Podcast appearances and mentions of claudrena harold

Much has been said about the golden age of gospel music in the 1940s and 50s. But what about the gospel music that came later when hip-hop and soul were dominant? Claudrena Harold's in her book, When Sunday Comes, takes us to the Black record shops, churches, and businesses that transformed gospel after the Civil Rights era and nurtured the music that was an essential cultural and political expression for African Americans. Later in the show: Historian Lauranett Lee shares the history of the Juneteenth holiday. She says in this country we have parallel histories, with Black and white Americans knowing about and acknowledging different pasts. But local historians are elevating the stories of African Americans so that those parallel histories are brought together. One of those is Wilma Jones, who grew up in the mostly Black community of Halls Hill in Arlington, Virginia. Now the neighborhood is rapidly gentrifying and Black families like hers have been pushed out. Jones says it's too late to save Grandma's house, but it's not too late to save her history.

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras (Music in American Life) https://www.amazon.com/When-Sunday-Comes-Hip-Hop-American/dp/0252085477 Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.

In 2019, Virginia joined just three other states in making Juneteenth a paid state holiday, recognizing it as a holiday for all Virginians. Lauranett Lee says in this country we have parallel histories, with Black and white Americans knowing about and acknowledging different pasts. But community efforts and local activists are elevating the stories of African Americans so that those parallel histories are brought together. One of those local historians is Wilma Jones, who grew up in the mostly Black community of Halls Hill in Arlington, Virginia. Now the neighborhood is rapidly gentrifying and Black families like hers have been pushed out. Today, Jones says it's too late to save Grandma's house, but it's not too late to save her history. Later in the show: Much has been said about the golden age of gospel in the 1940s and 50s. But what about the gospel music that came later when hip-hop and soul were dominant? Claudrena Harold's in her book, When Sunday Comes, takes us to the Black record shops, churches, and businesses that transformed gospel after the Civil Rights era and nurtured the music that was an essential cultural and political expression for African Americans.

Originally produced and aired in 2016...: The great political theorist, cultural philosopher, revolutionary, C. L. R. James once said that he is black, number one, because he is against what they have done and are still doing to us; and number two, he has something to say about the new society to be built because he has a tremendous part in that which they have sought to discredit.— C. L. R. James, C. L. R. James: His Life and Work. In the article The University and the Undercommons: Seven Theses (The—sees), Fred Moten and Stefano Harney start their analysis with this powerful quote: “To the university I steal, and there I steal.” They go on to write that this is the only possible relationship to the university (American) today. In fact, this may be true of universities everywhere. It cannot be denied that the university is a place of refuge, and it cannot be accepted that the university is a place of enlightenment. Their analysis is centered on a sharp critique of how we produce and reproduce a certain forms of knowledge. And the role and responsibility of those who step into this dialectical process of who has the right to know and what they should do with what they know. Moten and Harney go on to suggest that in the face of these conditions one can only sneak into the university and steal what we can. To abuse its hospitality, to spite its mission, to join its refugee colony, its gypsy encampment, to be in, but not of—this is the path of the subversive intellectual in the modern university. The authors are attempting to peel back the cover of knowledge for knowledge sake. They suggest that in this present moment, we must begin to take the path of heretical thinkers. The "maroons knew something about possibility. They are the condition of possibility of production of knowledge in the university—the singularities against the writers of singularity, the writers who write, publish, travel, and speak. It is not merely a matter of the secret labor upon which such space is lifted, though of course such space is lifted from collective labor and by it. It is rather that to be a critical academic in the university is to be against the university, and to be against the university is always to recognize it and be recognized by it, and to institute the negligence of that internal outside, that unassimilated underground, a negligence of it that is precisely, we must insist, the basis of the professions. And this act of against…always excludes the unrecognized modes of politics, the beyond of politics already in motion, the discredited criminal para-organization, what Robin Kelley might refer to as the infrapolitical field (and its music). It is not just the labor of the maroons but their prophetic organization that is negated by the idea of intellectual space in an organization called the university" [31]. Next we will hear an further elaboration of the ideas set out by Fred Moten and Stefano Harney with Dr. Claudrena Harold, author of New Negro Politics in the Jim Crow South from University of Virginia, Dr. Will Boone, Dr. Corey Walker, and myself of Winston Salem State University. Our show was produced today in solidarity with the Native/Indigenous and Afro Descendant communities at Standing Rock, Venezuela, Brazil, Colombia, Kenya, Palestine, South Africa, and Ghana and other places who are fighting for the protection of our land for the benefit of all peoples! Enjoy the program…! Image: Toward a Black University Conference 13-17 November 1968. Hilltop, 8 November 1968...available here: https://www.dc1968project.com/blog/2018/12/27/12-november-1968-amp-toward-a-black-university-conf-hu-begins-tomorrow

In 2019, Virginia joined just three other states in making Juneteenth a paid state holiday, recognizing it as a holiday for all Virginians. Historian Lauranett Lee says in this country we have parallel histories, with Black and white Americans knowing about and acknowledging different pasts. But community efforts and local activists are elevating the stories of African Americans so that those parallel histories are brought together. One of those local historians is Wilma Jones, who grew up in the mostly Black community of Halls Hill in Arlington, Virginia. Now the neighborhood is rapidly gentrifying and Black families like hers have been pushed out. Today, Jones says it's too late to save Grandma's house, but it's not too late to save her history. Later in the show: Much has been said about the golden age of gospel in the 1940s and 50s. But what about the gospel music that came later when hip-hop and soul were dominant? Claudrena Harold's new book, When Sunday Comes, takes us to the Black record shops, churches, and businesses that transformed gospel after the Civil Rights era and nurtured the music that was an essential cultural and political expression for African Americans.

In this episode, Ma'asehyahu Isra-Ul taps back in with season 2 guest - Dr. Claudrena Harold, Chair of UVA's Corcoran Department of History to discuss her new book When Sunday Comes. Harold's book details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed gospel music. This episode is inspiring and filled with great insight as the two historians dive into Gospel music as a vehicle for liberation and the message of redemption for Black people. They also weave into the impacts of Gospel music on hip-hop, R&B, Soul and African American life in general. If you want to hear an inspirational message which delves into the "souls of Black folk" and how we have overcome hardships and challenges through a unique outlook through the lens of freedom - this is not a show you want to miss. You will want to hang onto every word!  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/leadingbyhistory/message Support this podcast: https://anchor.fm/leadingbyhistory/support

How has gospel music impacted U.S. culture? What distinguishes gospel from contemporary Christian music? How did gospel artists like Andrae Crouch and the Winans break racial barriers in popular Christian music? We talk with Dr. Claudrena N. Harold for insights about the history and impact of gospel music on American and and African American culture. Visit https://faithfullymagazine.com/interview-claudrena-harold/ for more.

Episode 411Produced and Narrated by Chris GratienEpisode Consultant: Devin NaarSeries Consultant: Emily Pope-ObedaScript Editor: Sam Dolbeewith additional contributions by Devi Mays, Claudrena Harold, Victoria Saker Woeste, Sam Negri, and Louis NegriDownload the podcastFeed | iTunes | GooglePlay | SoundCloudLeo lived in New York City with his family. Born and educated in the cosmopolitan Ottoman capital of Istanbul, he was now part of the vibrant and richly-textured social fabric of America's largest metropolis as one one of the tens of thousands of Sephardic Jews who migrated to the US. Though he spoke four languages, Leo held jobs such as garbage collector and shoeshine during the Great Depression. Sometimes he couldn't find any work at all. But his woes were compounded when immigration authorities discovered he had entered the US using fraudulent documents. Yet Leo was not alone; his story was the story of many Jewish migrants throughout the world during the interwar era who saw the gates closing before them at every turn. Through Leo and his brush with deportation, we examine the history of the US as would-be refuge for Jews facing persecution elsewhere, highlight the indelible link between anti-immigrant policy and illicit migration, and explore transformations in the history of race in New York City through the history of Leo and his family.This episode is part of our investigative series Deporting Ottoman Americans.« Click for More »

Episode 411Produced and Narrated by Chris GratienEpisode Consultant: Devin NaarSeries Consultant: Emily Pope-ObedaScript Editor: Sam Dolbeewith additional contributions by Devi Mays, Claudrena Harold, Victoria Saker Woeste, Sam Negri, and Louis NegriDownload the podcastFeed | iTunes | GooglePlay | SoundCloudLeo lived in New York City with his family. Born and educated in the cosmopolitan Ottoman capital of Istanbul, he was now part of the vibrant and richly-textured social fabric of America's largest metropolis as one one of the tens of thousands of Sephardic Jews who migrated to the US. Though he spoke four languages, Leo held jobs such as garbage collector and shoeshine during the Great Depression. Sometimes he couldn't find any work at all. But his woes were compounded when immigration authorities discovered he had entered the US using fraudulent documents. Yet Leo was not alone; his story was the story of many Jewish migrants throughout the world during the interwar era who saw the gates closing before them at every turn. Through Leo and his brush with deportation, we examine the history of the US as would-be refuge for Jews facing persecution elsewhere, highlight the indelible link between anti-immigrant policy and illicit migration, and explore transformations in the history of race in New York City through the history of Leo and his family.This episode is part of our investigative series Deporting Ottoman Americans.« Click for More »

Episode 411Produced and Narrated by Chris GratienEpisode Consultant: Devin NaarSeries Consultant: Emily Pope-ObedaScript Editor: Sam Dolbeewith additional contributions by Devi Mays, Claudrena Harold, Victoria Saker Woeste, Sam Negri, and Louis NegriDownload the podcastFeed | iTunes | GooglePlay | SoundCloudLeo lived in New York City with his family. Born and educated in the cosmopolitan Ottoman capital of Istanbul, he was now part of the vibrant and richly-textured social fabric of America's largest metropolis as one one of the tens of thousands of Sephardic Jews who migrated to the US. Though he spoke four languages, Leo held jobs such as garbage collector and shoeshine during the Great Depression. Sometimes he couldn't find any work at all. But his woes were compounded when immigration authorities discovered he had entered the US using fraudulent documents. Yet Leo was not alone; his story was the story of many Jewish migrants throughout the world during the interwar era who saw the gates closing before them at every turn. Through Leo and his brush with deportation, we examine the history of the US as would-be refuge for Jews facing persecution elsewhere, highlight the indelible link between anti-immigrant policy and illicit migration, and explore transformations in the history of race in New York City through the history of Leo and his family.This episode is part of our investigative series Deporting Ottoman Americans.« Click for More »

In this week's extended episode of Leading By History, Specialist Ma'asehyahu Isra-Ul interviews Dr. Claudrena Harold - Professor of African-American Studies at the University of Virginia. Their discussion focuses on the definition of "black scholarship" and whether there is a need for such a term. Dr. Harold minces no words in clearly defining the work of black scholarship and the continual need for a multinational and global view of historical research which motivates people to act on their humanity in the best interest of the marginalized and oppressed. You do not want to miss this week's show! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/leadingbyhistory/support

Claudrena Harold and Jahan Ramazani document.write(''); Guests: Claudrena Harold, professor of African American and African Studies and History affiliated with both the University of Virginia’s Corcoran Department of History and the Carter G.… Read More

The third biennial Jefferson Symposium, sponsored by UVA Law and the Thomas Jefferson Center for the Protection of Free Expression, examines contemporary attitudes about free speech at American colleges and universities. The panelists for "Free Speech and Equal Dignity" are Susan Brison, Dartmouth College; Claudrena Harold, UVA; and Leslie Kendrick '06, UVA Law. Kendrick also provides the introduction. (University of Virginia School of Law, Oct. 13, 2016)

J. Herbie DiFonzo of Hofstra Law School, Richard F. Hamm of State University of New York at Albany Department of History, Reuel E. Schiller of University of California, Hastings College of the Law and Patricia Hagler Minter of Western Kentucky University Department of History discuss their work and celebrate the legacy of University of Virginia legal historian Charles McCurdy during the panel " Adjudicating Rights and Interests in a Changing Nation," moderated by Claudrena Harold of the University of Virginia Corcoran Department of History. (University of Virginia School of Law, Nov. 2, 2015) Listen to the other panel from this event: https://soundcloud.com/uva-law/federalism-law-and-the-economy-a-panel-honoring-uva-historian-charles-mccurdy