Podcast appearances and mentions of Jane Eyre

YA masters Krystal Sutherland (The Invocations), Joanna Nadin (author of 90+ books for children and adults) and Moira Buffini (Songlight) on hooking teen readers from the very first page, plotting methods that tame a whole novel, and why stories matter so much to young people. You'll learn What sparks the magic system of a supernatural thriller. What it means to find your writing home, and how to know when you've arrived. Why readers decide within the first ten pages, and how visceral detail keeps them hooked. A pantser's case for careful plotting when you're juggling multiple points of view. The most common mistake adults make when writing for young readers. What screenwriters know about tight writing, and what teen TV can teach you about voice. Why treating writing as a job, not a calling, makes rejection survivable. Whether writers should think about their audience. How writing toward a feeling, not a plan, creates cliffhangers you don't see coming. Episode Links #105: Krystal Sutherland #61: Joanna Nadin #179: Moira Buffini About the Guests Krystal Sutherland is the New York Times and indie bestselling author of House of Hollow, A Semi-Definitive List of Worst Nightmares and Our Chemical Hearts, which was adapted into a film by Amazon Studios. Her books have been published in more than twenty countries and nominated for the Carnegie Medal and YA Book Prize, among others. Her latest YA novel, The Invocations — the centerpiece of this conversation — won the 2025 Prime Minister's Literary Award for young adult literature. Originally from Australia, she has lived on four continents and currently calls London home. Joanna Nadin has written more than 90 books for children and adults, including the Rachel Riley series, the Penny Dreadful series, and the Sunday Times bestselling Worst Class in the World series. She holds a doctorate in adolescent identity and YA literature and is an Associate Professor in Creative Writing at the University of Bristol. Her books have garnered a number of prizes including the Fantastic Book Award and the Surrey Book Award, and she has been shortlisted for the Roald Dahl Funny Prize, the Booktrust Best Book Award, the Telegraph Sports Book of the Year, the Hearst Big Book Awards, and Queen of Teen. She has been nominated six times for the CILIP Carnegie Medal, including for Everybody Hurts and for Joe All Alone, which was made into a BAFTA-winning and Emmy-nominated BBC drama series. Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Hulu's Harlots. Her YA debut Songlight — the first in The Torch Trilogy — won the 2025 YA Book Prize, and its sequel Torchfire is out now. She lives in London. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Send us Fan MailThis week on Bookish Flights, I'm joined by New York Times bestselling author Natasha Lester to discuss her latest novel, The Chateau on Sunset, a feminist reimagining of Jane Eyre set within the legendary walls of the Chateau Marmont.Natasha shares the fascinating history behind one of Hollywood's most infamous hotels, where generations of actors, musicians, writers, and dreamers have lived, worked, and occasionally gotten into trouble. We talk about her research process, what it was like staying at the Chateau herself, and how the hotel's rich history inspired the atmosphere of the novel.Episode Highlights:The fascinating history of the Chateau Marmont and its connection to Hollywood legends and why it makes the perfect summer readThe enduring appeal of Gothic storytelling and Jane EyreThe themes of ambition, identity, and independence woven throughout Natasha's novelsWhy women should never feel the need to make themselves smaller to get aheadThe importance of turning dreams into actionNatasha's book flight includes some of her favorite readsConnect with Natasha:InstagramWebsiteFacebookSome links are affiliate links, which are no extra cost to you but do help to support the show.Books and authors mentioned in the episode:Demon Copperhead by Barbara KingsolverHello Beautiful by Ann NapolitanoEnid Blyton booksYesteryear by Caro Claire BurkeBook FlightThe Marriage Portrait by Maggie O'FarrellThe Night Circus by Erin MorgensternRomantic Comedy by Curtis Sittenfeld✨ Find Your Next Great Read! We just hit 175 episodes of Bookish Flights, and to celebrate, I created the Bookish Flights Roadmap — a guide to all 175 podcast episodes, sorted by genre to help you find your next great read faster.Explore it here → www.bookishflights.com/read/roadmapSupport the showBe sure to join the Bookish Flights community on social media. Happy listening!InstagramFacebookWebsite

Beyond the Gun – Creative Partnerships There's a distinct difference between being cast as an actor in a theatre production and working as a creative collaborator and developing your own work. This session examines how actors can step into producing and move into the developmental life of a project—contributing ideas, shaping the script, and influencing the work as it develops. Actors such as Ngoc Phan, Nicholas Brown, Julia Robertson, Amy Ingram, and Cameron Hurry have expanded their work into producing, writing and directing. This conversation explores how actors can evolve their practice, build a reputation for meaningful creative input, and become initiators and collaborators whose contributions extend beyond performance into the heart of the work itself. Amy is a multi-award-winning actor and theatre-maker based in Brisbane, later this year she will appear in the return season of Pride And Prejudice at QTC and the World Premiere of Suzie Miller's Strong Is The New Pretty touring Nationally. Ngọc is an award-winning actor, director and playwright. Her diverse theatre work includes Vietgone, Boy Swallows Universe and Good Grief (Queensland Theatre), Laurinda (MT), Love Stories (Brisbane Festival/QPAC), Horizon (Playlab Theatre), Medea (Shock Therapy Productions), We're All Gonna Die, Away, A Streetcar Named Desire and Stunt Double (The Farm). Julia Robertson is a multidisciplinary theatre maker, director and actor living and working on Gadigal land. She is the Artistic Director of the award-winning devising group Little Eggs Collective, a recipient of the Ensemble Theatre's Sandra Bates Award for Directing, and a Young Artists Program finalist with Opera Australia. Julia was recently nominated for Best Direction of a Musical at the Sydney Theatre Awards for The Producers (Hayes Theatre Co. / Riverside Parramatta). In 2026, Julia will direct the premiere production of STELLA, The Musical in Melbourne, as well as The Addams Family for Hayes Theatre Co. She will also work as Movement Director on 84 Charing Cross Road for the Ensemble Theatre, and as Assistant Director on Suzie Miller's new work Strong Is the New Pretty for Sydney Theatre Company, Queensland Theatre and Brisbane Festival. Nicholas Brown is a NIDA graduate who has forged an impressive international career across film, television and theatre as an actor, writer, singer, songwriter and leading man with major roles in Bollywood films, Australian drama and as a much-loved ABC Play School presenter. He plays a lead role in upcoming Alex Proyas science fiction musical film R.U.R. As a playwright, Nicholas won the prestigious Nick Enright Prize for Playwriting in the 2024 NSW Premier's Literary Awards for his play Sex Magick which was performed in the 2023 Griffin Theatre season. It was also nominated for a 2025 AWGIE and a 2024 Sydney Theatre Award. Cameron Hurry is a Brisbane based actor and writer. He completed his actor training at the University of Southern Queensland. Cameron's theatre credits include: Pride and Prejudice (Queensland Theatre Company), Unconditional (Playlab Theatre), Three Little Words (Ad Astra), Twelfth Night (4MBS Brisbane Shakespeare Festival), Dance Nation (THAT Production Company), Grand Horizons (PIP Theatre), Frankenstein (Fractal Theatre), Macbeth (JUTE Theatre), Picnic at Hanging Rock (Brisbane Arts Theatre), and Aladdin and the Mysterious Magical Lamp, Jane Eyre, Little Women, Shadowlands (Harvest Rain Theatre Company). His film and television credits include: Spit, Boy Swallows Universe, The Bureau of Magical Things, Young Rock, and Wanted. Cameron has received the Matilda Award for Best Performance in a Supporting Role – Independent Production (Grand Horizons) and has a proud member of MEAA for 20 years.

We learn: Renting a mansion for a night sucks Rochester does a crap-load of gaslighting on Jane What is with having a crazed murderer in your house and trying to get everyone to be cool with it? Go on, read it for yourself: https://bookshop.org/p/books/jane-eyre-charlotte-bronte/8f4e2a65f574e8aa?ean=9780141441146&next=t Listen anywhere: nuzzlehouse.com Your bedtime story read aloud for grown ups. Support Nuzzle House by contributing to their tip jar: https://tips.pinecast.com/jar/nuzzle-house Send us your feedback online: https://pinecast.com/feedback/nuzzle-house/b661fdfb-38e1-4092-8aea-5db75d9305f5

Paula Rego: Visions of English Literature developed by the Hayward Gallery Touring opened at the Newlands House Gallery, Petworth on Thursday May 21.Dame Paula Rego, a Portuguese-British artist (1935-2022) is regarded as one of the most significant figurative artists of the late 20th and early 21st centuries. The exhibition explores Rego’s lifelong engagement with storytelling and literature through the medium of printmaking. Gilly Fox, Associate Director of Haywards Gallery Touring, and Dr Loucia Manopoulou of Newlands House Gallery spoke to Noni Needs about this new exhibition.Newlands House Gallery showcases three of the artist’s most ambitious and profound series of works in printmaking: Nursery Rhymes, Peter Pan and Jane Eyre, made across a decade of the artist’s life. Each series is accompanied by a variety of personal items from the artist, many of which have never been publicly displayed before. Unseen preparatory sketches, etching plates and Rego’s very own childhood copy of Peter Pan. The exhibition offers an insight into the artist’s lifelong fascination with literature and into how the artist transformed this material into startlingly original and unexpected pictures.The exhibition run until September 6, 2026.For more information go to Newlands House Gallery@hayward.gallerySee omnystudio.com/listener for privacy information.

Hi! My name is Terry J. Aman, marking my 109th episode of VideoFuzzy titled "Luther, Earnest and The Doctor," reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings, and as of this coming month, June of 2026, I'm marking nine years of VideoFuzzy! [2:20] I celebrate that milestone in part with Part 2 of my conversation with musician, media critic and longtime friend Mikey Heinrich from Minneapolis. Part 1 posted as part of sister podcast effort VideoFuzzy the Soundtrack "Ep. 17: Long Way Down" at https://bit.ly/3MJkPkK  In part 2, we chatted primarily about "Knives Out 3: Wake Up, Dead Man" and "Doctor Who." [IG] Mikey Heinrich can be found at his YouTube Channel: https://www.youtube.com/@MikeyHeinrich and blogs Doux Reviews: https://www.douxreviews.com/ and 42nd Vizsla: https://the42ndvizsla.blogspot.com/ [31:06] My Fuzzy Feature talked in some detail about the series premiere of BBC's "Luther," [IG] starring Idris Elba in the title role, Detective Inspector John Luther. CONTENT WARNING: Some discussion of animal cruelty was critical to the investigation and therefore unavoidable. I talked about the child abduction case he took on at the top of the episode, and the parents of astrophysicist Alice Morgan, played by Ruth Wilson. They were found shot dead in their home along with the family's dog. Luther's investigation loops in his supervisor, DSU Rose Teller, and his new partner, DS Justin Ripley, and coincides with developments in his separation from Zoe, his wife, played by Indira Varma, namely her lover Mark North, played by Paul McGann. [1:01:30] In Cross Connections, I trace connections for Idris Elba and Ruth Wilson through my media collection. I identify Stephen Root, Jon Curry and Ben Schwartz as Golden Threads. Also Colin Salmon, David Allan Grier, Robert Englund, Ken Jenkins, Rob Morrow, Maura Tierney, Tzi Ma, Patrick Fischler, Todd Stashwick, Caterina Scorsone, Frances Conroy, Diane Farr and Christian Clementsen. Fond Reflection to Eric Dane and his many years on "Grey's Anatomy." [1:14:14] In my Classic Collection [VHS-to-DVD transfers], I cataloged discs 2001 through 2025. Comments on "Grey's Anatomy," Chelsea Handler's appearance as host of the 2010 MTV Video Music Awards and comments at the recent roast of Kevin Hart on Netflix. Also, "The Simpsons," [IG] "Glee," [IG] "Mike & Molly," "Undercovers," "Castle," "Rubicon," "The Office" and "Community." [1:29:38] In my Current Collection [direct to digital], I archived the National Theatre presentation of Oscar Wilde's "The Importance of Being Earnest" [IG] starring Ncuti Gatwa, Hugh Skinner, Sharon D. Clark, Ronke Adoluejo, Eliza Scanlen and Amanda Lawrence. [1:31:28] In Book Reports, I chat about Charlotte Brontë's "Jane Eyre," Emily Brontë's "Wuthering Heights," Daphne du Maurier's "Rebecca" and Margot Douaihy's "Scorched Grace," all of which I can trace as recommendations at one time or another by the "All About Agatha" podcast. Quite enjoyable! SPREADING THE WORD! "VideoFuzzy: The Video - Celebrating 100 Episodes!" is posted at https://youtu.be/eWfcCDiOZ2I. Please share as you're able to with anyone you feel might enjoy this production. For PROMOS, scroll all the way down at https://videofuzzy.libsyn.com. Also, there's a "Top Fifteen" episode guide for people looking for a quick read-in on this blog and podcast effort at: https://videofuzzy.libsyn.com/about. Enjoy! [IG]  Reference featured in VideoFuzzy's Instagram page.

As the school year winds down, it's important to find meaningful ways to celebrate the year with intention. Drawing on ideas from our Teacher Approved community, we explore countdowns, theme days, and creative class celebrations that bring both fun and purpose to those final weeks. These strategies will help keep students engaged, create lasting memories, and honor the classroom community you've built, so you can wrap up the year in a way that feels thoughtful, memorable, and manageable.Prefer to read? Grab the episode transcript and resources in the show notes here: https://www.secondstorywindow.net/podcast/last-week-of-school-activities-elementary/Resources:Summer Review PacketsDLITE Day PacketsYours Truly by Abby JimenezJane & Edward: A Modern Reimagining of Jane Eyre by Melodie EdwardCheck out our book Structure and SparkJoin The Teacher Approved ClubConnect with us on Instagram @2ndstorywindowShop our teacher-approved resourcesJoin our Teacher Approved Facebook groupLeave a review on Apple Podcasts!Leave a comment or rating on SpotifyRelated Episodes to Enjoy:Episode 195. Ditch the Countdown: A Better Way to Create End of Year ClosureEpisode 62. End of Year Awards: 5 Reasons You Should Rethink This Classroom TraditionEpisode 7. The Secret to End of Year SurvivalEpisode 196. The 3 Step Plan to Park Those School Thoughts and Enjoy Your Summer BreakMentioned in this episode:Get a free 10-day trial of the Teacher Approved Club, where members are working through The Great Classroom Closeout Plan this month to take the chaos out of end-of-year cleanup: https://secondstorywindow.net/trial

Dziś w odcinku gościmy Klarę Kluczykowską z kanału @KlaraKluczykowska. Pretekstem do rozmowy stał się tegoroczny Timeless Film Festival. Rozmawiamy o tym, co udało nam się zobaczyć – zarówno na festiwalu, jak i w domowym zaciszu. Odcinek wypchany jest po brzegi dygresjami czy odwołaniami do innych twórców. Mamy nadzieję, że po odsłuchu najdzie Was ochota na nadrobienie jakiegoś klasyka. Podziękowania dla Patronów za wsparcie, a najbardziej dla: Op1ekun, Jan Jagieła, Janomin, Uki, Mateusz „Kaduk” Kadukowski (Kadukowo), Kosmaty Dziadu (8biters), Pierek, Sebastian (Gry Starego Boomera), Thomas Voland (Voland's Reality). Okładka, montaż, rozpiska: Defan Kanał Defana: https://www.youtube.com/@wsumiespoko/ (00:00:00) Start(00:00:45) Zaproszenie na kanał KlarySekcja festiwalowa(00:03:38) Co nam się podoba i nie podoba na festiwalach(00:09:30) Chwila niewinności (1996) / Klara(00:12:50) Co zrobił Peter Weir?(00:14:45) Samochody, które zjadły Paryż (1974) / Defan(00:20:12) Królowa śniegu (1986) / Klara(00:23:05) Wybrzeże Moskitów (1986) / Defan(00:31:21) Głęboka czerwień (1975) / Klara(00:33:53) Dom śmiejących się okien (1976) / Klara(00:38:13) Królowe Dzikiego Zachodu (1971) / Defan(00:42:50) Kontrakt rysownika (1982) / Klara(00:45:17) Służący (1963) / Klara(00:49:05) Dziennik intymny (1993) / Klara(00:52:51) Marzyciele (2003) / Defan(01:02:25) Tryptyk Barbary Sass (Bez miłości 1980, Debiutantka 1981, Krzyk 1982) / KlaraNetflix i kino(01:07:17) Opowieści o rodzinie Meyerowitz (2017) / Defan & Klara(01:17:51) Drama (2026) / KlaraKsiążki(01:26:24) Wichrowe wzgórza Michal / Defan & Klara(01:34:04) Jane Eyre & Lokatorka Wildfell Hall / Klara(01:41:11) Proste rzeczy Defan(01:43:46) Dzienniki Alana Rickmana / Klara(01:51:08) Nowele Prusa / Defan & Klara Konsumpcja:YouTube#1: https://www.youtube.com/@MKwadratPodcastYouTube#2: https://www.youtube.com/@streaMKwadratRSS: https://mkwadratpodcast.pl/feed/podcastSpotify: https://open.spotify.com/show/7e5OdT8bnLmvCahOfo4jNGiTunes: https://podcasts.apple.com/ca/podcast/mkwadrat-podcast/id1082742315twitch: https://www.twitch.tv/mkwadratpodcastMP3: https://mkwadratpodcast.pl/podcast/MKwadrat_specjalny_48.mp3Interakcja:WWW: https://mkwadratpodcast.pl/Forum: https://stareforumpoly.pl/Discord: https://discord.com/invite/PafByaf9DUFanpage: https://facebook.com/MkwadratPodcast/Grupa FB: https://www.facebook.com/groups/mkwadratpodcast/Twitter: https://twitter.com/mkwadratpodcastInstagram: https://www.instagram.com/mkwadratpodcast/Wsparcie:Patronite: https://patronite.pl/mkwadratpodcastSuppi: https://suppi.pl/mkwadratpodcast

Hey — let's talk Gothic. If you loved the Wuthering Heights episode but aren't sure what “Gothic” means, here's a friendly, no‑pressure rundown: it's a literary vibe that exploded in the late 1700s and early 1800s (part of Romanticism) and stuck around because people couldn't get enough of spooky mystery, big feelings, and weird houses. At its core Gothic mixes suspense and the supernatural with secrets from the past: ghosts (or things that feel like ghosts), hidden diaries or cursed heirlooms, murmured scandals, and the sense that history is still very much alive — and maybe angry. Stories often leave the door open between a rational explanation and the uncanny, so you're always wondering what's real. The setting matters: remote, isolated places—windy moors, stormy cliffs, spooky woods, and usually a grand but slightly crumbling manor. That atmosphere of beauty plus decay is basically Gothic's aesthetic fingerprint. Protagonists are frequently women, which made these books especially thrilling for female readers back when options for adventurous stories were limited. Other common threads: intense emotion over reason, troubled or doomed romances, the ever‑present shadow of death, and objects that carry memory or menace. Short stories work great as an intro (hello, Poe), and novellas are perfect if you want a quick, delicious chill. Gothic isn't one thing — it splinters into cool subgenres. Southern Gothic, for example, folds in religious hypocrisy, the legacy of violence, and heavy landscape feeling. Contemporary takes like Mexican Gothic (Silvia Moreno‑Garcia) remix classic Gothic tropes—isolated mansions, family secrets—with new cultures, histories, and anxieties. Other great touchstones: Jane Eyre, Wuthering Heights, Rebecca, The Turn of the Screw (Bly Manor), Shirley Jackson's Hill House, Daphne du Maurier, Edgar Allan Poe, and even films like Crimson Peak that lean into the look and mood. Gothic also shows up in real cultural practices and local histories: think of rituals that try to heal a place's memory or reckon with past violence. Those real world echoes are part of what keeps the genre alive and relevant — it's not just spooky houses, it's how communities remember and reckon with what happened there. If you want to dive in, try a Poe short story, a classic like Jane Eyre, or a modern pick like Mexican Gothic or a T. Kingfisher novella. And hey — if you've got favorites, tell us. I want to know what weird, moody books give you chills.

On The Literary Life Podcast with Angelina Stanford and Thomas Banks this week, we will wrap up our discussion of Jane Eyre by Charlotte Brontë. After sharing their commonplace quote for this week, Thomas and Angelina jump right into recapping the important plot points of this last section of the book. They start with some contrasts between St. John and Rochester, then they talk about the journey of the soul and the image of marriage. They also consider the parallels of her return to Thornfield and the reversals in these scenes, as well as how Brontë fulfills the various fairy tale endings she set up earlier in the book. You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! Join us back here next week for an introduction to Alexander Pope and the Neo-classical Poets, followed by an episode on Pope's "The Rape of the Lock". In May, we will have a special guest interview of Malcolm Guite all about his new book, Galahad and the Grail. You can check out the full version of our show notes for this episode at https://theliteray.life/324. 

This week on The Literary Life Podcast with Angelina Stanford and Thomas Banks, we continue our series on Charlotte Brontë's Jane Eyre. In today's episode, they talk about the main plot points and follow threads of meaning in chapters 27-33. Some of the ideas they discuss include Romanticism in literature, Rochester's Byronic qualities, pictures of Jane's awakening, the eucatastrophe in this section of the book, parallels to the story of Cupid and Psyche, and more contrasts between fire and ice. You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! Don't forget to visit https://theliterary.life/323 for the full show notes for this episode.

Most stories frame conflict as something happening "out there"—a villain to defeat, an obstacle to overcome, or a problem to solve. But the most powerful character arcs aren't really about defeating the antagonist. They're about the protagonist reclaiming agency. In this episode, we explore the deeper difference between internal conflict vs. external conflict and why strong stories use external conflict not just to create tension, but to force meaningful inner change. We also look at how stories can unintentionally weaken their protagonists when they place too much emphasis on blaming the antagonist—and how the strongest character arcs instead move from projection to responsibility. We'll discuss: Why external conflict is often a mirror for internal conflict How focusing too much on the antagonist's culpability can weaken character agency Why stories about blame often feel hollow How powerful character arcs reclaim responsibility and sovereignty Practical questions you can use to strengthen your own characters We'll also examine examples from Encanto, All the Light We Cannot See, Jane Eyre, and Harry Potter to see how the most meaningful victories in story often come not from changing external circumstances, but from changing how the protagonist shows up within them. If you've ever wondered how to deepen your character arcs or better align your plot with your story's thematic meaning, this episode offers practical insights into how internal and external conflict work together to create powerful transformation. Read the full transcript: https://www.helpingwritersbecomeauthors.com/internal-conflict-vs-external-conflict-character-arc

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges. Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited. Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton. Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Welcome back to The Literary Life Podcast and our series on Charlotte Brontë's Jane Eyre. This week Angelina and Thomas discuss chapters 20-26, especially looking at the character of Bertha and the symbolism of "the woman in the attic." They talk more about the medieval idea of the well-ordered person in contrast to the person ruled by the passions, as well as how Bertha is a mirror for Jane's inner turmoil. Angelina highlights more ways in which we see glimpses of the stories of Beauty and the Beast and Cinderella in this section, as well as a hint at Sleeping Beauty. Other ideas Thomas and Angelina bring out are the story of Griselda, Jane's journey of the soul, images of the Garden of Eden, and so much more! You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! You can pre-order Jason Baxter's new book Falling Inward in its revised and expanded 2nd edition now! Also, if you missed it, here is the podcast episode in which he shares more personal thoughts on how this book came to be. And to view the full show notes for this episode, head over to https://theliterary.life/322. 

The Boston Sisters talk with Geri Gallas, founder & owner (daughter), and Irene Zweig, invaluable assistant (mom) of Open Book Chocolates, a woman-owned, daughter-mother, bean-to-bar chocolate operation inspired by classical literature. like Alexandre Dumas's "The Count of Monte Cristo," and Victor Hugo's "Les Miserables." This bonus podcast is a combination foodie and book talk (from page to screen) highlighting the Monte Cristo bar, flavored with porcini mushrooms and peach extract, inspired by Dumas' novel. Geri and Irene also reveal author wish lists, and future flavors for Open Book Chocolates which are available online and at select bookstores. Pair this podcast with episode 87, "THE COUNT OF MONTE CRISTO - Revenge is Bittersweet" about the recent adaptation of the novel featuring Sam Claflin for MASTERPIECE, the PBS drama series.TIMESTAMPS0:03 - Meeting OPEN BOOK CHOCOLATES founders at JASNA annual general meeting3:47 - OPEN BOOK CHOCOLATES origin story and literary chocolates7:38 - Creating the Count of Monte Cristo bar10:37 - Justice and revenge in The Count of Monte Cristo14:28 - Thoughts on classical literature adaptations of "Jane Eyre"18:12 - 2026 Open Book Chocolate flavor launches24:27 - Where to find Open Book Chocolates------SUBSCRIBE to HISTORICAL DRAMA WITH THE BOSTON SISTERS® on your favorite podcast platformENJOY past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

In this episode of the Anglotopia Podcast, Jonathan Thomas is joined by Mia Ferullo, Digital Engagement Officer, and Sam, Programme Officer at the Brontë Parsonage Museum in Haworth, Yorkshire — and co-hosts of the museum's own acclaimed podcast, Behind the Glass: A Parsonage Podcast. Together they explore what makes the Parsonage one of Britain's most atmospheric and emotionally resonant literary destinations, from the world's largest collection of Brontë artefacts to the wild moorland that inspired the novels themselves. The conversation spans the remarkable story of three sisters who published against the odds under male pseudonyms, the often-overlooked legacy of Anne Brontë and patriarch Patrick Brontë, the concept and standout episodes of Behind the Glass, and the swirling cultural moment around Emerald Fennell's new big-screen adaptation of Wuthering Heights starring Margot Robbie and Jacob Elordi. Mia and Sam also share practical advice for American Anglophiles planning their first visit to Haworth, including the best time of year to go and how to get there. Links Brontë Parsonage Museum — bronte.org.uk Behind the Glass: A Parsonage Podcast Keighley and Worth Valley Railway — kwvr.co.uk Visit Yorkshire — visityorkshire.com Friends of Anglotopia Takeaways The Brontë Parsonage Museum in Haworth is home to the world's largest collection of Brontë artefacts, including handwritten manuscripts, first editions, writing desks, and extraordinary miniature books the sisters made as children. Almost everything on display in the Parsonage is genuine Brontë furniture and objects — not set dressing — making it one of the most authentically preserved literary homes in Britain. The Brontë sisters published their novels under male pseudonyms not just for anonymity, but to avoid the prejudice that would have greeted female authors — and the books were still considered shocking and coarse when they appeared. Anne Brontë is widely regarded as the most overlooked of the three sisters, lacking the pop culture adaptations and name recognition that Jane Eyre and Wuthering Heights have accumulated over generations. Patrick Brontë, often cast as a footnote or even a villain in the family story, played a significant role in his daughters' development — educating them in the classics and sparking their imaginative lives by bringing home a set of toy soldiers for Branwell. Behind the Glass: A Parsonage Podcast invites guests to choose a single object from the collection as a jumping-off point, allowing deep dives into rarely seen items — including Charlotte's tea cosy and its fascinating gendered history. Emerald Fennell's new Wuthering Heights film has driven a surge of visitors to the museum, with people noting in the visitor book that the film brought them to Haworth for the first time. Controversy around Wuthering Heights is nothing new — the original 1847 novel was condemned as vulgar and depraved by contemporary reviewers, making modern critical debate very much in keeping with Emily Brontë's legacy. A new television adaptation of Jane Eyre has been announced, which the museum is already looking ahead to as potentially another major cultural moment. August is the best month to visit Haworth when the heather is in full purple bloom on the moors, though autumn's fog and mist give the village an irresistibly gothic atmosphere perfect for Brontë fans. Soundbites "When you go up behind the Parsonage, you've got the moorlands. There's the ruin of Top Withens up there, supposed to be the influence for Wuthering Heights. You feel like you can really step into the pages of the book." — Sam on Haworth's atmospheric setting. "There are moments where you think, gosh, this all started here where I work, and I'm there every day. They actually wrote Jane Eyre and Wuthering Heights in this room, on this writing desk." — Mia on the weight of working at the Parsonage. "The writing desks contain all the same materials the Brontës left in them. Everything's been preserved exactly as it was when they died." — Mia on her favourite objects in the collection. "It's believed that Emily died on the sofa. And I think that's something people find very moving — especially when they've come from abroad, because Haworth isn't easy to get to even if you live in the UK." — Sam on emotional moments with visitors. "They had to use pseudonyms so nobody would know who they were, and there'd be no prejudice against them being women writers. And still the books were called coarse and shocking — people thought women shouldn't even be reading them." — Mia on the Brontës publishing against the odds. "I think Anne definitely gets overlooked. Jane Eyre and Wuthering Heights have very much become part of pop culture — there are more movies, more adaptations, pop songs written about them. Anne doesn't get that same exposure." — Sam on the most neglected Brontë sister. "You can almost compare the Brontës to Shakespeare — how his work is reinterpreted in different settings and time periods. That's why the Brontës' work is so timeless. You can draw on certain elements and themes and keep it fresh." — Sam on why new adaptations keep coming. "We never really want to tell visitors what to think. We want people to read the books and make their own minds up." — Mia on the museum's approach to literary interpretation. "I don't think we expected it to be quite as big as it was. Seeing all the money that went into the premieres and the marketing — we've just been wanting to grab a bit of everything to remember it, because how often does something like this come along?" — Sam on the scale of the Wuthering Heights film moment. "It just came from this little house in this little village in Yorkshire." — Sam on the extraordinary global legacy of the Brontë Parsonage. Chapters 00:00 Introduction — Jonathan sets the scene at the Brontë Parsonage Museum and introduces Mia and Sam 01:39 What Is the Brontë Parsonage Museum? — Location, atmosphere, and what to expect from a visit 03:21 Mia's Role as Digital Engagement Officer — Social media, digital content, and the podcast 04:07 Sam's Role as Programme Officer — Events, workshops, live music, and how she joined the podcast 05:18 The Collection — Manuscripts, miniature books, writing desks, and authentic Brontë artefacts 06:47 The Weight of the Place — Favourite objects and emotional moments on the job 09:50 Behind the Glass Podcast — The format, concept, and how objects anchor each episode 10:52 Standout Episodes — Holly Ringland, Charlotte's tea cosy, and the gendered history of everyday items 12:43 Who's Listening — Reaching new audiences and the American visitors who came because of the podcast 14:13 The Brontës for Newcomers — Why the sisters matter and what made their achievement so remarkable 15:52 Honouring Each Sister Individually — How the museum balances Charlotte, Emily, and Anne 17:51 The Most Overlooked Brontë — Why Anne deserves more attention 18:50 Patrick Brontë — His real role in the family and his presence throughout the house 20:28 The Moors and the Novels — How the landscape shapes the reader's understanding of the books 21:53 The Wuthering Heights Film Moment — The mood at the museum as the Emerald Fennell adaptation lands 23:16 Have They Seen the Film? — Mia and Sam's reactions, and the Charli XCX album recommendation 23:45 Is It a Good Adaptation? — Discussing Fennell's personal interpretation versus fidelity to the novel 26:21 Misreading Wuthering Heights — The novel's darkness and moral complexity versus its romance reputation 27:10 A Long History of Controversy — Why provoking critics is part of Emily Brontë's legacy 27:35 Do Adaptations Drive Visitors? — The film's impact and the newly announced Jane Eyre series 28:41 Jane Eyre Nostalgia — Jonathan's favourite adaptation and a digression into Wide Sargasso Sea 29:38 How to Pronounce Haworth — And why British place names are endlessly confusing 30:06 Practical Tips for Visiting — What to expect, how busy it gets, and wear good shoes 31:24 Getting There from London — Trains, connections, and the steam railway from Keighley 32:00 Make a Week of It — Combining Haworth with York, Manchester, and the Yorkshire Moors 32:53 Best Time of Year to Visit — August heather, autumn mist, and gothic atmosphere 33:34 The Literary Gothic Trail — Adding Whitby to a Yorkshire literary itinerary 34:12 What's Coming Up at the Museum — Hair jewellery workshops, live music at Easter, and upcoming events 35:12 Wrap-Up — Jonathan's outro, Friends of Anglotopia, and a recommendation to pick up Wuthering Heights Video Version

On The Literary Life Podcast this week, Angelina and Thomas cover chapters 13-19 of Charlotte Brontë's Jane Eyre. Today's episode includes more discussion of the important symbols and images in these chapters. Angelina highlights the stories of Bluebeard, Beauty and the Beast, and Cupid and Psyche and their connections to this book. She and Thomas also talk about the trope of the "reformed rake" and how it relates to Brontë is setting up that possibility here. In these chapters we see more fire images, as well as several things that point to this story as a journey of the soul for both Jane and Mr. Rochester. You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com, where you can also sign up for the HHL newsletter to stay in the loop about all the latest happenings! Don't forget to visit https://theliterary.life/321 for the full show notes for this episode!

On today's episode of The Literary Life Podcast with Angelina Stanford and Thomas Banks, we continue our series on Jane Eyre by Charlotte Brontë. Before jumping into chapters 6-12, Angelina and Thomas re-cap chapter 5 so that they can keep the entire Lowood School storyline together. They discuss the character of Helen and how she mirrors Jane, as well as the images of fire and ice throughout this book. In looking at the character of Miss Temple, they also highlight her as the picture of a well-ordered person. When Jane arrives at Thornfield, we find more fairy tale and Gothic novel elements, specifically the reference to the story of Bluebeard. Finally, when Mr. Rochester is introduced, Angelina shares some thoughts on the medieval understanding of the soul and the passions. Registration is now open for all year-long classes at The House of Human Letters! You can also check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past. Find everything at HouseofHumaneLetters.com. Please visit our podcast website for the full show notes on this episode: https://theliterary.life/320. 

La chaîne YouTube de Luna : ⁠https://www.youtube.com/@lunalitquoi⁠La chaîne YouTube de Enzo : ⁠https://www.youtube.com/@EnzoReads⁠Instagram : @enzoreads & @lunalitquoi Le podcast : ⁠https://www.instagram.com/livreslaughlove/⁠Livres mentionnés :- The Rachel Incident, Caroline O'Donoghue- Les hauts de hurlevent, Emily Brönte- Jane Eyre, Charlotte Brönte- Franstein, Mary Shelley- Hamnet, Maggie O'Farrell- La Divine Comédie, Dante- The Iliad, Homère (trad. Emily Wilson)- Le chant d'Achille, Madeline Miller- Algospeak, Adam Aleksic- Les contes de la Bécasse, Maupassant- Le Horla, Maupassant- Taipei Story, R.F. Kuang- The moutain in the sea, Ray Nayler- Remarkably bright creature, Olivia Newman- Projet Hailmary, Andy Weir- Nova Scotia House, Charlie Porter- Two women living together, Kim Hana, Hwang Sunwoo- Le sud, Tash Aw- Heart the lover, Lily King- Writers and Lovers, Lily King- Tentation au supermarché : aventure, érotisme et grande distribution, Alexandra Chevalier- Mistborn, Brandon Sanderson- L'espace d'un an, Becky Chambers- Une prière pour les cimes timides, Becky Chambers- Station Eleven, Emily St John Mandel

In the world of literary tourism, the Brontë Parsonage Museum in the Yorkshire moors is a heavy hitter. Alison Booth says this small stone house in the town of Haworth served as the creative crucible for Jane Eyre and Wuthering Heights. Also: A king's rage and a murder that changed history. John Adrian dives into the medieval crime scene of Canterbury Cathedral and the centuries of pilgrimage it sparked. Now his Canterbury study semester is opening that world to students from Appalachia. Later in the show: From curating award-winning wine cellars in the Berkshires and Keswick, Virginia to building a new life in the heart of the Iberian Peninsula, Richard Hewitt is the ultimate guide to the soul of Portugal. Join this master sommelier and author as he swaps the classroom for the countryside, leading us on an intimate journey through the sun-drenched vineyards and hidden cultural treasures he now calls home.

Welcome to The Literary Life Podcast with Angelina Stanford and Thomas Banks. This week we begin our much-anticipated series on Jane Eyre by Charlotte Brontë! After sharing their commonplace quotes, Angelina and Thomas set the stage for this book by covering some of Charlotte Brontë's personal and literary background. Angelina points out some symbolic things that we will be looking for in this book, as well as the important fact that it is a journey story. They also discuss the history and characteristics of the Gothic novel. In discussing the first five chapters of Jane Eyre, Angelina again highlights repeated scenes that will show Jane's spiritual development throughout the story, while Thomas makes some comparisons of this book to other stories such as Mansfield Park and Pamela. You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past, at HouseofHumaneLetters.com. Click here to find the episodes we published covering Anne Brontë's book Agnes Grey. You can also listen to our series on Mansfield Park here. For the full show notes on this episode, including book links, today's poem, and commonplace quotes, please visit https://theliterary.life/319. 

In which the Mister joins me in reviewing JANE EYRE (1943) from Charlotte Brontë's novel and a screenplay by Robert Stevenson and Aldous Huxley.  In director Robert Stevenson's atmospheric 1943 Gothic masterpiece, the resilient orphan Jane Eyre (Joan Fontaine) escapes a childhood of abuse to become a governess at the gloomy and isolated Thornfield Hall.  She soon finds herself drawn to the brooding, temperamental master of the estate, Edward Rochester (Orson Welles), whose cynical exterior masks a deep-seated pain that Jane's quiet strength begins to heal.  As their unlikely romance deepens toward a marriage proposal, Jane is haunted by eerie laughter and mysterious occurrences emanating from the house's locked attic, suggesting a dark secret that threatens to shatter her hope for a new life.  The film clocks in at 1 h and 37 m, is rated approved and is available through a quick Google search but also available to buy/rent on Amazon.  Please note there are SPOILERS in this review. #CharlotteBronte #JaneEyre #RobertStevenson #AldousHuxley #JohhnHouseman #KettiFrings #HenryKoster #JoanFontaine #JaneEyre #OrsonWelles #Rochester #PeggyAnnGarner #YoungJane #ElizabethTaylor #Helen #JohnSutton #DrRivers #SaraAllgood #Bessie #HenryDdaniell #Brocklehurst #AgnesMoorehead #MrsReed #Drama #Romance #CostumeDrama #DarkRomance #PeriodDrama  @Amazon  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In Episode 218, Sarah chats with Enneagram author, speaker, and podcaster Sarajane Case about Reading Through the Enneagram. After a brief introduction to the Enneagram and how it differs from other personality systems, they dive into how Enneagram types show up in our reading lives — from guessing an author's type to rethinking our own habits as readers. Sarajane walks through the nine types, shares a book recommendation for each, and offers her own personal picks. Note: This episode was republished due to an Apple Podcasts feed glitch that prevented it from appearing for some subscribers. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Books by Sarajane Case: The Honest Enneagram and The Enneagram Letters A brief introduction to the Enneagram — and how it differs from other personality systems Sarajane's personal approach to working with the Enneagram A quick overview of the nine Enneagram types How each Enneagram type might approach reading Whether (and how) we can discern an author's Enneagram type through their work (and the Enneagram types most and least likely to be authors themselves) Practical tips for using your type to improve your reading life Reading Through the Enneagram [29:51]  Type 1: The Secret Lives of Church Ladies by Deesha Philyaw (2020) | Amazon | Bookshop.org [30:08] Type 2: The Bell Jar by Sylvia Plath (1963) | Amazon | Bookshop.org  [30:50]   Type 3: In Five Years by Rebecca Serle (2020) | Amazon | Bookshop.org [32:27] Type 4: Klara and the Sun by Kazuo Ishiguro (2021) | Amazon | Bookshop.org [32:42]  Type 5: Fourth Wing (Empyrean, 1) by Rebecca Yarros (2023) | Amazon | Bookshop.org  [32:56]  Type 6: The House in the Cerulean Sea by TJ Klune (2020) | Amazon | Bookshop.org  [33:32]  Type 7: People We Meet on Vacation by Emily Henry (2021) | Amazon | Bookshop.org  [33:56]  Type 8: Crook Manifesto (The Harlem Trilogy, 2) by Colson Whitehead (2023) | Amazon | Bookshop.org  [34:20]  Type 9: Severance by Ling Ma (2018) | Amazon | Bookshop.org  [36:16]  Other Books Mentioned The Fellowship of the Ring (The Lord of the Rings, 1) by J. R. R. Tolkien (1954) [32:08]  Jane Eyre by Charlotte Brontë (1847) [33:49]  The Friend Zone by Abby Jimenez (2019) [34:57]  Lessons in Chemistry by Bonnie Garmus (2022) [35:23]  Sarajane's Book Recommendations [36:37]  Two OLD Books She Loves The Bell Jar by Sylvia Plath (1963) | Amazon | Bookshop.org  [36:50]  Jane Eyre by Charlotte Brontë (1847) | Amazon | Bookshop.org  [38:08]  Two NEW Books She Loves Atmosphere by Taylor Jenkins Reid (2025) | Amazon | Bookshop.org [40:09]  A Witch's Guide to Magical Innkeeping by Sangu Mandanna (2025) | Amazon | Bookshop.org [43:14]  Other Books Mentioned Daisy Jones and the Six by Taylor Jenkins Reid (2019) [42:05]  The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) [42:16]  Malibu Rising by Taylor Jenkins Reid (2021) [42:28]  Carrie Soto Is Back by Taylor Jenkins Reid (2022) [42:37]  The Very Secret Society of Irregular Witches by Sangu Mandanna (2022) [43:28]  One Book She DIDN'T Love Norwegian Wood by Haruki Murakami (1987) | Amazon | Bookshop.org [44:14]  Other Books Mentioned South of the Border, West of the Sun by Haruki Murakami (1992) [44:20]  1Q84 by Haruki Murakami (2009) [44:49]  One NEW RELEASE She's Excited About Theodora's Tea Shop by Christy Anne Jones (July 28, 2026 — no US release date set yet) | Link to Blackwell's for US Orders [45:52]  Other Links Truity | Enneagram Personality Test

In Episode 218, Sarah chats with Enneagram author, speaker, and podcaster Sarajane Case about Reading Through the Enneagram. After a brief introduction to the Enneagram and how it differs from other personality systems, they dive into how Enneagram types show up in our reading lives — from guessing an author's type to rethinking our own habits as readers. Sarajane walks through the nine types, shares a book recommendation for each, and offers her own personal picks. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Books by Sarajane Case: The Honest Enneagram and The Enneagram Letters A brief introduction to the Enneagram — and how it differs from other personality systems Sarajane's personal approach to working with the Enneagram A quick overview of the nine Enneagram types How each Enneagram type might approach reading Whether (and how) we can discern an author's Enneagram type through their work (and the Enneagram types most and least likely to be authors themselves) Practical tips for using your type to improve your reading life Reading Through the Enneagram [29:51]  Type 1: The Secret Lives of Church Ladies by Deesha Philyaw (2020) | Amazon| Bookshop.org [30:08] Type 2: The Bell Jar by Sylvia Plath (1963) | Amazon | Bookshop.org  [30:50]   Type 3: In Five Years by Rebecca Serle (2020) | Amazon | Bookshop.org [32:27] Type 4: Klara and the Sun by Kazuo Ishiguro (2021) | Amazon | Bookshop.org [32:42]  Type 5: Fourth Wing (Empyrean, 1) by Rebecca Yarros (2023) | Amazon | Bookshop.org  [32:56]  Type 6: The House in the Cerulean Sea by TJ Klune (2020) | Amazon | Bookshop.org  [33:32]  Type 7: People We Meet on Vacation by Emily Henry (2021) | Amazon | Bookshop.org  [33:56]  Type 8: Crook Manifesto (The Harlem Trilogy, 2) by Colson Whitehead (2023) | Amazon | Bookshop.org  [34:20]  Type 9: Severance by Ling Ma (2018) | Amazon | Bookshop.org  [36:16]  Other Books Mentioned The Fellowship of the Ring (The Lord of the Rings, 1) by J. R. R. Tolkien (1954) [32:08]  Jane Eyre by Charlotte Brontë (1847) [33:49]  The Friend Zone by Abby Jimenez (2019) [34:57]  Lessons in Chemistry by Bonnie Garmus (2022) [35:23]  Sarajane's Book Recommendations [36:37]  Two OLD Books She Loves The Bell Jar by Sylvia Plath (1963) | Amazon | Bookshop.org  [36:50]  Jane Eyre by Charlotte Brontë (1847) | Amazon | Bookshop.org  [38:08]  Two NEW Books She Loves Atmosphere by Taylor Jenkins Reid (2025) | Amazon | Bookshop.org [40:09]  A Witch's Guide to Magical Innkeeping by Sangu Mandanna (2025) | Amazon| Bookshop.org [43:14]  Other Books Mentioned Daisy Jones and the Six by Taylor Jenkins Reid (2019) [42:05]  The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) [42:16]  Malibu Rising by Taylor Jenkins Reid (2021) [42:28]  Carrie Soto Is Back by Taylor Jenkins Reid (2022) [42:37]  The Very Secret Society of Irregular Witches by Sangu Mandanna (2022) [43:28]  One Book She DIDN'T Love Norwegian Wood by Haruki Murakami (1987) | Amazon | Bookshop.org [44:14]  Other Books Mentioned South of the Border, West of the Sun by Haruki Murakami (1992) [44:20]  1Q84 by Haruki Murakami (2009) [44:49]  One NEW RELEASE She's Excited About Theodora's Tea Shop by Christy Anne Jones (July 28, 2026 — no US release date set yet) | Link to Blackwell's for US Orders [45:52]  Other Links Truity | Enneagram Personality Test

Today on The Literary Life podcast, Angelina Stanford and Thomas Banks are here to offer some helpful ideas for reading Shakespeare plays and how to approach the Bard. They start off sharing their own stories of first being exposed to Shakespeare. Next, Thomas and Angelina address the idea that Shakespeare is too high-brow for the ordinary reader. Angelina also gives her hot take on whether you should watch or read a Shakespeare play first. She also tells some stories about reading the Bard with her children and students. Some other helpful topics they cover are the different types of plays and their forms, the cosmology behind the plays, and potential problems with some modern interpretations of Shakespearean drama.  Please visit our website to view the full show notes for this episode with links to previous episodes we have done on Shakespeare, as well as the books mentioned as resources in this discussion: https://theliterary.life/318.  Join us back again here next week when we begin our series covering Jane Eyre by Charlotte Brontë! You can check out all the latest offerings of mini-classes and webinars, both upcoming and recorded in the past, at HouseofHumaneLetters.com.

The Witches of Wuthering Heights: Folklore and Wild Things of YorkshireIn today's journey, we touch on the lives of:Charlotte Brontë (1816–1855) – Jane Eyre (1847), Shirley (1849), Villette (1853)Emily Brontë (1818–1848) – Wuthering Heights (1847)Anne Brontë (1820–1849) – Agnes Grey (1847), The Tenant of Wildfell Hall (1848)In their own way, all three embraced a gothic vibe, drawing on Yorkshire folklore and the mists of the moors that permeate their work. And I've had fun exploring the ways witches and folkloric figures appear in their writing. And we'll meet witches, goblins, ghouls and gytrash on the moors, oh my!The Two Folktales I share are both from Legends of the North York Moors: traditions, beliefs, folklore, customs by Marion Atkinson, 1981

When Emily Brontë published “Wuthering Heights,” in 1847, critics were baffled, alarmed, and mostly unimpressed. James Lorimer, writing in the North British Review, promised that the novel would “never be generally read.” Nearly two centuries later, it's regarded as one of the great works of English literature. In a live taping of Critics at Large at the 92nd Street Y, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the staying power of the original text and the countless adaptations it's inspired, from the 1939 film featuring Laurence Olivier to Andrea Arnold's 2011 version. The most recent attempt comes from the director Emerald Fennell, whose new “Wuthering Heights,” starring Margot Robbie and Jacob Elordi, reads as a romantic fever dream. The movie has been polarizing in part for the way it excises some of the weirder and wilder aspects of its source material. But what's discarded—or emphasized—can also be revealing. “It's an audacious proposition to adapt a great novel … I don't think it needs to be faithful, necessarily,” Fry says. “The adaptation itself becomes a portrait of the time in which it's made.”Read, watch, and listen with the critics:“Wuthering Heights,” by Emily BrontëKate Bush's “Wuthering Heights”Emerald Fennell's “Wuthering Heights” (2026)“Emerald Fennell's ‘Wuthering Heights' Never Plumbs the Depths,” by Justin Chang (The New Yorker)“Barbie” (2023)“Saltburn” (2023)“Promising Young Woman” (2020)“Jane Eyre,” by Charlotte Brontë“The Communist Manifesto,” by Friedrich Engels and Karl Marx (1848)Peter Kosminsky's “Wuthering Heights” (1992)William Wyler's “Wuthering Heights” (1939)Andrea Arnold's “Wuthering Heights” (2011)“All the King's Men,” by Robert Penn Warren“I Love L.A.” (2025–)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Henry is gone, and a gloom falls over the house. Sir Thomas suspects that Maria doesn't want to marry Rushworth, but she marries him anyway. Fanny and Miss Crawford start hanging out, and Fanny secures a dinner invitation. Topics discussed include Fanny's glow-up, how Fanny and the Bertrams feel about the slave trade, Maria's revenge plot, flirt-harping, the Brontës' use of the word "ejaculate," Fanny's love of nature, the Doge at the court of Louis XIV, and Edmund and Mary's fundamental incompatibility.Patron Study Questions this week come from Avi and Linnea. Topics discussed include Fanny's question about the slave trade and our characters wanting to change each other.Becca's Study Questions: Topics discussed include Fanny cozying up to Sir Thomas, the retiring of the WTF Maria Tracker, zeroing in on the love triangle, and Mary and Fanny's friendship.Funniest Quote: "It was a very proper wedding. The bride was elegantly dressed; the two bridesmaids were duly inferior; her father gave her away; her mother stood with salts in her hand, expecting to be agitated; her aunt tried to cry; and the service was impressively read by Dr. Grant."Questions moving forward: Is this the last we're seeing of the Bertram sisters? What will happen between Mary and Fanny?Who wins the chapters? Maria!Glossary of People, Places, and Things: Avatar: The Last Airbender, Heated Rivalry, Wuthering Heights, Jane Eyre, the Doge at the court of Louis XIV, Schitt's CreekNext Episode: Mansfield Park Volume II Chapters 5-6Want an alternative to marrying rich? Try learning to invest your own money and grow your own wealth! Molly's partner Mel is teaching an online investing workshop for beginners on March 7. Tickets and details can be found at https://moneywithmelmarch7.eventbrite.com. And follow her on instagram at @money.with.mel. Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon! Check out our merch at https://podandprejudice.dashery.com.Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Today we've got "yearning" in cravats, a major win for the Swifties, and some very cozy Beverly Hills strolls with our favorite Internet Daddy. ☕ We have a TEASER for Dolly Alderton’s Pride and Prejudice ☕ Aimee Lou Wood takes on the lead in a new Succession-penned Jane Eyre ☕ Tributes pour in for Lizzie McGuire star Robert Carradine ☕ Taylor Swift breaks a 12-year record ☕ Pedro Pascal fuels romance rumors with an affectionate outing in LA THE END BITSOnce you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here. Find our new Bridgerton podcast in the Watch Party feed on Apple or Spotify. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. CREDITS Host & Producer: Ash London Executive Producer: Monisha IswaranBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Today Rachel and Terry rank 6 different versions of Wuthering Heights, discuss the new movie and then Natasha Alvar joins us to share her opinion on the new film. It's a long one but fun! For Rachel's review of Wuthering Heights 2026 https://youtu.be/7N0rCblrbnU For our ranking of 6 Jane Eyre adaptations https://www.youtube.com/watch?v=tty5LhdcuJo To purchase Wuthering Heights book use our affiliate link https://amzn.to/3ZGnw9y (ad) Follow Terry on twitter https://x.com/flurryheaven For Natasha's review of Wuthering Heights 2026 https://thefictiondepartment.com/wuthering-heights-2026-review/ For our episode on Jane Austen Month https://youtu.be/ItxGcvc8WCI For ranking Sense & Sensibility https://youtu.be/cHgGH0d35ZM To follow Natasha on twitter https://twitter.com/litmysoul For our first episode with Natasha https://www.youtube.com/watch?v=eRzr7vxYdGA For all of our interviews https://www.youtube.com/playlist?list=PLXv4sBF3mPUA_0JZ2r5fxhTRE_-RChCj Send us your feedback at feedback@hallmarkiespodcast.com or the twitter call +1 (801) 855-6407 Check out the merch store and get our #hashtag shirts! https://www.teepublic.com/stores/hallmarkies?utm_campaign=Hallmarkies&utm_medium=8581&utm_source=affiliate Please support the podcast on patreon at https://www.patreon.com/hallmarkies Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram Check out our website HallmarkiesPodcast.com Follow Rachel's blog at http://rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel's Reviews on youtube https://www.youtube.com/c/rachelsreviews Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Learn more about your ad choices. Visit megaphone.fm/adchoices

Join me (Anna Stone) and guest hosts Erin and Sydney, owners of Loom and Lore, as we dig in to Charlotte Bronte's Jane Eyre and the 2011 film adaptation. In this episode, we consider the complexity of Jane as a character, discuss the limitations of dealing with mental health in this era, and get a little punchy when it comes to modern casting.Follow on Instagram @stonestoptens and @loomandlorebookmobileEmail stonestoptens@gmail.comKeywordsJane Eyre, classic literature, film adaptation, feminism, self-respect, character analysis, themes, book discussion, literary analysis, modern relevance, Jane Eyre, film review, character analysis, mental health, costume design, adaptation, best moments, worst moments, acting performances, cinematic beauty, Jane Eyre, book to movie adaptation, character analysis, storytelling techniques, sound design, modern casting, literary discussion

Happy Valentine's Day!Mrs Murray met the UK StrikeFans.com contingent and Badly WiredLamp (“and friends”) on Thursday to talk about the Cormoran Strike novels. Yesterday, Friday the 13th, Rowling tweeted about the secret she had told them — the title of Strike9:Nick Jeffery found the most likely source of the title Sleep Tight, Evangeline, assuming it is not an anagram, in six minutes:BadlyWiredLamp who was at the Rowling meeting congratulated Nick on twixter seven minutes later: “Well done for finding it Nick!” with a hand salute emoji. Which semi-confirmation from a witness suggests he is spot on.Even more impressive, Nick wrote up a flash post about The Whiskey Shambles and other ‘Evangeline' possibilities at the HogwartsProfessor weblog, ‘Sleep Tight, Evangeline – Title Release for Strike 9.' Nick and John will be discussing this news as well as the Psalter and Head of Persephone charms with miniature book, Tolkien, and mythology expert Dimitra Fimi this weekend for a post here next week. See her ‘Miniature Books in Children's Fantasy' to prepare for that conversation. Stay tuned!But it's Valentine's Day! John and Nick celebrate this Hallmark Holiday with a journey through the Cormoran Strike novels' V-Day celebrations and a discussion of the various Valentines and Cupid's in the story, with special emphasis on the Cupid and Psyche myth that Rowling has suggested is the series story template.That suggestion came the week after Hallmarked Man's publication in the first of her Public Service Announcements to “Robin and Strike fans:”This image came as a surprise even to Hogwarts Professor subscribers because, though we have been writing and talking about the Cupid and Psyche myth as one of the mythological templates behind the Strike series since early 2021, it was the first time Rowling had acknowledged this publicly. Since the September revelation of this connection by the author and the appearance of the head of Persephone at the end of her Strike9 clues Christmas Charm bracelet, Strike fandom is now on board with the idea. Which on-boarding Nick and John celebrate with this Hearts and Flowers conversation, in which:* Nick reviews the Valentines Day events in the Strike series, the importance of which makes 14 February to Serious Strikers what Halloween is to Harry Potter fans;* John discusses the post American Bar office scene in Troubled Blood that let the cat out of the bag about the Cupid and Psyche myth just beneath the Strellacott romance;* Nick updates that with Rowling's PSAs and charm pointers to the Trials of Psyche in Robin's story;* John lays out how and where Hallmarked Man features Valentine Longcaster, the character with the Cupid name, and a Valentine's Day conflict with dogs to Guard the Gates of Hell (from charting Parts Five and Six);* Nick journeys back to Cuckoo's Calling and explains how Lula Landry's death and Robin's first meeting with Strike are twist on Cupid and Psyche with Venus, Psyche, and Cupid, Hephaestus, and Ares all with their equivalents in Charlotte, Robin, and Cormoran;* John ups the ante of the conversation by bringing in Edmund Spenser and C. S. Lewis, two writers Rowling loves, both of whom wrote stories that turn on Cupid and Psyche, and suggesting that Galbraith, in using the Eros-Anteros distinction of those writers in the Strike series is answering allegorically the core question of human life: whether to focus the soul on the ephemeral body and its desires or on the noetic faculty of soul, the Heart, logos within us;* Nick and John then discuss Robin and Strike's individual relationships Cuckoo to Hallmarked in light of Cupid-False Cupid and taking turns going through the Strike novels with a look at the principal murder victim and murderer and their respective relationships;* John shares the Jungian interpretation of Cupid and Psyche as the mythic representation of feminine actualization, the chrysalis of female identity;* And more!Below are the links to posts on this subject mentioned in their back and forth and to a translation of the original myth. Happy Valentines Day — and stand by for more discussion of Sleep Tight, Evangeline, the Psalter and Persephone Charms, and all things Strike and Mythology with Dimitra Fimi.Links Mentioned in the Valentines Day Celebration Conversation:Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man (8 September 2025, Nick Jeffery)Nick shares the context of Rowling's tweet (fan disappointment!) and the background information about the illustration she chose for it.The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche (Apuleius)A translation of the Silver Age Latin tale from Apuleius' Golden Ass.A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (22 April 2021, John Granger)The first post to discuss Rowling's use of this specific myth within Cormoran Strike, it is essential reading and comes in four parts:* a discussion of Rowling's stated beliefs about the soul and how it is the focus of her story-telling,* a review of her psychological artistry in Potter and the post Potter novels and screenplays,* a synopsis of the Eros and Psyche myth, and* a point to point look at the parallels in the story thus far with speculation about novels to come.Robin's Two Perfumes: The Meaning of Philosychos and Narciso (9 June 2021, John Granger)The names of Robin's baseline perfume, Philosychos, and the one she and Strike choose at story's end, Narciso, both point less to the bedroom than to Robin's allegorical, psychological, and mythological role as Psyche in the series.Erich Neumann in his Amor and Psyche: The Psychic Development of the Feminine describes this discipline as a “prohibition against pity” which “signifies Psyche's struggle against the feminine nature.” …Psyche's last trial involves her having to confront death, a “marriage” to which she was condemned as a sacrifice at the story's start, a meeting she can only survive by transcending her feminine qualities of nurturing and pity. She must become, if only temporarily, a narcissist to pass through Hades and return to the world of the Sun and to Cupid. The myth, in Jungian lights, is about her transcending the accidental self, here her feminine and sexual relation to Eros or Cupid, for “ego-stability” leading to “individuation,” ascent to the greater, immortal Self.Robin as resident psychologist and loving soul is the Psyche-cipher of the Strike mysteries. She differs from the relatively passive Human Beauty of the myth in her active and determined “struggle against the feminine nature,” her “What. I. Do!” She not only wrestles with her desires for domesticity and maternity in her thinking but stands up to Strike-Cupid in their Valentine's Day Street Fight and demands his respect or at least more considerate behavior. But she is still struggling with her difficulty to be the narcissist rather than the Great Mother when circumstances and her heroine's journey of psychological individuation demand that.Reading Rowling as Myth Maker and Myth Re-Writer: A Conversation with Dr Dimitra FimiNick Jeffery and John Granger converse with Dr Dimitra Fimi about Harry Potter, Cormoran Strike, Tolkien, Jane Eyre, and the Mythological Artistry of J. K. Rowling, Hogwarts Saga to Hallmarked ManThe Hallmarked Man's Mythological Template‘Cupid and Psyche's importance for grasping the depths of Strike 8, from the “necessity” of the Silver Vault and the three men in Robin's life, to spaghetti carbonara and ‘Maid of the Silver Sea'Ink Black Heart: The Mythic Backdrop (10 September 2022, John Granger)What Rowling is depicting in Robin's journey through the events and mystery of Ink Black Heart include a trap set by Venus, one that takes Robin to a personal and professional underworld or hell, her survival and endurance of every temptation by her determination to be steely rather than empathetic, especially with respect to a certain “lame fellow” (!), and her re-surfacing from hell a changed person, one worthy of begrudging Venereal approval (or Zeus' intervention — Rokeby!).Ink Black Heart: Strike as Zeus to Robin's Leda and Cupid to Mads' Psyche (10 November 2022, John Granger)These traditional portrayals of the every person's human and divine aspects, soul and spirit as man and woman in dynamic, cathartic relationship — think Romeo and Juliet, Redcrosse Knight and Una, Cupid and Psyche — are perhaps, with her alchemical symbolism, sequencing, and coloring, Rowling's greatest literary ‘reach' and achievement in the Strike series, albeit one largely lost on her her vast reading audience. The deliberate conjunction-melange of archetypal psychology, mythology, and spiritual allegory in these novels is, especially in combination with her hermetic artistry, intertextual playfulness (Aurora Leigh!), and chiastic structures, testimony to the author being one of the most accomplished and challenging writers of the age in addition to the most popular (and least well understood, even by her fans).Hallmarked Man: Freemasonry and J. K. Rowling (7 February 2024, Nick Jeffery)The Royal Arch degree is unique in England for including the ceremony of “Passing the Veils” symbolising the path to enlightenment that a mason undergoes as he progresses in the craft. Given Peter Rowling's upward social mobility from working class apprentice to engineer and moving from the Bristol suburbs to middle class Tutshill, it isn't beyond reason to wonder if Peter might have been tempted by the social and career advantages that freemasonry might have offered him and exposed a young Joanne to some of the symbolism.Edinburgh, as well as being the home of the Grand Lodge of Scotland, is also home to if not the oldest lodge in the world, then at least the one with the oldest records. Lodge of Edinburgh (Mary's Chapel) No. 1 has minutes of meetings from 31st July 1599. There have long been arguments between this Lodge and the one in Kilwinning on the other coast of Scotland as to which is the oldest. (see IVº of the Rite of Baldwyn above)J. K. Rowling's ‘G-Spot' and ‘Triple Play:' The Lake & Shed Secret of Her Success (21 September 2024, John Granger)I want to try tonight to explain as succinctly — and as provocatively — as possible why I think Rowling's ‘Lake and Shed' metaphorical explanation of how she writes offers a compelling reason for both why she writes and why readers around the world love her novels the way they do. I call this her ‘G-Spot' and ‘Triple Play' because it is her point of singular genius, the defining quality that separates her from contemporary story-tellers, which involves ‘Shed' artistry of three particular literary tools, all subliminal, which work together to achieve her aims.The Hallmarked Man's Flood of Names, Characters, and Plots (22 September 2025, John Granger)Rowling's seven Shed tools — psychomachia, literary alchemy, ring composition, misdirection towards defamiliarization, Christian symbolism, mythology, and inter-intratextuality (writing about reading and writing) — are all about the transformation of the human soul by cathartic experience in the imaginative heart, i.e., our spiritual reorientation. These traditional tools alone don't do it, of course; her capacity for creating archetypal characters that we care about in profound fashion is what gives the tools their grip on the heart.But, if a writer uses these tools in his or her Shed, the game being played and its stakes are not in question. Everything Rowling has written to date, with greater or lesser success (largely dependent on her control of the final product, cough*Warner Brothers*cough), shares this aim. Her global popularity testifies that much more often than not she hits her target to the delight of her readers.I assume this was her aim in Hallmarked Man. It's early days on the full exegesis of Strike8 in light of Rowling's Shed tools, Lake springs, and Golden Threads, but there are encouraging signs. My third reading of the book included my first ‘Aha!' moments with respect to the mythological template of the series, the Shed tool Rowling was openly urging her readers to think about in her recent Cupid and Psyche tweet.Jungian Interpretations of ‘Cupid and Psyche:'* Erich Neumann: Amor and Psyche: The Psychic Development of the Feminine (A Commentary on the Tale by Apuleius)* Paul Diel: Symbolism in Greek Mythology: Human Desire and Its Transformations (A “psychological study of the symbols condensed in the fate of the mythological hero”)* Robert A. Johnson: SHE: Understanding Feminine Psychology (An interpretation based on the myth of Amor and Psyche and based on Jungian mythological principles)* Marie-Louise von Franz: Golden Ass of Apuleius: The Liberation of the Feminine in Man (originally A Psychological Interpretation of The Golden Ass of Apuleius)‘Tamspells' Point to Point Correspondence List of Events in the Strike-Ellacott Novels and the Myth of Cupid and PsycheThe list ‘Tamspells' made will be Nick and John's starting point in their upcoming conversation with her about how to see the myth beneath the surface of the storyCupid and Psyche Myth Highlights to Look for in Your Review at Home of the Strike Series:* Jealousy of Venus* Psyche's Wedding/Funeral March to Mountain Crag* Psyche Rescued by Cupid, stuck with his own arrow* Retreat to Hidden Castle, Love in Darkness* The Two Sisters* The Confrontation with Lamp and Knife* Psyche's Return Home; Death of Sisters (Pan cameo)* Psyche's Search for Cupid/Venus: Ceres Interview* Brought to Venus (Worry and Sadness)* First Trial: Seeds and Grains (Ant)* Second Trial: Wool from Golden Sheep (Reed)* Third Trial: Crystal glass for Black Stygian water (Zeus, Eagle)* Persephone Odyssey: Box for Beauty (Tower instructions)* Barley Cakes for Cerberus and Two Coins for Charon* Must ignore: “a lame man driving a mule loaded with sticks, a dead man swimming in the river that separates the world of the living from the world of the dead, and old women weaving.”* Meal in Underworld with Persephone* Return Trip, Falling to Temptation* Cupid intervention; intersession and deal with Zeus* Olympian Court Date* Marriage of Cupid and Psyche post Ambrosia, birth of PleasureStrike Novel Victim Eros Anteros Murderer Eros Anteros Cuckoo's Calling Lula Landry Evan Duffield Marlene Higson,Yvette Bristow, Guy Some, Jonah Agyuman John Bristow Alison Creswell Yvette Bristow The Silkworm Owen Quine Kathryn Kent Leonora/Orlando Elizabeth Tassel Michael Fancourt Owen Quine? Career of Evil Kelsey Platt Rock Band Leader Ray Williams, (Hazel Furley) Donny Laing Rhona Bunyan, hostage women Agnes Waite Lethal White Jasper Chiswell Ornella Seraphin, Kinvara Patricia Fleetwood Raphael Chiswell Kinvara Hanratty Ornella Seraphin Troubled Blood Margot Bamborough Paul Satchwell Roy/Anna Phipps Una Janice Beattie Steven Douthwaite/Diamond Dead Mother Dennis Creed Louise Tucker Agnes Waite Ink Black Heart Edie Ledwell Philip Ormond? Joshua Blay, Grant Heather Ledwell Gus Upcott Anomie/Paperwhite, Vikas BhardwajMorehouse Katya Upcott The Running Grave Daiyu Wace, Kevin Pirbright (Jacob) Louise Pirbright Abigail Glover Patrick, Baz Jennifer Wace The Hallmarked Man Tyler Powell Anne-Marie Morgan Chloe Griffiths/Jolanda Lindvall Ian Griffith Jolanda/Sapphire Rita Lindvall? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Anne, Charlotte, and Emily Brontë were all accomplished novelists. Charlotte's famous work is Jane Eyre, and Emily's is Wuthering Heights. But how did three sisters all become popular authors at the same time? Could it have been the cemetery water they grew up drinking?? Jane Eyre superfan Lana Wood Johnson joins us to discuss the tuberculosis-laden lives of these Northern English authors (with Irish accents). — ⁠⁠Order a copy ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠of Ann's book, Rebel of the Regency!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the Rebel of the Regency livestream on YouTube on February 13th! Info on Ann's upcoming live events! — Get 15% off all the gorgeous jewellery and accessories at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠common.era.com/vulgar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠commonera.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code VULGAR at checkout — Get Vulgar History merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (best for US shipping) and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vulgarhistory.redbubble.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (better for international shipping) — ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Vulgar History on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ — Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Use this link to shop there and support Vulgar History.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine growing up surrounded by the harsh beauty of wild moorlands. A gothic, windswept, haunting landscape right outside - and a few steps from your front door is a church graveyard that you watch slowly fill up with members of your own family. Welcome to growing up Bronte!Let Coco take you on a journey through the Bronte childhood experience, where hardship and loss were in no short supply and fierce sibling bonds formed through imagination and a love for literature. Coco and Madi chat about formative experiences that translate right into the books these women wrote, and discuss the part that the moors play in the books - almost a character themselves.Follow that up with a summary of Jane Eyre by Charlotte Bronte, and Wuthering Heights by Emily Bronte. Yes Honeybees - spoiler alerts for both, but we think you'll agree the spoilers are so worth it. AD FREE LISTENING on Patreon as well as tons of extra content!https://www.patreon.com/c/spillthemeadYou can purchase Spill the Mead merchandise here https://linkpop.com/spillthemeadpodcast/Find us on Instagram, and Facebook @spillthemeadpodcastFind Madi @myladygervais on InstagramFind Betsy @betsy.hegge on InstagramFind Coco @spill_it_coco on InstagramFind Gabby @so_dym_gabulous on Instagram Find Chris @chrisrileyhistory on InstagramFind Taylor @tjonesarmoredamma on InstagramMusic is composed by Nicholas Leigh nicholasleighmusic.com

Trente-sixième épisode de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies.Piloté par Mad, Ben et Franck.Les films abordés dans cet épisode :00:01:24 : Skip générique (on juge pas promis)00:05:35 : Source Code, Duncan Jones (2011)02:22:48 : Sin Nombre, Cary Fukunaga (2009)04:21:15 : BLINDTEST04:28:29 : Runaway Train, Andreï Kontchalovski (1985)Rejoignez-nous sur les réseaux sociaux :BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.socialDISCORD : https://discord.gg/mDgZZd6CzjFACEBOOK : https://www.facebook.com/podcast.vanishingpointINSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/TWITTER : https://twitter.com/vpoint_podcastEt sur votre plateforme de podcasts préférée ! Abonnez-vous

Free Video Tutorial for ScreenwritingIn this episode of The Storyteller's Mission, Zena explores a foundational principle of character development: why a character's wound isn't their flaw — the lie they believe is. This episode is especially for writers, storytellers, and worldview-driven creatives working with trauma, redemption, and transformation arcs.In great storytelling, a character's problem isn't just what happened to them. It's the lie they believe because of it. And that distinction — between wound and lie — often determines whether a story actually moves forward or stays emotionally stuck.In this episode, we explore:Why wounds hurt, but lies imprisonHow false beliefs shape character behavior, identity, and plotWhy acknowledging trauma is not the same thing as redemptionWhat great stories like Good Will Hunting, Frozen, Jane Eyre, and The Lord of the Rings get right about character transformationHow confronting the lie — not just naming the wound — creates real narrative changeThis is essential viewing for:Fiction writersScreenwritersStorytellersFaith-adjacent creativesWriters working with trauma, flaws, and redemption arcsIf you want to write characters who don't just suffer — but transform — this episode will help you clarify the difference between what happened and what it meant.

Playwright and BAFTA-nominated screenwriter Moira Buffini on moving between theatre, film, and fiction, writing for yourself instead of the market, and shaping structure by rewriting toward the ending you want readers to feel.    You'll learn:Why “you are the audience” can be a practical rule for cutting through market noise and writing with conviction. A useful way to handle reviews and outside opinions without letting them steer the work. How to build story momentum when you can't fully plot ahead, and why not knowing the next move can be a strength. A structure approach based on “writing toward a feeling” at the end, then layering drafts until the story clicks. What discipline looks like when you're writing big worlds in prose, and how constraints can keep you from getting lost. How a dramatist's instincts (plot, structure, obstacles) can transfer into long-form fiction and help sustain narrative drive.   A grounded reminder about the “mundane” day-to-day of being a professional writer, and why that doesn't cancel the magic. The practical foundations she names for keeping your mind working (sleep, movement, and treating the body as part of the instrument). What it can take to keep writing alongside caring responsibilities, and why persistence is often the hardest part.   The simplest career advice she returns to: don't accept the story that you “can't,” and keep putting in the hours. Resources & Links:

This was a delightful Thursday crossword by Mallory Montgomery and Zhou Zhang. Jean got through it at gazelle-like speeds, whereas Mike, who made the tyro's mistake of following his own advice, was less gazelle, more giraffe. Deets inside.Show note imagery: Rochester, Jane EYRE, and Adele (well before her breakout album, 19).We love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

"Dance Talk” ® with Joanne Carey and special guests, Skylar Brandt and Vladimir RumyanstevIn this episode of "Dance Talk” ® , host Joanne Carey engages with Skylar Brandt, a principal dancer with the American Ballet Theatre, and her fiancé, pianist Vladimir Rumyantsev. They discuss their artistic journeys, the cultural differences in music and dance education, and how they met through their shared passion for the arts. The conversation delves into the emotional experience of performing, the creative process behind choreography, and the significance of art in serving humanity. They also explore their future aspirations, including the idea of incorporating their artistry into their wedding celebration.Skylar Brandt began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE to name a few. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.https://www.skylarbrandt.com/ Vladimir Rumyantsev  is an internationally acclaimed pianist. At just seven years old, he made his debut at the Great Hall of the Moscow Conservatory where he won Moscow's Glinka competition.Rumyantsev received his foundational training at the Gnessin Moscow Special School for Music under Mikhail Khokhlov and later studied at the Moscow Conservatory with Sergey Dorensky, Alexander Bakhchiev, Elena Sorokina, Pavel Nersessian and Nikolai Lugansky. He earned advanced degrees at the Mannes School of Music in New York under Pavlina Dokovska and is currently pursuing his Doctor of Musical Arts degree at The Hartt School under the mentorship of Jose Ramos Santana.Rumyantsev has performed worldwide at such prestigious venues as the Moscow Philharmonic, Carnegie Hall, Covent Garden, the Mariinsky Theatre, New York City Center, The Kennedy Center, to name a few. His performances led to collaborations with the Mariinsky Ballet. The New York Times describes his playing of Beethoven's Diabelli Variations as “excellent,” and The Wall Street Journal noting his “potent” interpretation.In 2024 he recorded "Sapiens: A Brief History of Humankind" by Sean Hickey for solo piano. Most recently, Rumyantsev toured the world as a solo artist with Twyla Tharp Dance for her Diamond Jubilee and is producing his own concerts of piano and dance alongside Principal Dancer with American Ballet Theatre, Skylar Brandt. https://vladimirrumyantsev.com/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @DanceTalkwithJoanneCarey Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Rachel and Simon speak to the playwright, screenwriter and novelist Moira Buffini. After training as an actor, Moira started writing for the stage; her plays include "Gabriel" (which won the Meyer-Whitworth Award in 1998), "Dinner" (nominated for an Olivier Award for Best Comedy in 2003) and "Handbagged" (winner of an Olivier Award in 2014). In 2003 Moira became a founding member of The Monsterists, a group of British writers who campaigned for "big, imaginative plays rather than naturalistic soap-opera dramas". Moira has also written extensively for film ("Jane Eyre", "The Dig") and television ("Harlots"). In 2024 Moira published "Songlight", her debut novel and the first in a trilogy for young adults; it won the YA Book Prize in 2025. We spoke to Moira about her early work in theatre, writing for the screen and her dystopian book series, "The Torch Trilogy". Alongside listening to us in audio as usual, the podcast is now available on video. You can check us out on YouTube under Always Take Notes. We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new sign-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (seven are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel.A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dead Funny History: The Brontës. Join historian Greg Jenner for a fast-paced, funny and fascinating journey through the lives of the Brontë sisters, Charlotte, Emily and Anne, three literary legends whose tragic family story inspired some of the greatest novels of the 19th century.This episode of Dead Funny History is packed with jokes, sketches and sound effects that bring the past to life for families and Key Stage 2 learners. From their Yorkshire parsonage to their tiny books written in doll-sized handwriting, the Brontës were bursting with creativity. But their lives were also filled with heartbreak, illness and rejection.Discover how the sisters used gender-neutral pen names to get published, how their brother Branwell tried (and mostly failed) to join in, and how their novels, Jane Eyre, Wuthering Heights and Agnes Grey, were shaped by their real-life experiences as governesses, teachers and grieving siblings.Expect parodies, sketch comedy, and a quiz to test what you've learned. There's a mournful bell for every tragic twist and a goat who's surprisingly good at literary criticism. It's history with heart, humour and high production value. Perfect for curious kids, families, and fans of You're Dead To Me.Written by Jack Bernhardt, Gabby Hutchinson Crouch and Dr Emma Nagouse Host: Greg Jenner Performers: Mali Ann Rees and John-Luke Roberts Producer: Dr Emma Nagouse Associate Producer: Gabby Hutchinson Crouch Audio Producer: Emma Weatherill Researcher: Dr Emmie Rose Price Goodfellow Script Consultant: Dr Amber Regis Production Coordinator: Liz Tuohy Production Manager: Jo Kyle Studio Managers: Keith Graham and Andrew Garratt Sound Designer: Peregrine AndrewsA BBC Studios Production

In this episode, KyLee and Darcy share a few holiday highlights, then KyLee sits down with author Julie Klassen to talk about research, faith, and her latest Regency release. Key takeaways Holiday traditions can be simple, and still feel special. Teachers and read-aloud stories can shape a reader and a writer for life. Julie Klassen weaves themes of grace, forgiveness, and second chances into her fiction. Real places and local legends can add weight and texture to historical novels. Whispers at Painswick Court blends romance with gothic atmosphere and a murder plot. Holiday baking, hot chocolate, and an Instagram invite A Bookworm Review of The Lost Girl of Astor Street, Stephanie Morrill KyLee: Today I will be talking with Julie Klassen. Darcy will not be with us because she’s gone to spend some time with her family. We’re recording this beforehand, and Darcy, we are about 10 days until Christmas. I know you are full of Christmas cheer and doing tons of Christmas things. No, that is not true. Darcy and I were talking about how it feels like the season has not quite started because we have been so busy. However, there are a couple special things we would like to share with you. Darcy: The most Christmas-y thing I am doing this year is making hot chocolate over and over at the ice cream shop. I’m not complaining — I love hot chocolate. I love making it, frothing the milk and everything. I am really looking forward to visiting my sister for Christmas. She lives five hours away. We see each other regularly through the year, but I’m going to spend a whole week at her place with my younger sister. The three of us will be hanging out. She has to work, so we’ll probably be doing some reading during the day. I have a couple of Christmas novellas picked out, one by Rosanna White. I’m looking forward to relaxing and doing Christmas-y things after I get the chaos behind me. KyLee: Do you ever throw something in with your hot chocolate, or make it different? Darcy: I’m very classic. I like to stir it with a candy cane and let that slowly melt in. So it’s like a peppermint hot chocolate. KyLee: I only ask because I started baking while procrastinating on preparing for this episode. I had this idea to take peanut butter cookies, make them a little bigger, and put a Reese's cup in the middle. Like you put a chocolate kiss in the middle. We got Reese's cups and they were PB&J, which I’m not the biggest fan of. I thought, let's see if I can make this work. I get halfway through the recipe. I have my sugar out, shortening measured, flour measured, and I have no peanut butter. I do not know how this happened in my house. My oldest has a pretty severe allergy to milk that affects her esophagus. Finding things like proteins is something we’re constantly trying to do. I pulled out some plant-based chocolate protein powder and mixed that in with the cookies, then cooked them up. They are so good. They are a little heavy on the sugar. Along with having my daughter with this severe allergy, my husband has diabetes. So I rarely bake. I was procrastinating and it is Christmas time, so I broke that out. He tried them against my recommendation. He hates coconut, and since it is plant-based, it has coconut, so he does not want them. So it worked out. Darcy: I love that you are improvising with your holiday baking. This may be a new tradition. You might end up making these chocolate-protein-powder cookies every Christmas now. KyLee: They might be the start of a beautiful Christmas dessert. For our listeners, we are going to do something fun. Pop over to Instagram, on the Historical Bookworm Podcast page. On Instagram, it is Historical Bookworm Podcast, not Historical Bookworm Show. You will find a picture of my cookies, and Darcy, a picture of some hot chocolate. Darcy: Yes, absolutely. KyLee: We would love to see pictures of your sweet treats that you are making this holiday season. Now we are going to get on to the show with Julie Klassen. Meet Julie Klassen Julie Klassen loves all things Jane—Jane Eyre and Jane Austen. She worked in publishing for sixteen years and now writes full time. Three of her novels have won the Christy Award for Historical Romance. She has also won the Minnesota Book Award, the Midwest Book Award, and Christian Retailing's BEST Award. Julie is a graduate of the University of Illinois. She and her husband have two sons and live in St. Paul, Minnesota.  KyLee: Julie, welcome to the Historical Bookworm Show. Julie: Thank you, KyLee. I’m happy to be here. The most Jane Austen thing, besides tea KyLee: Tea drinking goes without saying for an Anglophile. What is the most Jane Austen thing, other than drinking tea, that you might incorporate into your daily life? Julie: True confessions, I do not drink as much tea as I’m probably alleged to do. I am a coffee drinker. Normally it is coffee in the morning, and then I might switch to tea. I just went to the Jane Austen Christmas and birthday party for my local Jane Austen Society of North America meeting and drank lots of tea. Today I drank lots of tea, but it’s not usual. I don’t incorporate a lot of things from the Regency era into my real life because I like my computer and technology. A few things I do. I love candles. I’m not a writer who writes with music or soundtracks, but I do love to burn sweet-smelling candles when I write. If we’re talking about Christmas, then I do love to go to church. We have candlelit services. Charity was very big in the Jane Austen time during Christmas in general. Those kinds of things I am a fan of, but I also like modern medicine and other ways of modern life. KyLee: I agree with you about the modern thing. There is something homey and romantic about candles. Aromatherapy would be great for when you are writing. Julie: I do enjoy it. Ordinary people who leave a lasting impact KyLee: Jane Austen's characters are average people with ordinary lives, often drawn from real life observations. Can you tell us about a time an ordinary person left a lasting impact on your life? Julie: There are a lot. I’ll name teachers. Mrs. Hayes read Jane Eyre to us out loud over several weeks in the sixth grade. That cemented my love of all things English, British literature. Even though I grew up in Illinois, she had a big impact on me. Later, Mrs. Mitchell, a high school writing English teacher, encouraged me in my writing. I am still connected with both of those women online, and I send them my books every year. KyLee: Teachers have a big impact on our lives. There is something special about having a story read aloud to you. It builds trust and imagination. I am a teacher, so I try to read out loud to my students often. I read to them every day. When my children were younger, I read out loud to them too. They don’t really let me do that anymore. How faith and writing intersect KyLee: Could you share a little bit about how faith and writing intersect for you? Julie: I came to Christ later, in my 20s. A lot of my books carry similar themes of grace, forgiveness, second chances, things that I appreciate in my own life. God was very generous to me and wooed me and called me and saved me when I was not interested in Christianity. I try to weave those kinds of things into my books. I have imperfect characters who make mistakes, because that is what I did and continue to do. I am grateful for His mercy, and I try to weave that into all of my books. KyLee: It makes sense that you would share those experiences. We write what we know. Real history, and writing historical fiction versus fantasy Is there anything especially interesting you haven’t covered in other interviews for this book? Julie: One of the things I love about being a historical writer is that, even though I am writing fiction, I love to base things on what was really happening. My book is set in a real place called Painswick in England. Someone praised me about how I continue to show great historical medical knowledge. I laughed because I have zero real medical knowledge, but it shows I have to do a lot of research. For this book, the main character is a surgeon's daughter. She is trying to serve as a sick room nurse to an older woman. It was a fun connection that Jenner, who came up with the smallpox vaccination, was related to Painswick. I did not know that when I made the setting there. It was interesting to include some real history about medical practices. I do a lot of research, but I am not a medical expert. KyLee: You do your research and write those characters and that story, and it takes off. Weaving in historical details makes a difference. I am a fan of fantasy too, but I like that historical fiction is anchored in the way it really was. Julie: In fantasy, you have to build that whole world. In historical, I have anchors, but you still have to build the world for the story. I don’t think I could be a fantasy writer. You would have to make up all your rules and keep track of it. KyLee: I would have to have lists of rules, then I would lose the list and find it a decade later on my computer. Julie: You and I have a similar organizational system. There are so many resources in historical. I can check if a word is too modern. I can see if Jane Austen used it. Whispers at Painswick Court KyLee: Let's talk about your latest release, Whispers at Painswick Court. Anne Loveday, a surgeon's daughter, is determined to live a single, useful life. To escape her matchmaking stepmother, she accepts an invitation from an old friend to return to Painswick, the place she and her sister spent many happy summers until that last, fateful year. Soon after arriving, Anne is asked to serve as sick-room nurse to Lady Celia, who forbade her nephew to marry Anne's sister years before. Pushing aside resentments, Anne moves into Painswick Court, a shadowy old house rumored to be haunted. Also in residence are Lady Celia's spinster daughter, her handsome adult nephews, and a secretive new lady's maid.  Two local doctors visit regularly as well, one of whom admires Anne while concealing secrets of his own. As an escalating series of mishaps befalls her patient, Anne realizes someone is trying to kill the woman. But who? When Anne finds herself a suspect and her determination to avoid romance challenged, can she discover the real killer—and protect her heart—before it's too late? KyLee: Somehow the title did not prepare me for the secrets to include a murder plot. Anne has medical knowledge at her disposal. Why has she set her heart on remaining single? A heroine committed to the single life Julie: Women in that time period, in general, their main goal was to marry and marry well. There were not a lot of options for women. Anne has gotten a taste of helping others and having a greater purpose than marriage. She thinks that because she has a sister who married in an arranged marriage and is unhappy. That’s been her example. Her young stepmother is trying to marry Anne off to completely inappropriate men. Men who are strangers, far too old, and not at all suitable. Men who want a wife and do not appreciate Anne's qualities. She’s determined that marriage is not for her. In that time period, many marriages were more like business arrangements. She does not want to marry for those reasons. She does not want to give up helping others and using the knowledge she has. The men interested in her would expect her to give that up to be their wife. KyLee: She found something she loves. Being pulled away from that would be heartbreaking. Julie: In a different world, she would have loved to be a doctor, a physician, a surgeon. She is smart enough and capable enough, but that was not an option for women. This is as close as she can get. The men in Anne's orbit KyLee: There seem to be several gentlemen of interest. Two nephews of Lady Celia, and a young doctor who admires Anne. Could you sketch a quick portrait of each? Julie: Anne and her sisters spent summers in Painswick because her grandparents lived there. She knows the two grown nephews from her younger days. One is very handsome and charming, and untrustworthy. Jude Dalby is the man her sister fell in love with years ago. His aunt said no, you are not going to marry this surgeon's daughter with very little money. So Anne has resentment toward him. The other nephew is a former military man. They were friends. He takes a shine to her and vice versa, but it is more of a friendship. There are actually two doctors in the story. Both doctors have secrets. The one who takes an interest in Anne has other stuff going on, so he cannot be forthcoming right away. Anne has to review her plan for her life. Sometimes God has other plans. She has to reevaluate if there is a way for her to have both marriage and purpose. KyLee: Which is the happily ever after we hope for. Julie: When you read a Julie Klassen book, you are going to have a happily ever after. It’s pretty much guaranteed. Gothic atmosphere, real legends, and place-based history KyLee: Did this book uncover any new historical tidbits, or give you an opportunity to weave in detail you had not shared before? Julie: There is poison involved, so I had to research those things. I love that the setting, Painswick, has real history I could weave in. The house I based it on is a real place with gothic legends surrounding it for generations. King Charles I stayed there, and people report seeing his ghost around the house and the adjacent churchyard. I am not that interested in ghosts except the Holy Spirit, but it is a well-known legend, and he really did stay in the house. The old house had jail cells in the basement because it used to be used as a courthouse. Prisoners were sent there. I love when I can take something real and weave it into the novel. I think it makes the world more believable and more real for readers. KyLee: Especially when there is somewhere they can go. If you can’t go to England, you can use street view and at least have an idea of what it looks like. Julie: Painswick has a beautiful church and a churchyard that is famous. It has 99 yew trees, and there is legend around it. If they plant another to make it 100, one of the other ones will die, and they will have to cut it down. I did not know yew has lore around it. It is a symbol for eternal life. It is also used for poison. I love to weave in that symbolism. You can Google it and see beautiful pictures. KyLee: I did not know yew wood was poisonous either. That will be handy if it is part of the murder plot. What's next for Julie Klassen KyLee: What is next for your writing, looking forward to 2026? Julie: I turned in my draft for the 2026 novel. Most of my books have been standalone. Whispers at Painswick Court is a standalone, and the 2026 book is also a standalone. It’s not a murder mystery, per se, but it’s a romantic story set on the coast of North Cornwall. It has gothic elements, bumps in the night, rumors, smugglers, those kinds of good things. It’s more of a romance with those gothic elements. It’s set to come out in December of 2026. The title is The Widow of Woodlark Cottage. It’s about a woman who rents Woodlark Cottage on this estate. There are a couple of men with different agendas and a lot of other things going on. Connect with Julie: Newsletter, Pinterest, Amazon, Facebook, Twitter, Goodreads, and Instagram. Bookworm review: The Lost Girl of Astor Street by Stephanie Morrill In “The Lost Girl of Astor Street,” Stephanie Morrill combines a gusty heroine, chronic illness representation, a swoony detective, feuding mafia families, and raw emotion into a gripping YA mystery that'll keep readers guessing till the very end. Fans of first-person narratives will fall for Piper Sail's vibrant voice that practically zings off the page. Determined and devoted, Piper is a compelling character sure to win readers' hearts as they're immersed in her dualistic world of Chicago amid the Roaring Twenties. If you love to hunt for clues with gumshoes and amateur sleuths, join the search for The Lost Girl of Astor Street! Read more about Stephanie at her website. (www.stephaniemorrill.com) ~ Angela Bell, author of A Lady's Guide to Marvels and Misadventure If you enjoyed this episode, we hope you'll subscribe for more on your favorite listening platform, and join our newsletter (see the sidebar). Don't forget to share it with a fellow historical fiction reader! And if you really enjoyed this episode and would like to support, you can always buy us a coffee.

Lindsay is joined by author Stephanie Cowell to discuss her book, “The Man in The Stone Cottage.” In 1846, Yorkshire, the Brontë sisters— Charlotte, Anne, and Emily— navigate precarious lives marked by heartbreak and struggle. Charlotte faces rejection from the man she loves, while their blind father and troubled brother add to their burdens. Despite their immense talent, no one will publish their poetry or novels. Amidst this turmoil, Emily encounters a charming shepherd during her solitary walks on the moors, yet he remains unseen by anyone else. After Emily's untimely death, Charlotte— now a successful author with Jane Eyre— stumbles upon hidden letters and a mysterious map. As she stands on the brink of her own marriage, Charlotte is determined to uncover the truth about her sister's secret relationship. The Man in the Stone Cottage is a poignant exploration of sisterly bonds and the complexities of perception, asking whether what feels real to one person can truly be real to another. STEPHANIE COWELL is the author of 7 novels, including Nicholas Cooke, The Physician of London, The Players: a novel of the young Shakespeare, Marrying Mozart, Claude & Camille: a novel of Monet, and The Boy in the Rain. Her work has been translated into several languages, optioned for film, and adapted into an opera. Cowell has been awarded an American Book Award. She has also been an opera singer, balladeer, and founder of the Strawberry Opera and an outdoor performance series in NYC. Fun facts include auditioning before Richard Rodgers, the Rodgers of Rodgers and Hammerstein fame, and performing in places like the famous Harvard Club and even mental institutions and prisons. Become a member on Buy Me A Coffee for as little as $1/month to support the show.  You can write to us at: Ye Olde Crime Podcast, PO Box 341, Wyoming, MN 55092. Join the conversation over at the Cultiv8 Discord and join the Olde Crimers Cubby to chat with us and other listeners of the show. Leave us a rating and review on Apple Podcasts, Podchaser, Spotify, Podcast Addict, Audible, or Goodpods! Don't forget to follow us on Twitter, Instagram, Threads, Facebook, TikTok, and YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the true history behind the “madwoman in the attic” in Charlotte Brontë's Jane Eyre? How was Jane Austen's aunt deeply connected to slavery in Barbados? Who were the British heiresses who married Caribbean plantation owners and inherited vast wealth made through chattel slavery? William and Anita are joined by Miranda Kauffman, author of Heiresses: Marriage, Inheritance, and Caribbean Slavery, to discuss how Austen and Brontë were connected to, and wrote about, these often-ignored slavery heiresses. Join the Empire Club: Unlock the full Empire experience – with bonus episodes, ad-free listening, early access to miniseries and live show tickets, exclusive book discounts, a members-only newsletter, and access to our private Discord chatroom. Sign up directly at empirepoduk.com  For more Goalhanger Podcasts, head to www.goalhanger.com. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Producer: Anouska Lewis Assistant Producer: Alfie Rowe Executive Producer: Dom Johnson Learn more about your ad choices. Visit podcastchoices.com/adchoices

How is it possible we've never done a governess episode? And how is it possible Louisa Darling hasn't been a guest on the pod yet? We're rectifying both of these injustices this week on the pod. We talk about Jane Eyre, The Sound of Music and other primordial governesses, and discuss exactly what kind of buttons these books installed--almost entirely thanks to old school historicals. We also talk about how governess books are some of the only books in which we will suffer a child, and yes, we shout out the nannies, too!Louisa Darling is the pen name of Louisa Edwards and Lily Everett, and the author of Don't Let Your Dukes Grow Up to be Scoundrels, Where Have All the Scoundrels Gone, and Scoundrel, Take Me Away.Our next read along is Gorilla Twins, AKA Lorraine Heath's The Earl Takes All. Find it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books. If you'd like more romance chat in your life, please consider joining our Patreon, which comes with an extremely busy and fun Discord community! There, magnificent firebirds hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. NotesLearn more about The States Project and donate to the Fated States Giving Circle to keep Virginia blue this November.Welcome historical author Louisa Darling. She's written contemporary romance as Louisa Edwards and women's fiction as Lily Everett. She imprinted on Jayne Eyre and worked as an editorial assistant for Leslie Gelbman at Berkley, who edited Nora Roberts and Jayne Ann Krentz.Maybe all those early governess books were really about The Sound of Music. We talked about the Molly O'Keefe series that included Wait For It in season 7, and about Vanessa Riley and wet nurses when we had Kennedy Ryan on in season 2. Finally, our next deep dive will be Gorilla Twins. The actual title, of course, is The Earl Takes All by Lorraine Heath.The BooksDon't Let Your Dukes Grow Up to be Scoundrels by Louisa Darling