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2 episodes with Bolshoi
3 episodes with Bolshoi
2 episodes with Bolshoi
3 episodes with Bolshoi
5 episodes with Bolshoi
3 episodes with Bolshoi
3 episodes with Bolshoi
3 episodes with Bolshoi
2 episodes with Bolshoi
This month we're back to the mid 80s to talk about our favourite songs of 1986, including thrash metal classics, proto-industrial stompers, enormous pop bangers, massive cheesy 80s soundtrack rock and loads more.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - a-ha, The Art Of Noise ft Max Headroom, Big Black, The Bolshoi, Bon Jovi, Billy Bragg, Stan Bush, Nick Cave & The Bad Seeds, Crowded House, Cutting Crew, Europe, The Go-Betweens, Bruce Hornsby & The Range, The Housemartins, Hüsker Dü, In The Nursery, Iron Maiden, KMFDM, Kenny Loggins, Merzbow, Metallica, New Order, Public Image Ltd, R.E.M., Lionel Richie, Shub Niggurath, Siouxsie & The Banshees, Slayer, The Smiths, & They Might Be Giants.Find all songs in alphabetical order here - https://open.spotify.com/playlist/2SmV87RMDnpidlUpn4m7lU?si=Ssrrhy8iRtCgFXSP9-QXug&pi=p67BZNXETwqB5Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next few months or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Bluesky - https://bsky.app/profile/wedigmusic.bsky.socialInstagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com
Trevor Tanner & Paul Clark in conversation with David Eastaugh https://thebolshoibrothers.com/ https://thebolshoibrothers.bandcamp.com/ Trevor Tanner and Paul Clark started working on their debut album during the Covid lockdown. They recorded the album together remotely, Trevor from Florida and Paul from Seattle. The album release will be followed by live shows featuring songs from new album as well as a selection of songs originally recorded by The Bolshoi.
In this episode of 'Prison Breaking with Sarah and Paul,' the hosts dive into the making of 'Bolshoi Booze.' The episode is filled with behind-the-scenes stories, including a significant mishap between Paul and Sara's stuntwoman during the bathtub scene, intense filming experiences, and the real-life challenges and emotions that come with portraying such dramatic scenes. Sarah and Paul also discuss the directorial techniques of Greg Yaitanes and how he influenced the show's visual storytelling. The episode wraps up with fan questions and reveals new merchandise for the podcast. 00:00 Introduction and Episode Recap 01:05 Reflecting on Intense Filming Experiences 02:49 Behind the Scenes: Filming Techniques and Challenges 04:08 Merchandise and Social Media Plugs 04:58 Episode Details and Viewer Statistics 05:57 Plot Recap and Character Highlights 10:32 Stunt Mishap and Safety Concerns 33:23 Handling a Stunt Double Crisis 33:55 Dealing with On-Set Mistakes 34:21 End-of-Day Reflections 35:33 The Impact of Acting on Mental Health 37:45 Catharsis Through Acting 39:05 Trust and Safety on Set 39:45 Overcoming Imperfections in Filming 41:29 Imitating Favorite Movie Scenes 42:27 Character Psychology and Motivations 47:32 Fan Questions and Reflections 50:33 Directing Techniques and Challenges 59:20 Final Thoughts and Credits Leave us your comments, shoot us an email, or leave us a voicemail - we love hearing from all of you! For the FULL Prison Breaking With Sarah & Paul experience, join our very active Patreon community where you can watch our WATCH PARTY episodes, released a day before the podcast episode, where you can re-watch every episode of Prison Break alongside Sarah & Paul's real time commentary (kind of like the DVD director commentary tracks of yore). You also get access to all of our Fan Fiction episodes and our Discord Server where you can join our active Prison Breaking community, interact with Sarah & Paul's "Ask Me Anything" and join group WATCH PARTIES where you can experience the release of every Watch Party and along with a group chat. Join our Patreon here: https://patreon.com/user?u=116411884 If you love all the behind-the-scenes Prison Break convo that Sarah & Paul are bringing weekly, then please give us a review and a follow us on all your podcast, social media, and YouTube accounts! Watch the episode on YouTube - https://www.youtube.com/@PrisonBreakPodcast Follow us on Instagram - https://www.instagram.com/prisonbreakpodcast/ Follow us on TikTok - https://www.tiktok.com/@prisonbreakpodcast Merch!!! - https://pbmerch.printify.me/products Email us at prisonbreaking@caliber-studio.com And leave us a message with all your burning questions at (401) 3-PBREAK Logo design by John Nunziatto @ Little Big Brands. If you want one yourself, reach out at https://www.littlebigbrands.com/ and tell him we sent you. PRISON BREAKING WITH SARAH & PAUL is a Caliber Studio production.
“My job was to dance so well that it didn't matter who favored me or why.” That's a line from the compelling new memoir by world-renowned ballerina Joy Womack, “as told to” podcast guest Elizabeth Shockman. Together, in (dare we say it?) balletic prose, the two recount Womack's storied career as the first American woman to dance under contract for the Bolshoi Ballet Theater in Moscow. “The dancers beside me were tired, pale after months of clouded winter skies,” they write in Behind the Red Velvet Curtain: An American Ballerina in Russia. “They bent and bowed, their bodies corded with muscle, like sallow stalagmites that had mushroomed off the floor of a cave.” Womack's story offers a first-hand glimpse of the cutthroat world of ballet, complete with acts of violence and intrigue, tales of eating disorders and body shaming, and profiles of legendary Bolshoi coaches who encouraged obsessive devotion and imposed their uncompromising standards on their young charges. And yet beneath the ugliness of graft and competition, the author's love of dance and her appreciation for the place ballet holds in Russian culture fairly leap off the page, as she reflects on the intersection of art and politics and exposes the shadowy underbelly of the world of professional ballet. First-time collaborator Elizabeth Shockman is a public radio journalist based in Minnesota. Her work has been featured on National Public Radio, Public Radio International, Minnesota Public Radio, and the BBC. She has previously written for Reuters, The Moscow Times, and other publications. She first met Joy Womack on assignment for Reuters in Moscow and spent over a dozen years collaborating with her on this book. (Yes, Elizabeth agrees, that's a very long time to work on one project, but as she shares in this episode of As Told To: The Ghostwriting Podcast, it sometimes happens that life and career take center stage, both for an author and her subject, as memoir waits in the wings.) Learn more about Elizabeth Shockman: Instagram Twitter BlueSky Joy Womack Instagram Joy Womack Facebook Please support the sponsors who support our show: John Kasich's Heaven Help Us (now available for pre-order) Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount
This week's Dark Nation Radio channels the dark with new tracks from bands including Peter Murphy, Mortes, Black Angel, Silver Tears, Pink Turns Blue, Mercury's Antennae, Dead Lights, Rohn-Lederman, and the Funeral March, plus throwbacks from Siouxsie, The Cure, The Chameleons, The Bolshoi, New Model Army, Depeche Mode, and the Sisters of Mercy. Come on over to the dark side! As always, if you like what you hear, I hope you will support the bands and consider following me on your preferred platform. Reposts of the show so that others can find out about it are particularly appreciated. Questions and promo materials may be directed to darknationradio@gmail.com. DJ cypher's Dark Nation Radio Playlist 23 March 2025 Siouxsie & the Banshees, “Arabian Knights” Ché Aimee Dorval, “Joyride” Peter Murphy, “The Artroom Wonder” Seeming, “The Burial” DEAD LIGHTS, “Take (Extended)” Caressing Misery, “Veins Run Dry” Mortes, “Blood” The Sisters of Mercy, “Black Planet” Depeche Mode, “Some Great Reward” Proyecto Escapulario, “Lo Eterno” Theodoros Dimitriou, “Sometimes We Dream” The Bolshoi, “Happy Boy” Black Angel, “Kiss of Death (Bloo-d and Ran remix)” Then Comes Silence, “Tickets to Funerals” The Chameleons, “In Shreds” Fernando's Eyes, “A Million Times (Magic Wands remix)” Rosegarden Funeral Party, “In the Wake of Fire” Larsovitch, “Bonne Nui” Silver Tears, “Again” The Funeral March, “Stars at Night” The Cure, “From the Edge of the Deep Green Sea” New Model Army, “Inheritance” Ductape, “Fade Away” Sapphira Vee, “Stand Together” Pink Turns Blue, “Friday Night Out” Mercury's Antennae, “The Veil Opaque” Rohn-Lederman, “Drop Drip Down” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio
It's the day of the concert! Anne and Wentworth finally get a chance to talk. Anne is CERTAIN that Wentworth loves her, Mr. Elliot makes his intentions clear, Captain Wentworth is JEALOUS, and Molly is shipping Elliot and Anne.Topics discussed include some clarification on marriage rules, the possibility of recovering from a broken heart, whomst Elliot's friend might be, why Elliot's proposal is a surprise, and whether Anne would accept if Wentworth proposed now.Glossary of Terms and Phrases:contiguous (adj.): next or together in sequence.Glossary of People, Places, and Things: Revenge of the Sith Opera House, the Bolshoi, Curb Your EnthusiasmPatron Study Questions:Avi: In this chapter Wentworth offers Anne his umbrella. Do you think this is something he would have done earlier in the book? What does that signify about Wentworth and his own journey? Ghenet: What do you think Anne and Wentworth's conversation (about Lyme, about Benwick and Louisa etc) tells us about what he's feeling (not just what Anne thinks he's feeling - is she a reliable narrator in this moment?)Becca's Study Questions: Topics discussed include what would change is Wentworth professed his love to Anne, Sir Walter's opinion of Wentworth, how Elliot has heard of Anne before and whether he knew she was coming to Bath, and whose team we're on.Funniest Quote: “Yes, yes, I see you are. I see you know nothing of the matter. You have only knowledge enough of the language to translate at sight these inverted, transposed, curtailed Italian lines, into clear, comprehensible, elegant English. You need not say anything more of your ignorance. Here is complete proof.”Questions Moving Forward: Why did Elliot come to Bath? If Wentworth proposed to Anne now, would she accept?Who wins the chapters? Mr. ElliotNext Episode: Volume 2 Chapter 9Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://www.teepublic.com/stores/pod-and-prejudice?ref_id=23216
Katie checks in with co-founder and co-Artistic Director of Complexions Contemporary Ballet Company, as well as noted dancer and choreographer (The Joyce, the Bolshoi, The Marinsky, BAM, Cairo Opera House, Holland Dance Festival, and more), Dwight Rhoden.
The Bolshoi flirted with Goth and synth pop in the late 80s, but what they ended up doing was releasing some great alternative rock songs. "A Way", "Lindy's Party" and "Sunday Morning" still hold up and tours with Peter Murphy and Sisters of Mercy should have propelled them further, but it didn't happen. Eventually the band splintered with lead singer Trevor Tanner moving to FLA and going solo and keyboardist Paul Clark doing his thing in Seattle. Those two have partnered up over the years as the Bolshoi Brothers and are about to release some new music. They join us this week to discuss their journey and where they are today. Enjoy! www.thebolshoibrothers.com www.patreon.com/c/thehustlepod
Michael reintroduces this episode featuring his conversation with former CIA officer Rolf Mowatt-Larssen, who shares unique anecdotes that reveal the Russian mindset, from a puppet show to a symbolic Bolshoi performance. His firsthand experiences in the country explore how history, culture, and psychology shape Russia's worldview—and foreshadow its actions in geopolitics today.
A song I wrote about a honey trap set by the KGB in 1955 using seductive dances from the Bolshoi ballet a British naval attache with the nickname miss Mary was cought in a homo sovieticus sexpionage of seduction just a hairs breath from the world famous Ballet theatre the soft cell take down was nick named Brandy at the Bolshoi.
Nick is joined by Lee Mottershead, senior writer for the Racing Post, at Royal Ascot for Day One. They are joined by guests David Egan, full of hope in his role as stable jockey to Amo racing, star Aussie racecaller Matt Hill, Asfoora's trainer Henry Dwyer, Jon Knapman from the Tote/Worldpool, Lisa Tan talks to stylist Sarah Kate Byrne and - as our Weatherbys guests - owner/breeders David and Trish Brown, who struck in the King Stand with homebred Bolshoi 26 years ago, and who bred exciting Chantilly winner Delius. Nick and Lee also discuss the Shark Hanlon pictures that circulated social media yesterday.
КАЖДЫЙ ВЫПУСК - КАВЕР ПРЕДЫДУЩЕГО
Hello Everyone, I am so excited for you all to listen to this really pleasant conversation I had with Tiler Peck. The world renowned, incredibly dynamic, musical and versatile dancer of today. People have said about her "I don't even have to hear the music to be able to know what it sounds like when I watch you dance." Tiler Peck started dancing at her mother's studio at the age of two and was introduced to various dance styles. She worked with former Bolshoi principal dancer Alla Khaniashvili and former New York City Ballet dancers Patricia Neary and Yvonne Munsey. Peck's journey led her to the School of American Ballet (SAB) and eventually to New York City Ballet. She had to navigate the transition from jazz to ballet and overcome feelings of comparison and insecurity. P eck's musicality is a defining characteristic of her dancing, and she describes it as being an extension of the music. She believes in breaking the rules and being fearless on stage. In this conversation, Tiler Peck discusses the importance of musicality in ballet and how it can be taught. Can it be taught to the degree Tiler is gifted? She emphasizes the need for dancers to listen to the music and become comfortable with it, allowing it to guide their movements. Tiler also shares her experience as a perfectionist and how it has both helped and hindered her progress. She highlights the importance of finding a balance between striving for perfection and letting go to fully express oneself. Tiler also talks about the significance of downtime and having experiences outside of ballet, which can enhance a dancer's artistry and bring more depth to their performances. Let's meet Tiler! Chapters 00:00 Introduction and Early Dance Training 04:12 Transition to Ballet and School of American Ballet 07:32 Working with Former Bolshoi Principal Dancer 10:42 Choosing Ballet as the Focus 20:35 Musicality and Jazz Background 25:14 Maintaining Musicality in Ballet Training 27:45 Nerves and Performing 29:23 Definition of Musicality in Dance 35:28 Developing Musicality as a Student 36:24 The Importance of Musicality in Ballet 39:04 Teaching Musicality in Ballet 41:19 The Relationship Between Technical Ability and Musicality 42:56 Stretching Time and Musicality 47:10 The Pitfalls of Perfectionism 51:49 The Importance of Downtime and Life Outside of Ballet 56:28Finding Yourself Outside of Ballet 01:05:50 Exploring Other Creative Fields 01:09:10Takeaways and Conclusion ------ Enjoy! Like and subscribe! ---------------------------------- 14 day free trial to the BWI platform https://balletwithisabella.com/select-a-plan/ * My website - Online classes and courses Memberships to enhance you training Live classes and more! https://balletwithisabella.com MOST RECENT CLASSES AND COURSES GRAND ALLEGRO COURSE https://balletwithisabella.com/course/grand-allegro-course/ MAT MADNESS 14 DAY CHALLENGE https://balletwithisabella.com/course/mat-madness/ ABSOLUTE BEGINNER 8 WEEK COURSE https://balletwithisabella.com/plan/absolute-beginner-course/ * Listen to my podcast to enhance your mindset as a dancer! become more confident, with higher self esteem and self belief. Join thousands of listeners! https://open.spotify.com/show/72hZ7nnhKSG97VofHYPBOW?si=8ebb73d9aedf425e * Follow me on Instagram https://www.instagram.com/balletwithisabella * Follow me on TIKTOK www.tiktok.com/@balletwithisabella Join the BWI Community! Your secret weapon to excellence https://balletwithisabella.com/select-a-plan/
This week's edition of Into The Vault features The Bolshoi!Playlist: Wet Dip - StraySunglaciers - A.I.Dorian's Steaming Shadow - Hold On To MeOmni - Plastic PyramidUrban Heat - Reason WhyThe Bolshoi - Sunday MorningThe Bolshoi - PleaseThe Bolshoi - Country LifeBody Of Light - This ConversationGlass Apple Bonzai - MysteriesPylon Reenactment Society - Educate MeBoeckner - Dead TouristsMannequin Pussy - Loud BarkCAT PISS - AmmoniaBlack Reuss - Crystal ClearL4ZR GR1D - UnhingedHouses Of Heaven - SightlineNuda - TensionKontravoid - For What It IsSydney Valette - Crystal HeartMecha Maiko - 400 HumansAndroid Lust - Eclipse I / Eclipse IIPrince Josh - Mothverticalpark - Sunrise Over SantoriniMXLX - A Big Cheer Went Up: I Had DiedOhmu - You've Come This Far, Why Stop NowEl Perro Del Mar - One More TimeTommy Guerrero - Directions Of PossibilityHalo Maud - Icebergoh caroline - Second Chance
Cultura em Pauta #700 01/04/2024
Cultura em Pauta #700 01/04/2024
A powerful ghost/A brutal conspiracy/A madman's rants Come see me LIVE at the Oregon Ghost Conference March 22-24, 2024! Seaside Civic & Convention Center 415 First Avenue, Seaside, OR 97138 http://oregonghostconference.com/ I will be speaking Saturday, March 23, 10am-11am and at my booth Friday night and all day Saturday! Make sure to stop by! Patreon https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Vote For Your Favorite Paranormal Podcast: Dead Rabbit Radio! https://paranormalitymag.com/vote25/ Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share Dead Rabbit Radio Wiki https://deadrabbitradio.pods.monster/doku.php?id=Welcome Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer https://i.imgur.com/yobMtUp.jpg “Alien Flyer” By TVP VT U https://imgur.com/gallery/aPN1Fnw “QR Code Flyer” by Finn https://imgur.com/a/aYYUMAh Links: Come see me LIVE at the Oregon Ghost Conference March 22-24, 2024! Seaside Civic & Convention Center 415 First Avenue, Seaside, OR 97138 http://oregonghostconference.com/ I will be speaking Saturday, March 23, 10am-11am and at my booth Friday night and all day Saturday! Make sure to stop by! Green Spleen Submarine https://www.youtube.com/@GreenSpleenSubmarine EP 1227 - The Alien/Demon/Serial Killer Connection https://deadrabbitradio.libsyn.com/ep-1227-the-aliendemonserial-killer-connection Childhood House Haunted (Time Shift Haunting Children In Future Stuck To Each Other Abusive Dad story) https://www.reddit.com/r/ParanormalNews/comments/19e96yp/childhood_house_haunted/ Archive https://archive.ph/gjcGw Mike Tyson vs Jake Paul 'joke' boxing rule changes entire landscape of fight https://www.the-express.com/sport/boxing/130709/Mike-Tyson-vs-Jake-Paul-boxing-rules Sexual Exploitation Was the Norm for 19th-Century Ballerinas https://www.history.com/news/sexual-exploitation-was-the-norm-for-19th-century-ballerinas "The Bolshoi Ballet was a brothel" Female dancer claims ballerinas were forced to sleep with wealthy patrons https://www.reddit.com/r/worldnews/comments/1ao1r7/the_bolshoi_ballet_was_a_brothel_female_dancer/ Bolshoi ballet was 'giant brothel' claims former dancer https://www.bbc.com/news/entertainment-arts-21856516 ------------------------------------------------ Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ Stewart Meatball The Haunted Mic Arm provided by Chyme Chili The Golden Rabbit Army: Fabio N, Chyme Chili, Greg Gourley, Vixen, Lula F. Wiki created by Germ http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: https://twitter.com/DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2024
Dies ist eine besondere Folge, unsere 200. Folge „Mord auf Ex“. Wir durften sie in Begleitung des Philharmonischen Orchesters Kiel - live on stage - erzählen. Unser besonderer Dank geht an diese hervorragende Musiker:innen für die wunderbare Zusammenarbeit und dieses einmalige Erlebnis. Januar 2013 in Moskau, Russland. Wir befinden uns im Bolshoi, einem der größten und berühmtesten Ballett-Theater der Welt. Sergej Filin ist der künstlerische Leiter und hat selbst lange hier getanzt. Die Menschen in Russland kennen ihn vor allem aus seiner Rolle in Schwanensee und feiern ihn als Superstar. Filin ist ein Mann mit sehr viel Macht. Er besetzt die Rollen, entscheidet über Gehälter, repräsentiert das Bolschoi nach außen. Als er in einer frostigen Nacht nach einer Vorstellung nach Hause kommt, nimmt er auf dem Parkplatz einen Schatten hinter sich wahr. Er bemerkt einen maskierten Mann. Dann sieht er plötzlich nichts mehr… Eine Produktion von Auf Ex Productions und dem Philharmonischen Orchester Kiel Hosts: Linn Schütze, Leonie Bartsch Musikalische Leitung: Benjamin Reiners Recherche: Ben-Alexander Safier Redaktion: Antonia Fischer, Viviane Osswald, Stefan Weikert Tonmeisterin Orchester: Karola Parry Aufnahme Veranstaltung: Event Service Nord Produktionsleitung Kiel: Caterina Hilgenberg Produktion Podcast: Alexander Chouzanas Musik: Intro - Komposition: Lorenz Schütze, Arrangement Christian Dellacher S. Joplin: „The Entertainer“ - Arrangement Tony Royse P. I. Tschaikowski: aus der „Schwanensee Suite“, Op. 20a Hintergrundinformationen, Fotos und Videos zu dieser Folge findet ihr: hier Unsere Social Media Kanäle auf Instagram, TikTok, Facebook: @mordaufexpodcast Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte! Wenn du diesen Podcast unterstützen möchtest, abonniere ihn unbedingt und lass eine Sterne-Bewertung da. Wir freuen uns riesig. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/MordaufEx
Bàn luận về việc phim MAI có thật sự ép suất chiếu phim khác và review các phim ra rạp từ ngày 16/02/2024: MADAME WEB – T13 Đạo diễn: S.J. Clarkson Diễn viên: Sydney Sweeney, Emma Roberts, Isabela Merced... Thể loại: Hành Động, Phiêu Lưu Bộ phim kể về nguồn gốc của một đồng minh Người Nhện, một nhân vật trong truyện tranh Marvel có sức mạnh liên kết đa vũ trụ - Cassandra Webb (Dakota Johnson) hay còn được biết đến là Madame Web. Sở hữu khả năng và giác quan nhạy bén của loài nhện, Cassandra có khả năng thấu thị, thần giao cách cảm và nhìn trước tương lai. Chính từ đây mà số phận của cô ấy trở nên gắn bó một cách bí ẩn với ba cô gái khác là Julia Carpenter (Sydney Sweeney), Anya Corazon (Isabela Merced) và Mattie Franklin (Celeste O'Connor) - những người được dự đoán là thế hệ tương lai của Người Nhện. NÀNG THƠ CỦA MILLER – T18 Đạo diễn: Jade Halley Bartlett Diễn viên: Martin Freeman, Jenna Ortega, Gideon Adlon, Bashir Salahuddin, Dagmara Domińczyk Thể loại: Hồi hộp, Tình cảm Câu chuyện về 1 nữ sinh học giỏi nhưng đầy bí ẩn (Jenna Ortega) phải hoàn thành 1 dự án với giáo sư của mình (Martin Freeman). Giữa họ dần hình thành mối quan hệ phức tạp buộc cả 2 phải đấu tranh nhằm giữ vững những gì họ yêu quý khỏi trước những hành động sai lầm của bản thân. CÚN CƯNG ĐẠI NÁO NHÀ HÁT Đạo diễn: Vasiliy Rovenskiy Diễn viên: Anna Starshenbaum; Diomid Vinogradov; Garik Kharlamov Thể loại: Hài, Hoạt Hình, Phiêu Lưu Chú chó lang tham Samson vô tình lạc vào nhà hát opera Bolshoi nổi tiếng bậc nhất thủ đô Moscow hoa lệ. Vướng vào vụ trộm chiếc vương miện kim cương của nữ diễn viên Anastasia; Samson cùng nàng cún Margot xinh đẹp của Anastasia dấn thân vào cuộc phiêu lưu đại náo nhà hát, truy lùng bọn cướp và giành lại món nữ trang quý giá. PORORO HÀNH TRÌNH SIÊU SAO ÂM NHẠC Đạo diễn: Yoon Je-wan Diễn viên: Jung Mi-sook, Hong So-young, Lee Sun, Imiza Thể loại: Hoạt Hình, Phiêu Lưu Pororo và những người bạn của anh ấy sắp sửa chiến thắng trong một cuộc thi ca hát mà họ tham gia cho vui. Liệu Pororo và những người bạn của anh ấy có thoát khỏi sự phiền nhiễu của Big Ben và cuối cùng giành chiến thắng trong cuộc thi siêu sao âm nhạc? --- Support this podcast: https://podcasters.spotify.com/pod/show/kim-thanh-duong/support
Last week we learned that ousted Fox blowhard Tucker Carlson had gone to Russia. He was spotted eating fake McDonalds and watching a ballet at the Bolshoi theater. But Tucker was there for more important things than fast food and culture; he was there for a sit down with President Putin. Carlson was mainly silent as Putin delivered an almost 40 minute long speech on the history of how Ukraine belongs to Russia. But the myths in Putin's and Russia's state-sponsored version of history are not new. Last summer Brooke spoke to Mikhail Zygar who had traced it back at least as far as the middle ages. This is a segment from our August 4, 2023 show, Making History.
Last week we learned that ousted Fox blowhard Tucker Carlson had gone to Russia. He was spotted eating fake McDonalds and watching a ballet at the Bolshoi theater. But Tucker was there for more important things than fast food and culture; he was there for a sit down with President Putin. Carlson was mainly silent as Putin delivered an almost 40 minute long speech on the history of how Ukraine belongs to Russia. But the myths in Putin's and Russia's state-sponsored version of history are not new. Last summer Brooke spoke to Mikhail Zygar who had traced it back at least as far as the middle ages. This is a segment from our August 4, 2023 show, Making History.
Композиция Биоритм, давшая название новому альбому, аранжированная для оркестра бразильским музыкантом Рафаэлем Рошей. Который добавил огня и энергии в русские пьесы, сделав настоящий шедевр оркестрового джаза. К работе над произведениями автору и пианисту Алексею Подымкину удалось привлечь Большой джазовый оркестр под управлением Петра Востокова. Это первый в России альбом где звучат оригинальные композиции нашего автора в оркестровом оформлении. Этого момента я давно ждал и искренне рад за удачный старт. А также рад, что джаз набирает обороты в виде новых фестивалей, клубов и концертов. 11 пьес, которые очень свежо и интересно звучат в разных стилях. Особенно мне понравился фьюжн, которым и обозначу этот альбом. Отдельно хочется отметить Дмитрия Сереброва, который сделал шесть аранжировок для такого большого состава. Пять создал Рафаэль. К двум темам санкт-петербургская джазовая журналистка и поэтесса Полина Корягина написала тексты, и на альбоме они звучат как песни, которые исполнила вокалистка Анастасия Лютова. И здесь разрешите мне добавить ложку дегтя в бочку меда. Буду критиковать, потому что душа болит за наших. Сделаю это голосом на моем телеграм-канале JAZZ по-русски - https://t.me/discor Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify #bigband #fusion --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message
Hello Everyone! I am super excited for us to speak with Joy Womack. I really resonated with joy as we had similar dreams, and similar goals of learning in Russia. Joy is an extremely determined and ambitious women. She is always creating big goals in her head and taking her life where the oppurtunity is, not afraid to try and go for it. A really inspiring dancer and women. Let's meet Joy! ------- Follow me on social media @balletwithisabella Instagram | Facebook | Tiktok | YouTube Try our BWI learning platform! 14 day free trial to the BWI platform https://balletwithisabella.com/select-a-plan/ * My website - Online classes and courses Memberships to enhance you training Live classes and more! https://balletwithisabella.com MOST RECENT CLASSES AND COURSES GRAND ALLEGRO COURSE https://balletwithisabella.com/course/grand-allegro-course/ MAT MADNESS 14 DAY CHALLENGE https://balletwithisabella.com/course/mat-madness/ ADVANCED POINTE BARRE https://balletwithisabella.com/class/pointe-barre/ * Book a private lesson with me https://balletwithisabella.com/1-to-1-lessons/ * Listen to my podcast to enhance your mindset as a dancer! become more confident, with higher self esteem and self belief. Join thousands of listeners! https://open.spotify.com/show/72hZ7nnhKSG97VofHYPBOW?si=8ebb73d9aedf425e * Follow me on Instagram https://www.instagram.com/balletwithisabella * Follow me on TIKTOK www.tiktok.com/@balletwithisabella Join the BWI Community! Your secret weapon to excellence https://balletwithisabella.com/select-a-plan/
We imagine the life of a ballerina to be a romantic scene, a swan made human traversed from the backstage lights. In the distance the clapping, followed by an elegant bow and a full smile. Accompany us backstage and meet Prima Ballerina Elisa Carrillo Cabrera, first dancer of the Staatballet Berlin and listen her talk about the evolution of classical ballet and the magic brought by the connection of the body with the music, her experience on learning diverse technics from people from different cultural backgrounds and how embracing her Mexican heritage has given her a proud sense of identity. Join her on stage, jumping and pirouetting as she lets you experience the flow in which she immerses herself when she dances. Hold on to her hand and fly along with as you dream about ballet and what you thought before to be impossible.
The Israeli military says it has struck hundreds of "terror targets" in Gaza. Also: George Santos expelled from US Congress in historic vote, and Putin's favourite conductor is to run the Bolshoi theatre.
Imagina concorrer com mais de quatro mil pessoas e conseguir uma vaga na filial brasileira de uma das escolas mais renomadas de dança do mundo? E mais, ser morador da Cidade de Deus, no Rio de Janeiro, ter apenas 9 anos, e ter iniciado no balé há pouco tempo em um projeto da comunidade. Essa é a história de Wellington Almeida. Uma criança preta da periferia que tem, nas palavras dele, dois sonhos: dar uma casa do jeitinho que a mãe dele sonha e dançar por todo o país. Sim, Wellington faz parte da exceção, mas o que separa a maioria dos alunos da escola de dança Bolshoi de tantas crianças pretas de favelas de vários lugares do mundo é a oportunidade! No episódio do Pretoteca dessa semana, as apresentadoras Cynthia Martins e Larissa Alves conversaram com Wellingnton Almeida, com a mãe dele, Jaqueline Almeida, e com Valéria Martins, responsável pelo projeto social de dança na Cidade de Deus.
“Generations” is the theme of this week's Dark Nation Radio, the first half of which is old-school goth followed by a second half that is brand new dark electro. Hour one includes classics from Bauhaus, Siouxsie, Alien Sex Fiend, New Model Army, The Bolshoi, and The Cure, while hour two introduces new tracks from DEAD LIGHTS, Bara Hari, Unitcode:Machine, Owl Vision, and Techlash, among others. Hour 1 is familiar, hour 2 brand new, but both halves should appeal to fans of dark music! https://www.mixcloud.com/cypheractive/dj-cyphers-dark-nation-radio-15-october-2023/ And I hope you will make plans to join me for the annual Dark Nation Radio Halloween party this Sunday, October 22nd. I'll be expanding the show to three full hours to pack in as many terrifying treats as possible! The dreadful fun starts at 9 PM Eastern US time PM on sorradio.org and requests are always welcome during the “live” show. RSVP at https://fb.me/e/fXwgBucdf Thank you for your support! DJ cypher's Dark Nation Radio Playlist 15 October 2023 The Cure, “Like Cockatoos” Bauhaus, “Double Dare” The Danse Society, “Somewhere” The Chameleons UK, “Don't Fall” The Bolshoi, “Happy Boy” The Sisters of Mercy, “Flood II” The Birthday Party, “Release the Bats” Siouxsie & the Banshees, “The Playground Twist” New Model Army, “The Green and the Gray” Alien Sex Fiend, “I Walk the Line” Faith & the Muse, “Cantus” London After Midnight, “Kiss” Peter Murphy, “I'll Fall With Your Knife” DEAD LIGHTS, “Elevator Muzak in Heaven” VNV Nation, “The Game” Amulet, “Last Ditch (Stabbing Westward remix)” A Cloud of Ravens, “Nature of Artifice” Pixel Grip, “Club Mania” Slighter, “Nit S” Male Tears, “Never Again” Brigade Enzephalon, “Ohne Dich (F.O.D. remix)” Bara Hari, “Violence Rising (ESA remix)” Owl Vision ft. Aesthetic Perfection, “Joykill” Techlash, “Sound the Alarm” Curse Mackey, “O Blasphemy (Twin Tribes remix)” Unitcode:Machine, “Emptiness” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio
In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest: Maeghan McHale, dancer, choreographer, mentor, coach, and YGAP judge. Maeghan sits down with Joanne to discuss the trajectory of her career that led her from a classical ballet career to one in the contemporary jazz dance world. Now as a choreographer and well respected YAGP judge, Maeghan talks about wanting to create opportunities for dancers and wants those she mentors to experience all the possibilities dance provides- anything is possible. Leading by her example of the one path you're on, may just be the stepping stone where you can make a long lasting difference. Stay the course. (We share a good laugh during our interview when, for a few moments, the sound goes out. It was purposefully decided to leave those few moments in the episode to demonstrate how we were able to laugh through the situation and 'stand by' as we stayed true to our the show biz adage: The Show MUST Go On!) MAEGHAN McHALE, named one of Dance Magazine's Top 25 to Watch in 2010, was born in Baltimore, MD. She studied at the Baltimore School for the Arts where she performed works by David Parsons, David Grenke, and John Clifford. She received a scholarship to Dance Theatre of Harlem, where she performed with the Dancing Through Barriers Ensemble. While living in NYC Maeghan studied at Steps on Broadway and performed with Extended Dance Company, as well as Off-Broadway under the direction of Tony Award Winner Hinton Battle. She has also participated in The Chicago Dancing Festival, Jazz Dance World Congress, The Miss America Parade, and Dancers Responding to Aids Benefit. In 2005 Maeghan received a scholarship to the Giordano Dance School, and in 2006 became a performing apprentice. 2007 marked her first season with Giordano Dance Chicago, and she enjoyed 13 seasons performing in places such as Hawaii, Latvia, Germany, Luxembourg, Austria, Netherlands, Turkey, Guatemala, Italy and Israel. Along with establishing herself as a dancer, she has also had the opportunity to set her own work on the Giordano II Company. Just recently she had the honor of working with the dancers of First State Ballet Theatre setting her new work “Out of the Silence” which premiered in November 2022. Maeghan has had her work performed on the Joyce Theater Stage, through Dancin Downtown at The Joyce, as part of the DRA Benefit. In 2011 her piece “Angelica” won the Performance Award and performed in NYC for Central Park Summer Stage. Her piece “If” also part of the DRA Benefit in 2013 won the Performance Award and they performed for Central Park Summer Stage as well. Her Choreography has been recognized with awards such as Outstanding Choreography/Choreographer, Regional Ensemble Winner and Outstanding Choreography Award at Youth America Grand Prix and has placed First in the Ensemble Category at YAGP Finals in 2021. As well as 2018 YAGP National Choreographer Award with the opportunity to travel to Russia to set her work on the Bolshoi. Her Ensemble work had the honor of being part of YAGP “Stars of Today Meet the Stars of Tomorrow” tour. In the Summer of 2014 she was on the School Faculty at the USA International Ballet Competition in Jackson, MS and was invited to be on Faculty at CNADM in the Fall of 2015. She was a Full Time Faculty Member at The South Carolina Governor's School for the Arts and Humanities for the 2021/2022 School Year. She also serves as a Judge/Teacher for Youth America Grand Prix. She continues to travel and teach Master Classes and Choreography. Follow @maeghanmchale on Instagram Follow Joanne Carey on Instagram @westfieldschoolofdance And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. Tune in. Follow. Like us. And Share. Please leave us review about our podcast “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."
Paul Clark in conversation with David Eastaugh https://www.thebolshoibrothers.com The original lineup consisted of singer/guitarist Trevor Tanner, drummer Jan Kalicki, and bassist Graham Cox. Tanner and Kalicki had previously played together in the short-lived punk band Moskow. Early gigs supported the likes of the Cult, the March Violets and the Lords of the New Church. After eight gigs bass player Graham Cox was replaced by Nick Chown. In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy". Word of mouth was such that the Bolshoi were able to sell out many of their early headlining performances.
Trevor Tanner - The Bolshoi - in conversation with David Eastaugh https://www.thebolshoibrothers.com In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy". Word of mouth was such that the Bolshoi were able to sell out many of their early headlining performances. The band moved to London in 1985, and their line-up expanded to include Paul Clark on keyboards - In 1986, they released their first full-length album, Friends, and expanded their touring schedule to the U.S., South America and Poland. It was followed in 1987 by the album Lindy's Party, on which the sound was more pop-oriented. TC Wall, reviewing the album in Underground magazine, described Lindy's Party as "completely confident, commercial, professional, and dangerously catchy" and "a fine album that'll be caressed for generations."
Cuando se habla de la música de los 80s enseguida todos nombran Sweet Dreams, Take on Me o Relax. Pero fue una década muy rica de estilos, géneros y sonidos nuevos. En este podcast podréis escuchar una parte de aquella riqueza. Tomando por referencia la preciosa canción de los Waterboys he creado el tracklist. Todos los temas son hermosos, épicos, gloriosos. Comenzamos con el remix de Give it Time de The Woodentops, un grupo de Indie Rock original de Londres, esta canción pertenece a su segundo álbum “Giant” del año '86. Seguido por los escoceses de Simple Minds, grupo de New Wave con toque de Post-Punk y Synthpop, hasta lograr el éxito mundial con su famoso “Don't You” y el sonido cambió. Algo similar ocurrió con U2, de su sonido más alternativo del comienzo ya no queda nada, solo se dedican a llenar grandes estadios, Aquí podéis escucharlos con “The Unforgettable Fire” cuando aún sonaban auténticos. The Mission, artistas de sonido gótico, lanzaron en 1987 su mayor éxito con “Tower of Strength”, aquí en la versión “Bombay Mix Edit”. Continuando con el sonido siniestro, encontramos en el tracklist a The Bolshoi y Gene Loves Jezebel, de los primeros tuvieron un comienzo gótico para luego abrirse a otros sonidos, solo publicaron 3 discos y tuvieron una carrera corta. En cuanto a los segundos son difíciles de clasificar, los hermanos Aston han coqueteado con el Goth Rock pero también con el Glam Rock, la New Wave, el Indie Rock. Han tenido algunos singles de éxito, uno de los cuales suena en este podcast en su versión de 12 pulgadas. Siguen ofreciendo conciertos en la actualidad por el Reino Unido. The Waterboys, o lo que es lo mismo, el proyecto de Mike Scott. Banda de Folk escoces mezclado con Indie Rock, considerada como una banda de culto por muchos. Nos ha dejado varios discos y canciones maravillosas. Su mayor éxito a nivel mundial es la épica “The Whole of The Moon”, al día de hoy sigue sonando de maravilla. Como dato curioso, en el Reino Unido vendió mas en su relanzamiento a principios de los 90s. Fiction Factory, procedentes de Escocia (grandes artistas han salido de allí). Publicaron solo 2 discos pero lanzaron uno de las canciones más emblemáticas de la decada “(Feels Like) Heaven”. Para muchos fueron una one-hit wonder, pero a pesar de su corta carrera lanzaron varios singles más. A esta altura que se puede decir de los Tears for Fears? Antes del gran boom mundial que fue “Songs from The Big Chair” en el año '83 lanzaron su primer álbum “The Hurting” el cual tenia una de las mejores canciones del dúo “Pale Shelter”. Lo mismo ocurre con The Cure, no se puede agregar nada nuevo. En 1989 publican “Desintegration”, para muchos su mejor obra, de todos los singles que lanzan del álbum aquí incluyo “Lovesong” (casualmente una de las que menos agrada a Robert Smith). Ambos grupos siguen dando conciertos por todo el mundo. The Psychedelic Furs, surgieron en el inicio del Post-Punk que es por donde van encaminados en su principio (como sexteto pronto se reduciría a trio), mezclado con New Wave y Rock Alternativo. Su admiración por Velvet Underground y Bowie son evidentes en muchas de sus canciones. “Heartbreak Beat” fue publicado en 1986 como adelanto del álbum “Midnight to Midnight” con un sonido más orientado al público americano, hay canciones que suenan como Billy Idol!. El ex vocalista de Bauhaus, Peter Murphy comenzó su carrera como solista en 1986, dos años más tarde publica uno de sus singles más exitoso (y precioso) “Indigo Eyes”. Luego de varios singles y 3 discos de éxito en los 80s su carrera fue diluyéndose y hoy es un artista de culto venerado y admirado por muchos en todo el planeta. Por último, Echo & The Bunnymen, originales de Liverpool como los Beatles. Luego de la obra maestra que fue “Ocean Rain” era difícil publicar algo al mismo nivel. En 1987 sale el disco homónimo con un sonido mas Pop y con el que lograron sonar en todas las radios alternativas de USA. Y con el cual muchos conocieron al grupo (me incluyo). El primer tema que suena en el álbum, y publicado como single “The Game” es el que suena en el podcast. La mayoría de canciones las he presentado en su versión Extendida, de 12 pulgadas. Primero porque al día de hoy es más difícil de escucharlas y encontrarlas y segundo porque considero que engrandecen a la canción original, aportando matices y grandeza. Mi intención fue incluir la versión extendida de “The Whole of The Moon” ya que, en mi opinión, agrega majestuosidad al final de la canción pero fue imposible encontrar una versión con buena calidad de sonido para incluirla. TRACKLIST: 01 - The Woodentops - Give It Time (Adrian Sherwood Mix) 02 - Simple Minds - Someone Somewhere In Summertime (Extended) 03 - The Mission - Tower of Strength (Bombay Mix Edit) 04 - The Waterboys - The Whole of the Moon 05 - Fiction Factory - (Feels Like) Heaven (12inch Version) 06 - Gene Loves Jezebel - The Motion of Love (Jezebel Mix) 07 - Tears For Fears - Pale Shelter (New Extended Version) 08 - The Bolshoi - A Way (Un-Edited Version - Live Length) 09 - The Psychedelic Furs - Heartbreak Beat (Extended Mix) 10 - U2 - The Unforgettable Fire 11 - The Cure - Lovesong (Extended Mix) 12 - Peter Murphy - Indigo Eyes (Single Edit) 13 - Echo & The Bunnymen - The Game
Cuando se habla de la música de los 80s enseguida todos nombran Sweet Dreams, Take on Me o Relax. Pero fue una década muy rica de estilos, géneros y sonidos nuevos. En este podcast podréis escuchar una parte de aquella riqueza. Tomando por referencia la preciosa canción de los Waterboys he creado el tracklist. Todos los temas son hermosos, épicos, gloriosos. Comenzamos con el remix de Give it Time de The Woodentops, un grupo de Indie Rock original de Londres, esta canción pertenece a su segundo álbum “Giant” del año ’86. Seguido por los escoceses de Simple Minds, grupo de New Wave con toque de Post-Punk y Synthpop, hasta lograr el éxito mundial con su famoso “Don’t You” y el sonido cambió. Algo similar ocurrió con U2, de su sonido más alternativo del comienzo ya no queda nada, solo se dedican a llenar grandes estadios, Aquí podéis escucharlos con “The Unforgettable Fire” cuando aún sonaban auténticos. The Mission, artistas de sonido gótico, lanzaron en 1987 su mayor éxito con “Tower of Strength”, aquí en la versión “Bombay Mix Edit”. Continuando con el sonido siniestro, encontramos en el tracklist a The Bolshoi y Gene Loves Jezebel, de los primeros tuvieron un comienzo gótico para luego abrirse a otros sonidos, solo publicaron 3 discos y tuvieron una carrera corta. En cuanto a los segundos son difíciles de clasificar, los hermanos Aston han coqueteado con el Goth Rock pero también con el Glam Rock, la New Wave, el Indie Rock. Han tenido algunos singles de éxito, uno de los cuales suena en este podcast en su versión de 12 pulgadas. Siguen ofreciendo conciertos en la actualidad por el Reino Unido. The Waterboys, o lo que es lo mismo, el proyecto de Mike Scott. Banda de Folk escoces mezclado con Indie Rock, considerada como una banda de culto por muchos. Nos ha dejado varios discos y canciones maravillosas. Su mayor éxito a nivel mundial es la épica “The Whole of The Moon”, al día de hoy sigue sonando de maravilla. Como dato curioso, en el Reino Unido vendió mas en su relanzamiento a principios de los 90s. Fiction Factory, procedentes de Escocia (grandes artistas han salido de allí). Publicaron solo 2 discos pero lanzaron uno de las canciones más emblemáticas de la decada “(Feels Like) Heaven”. Para muchos fueron una one-hit wonder, pero a pesar de su corta carrera lanzaron varios singles más. A esta altura que se puede decir de los Tears for Fears? Antes del gran boom mundial que fue “Songs from The Big Chair” en el año ’83 lanzaron su primer álbum “The Hurting” el cual tenia una de las mejores canciones del dúo “Pale Shelter”. Lo mismo ocurre con The Cure, no se puede agregar nada nuevo. En 1989 publican “Desintegration”, para muchos su mejor obra, de todos los singles que lanzan del álbum aquí incluyo “Lovesong” (casualmente una de las que menos agrada a Robert Smith). Ambos grupos siguen dando conciertos por todo el mundo. The Psychedelic Furs, surgieron en el inicio del Post-Punk que es por donde van encaminados en su principio (como sexteto pronto se reduciría a trio), mezclado con New Wave y Rock Alternativo. Su admiración por Velvet Underground y Bowie son evidentes en muchas de sus canciones. “Heartbreak Beat” fue publicado en 1986 como adelanto del álbum “Midnight to Midnight” con un sonido más orientado al público americano, hay canciones que suenan como Billy Idol!. El ex vocalista de Bauhaus, Peter Murphy comenzó su carrera como solista en 1986, dos años más tarde publica uno de sus singles más exitoso (y precioso) “Indigo Eyes”. Luego de varios singles y 3 discos de éxito en los 80s su carrera fue diluyéndose y hoy es un artista de culto venerado y admirado por muchos en todo el planeta. Por último, Echo & The Bunnymen, originales de Liverpool como los Beatles. Luego de la obra maestra que fue “Ocean Rain” era difícil publicar algo al mismo nivel. En 1987 sale el disco homónimo con un sonido mas Pop y con el que lograron sonar en todas las radios alternativas de USA. Y con el cual muchos conocieron al grupo (me incluyo). El primer tema que suena en el álbum, y publicado como single “The Game” es el que suena en el podcast. La mayoría de canciones las he presentado en su versión Extendida, de 12 pulgadas. Primero porque al día de hoy es más difícil de escucharlas y encontrarlas y segundo porque considero que engrandecen a la canción original, aportando matices y grandeza. Mi intención fue incluir la versión extendida de “The Whole of The Moon” ya que, en mi opinión, agrega majestuosidad al final de la canción pero fue imposible encontrar una versión con buena calidad de sonido para incluirla. TRACKLIST: 01 - The Woodentops - Give It Time (Adrian Sherwood Mix) 02 - Simple Minds - Someone Somewhere In Summertime (Extended) 03 - The Mission - Tower of Strength (Bombay Mix Edit) 04 - The Waterboys - The Whole of the Moon 05 - Fiction Factory - (Feels Like) Heaven (12inch Version) 06 - Gene Loves Jezebel - The Motion of Love (Jezebel Mix) 07 - Tears For Fears - Pale Shelter (New Extended Version) 08 - The Bolshoi - A Way (Un-Edited Version - Live Length) 09 - The Psychedelic Furs - Heartbreak Beat (Extended Mix) 10 - U2 - The Unforgettable Fire 11 - The Cure - Lovesong (Extended Mix) 12 - Peter Murphy - Indigo Eyes (Single Edit) 13 - Echo & The Bunnymen - The Game
Nick Chown - The Bolshoi - in conversation with David Eastaugh The original lineup consisted of singer/guitarist Trevor Tanner, drummer Jan Kalicki, and bassist Graham Cox. After eight gigs bass player Graham Cox was replaced by Nick Chown. In 1985, the band released their debut single, "Sob Story", followed by the mini-album, Giants, and their hit song "Happy Boy". In 1986, they released their first full-length album, Friends,[1]and expanded their touring schedule to the U.S., South America and Poland. It was followed in 1987 by the album Lindy's Party, on which the sound was more pop-oriented.
Dentro de los movimientos alternativos como el Post-Punk, Goth Rock, Industrial, etc, surgió un fenómeno que se repitió en muchas ciudades del mundo, el caso más destacado es el de la ciudad de Valencia aquí en España. Un circuito de clubes y discotecas se dedicaron a pinchar este tipo de música y cada fin de semana miles de personas concurrían para bailar al ritmo de Siouxsie & The Banshees, Sisters of Mercy, Iggy Pop y demás criaturas oscuras. Se publicaban versiones extendidas de los singles y sus caras B, con bases mas marcadas, el sonido de la batería se ecualizaba para sonar mas contundente, se agregaba percusión, los pasajes instrumentales se extendían hasta casi el minuto de duración. Y así cientos de singles siniestros se bailaban en estos locales, luego con la llegada del House y el Techno, este tipo de lugares dejaron de existir o se adaptaron a las nuevas modas. En este podcast hago un pequeño resumen de las canciones que más se bailaron en aquellos años góticos. Arranca con Siouxsie & The Banshees y su versión 12 pulgadas de “Cities in Dust”, su mayor éxito que hizo que el grupo sonase en las radios comerciales. The Cult (grupo Post-Punk, Gótico o vaya a saber que eran, siempre coquetearon con el Hard Rock, de hecho a partir de su tercer álbum es el camino que tomaron, dejando de lado su estética siniestra). Aquí se puede escuchar su versión extendida de “Rain”, llamada “(Here Comes The) Rain”. Echo & The Bunnymen y uno de sus mayores éxitos, “Lips Like Sugar” en formato Maxi Mix. Lo mismo que Gene Loves Jezebel y The Bolshoi, procedentes de la misma discográfica, podemos escuchar en ambos casos las respectivas versiones 12 pulgadas de sus singles “Desire” y “Please”. The Psychedelic Furs con el single “Pretty in Pink” publicado originalmente en 1981, regrabaron la canción para la película homónima en 1986 y aquí suena su “Berlin Mix” Iggy Pop resurgió de sus cenizas gracias a su amigo David Bowie, haciendo que grabe un disco muy orientado al Post-Punk (del cual el propio Iggy es uno de sus padrinos gracias a su álbum “The Idiot”). El primer single fue “Cry for Love” que aquí suena en su versión Extended Club. En el caso de Peter Murphy y The Lords of The New Church son las versiones de 7 pulgadas las que suenan en el podcast. The Cure y su “A Forest” se trata de la versión de casi 6 minutos publicada en el álbum “Seventeen Seconds”. The Sisters of Mercy publicaron en 1987 su obra cumbre “Floodland” de cual se cortaron varios singles, aquí podréis escuchar “Lucretia My Reflection” en su versión extendida. Este podcast es un breve resumen de todas aquellas magnificas canciones que sonaron entre telarañas y candelabros. TRACKLIST: 01 - Siouxsie and the Banshees - Cities in Dust (12'' Eruption Mix) 02 - The Cult - (Here Comes The) Rain 03 - Echo & The Bunnymen - Lips Like Sugar (Maxi Mix) 04 - Gene Loves Jezebel - Desire (12" Remix) 05 - The Bolshoi - Please (12' Single Mix) 06 - The Sisters Of Mercy - Lucretia My Reflection (Extended Remix) 07 - The Psychedelic Furs - Pretty In Pink (Berlin Mix) 08 - The Lords Of The New Church - Dance With Me 09 - Peter Murphy - All Night Long (Single Edit) 10 - The Mission - Wasteland (Anniversary Mix) 11 - Iggy Pop - Cry For Love (Extended Dance Version) 12 - U2 - Two Hearts Beat as One (Club Version) 13 - The Cure - A Forest
Dentro de los movimientos alternativos como el Post-Punk, Goth Rock, Industrial, etc, surgió un fenómeno que se repitió en muchas ciudades del mundo, el caso más destacado es el de la ciudad de Valencia aquí en España. Un circuito de clubes y discotecas se dedicaron a pinchar este tipo de música y cada fin de semana miles de personas concurrían para bailar al ritmo de Siouxsie & The Banshees, Sisters of Mercy, Iggy Pop y demás criaturas oscuras. Se publicaban versiones extendidas de los singles y sus caras B, con bases mas marcadas, el sonido de la batería se ecualizaba para sonar mas contundente, se agregaba percusión, los pasajes instrumentales se extendían hasta casi el minuto de duración. Y así cientos de singles siniestros se bailaban en estos locales, luego con la llegada del House y el Techno, este tipo de lugares dejaron de existir o se adaptaron a las nuevas modas. En este podcast hago un pequeño resumen de las canciones que más se bailaron en aquellos años góticos. Arranca con Siouxsie & The Banshees y su versión 12 pulgadas de “Cities in Dust”, su mayor éxito que hizo que el grupo sonase en las radios comerciales. The Cult (grupo Post-Punk, Gótico o vaya a saber que eran, siempre coquetearon con el Hard Rock, de hecho a partir de su tercer álbum es el camino que tomaron, dejando de lado su estética siniestra). Aquí se puede escuchar su versión extendida de “Rain”, llamada “(Here Comes The) Rain”. Echo & The Bunnymen y uno de sus mayores éxitos, “Lips Like Sugar” en formato Maxi Mix. Lo mismo que Gene Loves Jezebel y The Bolshoi, procedentes de la misma discográfica, podemos escuchar en ambos casos las respectivas versiones 12 pulgadas de sus singles “Desire” y “Please”. The Psychedelic Furs con el single “Pretty in Pink” publicado originalmente en 1981, regrabaron la canción para la película homónima en 1986 y aquí suena su “Berlin Mix” Iggy Pop resurgió de sus cenizas gracias a su amigo David Bowie, haciendo que grabe un disco muy orientado al Post-Punk (del cual el propio Iggy es uno de sus padrinos gracias a su álbum “The Idiot”). El primer single fue “Cry for Love” que aquí suena en su versión Extended Club. En el caso de Peter Murphy y The Lords of The New Church son las versiones de 7 pulgadas las que suenan en el podcast. The Cure y su “A Forest” se trata de la versión de casi 6 minutos publicada en el álbum “Seventeen Seconds”. The Sisters of Mercy publicaron en 1987 su obra cumbre “Floodland” de cual se cortaron varios singles, aquí podréis escuchar “Lucretia My Reflection” en su versión extendida. Este podcast es un breve resumen de todas aquellas magnificas canciones que sonaron entre telarañas y candelabros. TRACKLIST: 01 - Siouxsie and the Banshees - Cities in Dust (12'' Eruption Mix) 02 - The Cult - (Here Comes The) Rain 03 - Echo & The Bunnymen - Lips Like Sugar (Maxi Mix) 04 - Gene Loves Jezebel - Desire (12" Remix) 05 - The Bolshoi - Please (12' Single Mix) 06 - The Sisters Of Mercy - Lucretia My Reflection (Extended Remix) 07 - The Psychedelic Furs - Pretty In Pink (Berlin Mix) 08 - The Lords Of The New Church - Dance With Me 09 - Peter Murphy - All Night Long (Single Edit) 10 - The Mission - Wasteland (Anniversary Mix) 11 - Iggy Pop - Cry For Love (Extended Dance Version) 12 - U2 - Two Hearts Beat as One (Club Version) 13 - The Cure - A Forest
Karena and Anna share some gossip on the recent influx of Russian emigres in Yerevan following the War on Ukraine and discuss the pros, cons, consequences, and colonizer vibes that have accompanied them.
Synopsis 1991 was a big year for American composer John Corigliano. The Metropolitan Opera premiered his opera “The Ghosts of Versailles” and the 53-year old composer won two Grammys and the Grawemeyer Award for his Symphony No. 1. Corigliano was increasingly recognized as one of the leading American composers of his generation, and was deluged with commissions for new works. But about 10 years before all that, guitarist Sharon Isbin had asked Corigliano to write a concerto for her, and kept on asking him. On today's date in 1993, her persistence paid off when, with the St. Paul Chamber Orchestra and conductor Hugh Wolff, she gave the premiere performance of Corigliano's “Troubadours — Variations for Guitar and Orchestra.” This piece was inspired by the courtly love tradition of the medieval troubadours, whose songs combined sophisticated word play with simple but elegantly communicative melodies. “For composers the idea of true simplicity — in contrast to chic simple-mindedness — is mistrusted and scorned,” wrote Corigliano. “But the guitar has a natural innocence about it… So the idea of a guitar concerto was, for me, like a nostalgic return to all the feelings I had when I started composing — before the commissions and deadlines and reviews. A time when discovery and optimistic enthusiasm ruled my senses… Troubadours is a lyrical concerto.” Music Played in Today's Program John Corigliano (b. 1938) Troubadours Sharon Isbin, guitar; Saint Paul Chamber Orchestra; Hugh Wolff, cond. Virgin 55083 On This Day Births 1870 - French composer and organist Louis Vierne, in Poitiers; 1930 - Japanese composer Toru Takemitsu, in Tokyo; 1953 - English composer Robert Saxon, in London; Deaths 1834 - French composer François Boieldieu, age 58, in Jarcy; Premieres 1903 - Nielsen: "Helios" Overture, in Copenhagen; 1943 - Stravinsky: "Ode" (in memory of Natalie Koussevitzky), by the Boston Symphony conducted by Serge Koussevitzky; 1960 - Prokofiev: opera "The Story of a Real Man" (posthumously) at the Bolshoi in Moscow; A semi-public performance of this opera was given in Leningrad on Dec. 3, 1948, but the opera was rejected by Soviet authorities for subsequent performances during the composer's lifetime; 1966 - Stravinsky: "Requiem Canticles," in Princeton, with Robert Craft conducting; 1992 - Ligeti: Violin Concerto, in Cologne, by the Ensemble Moderne conducted by Peter Eötvös, and Saschko Gawriloff the soloist; 1993 - Corigliano: "Troubadours (Variations for Guitar and Orchestra)," at the Ordway Music Theater in St. Paul, with the St. Paul Chamber Orchestra conducted by Hugh Wolff, and guitar soloist Sharon Isbin; 1999 - Kernis: "Garden of Light" and Torke: "Four Seasons" (both commissioned by the Disney Company at the urging of its Chief Executive, Michael Eisner), for the Millennium season of the New York Philharmonic, with Kurt Masur conducting the orchestra, vocal soloists, and choirs in both pieces; Others 1739 - Handel completes in London his Concerto Grosso in a, Op. 6, no. 4 (Gregorian date: Oct. 19); 1898 - The first issue of the magazine "Musical America" is published. Links and Resources On John Corigliano On Sharon Isbin
"the resulting hoo haw became an international incident"
It's another installment of What Was First! Today we tell the story of Beggars Banquet records as suggested by Kevin Clement. In other words, if you ever liked the Bolshoi, the Cult, Flesh for Lulu, Gene Loves Jezebel, the Icicle Works or the Go-Betweens hit play now. Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com
Más allá de ser una de las mejores bailarinas del siglo XX, Maya Plisétskaya es un emblema de la danza clásica. Destacó en los escenarios de todo el mundo, pero siempre mantuvo un especial vínculo con España. Maya desde joven se sintió atraída por la cultura española y, tras haber bailado con éxito gran parte del repertorio clásico, comienza a acercarse a nuestro país a través del papel de Carmen. El fuerte carácter de la joven cigarrera andaluza curiosamente se adaptaba a la perfección a su decidida personalidad rusa. Fue directora del Ballet del Teatro Lírico Nacional -la actual Compañía Nacional de Danza- de 1987 a 1990. Su paso por esta institución, junto a su hermano Azari Plisetsky, fue determinante para consolidar la danza clásica en España. Además, obtuvo el Premio Príncipe de Asturias de Las Artes en 2005 junto a Tamara Rojo. Pero sería en 1993 cuando tuvo una de sus mayores alegrías al obtener la nacionalidad española. Maya Plisétskaya había nacido en el Moscú de 1925, en el seno de una familia de origen judío y su infancia no fue fácil. Siendo pequeña vivió en sus propias carnes el terror estalinista. Fusilaron a su padre cuando ella tenía 11 años y su madre y su hermano pequeño fueron deportados al Gulag en Kazajstán. La pequeña Maya fue adoptada por una tía suya que era primera bailarina en el Bolshoi, lo que le permitió mantener los estudios de danza que ya había iniciado en su escuela. Entra oficialmente en el ballet del Bolshoi con 18 años y pronto es nombrada primera bailarina, la única en lograrlo a una edad tan temprana. Con dos obras emblemáticas, El Lago de los Cisnes y La Muerte del Cisne, Maya definirá el conocido Estilo Plisétskaya: manos, caídas, codos de cisne, cabeza erguida, torso inclinado hacia atrás… ejecutado con la máxima perfección técnica y delicada sutileza. Su marido, el compositor Rodion Shchedrín contribuyó a su fama con la creación de cuatro ballets para ella, además de Carmen Suite. El Caballito Jorobado, Anna Karenina, La gaviota y La dama del Perrito. Maya era la dominadora de la escena del Bolshoi y en ella se sentía libre. En sus figuras y vuelos gozaba de la libertad que la represión estalinista cercenaba en el país. Pero a pesar de los vetos para que no saliera de la URSS, Maya triunfó en todo el mundo. Estados Unidos, Francia, Inglaterra...su éxito no conoció fronteras. El documental, con guion de Olga Baeza, cuenta con la participación de su hermano pequeño, el coreógrafo y maestro de ballet, Azari Plisetsky; su amigo y director de danza, Ricardo Cué; su pareja en el Teatro Lírico Nacional, Ricardo Franco; la también bailarina, Arantxa Argülles, que creció junto a Maya; José Manuel Garrido, director del INAEM entre 1985 y 1989, artífice de su llegada a España. También cuenta con las intervenciones de Tamara Rojo, que recibió el Premio Príncipe de Asturias de Las Artes junto a Maya; e Igor Yebra, que bailó en la gala homenaje que le rindió el Bolshoi en su 75 aniversario. Asimismo, el programa agradece la labor en las intervenciones en ruso de la pianista ucraniana Victoria Glushenko; y la de Alicia de la Cruz de Imprescindibles de TVE en el testimonio de Tamara Rojo. Escuchar audio
Sanctions, boycotts, bans, cancellations: from the Bolshoi to Eurovision - how the international arts world is responding to Russia's invasion of Ukraine, and the tension when arts meets politics. From world leading classical music, opera and ballet, to art, funding, film, pop concerts and streaming - how the international arts world has acted both inside and outside Russia. Peter Gelb of New York's Metropolitan Opera on the institution's decision to respond to the conflict. The Eurovision Song Contest: with Russia now banned, and Ukraine performing as favourites – we look at Ukraine and Russia at the world's biggest televised song contest. We speak to Kalush Orchestra - the all-male band given permission to leave Ukraine to represent their country in Italy – and to Dr Dean Vuletic, leading academic expert on the history of Eurovision. Plus BBC Russian Service Arts and Culture Correspondent Alexander Kan explains the far-reaching scope of measures, and the push against bans. (Photo: The Ukrainian flag outside The Metropolitan Opera. Credit: Angela Weiss/AFP/Getty)
Finales de los 80s se comenzó a hablar de música Alternativa o Indie, con la llegada del Shoegaze, el comienzo de la escena de Seattle, Madchester, etc. Pero durante toda la década existieron decenas de grupos que hoy en día podríamos calificarlos como “Alternativos”, ya sea por su música, propuesta, genero al que pertenecían, etc. El caso mas destacado lo encontramos con The Smiths, una banda con una propuesta muy distinta de lo que se consumía en el Reino Unido en aquella época, en pleno uso y abuso de los sintetizadores, cuatro chavales de Manchester ofrecían canciones directas, frescas con sonido garagero. Llegando a convertirse en una de las bandas fundamentales de la década. Otro ejemplo es Echo & The Bunnymen, salieron en plena efervescencia del Post-Punk con una propuesta a mitad de camino entre el Punk, la Psicodelia, el propio Post-Punk y retazos de clásicos como The Doors y Velvet Underground. The Cure pasaron del Punk Rock al Post Punk y de allí al Goth Rock. Vendieron millones de álbumes en el mundo entero. The Mission, The Bolshoi y Gene Loves Jezebel que coqueteaban con el Goth Rock. Bandas de New Wave que fueron evolucionando durante la década, como el caso de The The. The Cult con un inicio Post Punk en la segunda mitad de los 80s sacaron dos discos de Hard Rock setentero. Y muchas bandas que no lograron la popularidad de las anteriores, como 1000 Mexicans, Fresh For Lulu y New Model Army. The Jesus & Mary Chain surgieron con una propuesta completamente nueva y causaron mucho revuelo con su primer disco (posiblemente el primer álbum de Shoegaze de la historia). The Chameleons, una banda de culto de origen Post-Punk, como lo demuestran sus discos publicados durante los 80s, pero a finales de década a causa de la muerte de su manager y disputas internas se separaron durante la preparación de su cuarto álbum. Y nos quedan Peter Murphy, ex cantante de Bauhaus, publico 3 (muy buenos) discos como solista durante la década, a mitad de camino entre el Goth, el Post-Punk y el Pop, logrando éxito con varios de sus singles y The Waterboys quienes estaban entre el Pop Rock, el Folk y la música tradicional escocesa. En este podcast podréis escuchar a todos estos artistas que en realidad son una mínima parte de toda la música “alternativa” que se hizo durante aquellos años. Espero que lo disfrutéis. TRACKLIST: 01 - The Mission - Tower Of Strength 02 - The Cure - Lullaby (Extended Mix) 03 - The Smiths - How Soon Is Now? 04 - Echo & The Bunnymen - The Killing Moon 05 - The Waterboys - This Is the Sea 06 - The Bolshoi - Away 07 - The Jesus and Mary Chain - April Skies 08 - Gene Loves Jezebel - Suspicion (Jezebel Mix) 09 - Peter Murphy - All Night Long (USA Edit) 10 - Flesh For Lulu - Postcards From Paradise 11 - The Chameleons - Up The Down Escalator 12 - New Model Army - Vagabonds 13 - The Smiths - Hand in Glove 14 - 1000 Mexicans - Under Construction (Thumping Great Dance Mix) 15 - The The - Uncertain Smile
Finales de los 80s se comenzó a hablar de música Alternativa o Indie, con la llegada del Shoegaze, el comienzo de la escena de Seattle, Madchester, etc. Pero durante toda la década existieron decenas de grupos que hoy en día podríamos calificarlos como “Alternativos”, ya sea por su música, propuesta, genero al que pertenecían, etc. El caso mas destacado lo encontramos con The Smiths, una banda con una propuesta muy distinta de lo que se consumía en el Reino Unido en aquella época, en pleno uso y abuso de los sintetizadores, cuatro chavales de Manchester ofrecían canciones directas, frescas con sonido garagero. Llegando a convertirse en una de las bandas fundamentales de la década. Otro ejemplo es Echo & The Bunnymen, salieron en plena efervescencia del Post-Punk con una propuesta a mitad de camino entre el Punk, la Psicodelia, el propio Post-Punk y retazos de clásicos como The Doors y Velvet Underground. The Cure pasaron del Punk Rock al Post Punk y de allí al Goth Rock. Vendieron millones de álbumes en el mundo entero. The Mission, The Bolshoi y Gene Loves Jezebel que coqueteaban con el Goth Rock. Bandas de New Wave que fueron evolucionando durante la década, como el caso de The The. The Cult con un inicio Post Punk en la segunda mitad de los 80s sacaron dos discos de Hard Rock setentero. Y muchas bandas que no lograron la popularidad de las anteriores, como 1000 Mexicans, Fresh For Lulu y New Model Army. The Jesus & Mary Chain surgieron con una propuesta completamente nueva y causaron mucho revuelo con su primer disco (posiblemente el primer álbum de Shoegaze de la historia). The Chameleons, una banda de culto de origen Post-Punk, como lo demuestran sus discos publicados durante los 80s, pero a finales de década a causa de la muerte de su manager y disputas internas se separaron durante la preparación de su cuarto álbum. Y nos quedan Peter Murphy, ex cantante de Bauhaus, publico 3 (muy buenos) discos como solista durante la década, a mitad de camino entre el Goth, el Post-Punk y el Pop, logrando éxito con varios de sus singles y The Waterboys quienes estaban entre el Pop Rock, el Folk y la música tradicional escocesa. En este podcast podréis escuchar a todos estos artistas que en realidad son una mínima parte de toda la música “alternativa” que se hizo durante aquellos años. Espero que lo disfrutéis. TRACKLIST: 01 - The Mission - Tower Of Strength 02 - The Cure - Lullaby (Extended Mix) 03 - The Smiths - How Soon Is Now? 04 - Echo & The Bunnymen - The Killing Moon 05 - The Waterboys - This Is the Sea 06 - The Bolshoi - Away 07 - The Jesus and Mary Chain - April Skies 08 - Gene Loves Jezebel - Suspicion (Jezebel Mix) 09 - Peter Murphy - All Night Long (USA Edit) 10 - Flesh For Lulu - Postcards From Paradise 11 - The Chameleons - Up The Down Escalator 12 - New Model Army - Vagabonds 13 - The Smiths - Hand in Glove 14 - 1000 Mexicans - Under Construction (Thumping Great Dance Mix) 15 - The The - Uncertain Smile
It's been unusually dark, cold, and grey here in Atlanta, GA for the past few days, so the boys thought it best to bring on a guest who is an authority on all things grim and ghastly. They donned all-black garb, guy-liner, and a healthy dose of black no. 1 on their mop tops and welcomed Mr. Brent Zius and his coffin full of goodies to the firehouse. Brent schools us on the dark and ethereal world of Goth Rock…What is it we do here at InObscuria? In most shows Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week is different as our guest, Brent Zius, provides the playlist for your 2 rock n' roll grave robbers to react to. Our hope is that we turn you on to something that was lost on your ears, or something you've simply forgotten about, or that (in our opinion) should have been the next big thing.Don't forget to check out Brent's latest project album: Angelspit Vs. Ice Planet 9000 – Sequence 1: Glass Jar on Bandcamp here!Songs this week include:Ash Code – “Fear” from Fear EP (2021)The Bolshoi – “Away” from Friends (1986) Kill Shelter – “As Trees Do Fall” from Damage (2018)Pink Turns Blue – “I Coldly Stare Out” from If Two Worlds Kiss (1987)Long Night – “East Of The Sun, West Of The Moon” from Barren Land (2018)Play Dead – “Isabel” from The Promised Land (1984)Delphine Coma – “We Never Sleep” from Leaving The Scene (2018)Angelspit Vs. Ice Planet 9000 – “The Great Empty” from Sequence 1: Glass Jar (2022) Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/
Trionfo elettorale per Viktor Orbán Olga Smirnova, ex prima ballerina del Bolshoi, al San Carlo di Napoli Sceneggiatori di una distopia Cambiare lavoro, per cambiare vita La Biennale di Venezia guarda oltre l'antropocentrismo
It is true, my life choices have been slightly limited by my biology. Your rabbi was never invited to join the Corps de Ballet of the Bolshoi, neither was he ever drafted into the Dallas Mavericks basketball team. It was never going to happen because biology and genetics endowed him with a body entirely unsuited to basketball and dance. And even though he is not a biologist and not a candidate for the United States Supreme Court, he has seen his body and knows for sure that he is male. So why is this an issue for so many? To some extent, your life is limited by your biology. But it is far more influenced by your Spiritual Schematic. The ideas, good and bad, right and wrong that were imprinted on your subconscious and which whisper in your ear, they play a far bigger role in your success and failure than your biology does. See some really cute Happy Warrior merchandise https://rabbidaniellapin.com/store/merchandise/ Learn how to identify your own Spiritual Schematics and above all, how to change them when necessary so that the brain bolts they blast into your soul move you onwards and upwards in your Family, Fitness, Faith, Finances, and Friends. Whether you walk with God or whether faith is not part of your being, learn the basis of it all in the first 31 verses of Genesis https://www.wehappywarriors.com/scrolling-through-scripture Shortage or abundance? It's not science, it is your choice and the difference in your life could be huge. Learn more about your ad choices. Visit megaphone.fm/adchoices
It is true, my life choices have been slightly limited by my biology. Your rabbi was never invited to join the Corps de Ballet of the Bolshoi, neither was he ever drafted into the Dallas Mavericks basketball team. It was never going to happen because biology and genetics endowed him with a body entirely unsuited to basketball and dance. And even though he is not a biologist and not a candidate for the United States Supreme Court, he has seen his body and knows for sure that he is male. So why is this an issue for so many? To some extent, your life is limited by your biology. But it is far more influenced by your Spiritual Schematic. The ideas, good and bad, right and wrong that were imprinted on your subconscious and which whisper in your ear, they play a far bigger role in your success and failure than your biology does. See some really cute Happy Warrior merchandise https://rabbidaniellapin.com/store/merchandise/. Learn how to identify your own Spiritual Schematics and above all, how to change them when necessary so that the brain bolts they blast into your soul move you onwards and upwards in your Family, Fitness, Faith, Finances, and Friends. Whether you walk with God or whether faith is not part of your being, learn the basis of it all in the first 31 verses of Genesis https://www.wehappywarriors.com/scrolling-through-scripture. Shortage or abundance? It's not science, it is your choice and the difference in your life could be huge.
A transcript of this episode is available here: https://thedanceedit.com/transcript-episode-109Subscribe to The Dance Edit Extra: https://podcasts.apple.com/us/podcast/the-dance-edit-extra/id1579075769Links referenced in/relevant to episode 109:-Washington Post article on Putin's proposed merging of Bolshoi and Mariinsky: https://www.washingtonpost.com/theater-dance/2022/03/25/putin-bolshoi-mariinsky-gergiev/-Information about the iHeartDance NYC Ukraine benefit: https://www.broadwayworld.com/bwwdance/article/iHeartDance-NYC-Announces-One-Night-Only-Evening-of-Dance-To-Raise-Funds-For-Ukraine-20220322-Hyperallergic feature on NYC's proposed cuts to culture funding: https://hyperallergic.com/718666/nyc-mayor-eric-adams-proposes-slashing-culture-funds-by-72-million/-Ariana DeBose's Oscars acceptance speech: https://www.youtube.com/watch?v=kqeXEgZO_II-NPR story on DeBose's historic moment: https://www.npr.org/2022/03/27/1088846361/ariana-debose-oscar-best-supporting-actress-Beyoncé's "Be Alive" Oscars performance: https://www.youtube.com/watch?v=4aeDlZOD-B0-"Dos Oruguitas" Oscars performance: https://www.youtube.com/watch?v=x3Dl8K6RBcc-"We Don't Talk About Bruno" Oscars performance: https://www.youtube.com/watch?v=EQ62TFSQUGI-Credit the Creator post on the choreographers of this year's films: https://www.instagram.com/p/CbqE81tvJuI/-Los Angeles Times feature on the lost generation of arts workers: https://www.latimes.com/entertainment-arts/story/2022-03-24/pandemic-artists-theater-lost-generation
Hello Everyone, In todays episode we have a very special guest! Soraya Schulthess who is a very close friend of mine and studied with me at The Vaganova Ballet Academy. She is a very special person as she's one of the only people I know to have experienced BOTH Vaganova and Bolshoi! I thought while she's here with me in London, what a perfect opportunity for us to sit down and hear about some of the experiences she's had from both schools. We'll also be covering some thoughts on what its like going to a foreign school and advice we would give to our younger selves, eating issues/pressures behind food and more! Please subscribe to the podcast, rate and review. it takes a few seconds and helps the podcast reach more people worldwide who we can ultimately help fulfil their highest potential Enjoy! --- Send in a voice message: https://anchor.fm/a-dancers-mindset/message
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