fitting conclusion to the symphony.Listeners will appreciate the movement's clever use of dynamics, the interplay between the orchestral sections, and the seamless transitions that propel the music forward. It's a testament to Haydn's ability to compose music that feels fresh and invigorating, demonstrating why he remains a central figure in the classical music canon.As we explore "Allegro spiritoso," let us appreciate the genius of Haydn, whose music continues to inspire and delight audiences around the world. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

Im Auftrag eines Domherrn aus Cádiz komponierte Joseph Haydn 1786 ein Orchesterwerk für den Karfreitag. Die ergreifende Passionsmusik gibt als Streichquartett und als Oratorium. Der Komponist hielt das meditative Werk aus sieben langsamen Sonatensätzen für eines seiner besten. Von Christoph Vratz.

Welcome to Episode 119 of Busy Kids Love Music! As we eagerly anticipate the celestial spectacle of the 2024 Solar Eclipse, we embark on a two-part journey through the realms of classical music inspired by the sun and the moon. In this inaugural episode of our series, we set our sights on the sun. Across centuries, composers have drawn inspiration from the majestic glow and celestial dance of our nearest star, crafting masterpieces that capture its essence in musical form. Join me as we delve into three extraordinary compositions: Richard Strauss's awe-inspiring Alpine Symphony, Joseph Haydn's enchanting 'Sun' quartets from his Op. 20, and Carl Nielsen's evocative Helios Overture. Each piece offers a unique perspective on the sun's power, beauty, and mystique, inviting us to bask in its radiance through the language of music. At Busy Kids Love Music, we believe in making learning a joyous adventure for the whole family. Join me as we journey through the celestial symphony of the cosmos, where music and education unite to inspire curiosity and ignite imaginations! Musical Samples You'll Hear in this Episode: Eine Alpensinfonie (An Alpine Symphony) , Op. 64: Nacht (Night) - Sonnenaufgang (Sunrise) J. Haydn — String Quartet No. 4, Op. 20 / Meccore String Quartet Carl Nielsen - Helios Overture, Op. 17 Playlist for Episode 119 I've put together a curated playlist of the 3 pieces we learned about in today's episode. It makes great background music for science homework if your student is learning more about the upcoming solar eclipse! Subscribe & Review in Apple Podcasts Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in Apple Podcasts! If you're feeling extra magnanimous, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!    

Sheku Kanneh-Mason is a cellist who came to international attention when he performed at the wedding of Prince Harry and Meghan Markle in 2018. Still only 24, he has performed at a series of high profile locations including the Hollywood Bowl and Downing Street. Last year he was a soloist at the Last Night of the Proms. Sheku was brought up in Nottingham along with his six siblings who are also extremely talented musicians. At six-years-old he went to a concert by the Nottingham Youth Orchestra where he was transfixed by the cello section. He started having lessons not long afterwards and by the age of nine he'd completed all of his music grades – receiving the highest marks in the country. At 17 he won the BBC Young Musician of the Year competition.He went on to study at the Royal Academy of Music and made his debut at the BBC Proms as a soloist with the Chineke! Orchestra in 2017.In 2020 he was appointed an MBE for services to music and two years later became the Royal Academy of Music's first Menuhin Visiting Professor of Performance Mentoring.DISC ONE: Cello Concerto in E minor, Op.85 - 1st movement: Adagio – Moderato. Composed by Edward Elgar and performed by Jacqueline du Pré, with the London Symphony Orchestra, conducted by Sir John Barbirolli DISC TWO: Rivers of Babylon -The Melodians DISC THREE: Dat - Pluto Shervington DISC FOUR: String Quartet in C major, Op 20 No. 2, Capriccio: Adagio. Composed by Joseph Haydn and performed by The London Haydn Quartet DISC FIVE: Chances Are - Bob Marley DISC SIX: Requiem in D minor, K. 626 , Introitus 1 – Requiem. Composed by Wolfgang Amadeus Mozart and performed by the Monteverdi Choir DISC SEVEN: Symphony No.11 'The Year 1905' - II. The 9th January; Adagio. Composed by Dmitri Shostakovich and performed by The Moscow Philharmonic, conducted by Kirill Kondrashin DISC EIGHT: Largo from Organ Sonata No.5 in C major, BWV 529. Composed by Johan Sebastian Bach and performed by Samuel FeinbergBook: The Feynman Lectures on Physics by Richard Feynman Luxury: A cello and strings CASTAWAY'S FAVOURITE: Requiem in D minor, K. 626 , Introitus 1 – Requiem. Composed by Wolfgang Amadeus Mozart and performed by the Monteverdi ChoirPresenter Lauren Laverne Producer Paula McGinley

Ludwig Van Beethoven began to lose his hearing at age 28. By age 44, his hearing loss was complete, most likely caused by compression of the eighth cranial nerve associated with Paget's disease of bone. Despite his deafness, Beethoven continued to compose symphony music. He never gave up. FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GET 200 DIECUT STICKERS FOR $69  RIGHT HERE - NO PROMO CODE NEED JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Joseph Haydn komponierte sein Cellokonzert D-Dur 1783 für Antonin Kraft. Der war zu jener Zeit Cellist in der Hofkapelle von Fürst Esterhazy. BR-KLASSIK sprach mit dem Cellisten Maximilian Hornung über dieses Werk.

In this episode, we read chapters 37 to 41 of Emma. We talk about the parallel narratives, the ball at the Crown, Emma's awareness of Mr Knightley, the section from Mr Knightley's point of view and the tension between Jane and Frank.The character we discuss is Mr Knightley, and in the historical section Ellen talks about poverty and the labouring classes. In the popular culture section, Harriet talks about the 2017 YouTube series The Emma Agenda.Things we mention:General and character discussion:Pod and Prejudice podcastTea with Cassiane YouTube videos about Regency dancingSomerset MaughamHistorical discussion:The Speenhamland systemAnthony Trollope, The Warden (1855)Robert RaikesHannah MorePopular culture discussion:Main version considered:YouTube, Quip Modest Productions, The Emma Agenda (2017) – starring Selis Maria Vargas and Angela Wong CarboneOther referencesYouTube, Pemberley Digital, Emma Approved (2013) – starring Joanna Sotomura and Brent BaileyITV, Emma (1996) – starring Kate Beckinsale and Mark StrongWorking Title Films, Emma (2020) – starring Anya Taylor-Joy and Johnny FlynnCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Luis XVI, María Antonieta, Robespierre, Danton, Hébert, Marat… Cientos de líderes políticos y miles de ciudadanos perdieron la cabeza en Francia tras ser condenados a muerte por «alta traición», en aquellos años locos que cambiaron el mundo para siempre. El gran Ludwig van Beethoven tenía 19 años cuando estalló la Revolución Francesa en 1789. El compositor acababa de llegar a Viena para recibir clases del mismísimo Joseph Haydn. Ese año, Napoleón Bonaparte obtenía el rango de comandante segundo de la Guardia Nacional de Voluntarios de Córcega, donde ya había mostrado su apoyo a los jacobinos en la defensa de la soberanía popular y del sufragio universal. Ambos tenían claro que el viejo orden establecido del Antiguo Régimen debía caer. Utiliza el código CIENCIADIGITAL y obtén tu descuento a la suscripción de Muy Interesante, sigue con este link https://bit.ly/3TYwx9a Déjanos tu comentario en Ivoox o Spotify, o escríbenos a podcast@zinetmedia.es Comparte nuestro podcast en tus redes sociales, puedes realizar una valoración de 5 estrellas en Apple Podcast o Spotify. Texto: Israel Viana - Ejemplar 153 de Muy Historia Dirección, locución y producción: Iván Patxi Gómez Gallego Contacto de publicidad en podcast: podcast@zinetmedia.es