Podcasts about Fred Moten

We're joined by Fred Moten and Stefano Harney — co-conspirators of The Undercommons — to think with us about AI, study, and brutality, and the long histories that place these concepts into relation. In a lot of ways neither Moten nor Harney require an introduction, they are the sources of major touchstone references made throughout this podcast — from last week's guest Ramon Amaro to one of our first guests, Luciana Parisi, and plenty of places in between.  The episode starts with a conversation about AI, but it quickly becomes a conversation about change, the question of the necessity of change or even organization, and imposition (that is, the brutal, external application of force against situations that already contain within themselves the lived possibility of alternative futures). Some important references among many from the episode: Fred Moten & Stefano Harney, The Undercommons: Fugitive Planning & Black Study (Minor Compositions, 2013).Matteo Pasquinelli, The Eye of the Master: A Social History of Artificial Intelligence (Verso, 2023).Sylvia Wynter, “Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation—An Argument” (2003).Christina Sharpe, In the Wake: On Blackness and Being (Duke UP, 2016).Denise Ferreira da Silva, Unpayable Debt (Sternberg Press, 2022).Cedric J. Robinson, Black Marxism: The Making of the Black Radical Tradition (1983; later eds. 2000/2020).Amiri Baraka, “The Changing Same (R&B and New Black Music),” in Black Music (1968).Hua Hsu, “What Happens After A.I. Destroys College Writing?” The New Yorker (June 30, 2025).• • Vannevar Bush, “As We May Think,” The Atlantic (July 1945).

We're joined by Ramon Amaro, Creative Director of Design Academy Eindhoven — an engineer, philosopher, writer, curator, and altogether critical-force-to-be-reckoned-with on the subject of computation as it intersects with concepts like culture, race, and being. We were drawn to his tour-de-force “The Black Technical Object: On Machine Learning and the Aspiration of Black Being” (2023), which is an absolute banger, re-reading Gilbert Simondon's technical object through the lens of blackness, race, and racialized technologies. This one is a wild ride, a really deep and incredibly thoughtful episode, and we make an effort to define some initial terms on the podcast — specifically the ‘pre-individuated milieu' (the space where things or ideas live before they become crystalized into social or racialized relations) and the ‘technical object' (a way that Simondon helps us think through the autonomies enjoyed by technology, that even though technological objects may be initially bound in some ways to their human partners, they are able to exert influences not just backwards on us, but influences that determine their own design evolution over time). Ramon starts the conversation with a distinction that is critical to the whole episode — that blackness is not a racial category, or moreover, that blackness is distinct from race. Race is something that happens after blackness, that impinges upon blackness as it moves from pre-individuated space and enters into the field of social relations we currently live within. This independence is critical, because it invites alternatives (and suggests, we think very rightly, that this field of social relations we currently live within, while historically situated in imperial or colonial violence, is arbitrary and exchangeable with any other possibility). A few works that are important to consider here: W.E.B Du Bois, The Souls of Black Folk — total canonSylvia Wynter's work is discussed throughout, specifically on the concept of “Man” (particularly Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation—An Argument).Gilbert Simondon, On the Mode of Existence of Technical Objects and Two Lessons on Animal and Man — both places to look for autonomy in Simondon's workFrantz Fanon, Black Skin, White Masks — implied by discussions of phenomenology/perception under racialization.Stefano Harney and Fred Moten, The Undercommons — no spoilers, but more on this later :)Thanks soooo much to Dr. Amaro for joining us! 

1. Azymuth - Marca Tempo - Marca Passo (Farout) 2. Anton de Bruin - Running on Slippers feat. Fanni Zahár (Sundown) 3. Theon Cross - Affirmations - Live at Blue Note New York (New Soil) 4. Kyle Broadbooks - Street Cat - Excursions (Catapult) 5. Étienne Charles - Gullypso - Gullah Roots (Culture Shock) 6. Tyreek McDole - The Backward Step feat. Dylan Band, Logan Butler & Justin Faulkner - Open Up Your Senses (Concord) 7. Lauren Scales, Mike Flanagan & Chris Grasso - Spanish Joint - Many Rivers (TRR Collective) 8. Eric Alexander & Vincent Herring - Pharoah's Dance - Split Decision (Smoke Sessions) 9. Organic Pulse Ensemble - Oppression Is Nine Tenths Of The Law - Oppression Is Nine Tenths Of The Law (RR Gems) 10. The Circling Sun - Mizu - Orbits (Soundway) 11. The Sorcerers - Ancestral Machines - Other Worlds And Habitats (ATA) 12. Tortoise - Oganesson (International Anthem) 13. The Brkn Record - We Need Freedom feat. Jermain Jackman - The Architecture of Oppression Part 2 (BBE) 14. Fred Moten & Brandon Lopez - #2 - Revision (Tao Forms) 15. Linda May Han Oh - Portal - Strange Heavens 16. Black Spade and the Cosmos - Overjoyed Through The Noise - Overjoyed Through The Noise (Mello Music Group) 17. Ville Lähteenmäki Trio - Shadow People - Second Sight (RR Gems) 18. Greg Foat & Forest Law - Midnight Wave, Pt.1 - Midnight Wave (Blue Crystal) 19. Ferenc Nemeth - Folk SOng - UnStandard Too 20. Bastian Menz Trio - Taking A Trip - Everything In Between (A.MA)

Today's episode features acclaimed bassist Brandon Lopez discussing his unique approach to the double bass, his collaborative experiences, and his journey developing a distinctive musical voice. From performing with the New York Philharmonic to playing in DIY Brooklyn basements, Lopez has worked alongside luminaries across jazz, classical, poetry, and experimental music. We explore the physical and intellectual aspects of bass performance, how he collaborates with other artists, life on the road, and much more. Enjoy, and be sure to follow Brandon on Instagram and check out his 2023 solo record and Revision with Fred Moten.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us all things double bass double bass merch double bass sheet music   Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

[Les réponses sont en anglais mais une version sous-titrée est disponible sur youtube]Depuis une dizaine d'années, Stefano Harney et Fred Moten incarnent aux États-Unis le renouveau de la pensée radicale noire et de la théorie révolutionnaire en général. Après Les sous-communs, planification fugitive et étude noire traduit et publié en français en 2022, vient de paraître All incomplete, Alternatives au capitalisme logistique (Les Liens qui libèrent). C'est un livre à la fois riche et puissant qui mêle poésie, philosophie et théorie politique. Mais c'est aussi un livre déconcertant ; si les fulgurances s'enchaînent, on s'y perd aussi (très) régulièrement. De la plantation esclavagiste au capitalisme globalisé, l'économie, soit la gestion du capital humain, repose sur l'idée que nous serions des individus complets et souverains. Harney et Moten postulent à rebours que nous survivons dans les sous-sols du monde de la logistique en tant qu'être incomplets, c'est-à-dire toujours-déjà liés et constitués par le monde, tel qu'on y survit, tel qu'on y résiste. Si vous avez le sentiment que la théorie décoloniale en France tourne autour des 3 mêmes idées depuis 15 ans et n'en finit plus de ressasser le même léninisme pataud, vous trouverez chez Moten et Harney de quoi vous aérer l'esprit. Au reste, si nous avions prévu de discuter avec Stefano Harney de leurs développement théoriques, on s'est dit qu'au vu de la multiplication des émeutes contre les raids anti-migrants aux Etats-Unis, il était plus judicieux de partir de là pour comprendre ce que leur pensée permet d'éclairer dans la situation présente.Vous aimez ou au moins lisez lundimatin et vous souhaitez pouvoir continuer ? Ca tombe bien, pour fêter nos dix années d'existence, nous lançons une grande campagne de financement. Pour nous aider et nous encourager, C'est par ici.

Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Join me for a conversation with Dr. Seulghee Lee (Assistant Professor of African American Studies and English, University of South Carolina) about his recently published book, Other Lovings: An AfroAsian American Theory of Life (Ohio State UP, 2025). Some topics of our discussion include Adrian Tomine's graphic novel Shortcomings (2007), Gayl Jones' novella Corregidora (1975), and the cultural phenomenon of "Linsanity" and the lasting impact of NBA player Jeremy Lin's rise to fame. In Other Lovings, Seulghee Lee traces the presence and plenitude of love embedded in Black and Asian American literatures and cultures to reveal their irreducible power to cohere minoritarian social life. Bringing together Black studies, Asian American studies, affect theory, critical theory, and queer of color critique, Lee examines the bonds of love in works by Amiri Baraka, Audre Lorde, David Henry Hwang, Gayl Jones, Fred Moten, Adrian Tomine, and Charles Yu. He attends to the ontological force of love in popular culture, investigating Asian American hip-hop and sport through readings of G Yamazawa, Year of the Ox, and Jeremy Lin, as well as in Black public culture through bell hooks, Martin Luther King Jr., and Cornel West. By assessing love's positive function in these works, Lee argues against critical regimes, such as Afropessimism and racial melancholia, that center negativity. In revealing what Black and Asian American traditions share in their positive configurations of being and collectivity, and in their responses to the overarching logic of white supremacy, Other Lovings suggests possibilities for thinking beyond sociological opposition and historical difference and toward political coalition and cultural affinity. Ultimately, Other Lovings argues for a counter-ontology of love—its felt presence, its relational possibilities, and its lived practices. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

6e émission de la 61e session...Cette semaine, spoken word et jazz moderne! En musique: Jeff Lederer sur l'album Guilty!!! (Little (i), 2024); Damon Locks sur l'album List of Demands  (International Anthem, 2025); Fred Moten, Brandon López & Gerald Cleaver sur l'album The Blacksmiths, The Flowers  (Reading Group, 2024); Ambrose Akinmusire sur l'album honey from a winter stone  (Nonesuch, 2025); Darius Jones sur l'album Legend of e'Boi (The Hypervigilant Eye)  (AUM Fidelity, 2024); Joe McPhee sur l'album I'm Just Say'n  (Smalltown Supersound, 2025)...

This episode begins with a reflection on this podcast project reaching its 50th episode. I share some additional background and future plans, including some of the symbolism behind the WAI logo. This episode introduces some ideas from the article, Indigeneity as a Post-Apocalyptic Genealogical Metaphor, which explores the metaphysics of indigeneity - Indigenous metaphysics through a global Indigenous consciousness. In conclusion, a diverse range of Indigenous experiences are presented in the constellation of Indigeneities identified as Elder/Local, Continental/Regional, Diasporic, Creole, Born-Again, Global/Trans-Indigenous, which are described in the artice, A Wīnak Perspective on Cosmovisíon Maya and Eco-Justice Education. Terms: Yamanik (Green Stone/Jade in K'iche'-Maya), Hoa/Soa (Partner/Companion – Pair in lea faka-Tonga and gagana Sāmoa). References mentioned or inspirational to this episode: ‘Tongan Hoa: Inseparable yet indispensable pairs/binaries', by Lear, Māhina-Tuai, Vaka, Ka'ili, & Māhina Pasifika Webinar Series: Signature Event featuring Dr. Tēvita O. Ka'ili The Polynesian Iconoclasm by Jeffrey Sissons Indigenous science (fiction) for the Anthropocene: Ancestral dystopias and fantasies of climate change crises by Kyle P. Whyte Naming, A Coming Home: Latinidad and Indigeneity in the Settler Colony by Flori Boj Lopez The Apocalypse of Settler Colonialism: The Roots of Slavery, White Supremacy, and Capitalism in Seventeenth-Century North America and the Caribbean by Gerald Horne The Black Shoals: Offshore Formations of Black and Native Studies by Tiffany Lethabo King The University and the Undercommons: Seven Theses by Fred Moten and Stefano Harney The Undercommons: Fugitive Planning & Black Study by Stefano Harney and Fred Moten The Empty Wagon: Zionism's journey from identity crisis to identity theft by Rabbi Yaakov Shapiro The Black Atlantic: Modernity and Double Consciousness by Paul Gilroy Creole Indigeneity: Between Myth and Nation in the Caribbean by Shona N. Jackson Sovereign Embodiment: Native Hawaiians and Expressions of Diasporic Kuleana by Kēhaulani Vaughn Trans-Indigenous: Methodologies for Global Native Literary Studies by Chadwick Allen

Artist and curator Amilcar Packer unpacks ideas of decolonisation and anti-colonialism in education, thinking through the works of Ailton Krenak, a leading activist in the Brazilian indigenous movement. Born in Santiago de Chile, and based in São Paulo, Brazil since the 1980s, artist and curator Amilcar Packer locates his life and work ‘between' the Pacific and Atlantic. An organiser and participant in Episode 11: To End The World As We Know It, five days of revolutionary art, discussions and performances at Tramway in Glasgow, run by Edinburgh-based collective, Arika, he explains the personal connections between South America and Scotland. Amilcar shares the work of Ailton Krenak, a leading anti-colonial activist in the Brazilian indigenous movement, who joins the programme along with transnational thinkers like Denise Ferreira Da Silva, Geni Núñez, and Françoise Vergès. We discuss his practice in popular culture, including literature and radio, and environmental activism, ‘one of the knots in a net' of entangled liberation movements. Drawing on these contemporary thinkers, Amilcar talks about time as a colonial, imperial, and capitalist construct. We consider the temporal othering of indigenous and aboriginal identities in different contexts, from the reclamation of the Americas as Turtle Island, to Karrabing Film Collective from Arson Bay, Darwin, Australia, and their presentation of The Ancestral Present - connecting with Ailton's 2022 book, Ancestral Futures. Challenging the monoculture of Western/European thought - and simplistic understandings of religion and spirituality, sexuality, and gender, which often lack relevance or utility with respect to indigenous worldviews.- Amilcar instead talks about cosmology. We discuss the ‘human archive' of violence and brutality, and ongoing conflicts in Gaza, Palestine, and over the definition of land rights. Amilcar shares where assimilation, making indigenous people Brazilians, has been used to ensure indigenous people lose their relations with their land, which makes it easier to dispossess. We consider whether the decolonisation of institutions like museums or universities is possible, and consider a plurality of approaches to study, learning, and education. Referencing thinkers like Fred Moten, Stefano Harney, we discuss the importance of multiplicity - of constructing and realising other ways of being with the world and each other. Episode 11: To End the World As We Know It, presented by Arika, ran at Tramway in Glasgow and online through November 2024. The full programme, including the conversation with Ailton Krenak, is available online. Hear more about Françoise Vergès with Professor Paul Gilroy, recorded live in conversation at The Black Atlantic Symposium in Plymouth (2023): ⁠pod.link/1533637675/episode/90a9fc4efeef69e879b7b77e79659f3f⁠ For more about the temporal othering of indigenous and aboriginal identities, hear artist and curator Tony Albert in the EMPIRE LINES episode about Story, Place (2023) at Frieze London: pod.link/1533637675/episode/f1c35ebd23ea579c7741305bba2e6c4e PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines

In this episode we interview Austin McCoy to discuss his piece “'Disorganize the State': The Black Workers Congress's Visions of Abolition-Democracy in the 1970's", which Austin wrote for the Labor and Employment Relations Association's publication A Racial Reckoning in Industrial Relations: Storytelling as Revolution from Within.  Austin McCoy is a historian of the 20th Century United States with specializations in African American History, labor, and cultural history.  He is currently working on two books:   The Quest for Democracy: Black Power, New Left, and Progressive Politics in the Post-Industrial Midwest and a cultural and personal history of De La Soul. The conversation allows us to once again return to the current of radical anti-imperialist, anti-colonial, anti-racist labor organizing that emanated from organizations like DRUM (the Dodge Revolutionary Union Movement), the League of Revolutionary Black Workers and - the focus of McCoy's essay - the Black Workers Congress.  In this episode we talk about the BWC's radical vision, which McCoy describes as in the tradition of what W.E.B. Du Bois called “abolition democracy.” And we discuss some of the organizing history of the various individuals and organizations associated with the League of Revolutionary Black Workers as well as what happened to their vision over time.  We recorded this discussion on December 18th of 2023 so while we discuss the solidarity that these revolutionary Black organizers had with Palestinians and discuss the UAW's ceasefire call and their proposal to examine divestment, there are some notes that are important to add as we release this discussion almost a year later (a delay that is entirely my fault).  The UAW has endorsed Kamala Harris despite her role in the genocide of Palestinians and her refusal to call for an arms embargo and they did so with no concessions whatsoever on that issue. This stance by the UAW in this moment in many ways reflects the very currents of racist and imperialist union organizing that groups like the League and the BWC were organizing against. So while we can talk about the folks within the UAW who organized for those statements and resolutions within their union as operating within the traditions we discuss in this episode, it is important to note - at least in my view - that the UAW as a whole has ultimately shunned that radical legacy and replicated the historical role of the labor aristocracy in this moment as they and other major unions in the US have done over and over again.  Nonetheless, I do think that it is important to not dismiss the power or potential of labor organizing in moments like this, even if that potential remains unfulfilled. I think about the lessons that Stefano Harney and Fred Moten pull from people like General Baker when they called us to “wildcat the totality” several years ago.  I'd like to send much appreciation to Austin McCoy for this discussion. If you would like to support our work please become a patron of the show for as little as $1 a month at patreon.com/millennialsarekillingcapitalism Links and related or referenced discussions: Our two part conversation with Herb Boyd about this period and the League of Revolutionary Black Workers (Part 1, Part 2)  "Finally Got the News" (film about the League) Some archival documents related to the League of Revolutionary Black Workers (visit FreedomArchives.org for more)  Our discussion with J. Moufawad-Paul on "Economism" which deals with some of the imperialist and racist trends within the labor movement (and within Communist or Socialist approaches to organizing the labor movement within empire at various times). 

5e émission de la 60e session...Cette semaine, nous sommes dans le free jazz! En musique: Guido Manusardi sur l'album Free Jazz  (Electrecord, 1968); Double Helix Quartet sur l'album Double Helix Quartet  (Amalgam, 2024); Frode Gjerstad Trio sur l'album Unknown Purposes  (Indépendant, 2024); Tiger Trio; Roaring Tree; Joëlle Léandre - Fred Moten sur le boîtier Joëlle Léandre - Lifetime Rebel  (RogueArt, 2024)...

Yvette Borja discusses "Black and Blur" by Fred Moten with art history PhD student Jasmine Magaña. They break down Fred Moten's focus on Blackness as "fugitivity," track the humanities' shift from a postcolonial to a decolonial framework, and share the importance of sitting with the "not in between."Read "The Undercommons" by Fred Moten here: https://www.akpress.org/the-undercommons.html Read "Stolen Life" by Fred Moten here: https://www.dukeupress.edu/stolen-lifeFollow @radiocachimbona on Instagram, X, and Facebook Support the podcast and hear more #litreviews like this one by becoming a monthly patreon subscriber here: https://patreon.com/radiocachimbona?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

Most widely recognized for his paintings that rigorously combine spray paint, stenciled geometric forms, and brushstrokes, the Brooklyn-based artist Adam Pendleton is also known for his “Black Dada” framework, an ever-evolving philosophy that investigates various relationships between Blackness, abstraction, and the avant-garde. Many will recognize Pendleton's work from “Who Is Queen?,” his 2021 solo exhibition at New York's Museum of Modern Art, which he has said was his way of “trying to overwhelm the museum.” This is a natural position for him: His works in and of themselves are often overwhelming. At once political and spiritual, they provoke deep introspection and consideration, practically demanding viewers to look, and then look again.On this episode, he discusses the elusive, multifarious nature of “Black Dada”; “An Abstraction,” his upcoming exhibition at Pace Gallery in New York (on view from May 3–August 16); painting as a kind of technology; and why, for him, jazz is indefinable.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Adam Pendleton[05:00] Joan Retallack[05:00] Pasts, Futures, and Aftermaths[05:22] “Becoming Imperceptible”[07:41] Ishmael Houston-Jones[07:41] Joan Jonas[07:41] Lorraine O'Grady[07:41] Yvonne Rainer[07:41] Jack Halberstam[14:26] Fred Moten[05:22] “Who Is Queen?”[23:50] Hugo Ball's Dada Manifesto[23:50] Amiri Baraka's “Black Dada Nihilismus”[31:14] Isabella Stewart Gardner Museum[31:14] “System of Display”[31:14] “Reading Dante”[34:40] “Adam Pendleton” at Pace Gallery[34:40] “An Abstraction” at Pace Gallery[34:40] Arlene Shechet[34:40] “Adam Pendleton x Arlene Shechet”[40:30] “Blackness, White, and Light” at MUMOK[45:07] “Twenty-One Love Poems” by Audrienne Rich[50:40] “Occupy Time” by Jason Adams[56:04] “What It Is I Think I'm Doing Anyhow” by Toni Cade Bambara[57:13] “Some Thoughts on a Constellation of Things Seen and Felt” by Adrienne Edwards

In this episode, it's all about the music. Ryan and Jamie are joined by special guest Stevphen Shukaitis from the University of Essex.  They will be taking a short leave from Marx and talk about desire through the art of music.  We got a lot to get through, so on your Marx, get set, let's go!Stevphen is the editor-in-chief of Minor Compositions, a publisher of books and media drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life. Among other works, Minor Compositions has published The Undercommons by Fred Moten and Stefano Harney. For information, dope books and media, check out their website: Minor Compositions.Music · Mckenzie Wark · Stevphen Shukaitis· Desire · Ketamine Standard Time · Consumer Programming ·  Wu-Tang Clan · RZA · Polyphia · Sophia Black · Liquid Swords · Sleater-Kinney

Acid Horizon continue their conversation with the folks over at Mimbres School by sitting down with Sean Capener, who'll be teaching their "History of Damnation" course. We read Sean's "On the Fall of the Angels: Economic Theology After the Middle Passage". In this paper, Sean shows how St Anselm's Christian theories about the economy of salvation and Man's debt to God can inform a critical view towards our own narratives about debt and credit under racial capitalism through the mediation of figures in contemporary Black Studies such as Saidiya Hartman and Fred Moten.Mimbres School on Twitter: https://x.com/mimbresschool?s=21&t=NfJ9dYuPKzO2YMikAm0wpwSupport the showSupport the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastZer0 Books and Repeater Media Patreon: https://www.patreon.com/zer0repeaterMerch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

What is the opposite of diversity, equity, and inclusion? Is the MAGA right is fighting for a return to 'whites only' spaces?Plus - Thom reads from "The Undercommons: Fugitive Planning & Black Study" by Fred Moten and Stefano Harney.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Porch Swing Orchestra is an art project that pairs music recorded outside with images made on-site. Performed and recorded at home and away, solo and with others. Our orchestra is comprised of birds, guitars, artists, poets, and passing cars that spontaneously create ephemeral symphonic chance-inspired compositions. The original site and hub for all things PSO can be found at porchswingorchestra.orgThis episode is the first of a mini-series of pods highlighting artists who are presenting in VAST IS THE SEA, a series of live events exploring the interconnections between images and sound curated by PSO and hosted by Co-lab Projects in Austin Texas.The series will take place over 4 Saturdays and feature 2 presentations per evening on Jan 20, 27, and Feb 17 and 24. All presentations are maximally 45 minutes longThere will be a 15-20-minute intermission between presentationsEach presentation is ticketed separately except for the opening night which is one combined ticket. You can purchase tickets on a sliding scale starting at $5 at co-labprojects.org. This is a great way to support PSO.The opening event features San Antonio Artists, Anthony Francis and Xavier Gilmore beginning at 8 and that will followed by yours truly who will be joined by Paul Stautinger to reprise the suite of music we performed in the Turrell Sky space but accompanied by a new video.Co-lab is a legendary art space whose current configuration is a 40 x 10 x 10-foot concrete culvert sitting on an open plot of land just east of the city. The culvert will be awash in projections and stereo sounds on either end of the ceiling. The floor covered in a sea of moving blankets.Viewers/listeners are invited to lay next to the performers occupying the center to become a raft in an ocean of sounds gazing at a visionary sky.(video documentation of Gilmore's architectural sculpture, Between the Lines)In this pod, we will first hear my conversation with Anthony Francis where we cover everything from the poetry of Langston Hughes, Gwendolyn Brooks, Fred Moten, bell hooks, Frank Wilderson, family, community, stillness, and so much more. Our conversation will be followed by an excerpted audio from his piece, All Is which he will present on Saturday. Following that we hear a piece by Gilmore which was originally Shown as part of a sculpture show called Wild Ruins, Wild Orientations in a pop-up in Adkins, Texas. The Piece is a sound element that accompanies an architectural sculpture called Between the Lines which for Gilmore speaks to gathering, community, and privileged space. LINKS and REFERENCESPorch Swing Orchestrahttps://porchswingorchestra.org/Tickets to VAST IS THE SEAhttps://withfriends.co/event/17182339/vast_is_the_seaAnthony Francis:https://www.afrancisart.com/Xavier Gilmore:https://www.xaviergilmore.net/Langston Hughes, Gwendolyn Brooks, Fred Moten, Stefano Harney, bell hooks, Frank Wilderson, Édouard Glissant, Roland Barthes, Walter Benjamin, Get full access to Porch Swing Orchestra at porchswingorchestra.substack.com/subscribe

In this two-part episode, Rachel Zucker speaks with Ronaldo V. Wilson and Fred Moten about poetry as performance, influences and teachers, open field poetics, finding space for listeners and audience to feel welcome, how to define the limits—or lack thereof— of a book and, specifically, the performance they gave the night before at the Poetry Project at St Mark's Church on May 24, 2023. Part one (ep 120) is a conversation about the performance. Part two (ep 121) is a recording of that performance. This reading took place at the Poetry Project at St Mark's Church in New York City on May 24, 2023 and was recorded by the Poetry Project. (Audience audio was recorded on the same night and in the same location by Rachel Zucker.) Mixing and Mastering by Stephen Becker

In this two-part episode, Rachel Zucker speaks with Ronaldo V. Wilson and Fred Moten about poetry as performance, influences and teachers, open field poetics, finding space for listeners and audience to feel welcome, how to define the limits—or lack thereof— of a book and, specifically, the performance they gave the night before at the Poetry Project at St Mark's Church on May 24, 2023. Part one (ep 120) is a conversation about the performance. Part two (ep 121) is a recording of that performance.

Transcript (PDF) available here.Hey kids, we're back to close out the year with a little reflection on the past year season/year and what we have planned for the year/season to come. We recorded this conversation back in September, before the events of October 7th and Israel's ongoing siege on Gaza, as such, they are not mentioned here, but were in our last newsletter with educational resources linked below. We wish you all some much needed rest over this holiday time and a prosperous new year! See you in 2024!ResourcesPoli Ed Palestine (Spotify Playlist)Palestine Academy (online course)Solidarity with Palestine - A Radical Black Feminist Mandate: A Reading ListReading for Palestine (audio recordings of texts on Palestine and reading list)Gaza Fights for Freedom (2019 documentary)Fred Moten on Palestine and the Nation-State of IsraelPalestine Zines and Reading ListSupport the show------ Do The Kids Know? is a monthly series of discussions between community workers and educators, Prakash and Kristen, that unpack race, media, popular culture, and politics in KKKanada (That's Canada spelled with three K's) from an anti-colonial perspective. Our goal is to bring nuance to sensationalist media as well as to uncover the ways in which white supremacy, capitalism, and colonialism is shaping our movements and behaviours. Keep tuning in to be a part of the conversation… don't be a kid who doesn't know! Find us: @dothekidsknow (Instagram, Twitter, Facebook, TikTok)Email us: dothekidsknow@gmail.comTip us: patreon.com/dothekidsknowNewsletter: tinyletter.com/dothekidsknow Artwork by Daniela Silva (instagram.com/danielasilvatrujillo)Music by Steve Travale (https://stevetravale.com) DTKK is recorded on the traditional and unceded Indigenous lands of the Kanien'kehá:ka and Algonquin Nations. We are committed to working with Indigenous communities and leaders locally and across Turtle Island to fight for Indigenous rights, resurgence, and sovereignty. Until next time. Stay in the know~! Support the show

This is the slightly cleaned-up audio of our most recent conversation with Fred Moten. This was recorded on October 25th. Given the evolution of this struggle and the increasingly genocidal character as well as the ongoing resistance, our comments if we were to hold this discussion today on November 11th would undoubtedly be different.  Nonetheless I think a lot of what we cover remains important and we wanted to try to create an audio version of this conversation which held true to the character of the original which we will link in the show notes, but also share it with our broader audience, much of whom prefer the audio format. The audio quality of this version is hopefully also slightly better than the original YouTube version. I would note that we now have fourteen of these livestreams up on our Youtube channel which everyone can check out. All of them are related to this current struggle for Palestinian liberation as well as the struggle against the genocidal settler violence we see unleashed on Gaza with full support material, ideological, military of the US as a settler empire in particular and the institutions and governments so-called Western World writ large.  I want to acknowledge and shout-out everyone who is taking action and trying to deepen and expand their own anticolonial practices in these times until Palestine is free, until we all are free. Once again thank you to Fred Moten for this conversation If you like our work of course you can as always support our work on patreon or by becoming a member of our YouTube channel. Thank you for listening and I hope you are finding new comrades in the streets every day. Fred Moten's conversation with Robin DG Kelley, Aqua Cooper & Rinaldo Walcott that is mentioned in the episode Previous episodes with Fred Moten & Stefano Harney, and his conversation with Hanif Abdurraqib that we've hosted.  

This is a slightly edited audio version of one of the MAKC livestreams we've hosted on our new Youtube channel. We will continue to polish the audio versions of those livestreams and release them as episodes here as well. Due to the amount of labor that goes into making them viable audio podcast episodes there will be a little bit of a delay on that. In the meantime I of course encourage folks to check them out on our YouTube channel and we will play with ways to get audio versions, perhaps even unedited audio versions to our patreons in a more timely manner. Please bear with us as we attempt to meet the importance of this moment with the livestreams and balance that with maintaining the catalogue for our podcast.  I will just note that prior to October 7th we already had 12 episodes of unreleased audio episodes so we will begin to get back to releasing some of those starting next week as well. As far as the livestreams the next one which we will release a properly edited audio version of will be our conversation with Fred Moten, which you can currently watch on Youtube. This conversation is an episode we recorded with the creators of Decolonize Palestine, Rawan Masri and Fathi Nemer from Ramallah in the West Bank. This conversation was recorded on October 19th so any description of current events or predictions made must be understood from that moment in time. It is our duty to continue to resist the genocidal onslaught that the United States and Israel have unleashed upon the Palestinian people, in particular the people of Gaza. I will be in DC tomorrow for the national march, which is a small act, but I look forward to being in the streets with hundreds of thousands of you tomorrow.  We will include links to many of the websites and groups they highlighted in the episode. In some cases they were responding to questions posed by folks in the chat so to that full experience you can watch this stream on YouTube. Another note you can now become a member of our Youtube channel. This will have some perks, basically very similar to being a patron of the podcast. Also we are in the process of finalizing our next study group and will have details on that for Youtube members or for patrons of the show very soon. You can become a patron of the show for as little as $1 a month at patreon.com/millennialsarekillingcapitalism On a more urgent note, there are many ways mentioned in this episode which you can also support Palestinians directly in this time from a humanitarian perspective. In these times of severe crisis caused by the US government and western support for Israeli settler colonialism and its genocidal expressions, there are urgent needs there and there are links where people can support those efforts. See below: Medical Aid for Palestinians Palestine Children's Relief Fund Adalah Articles: "'Operation Al Aqsa Flood' was an act of decolonization" by Rawan Masri (we discuss this piece in the beginning of the episode). This was released after our episode, but expands on themes Fathi touches on in the discussion: "The world would rather show solidarity with our corpses than honor our resistance" - Fathi Nemer Decolonize Palestine & other political education materials: Decolonize Palestine Decolonize Palestine Myth Database Support Decolonize Palestine https://www.1948movie.com Institute for Palestine Studies Palestine Film Institute  Discusses martyr Heba Zagout (mentioned the podcast) Palestine Action US Launches to join global campaign to Shut Elbit Down - YouTube episode    

Markus Floats discusses the lovely Fourth Album, working in Montreal, shifting from solitary to collaborative work with Egyptian Cotton Arkestra, fixed and fluid art, a koan by Fred Moten, problems and solutions, tarot cards and astrology, darkness and hope, playing shows, other future plans, and much more.Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

THIS WEEK's BIRDS: Smiley Winters; Thurman Barker et al.; Susana Baca; Ana Moura; Rita Payés & Elisabeth Roma; Jovelina Perola Negra; Baden Powell & Vinicius de Moraes; The Barry Harris Sextet; Beaver Harris + Don Pullen 360 ° Experience; May Damba; Kerala Kante; Fred Moten w. Brandon López & Gerald Cleaver ; JazzPoetry Ensemble w. Kidd Jordan; Purnima Chaudhuri,;  much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/17621152/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Poet Roger Reeves calls the essays in his debut book of prose “fugitive essays.” And we explore what it means to write fugitively, to write into and from and toward fugitivity. If, as Fred Moten says, fugitivity is “a desire for and a spirit of escape and transgression of the proper and the proposed. . […] The post Roger Reeves : Dark Days appeared first on Tin House.

LIVE! From City Lights welcomes poet, critic, theorist and McArthur fellow Fred Moten in celebration of his latest poetry collection, “perennial fashion presence falling.” In conversation with award-winning poet Douglas Kearney, Moten shares some pieces from his book, which hold an innate quantum curiosity about the infinitude of the present and the ways in which one could observe the history of the future. Moten approaches the sublime, relishing the intermediary space of microtonal thought. Fred Moten works in the Departments of Performance Studies and Comparative Literature at New York University. He is concerned with social movement ,aesthetic experiment and black study and has written a number of books of poetry and criticism, including National Book Award finalist “The Feel Trio.” Moten is a MacArthur Fellow, a Guggenheim Fellow and a member of the American Academy of Arts and Sciences. You can purchase copies of “perennial fashion presence falling” directly from City Lights here: https://citylights.com/266548/ This was a virtual event hosted by Douglas Kearney and made possible by support from the City Lights Foundation: citylights.com/foundation.

THIS WEEK's BIRDS: Jon Jang resets Chinese love song; vintage  song (ghazal, film music, and more) from India and Pakistan: Runa Laila, Kanika Banerjee (singing a poem of Atul Prasad Sen's), Malika Pukraj;  Fred Moten (poetry) w. Brandon López & Gerald Cleaver; African salsero Laba Sosseh; newly released recording g of Sonny Stitt live (at the Left Bank, Baltimore); Ray Lema;  some Mingus for good measure; Peter Maceachern Trio; legend of Gulf pop, Saudi vocalist Mohammed Abdu, recorded live ca. 1990; Kalaprusha Maurice McIntyre; Bavon Marie Marie & l'Orchestre Negro Succés; Le T.P.O.K. Jazz (w. Franco!); much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17336231/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

PAGES the Reading Group presents Volume XII: AfropessimismWhat is Afropessimism? What Afropessimism books are on your to be read list (TBR)? What Afropessimism books or thinkers do you recommend?In Black Studies in recent years, scholars like Frank Wilderson III, Jared Sexton, Fred Moten, David Marriott, and others, have been developing insights of thinkers like Frantz Fanon to make claims about ontology and Black existence and have forged a tradition of thought known as Afropessimism. This recently emerging tradition of thought, has also built on and received contributions from others such as Hortense Spillers, Saidiya Hartman, Calvin Warren, and Fred Moten.While the genre's name may be intimidating for some, we discuss how it might be misleading--for example, it doesn't mean being a killjoy or "black sadness," but instead receives is label of pessimism through a kind of pessimism of the intellect and it's orientation(s) toward the future or 'futurity'. In this episode, @Nannearl_  and @Urfavfilosopher chop it up about their experiences with the Afropessimism genre.  Join us as we discuss these questions and more!Follow us across our social media channels:Patreon- patreon.com/pagesTRGIg- @PagestrgTwitter- @PagestrgTikTok- @PagesthereadinggroupWebsite- www.Pagestrg.com

Ben Luke talks to Amy Sillman about her influences—including writers, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Sillman, who was born in 1955 in Detroit, Michigan, grew up in Chicago, and lives and works in New York, is one of the most brilliant and original painters working today. Her art is steeped in the history of painting, but manages to build on traditions while also taking an irreverent and playful approach to the medium's time-honoured qualities: colour, line, scale, shape, figure and ground. She also pushes her painting into experimental territory through animated drawings and zines. Among a wealth of references, she discusses the early influence of Saul Steinberg, her passion for the work of artists as diverse as Prunella Clough, Maria Lassnig and Howard Hodgkin, and the enduring influence of Gertrude Stein and Fred Moten. She reflects on a life-changing trip to India and the diverse cultural landscape of late-1970s New York. Plus, she gives insight into her life in the studio and answers the ultimate question: what is art for?Amy Sillman: Temporary Object, Thomas Dane Gallery, Naples, from 26 April. Faux Pas: Selected Writings and Drawings, After 8 Books, 300pp, €20/£20/£24.95 (pb); amysillman.com Hosted on Acast. See acast.com/privacy for more information.

Professor Alyssa Battistoni joins Charles Smith and Giselle Williams of Columbia's WKCR for a conversation on union organizing and the future of work. This conversation is part of the Utopia 13/13 seminars at the Columbia Center for Contemporary Critical Thought. Professor Battistoni joined us for Utopia 3/13 at the Jerome Greene Annex on October 26, 2022. You can find the full recording from the seminar and additional resources on the Utopia 3/13 page here: https://blogs.law.columbia.edu/utopia1313/3-13/ We discussed Professor Battistoni's essay "Spadework" at Utopia 3/13. You can read her essay here: https://www.nplusonemag.com/issue-34/politics/spadework/ She reflects further on her essay in her blog post here: https://blogs.law.columbia.edu/utopia1313/alyssa-battistoni-on-spadework/ At the seminar, Professors Battistoni and Harcourt discussed “Spadework” and “Labor Without Love” by Alyssa Battistoni and “Debt and Study” in The Undercommons by Fred Moten and Stefano Harney.

Season 9 Episode 14 The Dream Three are back in The Workroom together for this Foursome Finale! Patricia and Nayland and Hernease are all in to talk about word salads, the $500 Mood Assignment, 1950's hemlines and Piperlime conspiracies. Join us and then chime in with your thoughts about the conclusion of our latest Vintage Adventure to 2011, Project Runway Season 9. JOIN US! This Week's Cheatsheet https://www.tumblr.com/theworkroompodcast/702445847510728704/ep172 Special Links - Hernease's podcast project for the The Visual Studies Workshop in Rochester. Episode #1 features artist Granville Carroll, Episode #2 features artists Savannah Wood and Aaron Turner: https://podcasts.apple.com/us/podcast/vsw-project-space-podcast/id1654594948?i=1000586176684 Patricia's show at the Center for Fine Art Photography: (Un)Natural Cycles: https://c4fap.org/unnaturalcycles - Catch Nayland at Howl! Happening, Friday December 2nd 6 East 1st Street, NYC Nayland will be reading during the book launch event for Pathetic Literature
Hosted and Curated by Eileen Myles and Tom Cole. Here's a list of the very heavy hitting roster of readers: Joe Westmoreland, Charles Atlas, Joan Larkin, Precious Okoyomon, Lynne Tillman, Samuel Delany (video appearance), Johanna Fateman, Sini Anderson, Nayland Blake, Moyra Davey, Eliza Douglas, Fred Moten, Tom Cole, Eileen Myles. https://www.howlarts.org/event/pathetic-literaturehosted-and-curated-by-tom-cole-and-eileen-myles/ - Keep a lookout for Nayland on Girls Guts Giallo Podcast chatting about The Eyes of Laura Mars: https://podcasts.apple.com/us/podcast/girls-guts-giallo/id1461424698 We're On Patreon! www.patreon.com/theworkroompodcast Find The Workroom Podcast: The Workroom on FB: facebook.com/theworkroompodcast The Workroom on IG: instagram.com/theworkroompodcast And, keep sending notes, gossip and hot takes to: intheworkroom@gmail.com Find Hernease: Website - herneasedavis.com Twitter — twitter.com/hernease IG - instagram.com/hernease Find Nayland: Website - naylandblake.net Twitter - twitter.com/naylandblake Tumblr - tumblr.com/naylandblake Remember, Nayland is off Instagram! Find Patricia: Twitter - twitter.com/senseandsight IG - instagram.com/senseandsight Find Samilia: texstyleshop.square.site Listen to Linoleum Knife! https://podcasts.apple.com/us/podcast/linoleum-knife/id403079737 Black Lives Matter Initiatives - blacklivesmatters.carrd.co Asian Americans Advancing Justice https://www.advancingjustice-aajc.org/get-involved thelovelandfoundation.org The donation helps to fund the initiatives of Therapy for Black Girls, National Queer & Trans Therapists of Color Network, Talkspace and Open Path Collective. Loveland Therapy Fund recipients will have access to a comprehensive list of mental health professionals across the country.

Usually the things that are the farthest out — that look the least like art to me — are the things that become the most important.   American painter Glenn Ligon is one of the most recognizable figures in the contemporary art scene. His distinctive, political work uses repetition and transformation to abstract the texts of 20th-century writers. In this episode, Ligon talks about childhood and what it means to have a parent who fiercely and playfully supports you. He also discusses the essential lesson that there's value in the things you do differently, and why he won't take an afternoon nap in his own studio.  References: Courtney Bryan Pamela Z  Samiya Bashir Thelma Golden Robert O'Meally Romare Beardon Toni Morrison Lorna Simpson Margaret Naumberg The Walden School Mike D - Beastie Boys Murders of Chaney, Goodman, and Schwerner Davóne Tines Chris Ofili  Henry Threadgill Frédéric Bruly Bouabré “How It Feels to Be Colored Me” Saidiya Hartman Fred Moten Jason Moran

In this conversation we speak with Robyn Maynard and Leanne Betasamosake Simpson  Robyn is the author of the bestselling and award-winning book Policing Black Lives: State Violence in Canada from Slavery to the Present. She is also an assistant professor of Black Feminisms in Canada at University of Toronto. She also has a lengthy history of writing about and organizing with social movements against borders, state violence and for abolition. Leanne is a Michi Saagiig Nishnaabeg scholar, writer, musician, and member of Alderville First Nation. She is the author of seven books including A Short History of the Blockade and As We Have Always Done: Indigenous Freedom through Radical Resistance. In this conversation we discuss their latest book Rehearsals for Living. This will be part 1 of a 2 part discussion with the authors. Robyn and Leanne discuss world-endings and world-building as realities and practices of Black and Indigenous existence and resistance. They talk about grappling with building a necessary relationality and solidarity between Black and Indigenous movements in so-called Canada as well as internationally against white supremacy, capitalism, settler colonialism and other structures of violence and domination. They also talk about ways of living that are necessary to recall and to continue or renew practices of in the face of already existing climate change and devastation. And they discuss how social movements build upon each other continuing to produce knowledge that grows and sustains and builds their capacity for stronger bonds of solidarity and more effective modes of resistance.  As a note there is a portion of this episode and of Rehearsals for Living that builds on a conversation we published with Stefano Harney and Fred Moten back in July of 2020. Here is a link to that conversation for anyone who wants that context or wants to revisit it after hearing Leanne's reflections. Rehearsals for Living is a really powerful read and we encourage you to pick it up from Haymarket Books or from your local bookstore. This is our fourth episode of the month, we've just hit our goal of adding 25 patrons for the month. We want to thank everyone who signed up to support the show this month. It is only through the support of our listeners through patreon that we are able to sustain this work. If you would like to join them in supporting the show and its hosts and continue to grow our work, you can become a patron of the show for as little as $1 a month at patreon.com/millennialsarekillingcapitalism.

Last week, Graywolf Press released Civil Service, the debut poetry collection by Jewish Currents Culture Editor Claire Schwartz. The book is a daring study of the violence woven into our world, from everyday encounters to the material of language itself. The poems unfold in three main sequences: a quartet of lyric lectures, a fragmentary narrative that follows a cast of archetypal figures named for the coordinates of their complicities with power—the Dictator, the Curator, the Accountant, and so on—and a series of interrogation scenes centered on a spectral, fugitive figure named Amira, who gives us a glimpse of another world. To celebrate the release of Civil Service, Schwartz spoke with Managing Editor Nathan Goldman and the book's editor at Graywolf Press, Chantz Erolin, about the book, as well as poems by Paul Celan and Edmond Jabès that deeply informed it. They discussed dispersed responsibility for state violence, thinking as feeling, and the political possibilities of poetry. Works Mentioned: https://bookshop.org/a/1530/9781644450949 (Civil Service) by Claire Schwartz “https://granta.com/lecture-on-loneliness/ (Lecture on Loneliness)” by Claire Schwartz “https://www.sas.upenn.edu/~cavitch/pdf-library/Freud_MourningAndMelancholia.pdf (Mourning and Melancholia)” by Sigmund Freud “https://apogeejournal.org/2016/09/06/the-felt-house-that-moves-us-a-conversation-with-saretta-morgan/ (The Felt House That Moves Us: A Conversation with Saretta Morgan),” a conversation with Muriel Leung and Joey De Jesus “https://sahityaparikrama.weebly.com/uploads/1/2/0/9/120943912/the_concept_of_character_in_fiction_william_gass.pdf (The Concept of Character in Fiction)” by William H. Gass The Souls of Black Folk by W.E.B. Du Bois “https://poets.org/poem/death-fugue (Death Fugue)” by Paul Celan, trans. Pierre Joris “https://poets.org/poem/stretto (Stretto)” by Paul Celan, trans. Pierre Joris “https://jewishcurrents.org/celans-ferryman (Celan's Ferryman),” a conversation between Fanny Howe and Pierre Joris Voyage of the Sable Venus by Robin Coste Lewis “https://lithub.com/robin-coste-lewis-black-joy-is-my-primary-aesthetic/ (Robin Coste Lewis: ‘Black Joy is My Primary Aesthetic,')” a conversation between Claire Schwartz and Robin Coste Lewis The Book of Questions by Edmond Jabès, trans. Rosmarie Waldrop “https://tinhouse.com/podcast/rosmarie-waldrop-the-nick-of-time/ (Rosmarie Waldrop: The Nick of Time),” a conversation with David Naimon  Austerlitz by W.G. Sebald, trans. Anthea Bell “https://nourbese.com/wp-content/uploads/2020/03/Gasp.pdf (The Ga(s)p)” by M. NourbeSe Philip “https://www.newyorker.com/culture/persons-of-interest/fred-motens-radical-critique-of-the-present (Fred Moten's Radical Critique of the Present)” by David S. Wallace Minima Moralia by Theodor Adorno Reconsidering Reparations by Olúfẹ́mi O. Táíwò “https://jewishcurrents.org/assuming-the-perspective-of-the-ancestor (Assuming the Perspective of the Ancestor),” a conversation between Claire Schwartz and Olúfẹ́mi O. Táíwò “https://lithub.com/perennial-a-poem-by-claire-schwartz/ (Perennial)” by Claire Schwartz Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

Today we're joined by returning champion Will to discuss the links between the work of Theodor Adorno and Fred Moten on questions of value theory, negative dialectics, and domination. In particular, we're going to be focusing on the violent domination at the heart of the commodity, a violence exemplified in confronting and re-historicizing Marx's notion of the commodity that speaks—a commodity which in the introductory essay to his book In the Break, Moten explores through the enslaved person. Moten not only draws upon a negative dialectic of value and non-value but also from Saussure, Glissant, Hartman, Douglass, and Derrida to conceptualize a commodity which not only speaks, but one which screams—rupturing the erasure of its inherent dignity and value in everyday exchange, and allowing both suffering and resistance to appear in its sonic performance. Support the podcast:Acid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastMerch: http://www.crit-drip.comPreorder 'The Philosopher's Tarot': https://www.thriftbooks.com/w/the-philosophers-tarot/36283483/item/52275949/?gclid=Cj0KCQjwz96WBhC8ARIsAATR250MN8KEXNTh5DTZGpms3y6aXqQEBMthr2awTrG_UzKJz8X416ebFnEaAs-xEALw_wcB#edition=64288388Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.comDestratified (Matt's Blog): https://destratified.com/​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/Support the show

In deze speciale bonusaflevering gaan we praten over een aantal voorstellingen die we hebben gezien in opdracht van het Holland Festival, het grootste internationale podiumkunstenfestival van Nederland. Holland Festival bestaat dit jaar al 75 jaar! Anousha ging naar Washington DC en Ebissé en Mariam naar Zwitserland.In deel 1 gaan we het hebben over 3 voorstellingen geïnspireerd door bestaande canoniek zoals Moby Dick, de Kersentuin and Deathbed. In de aflevering bespreken we wat het betekent wanneer kunstenaars van kleur bestaand "wit" werk herinterpreteren en bespreken ook representation done well!In deel 2 praten we het over Yemandja van Angélique Kidjo.Voorstellingen die we hebben gezien en over spreken in deze aflevering zijn:Moby Dick or The Whale:Moby Dick is een roman van Herman Melville uit 1851 en gaat over de jacht op de witte potvis Moby Dick[a] door kapitein Achab van de walvisvaarder Pequod, die in een eerdere confrontatie met het dier zijn been heeft verloren. Deze potvis zou zoveel rampen hebben veroorzaakt voor de walvisvaarders dat het dier uitgroeide tot een mythe. De bewerking van Sophia al Maria en Wu Tsang, verweven met het commentaar van een onderbibliothecaris (Fred Moten), gaat in op de onderaardse stromingen in de roman. Daarbij stuiten ze op een weerspannige sociale orde en saamhorigheid onder zeelieden, overlopers en schipbreukelingen (CLR James). De stomme film, geregisseerd door Wu Tsang en met een live uitvoering van de compositie van Caroline Shaw, Andrew Yee en Asma Maroof door BRYGGEN Bruges Strings volgt de witte walvis boven en onder het wateroppervlak en ontwikkelt een visueel universum dat zich verzet tegen de uitbuiting van de aarde onder het imperiale kolonialisme. Wu Tsang is een transgender regisseur en haar werk verkent de queer-transgendergemeenschap. Haar moeder is Zweeds-Amerikaans en haar vader Chinees. Ze identificeert als transfeminine en transguy.Link: https://www.hollandfestival.nl/nl/moby-dickDe Kersentuin:Voor het eerst werkt Rodrigues, Portuguese director, nu met een bestaande, klassieke tekst. Anton Tsjechov schreef zijn tragikomische klassieker De Kersentuin in 1904. Hoewel het stuk gaat over de opoffering van een eeuwenoude boomgaard tijdens de opkomst van het kapitalisme, gaat het voor Rodrigues in de kern over het begin van een nieuwe wereld die nog niemand begrijpt. De wereld verandert sneller dan de familie kan bijhouden. Ieder personage reageert anders op de situatie. Ljoebov (gespeeld door Huppert) klampt zich vast aan het verleden en is radicaal in haar nostalgie en melancholie, terwijl bijvoorbeeld zakenman Lopachin (een rol van Adama Diop) soepel met de ontwikkelingen meebeweegt.link: https://www.hollandfestival.nl/nl/la-cerisaieDeathbed:ChoreograafTrajal Harrell genaamd Porca Miseria Trajell baseert hij op de verhalen en gevechten van zeer verschillende, maar even sterke vrouwen, zoals Maggie uit Tennessee Williams' Cat on a Hot Tin Roof en de Grieks-mythologische Medea. Via hen verkent hij op een meeslepende manier kwesties van identiteit, gender, seksualiteit en macht. Ook doorbreekt Harrell de grenzen tussen dans, theater en beeldende kunst. Het eerste deel is zowel kunstinstallatie als performance , het middendeel is een film en het derde deel is te zien in een theatersetting.https://hollandfestival.nl/nl/porca-miseriaZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

This week we discuss Fred Moten's "Blackness and Nothingness," and discuss gas prices, South Korean presidential election results, and Florida's "Don't Say Gay" law. Shout out to @theblacksparkpodcast for the intro/outro music! Please support us by liking, subscribing, and reviewing our podcast as well as visiting our Patreon account (https://bit.ly/32vWe8P).

This episode we took on Chapter 2 of Fred Moten's "In the Break" which is titled "In the Break." Lots to discuss here, so here are some things referenced in the podcast this week: Black Dada Nihilimus - https://www.youtube.com/watch?v=98oK6zZXmQw Nathaniel Mackey's EXCELLENT piece on Cante Moro - https://web.archive.org/web/20050507015349/http://groovdigit.com/authors/mackey/cantemoro.html Billie Holiday's "Don't Explain" - https://www.youtube.com/watch?v=45YPO2FyXVI "Burton Greene Affair" - https://cpb-us-w2.wpmucdn.com/campuspress.yale.edu/dist/1/2391/files/2018/04/Baraka-Apple.Core-2f8ipnd.pdf Chapter 3 and a coda podcast are already in the feed so check them out. If you want to read something I recently had published (or listen to it) below is a link to a piece of creative nonfiction that I wrote: http://www.ilanotreview.com/ephemeral/the-donut-odyssey/ https://www.youtube.com/watch?v=QcGMPzwWVtg&t=2s Keep reading!

Alright, this is Fred Moten III; this was recorded about a week after part 2 and there is a bit of cleanup here but not much. The final part is already in your feed so check it out. It's more of my thoughts and less of what the book is about although there's a brief discussion of the book's coda. If you want to read something I recently had published (or listen to it) below is a link to a piece of creative nonfiction that I wrote: www.ilanotreview.com/ephemeral/the-donut-odyssey/ www.youtube.com/watch?v=QcGMPzwWVtg&t=2s Keep reading!

We made it! This is the coda podcast for Fred Moten's "In the Break." Not a whole lot of discussion about the actual coda (which is about Adrian Piper) but a lot of thoughts about the book in general. In two weeks we will be back with a new book (a fiction book!) "Noor" by Nnedi Okorafor. If you want to read something I recently had published (or listen to it) below is a link to a piece of creative nonfiction that I wrote: www.ilanotreview.com/ephemeral/the-donut-odyssey/ www.youtube.com/watch?v=QcGMPzwWVtg&t=2s Keep reading!

This week I read and discussed the first 2 sections of Fred Moten's "In the Break: The Aesthetics of the Black Radical Tradition." In two weeks I'll be back with the last two sections of the book. If you would like to read a piece I recently got published that is 100% unrelated to this podcast, click here: http://www.ilanotreview.com/ephemeral/the-donut-odyssey/

Finishing up chapters 4-6 of Dr. Martin Luther King Jr.'s "Where Do We Go From Here." Next week on the podcast I'll be discussing Fred Moten's "In the Break."

In this trailer I preview the upcoming season of interviews, and I also read a paragraph from Fred Moten and Stefano Harney's All Incomplete (Minor Compositions, 2021). Check out our website for more info about the show, and please do get in touch with any feedback!

Harmony Holiday, a writer, dancer, and archivist, joins Nikita Gale and Alexander Provan to speak about Black performers whose songs and struggles reflect the ongoing trauma of the “African holocaust.” They discuss the pressure to pander to white audiences as well as the impulse to seek a form of expression (and of being) that is chosen and not imposed by force. They listen to songs written and recorded by Holiday's father, the soul singer Jimmy Holiday, as well as to Albert Ayler, Thelonious Monk, Billie Holiday, Amiri Baraka, and Kanye West.Holiday's essay “The Black Catatonic Scream,” a meditation on Black silence, was published by Triple Canopy last year. Her book of poems on the “African holocaust,” naming, and erasure, Maafa, is being published by Fence Books in 2021. Holiday is currently working on a biography of the singer Abbey Lincoln and a collection of essays, Love Is War for Miles.In this episode, Holiday, Gale, and Provan speak about Fred Moten's In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003); Édouard Glissant's The Poetics of Relation, trans. Betsy Wing (University of Michigan Press, 1997); the writer and cultural theorist Sylvia Wynter, whose work is the subject of Katherine McKittrick's Sylvia Wynter: On Being Human as Praxis (Duke University Press, 2014); Mack Hagood's Hush: Media and Sonic Self-Control (Duke University Press, 2019); Amiri Baraka, the poet, author, and luminary of the Black Arts Movement, about whom Holiday has often written.In order of appearance, the music and other recordings played on this episode are: Sonny Sharrock, “Black Woman” (feat. Linda Sharrock), Black Woman (Vortex Records, 1969); a concert by Kanye West as part of his Saint Pablo Tour, 2016; West's “Father Stretch My Hands, Pt. 1,” The Life of Pablo (Def Jam, 2016); Jimmy Holiday, “We Got a Good Thing Goin',” Turning Point (Minit, 1966); Ray Charles, “Somebody Ought to Write a Book About It” (ABC Records, 1967); Thelonious Monk, “You Took the Words Right Out of My Heart,” Thelonious Alone in San Francisco (Riverside, 1959), James Brown, “The Payback,” The Payback (Polydor, 1973); Billie Holiday and Her Orchestra, “A Sailboat in the Moonlight” (Vocalion, 1937); Amiri Baraka reading “Black Art” on Sonny Murray's Sonny's Time Now (Jihad Productions, 1965); Albert Ayler, “Ghosts (Variation 2),” Spiritual Unity (ESP-Disk, 1964); an advertisement for Beats by Dre headphones featuring Colin Kaepernick, 2013. The title of this episode is taken from Albert Ayler's Holy Ghost: Rare and Unissued Recordings (1962–70) (Revenant Records, 2004). Medium Rotation is produced by Alexander Provan with Andrew Leland, and edited by Provan with Matt Frassica. Tashi Wada composed the theme music. Matt Mehlan acted as the audio engineer and contributed additional music.Medium Rotation is made possible through generous contributions from the Andy Warhol Foundation for the Visual Arts and Nicholas Harteau. This season of Medium Rotation is part of Triple Canopy's twenty-sixth issue, Two Ears and One Mouth, which receives support from the Stolbun Collection, the Shelley & Donald Rubin Foundation, Agnes Gund, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.

For many women of colour, life in academia feels like a constant fight. As Dr. Rita Dhamoon writes, racism is a workload issue. So, when do we sit down and when do we fight back? And how do we keep fighting in the face of such intractible systemic hostility? In this episode of Academic Aunties, we talk to https://www.debthompsonphd.com/ (Dr. Debra Thompson) (Associate Professor of Political Science and Canada Research Chair in Racial Inequality in Democratic Societies at McGill University) about the necessity of the fight, the value of stealing your time back, how creating subversives can drive change, and the importance of armour to survive the neoliberal academy.  Follow us on Twitter at https://www.twitter.com/AcademicAuntie (@AcademicAuntie). Mentioned in this Episode and Related Resources:https://www.upress.umn.edu/book-division/books/the-abolition-of-white-democracy (The Abolition of White Democracy) by Joel Olson https://www.akpress.org/the-undercommons.html (The Undercommons: Fugitive Planning & Black Study) by Fred Moten and Stefano Harney https://socialiststudies.com/index.php/sss/article/view/27273 (Racism as a Workload and Bargaining Issue) by Rita Dhamoon article https://osf.io/preprints/socarxiv/6wjxc (Socioeconomic Roots of Academic Faculty) by Allison Morgan, Aaron Clauset, Daniel Larremore, Nicholas LaBerge and Mirta Galesic "CPSA" = Canadian Political Science Association Annual Conference "REP" = Race, Ethnicity and Politics This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy Podsights - https://podsights.com/privacy

Episode 11: Embodied AnthropologyMuch of the narratives found in rewilding originate from the study of cultures outside of civilization, through the discipline of anthropology. In this episode I chat with two of my friends that dwell in the academic world, around the challenges of navigating the benefits and problems with the institution of anthropology and the practical applications of it outside of academia. We talk about the history of anthropology, contemporary ethics behind it, and the potential for continual cultural transformation. How do we take anthropology beyond the institutions, in order to *do* anthropology in the real world? How do we leverage the study of culture(s), in a just and careful way, to help us understand more about humanity and our place in the world? What are the best practices behind an embodied anthropology?Fern Thompsett grew up in Australia, and is now working on a PhD in cultural anthropology through Columbia University, on Lenape land in New York City. Her research looks at how people define, critique, and live outside of civilization. She is also a co-founder of the Brisbane Free University.Josh Sterlin is working on a PhD at McGill University as part of the Leadership for the Ecozoic program. He is researching how rewilding might help us rethink classic anthropological categories and thinking, and how that might help us change the way we live. He was previously trained in environmental anthropology, and is also a graduate of the Wilderness Awareness School's Anake program. When he's not doing that, he's canoeing across the Quebec wilds. You can get in contact at jsterlin.org.NotesFragments of an Anarchist Anthropology:https://libcom.org/library/fragments-anarchist-anthropologyThe Undercommons', by Stefano Harney and Fred Moten: https://www.minorcompositions.info/wp-content/uploads/2013/04/undercommons-web.pdfKlee Bennally's 'Accomplices not Allies': https://www.indigenousaction.org/accomplices-not-allies-abolishing-the-allSupport the show (https://www.patreon.com/petermichaelbauer)