Podcasts about Prejudice

The Parable of the Prodigal Son is really the parable of two brothers: one who's ruled by unchecked desire, and the other who's ruled by legalism and pride. I think a lot of us can resonate with both brothers. We feel torn between what we want to do and what we ought to do. But God designed these two things to be united within us! Using this parable as a framework, my friend Heidi White joins me again to talk about how we can not only do what's right but also desire what's right ... and find true freedom and joy as a result. The Divided Soul: Duty and Desire in Literature and Life by Heidi White  Anne of Green Gables by L.M. Montgomery  Uncle Tom's Cabin by Harriet Beecher Stowe  Pride and Prejudice by Jane Austen  The Betrothed by Alessandro Manzoni    On Strong Women, we celebrate God's good design for women in every season of life. It's all part of a bigger mission: to help the Church be the Church—by celebrating what's good, resisting what's evil, restoring what's broken, and creating what's missing. As we approach our June 30 fiscal year end, we need your help to keep that mission going. You can support the next year of Strong Women, as well as all the other resources from the Colson Center, by making your best gift today at colsoncenter.org/swchurch.  The Strong Women Podcast is a product of the Colson Center, which equips Christians to live out their faith with clarity, confidence, and courage in this cultural moment. Through commentaries, podcasts, videos, and more, we help Christians better understand what's happening in the world, and champion what is true and good wherever God has called them. Learn more about the Colson Center here: https://www.colsoncenter.org/   Visit our website and sign up for our email list so that you can stay up to date on what we are doing here and also receive our monthly journal: https://www.colsoncenter.org/strong-women Join Strong Women on Social Media:   https://www.facebook.com/StrongWomenCC  https://www.facebook.com/groups/strongwomencommunitycc/  https://www.instagram.com/strongwomencc/  https://linktr.ee/strongwomencc 

Join us on the latest Whisper in the Wings from Stage Whisper, as we welcome on the adaptor/performer Sarah Gobran to talk about her latest iteration of Pride and Prejudice. This was such a wonderful conversation about this iconic tale, and we also had a wonderful time learning all about the theatre company and the amazing things they do. So be sure you tune in and get your tickets now!Pride and PrejudiceNow- June 29th @ 59E59 TheatersTickets and more information are available at 59e59.org And be sure to follow Sarah to stay up to date on all her upcoming projects and productions:guildford-shakespeare-company.co.uk

Für Folge Eins unserer kleinen Podcastreihe anlässlich der ersten Pride in Südtirol hören wir Sophie Baumgartner zu, mit der wir über queeres Leben in Südtirol sprechen und weit darüber hinaus.Sophie Baumgartner ist aus Jenesien, Mitte 20 und queer. Dabei ist sie auch ein Beispiel dafür, dass viel Solidarität in der LGBTQIA+ Community zu finden ist: Erst letztes Jahr leistete sie Zivildienst zugunsten der Südtiroler Weltläden und dieses Engagement zeigt sie nicht erst seit gestern, wie ein Artikel aus der SALTO-Community von 2018 verdeutlichen dürfte. Warum auch sie am 28. Juni auf die Straße geht, erklärt sie uns im Podcast „Pride & Prejudice“.Zum Thema: Pride in SüdtirolSALTO PodcastsSALTO abonnieren

We're joined again today by Sequoia Simone (@sequoiasimone) to discuss this...movie? Topics discussed include: what is ART?, which Austen hero Pedro Pascal is playing, peegate, what if the other guy is an okay option, friendzoning, Regency-era bathing suits, rich Americans, Gaydy Russell and her lesbian European tours, and indoor plumbing. Today's episode covers the film through Anne's arrival in Bath. Cast and Crew of Persuasion (2022)Glossary of People, Places, and Things: Claude Debussy, Materialists, Past Lives, Pedro Pascal at Cannes, BoJack Horseman, Shadow and Bone, My Lady Jane, Crazy Rich Asians, Drake and Josh, Downton Abbey, Pod and Prejudice Live at the Ripped Bodice.For more from Sequoia, you can listen to her other podcasts, But Make It Scary and Fanatical Fics and Where to Find Them, plus her NEW podcasts, Professional Talkers and You Pod It, Dude! For updates on her work, follow her on Instagram at @sequoiasimone.Next Episode: Persuasion (2022) Part 3Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Summary: For the final episode before our hiatus, it is only fitting that Holly and Devin get to spend an hour gushing about one of their favorite middle grade series, Nevermoor by Jessica Townsend. Written by a queer Australian, these books bring middle grade fantasy into technicolor from black and white. With rich world building, a menagerie of friends, foes, and frights this series will make the hearts race for readers of any age. Reminder: Holly is a new mom! While she spends some time with her evolving family, we'll be taking a hiatus from the podcast through the summer and fall. As we have updates we will share them. We appreciate your patience and encourage you to review our back-log of episodes in the meantime.  Topics Discussed: Series Summary (4:37): Morrigan Crow is a young girl born on Eventide, the unluckiest day of the year. Cursed to die on her eleventh birthday, she's blamed for every misfortune in her town and her parents dismiss her - her fate is sealed. However, when the day arrives she is whisked away by the enigmatic Jupiter North, who brings her to the secretive and magical city of Nevermoor. There, Morrigan learns of the Wundrous Society, an elite organization for those with extraordinary abilities. To gain entry, Morrigan must complete four trials - even when she's not sure what her own magical “knack” is… Nevermoor: The Trials of Morrigan Crow Wundersmith: The Calling of Morrigan Crow Hollowpox: The Hunt for Morrigan Crow Silverborn: The Mystery of Morrigan Crow (pub date June 24, 2025) Key Themes (13:28): Rich World Building with Complex Characters: Nevermoor is a vividly crafted city, teeming with magical elements, unique customs, and a diverse cast of characters, offering readers an immersive experience. Beyond Morrigan, the series boasts a range of well-developed characters, each with their own backstories and motivations, adding depth to the narrative. Identity and Self-Worth: Morrigan's journey is a profound exploration of self-identity. Branded as cursed and unworthy, she struggles with feelings of inadequacy. Through her experiences in Nevermoor and the trials she faces, Morrigan begins to redefine her sense of self, discovering her intrinsic value beyond societal labels. Belonging and Found Family: The series emphasizes the importance of finding one's place in the world. Morrigan's relationships with characters like Jupiter North and her fellow society members highlight themes of chosen family and the comfort of belonging, contrasting her earlier experiences of isolation. Prejudice and Acceptance: Morrigan's status through the series exposes her to fear and discrimination, reflecting broader themes of prejudice. Townsend uses Morrigan and other characters and plotlines to challenge characters and readers alike to confront biases and embrace understanding and acceptance. Courage and Resilience: Facing daunting trials and societal rejection, Morrigan's resilience is a central theme. Her determination to persevere, even when the odds are stacked against her, serves as an inspiring testament to inner strength. The Nature of Power and Authority: The series delves into the complexities of power, particularly through the lens of Morrigan's abilities. It poses questions about the ethical use of power and the responsibilities that come with it. Hot On the Shelf (28:00): Holly: With a Vengeance by Riley Sager Devin: Red Rising by Pierce Brown What's Making Our Hearts Race (32:43): Holly: Andor Season 2 Devin: Friendship with Holly

Pride and Prejudice collection drops June 19th at 12pm EST at shopticketsplease.com If you enjoyed this episode, share it with someone you think might like it too. And support the show by leaving us five stars on SpotifyHave a question or suggestion? Just want to say hey?Email: hello@ticketspleasepod.comInstagram: @ticketspleasepodTiktok: @ticketspleasepodText Us: 347.618.8471

What if summer reading could be the highlight of your child's day instead of a dreaded chore? Forget everything you think you know about summer reading! Lisa, Delise, and Kelly Wilt reveal the secret that transforms reluctant readers into eager learners: making reading active. Whether you have a natural bookworm or a kid who'd rather be anywhere but sitting still, discover practical strategies for every type of learner. From blanket fort reading nooks to Mad Hatter tea parties, these aren't just reading activities—they're memory-making adventures that keep young minds sharp all summer long. Learn how to turn any book into a hands-on experience, why your kitchen might be the best reading classroom, and how to help active kids see reading as their next great adventure. Plus get book recommendations that hook even resistant readers and discover resources that give you instant activity ideas. Say goodbye to summer slide and hello to a season where learning feels like play!   Resources: Book Series Mentioned Little House on the Prairie series by Laura Ingalls Wilder Anne of Green Gables series by L.M. Montgomery Chronicles of Narnia series by C.S. Lewis Redwall series by Brian Jacques (especially recommended for boys) Amelia Bedelia series by Peggy Parish Sandra Boynton books (including "Snuggle Puppy") Specific Books Referenced Gone with the Wind by Margaret Mitchell Bread and Jam for Francis by Russell Hoban Alice in Wonderland by Lewis Carroll How to Make an Apple Pie and See the World by Marjorie Priceman Pride and Prejudice by Jane Austen The Screwtape Letters by C.S. Lewis Agatha Christie mysteries   This episode of Everyday Educator is sponsored by The Math Map: Digits, Integers, and Fractions The Math Map series by Classical Conversations offers a unique, Christ-centered approach to mathematics that emphasizes the language of math in a natural learning environment. The curriculum follows a "one family schoolhouse" approach with consistent 32-page booklets that focus on building foundational mathematical skills in a classical, structured environment. Discover how your family can celebrate God's design of mathematical order. Visit https://classicalconversations.com/the-math-map today to transform your family's math experience!

Hailey Bieber and Justin Bieber still appear to be at odds, after a string of strange social media posts over the weekend. Plus, Blake Lively reportedly has a new list of A-list pals that are supporting her! And she's officially dropped her claims against Justin Baldoni!    Be prepared this summer – get the travel-friendly Medical Emergency Kit from The Wellness Company today! Visit http://www.twc.health/nofilter and use code NOFILTER for up to $45 off + Free Shipping on every order. Kits are for US residents only.    Get started at www.factormeals.com/nofilter50off and use code nofilter50off to get 50 percent off plus FREE shipping on your first box.    Get your tour tickets to see No Filter with Zack Peter LIVE: https://www.x1entertainment.com/zackpeter    Shop New Merch now: https://merchlabs.com/collections/zack-peter?srsltid=AfmBOoqqnV3kfsOYPubFFxCQdpCuGjVgssGIXZRXHcLPH9t4GjiKoaio   Book a personalized message on Cameo: https://v.cameo.com/e/QxWQhpd1TIb   Listen to The Pop Report: https://podcasts.apple.com/us/podcast/the-pop-report/id1746150111   Watch Disaster Daters: https://open.spotify.com/show/3L4GLnKwz9Uy5dT8Ey1VPi   Join the Zack Pack Community to get access to perks: https://www.youtube.com/channel/UCs3Zs51YaK-xw2U5ypi5eqg/join   Couldn't get enough? Follow @justplainzack or @nofilterwithzack

In this powerful exploration of Acts 8, we're reminded that God's strength is undefeatable, even in the face of persecution, prejudice, and poisonous influences. The early church faced intense opposition, yet this very persecution became the catalyst for spreading the Gospel beyond Jerusalem to Samaria and beyond. We see how Philip, once tasked with serving tables, became a powerful evangelist in Samaria. This challenges us to reconsider our own 'calling' - are we limiting ourselves, or are we open to wherever God might use us? The story of Peter and John ministering to the Samaritans is a beautiful picture of reconciliation, reminding us that God's love can overcome even the deepest cultural divides. As we face our own challenges, let's shift our perspective. Instead of asking 'why is this happening?', let's ask 'how might God use this for His glory?' God's strength has no expiration date, and He can use any circumstance to advance His kingdom.

Karen Dukess's first book, The Last Book Party, was wildly successful by any measure—sold at auction, Indie Next pick, Discover New Writers pick… you probably read it. The second…Didn't sell. Not as in, not very many people bought it but as in, no publisher published it. She spent the requisite couple years or so, her agent signed on but… no takers. She felt like she was the only person in the whole entire world that that happened to… until she started asking around. Turns out, you know how people say writing books is hard? And publishing is tough? They're right!Never fear, Karen lived to tell the tail. Her next novel (do we call it second or third?), Welcome to Murder Week, is wonderful and available in a bookstore near you (and as you'll hear, I loved it and it's the perfect page-turner but not-anxiety-producing read for a swimming pool, beach, airplane ride or couch). But the real joy is that Karen is willing to dish. You'll hear:What happens when you want to be a bullet journal sticker getting writer with your butt in the chair but you're just … not.How to have fun writing a book that maybe no one will want (and why you'd better).How Karen found the right mindset to keep going.Karen's one rule as a beginning writer who couldn't quite get the hang of 1000 words a day. Links from the Pod:LauraPaloozaKaren Dukess, The Last Book PartyZibby EventsThe Murder of Mr. Wickham by Claudia Gray#AmReadingKaren: The Original, Nell Stevens KJ: Welcome to Murder WeekKaren's Substack Keep Calm and Carry On, a Substack from Karen Dukess or find her on Instagram @karendukess, or her website www.karendukess.comDid you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcript below!EPISODE 452 - TRANSCRIPTJess LaheyHey, it's Jess here. A few years ago, I got to go to Laura Palooza. Laura Palooza is the conference that is run by the Laura Ingalls Wilder Legacy and Research Association. I was invited because I wrote about Laura Ingalls Wilder and the Little House on the Prairie books, and at the very beginning of The Gift of Failure, there's a mention in the opening chapter. And I was invited to go, and it was fantastic. And I got to meet Dean Butler, who had played Almanzo, which was quite a moment for me, because I had been quite in love. Anyway, this year's Laura Palooza 2025 is going to be taking place July 8 through 11th, 2025. Laura Palooza 2025's theme is prairies, pioneers and pages. If you want more information on attending Laura Palooza 2025, you can go to L-I-W-L-R-A — L-I-W-L-R-A dot org slash laurapalooza. I will be putting it in the show notes for whatever episode this ends up on, and it's going to be really, really great. I'm jealous that I can't go again because it's not going to be near me. It's going to be in De Smet South, I hope that's how you pronounce it, South Dakota. But they're going to even have, like, a feature on the fashion at the time. They're going to have a section on planes, claims and all those land deals, a beginner's guide to mapping homestead claims. It's going to be cool, challenging gender norms. Laura Ingalls in fiction, and Rose Wilder Lane in reality. Folklore, fiction or forecasts, separating and linking science, storytelling and mythology in weather, lore, that's going to be by Dr. Barb Boustead, who has been on this very podcast. She's fantastic. Laura Palooza 2025... July, you should go, you should sign up. It's really fun. They're going to be doing a field trip also to the Ingalls Homestead, I believe. Check it out. It's pretty cool.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things, short things, long things, pitches, proposals, fiction, nonfiction, in short or really actually, usually long. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia. I am the author of a bunch of novels, the most popular of which is The Chicken Sisters, and the most recent is Playing the Witch Card, and you should read them all. And I have with me today a guest that I'm really excited about for a topic that you all are going to love. So, with me today, I have Karen Dukess, and she is the author of The Last Book Party, which you might have read in 2019 because it was unmissable. It was everywhere. It was an Indie Next. It was a Discover New Writers pick, it was...it was all over the place. And that is partly what we're here to talk about today. And we're also here to talk about her new novel, Welcome to Murder Week, which I have just read and enjoyed, but mostly we're here to talk about the six years in between. So, welcome. I am so glad to have you here. So, Karen and I have met in person. We met at a Zibby book event and at an event for the amazing Annabel Monaghan, who also has a book out this summer. The lovely thing about the universe is that nobody reads just one book.Karen DukessThat is true. Thank you.KJ Dell'AntoniaSo, you can be like, yes, read Annabel's book, read my book. Read. I mean, anybody who reads? I mean, yeah, there are people who read just one book, it's probably not going to be ours. Oh, well, people seem to like the Bible. I don't know that's a popular one. See that? A lot around a lot of Crawdads, also see that. Okay, so anyway, tell us what the story of the long six-year journey between your very, very successful debut novel, and what is about to be your very different sophomore novel.Karen DukessSo, I feel like I have an upside-down writing career in that most people write a lot of novels that don't get published before they write a novel that gets published, and mine went backwards. So, The Last Book Party was my first novel, and I wrote it...Didn't... I wrote it, finished it when I was in my early 50's, around 54 -55, spent about four years writing it, and I had done a lot of writing before, then stopping and starting and thinking that. I must not have what it takes, because this is too hard. I didn't realize that novel writing just is hard, and that is the way it is for all but a few unicorn people. So that novel, I was so happy when I finally finished it. I was so satisfied to just finally have written a novel, and I was truly thrilled, and I I felt like, if it doesn't get published, I'll publish it myself. I'm just so happy to have achieved this goal. And then it sold incredibly quickly. It was unbelievable. I mean, it was like beyond my wildest dreams. It went to auction. It sold very quickly for a good advance, and the publishing experience was great, including the fact that they were originally going to publish it in 2020, but they decided to bump it up to 2019 I don't know why. But I was like, sure, I've waited to my 50's to get this book out, like the sooner the better. And then I dodged the bullet of waiting all these years to publish a novel and have it come out during the pandemic. So, the paperback came out in the pandemic, which wasn't great, but I still felt so grateful that I had gotten this book out before then. So, then I started working on my second novel, which later someone had given me some someone, a friend...it might have even been Annabel. Someone gave her the advice that your second novel, don't make it very, very personal. And I kind of wish I had gotten that advice, even though I'm not sure I would have listened to it. But the thing about a second novel, and I don't know if you experienced this, KJ, but if you have success with your first novel, the second novel is scary because you're like, was I a one hit wonder? You know, was it a fluke? Can I do this again? And people would say, well, you know how to write novels now. And I'd be like, no, I know how to write THAT novel. I have no idea how to write another novel. And the novel I wanted to write at that time was drawing on the many years I spent studying and living in Russia and working as a journalist in Russia. I was in Russia in the 90's, and I wrote a novel that was about an American woman's journey in Russia and some American journalists in Russia. But it was set in Russia in 2017 and with flashbacks to the 90's, and it was hard to write. It was not fun. I think I had, like, sitting on my shoulder this sort of like, oh, can she do it again? You know that kind of thing. And I knew that the luck I had the first one, like, you know, I knew it was unlike, unluck, unlikely to be like that again. Plus, I had this sense of like, this is my Russia novel. And even though it wasn't a novel like, directly about Russia, it still was my chance to sort of give my take on things there. So, I think I also had sitting on my shoulder, like all the journalists I know knew in Russia, and people that studied Russia and the real Russia experts, and what were they going to think of my take?KJ Dell'AntoniaOh, yeah.Karen DukessSo it was, it was not writing, sort of like joyfully, it was a tough novel to write. And then it was also, it was fiction, but it was sort of personal, midlife kind of novel. So, there was just a lot of baggage with that novel. And the writing of it was tough, you know, it was just, it took longer than I thought it it just, I just remember a lot of sort of hair pulling, kind of, you know, those writing days. I had a lot of them. I finished it. My agent said he loved it. I don't think he loved it as much as the other two novels I've written, but, you know, he was ready to send it out on submission. But as I was finishing it, I was getting more and more concerned, because I finished it right around when Russia invaded Ukraine. And my novel, which was set in 2017 Russia, now things were so different, and they had been increasingly becoming different. Suddenly it felt very anachronistic, because I wasn't writing with these big current events in mind. Plus, there was this whole kind of like, oh, Russia, yuck, nobody, you know. And I felt that too. So, I was nervous about it, and my agent was like, just finish it. You've spent this much time on it. Let's finish it and see what happens. And so, we sent it out, and the response I got was kind of... Uh not great, you know, it went to my publisher first. They'd write a first refusal, and we're like, this novel. It about American woman in Russia right now, it's just not the right time. And, you know, there may have been other things about the novel as well, but it was kind of a, like, not a good sell. So, we sent it out to maybe five or six more editors, you know, I got lovely rejection letters, you know. Well, I really enjoyed it. This part was so interesting. But, yeah, I don't know, I don't know how to market this novel right now. And it was, you know, it was crushing, of course, but it also kind of echoed my feelings about the novel. The whole thing gave me a knot in my stomach, yeah, so my agent said, well, we haven't really exhausted the possibilities yet. We can send it out another round, or you can revise it, or you can set it aside. And I felt really sure at that point that I just wanted to, I didn't want to keep submitting it. I just felt like not the right time. And it was disappointing, but it was also kind of a relief, because if someone had decided to publish that novel, I think I would have been really nervous for the whole time before it came out.KJ Dell'AntoniaI think the only thing worse than having your second novel not published is having it published to like, you know, universal hatred.Karen DukessYeah exactly.KJ Dell'AntoniaOr just, or just to your own disappointment, you know?Karen DukessYeah. And then there's a long lead time between the time and novel gets accepted and the time it gets published. And to just feel like, nervous that whole time, I just...KJ Dell'AntoniaYeah.Karen DukessSo, I was relieved and disappointed. And I remember very well thinking like, oh, well, this is what people talk about. When they talk about, you have to be able to deal with rejection as a writer, because I hadn't dealt with it yet. I had been so lucky, and I really had this sense of like, all right, well, now I get to find out if I'm really a writer, like, can I deal with this and or can I not? And so, I was like, I'm going to write something else. But I was determined to write something very, very different. Like, I needed the whole experience to be different, yeah, and it ended up being kind of liberating, because I went on a trip with my sister to England. We went to the Peak District in England for a week. We rented a little cottage, and this was right before the novel went on submission, I think, or maybe right after, maybe it was on submission, I don't know. So, it was around the time when I wasn't feeling good about the novel, but I wasn't sure it was like a dead deal yet. And we had this absolutely fantastic week in the Peak District, where I was my first time traveling in the English countryside. I'd been to London, but I'd never been in the English countryside, and I felt like I was just stepping into the pages of all my favorite English novels, like Pride and Prejudice and Jane Eyre. And also, like I was stepping into scenes of every BritBox masterpiece, mystery thing, I had written, you know, think, oh my god, there's a vicar. And just really, I was in a... my sister, we have similar reading tastes, and we were just both in this mood, like everything was just kind of entertaining us, and we were laughing at ourselves for seeing England through all these fictional characters. So, when I came back, I think I came back, and that's when I kind of realized this Russian novel was dead or shortly thereafter. And I thought, okay, I'm going to, I'm going to write something about Americans going to England. I want to continue that mood. And I really felt like, if I'm going to do now that I knew you could spend years writing a novel and have it not get published, which I knew intellectually before, but I didn't, hadn't experienced it. I I just felt like, if I'm going to spend another couple years writing a novel like fun has to be the number one thing. It just has to be fun. I'm like, not going to be miserable again. I can't do something like the Russian novel again. I have to just entertain myself and make myself happy, and hopefully it will entertain other people and make them happy too. And that's how I landed on the idea of sending these writing about Americans that go to England to solve a fake murder mystery, which is what Welcome to Murder Week is about. And I just had such a good time writing it. And I wrote it quicker than I've ever written. I wrote it in a little over a year, and it was honestly delightful. Like, I couldn't believe it. Like, writing could actually be really fun.KJ Dell'AntoniaWho knew? The result is also delightful. It just, it's, it's kind of like every warm and lovely book setting on to you you've ever read. It is it Is that I really enjoyed it, So...Karen DukessI'm so glad.KJ Dell'AntoniaI don't know what the Russian novel was like. That doesn't sound fun.Karen DukessI mean it wasn't really heavy, because I'm not like a heavy writer... like it still had...KJ Dell'AntoniaRight.Karen DukessIn it, and it had emotion, etc., but I'm not sad that it's not out.KJ Dell'AntoniaYeah.Karen DukessLet's put it that way, yeah. So, yeah, this one was just fun. And I, you know, my initial idea was to send a group of Americans to England. Initially it was going to be a writing group. I like the idea of putting characters together who would not ordinarily know each other, but to have them together in a space and then a friend of mine said, Okay, so that's an idea. You're going to send some writers on a writing retreat to England, and what are they going to do there? Like, write? Like, that's not very interesting. And that's how I, kind of, you know, ended up moving to this thing where I could have them participate in this weeklong, solve a fake English village murder mystery. And I could have, you know, the villagers, some of them participating in this, and some eagerly participating, some cynical and send a bunch of Americans, you know, Britbox crazed Americans, to compete in this thing. And, yeah, that's, that's how it ended up. And it was fun.KJ Dell'AntoniaI, yeah. I mean, it reads like you had fun. I, as someone who has... so Playing the Witch Card has like a big game sort of Halloween event at the center of it. That would be really hard to do in reality. This is kind of like that.Karen DukessYeah.KJ Dell'AntoniaLike, this is like the dream murder week, both from some of the point of view of someone who might want to put one on and from someone the point of view of someone who might want to go and do one. It's not, it's um, you know, it's not. Sometimes you read these and they're like, they're like, silly and hokey. It's like, very sincere, super fun murder week that anyone would wish that they could do that likes that kind of thing. Anyway, I yeah, I totally enjoyed it. All the characters were really fun. I could see that you must have had fun writing it.Karen DukessI did. And I also, you know, people often say, like, write the novel you want to read. And I really did that with this because I wanted it to have so it has a fake mystery, but then it has a real mystery as well.KJ Dell'AntoniaYeah.Karen DukessLike the main character, thirty-four-year-old Cath, little do you know, she goes on this trip because her estranged mother, before she died, booked them on it, and she's sort of reluctant to go, but can't get a refund. And then I sort of developed this whole story about she teams up with her house, shares a cottage with people to solve the fake mystery, but that she also solves the real mystery of why her mother wanted her to go, her late mother, and that was sort of like the writing the story you want to read. Because I like light and funny, but I also like something that has, like, some emotional heart to it, like I wanted to try to story that was fun, but that has something going on. And the more I wrote, the more Cath's serious story became part of the story, I think, in the first deeply satisfying, yeah, and the first version, the first draft that my agent read, and I had never shared a draft before with him, and, you know, I think I was just hoping he would be like, it's almost perfect. And he was like, well, I think Cath is the hardest story. I think you need to develop that more. And then I went back and did and sort of... blended the two. So, the whole experience was just, yeah, of course. Now I'm like, can I have fun again?KJ Dell'AntoniaYes, yes, you can. Nobody ever tells me my first draft is perfect, and I really hate that.Karen DukessYeah, I know. I think it's, I don't even know if I should have shared it with him, like, I just wanted him to say, like, it's amazing. And he was like, yeah, it could be really good.KJ Dell'AntoniaWell, but you just want them to know that you're doing, yeah, I'm a I'm going to share the first draft of the thing I'm doing with my agent, and it might be a terrible idea, but I'm going to do it anyway, because I want her to know I'm doing a thing. And yeah, I'm excited. And yeah um...Karen Dukess I also think that, like, you know, when I said that, it was liberating, in a way, to sort of have the experience that I had with the Russian novel. I think it was also maybe by the time, you know, getting to the third novel, or maybe it's getting to my age. I felt sort of like, I think I gave my permission, myself, permission to write a novel that, yeah, it has a serious story at the heart of it, but it's not like a deeply serious book, you know? And I think there's a tendency to think like, you know, I would look at the world around me sometimes, when I was drafting it, and feel like there's so many serious things to write about, and I'm writing this funny story, like, is that super fluffy? And, you know, it was like, this is what I wanted to write? That's okay, you know? I don't have to prove anything. Like, here is my serious tome. You know, I really just wanted to give people like, an emotional, amusing, heartwarming experience. And that is okay.KJ Dell'AntoniaIt is funny how locked we get into that, both as writers and as readers, this idea that if it's not serious or experimental or deep or dark, it's, I don't know, somehow not worthy. There was somebody was reading somebody's Substack the other day, and they were sort of deeply apologizing for the book they had recommended, which sounded really amazing. And I was like, why you, you know, you clearly enjoyed this, and it sounded great. And I don't. I mean, as a reader, I don't want to read things that are dark and deep and serious A. all the time...Karen DukessYeah.KJ Dell'AntoniaAnd B. sometimes not at all.Karen DukessYeah, I do like to read dark and serious, but I've learned that I don't like to write that like writing a novel is, it's always so much more time than you think. I mean, even this one was quicker than usual. It's a lot of time, like you're living it. And I was just like, I can't live in a dark place, like I can read a dark book in a couple days, you know? And...KJ Dell'AntoniaYeah.Karen DukessWipe my eyes and move on. But...KJ Dell'AntoniaYeah.Karen DukessYou know...KJ Dell'AntoniaA light one.Karen DukessYou could assume... but you know. When I'm writing a novel, I'm going to bed thinking about their the characters, and I'm thinking about it when I'm exercising, and it's just like churning in there, and I just don't want to be in a dark place for two years.KJ Dell'AntoniaYeah, and most of the time people, I mean, I guess it just depends on, on who you are. But a heart, it's hardly ever dark all the time. I mean, even people that I have known that we're going through some really horrible things have found, you know, levity and joy and pleasure in in some