Podcasts about piano sonata no

To mark Eric Lu's first prize victory in the 19th Warsaw International Chopin Competition, I'm offering a rebroadcast of my episode about the pianist's July 2nd 2022 recital in Leipzig, which included Chopin's Piano Sonata No. 2 – here's a link to listen:https://archive.org/details/3_20240904_20240904_1534 And here's a link to purchase his Warner solo debut CD –https://www.prestomusic.com/classical/products/8732850--chopin-preludes-op-28-schumann-ghost-variationsConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/..., which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Author Ian Johnson talks about how he returned to China in 2009 to write his books ‘The Souls of China' and ‘Sparks,' which both deal with China's search for meaning.About Peking HotelThe Peking Hotel podcast and newsletter are digital publications in which Liu He interviews China specialists about their first-hand experiences and observations from decades past. The project grew out of Liu's research at Hoover Institution collecting oral history of China experts living in the U.S. Their stories are a reminder of what China used to be and what it is capable of becoming.Podcast music Piano Sonata No. 1 in F Minor, Op. 2, Artlist Classics, Ludwig van Beethoven, Raviv Leibzirer, Artlist Original Music Get full access to Peking Hotel at pekinghotel.substack.com/subscribe

ReferencesCurrent Problems in Surgery 2025. Volume 68, July . 101768Stroke: Vascular and Interventional Neurology 2022 Volume 3, Number 2Guerra, DJ. 2025. Unpublished Lectures Simon, P. 1966. Leaves That Are Green. S&G.https://music.youtube.com/watch?v=OTlpdCPrx14&si=xcqpbcW8tNGWZGSxNorth and Zaret. 1965. Unchained Melody. Righteous Brothershttps://music.youtube.com/watch?v=te51eVrFWEc&si=n3MsJJ7oZ1uShcgGLightfoot, G. 1975. Don Quixotehttps://music.youtube.com/watch?v=LJB0nCv0qxk&si=0iootaOq9zbdCXy6Beethoven, LV, 1805. Piano Sonata No. 23 in F minor, Op. 57 "The Appassionata"https://music.youtube.com/watch?v=E5JObP74jcw&si=fZxyvFQuEOY-Q-Dm

In this episode, we talk about private communications in public spaces, Wentworth's possible feelings in the encounter at Mollands and in the Assembly Room, the question of whether Lady Russell was legitimately trying to identify a set of curtains, and Anne's feelings towards Mr Elliot.The character we discuss is Elizabeth Elliot. In the historical section, Michael talks about the Bath Assembly Rooms, and for popular culture Harriet discusses the 2023 independent film Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Historical discussion:Blackadder the Third (1987)YouTube video: Dr Timothy Moore, ‘Change & Challenge: The History of Bath's Assembly Rooms‘, Bath Royal Literary and Scientific Institution, 30 July 2024Assembly Rooms floorplan (Source: http://www.victoriahinshaw.com/victorias-vibes—-a-blog/archives/05-2019)Popular culture discussion:Persuasion (2023, Agatha Films) – starring Skylar Pierce and Dan BrownCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In the second half of a special two part conversation, conductor Devin Patrick Hughes speaks with broadcaster and author John Suchet in Part 2 of a special two-part One Symphony series on Beethoven, based on Suchet's new book In Search of Beethoven: A Personal Journey. This episode explores Beethoven's life in Vienna — his patrons, performance venues, and independence as a composer. We also dive into his personal struggles, including his court battle for custody of his nephew Karl and his gradual onset of deafness, described as the “worst fate for a musician.” Through it all, Beethoven's music speaks of resilience and triumph. Suchet reminds us: “If I can overcome what I had, the worst fate that can befall a musician, you too can overcome.” Featured Music Includes: Wolfgang Amadeus Mozart Piano Concerto No 22 in E-flat Major, K. 482 I. Allegro. Performed by the English Chamber Orchestra featuring Murray Perahia on piano. Ludwig van Beethoven composed the rest of the featured music in this episode. Cello Sonata No 3 in A, Op. 69 II. Scherzo (Allego Molto). Performed by Mstislav Rostropovich on cello and Sviatoslav Richter on piano. Symphony No 3 Eroica in E-flat Major, Op. 55. I. Allegro con brio. Performed live by the Swedish Radio Symphony Orchestra conducted by Sergiu Celibidache.  Muzik zu einem Ritterballet (Music for a ballet of Knights), WoO 3. Jagdlied (Hunting Song), 6. Trinklied (Drinking Song), 4. Romanze (Romance). Performed by the Staatskapelle Berlin, conducted by Günther Herbig.  Symphony No 5. I. Allegro con brio. Performed by the Weiner Philharmoniker conducted by Carlos Kleiber.  Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier. IV. Largo allegro resoluto. Performed live by Tatiana Nikolayeva.  Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo Performed by the Berliner Philharmoniker conducted by Herbert von Karajan.  Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Piano Sonata No. 26 in E-flat Major Op. 81a “Les Adiuex” I. Das Lebewohl, Adagio-Allegro. Performed by Tatiana Nikolayeva.  Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight:” III. Presto agitato. Performed by Emil Gilels.  Piano Sonata No. 17 in D minor, Op. 31 No 2. “Tempest”: III. Allegretto. Performed by Alfred Brendel.  Piano Sonata No. 28 in A Major, Op. 101. I. Etwas lebhaft, und mit der innigsten Empfindung. Performed by Emil Gilels.  

This Day in Legal History: John Locke BornOn August 29, 1632, John Locke was born in Wrington, England. A foundational figure in political philosophy, Locke's ideas on government, natural rights, and property would come to shape the ideological core of liberal democracies. His “Two Treatises of Government” advanced the notion that legitimate governments are founded on the consent of the governed and exist to protect life, liberty, and property. Locke's theory of property, rooted in the idea that individuals gain ownership by mixing their labor with natural resources, would have lasting effects not only in political theory but also in legal frameworks—particularly intellectual property law.Locke argued that since individuals own their labor, they also own the results of that labor. This labor-based theory of property acquisition later served as a philosophical underpinning for intellectual property rights, especially in Anglo-American legal systems. The notion that creators have a natural right to control and benefit from their intellectual creations echoes Locke's broader views on property. His influence is visible in early American legal thought, including the U.S. Constitution's provision empowering Congress to secure authors' and inventors' exclusive rights.Locke's work also fueled the American Revolution and the drafting of the Declaration of Independence, with Thomas Jefferson borrowing heavily from Locke's formulations on natural rights. Likewise, his theories permeated the French Revolution and the Declaration of the Rights of Man and of the Citizen. Beyond constitutional law, his legacy persists in modern debates about the balance between public access and private rights in intellectual property regimes. Locke's vision of a just legal order grounded in individual rights, voluntary association, and property remains central to contemporary legal theory.A federal judge will hold a hearing on whether to temporarily block President Donald Trump from firing Federal Reserve Governor Lisa Cook, who is challenging her removal in court. Cook argues that Trump lacks legal grounds for firing her, alleging that the justification—claims of past mortgage fraud—is a pretext tied to her refusal to lower interest rates. The Federal Reserve Act permits governors to be removed only “for cause,” though that term is undefined and has never been tested in court. Cook denies the fraud allegations and says even if true, the conduct occurred before she took office and should not qualify as cause for removal.Trump's administration argues that the allegations are sufficient to justify her dismissal and may also claim that legal limits on removing Fed governors infringe on the president's executive authority. The outcome of this case could significantly impact the perceived independence of the Fed and may ultimately be decided by the U.S. Supreme Court. A Biden-appointed judge, Jia Cobb, will first determine if Cook is likely to succeed on the merits and if her removal would cause irreparable harm. The decision could lead to a preliminary injunction, subject to appeal.Trump has already clashed with the Fed, particularly with Chair Jerome Powell, over interest rate policies and management decisions. Removing Cook would allow Trump to install a fourth member on the seven-seat board, potentially shifting its direction.Trump's firing of Fed Governor Cook could be blocked by US judge | ReutersThe national average score on the July 2025 Multistate Bar Exam (MBE) was the highest in over a decade, reaching 142.4—the best performance since 2013, excluding pandemic-altered years. The MBE, which accounts for half of a bar taker's score in most states, is a key component of the U.S. bar exam. The National Conference of Bar Examiners expects the slight uptick in scores to translate into modestly higher pass rates across jurisdictions.This marks the third consecutive year of improvement for July test-takers, in contrast to the February bar exam, which continues to show declining performance. February 2025 saw a record low MBE average of 130.8, partly due to California's decision to use its own bar exam for that session—a move that backfired due to widespread logistical issues. The California Supreme Court has since ordered the state to resume using the MBE starting in July.As states begin releasing July results, optimism is growing among recent law graduates. However, the disparity between February and July results highlights persistent challenges for repeat test-takers and bar exam policy shifts across jurisdictions.US national bar exam scores hit 12-year high | ReutersMajor U.S. law firms saw strong revenue and profit growth in the first half of 2025, fueled by a sharp rise in billing rates—up 9.2% on average. This surge helped offset rapidly increasing expenses, particularly those tied to attorney compensation and the adoption of artificial intelligence tools. Overhead costs excluding lawyer pay rose by 8.6%, while total expenses, including compensation, were up 9.5%. Despite heavy investment in generative AI, firms haven't realized cost savings yet, as they're still maintaining full legal staffing alongside the new technology.Top partners at elite firms, such as Milbank and Quinn Emanuel, are now charging more than $3,000 per hour, with Milbank's Neal Katyal commanding $3,250. Experts note that while AI may one day disrupt the traditional billable hour model, that shift hasn't materialized yet—echoing past predictions during earlier tech changes that never fully played out. Still, some consultants believe AI may eventually push firms toward flat-fee or project-based pricing, especially as AI becomes capable of completing tasks in minutes that previously took hours.Meanwhile, law firm expenses are also climbing due to higher real estate costs and professional liability insurance. The legal talent pipeline remains strong, with law school applicants up 18% year-over-year and recent graduates enjoying a record-high 93.4% employment rate.Law firm rates, revenues soar but costs pile up in AI era | ReutersA federal judge has dismissed University of Pennsylvania law professor Amy Wax's lawsuit claiming racial discrimination in response to university sanctions against her. Wax, who is white, alleged that UPenn treated her unfairly based on race when it suspended her for a year with half pay over a pattern of controversial public comments about minority groups. Judge Timothy Savage ruled that her claims were “implausible,” noting that she failed to show how her race influenced the disciplinary process or the charges brought against her.Wax argued the university disproportionately disciplines white faculty for speech-related conduct while overlooking similar actions by faculty of color. However, the court found her comparisons to other UPenn speakers flawed, as those individuals had not repeatedly made derogatory remarks about minorities. The ruling follows an earlier denial of Wax's request for a preliminary injunction, where the court found she hadn't proven that the suspension would cause her lasting professional harm.Wax has long been a polarizing figure at Penn Law. Her 2017 op-ed favoring Anglo-Protestant cultural norms and later remarks about Black and Asian students drew widespread criticism. In 2018, she was barred from teaching required first-year courses, and in 2022, a faculty complaint sought a major sanction after she suggested the U.S. would be better off with fewer Asian immigrants.Judge tosses law professor Amy Wax's bias lawsuit over UPenn sanctions | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, a composer of some note.This week's closing theme is Mozart's Piano Sonata No. 11 in A major, K. 331 – I. Andante grazioso, a work that showcases the clarity, grace, and inventiveness that define Mozart's style. Composed around 1783, likely in Vienna or Salzburg, this sonata is one of Mozart's most beloved keyboard pieces, notable for its departure from traditional sonata form. Instead of the expected fast-paced opening movement, Mozart begins with a theme and variations—a gentle, lilting Andante grazioso that unfolds with elegance and wit.Each variation adds a new layer of texture and character, giving performers the opportunity to explore contrasting articulations, ornamentation, and moods. The charm of the movement lies in its simplicity and restraint, traits Mozart uses not as limitations but as a foundation for subtle playfulness and sophistication. The theme itself is dance-like, with a lightly flowing triple meter that invites the listener in rather than demanding attention.While the final movement of this sonata—the famous "Rondo alla Turca"—often steals the spotlight, the opening movement contains just as much ingenuity and expressive depth. It's a window into Mozart's ability to transform formal conventions into personal, lyrical statements. This sonata was likely intended for his students or amateur musicians, yet it retains the masterful balance of accessibility and complexity that only Mozart could achieve.As we close this week, the Andante grazioso reminds us that refinement doesn't require grandeur, and that musical beauty often lies in the quiet unfolding of a well-turned phrase.Without further ado, Mozart's Piano Sonata No. 11 in A major, K. 331 – I. Andante grazioso, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

In this episode, we talk about the upward and downward social interactions taking place, what the implications are behind the Dalrymples being Irish aristocracy, the introductions of Mrs Smith and Nurse Rooke, the comedy of Mary's letter and Admiral Croft's meeting with Anne, and the fact that in the book's timeline it is only a month before Napoleon Bonaparte will escape from Elba.The characters we discuss are Admiral and Mrs Croft. In the historical section, Ellen talks about nurses, and for popular culture Harriet discusses the 2020 television movie Modern Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth, Castle Rackrent (1800)Character discussion:Walter Scott, Waverley (1814)Patrick O'Brien, Master and Commander (1969) and sequels in the Aubrey and Maturin seriesHistorical discussion:Charles Dickens, Martin Chuzzlewit (1844)Elizabeth Fry (19th century English prison reformer, social reformer, philanthropist and Quaker)Wellcome Collection in LondonPopular culture discussion:Modern Persuasion (2020, Tangerine Entertainment) – starring Alicia Witt and Shane McRaeCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Intro: One More Night – Can Dirty Water – The Standells (2:43) Chantez-Chantez – Amadou et Mariam (4:37) Twine Time – Gene Barge (2:30) Chant Down Babylon – Junior Byles & Rupert Reid (3:19) Everyday People – Sly & the Family Stone (2:22) The Elements – Tom Lehrer (1:27)  Cousin Mary – Tommy Flanagan (7:07)  Alegretto from Piano Sonata No.17 in D Minor Op.31 No.2 – Beethoven, Brendel (6:19)  Bon Voyage – Jane McGarrigle (3:22) Are you a Tulip, a Hyacinth, or a Rose? – Philip Koutev Ensemble, Verka Siderova – soloist (3:41) He'll Have To Go – Ry Cooder (5:06)      Neat Neat Neat – The Damned (2:40)  Ether – Gang of Four (3:50)   Snowblind – Black Sabbath (5:32) Laughing – Pere Ubu (4:36) The Cat – Jimmy Smith, arr. Lalo Schifrin (3:21)  Feeling Good – Cleo Laine, with John Dankworth (2:25) MRA – Chris McGregor's Brotherhood of Breath (5:01) Africa, Center of the World – Fela Anikulapo Kuti & his Africa 70, with Roy Ayers (17:30) War ina Babylon – Max Romeo (4:49) How Long Will It Last? – Jackson Southernaires (3:37) All the Way from Memphis – Mott the Hoople (5:03) Cascade – Michael Giles – Jamie Muir – David Cunningham (3:50) Said and his Shadow Dance – Foday Musa Suso / Philip Glass (2:50) (I'm Always Touched by your) Presence Dear – Blondie (2:37) God Only Knows – Beach Boys (2:53) Outro: Pogles Walk – Vernon Elliott Ensemble

Donald Macleod explores Dmitri Shostakovich's life during the years of World War II, a period indelibly linked to his most famous work – the ‘Leningrad' symphony - which became an international symbol of resistance against the Nazis when it was performed by an orchestra suffering from the effects of starvation during the siege of the city.Music Featured:Funeral march in Memory of Victims of the Revolution Piano Concerto No 2 in F Major, Op 102 (2nd mvt, Andante) Lady Macbeth of Mtsensk District (Act IV, Vstaváy! Po mestám! Zívo!) Symphony No 5 in D minor, Op 47 (4th mvt, Allegro non troppo) Piano Quintet in G minor, Op 57 (1st mvt, Prelude – Lento) Symphony no 7, Op.60 “Leningrad” (2nd mvt, Moderato) King Lear (excerpt) The tale of the priest and his servant Balda, Op 36 (Finale) Symphony No 1 in F minor, Op 10 (2nd mvt, Allegro) Rothschild's violin (excerpt) Piano Sonata No 1, Op 12 Symphony No 7 in C Major, Op 60 “Leningrad” (1st mvt, Allegretto) Counterplan, Op 33 (Song of the Counterplan) The Golden Age Suite, Op 22a (2nd mvt, Adagio) Preludes, Op 34 (Nos 9-13) Romances on English poets, Op 62 Sonata No 2 in D minor, Op 61 (3rd mvt, Moderato) Moscow-Chryomushki, Op 105 (1st mvt, A Spin through Moscow) Zoya Suite, Op 64a (1st mvt, Song about Zoya) Cello Concerto No 1 in E flat major, Op 107 (2nd mvt, Moderato) Symphony No 8, Op 65 (4th mvt, Largo) Piano Trio No 2 in E minor, Op 67 (4th mvt, Allegretto) Four Pushkin Romances (No 1, Rebirth) String Quartet No 2 in A major, Op 68 (3rd mvt, Valse Allegro) Symphony No 9 in E-flat major, Op 70 (5th mvt, Allegretto) Violin Concerto No 1 in A minor, Op 99 (1st mvt, Nocturne) From Jewish Poetry (No 8, Winter) Symphony No 13 (1st mvt, Babi Yar. Adagio)Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Dmitry Shostakovich (1906-1975) https://www.bbc.co.uk/programmes/m002gdl6And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This week Nick talks to Lionel Barber.Lionel Barber is a distinguished British journalist best known for his tenure as Editor of the Financial Times from 2005 to 2020, during which he spearheaded its transformation into a globally respected, digital-first news organisation. A graduate of St Edmund Hall, Oxford, he began his career at The Scotsman before moving to The Sunday Times and then joining the FT in 1985, where he held senior roles including Washington correspondent, Brussels bureau chief, news editor, and U.S. managing editor. As editor, he conducted landmark interviews with world leaders such as Barack Obama, Vladimir Putin, and Angela Merkel. Barber is the author of The Powerful and the Damned: Private Diaries in Turbulent Times and his latest book Gambling Man: The Wild Ride of Japan's Masayoshi Son, and has been recognised with honours including the Légion d'Honneur, the Stella d'Italia, and the Gerald Loeb Lifetime Achievement Award. He currently serves on several boards, lectures globally on media and geopolitics, and co-hosts the Media Confidential podcast with Alan Rusbridger. Nick and Lionel discuss, Lionel's journey from a newspaper-loving household in Leeds to leading one of the world's most influential publications. Inspired by his journalist father, Barber started his career at The Scotsman and quickly rose through the ranks, eventually serving as foreign correspondent in Washington and Brussels before becoming FT editor in 2005. He shares highlights from his tenure, including interviews with Vladimir Putin and Donald Trump, and his leadership during the paper's digital transformation. Barber also discusses his latest book, Gambling Man, a biography of Masayoshi Son, the Korean-Japanese entrepreneur behind SoftBank. The book charts Son's remarkable rise from growing up in a marginalised slum to building one of the world's largest investment funds. Barber portrays Son as both a visionary and a calculated risk-taker, whose bold investments in Yahoo, Alibaba, and ARM shaped modern tech finance. He also delves into Son's failures, such as the WeWork debacle, and his ability to bounce back with ambitious plans in AI and global innovation, while still regarded with suspicion by Japan's establishment.Lionel's book choice was:Present at the creation Dean AchesonLionel Music choice was:Piano Sonata No. 32 in C minor, Op. 111 by Ludwig van BeethovenFollow Lionel on his Substack and his podcast - Media Confidential.This content is issued by Zeus Capital Limited (“Zeus”) (Incorporated in England & Wales No. 4417845), which is authorised and regulated in the United Kingdom by the Financial Conduct Authority (“FCA”) for designated investment business, (Reg No. 224621) and is a member firm of the London Stock Exchange. This content is for information purposes only and neither the information contained, nor the opinions expressed within, constitute or are to be construed as an offer or a solicitation of an offer to buy or sell the securities or other instruments mentioned in it. Zeus shall not be liable for any direct or indirect damages, including lost profits arising in any way from the information contained in this material. This material is for the use of intended recipients only.

The trainers are back together again!… For the moment! Three tasks lie ahead: Find Moira Harding, fight Jared for his gym slot, and avoid having the terrible Tiwlip add one of the trainers to her collection.The cast: Chartreuse (Charlie) Pine - played by Paul (also @AlakazamGanda) Liliana Shadowgarden - played by Lydia Professor Rudimentus Sneaze - played by Michael And our Game Master - Nick Eyeli - Eyeli Join our Facebook Group, where you can meet and chat with the cast and other fans! We'll approve everyone's request to join (unless you're a Rotom; we don't like Rotom). Also, join us on Discord! Check out Lydia's Fiverr for your Podcast/Radio Show editing needs!Donate to our Patreon, and earn sweet rewards by becoming a part of the Pokemon Rollout! family. MUSIC & SFX: Theme Music "Electric Donkey Muscles” by RoccoW. Used under an Attribution-ShareAlike License. “Bipolarity” by Poor Alexei. Used under an Attribution-Noncommercial-Share Alike 3.0 United States License.“We Can Do It! [Loop]” by Visager.MOZART - Fantasy in C minor, K. 475, and Piano Sonata No. 14 in C minor, K. 457 by Paavali Jumppanen, piano is licensed under a Attribution-Noncommercial-No Derivative Works 3.0 United States License.“The Futurists” by Peter Lonnquist. Used by permission.

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to purchase recording - https://www.prestomusic.com/classical/products/9735901--kate-liu-plays-beethoven-brahmsLink to video of Kate Liu playing Brahms' Piano Sonata No. 3 - https://www.youtube.com/watch?v=-OwW0T1PvZMLink to Kate Liu 2022 Van Cliburn International Competition Quarterfinal Recital - https://www.youtube.com/watch?v=nliha96TliY

In this episode, we talk about these transitional chapters between the events at Lyme and the move to Bath. We consider the position of the old nurse in the Musgrove household, how Anne is feeling a bit sorry for herself, the delightful scenes with the Crofts and with Charles and Mary, how Mr Elliot is described as ‘underhung', and the way Anne and Mr Elliot get on well with each other.The characters we discuss are Mr and Mrs Musgrove. In the historical section, Ellen talks about Bath, and for popular culture Harriet discusses the 2019 YouTube series Rational Creatures.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Noel Streatfeild, Gran-Nannie (1976) and Ballet Shoes (1936)Novels of Charlotte M. YongeEvelyn Waugh, Brideshead Revisited (1945)Alexander Pope, ‘The Rape of the Lock‘ (1712)Historical discussion:The Venerable Bede (c.672-735)Nennius (9th century Welsh monk)Google map of locations in Persuasion, zoomed in on BathPopular culture discussion:Rational Creatures (2019, YouTube) – starring Kristina Pupo and Peter GiesslHarriet's interview with the creators of Rational CreaturesCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Donald Macleod explores Beethoven's endeavours to become the guardian of his brother's son Karl - a relationship which from the start was built upon rocky foundations.Music Featured: Allegro and Minuet, WoO 26 (Excerpt) Symphony No 3 ‘Eroica' (Scherzo. Allegro vivace) Leonore Prohaska, WoO 96 (Funeral March) Piano Sonata No 28 in A, Op 101 Sehnsucht, WoO 146 Das Geheimnis, WoO 145 Der Mann von Wort, Op 99 Symphony No 7 in A, Op 92 (Allegretto) Music, Love and Wine, Op 108 No 1 Behold my love how green the groves, Op 108 No 9 Symphony No 8 in F, Op 93 (Allegro vivace) Piano Sonata No 29 in B flat, Op 106 ‘Hammerklavier' (Allegro) String Quintet in C minor, Op 104 (Allegro con brio) Missa Solemnis in D, Op 123 (Agnus Dei) Minuet, WoO17 (Mödlinger Tänze, No 2) Piano Sonata No 30 in E, Op 109 (Prestissimo) Symphony No 9 in D minor, Op 125 ‘Choral' (Excerpt) Resignation, WoO 149 Abendlied Unterm Gestirnten Himmel, WoO150 Piano Sonata No 31 in A flat, Op 110 Bagatelle No 2, Op 126 (Allegro) Der Kuss, Op 128 Missa Solemnis in D, Op 123 (Gloria) Symphony No 9 in D minor, Op 125 ‘Choral' (Scherzo) String Quartet No 12 in E flat, Op 127 (excerpt) Waltz in E flat, WoO 85 Tremate, empi, tremate, Op 116 String Quartet No 15 in A minor, Op 132 (Molto adagio) Elegischer Gesang ‘Sanft wie du lebtest‘, Op 118 Piano Sonata No 12 in A flat, Op 26 (Marche Funebre)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ludwig van Beethoven (1770-1827) https://www.bbc.co.uk/programmes/m002cbw3And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

In perhaps one of our most ambitious episodes yet, we delve into the deep lore of the music of Star Wars. From Jon Williams to Star Wars cover bands, we have it all! Become a patron to get access to the bonus episodes or support the show through Paypal and bitcoin! You can also check out our merch on Redbubble. Don't forget to also connect with us on Facebook, Instagram, X.com and Discord! Find all of our links here: https://doras.to/starlores Credits to all the artists featured on this episode: Binary Sunset - John Williams Frédéric Chopin's Piano Sonata No 2 in B flat minor, Funeral March The Imperial March - John Williams Requiem: II. Dies Irae - Guiseppe Verdi Battle of heroes - John Williams Duel of the fates - John Williams Star wars main theme - John Williams Erich Wolfgang Korngold : Kings Row - Main Title Star Wars - Main Theme - PHianonize Star Wars - Main Theme - composed by John Williams - arranged by Patrik Pietschmann Childhood Died - Lost Souls I'm The Droid (You're Looking For) - Nerf Herder Star Wars - The Imperial March - Galactic Empire Star Wars: Duel of The Fates (Medieval Style) - Samuel Kim Kinect Star Wars: Galactic Dance Battles video game Star Wars Theme (2019 Remaster) [8 Bit Tribute to John Williams & Star Wars] - 8 Bit Universe The Long Ranger - William Tell Overture - Gioachino Rossini The Good, the Bad and the Ugly - Main Theme - Ennio Morricone The Mandalorian - Main Theme - Ludwig Göransson Star Wars: Imperial March (Anakin's Suffering) Composed by John Williams - Orchestration by Samuel Kim Jedi Rocks - Jerry Hey Lapti Nek - John Williams

In this episode, we talk about how how Jane Austen has solved the problem of the infodump, the realism of the scene with little Walter, how she shows the relations within families, and how events on the walk to Winthrop affect Wentworth's feelings.The characters we discuss Louisa and Henrietta Musgrove. In the historical section, Ellen talks about curates, and for popular culture both Harriet discusses the 2007 ITV film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth (reference in the Persuasion footnotes is to A Memoir of Maria Edgeworth with a Selection from her Letters (1867), vold. 2, pp. 5-6.)Character discussion:Irene Collins, Jane Austen and the Clergy (2002)Historical discussion:Anthony Trollope, The Last Chronicle of Barset (1867)Stipendiary Curate Act 1713 Popular culture discussion:Clerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Wolfgang Amadeus Mozart was the quintessential child prodigy. He performed for European royalty at the tender age of six. But he wasn't the only child prodigy in his family or even the first. Big sister Nannerl led the way as his first role model and collaborator. Some of his keyboard music was written with her in mind as the performer, and after his death she worked with his first biographer and publisher to preserve his legacy. Music for this episode includes: Eine kleine Nachtmusik, K. 525 Rondo alla Turca rom Piano Sonata No. 11 in A major, K. 331/300i Symphony No. 40 in G minor, K. 550 Piano Concerto No. 21 in C major, K. 467 as performed by Markus Staab Requiem in D minor, K. 626 All of these recordings are copyright free. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an in-between ‘extras' episode. Our episodes are normally not more than an hour in length, which means that we usually have to cut a certain amount of material in the editing. But for Episode 3, we had much more material than usual. So we kept the episode down to an hour, but decided to release an ‘extras' episode, with some of the bits we edited out.It's a bit disjointed, but we hope you enjoy it.THINGS WE MENTIONCharacter discussion:Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:The Aubrey & Maturin novels of Patrick O'BrienAdmiral Thomas Cochrane (1775-1860)Popular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsThe Bounty (1984)CREATIVE COMMONS MUSIC USEDExtract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about how how Jane Austen tells us about the feelings of Anne and Captain Wentworth, and how the narrator captures Anne's emotions; the building up of the relationship between Charles and Mary, and their reaction to Little Charles' accident; Mrs Musgrove's feelings about her son; and Mrs Croft's travels.The character we discuss is Captain Wentworth. In the historical section, Harriet's partner Michael talks about the Navy, and for popular culture both Harriet and Michael discuss 1995 BBC film adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:First Impressions podcast, ‘Ep 17: Persuading Kristin to Like Persuasion‘, 22 January 2017.Historical discussion:Security to Merchant Ships Act 1707 (6 Ann. c. 65), generally known as the Cruisers and Convoys Act 1708Distribution of prize money: see table on our websitePopular culture discussion:BBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsWatch on YouTubeStairs on the Cobb (photo)Louisa's fall (this YouTube video shows the same scene from four different adaptations of Persuasion)Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Kenneth Hamilton chooses his favourite version of Mozart's Piano Sonata no.15 K.533/494

This Day in Legal History: 13th Amendment PassedOn January 31, 1865, the U.S. Congress passed the 13th Amendment, formally abolishing slavery in the United States. The amendment declared that "neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction." While President Abraham Lincoln's Emancipation Proclamation had freed enslaved people in Confederate-held territories two years earlier, it lacked the permanence of a constitutional amendment. The House of Representatives passed the measure by a vote of 119 to 56, narrowly reaching the required two-thirds majority after intense political maneuvering. The Senate had already approved it in April 1864. Ratification by the states followed, culminating in its adoption on December 6, 1865. The amendment marked a legal end to slavery, but systemic racial discrimination persisted through Black Codes, Jim Crow laws, and other restrictive measures. Despite this, the 13th Amendment laid the foundation for future civil rights advancements. Its passage was a key victory for abolitionists and a defining moment of the Civil War's aftermath. The amendment's "punishment for crime" clause later became a subject of controversy, as it allowed convict leasing and forced labor in prisons, disproportionately affecting Black Americans. Even today, debates continue over its implications for the U.S. prison system.Fox Rothschild LLP has blocked its lawyers from using DeepSeek, a Chinese AI startup, due to concerns about client data security. While the firm allows AI tools like ChatGPT with restrictions, DeepSeek's data storage in China raises unique risks, according to Mark G. McCreary, the firm's chief AI and information security officer. A recent data breach involving DeepSeek further heightened security concerns. Other major law firms, including Wilson Sonsini and Polsinelli, are also implementing strict vetting processes for new AI models. Wilson Sonsini requires its chief information security officer and general counsel to approve AI tools before use, while Polsinelli enforces firm-wide restrictions on unapproved AI software. Law firms are also monitoring AI use by third-party vendors to ensure compliance with security protocols. McCreary emphasized that established legal tech companies prioritize data protection, reducing the risk of firms switching to less secure AI models.Fox Rothschild Blocks DeepSeek's AI Model for Attorney UseA federal appeals court has ruled that the U.S. government's ban on licensed firearms dealers selling handguns to adults under 21 is unconstitutional. The 5th U.S. Circuit Court of Appeals overturned a previous ruling, citing the Supreme Court's 2022 decision in New York State Rifle & Pistol Association v. Bruen, which requires modern gun laws to align with historical firearm regulations. The federal ban, enacted in 1968, was challenged by young adults and gun rights groups, who argued it violated the Second Amendment. Judge Edith Jones, writing for the court, found insufficient historical evidence to justify restricting gun sales for 18-to-20-year-olds. The ruling marks a major shift in gun policy, aligning with broader legal trends expanding Second Amendment protections. The Justice Department, which defended the ban under the Biden administration, has not yet commented on the decision. Gun rights advocates hailed the ruling as a victory against age-based firearm restrictions.US ban on gun sales to adults under age 21 is unconstitutional, court rules | ReutersIn a piece for Techdirt, Karl Bode critiques the Trump FCC's decision to roll back efforts to curb exclusive broadband deals between landlords and internet providers. The Biden FCC had attempted to update outdated rules that allowed ISPs to form monopolies within apartment buildings, driving up prices and reducing competition. However, due to delays caused by industry opposition and the failed nomination of reformer Gigi Sohn, key proposals—including a ban on bulk billing—were left unapproved. When Brendan Carr took over as FCC chair under Trump, he quickly scrapped these pending consumer protections. Bode argues that U.S. telecom policy is stuck in a cycle where Democrats make half-hearted attempts at reform, only for Republicans to dismantle them entirely under the guise of deregulation. The result is a landscape where telecom giants and landlords continue to collude, leaving consumers with fewer choices, higher costs, and poor service.The Trump FCC Makes It Easier For Your Landlord And Your ISP To Collude To Rip You Off | TechdirtBally's Chicago casino project is facing a legal challenge over its commitment to reserving 25% of its investment opportunities for women and people of color. Conservative activist Edward Blum, known for spearheading lawsuits against affirmative action, filed the suit on behalf of two white men who claim they were unfairly excluded from investing. The lawsuit argues that the policy violates federal civil rights law and should be open to all investors regardless of race. This case is part of a broader push against diversity, equity, and inclusion (DEI) initiatives, which gained momentum after a recent executive order from President Trump eliminating DEI programs in the federal government. Bally's maintains that its agreement with the city complies with legal requirements. The lawsuit references an 1866 civil rights law originally meant to protect Black Americans' economic rights and is similar to other cases challenging race-conscious corporate policies. Blum's organization has previously led legal battles against diversity-focused scholarships, grants, and hiring programs, including the Supreme Court case that struck down race-based college admissions in 2023.America's Battle Over DEI Strikes a Chicago Casino's Financing PlanThis week's closing theme is by Franz Schubert.Franz Schubert, one of the most beloved composers of the early Romantic era, was born on this day in 1797 in Vienna, Austria. Though he lived only 31 years, his vast output of music—ranging from symphonies and chamber works to piano music and over 600 songs—continues to inspire musicians and audiences alike. Schubert's music is often characterized by its lyricism, rich harmonies, and deep emotional expression, seamlessly bridging the clarity of the Classical era with the passion of Romanticism.Despite his immense talent, Schubert struggled with financial stability and never achieved widespread fame during his lifetime. He spent much of his career composing in relative obscurity, supported by a close-knit circle of friends and fellow artists. His songs, or lieder, are especially celebrated for their ability to capture both the beauty and melancholy of the human experience, with works like Erlkönig and Winterreise standing as some of the greatest achievements in the genre.His instrumental music, however, remained underappreciated until long after his death. Today, his symphonies, string quartets, and piano sonatas are recognized as masterpieces, filled with lyrical beauty and striking contrasts. Among his later works, the Piano Sonata No. 20 in A major, D. 959 showcases his mature style, blending elegance with deep introspection. The final movement, Rondo: Allegretto, serves as this week's closing theme, capturing both Schubert's charm and his poignant sense of longing.Though he died in 1828, just a year after Beethoven, Schubert's influence only grew in the decades that followed. Composers like Schumann, Brahms, and even Mahler admired his work, helping to cement his legacy as one of music's great geniuses. Today, on the anniversary of his birth, we celebrate the life and music of a composer who, despite facing struggles and setbacks, left behind an extraordinary body of work that continues to resonate across centuries.Without further ado, Franz Schubert's Piano Sonata No. 20 in A major, D. 959.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

主播｜李叔 嘉宾｜梅二 2024年的倒数第三天，原本要乘坐的航班因故取消，辗转飞往另外一座熟悉的南方城市，在飞机上完成了这期节目的剪辑。在距离节目播出还有两个小时的此刻，终于在一家庙宇对面的咖啡厅做完了配乐的工作。又是匆匆忙忙的一年，66次飞行，50条航线，40座机场，终点却指向了起点的原点。和世界依然有很多摩擦和冲撞，同时也多了一些理解与感悟。活得更加从容，渐渐不再是努力追寻的目的，而是旅途中忽隐忽现的风景。爱的继续爱，恨的继续恨，就这么继续走下去。每个人都抢了单程票，搭上了奔向末日的列车，也许后悔也有人跳车，吹在旅途上是风和日丽的挽歌。新年快乐。|Song List|01.老狼 - 北京的冬天02.蔡依林 - 说爱你03.夹子电动大乐队 - 转吧七彩霓虹灯04.伍佰 - 思念亲像一条河05.Imam Baildi-ΔΕΝ ΘΕΛΩ ΠΙA ΝA ΞAΝAΡΘΕΙΣ (REMIX)06.罗文 / 甄妮 - 铁血丹心07.童孔 / 张雨生 - 两个永恒08.The Cranberries - In the End09.反复攻击小明 - 社会不需要进步10.Nick Cave & the Bad Seeds - Idiot Prayer11.上原ひろみ / Anthony Jackson / Simon Phillips - Beethoven's Piano Sonata No. 8, Pathetique【收听平台】小宇宙｜喜马拉雅｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜酷我音乐｜酷狗音乐｜懒人听书｜微博音频｜三联中读｜听听FM｜猫耳FM｜Spotify｜YouTube｜关注我们｜移步点击日谈公园品牌官网（链接：https://www.ritanbbpark.com），了解更多微信公众号：日谈公园微博：@日谈公园小红书：日谈公园即刻：日谈李小日B站：日谈公园｜商务合作｜欢迎发送邮件至 bbpark@ritanbbpark.com

This Day in Legal History: Law of BurgosOn December 27, 1512, the Spanish Crown enacted the Laws of Burgos, marking one of the earliest attempts in European colonial history to regulate interactions between colonizers and indigenous peoples. These laws were implemented primarily in the Caribbean and aimed to address the mistreatment of indigenous populations following the Spanish conquests. They formalized the encomienda system, under which Spanish settlers were granted the right to indigenous labor in exchange for providing religious instruction and protection. The laws also sought to prevent outright abuse by prohibiting physical mistreatment and ensuring that indigenous people received basic sustenance and housing.The Laws of Burgos represented an acknowledgment of the moral and ethical issues raised by colonial expansion, partly influenced by the advocacy of figures like Dominican friar Antonio de Montesinos. However, their practical effectiveness was minimal. Enforcement mechanisms were weak, and colonial administrators often disregarded the rules. The encomienda system itself perpetuated exploitation, as it enabled settlers to maintain control over indigenous labor with little oversight.The laws mandated the conversion of indigenous peoples to Christianity, critics argue that this often served to further entrench colonial domination rather than protect cultural or spiritual rights. Over time, the failure of the Laws of Burgos to alleviate suffering led to further reforms, including the New Laws of 1542, which aimed to abolish the encomienda system altogether. The Laws of Burgos remain a significant moment in legal history for their attempt—however flawed—to impose moral constraints on imperial expansion.The Fifth Circuit Court of Appeals has reinstated a nationwide injunction against enforcing the Corporate Transparency Act (CTA), reversing a decision by a different panel of the same court just days earlier. The CTA, intended to combat money laundering, requires U.S. businesses formed before 2024 to disclose their beneficial owners by January 1, 2025. The law was challenged by Texas Top Cop Shop Inc., a firearms retailer, with representation from the Center for Individual Rights. A district court issued an injunction halting enforcement of the CTA on December 3.However, on December 23, the court's motions panel lifted the injunction, citing the government's strong likelihood of proving the CTA constitutional. This decision was overturned by a separate panel handling the case's merits, which reinstated the injunction to maintain the constitutional status quo until the appeal is fully resolved. The case, titled Texas Top Cop Shop v. Garland, underscores ongoing legal disputes over the balance between regulatory compliance and constitutional protections.If ever allowed to come into law, the CTA would mandate most U.S. entities, including corporations, LLCs, and similar structures, to report their beneficial owners—individuals who exercise substantial control or own at least 25% of the entity—to the Financial Crimes Enforcement Network (FinCEN). Exemptions apply to certain entities, such as large, publicly traded companies and those already subject to substantial federal oversight. The CTA's reporting requirements are designed to create a centralized registry of beneficial ownership information, accessible to law enforcement and regulatory agencies for investigative purposes. By implementing these measures, the CTA seeks to close gaps in corporate opacity and align U.S. practices with global anti-money laundering standards.Corporate Transparency Act Blocked by US Appeals Court AgainUS appeals court halts enforcement of anti-money laundering law | ReutersJudge Pauline Newman, the oldest active federal judge in the U.S., has accused the Federal Circuit of withholding documents related to her suspension to control the media narrative. In a filing with the U.S. Court of Appeals for the D.C. Circuit, Newman sought to unseal four documents she says highlight Chief Judge Kimberly Moore's and the Judicial Council's evolving demands for her medical records during their investigation into her fitness to serve. Newman argues that the documents, which include a gag order, do not contain sensitive information warranting secrecy and are critical to her due process claims. The Federal Circuit contends that sealing the documents is necessary to preserve fairness and protect broader procedural integrity, asserting that they will be released in due course. Newman, however, criticized the delays as unjustified, claiming they serve only to control public perception. She also alleged selective disclosures by the Judicial Council to favorably shape media coverage during the investigation. Represented by the New Civil Liberties Alliance, Newman continues to challenge her suspension, arguing that the D.C. Circuit has the authority to unseal the contested documents. The case underscores tensions over judicial transparency and due process rights.Newman Accuses Fed. Cir. of Concealing Files to Control MediaBioNTech has reached settlement agreements with the U.S. National Institutes of Health (NIH) and the University of Pennsylvania (Penn) over COVID-19 vaccine royalty disputes. The German company, partnered with Pfizer for vaccine production, will pay $791.5 million to the NIH and $467 million to Penn. Penn will dismiss its lawsuit, which alleged that BioNTech underpaid royalties for using mRNA technology developed by Nobel laureates at the university. Pfizer will reimburse BioNTech for portions of the payments: up to $170 million for Penn and $364.5 million for the NIH. The settlements include amendments to BioNTech's licensing agreements with both entities, committing to ongoing royalty payments as a low single-digit percentage of vaccine net sales. Additionally, they establish a framework for licensing the use of NIH and Penn patents in combination products. BioNTech stated that these settlements do not constitute an admission of liability.BioNTech enters settlement with US agency, UPenn over COVID vaccine royalties | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, one of the most celebrated composers of the Classical era, was a musical prodigy whose works remain timeless. Born in Salzburg in 1756, Mozart composed over 600 pieces, including symphonies, operas, chamber music, and sonatas, showcasing his unparalleled melodic genius and structural clarity. His works are renowned for their emotional depth and technical mastery, often blending elegance with playful innovation.Among his many compositions, the Piano Sonata No. 11 in A major, K. 331, holds a special place for its lyrical beauty. The first movement, Andante grazioso, is a theme with six variations that exemplifies Mozart's ingenuity in transforming a simple, graceful melody into a vibrant exploration of texture and expression. The movement's flowing lines and delicate ornamentation reflect Mozart's flair for creating music that is both technically demanding and deeply emotive.This sonata, likely composed around 1783, radiates a sense of intimacy and charm, making it a favorite in the piano repertoire. The Andante grazioso invites the listener into a world of serene elegance, embodying the Classical ideal of balance and refinement while hinting at the playful brilliance that defines much of Mozart's work. This week's closing theme reminds us of the enduring power of music to evoke beauty and joy through simplicity and artistry.Without further ado, Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

In this episode, we talk about how the backstory of Anne and Wentworth is presented without comedy, and yet is absolutely enjoyable. We then move on to the introduction of Mary, and why she is the way she is, the generational change we see in the Musgrove family, and the very unsympathetic portrayal of Dick Musgrove.The character we discuss is Lady Russell. In the historical section, Ellen talks about social precedence, and for popular culture Harriet has watched the 1972 Spanish television adaptation of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)George Eliot, Middlemarch(1872)Maria Edgeworth, The Good French Governess (1801)Charlotte M. Yonge, The Daisy Chain (1856)Ethel Turner, Seven Little Australians(1894)Historical discussion:Anthony Powell, The Acceptance World (1955)The Right Hon. the Countess of *******, Mixing in Society: A Complete Manual of Manners (1870)Debrett's Tables of PrecedencePopular culture discussion:TVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoWatch on YouTube: PlaylistCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Christoph Willibald Gluck, Orfeo ed Euridice. File from IMSLP.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In this episode, we talk about the publishing history of Persuasion, the precise dates we are given in the book, the fact that we learn very little about Anne in the first chapters, and how well Mr Shepherd is managing Sir Walter.The character we discuss is Sir Walter Elliot. In the historical section, Ellen talks about baronets, and for popular culture Harriet gives an overview of the screen adaptations of Persuasion, and then talks in more detail about the about the 1971 BBC adaptation.Things we mention:Historical discussion:John Debrett, The Baronetage of England, containing their Descent and Present State (1808)William Dugdale, The antient usage in bearing of such ensigns of honour as are commonly called arms (1682)Thomas Wotton, The English Baronetage : containing a genealogical and historical account of all the English baronets, now existing (1741)John Burke, A Genealogical and Heraldic History of the Landed Gentry (1838)Popular culture discussion:BBC, Persuasion (1960) – starring Daphne Slater and Paul DanemanBBC, Persuasion (1971) – starring Ann Firbank and Bryan MarshallWatch on YouTube: Part 1 and Part 2Stairs on the CobbTVE, Novela: Persuasión (1972) – starring Maite Blasco and Juan DiegoBBC Film, Persuasion (1995) – starring Amanda Root and Ciarán HindsClerkenwell Films, Persuasion (2007) – starring Sally Hawkins and Rupert Penry-JonesNetflix, Persuasion (2022) – starring Dakota Johnson and Cosmo JarvisCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

This Day in Legal History: Sacco and Vanzetti are Executed On August 23, 1927, Italian immigrants Nicola Sacco and Bartolomeo Vanzetti were executed in the Massachusetts State Prison, marking the culmination of one of the most controversial trials in American history. The two men, both anarchists, had been convicted of a 1920 armed robbery and double murder in South Braintree, Massachusetts. However, their trial was widely criticized for being tainted by anti-immigrant and anti-radical sentiments, with many believing they were targeted more for their political beliefs than any clear evidence of guilt. Protests and demonstrations erupted around the world, calling for their release or a new trial.Despite the global outcry, the U.S. judicial system upheld their conviction, and they were sentenced to death. Sacco and Vanzetti's execution sparked widespread condemnation and became a symbol of the miscarriage of justice. Decades later, in 1977, Massachusetts Governor Michael Dukakis issued a proclamation officially exonerating Sacco and Vanzetti, acknowledging the unfairness of their trial and the lasting impact it had on civil liberties in the United States. Their case remains a powerful reminder of the dangers of prejudice and the importance of due process in the legal system.OpenAI has hired Idriss Kechida as its first global data protection officer, reflecting the company's growing focus on privacy amid its rapid expansion in generative AI. Kechida, previously the associate general counsel and chief privacy officer at Match Group, will oversee OpenAI's compliance with global privacy laws and collaborate closely with the company's privacy legal team, led by Emma Redmond. Kechida was drawn to OpenAI by the unique privacy challenges posed by AI technology. His role is part of a broader hiring spree at OpenAI, which has brought on more than a dozen lawyers recently, including high-profile recruits from companies like Google and Netflix, to address the increasing legal and regulatory scrutiny the company faces. This expanded legal team will tackle issues ranging from trust and safety protocols to lawsuits challenging OpenAI's business practices.OpenAI Swipes Match's Privacy Chief for New Data Protection RoleThe Eleventh Circuit Court of Appeals has blocked the Biden administration's rule extending Title IX protections to include gender identity and sexual orientation in schools receiving federal funding. This ruling reverses a previous decision by an Alabama judge that allowed the rule to take effect. The rule, adopted in April, faced opposition from over half of U.S. states, leading to multiple lawsuits. Alabama, Georgia, Florida, and South Carolina successfully appealed to the Eleventh Circuit after an initial failure to secure an injunction from the lower court. The appeals court argued that the rule significantly broadened the scope of Title IX beyond its original intent, potentially exceeding the Education Department's authority. The court cited the Supreme Court's definition of discrimination in *Davis v. Monroe County Board of Education*, which requires harassment to be severe, pervasive, and objectively offensive to qualify under Title IX. Judge Charles R. Wilson dissented, supporting the lower court's decision.Title IX Gender Identity Protections Blocked by Eleventh CircuitThe U.S. Supreme Court, in a 5-4 decision, has partially revived an Arizona law that requires proof of U.S. citizenship to register to vote. The ruling reinstates the provision that mandates documented proof for those using the state voter registration form, but leaves in place a lower court's block on similar requirements for the federal registration form. This decision comes after Arizona Republicans and the Republican National Committee requested the revival, following a federal judge's earlier block of the law due to challenges from the Biden administration and advocacy groups. The Supreme Court's ruling underscores ongoing debates over voting rights, especially in battleground states like Arizona.US Supreme Court partly revives Arizona's proof of citizenship voter law | ReutersIn my piece for Forbes on IRS data access and accountability, I highlight the challenges faced by the IRS in securing sensitive taxpayer information, given the vast number of employees and contractors with access. Traditional methods like rigorous vetting and background checks are not sufficient, as insider threats often come from those without prior misconduct. Instead of focusing solely on prevention through vetting, I argue that the IRS should prioritize making all data access traceable and creating formal, transparent avenues for reporting concerns.I propose that the IRS enhance its monitoring capabilities by using artificial intelligence to log and analyze every instance of data access. This would deter unauthorized access and help quickly identify the source of any breaches. Additionally, I suggest establishing an "Office of Public Integrity," a formal mechanism for employees and contractors to disclose information they believe is in the public interest. This office would provide a controlled, internal process for such disclosures, balancing transparency with the need to protect sensitive data. By implementing these measures, the IRS can improve data security and public trust.Bringing Leakers Into The Fold—IRS Data Access And AccountabilityThis week's closing theme is by Ludwig van Beethoven, a composer of some note.Ludwig van Beethoven, one of the most revered composers in classical music history, was born in 1770 in Bonn, Germany. His music bridged the Classical and Romantic eras, pushing the boundaries of composition and expression. Among his vast body of work, the Piano Sonata No. 16 in G Major, Op. 31, No. 1, composed in 1802, stands out as a prime example of his innovative style. This piece is part of a set of three sonatas (Op. 31) that Beethoven composed during a period of personal and artistic transformation. The first movement, Allegro vivace, is marked by its lively and playful character, reflecting Beethoven's desire to break away from the traditional sonata form and experiment with new ideas. The sonata was premiered on August 25th, 1802, offering audiences a glimpse into Beethoven's evolving musical vision. As this week's closing theme, the Allegro vivace offers a vibrant and energetic conclusion, embodying the spirit of Beethoven's creativity and the boldness that made him a giant in the world of music.Without further ado, Ludwig van Beethoven's Piano Sonata No. 16 in G Major, Op. 31, No. 1, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

This Day in Legal History: Dutch Low Countries Independence from SpainOn July 26, 1581, the Dutch Low Countries signed the Plakkaat van Verlatinghe, also known as the Act of Abjuration, formally declaring their independence from Spanish rule. This monumental document marked the culmination of a prolonged struggle against the oppressive policies of the Spanish Habsburgs, particularly under King Philip II. The Act of Abjuration justified the Dutch rebellion by asserting that a ruler who does not protect his subjects and instead oppresses them loses his legitimacy. The declaration was a pivotal moment in the Eighty Years' War (1568–1648), which ultimately led to the establishment of the Dutch Republic.The Act of Abjuration is often compared to the later Declaration of Independence of the United States, as both documents articulate the right of a people to overthrow an unjust ruler. The Dutch provinces, driven by the desire for religious freedom, economic independence, and political autonomy, took a bold step in severing ties with one of the most powerful empires of the time. The Plakkaat van Verlatinghe underscored the principle that sovereignty resides with the people, a concept that would influence political thought in Europe and beyond.By declaring their independence, the Dutch not only sought to free themselves from tyranny but also set a precedent for future nations seeking self-determination. The Act of Abjuration remains a significant milestone in the history of democracy and the fight for human rights. It symbolizes the enduring struggle for freedom and justice, themes that continue to resonate in contemporary political discourse.The California Supreme Court has upheld Proposition 22, allowing Uber, Lyft, and other gig economy companies to classify drivers as independent contractors. This unanimous decision supports the 2020 voter-approved law, preventing a significant shift in labor costs and maintaining the companies' current business models. Had the ruling gone against Prop 22, these companies would have faced increased costs and operational challenges in California, one of their largest markets.Following the ruling, shares of Uber, Lyft, DoorDash, and Instacart surged, though the gains later moderated. Justice Goodwin H. Liu stated that California's constitution does not prevent voters from passing initiatives affecting workers' compensation. He emphasized that this ruling does not bar future legislative decisions to extend workers' compensation benefits to independent contractors.Gig companies hailed the decision, emphasizing that it reflects the will of millions of Californians. However, labor advocates criticized the ruling, arguing it unfairly burdens gig workers by denying them essential protections like minimum wage, sick leave, and overtime pay. Advocates, including the plaintiff Hector Castellanos, renewed calls for unionization to combat these perceived inequities.The ruling is seen as a victory for gig economy companies but signals ongoing legal and legislative battles. States like Massachusetts, New York, Washington, and Minnesota have tackled gig worker classifications with varying strategies, indicating the complexity and ongoing nature of this issue.California Gig Workers to Remain Contractors, Prop 22 Upheld (2)Justice Elena Kagan has proposed that Chief Justice John Roberts appoint a panel of experienced and respected judges to enforce the US Supreme Court's newly adopted code of conduct. Speaking at a judicial conference in Sacramento, Kagan expressed trust in Roberts to establish such a committee. This suggestion comes amid controversy over reports of lavish gifts received by Justice Clarence Thomas, highlighting the need for an enforcement mechanism to accompany the recently adopted code of conduct.Kagan acknowledged the challenges in determining who should enforce ethics rules for the justices but emphasized the necessity of finding a solution. During her discussion at the US Court of Appeals for the Ninth Circuit's annual judicial conference, she also criticized the practice of justices writing multiple opinions in a single case. She argued that this complicates the work of lower courts and prevents the Supreme Court from providing clear guidance.Kagan specifically mentioned the court's fractured decision in United States v. Rahimi, where seven justices wrote separate opinions despite only one dissent. This case, which upheld a federal gun law related to domestic violence, illustrated divisions among the justices on interpreting firearm restrictions. Kagan's comments follow a term marked by several controversial Supreme Court decisions, including limiting federal regulatory power and providing immunity to former President Donald Trump for certain official acts.Elena Kagan Endorses High Court Ethics Enforcement Mechanism (1)Apple Inc. has agreed to adopt a set of voluntary artificial intelligence (AI) safeguards established by President Joe Biden's administration. These safeguards aim to guide the development of AI technology and encourage companies to protect consumers. Apple joins other tech giants like OpenAI Inc., Amazon.com Inc., Alphabet Inc., Meta Platforms Inc., and Microsoft Corp. in committing to test their AI systems for discriminatory tendencies, security flaws, and national security risks. The companies also pledge to share test results transparently with governments, civil society, and academia, and report any vulnerabilities.This commitment coincides with Apple's plan to integrate OpenAI's chatbot, ChatGPT, into its iPhone voice-command assistant. However, Elon Musk, CEO of Tesla Inc., has threatened to ban Apple devices from his companies if OpenAI's software is integrated at the operating system level, citing security concerns. Musk has his own AI startup, xAI, which has developed a chatbot named Grok.AI technology has become mainstream, but its use in areas like law enforcement, hiring, and housing has faced criticism for fostering discrimination. President Biden has emphasized the benefits of AI while also warning of its potential dangers, advocating for responsible industry practices. Although the White House guidelines are comprehensive, they are not enforceable, relying on companies to adhere to the standards voluntarily.In response to the challenges of regulating AI, Biden signed an executive order last year requiring powerful AI systems to undergo testing to be eligible for federal government purchase. He is set to receive an update on the implementation of this directive. Meanwhile, a bipartisan group of lawmakers in Congress has expressed interest in regulating AI, but legislation has not yet been prioritized.Apple to Adopt Voluntary AI Safeguards Established by BidenManhattan prosecutors argued that Donald Trump's conviction should stand despite a Supreme Court ruling that presidents cannot face criminal charges for official acts. In a recent court filing, prosecutors emphasized that the charges against Trump involved personal conduct, specifically the hush money payment to Stormy Daniels, and were unrelated to his presidential duties. Trump was convicted on 34 felony counts for falsifying business records to cover up the payment made by his lawyer, Michael Cohen, before the 2016 election. Trump denies the encounter and plans to appeal the verdict. Legal experts believe the request to overturn the conviction is unlikely to succeed as the conduct predates Trump's presidency. Trump's defense claimed the prosecution improperly used evidence of his official acts during the trial, including Twitter posts and testimonies from White House aides, but prosecutors argued these were related to personal matters. The judge, Juan Merchan, postponed sentencing to September 18 to allow Trump's lawyers to present their case. If the conviction is upheld, sentencing will proceed, and Trump can then appeal to a higher court.Trump hush money prosecutors say conviction should stand despite immunity ruling | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.Ludwig van Beethoven, one of the most revered composers in the history of Western music, was born in 1770 in Bonn, Germany. His innovative compositions bridged the Classical and Romantic eras, leaving an indelible mark on music that continues to inspire and move audiences worldwide. Despite becoming profoundly deaf in his later years, Beethoven's prolific output includes symphonies, concertos, string quartets, and piano sonatas, showcasing his genius and resilience.One of his most remarkable works is the Piano Sonata No. 32 in C minor, Op. 111, completed on July 28, 1822. This sonata is the last of Beethoven's 32 piano sonatas, representing the culmination of his explorations in the genre. The piece is notable for its profound depth, structural innovation, and emotional intensity, characteristics that reflect Beethoven's mature style.The sonata consists of two contrasting movements. The first movement, "Maestoso - Allegro Con Brio Ed Appassionato," opens with a dramatic, solemn introduction that sets the stage for the ensuing allegro. This section is marked by its passionate energy, dynamic contrasts, and intricate rhythms, driving forward with a relentless, almost fateful momentum. The movement's thematic material is both complex and expressive, embodying Beethoven's masterful ability to fuse technical brilliance with deep emotional expression.The "Maestoso - Allegro Con Brio Ed Appassionato" serves as a testament to Beethoven's ingenuity and his capacity to convey profound human experiences through music. It challenges the performer with its technical demands while offering listeners a rich, emotional journey. The sonata's significance lies not only in its technical mastery but also in its philosophical depth, inviting interpretations that delve into the realms of struggle, resolution, and transcendence.As we close our week of shows we invite you to immerse yourself in the powerful and evocative sounds of Beethoven's Piano Sonata No. 32 in C minor, Op. 111. Let the intensity and passion of the first movement, "Maestoso - Allegro Con Brio Ed Appassionato," carry you through its intricate and emotive landscapes. Enjoy this timeless piece and allow Beethoven's genius to resonate within you.Without first ado, the first movement of Beethoven's Piano Sonata No. 32 in C minor, Op. 111, enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Day 20: Mary Jo Bang reads her poem “Mary Jo in the Time of Sappho.” We are honored to be the original publication of this poem. Mary Jo Bang is the author of nine books of poems—including A Film in Which I Play Everyone, which was nominated for a Lammy Award, A Doll for Throwing, and Elegy, which received the National Book Critics Circle Award. She has published translations of Dante's Inferno, illustrated by Henrik Drescher, and Purgatorio. Her translation of Paradiso is forthcoming from Graywolf Press in 2025. She is also the translator of Colonies of Paradise: Poems by Matthias Göritz and co-translator, with Yuki Tanaka, of A Kiss for the Absolute: Selected Poems of Shuzo Takiguchi, forthcoming in 2024 from the Princeton University Press Lockert Poetry in Translation Series. She teaches at Washington University in St. Louis. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 19: Armen Davoudian reads his poem “Saffron,” from his new collection The Palace of Forty Pillars, also published in The Atlantic (2024).  Armen Davoudian is the author of the poetry collection THE PALACE OF FORTY PILLARS (Tin House) and the translator, from Persian, of HOPSCOTCH by Fatemeh Shams (Ugly Duckling Presse). He grew up in Isfahan, Iran, and is a PhD candidate in English at Stanford University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 18: Esther Lin reads her poem "Praise the Scaffold in Rouen Cathedral.” We are honored to be the first publication of this poem.  Esther Lin was born in Rio de Janeiro, Brazil, and lived in the United States as an undocumented immigrant for 21 years. Her forthcoming book _Cold Thief Place_ is the winner of the 2023 Alice James Award. She has been a Writing Fellow at the Fine Arts Work Center, Provincetown and a Wallace Stegner Fellow at Stanford University. She co-organizes the Undocupoets, which promotes the work of undocumented poets and raises consciousness about the structural barriers that they face in the literary community.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Werner Hink, who for many years was a concertmaster of the Vienna Philharmonic, has died. Jay interviewed him some years ago and found him memorable. This episode ends with some playing by Hink (Bach). There is also some Schubert by Isaac Stern, whom Hink prized. There's a little Broadway, a little rap. A nice buffet of music. Mozart, Overture to “The Marriage of Figaro” Beethoven, Piano Sonata No. 27 in E minor, Op. 90, second movement Schubert, “Serenade” Rodgers-Sondheim, “Hate Song” from “The Mad Show” Prokofiev, March from “The Love for Three Oranges” Ginastera, Violin Concerto, final section C+C Music Factory, “Things That Make You Go Hmmm” Trad., “Shine You No More (Last Leaf)” Bach, Adagio from the Violin Sonata in G minor

Day 17:  Sebastian Merrill reads his poem “To My Ghost :: Float” from his book GHOST :: SEEDS (Texas Review Press, 2022).  Sebastian Merrill's debut collection GHOST :: SEEDS was selected by Kimiko Hahn as the winner of the 2022 X. J. Kennedy Poetry Prize, published by Texas Review Press in November 2023. A winner of the 2024 Stonewall Honor Book - Barbara Gittings Literature Award from the American Library Association, GHOST :: SEEDS was also selected by Ellen Doré Watson as the winner of the 2022 Levis Prize for Poetry from Friends of Writers. Sebastian's poetry has appeared in The Common, Four Way Review, Diode Poetry Journal, wildness, and elsewhere. He holds an MFA in Poetry from Warren Wilson College and a BA from Wellesley College.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 16: Matthew Gellman reads his poem “Beforelight,” originally published in Passages North, 2018.  Matthew Gellman is the author of a chapbook, Night Logic, which was selected by Denise Duhamel as the winner of Tupelo Press' 2021 Snowbound Chapbook Award. His first book, Beforelight, was selected by Tina Chang as the winner of the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions. Matthew has received awards and honors from the National Endowment for the Arts, Brooklyn Poets, the Adroit Journal's Djanikian Scholars Program, the Saltonstall Foundation for the Arts, the New York State Summer Writers Institute and the Academy of American Poets. His poems have appeared in Poetry Northwest, Gulf Coast, Narrative, The Common, the Missouri Review, Indiana Review, Ninth Letter, Lambda Literary's Poetry Spotlight, and other publications. He lives in New York, where he teaches at Hunter College and Fordham University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 15: Cindy Juyoung Ok reads her poem “Claim.” They originally published the poem in Conjunctions Issue 75 (Fall 2020).  Cindy Juyoung Ok is the author of Ward Toward from the Yale Series of Younger Poets and an assistant English professor at the University of California Davis.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 14: Yinlin Zhao reads its poem “The Mpreg Poem.” We are honored to be the poem's first publication. Yinlin Zhao (he/it/go for it, truly) is a writer/student out on the East Coast and on the world wide web. All the stuff it makes is probably about robots, bugs, or a secret third thing. His work has been published in warning lines literary, Hominum Journal, The Dawn Review, and antinarrative, and has been recognized by Scholastic. Its website, which has a bunch of his creations, is https://braveyoungcowboys.neocities.org/ Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 13: Séamus Isaac Fey reads his poem “Edwin says I deserve to be loved with precision” which appears in their new collection decompose (Not a Cult Media, 2024).  Séamus Isaac Fey (he/they) is a Trans writer living in LA. Currently, he is the poetry editor at Hooligan Magazine, and co creative director at Rock Pocket Productions. His debut poetry collection, decompose, is out with Not a Cult Media. His work has appeared in American Poetry Review, Poet Lore, The Offing, Sonora Review, and others. He loves to beat his friends at Mario Party. Find him online @sfeycreates. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 12: Fatimah Asghar reads their poem “The Ocean is Trynna Fuck,” originally published in the American Poetry Review, 2023.  Fatimah Asghar is an artist who spans across different genres and themes. They have been featured in various outlets such as TIME, NPR, Teen Vogue and the Forbes 30 Under 30 List. They are the author of If They Come For Us  and When We Were Sister, which was longlisted for the National Book Award and won the Carol Shield's Prize. Along with Safia Elhillo they co-edited an anthology for Muslim people who are also women, trans, gender non-conforming, and/ or queer, Halal If You Hear Me. They are the writer and co-creator of the Emmy-nominated Brown Girls, and wrote and directed the short films Got Game and Retrieval. They are also a writer and co-producer on Ms. Marvel on Disney +, and wrote Episode 5, Time and Again, which was listed as one of the best TV episodes of 2022 in the New York Times and Hollywood Reporter.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 11: Joshua Garcia reads “Epistle (Deluge)” which first appeared in New South and appears in his new collection Pentimento. Joshua Garcia is the author of Pentimento (Black Lawrence Press 2024). His poetry has appeared in Ecotone, The Georgia Review, Passages North, Ploughshares, and elsewhere. He holds an MFA from the College of Charleston and has received a Stadler Fellowship from Bucknell University and an Emerge—Surface—Be Fellowship from The Poetry Project. He lives and writes in Brooklyn, New York. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 10: p. hodges adams reads their poem “pêche d'enfer,” originally published in the New Orleans Review, 2022.  p. hodges adams is a michigander poet who received their MFA in creative writing from the university of virginia, where they currently teach as a lecturer. their work can be found in cutbank, fourteen poems, december magazine, and elsewhere. hopefully they will turn into a beam of sunlight someday soon. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

Day 9: Jimin Seo reads his poem “Richard Wakes Up in The Middle of The Night” forthcoming from his book OSSIA (Changes, 2024).  Jimin Seo was born in Seoul, and immigrated to the US to join his family at the age of eight. He is the author of OSSIA, a winner of The Changes Book Prize. His poems can be found in Action Fokus, The Canary, annulet, Pleiades, mercury firs, and The Bronx Museum. His most recent projects were Poems of Consumption with H. Sinno at the Barbican Centre in London, and a site activation for salazarsequeromedina's Open Pavilion at the 4th Seoul Biennale of Architecture and Urbanism. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 8: Amelia Ada reads an excerpt from her collection Hard and Glad, forthcoming from DOPAMINE/Semiotext(e) May 2026.  Amelia Ada is a trans poet and essayist, and she is currently a doctoral candidate in literature and creative writing at the University of Southern California. Her writing has appeared widely in journals, and she is the co-creator and co-host of the podcast You Shouldn't Let Poets Lie To You. She lives in Los Angeles. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 7: Mark Wunderlich reads his poem “No Horse.” We are honored to be the first publisher of this poem.  Mark Wunderlich is the author of four collections of poems, the most recent of which is God of Nothingness published by Graywolf Press.  His other collections include The Earth Avails, winner of the Rilke Prize, Voluntary Servitude, and The Anchorage, which received the Lambda Literary Award.  He has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Amy Lowell Trust, Civitella Ranieri Foundation, and the Wallace Stegner program at Stanford University.  He serves as Executive Director of the Bennington Writing Seminars graduate writing program, and chairs the Writing Committee at the Fine Arts Work Center in Provincetown.  He lives near Catskill, New York.   Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 6: Angel Nafis reads her poem “Why R&B First Thing in the Morning, Why R&B Above All,” originally published on The Rumpus in 2015.  Born in Chicago, Illinois and raised in Ann Arbor, Michigan, Angel Nafis is a writer and the author of BlackGirl Mansion (Red Beard Press/ New School Poetics, 2012). She earned her BA at Hunter College and her MFA in poetry at Warren Wilson College. Her work has appeared in The Academy of American Poets' Poem-a-day, BLACK FUTURES, The Rumpus, Poetry Magazine, Buzzfeed Reader and elsewhere. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 5: Gabrielle Bates reads her poem “Intro to Theater,” which appears in her collection Judas Goat (Tin House, 2023) [and an an earlier version of it appeared in Ploughshares].  Gabrielle Bates is the author of Judas Goat (Tin House, 2023), named Electric Lit's top poetry book of the year and an NPR Best Book of 2023. Originally from Birmingham, Alabama, she currently lives in Seattle, where she works for Open Books: A Poem Emporium and co-hosts the podcast The Poet Salon. Website: www.gabriellebat.es  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 4: Richard Siken reads his new poem Cover Story, originally published in Pithead Chapel, which will appear in his forthcoming book I Do Know Some Things (Copper Canyon Press, 2025).  Richard Siken is a poet, painter, and filmmaker. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (forthcoming, Copper Canyon Press, 2025). Siken is a recipient of a Pushcart Prize, two Lannan Fellowships, two Arizona Commission on the Arts grants, and a fellowship from the National Endowment for the Arts. He lives in Tucson, Arizona. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. 

Day 3: Leslie Sainz reads her poem “At the Center of the Story & Utterly Left Out”, originally published in The Common (2023).  Leslie Sainz is the author of Have You Been Long Enough at Table (Tin House, 2023), a finalist for the 2024 Audre Lorde Award. The daughter of Cuban exiles, her work has appeared in the Academy of American Poets' Poem-a-Day, the Yale Review, Kenyon Review, American Poetry Review, and elsewhere. A three-time National Poetry Series finalist, she's received fellowships from the National Endowment for the Arts, CantoMundo, and the Stadler Center for Poetry & Literary Arts at Bucknell University. Originally from Miami, she lives in Vermont and works as the managing editor of New England Review. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 2: Eduardo C. Corral read the title poem of his 2020 collection Guillotine (Graywolf Press).  Eduardo C. Corral is the son of Mexican immigrants. He's the author of Guillotine, published by Graywolf Press, and Slow Lightning, which won the 2011 Yale Series of Younger Poets competition. He's the recipient of a Guggenheim Fellowship, a Lannan Foundation Literary Fellowship, a Whiting Writers' Award, a National Endowment for the Arts Fellowship, and a Hodder Fellowship from Princeton University. He teaches in the MFA program at North Carolina State University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Day 1: jason b. crawford reads their poem “Untitled 1975-86.” We are honored to be the first publication of this poem. jason b. crawford is a writer born in Washington DC, raised in Lansing, MI. Their debut Full-Length Year of the Unicorn Kidz is out from Sundress Publications. They are a 2023 Lambda Literary Emerging LGBTQ Voices fellow. Their second collection, YEET! is forthcoming from Omnidawn Publishing in 2025.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.   

Queer Poem-a-Day is a unique podcast series for Pride Month, presenting a public archive of poems written and read by contemporary LGBTQIA+ poets. For this fourth year, we are sharing a poem each weekday in June on our podcast and on our website. Enjoy this audio trailer featuring a collage of some of our voices for 2024. Get episodes of poets reading their poems each weekday starting Monday, June 3, 2024 on the Deerfield Public Library Podcast feed—where we also host interviews with authors of all genres and other notable people from Chicagoland and around the world. Listen on Apple Podcasts, Spotify, or anywhere you get podcasts. We invite you to check out our archives from year one, year two, and year three's “Lineage Edition” (or scroll down in the feed!) Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C Sharp Minor by Ethel Smyth, performed by pianist Daniel Baer.  We are once again grateful to have received generous support from both the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.