Podcast appearances and mentions of Joseph Haydn

«auf-hören» – so lautete das Motto der diesjährigen, 30. Ittinger Pfingstkonzerte. Die «Diskothek» war bei dieser Jubiläumsausgabe zu Gast, und beim Blindvergleich verschiedener Aufnahmen vor Publikum konnten auch die Zuhörenden vor Ort ihre Stimme abgeben. Passend zum Motto hört das besprochene Stück denn auch auf, bevor es überhaupt beginnt, so paradox das klingen mag: Zwei Akkorde, Dominante-Tonika; eine Schlusskadenz setzt Joseph Haydn, der «Vater» der Gattung Streichquartett, an den Anfang seines op. 33 Nr. 5, ein musikalischer Trugschluss quasi als Einstieg, der vom ersten Takt weg Aufmerksamkeit weckt. Überhaupt ist das gesamte Werk gespickt mit geistvollen Ideen, die Zuhörende und Interpreten und Interpretinnen herausfordern. Im langsamen Satz zeigt uns der Wiener Meister seine düstere Seite, und im abschliessenden Finale variiert er ein Siciliano-Thema dergestalt, dass sich alle vier Quartettmitglieder nacheinander an ihren Instrumenten profilieren können. Moritz Weber hört und analysiert mit dem Liedbegleiter und Komponisten Daniel Fueter und die Geigerin Agata Lazarczyk vom Carmina Quartett das Streichquartett in G-Dur von Haydn in den Gemäuern des altehrwürdigen Klosters.

You might be wondering: why on earth would I choose a piece that is literally called "Dissonance" when I was looking for something a bit simpler or cleaner to talk about on the show today? Actually, Mozart's Dissonance quartet, probably his most famous and beloved quartet, was not called "Dissonance" by Mozart, and the rest of the piece is thought of as one of Mozart's most outgoing and cheerful works, though I think there's a bit more to it than that. This quartet was part of a set of quartets dedicated to his friend and mentor Joseph Haydn, the father of the String Quartet. Upon their publication, Mozart wrote to Haydn: "Behold here, famous man and dearest friend, my six children. They are, to be sure, the fruit of long and arduous work, yet some friends have encouraged me to assume that I shall see this work rewarded to some extent at least, and this flatters me into believing that these children shall one day offer me some comfort." The final one of this set of six quartets is the one we're going to talk about today, the one that has been dubbed "Dissonance." This single dissonance caused massive controversy in its time, which we'll get to later, but it is a fascinating insight into the rules of harmony at the time. Our sojourns into late Romanticism over the last few weeks, and especially my conversation with Case Scaglione about Wagner and the Tristan Chord, should help us understand the intensely heated debates that arose over that chord I just played you. So today on the show, we'll spend some time on that famous dissonance, then dive right into this glorious quartet, exploring Mozart's unparalleled ability to write the most glorious melodies and the most perfect harmonies. Recording: Alban Berg Quartet First Sight Analysis: https://www.youtube.com/watch?v=IctjJOMU9dk Produced by: Charlie Koczela

Dubbelmonarkin Österrike-Ungern hade sina rötter i medeltiden. Denna mulitetniska stadsbildning – med nära femtio miljoner invånare och ett lapptäcke av språk, religioner och lojaliteter – slets sönder efter att Österrike-Ungern hamnade på förlorarsidan i första världskriget. Men idag har statsbildningen omprövats av historiker och ses som en föregångare till EU.Den habsburgska ätten hade sedan medeltiden styrt ett allt större rike. Dubbelmonarkin Österrike-Ungern som upprättades 1867 var ett kompromissbygge för att hålla ihop ett mångnationellt område i nationalismens tidevarv. Men när nationalism och industriellt storkrig pressade systemet till bristningsgränsen blev kompromissen både dess styrka – och dess dödsdom.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med Leos Müller, professor i historia vid Stockholms universitet om Österrike-Ungerns sammanbrott. Han är aktuell med boken Europas vändpunkter – 1492, 1914, 1989.Huset Habsburg regerade Centraleuropa under 650 år – från Rudolf I som kröntes 1273 till Karl I som avsattes 1918. Genom giftermål lyckades de bygga upp ett rike som sträckte över kontinenter. Det var ett stort och skiftande välde, sammanhållet av dynastin snarare än av språk och nation.Josef II:s (1741-90) reformiver omfattade religionspolitik, utbildning och rättsväsende. Under 1780-talet ökade religionsfriheten för protestanter och grekisk-ortodoxa, och judarnas ställning förbättrades genom särskilda toleransedikt. Han var ingen 1800-talsliberal, men en statsbyggare som menade att staten blev starkare om människor fick större utrymme att verka – inom statens ramar.Nationalismens idéer växte under 1800-talet och fick explosiv kraft revolutionsåret 1848. Upproret slogs ned – med rysk hjälp – men visade att imperiet måste förändras. Kejsare Franz Josef (1830-1916), som tillträdde 1848, drev på modernisering: likhet inför lagen, avskaffande av livegenskapens sista rester, järnvägar och lärosäten. Gründerzeit-epoken gav många av rikets städer en gemensam, igenkännbar stadsbild.Nationalitetskriserna fortsatte, och nederlagen 1859 och 1866 försvagade monarkin. För att behålla Ungern blev kompromissen 1867 nödvändig. Österrike-Ungern skapades då som två rikshalvor i personalunion. De delade utrikespolitik och krigsmakt och hade gemensamma ministerier för detta, liksom ett gemensamt finansministerium för de gemensamma utgifterna – men saknade ett gemensamt parlament och en gemensam regering i modern mening. Eftersom centrala uppgörelser dessutom behövde omförhandlas återkom kriserna med jämna mellanrum.Kompromissen gav ungrarna en särställning utan att ge motsvarande inflytande till rikets övriga folk. I Ungern drevs dessutom en magyariseringspolitik som ökade bitterheten bland minoriteter. I den österrikiska rikshalvan blev politiken mer pluralistisk, men parlamentet tyngdes ofta av blockeringar.När skotten i Sarajevo 1914 tände stormaktskriget ställdes dubbelmonarkin inför industriellt totalkrig. Kriget mot Serbien och hotet från Ryssland blottade svagheter i ledning och resurser, och beroendet av Tyskland växte.Bild: Militärparad genom Prag omkring år 1900, när staden var en del av Kungariket Böhmen inom Österrike-Ungern. Bilden fångar den kejserliga arméns närvaro i det offentliga rummet – en bakgrund till avsnitt om Centraleuropas politik och nationalism vid sekelskiftet. Målning: Emanuel Salomon Friedberg-Mírohorský. Public domain, via Wikimedia Commons.Musik: 1910-talsinspelning av “Gott erhalte, Gott beschütze” (Kaiserhymne), den österrikiska kejsarhymnen som förknippas med Habsburgmonarkin och Österrike-Ungern. Den skrevs 1797 med musik av Joseph Haydn och text av Lorenz Leopold Haschka som en lojalitets- och patriotisk sång till kejsar Frans II. Public domain, via Wikimedia Commons.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Vier Hornisten in einem Orchester - das ist ein Luxus, an den man sich als Komponist im 18. Jahrhundert nicht wagte. Doch bei Joseph Haydn war das anders, als Hornist Joseph Dietzl seinen Dienst beim Fürsten in Eisenstadt antrat.

In our final episode on Persuasion, we talk about how much more satisfactory this is than the original ending, the purpose of the discussion between Mrs Croft and Mrs Musgrove, the conversation between Anne and Captain Harville, Wentworth's letter, his feeling that he had a moral obligation to marry Louisa and the wrap-up of the story.The character we discuss is Anne Elliot. In the historical section, Michael talks about the British Navy at the end of, and after, the Napoleonic Wars, and for popular culture Harriet discusses various modernised versions of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:YouTube video: Karolina Żebrowska, Why Does Hollywood Hate Gentle Characters? ‖ Netflix “Persuasion” Review (2022)Popular culture discussion:Melissa Nathan, Persuading Annie (2000)Sara Marks, Modern Persuasion (2017)Sonali Dev, Recipe for Persuasion (2020)Sarah Dass, Where the Rhythm Takes You (2021)Uzma Jalaluddin, Much Ado About Nada (2023)Melodie Edwards, Once Persuaded Twice Shy (2024)Rhombus Media, Slings and Arrows (2003-2006) [mentioned but not a Persuasion adaptation]Diana Peterfreund, For Darkness Shows the Stars (2012)John Wyndham, The Chrysalids (1955) [mentioned but not a Persuasion adaptation]Suzanne Collins, The Hunger Games (2008) [mentioned but not a Persuasion adaptation]Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Joseph Haydn war in London in vielen adeligen und bürgerlichen Häusern ein gern gesehener Gast. In einem lebte die Witwe des "Master of the King's Musick", Rebecca Schroeter. Zu dieser hatte Haydn ein ganz besonderes Verhältnis...

This week, Donald Macleod traces the making of Joseph Haydn – from his long years of service to the Eszterházy princes on a remote Hungarian estate to his emergence as one of the most celebrated composers in Europe. Working in relative isolation, Haydn developed a distinctive musical voice while managing opera houses, orchestras and singers, gradually attracting attention far beyond the court. As new freedoms allowed him to publish and sell his music more widely, commissions came from Paris, Spain and London, and friendships in Vienna – most notably with Mozart – reshaped his artistic world. The programmes follow Haydn at a moment of transition, as growing fame sits alongside frustration, ambition and a readiness for change that would soon alter his life completely.Music featured includes: Baryton Trio No. 126: Finale Philemon und Baucis: Triumph, dem Gott der Götter! Il mondo della luna: Overture; Non aver di me sospetto Symphony No. 59 in A major ‘Fire' Armida: Se pietade avete, oh numi L'isola disabitata: Fra un dolce deliro Symphony No. 60 ‘Il distratto': Presto Piano Sonata No. 20 in C minor, Hob. XVI:20 Missa Cellensis, Hob. XXII:8: Gloria Il ritorno di Tobia: Anna, m'ascolta Symphony No. 81: Vivace Piano Sonata No. 56, Hob. XVI:42 String Quartet Op. 33 No. 4: Finale Piano Concerto No. 11 in D major Symphony No. 98: Adagio Stabat Mater: Sancta Mater istud agas Symphony No. 85 in B flat major ‘La Reine' String Quartet Op. 33 No. 5: Largo The Seven Last Words of Our Saviour on the Cross: Nos. 8 & 9 Symphony No. 77 in B flat major: Vivace Three Pieces for Musical Clock: Tempo di minuetto London Trio No. 3: Spirituoso Arianna a Naxos Symphony No. 92 ‘Oxford': Finale Libera me Symphony No. 45 in F sharp minor ‘Farewell': FinalePresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joseph Haydn (1732-1809) https://www.bbc.co.uk/programmes/m002typ2.And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

durée : 01:27:38 - par : Nicolas Lafitte - Le Trio Hermès nous invite à explorer la musique de l'italien Ildebrando Pizzetti, contemporain d'Ottorino Respighi. Autres trios, ceux de Joseph Haydn avec baryton, un instrument appartenant à la famille des violes et passion du prince Nicolas Esterházy. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:27:38 - par : Nicolas Lafitte - Le Trio Hermès nous invite à explorer la musique de l'italien Ildebrando Pizzetti, contemporain d'Ottorino Respighi. Autres trios, ceux de Joseph Haydn avec baryton, un instrument appartenant à la famille des violes et passion du prince Nicolas Esterházy. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Ist der Junge, der an jenem Apriltag im prächtigen Schloss des Fürsten Esterhazy am Neusiedler See das Licht der Welt erblickte, Joseph Haydns Sohn oder nicht? Die Antwort lautet: Mit hoher Wahrscheinlichkeit "ja"!

"Alte Musik in neuem Gewand", Konzert der Studierenden der Joseph Haydn Privathochschule im ORF Burgenland, Sendungshinweis: Radio Burgenland Extra, 16.4.2026, 20:00 Uhr

Insgesamt 83 Werke hat Joseph Haydn, der "Vater des Streichquartetts", für diese Gattung komponiert. Unter anderem die "Sonnenquartette" op. 20. BR Klassik hat mit dem Quatuor Mosaïques über das Quartett in g-Moll gesprochen.

Trinity Episcopal Cathedral in downtown Phoenix presents a ComposerFest featuring the music of Joseph Haydn on April 24th and 25th. The first concert features Urban Nocturnes, which will perform a selection of the composer's chamber music. Two members of Urban Nocturnes, violinist Karen Sinclair and flutist & KBACH host Viviana Cumplido Wilson, joined KBACH's Greg Kostraba to talk about the program.More information about this free concert is available at the Music at Trinity website..

Krieg und Frieden - das ist ein Thema, mit dem sich auch klassische Komponisten immer wieder beschäftigt haben. Joseph Haydn etwa schrieb seine "Militärsymphonie". Unklar ist, welche Absicht er damit verfolgte.

Andrés Amorós dedica el programa Música y Letra a las músicas religiosas favoritas de Benedicto XVI.

„Die Schöpfung“ von Joseph Haydn ist ein monumentales Werk, das die Erschaffung der Welt in musikalischer Form feiert. Mit seiner Mischung aus dramatischen und lyrischen Momenten fasziniert es seit Jahrhunderten. Blind verkostet von Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel. Moderiert von Christian Detig.

„Die Schöpfung“ von Joseph Haydn ist ein monumentales Werk, das die Erschaffung der Welt in musikalischer Form feiert. Mit seiner Mischung aus dramatischen und lyrischen Momenten fasziniert es seit Jahrhunderten. Blind verkostet von Christine Lemke-Matwey, Kai Luehrs-Kaiser und Andreas Göbel. Moderiert von Christian Detig.

Em um mundo marcado pela velocidade das informações e pela multiplicação de opiniões, como discernir o verdadeiro do aparente? Neste episódio do podcast da Nova Acrópole do Brasil, o professor voluntário Fabiano Camillo, da sede de Porto Alegre, propõe uma reflexão filosófica sobre os desafios da desinformação na atualidade. Partindo do conceito de comunicação como a capacidade de transmitir ideias de forma clara e compreensível, o diálogo aprofunda a diferença entre opinião e conhecimento, à luz da teoria platônica do conhecimento. Inspirados por Sócrates e Platão, os participantes analisam como a busca sincera pela verdade exige humildade para reconhecer a própria ignorância, disposição para ouvir com atenção e coragem para fazer perguntas profundas. A conversa também aborda o contexto contemporâneo das redes sociais, das polarizações ideológicas e da aceleração mental que dificulta a reflexão serena. Resgatando o sentido clássico da Filosofia como amor à sabedoria, o episódio destaca a necessidade de revisar constantemente nossas ideias, experimentar o conhecimento na prática e buscar aquilo que conduz ao desenvolvimento das virtudes humanas. Como antídoto à desinformação, são apresentados critérios inspirados nos princípios universais da fraternidade, do estudo comparado e da promoção do bem, do belo, do justo e do verdadeiro. Mais do que oferecer respostas prontas, o episódio convida cada ouvinte a assumir uma postura filosófica diante das informações que recebe e compartilha, contribuindo para uma sociedade mais consciente, ética e fraterna. Uma reflexão atual e necessária sobre o papel da Filosofia na construção de um pensamento livre, responsável e comprometido com a verdade. Participantes: Fabiano Camilo e Danilo Gomes  Trilha Sonora: Sinfonia nº 45 – Minueto, de Joseph Haydn

durée : 00:58:16 - Les Nuits de France Culture - par : Antoine Dhulster - La Lune, source d'inspiration inépuisable pour les musiciens, est au cœur de l'émission "Euphonia" en 1990 présenté par Rémy Stricker en compagnie du musicologue Marcel Marnat. Un programme illustré par des œuvres de George Gershwin, Joseph Haydn, Paul Hindemith et Leoš Janáček. - réalisation : Rafik Zénine - invités : Marcel Marnat Musicologue

Dois concertos arrebatadores de Johann Friedrich Fasch, compositor que viveu na fronteira entre o Barroco e o nascimento do Classicismo. Aqui, o som não é apenas música — é poder, cerimônia e ousadia sonora.No Concerto para Trompete em Ré maior (FaWV L:D1), Fasch explora o trompete natural em todo o seu esplendor. Nada de válvulas — apenas técnica, ar e virtuosismo no registro clarino. A estrutura tradicional em três movimentos (Allegro – Largo – Allegro) ganha vida com diálogos vibrantes entre solista e cordas, um movimento lento de solenidade contida e um final dançante que exala energia cortesã. É música pensada para impressionar.Já o Concerto para 3 Trompetes em Ré maior (FaWV L:D3) eleva o espetáculo. Três trompetes barrocos, tímpanos, oboés e cordas criam uma atmosfera quase arquitetônica de som. O primeiro Allegro abre como uma cerimônia real em pleno auge. O Andante traz contraste e refinamento. O último movimento devolve o brilho com força rítmica e imponência. Não é difícil imaginar salões germânicos ecoando essa sonoridade majestosa.Fasch, contemporâneo e admirado por gigantes como Johann Sebastian Bach e Georg Philipp Telemann, foi Kapellmeister em Zerbst a partir de 1722, responsável por fornecer música para eventos religiosos e políticos. Sua escrita para metais revela acesso a trompetistas virtuosos — figuras altamente prestigiadas nas cortes alemãs.Mais do que compositor de ocasião, Fasch foi um arquiteto da transição estilística que abriria caminho para Joseph Haydn e Wolfgang Amadeus Mozart. Sua música carrega o DNA do Barroco tardio, mas já aponta para uma estética mais leve, clara e galante.#JohannFriedrichFasch #ConcertoBarroco #TrompeteBarroco #MusicaClassica #BarrocoTardio #HistoriaDaMusica #AnaliseMusical #ConcertoParaTrompete #MusicaInstrumental #PodcastMusicalApresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.

Rébarbatif ou lourdot… pourquoi le chapitre 1 du Livre de la Genèse est-il aussi répétitif ? Est-ce simplement une manière de nous en décourager la lecture ? ou au contraire la meilleure des façons pour en apprécier la poésie ? Bref, pourquoi ce texte si connu est-il souvent si mal apprécié ? Et finalement pourquoi est-il sublime ? Quels sont les petits détails cachés que vous n'aviez jamais remarqués ? Quelle analogie peut-on faire avec le monde de la musique ?Réponse avec Apollo 8, Joseph Haydn, Alpha Blondy, Nino Ferrer, Mike Oldfield et Vangelis.BONNE ÉCOUTE !!!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this episode we look at the published version of Chapter 22. We talk about how proactive Anne is in these final chapters, the arrival of Charles, Mary and the Musgrove clan, Louisa's change in personality, how the Musgroves all want Anne to be with them, and the first time Wentworth actually refers to the time he and Anne were together.The characters we discuss is are Charles and Mary Musgrove. In the historical section, Michael talks about the shooting, and for popular culture Harriet looks at two books that retell Persuasion from the point of view of another character.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:E. W. Bovill, English Country Life, 1780-1830 (1962) ‘The Thing About Willoughby's Pointers with guest Dr. Stephanie Howard-Smith‘, The Thing About Austen podcast, Episode 73Popular culture discussion:Amanda Grange, Captain Wentworth's Diary (2007)Dorothea-Sofia Rossellini, Mrs Clay: The Austen Expert's Companion to ‘Persuasion' (2016) Diana Birchall, In Defense of Mrs Elton (1999) Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Joseph Haydn wilde graag dat zijn werk mensen die het, om wat voor reden ook, zwaar hebben, een paar momenten kalmte zou bieden, rust van waaruit ze nieuwe krachten kunnen opbouwen. In dit deel uit zijn Trauersymphonie schijnt een bleek zonnetje waaraan de strijkers zich warmen. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).   

Gepresenteerd door: Leonard Evers In het AVROTROS Vrijdagconcert hoor je wekelijks live de mooiste concerten door het Radio Filharmonisch Orkest, het Groot Omroepkoor en gastensembles. Radio Filharmonisch Orkest Thomas Guggels, dirigent Isabelle Faust, viool * Robert Schumann - Vioolconcert WoO 1 in d kl.t. * Johannes Brahms - Variaties over een thema van Joseph Haydn op.56a in Bes gr.t. * Ludwig van Beethoven - Symfonie nr.8 op.93 in F gr.t.

Thu, 08 Jan 2026 17:14:00 +0000 https://feed.neuezwanziger.de/link/21941/17249510/da94c66e-9b4c-419b-8a64-4a5c4af2ec5a b9a554de333a9c3ffbb6ee6605b70a9e Stefan und Wolfgang treffen sich vorm Salon Alles hören Komm' in den Salon. Es gibt ihn via Webplayer & RSS-Feed (zum Hören im Podcatcher deiner Wahl, auch bei Apple Podcasts und Spotify). Wenn du Salon-Stürmer bist, lade weitere Hörer von der [Gästeliste] Diskutiert mit uns hier 00:00:00 – Vor dem Salon Der Salon beginnt mit einem Blick auf die aktuelle Nachrichtenlage, angefangen bei den Haftungsfragen des Gelsenkirchener Tresorraum-Einbruchs bis hin zur politischen Aufarbeitung des Berliner Stromausfalls und der Kritik an Kai Wegners Freizeitgestaltung während der Krise. Die Gastgeber analysieren zudem die neue geopolitische Ehrlichkeit der USA unter Trump, die unverhohlen ökonomische Interessen in Venezuela artikuliert, und demaskieren den Schaukampf zwischen Jake Paul und Mike Tyson als Symptom einer durchinszenierten Leistungsgesellschaft. Schließlich wird der Bogen zu den transhumanistischen Fantasien der Tech-Elite gespannt, exemplifiziert an Alexander Wangs Wunsch nach Hirn-Computer-Schnittstellen zur Sicherung kognitiver Dominanz. 00:52:39 – Salon für Dezember 2025 Wolfgang und Stefan leiten zum Hauptteil des Salons über und geben einen kurzen Ausblick auf die Themenvielfalt der Episode. Zudem stellen sie die neue Diskurs-Plattform des Podcasts vor, die eine unabhängigere Hörerkommunikation ermöglichen soll. 00:54:57 – Salon-Hinweis für März Wolfgang kündigt einen gemeinsamen Konzertbesuch mit der Community für März 2026 in der Alten Oper Frankfurt an. Geplant ist der Besuch eines Auftritts des Isidore String Quartets, das Werke von Haydn und Dvořák spielen wird. 00:55:56 – Daniel Markovits, The Meritocracy Trap, 2019 Im Zentrum der Diskussion steht Daniel Markovits' These, dass die Meritokratie zu einem Mechanismus mutiert ist, der Reichtum und Chancen innerhalb einer neuen, super-ordinären Arbeiterklasse konzentriert und eine Kastenbildung durch exzessive Bildungsinvestitionen vorantreibt. Die Gastgeber analysieren, wie diese neue Elite, anders als frühere Aristokratien, ihre Privilegien durch extreme Selbstausbeutung legitimiert, was zu einer toxischen Dynamik aus Burnout bei den Gewinnern und systematischem Ausschluss der Mittelschicht führt. Dieser strukturelle Verschluss wird als wesentlicher Treiber für den modernen Populismus identifiziert, da die Aufstiegsversprechen der Leistungsgesellschaft für die breite Masse zur Illusion verkommen sind. Erwähnungen: Branko Milanović, Michael Sandel, Francis Fukuyama, Alexander Wang, Peter Thiel, Mark Zuckerberg, Karl Marx, Friedrich Engels, Thorstein Veblen, Pierre Bourdieu, Barack Obama, Donald Trump, Hillary Clinton, George W. Bush, Bill Clinton, Chelsea Clinton, Julia Friedrichs, Christoph Butterwegge, Oliver Stone, Michael Douglas, Gordon Gekko. 02:57:21 – Die meritokratische Falle in 1 Minute Wolfgang fasst die Kernbotschaft des Buches prägnant zusammen: Die Meritokratie ist eine Falle, die echte Gleichheit durch einen gnadenlosen Wettbewerb ersetzt, der letztlich sowohl die erschöpften Gewinner als auch die abgehängten Verlierer beschädigt. 02:59:24 – Ben Shattuck, Die Geschichte des Klangs, 2024 Wolfgang rezensiert Ben Shattucks Erzählung, die zwei Liebesgeschichten über Jahrzehnte hinweg verwebt, verbunden durch das Motiv des Sammelns von Volksliedern und die Frage, ob Liebe besser als flüchtige, intensive Erinnerung oder als gelebte Realität bewahrt wird. Die Novelle kontrastiert die melancholische Schönheit festgehaltener Momente auf Wachswalzen mit der Tristesse eines angepassten Lebens und wirft die Frage auf, was von einem Leben bleibt, wenn man sich gegen die Leidenschaft entscheidet. Erwähnungen: Paul Mescal, Josh O'Connor, Thomas Edison, Jane Austen, Édouard Manet. 03:10:49 – C.J. Chivers, In Ukraine, a New Arsenal of Killer A.I. Drones Is Being Born, 2025 Stefan stellt eine investigative Reportage über die rasante Evolution der semi-autonomen Drohnenkriegsführung in der Ukraine vor, in der westliche Tech-Größen wie Eric Schmidt das Konfliktgebiet als Labor für KI-gesteuerte Waffensysteme nutzen. Diskutiert wird der technologische Sprung zu visuellen Positionierungssystemen, die herkömmliche Störsender nutzlos machen und konventionelle Militärinfrastruktur obsolet werden lassen könnten. Die Gastgeber debattieren das "Gatling-Paradoxon" – die trügerische Hoffnung, dass tödlichere Technologie zu mehr Abschreckung führt – und die Verwischung der Grenzen zwischen Silicon Valley, Hollywood-Ästhetik und automatisiertem Töten. Erwähnungen: Eric Schmidt, Nazar Bigun, Brian Streem, Daniel Suarez, Paul Virilio, Steven Spielberg, Richard Gatling. 03:24:36 – Uwe Volkmann, Die unpolitische Gewalt, 2025 Wolfgang diskutiert Uwe Volkmanns Kritik am Bundesverfassungsgericht, dem vorgeworfen wird, sich durch juristischen Formalismus – etwa bei der Triage-Gesetzgebung oder der Schuldenbremse – der politischen Verantwortung zu entziehen. Es wird debattiert, ob der strikte Rechtspositivismus eine notwendige Demokratiesicherung darstellt oder ob er zu einer Dysfunktionalität führt, bei der existenzielle Fragen in Zuständigkeitsdebatten zerrieben werden, anstatt materielle Gerechtigkeit zu schaffen. Erwähnungen: Paul Laband, Gustav Radbruch, Christian Lindner. 03:50:45 – ungleichheit.info Stefan empfiehlt eine Webseite zur Datenvisualisierung, die die extreme Diskrepanz der Vermögensverteilung eindrücklich darstellt und aufzeigt, wie systematisch Großparteien das Thema Ungleichheit in ihren Wahlprogrammen ignorieren. Dies dient als Aufhänger für ein Plädoyer zur Renaissance der unabhängigen Blogosphäre und persönlicher Webseiten, um der Dominanz zentralisierter Plattformen etwas entgegenzusetzen. Erwähnungen: Martina Liel, Reese Witherspoon, Dua Lipa. 03:57:20 – Hito Steyerl, Medium Hot. Bilder in Zeiten der Hitze, 2024 Wolfgang bespricht Hito Steyerls Essaysammlung zur Ästhetik und Politik von KI-Bildern, insbesondere das Phänomen des "Haxenpornos" – verzerrte, nicht-explizite Nacktheit als Resultat prüder Content-Filter. Die Diskussion beleuchtet, wie KI-Modelle "gemeine Bilder" (mean images) erzeugen, die einen statistischen Durchschnitt abbilden und dabei gesellschaftliche Normen und koloniale Strukturen reproduzieren. Erwähnungen: James Bridle, Édouard Manet, Yann LeCun. 04:05:47 – Benjamin Riley, Large Language Mistake, 2024 Stefan führt eine Kritik an Large Language Models ein, die die Gleichsetzung von sprachlicher Kompetenz mit echter Intelligenz infrage stellt und argumentiert, dass Sprache primär ein Kommunikationswerkzeug und nicht der Gedanke selbst ist. Der Text postuliert, dass LLMs als "Maschinen toter Metaphern" lediglich vorhandene kulturelle Skripte recyceln, ohne die für echte Innovation notwendige kognitive Tiefe zu besitzen. Erwähnungen: Dario Amodei, Mark Zuckerberg. 04:11:21 – Vauhini Vara, What If Readers Like A.I.-Generated Fiction?, 2024 Das Segment beleuchtet ein Experiment, bei dem eine KI beauftragt wurde, einen Text von Han Kang stilistisch zu imitieren, wobei Testleser die geglättete KI-Version oft dem emotional roheren Original vorzogen. Die Gastgeber diskutieren die Implikationen für die Literatur und hinterfragen, ob die "Authentizität" eines Autors für den Lesegenuss notwendig ist oder ob KI-Assistenz die literarische Varianz legitim erweitern könnte. Erwähnungen: Han Kang, Stephen King, J.K. Rowling, Ernest Hemingway, Gwyneth Paltrow. 04:26:58 – Nils Schniederjann, Nicht besser als die EKD: Die Kriegsrhetorik der deutschen Katholiken, 2024 Wolfgang analysiert einen Artikel, der die Deutsche Bischofskonferenz für ihre kriegsbefürwortende Haltung kritisiert, die eher Regierungslinien folgt als der diplomatischen Friedanstradition des Vatikans. Diskutiert wird der Riss zwischen den deutschen Bischöfen und dem universalistischen, pazifistischeren Ansatz von Papst Franziskus sowie die Frage nach der Relevanz der Kirche, wenn sie lediglich säkulare Sicherheitsstrategien theologisch verbrämt. Erwähnungen: Papst Leo XIII., Papst Johannes XXIII., Papst Franziskus, Wladimir Putin. 04:34:22 – Musik: Quatuor Arod spielt Haydn Wolfgang empfiehlt die Einspielung von Joseph Haydns Streichquartetten Op. 76 durch das Quatuor Arod und lobt deren dynamischen, transparenten Klang, der durch die Verwendung historischer Bögen erzielt wird. Die Rezension hebt hervor, wie das Ensemble den Gesprächscharakter der Gattung und die Balance zwischen kontemplativer Tiefe und tänzerischer Derbheit meistert. Erwähnungen: Joseph Haydn, André Rieu. 04:38:09 – Ankündigung: Patrick Kaczmarczyk Stefan und Wolfgang kündigen die Lektüre für den nächsten Salon an: Patrick Kaczmarczyks Analyse zum Zerfall der westlichen Weltordnung und dem Aufstieg des globalen Südens. Literaturliste Daniel Markovits: The Meritocracy Trap penguin.co.uk Ben Shattuck: Die Geschichte des Klangs hanser-literaturverlage.de C.J. Chivers: In Ukraine, a New Arsenal of Killer A.I. Drones Is Being Born nytimes.com Uwe Volkmann: Die unpolitische Gewalt faz.net Ungleichheit.info ungleichheit.info Hito Steyerl: Medium Hot. Bilder in Zeiten der Hitze diaphanes.net Benjamin Riley: Large Language Mistake theverge.com Vauhini Vara: What If Readers Like A.I.-Generated Fiction? newyorker.com Nils Schniederjann: Nicht besser als die EKD: Die Kriegsrhetorik der deutschen Katholiken freitag.de Musik: Quatuor Arod spielt Haydn warnerclassics.com Ankündigung: Patrick Kaczmarczyk – Zerfall der Weltordnung: Die Ignoranz des Westens und der Aufstand des globalen Südens westendverlag.de full Stefan und Wolfgang treffen sich vorm Salon no Stefan Schulz und Wolfgang M. Schmitt 3298

« Cet enregistrement marque une étape importante de notre parcours et ouvre un nouveau chapitre de notre manière d'aborder le quatuor » écrivent les musiciens du Quatuor Arod dans la préface de leur double album, sorti chez Erato, consacré à l'intégrale du cycle opus 76 de Joseph Haydn. Un vaste cycle qu'ils donneront en concert le 15 janvier dans le cadre d'une soirée exceptionnelle à la Philharmonie de Paris qui marquera l'un des temps forts de la Biennale de quatuor à cordesHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Phoenix Symphony begins 2026 in concert January 9-11 at Symphony Hall. The program will include Pictures at an Exhibition, Antrópolis by Gabriela Ortiz, and Joseph Haydn's Cello Concerto #2 with guest cellist Sterling Elliott. KBACH's Greg Kostraba recently chatted with Elliott about the piece, and his blossoming career, which began as the youngest member of the Elliott Family String Quartet. Tickets for the performance are available at the Phoenix Symphony website.

200 Euro für ein Konzertticket? Popstarpreise, und die gab es schon vor 200 Jahren. Haydn war damals Europas Superstar – und startet selbst im Rentenalter noch einmal richtig durch, etwa mit seiner letzten und 104. Sinfonie ... Von Christoph Vratz.

durée : 00:17:11 - Le Disque classique du jour du mardi 18 novembre 2025 - La présente édition réunit les enregistrements publiés par le label CPO entre 1993 et ​​2018. Frère cadet de Joseph Haydn, Michael Haydn a vu plusieurs de ses symphonies d'abord attribuées à son frère et même à Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:11 - Le Disque classique du jour du mardi 18 novembre 2025 - La présente édition réunit les enregistrements publiés par le label CPO entre 1993 et ​​2018. Frère cadet de Joseph Haydn, Michael Haydn a vu plusieurs de ses symphonies d'abord attribuées à son frère et même à Mozart. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Em celebração ao Dia Mundial da Filosofia, instituído pela UNESCO em 2005, a Organização Internacional Nova Acrópole promove, em 2025, uma semana especial com o tema: "A busca da unidade para além das diferenças". Neste episódio, o professor Emerson Queiroz, da unidade Graça, em Salvador (BA), conversa com Danilo Gomes sobre os desafios e os caminhos para a construção de uma verdadeira unidade entre os seres humanos. Ao longo do diálogo, os professores refletem sobre a importância da ética como ponte entre o indivíduo e a coletividade, destacando a necessidade de coerência interna como fundamento para a convivência harmônica. Inspirando-se em grandes tradições filosóficas — de Platão à Bhagavad Gita —, abordam a virtude não como um conceito teórico, mas como uma prática cotidiana que começa no âmbito pessoal e se expande para a vida em sociedade. A conversa também enfatiza o papel da história e da cultura como heranças comuns da humanidade, capazes de nos lembrar que todos buscamos sentido e crescimento, apesar das diferenças. A unidade, portanto, não se impõe, mas nasce do esforço voluntário de cada um em tornar-se melhor, mais consciente e comprometido com o bem comum. Este episódio convida a uma reflexão profunda sobre sua responsabilidade no mundo, incentivando pequenas ações cotidianas que expressem a ordem, a bondade e o respeito, como caminhos reais para transformar a convivência social e fortalecer os laços humanos. Participantes: Emerson Queiroz e Danilo Gomes Trilha Sonora: Sinfonia nº 91 – Largo Allegro, de Joseph Haydn

durée : 01:27:30 - En pistes ! du mercredi 22 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que vous préfériez le printemps ou l'hiver, vous découvrirez ce matin le nouvel enregistrement de l'oratorio "Les Saisons" de Joseph Haydn, par le chef Jordi Savall. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:30 - En pistes ! du mercredi 22 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que vous préfériez le printemps ou l'hiver, vous découvrirez ce matin le nouvel enregistrement de l'oratorio "Les Saisons" de Joseph Haydn, par le chef Jordi Savall. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

It is our absolute pleasure to welcome distinguished conductor, Pola Benke to The Hamilton Review Podcast! Pola was was recently appointed Music Director of the Santa Monica Symphony and Assistant Conductor of the Pacific Symphony, continuing to build a dynamic and impactful presence across Southern California. In this conversation, Pola shares her story of discovering music as a young child growing up in Poland. She also talks about how she got into conducting, as well as the best ways to guide, nuture and support children in their musical journey. You'll also hear about what kinds of music that Pola listens to when she isn't working - her answers will surprise and delight you!   Don't miss this wonderful and informative discussion on The Hamilton Review.   Pola Benke is a distinguished conductor celebrated for her innovative approach to orchestral leadership and her commitment to standardizing diverse programming in the modern symphonic repertoire. She was recently appointed Music Director of the Santa Monica Symphony and Assistant Conductor of the Pacific Symphony, continuing to build a dynamic and impactful presence across Southern California. Previously, she served as Assistant Conductor for both the Long Beach Symphony and the Riverside Philharmonic, where she earned a reputation for her clarity, musicality, and ability to foster meaningful connections with musicians and audiences alike. Born in Poland, Pola's journey began with a strong foundation in performance, leading to Master's degrees in both cello performance and orchestral conducting. Her dual expertise equips her with a rare perspective—combining the analytical skills of a conductor with the empathetic understanding of a performer. Pola believes that orchestras should serve as a reflection of the diverse world we live in. She is a committed advocate for thoughtful, inclusive programming that honors a wide spectrum of voices—seamlessly integrating cherished masterworks with compositions by historically underrepresented artists. With a deep sensitivity to narrative and context, she curates programs that invite personal connection and collective reflection. Whether through imaginative repertoire choices, compelling storytelling, or fresh interpretive insight, Pola aims to create concert experiences that are artistically vibrant, emotionally resonant, and genuinely welcoming to all. Her professional path has been shaped by collaborations with leading conductors and ensembles, including Neeme Järvi, Sian Edwards, and Paavo Järvi. Her participation in prestigious programs such as the Järvi Academy in Estonia, the Dartington Music Festival in England, and the Cabrillo Festival of Contemporary Music has further refined her craft, earning her recognition as a forward-thinking and impactful conductor. Her leadership style is marked by kindness, collaboration, and the ability to inspire musicians of all generations to perform at their best. Whether leading a large-scale symphonic work or rehearsing an intimate chamber ensemble, Pola brings energy and precision that elevates every performance. Influenced by composers like Joseph Haydn, Krzysztof Penderecki, Jennifer Higdon, and Igor Stravinsky, Pola blends a deep respect for tradition with a spirit of curiosity and openness to new ideas. At the heart of everything she does is a love for sharing music with others.   How to contact Pola Benke:   Pola Benke Official Website   Pola Benke on Instagram   Pola Benke's email address     How to contact Dr. Bob: Dr. Bob on YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Dr. Bob on Instagram: https://www.instagram.com/drroberthamilton/ Dr. Bob on Facebook: https://www.facebook.com/bob.hamilton.1656 Dr. Bob's Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Dr. Bob's website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/  

Send us a textAnd here, right on time is the ghost of maestro Haydn to tell us about his story - his life and his music - Maestro Haydn, why don't you start at the be ginning.Certainly, Herr Bartley. I, Joseph Haydn, vas born in 1732 in the small Austrian village of Rohrau, near the border of Hungary. My father, a humble vheelvright, could not imagine that his son vould one day travel to the grand palaces of Europe or have his music performed by orchestras in London. Yet music called me early. From my earliest years, I vas dravn to melody and harmony. I sang in the village choir, and it vas soon clear that my voice and my ear vere exceptional.From vhat I understand, Maestro Haydn, you vent to Vienna as a young lad to become a choirboy at St. Stephen's Cathedral vhen you vere only eight years of age.Support the showThank you for experiencing Celebrate Creativity.

There are so many great apocryphal stories in the long history of classical music, from the reason Tchaikovsky wrote his Sixth Symphony to what famous composers supposedly said on their deathbeds, to my favorite story: how Joseph Haydn's Symphony No. 96, The Miracle, got its name. Apparently, during the premiere of the symphony, a chandelier fell, but miraculously didn't hit anyone. Hence, The Miracle Symphony. The chandelier did, in fact, fall, but we now know it happened during the premiere of Haydn's Symphony No. 102, which has no nickname. Coincidentally, or perhaps not so coincidentally, the 96th Symphony is performed far more often than the 102nd, likely because of its nickname, even though it's the nickname of the wrong symphony. The Barber Violin Concerto has a great and true story behind it. But before certain information was revealed in 2010, the story everyone knew was quite different. The original version goes like this: Barber had completed the first two movements of his Violin Concerto and sent them to the soloist scheduled to premiere the work, Iso Briselli. Briselli didn't like the concerto, claiming it wasn't virtuosic enough, and asked Barber to write something more difficult. Barber, perhaps with an evil laugh, obliged and returned with the third movement. When Briselli received it, he realized he couldn't play it because of its extreme difficulty and ultimately withdrew from the premiere, which instead went to violinist Albert Spalding. It's a perfect “Icarus flying too close to the sun” kind of classical music story, but as it turns out, it isn't the full story. In 2010, letters were released between Barber, Briselli, and the real instigator in this little operetta, Briselli's violin teacher, Albert Meiff. I'll get into the whole story later, but it's a good one, even if it's not quite as cinematic as the legend. More important than the dispute over its last movement is the remarkable beauty and creativity of this masterful 20th-century concerto. Barber's Violin Concerto is one of my favorite pieces to play and to conduct, and it has charmed audiences ever since its premiere. It features Americana music of a kind only Copland could equal, as well as a heartbreaking oboe solo that might be one of the greatest moments in the history of American classical music. And then there's that pesky third movement, a challenge to every violinist (and orchestra) and a movement that remains controversial for many reasons.

In this episode, we talk about private communications in public spaces, Wentworth's possible feelings in the encounter at Mollands and in the Assembly Room, the question of whether Lady Russell was legitimately trying to identify a set of curtains, and Anne's feelings towards Mr Elliot.The character we discuss is Elizabeth Elliot. In the historical section, Michael talks about the Bath Assembly Rooms, and for popular culture Harriet discusses the 2023 independent film Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Historical discussion:Blackadder the Third (1987)YouTube video: Dr Timothy Moore, ‘Change & Challenge: The History of Bath's Assembly Rooms‘, Bath Royal Literary and Scientific Institution, 30 July 2024Assembly Rooms floorplan (Source: http://www.victoriahinshaw.com/victorias-vibes—-a-blog/archives/05-2019)Popular culture discussion:Persuasion (2023, Agatha Films) – starring Skylar Pierce and Dan BrownCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Luister en leer hoe grote klassieke componisten hun belangrijke werken hebben gemaakt en hoe hun levenspad daarop van invloed was, zoals bij Joseph Haydn. Uitgegeven door Ontmoeting met... Sprekers: Han Bentz van den Berg, Anton Kersjes

Eines der Gipfelwerke der Wiener Klassik, rechtzeitig vor dem Haydnfestival des Grazer Musikvereins, wo die "Schöpfung" am 1. Oktober 2025 unter Adam Fischer zur Aufführung kommt. Wilhelm Sinkovicz führt durch die binze Bildereelt des Oratoriums, in dem einige der überwältigendsten Momente der klassischen Chormusik zu hören sind. Ausgehend vom Vorbild Georg Friedrich Händel hat Joseph Haydn damit an der Schwelle zum 19. Jahrhundert einen Beitrag zur Gattung Oratorium geschaffen, der in seiner Vollkommenheit vielleicht nie wieder übertroffen wurde.

In this episode, Janice Campbell sits down with Professor Carol Reynolds to explore the powerful role music and the arts play in a child's education. Together, they unpack how music isn't just a “nice extra,” but an essential part of helping kids connect with history, science, and even math. Carol shares how rhythm, sound, and story all work together to shape not only knowledge, but also confidence and joy in learning. If you've ever wondered how to integrate music and literature more fully into your homeschool, or you're looking for encouragement that it's not too late to begin, this conversation will inspire you. By the end, you'll be reminded that education is about more than checking boxes—it's about nurturing the soul through beauty, rhythm, and story. About Carol Professor Carol Reynolds is a much sought-after public speaker for arts venues, homeschool conferences, and general audiences. She combines insights on music history, arts, and culture with her passion for arts education to create programs and curricula, inspires concert audiences, and lead art tours. Never dull or superficial, Carol brings to her audiences a unique blend of humor, substance, and skilled piano performance to make the arts more accessible and meaningful to audiences of all ages. Carol has led art tours to Russia, Poland, Austria, Germany, Hungary, Switzerland, the Czech Republic, Croatia, Slovakia, San Francisco, and Broadway on behalf of several arts organizations and has recently teamed with Smithsonian Journeys for cruises to the Holy Land, Mediterranean, Caribbean, Baltic Sea, Indian Ocean, and across the Atlantic. Her enthusiasm and boundless energy give tour participants an unforgettable experience. For more than 20 years, Carol was Associate Professor of Music History at the Meadows School of the Arts, Southern Methodist University in Dallas, Texas. She now makes her home in North Carolina with her husband, Hank, and her daughter and grandchildren. Hank and Carol maintain a second residence in Weimar, Germany — the home of Goethe, Schiller, Bach, and Liszt, and the focal point of much of Europe's artistic heritage. About Janice Janice Campbell, a lifelong reader and writer, loves to introduce students to great books and beautiful writing. She holds an English degree from Mary Baldwin College, and is the graduated homeschool mom of four sons. You'll find more about reading, writing, planning, and education from a Charlotte Mason/Classical perspective at her websites, EverydayEducation.com, Excellence-in-Literature.com, and DoingWhatMatters.com. Resources  Saul by George Frideric Handel The Creation by Joseph Haydn https://www.professorcarol.com/2011/08/20/the-biggest-page-turn-in-music/ Peter and the Wolf by Sergei Prokofiev The role of music in a Hitchcock movie soundtrack Hurrah and Hallelujah: 100 Songs for Children Excellence in Literature curriculum (Grades 8-12) Connect Carol Reynolds | Website | Facebook | Instagram  Janice Campbell | Instagram | Facebook | Twitter | Pinterest | Website Homeschooling.mom | Instagram | Website Subscribe to our YouTube channel | YouTube Have you joined us at one of the Great Homeschool Conventions?  We hope to see you there! For more encouragement on your homeschooling journey, visit the Homeschooling.mom site, and tune in to our sister podcast The Charlotte Mason Show. View full show notes on the blog.

Anhand berühmter Bewohner des Sechsten Bezirks wie Oskar Werner oder Joseph Haydn erkunden wir die "Mitte des Sechsten" rund um den Esterhazypark das Haus des Meeres und entdecken dort verschwundene Schulen, Schlösser und Friedhöfe in Mariahilf.

Viridian Strings presents string quartets by Joseph Haydn and Maurice Ravel, plus two world premiere performances of music by Ben Webster and by Cherie Van Maanen and Tom Childs.

In this episode, we talk about the upward and downward social interactions taking place, what the implications are behind the Dalrymples being Irish aristocracy, the introductions of Mrs Smith and Nurse Rooke, the comedy of Mary's letter and Admiral Croft's meeting with Anne, and the fact that in the book's timeline it is only a month before Napoleon Bonaparte will escape from Elba.The characters we discuss are Admiral and Mrs Croft. In the historical section, Ellen talks about nurses, and for popular culture Harriet discusses the 2020 television movie Modern Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth, Castle Rackrent (1800)Character discussion:Walter Scott, Waverley (1814)Patrick O'Brien, Master and Commander (1969) and sequels in the Aubrey and Maturin seriesHistorical discussion:Charles Dickens, Martin Chuzzlewit (1844)Elizabeth Fry (19th century English prison reformer, social reformer, philanthropist and Quaker)Wellcome Collection in LondonPopular culture discussion:Modern Persuasion (2020, Tangerine Entertainment) – starring Alicia Witt and Shane McRaeCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about these transitional chapters between the events at Lyme and the move to Bath. We consider the position of the old nurse in the Musgrove household, how Anne is feeling a bit sorry for herself, the delightful scenes with the Crofts and with Charles and Mary, how Mr Elliot is described as ‘underhung', and the way Anne and Mr Elliot get on well with each other.The characters we discuss are Mr and Mrs Musgrove. In the historical section, Ellen talks about Bath, and for popular culture Harriet discusses the 2019 YouTube series Rational Creatures.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Noel Streatfeild, Gran-Nannie (1976) and Ballet Shoes (1936)Novels of Charlotte M. YongeEvelyn Waugh, Brideshead Revisited (1945)Alexander Pope, ‘The Rape of the Lock‘ (1712)Historical discussion:The Venerable Bede (c.672-735)Nennius (9th century Welsh monk)Google map of locations in Persuasion, zoomed in on BathPopular culture discussion:Rational Creatures (2019, YouTube) – starring Kristina Pupo and Peter GiesslHarriet's interview with the creators of Rational CreaturesCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Esteban Batallán, the CSO's principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn's tempestuous Symphony No. 48 and Schubert's Haydn-inspired Tragic Symphony. Learn more: cso.org/performances/24-25/cso-classical/muti-and-esteban-batallan

This Day in Legal History: Trump Guilty on All CountsOn this day in legal history, May 30, 2024, President Donald J. Trump was convicted on all 34 felony counts in a criminal trial related to a hush money scheme during the 2016 presidential campaign. The case centered on falsified business records used to conceal payments made to adult film actress Stormy Daniels, intended to silence her allegations of an affair in the run-up to the election. The charges—each tied to entries in the Trump Organization's internal ledger—were elevated to felonies on the basis that they were committed in furtherance of another crime, namely influencing the outcome of a federal election.The trial, held in New York State Supreme Court, marked an unprecedented legal moment in U.S. history: a former president, and presumptive candidate in the upcoming election, being found guilty of criminal conduct. Prosecutors argued that Trump orchestrated the payments to suppress damaging information and maintain his electoral chances, while his defense claimed the case was politically motivated and the records reflected routine legal expenses.The conviction did not bar Trump from running for office again, but it did raise serious constitutional, electoral, and logistical questions about the rule of law and the separation of powers. The verdict was reached by a jury of 12 New Yorkers after weeks of testimony from former aides, prosecutors, and key witnesses like Michael Cohen, Trump's onetime fixer.Trump's sentencing was scheduled for a future date, and appeals were expected. Reactions across the political spectrum were predictably polarized, with critics calling it accountability at last, while supporters denounced the trial as a miscarriage of justice. Legal scholars noted the symbolic weight of the decision in reaffirming that no one—including a former president—is above the law.The U.S. Department of Justice and several states are wrapping up a major antitrust case against Google, with closing arguments scheduled for Friday. At issue is whether Google must sell its Chrome browser and stop default search engine deals with companies like Apple and wireless carriers, which the DOJ says stifles competition. These proposals follow a prior court finding that Google unlawfully monopolized online search and advertising markets.Judge Amit Mehta, who is presiding over the case, expects to issue a ruling by August. The DOJ is also pushing for Google to share its search data, which could benefit AI companies. OpenAI has expressed interest in purchasing Chrome if a divestiture occurs and noted that access to Google's search data would improve its AI responses.Google argues that the DOJ's proposed remedies overreach and would unfairly advantage competitors. The company has already taken some steps, such as loosening default search engine deals with phone manufacturers like Samsung. However, the government wants a full ban on payments that secure Google's search dominance on devices.Google and DOJ to make final push in US search antitrust case | ReutersA federal appeals court has temporarily reinstated President Trump's wide-ranging tariffs after a lower trade court ruled they exceeded presidential authority. The stay, issued by the U.S. Court of Appeals for the Federal Circuit, allows the tariffs—targeting imports from most trading partners and specifically Canada, Mexico, and China—to remain in effect while the appeals process unfolds. The plaintiffs and the government must submit legal arguments by early June.The U.S. Court of International Trade previously found that Trump misused the International Emergency Economic Powers Act (IEEPA), which is designed for national emergencies, not trade disputes. The panel emphasized that Congress, not the president, holds constitutional power to impose tariffs. Trump and his administration remain defiant, vowing to pursue alternative legal pathways if needed. Trump criticized the ruling publicly, warning it would weaken presidential power and harm national interests.Financial markets responded cautiously, factoring in the likelihood of a drawn-out legal process. Some companies, like small businesses represented by the Liberty Justice Center, argue the tariffs threaten their survival due to disrupted supply chains. Broader economic impacts include $34 billion in losses and stalled negotiations with key partners. Notably, separate national security-based tariffs on steel, aluminum, and cars remain unaffected.Trump's tariffs to remain in effect after appeals court grants stay | ReutersTrump's latest tax-and-spending bill, dubbed the "One Big Beautiful Bill Act," includes a provision that could significantly limit federal courts' power to enforce contempt orders against the government. The measure, buried in the 1,100-page bill, would block courts from enforcing contempt if plaintiffs did not post a monetary bond when seeking an injunction—a practice rarely required in lawsuits against the government.The provision applies retroactively and would affect both lower courts and the Supreme Court. Critics say it could effectively prevent courts from holding government officials accountable for ignoring judicial orders, as most past injunctions didn't involve posted bonds. While the administration says the measure is aimed at deterring frivolous lawsuits, legal experts warn it undermines judicial authority and incentivizes noncompliance.This change comes after a Trump administration memo encouraged agencies to request bonds in litigation. Judges have previously flagged possible defiance of court orders by administration officials but have stopped short of issuing contempt rulings. In one recent case over tariffs, a judge set a bond at just $100, overruling a higher request by the government.The House narrowly passed the bill without any Democratic support. It now moves to the Senate, where some Republicans have expressed intentions to amend it. A group of House Democrats has already called for the contempt provision to be removed, arguing it would render courts ineffective in enforcing lawful orders.Trump's sweeping tax-cut bill includes provision to weaken court powers | ReutersThe U.S. Justice Department has asked a judge to dismiss the criminal fraud charge against Boeing tied to two deadly 737 MAX crashes that killed 346 people, following a new agreement with the company. Under the deal, Boeing avoids a felony conviction but will pay an additional $444.5 million into a victims' compensation fund and a $243.6 million fine, bringing the total to $1.1 billion. The sum includes investments in safety, compliance, and quality enhancements.This resolution has drawn strong criticism from families of crash victims and some lawmakers, who argue that Boeing should face trial. While most families have settled civil lawsuits and received billions in compensation, several legal representatives are planning to challenge the agreement. The Justice Department defended the deal, stating it ensures accountability and public benefit while avoiding a potentially uncertain trial outcome.As part of the agreement, Boeing's board must meet with victims' families, and the company will hire a compliance consultant instead of facing court-appointed oversight. The deal halts a planned June 23 trial over Boeing's alleged deception of U.S. regulators regarding a key flight control system implicated in the crashes.US asks judge to dismiss Boeing 737 MAX criminal fraud case | ReutersThis week's closing theme brings us to one of the towering figures of Classical music: Joseph Haydn. Born in 1732 and known as the “Father of the Symphony” and “Father of the String Quartet,” Haydn's influence shaped the musical landscape of his time and set the foundation for generations of composers to come, including his younger contemporaries Mozart and Beethoven. Though widely celebrated for his symphonic and chamber works, Haydn also made remarkable contributions to keyboard music—works that showcase both his wit and structural innovation.Our selection is the first movement, Vivace, from his Keyboard Concerto in D major, Hob. XVIII:11, arguably his most famous and frequently performed keyboard concerto. Composed in the mid-1770s, the piece bursts with energy and clarity, reflecting Haydn's mature style. The Vivace movement is bright, spirited, and rhythmically engaging, with a dialogue between soloist and orchestra that feels playful yet assured.What makes this concerto particularly special is its balance of accessibility and sophistication. The melodies are immediately appealing, but the musical craftsmanship runs deep—complex harmonic turns, sparkling ornamentation, and a joyful momentum that never wanes. In the Classical tradition, this was written for the harpsichord or fortepiano, but it's often performed on modern piano today, bringing a different resonance and brilliance to the sound.As we close the week, Haydn's Vivace offers a fitting send-off: lively, inventive, and rooted in a composer who, even two centuries later, continues to surprise and delight.Without further ado, Joseph Haydn's Vivace – Keyboard Concerto in D Major. Enjoy!  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

"Aus dem Nähkästchen plaudern", lautet eine deutsche Redewendung, mit der zum Ausdruck gebracht wird, wenn jemand etwas Intimes einer mehr oder minder großen Öffentlichkeit preisgibt. Wie verwerflich ist das, und wie verhält es sich ist bei Personen des öffentlichen Lebens, zum Beispiel bei großen Komponisten? Haben sie eine Anrecht auf eine Privatsphäre, oder darf verraten werden, was sie so getrieben haben, wenn sie nicht gerade komponierten? Unser ZOOM hat sich über alle Bedenken hinweg gesetzt und einem berühmten Musiker unter die Bettdecke geschaut.

In this episode, we talk about how how Jane Austen has solved the problem of the infodump, the realism of the scene with little Walter, how she shows the relations within families, and how events on the walk to Winthrop affect Wentworth's feelings.The characters we discuss Louisa and Henrietta Musgrove. In the historical section, Ellen talks about curates, and for popular culture both Harriet discusses the 2007 ITV film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth (reference in the Persuasion footnotes is to A Memoir of Maria Edgeworth with a Selection from her Letters (1867), vold. 2, pp. 5-6.)Character discussion:Irene Collins, Jane Austen and the Clergy (2002)Historical discussion:Anthony Trollope, The Last Chronicle of Barset (1867)Stipendiary Curate Act 1713 Popular culture discussion:Clerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

On parle toujours des plus grands compositeurs comme Mozart, Beethoven, Chopin... Olivier Bellamy raconte le destin du grand compositeur du 18e siècle Joseph Haydn, contemporain de Mozart, à l'origine de 104 symphonies... Chaque semaine, retrouvez les meilleurs moments de l'émission "Ça va faire des histoires" diffusée l'été 2024 sur RTL. Jean-Michel Zecca avait réuni les meilleurs experts de RTL pour un grand concours d'anecdotes.

Bridgetower wird als Wunderkind und "Schwarzer Geiger" berühmt. Am 19.02.1790 wird er entdeckt - und begeistert Beethoven später so, dass der ihm ein Meisterwerk widmet. Von Holger Noltze.