parts of it. And I think we all hesitate to say, well, that's everyone. Or you got to, you know, we don't want to impose that on every, on anyone, because that's kind of also where we are is, is this delicate dance of not wanting to expect anybody else to be the way you think they're going to be. But I it just seems like people find levity, even in even the worst, even in the worst moments. And people want, um, solace, you know?Karen DukessYeah.KJ Dell'Antonia Something... something pleasant... something.Karen DukessYeah, I work with an editor, kind of a more like a writing coach, like she doesn't actually edit, but she sort of helps me figure out the story and stuff. And there was one point when she was reading a draft, and there's a scene in the book. I don't know if it's a minor thing, but when my main character Cath, who there's a little romance in it. And when she's first together with this guy, and they're sort of rolling around in bed, the first draft that, the first version of it, she accidentally hit her head on the headboard, and then she's like, “Oh my god, are you okay?” And she was like, “no”. My coach was like, no, no. I don't want to be anxious that maybe this guy is a little violent. Like, no, no, you've got to take that out. I don't want to be anxious in the reading of this book. And it was such a minor thing that I think she was like...KJ Dell'AntoniaAnd you had him hit his head instead, right? Yeah.Karen DukessBecause I don't think anyone was going to worry that she's violent. But it was funny. It was like, she was very much like this book is, there are books where you want the reader to feel anxious, but she's like, this book is not that I don't want anxiety in this book you know?KJ Dell'AntoniaYeah, yeah.Karen DukessLike she's still concerned about Cath and her story. You can feel sad about what she learns, but not anxiety.KJ Dell'AntoniaYou know I think you've really put your finger on something, because that is exactly right. This book is a page turner, like you want to find out what happens. You want to be with the characters you want to it's a hang and it's like, like, I read something recently where, um, in the middle, you, I found myself sort of, I was still reading it because it was a good hang, but in the middle I was just kind of, like, I forget why we're here. I forget what I'm wondering. You're not really wondering anything, but I like it, so I'll keep this. Your book was not like that at all. This is a fantastic hang but you're right. It never, it's not... that's exactly right. It's not, it's not anxiety producing. And I think that's its own vibe. Like you can have romances that are fun and they're good, but they actually, you do have anxiety around, you know, like, how the characters are going to pull themselves out of this, or how they're going to feel or, yeah, and you can have them or you don't. I like that as, like, a sort of a line in the sand.Karen DukessYeah, yeah. And then I kind of thought about it as I continued, like, yeah, okay, that's right. We're not going to go to like, the really unsettling places.KJ Dell'AntoniaYeah. I mean, even if you really want to know what would what will happen, and you really want, like, the things that happen to turn out in satisfying ways, but it doesn't feel like, if they turn out in some like, there were a variety of available options, none of which felt horrible.Karen DukessYeah, exactly.KJ Dell'AntoniaThank you for that. Thank you for a lovely reading experience. So, what else did you take away? Like, what else did you change between the drafting of the book that does not end up being published, which you know, for all we know, is actually great, but the timing was really bad. What should you change?Karen DukessWhat changed for me... in writing?KJ Dell'AntoniaYeah, what are you changing? Did you change anything in your process?Karen DukessUm, I think I, I don't know if it was completely because of the experience with this book, but definitely it fed into it. Um, I worked with the same writing coach on the Russia book, and she keeps saying that book will be published someday. I'm like, yeah, maybe, maybe not. I don't really care, honestly at this point, but one thing that she really pushed on me, which I discovered in the writing of murder week, was really true, is that to be open and playful and just really to be creative, I needed that. I needed to be in the right mindset, like, I know your thing is always butt in chair, butt in chair. And it is true, you have to, you know, you have to push yourself to finish a novel. It's not easy. And there are times when you just have to push forward. But for me, in the drafting of it, like the butt in chair thing, for me, is more important in the revising and the final draft, when it's like, you've got to get through it, and you've just got to keep sitting there and doing it. But when I'm in this sort of creating stage, when I'm not sure what the story is, when I'm in those moods where I'm just like, sit down and work at this like, I don't write good stuff. I just don't. And she would sometimes say to me, like, if I would talk to her, and I was really angsty and I was really self-critical, or I don't like what I've written, or I don't know where I'm going with this, or whatever , she was really she would very much say, like, when you're in that kind of mood, just walk away. Don't sit at your computer. Like, that is not the time for butt in chair. That is the time for just go do something else and like, lighten up on yourself. And that was really true for this. And I'm trying to remind myself that as I work on the next novel that you know for me, being kind to myself and feeling playful and open is when I'm going to write the best stuff and surprise myself. And that applies whether I'm writing like a serious scene or a funny scene. And the tricky thing about it is, you know, it's always a little scary to write, so it's like, Am I walking away because I need to lighten up my mind, or am I just plain procrastinating?KJ Dell'AntoniaYeah, or am I walking away because I just don't know how to...Karen DukessSo, I think that is something though, that I do feel like I write better from a free place than from a sort of, like, grim, determined place.KJ Dell'AntoniaYeah, that makes sense.Karen DukessI think I was learning that and trying to learn that when I was writing the Russia novel, but it really came true with this one, which is why I think I was able to write it quicker, because it's actually, you know, the weaving together of the fake murder mystery and the real mystery and the arcs of all the different characters. Like, it wasn't simple putting all together, but yet it was simpler for me to write, because I was just looser about it.KJ Dell'AntoniaRight. I think you learned to trust that you would finish this, even if you didn't finish it today.Karen DukessYeah.KJ Dell'AntoniaDoes that make sense?Karen DukessYeah.KJ Dell'AntoniaI, yeah.Karen DukessAnd I just think, like, trusting the process is so important, you know. And I talk about this with friends in my writing group, you know, sometimes when you're like, working so hard to figure it out, because it feels good to figure the novel out before you write it, because then you don't have the anxiety of, what if I don't figure it out? But it doesn't always work best that way. I don't think, like, I think there are times for that, and there are times to just, like, just keep going and like, let it go a little and let some interesting things happen, and then you'll figure out how to put it all together for me anyway. But obviously I'm not a plotter kind of person, so...KJ Dell'AntoniaI think, yeah, I think that varies. But what's what I'm really hearing here is that, like, even you knew, okay, if I don't, maybe I don't sit down today. That doesn't mean I'm never sitting again, down again. And I think that is, that's part of what I struggle with in my like 1000 words a day. Just, just keep doing it time. And I, and I think I, too, have come around to the idea that I'm going to finish it like...Karen DukessYeah.KJ Dell'AntoniaI'm not. I'm not suddenly, you know, just because I only got to 700 words today, that doesn't mean tomorrow I'm going to be like, yeah, I'm not a writer anymore. Oops!Karen Dukess Yeah, exactly. Well, I think, and I think I've learned that, like, I can't tell you how many times, I mean, I've listened to your podcast forever, and, like, years ago, I would listen to it, and I would be like, Yes, I'm going to do the stickers, or, Yes, I'm going to do 500 words a day, or, Yes, I'm going to text a friend or you know, none of that stuff. I could never sustain it.KJ Dell'AntoniaIt doesn't work for you.Karen DukessI have no routine; I have no methods. But what I've learned now is like, but I get books done, so it's okay, like, yeah, I will sometimes go a couple days where I don't write, or I will, you know, think I'm on a routine of 500 or 1000 words a day for a while, and then I'm not, and that's okay, because it's just like, I know that I can still get them done in my crazy way.KJ Dell'AntoniaThat is what we have tried to start saying more often, is, listen, this doesn't work for everybody. If you're doing something different and you're getting the work done, then you're great, yeah, if you're doing something different and you're not finishing things, then maybe try this.Karen DukessYeah, well I remember, like, when I was working on The Last Book Party, right before I got kind of serious on it, I was in a writing group, and I was starting, then I was like, I was learning in the writing group through, finally being in a community with other writers. So, like everybody struggles. Published writers struggle. Really great writers struggle like and that, and I loved reading interviews with writers like I couldn't get enough of interviews and essays about writer's struggles, because I had to, like, keep convincing myself that like, my struggles didn't mean I wasn't a writer. But then there was one point where I remember making a rule for myself. And I was like; I am not allowed to read about writing if I haven't written that day. You know, spend a lot of time...KJ Dell'AntoniaYes.Karen DukessWorking on your novel, but what you're actually doing is like, reading about writing and reading interviews and listening to podcasts. So, it's like, I cannot listen to KJ's podcast until I've done some writing. So, I've had to, I have had to make some rules.KJ Dell'Antonia Yeah, well, that's, I mean, that's how you turned yourself into somebody who gets the work done, and now into somebody who has her own like now you have a way people ask you, so what's your process? How did you get this done?Karen DukessI don't think anyone has tried my process, but yeah. And it can be different for every book, I guess, you know?KJ Dell'AntoniaHorrifyingly, I think that it can when you see pointed out, yeah, you that you knew how to write that book, that is so true, and that has been a huge thing for me, is to realize that even after writing a bunch of books, people still struggle, it's still hard, every book is hard. Every book has, I mean, we have a joke among the podcasts, you know, because you get to a point where you're like, okay, I hate this now, and we'll all be right, right-on target,Karen DukessExactly.KJ Dell'AntoniaBaby's developing nicely. Here's our 18-month checklist. Aww and you're crawling, and you hate your book. Yay!Karen DukessYeah, yeah. I don't think the process gets easier, but I think knowing that you can get through it makes it a little easier. Maybe it diminishes the panic a little bit like, you know, you'll figure it out. You'll figure it out.KJ Dell'AntoniaWell, this, I mean, this has been great. I'm sure it's going to be inspirational for everyone. It is inspirational for me, because I also... so I have a book that I worked on for the last year and a half, and I, we didn't, we didn't try to sell it because, because it's not very good.Karen DukessAre you still working on it? Or...KJ Dell'AntoniaIt's leaving, it's living. I make these gestures as though, like, there's like, a blobby object over here that is my, but is my finished, but also not revised and not good uh...Karen DukessI had this theory about books, like, it's the same theory I had with au pairs.KJ Dell'AntoniaOkay.Karen DukessWe had a lot of au pairs when my kids were growing up and I was working out of the home, you know, not writing. And I felt like every time I selected, you know, they would come for a year. One or two of them stayed for two years. But every time I selected a new au pair, it was in reaction to the problems of the other... the previous au pair. So, like, when I had an au pair that was like a horrible driver, so much so that we had to, like, get rid of her. Then I was like, okay, where is it hardest to get a driver's license? Germany. Okay, I'm having a German au pair, you know. Then I had, like, a German au pair who was great, but it was like, she was too, I don't know, whatever if I had an au pair, that was like, two lax, then the next one was like, oh, this person has, like, you know, worked in a boys school. I want that.KJ Dell'AntoniaRight? yeah.Karen DukessAnd I feel like, you know, I wrote Welcome to Murder Week because I had had this tough experience with this Russia novel. Then it was like, I'm going to do something really fun. So, and I don't know that I would have written that if I hadn't needed so badly to have fun. I don't know that I would have said, no, yeah, forget doing something, you know, serious or with some geopolitical things in it. I'm going to write a, you know, a murder week story. I don't know that I would have written it if I could have gone on that vacation and just had a great time and come back and not felt the need.KJ Dell'AntoniaWritten something else.Karen DukessSo, you know, maybe the one that's not working is going to lead you to write the next fabulous thing.KJ Dell'AntoniaWell, I hope I'm already well into... I'm well into something else, but, yeah, it's, you know, you spend a lot of time on something, not everything works. It's one of the reasons this is a terrible job, and you absolutely shouldn't do it unless you know, you can't do anything else,Karen DukessExactly.KJ Dell'AntoniaOr unless you really want to.Karen DukessYeah.KJ Dell'AntoniaThere. That's that. That's really good advice. That's going to make a great bumper sticker. All right. So have you read anything good lately besides Welcome to Murder Week, which, in fact, is what I will be raving about in just a second.Karen DukessUm, yes, I read a book called The Original by Nell Stevens. It out in June. She's a British writer, and it's really good. It's sort of an also kind of genre, blending the way my book is, but it's very different. It's like a gothic novel. It's set in an old house in England in the 1800's and it involves an orphan who's being raised by relatives, and she has an incredible talent for painting forgeries, and she sort of has this secret business in selling forgeries, but it also involves an imposter who returns from abroad in the family, and there's a queer romance in it, and it's totally unlike anything I've read, and very compelling.KJ Dell'AntoniaOof, I love that.Karen DukessIn a really compelling way.KJ Dell'AntoniaAnd by the time people hear that, that this, this will either be out, or like, buy your next week self a present. That sounds great.Karen DukessYeah, it was very... it's very good. It's kind of like a rainy day book. You know?KJ Dell'AntoniaI love that. Well, I already raved about Welcome to Murder Week, but I'm telling you all, it's a real it's a real joy. I want to compare it to things. But there's almost like it's, I'll think of things that I that I want to...Karen DukessIt's hard to compare because it's not a traditional mystery,KJ Dell'AntoniaYeah, no, um, I feel like Clare Pooley's books are, and I can't even think of the titles of them, but that, yeah, that is kind of ringing the right bell for me. I don't know who else a little bit of the like the murder, like, if you really thought The Murder of Mr. Wickham was super fun, which I absolutely adored, that is completely different, and yet also it's the same, like, it's the same... I think the vibe we're looking for here is page turner, no anxiety. And I love that. I love that for all of us...in England.Karen Dukess Yes, yeah.KJ Dell'AntoniaSo go grab this one. You're going to enjoy it, all right. Well, thanks so much. This was really fun. Thank you for being so open, and not just, you know, wandering around saying, well, I just it took me six years to write this because it's very good.Karen DukessYeah, I have to say, you know, I think that writers should talk more often about their failures. And by that...KJ Dell'AntoniaYeah.Karen DukessI mean, like novels that they wrote and abandoned, or novels that they wrote and tried to get published and couldn't, because it was only until I wrote this Russian novel and didn't sell it, and I would mention it to people. Then all these writers I knew, and people I knew, you know, would suddenly tell me about their own published novels. And I was like, why did I know about this beforehand? There's no shame in it... you know? It's a tough business. It's a tough business. The writing is tough; the publishing is tough. And now I'm like, oh my god, like so many writers I know have novels that did not get published, and for whatever reason. And I'm sure many of those novels are great novels, and but knowing that you know the journey of being a writer, just like I don't know a single author who hasn't like lost their editor at some point, you know, their editor leaves. Then they find a new, you know, be assigned to a new editor. That happens everybody, and I realize how many people have novels that did not see the light of day, and it was comforting to know it. So, I think people should be more open about it.KJ Dell'AntoniaI think we just are afraid that, you know, a reader will hear, well, I don't know if she's capable of writing something... that doesn't work, maybe it's not very good, which readers aren't listening to anything. They can barely remember our names. They just know if the book sounded good and someone pressed it into their hands.Karen DukessYeah, had a great cover.KJ Dell'AntoniaYeah, had a great cover. Yeah, all, all of the things, and it's just, it's, it's just a little scary to admit, because I guess one of the scary things about it, of course, admitting that that has happened means it could happen again. And hey It could! Oh well.Karen DukessYeah, but I've survived it. So...KJ Dell'AntoniaYou've survived it, you would survive it again. And also, it didn't happen this time. Welcome to Murder Week is great, and everyone is going to be sitting with it by the pool looking very happy. This is my wish for you. All right?Karen DukessThank you. Thanks so much KJ.KJ Dell'AntoniaOh, thank you. Hey, anywhere people should follow you? Oh, you have a Substack. What is it? I love it!Karen DukessI have a Substack. I mean, I think on Substack you can find it by my name Karen Dukess, it's, I don't know... it's called, “Keep Calm and Carry On”, but I think you can just look me up by name on Substack, and I am on Instagram more often at Karen Dukess, as I post about books that I'm reading all the time. Obviously, there'll be a lot of quarter week stuff, but I try to, you know, I'm reading eclectically and all the time. So, I'm always posting about books. Those are probably the best places to find me. And I have my website with all my events on it.KJ Dell'AntoniaIt'll be linked. It'll be linked.Karen DukessGreat.KJ Dell'AntoniaHopefully I can get to something... all right. Well, thank you so much. And all you listeners out there, I mean, you know you do you, but in some way, keep your butt in the chair, hey and or your head in the game.Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew perilla. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Though Jane Austen went largely unrecognized in her own lifetime—four of her six novels were published anonymously, and the other two only after her death—her name is now synonymous with the period romance. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz choose their personal favorites from her œuvre—“Emma,” “Persuasion,” and “Mansfield Park”—and attempt to get to the heart of her appeal. Then they look at how Austen herself has been characterized by readers and critics. We know relatively little about Austen as a person, but that hasn't stopped us from trying to understand her psyche. It's a difficult task in part because of the double-edged quality to her writing: Austen, although renowned for her love stories, is also a keen satirist of the Regency society in which these relationships play out. “I think irony is so key, but also sincerity,” Schwartz says. “These books are about total realism and total fantasy meeting in a way that is endlessly alluring.”Read, watch, and listen with the critics:“Pride and Prejudice,” by Jane Austen“Persuasion,” by Jane Austen“Emma,” by Jane Austen“Mansfield Park,” by Jane Austen“Sense and Sensibility,” by Jane Austen“Northanger Abbey,” by Jane Austen“Virginia Woolf on Jane Austen” (The New Republic)Emily Nussbaum on “Breaking Bad” and the “Bad Fan” (The New Yorker)“How to Misread Jane Austen,” by Louis Menand (The New Yorker)“Miss Austen” (2025—)“Pride and Prejudice” (2005)Scenes Through Time's “Mr. Darcy Yearning for 10 Minutes” SupercutNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

On this very special Mother's Day episode, Jen and her daughter Allie sat down with Angourie and Kate Rice to talk about their new book Stuck Up and Stupid, a contemporary YA adaptation of Pride and Prejudice. They talked about their work collaborating together, their relationship with each other, and their love for Jane Austin. We hope you enjoy!The Rices' Recommendations:- The Art Thief by Michael Finkel- My Friends by Fredrik Backman- You Belong With Me by Mhairi McFarlaneThe Village Well Podcast is brought to you by Village Well Books & Coffee⁠⁠⁠⁠⁠⁠ in downtown Culver City, CA. Each episode, we interview authors and readers about books that capture our imagination. New episodes every Wednesday.If you'd like to get in touch, you can email us at ⁠⁠⁠⁠⁠podcast@villagewell.com⁠⁠⁠⁠⁠.If you love the show and want us to keep creating, please consider subscribing on YouTube or leaving us a review wherever you listen!

https://www.gofundme.com/f/urgent-aid-for-families-of-14-detained-members https://www.chirla.org/get-involved/donate-support/give-today/ Immigration Legal Services: Pro bono or low cost immigration legal services providing representation before the immigration court LEGAL AID FOUNDATION OF LOS ANGELES 700 S. Broadway, Los Angeles, CA 90003 (213) 640-3950 IMMIGRATION CENTER FOR WOMEN AND CHILDREN 634 S. Spring St. Suite 727, Los Angeles, CA 90014 (213) 614-1165 KIDS IN NEED OF DEFENSE 801 S Grand Ave Suite 550, Los Angeles, CA 90017 (213) 274-0170 California Rapid Response Networks to report ICE activity: San Francisco 415-200-1548 Sacramento 916-382-0256 Southern Central Coast 805-870-8855 Los Angeles 888-624-4752 Orange County 714-881-1558 San Diego 619-536-0823 We welcome you back to another episode of Upstairs Neighbors! Today your neighbors are breaking down their time at the Pride and Prejudice ball, Disneyland turkey legs, and how they're going to celebrate completing their half marathon. Enjoy! Go to https://Zocdoc.com/UPSTAIRS to find and instantly book a top-rated doctor today. Ask and you shall receive Patreon is LIVE: https://www.patreon.com/c/upstairsneighbors IG: https://www.instagram.com/upstairsneighborspod/ Tiktok: https://www.tiktok.com/@upstairsneighborspod Follow our Hosts: Maya IG: https://www.instagram.com/mayamoto_/ Maya Tik Tok: https://www.tiktok.com/@mayahasatiktok Dom IG: https://www.instagram.com/domrobxrts/ Dom Tiktok: https://www.tiktok.com/@domnotateenmom Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Reply Memorandum of Law supporting Sean Combs' motion to dismiss the amended complaint in Thalia Graves v. Sean Combs and Joseph Sherman, Combs' legal team reiterates that the plaintiff's claims are both legally and factually insufficient. They argue that the amended complaint relies on conclusory allegations without concrete evidence of Combs' direct involvement in the alleged misconduct. The reply further contends that the complaint improperly attempts to attribute liability to Combs through speculative inferences about his association with co-defendant Joseph Sherman, rather than demonstrating specific acts or intent required under the applicable legal standards.Additionally, Combs' attorneys assert that many of the claims are time-barred and fall outside the statute of limitations. The reply memorandum emphasizes that the plaintiff's attempt to revive these claims through generalized references to a purported ongoing pattern of misconduct is legally untenable. They also argue that the complaint fails to meet the heightened pleading standards required for claims of intentional infliction of emotional distress and other tort-based allegations. On these grounds, the defense urges the court to dismiss the amended complaint in its entirety, with prejudice.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.630450.87.0.pdf

From Murderbot to Sense and Sensiblity, what are our favourite adaptations from books that we love? Inspired by the recent Apple adaptation of Martha Wells sci-fi novels The Murderbot Diaries, this episode is a celebration of the world of books to film. From the joy of seeing a book that we love brought to the big screen, to the pitfalls when things don't match up to our expectations, we're considering the hits and misses, and passing on our recommendations. You'll be hearing from pod regulars Laura Potter and Phil Chaffee, plus we meet Philippa Donovan, a literary scout to the film and TV world. Philippa founded her consultancy Smart Quill to bridge the gap between agents, publishers and authors around the world. She's giving us the inside track on the world of book to film. All that, plus a peek into the future and the upcoming projects we've earmarked as ones to watch. Interview Listen to the full interview with literary scout Philippa Donovan here [TO COME] Patreon Come and listen to the episodes ad-free over on Patreon, plus The Book Club Review Weekend, join our chat threads where you'll be able to swap book recommendations with Kate and other Book Club Review listeners and if you want to come and talk books with Kate in person at the higher tier you can join the pod's monthly book club.  Head to Patreon.com/thebookclubreview for all the benefits and how to sign up.  Booklist All Systems Red by Martha Wells (Book 1) Game of Thrones by George R. R. Martin Artificial Condition by Martha Wells (Book 2) Room by Emma Donoghue Normal People by Sally Rooney The Horse Whisperer by Nicholas Sparks The Bridges of Madison County by Robert James Waller The Notebook by Nicholas Sparks Exhalations by Ted Chiang (the film Arrival is based on Story of Your Life) Brokeback Mountain by Annie Proulx Friday Night Lights by H. G. Bissinger Rivals by Jilly Cooper The Girl on the Train by Paula Hawkins Call Me By Your Name by André Aciman Children of Men by P. D. James Sense and Sensibility by Jane Austen Pride and Prejudice by Jane Austen Hunting and Gathering by Anna Gavalda Barn Burning by Haruki Murakami Barn Burning by William Falkner Jonathan Strange and Mr. Norell by Susanna Clarke Fleishman is in Trouble by Taffy Brodesser-Akner Hot Milk by Deborah Levy The Friend by Sigrid Nunez People We Meet on Vacation by Emily Henry The Salt Path by Raynor Wynn Everything I Know About Love andGood Material by Dolly Alderton Universality by Natasha Brown Theory and Practice by Michelle de Kretser Transcript Head over to the episode page at thebookclubreview.co.uk for a full transcript

Today on the show, Christine Hall, the founder of Alive Theatre, returns to discuss their upcoming production of "Pride and Prejudice." Tune in for an engaging conversation, and be sure to make plans to see the show! "Pride and Prejudice" will run from June 20th to June 28th!!! Get your tickets here! https://masterarts.ludus.com/index.php?show_id=200485595&fbclid=IwY2xjawKz-hJleHRuA2FlbQIxMABicmlkETFYQ2tsOUlTOEJqT0dwaWNqAR7dHUYAyaugGGQaHHDY8xsLtlDq-VJvE9jgwcoc_Wvk1AUJm__p5ypVkj2Ovg_aem_4b4O2JJjgVAmsTfLr2e-Cw

Watch the full coverage of the live stream on The Emily D Baker YouTube channel: https://youtube.com/live/_U9Gv2ieltoDay 29 of the Karen Read Retrial happened on June 9, 2025. On week 8 of the trial, will the jury get the case this week to deliberate?Special Prosecutor, Hanke Brennan, asks Dr. Wolfe, the Director of Accident Reconstruction at ARCCA, about the appearance of holes on the back of Mr. O'Keefe's hoodie and whether these holes are consistent with road rash or other damage. He asked him if he'd ever consider if Mr. O'Keefe may have fallen or landed on his back. Dr. Wolf stated he did not consider whether Mr. O'Keefe had fallen or landed on his back. Defense Attorney, Robert Alessi, asked for a Mistrial with Prejudice due to Intentional Misconduct by the prosecution regarding questioning about the hoodie and its damage. The defense argued the prosecution intentionally left out evidence about the holes on the back of the hoodie being clippings from the crime lab. The judge did not grant a mistrial but agreed to instructed the jury to disregard the questions and give a strong admonishment about the prosecution. When it came time to it, the Judge did not give a strong admonishment or admit the pictures into evidence. At the end of the day, the defense said that they will address this the following day.A Voir Dire of Dr. Laposata was conducted and Judge Cannone ruled she cannot testify that the wounds on John O'Keefe's arm were from a dog, but she will be able to testify about the original opinions about the cause and manner of death. Direct Examination continues on Day 30.RESOURCESWhat You Need to Know About the Retrial - https://youtu.be/89Jpa8vz1RQ Karen Read Retrial Playlist - https://www.youtube.com/playlist?list=PLsbUyvZas7gKOJlfL__9F027hlETVU-vo Karen Read Trial - 2024 - https://www.youtube.com/playlist?list=PLsbUyvZas7gKUeCUzApgsEuQRXu5IXeTSThis podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/Podscribe - https://podscribe.com/privacy

Angry people are not always wise, so let's keep our cool while answering 10 trivia questions on one of the most famous books of all time, Pride and Prejudice! If you'd like to choose a specific topic or dedicate an episode to a friend send a donation of your choice on Venmo to @NoChitChatTrivia and write the topic you'd like in the comments: https://account.venmo.com/NoChitChatTrivia Our official store is live!  Support the show by grabbing a NCCT shirt, hat, puzzle, or more: https://www.thetop10things.com/store Visit our sister site thetop10things.com for travel and entertainment information! Thank you to everyone who listens!  Say hello or let's collaborate: nochitchattrivia@gmail.com

In the Reply Memorandum of Law supporting Sean Combs' motion to dismiss the amended complaint in Thalia Graves v. Sean Combs and Joseph Sherman, Combs' legal team reiterates that the plaintiff's claims are both legally and factually insufficient. They argue that the amended complaint relies on conclusory allegations without concrete evidence of Combs' direct involvement in the alleged misconduct. The reply further contends that the complaint improperly attempts to attribute liability to Combs through speculative inferences about his association with co-defendant Joseph Sherman, rather than demonstrating specific acts or intent required under the applicable legal standards.Additionally, Combs' attorneys assert that many of the claims are time-barred and fall outside the statute of limitations. The reply memorandum emphasizes that the plaintiff's attempt to revive these claims through generalized references to a purported ongoing pattern of misconduct is legally untenable. They also argue that the complaint fails to meet the heightened pleading standards required for claims of intentional infliction of emotional distress and other tort-based allegations. On these grounds, the defense urges the court to dismiss the amended complaint in its entirety, with prejudice.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.630450.87.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

In the Reply Memorandum of Law supporting Sean Combs' motion to dismiss the amended complaint in Thalia Graves v. Sean Combs and Joseph Sherman, Combs' legal team reiterates that the plaintiff's claims are both legally and factually insufficient. They argue that the amended complaint relies on conclusory allegations without concrete evidence of Combs' direct involvement in the alleged misconduct. The reply further contends that the complaint improperly attempts to attribute liability to Combs through speculative inferences about his association with co-defendant Joseph Sherman, rather than demonstrating specific acts or intent required under the applicable legal standards.Additionally, Combs' attorneys assert that many of the claims are time-barred and fall outside the statute of limitations. The reply memorandum emphasizes that the plaintiff's attempt to revive these claims through generalized references to a purported ongoing pattern of misconduct is legally untenable. They also argue that the complaint fails to meet the heightened pleading standards required for claims of intentional infliction of emotional distress and other tort-based allegations. On these grounds, the defense urges the court to dismiss the amended complaint in its entirety, with prejudice.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.630450.87.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In this episode, Father Matt and Father Brian discuss Thunderbolts* (2025), the latest installment in the Marvel Cinematic Universe. They explore the film's central themes of trauma and the power of love to overcome conflict, drawing connections to Christian understandings of suffering. The episode also includes reflections on recent films they've watched, commentary on the direction of the Marvel franchise, and a fun mythology quiz to wrap things up. 0:28: Fr. Brian and Fr. Matt begin by catching up on the few months since they last recorded an episode, discussing the appointment of Archbishop Weisenburger as Archbishop of Detroit and the election of Pope Leo XIV. They also catch up on some of the movies they've recently seen, including The Agony and the Ecstasy (1965) depicting the relationship between Michelangelo and Pope Julius II during the painting of the Sistine Chapel; Pride and Prejudice, the 2005 remake starring Keira Knightley; Star Wars: Revenge of the Sith (2005); Snow White (2025); and Warfare, (2025) about he real-life experiences of soldiers in the 2003-2011 Iraq War. 10:41: Fr. Brian introduces the film that is the focus of this episode, Thunderbolts*. Released in 2025, the 36th film in the Marvel Cinematic Universe was directed by Jake Schreier and written by Eric Pearson and Joanna Calo. 11:48: Fr. Matt and Fr. Brian discuss the expansiveness of the Marvel Cinematic Universe, which shows and movies they've seen, and how keeping up with all this content can make it difficult for casual viewers to keep up with the characters, plots, and maintain a sense of engagement with the heroic characters. Our hosts also discuss how the last several Marvel shows and films seem to have been trying to convey a message or promote an agenda rather than simply tell an entertaining story. 16:33: Fr. Matt provides a brief overview of the plot and main characters of Thunderbolts*. 24:41: Fr. Brian and Fr. Matt discuss some of the major themes in the film: how to deal with the parts of ourselves that we may not like, managing the effects of wounds from our pasts, and breaking the stranglehold that psychological trauma can have on our lives. 28:46: Fr. Matt talks about how the film depicts the power of love to overcome conflict. Fr Brian adds to that discussion, noting that for the characters in the film, their success only comes when they stop working in isolation and begin working together. This is very much akin to our understanding that we do not suffer alone; Christ enters into our suffering with us. 30:56: Fr. Matt notes that the film also portrays the notion that we are not defined by our worst moments and that great freedom can come from bringing them to the light. 34:16: Our hosts share their “seeds of the word” ratings for the film, based on how clearly they saw goodness, truth, and beauty reflected in the story. 39:46: In the last segment, Fr. Brain quizzes Fr. Matt about characters from Roman and Greek mythology.

Liz and Ben are joined by Pratchett academic and cosplayer Freyja Stokes as they head out to the Discworld countryside for a bit of peace, quiet and definitely no murders, in Terry Pratchett's final City Watch book, 2011's Snuff. Sam Vimes is facing his ultimate ordeal: a holiday. But no sooner has he made a mess of meeting the staff at Crundles, the Ramkin country estate, than he smells something rotten in the Shires. When the local blacksmith offers to meet him at midnight, he and his trusty valet Willikins instead find a puddle of blood and the ire of the local magistrates. A lot more's afoot than a simple murder - and it seems to have something to do with goblins, tobacco, and Fred Colon taking a funny turn... One of the last of the Discworld novels, and the final one starring Sam Vimes and (in their by now customary secondary roles) the Ankh-Morpork City Watch, Snuff also introduces a new species of fantasy creature to the Disc: goblins. Not so much hated as barely considered by other peoples, they eke out a wretched existence in the corners of the world that can hide them, a remnant of the Old Days of Dark Lords and magical war. But for Pratchett, of course, goblins aren't just tiny evil filthy things - and their story is much more about the evils of humans than any other monster. Have you read as far as Snuff, and do you think it feels different to the books that come before it? Were you expecting more of a mix of Pride & Prejudice and Midsomer Murders, and how do you feel about it being more of “howcatchem”? Was it a weird choice to take Vimes so far out of his element in his final book, or does it do us all a favour by showing us what his retirement might possibly look like? What's the weirdest rule in crocket? How great are goblins???* And what's your goblin name? Don't get distracted by the new Clacks tower - join the conversation using the hashtag #Pratchat86. Guest Freyja Stokes (he/she) was one of the first recipients of UniSA's Pratchett Scholarship, and finished her Masters thesis in 2023. It's titled ‘The turtle moves : how Terry Pratchett's Discworld does vernacular theory', and it's available via the UniSA library. Freyja is also a keen cosplayer and crafty person, and you find her and her creations on Facebook and other social media. You can find episode notes and errata on our web site. Next month we take a break from the few remaining Pratchett novels to play a game that we promise is simpler than crocket: Discworld: Ankh-Morpork, the fan favourite of the board games! Get your questions in via email (chat@pratchatpodcast.com), or social media using the hashtag #Pratchat87. * This one is rhetorical. They're really great.

THE CORNETTO TRILOGY COMES TO A CLOSE!! The World's End Full Reaction Watch Along:   / thereelrejects   Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. With Tom Cruise starring opposite Simon Pegg in Mission: Impossible - The Final Reckoning, Greg & Aaron CONTINUE their Conetto Trilogy Marathon with The World's End Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Greg Alba & Aaron Alexander as they return to director Edgar Wright's madcap sci-fi pub crawl The World's End (2013). Five childhood friends—self-described legend Gary King (Simon Pegg, Shaun of the Dead, Hot Fuzz), steadfast Andy Knightley (Nick Frost, Shaun of the Dead), meticulous Oliver Chamberlain (Martin Freeman, The Hobbit, Sherlock), quick-witted Peter Page (Paddy Considine, Dead Man's Shoes), and ever-nervous Steven Prince (Eddie Marsan, Ray Donovan, Happy-Go-Lucky)—reunite in their hometown of Newton Haven to finish “The Golden Mile” pub crawl they failed to complete two decades earlier. What starts as nostalgic pints through the town's legendary watering holes—The First Post, The Famous Cock, The Trusty Servant—soon turns surreal when Gary realizes every local is a shapeshifting alien “Blank” intent on assimilation. Highlights include the kinetic “Hole in the Wall” bar brawl, the raucous “Planet Music” face-off in the town hall, and Gary's desperate, final stand atop The World's End pub—blasting Metallica and descending into glorious chaos. Along the way, Rosamund Pike (Gone Girl, Pride & Prejudice) appears as Gary's ex Sam Chamberlain, and Bill Nighy (Pirates of the Caribbean, Love Actually) pops up as the eccentric curator Basil, each adding sharp wit to the end-of-the-world stakes. Don't miss our deep dive into the film's blend of friendship drama, genre-bending action, and Edgar Wright's signature visual flair—plus our take on why The World's End remains one of the most quoted, memed, and highly-searched cult comedies of the 2010s! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Summary of Pride and Prejudice in English and French.English Version. By Jane AustenPublished: 1813 Genre: Romance, Social CommentarySet in early 19th-century England, Pride and Prejudice follows Elizabeth Bennet, a witty and independent young woman, as she navigates issues of class, marriage, and morality. Elizabeth is the second of five daughters in a middle-class family with little wealth and no male heir, making marriage a practical necessity for financial security.When the wealthy and reserved Mr. Darcy enters her social circle, Elizabeth initially finds him proud and disagreeable. Their relationship is marked by mutual misunderstandings and social pressures. However, as both characters confront their own flaws—Elizabeth's prejudice and Darcy's pride—they grow and change, ultimately realizing their deep love and respect for one another.Austen uses sharp dialogue and keen social observation to critique the rigid class structure of her time. The novel champions individual merit and personal integrity over social status and wealth.French Version.Résumé de Orgueil et Préjugés Par Jane AustenPublié en : 1813 Genre : Roman d'amour, satire socialeSitué dans l'Angleterre du début du XIXe siècle, Orgueil et Préjugés suit Elizabeth Bennet, une jeune femme vive et indépendante, confrontée aux enjeux du mariage, des classes sociales et de la morale. Deuxième d'une fratrie de cinq filles dans une famille de la petite noblesse sans héritier mâle, Elizabeth vit dans un contexte où le mariage est souvent le seul moyen d'assurer sa sécurité financière.Elle fait la connaissance de M. Darcy, un homme riche, réservé et apparemment hautain. Dès leur première rencontre, Elizabeth le juge orgueilleux, tandis que lui la considère peu convenable selon les normes sociales de son rang. Leur relation est marquée par des malentendus et des jugements erronés. Cependant, chacun finit par reconnaître ses propres erreurs : Elizabeth son préjugé, et Darcy son orgueil. Grâce à cette évolution personnelle, ils apprennent à s'estimer mutuellement et tombent amoureux.À travers un style plein d'esprit et une observation fine des mœurs de son époque, Jane Austen critique la rigidité des classes sociales et valorise l'amour sincère, le respect et l'intégrité personnelle plutôt que la richesse ou le statut.This was a LitBits Podcast for Tale Teller Club Publishing www.taletellerclub.com

Joined by Meg from @megsreadingclub, this episode, we're diving into a mix of stories that bring together sharp wit, big emotions, and unforgettable characters. From classic social drama to epic fantasy battles, from gritty poetry to juicy Hollywood secrets, these books show people pushing back against the rules—whether society's or their own. If you like smart, messy, and sometimes wild stories with strong characters, this episode is for you.Join the Books to Last Podcast, where book lovers share their top 5 must-read books for a dream getaway. Inspired by BBC's Desert Island Discs, each episode features fun stories, book recommendations, and heartfelt conversations. Tune in for inspiring tales and discover your next great read!Guest Details:Instagram: @megsreadingclubBBC interview about Meg's book club: https://www.bbc.co.uk/programmes/p0jpv179Podcast:W: https://anchor.fm/bookstolastpodTwitter: @BooksToLastPodInstagram: @BooksToLastPodMusic by DAYLILY@daylilyuk on Instagramhttps://open.spotify.com/artist/31logKBelcPBZMNhUmU3Q6Spoiler WarningBooks Discussed:Pride and Prejudice by Jane AustenThe Adventures of Sherlck Holmes by Arthur Conan DoyleEmpire of Storms by Sarah J MaasSlug by Hollie McNishThe Seven Hisbands of Evelyn Hugo by Taylor Jenkins ReidEverything I Know About Love by Dolly AldertonIn Memoriam by Alice WindThe Thursday Murder Club by Richard OsmanThe Secret Dreamworld of a Shopaholic by Sophie Kinsella

Rachel & Rogge & Jessica discuss Pride & Prejudice.Released: 2005Rated: PGDirected by: Joe WrightStarring: Keira Knightley, Matthew MacfadyenSynopsis: When Elizabeth Bennet meets the handsome Mr. Darcy, she believes he is the last man she could ever marry, but as their lives become intertwined, she finds herself captivated by the man she has sworn to hate forever.Follow us on Instagram ⁠⁠⁠⁠⁠⁠@⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠flabberpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave a voice message: SpeakPipeCall/Text Us: 779-236-6843⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠flabberpod@gmail.com⁠⁠⁠⁠⁠⁠⁠

Writing journey, Interview with the Vampire, we discuss it all on our brand new episode of the podcast with the absolute star that is THE Julie Soto @juliesotowritesWe can't wait for you all to tune in! But first, here's more about Julie:Author, Playwright, ActressOriginally from Sacramento, Julie spent many years bouncing between New York and California before eventually settling in coastal Fort Bragg, CA. A theatre and fandom nerd, Julie can tell you the name of any Buffy episode if you pick a number 1-7, and another 1-22.With her Bichon-Poodle brother, Charlie, she spends her days writing Rom-Coms, Adult Fantasies, and YA Thrillers, and at night, she falls asleep to Pride and Prejudice 2005 in the background.As a playwright, Julie's musical Generation Me won the 2017 New York Musical Festival's Best Musical award, as well as Best Book for Julie's work on the script.Julie is the bestselling author of:

Maggie and Corey return, to invite their viewer to join them in a production meeting for the proposed new Pride and Prejudice pilot.Other Minds and Hands: An Open and Friendly Discussion of Tolkien Adaptation, Episode 103, recorded on June 2, 2025.For more information about Signum Studios and Signum Collaboratory, visit Signum Studios https://studios.signumuniversity.org/ Signum Collaboratory https://collaboratory.signumuniversity.org/Join us on Mondays at 4:30 PM ET, on this SignumU Youtube channel https://www.youtube.com/c/SignumUniversity and SignumU Twitch channel https://www.twitch.tv/signumu Check the schedule here. https://www.twitch.tv/signumu/schedule For more information https://mythgard.org/miscellany/ You can watch or listen to the recordings here. https://youtube.com/playlist?list=PLasMbZ4s5vIV0nHc_Ji8CLs1C-a6iuXMY https://tolkienprof.fireside.fm/subscribeHosts: Dr. Corey Olsen the Tolkien Professor https://signumuniversity.org/directory/corey-olsen/ Dr. Maggie Parke https://signumuniversity.org/directory/maggie-parke/Join us on the Signum University Discord server: https://discord.gg/szXMFAvFor more information about Signum University https://signumuniversity.org/

Frank and Thomas dive into Pride and Prejudice (2005) with a surprising amount of insight. After catching a recent theatrical re-release of the Jane Austen adaptation, the hosts unpack its romantic tension, cinematography, performances, and themes of societal expectations. Along the way, they reflect on Keira Knightley's breakout role, Matthew Macfadyen's modern take on Mr. Darcy, and how 19th-century courtship still hits in 2025. With some help from Frank's wife and linked video essays, they make sense of the story's deeper layers—reluctantly, but respectfully. Timestamps and Topics: 00:00:00 Welcome and Thomas's reluctant movie pick 00:00:41 The theatrical re-release and first impressions 00:01:17 Breakdown of the plot, scene by scene 00:04:47 What this movie says about power, class, and gender 00:06:50 The Mr. Bennet and Elizabeth dynamic 00:09:15 Mr. Darcy's character and casting impact 00:14:32 Understanding the dialog and social codes 00:17:12 Cinematography and standout shots 00:20:26 The iconic rain scene and its symbolism 00:24:23 Keira Knightley's performance and casting 00:26:18 Star-studded supporting cast 00:27:06 Comparing both proposals as visual storytelling 00:29:44 Does the movie feel too rushed? 00:33:03 Trivia: red flags, fake book titles, and bad eyesight 00:36:00 Final thoughts and star ratings 00:37:04 Next movie pick revealed: Galaxy Quest Key Takeaways: Pride & Prejudice (2005) is a well-crafted adaptation that, despite not being made for everyone, earns respect for its care and attention to detail. Keira Knightley and Matthew Macfadyen bring depth to iconic characters, especially through subtext and physical acting. Joe Wright's direction is subtle but powerful, using natural lighting, one-shot sequences, and thoughtful framing. The story critiques societal norms by centering a woman (Elizabeth Bennet) who refuses to play by the rules. The movie has become a beloved comfort film, especially for those drawn to emotionally charged slow-burn romances. Quotes:

LGBTQ Americans live in a paradox. On one hand we have a growing population of LGBTQ Americans, a group whose rights are codified nationally with a supermajority of Americans supportive of life outside the heteronormative box, and yet we're seeing a rising level of hate and extremism against that same community and anyone - be they individuals or corporations - who stand up as public allies. How can that be in 2025? Today we talk to Sarah Kate Ellis, President and CEO of GLAAD, about what to do, where we go from here and the potential of a moment like this.  As always, if you find worth in what we do, please consider SUBSCRIBING to PoliticsGirl Premium. You'll get this podcast ad free and it, and the the rants delivered directly to your inbox so even if we're shut out of social media, you'll still get access to the most highly researched, factual information available. Independent media needs your support now more than ever.   Go to https://www.politicsgirl.com/premium and subscribe today!! Thank you so much!  xoPG Guest social: https://glaad.org/                As always, please RATE and SUBSCRIBE so we can grow the show, open the dialogue, and inspire change moving forward! All show links here!: https://linktr.ee/politicsgirl   This episode is sponsored by… DeleteMe - TEXT: politicsgirl to 64000 https://calm.com/politicsgirl https://shopMDhearing.com code: PoliticsGirl

For our final episode of Novel Pairings, we opened up the mailbag to answer your thoughtful listener questions. From reflections on our favorite classics to behind-the-scenes stories, we're sharing a lot today! And celebrating the journey we've shared with all of you. We'll also be offering some closing thoughts on what this podcast has meant to us, what we've learned along the way, and what comes next for each of us.  This is our final season with Novel Pairings, but we are saving all of our episodes right here for you to return to, plus we're opening a shop for our exclusive classes and recap series.  To learn more about our storefront and to get all new announcements, make sure you are following @novelpairingspod on Instagram and subscribed to novelpairings.substack.com. Novel Pairings Bundles: novelpairings.gumroad.com   Find us individually and continue to read with each of us here: Chelsey – IG: @chelseyreads | Substack: chelsey.substack.com Sara – IG: @fictionmatters | Substack: fictionmatters.substack.com   Books Mentioned Summer by Edith Wharton A Midsummer Night's Dream by William Shakespeare Quicksand by Nella Larsen A Wrinkle in Time by Madeleine L'Engle Passing by Nella Larsen The Custom of the Country by Edith Wharton Pride and Prejudice by Jane Austen The Great Gatsby by F. Scott Fitzgerald The Scarlet Letter by Nathaniel Hawthorne The Catcher in the Rye by J.D. Salinger 1984 by George Orwell Of Mice and Men by John Steinbeck Wuthering Heights by Emily Brontë There is Confusion by Jesse Redmond Fossett   Also Mentioned From the Front Porch/The Bookshelf Conquer a Classic with Annie and Hunter Shelf by Shelf on Substack The Novel Tea Podcast 250th Anniversary of Jane Austen Smith and Taylor Classics Persephone Books McNally Editions New York Review Penguin Modern Classics Center for Fiction Wuthering Heights adaptation Pride and Prejudice adaptations  

It's the moment you've all been dreading--I mean, waiting for...Persuasion (2022)! We're joined by Sequoia Simone (@sequoiasimone) to discuss this most beloved film and at which point it lost each of us. Today's episode covers the movie through Anne and Mary's Italian chat. Topics discussed include: modernizing Austen's language, flashbacks, thick teardrops, multiracial casting in period pieces, the Fleabag-ification of Anne Elliot, the breakup box, gay Lady Russell (happy Pride!), Mary as Emily Gilmore, Regency Era therapy, and the Anne/Wentworth friendship.Cast and Crew of Persuasion (2022)Glossary of People, Places, and Things: Sarah Snook, Joel Grey, Joel Fry, Ella Enchanted, Fleabag, Arrested Development, Schitt's Creek, Galavant, Emma (2020), Pride and Prejudice (2005), Sister Wives, Emily Gilmore, RobespierreFor more from Sequoia, you can listen to her other podcasts, But Make It Scary and Fanatical Fics and Where to Find Them, plus her NEW podcasts, Professional Talkers and You Pod It, Dude! For updates on her work, follow her on Instagram at @sequoiasimone.Next Episode: Persuasion (2022)Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Jeffrey Goldberg has been a thorn in President Donald Trump's side since the real-estate developer–turned reality-show host first ran for office in 2016. Back then — ten months before he took over as editor-in-chief of The Atlantic — Goldberg wrote a piece headlined “A Brief Exercise Meant to Illuminate the Prejudices of Donald Trump.” The magazine has continued its unsparing criticism of Trump ever since, and Goldberg's recent Signalgate story was just the latest in a series of blockbuster scoops that have nominally embarrassed the president.  On Friday, Goldberg sat down with Kara for an on-stage interview at the WBUR Festival in Boston. They discussed Trump's corruption, the unserious people staffing his administration (as well as with the very serious Russell Vought, a Project 2025 architect who heads the OMB), the Democratic Party's travails, and the state of the news media.  Questions? Comments? Email us at on@voxmedia.com or find us on Instagram, TikTok, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It is a truth universally acknowledged, that Jane Austen's novels make us wish she was our friend. She wouldn't be just any old friend: she'd be the sharpest and wisest, the one we turn to in a crisis, the one who understands our flaws and helps us see our blind spots. As we navigate the perils of love and life, she'd be the friend who gently points us in the right direction. Well, that's a funny thing to say about someone who lived more than two hundred years ago, but it's how we feel. And so, we turn to her novels as the next best thing. In this episode, Jacke talks to author Janet Todd (Living with Jane Austen) about what it's been like to rely on Jane Austen as an advice-giver for more than fifty years. PLUS Jacke reads an email from a listener who's made a dramatic change in his approach to literature and life. AND a new survey about parenting and reading arouses some of Jacke's deepest passions. Additional listening: 302 Jane in Love - The Love Story of Jane Austen and Thomas Lefroy 303 The Search for Darcy - Jane Austen, tom Lefroy, and the World of Pride and Prejudice 85 Jane Austen's Pride and Prejudice 502 Persuasion by Jane Austen The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com . "Two Butterflies" performed by Gabriel Ruiz-Bernal and Allison Hughes. Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature . Learn more about your ad choices. Visit megaphone.fm/adchoices

A civil lawsuit alleging that Shawn "Jay-Z" Carter and Sean "Diddy" Combs sexually assaulted a woman when she was 13 years old has been voluntarily dismissed. The plaintiff, referred to as Jane Doe, claimed the assault occurred at an afterparty following the 2000 MTV Video Music Awards. Filed in federal court in Manhattan, the case was dismissed with prejudice, preventing any future refiling of the same claims. Jay-Z consistently denied the allegations, describing them as "frivolous, fictitious, and appalling," and expressed relief at the lawsuit's dismissal, noting the trauma the accusations caused his family. Sean Combs, who is currently awaiting trial on separate racketeering and sex trafficking charges, also maintained his innocence regarding these allegations.The lawsuit, initially filed solely against Combs in October 2024, was amended in December to include Jay-Z as a defendant. The plaintiff's attorney, Tony Buzbee, declined to comment on the reasons for the dismissal. Jay-Z's legal team emphasized that their client did not settle or make any payments related to the case, underscoring their stance that the allegations were without merit. While this particular lawsuit has been dismissed, Combs continues to face numerous other civil lawsuits and criminal charges, with his trial scheduled for May 2025.to contact me:bobbycapucci@protonmail.comsource:Jay-Z & Sean "Diddy" Combs Rape Suit Dismissed

A civil lawsuit alleging that Shawn "Jay-Z" Carter and Sean "Diddy" Combs sexually assaulted a woman when she was 13 years old has been voluntarily dismissed. The plaintiff, referred to as Jane Doe, claimed the assault occurred at an afterparty following the 2000 MTV Video Music Awards. Filed in federal court in Manhattan, the case was dismissed with prejudice, preventing any future refiling of the same claims. Jay-Z consistently denied the allegations, describing them as "frivolous, fictitious, and appalling," and expressed relief at the lawsuit's dismissal, noting the trauma the accusations caused his family. Sean Combs, who is currently awaiting trial on separate racketeering and sex trafficking charges, also maintained his innocence regarding these allegations.The lawsuit, initially filed solely against Combs in October 2024, was amended in December to include Jay-Z as a defendant. The plaintiff's attorney, Tony Buzbee, declined to comment on the reasons for the dismissal. Jay-Z's legal team emphasized that their client did not settle or make any payments related to the case, underscoring their stance that the allegations were without merit. While this particular lawsuit has been dismissed, Combs continues to face numerous other civil lawsuits and criminal charges, with his trial scheduled for May 2025.to contact me:bobbycapucci@protonmail.comsource:Jay-Z & Sean "Diddy" Combs Rape Suit DismissedBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Daily QuoteIn early June, the world of leaf and blade and flowers explodes, and every sunset is different. (John Steinbeck)Poem of the DaySummer Night, RiversideBy Sara TeasdaleBeauty of WordsPride and PrejudiceBy Jane Austen

Matthew Bannister on Alan Yentob, the BBC's only Creative Director, who commissioned many successful TV programmes, was known as an impresario of talent and also presented Imagine. Richard Garwin, the American physicist who developed the Hydrogen bomb, but then devoted his life to nuclear disarmament.Dr. Joy Shaverien, the psychoanalyst who identified “boarding school syndrome” suffered by some who were sent away to school at an early age. Dr Anne Merriman, the former nun who made it her life's work to bring effective palliative care to Africa.Producer: Ed PrendevilleArchive used ichard Garwin Interview, Voices of the Manhattan Project – Atomic Heritage Foundation, Los Alamos Historical Society, The National Museum of Nuclear Science and History, 22/09/2018; Pride and Prejudice, Episode 2, BBC Four, Drama, Classic & Period; imagine...: Winter 2004 – Arthur Miller: Finishing the Picture, BBC; Desert Island Discs: Alan Yentob, BBC Radio 4, 08/10/1995; Cracked Actor: David Bowie, BBC, 04/04/2013; Boarding School Syndrome: In Conversation with Joy Schaverien, Interviewed by Joana de Waal, British Psychotherapy Foundation (bpf), YouTube Upload, 23/09/2019; Dr Anne Merriman Interviewed by Scott Murray, Royal College of Physicians of Edinburgh, 2023; orth West Tonight, BBC, 21/07/2009; Anne Merriman – Harvard University Talk; Woman's Hour, BBC Radio 4, 13/05/2011

This week we look at Jordan Peterson on Trans children; Supreme Court judge questions whether biological sex exists; Sweden bans OnlyFans;  The sad perversity of Annie Knight; North Korean ship sinks;  Andrew Neil on Starmer and the lies of the UK government; Lucy Connolly and two tier justice; Country of the week - Japan;  China invented rockets; French MPs pass euthanasia bill; Frank Skinner - the Catholic comedian; White actors forced to take anti-oppression course; Brazilian tribe sues the New York Times; 1940's Pride and Prejudice;  Trump and the EU;  London Police arrest Jewish man for offending Hezbollah; Christian Jew assassinated in Washington; Liverpool and Hamburg attacks; Chinese Communists seek to control Church; Gordon J Wenham; Feedback and the Final Word - with music from Steely Dan; Disturbed; John Lennon; Mumford and Sons; The Lightening Seeds;  The Bach Collegium; and the Simon Kennedy band.  

Executive Director for the Symphony of the Mountains Orchestra, Percussionist, Freelancer, and Educator Cassidy Lester stops by to talk about her work with the Symphony (03:05), her freelancing and teaching and how important performing is to her mental health (16:30), growing up in the Tri-Cities region of Tennessee, traveling with family to jam band concerts, getting into percussion, and her unique marching experiences (31:30), attending East Tennessee State University, getting her undergrad and MBA degrees, and how COVID changed her path (51:20), and finishing with the Random Ass Questions, including discussions of instrument stereotyping, the Pride and Prejudice movie from the mid-2000s, the Fourth Wing books, and great artwork (01:12:05).Finishing with a Rave on the 2022 nonfiction book Dangerous Rhythms: Jazz and the Underworld (01:52:00).Cassidy Lester links:Symphony of the MountainsPrevious Podcast Guests mentioned:Matthew Geiger in 2019Evan Chapman in 2019Andy Bliss in 2023Other Links:David MitchellDiana LoomerMorgan TaoBlue Iron PercussionThe Planets - Gustav HolstDon Felder“The Hero” - Clarice Assad (arr. TCP)“Second Thoughts” - Evan Chapman“Re(new)al” - Viet Cuong“Happy Now” - Blue Iron Community Steel Band“Watercolor Sun” - Ivan TrevinoRhythm & Roots Reunion FestivalThe 1927 Bristol SessionsWidespread Panic live“Esther” - Phish“Cassidy” - The Grateful Dead“Welcome to the Black Parade” - My Chemical RomanceRande SanderbeckPride and Prejudice Original SoundtrackPride and Prejudice trailerEternal Sunshine of the Spotless Mind trailerIT trailer (1990)Avengers: Endgame trailerThe LEGO Movie trailerThe LEGO Movie 2: The Second Part trailerFahrenheit 451 - Ray BradburyFourth Wing - Rebecca YarrosThis is Your Brain on Music - Daniel J. LevitinMusicophilia - Oliver SacksInto the Wild - Jon KrakauerRhinoceros Success - Scott AlexanderHeaven Breaker - Sara WolfTo Sleep in a Sea of Stars - Christopher PaoliniVampire Diaries: Season 1 trailerRed - John LoganFour Darks in Red - Mark RothkoThe Stranger - Albert CamusLong Day's Journey into Night - Eugene O'NeillRaves:Dangerous Rhythms: Jazz and the Underworld - T. J. English

I thought this episode was going to be about blind tastings. And it is. Or, at least, it starts that way. But when you're talking with Marissa, aka @tequilaencyclopedia , you rarely take as straight a path as you'd expect. So if you want to listen to a conversation about that … or about CostCo … or about the Agavos Awards … or how much I paid Marissa to join me on a trip to 818 Tequila, this episode is for you!Agave Road Trip is a critically acclaimed, award-winning podcast that helps gringx bartenders better understand agave, agave spirits, and rural Mexico. This episode is hosted by Lou Bank with special guest Marissa Paragano of The Tequiladies.Episode NotesMarissa is also a board member of Tequila That Cares, a philanthropic organization bringing positive change to the agave spirits industry!Shout outs this episode to the Agavos Awards, 818 Tequila, Costco, and Marissa's dream team, the Boston Red Sox!

In this episode, we explore and expose Jamie's pop culture blind spot of the cult classic movie, The Sandlot. Join us as we discuss the reasons this movie has imprinted on Knox and whether it measures up to the hype. Plus, Knox takes a swing at answering hard-hitting QTNAs like “Why do men spit?” and “ Can you play baseball in overalls?”.Relevant links: Our full show notes are at knoxandjamie.com/609Get this series ad-free and so much more by becoming a Friends with Benefots at knoxandjamie.com/signup. Use code L7WEENIE to get your first month for $3 (offer valid through Tue 6/3) Where to Watch it (see also: The Sandlot 2) | IMDb Catch up: Spring Awakenings Ep | Blindspots: Pride and Prejudice 1993 Bangers: Indecent Proposal | Sleepless in Seattle | Philadelphia | The Pelican Brief | Jurassic Park | Mrs.Doubtfire | The Fugitive | Schindler's List Nostalgic Baseball Films: The Court-Martial of Jackie Robinson | A League of Their Own | Rookie of the Year | Angels in the Outfield | Field of Dreams | The Bad News BearsEpisode sponsors: Liquid IV (code: POPCAST) | Moonpig.com (code: POPCASTFREE) | Hers Hair | Factor (code: POPCAST50OFF) Hosted on Acast. See acast.com/privacy for more information.

WHAT MADE JESUS MAD? - When Prejudice Get In The Way Luke 10:25-37 Randy Lovelace | May 25, 2025

 The weekly podcast of Empowerment Ministries Christian Center, led by Dr. Gregg S. Magee, Sr.

There's arguably no better time for falling down a cultural rabbit hole than the languid, transitory summer months. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how the season allows us to foster a particular relationship with a work of art—whether it's the soundtrack to a summer fling or a book that helps make sense of a new locale. Listeners divulge the texts that have consumed them over the years, and the hosts share their own formative obsessions, recalling how Brandy's 1998 album, “Never Say Never,” defined a first experience at camp, and how a love of Jim Morrison's music resulted in a teen-age pilgrimage to see his grave in Paris. But how do we square our past obsessions with our tastes and identities today? “Whatever we quote, whatever we make reference to, on so many levels is who we are,” Cunningham says. “It seems, to me, so precious.”This episode originally aired on June 27, 2024. Read, watch, and listen with the critics:“Heathers” (1988)“Pump Up the Volume” (1990)The poetry of Sergei YeseninThe poetry of Alexander PushkinGoldenEye 007 (1997)“Elvis” (2022)“Jailhouse Rock” (1957)“Pride & Prejudice” (2005)The Neapolitan Novels, by Elena Ferrante“Ramble On,” by Led Zeppelin“Never Say Never,” by Brandy“The Boy Is Mine,” by Brandy and Monica“The End,” by The Doors“The Last Waltz” (1978)“The Witches of Eastwick,” by John Updike“Atlas Shrugged,” by Ayn Rand“Pirates of the Caribbean: The Curse of the Black Pearl” (2003)“Postcards from the Edge” (1990)“Rent” (1996)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

We're joined again by Izzy from What The Austen? (@whattheausten) to discuss the second half of the 2007 adaptation of Persuasion starring Sally Hawkins and directed by Adrian Shergold. Today's episode covers the film from Lyme through the end of the movie.Topics discussed include the film's opinion on moving on from lost love, the stormy Cobb, blood!!!, snuff, Harville as the ultimate bro, Bath locations, filming in the rain, the male loneliness epidemic, and the Great Bath Marathon of 1814.Glossary of People, Places, and Things: Game of Thrones, Merlin, The Last of Us, Outlander, The Crown, Mad Men, Mean Girls, Grey's Anatomy, Friends, Scooby Doo, Sex and the City, Ben Mercer, Cindy Lou Who, Avengers: Endgame, Severance, Gilmore GirlsTo explore more of What The Austen?, listen wherever you get your podcasts or check them out on Youtube! And be sure to follow Izzy on Instagram at @whattheausten.Next Episode: Persuasion (2022)Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Watch, read, and listen with us! Margery:Watch: Pride and Prejudice on Amazon Prime Read: The Book of Alchemy by Suleika JaouadListen: Beethoven Blues by Jon Batiste Elizabeth:Watch: Running Point on Netflix Read/Listen: Good Stress by Jeff Krasno What Your Food Ate by David R. Montgomery, Anne BikléThanks to our sponsor: Welcome back Schuler Shoes –– just in time for summer shoe shopping! You can shop any of the nine Twin Cities locations or go online to schulershoes.com. Shoes we are liking for the summer: Birkenstock's Arizona Chunky or Sorel's Kinetic Impact Y-strap High Sandal. SO fun! Connect with Us!Our Website: https://www.besttothenest.com/On Instagram: https://www.instagram.com/besttothenest?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Our Facebook Group:https://www.facebook.com/groups/1088997968155776/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jacke talks to D.G. Rampton, Australia's Queen of the Regency Romance, about her love for the novels of Jane Austen and Georgette Heyer - and what it's like for a twenty-first-century novelist to set her novels in the early-nineteenth-century world of intelligent heroines, dashing men, and sparkling banter. Find PLUS Jacke dives into the story of a book festival gone horribly wrong, searching for signs of hope amid the literary wreckage. Additional listening: 280 Romance Novels 303 The Search for Darcy: Jane Austen, Tom Lefroy, and the World of Pride and Prejudice 535 The Australian Novelist Who Writes History Through Women's Eyes (with Pip Williams) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices