Podcasts about Prejudice

From sculptural updos, like those worn at the Golden Globes by KPop Demon Hunters singer EJAE, to the joyful, bright eye looks musician Zara Larsson has been embracing, exciting beauty trends are already emerging in 2026. With awards season just ramping up, Vogue beauty editors Margaux Anbouba and Arden Fanning Andrews joined Chioma on The Run-Through this week to share what they anticipate seeing on red carpets in the months ahead. When it comes to predictions, Arden is leaning into what she calls “romantic beauty”— soft makeup and windswept hair — inspired by the return of period dramas this year, including Wuthering Heights (don't forget to join the book club!), Sense and Sensibility, set for release in September, and Netflix's forthcoming Pride and Prejudice series. Margaux thinks we will be opting for “imperfect beauty,” meaning leaning into messier aesthetics online as a pushback against the rise of AI. Both editors (who happen to sport bobs themselves) once again said bobs are a trend to stay, even though they both plan to grow out their hair this year.Earlier in the episode, Vogue Business U.S. editor Maddie Schulz breaks down what's really going on behind the Saks Fifth Avenue bankruptcy and what fashion's “reset” may actually look like. Plus, Chloe and Chioma share their takes on the menswear shows so far and reflect on the passing of the legendary Valentino Garavani.The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews. Learn about your ad choices: dovetail.prx.org/ad-choices

Principle 6 -  James 2:1-13A Principle to Live By – Avoiding Prejudice - Day 3We are to honor one another without showing favoritism.NEW! - Let us know what you think of the program! Support the show

Principle 6 -  James 2:1-13A Principle to Live By – Avoiding Prejudice - Day 2We are to honor one another without showing favoritisNEW! - Let us know what you think of the program! Support the show

Maggie and Corey return to Pride and Prejudice to start the filming of Episode 1 of the series. Corey and Maggie review last weeks' filming and do their first recording for Pride & Prejudice. Check out Maggie's upcoming SPACE class in March, Susan Cooper: King of Shadows. https://tinyurl.com/class-with-maggie Other Minds and Hands: An Open and Friendly Discussion of Tolkien Adaptation, Episode 121, recorded on January 12, 2026. Join us on the Signum University Discord server: https://discord.gg/szXMFAv Join us on Mondays at 4:30 PM ET,on this SignumU Youtube channel https://www.youtube.com/c/SignumUniversity and SignumU Twitch channel https://www.twitch.tv/signumu Check the schedule here. https://www.twitch.tv/signumu/schedule For more information https://mythgard.org/miscellany/ You can watch or listen to the recordings here.https://youtube.com/playlist?list=PLasMbZ4s5vIV0nHc_Ji8CLs1C-a6iuXMYhttps://tolkienprof.fireside.fm/subscribe Hosts: Dr. Corey Olsen the Tolkien Professor https://signumuniversity.org/directory/corey-olsen/ Dr. Maggie Parke https://signumuniversity.org/directory/maggie-parke/ For more information about Signum Studios and Signum Collaboratory, visitSignum Studios https://studios.signumuniversity.org/ Signum Collaboratory https://collaboratory.signumuniversity.org/ For more information about Signum University https://signumuniversity.org/

Atiya Walcott is one of my fashion heroes, so her signature phrase, "I'm Atiya Walcott and I'm incredibly fashionable," couldn't be more fitting. Based in Chicago, the fashion creator has built a following around her wearable yet eye-catching style, shot and shared in a format that will stop you mid-scroll and make you hit save within seconds. Her styling videos are cinematic, filmed in her stunning home with 20-foot ceilings, with each shot crafted with the precision and creativity of a seasoned film director. In this episode, Atiya and I dive into blending her love of theater, movement, and fashion, the journey of finding your niche, and her style inspirations that range from her mom's closet to Pride and Prejudice.Follow Atiya on Instagram https://www.instagram.com/atiyawalcottfits/?hl=en and TikTok https://www.tiktok.com/@atiyacwalcott?lang=enLove the show? Follow us and leave a review on Apple Podcasts and Spotify. To watch this episode, head to YouTube.com/@LivvPerezFor more behind-the-scenes, follow Liv on Instagram, @LivvPerez, on TikTok @Livv.Perez, and shop her closet here https://shopmy.us/livvperez

Principle 6 -  James 2:1-13A Principle to Live By – Avoiding Prejudice - Day 1We are to honor one another without showing favoritism.NEW! - Let us know what you think of the program! Support the show

The episode that stopped us in our tracks for all the wrong reasons.We discuss Season 8's 'Pride and Prejudice' which was handled in a way that just wasn't okay.See omnystudio.com/listener for privacy information.

Can Michael and his traveling companion cross the Ural Mountains with a storm on the horizon? Jules Verne, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   One of the things that I love about The Classic Tales is the way folks who normally don't listen to the classics get hooked. I don't know how many times I've heard stories of people who normally wouldn't read Jane Austen, but now love Pride and Prejudice. Or after a few episodes of Poirot, want to read more of Agatha Christie's books. Or Charles Dickens, or Sherlock Holmes, the list goes on and on.   If you've got a friend who might be like this, here's what you do – scroll back through our feed and find one of your favorite episodes. Maybe it's a Jeeves and Wooster episode, or a Lupin mystery, something where afterwards, you were like, man, that was a good story. There's a ton of them! Share that episode with a friend. Now you've got something to talk about next time you see them.   And if you're wanting to try it out yourself, subscribe to the Audiobook Library Card, and gain access to everything. All the novels, short stories and novellas over the last 18 years – I mean, try listening to The Scarlet Pimpernel and not be hungry for more fun. For 9.99 a month, you get access to it all. It's the best audiobook deal on the internet.     Go to audiobooklibrarycard.com or follow the link in the show notes, and download and listen all you want.     And now, Michael Strogoff, Part 3 of 9, by Jules Verne     Follow this link to get The Audiobook Library Card for a special price of $9.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:  

Not so much a rewrite as an appreciation of this 25-year-old classic in general and of Daniel Cleaver as played by Hugh Grant in particular. Bridget Jones's Diary Year: 2001 Screenplay by: Helen Fielding, Andrew Davies, Richard Curtis Based on the novel by: Helen Fielding Directed by: Sharon Maguire Stars: Renée Zellweger, Colin Firth, Hugh Grant Show notes: CN: discussion of fatphobia and diet culture; derogatory language   If you would like to skip the plot summary for this month's film you can spool forward about 12 and a half  minutes into the episode.   In this episode we mention the films: Notting Hill* (1999) (https://www.imdb.com/title/tt0125439/) Paddington 2 (2017) (https://www.imdb.com/title/tt4468740/) Love Actually (2003) (https://www.imdb.com/title/tt0314331/)   And the TV series: Pride and Prejudice (1995) (https://www.imdb.com/title/tt0112130/)   And the books: Bridget Jones's Diary by Helen Fielding (1996) (https://en.wikipedia.org/wiki/Bridget_Jones%27s_Diary_(novel)) Sex & The City by Candace Bushnell (1996) (https://en.wikipedia.org/wiki/Sex_and_the_City_(newspaper_column)) Tales of the City by Armistead Maupin (1978) (https://en.wikipedia.org/wiki/Tales_of_the_City_(novel)) The Secret Diary of Adrian Mole, Aged 13 3/4 by Sue Townsend (1982) (https://en.wikipedia.org/wiki/The_Secret_Diary_of_Adrian_Mole,_Aged_13%C2%BE) Pride and Prejudice by Jane Austen (1813) (https://en.wikipedia.org/wiki/Pride_and_Prejudice) Bridget Jones: The Edge of Reason by Helen Fielding (1999) (https://en.wikipedia.org/wiki/Bridget_Jones:_The_Edge_of_Reason_(novel)) Persuasion by Jane Austen (1817) (https://en.wikipedia.org/wiki/Persuasion_(novel))   *Films marked with an asterisk have previously been featured on the podcast.   You can watch the shower sketch from Eddie Izzard's Glorious tour (1997) here: https://youtu.be/0Zfsn82MF3E?si=uhKVM3t9YtR8PKSQ   NB: In this episode, we refer to events from both the first and the second books in the Bridget Jones canon - Bridget Jones's Diary (1996) and Bridget Jones: The Edge of Reason (1999)   The passage from the (first) book that Charles Adrian was trying to find is right at the beginning - Sunday 1 January: "It struck me as pretty ridiculous to be called Mr Darcy and to stand on your own looking snooty at a party. It's like being called Heathcliff and insisting on spending the entire evening in the garden, shouting 'Cathy' and banging your head against a tree."    Comic Relief, mentioned in passing at the beginning of this episode, is a British charity co-founded in 1986 by Richard Curtis and Sir Lenny Henry (https://en.wikipedia.org/wiki/Comic_Relief).    If you would like to suggest films for future episodes, you can tweet Lisa: @LisaStowaway.   We record these episodes over the internet. Sometimes the audio is not perfect. We apologise for that.    Music in this episode is by Martin Zaltz Austwick (martinzalzaustwick.com). Artwork is by Lisa Findley.   Thank you for listening! 

The reason that people refuse to believe in Jesus Christ as Lord is because of the enslaving prejudice against Him.

Lovers' Vows cast list is up! Fanny is offered the role of a lifetime, which she does NOT want, and Miss Crawford is the only one who comes to her aid. The company decides to search for their Anhalt amongst their neighbors but Edmund puts a stop to that by offering to play Anhalt himself.Topics discussed include playing dress-up, horse betting, why Edmund DOESN'T want to play Anhalt, Mary's moment of kindness, and Fanny's studio apartment.Patron Study Questions this week come from Avi and Ghenet. Topics discussed include our opinions on Mary's character and why Mrs. Norris is so cruel to Fanny.Becca's Study Questions: Topics discussed include Edmund's conduct and choices vs. Fanny's conduct and choices, whether we buy Edmund's reasoning, and Fanny's studio loft and what it tells us about Fanny's relationship to Mansfield Park.Funniest Quote: For a moment no one spoke; and then many spoke together to tell the same melancholy truth, that they had not yet got any Anhalt. “Mr. Rushworth was to be Count Cassel, but no one had yet undertaken Anhalt.”“I had my choice of the parts,” said Mr. Rushworth; “but I thought I should like the Count best, though I do not much relish the finery I am to have.”“You chose very wisely, I am sure,” replied Miss Crawford, with a brightened look; “Anhalt is a heavy part.”“The Count has two-and-forty speeches,” returned Mr. Rushworth, “which is no trifle.”Questions moving forward: Will Fanny act? How will it go with Edmund as Anhalt?Who wins the chapters? Mary CrawfordGlossary of Terms and Phrases:nice (adj.): fastidious, scrupulousGlossary of People, Places, and Things: Home Alone, The Princess Diaries, It's Always Sunny in Philadelphia Next Episode: Mansfield Park Chapters 17-18Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

In this episode of Gangland Wire, Mafia Genealogist Justin Cascio joins Intelligence Unit detective Gary Jenkins to explore one of the most remarkable—and overlooked—figures of the Prohibition era: Pasqualina Albano Siniscalchi, the so-called Bootleg Queen of Springfield, Massachusetts. At the dawn of Prohibition in 1921, Pasqualina was a young widow living in Springfield's South End when she inherited her late husband's powerful bootlegging operation—one of the largest in western Massachusetts. Rather than step aside, she took control. Pasqualina ruled a crew of toughs and bootleggers, oversaw liquor distribution, and launched a relentless campaign of vengeance against rivals who challenged her authority. Newspapers dubbed her The Bootleg Queen, but her fight went far beyond rival gangs. She clashed with lawmakers, battled competing bootleggers, and even faced resistance from within her own family—all while operating in service of a secret society that would never fully accept her because she was a woman. Her story exposes the contradictions of organized crime: loyalty demanded without equality, power wielded without recognition. Cascio draws from years of meticulous research and family histories to bring Pasqualina's story to life, revealing her pivotal role in early Mafia expansion in New England and the hidden influence women could wield behind the scenes. His book, Pasqualina: The True Story of the Bootleg Queen of Springfield, challenges long-held assumptions about gender, power, and the Mafia during Prohibition. If you're interested in Prohibition-era crime, New England Mafia history, or the untold stories of women who shaped organized crime from the shadows, this episode is one you won't want to miss. Learn more about Justin and his work on Mafia Geneology by clicking this sentence. Get Justin’s book, Pasqualina: The Bootleg Queen of Springfield, Massachusetts Listen now on Gangland Wire — available on all major podcast platforms and YouTube. 0:02 Introduction to Mafia Genealogy 1:16 Pasqualina Albano’s Story 2:30 Family Reunion Revelations 4:56 The Impact of Prohibition 7:45 Prejudice and Organized Crime 10:50 Connecting the Genovese Family 12:34 Views from Sicily 13:50 Cultural Differences in Dress 16:37 Encounters with Modern Gangsters 18:36 Gina’s Documentary and Art 23:53 The Romance of the Gangster 27:24 The Nature of Risk 28:46 The Evolution of Organized Crime 33:16 Closing Thoughts and Future Plans Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, all you wiretappers. Good to be back here in the studio of Gangland Wire. I’ve got on tap here a repeat guest. He’s been on before. I had a little technical glitch this morning with the internet, and I had to scurry around and do something different. I totally forgot about what I was going to talk about with Justin, but I knew Justin’s been on there before. I knew he does mafia genealogy, and I knew he knows his stuff, and so he doesn’t really need a lot of help from me. So this is Justin Cascio from the website and some books, some mafia genealogies. Welcome, Justin. Thanks so much, Gary. Great to be here. Really. And you’re from the Springfield, Massachusetts area. And so that’s been some of your emphasis has been on that area. But you’ve done a lot of other mob genealogy, correct? Yes. On my website, on mafiagenealogy.com, I write about a whole lot of different places that the mafia has been in the United States. In fact, coming up, I’m going to be writing about Kansas City. But for the last 25 years or so, I’ve lived in New England. I live about 20 miles away from Springfield, Massachusetts, which if you’ve heard of Anthony Aralata or Bruno or the Shabelli brothers, then you know the Springfield crew of the Genovese crime family. [1:12] And I’ve been following them pretty closely since I’ve lived here. A few years ago, I got into the story of Pasqualina Albano, who was a bootlegger in Springfield during Prohibition. [1:25] That’s what my new book is about. Yeah. Oh, that’s a new book, right? I’m sorry. I didn’t pick up real quick there. And she’s done a documentary recently that hasn’t been seen by very many people. And they really, she was a woman. They do use the A at the end. Those of us that know about romance languages would know as probably a woman, but she’s a woman. And she was running a certain segment of bootlegging back during the 30s and late 20s, exactly when it was, which is really unusual. She must have been a powerful individual. I think that she was a very remarkable person, so I couldn’t find out enough about her. I really needed to understand how it was possible that somebody who the Mafia would never have accepted as a member allowed her to lead this crew for so long, even into the years when it was associated with Vito Genovese and that crime family. Yeah. Don’t you imagine it was, she must have been making money for them. [2:24] She was making money for her family, for sure. Got a few people probably pretty comfortable, yeah. [2:30] So that family, you went to a family reunion recently and learned quite a little bit. You want to tell your experiences about that? Yes. So, Pasqualea Albano, that bootlegger, has a nephew who is now 101 years old. His name is Mario Fiore. And when he turned 100, I was invited to his birthday party. And it was an enormous scene. It was tremendous. In fact, it’s a cliche, but the opening scene of The Godfather, if you imagine that wedding scene, it’s what it looks like. There’s a guy singing live on a PA system. There’s a pizza oven parked over here. There’s kids in the pool. There’s so many people, so much food, and this great big lawn and incredible view. Just an amazing scene to be at. And I met so many different people who were in Mario’s family. I met people who came over from Italy to come celebrate his birthday and talked with them as much as I could. I have no Italian, by the way. So we did the best we could. But I also talked to her American relative. She has all these grand nieces and nephews, and nieces and nephews who are still living, who were at this party and told me stories and drew little family trees for me. And what I was able to get a real good sense of is how the family feels about this legacy. Because not just Pasqualina, who was in organized crime, so many of her relatives were involved as well and continued to be up until the 80s, at least. [4:00] So the name, was it Albano? Was it got on in the modern times? The last name, was it still Albano? Was there another name? There are a few. Let’s see. I want some more modern names. There’s Mario Fiore. So he is one of her nephews. And then there’s Rex Cunningham Jr., who is one of her grandnephews. There’s the Sentinellos. So Jimmy Sentinello, who owns the Mardi Gras, or he did anyway. It’s a nude club, you know, a gentleman’s club, as they say. A gentleman’s club. We use that term loosely. Oh, boy, do we? Another old term that I picked up from the newspapers that I just love and like to bring back is sporting figure. Yeah, even sporting man. They don’t play sports. They’re not athletes. They’re sporting figures. I know. I heard that when I was a kid. Somebody was a sporting man. Yep. [4:57] This has been a family tradition. It’s something that has been passed down through the generations, and it’s something that I talk about in the book. But mostly what I’m focused on in the plot of the story is about Pasqualea’s time during Prohibition when this gang was turning into something bigger, turning into a part of this American mafia. Yeah. Interesting. And so tell us a little bit about how that developed. You had a Genovese family that moved in and she got hooked up with them. How did that develop? Yeah. More end of modern times. Early on, so 1920, beginning of Prohibition, Pasqualea Albana was newly married to this sporting figure, we’ll call him, Carlo Sinascocci. And I’m probably pronouncing that last name as wrong as well. He also came from a family of notable people who were involved in organized crime, getting into scrapes in Little Italy, New York City. There’s a whole separate side story about his cousins and all the things that they were getting into before Carlo even got on the scene. So by the time he arrived in New York City, he had a bit of a reputation preceding him because of these relatives of his. [6:06] And Pascalina was a young woman in Springfield. And the first question I even had writing about her is, how did she meet this guy? He was a Brooklyn saloon keeper. She was the daughter of a grocer in Springfield, three and a half hours away on the train. Like, why do they even know each other? And so trying to piece all that together, how that was reasonable for them to know one another and move in the same circles, and then for him to immediately, when he moved to Springfield, start picking up with vice because it was before Prohibition. So he was involved in gambling and police violence. And you could see some of the beginnings of the corruption already happening where he’s getting police protection before prohibition even begins. And then once it starts, he is the king of Water Street, which was the main drag of Little Italy. He was the guy you went to if you wanted to buy wholesale. [6:57] Justin, I have a question here. I was just discussing this with who’s half Italian, I guess, FBI agent that worked the mob here in Kansas City. We were talking about this, the prejudice that Italian people felt when they first got here, especially. And Bill’s about 90, and so he said his father told him. His father worked at a bank in New York, and he was told that with that last name, he had a different last name than Bill does. And with that last name, he said, you’re owning and go so high in the bank. And so talk a little bit about the prejudice that those early people felt. And that’s what drove people into the dark side, if you will, to make money. You had these bright guys that came over from Sicily looking for opportunity. And then us English and Irish Germans kept them out. [7:45] And so can you talk about that a little bit? Did they talk about any of that or have you looked into any of that? [7:52] I have. And it’s a theme that comes up again and again. Whenever I look at organized crime in any city, I’m seeing things like that ethnic succession of organized crime that you’re alluding to, how the Irish were controlling, say, the machine in Kansas City Hall or what have you. And they had that same kind of control over politics in other cities, too. And the way that they were getting a leg up and finally getting that first protection of their rackets was from outside of their ethnicity. It was Irish politicians protecting Italian criminals. And then eventually the Italians were getting naturalized where they were born here. And so then they move into politics themselves. [8:31] And that is one of the theories about how organized crime develops in American cities. It’s because you’re poor and ethnic and you’re closed out of other opportunities. And so the bright kids get channeled into organized crime where maybe in a better situation, they would have gone to college. Right. And then Prohibition came along, and there was such a huge amount of money that you can make in Prohibition. And it was illegal. That’s why you made money. But there was opportunity there for these young guys. Yes. And you really start to see a lot of new names in the papers after Prohibition begins. You have your established vice criminals who you’re already seeing in the newspapers through the 19-teens. Once Prohibition begins, now they have all these other guys getting into the game because there’s so much money there. And it’s such a big pie. Everybody feels like they can get a slice. [9:21] Yeah, interesting. Carry on. I’ve distracted you, Azai, but you were talking about Pasqualina and her husband. Of course, I’m not even going to try that. When you talk about discrimination against Italians, one of the things that makes my job really hard is trying to find news about a guy with a name like Carlos Siniscalchi. First of all, I’m probably saying it wrong. I think the Italian pronunciation is… So I’m getting all of the consonant clusters wrong, but I do it with my own name too. We’ve Americanized Cassio. That’s not the right name. How do you pronounce it? It’s Cassio. But we’re Cassio. That’s my grandfather said it. So how do I find Carlos Nescalci in the newspaper when every reporter mangles that name? And spells it differently. Yeah. Everybody spells it differently. How am I going to guess how all these different English speaking reporters were going to mess up Carlos’ name? And so I find it every which way. And sometimes I’ve just had to plain stumble over news about him and his relatives. It just happens by chance. I’m looking for general crime, and then I find him specifically. So yeah, it’s a little hard to find the Italians sometimes because their names are unfamiliar and they get written wrong in censuses and in the news. So we lose a little bit of their history that way. And that’s what you might call, I don’t know, a microaggression because they can’t get that name. Yeah, a little bit. Yeah, yeah. You don’t care enough to spell it. I just, I know the thought process, I have to admit. I’ll just spell it anyway. I understand that thought process. [10:51] So you were asking earlier, I don’t know if you want me to continue this, but how the Genovese family were able to get involved in this thing going on in Springfield. Yeah, connected. Because of her second husband. Okay. Pascalina lost her first husband in 1921. He was killed by a fellow bootlegger. He takes over the gang. She conducts a war of vengeance against the guy who kills her husband and his whole family because they’re gangsters. And that takes years. She’s also pursuing her through the courts. And when that all finally gets settled a few years later, she has a quiet little second marriage to a guy that nobody had ever heard of called Antonio Miranda. [11:28] Now, Antonio Miranda is a small time gangster from Little Italy, New York City, and his brother is Mike Miranda, who is very close to Vito Genovese, and he became this conciliator eventually. So that old connections, going back to the days before the Castello-Moraisi War, when it was Lucky Luciano bootlegging with some of his pals, that’s the time frame in which she formed this alliance by marrying Tony Miranda. And that’s when it starts. That’s the relationship’s beginning between Genovese crime family having, before it was even the Genovese crime family, when it was the Luciano family. And so they’ve had that relationship with the Springfield crew ever since. A little bit like old world feudalism in a way, where one member of a royal family marries a member of another royal family. And I know in Kansas City, we’ve got our underboss, his sister, is married to our boss’s nephew. So, bring those two families together, the Lunas and the Savellas together, yes, very well, like noble families. Exactly. Interesting. Absolutely. [12:31] So that’s how they got together. I remembered that, but I’d forgotten it. So, you went to this reunion with people from Sicily there. So, tell us a little bit about that. How? [12:43] How do people in Sicily view the people in the United States? And they didn’t talk about the mafia. I’m sure there’s no doubt that they’re not going to really talk about that unless you got to find somebody that’s really lucky. But kind of care about the sociological impact and the old world and the new world, and the new world people that, you know, established here. Okay, so Pasqualea and his family are from outside of Naples, and they maintain really close ties to their family back in Italy. Like I am the third generation born in America. I don’t speak Italian. Neither does my father. Neither of us has ever been to Italy. We don’t have, we’re not Italians. We’re Americans. Okay. And the Italians will remind you of that if you forget. We’re not Italian. And like spaghetti and meatballs, not Italian. Chicken Parmesan, not Italian. These are things that we invented here out of a sense of, out of homesickness and a sudden influx of middle-class wealth. We were like, let’s have the spaghetti and the meatballs. I had separate courses anymore where the meatballs are, where they’re both a special treat and I’m going to take two treats with chicken and waffles. [13:50] So being around them, they’re formal. You know, I was meeting like Pasquena’s relatives from Mercado San Sivarino, where they’re from in Italy, they own a funeral home. They own the biggest funeral home business in the town, and they also own some other sort of associated businesses, like a florist and things like that. So I would expect a certain sort of decorum and conservatism of tone from somebody who works in the funeral business and from Italy. But they were also among the only people there in suits, because it was a summer day, we’re outside. Most of us were dressed a little less formally. Yeah. Old school, 1950s stuff. He does those old 1950s photographs, and everybody, every man’s wearing a suit. And there were women’s hat on. Also, that ongoing thing where people in Europe just dress better. Yeah, they dress more formal. I see a little bit in New York City. I noticed it when I moved up from the South. In the South, you go to a funeral and flip-flops, okay? It’s very casual because the weather absolutely demands it. I moved that back up North, and I’m like, wow, everybody’s just wearing the same black coat, aren’t we? And you go into New York. People are dressed a little better, even. You go to Europe, and it’s just another level is what I hear. People, they dress better. They’re not like us where we would roll out of bed and put on pajama pants and some crocs and go to the grocery store. They would never do something. Yes. [15:10] I was in a restaurant several years ago, and there’s a guy sitting at a table, and another young guy comes in. And the guy at the table says, dude, you wore your pajama bottoms in the restaurant. [15:22] People need to be sold. And I’ll have to admit, at the time, I hadn’t seen that before. And since then, I see it all the time now. I live in a college town. I see it a lot. Yeah. So i’ll carry on a little more about that reunion there uh okay so how to describe this so much of it was very surreal to me just being in this place like very fancy house the longest driveway i’ve ever seen like more than a mile i finally like when i parked my car because the track you know you can the parked cars are starting i parked and i get out of the car. And I’ve got this big present with me that I’m going to give to Mario. It’s unwieldy. And I’m like, oh man, this is going to be quite a schlep. And I’m wearing my good shoes and everything. And these two young fellas come up on a golf cart and bring me a ride. So I get in the golf cart and we get up to the house and my friend Gina was trying to point people out to me. Oh, he’s somebody that was in my documentary and you got to talk to this guy. And there was a lot of that. you’ve got to talk to this guy and you’ve got to talk to this woman and dragging me around to meet people. And one of the groups of people that I was, that I found myself standing in, [16:35] I’m talking to gangsters this time. Okay. This is not cousins who won a funeral home. These are gangsters. And I’m standing with them and they’re having the absolute filthiest conversation that I’ve heard since high school. [16:48] And, but the difference is boys in high school are just talking. These guys have done all the things they’re talking about. Wow. What a life is. The lives you would have led. Bye. I’m just trying to keep it. Are these American gangsters or are these? Americans. Okay, yeah. Current gangsters, they’re in the Springfield area with Anthony Arilada there. They’ve all hated him, probably. I’m sorry? I said Anthony Arilada when he’s there, and they all hated him. You probably didn’t bring his name up. Yeah, really. There are different factions in Springfield, it feels like to me, still. bill. And I haven’t got them all sorted. There are people who are still very loyal to the old regime and they have their figure, their person that they follow. And sometimes they can live with the rest of them and sometimes the rest of them are a bunch of lowlives and they want everybody to know about it. Yeah. [17:45] I’ve heard that conversation before. Interesting. Now, whose house was this? Somebody made it well in America. Yes. And I think it was one of his nephews. I don’t know exactly whose house it was. I was invited by Gina’s brother. He texted me and invited me to the party. And people just accepted me right in. The close family members who have seen Gina’s documentary, who have heard her talk about Pastelina and the research and meeting me, they think of me as the family a genealogist. And so I have a title in the family and belong there. Oh yeah, it’s here to document us. As you do, because we’re an important family. And so they didn’t really question my presence there at all. And you were able to ask questions from that standpoint too. That’s what was nice. Yeah. [18:37] And a lot of times it was just standing still and listening because there was so much going on, That was enough. Interesting. Now, her documentary, you’ve seen it, so tell us a little bit about it. Folks, it’s not out there streaming yet. She’s trying to get something going, I would assume. [18:58] Explain her just a little bit, too, in her book. Talk about her and her book and her documentary. Yeah. Okay. Gina’s a part of this big family that has got some wealth still and goes back to bootleggers in Prohibition and has gangsters in it, including her brother, Rex Cunningham Jr. So Cunningham is the name you don’t expect to hear in the mafia. Yeah, yeah. Done by Marietta Beckerwood. I don’t know if he was a member or associate, but at any rate, he was a known figure around here. Sportsbook and that kind of thing. Sportsbook, yeah. Yeah. She grew up with a little bit of wealth and privilege, but also feeling a little bit outsider because her family was half Irish. So among the Italians, it was a, you go to the wrong church, you go to the wrong school kind of vibe. And she grew up into more of a countercultural person. Her family is very conservative politically, religiously. I don’t know if you would expect that of a gangster family, but that’s what I’ve noticed is pretty common, actually. No, it’s pretty, that’s the way it is here. Yeah, real conservative, yeah. Yeah. You have to be socially for the whole thing to work. I can get into that, but And they keep going to the same church and school and everything, and you maintain these close ties with the neighborhood and local businesses and so forth. But she really was like, I’m going my own way. And so she became this free spirit as a young woman. And Gina’s, I don’t know how old she is. I want to say in her late 60s, around 70, about there. [20:23] That’s Gina Albano Cunningham. Cunningham. Oh, Gina. Okay, Gina Cunningham. See, I’m getting mixed up with the names. And Cunningham was… Ask Elena Albanos. Her sister married and became a Fiore. Okay. All right. That’s a little bit confusing. People have to go to your website to get this straightened out. Or maybe you have this, a picture, an image of this family tree on your website. In the book, you can find multiple family trees because I’m working with all these different branches. I’ll take a look if I can’t put an image in here for everybody to get this straight. But the modern woman that did the book and the movie, she’s in her 70s now. [21:04] Yeah. Yeah, and she’s a grandniece of Pasqualina, and her brother and her cousins were in organized crime in this room. Okay, all right, all right. Go ahead, go ahead. She’s absolutely immersed in this life, but she did not want any part of it, and so she left. And there are other people in her family that you can point to that did the same thing, like some of Pasqualina’s children just did not want to have anything to do with the family. Well, they left. They went and moved to another state. They stayed in another place. They didn’t come back. And she did the same thing, but she’s not cut ties. She keeps coming back and she has good relationships with her family members, even though she’s not aligned with them politically and so forth. [21:42] And she’s an artist. I’ve seen her work on a couple of different mediums. I don’t want to really try and explain what her art is, but she’s a feminist artist. And she’s also really been pointing the camera at her family quite a bit. And it seems like film might be a newer medium for her. She’s used to do more painting and sculpture and stuff kind of thing. How’d the family take that? A lot of these people, I’ve talked to some relatives here, and one of them come on to talk to me, but I said, your Uncle Vince, he said, yeah, I know. But then he never would get back to me all of a sudden. So a lot of pressure to not say anything about it. Oh, yeah. Sometimes I will get started talking to somebody and then it’ll reach a certain point where they’re like oh no we can’t don’t be recording this don’t put my yeah anything so yeah news to that but gina was like no this is going to be part of my, political art. I’m going to point the camera at my family. I’m going to expose, some of the hypocrisy that I see there, the things I disagree with. [22:41] It’s a short documentary, and I find it very powerful because it’s a family video. One of the first people she’s aiming the camera at is, I think, one of her nieces. Talking to this young woman who is leaning on her car, maybe in her late teens, early 20s, and this young woman is saying, oh, yeah, I would marry a gangster if I had the chance. And I’m just like, do you not know your family? Do you not know the heart? And later on in the video, you get to hear some of the really just like gut wrenching stories of what pain people in her family have brought upon themselves through their involvement in organized crime and all the things that it entails. And this young woman is, I don’t know, she’s acting because she doesn’t even know this other uncle or this other cousin that she’s got that can tell her these stories. Or is it, I don’t know, it doesn’t matter or something. And that to me was shocking. That’s the kind of thing that needs, that’s somebody who needs their mind changed. And I was like, I hope she watches this video she’s in and changes her mind about how she feels about that life and wanting to be a part of it. But that’s what mafia culture creates more of, is people who want to be a part of that. [23:53] There’s a certain romance to it that started out with Robin Hood, if you will. You get a romance of the gangster, the criminal that maybe is good to some people, good to support people, good to their family. And it continues on to this day to John Gotti. He’s the most recent iteration of Robin Hood and Jesse James here in the Midwest. People love Jesse James. When I grew up, everybody, every family had a story about how a couple of guys came by their house back in the 1800s and they gave them a place to stay and a meal. And they left them like a $20 gold piece, which was like $500 or something. And they said, it was Jesse James. I know it was. It’s the romance of the gangster continues. Yes. We all would love to imagine that we’re on the gangster side and that the gangster agrees. Yeah. As long as we don’t have to go to jail or pay that price. Because to me, I’ve got a friend today that he spent about 12 years and he would give all that gangster life back to get that 12 years back for these kids growing up. He’s turned over a new life today. I had lunch with him and his son not too long ago. And it’s just his son has told him, he said, every time I had to walk away from you in the penitentiary and come back home after our visit, he said, I was just crushed. It’s a huge price to pay for that. But there’s still that romance continues. [25:13] That terrible price, I think, is part of what feeds the romance. If there was no risk, there wouldn’t be that allure. Yeah, that’s true. You met that risk and overcame it and went on, came out on top. It’s what they always like to claim that came out on top of it. So I understand that thought process. I take a lot of risk in my life just from the other side. I said, live to fight another day. Yeah, there really are different kinds of risks that you can take. I was writing about a contract killer in Texas, and one of his targets was a guy who was a grain dealer. And I was like, that’s a really weird target for murder, right? Like, why would you kill a grain dealer from rural Texas? And it was because his old partner had an insurance policy out on him and decided to cash in on it. That was Charles Harrison, wasn’t it? Yeah, yeah, exactly. Sad story. Charles Harrison. Yeah. It was like, these were two guys that took very different kinds of risks, right? You got Charles Harrelson, who kills people for money. That’s a certain kind of risk you’re definitely taking. And then there’s the guy who buys grain and then sells it. So he’s taking these risks for his community of farmers. [26:27] And I was like, that’s really wholesome. And that’s, I don’t know, I feel like it’s a really positive example of masculinity. That’s the kind of risk we’re supposed to take for the safety and well-being of our neighbors? Yeah. Even the farmers, they risk everything every year. Smaller farmer, I grew up in those families and a smaller farmer practically risk everything every year, being in on the weather. That’s why I didn’t stay on the farm. And the markets, you don’t know what the markets are going to do. It’s a gamble every year. That Charles Harrelson, that’s Woody Harrelson’s dad who killed the Judds, famous murder down in El Paso. And he had a business. He carried a card that said he was a hitman. It was his story. [27:10] Bold. He was a crazy bold dude. I did a whole three-part series on that whole Jimmy Chagra marijuana business [27:20] down there on the border. and his connection to it and the killing of Judge Wood. So it’s just a business in these guys. Hey, it’s not personal. It’s just business. Yikes. It’s crazy. But Justin, you got anything else you want to tell us about? Anything you’re working on? And remind guys your website and what you can find there. He has some really interesting stuff about the old early days in Chicago. I know that. I referred to some of that several years ago when I was doing something on Chicago. So give guys a little walk through on your website. It’s really interesting. Okay, so John Gotti is one name I don’t think you’re ever going to find on my website. Yeah, good. [27:59] I’m really addicted to origin stories. I like to find out how the Mafia was already present before that point when we say it started. Yeah, in the 20s. But gangsters don’t come out of nowhere. Gangs don’t come out of nowhere. They evolve. They grow. There are forces to create them. And so that’s what I’m interested in. I like to go around. And I spent a lot of my early career writing about one place and its effect on the United States, Corleone, where my family’s from in Sicily. And that was my first book, In Our Blood. And some of my first posts on mafia genealogy are in that thread. They’re about my family and the Corleonesi. But then I started to get into other [28:42] places and wanting to know about their stories and getting into other parts of Italy as well. So if you go to my website, you’re going to find stories like Charles Harrelson and the two guys that he killed before the judge, or in Chicago about the different little Italys that existed before Capone consolidated everything, or Kansas City I’m writing about, Nick Fatsuno and the Passantino brothers. I don’t even know if you know those guys, but I thought their further stories were amazing. [29:09] Passantino had a funeral home today, but the other names I don’t really know back then. I don’t know much about that or those early days. Did they seem to come from the same little town, the same general area? They didn’t, actually. A lot of them were Sicilian, and they come from Palermo province, but not all from the same town. Not from okay. Yeah. Yeah, I wasn’t able to put—there’s not a strong current there in Kansas City like I’ve found in other places where everybody is from one town. Yeah. [29:37] But not so much in Kansas City. A little more varied. Interesting. So that’s what you’ll find on my website. And then Pasqualina is my second book, and you can buy both of my books at Amazon. Got them behind me here, Airblood, Pasqualina. And Pasqualina is about that prohibition era, and if you like to understand where big-nosed Sam Koufari got his start, it’s in there. And the Shabelli brothers show up. It’s about those origins. I was talking to a friend of mine about this name, Skeeball or Skeebelly. Yes. Who had some relationship back in Springfield, and he just really knew Skeeball when he was young. [30:17] Yep, because it was the spelling of his name. I’m not even sure how they pronounced it. I think it’s Skeebelly. Skeebelly. That probably was. Yeah, Skeebelly. I know somebody named Skeebelly, so probably was. That’s like the name of the body shop here in Kansas City, and it’s P-A-C-E. But really it’s Pache. We’ve got to do it right. And that’s probably short for Pache. I don’t know. I wonder if the family pronounces it Pache or Pace. I think business-wise, but then the person who was talking was close to the family and they said, oh no, it’s Pache. So I thought, okay. [30:53] Interesting. The immigrant experience in this country is really always interesting. There’s always conflict and the interest is in the conflict. And as people try to make their way, and stopping with, oh God, it was an author, T.J. did the Westies. You guys know T.J. that did the Westies. And he said, yeah, he said, and he really was articulate about, as we’ve discussed this, that people come here want an opportunity, because they didn’t have any opportunity in the old country, whether it be Naples or southern Italy or Sicily. They came here, they really just wanted opportunity. And then the opportunity, you have to start fighting for opportunity. That’s the nature of the beast in this country. In any kind, any society, you’ve got to fight for opportunity when you’re an outsider and you come in. And so that was the early development. These people just wanting a little slice of this American pie that they’d heard so much about. The streets are paved with gold over here, but found out you’ve got to dig that old man. [31:52] Some people probably came over here thinking they were going to make an honest living and found themselves, by one step and another, involved in organized crime. And then there were other men who came here from Italy for whom the opportunity was to be a criminal here. Richer pickings. Yeah. And they started restaurants and had your typical immigrant, all the immigrant restaurants, all these Chinese, whatever kind of ethnic food is, they start out with an immigrant who then puts his kids and his cousins and his nephews and sisters and grandmas in the back room kitchen, start those restaurants. And people, us people that are already here like that food and they run them, they do a really good job at it. And so that’s a way to get started in grocery stores for their other fellow paisans. And those were the ways that they made it here, at least now, probably the same way in every city where there’s a large Italian population. Got to feed the other Italians. And so an Italian restaurant is natural. Yeah. And also owning your own business is just really smart for a lot of people. If you’re an organized crime, it’s a great way to hide what you’re doing. [32:59] And if you’re trying to get a naturalization status, especially now, being a business owner is really advantageous. Yeah, I bet. I was talking about that on getting a naturalization process that showed that you’re an entrepreneur and you believe in the system and you’re doing well. Yeah, interesting. [33:17] All right, Justin Cascio, and the website is Mafia Genealogy. He’s got a couple books on there in this documentary. I don’t know. Keep us up on that. Maybe if it comes out, I’ll make sure to get it out on something where people know that they can go out and see it. It sounds really interesting. Thanks, YOL. All right. Thanks, Justin. I’ll do that no more. Thank you, Justin. It’s really a pleasure to talk to you again. Always a pleasure being on your show. Thank you. Great. [33:44] Justin, see, I was going to ask you about something. What? Are you going through a publisher? You got a publisher? No, I’m self-published. You’re self-published? Okay. Yeah. See, I self-published several books, and I’m doing probably my last ones, a story of my life, kind of more of a memoir, my struggles and my moral dilemmas and all that during when I worked intelligence. And then I’ll explain all about the big civil mob war we had here during those years. And I don’t know. I started poking around. I thought, well, maybe I’ll try to get a regular publisher. But boy, it’s hard. You’ve got to get an agent. You can’t get attention of an agent because there’s hundreds and thousands of people out there writing books wanting to do all this. So thank God for Amazon. Yeah. I think if you already have your audience. Yeah. And you know who they are and you’re already talking to them. You don’t need to pay somebody else to do that for you. Yeah. Yeah. I’m paying an editor to go over to… That’s different. That’s no other strengths. But to get it sold out there. Out here making videos every day. The good thing about getting a publisher is you can get, and then you got a chance of getting it into Barnes & Noble and into libraries. [34:59] See, libraries. You might into libraries anyway. How’d you do that? How’d you figure that out? The local library has an interest in the book, so they bought it. Yeah, they did. But I’m talking about other libraries. Yeah, they can all buy the book the same way. Yeah, but how do they find the library buy books? [35:18] I think buy them from the publishers normally. And if your book is self-published and they want to carry that book, because, for instance, about local history, then they’ll buy it. Yeah. I’m thinking about how do they get it out in other New York or Chicago or some other city that will be looking for nonfiction books. Publishers. You have to do every step yourself instead of being massive. Yeah. And then like Barnes & Noble and places like that to get it in, that’s hard too. You can do that locally. Those places carry my books on the website. Who does? They’re buying it from Amazon. Oh, okay. Interesting. Oh, really? Yeah. Because that’s the only place you can get it. I think I sell a couple of my, I’ve seen some people from, I think it’s through at Brafta Digital, I think’s the name of it. That’s another thing that this thing went up on that Barnes & Noble did sell a few copies of it. As a matter of fact, now that you mention it. [36:21] But it’s interesting. It’s fun. How are you ever going to get a screenplay sold if you don’t get their attention? [36:30] That’s why most people I talk to, they’re trying to figure out how to get a movie made from their book. Gangsters ask me that question. They’re like, you figure I know the answer to how to get a movie made from YouTube? and I do not have that answer. Nobody knows that. It’s hard work. Yeah, I tell them nobody knows that, the answer. It’s God. A divine being that strikes you, whether it be the Apollo or the God of Abraham, or Jesus or some higher power reaches out and touches you and says, okay, I bless you, and now you’re going to have a movie made and Robert De Niro is going to play your part. Although anymore, they don’t want De Niro to play him because they hate him now, and they want somebody else. Oh, my God. It’s always a pleasure to talk to you, Justin. Likewise, Gary. Thanks so much. If I can do anything for you here in Kansas City, and as you’re going through your thing, if you’ve got any question or anything, I’ve got that one friend, that FBI agent, that he could maybe help you with if you’re looking for a connection or something. He knows quite a little bit. And somebody else was just talking about that, looking into that, those early days. But if you do have any questions or anything that you’re stumbled about here in Kansas City, be sure and give me a call, and I’ll see if I can’t steer you to somebody. I don’t know myself. I don’t really ever look at it. Okay. Okay. Stay safe. Thank you. You too.

**Episode Title:** Journey Beyond: Vinney Todd Tolman's Near-Death Experience**Episode Description:**In this extraordinary episode of "How I Made It Through," host Bernadette Thompson sits down with Vinney Todd Tolman, who shares his profound near-death experience and the life-altering insights he gained from it. At the age of 25, Vinney was pronounced dead and placed in a body bag, only to miraculously return to life nearly an hour later. His journey, as detailed in his book "The Light After Death," unveils the incredible encounters and lessons he learned during his time beyond the veil. From meeting his spiritual guide, Drake, to experiencing the interconnectedness of all things, Vinney's story is a testament to the power of love, authenticity, and the eternal nature of the soul. This episode is a deep dive into the mysteries of life and death, and the transformative power of spiritual awakening.**Chapter Markers:**- **[00:00] Introduction**- Bernadette Thompson introduces the episode and guest, Vinney Todd Tolman.- **[03:00] The Fateful Day in 2003**- Vinney recounts the events leading up to his near-death experience.- **[06:00] The Overdose and Out-of-Body Experience**- Vinney describes the overdose incident and his initial out-of-body experience.- **[09:00] The Journey Begins**- Vinney watches events unfold from above and hears the thoughts of those around him.- **[12:00] The Rookie Medic's Intuition**- A rookie medic's intuition saves Vinney's life, leading to his miraculous revival.- **[15:00] Meeting the Guide, Drake**- Vinney meets his spiritual guide, Drake, and begins to learn profound lessons.- **[18:00] Lessons in Authenticity and Love**- Drake teaches Vinney about the importance of authenticity and love.- **[21:00] The Nature of Earth School**- Vinney learns about the purpose of life on Earth and the illusion of time.- **[24:00] The Power of Prejudice and Unity**- Vinney confronts his own prejudices and learns about the interconnectedness of all life.- **[27:00] The Vision of Heaven**- Vinney describes his experience of heaven and the overwhelming love he felt there.- **[30:00] The Retu:rn to Earth**- Vinney's brother's prayer brings him back to life, and he reflects on his journey.- **[33:00] A Miraculous Confirmation**- Vinney discovers the identity of his guide, Drake, and finds validation in his experience.- **[36:00] Embracing the Experience**- Vinney discusses the impact of his experience on his life and mental health.**Resources:**- Vinney Todd Tolman's book: The Light After Death, Vincent Todd Tolman with Lynn Taylor- Learn more about near-death experiences: International Association of Near Death Studies - IANDS.org- Connect with Vinney on social media: [Instagram](#) | [Twitter](#)Connect with Bernadette ThompsonTell Me Our Story, Ancestral Healing , website www.tellmeourstory.comAlso at Ancestral Healing Center:YouTube@Ancestralhealingcenterwww.AncestralHealingCenter.com**Call-to-Action:**If Vinney's story resonated with you, please consider sharing this episode with friends and family who might find inspiration in his journey. Don't forget to subscribe to "How I Made It Through" for more incredible stories of resilience and transformation. Leave us a review on your favorite podcast platform to let us know what you think!

With everyone suspicious of spies on the train, can Michael escape their scrutiny? Jules Verne, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   The thing that I love about The Classic Tales is the way folks who normally don't listen to the classics get hooked. I don't know how many times I've heard stories of people who normally wouldn't read Jane Austen, but now love Pride and Prejudice. Or after a few episodes of Poirot, want to read more of Agatha Christie's books. Or Charles Dickens, or Sherlock Holmes, the list goes on and on.   If you've got a friend who might be like this, here's what you do – scroll back through our feed and find one of your favorite episodes. Maybe it's a Jeeves and Wooster episode, or a Lupin mystery, something where afterwards, you were like, man, that was a good story. There's a ton of them! Share that episode with a friend. Now you've got something to talk about next time you see them.   And if you're wanting to try it out yourself, subscribe to the Audiobook Library Card, and gain access to everything. All the novels, short stories and novellas over the last 18 years – I mean, try listening to The Scarlet Pimpernel and not be hungry for more fun. For 9.99 a month, you get access to it all. It's the best audiobook deal on the internet.     Go to audiobooklibrarycard.com or follow the link in the show notes, and download and listen all you want.    And now, Michael Strogoff, Part 2 of 9, by Jules Verne     Follow this link to get The Audiobook Library Card for a special price of $6.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

This content was originally released on 12/23/20 Hey y'all, Ugggggggggggggggh, this is not a good movie. It's not even really a Pride and Prejudice adaptation. But we had a great time talking about it all the same, especially because we were joined by a dear old friend—the goddess, the legend, the reality television almuna, Elise Mayfield. Elise's audio cut out in the last few minutes, but she had just made a joke so good that we couldn't excise that section entirely — you'll know when you get to that point. Elise is the Development Manager of Birmingham's Red Mountain Theatre Company, and she's also the co-host of Terrific New Theatre's interview series Who's Zoomin' In? You can follow her on Instagram; she is the fuckin' best, and yes, her hand pies are good. Back next week! Happy holidays! Lots of love, Allison, Julie, and Janine 

How do you tell your parents you've been married for several years? Is bell-ringing a sport? What should you wear on a TV quiz show? How rich/soggy is Mr Darcy? And what species is a Womble? AMT413 questioneers want to know all these things and more. For more information about this episode, visit answermethispodcast.com/episode413, and let us know your weird snack preferences too.  Got questions for us to answer, or feedback about an episode? Send them in writing or as a voice note to answermethispodcast@googlemail.com, or you can call 0208 123 5877 like the old days. AMT414 will be in your podfeed 29 January 2026, and paying patrons also get a fresh edition of our video livestream question-answering session Petty Problems on 16 January. So become a patron at patreon.com/answermethis and you not only get to watch all the Petty Problemses, you also receive an ad-free version of the episode, plus bonus material each month, and if you sign up at one of the higher tiers, you get access to an RSS feed with ALL the AMT stuff EVER, including our entire back catalogue, our six themed albums, the retro AMTs, and every Bit of Crapp from the AMT App. Cor! AND you're helping with the continuing existence of AMT through 2026. Also, if you want to check out our other podcasts that we mention at the end of this episode: Olly's daily history show Today in History with the Retrospectors is here, and you'll find Helen's Pride and Prejudice re-caps in the archive of Veronica Mars Investigations. This episode is sponsored by Squarespace, the all in one platform for creating and running your online empire. Go to squarespace.com/answer, have a play around during the two-week free trial, and when you're ready to launch, get a 10% discount on your first purchase of a website or domain with the code ANSWER. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the TFC Biblecast! Start your day off right and join us as we take the next 10 minutes to dive into God's word. If we can pray for you, email us at biblecast@tfc.org.

This content was originally released on 12/09/20 Hey y'all, It's the end of the road (for now, at least) for the 1995 BBC/A&E miniseries adaptation of Pride and Prejudice, and we have thoughts. Consider this our farewell to Colin's calves (also for now—those calves are forever). Next week, it's Laurence Olivier and Greer Garson's turn! Lots of love, Allison, Julie, and Janine

A federal judge dismissed with prejudice one of the countersuits filed by Leon Black against an Epstein accuser, ruling that the claims failed as a matter of law and could not be refiled. Black had sought to strike back at allegations tied to his financial relationship with Jeffrey Epstein by asserting claims that included defamation and related theories. The court found that the countersuit did not meet the required legal standards, concluding that the pleadings were insufficient and that the case could not be salvaged through amendment.The dismissal marked a decisive setback for Black's offensive legal strategy, narrowing the battlefield to the accuser's claims while foreclosing one avenue of counterattack. Legal analysts noted that a dismissal with prejudice is a strong rebuke, signaling the court's determination that the countersuit lacked a viable legal foundation. While the ruling did not resolve the underlying allegations against Black, it removed a key pressure tactic from the case and underscored the judiciary's reluctance to entertain retaliatory claims that do not clear high evidentiary and pleading thresholds in Epstein-adjacent litigation.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Theatre kids, rise up! Today we meet John Yates and the young people decide to put on a play. Edmund is NOT a fan of this idea. Julia finally gets her answers about Henry's feelings.Topics discussed include the pettiness of theatre kids, Edmund and Tom's power struggles, Jane Austen's involvement with theatre, Edmund's overall wussiness, the plot of Lovers' Vows, and Julia's comeback.The young people of Mansfield Park are making theatre, and so is our very own audio producer, Graham! Come see him in a brand-new work called The Marble in My Mouth on January 9th and 10th at 7:00 and 8:30 PM! Performances are at Stella Adler Center for the Arts in New York City. Get your tickets HERE! Patron Study Questions this week come from Judith, Diana L., Kaitlyn, and Avi.Topics discussed include the modern equivalence of Lovers' Vows, theatre kids flirting with each other, the characters' feelings about the play, and Fanny's reaction to the play at the end of the chapters.Becca's Study Questions: Topics discussed include how theatre is moving the story along and the scandal of Maria's participation in the play.Funniest Quote(s): “As he said this, each looked towards their mother. Lady Bertram, sunk back in one corner of the sofa, the picture of health, wealth, ease, and tranquility, was just falling into a gentle doze, while Fanny was getting through the few difficulties of her work for her.”“If I must give my opinion, I have always thought it the most insipid play in the English language - I do not wish to make objections, I shall be happy to be of any use, but I think we could not choose worse.”Questions moving forward: Who's watching this play? Will Julia participate? Will Fanny try to stop the play? Will Fanny try to stop it?Who wins the chapters? Julia!!!Glossary of Terms and Phrases: baize (n): a coarse, typically green woolen material resembling felt, used especially for covering pool, snooker, and billiard tables.by the ears: to cause to dispute or quarrelGlossary of People, Places, and Things: Austenland, Only Murders in the Building, Spring Awakening, Spring Awakening, Hair, Rent, Prince Faggot, The Vagina Monologues, ZanessaNext Episode: Mansfield Park Chapters 15-16Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

A federal judge dismissed with prejudice one of the countersuits filed by Leon Black against an Epstein accuser, ruling that the claims failed as a matter of law and could not be refiled. Black had sought to strike back at allegations tied to his financial relationship with Jeffrey Epstein by asserting claims that included defamation and related theories. The court found that the countersuit did not meet the required legal standards, concluding that the pleadings were insufficient and that the case could not be salvaged through amendment.The dismissal marked a decisive setback for Black's offensive legal strategy, narrowing the battlefield to the accuser's claims while foreclosing one avenue of counterattack. Legal analysts noted that a dismissal with prejudice is a strong rebuke, signaling the court's determination that the countersuit lacked a viable legal foundation. While the ruling did not resolve the underlying allegations against Black, it removed a key pressure tactic from the case and underscored the judiciary's reluctance to entertain retaliatory claims that do not clear high evidentiary and pleading thresholds in Epstein-adjacent litigation.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Listen in as Pastor Will takes us through the book of Matthew and talks about how we should punt our pride and dethrone our ego, punt our prejudice and seek our savior, and pick praise and return our resources.

Nick Cohen and Dr Bharat Tandon, academic, novelist & Booker Prize judge, discuss Jane Austen's astonishing legacy before delving into a detailed analysis of her enduring popularity and literary significance. They explored themes of claustrophobia in Austen's works, particularly how her novels depict the constraints of patriarchal structures and economic relations for women, while also examining the misinterpretation of her writing by modern figures like Milo Yiannopoulos. The discussion concluded with an analysis of Austen's subtle political commentary in "Mansfield Park" and her innovative narrative style, emphasising the importance of returning to the original texts for a deeper understanding of her work.Bharat and Nick discuss the theme of claustrophobia in the works of early 19th-century women writers, particularly focusing on Jane Austen. They explore how Austen's novels, such as "Sense and Sensibility" and "Pride and Prejudice," depict the inescapable constraints of patriarchal structures and economic relations for women. Bharat highlighted the significance of the number 27 in Austen's fiction, representing the age at which women might lose economic security and be forced into undesirable marriages.Nick compares Austen's portrayal of a claustrophobic society to modern experiences of social media, where individuals are constantly under scrutiny. They also discussed Austen's innovative narrative style, which allows readers to connect with marginalised female characters while highlighting their societal constraints.Slavery in Austen's 'Mansfield ParkBharat and Nick discuss the portrayal of slavery in Jane Austen's "Mansfield Park," analyzing whether the novel is complicit with the social injustices of its time. Bharat argues that while the novel acknowledges the economic and ethical presence of slavery, it does not easily draw the conclusion that Austen is complicit with it. Instead, he suggests that the novel highlights the socio-economic guilt of the early 19th century without offering a solution, reflecting the characters' anxious avoidance of discussing slavery.Read all about it! Dr Bharat Tandon is a writer and lecturer at the University of East Anglia's School of Literature, Drama and Creative Writing.A graduate in English literature from Trinity College, Cambridge, Bharat then taught at Cambridge from 1995 to 2006, and at Oxford from 2006-11, before joining the UEA in 2012. His research and teaching interests take in British literature from 1700 to the present day, and American literature from 1900. His doctoral research was on Jane Austen, and he has worked in detail on other nineteenth-century novelists such as Charles Dickens, George Eliot, and Thomas Hardy, as well as on British Modernist writers such as Henry Green. In addition to his academic research and teaching, he been active since 1994 as a commentator on contemporary British and American fiction and culture, writing regularly for publications such as The Times Literary Supplement and The Daily Telegraph.Nick Cohen's @NickCohen4 latest Substack column Writing from London on politics and culture from the UK and beyond. Hosted on Acast. See acast.com/privacy for more information.

So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.

So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.

Marianne and Elinor Dashwood are left near penniless after the death of their father. When they move to Devonshire, a new world of romantic possibility beckons. Starring Tamsin Greig, Madeleine Mantock and Rose Basista.Sense and Sensibility is a tale of two sisters with wildly different hearts: one ruled by reason, the other by passion. But when love, loss, and scandal strike, Elinor and Marianne will learn that heartbreak is best faced together.Radio 4 celebrates 250 years of Jane Austen with fresh, funny, and female-focused adaptations of Pride and Prejudice and Sense and Sensibility. Expect heartbreak, hilarity, and the enduring power of sisterhood. Both dramas are narrated by Tamsin Greig as Austen herself.CASTJane Austen ..... Tamsin Greig Elinor ..... Madeleine Mantock Marianne ..... Rose Basista John Willoughby ..... Ben Hardy Edward Ferrars ..... Enyi Okoronkwo Colonel Brandon ..... Richard Goulding Mrs Dashwood ..... Jasmine Hyde Margaret Dashwood ….. Ava Talbot Mrs Jennings ..... Carolyn Pickles Sir John ..... Clive Hayward Lucy Steele ..... Bethan Rose Young John Dashwood ..... Django Bevan Fanny Dashwood ..... Sasha McCabeProduction co-ordinator ..... Kate Gray Casting Manager ..... Alex Curran Sound ..... Andy Garratt, Neva Missirian and Sam Dickinson Dramatist ..... Claudine Toutoungi Director ..... Anne IsgerA BBC Studios ProductionClaudine Toutoungi is a poet and playwright. Claudine's latest poetry collection is Emotional Support Horse (2024). Her other poetry collections are Smoothie (2017) and Two Tongues (2020), which won the Ledbury Prize for Second Collection. Her poetry has been translated into Spanish and her live poetry contributions to festivals include Tongue Fu, Poetry East and appearances on BBC Radio 4. Her plays for theatre include Bit Part and Slipping and her many audio dramas for BBC Radio 4 include Deliverers, The Inheritors and The Voice in my Ear.

Though Jane Austen went largely unrecognized in her own lifetime—four of her six novels were published anonymously, and the other two only after her death—her name is now synonymous with the period romance. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz choose their personal favorites from her œuvre—“Emma,” “Persuasion,” and “Mansfield Park”—and attempt to get to the heart of her appeal. Then they look at how Austen herself has been characterized by readers and critics. We know relatively little about Austen as a person, but that hasn't stopped us from trying to understand her psyche. It's a difficult task in part because of the double-edged quality to her writing: Austen, although renowned for her love stories, is also a keen satirist of the Regency society in which these relationships play out. “I think irony is so key, but also sincerity,” Schwartz says. “These books are about total realism and total fantasy meeting in a way that is endlessly alluring.”This episode originally aired on June 12, 2025. Read, watch, and listen with the critics:“Pride and Prejudice,” by Jane Austen“Persuasion,” by Jane Austen“Emma,” by Jane Austen“Mansfield Park,” by Jane Austen“Sense and Sensibility,” by Jane Austen“Northanger Abbey,” by Jane Austen“Virginia Woolf on Jane Austen” (The New Republic)Emily Nussbaum on “Breaking Bad” and the “Bad Fan” (The New Yorker)“How to Misread Jane Austen,” by Louis Menand (The New Yorker)“Miss Austen” (2025—)“Pride and Prejudice” (2005)Scenes Through Time's “Mr. Darcy Yearning for 10 Minutes” SupercutNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

As this weeks podcast goes out on Christmas Day we take a break from the news - and look at some Christmas songs, films and culture.   Including Justin Biebers rules for life;  It's a Wonderful Life; Chitty Chitty Bang Bang; Die Hard; Pride and Prejudice; Joyeux Noel; Lord of the Rings; Country of the Week - Australia; and the Last Word - Matthew 2. with music fromSlade; John Williamson; Justin Bieber; Theocracy; Enya; Steeleye Span;  and Boney M.

(Matthew 1:3,5,6) God created man and woman. He loves all people and has a special plan for every life. A careful look at Christ's family tree will help you to see that our great God has no prejudice - He desires to bring all people to Himself. (09308251223) Keep Studying  Whether you're a new believer or have walked with the Lord for years, you'll find thousands of free devotionals, Bible studies, audio series, and Scripture tools designed to strengthen your faith, deepen your understanding of the Bible, and help you stay rooted in the Word of God. 

Comedian, actor and improviser Rachel Parris discusses why people can be so wrong about Jane Austen, the knotty complexities of female friendship and her love for crime fiction.  Rachel is officially a member of the British comedy elite – she has appeared on Live at the Apollo, Have I Got News For You, and Mock the Week, and was BAFTA-nominated for her satirical sketches on BBC's The Mash Report, which have garnered over 100 million views online. She's a regular on BBC Radio 4 where she can be heard on Just A Minute, I'm Sorry I Haven't A Clue and, formerly, The Now Show. Rachel hosts the comedy podcast How Was It For You?, with her husband, Marcus Brigstocke; and another podcast for the Children's Book Project called The Power of a Book, where guests share the children's stories that mean the most to them. On the stage, she is a co-founder of Austentatious – a Jane Austen themed improv comedy show in the West End.  Her debut novel, Introducing Mrs Collins, is a tale of love, loss, and second chances, for anyone who's wondered if there's more to the sensible character we met in Pride and Prejudice. Rachel's book choices are:  **Demon Copperhead by Barbara Kingsolver **Pride and Prejudice by Jane Austen **The Names by Florence Knapp **My Brilliant Friend by Elena Ferrante **The Lost by Claire McGowan Vick Hope, multi-award winning TV and BBC Radio 1 presenter, author and journalist, is the host of season eight of the Women's Prize's Bookshelfie Podcast. Every week, Vick will be joined by another inspirational woman to discuss the work of incredible female authors. The Women's Prize for Fiction is the biggest celebration of women's creativity in the world and has been running for over 30 years.  Don't want to miss the rest of season eight? Listen and subscribe now! You can buy all books mentioned from our dedicated shelf on Bookshop.org – every purchase supports the work of the Women's Prize Trust and independent bookshops.  This podcast is sponsored by Baileys and produced by Bird Lime Media.

Coming soon to a lamppost near you? That was the feeling over the summer, as flags started appearing on buildings, bridges and posts – but the undertone was unclear. For some, flags were about national pride, for others, it felt like a nationalist warning. While patriotism and pride can be expressed in inclusive ways, the current political climate has made it a more polarised and contentious issue. So, how has the debate changed? In our final festive episode looking back at the biggest moments of the year, Niall is joined by director of the British Future thinktank and author of ‘How To Be A Patriot' Sunder Katwala and our data and forensics correspondent Tom Cheshire. Producer: Soila Apparicio Editor: Mike Bovill

Radio 4 celebrates 250 years of Jane Austen with fresh, funny, and female-focused adaptations of Pride and Prejudice and Sense and Sensibility. Expect heartbreak, love, hilarity, and the enduring power of sisterhood.Pride and Prejudice the iconic love story between Miss Elizabeth Bennet and Mr Fitzwilliam Darcy, and a delightful portrayal of a family. It perfectly conjures up the period, and the pressure on women to find husbands. A tapestry of unforgettable characters and wonderfully funny.Dramatised by award winning writer Rachel JoyceJane Austen ..... Tamsin Greig Elizabeth ..... Isabella Laughland Darcy ..... Luke Thompson Mr Bennet ..... Miles Jupp Mrs Bennet ..... Rosie Cavaliero Jane ..... Lucy Doyle Bingley ..... Louis Landau Wickham ..... Toby Regbo Lady Catherine ..... Adjoa Andoh Lydia ..... Kitty O'Sullivan Kitty ..... Gaia Wise Mary ..... Imogen Front Mr Collins ..... Josh Bryant Jones Charlotte ..... Sasha McCabe Caroline Bingley ..... Catherine BaileyDirected by Tracey NealeDramatised by Rachel JoyceRachel Joyce is a best-selling author and award winning audio drama writer. Her audio work includes the entire Bronte canon for Radio 4. Her first novel, The Unlikely Pilgrimage of Harold Fry has been adapted for both film and stage. The sold out Chichester Festival Theatre Musical of Harold Fry's story opens at the Theatre Royal Haymarket on the 29th January. Rachel's latest novel, The Homemade God, was published in February this year.Produced and Directed by Tracey Neale Sound by Andrew Garratt and Sam Dickinson Production Co-Ordinator, Luke MacGregor Casting Manager, Alex Curran A BBC Studios Production.

This content was originally released on 11/4/20 Hey y'all, Friend of the show Keenan joins us to talk about the fourth episode of the BBC/A&E adaptation of Pride and Prejudice. Without further adieu, please enjoy some wet-ass Darcy.  Take care of yourselves, dear ones. Lots of love, Julie, Allison, and Janine (and Keenan)

Our next installment in the Book Case Classics series comes from listeners like you.  Many of you asked for Austen…you wanted it?  You got it!  We sat down with two of the world's foremost Austen Scholars, Claudia L. Johnson, Murray Professor of English at Princeton and Devoney Looser, Regents Professor at Arizona State University (both of which have great Austen books on the market) to discuss the facts and fiction surround the great Jane Austen and her unique works.  Join us! Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned in this week's episode: Pride and Prejudice by Jane Austen Sense and Sensibility by Jane Austen Mansfield Park by Jane Austen Emma by Jane Austen Northanger Abbey by Jane Austen Persuasion by Jane Austen 30 Great Myths about Jane Austen by Claudia L. Johnson Jane Austen: Women, Politics and the Novel by Claudia L. Johnson Wild for Austen: A Rebellious, Subversive, and Untamed Jane by Devoney Looser Learn more about your ad choices. Visit podcastchoices.com/adchoices

NDP MP Jenny Kwan was supposed to be visiting both Israelis and Palestinians in the Occupied West Bank. But we'll reach her in Jordan -- after she and the rest of a Canadian delegation were blocked by Israel for what it describes as “security reasons”.Media mogul Jimmy Lai's daughter says she made the difficult decision to leave Hong Kong to advocate for her father's release -- and now that he's facing life in prison, she says that is more important than ever.Rob Reiner was a superstar director -- but to Kris Perry, he's the man who fought alongside her to overturn the ban on same-sex marriage in California. The late Donna Summer lit the fuse of the mid-'70s disco explosion -- and now, she's been honoured for writing some of the most enduring dancefloor-fillers of all time.We'll bring you another classic from our catalogue of holiday readings -- "The Gift of the Magi", a story of a couple unlucky in gift-giving...but lucky in love. On what would have been Jane Austen's 250th birthday, New York Times writers and "Pride and Prejudice" enthusiasts try to answer once and for all: who is the definitive onscreen Mr. Darcy?As It Happens, the Tuesday Edition. Radio that knows pride cometh before a ball.

Jane Austen was born in the 16th of December, 1775, which means this month marks her 250th birthday. Jane lived a quiet, mostly happy life in the English countryside, surrounded by the balls, romantic intrigues and family dramas that fill her novels. Her writing was always her true passion. She glimpsed success, with 4 books becoming wildly popular in her lifetime. But she died tragically young, depriving the world of her talent. Her stories have been adapted and re imagined countless times. And in this, Jane's 250th year, she continues to be a mainstay in pop culture. But let's look past the endearing characters and timeless stories, and met the woman holding the quill. Let's get to know Jane Austen... Sense and Sensibility (1811) Pride and Prejudice (1813) Mansfield Park (1814) Emma (1816) Northanger Abbey (1818, posthumous) Persuasion (1818, posthumous) Lady Susan (1871, posthumous) Join me every Tuesday when I'm Spilling the Tea on History! Check out my Youtube Channel: https://www.youtube.com/c/lindsayholiday Follow me on Facebook: https://www.facebook.com/profile.php?id=100091781568503 Instagram: https://www.instagram.com/historyteatimelindsayholiday/ Tik Tok: https://www.tiktok.com/@historyteatime Please consider supporting me at https://www.patreon.com/LindsayHoliday and help me make more fascinating episodes! Intro Music: Baroque Coffee House by Doug Maxwell Music: Butterflies in love by Sir Cubworth #HistoryTeaTime #LindsayHoliday Please contact ⁠⁠advertising@airwavemedia.com⁠⁠ if you would like to advertise on this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

HAPPY BIRTHDAY JANE AUSTEN!!!! Sir Thomas's return looms on the horizon, Mary Crawford tells us how she really feels about Dr. Grant, Fanny gives us some real main character energy, Big T comes home from Weymouth, Henry Crawford continues to be a naughty boy, Fanny has her first ball, and a mysterious new person arrives.Topics discussed include job security, how much we love our dental hygienists, a continued reminder of where Mansfield Park's wealth comes from, Mary's compliment for Fanny, Cassiopeia, the Jane Austen Cinematic Universe, Becca's mom's love life, and Edmund's lack of rizz.The Office spoilers at 13:52 - 14:40!!!Patron Study Questions this week come from Avi, Linnea, Angelika, Emily, Liz, and Ghenet. Topics discussed include Mary's opinions, Edmund shutting down Fanny's feelings, nature's purpose in the book, the lack of romance at the ball, Maria and Julia's relationship, why Sir Thomas is in danger, and Mary's booty.Becca's Study Questions: Topics discussed include Sir Thomas's return, Big T in relation to the rest of his family, and Maria and Henry's affair.Funniest Quote: “Which is, perhaps, more in favour of his liking Julia best, than you, Fanny, may be aware; for I believe it often happens that a man, before he has quite made up his own mind, will distinguish the sister or intimate friend of the woman he is really thinking of more than the woman herself."Questions moving forward: Who is the mystery man? Is Sir Thomas coming back?Who wins the chapters? Fanny!Glossary of Terms and Phrases:Glossary of People, Places, and Things: The Office, Truth or Beard, A Cinderella Story, Gilmore GirlsNext Episode: Mansfield Park Chapters 13-14Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Interracial Marriage is critical to the reasons for a priesthood/temple ban on black LDS Church members. For many years, the official position of the Church of Jesus Christ of Latter-day Saints (LDS) was that “it is not known precisely why, how, or when this restriction [on the priesthood for male members of African descent] began in the church.” However, historical research utilizing early records suggests that the origins of the ban are quite specific, pointing to a confluence of events involving race and interracial sexual relations (often called “amalgamation” or “miscegenation” at the time) that served as the primary catalyst. https://youtu.be/V3DtkTfLazM Don't miss our other conversations on the priesthood ban: https://gospeltangents.com/mormon_history/racial-priesthood-temple-ban/ Copyright © 2025 Gospel Tangents All Rights Reserved 0:00 Meet Stassi Cram Priesthood Before the Prejudice (1830–1846) Contradicting later restrictions, evidence shows that Black men held the priesthood and participated in temple ordinances during the earliest decades of the Church. Black Pete, the first Black convert, was baptized in 1830 and served a mission in Ohio, likely performing baptisms in January 1831. Elijah Abel, perhaps the most famous early Black Mormon, was ordained an Elder and then a Seventy in 1836, received his washing and anointing ordinance in the Kirtland Temple, and participated in baptisms for the dead in the 1840s. Joseph Ball was ordained a high priest and served as a branch president in Lowell, Massachusetts, after Joseph Smith’s death in 1844. Ball was also slated to receive his temple endowment in Nauvoo in 1845. Walker Lewis, baptized in 1843, was ordained an Elder by William Smith, and was later referred to by Brigham Young in 1847 as “one of the best elders an African in Lowell,” [Massachusetts.] Furthermore, marriage between Black and white members was not automatically prohibitive; John Teague, a white Irishman, joined the church in 1842 with his Black wife, Evelyn Wilbur, and John was ordained a priest and then an elder. These facts confirm that no formal priesthood restrictions existed before 1847. Interracial Marriage Crisis of 1847 The shift from granting the priesthood to prohibiting it appears to have been driven by the highly visible, controversial interracial relationships of two Black elders in 1846 and 1847. Warner McCary and Interracial Polygamy: McCary, a freed slave who claimed to be part Indian, was baptized by Apostle Orson Hyde in 1846. Some believe he was ordained an Elder, but this is disputed. In 1847, McCary married Lucy Stanton, a white woman, with Orson Hyde performing the wedding. McCary later caused outrage in Winter Quarters by engaging in “sealing ceremonies” with white women that included sexual intercourse witnessed by his wife. Church leaders quickly expelled McCary from the camp. Brigham Young expressed concern about “amalgamation,” or race mixing, during a meeting where McCary was discussed. Enoch Lewis and the Mixed-Race Child: Simultaneously, in Massachusetts, Enoch Lewis (son of Elder Q. Walker Lewis) married Matilda Webster, a white woman, in 1846, and they had a mixed-race infant girl in 1847. Mission president William Applebee was so disgusted upon meeting the couple and their child that he wrote a dismayed report to Brigham Young asking if it was “the order of God to be tolerated in this church to ordain negroes to the priesthood” and allow amalgamation. When Brigham Young received Applebee’s report in October 1847, he responded strongly, stating that when Black and White people “mingle seed it is death to all” and that if they were far away from non-Mormons, they would “all be killed.” Following these cases, Brigham Young privately claimed that “black-white sexual relations were against the law of God and advocated death to all who participated.” This reaction was fueled by a desire to stop interracial marriage & led to the institutional restriction. The ban was publicly affirmed on February 15, 1852, when Brigham Young addressed the Utah territorial legislature and espoused the Curse of Cain doctrine, stating that the mark of Cain “is seen in the face of every negro on the earth” and declaring that any man “having one drop of seed of Cain in him cannot hold the priesthood.” Elephant in the Room: Racism While interracial relationships may have been the catalyst that triggered the ban, many argue that this analysis ignores the underlying issue: pre-existing racial prejudice. Marguerite Driessen notes, “interracial marriage can cause no problems and it can result in no bad consequences at all unless there’s already racial prejudice to begin with.” The underlying racism allowed church leaders to: Ignore precedents like Elijah Abel's ordination. Contort accepted doctrine to justify exclusion. For example, the Second Article of Faith states that humans will be punished for their own sins, not Adam’s transgression, yet the priesthood ban relied on the “curse of Cain,” effectively punishing Black individuals for the sins of an ancestor. The notion of “accursed lineage” derived from the Book of Abraham’s account of Egyptus, which was used to justify denying saving ordinances based solely on lineage, a factor over which people have “no agency or control.” Thus, the events of 1847-1852 did not create the prejudice, but rather offered a convenient, concrete focus for leaders to impose restrictions that many members and leaders were already culturally inclined to accept. The ban was the result of church policy, not doctrine, and was maintained because the congregation was unwilling to fully accept equality until the 1978 revelation ended the restriction.

On this special bonus episode in honor of Jane Austen's 250th birthday, 'Talk of Iowa' host Charity Nebbe and producer Dani Gehr settle a debate they've been having for years: Which adaptation of 'Pride and Prejudice' is best? Nebbe makes her case for the longer and more by the book 1995 BBC miniseries, while Gehr advocates for the iconic moments in the more modern 2005 film with Keira Knightley and Matthew Macfadyen. You can see the two debate in Regency-era outfits on IPR's Instagram, Facebook and TikTok accounts.

Tracy Smith catches up with Hollywood superstars Kate Hudson and Hugh Jackman, who are working together for the first time in the new film “Song Sung Blue,” based on a real-life Neil Diamond tribute band. It's their first television interview together about the highly anticipated project. Lee Cowan talks with award-winning actor Jason Sudeikis in Kansas City about supporting his friend's charity that provides prosthetic limbs to amputees without health coverage. Seth Doane explores the remarkable resonance of Pride and Prejudice author Jane Austen and her novels to mark the 250th anniversary of her birth. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Greg Jenner is joined in Regency England by historian Dr Lucy Worsley and actor Sally Phillips to learn all about the life and works of literary legend Jane Austen on the 250th anniversary of her birth in December 1775.It is a truth universally acknowledged that Jane Austen is one of England's best-loved authors, and the creator of such indelible characters as Elizabeth Bennet, Mr Darcy, Emma Woodhouse and Elinor and Marianne Dashwood. Whether you have read one of her six books – Pride and Prejudice, Sense and Sensibility, Persuasion, Emma, Northanger Abbey and Mansfield Park – or seen one of the many adaptations, most of us have some experience with Austen. But her life story and how it influenced her writing is perhaps less well-known. This episode explores her early life as the daughter of a rural clergyman, takes a peek inside the books a teenage Jane was reading, and delves into her romantic and familial relationships to see what shaped Austen into the formidable literary talent she was. And it asks a key question: was Jane Austen, who wrote such wonderful women characters, a feminist?This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Clara Chamberlain and Charlotte Emily Edgeshaw Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: Philip Sellars

Rund takes Ramtin on a tour of the enduring world of Jane Austen's Pride and Prejudice... and our two hosts make a bet.Guests:John Mullan, professor of English Literature at University College London and author of What Matters in Jane AustenDevoney Looser, professor of English at Arizona State University and author of Wild for Austen: A Rebellious, Subversive and Untamed JaneLizzie Dunford, director of Jane Austen's HouseTo access bonus episodes and listen to Throughline sponsor-free, subscribe to Throughline+ via Apple Podcasts or at plus.npr.org/throughline.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This year, readers around the world are celebrating Jane Austen's 250th birthday. Today we've got an episode of NPR's Books We've Loved where Linda Holmes, Andrew Limbong and B.A. Parker discuss Austen's seminal novel Pride & Prejudice. The trio weighs in on how the romance genre continues to reference the book's “enemies to lovers” story – and why the tale's leads Lizzie Bennet and Mr. Darcy still make us and laugh and swoon even today.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Phoebe reads Jane Austen's Pride and Prejudice. ⁠⁠⁠Read along⁠.⁠ Our other shows are ⁠⁠Criminal⁠⁠ and ⁠⁠This is Love.⁠⁠ You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. ⁠⁠Learn more and sign up here⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phoebe reads Jane Austen's Pride and Prejudice. ⁠⁠⁠⁠⁠⁠Read along⁠⁠⁠⁠.⁠ Our other shows are⁠⁠⁠ ⁠⁠Criminal⁠⁠⁠⁠⁠ and⁠⁠⁠ ⁠⁠This is Love.⁠⁠⁠⁠⁠ You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits.⁠⁠⁠ ⁠⁠Learn more and sign up here⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phoebe reads Jane Austen's Pride and Prejudice. ⁠⁠⁠⁠⁠Read along⁠⁠⁠.⁠ Our other shows are⁠⁠ ⁠⁠Criminal⁠⁠⁠⁠ and⁠⁠ ⁠⁠This is Love.⁠⁠⁠⁠ You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits.⁠⁠ ⁠⁠Learn more and sign up here⁠⁠⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phoebe reads Jane Austen's Pride and Prejudice. ⁠⁠⁠⁠Read along⁠⁠.⁠ Our other shows are⁠ ⁠⁠Criminal⁠⁠⁠ and⁠ ⁠⁠This is Love.⁠⁠⁠ You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits.⁠ ⁠⁠Learn more and sign up here⁠⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phoebe reads Jane Austen's Pride and Prejudice. ⁠⁠⁠Read along⁠.⁠ Our other shows are ⁠⁠Criminal⁠⁠ and ⁠⁠This is Love.⁠⁠ You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. ⁠⁠Learn more and sign up here⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phoebe reads Jane Austen's Pride and Prejudice. ⁠⁠⁠Read along⁠.⁠ Our other shows are ⁠⁠Criminal⁠⁠ and ⁠⁠This is Love.⁠⁠ You can listen to Phoebe Reads a Mystery, Criminal and This is Love without any ads by signing up for Criminal Plus. You'll also get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. ⁠⁠Learn more and sign up here⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices