Podcasts about piano sonata no

In this episode, we talk about these transitional chapters between the events at Lyme and the move to Bath. We consider the position of the old nurse in the Musgrove household, how Anne is feeling a bit sorry for herself, the delightful scenes with the Crofts and with Charles and Mary, how Mr Elliot is described as ‘underhung', and the way Anne and Mr Elliot get on well with each other.The characters we discuss are Mr and Mrs Musgrove. In the historical section, Ellen talks about Bath, and for popular culture Harriet discusses the 2019 YouTube series Rational Creatures.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Noel Streatfeild, Gran-Nannie (1976) and Ballet Shoes (1936)Novels of Charlotte M. YongeEvelyn Waugh, Brideshead Revisited (1945)Alexander Pope, ‘The Rape of the Lock‘ (1712)Historical discussion:The Venerable Bede (c.672-735)Nennius (9th century Welsh monk)Google map of locations in Persuasion, zoomed in on BathPopular culture discussion:Rational Creatures (2019, YouTube) – starring Kristina Pupo and Peter GiesslHarriet's interview with the creators of Rational CreaturesCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Donald Macleod explores Beethoven's endeavours to become the guardian of his brother's son Karl - a relationship which from the start was built upon rocky foundations.Music Featured: Allegro and Minuet, WoO 26 (Excerpt) Symphony No 3 ‘Eroica' (Scherzo. Allegro vivace) Leonore Prohaska, WoO 96 (Funeral March) Piano Sonata No 28 in A, Op 101 Sehnsucht, WoO 146 Das Geheimnis, WoO 145 Der Mann von Wort, Op 99 Symphony No 7 in A, Op 92 (Allegretto) Music, Love and Wine, Op 108 No 1 Behold my love how green the groves, Op 108 No 9 Symphony No 8 in F, Op 93 (Allegro vivace) Piano Sonata No 29 in B flat, Op 106 ‘Hammerklavier' (Allegro) String Quintet in C minor, Op 104 (Allegro con brio) Missa Solemnis in D, Op 123 (Agnus Dei) Minuet, WoO17 (Mödlinger Tänze, No 2) Piano Sonata No 30 in E, Op 109 (Prestissimo) Symphony No 9 in D minor, Op 125 ‘Choral' (Excerpt) Resignation, WoO 149 Abendlied Unterm Gestirnten Himmel, WoO150 Piano Sonata No 31 in A flat, Op 110 Bagatelle No 2, Op 126 (Allegro) Der Kuss, Op 128 Missa Solemnis in D, Op 123 (Gloria) Symphony No 9 in D minor, Op 125 ‘Choral' (Scherzo) String Quartet No 12 in E flat, Op 127 (excerpt) Waltz in E flat, WoO 85 Tremate, empi, tremate, Op 116 String Quartet No 15 in A minor, Op 132 (Molto adagio) Elegischer Gesang ‘Sanft wie du lebtest‘, Op 118 Piano Sonata No 12 in A flat, Op 26 (Marche Funebre)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ludwig van Beethoven (1770-1827) https://www.bbc.co.uk/programmes/m002cbw3And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In perhaps one of our most ambitious episodes yet, we delve into the deep lore of the music of Star Wars. From Jon Williams to Star Wars cover bands, we have it all! Become a patron to get access to the bonus episodes or support the show through Paypal and bitcoin! You can also check out our merch on Redbubble. Don't forget to also connect with us on Facebook, Instagram, X.com and Discord! Find all of our links here: https://doras.to/starlores Credits to all the artists featured on this episode: Binary Sunset - John Williams Frédéric Chopin's Piano Sonata No 2 in B flat minor, Funeral March The Imperial March - John Williams Requiem: II. Dies Irae - Guiseppe Verdi Battle of heroes - John Williams Duel of the fates - John Williams Star wars main theme - John Williams Erich Wolfgang Korngold : Kings Row - Main Title Star Wars - Main Theme - PHianonize Star Wars - Main Theme - composed by John Williams - arranged by Patrik Pietschmann Childhood Died - Lost Souls I'm The Droid (You're Looking For) - Nerf Herder Star Wars - The Imperial March - Galactic Empire Star Wars: Duel of The Fates (Medieval Style) - Samuel Kim Kinect Star Wars: Galactic Dance Battles video game Star Wars Theme (2019 Remaster) [8 Bit Tribute to John Williams & Star Wars] - 8 Bit Universe The Long Ranger - William Tell Overture - Gioachino Rossini The Good, the Bad and the Ugly - Main Theme - Ennio Morricone The Mandalorian - Main Theme - Ludwig Göransson Star Wars: Imperial March (Anakin's Suffering) Composed by John Williams - Orchestration by Samuel Kim Jedi Rocks - Jerry Hey Lapti Nek - John Williams

In this episode, we talk about how how Jane Austen has solved the problem of the infodump, the realism of the scene with little Walter, how she shows the relations within families, and how events on the walk to Winthrop affect Wentworth's feelings.The characters we discuss Louisa and Henrietta Musgrove. In the historical section, Ellen talks about curates, and for popular culture both Harriet discusses the 2007 ITV film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth (reference in the Persuasion footnotes is to A Memoir of Maria Edgeworth with a Selection from her Letters (1867), vold. 2, pp. 5-6.)Character discussion:Irene Collins, Jane Austen and the Clergy (2002)Historical discussion:Anthony Trollope, The Last Chronicle of Barset (1867)Stipendiary Curate Act 1713 Popular culture discussion:Clerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Wolfgang Amadeus Mozart was the quintessential child prodigy. He performed for European royalty at the tender age of six. But he wasn't the only child prodigy in his family or even the first. Big sister Nannerl led the way as his first role model and collaborator. Some of his keyboard music was written with her in mind as the performer, and after his death she worked with his first biographer and publisher to preserve his legacy. Music for this episode includes: Eine kleine Nachtmusik, K. 525 Rondo alla Turca rom Piano Sonata No. 11 in A major, K. 331/300i Symphony No. 40 in G minor, K. 550 Piano Concerto No. 21 in C major, K. 467 as performed by Markus Staab Requiem in D minor, K. 626 All of these recordings are copyright free. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an in-between ‘extras' episode. Our episodes are normally not more than an hour in length, which means that we usually have to cut a certain amount of material in the editing. But for Episode 3, we had much more material than usual. So we kept the episode down to an hour, but decided to release an ‘extras' episode, with some of the bits we edited out.It's a bit disjointed, but we hope you enjoy it.THINGS WE MENTIONCharacter discussion:Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:The Aubrey & Maturin novels of Patrick O'BrienAdmiral Thomas Cochrane (1775-1860)Popular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsThe Bounty (1984)CREATIVE COMMONS MUSIC USEDExtract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about how how Jane Austen tells us about the feelings of Anne and Captain Wentworth, and how the narrator captures Anne's emotions; the building up of the relationship between Charles and Mary, and their reaction to Little Charles' accident; Mrs Musgrove's feelings about her son; and Mrs Croft's travels.The character we discuss is Captain Wentworth. In the historical section, Harriet's partner Michael talks about the Navy, and for popular culture both Harriet and Michael discuss 1995 BBC film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:First Impressions podcast, ‘Ep 17: Persuading Kristin to Like Persuasion‘, 22 January 2017.Historical discussion:Security to Merchant Ships Act 1707 (6 Ann. c. 65), generally known as the Cruisers and Convoys Act 1708Distribution of prize money: see table on our websitePopular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Kenneth Hamilton chooses his favourite version of Mozart's Piano Sonata no.15 K.533/494

un florilège de surprises ou la surprise en musique classique   Mozart – Sonata for piano à quatre mains in C Major, K. 521: III. Allegretto [extrait] Interprété par Arthur SchoonderwoerdMiklós Spányi Beethoven – Piano Sonata No. 21 in C... Continue Reading →

This Day in Legal History: 13th Amendment PassedOn January 31, 1865, the U.S. Congress passed the 13th Amendment, formally abolishing slavery in the United States. The amendment declared that "neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction." While President Abraham Lincoln's Emancipation Proclamation had freed enslaved people in Confederate-held territories two years earlier, it lacked the permanence of a constitutional amendment. The House of Representatives passed the measure by a vote of 119 to 56, narrowly reaching the required two-thirds majority after intense political maneuvering. The Senate had already approved it in April 1864. Ratification by the states followed, culminating in its adoption on December 6, 1865. The amendment marked a legal end to slavery, but systemic racial discrimination persisted through Black Codes, Jim Crow laws, and other restrictive measures. Despite this, the 13th Amendment laid the foundation for future civil rights advancements. Its passage was a key victory for abolitionists and a defining moment of the Civil War's aftermath. The amendment's "punishment for crime" clause later became a subject of controversy, as it allowed convict leasing and forced labor in prisons, disproportionately affecting Black Americans. Even today, debates continue over its implications for the U.S. prison system.Fox Rothschild LLP has blocked its lawyers from using DeepSeek, a Chinese AI startup, due to concerns about client data security. While the firm allows AI tools like ChatGPT with restrictions, DeepSeek's data storage in China raises unique risks, according to Mark G. McCreary, the firm's chief AI and information security officer. A recent data breach involving DeepSeek further heightened security concerns. Other major law firms, including Wilson Sonsini and Polsinelli, are also implementing strict vetting processes for new AI models. Wilson Sonsini requires its chief information security officer and general counsel to approve AI tools before use, while Polsinelli enforces firm-wide restrictions on unapproved AI software. Law firms are also monitoring AI use by third-party vendors to ensure compliance with security protocols. McCreary emphasized that established legal tech companies prioritize data protection, reducing the risk of firms switching to less secure AI models.Fox Rothschild Blocks DeepSeek's AI Model for Attorney UseA federal appeals court has ruled that the U.S. government's ban on licensed firearms dealers selling handguns to adults under 21 is unconstitutional. The 5th U.S. Circuit Court of Appeals overturned a previous ruling, citing the Supreme Court's 2022 decision in New York State Rifle & Pistol Association v. Bruen, which requires modern gun laws to align with historical firearm regulations. The federal ban, enacted in 1968, was challenged by young adults and gun rights groups, who argued it violated the Second Amendment. Judge Edith Jones, writing for the court, found insufficient historical evidence to justify restricting gun sales for 18-to-20-year-olds. The ruling marks a major shift in gun policy, aligning with broader legal trends expanding Second Amendment protections. The Justice Department, which defended the ban under the Biden administration, has not yet commented on the decision. Gun rights advocates hailed the ruling as a victory against age-based firearm restrictions.US ban on gun sales to adults under age 21 is unconstitutional, court rules | ReutersIn a piece for Techdirt, Karl Bode critiques the Trump FCC's decision to roll back efforts to curb exclusive broadband deals between landlords and internet providers. The Biden FCC had attempted to update outdated rules that allowed ISPs to form monopolies within apartment buildings, driving up prices and reducing competition. However, due to delays caused by industry opposition and the failed nomination of reformer Gigi Sohn, key proposals—including a ban on bulk billing—were left unapproved. When Brendan Carr took over as FCC chair under Trump, he quickly scrapped these pending consumer protections. Bode argues that U.S. telecom policy is stuck in a cycle where Democrats make half-hearted attempts at reform, only for Republicans to dismantle them entirely under the guise of deregulation. The result is a landscape where telecom giants and landlords continue to collude, leaving consumers with fewer choices, higher costs, and poor service.The Trump FCC Makes It Easier For Your Landlord And Your ISP To Collude To Rip You Off | TechdirtBally's Chicago casino project is facing a legal challenge over its commitment to reserving 25% of its investment opportunities for women and people of color. Conservative activist Edward Blum, known for spearheading lawsuits against affirmative action, filed the suit on behalf of two white men who claim they were unfairly excluded from investing. The lawsuit argues that the policy violates federal civil rights law and should be open to all investors regardless of race. This case is part of a broader push against diversity, equity, and inclusion (DEI) initiatives, which gained momentum after a recent executive order from President Trump eliminating DEI programs in the federal government. Bally's maintains that its agreement with the city complies with legal requirements. The lawsuit references an 1866 civil rights law originally meant to protect Black Americans' economic rights and is similar to other cases challenging race-conscious corporate policies. Blum's organization has previously led legal battles against diversity-focused scholarships, grants, and hiring programs, including the Supreme Court case that struck down race-based college admissions in 2023.America's Battle Over DEI Strikes a Chicago Casino's Financing PlanThis week's closing theme is by Franz Schubert.Franz Schubert, one of the most beloved composers of the early Romantic era, was born on this day in 1797 in Vienna, Austria. Though he lived only 31 years, his vast output of music—ranging from symphonies and chamber works to piano music and over 600 songs—continues to inspire musicians and audiences alike. Schubert's music is often characterized by its lyricism, rich harmonies, and deep emotional expression, seamlessly bridging the clarity of the Classical era with the passion of Romanticism.Despite his immense talent, Schubert struggled with financial stability and never achieved widespread fame during his lifetime. He spent much of his career composing in relative obscurity, supported by a close-knit circle of friends and fellow artists. His songs, or lieder, are especially celebrated for their ability to capture both the beauty and melancholy of the human experience, with works like Erlkönig and Winterreise standing as some of the greatest achievements in the genre.His instrumental music, however, remained underappreciated until long after his death. Today, his symphonies, string quartets, and piano sonatas are recognized as masterpieces, filled with lyrical beauty and striking contrasts. Among his later works, the Piano Sonata No. 20 in A major, D. 959 showcases his mature style, blending elegance with deep introspection. The final movement, Rondo: Allegretto, serves as this week's closing theme, capturing both Schubert's charm and his poignant sense of longing.Though he died in 1828, just a year after Beethoven, Schubert's influence only grew in the decades that followed. Composers like Schumann, Brahms, and even Mahler admired his work, helping to cement his legacy as one of music's great geniuses. Today, on the anniversary of his birth, we celebrate the life and music of a composer who, despite facing struggles and setbacks, left behind an extraordinary body of work that continues to resonate across centuries.Without further ado, Franz Schubert's Piano Sonata No. 20 in A major, D. 959.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

主播｜李叔 嘉宾｜梅二 2024年的倒数第三天，原本要乘坐的航班因故取消，辗转飞往另外一座熟悉的南方城市，在飞机上完成了这期节目的剪辑。在距离节目播出还有两个小时的此刻，终于在一家庙宇对面的咖啡厅做完了配乐的工作。又是匆匆忙忙的一年，66次飞行，50条航线，40座机场，终点却指向了起点的原点。和世界依然有很多摩擦和冲撞，同时也多了一些理解与感悟。活得更加从容，渐渐不再是努力追寻的目的，而是旅途中忽隐忽现的风景。爱的继续爱，恨的继续恨，就这么继续走下去。每个人都抢了单程票，搭上了奔向末日的列车，也许后悔也有人跳车，吹在旅途上是风和日丽的挽歌。新年快乐。|Song List|01.老狼 - 北京的冬天02.蔡依林 - 说爱你03.夹子电动大乐队 - 转吧七彩霓虹灯04.伍佰 - 思念亲像一条河05.Imam Baildi-ΔΕΝ ΘΕΛΩ ΠΙA ΝA ΞAΝAΡΘΕΙΣ (REMIX)06.罗文 / 甄妮 - 铁血丹心07.童孔 / 张雨生 - 两个永恒08.The Cranberries - In the End09.反复攻击小明 - 社会不需要进步10.Nick Cave & the Bad Seeds - Idiot Prayer11.上原ひろみ / Anthony Jackson / Simon Phillips - Beethoven's Piano Sonata No. 8, Pathetique【收听平台】小宇宙｜喜马拉雅｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜酷我音乐｜酷狗音乐｜懒人听书｜微博音频｜三联中读｜听听FM｜猫耳FM｜Spotify｜YouTube｜关注我们｜移步点击日谈公园品牌官网（链接：https://www.ritanbbpark.com），了解更多微信公众号：日谈公园微博：@日谈公园小红书：日谈公园即刻：日谈李小日B站：日谈公园｜商务合作｜欢迎发送邮件至 bbpark@ritanbbpark.com

This Day in Legal History: Law of BurgosOn December 27, 1512, the Spanish Crown enacted the Laws of Burgos, marking one of the earliest attempts in European colonial history to regulate interactions between colonizers and indigenous peoples. These laws were implemented primarily in the Caribbean and aimed to address the mistreatment of indigenous populations following the Spanish conquests. They formalized the encomienda system, under which Spanish settlers were granted the right to indigenous labor in exchange for providing religious instruction and protection. The laws also sought to prevent outright abuse by prohibiting physical mistreatment and ensuring that indigenous people received basic sustenance and housing.The Laws of Burgos represented an acknowledgment of the moral and ethical issues raised by colonial expansion, partly influenced by the advocacy of figures like Dominican friar Antonio de Montesinos. However, their practical effectiveness was minimal. Enforcement mechanisms were weak, and colonial administrators often disregarded the rules. The encomienda system itself perpetuated exploitation, as it enabled settlers to maintain control over indigenous labor with little oversight.The laws mandated the conversion of indigenous peoples to Christianity, critics argue that this often served to further entrench colonial domination rather than protect cultural or spiritual rights. Over time, the failure of the Laws of Burgos to alleviate suffering led to further reforms, including the New Laws of 1542, which aimed to abolish the encomienda system altogether. The Laws of Burgos remain a significant moment in legal history for their attempt—however flawed—to impose moral constraints on imperial expansion.The Fifth Circuit Court of Appeals has reinstated a nationwide injunction against enforcing the Corporate Transparency Act (CTA), reversing a decision by a different panel of the same court just days earlier. The CTA, intended to combat money laundering, requires U.S. businesses formed before 2024 to disclose their beneficial owners by January 1, 2025. The law was challenged by Texas Top Cop Shop Inc., a firearms retailer, with representation from the Center for Individual Rights. A district court issued an injunction halting enforcement of the CTA on December 3.However, on December 23, the court's motions panel lifted the injunction, citing the government's strong likelihood of proving the CTA constitutional. This decision was overturned by a separate panel handling the case's merits, which reinstated the injunction to maintain the constitutional status quo until the appeal is fully resolved. The case, titled Texas Top Cop Shop v. Garland, underscores ongoing legal disputes over the balance between regulatory compliance and constitutional protections.If ever allowed to come into law, the CTA would mandate most U.S. entities, including corporations, LLCs, and similar structures, to report their beneficial owners—individuals who exercise substantial control or own at least 25% of the entity—to the Financial Crimes Enforcement Network (FinCEN). Exemptions apply to certain entities, such as large, publicly traded companies and those already subject to substantial federal oversight. The CTA's reporting requirements are designed to create a centralized registry of beneficial ownership information, accessible to law enforcement and regulatory agencies for investigative purposes. By implementing these measures, the CTA seeks to close gaps in corporate opacity and align U.S. practices with global anti-money laundering standards.Corporate Transparency Act Blocked by US Appeals Court AgainUS appeals court halts enforcement of anti-money laundering law | ReutersJudge Pauline Newman, the oldest active federal judge in the U.S., has accused the Federal Circuit of withholding documents related to her suspension to control the media narrative. In a filing with the U.S. Court of Appeals for the D.C. Circuit, Newman sought to unseal four documents she says highlight Chief Judge Kimberly Moore's and the Judicial Council's evolving demands for her medical records during their investigation into her fitness to serve. Newman argues that the documents, which include a gag order, do not contain sensitive information warranting secrecy and are critical to her due process claims. The Federal Circuit contends that sealing the documents is necessary to preserve fairness and protect broader procedural integrity, asserting that they will be released in due course. Newman, however, criticized the delays as unjustified, claiming they serve only to control public perception. She also alleged selective disclosures by the Judicial Council to favorably shape media coverage during the investigation. Represented by the New Civil Liberties Alliance, Newman continues to challenge her suspension, arguing that the D.C. Circuit has the authority to unseal the contested documents. The case underscores tensions over judicial transparency and due process rights.Newman Accuses Fed. Cir. of Concealing Files to Control MediaBioNTech has reached settlement agreements with the U.S. National Institutes of Health (NIH) and the University of Pennsylvania (Penn) over COVID-19 vaccine royalty disputes. The German company, partnered with Pfizer for vaccine production, will pay $791.5 million to the NIH and $467 million to Penn. Penn will dismiss its lawsuit, which alleged that BioNTech underpaid royalties for using mRNA technology developed by Nobel laureates at the university. Pfizer will reimburse BioNTech for portions of the payments: up to $170 million for Penn and $364.5 million for the NIH. The settlements include amendments to BioNTech's licensing agreements with both entities, committing to ongoing royalty payments as a low single-digit percentage of vaccine net sales. Additionally, they establish a framework for licensing the use of NIH and Penn patents in combination products. BioNTech stated that these settlements do not constitute an admission of liability.BioNTech enters settlement with US agency, UPenn over COVID vaccine royalties | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, one of the most celebrated composers of the Classical era, was a musical prodigy whose works remain timeless. Born in Salzburg in 1756, Mozart composed over 600 pieces, including symphonies, operas, chamber music, and sonatas, showcasing his unparalleled melodic genius and structural clarity. His works are renowned for their emotional depth and technical mastery, often blending elegance with playful innovation.Among his many compositions, the Piano Sonata No. 11 in A major, K. 331, holds a special place for its lyrical beauty. The first movement, Andante grazioso, is a theme with six variations that exemplifies Mozart's ingenuity in transforming a simple, graceful melody into a vibrant exploration of texture and expression. The movement's flowing lines and delicate ornamentation reflect Mozart's flair for creating music that is both technically demanding and deeply emotive.This sonata, likely composed around 1783, radiates a sense of intimacy and charm, making it a favorite in the piano repertoire. The Andante grazioso invites the listener into a world of serene elegance, embodying the Classical ideal of balance and refinement while hinting at the playful brilliance that defines much of Mozart's work. This week's closing theme reminds us of the enduring power of music to evoke beauty and joy through simplicity and artistry.Without further ado, Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

In this episode, we talk about how the backstory of Anne and Wentworth is presented without comedy, and yet is absolutely enjoyable. We then move on to the introduction of Mary, and why she is the way she is, the generational change we see in the Musgrove family, and the very unsympathetic portrayal of Dick Musgrove.The character we discuss is Lady Russell. In the historical section, Ellen talks about social precedence, and for popular culture Harriet has watched the 1972 Spanish television adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)George Eliot, Middlemarch(1872)Maria Edgeworth, The Good French Governess (1801)Charlotte M. Yonge, The Daisy Chain (1856)Ethel Turner, Seven Little Australians(1894)Historical discussion:Anthony Powell, The Acceptance World (1955)The Right Hon. the Countess of *******, Mixing in Society: A Complete Manual of Manners (1870)Debrett's Tables of PrecedencePopular culture discussion:TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTube: PlaylistCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about the publishing history of Persuasion, the precise dates we are given in the book, the fact that we learn very little about Anne in the first chapters, and how well Mr Shepherd is managing Sir Walter.The character we discuss is Sir Walter Elliot. In the historical section, Ellen talks about baronets, and for popular culture Harriet gives an overview of the screen adaptations of Persuasion, and then talks in more detail about the about the 1971 BBC adaptation.Things we mention:Historical discussion:John Debrett, The Baronetage of England, containing their Descent and Present State (1808)William Dugdale, The antient usage in bearing of such ensigns of honour as are commonly called arms (1682)Thomas Wotton, The English Baronetage : containing a genealogical and historical account of all the English baronets, now existing (1741)John Burke, A Genealogical and Heraldic History of the Landed Gentry (1838)Popular culture discussion:BBC, Persuasion (1960) – starring Daphne Slater and Paul DanemanBBC, Persuasion (1971) – starring Ann Firbank and Bryan MarshallWatch on YouTube: Part 1 and Part 2Stairs on the CobbTVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoBBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsClerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesNetflix, Persuasion (2022) – starring Dakota Johnson and Cosmo JarvisCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

This Day in Legal History: Sacco and Vanzetti are Executed On August 23, 1927, Italian immigrants Nicola Sacco and Bartolomeo Vanzetti were executed in the Massachusetts State Prison, marking the culmination of one of the most controversial trials in American history. The two men, both anarchists, had been convicted of a 1920 armed robbery and double murder in South Braintree, Massachusetts. However, their trial was widely criticized for being tainted by anti-immigrant and anti-radical sentiments, with many believing they were targeted more for their political beliefs than any clear evidence of guilt. Protests and demonstrations erupted around the world, calling for their release or a new trial.Despite the global outcry, the U.S. judicial system upheld their conviction, and they were sentenced to death. Sacco and Vanzetti's execution sparked widespread condemnation and became a symbol of the miscarriage of justice. Decades later, in 1977, Massachusetts Governor Michael Dukakis issued a proclamation officially exonerating Sacco and Vanzetti, acknowledging the unfairness of their trial and the lasting impact it had on civil liberties in the United States. Their case remains a powerful reminder of the dangers of prejudice and the importance of due process in the legal system.OpenAI has hired Idriss Kechida as its first global data protection officer, reflecting the company's growing focus on privacy amid its rapid expansion in generative AI. Kechida, previously the associate general counsel and chief privacy officer at Match Group, will oversee OpenAI's compliance with global privacy laws and collaborate closely with the company's privacy legal team, led by Emma Redmond. Kechida was drawn to OpenAI by the unique privacy challenges posed by AI technology. His role is part of a broader hiring spree at OpenAI, which has brought on more than a dozen lawyers recently, including high-profile recruits from companies like Google and Netflix, to address the increasing legal and regulatory scrutiny the company faces. This expanded legal team will tackle issues ranging from trust and safety protocols to lawsuits challenging OpenAI's business practices.OpenAI Swipes Match's Privacy Chief for New Data Protection RoleThe Eleventh Circuit Court of Appeals has blocked the Biden administration's rule extending Title IX protections to include gender identity and sexual orientation in schools receiving federal funding. This ruling reverses a previous decision by an Alabama judge that allowed the rule to take effect. The rule, adopted in April, faced opposition from over half of U.S. states, leading to multiple lawsuits. Alabama, Georgia, Florida, and South Carolina successfully appealed to the Eleventh Circuit after an initial failure to secure an injunction from the lower court. The appeals court argued that the rule significantly broadened the scope of Title IX beyond its original intent, potentially exceeding the Education Department's authority. The court cited the Supreme Court's definition of discrimination in *Davis v. Monroe County Board of Education*, which requires harassment to be severe, pervasive, and objectively offensive to qualify under Title IX. Judge Charles R. Wilson dissented, supporting the lower court's decision.Title IX Gender Identity Protections Blocked by Eleventh CircuitThe U.S. Supreme Court, in a 5-4 decision, has partially revived an Arizona law that requires proof of U.S. citizenship to register to vote. The ruling reinstates the provision that mandates documented proof for those using the state voter registration form, but leaves in place a lower court's block on similar requirements for the federal registration form. This decision comes after Arizona Republicans and the Republican National Committee requested the revival, following a federal judge's earlier block of the law due to challenges from the Biden administration and advocacy groups. The Supreme Court's ruling underscores ongoing debates over voting rights, especially in battleground states like Arizona.US Supreme Court partly revives Arizona's proof of citizenship voter law | ReutersIn my piece for Forbes on IRS data access and accountability, I highlight the challenges faced by the IRS in securing sensitive taxpayer information, given the vast number of employees and contractors with access. Traditional methods like rigorous vetting and background checks are not sufficient, as insider threats often come from those without prior misconduct. Instead of focusing solely on prevention through vetting, I argue that the IRS should prioritize making all data access traceable and creating formal, transparent avenues for reporting concerns.I propose that the IRS enhance its monitoring capabilities by using artificial intelligence to log and analyze every instance of data access. This would deter unauthorized access and help quickly identify the source of any breaches. Additionally, I suggest establishing an "Office of Public Integrity," a formal mechanism for employees and contractors to disclose information they believe is in the public interest. This office would provide a controlled, internal process for such disclosures, balancing transparency with the need to protect sensitive data. By implementing these measures, the IRS can improve data security and public trust.Bringing Leakers Into The Fold—IRS Data Access And AccountabilityThis week's closing theme is by Ludwig van Beethoven, a composer of some note.Ludwig van Beethoven, one of the most revered composers in classical music history, was born in 1770 in Bonn, Germany. His music bridged the Classical and Romantic eras, pushing the boundaries of composition and expression. Among his vast body of work, the Piano Sonata No. 16 in G Major, Op. 31, No. 1, composed in 1802, stands out as a prime example of his innovative style. This piece is part of a set of three sonatas (Op. 31) that Beethoven composed during a period of personal and artistic transformation. The first movement, Allegro vivace, is marked by its lively and playful character, reflecting Beethoven's desire to break away from the traditional sonata form and experiment with new ideas. The sonata was premiered on August 25th, 1802, offering audiences a glimpse into Beethoven's evolving musical vision. As this week's closing theme, the Allegro vivace offers a vibrant and energetic conclusion, embodying the spirit of Beethoven's creativity and the boldness that made him a giant in the world of music.Without further ado, Ludwig van Beethoven's Piano Sonata No. 16 in G Major, Op. 31, No. 1, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

This Day in Legal History: Dutch Low Countries Independence from SpainOn July 26, 1581, the Dutch Low Countries signed the Plakkaat van Verlatinghe, also known as the Act of Abjuration, formally declaring their independence from Spanish rule. This monumental document marked the culmination of a prolonged struggle against the oppressive policies of the Spanish Habsburgs, particularly under King Philip II. The Act of Abjuration justified the Dutch rebellion by asserting that a ruler who does not protect his subjects and instead oppresses them loses his legitimacy. The declaration was a pivotal moment in the Eighty Years' War (1568–1648), which ultimately led to the establishment of the Dutch Republic.The Act of Abjuration is often compared to the later Declaration of Independence of the United States, as both documents articulate the right of a people to overthrow an unjust ruler. The Dutch provinces, driven by the desire for religious freedom, economic independence, and political autonomy, took a bold step in severing ties with one of the most powerful empires of the time. The Plakkaat van Verlatinghe underscored the principle that sovereignty resides with the people, a concept that would influence political thought in Europe and beyond.By declaring their independence, the Dutch not only sought to free themselves from tyranny but also set a precedent for future nations seeking self-determination. The Act of Abjuration remains a significant milestone in the history of democracy and the fight for human rights. It symbolizes the enduring struggle for freedom and justice, themes that continue to resonate in contemporary political discourse.The California Supreme Court has upheld Proposition 22, allowing Uber, Lyft, and other gig economy companies to classify drivers as independent contractors. This unanimous decision supports the 2020 voter-approved law, preventing a significant shift in labor costs and maintaining the companies' current business models. Had the ruling gone against Prop 22, these companies would have faced increased costs and operational challenges in California, one of their largest markets.Following the ruling, shares of Uber, Lyft, DoorDash, and Instacart surged, though the gains later moderated. Justice Goodwin H. Liu stated that California's constitution does not prevent voters from passing initiatives affecting workers' compensation. He emphasized that this ruling does not bar future legislative decisions to extend workers' compensation benefits to independent contractors.Gig companies hailed the decision, emphasizing that it reflects the will of millions of Californians. However, labor advocates criticized the ruling, arguing it unfairly burdens gig workers by denying them essential protections like minimum wage, sick leave, and overtime pay. Advocates, including the plaintiff Hector Castellanos, renewed calls for unionization to combat these perceived inequities.The ruling is seen as a victory for gig economy companies but signals ongoing legal and legislative battles. States like Massachusetts, New York, Washington, and Minnesota have tackled gig worker classifications with varying strategies, indicating the complexity and ongoing nature of this issue.California Gig Workers to Remain Contractors, Prop 22 Upheld (2)Justice Elena Kagan has proposed that Chief Justice John Roberts appoint a panel of experienced and respected judges to enforce the US Supreme Court's newly adopted code of conduct. Speaking at a judicial conference in Sacramento, Kagan expressed trust in Roberts to establish such a committee. This suggestion comes amid controversy over reports of lavish gifts received by Justice Clarence Thomas, highlighting the need for an enforcement mechanism to accompany the recently adopted code of conduct.Kagan acknowledged the challenges in determining who should enforce ethics rules for the justices but emphasized the necessity of finding a solution. During her discussion at the US Court of Appeals for the Ninth Circuit's annual judicial conference, she also criticized the practice of justices writing multiple opinions in a single case. She argued that this complicates the work of lower courts and prevents the Supreme Court from providing clear guidance.Kagan specifically mentioned the court's fractured decision in United States v. Rahimi, where seven justices wrote separate opinions despite only one dissent. This case, which upheld a federal gun law related to domestic violence, illustrated divisions among the justices on interpreting firearm restrictions. Kagan's comments follow a term marked by several controversial Supreme Court decisions, including limiting federal regulatory power and providing immunity to former President Donald Trump for certain official acts.Elena Kagan Endorses High Court Ethics Enforcement Mechanism (1)Apple Inc. has agreed to adopt a set of voluntary artificial intelligence (AI) safeguards established by President Joe Biden's administration. These safeguards aim to guide the development of AI technology and encourage companies to protect consumers. Apple joins other tech giants like OpenAI Inc., Amazon.com Inc., Alphabet Inc., Meta Platforms Inc., and Microsoft Corp. in committing to test their AI systems for discriminatory tendencies, security flaws, and national security risks. The companies also pledge to share test results transparently with governments, civil society, and academia, and report any vulnerabilities.This commitment coincides with Apple's plan to integrate OpenAI's chatbot, ChatGPT, into its iPhone voice-command assistant. However, Elon Musk, CEO of Tesla Inc., has threatened to ban Apple devices from his companies if OpenAI's software is integrated at the operating system level, citing security concerns. Musk has his own AI startup, xAI, which has developed a chatbot named Grok.AI technology has become mainstream, but its use in areas like law enforcement, hiring, and housing has faced criticism for fostering discrimination. President Biden has emphasized the benefits of AI while also warning of its potential dangers, advocating for responsible industry practices. Although the White House guidelines are comprehensive, they are not enforceable, relying on companies to adhere to the standards voluntarily.In response to the challenges of regulating AI, Biden signed an executive order last year requiring powerful AI systems to undergo testing to be eligible for federal government purchase. He is set to receive an update on the implementation of this directive. Meanwhile, a bipartisan group of lawmakers in Congress has expressed interest in regulating AI, but legislation has not yet been prioritized.Apple to Adopt Voluntary AI Safeguards Established by BidenManhattan prosecutors argued that Donald Trump's conviction should stand despite a Supreme Court ruling that presidents cannot face criminal charges for official acts. In a recent court filing, prosecutors emphasized that the charges against Trump involved personal conduct, specifically the hush money payment to Stormy Daniels, and were unrelated to his presidential duties. Trump was convicted on 34 felony counts for falsifying business records to cover up the payment made by his lawyer, Michael Cohen, before the 2016 election. Trump denies the encounter and plans to appeal the verdict. Legal experts believe the request to overturn the conviction is unlikely to succeed as the conduct predates Trump's presidency. Trump's defense claimed the prosecution improperly used evidence of his official acts during the trial, including Twitter posts and testimonies from White House aides, but prosecutors argued these were related to personal matters. The judge, Juan Merchan, postponed sentencing to September 18 to allow Trump's lawyers to present their case. If the conviction is upheld, sentencing will proceed, and Trump can then appeal to a higher court.Trump hush money prosecutors say conviction should stand despite immunity ruling | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.Ludwig van Beethoven, one of the most revered composers in the history of Western music, was born in 1770 in Bonn, Germany. His innovative compositions bridged the Classical and Romantic eras, leaving an indelible mark on music that continues to inspire and move audiences worldwide. Despite becoming profoundly deaf in his later years, Beethoven's prolific output includes symphonies, concertos, string quartets, and piano sonatas, showcasing his genius and resilience.One of his most remarkable works is the Piano Sonata No. 32 in C minor, Op. 111, completed on July 28, 1822. This sonata is the last of Beethoven's 32 piano sonatas, representing the culmination of his explorations in the genre. The piece is notable for its profound depth, structural innovation, and emotional intensity, characteristics that reflect Beethoven's mature style.The sonata consists of two contrasting movements. The first movement, "Maestoso - Allegro Con Brio Ed Appassionato," opens with a dramatic, solemn introduction that sets the stage for the ensuing allegro. This section is marked by its passionate energy, dynamic contrasts, and intricate rhythms, driving forward with a relentless, almost fateful momentum. The movement's thematic material is both complex and expressive, embodying Beethoven's masterful ability to fuse technical brilliance with deep emotional expression.The "Maestoso - Allegro Con Brio Ed Appassionato" serves as a testament to Beethoven's ingenuity and his capacity to convey profound human experiences through music. It challenges the performer with its technical demands while offering listeners a rich, emotional journey. The sonata's significance lies not only in its technical mastery but also in its philosophical depth, inviting interpretations that delve into the realms of struggle, resolution, and transcendence.As we close our week of shows we invite you to immerse yourself in the powerful and evocative sounds of Beethoven's Piano Sonata No. 32 in C minor, Op. 111. Let the intensity and passion of the first movement, "Maestoso - Allegro Con Brio Ed Appassionato," carry you through its intricate and emotive landscapes. Enjoy this timeless piece and allow Beethoven's genius to resonate within you.Without first ado, the first movement of Beethoven's Piano Sonata No. 32 in C minor, Op. 111, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Day 20: Mary Jo Bang reads her poem “Mary Jo in the Time of Sappho.” We are honored to be the original publication of this poem. Mary Jo Bang is the author of nine books of poems—including A Film in Which I Play Everyone, which was nominated for a Lammy Award, A Doll for Throwing, and Elegy, which received the National Book Critics Circle Award. She has published translations of Dante's Inferno, illustrated by Henrik Drescher, and Purgatorio. Her translation of Paradiso is forthcoming from Graywolf Press in 2025. She is also the translator of Colonies of Paradise: Poems by Matthias Göritz and co-translator, with Yuki Tanaka, of A Kiss for the Absolute: Selected Poems of Shuzo Takiguchi, forthcoming in 2024 from the Princeton University Press Lockert Poetry in Translation Series. She teaches at Washington University in St. Louis. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 19: Armen Davoudian reads his poem “Saffron,” from his new collection The Palace of Forty Pillars, also published in The Atlantic (2024).  Armen Davoudian is the author of the poetry collection THE PALACE OF FORTY PILLARS (Tin House) and the translator, from Persian, of HOPSCOTCH by Fatemeh Shams (Ugly Duckling Presse). He grew up in Isfahan, Iran, and is a PhD candidate in English at Stanford University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 18: Esther Lin reads her poem "Praise the Scaffold in Rouen Cathedral.” We are honored to be the first publication of this poem.  Esther Lin was born in Rio de Janeiro, Brazil, and lived in the United States as an undocumented immigrant for 21 years. Her forthcoming book _Cold Thief Place_ is the winner of the 2023 Alice James Award. She has been a Writing Fellow at the Fine Arts Work Center, Provincetown and a Wallace Stegner Fellow at Stanford University. She co-organizes the Undocupoets, which promotes the work of undocumented poets and raises consciousness about the structural barriers that they face in the literary community.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Werner Hink, who for many years was a concertmaster of the Vienna Philharmonic, has died. Jay interviewed him some years ago and found him memorable. This episode ends with some playing by Hink (Bach). There is also some Schubert by Isaac Stern, whom Hink prized. There's a little Broadway, a little rap. A nice buffet of music. Mozart, Overture to “The Marriage of Figaro” Beethoven, Piano Sonata No. 27 in E minor, Op. 90, second movement Schubert, “Serenade” Rodgers-Sondheim, “Hate Song” from “The Mad Show” Prokofiev, March from “The Love for Three Oranges” Ginastera, Violin Concerto, final section C+C Music Factory, “Things That Make You Go Hmmm” Trad., “Shine You No More (Last Leaf)” Bach, Adagio from the Violin Sonata in G minor

Day 17:  Sebastian Merrill reads his poem “To My Ghost :: Float” from his book GHOST :: SEEDS (Texas Review Press, 2022).  Sebastian Merrill's debut collection GHOST :: SEEDS was selected by Kimiko Hahn as the winner of the 2022 X. J. Kennedy Poetry Prize, published by Texas Review Press in November 2023. A winner of the 2024 Stonewall Honor Book - Barbara Gittings Literature Award from the American Library Association, GHOST :: SEEDS was also selected by Ellen Doré Watson as the winner of the 2022 Levis Prize for Poetry from Friends of Writers. Sebastian's poetry has appeared in The Common, Four Way Review, Diode Poetry Journal, wildness, and elsewhere. He holds an MFA in Poetry from Warren Wilson College and a BA from Wellesley College.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 16: Matthew Gellman reads his poem “Beforelight,” originally published in Passages North, 2018.  Matthew Gellman is the author of a chapbook, Night Logic, which was selected by Denise Duhamel as the winner of Tupelo Press' 2021 Snowbound Chapbook Award. His first book, Beforelight, was selected by Tina Chang as the winner of the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions. Matthew has received awards and honors from the National Endowment for the Arts, Brooklyn Poets, the Adroit Journal's Djanikian Scholars Program, the Saltonstall Foundation for the Arts, the New York State Summer Writers Institute and the Academy of American Poets. His poems have appeared in Poetry Northwest, Gulf Coast, Narrative, The Common, the Missouri Review, Indiana Review, Ninth Letter, Lambda Literary's Poetry Spotlight, and other publications. He lives in New York, where he teaches at Hunter College and Fordham University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 15: Cindy Juyoung Ok reads her poem “Claim.” They originally published the poem in Conjunctions Issue 75 (Fall 2020).  Cindy Juyoung Ok is the author of Ward Toward from the Yale Series of Younger Poets and an assistant English professor at the University of California Davis.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 14: Yinlin Zhao reads its poem “The Mpreg Poem.” We are honored to be the poem's first publication. Yinlin Zhao (he/it/go for it, truly) is a writer/student out on the East Coast and on the world wide web. All the stuff it makes is probably about robots, bugs, or a secret third thing. His work has been published in warning lines literary, Hominum Journal, The Dawn Review, and antinarrative, and has been recognized by Scholastic. Its website, which has a bunch of his creations, is https://braveyoungcowboys.neocities.org/ Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 13: Séamus Isaac Fey reads his poem “Edwin says I deserve to be loved with precision” which appears in their new collection decompose (Not a Cult Media, 2024).  Séamus Isaac Fey (he/they) is a Trans writer living in LA. Currently, he is the poetry editor at Hooligan Magazine, and co creative director at Rock Pocket Productions. His debut poetry collection, decompose, is out with Not a Cult Media. His work has appeared in American Poetry Review, Poet Lore, The Offing, Sonora Review, and others. He loves to beat his friends at Mario Party. Find him online @sfeycreates. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 12: Fatimah Asghar reads their poem “The Ocean is Trynna Fuck,” originally published in the American Poetry Review, 2023.  Fatimah Asghar is an artist who spans across different genres and themes. They have been featured in various outlets such as TIME, NPR, Teen Vogue and the Forbes 30 Under 30 List. They are the author of If They Come For Us  and When We Were Sister, which was longlisted for the National Book Award and won the Carol Shield's Prize. Along with Safia Elhillo they co-edited an anthology for Muslim people who are also women, trans, gender non-conforming, and/ or queer, Halal If You Hear Me. They are the writer and co-creator of the Emmy-nominated Brown Girls, and wrote and directed the short films Got Game and Retrieval. They are also a writer and co-producer on Ms. Marvel on Disney +, and wrote Episode 5, Time and Again, which was listed as one of the best TV episodes of 2022 in the New York Times and Hollywood Reporter.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 11: Joshua Garcia reads “Epistle (Deluge)” which first appeared in New South and appears in his new collection Pentimento. Joshua Garcia is the author of Pentimento (Black Lawrence Press 2024). His poetry has appeared in Ecotone, The Georgia Review, Passages North, Ploughshares, and elsewhere. He holds an MFA from the College of Charleston and has received a Stadler Fellowship from Bucknell University and an Emerge—Surface—Be Fellowship from The Poetry Project. He lives and writes in Brooklyn, New York. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 10: p. hodges adams reads their poem “pêche d'enfer,” originally published in the New Orleans Review, 2022.  p. hodges adams is a michigander poet who received their MFA in creative writing from the university of virginia, where they currently teach as a lecturer. their work can be found in cutbank, fourteen poems, december magazine, and elsewhere. hopefully they will turn into a beam of sunlight someday soon. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 9: Jimin Seo reads his poem “Richard Wakes Up in The Middle of The Night” forthcoming from his book OSSIA (Changes, 2024).  Jimin Seo was born in Seoul, and immigrated to the US to join his family at the age of eight. He is the author of OSSIA, a winner of The Changes Book Prize. His poems can be found in Action Fokus, The Canary, annulet, Pleiades, mercury firs, and The Bronx Museum. His most recent projects were Poems of Consumption with H. Sinno at the Barbican Centre in London, and a site activation for salazarsequeromedina's Open Pavilion at the 4th Seoul Biennale of Architecture and Urbanism. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 8: Amelia Ada reads an excerpt from her collection Hard and Glad, forthcoming from DOPAMINE/Semiotext(e) May 2026.  Amelia Ada is a trans poet and essayist, and she is currently a doctoral candidate in literature and creative writing at the University of Southern California. Her writing has appeared widely in journals, and she is the co-creator and co-host of the podcast You Shouldn't Let Poets Lie To You. She lives in Los Angeles. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 7: Mark Wunderlich reads his poem “No Horse.” We are honored to be the first publisher of this poem.  Mark Wunderlich is the author of four collections of poems, the most recent of which is God of Nothingness published by Graywolf Press.  His other collections include The Earth Avails, winner of the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award.  He has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Amy Lowell Trust, Civitella Ranieri Foundation, and the Wallace Stegner program at Stanford University.  He serves as Executive Director of the Bennington Writing Seminars graduate writing program, and chairs the Writing Committee at the Fine Arts Work Center in Provincetown.  He lives near Catskill, New York.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 6: Angel Nafis reads her poem “Why R&B First Thing in the Morning, Why R&B Above All,” originally published on The Rumpus in 2015.  Born in Chicago, Illinois and raised in Ann Arbor, Michigan, Angel Nafis is a writer and the author of BlackGirl Mansion (Red Beard Press/ New School Poetics, 2012). She earned her BA at Hunter College and her MFA in poetry at Warren Wilson College. Her work has appeared in The Academy of American Poets' Poem-a-day, BLACK FUTURES, The Rumpus, Poetry Magazine, Buzzfeed Reader and elsewhere. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 5: Gabrielle Bates reads her poem “Intro to Theater,” which appears in her collection Judas Goat (Tin House, 2023) [and an an earlier version of it appeared in Ploughshares].  Gabrielle Bates is the author of Judas Goat (Tin House, 2023), named Electric Lit's top poetry book of the year and an NPR Best Book of 2023. Originally from Birmingham, Alabama, she currently lives in Seattle, where she works for Open Books: A Poem Emporium and co-hosts the podcast The Poet Salon. Website: www.gabriellebat.es  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 4: Richard Siken reads his new poem Cover Story, originally published in Pithead Chapel, which will appear in his forthcoming book I Do Know Some Things (Copper Canyon Press, 2025).  Richard Siken is a poet, painter, and filmmaker. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (forthcoming, Copper Canyon Press, 2025). Siken is a recipient of a Pushcart Prize, two Lannan Fellowships, two Arizona Commission on the Arts grants, and a fellowship from the National Endowment for the Arts. He lives in Tucson, Arizona. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. 

Day 3: Leslie Sainz reads her poem “At the Center of the Story & Utterly Left Out”, originally published in The Common (2023).  Leslie Sainz is the author of Have You Been Long Enough at Table (Tin House, 2023), a finalist for the 2024 Audre Lorde Award. The daughter of Cuban exiles, her work has appeared in the Academy of American Poets' Poem-a-Day, the Yale Review, Kenyon Review, American Poetry Review, and elsewhere. A three-time National Poetry Series finalist, she's received fellowships from the National Endowment for the Arts, CantoMundo, and the Stadler Center for Poetry & Literary Arts at Bucknell University. Originally from Miami, she lives in Vermont and works as the managing editor of New England Review. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 2: Eduardo C. Corral read the title poem of his 2020 collection Guillotine (Graywolf Press).  Eduardo C. Corral is the son of Mexican immigrants. He's the author of Guillotine, published by Graywolf Press, and Slow Lightning, which won the 2011 Yale Series of Younger Poets competition. He's the recipient of a Guggenheim Fellowship, a Lannan Foundation Literary Fellowship, a Whiting Writers' Award, a National Endowment for the Arts Fellowship, and a Hodder Fellowship from Princeton University. He teaches in the MFA program at North Carolina State University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 1: jason b. crawford reads their poem “Untitled 1975-86.” We are honored to be the first publication of this poem. jason b. crawford is a writer born in Washington DC, raised in Lansing, MI. Their debut Full-Length Year of the Unicorn Kidz is out from Sundress Publications. They are a 2023 Lambda Literary Emerging LGBTQ Voices fellow. Their second collection, YEET! is forthcoming from Omnidawn Publishing in 2025.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

DescriptionThe Enchanting Creation of Beethoven's Moonlight Sonata in 60 seconds. Take a minute to get the scoop!Fun FactBeethoven's "Moonlight Sonata," formally known as "Piano Sonata No. 14 in C-sharp minor 'Quasi una fantasia,' Op. 27, No. 2," was not performed publicly during Beethoven's lifetime. It was composed in 1801 and published in 1802, dedicated to his pupil Countess Giulietta Guicciardi. The piece gained popularity posthumously through various performances and publications.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Queer Poem-a-Day is a unique podcast series for Pride Month, presenting a public archive of poems written and read by contemporary LGBTQIA+ poets. For this fourth year, we are sharing a poem each weekday in June on our podcast and on our website. Enjoy this audio trailer featuring a collage of some of our voices for 2024. Get episodes of poets reading their poems each weekday starting Monday, June 3, 2024 on the Deerfield Public Library Podcast feed—where we also host interviews with authors of all genres and other notable people from Chicagoland and around the world. Listen on Apple Podcasts, Spotify, or anywhere you get podcasts. We invite you to check out our archives from year one, year two, and year three's “Lineage Edition” (or scroll down in the feed!) Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C Sharp Minor by Ethel Smyth, performed by pianist Daniel Baer.  We are once again grateful to have received generous support from both the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  

This Day in Legal History: WIPO EstablishedOn April 26, 1970, a significant advancement in the protection and management of intellectual property took place with the establishment of the World Intellectual Property Organization (WIPO). This marked the enforcement of the Convention Establishing WIPO, making it one of the specialized agencies under the United Nations focused on intellectual property (IP) issues. WIPO's primary mission is to promote and protect intellectual property across different countries by fostering international cooperation. As of now, 184 countries are signatories to the convention, showcasing a global commitment to the principles laid out by WIPO.WIPO plays a crucial role in the development of a balanced and accessible international IP system, which benefits both creators and the public, thereby contributing to economic, social, and cultural development worldwide. The organization administers 26 international treaties, including the Paris Convention for the Protection of Industrial Property and the Berne Convention for the Protection of Literary and Artistic Works. These treaties serve as the backbone for international IP law, standardizing the protection of IP across borders and promoting creative activity globally.WIPO also assists countries in developing their IP strategies and provides a platform for dispute resolution concerning IP. Through its various programs, WIPO enhances the ability of countries to utilize IP for economic development. Additionally, WIPO's efforts include tackling the challenges of IP in relation to new technologies, which continually reshape the boundaries of law and creativity.The creation of WIPO in 1970 was a response to the growing significance of intellectual property in the age of technological and artistic innovation, recognizing the need for a systematic approach to IP issues that transcended national borders. Today, WIPO continues to evolve as it addresses emerging issues in intellectual property influenced by the digital age and globalization, underscoring its ongoing relevance in international legal and economic landscapes.The Supreme Court is currently deliberating on Donald Trump's assertion of immunity from prosecution regarding charges that he illegally tried to remain in power. During a hearing, there was notable skepticism from the justices towards Trump's broad claims of immunity relating to his efforts to overturn the election results of 2020. Chief Justice John Roberts suggested possibly remanding the case back to lower courts for a more detailed examination of the allegations, indicating that the appeals court had not sufficiently scrutinized the specifics of the actions and documents in question.Justice Brett Kavanaugh expressed concerns about the potential long-term implications of making presidents vulnerable to prosecution for their official acts, fearing it could cyclically affect future presidents. Meanwhile, the liberal justices questioned the absence of constitutional immunity for presidents, highlighting the risk of a president acting without fear of legal consequences. Justice Amy Coney Barrett also challenged the idea that former presidents could only be prosecuted post-impeachment.The case underscores the urgency from Special Counsel Jack Smith, who is pressed by time constraints to try Trump before the upcoming election, given that a trial and subsequent conviction could adversely affect Trump's electoral prospects. Trump, facing multiple prosecutions, has argued for absolute immunity for actions taken while in office, which include his conduct leading up to and on January 6th.There are fundamental questions that must be addressed about the scope of presidential power and its limits, which are central to the case's legal and constitutional stakes.Supreme Court Wary of Trump Immunity But May Keep Trial on HoldThe Biden administration's Medicare Drug Price Negotiation Program, a key component of the Inflation Reduction Act aimed at reducing the costs of certain Medicare Part D drugs by 2026, has attracted significant legal attention. Numerous former government officials, scholars, and patient advocacy groups have filed amicus briefs supporting the administration in response to legal challenges from the pharmaceutical industry, which contests the constitutionality of the program.These challenges involve several constitutional claims by the pharmaceutical companies, including violations of compelled speech under the First Amendment, the takings clause and due process under the Fifth Amendment, and excessive fines under the Eighth Amendment. The industry argues that the program unlawfully compels them to sell their products at government-dictated prices without just compensation.However, a notable decision by Chief Judge Colm F. Connolly dismissed AstraZeneca's due process claims, asserting that the manufacturer did not have a constitutional property interest jeopardized by the program. This decision aligns with several key legal precedents cited in various amicus briefs that reinforce the government's position.The case also touches on broader implications for governmental regulatory powers and the limits of constitutional protections for businesses under economic regulation frameworks. Legal experts and scholars have argued that the claims raised by the pharmaceutical industry stretch constitutional interpretations to protect against price negotiation practices that have been historically upheld as constitutional.The legal battle also involves a debate over the First Amendment, with the government asserting that the program does not compel speech from drug manufacturers. Judges and legal experts have scrutinized these claims, emphasizing the potential impact of accepting such an interpretation on a wide range of regulatory activities.While the majority of amicus briefs support the government, a few filed on behalf of the pharmaceutical industry focus on concerns about stifling drug innovation and the severe financial penalties imposed for non-compliance with the program's pricing mandates.The ongoing legal proceedings at the district court level, though less common for amicus filings than higher courts, play a crucial role in shaping the preliminary legal landscape before potentially reaching the Supreme Court. The involvement of high-level legal expertise in the form of amicus briefs underscores the significant stakes and complex legal issues at play, reflecting the profound implications of the outcome on the healthcare sector and regulatory practices.Wave of Amicus Briefs Back Drug Price Plan at Trial Court StageThe EPA's recent final rule under the Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA), commonly known as the Superfund law, designates two PFAS chemicals—perfluorooctanoic acid (PFOA) and perfluorooctane sulfonic acid (PFOS)—as hazardous substances. This designation is expected to significantly impact companies responsible for contaminated sites, potentially leading to the reevaluation and cleanup of sites previously considered resolved.The rule aims to address sites contaminated with PFOA and PFOS, which are part of a group of chemicals known as "forever chemicals" due to their persistence in the environment. Currently, only a small fraction of National Priorities List (NPL) sites have been identified as contaminated with these substances, but this number is expected to rise as more comprehensive testing is implemented. The EPA's action follows increasing evidence of the health risks associated with high concentrations of these chemicals, including potential links to cancer and other serious health issues.Companies and other entities responsible for releases of these chemicals will face new reporting requirements if they release one pound or more of PFOA or PFOS within a 24-hour period. These reports will contribute to the Toxics Release Inventory and are part of broader efforts to increase transparency and regulatory oversight regarding PFAS releases into the environment.The designation of PFOA and PFOS as hazardous substances under CERCLA is likely to lead to significant legal and financial implications for responsible parties due to the costly nature of cleanup efforts and potential litigation. Moreover, the rule's implications extend beyond immediate cleanup efforts, potentially impacting water utilities and prompting them to seek remediation and accountability from polluters as stricter limits on PFAS in tap water are set to take effect.This regulatory change reflects a growing recognition of the serious environmental and health impacts of PFAS chemicals, and it aligns with broader environmental justice efforts to address pollution exposure disparities among racial, ethnic, and socioeconomic groups. The long-term challenges of managing PFAS contamination will involve complex legal, environmental, and public health considerations, particularly as affected communities and regulatory agencies navigate the implications of these pervasive pollutants.New PFAS Designation Expected to Spark Rise in Superfund SitesHarvey Weinstein's 2020 conviction for sexual assault and rape was overturned by New York's highest court on April 25, 2024. The court, in a closely contested 4-3 decision, cited critical errors by the trial judge, particularly in allowing testimony about alleged assaults that were not directly related to the charges Weinstein faced. This decision has reignited discussions about the challenges in prosecuting powerful figures and has been met with dismay by many, including actress Ashley Judd, who viewed it as an institutional betrayal.The Manhattan District Attorney's office, led by Alvin Bragg, has indicated plans to retry the case, underscoring their ongoing commitment to addressing sexual assault. The overturned conviction, which had been a significant victory for the #MeToo movement, involved allegations by Miriam Haley and Jessica Mann that dated back to 2006 and 2013, respectively.Weinstein's legal team celebrated the decision as a triumph for justice, noting Weinstein's relief and resilience despite his ongoing incarceration. He remains imprisoned on a separate 16-year sentence in California for similar charges, which stands unaffected by the New York ruling.This case has had broad implications, influencing legislation and public awareness about sexual misconduct. New York, among other states, has passed laws allowing civil lawsuits for sexual misconduct outside the typical statutes of limitations, reflecting a legislative response to #MeToo. The case's developments continue to be closely watched, with potential impacts on both legal precedents and societal norms concerning accountability for sexual violence.Harvey Weinstein's rape conviction is overturned by top New York court | ReutersThe defamation lawsuit filed by Jack and Leslie Flynn against CNN, which involved claims of being wrongfully associated with the QAnon conspiracy theory, has been dismissed by a judge. The case revolved around a CNN segment that showed the Flynns at a barbecue raising their hands while Michael Flynn, the former National Security Advisor, recited a phrase linked to QAnon. The Flynns argued that this portrayal falsely labeled them as QAnon followers, which they considered defamatory.CNN countered that the phrase "where we go one, we go all" used by Michael Flynn during the event is widely recognized as associated with QAnon, and that the Flynns were visible participants in the event. The court, upon review, determined that the term "QAnon followers" as used in the context of the CNN segment is a non-defamatory opinion, not a statement of fact. The judge ruled that opinions, especially when based on disclosed, non-defamatory facts, do not constitute defamation.Furthermore, the court highlighted that the portrayal of the Flynns in the segment was based on their actual appearance and participation in an event alongside Michael Flynn, which is not disputed by the Flynns. The dismissal reflects judicial recognition of the challenges in proving defamation when the statements in question are based on interpreted opinions rather than explicit facts. The decision underscores the importance of context in defamation cases, particularly when public figures and political movements are involved. This case also reflects ongoing legal debates about the limits of free speech and the scope of media responsibility in reporting on controversial public figures and events.Flynn Family's SLAPP Suit Against CNN Slapped Down By Judge | TechdirtThis week's closing theme is by Ludwig van Beethoven.For this week's closing piece of classical music, where we will once again delve into the towering genius of Ludwig van Beethoven and his monumental Piano Sonata No. 29 in B-flat major, Op. 106, known as the "Hammerklavier." Composed in 1819, the "Hammerklavier" Sonata stands as one of the pinnacles of Beethoven's creative output and showcases his profound depth in musical structure and expressive range.This sonata is particularly renowned for its technical difficulty and ambitious scope, pushing the boundaries of the piano sonata form of the time. Beethoven's late period, during which he composed the "Hammerklavier," is marked by an increased use of complex structures and an exploration of new musical ideas, and this sonata is a testament to his innovative spirit.This week, we will focus specifically on the second movement of this sonata, the Scherzo: Assai vivace. In stark contrast to the grandiose and deeply serious first movement, the Scherzo bursts with energy and playfulness. Its rapid tempo and lively rhythms present a dazzling display of technical prowess and artistic flair. This movement is a brilliant example of Beethoven's ability to juxtapose contrasting moods within a single piece, providing a refreshing and exhilarating counterpart to the sonata's more introspective segments.The Scherzo is structured around a lively theme that leaps and dances across the keyboard, filled with syncopated rhythms and sudden dynamic changes that challenge even the most skilled pianists. It embodies a sense of joy and almost mischievous playfulness, showcasing Beethoven's mastery in transforming musical ideas into a vivid emotional narrative.As we close this week's episode with the Scherzo from Beethoven's "Hammerklavier" Sonata, let the vivacity and brilliance of this music inspire you. It serves not only as a showcase of Beethoven's technical mastery but also his undiminished spirit and the enduring power of his music to evoke a wide range of profound emotions. Enjoy the spirited journey through one of the most challenging yet rewarding pieces in the piano repertoire.Without further ado, Beethoven's Piano Sonata no. 29 “Hammerklavier”, Op. 106 - II. Scherzo - Assai vivace. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

In this episode, we are joined by Harriet's partner, Michael, and read chapters 46 to 50 of Emma. We talk about Emma's emotional roller coaster, reactions to the Frank-Jane revelation, the proposal scene and Emma's commitment to her father.The character we discuss is Frank Churchill, and then Michael talks about the changing lifestyle of Regency gentleman. In the popular culture section, Harriet talks about three books that are modernised versions of Emma.Things we mention:Character discussion: Serene, The Piano Scene: through Jane's eyes (11 December 2023) – and some other posts about EmmaPopular culture discussion:Alexander McCall Smith, Emma: A modern retelling (2014)Sonali Dev, The Emma Project(2022)Audrey Bellezza and Emily Harding, Emma of 83rd Street(2023)Mäda Primavesi by Gustav KlimtCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Donald Macleod follows Mozart and his family on an ambitious European adventure.When Wolfgang Amadeus Mozart was just seven years old, he and his family set out on an epic journey. Their goal: to travel through Europe and become famous; bringing their awesomely talented children to concert halls, homes and royal palaces across Germany, Belgium, France, Britain, the Netherlands and Switzerland. At the start of their trip, young Wolfgang could already perform and improvise better than most adults. By the time they returned home, three and a half years later, he'd grown into a fully-fledged composer of sonatas, symphonies and arias. This week, Donald Macleod accompanies the Mozart family on their musical marathon and invites us to follow their many scrapes and adventures.Music Featured:Allegro in F major, K 1c Exsultate, jubilate, K 165, 1. Exsultate, jubilate Quartet for Oboe, Violin, Viola and Cello in F Major, K 370 Misericordias Domini in D Minor, K 222 Violin Concerto No 4 in D major, K 218 Symphony in C, K 208/102, (1st mvt) Allegro in C Major, K 6 Piano Concerto No 17 in G major, K 453 (2nd mvt) Mass in C, K 317 'Coronation Mass' (Credo & Agnus Dei) Violin Sonata No 1 in C Major, K 6 Sonata No 14, K 29 (1st mvt) Divertimento in F, K 138 Va, dal furor portata, K 21 Symphony No 1 in E flat major, K 16 Flute Sonata in C major, K 14 Violin Sonata No 8 in F major, K 13 (1st mvt) String Quartet No. 3 in G major, K 156 (2nd mvt) Sonata for Piano duet in C major, K 521 (2nd & 3rd mvts) Symphony No 4 in D major, K 19 Mass in C minor, K 427 'Great': (VI Qui tollis; VII Quoniam; VIII Jesu Christe) Symphony No 7a in G, K Anh 221 (K45a) 'Alte Lambacher': (3rd mvt) Gallimathias musicum K 32 (excerpts) Piano Sonata No 16 in C, K 545 Violin Sonata in C, K 28 Symphony No 5 in B flat, K 22 Clarinet Concerto in A, K 622 (2nd & 3rd mvts)Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mozart's Grand Tour https://www.bbc.co.uk/programmes/m001xmlrAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

SynopsisIn recounting the life story of many composers, it's a familiar and perhaps romantic cliché that their work will be — as a matter of course — not appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences.In reality, we're happy to report, that isn't always the case.Consider, for example, American composer Lowell Liebermann, who was born in New York on today's date in 1961. When he was 16, his Piano Sonata No. 1 premiered at Carnegie Hall, resulting in a number of prizes and awards. By his 30s, Liebermann was being commissioned and championed by some of the leading performers of our time.For James Galway, Liebermann composed a flute concerto, and Liebermann's two-act opera The Picture of Dorian Gray was the first work the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February 2000, and, in a symbolic millennium gesture, simulcast their performance on the new-fangled worldwide web.Music Played in Today's ProgramLowell Liebermann (b. 1961) Flute Concerto; James Galway, flute; London Mozart Players; Lowell Liebermann, cond. BMG 63235Symphony No. 2; Dallas Symphony and Chorus; Andrew Litton, cond. Delos 3256

SynopsisOn today's date in 1939, pianist John Kirkpatrick gave a recital at Town Hall in New York City that included the New York premiere of the Concord Sonata, by American composer Charles Ives.Ives had self-published his Concord Sonata some 20 years earlier and sent copies of it free to anyone he thought might be interested, including then-prominent composer and teacher Rubin Goldmark, who, in 1921, was giving composition lessons to young Aaron Copland. Copland recalled seeing the Concord Sonata on Goldmark's piano but was not allowed to borrow it. “You stay away from it,” Goldmark warned him. “I don't want you to be contaminated by stuff like that.”In 1934, Kirkpatrick saw a copy of the Concord Sonata in Paris and wrote Ives: “I have decided quite resolutely to learn the whole sonata.” It would take him five years, but Kirkpatrick's Town Hall recital would put both him and Ives on the map.A New York Times critic wrote, “This sonata is exceptionally great music — it is, indeed, the greatest music composed by an American, and the most deeply felt and essential. ... Kirkpatrick's performance was that of a poet and a master, an unobtrusive minister of genius.”Music Played in Today's ProgramCharles Ives (1874-1954) Piano Sonata No. 2 (Concord, Mass., 1840-1860) Marc-André Hamelin, piano New World 378

We're going to focus on Piano Sonata No. 24 in F# Major, Op. 78, and Piano Sonata No. 25 in G Major, Op 79, but we'll also take a quick look at the two piano sonatinas of Op. 49. 

In this episode, we read chapters 37 to 41 of Emma. We talk about the parallel narratives, the ball at the Crown, Emma's awareness of Mr Knightley, the section from Mr Knightley's point of view and the tension between Jane and Frank.The character we discuss is Mr Knightley, and in the historical section Ellen talks about poverty and the labouring classes. In the popular culture section, Harriet talks about the 2017 YouTube series The Emma Agenda.Things we mention:General and character discussion:Pod and Prejudice podcastTea with Cassiane YouTube videos about Regency dancingSomerset MaughamHistorical discussion:The Speenhamland systemAnthony Trollope, The Warden (1855)Robert RaikesHannah MorePopular culture discussion:Main version considered:YouTube, Quip Modest Productions, The Emma Agenda (2017) – starring Selis Maria Vargas and Angela Wong CarboneOther referencesYouTube, Pemberley Digital, Emma Approved (2013) – starring Joanna Sotomura and Brent BaileyITV, Emma (1996) – starring Kate Beckinsale and Mark StrongWorking Title Films, Emma (2020) – starring Anya Taylor-Joy and Johnny FlynnCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

For the first time, four classic Prokofiev recordings by towering virtuoso Sviatoslav Richter are available, newly remastered by Paul Arden-Taylor.TracksPiano Sonata No. 2 in D Minor, Op. 14 I. Allegro ma non troppo (6:13) II. Scherzo: Allegro marcato (1:47) III. Andante (4:58) IV. Vivace – Moderato – Vivace (4:17) Piano Sonata No. 9 in C Major, Op. 103 I. Allegretto (7:38) II. Allegro strepitozo (2:54) III. Andante tranquillo (8:28) IV. Allegro con brio ma non troppo presto (5:19) Piano Concerto No. 1 in D-Flat Major, Op. 10 I. Allegro brioso (6:32) II. Andante assai (3:27) III. Allegro scherzando (4:02) Piano Concerto No. 5 in G Major, Op. 55 I. Allegro con brio (5:03) II. Moderato ben accentuato (4:01) III. Toccata (1:54) IV. Larghetto (6:42) V. Vivo (5:04) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

SOMM RECORDINGS is delighted to announce the return of pianist Peter Donohoe to the label following his acclaimed complete survey of Mozart's Piano Sonatas with a dazzling new recital coupling Rachmaninoff – on the 150th anniversary of his birth in 1873 – and Chopin.“Rachmaninoff is unimaginable without Chopin,” asserts Russian music expert Marina Frolova-Walker in authoritative booklet notes that point to Rachmaninoff's long engagement with Chopin's music in the concert hall and recording studio.TracksSergei RachmaninoffVariations on a Theme of Chopin, Op. 22 (28:57) Theme, Variations 1-10 (6:29) Variations 11-14 (6:33) Variations 15-18 (5:03) Variations 19-21 (5:01) Variation 22 (5:48) Frédéric ChopinPiano Sonata No. 2 in B-Flat Minor, Op. 35 (25:31) I. Grave – Doppio movimento (8:19) II. Scherzo (6:35) III. Marche funèbre: Lento (8:53) IV. Finale: Presto (1:43) Piano Sonata No. 3 in B Minor, Op. 58 (26:56) I. Allegro maestoso (9:29) II. Scherzo: Molto vivace (2:36) III. Largo (9:22) IV. Finale: Presto non tanto (5:27) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Twelve princes are banished from the land by an angry sorceress. When their sister discovers about their plight, she sets out into the forest to break the spell and bring them home. The music in this episode is from Mozart's Piano Sonata No.10 in C major. Join our Patreon! See omnystudio.com/listener for privacy information.