Podcast appearances and mentions of Jane Eyre

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës' engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës' works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell's book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës' works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës' engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës' works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell's book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës' works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës' engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës' works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell's book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës' works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës' engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës' works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell's book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës' works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës' engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës' works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell's book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës' works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

he team behind our previous Spooky Season entry CAT PEOPLE — producer Val Lewton and director Jacques Tourneur — return with the Jane Eyre-inspired tale of a naive nurse summoned to a tropical island to care for a rich nepo baby’s ailing wife. But the patient’s malady may have a sinister, supernatural source. Get ready for an atmospheric, antiracist spookshow that’s a lot smarter than you’d think, subverting cheap voodoo-movie stereotypes in cool and surprising ways. Ah woe! Ah me! Shame and sorrow for the family! With guest host, Nathan Alderman. Nathan Alderman with Shelly Brisbin, Randy Dotinga and Micheline Maynard.

he team behind our previous Spooky Season entry CAT PEOPLE — producer Val Lewton and director Jacques Tourneur — return with the Jane Eyre-inspired tale of a naive nurse summoned to a tropical island to care for a rich nepo baby’s ailing wife. But the patient’s malady may have a sinister, supernatural source. Get ready for an atmospheric, antiracist spookshow that’s a lot smarter than you’d think, subverting cheap voodoo-movie stereotypes in cool and surprising ways. Ah woe! Ah me! Shame and sorrow for the family! With guest host, Nathan Alderman. Nathan Alderman with Shelly Brisbin, Randy Dotinga and Micheline Maynard.

This month, Paul and I are delighted to welcome to the podcast Nick Lane, the writer and director of Sherlock Holmes: The Hunt for Moriarty for Blackeyed Theatre. You can find out more about Blackeyed Theatre here. You can find the tour dates for Sherlock Holmes: The Hunt for Moriarty here. The show notes will be available at https://bit.ly/DOD68sn (for all shownotes, just replace ‘68' with the episode number in question). The episode will shortly be posted to our Youtube channel: www.youtube.com/@doingsofdoyle. Please like and subscribe. And follow us on BlueSky as @doingsofdoyle.com About Nick Lane Nick started his career as an actor, before he turned to writing and directing. From 2006-2014 he was the Associate Director and Literary Manager of Hull Truck Theatre. Since then he has struck up a long association with Blackeyed Theatre, beginning with Strange Case of Dr. Jekyll & Mr. Hyde in 2016, and going on to adapt other gothic classics including Frankenstein, Jane Eyre and Dracula. He is also an accomplished children's playwright, with credits including A Christmas Carol, Snow White, Little Red Riding Hood and the excellently titled When Santa Got Stuck in the Fridge. He has adapted The Sign of the Four and The Valley of Fear and his latest is The Hunt for Moriarty which is touring in the UK right now. Sherlock Holmes: The Hunt for Moriarty “When you have one of the first brains of Europe up against you, and all the powers of darkness at his back, there are infinite possibilities” London, 1900. As the British Empire wages war in the name of a Queen whose health is failing, a series of mysterious events reveals a crack in the high corridors of power. A crack that threatens to destabilise monarchy, government and Empire. And at its centre, controlling the flow of information and influence, a shadowy figure plans a final deadly move. Drawn into the game and unsure who to trust, Sherlock Holmes and Dr. Watson find themselves confronting figures from their past in a desperate race against time, aware that the most powerful person in the world could be in the pocket of one of the most corrupt. But just how much is Holmes willing to sacrifice as he faces 'checkmate'? A thrilling adventure based on the work of Sir Arthur Conan Doyle, Sherlock Holmes: The Hunt for Moriarty is a world premiere combining powerful performances, a haunting soundscape and innovative design for an exhilarating theatrical experience. Recommended for age 11+ Running time: Approx 140 minutes (plus interval) (Source: Blackeyed Theatre website) Next time on Doings of Doyle… We stay in Sherlockian mode with ‘The Adventure of the Illustrious Client' (1924). You can read the story here. Acknowledgements Thanks to our sponsor, Belanger Books (www.belangerbooks.com), and our supporters on Patreon and Paypal. Image credits: Thanks to Alexis Barquin at The Arthur Conan Doyle Encyclopaedia for permission to reproduce these images. Please support the encyclopaedia at www.arthur-conan-doyle.com. Music credit: Sneaky Snitch Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License. http://creativecommons.org/licenses/by/3.0/ YouTube video created by @headlinerapp.  

Patricia Lynn is a playwright/actor who has worked extensively in NYC independent theatre. As a writer, Patricia fancies herself to be a gothic feminist; she loves to subvert the classic genre by creating provocative plays inspired by traditional gothic stereotypes. Her plays have been developed at Triad Stage, New Perspectives Theatre Company, The Secret Theatre, Rogue Theater Festival, and Phillips' Mill Community Association. As an actor, Patricia has worked at TheatreWorksUSA, Trinity Repertory Theatre, Soho Playhouse, Capital Fringe, NYC Fringe Festival, and many more. MFA in Creative Writing from Lesley University; MFA in Acting from Brown University/Trinity Repertory. In this episode we talk about her new play The Truth about Transylvania debuting during Halloween week October 24, 2025.

We're diving into Mansfield Park in this first episode of season five of Pod and Prejudice. In today's chapters, we're taking it back to the generation before our heroine. We meet the Ward sisters who all marry into different social strata and learn how Fanny Price came to Mansfield Park. Topics discussed include the something borrowed, something blue tradition, Mrs. Norris as a charity case, cousins marrying, Sir Wobbles the Pug, the bashing down of Fanny Price, naming girls after their mothers, and wealth as access.Patron Study Questions this week come from Kaitlyn, Linnea, Avi, Ghenet, Melissa, Katie, and Liz. Topics discussed include our first poor MC, the three Ward sisters and their marriages, our impressions of the Bertrams, our predictions for the futures of the kids, Mrs. Norris's influence over Sir Thomas, and why the writing of MP may be so different from the other books we've read.Becca's Study Questions:Topics discussed include Austen's Dickensian turn, why the Bertrams keep Fanny separate, whether Fanny is better off at Mansfield, and why Edmund is so special.Funniest Quote(s):“But there are certainly not so many men of large fortune in the world, as there are pretty women to deserve them.”“Lady Bertram, who was a woman of very tranquil feelings and a temper remarkably easy and indolent, would have contented herself with merely giving up her sister, and thinking no more of the matter: but Mrs. Norris had a spirit of activity, which could not be satisfied till she had written a long and angry letter to Fanny”“I should wish to see them very good friends, and would on no account authorize in my girls the smallest degree of arrogance towards their relation; but still they cannot be equals.”“It is not very wonderful that with all their promising talents and early information, they should be entirely deficient in the less common acquirements of self-knowledge, generosity, and humility.”Questions Moving Forward: Will the cousins marry?Who wins the chapters? Edmund BertramGlossary of Terms and Phrases:Disoblige (v): offend (someone) by not acting in accordance with their wishes.Deportment (n): a person's behavior or manners.Emulation (n): effort to match or surpass a person or achievement, typically by imitation.Frank (v): to mark (a piece of mail) with an official signature or sign indicating the right of the sender to free mailing.Indolence (n): avoidance of activity or exertion; laziness.Injudicious (adj): showing very poor judgment; unwise.Prognostication (n): the action of foretelling or prophesying future events.Solicitude (n): care or concern for someone or something.Tractable (adj): easy to control or influence.Glossary of People, Places, and Things: Yours, Mine, and Ours, Jane Eyre, A Cinderella Story, Gilmore Girls, The Last of Us, Mean GirlsToday's episode is brought to you by You Pod It, Dude! Listen wherever you get your podcasts, and watch the video on Spotify and Youtube! Follow them on Instagram and TikTok at @youpodit!Molly's edition of Mansfield Park can be found here.Next Episode: Mansfield Park Chapters 3-5Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

How is it possible we've never done a governess episode? And how is it possible Louisa Darling hasn't been a guest on the pod yet? We're rectifying both of these injustices this week on the pod. We talk about Jane Eyre, The Sound of Music and other primordial governesses, and discuss exactly what kind of buttons these books installed--almost entirely thanks to old school historicals. We also talk about how governess books are some of the only books in which we will suffer a child, and yes, we shout out the nannies, too!Louisa Darling is the pen name of Louisa Edwards and Lily Everett, and the author of Don't Let Your Dukes Grow Up to be Scoundrels, Where Have All the Scoundrels Gone, and Scoundrel, Take Me Away.Our next read along is Gorilla Twins, AKA Lorraine Heath's The Earl Takes All. Find it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books. If you'd like more romance chat in your life, please consider joining our Patreon, which comes with an extremely busy and fun Discord community! There, magnificent firebirds hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. NotesLearn more about The States Project and donate to the Fated States Giving Circle to keep Virginia blue this November.Welcome historical author Louisa Darling. She's written contemporary romance as Louisa Edwards and women's fiction as Lily Everett. She imprinted on Jayne Eyre and worked as an editorial assistant for Leslie Gelbman at Berkley, who edited Nora Roberts and Jayne Ann Krentz.Maybe all those early governess books were really about The Sound of Music. We talked about the Molly O'Keefe series that included Wait For It in season 7, and about Vanessa Riley and wet nurses when we had Kennedy Ryan on in season 2. Finally, our next deep dive will be Gorilla Twins. The actual title, of course, is The Earl Takes All by Lorraine Heath.The BooksDon't Let Your Dukes Grow Up to be Scoundrels by Louisa Darling

There has never been a literary family quite like the Brontës. In our autumn podcast Ann Dinsdale, Principal Curator of the Brontë Parsonage Museum at Haworth in Yorkshire, joined the Slightly Foxed team to discuss the story of the family's life there. The Brontës moved to Haworth in 1820 when Patrick Brontë became curate, and the parsonage was established as a museum in 1928 when it was acquired by the Brontë Society. Mrs Brontë and the oldest two daughters, Maria and Elizabeth, died there from tuberculosis, leaving Charlotte, Emily, Anne and their brother Branwell to be educated at home by their widowed father.  Ann talks about her work at the Parsonage Museum, a treasure trove of Brontë memorabilia, containing 9,000 items including clothes, letters, first editions and the sisters' own writing boxes. The Brontës were a close-knit family, sharing their games and creating a rich imaginary world which formed the basis of their later writing. Patrick Brontë was a loving and in many ways an unconventional father, who encouraged the girls' education and allowed them to read freely. He was a lover of the natural world, and on their daily walks in the wild moorland country around Haworth the sisters absorbed the atmosphere that would permeate their novels.  Recognition came in 1847 when each published a novel, though initially they hid behind the pseudonyms of Currer, Ellis and Acton Bell. Charlotte's Jane Eyre was the first, an overnight sensation which was the talk of literary London, causing endless speculation about the identity of its author. Three months later came Emily's Wuthering Heights, which shocked readers with its story of passion, violence and revenge, and finally Anne's Agnes Grey. The scene could have been set for brilliant literary careers, but within two years both Emily and Anne were dead from tuberculosis, Emily at 30 and Anne at 29. Charlotte married her father's curate, lived on to write Shirley and Villette, based on her time as a teacher in a school in Brussels, and died at 38. Branwell, who never fulfilled his family's high expectations, died addicted to alcohol and opium when he was 31. Even before Charlotte's death Haworth had become a place of pilgrimage for Brontë fans, and Mrs Gaskell's 1857 biography of her helped to establish the family's lasting fame. Today the Parsonage Museum is hugely popular with visitors. It is also a centre for research and runs an annual festival of women's writing. Ann's deep knowledge of the Brontës and her experience of running the museum made for a fascinating discussion, leaving us to wonder, had the sisters lived longer, what their eventual literary legacy might have been. Autumn book recommendations were Blythe Spirit, Ian Collins's biography of Ronald Blythe, The Brothers York by Thomas Penn, Plainsong, an American novel by Kent Haruf, Traitor's Legacy by S. J. Parris, and The Land in Winter by Andrew Miller. For episode show notes, please see the Slightly Foxed website. Opening music: Preludio from Violin Partita No. 3 in E Major by Bach Hosted by Rosie Goldsmith Produced by Philippa Goodrich

Jeremy Cordeaux brings another sharp, funny, and fearless edition of The Court of Public Opinion – Garage Edition. From Christmas spending and phone habits to Pauline Hanson’s rise and Victoria’s latest “nanny state” laws, Jeremy dissects the week’s absurdities with his signature wit. He takes aim at $325,000 machete bins, political correctness, and the death of common sense, while paying tribute to icons like Jilly Cooper and Dolly Parton. It’s a mix of satire, nostalgia, and straight talk — the way only Jeremy can do it. Dot Point List – Topics Covered Peter Clayton’s new song “Father and Son” — and Jeremy’s surprising praise Australians set to spend $2 billion on Christmas gifts Real vs fake Christmas trees and sustainability debate Author Jilly Cooper’s death and tribute Dolly Parton addresses false health rumours Jeremy’s pitch for an Australian “Thanksgiving Day” Pauline Hanson’s rise and Lydia Thorpe’s “burn down Parliament” controversy The dangers of using phones on the toilet (and “wash your hands, Jeffrey!” nostalgia) The Victorian government’s plan to ban fast food in “obese suburbs” The $13 million “machete bin” fiasco — $325,000 per bin! The death of real customer service and rise of phone menus Historical notes: Marie Antoinette, Disney Brothers, Jane Eyre, Angela Lansbury, Lawrence of Arabia Teasers for upcoming guests: Dr John Bruni, Senator Bob Day, Adam Crichton, Michael Stutchbury See omnystudio.com/listener for privacy information.

"Isn't it just so pretty to think all along there was some invisible string tying you to me?" This week, we're deep diving "invisible string" (folklore 2020). We go line by line through this deceptively whimsical love song, exploring everything from Greek mythology to Jane Eyre references, the evolution of time from "curious" to "mystical" to "wondrous," and why Taylor chooses to believe in fate. Join us as we unpack the colors, the contrasts, and the surprising darkness hidden beneath this seemingly romantic fairy tale about finding your person against all odds.   Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com    Mentioned in this episode:  Jane Eyre, Charlotte Brontë Greek Mythology - The Fates Ancient Chinese proverb - Red thread of fate Hercules (1997 Disney film) *** Episode Highlights:  [01:27] The title: Invisible strings, fates, and marionettes [3:33] Green and teal: Same but different colors [11:13] “Bad was the blood of the song in the cab” [18:16] "Time, mystical time"  [24:30] “Something wrapped all of my past mistakes in barbed wire” [36:22] "Time, wondrous time" - Blues to purple pink skies [39:13] The purpose of the song   Follow AP Taylor Swift podcast on social!  TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree →linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm →  tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com  Affiliate Codes:  Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off!  Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.  

I am so excited to say that my guest, returning for his second interview on the GWA Podcast, is the esteemed American writer, critic, and curator, Hilton Als… A staff writer at The New Yorker for over 30 years, and a recipient of the Pulitzer Prize for criticism in 2017 and a Guggenheim Fellowship for creative writing, Als is the author of numerous books. He is a teaching professor at Berkeley, Last time Als came on the podcast, we discussed two significant artists for him, the photographer, Diane Arbus; and the painter of people, Alice Neel – the latter of whom he has curated exhibitions of, exploring her life in uptown Manhattan, and her various friendships with artists, writers, dancers, neighbours and social activists. 119 But today I meet Hilton on the occasion of a new exhibition he has curated: Postures: Jean Rhys in the Modern World at Michael Werner Gallery in London, which explores the extraordinary and complex life of Creole-British writer, Jean Rhys, born in Dominica in 1890 to plantation owners, who grew up a white person, or Creole, in a largely Black society, and moved to Britain aged 16 and lived most of her life in Europe until her death in 1979. She was known for telling stories of women in exile, often at the whim of powerful men, and celebrated for her last and best-selling novel, Wide Sargasso Sea, published 1966, that told the life story of the so-called mad woman in the attic, Antoinette Cosway, from Charlotte Bronte's Jane Eyre, from Cosway's perspective. And what a beautiful, complex, show this is. Featuring Hurvin Anderson, Celia Paul, Gwen John, Sarah Lucas, Kara Walker, and more, it is a rich portrait of a complex figure who lived between worlds, cultures, reality and fiction. And I can't wait to find out more. Postures: Jean Rhys in the Modern World is at Michael Werner Gallery, London, until 22 November. For more on the show: https://www.michaelwerner.com/exhibitions/postures-jean-rhys-in-the-modern-world. Books/poems mentioned: Good Morning, Midnight - Jean Rhys Wide Sargasso Sea - Jean Rhys Smile Please - Jean Rhys Jane Eyre - Charlotte Brontë Self-Portrait - Celia Paul Jean Rhys (poem) - Derek Walcott Autobiography of My Mother - Jamaica Kincaid A View of The Empire at Sunset - Caryl Phillips Artists/writers mentioned: Hurvin Anderson Kara Walker Eugène Atget Eugène Leroy Cynthia Lahti Francis Picabia Celia Paul Gwen John Augustus John Sarah Lucas Hans Bellmer Caryl Phillips Jamaica Kincaid Derek Walcott -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

The dragons are back just in time for spooky season. They are naturally kicking off their favourite season with a new slant on and old favourite subject - the Gothic. But what exactly do 'outsiders' have to do with Gothic literature? As it turns out, quite a lot. Jules and Madeleine take a joyful autumn romp through this little mentioned but essential ingredient of the genre from it's literary inception up to its quirky, spooky modern day equivalent. On the slab this week classics such as Dracula, Frankenstein & Jane Eyre, as well as Penny Dreadful, the Addams Family and Wednesday. Title music: Ecstasy by Smiling Cynic.    

We're back! Join us as we discuss films that pull at our heart strings.The Sound of Music (1956)Wild Hearts Can't be Broken (1991)Star Trek Generations (1994)Jane Eyre (2011)

Become a supporter of this podcast: https://www.spreaker.com/podcast/tale-teller-club--5932843/support.Tale Teller Club for CreatorsWatch: https://youtube.com/@taletellerclubJoin: https://bookofimmersion.comSupport: https://taletellerclub.bandcamp.comShop: https://redbubble.com/people/taletellerclubArt: https://saatchiart.com/sarniaKids: https://youtube.com/@taletellerclubkids

We delve into Kyle Raymond Fitzpatrick's apt and unrestrained diatribe on the “era of ad-based psychosis” in his newsletter The Trend Report, and what happens when we leave people with nothing other than products, branding, or a community manager in the comments section to bind their entire identity to. On the brighter side, stay to hear about a hamster riding a motorcycle, Owen Cooper and the return of earnest, Jane Eyre, Benghazi, and Clara's time in The Pitt. Hosted on Acast. See acast.com/privacy for more information.

Our guest today is one of the UK's best known and best loved public intellectuals, the classicist and expert on Roman history Professor Dame Mary Beard. Mary tells Gyles about her country childhood in Shropshire, playing on a disused railway track and trying to memorise Jane Eyre by heart. She talks about her interesting parents - a headmistress and a "raffish" historical buildings architect, and about the alarming visits up ladders into church belfries she made with her dad. She talks about Cambridge, sexism, and discusses interesting questions such as 'how to think' with Gyles. She talks about her early relationships with men and she describes the chain of events which led to her being raped in Italy as a student. She talks about the challenges of being a public intellectual, and about her aversion to risk aversion! As you can tell, this is a wide-ranging and fascinating discussion. Enjoy this. NB this episode contains some discussion of a rape, which is not graphic, but you may want to be mindful of this if listening with children. Hosted on Acast. See acast.com/privacy for more information.

Send us a textAccording to Miriam Webster, the Bildungsroman is a novel about the moral and psychological growth of a main character. Today, we're kicking off our Anne of Green Gables bonus episode series with an introduction to the genre, a basic examination of life on Prince Edward Island, the 7th Canadian province where the Anne books primarily take place, and some context and backstory about L.M. Montgomery, the creator and author of this timeless series. If we think back to our high school days, it's likely that most of us read popular titles like Catcher in the Rye, Invisible Man, and The Adventures of Huckleberry Finn. But what about coming of age stories that center the experiences of women and girls? Popularized by titles like Jane Eyre and Pride and Prejudice, the Bildungsroman has also been used throughout history by female authors to challenge societal expectations of women's roles and the politics that make them law. Coming of age stories about women and girls are oftentimes infantilized and deemed appropriate reading material for girls only. We argue they're important and good for everyone, regardless of age and gender. The themes and journeys depicted reflect a very different perspective when boys and men are not the central protagonist, focusing more on romance, gender roles, and access to independence and mobility. Join us this Friday, and for the following five as we read and discuss all eight of the Anne of Green Gables books and the 1980's movie adaptations within this feminist, coming of age context. We'll cover everything from our least and most favorite characters and plot points, to how L.M. Montgomery uses the genre to examine political issues, women's roles, and society at large. We'll bring you fun facts, and even a bonus feature called “That's JUST Like A Man!” These books surprised us in all the best ways and we cannot wait to share them with you! And today we even bring you a fave and fail with a childhood twist, and an old timey / animated smash or pass.Don't be shy, subscribe! New Podcasts every Tuesday!! (And sometimes Friday!…)Check out these author interviews? ⬇️Penn Cole talks with us about Strong Female Characters, Feminist Themes, and her debut bestselling Spark of the Everflame Series! https://youtu.be/7ukNImyoObw?si=7C3Y9kOUMN4hfcKbWe interviewed Callie Hart all about her NYT Bestseller Quicksilver! Watch it here! https://youtu.be/CED5s7qDBdQ?si=8xtIRO1IzX6Rsld4Check the official Author Interview with Lindsay Straube of Split or Swallow! Now a Barnes & Noble & Amazon best seller titled: Kiss of the Basilisk!  https://youtu.be/fknhocSNIKM____Shop bookish apparel worn in this episode!Ashley is Wearing: Troop Beverly Hills sweater from Etsy | * https://go.magik.ly/ml/2g6nn/ Liz is Wearing:  Anne of Green Gables sweater from Amazon | * https://amzn.to/41JA1CB AnyYouTube | TikTok | Instagram | Podcast Platforms@BestiesandtheBooksPodcast Besties and the Book Club on Fable!https://fable.co/bestiesandthebookclub-474863489358Liz Instagram | TikTok@TheRealLifeVeganWife AshleyInstagram | TikTok@AshleyEllix

An encouraging court win, thoughts on book reviews, direct to Kanopy films, and more of the week's book news. Subscribe to the podcast via RSS, Apple Podcasts, and Spotify. Sign up for the Book Riot Podcast Newsletter and follow the show on Instagram and Bluesky. Get more industry news with our Today in Books daily newsletter. Book Riot is hiring a digital content specialist! If you love books and know the ins and outs of social media strategy, and especially social video, consider joining the team. Find details and apply by August 22, 2025, at riotnewmedia.com/careers. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Discussed in this episode: Judge strikes down much of Florida's book banning bill Associated Press to end weekly book reviews Charlie Kaufman's new short film will be distributed by Kanopy Authors withdraw from consideration  for queer book prize in protest of John Boyne's inclusion Emerald Fennell's new Jane Eyre adaptation sounds wild People Like Us by Jason Mott It's Only Drowning by David Litt Great Black Hope by Rob Franklin Learn more about your ad choices. Visit megaphone.fm/adchoices

Romance is having a huge moment and let's be honest, sometimes we all need a dose of a little happy ending. In this spicy bonus episode of Mamamia Out Loud, Jessie, Holly and Em V are diving deep into why we're all completely obsessed with love stories right now. From seriously sexy fairies, Mr Rochester's problematic Victorian charm to complicated love stories set on the backdrop of Dublin (so romantic) — we're covering it all and getting way too invested in fictional relationships. Plus, we'll play you a taste of Em's spicy obsession she's been listening to on her commute that has her practically levitating into work.

Critics weigh in on ‘Mamma Mia’ return, Bakula joins DeBose in ‘Baker’s Wife,’ Henningsen and Karimloo reunite for ‘Jane Eyre’ concert Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | read more

TIM BURTON'S DARK REIMAGINING!! Alice in Wonderland Full Reaction Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ Alice in Wonderland (1951) Movie Reaction:    • ALICE IN WONDERLAND (1951) IS A DAZZLING V...   With With Season 2 of Netflix's hit Addams Family Spinoff Series "Wednesday" premiering in a couple short weeks, John & Aaron RETURN to Wonderland for Tim Burton's Alice in Wonderland Reaction, Recap, Commentary, Analysis & Full Movie Spoiler Review!! Aaron Alexander & John Humphrey journey through the looking glass in this Reaction & Review of Alice in Wonderland (2010), Tim Burton's visually stunning reimagining of the classic Lewis Carroll tale. In this fantastical adventure, Mia Wasikowska (Crimson Peak, Jane Eyre) stars as 19-year-old Alice Kingsleigh, who returns to the whimsical world of Underland to fulfill her destiny and defeat the tyrannical Red Queen. Johnny Depp (Pirates of the Caribbean, Sweeney Todd) brings eccentric energy to the Mad Hatter, while Helena Bonham Carter (The Crown, Fight Club) steals scenes as the hilariously unhinged Red Queen with her signature “Off with their heads!” cry. Anne Hathaway (Les Misérables, The Devil Wears Prada) floats ethereally through the film as the White Queen, and Crispin Glover (Back to the Future, Willard) plays the menacing Knave of Hearts. The voice cast includes Alan Rickman (Harry Potter, Die Hard) as the philosophical Blue Caterpillar, Stephen Fry (V for Vendetta) as the grinning Cheshire Cat, and Michael Sheen (The Twilight Saga) as the White Rabbit. Notable moments include Alice's epic battle with the Jabberwocky, her showdown against the Red Queen, and her iconic armor-clad transformation into a hero. With Danny Elfman's haunting score and Burton's signature gothic flair, Alice in Wonderland became a box office sensation and a landmark in Disney's live-action fantasy catalog. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Vita e libri delle sorelle Brontë, scrittrici vittoriane autrici di alcuni tra i migliori romanzi della letteratura inglese.

Presenting a replay of the Lux Radio Theater production of "Jane Eyre" aired on Jun 05, 1944. Please support these shows with your donation today, thank you. https://mpir-otr.com/sponsors-donations

In this week's episode of The Learning Curve, co-hosts Alisha Searcy and Helen Baxendale of Great Hearts Academies interview award-winning English historian and biographer, Dr. Juliet Barker. She offers a rich portrait of the Brontë family, whose timeless contributions have widely impacted English literature and fiction writing. Dr. Barker explores the formative influences of their father, Patrick Brontë, an Irish Anglican minister with deep intellectual, religious, and educational convictions that shaped his family's writing, and their tight-knit, creative environment in Haworth that inspired his gifted literary daughters Charlotte, Emily, and Anne. She delves into Charlotte's drive for self-improvement, the enduring power of her novel Jane Eyre, and its themes of independence, love, and social criticism. Dr. Barker discusses Emily's affection for nature, reclusive personality, and the intense emotional landscape of her novel, Wuthering Heights. She also explores Anne's gentle, strong-willed temperament, her novels Agnes Grey and The Tenant of Wildfell Hall, and their groundbreaking critiques of women's prescribed roles and the hypocrisies of 19th-century society. Dr. Barker shares insights about the tragic deaths of all six Brontë siblings, including Branwell, the family's son. She concludes the interview by discussing the sisters' lasting legacy as great literary women who revolutionized Victorian fiction and whose works continue to resonate with modern readers across the globe. In closing, she reads a passage from her definitive biography The Brontës.

Christian Historical Fiction Talk is listener supported. When you buy things through this site, we may earn an affiliate commission.Become a patron and enjoy special perks and bonus content.Jenelle Hovde is a newcomer to the show but not to writing, though she takes her first foray into Regency romance with her latest release, No Stone Unturned. In this week's episode, she shares how she combined her love of antiquity and Jane Austen into a fabulous Regency novel, how she's loving life in Florida, and what got her started writing in the first place. Patrons, you get a special bonus because she shares which are her favorite film versions of both Pride and Prejudice and Jane Eyre. No Stone Unturned by Jenelle HovdeShe wants to uncover the past. He wishes to build a future. In this Regency romance set in rolling hills of West Sussex, two opposing wills discover their fate may lie in the common ground.Miss Bridget Littleton's passion for history and antiquities defies most social conventions, even in her small village nestled in the beautiful English countryside. When a local farmer discovers an elaborate mosaic buried in his field, Bridget dreams of making a name and future for herself by excavating the Roman ruins. Unfortunately, her quest puts her at odds with the ambitious new lord who recently inherited the title and Hawthorn Abbey from his estranged uncle.Recovering from wounds of both body and spirit, Captain Rafe Hawthorn is intent on restoring his long-neglected ancestral home. His plans to rebuild the abbey's once thriving orchards require a road that will pass straight through Bridget's potential trove of artifacts. He will not―cannot―fail again, even if he is moved by Bridget and her passion.Yet this impasse might not be their greatest obstacle. A natural disaster and a series of suspicious accidents threaten both their plans, along with the livelihood of the nearby villagers dependent on their success. With their dreams in the balance, Bridget and Rafe must work together to fend off an unexpected enemy that may prove more dangerous than either could have imagined.Get your copy of No Stone Unturned by Jenelle Hovde.More about Jenelle Hovde:'m so glad to share a little of my writing journey with you. For as long as I can remember, I've always had a story swirling in the back of my mind. To this day, I have novels written when I was seven years old. The subjects changed (it was puppies back then), but the love of writing never disappeared.I stuffed away all desire for creative pursuits, obtaining a doctorate in audiology. Though I enjoyed the world of science and medicine, my husband encouraged me to write fiction seriously.I did just that. I wrote and wrote. My life transformed as a result, and for the better.My favorite fiction includes faith-filled stories with plenty of adventure. In fact, one of my favorite genres to read is historical romance, especially Regency! As a teenager, I adored the classics such as Pride and Prejudice, Jane Eyre, and anything with Georgette Heyer where the stakes are high, and the romance, sweet but fulfilling.When I'm not scribbling on scraps of paper, you can usually find me within used bookstores perusing antique romance novels, historical journals, theology, and anything regarding ancient history.Visit Jenelle's website.

Episode 251 - The Thinklings Podcast Welcome to Episode 251 of The Thinklings Podcast! This week continues our summer style series with another fun and thoughtful episode. Thinkling Stearns and Little share what they've been reading, while Thinkling Boyd wraps up with a devotional from James 4:3. Thanks for listening to this week's episode!

In this episode of Outside Ourselves: Summer Break, author, 1517 contributor, and internet theology whiz kid, Amy Mantravadi discuss theological themes in Charlotte Bronte's novel, Jane Eyre. Amy makes the argument that Jane's character development traces a law-gospel dynamic with Jane moving from a place of shame and condemnation to ultimately, resurrection.Show Notes:⁠⁠Support 1517⁠⁠⁠⁠1517 Podcasts⁠⁠⁠⁠The 1517 Podcast Network on Apple Podcasts⁠⁠⁠⁠1517 on Youtube⁠⁠More from Kelsi: ⁠⁠Kelsi Klembara⁠⁠ ⁠⁠Follow Kelsi on Instagram⁠⁠ ⁠⁠Follow Kelsi on Twitter⁠⁠ ⁠⁠Kelsi's Newsletter⁠⁠ Subscribe to the Show: ⁠⁠Apple Podcasts⁠⁠ ⁠⁠Spotify⁠⁠ ⁠⁠Youtube⁠More from Amy:Broken Bonds: A Novel of the ReformationFollow Amy on XAmy's Substack

S._Africa_Jane_Eyre

Karen Dukess's first book, The Last Book Party, was wildly successful by any measure—sold at auction, Indie Next pick, Discover New Writers pick… you probably read it. The second…Didn't sell. Not as in, not very many people bought it but as in, no publisher published it. She spent the requisite couple years or so, her agent signed on but… no takers. She felt like she was the only person in the whole entire world that that happened to… until she started asking around. Turns out, you know how people say writing books is hard? And publishing is tough? They're right!Never fear, Karen lived to tell the tail. Her next novel (do we call it second or third?), Welcome to Murder Week, is wonderful and available in a bookstore near you (and as you'll hear, I loved it and it's the perfect page-turner but not-anxiety-producing read for a swimming pool, beach, airplane ride or couch). But the real joy is that Karen is willing to dish. You'll hear:What happens when you want to be a bullet journal sticker getting writer with your butt in the chair but you're just … not.How to have fun writing a book that maybe no one will want (and why you'd better).How Karen found the right mindset to keep going.Karen's one rule as a beginning writer who couldn't quite get the hang of 1000 words a day. Links from the Pod:LauraPaloozaKaren Dukess, The Last Book PartyZibby EventsThe Murder of Mr. Wickham by Claudia Gray#AmReadingKaren: The Original, Nell Stevens KJ: Welcome to Murder WeekKaren's Substack Keep Calm and Carry On, a Substack from Karen Dukess or find her on Instagram @karendukess, or her website www.karendukess.comDid you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcript below!EPISODE 452 - TRANSCRIPTJess LaheyHey, it's Jess here. A few years ago, I got to go to Laura Palooza. Laura Palooza is the conference that is run by the Laura Ingalls Wilder Legacy and Research Association. I was invited because I wrote about Laura Ingalls Wilder and the Little House on the Prairie books, and at the very beginning of The Gift of Failure, there's a mention in the opening chapter. And I was invited to go, and it was fantastic. And I got to meet Dean Butler, who had played Almanzo, which was quite a moment for me, because I had been quite in love. Anyway, this year's Laura Palooza 2025 is going to be taking place July 8 through 11th, 2025. Laura Palooza 2025's theme is prairies, pioneers and pages. If you want more information on attending Laura Palooza 2025, you can go to L-I-W-L-R-A — L-I-W-L-R-A dot org slash laurapalooza. I will be putting it in the show notes for whatever episode this ends up on, and it's going to be really, really great. I'm jealous that I can't go again because it's not going to be near me. It's going to be in De Smet South, I hope that's how you pronounce it, South Dakota. But they're going to even have, like, a feature on the fashion at the time. They're going to have a section on planes, claims and all those land deals, a beginner's guide to mapping homestead claims. It's going to be cool, challenging gender norms. Laura Ingalls in fiction, and Rose Wilder Lane in reality. Folklore, fiction or forecasts, separating and linking science, storytelling and mythology in weather, lore, that's going to be by Dr. Barb Boustead, who has been on this very podcast. She's fantastic. Laura Palooza 2025... July, you should go, you should sign up. It's really fun. They're going to be doing a field trip also to the Ingalls Homestead, I believe. Check it out. It's pretty cool.Multiple Speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things, short things, long things, pitches, proposals, fiction, nonfiction, in short or really actually, usually long. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia. I am the author of a bunch of novels, the most popular of which is The Chicken Sisters, and the most recent is Playing the Witch Card, and you should read them all. And I have with me today a guest that I'm really excited about for a topic that you all are going to love. So, with me today, I have Karen Dukess, and she is the author of The Last Book Party, which you might have read in 2019 because it was unmissable. It was everywhere. It was an Indie Next. It was a Discover New Writers pick, it was...it was all over the place. And that is partly what we're here to talk about today. And we're also here to talk about her new novel, Welcome to Murder Week, which I have just read and enjoyed, but mostly we're here to talk about the six years in between. So, welcome. I am so glad to have you here. So, Karen and I have met in person. We met at a Zibby book event and at an event for the amazing Annabel Monaghan, who also has a book out this summer. The lovely thing about the universe is that nobody reads just one book.Karen DukessThat is true. Thank you.KJ Dell'AntoniaSo, you can be like, yes, read Annabel's book, read my book. Read. I mean, anybody who reads? I mean, yeah, there are people who read just one book, it's probably not going to be ours. Oh, well, people seem to like the Bible. I don't know that's a popular one. See that? A lot around a lot of Crawdads, also see that. Okay, so anyway, tell us what the story of the long six-year journey between your very, very successful debut novel, and what is about to be your very different sophomore novel.Karen DukessSo, I feel like I have an upside-down writing career in that most people write a lot of novels that don't get published before they write a novel that gets published, and mine went backwards. So, The Last Book Party was my first novel, and I wrote it...Didn't... I wrote it, finished it when I was in my early 50's, around 54 -55, spent about four years writing it, and I had done a lot of writing before, then stopping and starting and thinking that. I must not have what it takes, because this is too hard. I didn't realize that novel writing just is hard, and that is the way it is for all but a few unicorn people. So that novel, I was so happy when I finally finished it. I was so satisfied to just finally have written a novel, and I was truly thrilled, and I I felt like, if it doesn't get published, I'll publish it myself. I'm just so happy to have achieved this goal. And then it sold incredibly quickly. It was unbelievable. I mean, it was like beyond my wildest dreams. It went to auction. It sold very quickly for a good advance, and the publishing experience was great, including the fact that they were originally going to publish it in 2020, but they decided to bump it up to 2019 I don't know why. But I was like, sure, I've waited to my 50's to get this book out, like the sooner the better. And then I dodged the bullet of waiting all these years to publish a novel and have it come out during the pandemic. So, the paperback came out in the pandemic, which wasn't great, but I still felt so grateful that I had gotten this book out before then. So, then I started working on my second novel, which later someone had given me some someone, a friend...it might have even been Annabel. Someone gave her the advice that your second novel, don't make it very, very personal. And I kind of wish I had gotten that advice, even though I'm not sure I would have listened to it. But the thing about a second novel, and I don't know if you experienced this, KJ, but if you have success with your first novel, the second novel is scary because you're like, was I a one hit wonder? You know, was it a fluke? Can I do this again? And people would say, well, you know how to write novels now. And I'd be like, no, I know how to write THAT novel. I have no idea how to write another novel. And the novel I wanted to write at that time was drawing on the many years I spent studying and living in Russia and working as a journalist in Russia. I was in Russia in the 90's, and I wrote a novel that was about an American woman's journey in Russia and some American journalists in Russia. But it was set in Russia in 2017 and with flashbacks to the 90's, and it was hard to write. It was not fun. I think I had, like, sitting on my shoulder this sort of like, oh, can she do it again? You know that kind of thing. And I knew that the luck I had the first one, like, you know, I knew it was unlike, unluck, unlikely to be like that again. Plus, I had this sense of like, this is my Russia novel. And even though it wasn't a novel like, directly about Russia, it still was my chance to sort of give my take on things there. So, I think I also had sitting on my shoulder, like all the journalists I know knew in Russia, and people that studied Russia and the real Russia experts, and what were they going to think of my take?KJ Dell'AntoniaOh, yeah.Karen DukessSo it was, it was not writing, sort of like joyfully, it was a tough novel to write. And then it was also, it was fiction, but it was sort of personal, midlife kind of novel. So, there was just a lot of baggage with that novel. And the writing of it was tough, you know, it was just, it took longer than I thought it it just, I just remember a lot of sort of hair pulling, kind of, you know, those writing days. I had a lot of them. I finished it. My agent said he loved it. I don't think he loved it as much as the other two novels I've written, but, you know, he was ready to send it out on submission. But as I was finishing it, I was getting more and more concerned, because I finished it right around when Russia invaded Ukraine. And my novel, which was set in 2017 Russia, now things were so different, and they had been increasingly becoming different. Suddenly it felt very anachronistic, because I wasn't writing with these big current events in mind. Plus, there was this whole kind of like, oh, Russia, yuck, nobody, you know. And I felt that too. So, I was nervous about it, and my agent was like, just finish it. You've spent this much time on it. Let's finish it and see what happens. And so, we sent it out, and the response I got was kind of... Uh not great, you know, it went to my publisher first. They'd write a first refusal, and we're like, this novel. It about American woman in Russia right now, it's just not the right time. And, you know, there may have been other things about the novel as well, but it was kind of a, like, not a good sell. So, we sent it out to maybe five or six more editors, you know, I got lovely rejection letters, you know. Well, I really enjoyed it. This part was so interesting. But, yeah, I don't know, I don't know how to market this novel right now. And it was, you know, it was crushing, of course, but it also kind of echoed my feelings about the novel. The whole thing gave me a knot in my stomach, yeah, so my agent said, well, we haven't really exhausted the possibilities yet. We can send it out another round, or you can revise it, or you can set it aside. And I felt really sure at that point that I just wanted to, I didn't want to keep submitting it. I just felt like not the right time. And it was disappointing, but it was also kind of a relief, because if someone had decided to publish that novel, I think I would have been really nervous for the whole time before it came out.KJ Dell'AntoniaI think the only thing worse than having your second novel not published is having it published to like, you know, universal hatred.Karen DukessYeah exactly.KJ Dell'AntoniaOr just, or just to your own disappointment, you know?Karen DukessYeah. And then there's a long lead time between the time and novel gets accepted and the time it gets published. And to just feel like, nervous that whole time, I just...KJ Dell'AntoniaYeah.Karen DukessSo, I was relieved and disappointed. And I remember very well thinking like, oh, well, this is what people talk about. When they talk about, you have to be able to deal with rejection as a writer, because I hadn't dealt with it yet. I had been so lucky, and I really had this sense of like, all right, well, now I get to find out if I'm really a writer, like, can I deal with this and or can I not? And so, I was like, I'm going to write something else. But I was determined to write something very, very different. Like, I needed the whole experience to be different, yeah, and it ended up being kind of liberating, because I went on a trip with my sister to England. We went to the Peak District in England for a week. We rented a little cottage, and this was right before the novel went on submission, I think, or maybe right after, maybe it was on submission, I don't know. So, it was around the time when I wasn't feeling good about the novel, but I wasn't sure it was like a dead deal yet. And we had this absolutely fantastic week in the Peak District, where I was my first time traveling in the English countryside. I'd been to London, but I'd never been in the English countryside, and I felt like I was just stepping into the pages of all my favorite English novels, like Pride and Prejudice and Jane Eyre. And also, like I was stepping into scenes of every BritBox masterpiece, mystery thing, I had written, you know, think, oh my god, there's a vicar. And just really, I was in a... my sister, we have similar reading tastes, and we were just both in this mood, like everything was just kind of entertaining us, and we were laughing at ourselves for seeing England through all these fictional characters. So, when I came back, I think I came back, and that's when I kind of realized this Russian novel was dead or shortly thereafter. And I thought, okay, I'm going to, I'm going to write something about Americans going to England. I want to continue that mood. And I really felt like, if I'm going to do now that I knew you could spend years writing a novel and have it not get published, which I knew intellectually before, but I didn't, hadn't experienced it. I I just felt like, if I'm going to spend another couple years writing a novel like fun has to be the number one thing. It just has to be fun. I'm like, not going to be miserable again. I can't do something like the Russian novel again. I have to just entertain myself and make myself happy, and hopefully it will entertain other people and make them happy too. And that's how I landed on the idea of sending these writing about Americans that go to England to solve a fake murder mystery, which is what Welcome to Murder Week is about. And I just had such a good time writing it. And I wrote it quicker than I've ever written. I wrote it in a little over a year, and it was honestly delightful. Like, I couldn't believe it. Like, writing could actually be really fun.KJ Dell'AntoniaWho knew? The result is also delightful. It just, it's, it's kind of like every warm and lovely book setting on to you you've ever read. It is it Is that I really enjoyed it, So...Karen DukessI'm so glad.KJ Dell'AntoniaI don't know what the Russian novel was like. That doesn't sound fun.Karen DukessI mean it wasn't really heavy, because I'm not like a heavy writer... like it still had...KJ Dell'AntoniaRight.Karen DukessIn it, and it had emotion, etc., but I'm not sad that it's not out.KJ Dell'AntoniaYeah.Karen DukessLet's put it that way, yeah. So, yeah, this one was just fun. And I, you know, my initial idea was to send a group of Americans to England. Initially it was going to be a writing group. I like the idea of putting characters together who would not ordinarily know each other, but to have them together in a space and then a friend of mine said, Okay, so that's an idea. You're going to send some writers on a writing retreat to England, and what are they going to do there? Like, write? Like, that's not very interesting. And that's how I, kind of, you know, ended up moving to this thing where I could have them participate in this weeklong, solve a fake English village murder mystery. And I could have, you know, the villagers, some of them participating in this, and some eagerly participating, some cynical and send a bunch of Americans, you know, Britbox crazed Americans, to compete in this thing. And, yeah, that's, that's how it ended up. And it was fun.KJ Dell'AntoniaI, yeah. I mean, it reads like you had fun. I, as someone who has... so Playing the Witch Card has like a big game sort of Halloween event at the center of it. That would be really hard to do in reality. This is kind of like that.Karen DukessYeah.KJ Dell'AntoniaLike, this is like the dream murder week, both from some of the point of view of someone who might want to put one on and from someone the point of view of someone who might want to go and do one. It's not, it's um, you know, it's not. Sometimes you read these and they're like, they're like, silly and hokey. It's like, very sincere, super fun murder week that anyone would wish that they could do that likes that kind of thing. Anyway, I yeah, I totally enjoyed it. All the characters were really fun. I could see that you must have had fun writing it.Karen DukessI did. And I also, you know, people often say, like, write the novel you want to read. And I really did that with this because I wanted it to have so it has a fake mystery, but then it has a real mystery as well.KJ Dell'AntoniaYeah.Karen DukessLike the main character, thirty-four-year-old Cath, little do you know, she goes on this trip because her estranged mother, before she died, booked them on it, and she's sort of reluctant to go, but can't get a refund. And then I sort of developed this whole story about she teams up with her house, shares a cottage with people to solve the fake mystery, but that she also solves the real mystery of why her mother wanted her to go, her late mother, and that was sort of like the writing the story you want to read. Because I like light and funny, but I also like something that has, like, some emotional heart to it, like I wanted to try to story that was fun, but that has something going on. And the more I wrote, the more Cath's serious story became part of the story, I think, in the first deeply satisfying, yeah, and the first version, the first draft that my agent read, and I had never shared a draft before with him, and, you know, I think I was just hoping he would be like, it's almost perfect. And he was like, well, I think Cath is the hardest story. I think you need to develop that more. And then I went back and did and sort of... blended the two. So, the whole experience was just, yeah, of course. Now I'm like, can I have fun again?KJ Dell'AntoniaYes, yes, you can. Nobody ever tells me my first draft is perfect, and I really hate that.Karen DukessYeah, I know. I think it's, I don't even know if I should have shared it with him, like, I just wanted him to say, like, it's amazing. And he was like, yeah, it could be really good.KJ Dell'AntoniaWell, but you just want them to know that you're doing, yeah, I'm a I'm going to share the first draft of the thing I'm doing with my agent, and it might be a terrible idea, but I'm going to do it anyway, because I want her to know I'm doing a thing. And yeah, I'm excited. And yeah um...Karen Dukess I also think that, like, you know, when I said that, it was liberating, in a way, to sort of have the experience that I had with the Russian novel. I think it was also maybe by the time, you know, getting to the third novel, or maybe it's getting to my age. I felt sort of like, I think I gave my permission, myself, permission to write a novel that, yeah, it has a serious story at the heart of it, but it's not like a deeply serious book, you know? And I think there's a tendency to think like, you know, I would look at the world around me sometimes, when I was drafting it, and feel like there's so many serious things to write about, and I'm writing this funny story, like, is that super fluffy? And, you know, it was like, this is what I wanted to write? That's okay, you know? I don't have to prove anything. Like, here is my serious tome. You know, I really just wanted to give people like, an emotional, amusing, heartwarming experience. And that is okay.KJ Dell'AntoniaIt is funny how locked we get into that, both as writers and as readers, this idea that if it's not serious or experimental or deep or dark, it's, I don't know, somehow not worthy. There was somebody was reading somebody's Substack the other day, and they were sort of deeply apologizing for the book they had recommended, which sounded really amazing. And I was like, why you, you know, you clearly enjoyed this, and it sounded great. And I don't. I mean, as a reader, I don't want to read things that are dark and deep and serious A. all the time...Karen DukessYeah.KJ Dell'AntoniaAnd B. sometimes not at all.Karen DukessYeah, I do like to read dark and serious, but I've learned that I don't like to write that like writing a novel is, it's always so much more time than you think. I mean, even this one was quicker than usual. It's a lot of time, like you're living it. And I was just like, I can't live in a dark place, like I can read a dark book in a couple days, you know? And...KJ Dell'AntoniaYeah.Karen DukessWipe my eyes and move on. But...KJ Dell'AntoniaYeah.Karen DukessYou know...KJ Dell'AntoniaA light one.Karen DukessYou could assume... but you know. When I'm writing a novel, I'm going to bed thinking about their the characters, and I'm thinking about it when I'm exercising, and it's just like churning in there, and I just don't want to be in a dark place for two years.KJ Dell'AntoniaYeah, and most of the time people, I mean, I guess it just depends on, on who you are. But a heart, it's hardly ever dark all the time. I mean, even people that I have known that we're going through some really horrible things have found, you know, levity and joy and pleasure in in some parts of it. And I think we all hesitate to say, well, that's everyone. Or you got to, you know, we don't want to impose that on every, on anyone, because that's kind of also where we are is, is this delicate dance of not wanting to expect anybody else to be the way you think they're going to be. But I it just seems like people find levity, even in even the worst, even in the worst moments. And people want, um, solace, you know?Karen DukessYeah.KJ Dell'Antonia Something... something pleasant... something.Karen DukessYeah, I work with an editor, kind of a more like a writing coach, like she doesn't actually edit, but she sort of helps me figure out the story and stuff. And there was one point when she was reading a draft, and there's a scene in the book. I don't know if it's a minor thing, but when my main character Cath, who there's a little romance in it. And when she's first together with this guy, and they're sort of rolling around in bed, the first draft that, the first version of it, she accidentally hit her head on the headboard, and then she's like, “Oh my god, are you okay?” And she was like, “no”. My coach was like, no, no. I don't want to be anxious that maybe this guy is a little violent. Like, no, no, you've got to take that out. I don't want to be anxious in the reading of this book. And it was such a minor thing that I think she was like...KJ Dell'AntoniaAnd you had him hit his head instead, right? Yeah.Karen DukessBecause I don't think anyone was going to worry that she's violent. But it was funny. It was like, she was very much like this book is, there are books where you want the reader to feel anxious, but she's like, this book is not that I don't want anxiety in this book you know?KJ Dell'AntoniaYeah, yeah.Karen DukessLike she's still concerned about Cath and her story. You can feel sad about what she learns, but not anxiety.KJ Dell'AntoniaYou know I think you've really put your finger on something, because that is exactly right. This book is a page turner, like you want to find out what happens. You want to be with the characters you want to it's a hang and it's like, like, I read something recently where, um, in the middle, you, I found myself sort of, I was still reading it because it was a good hang, but in the middle I was just kind of, like, I forget why we're here. I forget what I'm wondering. You're not really wondering anything, but I like it, so I'll keep this. Your book was not like that at all. This is a fantastic hang but you're right. It never, it's not... that's exactly right. It's not, it's not anxiety producing. And I think that's its own vibe. Like you can have romances that are fun and they're good, but they actually, you do have anxiety around, you know, like, how the characters are going to pull themselves out of this, or how they're going to feel or, yeah, and you can have them or you don't. I like that as, like, a sort of a line in the sand.Karen DukessYeah, yeah. And then I kind of thought about it as I continued, like, yeah, okay, that's right. We're not going to go to like, the really unsettling places.KJ Dell'AntoniaYeah. I mean, even if you really want to know what would what will happen, and you really want, like, the things that happen to turn out in satisfying ways, but it doesn't feel like, if they turn out in some like, there were a variety of available options, none of which felt horrible.Karen DukessYeah, exactly.KJ Dell'AntoniaThank you for that. Thank you for a lovely reading experience. So, what else did you take away? Like, what else did you change between the drafting of the book that does not end up being published, which you know, for all we know, is actually great, but the timing was really bad. What should you change?Karen DukessWhat changed for me... in writing?KJ Dell'AntoniaYeah, what are you changing? Did you change anything in your process?Karen DukessUm, I think I, I don't know if it was completely because of the experience with this book, but definitely it fed into it. Um, I worked with the same writing coach on the Russia book, and she keeps saying that book will be published someday. I'm like, yeah, maybe, maybe not. I don't really care, honestly at this point, but one thing that she really pushed on me, which I discovered in the writing of murder week, was really true, is that to be open and playful and just really to be creative, I needed that. I needed to be in the right mindset, like, I know your thing is always butt in chair, butt in chair. And it is true, you have to, you know, you have to push yourself to finish a novel. It's not easy. And there are times when you just have to push forward. But for me, in the drafting of it, like the butt in chair thing, for me, is more important in the revising and the final draft, when it's like, you've got to get through it, and you've just got to keep sitting there and doing it. But when I'm in this sort of creating stage, when I'm not sure what the story is, when I'm in those moods where I'm just like, sit down and work at this like, I don't write good stuff. I just don't. And she would sometimes say to me, like, if I would talk to her, and I was really angsty and I was really self-critical, or I don't like what I've written, or I don't know where I'm going with this, or whatever , she was really she would very much say, like, when you're in that kind of mood, just walk away. Don't sit at your computer. Like, that is not the time for butt in chair. That is the time for just go do something else and like, lighten up on yourself. And that was really true for this. And I'm trying to remind myself that as I work on the next novel that you know for me, being kind to myself and feeling playful and open is when I'm going to write the best stuff and surprise myself. And that applies whether I'm writing like a serious scene or a funny scene. And the tricky thing about it is, you know, it's always a little scary to write, so it's like, Am I walking away because I need to lighten up my mind, or am I just plain procrastinating?KJ Dell'AntoniaYeah, or am I walking away because I just don't know how to...Karen DukessSo, I think that is something though, that I do feel like I write better from a free place than from a sort of, like, grim, determined place.KJ Dell'AntoniaYeah, that makes sense.Karen DukessI think I was learning that and trying to learn that when I was writing the Russia novel, but it really came true with this one, which is why I think I was able to write it quicker, because it's actually, you know, the weaving together of the fake murder mystery and the real mystery and the arcs of all the different characters. Like, it wasn't simple putting all together, but yet it was simpler for me to write, because I was just looser about it.KJ Dell'AntoniaRight. I think you learned to trust that you would finish this, even if you didn't finish it today.Karen DukessYeah.KJ Dell'AntoniaDoes that make sense?Karen DukessYeah.KJ Dell'AntoniaI, yeah.Karen DukessAnd I just think, like, trusting the process is so important, you know. And I talk about this with friends in my writing group, you know, sometimes when you're like, working so hard to figure it out, because it feels good to figure the novel out before you write it, because then you don't have the anxiety of, what if I don't figure it out? But it doesn't always work best that way. I don't think, like, I think there are times for that, and there are times to just, like, just keep going and like, let it go a little and let some interesting things happen, and then you'll figure out how to put it all together for me anyway. But obviously I'm not a plotter kind of person, so...KJ Dell'AntoniaI think, yeah, I think that varies. But what's what I'm really hearing here is that, like, even you knew, okay, if I don't, maybe I don't sit down today. That doesn't mean I'm never sitting again, down again. And I think that is, that's part of what I struggle with in my like 1000 words a day. Just, just keep doing it time. And I, and I think I, too, have come around to the idea that I'm going to finish it like...Karen DukessYeah.KJ Dell'AntoniaI'm not. I'm not suddenly, you know, just because I only got to 700 words today, that doesn't mean tomorrow I'm going to be like, yeah, I'm not a writer anymore. Oops!Karen Dukess Yeah, exactly. Well, I think, and I think I've learned that, like, I can't tell you how many times, I mean, I've listened to your podcast forever, and, like, years ago, I would listen to it, and I would be like, Yes, I'm going to do the stickers, or, Yes, I'm going to do 500 words a day, or, Yes, I'm going to text a friend or you know, none of that stuff. I could never sustain it.KJ Dell'AntoniaIt doesn't work for you.Karen DukessI have no routine; I have no methods. But what I've learned now is like, but I get books done, so it's okay, like, yeah, I will sometimes go a couple days where I don't write, or I will, you know, think I'm on a routine of 500 or 1000 words a day for a while, and then I'm not, and that's okay, because it's just like, I know that I can still get them done in my crazy way.KJ Dell'AntoniaThat is what we have tried to start saying more often, is, listen, this doesn't work for everybody. If you're doing something different and you're getting the work done, then you're great, yeah, if you're doing something different and you're not finishing things, then maybe try this.Karen DukessYeah, well I remember, like, when I was working on The Last Book Party, right before I got kind of serious on it, I was in a writing group, and I was starting, then I was like, I was learning in the writing group through, finally being in a community with other writers. So, like everybody struggles. Published writers struggle. Really great writers struggle like and that, and I loved reading interviews with writers like I couldn't get enough of interviews and essays about writer's struggles, because I had to, like, keep convincing myself that like, my struggles didn't mean I wasn't a writer. But then there was one point where I remember making a rule for myself. And I was like; I am not allowed to read about writing if I haven't written that day. You know, spend a lot of time...KJ Dell'AntoniaYes.Karen DukessWorking on your novel, but what you're actually doing is like, reading about writing and reading interviews and listening to podcasts. So, it's like, I cannot listen to KJ's podcast until I've done some writing. So, I've had to, I have had to make some rules.KJ Dell'Antonia Yeah, well, that's, I mean, that's how you turned yourself into somebody who gets the work done, and now into somebody who has her own like now you have a way people ask you, so what's your process? How did you get this done?Karen DukessI don't think anyone has tried my process, but yeah. And it can be different for every book, I guess, you know?KJ Dell'AntoniaHorrifyingly, I think that it can when you see pointed out, yeah, you that you knew how to write that book, that is so true, and that has been a huge thing for me, is to realize that even after writing a bunch of books, people still struggle, it's still hard, every book is hard. Every book has, I mean, we have a joke among the podcasts, you know, because you get to a point where you're like, okay, I hate this now, and we'll all be right, right-on target,Karen DukessExactly.KJ Dell'AntoniaBaby's developing nicely. Here's our 18-month checklist. Aww and you're crawling, and you hate your book. Yay!Karen DukessYeah, yeah. I don't think the process gets easier, but I think knowing that you can get through it makes it a little easier. Maybe it diminishes the panic a little bit like, you know, you'll figure it out. You'll figure it out.KJ Dell'AntoniaWell, this, I mean, this has been great. I'm sure it's going to be inspirational for everyone. It is inspirational for me, because I also... so I have a book that I worked on for the last year and a half, and I, we didn't, we didn't try to sell it because, because it's not very good.Karen DukessAre you still working on it? Or...KJ Dell'AntoniaIt's leaving, it's living. I make these gestures as though, like, there's like, a blobby object over here that is my, but is my finished, but also not revised and not good uh...Karen DukessI had this theory about books, like, it's the same theory I had with au pairs.KJ Dell'AntoniaOkay.Karen DukessWe had a lot of au pairs when my kids were growing up and I was working out of the home, you know, not writing. And I felt like every time I selected, you know, they would come for a year. One or two of them stayed for two years. But every time I selected a new au pair, it was in reaction to the problems of the other... the previous au pair. So, like, when I had an au pair that was like a horrible driver, so much so that we had to, like, get rid of her. Then I was like, okay, where is it hardest to get a driver's license? Germany. Okay, I'm having a German au pair, you know. Then I had, like, a German au pair who was great, but it was like, she was too, I don't know, whatever if I had an au pair, that was like, two lax, then the next one was like, oh, this person has, like, you know, worked in a boys school. I want that.KJ Dell'AntoniaRight? yeah.Karen DukessAnd I feel like, you know, I wrote Welcome to Murder Week because I had had this tough experience with this Russia novel. Then it was like, I'm going to do something really fun. So, and I don't know that I would have written that if I hadn't needed so badly to have fun. I don't know that I would have said, no, yeah, forget doing something, you know, serious or with some geopolitical things in it. I'm going to write a, you know, a murder week story. I don't know that I would have written it if I could have gone on that vacation and just had a great time and come back and not felt the need.KJ Dell'AntoniaWritten something else.Karen DukessSo, you know, maybe the one that's not working is going to lead you to write the next fabulous thing.KJ Dell'AntoniaWell, I hope I'm already well into... I'm well into something else, but, yeah, it's, you know, you spend a lot of time on something, not everything works. It's one of the reasons this is a terrible job, and you absolutely shouldn't do it unless you know, you can't do anything else,Karen DukessExactly.KJ Dell'AntoniaOr unless you really want to.Karen DukessYeah.KJ Dell'AntoniaThere. That's that. That's really good advice. That's going to make a great bumper sticker. All right. So have you read anything good lately besides Welcome to Murder Week, which, in fact, is what I will be raving about in just a second.Karen DukessUm, yes, I read a book called The Original by Nell Stevens. It out in June. She's a British writer, and it's really good. It's sort of an also kind of genre, blending the way my book is, but it's very different. It's like a gothic novel. It's set in an old house in England in the 1800's and it involves an orphan who's being raised by relatives, and she has an incredible talent for painting forgeries, and she sort of has this secret business in selling forgeries, but it also involves an imposter who returns from abroad in the family, and there's a queer romance in it, and it's totally unlike anything I've read, and very compelling.KJ Dell'AntoniaOof, I love that.Karen DukessIn a really compelling way.KJ Dell'AntoniaAnd by the time people hear that, that this, this will either be out, or like, buy your next week self a present. That sounds great.Karen DukessYeah, it was very... it's very good. It's kind of like a rainy day book. You know?KJ Dell'AntoniaI love that. Well, I already raved about Welcome to Murder Week, but I'm telling you all, it's a real it's a real joy. I want to compare it to things. But there's almost like it's, I'll think of things that I that I want to...Karen DukessIt's hard to compare because it's not a traditional mystery,KJ Dell'AntoniaYeah, no, um, I feel like Clare Pooley's books are, and I can't even think of the titles of them, but that, yeah, that is kind of ringing the right bell for me. I don't know who else a little bit of the like the murder, like, if you really thought The Murder of Mr. Wickham was super fun, which I absolutely adored, that is completely different, and yet also it's the same, like, it's the same... I think the vibe we're looking for here is page turner, no anxiety. And I love that. I love that for all of us...in England.Karen Dukess Yes, yeah.KJ Dell'AntoniaSo go grab this one. You're going to enjoy it, all right. Well, thanks so much. This was really fun. Thank you for being so open, and not just, you know, wandering around saying, well, I just it took me six years to write this because it's very good.Karen DukessYeah, I have to say, you know, I think that writers should talk more often about their failures. And by that...KJ Dell'AntoniaYeah.Karen DukessI mean, like novels that they wrote and abandoned, or novels that they wrote and tried to get published and couldn't, because it was only until I wrote this Russian novel and didn't sell it, and I would mention it to people. Then all these writers I knew, and people I knew, you know, would suddenly tell me about their own published novels. And I was like, why did I know about this beforehand? There's no shame in it... you know? It's a tough business. It's a tough business. The writing is tough; the publishing is tough. And now I'm like, oh my god, like so many writers I know have novels that did not get published, and for whatever reason. And I'm sure many of those novels are great novels, and but knowing that you know the journey of being a writer, just like I don't know a single author who hasn't like lost their editor at some point, you know, their editor leaves. Then they find a new, you know, be assigned to a new editor. That happens everybody, and I realize how many people have novels that did not see the light of day, and it was comforting to know it. So, I think people should be more open about it.KJ Dell'AntoniaI think we just are afraid that, you know, a reader will hear, well, I don't know if she's capable of writing something... that doesn't work, maybe it's not very good, which readers aren't listening to anything. They can barely remember our names. They just know if the book sounded good and someone pressed it into their hands.Karen DukessYeah, had a great cover.KJ Dell'AntoniaYeah, had a great cover. Yeah, all, all of the things, and it's just, it's, it's just a little scary to admit, because I guess one of the scary things about it, of course, admitting that that has happened means it could happen again. And hey It could! Oh well.Karen DukessYeah, but I've survived it. So...KJ Dell'AntoniaYou've survived it, you would survive it again. And also, it didn't happen this time. Welcome to Murder Week is great, and everyone is going to be sitting with it by the pool looking very happy. This is my wish for you. All right?Karen DukessThank you. Thanks so much KJ.KJ Dell'AntoniaOh, thank you. Hey, anywhere people should follow you? Oh, you have a Substack. What is it? I love it!Karen DukessI have a Substack. I mean, I think on Substack you can find it by my name Karen Dukess, it's, I don't know... it's called, “Keep Calm and Carry On”, but I think you can just look me up by name on Substack, and I am on Instagram more often at Karen Dukess, as I post about books that I'm reading all the time. Obviously, there'll be a lot of quarter week stuff, but I try to, you know, I'm reading eclectically and all the time. So, I'm always posting about books. Those are probably the best places to find me. And I have my website with all my events on it.KJ Dell'AntoniaIt'll be linked. It'll be linked.Karen DukessGreat.KJ Dell'AntoniaHopefully I can get to something... all right. Well, thank you so much. And all you listeners out there, I mean, you know you do you, but in some way, keep your butt in the chair, hey and or your head in the game.Jess LaheyThe Hashtag AmWriting podcast is produced by Andrew perilla. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

What is fortitude—and why does it matter in literature and life? In this episode, the we explore the virtue of fortitude through the lens of beloved characters like Jane Eyre, Bilbo Baggins, Aragorn, and Hester Prynne. From the quiet strength of the hobbits to the moral resolve of Jane Eyre, we unpack how true fortitude blends courage, patience, endurance, and moral integrity. If you've ever wondered what makes a character truly heroic, or how virtue is taught through great books, this episode is for you.   Want to read the books we discussed?   Explore moral courage with the Jane Eyre Set (9th Grade): https://www.memoriapress.com/curriculum/literature-and-poetry/ninth/jane-eyre-set/?utm_source=PodBean&utm_medium=CETC&utm_campaign=172   Discover quiet strength in the The Hobbit Set (6th Grade): https://www.memoriapress.com/curriculum/literature-and-poetry/sixth/the-hobbit-set/?utm_source=PodBean&utm_medium=CETC&utm_campaign=172   Witness unwavering strength in the face of shame and suffering in the The Scarlet Letter Set (9th Grade): https://www.memoriapress.com/curriculum/literature-and-poetry/ninth/scarlet-letter-set/?utm_source=PodBean&utm_medium=CETC&utm_campaign=172

ane Eyre. Eine Autobiographie (Originaltitel: Jane Eyre. An Autobiography), erstmals erschienen im Jahr 1847 unter dem Pseudonym Currer Bell, ist der erste veröffentlichte Roman der britischen Autorin Charlotte Brontë und ein Klassiker der viktorianischen Romanliteratur des 19. Jahrhunderts. Der Roman erzählt die Lebensgeschichte von Jane Eyre, die nach einer schweren Kindheit eine Stelle als Gouvernante annimmt und sich in ihren Arbeitgeber verliebt, jedoch immer wieder um ihre Freiheit und Selbstbestimmung kämpfen muss. Der Stoff des Romanes wurde häufig für Theater, Film und Fernsehen bearbeitet.

A Haunting Southern Story Set in the Wild Mississippi Delta Four years after Kelly Mustian's USA Today bestselling debut novel, The Girls in the Stilt House, started appearing on "must-read" lists and earning starred reviews, the author is set to release her much-anticipated second novel on April 1, 2025. Like her first, The River Knows Your Name is already gathering buzz as a tumultuous and "well-woven mystery."   Emily Matchar, author of In the Shadow of the Greenbrier, wrote, "You won't be able to put the book down until the last puzzle piece of their dual-timeline family mystery clicks into place." Attend the Author Interview & Book Signing Kelly Mustian was in conversation with interviewer Jane Wood on Monday, April 7, 2025 at the Beaches Branch Library. This program was made possible by the support of the Friends of the Beaches Branch Library. The River Knows Your Name For nearly thirty years, Nell has kept a childhood promise to never reveal what she and Evie found tucked inside a copy of Jane Eyre in their mother's bookcase—a record of Evie's birth listing a stranger as her mother. But lately, Nell has been haunted by hazy memories of their early life in Mississippi, years their reclusive mother, Hazel, has kept shrouded in secrecy. In dual storylines decades apart, Nell, forty-two in 1971, reaches into the past to uncover dangerous, long-buried secrets, and Becca, a young mother in the early 1930s, presses ahead, each moving toward 1934, the catastrophic year that would forever link them. From a windswept ghost town long forgotten to a river house in notorious Natchez Under-the-Hill to a moody nightclub stage, Evie's other mother emerges from the shadows of Depression-era Mississippi in a story of hardship and perseverance, of betrayal and trust, and of unexpected redemption in a world in which the lines between heroes and culprits are not always clearly drawn. Kelly Mustian is the USA Today bestselling author of The Girls in the Stilt House and The River Knows Your Name. She is the recipient of the Mississippi Library Association's 2023 Author Award for Fiction, and The Girls in the Stilt House was shortlisted for the 2022 Crook's Corner Book Prize for best debut novel set in the American South. Her work has appeared in numerous literary journals and commercial magazines. Originally from Mississippi, she currently lives in North Carolina. Read Her Work Check out Kelly's books from the Library: https://jaxpl.na4.iiivega.com/search?query=Kelly%20Mustian&searchType=agent&pageSize=10  Did you know that all of our Lit Chat authors' books count toward your Jax Stacks Reading Challenge completion? Find out what authors we're hosting this month and join in on the fun: https://jaxpubliclibrary.libnet.info/events?term=lit+chat&n=180&r=days  Interviewer Jane R. Wood is the author of six award-winning juvenile fiction books where she weaves history and science into stories filled with mystery, adventure, and humor for young readers ages 8-14. She has also written a nonfiction how-to book for authors called Schools: A Niche Market for Authors. Note: All of her books are available at Jacksonville Public Library. You May Also Like... Read-Alikes for Kelly Mustian The Women by Kristin Hannah The Briar Club by Kate Quinn None of This is True by Lisa Jewell Call Your Daughter Home by Deb Spera This Tender Land by William Kent Krueger The Berry Pickers by Amanda Peters The River We Remember by William Kent Krueger If the Creek Don't Rise by Leah Weiss The Frozen River by Ariel Lawhon Only the Beautiful by Susan Meissner Find Me by Alafair Burke   --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

Today I welcome Mimi Matthews to the show to discuss new book, RULES FOR RUIN. It's a fantastic historical romance that's Peaky Blinders meets Great Expectations. I love all of Mimi's books, but this is my favorite historical romance from her, and it's one I'll definitely reread. You all might remember my chat with her in one of my first episodes, where she came on to discuss her gothic novel, JOHN EYRE, my other favorite book from her that is a mix of Jane Eyre and Dracula. All links and show notes available on my website at sheworeblackpodcast.com

As a Bonus on the main Dennis Anyone, here are two back-to back sample episodes of Dennis's brand new Patreon offering: DENNIS ANYONE: THE PATREON PROJECT, which you can subscribe to for $5 by going to Patreon.com and searching Dennis Anyone.  Topics in Episode 1 include: the Late Night With the Devil actor Fayssal Bazzi learning that I put him on my dreamboard and his response, Four Rooms author David Wichman does the Observation Deck, the Oscar-nominated doc Black Box Diaries, a magazine flashback with the late Michelle Trachtenberg and Dennis's decision in January 2020 to try and be happy anyway. Topics in Episode 2 include: The White Lotus's Leslie Bibb has a magazine flashback, Dennis sees Dancing With The Stars Live, High Art, A Nice Indian Boy and a stage version of Jane Eyre, Paul Rudnick answers a porny question from the Observation Deck, and film producer Lindsay Doran introduces Dennis to the idea of Positive Psychology. DENNIS ANYONE PATREON PAGE

Tonight, we'll read an excerpt from Charles Dickens “Great Expectations” where young Pip visits the mysterious Miss Havisham at her decaying mansion. There he meets Estella, a beautiful but scornful girl who treat him with cold disdain, making him painfully aware of his lower social status. Miss Havisham, frozen in time since being jilted at the altar, encourages Estella to toy with Pip's emotions. This encounter leaves Pip deeply ashamed of his humble background, planting the seed of his desire to become a gentleman. Miss Havisham's tragic and eerie presence has left a lasting impact on literature, film television and music. She appears in Havisham by Carol Ann Duffy, which reimagines her bitter longing, and influences characters like Norma Desmond in Sunset Boulevard and Bertha Mason in Jane Eyre. Artists like Tori Amos and Florence and The Machine reference her ghostly figure in music, while The Simpsons parody her infamous heartbreak and decay, solidifying her as a timeless gothic archetype. — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices