Podcasts about Weaving

The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak's 1963 classic children's book, Where the Wild Things Are, was destructive, disruptive and disrespectful. Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock's Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period's fictions—in film, television, comics, children's books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era's emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American. Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From Peanuts comic strips and TV specials to The Cat in the Hat, Dennis the Menace, and Jonny Quest, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from Mary Poppins to Lost in Space, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This Easter Sunday sermon is one of Lauren's most tender, Spirit-filled transmissions yet. In this episode, Lauren reflects on her personal journey of returning to Christ, the embodiment of Mary Magdalene, and the divine power of resurrection within all of us. She explores the longing to truly know Jesus—not just as a story, but as a living presence, a Savior, and a steady masculine anchor for the feminine soul. Weaving her own story of healing, divine union, and softening into faith, Lauren calls us back into right relationship with God… through the womb, through the Word, and through unwavering trust in what we cannot yet see. This episode is both a love letter and a prayer for the woman ready to resurrect—through faith, simplicity, and devotion. Ready to go deeper? Enrollment for the next live round of Cosmic Rose is now open! This is the feminine embodiment and certification experience for the woman ready to walk with God, reclaim her womb wisdom, and end the loops of force, depletion, and stuckness. Check out more information on Cosmic Rose right here and send Lauren a DM on Instagram with any questions! And don't miss Lauren's upcoming FREE Holy & Hot Masterclass — for the woman desiring union, devotion, and divine polarity in love and life. It begins April 22, 2025. Check out more information and register for FREE here. Check out my FREE Art of Receiving Masterclass. Enjoy my FREE Womb Visualization Meditation.

Charlotte DePaula is a cherished member of the Faith with Friends circle. Passionate about spiritual growth and community engagement, Charlotte takes delight in exploring biblical texts and sharing her insights with others. Her reflective approach to faith emphasizes love, forgiveness, and the importance of embodying Christ's teachings in everyday life.Episode Summary:In this special episode of the Faith with Friends podcast, titled "Finding Meaning in Maundy Thursday," host Lisa Lorenzo invites Charlotte DePaula to delve into the significance of Maundy Thursday. This day, which marks a poignant moment in Holy Week, offers an opportunity to reflect on Christ's commandment to love one another as He has loved us. Charlotte provides thoughtful insights into how believers can internalize and act upon this divine mandate, urging listeners to embrace forgiveness and service in their daily lives.Charlotte DePaula begins by unpacking the meaning of Maundy Thursday, which commemorates Christ's Last Supper with His disciples. She highlights Jesus' commandment to love, drawing attention to His acts of humility and service, such as washing the disciples' feet. The episode underscores the theme of sacrificial love, as Charlotte reflects on the examples of Peter and Judas, who were recipients of Jesus' love despite their failings. Weaving in biblical narratives and applying them to contemporary life, Charlotte challenges listeners to consider how they can emulate Christ's love by forgiving others and serving selflessly.Key Takeaways:Maundy Thursday commemorates Jesus' Last Supper and His commandment to love one another as He has loved us.Jesus demonstrated profound humility and love by washing His disciples' feet, showing His willingness to serve even those who would betray or deny Him.True love and forgiveness are possible only through the power of the Holy Spirit and the recognition of Christ's sacrifice.Listeners are encouraged to reflect on their own relationships and consider areas where they might offer forgiveness or acts of service to others.The episode invites believers to deepen their relationship with Christ, especially during Holy Week, and to embody His teachings in everyday life.Notable Quotes:"Jesus is commanding us, as he says in the Gospel of John, to love one another as he has loved us.""Aren't we all like Peter and Judas? Aren't we all? Don't we all deny Jesus? Don't we all betray him?""But God demonstrated His love for us that while we were yet sinners, Christ died for us.""We love because Christ loved us first. God loves us first.""May you feel his presence and his arms wrapping around you."

Tonya recounts a night in Japan that transformed from a peaceful evening into an unforgettable—and initiatory experience. In this solo episode, she shares a “haunting” and transformative experience at the base of Mount Fuji that took her from fear to remembrance. What seems like a ghost story unravelled into a deep energetic initiation - one that reminded her of the power of sensitivity, the intelligence of the land, and the reality of unseen forces. Through her personal story, Tonya reflects on how sensitivity can be a gift rather than a flaw and why fear is often the very thing that fuels darkness.Weaving together spirituality, science, consciousness studies, and animist worldviews, Tonya explores what it means to be a highly sensitive person in a world that doesn't always understand subtle perception. She offers frameworks to make sense of psychic experiences, shares lessons on how to protect your energy, and reminds us that we are never truly alone in the mystery. This episode is an invitation to trust your knowing, honor the wisdom of the land, and reconnect with the light that lives within us all.Topics Covered:Tonya's spiritual and energetic encounter in a haunted Japanese forestLearning to trust your sensitivity as a superpower, not a flawHow fear feeds darkness—and how light can reclaim our powerNeurodivergence and heightened perception: why “too much” might actually be a giftThe reality of psychic phenomena (or “psi”) - from clairvoyance to mediumshipAnimist worldviews and the sacred intelligence of landHonoring ritual, intention, and prayer as energetic technologiesResources Mentioned:Rupert Sheldrake – British biologist and author known for his theory of morphic resonanceDean Radin – Parapsychologist and author exploring psychic phenomena and consciousnessFrontiers in Psychology (2023 Study) – Research mentioned exploring neurodivergence and heightened perceptionhttps://psycnet.apa.org/record/2018-24699-001Connect with Tonya:Follow Tonya on Instagram: @tonyapapanikoloveSign up for Tonya's NewsletterLearn abouInstructions to Win a Bundle of Rainbo Products - Leave us Ratings and Reviews: (Or watch the video instructions here) Go to Spotify and search “The Rainbo Podcast” Follow the Show and Rate the Show on Spotify, and take a screenshot Go to Apple Podcasts Search “The Rainbo Podcast” Scroll down past a few episodes until you get to the “Write a Review” section Write your review and screenshot before you hit Submit, as Apple's system can take a while to publish Send the Spotify screenshot and Apple review screenshot to info@rainbo.com Be sure to go back to Apple Podcasts and hit submit on your review We'll pull a winner at the end of the month once we verify that your ratings/review went through to win a bundle of tinctures! We'll contact you if you win so you can select your bundle of choice Check out all our bundles at https://rainbo.com/pages/bundles. Thanks and good luck!

Weaving soul touching, intricate melodies together with experimental sound design, Josh Teed's music is an experience unlike any other.After 20+ years with a violin in hand, the 25 year old producer and instrumentalist is aiming to break down the barriers between electronic and instrumental music, by bringing his unique blend of hard hitting bass and outside the box violinistry to ears around the world.To learn more visit: https://soundcloud.com/jgtmusic

A revolutionary take on hedge witchery that focuses on what it means to reconnect with the sacred hedge in a modern world, Celtic Hedge Witchery—A Modern Approach teaches the ways, ideas, and methods of the hedgerow, so they become accessible even to those who cannot visit the physical locations themselves. Delving into secret liminal spaces, Morris expands the knowledge and understanding of what it means to truly embody the witchcraft life. She connects readers to the wildcrafting elements of plants and natural remedies, realigning the soul to the vibrations of the spiritual ecosystem to reconnect with the Earth and all her spirits. In a time when modernity, technology, and disconnection from the land has caused so many of us to feel lost and disheartened, Morris helps foster our kinship with the land.Weaving together Morris's personal witchcraft gnosis, Celtic Hedge Witchery focuses on embracing the shadows within ourselves as a reflection of sacred spaces. Morris offers a revolutionary take on what it means to be a hedge witch in the modern era and empowers us to “come home” to both the Earth and to ourselves. https://www.starryeyedsupplies.comPatreon: www.patreon.com/c/starryeyedlilladyFacebook: www.facebook.com/StarryEyedSupplies/Instagram: www.instagram.com/starryeyedlillady/

Expert Edition - Five Clear Indicators it's Time to Quit and Start Fresh Knowing when it's time to quit a venture can be tough to determine. In this episode I'll share how to know when it's time to say goodbye to a season via 5 clear indicators. If you're contemplating a pivotal shift or quitting something to start something new, this episode is for you. My freebie is the Next Steps Chapter & Journaling Guide Paid offer: My book, Empty Nest Awakening; Weaving the Threads of Your Passions into Purpose   About the Author Ruthie Gray is a wife, Gigi, and author, and hosts retreats for empty nest entrepreneurs to determine their next steps in business. Her hobbies include Florida beach walks, RV-ing with hubby, and singing ‘70's tunes in the pool. Ruthie hosts her own podcast, is the author of Empty Nest Awakening: Weaving the Threads of Your Passions into Purpose, and contributor for the compilation, This Reimagined Empty Nest. Connect with her on Instagram or her website at ruthiegray.com   Website: ruthiegray.com Newsletter download: The Peaceful Mom Collection Instagram: ruthie_gray_author Podcast Recording: 5 Clear Indicators it's Time to Quit and Start Fresh  

In this episode: Your personal brand is the only thing truly setting you apart from countless others in your niche. Yet so many food bloggers hide behind their websites, creating a disconnect between who they really are and what their audience experiences online. Today, I'm sharing how to stop hiding and start authentically aligning your website with your personal brand. Today we're talking about how your website should support your personal brand - the element that truly sets you apart in a crowded niche of food bloggers.     Key Points: What is your personal brand (and why does it matter)? The About Page: Your brand's foundation Bridging the Gap: Aligning your website with your social media persona Weaving your story throughout your content The power of consistency & regular audits Your Challenge: Conduct a personal brand audit     Related Episodes: EP 199: Risk Proof Your Business Through Personal Branding     Related content: See how we can help you refine your personal brand! The Crafted Website Experience Sign up to get podcast updates sent directly to you!   Connect With Madison Instagram | Website | Show Notes Work with Grace + Vine in 2025: Design Services for Food Bloggers Our newest way to redesign your website! Learn more here.

The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak's 1963 classic children's book, Where the Wild Things Are, was destructive, disruptive and disrespectful. Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock's Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period's fictions—in film, television, comics, children's books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era's emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American. Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From Peanuts comic strips and TV specials to The Cat in the Hat, Dennis the Menace, and Jonny Quest, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from Mary Poppins to Lost in Space, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Navid Ahdieh is Senior Managing Director and Partner at North Highland. In this special re-focus episode from the vault, Navid and Brandon explore the personal evolution of leadership, reflecting on how our histories shape self-awareness and leadership philosophies. They dive into the power of patience, the importance of authenticity, and the value of creating space for team members to share their own stories as well.

The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak's 1963 classic children's book, Where the Wild Things Are, was destructive, disruptive and disrespectful. Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock's Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period's fictions—in film, television, comics, children's books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era's emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American. Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From Peanuts comic strips and TV specials to The Cat in the Hat, Dennis the Menace, and Jonny Quest, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from Mary Poppins to Lost in Space, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The 60s produced a Baby Boom generation that catalyzed the dawn of a new era—the space age, the age of television, the global age, and the beginnings of civil rights. At the same time, a new paradigm for parenting was unfolding that put emphasis on permissiveness, defined by what it permitted – the free and unfettered impulses of children. Others worried that the wildness of children, personified by the characters in Maurice Sendak's 1963 classic children's book, Where the Wild Things Are, was destructive, disruptive and disrespectful. Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America (NYU Press, 2025) centers on the exploding, contentious national conversation about the nature of childhood and parenting in the postwar US emblematized by Dr. Spock's Baby and Child Care. Renowned scholar Henry Jenkins demonstrates that the language that shaped a growing field of advice literature for parents also informed the period's fictions—in film, television, comics, children's books, and elsewhere—produced for and consumed by children. In particular, Jenkins demonstrates, the era's emblematic child was the boy in the striped shirt: white, male, suburban, middle class, Christian, and above all, American. Weaving together intellectual histories and popular texts, Jenkins shows how boy protagonists became embodiments of permissive child rearing, as well as the social ideals and contradictions that permissiveness entailed. From Peanuts comic strips and TV specials to The Cat in the Hat, Dennis the Menace, and Jonny Quest, the book reveals how childhood and the stories about it became central to Cold War concerns with democracy, citizenship, globalization, the space race, science, race relations, gender, and sexuality. Written by a former boy in a striped shirt, Where the Wild Things Were explores iconic works, from Mary Poppins to Lost in Space, contextualizing them through a critical but respectful engagement with the core animating ideas of the permissive imagination. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

En este episodio, mi invitada es Alf Bojórquez, novelista y ensayista yucateca. Su primera novela, Pepitas de calabaza (2023) salió en la editorial Fondo Blanco. Se segundo libro, No existe dique capaz de contener al océano furioso. Potencia, alegría y anarquismo, apareció hace unos meses. Fue ganadora del premio Moving Narratives (2024) de Prince Claus Fund y el British Council. Ha hecho giras en América Latina, Europa, Estados Unidos, Marruecos y Filipinas haciendo lecturas de su obra y dando talleres sobre narrativa, arte y teoría crítica. Tiene un programa de radio sobre lo mismo que se puede escuchar gratis en cualquier aplicación de podcasts: Un sueño largo, ancho y hondo. Ha colaborado con varios colectivos y organizaciones abajo y a la izquierda.Notas del Episodio* La traduccion de Joyful Militancy a Militancia Alegre* Diferencias en el radicalismo rigido entre norte y sur* Recuperando la miltancia y el contexto contemporaneo en militancia alegre* Tejiendo a la Organización Revolucionaria* La perdida de propiedad comunal en Mexico y la llegada del turismo* Las redes sociales como una arma del imperio* La imagen y la gestion, el usuario y el premio* Contraturismo como peregrinajeTarea* Pagina profesional - Instagram* Un sueño largo, ancho y hondo - Instagram* No existe dique capaz de contener al océano furioso - Volcana - Polilla - Utopicas - Traficantes de Suenos - Novedades don Gregorio (OAX)* Militancia alegre: Tejer Resistencias, florecer en tiempos toxicas* Pepitas de calabazaTranscripcion en espanol (English Below)Chris: [00:00:00] Bienvenida al podcast El Fin del Turismo, Alf. Un placer hablar contigo hoy. Alf: Ajá. Chris: Este me gustaría empezar preguntándote donde te encuentras hoy y cómo se ve el mundo a través de tus ojos? Alf: Este hoy me encuentro en mi cocina. Desde ahí trabajo yo. En la ciudad de México, en una colonia se llama Iztaccihuatl. Cómo se ve el mundo? Pues mira, yo no tengo una vista tan mala. Este no es un edificio grande, pero tengo una vista linda, no? O sea, no me tapa la vista otro edificio ni nada. Se ven muchas plantas. Y bueno, supongo que sabes que yo soy de provincia. Entonces yo siempre he sentido que aquí donde yo vivo es como una, un poquito provincia en la capital, porque no hay edificios tan grandes.Este y bueno, desde aquí se ve, se me olvida que estoy en CDMX ahora, sabes a Chris: Gracias. Pues eres entre otras cosas, autora de varios [00:01:00] textos entre ellos Pepitas de Calabaza y el muy reciente No Existe Dique Capaz de Contener al Océano Furioso. También coordinaste la traducción al español del texto en inglés de Militancia Alegre:Deje Resistencias Florecer en Tiempos T óxicos. (o Joyful Militancy) A esa traducción le siguió un podcast complementario con Pamela Carmona titulado Alegría Emergente: Deshaciendo el Radicalismo Rígido. Entonces, para empezar, me gustaría preguntarte cómo conociste, el libro Joyful Militancy y qué te llevó a traducirlo. Alf: Yo conocí ese libro. Lo cuento un poquito en el prólogo, pero yo conocí ese libro, en Estados Unidos, porque yo tenía una banda. Yo toqué en una banda de hardcore punk muchos, muchos años, la batería. Y entonces así accedí a Estados Unidos y estando [00:02:00] en el underground americano, que fue una parte importante de mi de mi de mi vida, estando en en California en concreto.Me encontré ese libro como en una cafetería y yo me enamoré. Entonces lo traje y primero lo leí en inglés con alguna gente y muy lentamente empecé a trabajar con ese libro, traducir. Eso es una historia más larga que está ahí bien en el prólogo, pero bueno, llevo años como militando ese libro. También hubieron una serie de coincidencias de gente muy amable como Tumba a la Casa, como los autores canadienses, los derechos nos los regalaron. Se metió la gente de Traficantes de Sueno.O sea, en realidad hay un montón de gente. Es como una red de redes, ese libro y una serie de casualidades y favores y gestos agradables de mucha gente que logró que eso saliera como salió, la verdad. O sea, yo pienso mi irrepetible, esa esa serie de factores. Ajá. Chris: Ah chingón. Muy bien, Bueno, pues ese libro originalmente [00:03:00] se publicaron en 2016. A leer, reeler y traducir ese texto, tengo curiosidad por saber que crees que ha cambiado de este entonces, o qué diferencias principales has visto entre el radicalismo rígido descrito en el libro de la anglosfera o America norte, Anglosajona y la hispanesfera o Latinoamérica? Alf: Este? Pues muchas cosas que decir, no. La parte que confirmé yo fui trabajando ese libro, eh? Porque digamos que yo, todavía este año presenté ese libro. O sea, y le fue muy bien en Costa Rica. Fue la última. A mí se me acabaron los ejemplares. Y digamos, terminé mi labor con con Militancia en Costa Rica hace dos, tres meses.No es tanto, no? O sea todavía después de la del programa de radio con Pamela, se hizo en Costa Rica de presentación y le fue muy bien, eh? Y se [00:04:00] reimprimió ese sí. Ese libro fue un éxito de muchas maneras, no? Y fíjate a mí. Una cosa que con por me pasaban los años, no me gustó, es que yo siento que tiene un lado como muy liberal, osea, hay un lado donde es demasiado suave, no? O sea, al criticar lo rígido, siento que se pasa de flexible, por decir así. Entonces, y eso pasa un poco como con ciertos radicalismos del norte, que tienen que ver con la retórica de la amistad de la ternura como tan enfocados en el cuidado.Y así, yo siento que sin querer como por llevarle la contraria al opuesto, como el machismo lo rígido, bla, bla, bla, caen en una cosa un poco... o sea yo siendo que ese el libro o por lo menos mi lectura de ese libro, ya estas alturas, si lo siendo demasiado suave, porque yo creo que la parte negativa de militar y de organizarse, pues es importante, no, eh?Es importante de hablar, no? Entonces, cierto que en el libro, se pasa de buena onda, por [00:05:00] decirlo asi. Creo que por eso es un éxito porque hay lado "pop" en ese libro, un lado suavecito, dulcecito, que se mastica bien. Y está bien para los activismo, pero hay una parte en mi que dice bueno, pero hay que hablar del resentimiento, hay que hablar del odio.Hay que hablar de la importancia de romper entre nosotras, de pelearnos entre nosotros, sin caer en el castigo y la culpa y la persecución. Pero yo sí, creo que la ruptura o la negatividad en general ese el libro no lo logra del todo. Habría que ir a otros lados y pienso que de un año para acá, desde que se recrudeció el genocida ahora, pues justo toca repensar el antiimperialismo, toca repensar cosas que no pueden ser tan flexibles, no? O sea, pues están matando, están cayendo bombas y no se trata de vamos a ver si nos cae el 20 o no, o cuando nos cae el 20.Pues hay un imperio gestionando un genocidio que se recrudeció muy fuerte el último año. Y eso implica, se endurece, se endurece. O sea, ha cambiado el panorama político. Y hay [00:06:00] procesos donde podemos ser muy flexibles y pacientes, pero hay procesos donde no, donde hay que responder porque la bomba te ca en la cabeza, o sea, y ya está.Entonces me recuerdo un poco como en los del paso de los 60s a los 70s, o el paso hacia los 20, no? O sea, históricamente esto ha pasado. Se acaba el hipismo y y llega la guerrilla. Se acaba el anarquismo y empieza el partido comunista. O sea, hay momentos donde la historia te come y se vuelve un poquito más pues no te voy a decir duro, pero pero sí, incluso en el norte, los anarquistas que venían de escribir ese libro como muy ticunistas se están volviendo más de izquierda, más revolucionario, más leninistas mucho. Y yo creo que eso tiene que ver, bueno, una especie el leninismo, pues moderno o buena onda.El tipo zapatismo en versión anglo, pero yo creo que eso tiene que ver con las condiciones actuales. Yo creo que antes de la pandemia, después de la pandemia, son dos planetas, tanto por el reconocimiento de genocidia, como porque lo que se [00:07:00] hizo toda la década que para mí acaba en pandemia. Pues tenía un lado muy chido, pero también a un lado muy de todo es válido.La insurrección ya está aquí. Y pues ahora decimos no, pues no está aquí. No estamos parando a Estados Unidos este el imperio, no lo estamos parando. En otros momentos de la historia, si se la podido o poner ciertos límites al imperialismo." No del todo, pero se han ganado algunas luchas.Entonces, bueno, ese libro creo que fue de su época. O sea, 2016 y ese anarquismo de la amistad y de hay que conectar y fluir y todo ese lado que para un poco hippie. Creo que es muy de su momento, de la década pasada, pero yo creo que esa época, ya no es la nuestra, por las por las condiciones. O sea, porque estamos reaccionando y respondiendo y organizándonos frente a otros problemas.Chris: Claro, claro. Y si podrias actualizarlo en tus propios palabras, cuáles serían los temas más importantes [00:08:00] para cambiar o reemplazar? Alf: O sea, mira te voy a contar de otro libro, pero también es del norte.Entonces, pues no me encanta darle tanto entre ellos, pero un libro que, por ejemplo, le respondería fuerte de ese libro, sería este que me regalaban los de Traficantes, ahora que trabaje con ellos en en Madrid, que se llama Hacia Una Nueva Guerra Civil Mundial, de Lazzarato, no?Entonces digo, lo que pasa es que él es un leninista, no? Entonces, le pega duro, le pega duro. O sea, pero esto ha pasado siempre, pero hay varias banda que está respondiendo, no? O sea, por ejemplo, en el caso de este libro que te a acaba de mencionar Lazzarato.Pues él dice que los últimos 50 años, incluido militancia, que estaría al final de 50 años, lo político como tal no se habló? Entonces, si le aplicas Lazzarato a Militancia Alegre, efectivamente, nunca se habla de que a ver, o sea, el gobierno estadounidense control el mundo y va ganando. O sea, y hubieron luchas en los 60s, 70s, que lograron más o menos parar [00:09:00] ese imperialismo, los liberaciones nacionales, por ejemplo.Las luchas de empezamos por Vietnam, Malher y Cuba y acabando con otras. Si más o menos se le pudo parar a ese imperialismo de ese momento? Pero por ejemplo, Militancia en ni un solo momento habla de política en un sentido duro, no? O sea anti-Trump, por ejemplo, anti-global como global north o norte y global. O sea, en el sentido que gobiernan en el mundo, no?Y eso no se habla no? O sea, en ningún momento se dice bueno, nosotras, como norte, tenemos una deuda con el sur, no solo económica, sino política, no? O sea, en cuanto a no permitir la autonomía de los sur. Y palestina y Líbano es el, pues es el caso más extremo, no? Aunque aquí es lo mismo, no? O sea, la lucha la guerra contra los zapatistas es el mismo genocidio, con la misma bala. O sea el mismo inversionista, las mismas ganancias. Es el mismo genocidio. Entonces, pero no hablar de eso, no hablar de lo meramente político, [00:10:00] no? O sea de como Morena trabaja para el gobierno gringo y mata a los zapatistas y los centroamericanos. Al no hablar de este tipo de cosas como duramente políticas.O sea, como Trump controla a la milicia mexicana, la la la. Pues sí que es un libro hippie, no? O sea, en el sentido de que, ahí los leninistas tienen un punto. En este caso, Lazzarato pero mucha otra banda, al contestarle a la banda anárquica. Si muy chida la amistad y muy chida la... Lets tune in.O sea, está bien, pero tú estás parada en un mundo que de beneficia de destruir este mundo donde tú y yo estamos parada, no? Entonces, de muchas maneras: lo real, lo simbólico en lo económico. El turismo, para mí solo es un capítulo de esa serie de industrias de muerte. Entonces no, al no hablarlo.Yo pienso que es un libro que omite el lugar de enunciación principal, que es el imperio si habla del imperio, pero yo siento que si le faltó lo político político. Osea, como el norte domina y controla [00:11:00] al sur, el gobierno del norte en concreto. Al no hablar eso pues si hizo darle un libro que pues no sé cómo va a envejecer. O sea, digo, bueno, a ver cómo le va, porque porque sí que sirve para lo que sirvió Tiqqun y esas cosas en su momento que era contestarle a la izquierda vertical, por decir así. Pero ese momento, por lo menos en el norte, ya pasó, no? Y ellos esos mismos ya regresaron a la verticalidad.O sea, los que atacaron al leninismo, estamos en esta otra. Entonces chistosasto porque ellos tienen sus propios ciclos y nosotras tenemos otros ciclos de lucha, no? Y otras genealogías y otras retóricas. O sea, es muy diferente. Ahí la traducción. Por eso milita tanto ese libro porque, había que defender nuestro propio contexto, no?Y decir bueno, es la genealogia de ellos, la nuestra tiene otras conceptos. O sea, ha ganado guerras y revoluciones. Hay muchos triunfos en nuestra historia del sur. De hecho, en la del norte hay más derrotas y en cambio, [00:12:00] las liberaciones nacionales, pues prácticamente todas triunfaron, si las piensas, contra el imperialismo. Claro que ya no está de moda hablar de eso porque de colonial ya está en otra... ya se fue a otro lado. No? La mayoría de de anticolonial ya no está viniendo su genealogía en las luchas de liberación nacional y o la violencia?Ya la violencia pasó de moda y justo este libro tiene algo de eso? Como de no hay que hablar de cómo en México tuvimos que tirar balazos para recuperarlo un poco que tenemos. No! Hay que hablar de la amistad del amor, la ternura. Esa parte es la que yo pienso que ya no le habla mucho a nuestro tiempo y a ver qué va a pasar después, a ver qué va a pasar después.No, aunque tienes utilidad, no? O sea, mucha gente que está en el activismo vive con mucho, cariño de ese libro y está bien. O sea, Creo que está bien. Yo creo que le falta la parte política y negativa, pero bueno, no lo pudimos pedir todo a un solo libro. No. Eso es lo que hicieron los europeos con nosotros, traer la biblia y [00:13:00] matarnos pretexto de un solo libro. Entonces yo creo que no hay que caer. Eso es, es colonial quererle pedir todo a un solo libro. Si ese libro dio lo que tuvo que dar en su contexto y ese contexto para mí pasó este listo. O sea, fue una herramienta útil que respondió y ya este lo que sigue. Chris: Pues sí, este recuerdo que hubo una, una nota de pie en en el libro, de Silvia Federici y la tengo.La cita aquí decía que"lo que más importa es descubrir y recreer la memoria colectiva de las luchas pasadas. En los Estados Unidos, hay un intento sistemático de destruir esta memoria. Y ahora esto se está extendiendo por todo el mundo. Revivir la memoria de las luchas del pasado nos hace sentir ser parte de algo más grande que nuestras vidas individuales y de esta manera de un nuevo sentido a lo que estamos haciendo y nos da coraje, porque nos hace tener menos miedo en lo que [00:14:00] nos puede pasar individualmente." Y siento que hay algo allá como también la, no sé si está impulsado desde arriba o si es solo una falta de memoria, pero sí, siento que es, es muy fuerte que hay una falta de linaje, en la política en el día de hoy, en los momentos sociales contemporáneos. Pero pues, quería preguntarte un poco de tus experiencias también con el turismo. Me gustaría preguntarle de qué tipo de reacciones recibiste, recibieron cómo resultado del podcast y si esas conversaciones cambiaron sus ideas sobre los temas tratados.Alf: Este una parte había que preguntárselo directo a Pame porque yo creo que ella lo vivió a su forma también. Pero bueno, pues fue muy chido. Primero que nada, lo lo bonito. Ese programa varias cosas. Primero, ese programa fue apoyado por el instituto de estudios anarquistas americano, y eso [00:15:00] fue lindo, tener el apoyo. O sea, no precarizarnos tanto. Y tampoco tener que pedirle dinero a gente de mierda para hacer co chidas no, eso siempre se siente bien. Como no traicionar el contenido, o sea que vaya mucho la forma con el fondo, no. Entonces, de entrada, eso fue muy alegre. De segunda gran alegría, yo siempre trabajo a puerta cerrada.Yo soy un poco celosa de mi trabajo. Entonces, pues a abrir la puerta y trabajar con no solo dos, vieron un podcast que éramos cuatro, cinco. Eso es rarísimo. Yo nunca había hecho eso. Yo no suelo hacer eso. Si, trabajo con gente, pero no con el micrófono, normalmente no, eh?Siempre trabaj o con grupos y movimientos y cosas, pero digamos que a puerta cerrada por decir así o o coyunturas específicas. Entonces, primero la congruencia que yo siento que tuvo ese programa, como alinearnos en un anarquismo internacionalista, que yo creo que hay que recuperar.El internacionalismo en general, eh? Y creo que a [00:16:00] veces la lucha contra el turismo sin querer se vuelve muy nacionalista y no distingue entre migrante y turista esas cosas, como en un México, es mejor que todo lo demás. Un poco raro, pero bueno, antes de perderme, yo creo que ahí hubo un gesto internacionalista lindo.O sea, entre anarquistas del norte con los del sur primero y segundo, pues, abrir el micro porque que yo no es algo que suelo o solía hacer hasta hace hasta este año, por decir, o sea, yo llevo en un monólogo de locutora varios años porque mi parte social la hago cuerpo a cuerpo, por decir así. Y ya te podría platicar muchas cosas.Pero a mí me emociono muchísimo el programa con Tejiendo a la Organización Revolucionaria, eh? La verdad me encantó. O sea, a mí ellos me parece que hacen un trabajo importante. Y me parece que nuestro tiempo se está pensando desde los revolucionarios también. No necesariamente como la decada pasada la insurreccional y el todo se vale.Este, yo creo que está [00:17:00] cambiando un poco esos enfoques y justo ellos que llevan más de 20 años y son como 50 personas organizadas desde abajo con mucha claridad y mucha fuerza. Pues hicimos un puente muy chido, no entre en anarquismo y otras partes de la izquierda radical, que normalmente no nos damos la mano y no platica.O sea, no es común ni es fácil. Y cuando se da, suele ser tenso. Y no hubo para mí nada de tensión, al revés. Hubo una complementación muy chida contorno. Es el último capítulo de Emergente. Bueno, o sea, y siento que conecta con Militancia Alegre. O sea, llamarla en militancia y no "activismo alegre" era una provocación de los autores.Y yo creo que movimiento es como ?, entre muchos otros que se mencionan justos son militantes, no activistas, no? O sea que el activista tiene genealogía muy del norte y muy de los noventas para acá. Y yo creo que ellos como que leídos por "los cool" que Militancia Alegre sigue siendo el libro más cool, como que no suelen voltear, la gente cool, no suele voltear a ver a ese tipo de militancias como Thor. [00:18:00] Todos estuvieron muy chidos, pero yo le tengo especial cariño, a ese último, porque sí, pienso que hay que pensar alianzas insólitas, como todas las izquierdas radicales, tratar de articular. Y para mí, eso lo más cercano fue contorno. Y yo lo sigo reescuchando. Y hay cosas que me dejar pensando, por ejemplo, lo que dicen de los sectores de la clase trabajadora, que hay un sector indígena, entonces se pelean entre ellos y como son sectorizados, en fin a mí, hay varias cosas que ellos me hacen pensar. Me hacen pensar mucho. Y su chamba es muy chida. Solo que, como no es la más cool y como nice. No tiene este super diseño ni nada. Pues mucha gente no les presta atención. Entonces yo, para mí, fue importante darles el micro a ellos y más bien me faltaron programas con ellos, la verdad.Entonces, para mí, eso fue muy lindo, con el pretexto del libro, porque la verdad, casi ni hablamos o muy poquito. Ya haber podido entrevistar, por ejemplo, a Raquel Gutiérrez. De poder pues yo hubiera [00:19:00] entrevistado a John Holloway. O sea, yo me hubiera seguido. Lo que pasa es que la chamba entrevistadora es muy distinta a la que yo hago como locutora, o sea, es otro camino. Y pues, el recurso. Pues no lo hay. Claro. Claro. Porque esa lo pudimos hasta pagar un poquitito de dinero a la gente que entrevistamos. Pudimos autocobrar un poquitito. Pagarle a la diseñadora. Fue muy distinto a todo lo que yo hago. No este ese ese programa.Insisto por el apoyo internacionalista que poco o mucho, pues fue muy lindo tener, porque normalmente no se puede pagar entrevistas y cosas, que es chistoso tanto tanto de lucha de clases, con compas que pu pues obviamente les cuesta venir para acá. Chris: Ya no, pues es muy difícil, pero sí, fue un episodio muy bonito. Y lo voy a poner en el sitio web d El Fin de Turismo cuando lanzamos este podcast y también por los que quieren saber, es el último episodio de Alegría Emergente. Pues, hablando de tus obras Alf [00:20:00] en Pepitas de Calabaza, exploras algunos temas periférico de turismo, desde la Merida en la que creciste, los chiqui loteros o aquellos que dividen grandes lotes en lotes pequeños para venderlos a un precio normalmente superior, a veces a extranjeros. Es uno de esos temas.Cómo influyó tu tiempo en Merida en tu comprensión del turismo? Alf: Primero, extender un poco la la invitación a la lectura de mi trabajo. Este el tema de la propiedad y del turismo y del colonialismo, básicamente atraviesa toda toda mi obra, pero medida en concreto que que te interesa con Pepitas también es algo que menciono en el libro nuevo.Él No Existe Dique Capaz de Contar y hablo específicamente de cómo el turismo, la industria del turismo ha ido como arrebatándonos a quienes venimos de las clases populares. Crecimos abajo y demás, sobre todo el placer, el ocio. Olvídate de la [00:21:00] tierra. Si el acceso al agua, una serie de cosas, no.Entonces ahí se trabaja un poco más elabor adamente pero efectivamente desde Pepitas. Pues a mí, es un tema que me, central en mi trabajo. El tema del colonialismo, porque para mí, hablar de turismo se hablar de colonialismo actual, colonialismo interno externo, pero es el colorismo vigente. O sea, es un desplazamiento, parte de un proceso de desplazamiento em.Entonces, en Pepitas, pues efectivamente eso es un protagonista, que digamos es el burgués nacional, por decirlo como muy teóricamente el chiquilotero, le decimos regionalmente, que es el es el terrateniente. No es Carlos Slim. O sea, no es el más rico, el lo rico, pero es, digamos, el terrateniente de mediano alcance que puede comprar tierra y fragmentarla y venderla, especular con la tierra, al final. Pero en el sur resiste, el año pasado, para para subir el tono a lo político otra vez... El el año pasado en el sur [00:22:00] resiste, nos decía el Congreso Nacional Indígena, que la mitad de la tierra en México es propiedad social, no? Y esto lo platicaba presentando no Existe Dique con Yasnaya Aguilar porque Oaxaca es un caso distinto y da mucha envidia.Tiene una tercera forma de tierra que en la tierra comunal, pero no vamos entrar a las legalidades. El sureste de México, como representa a Paco y hablo en mi segundo libro también este de ah, el turismo ha entrado porque legalmente, desde el 92 se cambió la constitución y se ha roto la propiedad ejidal y ha entrado la propiedad privada, no?Entonces, para llevarlo lo meramente político, luchar en contra del turismo hoy en México sería exigir que no se pueda vender, como en Oaxaca existe la propiedad comunal, no en ninguna otra parte del país hasta donde yo sé, que no se pueda legalmente vender esa tierra. Entonces, para no abstraer, o sea para ir a concreto, el turismo avanza, por el primermundista, coludido con [00:23:00] con con el tercermundista de la clase alta, en este caso, Paco, para romper la la propiedad social y meter la propiedad individual o privada, no? Si hubiera un mecanismo que la revolución mexicana nos heredó, ese mecanismo legal no podría existir el turismo en México, por lo menos no legalmente. Entonces, como desde el 92, se terminó de caer lo que nos quedaba de revolucion mexicana y que se peleó a balazos. Hay que recuperar esa negativa. En el 92 se cambia, es perdemos eso que habíamos ganado la revolución. Y entonces el turismo ya explotan. Y eso es muy notorio para gente que somos del sur.O sea, si yo te cuento cómo fui a Tulum por primera vez, y cuando volví a Tulum 10 o 20 anos después, o cómo fui a Zipolite por primera vez. Y eso es el resultado. O sea, te puedo escribir 30 libros, pero todo eso es result resultado específicamente una partecita de la constitución que menciona en mi segundo libre, legal, que permitió destruirlo lo que ganamos en la revolución mexicana, [00:24:00] que es la propiedad colectiva, en algunos casos propiedad indígena en otros casos, simplemente propiedad social de las clases populares.Y esto lo he trado mucha gente y me fui enterando estando con la gente en territorio, por ejemplo, con la asamblea de defensores de territorio Maya Muuch Xiinbal, ellos en la práctica, me enseñaron toda esta serie de mecanismos y defensas caminando con los pueblos, estando ahí. O sea, porque hay que estar ahí a veces para entender la magnitud.O sea, si tú lo piensas, el los muchos pueblos indígenas y clases populares son dueñas de hectáreas, el 40% del país, está en sus manos a nivel de propiedad legal, pero la propiedad privada va ganando, no, no. Y para mí, el turismo solo es un pedacito de ese proyecto colonizador actual, que va, va quitándonos, lo poquito que ganamos en la revolución mexicana. Bueno, ganamos varias cosas: la educación pública, salud pública, todo eso lo van privatizando. Pero es muy loco tierra y territorio, porque es muy específico. O sea 40 percent versus [00:25:00] 60 percent, un artículo de constitución, no hay que perdernos, osea. Ahí está. Pero mira el ombligo del pedo. Ajá. Chris: Mm, gracias. Me gustaría proponer algunos algunas preguntas, algunas provocaciones. Quizás respeto de cómo el turismo y más bien, más recientemente, las entrecomillas invasiones de turistas, nómadas digitales a México desde la pandemia y otras partes también. O sea, no es solo México, pero obviamente hay otros lugares.Y pues, hay ciertas cosas que ha surgido en otros episodios de podcast, respeto de el radicalismo rígido, y como lo veo a veces culturas de descartabilidad, que siento que es algo fundamental y también como desconocido en cómo funciona, pues la modernidad, la colonia, toda ese trayectoria [00:26:00] de mierda. Pero lo vemos mucho. Siento, siento yo en los redes sociales. Entonces, me gustaría preguntarte, qué piensas sobre los efectos de las redes sociales en los contextos de las luchas contemporáneas, pero también bajo de este contexto de turismo, de las invasiones en México. Entonces mi pregunta es, cómo crees que las redes sociales contribuyen al radicalismo rígido?Alf: Eh? Pues mira, yo creo que no solo contribuyen radicalismo rígido, o sea, respondiendo muy rápidamente. Yo creo que el algoritmo está diseñado y eso lo sabe la mayoría, espero, supongo este para generar estos echo-chambers que le llaman. Entonces, yo creo que lo mínimo, o sea, lo más x es que genere radicalismo rígido yo creo que en realidad la [00:27:00] ultraderecha está ganando en el mundo por las redes sociales. Y esto no lo digo yo. Esto está demostradisimo. O sea, Milei, Trump y todo el fascismo en el poder que desgraciadamente es, yo calculo la mitad del planeta, Bukele, etcétera, Bolsonaro, tienen mucho que ver con lo que aquí sería Chumel Torres, con lo que aquí sería Eduardo Verastegui. Tiene todo que ver, no?Y yo creo que eso, el pensamiento crítico, como le nos queremos llamar a este el otro lado antifascista sea, no hemos tomado suficientemente en serio eso como un enemigo, no? Porque volviendo la negatividad, el resentimiento, pues hay ese es un nuevo enemigo. Para mí, hay que destruirlo este.Acomodé lugar, o sea, como tenga que hacer. Entonces, esto lo hablaba también con Benja, la pareja de Yasnaya, el día de mi presentación en Volcana. O sea, qué pasa que mucha izquierda, mucho pensamiento crítico y todo, no quiere hacer pop. Entonces la derecha sí que está haciendo [00:28:00] pop y por eso ganó Trump, y por eso está Milei en el poder, porque hacen un un tipo de redes sociales poperas. No tienen miedo a reducir el pensamiento, a provocar. No tienen miedo porque tienen el poder, obviamente, controlan el mundo. En concreto, Trump, no? Entonces, nosotras desde el miedo y desde un un clasicismo extraño, un machismo raro, como que decimos el "pop" está mal porque reduce. Ser influencer está mal porque hace de lo abstracto. Lo reduce. Lo simplifica. Y ese es un problema. Es un problema grande que tiene que para mí tiene que ver con el problema de la es escolarización. Pero para contestarte, y yo creo que las redes sociales sostienen al fascismo actual, más que cualquier otra cosa, yo creo que más que ninguna otra cosa. Y por eso nos gobiernan celebridades y estamos en una fase nueva de la política como espectáculo. Y no estábamos ahí, volvemos a militancia como un libro que ya no responde a esta época, yo no siento que Obama era eso.Yo no [00:29:00] siento que el PRIismo y el PANismo era eso. Estamos en otro momento, entonces, como siempre la izquierda o como lo quieras llamar, el pensamiento, el antifascismo general, que a mi me da igual los conceptos, como siempre estamos lentas, lentas en reaccionar. Porque? Pues porque nos asusta. Las redes sociales, yo pienso que nos están bombardeando, emocionalmente con el genocidio. Yo creo que la manera en que están manejando la imagen del genocidio está tronando la salud mental, terminando de tronar, si no, es que ya la había tronado de buena parte de de de quienes estamos contra de Trump y Milei, por decir el amor que yo espero que seamos más o de la mitad de la tierra otra vez, este me gusta creer. Entonces eso, yo creo que estamos lentas porque quieren ellos porque nos han tronado la la salud mental. Y eso hace que nos aletargamos en responder con la fuerza con la que ellos, o sea nos faltan influencers un poco más rudos, para decirlo como es, o sea un poco más tan fuertes y provocadores como ellos.Yo [00:30:00] siento que los influencers de este lado hacen un trabajo importante, pero muy suave. O sea, está muy abajito. Muy bien portado. Cuando tú escuchas a Bukele, tú escuchas hablar a Milei o Trump y son los provocadores, realmente. Este, no le tienen miedo a decir pendejadas. Y la izquierda, sí. Sí, le tienen miedo a cagarla. Cuando no se dan cuenta que lo que están haciendo ellos es provocar para mover, no? O sea, la gente sabe que es una exageración. Los votantes de Milei de Bukele y de Trump saben que dicen mucha, es un borracho, que está diciendo pendejadas, pero van y votan. Chris: Claro. Alf: La izquierda no está logrando subir el tono. Al revés. O sea, entre más, baja en el fondo y más banderitas de palestina, como que más bien portadas, somos. Y entonces, ah, "pues vamos a hablar de la cultura de palestina, que es muy importante. Es muy bonita. Pero yo te apuesto que se hubieran influencers diciendo vamos a tirarles bombas y vamos a matar sería más fuerte, no? O sea, le daría [00:31:00] miedo a ellos como ha pasar, si ha pasado la historia en los 70. Esto sí que pasó. Si le dábamos miedo a ellos. Ya no le damos miedo. Y yo creo que eso tiene todo que ver con como el imperialismo hoy, es un algoritmo. Antes era otra cosa, y es un imperialismo de la mente y de las emociones.Y es meramente como manejan la imagen. Osea, da igual lo que nos muestren, sino la manera en que se utiliza el discurso de Trump y la manera en que se utiliza la imagen del genocidio, no el genocidio. Eso a ellos no les importa, sino el uso, nos truenan, nos truenan todo el tiempo.Entonces no logramos articular. No logramos reconocernos. Empezamos a competir, nos peleamos y es porque ellos van ganando. Han habido otros momentos de la historia donde este lado de veras le daba miedo sin idealizarlo porque también puede ser muy machista. Este le daba miedo a Trump y a los Trumps. O sea, se [00:32:00] cagaban de me decían no, no.Entonces, bueno, van a matar, no? Y entonces, había algo positivo ahí. Había algo positivo ahí y eso se perdió, nuestra propia capacidad de dar miedo y defendernos. Se ha ido perdiendo. O sea, y es muy material, porque matan defensores del territorio cada semana, así como palestinos y libaneses con la misma pistola, la misma arma. Cada semana los matan. Entonces, pues, claro que da miedo de subir el tono. No porque siento que te van a matar. Hay un fantasma. Entonces, yo creo que las redes sociales se tienen toda la culpa y que están gestionadas maravillosas, perfectas, las redes sociales y y el internet porque permitió que el imperialismo, se vuelva.O sea que lo cargues a todos lados, que desees el fascismo. Y eso está en las pantallitas y en el celular. Lo manejaron muy bien. El que lo explica más bastante bien es, Adam Curtis, en Can't Get You Outta My Head. Y creo que eso hay que tomarlo [00:33:00] todavía más enserio, porque la gente nada más dice "ah, pinche Chumel Torres". No, wey. O sea, es el cáncer de esta sociedad. O sea, no se explicar. Es un verdadero enemigo y "ah x solo es un panista ahí raro." Lo que quiero decir es que no le damos la seriedad, como que no estamos leyendo el imperio en su nueva fase y cómo se maneja. Chris: Pero entonces, tú crees que las maneras que podemos socovar el algoritmo es de, quitarnos de la pantalla? O sea, pero cómo está también el algoritmo no solo internalizándose según yo en los movimientos, pero en las mentalidades de la gente y dentro de los movimientos?Alf: Claro que yo no tengo una respuesta, pero a mí se me ocurre que esto ya se intentado muchas veces como crear nuestros propios tecnologías. Lo que pasa es que nunca van a ser igual de atractivas y poderosas, como clase de quienes controlan la tierra, porque pues por algo [00:34:00] las controlan y van ganando no? Porque tienen todos los recursos y toda la inteligencia puesta ahíEntonces, si los movimientos ya les pueden tener redes sociales, pero pero sus posts no tienen ningún alcance y eso está gestionado desde arriba. Entonces este es un problema más profundo que tiene que ver con el problema de la imagen y su gestión. O sea, al controlar el algoritmo, el imperio, lo que está controlando son las imágenes y las narrativas. Las gestionan, a eso me refiero con imperialismo. O sea, vemos lo que el imperio quiere que veamos y se acabó. O sea, es una nueva fase porque no necesariamente tienes al gringo gobernando a tu país como lo fue antes de la revoluciones nacionales, por ejemplo, pero tienes el celular que sólo te va a mostrar lo que le conviene al gobierno gringo o mayoritariamente.Entonces quebrar el algoritmo es quebrar el imperio, o sea la verdad, o sea, no es otra cosa que eso . Y eso hace que lo [00:35:00] cool sea cool y lo no cool que suele ser más importante, no se vea y no tenga acceso recursos y no generar imágenes chidas. Y si logras de una imagen, no tiene ningún alcance. O sea, es muy notorio para mi trabajo.O sea, si yo subo mi gatito 500 views, si yo subo el tipo de cosas que estamos platicando 5. Sí, claro. Es super evidente, no el manejo de la imagen y la gestión. Entonces, pues hay que volver. Hay que volver a la auto publicación. Hay que volver a los medios libres como se estuvieron haciendo hasta si varias decadas. O sea, y rehacerlo recuperarlos, repensarlos. La gente que se está yendo a Mastodon en redes sociales. La gente que se está saliendo de los algoritmos, los más feos. Digo, no sé qué tanto lo vamos a lograr. O sea, por eso yo, mi parte política, la vivo más en presencial. O sea, yo voy. Trato de ir ahora que se cumplen 50 años de Lucio cada año, hacer pueblo, estar con el pueblo, ser pueblo. O sea, porque [00:36:00] claro que si yo no voy, nunca me voy a enterar.Y si no camino con, como te conté, la asamblea maya, aunque sea cinco minutos, yo no me entero de que el pedo principal de todo esto es simplemente un artículo de la constitución, no? Entonces, o sea, pon tú que ellos postan en internet. Quién lo escucha? Nadie muy poca gente, pero eso es por quien controla.Que la info no llegue no. Entonces, claro. Entonces a eso voy, o sea, hay un problema con la imagen. O sea, hay un gran problema con la imagen porque también lo que la ultra derecho y el fascismo ha logrado perfectamente bien en nuestra época. Es que la gente prefiere el reconocimiento y el like, el premio no que la reparación real.Y entonces las redes sociales están basadas en un nuevo modelo de contra insurgencia y de pacificación y neutralización política, que es, yo voy, te doy un premio, yo voy y te muestro, yo te doy un like, pero para que ya te calles, no. Y para que no digas las cosas, [00:37:00] estamos decían, es un solo artículo.Si echamos para atrás de artículo, pues vamos a parar buena parte de los capitales colonialistas y turísticos hoy, etc. O sea a lo que voy es que van y te premian, van y te likean para que te vayas pacificando. Y ahí hubo un cambio estrategia que también estamos muy lentas en sí, porque los setentas te mataban, a las clases medias organizadas políticamente. Hoy no. Hoy no es así.Hoy matan a la gente de abajo, a los defensores que viven y habitan las clases populares, el territo y a la clase media la premia pa que te calles. Entonces, cómo te premian haciendo que el algoritmo te vea mucho y hables mucho y produzcas mucho contenido, pero es un contenido. Te repito muy bien portado.Es un contenido suave, que omite las partes políticas que omite temas de imperialismo contra insurgencia, bla, bla, osea. Habla de todo lo demás, formas de vida, ternura radical, [00:38:00] consumo alternativo, sororidad solidaria, todo lo que tú quieras, excepto si no le cortamos la cabeza a Trump, esa condición no para. O sea, no sé si me explico.Menos lo más importante, digo, lo estoy caricaturizando. Cortando la cabeza de Trump no vamos a parar el periodismo, pero me estás entendiendo. Están manejando la censura y estamos ya hablan de tecno tecnofeudalismo. Estamos regalándole un contenido que soporta el imperialismo y no nos damos... estamos tan enajenadas en este momento con el algoritmo que trabajamos para el gratis.No? Y me incluye, o sea mis PDFs, son gratis. Mi radio es gratis. Yo soy una esclava del internet y se acabó, no? Y entonces, en la medida en que no lo sepamos, sentir la negatividad de ese despojo y de cómo todas trabajamos para el imperio. Nos gusta no poco mucho, este pues más nos enajenamos no? O sea, porque yo no cobro por mis ramas de radio.Yo no cobro por el PDF [00:39:00] literal. Me despoja y me precariza en un sentido duro, directo. El pedo es que decirlo es fuerte porque la gente, pues como escucha en tu programa o el mío, y nos va MXN $5. Bien, pues la gente se compra la amiga y dice que padre, el internet me ven. Cuando solo te está viendo la gente que piensa como tú. Y ya nadie más. O sea, ni un solo seguidor más. Gente que ya pensaba como tú, antes de llegar a tu contenido. Entonces, en realidad no estamos logrando hacer propaganda, no? Y yo creo que es super importante, porque porque en la medida siempre trabajamos con los que piensan como nosotras, no estamos empujando el ese 50 percent fascista, al reves, lo respetamos y decimos, bueno, yo trabajo con el 50%. Me quedo en el 40% de la propiedad social y nunca empujo la propiedad privada o el 50% fascista.Y ya ahí te quedas que es muy cómodo también hablar entre nosotras. Pues que nadie te también te madres que nadie te mande [00:40:00] bots. Porque a mí lo que hacen es que me atacan en internet, no? Entonces, cada vez que digo lo que hay que decir, pues me mandan bots y me asustan me, como mucha gente, no, te amenazan.Y todos eso esta perfectamente gestionado, en México desde Peña Nieto, del Peña bots. Se siente muy claramente esas tecnologías. Muchas veces israeles. Se siente muy clarito, no? Y funcionan perfectamente bien, porque pacifican y neutralizan maravillosamente. Ya la gente deja de lo que hay que decir porque tú sientes que... o sea, porque tú sientes lo general, el efecto contrario, las censuras se siente como premiOChris: total. Muchas gracias. Alf. me gustaría provocar un poco ese idea que la algoritmo sólo nos este en suavece. En suaveza, dijiste? En suavece. Ajá. Ajá, porque pues, [00:41:00] también a mí parece que algoritmo está pidiendo, metiendo, reforzando la rabia.Y hace hace poco descubrí, descubrí un libro llamado Discard Studies en inglés, Estudios de Descarte, que intenta formular hipótesis no solo en torno a las historias sociales de la basura y contaminación, pero sino también del exilio y desplazamiento. Y la idea en los estudios del descarte es que todas estas cosas están muy relacionadas entre sí.Las redes sociales creen una plataforma para los también expulsiones sociales en forma de cancelaciones o escrachees, por ejemplo. Alf: Mm-hmm. Chris: Entonces, también que si el el algo ritmo está imponiendo, invitándonos a ser más pacíficos, siento que hay una manera que está imponiendo, impulsando, invitándonos a descartar, tirar, la [00:42:00] gente entre los movimientos sociales, o sea, entre movimientos sociales, también en la manera interpersonal.Y quería preguntarte sobre eso y las consecuencias a las luchas de largo plazo. Alf: Mm-hmm. Mira, yo siento que si se habló particularmente en el segundo capítulo de Alegria Emergente con un invitado que se llama Tomás Calles. Con él, se habló eso. Mira, yo siento que que es bien complicado este tema, porque para mí, el escrache pues que últimamente más sé hoy es el escrache que llegar con el género, con abuso sexual. Y a la vez, yo creo que hay que hacerle su genealogía completa el escrache porque el escrache cada vez... o sea, si lo sacamos de género y lo metemos a la política, clase, a raza, y a todo lo demás, este de si tú te das cuenta, todo el tiempo, volviendo al 50 facho y al no facho, el 50% facho ha estrechado al 50% no facho. Todo este es el tema del control de las narrativas y las imagenes. O sea, [00:43:00] si tú ves la imagen, por ejemplo y para mí, es una forma de escracheeo pre nuestra época. Si tú ves como Estados Unidos, creo la imagen de Cuba, es una forma de escrache, no? O sea, como, voy a hablar super mal de esos wey. Voy a decir. Voy a publicar todos los libros y todos los contenidos que hablen mal de Cuba, no?Y para mí, hay un escracheeo ahí, un pre escracheeo, por decir así. Entonces, en términos políticos, que te vuelvo a decir que siento que son los cabezas, nos faltan en toda esta discusión. Siempre ha existido y va a existir formas de manipular y de destruir cuando la gente está haciendo cosas más o menos chidas, pues te van a buscar dónde y ahí te van a chingar, no?Y el gobierno también participa eso con sus bots, no? Y su manejo de la información, de la distribución de la información en concreto. Entonces, yo siento que el escrache hay que verlo como también como parte de la contra insurgencia, no todos los escrachees, porque hay escrachees que, por ejemplo, no se vuelven públicos y se vuelven en procesos, por ejemplo, [00:44:00] de... o sea, no es la denuncia pública el punitivismo como ejercicio de castigo ejemplar público, hay escrachees o denuncias en concreto, que más bien se vuelven en ejercicios de justicia reparativa, puertas cerrada, que han sido efectivos.Y yo me he enterado de varios y me han invitado a varios procesos. Este y con varios movimientos. Yo me he dado cuenta de la justicia ejercía por nosotras mismas. Sí, llevada a cabo reparar cosas concretas con soluciones concretas sin hacer una imagen, sin darle al algoritmo lo que nos quita todo el tiempo - tiempo, energía, sin darle la fotita donde dice "para hacer tu eescrache chido habla..." o sea, simplemente resolver, es lo que muchas cosas en internet no hacen. Hablan pero no acciones, y tú puedes hablar lo que quieres siempre y cuando no actúes. Ese es el gran truco de la red social. No hablemos todo, mientras no cambiemos nada.Este entonces nada. Yo siento que el escrache pues hay que verlo así como, tiene una parte [00:45:00] chida para mí, sobre todo a puerta cerrada, como de procesos que yo llamaría, justicia reparativa, restaurativa, osea que no tienden a la imagen, puede crear una imagen, pero no es su fin su objetivo final, sino reparar daños específicos con soluciones específicas, no caso por caso, sin abstraer a ese, este versus un tipo de escrache liberal, blanqueado, espectacular, chafa, que lo único que ha hecho es contra insurgencia. Cada vez que hay liderazgos. "Ah, es un macho," no? Cada vez que hay movimiento sociales, "ah, trabajan para los rusos, trabajan para los chinos, este, reciben dinero, reciben dinero de tal, este." Ose y el escrache, si es una de las mejores herramientas, porque genera volvemos en el tema de narrativas y imágenes, no que contraponen lo que ha ganado.Osea, yo te voy a dar un fondo a ti como activista para que hables del turismo, todo lo que tú quieras, siempre y cuando no hables de esto y de esto, okey, [00:46:00] entonces tu envía a cobrar y te va a super bien. Y te voy el súper famoso y que chido.Pues esa es la lucha que nos vaya bien materialmente a todas. Pero a ti te censuraron. Te dijeron sólo hablas de, entonces, fíjate, volvimos al tema del escrache. O sea mucha de esa gente eescracheada. Voy a poner uno. Miguel Peralta. El caso de Miguel Peralta, para mí sería un caso de escrache, no este Miguel Peralta hoy está perseguido por el estado mexicano y mucha gente te va a decir que es un machista. Te va a decir muchas cosas, pero no te va a decir la otra parte, no? La parte política de su lucha, contra un gobierno que el gobierna, por no decir Samir Flores como un escrache, por no decir Hortensia Telesforo con un tipo de escrache.O sea, si me estás cachando? O sea, y entonces que pasa que que desde arriba, como controla la narrativa y controlan la imagen y la distribución de la información. Te dicen a ver, yo te voy a pagar por una cosa, pero cállate la otra. Entonces pon la banderita de colores. Y ya CDMX es gay y es trans, [00:47:00] pero nunca vuelves a hablar de clase social.Por favor que el pobre siga siendo pobre. Ella solo habla Alf de trans, no? Si te das cuenta, es como el escrache. O sea, el escrache dice vamos a destruir el liderazgo político de Miguel Peralta poniendo ultra énfasis en su lado machista, que que yo no dudo que haya tenido como muchos líderes y como mucha gente, o sea, yo no estoy diciendo que no, solo estoy diciendo la manera en que se utiliza ese tipo de denuncias es para destruir el lado político. Muchas veces no todas. Mm, pero para poner un solo caso, y hoy, por hoy te estoy hablando de un caso de criminalizacion actual, como podríamos hablar de Samir Flores o Hortensia Telesforo y toda la contrainsurgencia. La contrainsurgencia es un tipo de escrache. Es que eso ya cambió.También te repito, la gente más visible van y le dan premios y le dan atención. A la gente menos visible, la matan o la criminalizan como Miguel. Están a punto de meterlo a la cárcel 50 años si no le prestamos atención [00:48:00] a ese caso, no? Que es lo que quieren, que no le prestamos atención. Entonces a eso voy, o sea, casi que ni importa el crimen, casi que no importa la falta del daño, sino el manejo. Hay como una economía, fíjate, hasta te diría yo, una economía de las quejas y una economía de la imagen que no estamos siendo conscientes. Estamos tan alejanadas, que nos vamos, por lo primero que nos dan "Ah, ese ese wey era un macho." Listo. Todo quedó o ese wey trabajo para china y hasta todo el trabajo que haya hecho, como trabaja para china, o como hablan de, por ejemplo, piensan las narrativas sobre ve Venezuela y Nicaragua y Cuba.O sea, es impresionante. Es escrache, o sea. Quién te va a hablar bien de ese tipo de países? Está difícilisimo Chris: o o al menos decir como, "no sé, no sé"... Alf: o al menos decir, "no sé," pero lo que quiero decir es que el independientemente lo que han hecho Venezuela y los machismos de izquierda, [00:49:00] el manejo de ese error.O sea, supongo, sí, yo creo que comete errores como toda la gente cometemos. El manejo es la parte más como las redes sociales, la distribución de esa información, es la que a mí me preocupa más. O sea, como, solo vamos a hablar de lo mierda, déjate claro, porque a Estados Unidos le conviene, que Miguel Peralta está en la cárcel, que Venezuela solo se una mierda, que China solo se una... que yo no dudo que tiene un lado de mierda, pero es interesante los límites del discurso.No puedes hablar de lo hecho. En el momento en el que dice es algo bueno. Cancelada. A la cárcel. Se acabó el pedo. Entonces a mí eso me llama la atención, porque la gente cree que es un momento de libertad discursiva. El fascismo va ganando, no? O sea, y eso es Trump, pero y eso es el genocidio Palestino y Libanes.Pero pero pero hay un síntoma de eso en que no podemos, no podemos hablar. Yo siento que el [00:50:00] internet es mucho más facho que lo previo. O sea, yo me siento mucho más censurada que lo que yo veo que ha pasado en el siglo 20. Me explico? La verdad. O sea, yo veo los discursos del Che Guevara y digo no, pues en ese tiempo podías hablar.Habla así hoy, balazo en la frente. Así es fácil. No amaneciste. Te desapareceria. Entonces digo, ganamos o perdimos en términos discursivos? No, yo pienso que perdimos porque tu ves la tele el siglo 20 y está hablaba sin que le den un balazo. Hoy, ya no hoy. Samir habló, lo mató Morena. Ya. Listo. O sea, hoy hablaban los Palestinos todos muertos.O sea, entonces yo creo que perdimos con internet. No ganamos, pero yo pienso que el turismo te repito, o sea, y el colonialismo, entonces solo es como una partecita. Sinceramente, yo pienso que es como un pedazo chiquitito, de todo una cosa más grande. Claro que es una industria que ha [00:51:00] ido ganando mucha fuerza, pero para mí se habría un contra turismo y un peregrinaje.Yo siento que hago peregrinaje. Fíjate, qué es lo que destruyó el o el turismo está reedificando cuando trato de acercarme los movimientos sociales, desde mi clase, o sea, desde mi color piel y todos mis contradicciones. Pues yo sigo a veces caminando, con gente que me ha enseñado cosas que nunca van a salir en el celular.Adrede no sabemos la verdad. Aunque las posten, no me van a llegar. Y entonces yo creo que si hay un contraturismo y un yo pienso que tendríamos que ir a buscar en el tema del peregrinaje o la hospitalidad radical . Por qué? Porque había un tema sagrado, no? O sea, había algo sagrado en el peregrino. No era turismo nada más de placer, aunque tenía a su lado del compartir y ocioso, pero para mí se recuperáramos la capacidad de defendernos, varias cosas que nos han quitado, la capacidad de hablar que yo creo que nos la quitaran a base de premios y views, no a base de castigos, pues habría un [00:52:00] peregrinaje, por el lado político, no?.Por ejemplo, me cuentan que el año que viene va haber en Brasil. No, mucha gente va a estar yendo a Brasil de diferentes latitudes. Y ese para mí, eso es contra turismo y peregrinaje político sagrado. No. Entonces la gente va o el Anticop, vas, o sea, el ir es súper importante porque tiras el suelo de la basura y estás cuerpo a cuerpo con una realidad que que el algoritmo imperialista quiere que no nos llegue, tu salir. Claro. El problema es que te insista. Está tan de moda, "muerte al turismo," que no es fácil hablar de que hay contraturismos muy importantes. Siempre lo han habido no? O sea, cuando los zapatistas dicen vengan, pasan cosas que no pasan.O sea que hay que ir, no. A huevo, hay que ir. Entonces, y eso es un contraturismo. Y el zapatista está super consciente. No viene puro gringo aquí, puros güerito. Cuál es el pedo así se politizan. Sí, yo creo que es más de clase media no tratar de [00:53:00] buscarle la deriva y darle la vuelta a la industria. Mmm. Y simplemente decir merte a todo el turismo. Pues sí, en la teoría suena muy bien, pero en lo práctica va ganando. Chris: Mmm, claro, y así pues me gustaría preguntarte también de ese hospitalidad radical, pero siento que muchos caen intentar a definir lo que es.Pero entonces me gustaría nada más de preguntarte igual de peregrinaje, si quieres, de si has en tus viajes o en casa, o sea en tu colonia barrio, encontrado lo que llamarías tu hospitalidad radical, en el camino.Alf: Mira yo, esto es algo que aprendí. O sea lo que lo que llama hospitalidad radical es algo que yo hice en la práctica toda mi vida y solo después empecé a elaborar. Pues yo me moví toda mi vida y me sigo moviendo principalmente en el underground. Queda de contracultura. Y pero por ejemplo, yo en el punk, en las [00:54:00] patinetas, como en la izquierda radical en general, con todas sus ramas, toda la vida, he ido y han venido.Y mi casa siempre ha sido la casa de mucha gente y es una práctica que no me había sentado a pensar, no?. Ese no quedarse en el hotel, ese tú llevar a la gente a pasear y mostrarle los lugares ocultos de la ciudad, no los lugares como limpios y en inglés. O sea, es algo que en el Punk y en el anarquismo de esas cosas está muy metido, no?Y yo tengo casa en muchos lugares del mundo porque también he dado casa a mucha gente de muchos lugares del mundo, desde muy chavita, desde tours de skate cuando tenía 14 años, llegaba gente de todos lados y se quedaban en mi casa y yo no me daba cuenta de que es algo, que si tú te vas al peregrinaje, la hospitalidad radical o como queremos llamar, a lo previo a los boom's inmobiliarios, turísticos. Pues siempre existió no? Siempre he existido, no? Entonces nada. Para mí es raro hablarlo porque porque para mí, no se cuestiona, no? O sea, yo recibo gente todo el tiempo y me [00:55:00] recibe gente todo el tiempo de de mucho. Últimamente ya se hizo más internacional. Pero antes era más entre pues, las sociedades chiquitas, lo que sea.Entonces yo te podía contar toda mi historia, a partir de ese eje, si tú quieres. Pero pero mi punto es que es una práctica que yo tengo integrada. O sea, no, nunca me la cuestioné. O sea, y yo como mucho lo que queda en la contracultura, lo que queda underground o sea, mucha gente así lo vive este. Y cada vez que a mí me invita, por ejemplo, la última vez que me invitaron a un pueblo, fue Yasnaya, que ya habíamos quedado de ir.Porque el programa lo escuchan los Mixes y todo. Y yo le dije "claro que sí." O sea a mí en el momento en que me digas cuando voy, yo voy. Y para mí hay algo, o sea, tiene que venir de un pueblo como el Mixe, la invitación para que no sea turismo. Para mí, tiene que haber un receptor explícito y una invitación. O sea, es parte de la economía del regalo y esas cosas que, que en los sures siempre hemos hecho y en el abajo siempre hemos hecho consciente o inconscientemente.Creo que ahora hay que empezar [00:56:00] a elaborarla también. Ahora que empezar a teorizarlo y pensarlo porque conforme avanza, la propiedad privada de la colonización, pues se va perdiendo esos comunalismos, porque son prácticas que los pueblos tienen, que las clases populares tienen, que los undergrounds. La gente se mueve todo el tiempo, todo el tiempo.Solo no se mueve de maneras fancy y y cool. O sea, la foto no es la bonita del Instagram. Entonces, por lo tanto, esa práctica que a mí lo interesa es la práctica, no tanto la conceptualización o la imagen. Pues no la logramos reproducir y va ganando el turismo comercial. Por darte otro ejemplo, varios pueblos en el sureste también me hablaban de turismo alternativo. Y, por ejemplo, armaban varias cosas con los pueblos alrededor pidiéndole permiso, volviendo al al 40% de la propiedad social y esa parte la constitución que habría que pedir que nos regresen, le pedían permiso a todos los ejidos. Entonces ibas en bici o pajareando [00:57:00] las cosas que hacen turismo normal, pero hablaban con los dueños de los ejidos con el de la propiedad social que yo y los zapatistas y mucha gente defendemos y le decían bueno, "voy a traer gringos que que como quieren que le hagamos. Pues da tu caguama" o "cuánto les vas a cobrar?" Y para mí es contraturismo, fíjate, y caminando con ellos en esos territorios. Lo aprendes. O sea, escuchando programas de radio y leyendo libros va a estar cabrón. O sea, hay que ir, no este y fíjate que interesante, porque ese 40% de esa propiedad social, pues bien, que podría recibir la lana, que se le da el hotel? No? Porque mucha de esta gente está muy precarizada, entonces no simplemente decir "ah, a la verga, el dinero en el turismo," sino a quien se lo damos y por qué. Cuando fíjate, yo veo en los pueblos ya iniciativas muy chidas de redistribución para este lado. Hay un montón de cooperativas muy chidas que redistribuyen lo opuesto a lo que hay un hotel. Pero volvemos al tema, pues como "no [00:58:00] son cool" y no tienen el diseño más chido y y no son influencers."Pues nadie se entera que que hay prácticas comunalistas que incluyen la movilidad de entre pueblos y entre personas muy chidas. O sea, la verdad. Yo he visto muchas proyectos de cooperativismo contraturístico increíbles. Entonces, bueno, eso. La gente que hace caminantes informativas, como pedagogías de caminantes como contraturísticas. Hay un montón de gente y un montón de cosas, historiadores radicales, ahí que hacen sus sus contradiscursos y llevan a la gente. Osea, yo creo que hay muchas, para mi, hay mucha esperanza ahí. Lo que pasa es que no la conectamos. O sea justo el algoritmo hace que no la alcances a ver y que te quedes, o sea, esa información, pon tu que la postan, no te va a llegar, no? O sea, está diseñado pa que no te llegue. Entonces, pero hay un montón de cosas muy chidas. Yo no vivo esa [00:59:00] distopia triste, que mucha gente vive de "yo valio verga". "Hay que dejar de movernos." Yo no lo vivo. Tampoco hay que ultra movernos. Yo pienso que el nomadismo en la clase media ya es una forma de de despojo también. Hay como no forzado en las clases medias. No abajo. Pero bueno, yo no lo vivo con esta doom ccomo sea. Condena. O sea, como de, ah, todo movimiento está de la verga, que hay gente muy esencialista que tu dice. "Todo turismo es una mierda."Y diría, bueno, pues vives con mucha culpa. Wey está muy bien. Se llama catolicismo. Y y lo conozco muy bien. Hay otras formas. O sea sin tanta culpa, le puedes dar tu lana a gente chida y no va a solucionar el problema, pero vaya que está más chido que dárselo al hotel y al colonialista y al que rompió la propiedad social.O sea, estás si algo haces, no es mínimo, pero algo haces. Pues eso a mi me ha tocado ver cositas que digo bueno, aquí hay algo no, [01:00:00] aquí hay algo. Pasa que también muchas veces iniciativas como rechazan "lo cool" no quieren ser muy visibles y no quieren ser muy famosas, pues ahí es el problema del comercio justo y el comercio alternativo, que busca, busca hacer un poco invisible a veces.Eso es problemático, no? Porque entonces, como mandamos a la banda con la banda chida, si la banda chida no quiere que le manden banda siempre. O sea, no quiere hacer negocio, no quiere hacer negocio porque se vuelve capitalistas. En fin. Pero ese, ese es otro problema, no el problema del cooperativismo.Chris: Claro. Ya pues, sobrebordando con temas y plática hermosa, Alf, pero si puedo antes de de terminar, me gustaría preguntarte sobre tu nuevo libro. No Existe Dique Capaz de Contener al Océano Furioso. Nos podrías contar un poco de que trata y cómo tus trabajos anteriores han influido en [01:01:00] ese nuevo?Alf: Sí, Chris: has mencionado un poquito, pero Alf: ajá. Este es un libro que que pueden comprar en varias librerías Volcana, en Polilla y ahí donde estás con don Gregorio, pronto queremos tener en Jícara, en Utópicas, en casa Casa Tomada y conmigo en internet, y lo pueden descargar en el PDF. Envíos. Yo hago también a todo el mundo. Pero, bueno, es un libro que básicamente, para decirlo en una frase, es mi experiencia y mi elaboración sobre el anarquismo o la izquierda radical en general. Básicamente. O sea, te cuenta un poco mi historia de vida y como yo lo viví, lo recibí. Y qué es lo que yo he investigado y pensado sobre una práctica? Que en este momento la historia le podría unos ya anarquismo, pero en otro me momento se llama otras formas, pero sí, como antiautoritaria, etcétera. Entonces, el libro es eso. O sea, es un ensayo personal, pero también es un [01:02:00] ensayo político filosófico, no? Entonces van las dos. Te voy narrando mi vida, pero también te voy narrando la historia de estas ideas y cómo las hevisto, en la práctica y practicado hasta dónde he podido.Mmm. Chris: Pues este me voy a asegurar que esos lugares en al menos en Oaxaca y además en línea, van a estar listados en el sitio web del fin de turismo cuando lance el episodio y este, pues en nombre de nuestros oyentes Alf, me gustaría expresarte mi más sincero agradecimiento por tu disposición de acompañarnos hoy, hablar estos temas complejos y garantizar que esta disidencia tenga un lugar en el mundo.Muchísimas gracias. Y cómo podríamos este encontrar tu trabajo en línea? O sea por redes sociales o Alf: Si? Lamentablemente, me encantaría que no, no tuviera que ser por ahí. Pero no, no me [01:03:00] quedó de otra. Si, mi trabajo principalmente yo tengo dos libros afuera que se consiguen las librerías que mencioné. Lo que hago como locutora se encuentra gratis en todos lados, es Un Sueño Largo Ancho y Hondo. Es u arroba @1slaaahh en varias redes sociales. Y nada le ponen ahí en internet y les va a salir gratis y como lo platicaba antes, pues todo va muy junto. Mi parte de ficción y mi parte pedagógica y política va bastante unificada.Es más o menos la misma onda pero si, digamos lo más inmediato es escucharla lo que hago, llevo varios años haciendo, como locutora. Entonces nada más le da un click y ya está. Y les pido ahí que me den likecito que me den el porque hasta ahora no, no hay quien si, o sea, yo no trabajo para una [01:04:00] radio difusora que se encargue en mis redes y que yo nada más llegue a grabar y estaría bien a gusto, pero no, pues yo la autogestiono.Entonces, por ahora, si es necesario, el likecito y el compartir. Chris: Claro. Pues también esos van a estar en el sitio web de fin de turismo cuando lanza el episodio. Entonces, pues muchísimas gracias Alf. Alf: Gracias, Chris.English Transcription.Chris: [00:00:00] Welcome to the podcast The End of Tourism, Alf. Nice to talk to you today.Chris: I'd like to start this off by asking you where you are today and how the world looks through your eyes?Alf: Today I am in my kitchen. I work from there. In Mexico City, in a neighborhood called Iztaccihuatl. How does the world look? Well, look, I don't have a bad view. This is not a big building, but I have a nice view, right? I mean, my view is not blocked by another building or anything. You can see a lot of plants. And well, I guess you know that I am from the provinces. So I have always felt that where I live is like a little bit of a province in the capital, because there are no such big buildings.This one and well, from here you can see it, I forget that I'm in CDMX now, you knowChris: Thank you. Well, you are, among other things, the author of several [00:01:00] texts, including Pepitas de Calabaza and the very recent No Existe Dique Capaz de Contenedor al Océano Furioso. You also coordinated the translation into Spanish of the English text of Militancia Alegre:Let Resistance Bloom in Toxic Times. (or Joyful Militancy) That translation was followed by a companion podcast with Pamela Carmona titled Emerging Joy: Undoing Rigid Radicalism. So, to start, I'd like to ask you how you came across the book Joyful Militancy and what led you to translate it.Alf: I knew that book. I tell you a little bit about it in the prologue, but I knew that book, in the United States, because I had a band. I played drums in a hardcore punk band for many, many years. And so that's how I got to the United States and being [00:02:00] in the American underground, which was an important part of my life, being in California specifically.I found that book in a cafe and I fell in love with it. So I brought it and first I read it in English with some people and very slowly I started to work on that book, translating. That's a longer story that's right there in the prologue, but well, I've been campaigning for that book for years. There were also a series of coincidences with very kind people like Tumba a la Casa, like the Canadian authors, the rights were given to us. The people from Traficantes de Sueno got involved.I mean, there are actually a lot of people. It's like a network of networks, that book and a series of coincidences and favors and nice gestures from many people who made it come out the way it did, really. I mean, I think it's unrepeatable, that series of factors. Aha.Chris: Oh, cool. All right. Well, that book was originally [00:03:00] published in 2016. After reading, re-reading, and tran

The Portal: How Meditation Can Save the WorldCalm your mind. Unlock your power. Save the planet. Our world is suffering from a number of growing crises: wars, climate change, the threat of economic collapse. We're at a tipping point, but there is another way. Revealing an ancient road map that has helped guide people to transformation for centuries, this inspirational book takes us to the very core of what's needed for humanity today: meditation. The Portal explores how meditation and mindfulness will unlock your power, grow your compassion for those around you, and awaken your thirst for change. Sharing personal stories from six people who healed their lives through meditation, as well as compelling insights from some of today's most innovative thinkers, The Portal shares a vision for humanity transformed. Weaving a vibrant tapestry of technology, love, the future, existentialism, human potential, brain hacking, and inner peace, it will rekindle your excitement for the future. Is an enlightened planet possible? Enter The Portal to find out.Want to be a guest on Book 101 Review? Send Daniel Lucas a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/17372807971394464fea5bae3 Hosted on Acast. See acast.com/privacy for more information.

In ONE TO ONE: JOHN & YOKO, co-director Sam Rice-Edwards creates a portrait of the iconic couple unlike any others. Weaving together interview footage, news reels and pop culture moments from the 1970s, the film speaks to the power of celebrity in a world on the brink of disaster. In this 1on1, we speak to Rice-Edwards about the meaning of a 'revolutionary artist' and the difficulty of 'facing yourself'.ONE TO ONE: JOHN & YOKO is available on IMAX screens on April 11th, 2025 and theatres on April 18th, 2025.

Darren Josey is an outdoorsman, bird watcher, spouse, father of two, and the founder of First Seed Sown.   First Seed Sown is a sales and marketing agency serving fellow BIPOC-owned businesses, brands looking to improve their DEI initiatives, and municipalities with environmental justice communities who want to make the outdoors more equitable for everyone in their city.   Connect with DJ or join his "Marketing on a $0 Budget" class: https://www.firstseedsown.com/workshops   This is a longer episode than usual, but it's FULL of helpful perspectives for freelancers. Here are some timestamps so you can find parts to listen back to a second time!:     (03:00) - What First Seed Sown is and why DJ founded this company (04:31) - How finding your purpose and mission takes time (05:30) - Getting his start at Vibram and the opportunities DJ created for himself (06:30) - How Vibram maximized the start of social media, a hole in the marketplace, and a book launch to dominate the market (07:30) - The issues leading to Vibram's downturn (09:00) - How to apply Vibram's growth to the current market (09:30) - Why starting your product-based brand as narrow as possible is key to success (10:25) - The importance of listening to your market and pivoting when your users ask you to change (13:24) - How working in retail shaped DJ's entire career and how it applies to you and the industry (15:25) - How products move from a brand to a sales rep to the retail store and why it matters (16:15) - The sales knowledge you can only learn from retail (16:30) - What you need to know about wholesale vs direct to consumer business if you're a small brand (18:23) - Why understanding the retail ecosystem is essential for creatives and service providers (20:55) - How the product, sales, and marketing teams influence each other (24:40) - The relationship between price and value of a product (25:58) - What the sales team determines at a brand (26:16) - When the product, sales, and marketing departments are at their best (27:00) - The role of the CEO in leading a brand (28:50) - The in-house complexities all freelancers should know about when waiting for your next contract (31:17) - The person you're working with at a brand is overworked and under-resourced (33:10) - Why AI isn't going to solve our overwork issues (33:55) - Why working for himself has been key to DJ meeting his own potential (36:32) - What two strategies you need to implement to successfully pitch your next client in the outdoor industry (40:19) - The factor most freelancers forget to think about when it comes to pitching to brands (42:24) - Your future clients want to hear from you and not just to be sold your services (44:40) - Who will actually read your pitches at a brand and who won't (45:16) - Why meeting people in person is still essential to building relationships with potential clients (47:57) - The outdoors industry is still a handshakes and shoe leather business (50:00) - Building in-person relationships is a muscle we all need to strengthen post-pandemic (51:15) - The privilege of leveraging big contracts as an opportunity to create and sell additional work (52:20) - The responsibility we have to our fellow creatives by creating more transparency and not undervaluing our work (55:45) - Why DJ structures his pricing the way he does and how it ties into his mission (56:20) - The importance of having different rates for different kinds of work and different results (58:08) - DJ's move from Vibram to Topo Athletic and what he learned from handshakes and beer trades (59:08) - Why "building a hometown brand" is your next marketing strategy (1:01:17) - DJ's role at Polartec and the impact of mixing with the biggest brands in the outdoors industry (1:02:13) - Your favorite brands use the same fabric but position it differently and you can too (1:03:52) - The power of creating environmental justice communities and the impact of shifting from brand to cities partners (1:06:46) - The powerful vision behind First Seed Sown and the impact of a wholistic approach in Malden, Massachusetts (1:08:26) - What a wholistic approach can create for environmental justice communities (1:09:27) - Sharing outdoor industry jobs with the next generation of leaders (1:11:02) - DJ's commitment to supporting BIPOC-owned companies as the root of founding First Seed Sown (1:12:10) - Why supporting diverse communities is essential to growing the outdoors industry (1:13:40) - How DJ's approach of paying it forward is a foundational tool to cultivating business relationships (1:15:52) - DJ's work as a core advisor of REI's Path Ahead Ventures and how programs like this create equity in business (1:17:04) - Why having brands made by diverse founders is a smart business move and how to navigate the attacks on DEI programs (1:18:26) - How DJ supporting up and coming BIPOC brands with the wholistic ecosystem (1:19:07) - Why timing matters as a business owner, especially when you're thinking about bringing on support (1:19:48) - Future things to be on the lookout for to benefit from DJ's extensive expertise (1:21:24) - How to strengthen the industry by introducing brands to DJ's work, hiring more diverse voices on your projects, and supporting outdoor ethnic affinity groups (1:23:29) - How DJ stays optimistic and focused by doing mission-aligned work that supports businesses increase their profit and prioritize people   Connect with Justine: https://www.justawildthought.com   Was this episode helpful? Screenshot this and tell a friend to go to justawildthought.com/podcast! Please rate and review Creatives in the Wild on Apple Podcasts, Spotify, or wherever you listen.

Sensing into and experiencing an intimate check-in with Self keeps our bodies and brains in tune with the constant connection and weaving of Infinite consciousness into the finiteness of being…

It's Die Hard in a simulation!This week, hosts Phil and Liam are following the white rabbit into one of the most prophetic and influential movie of the 90s - The Matrix (1999) - with special guest Matt Zoller Seitz, the renowned Editor at Large of rogerebert.com. He is a Features Writer at New York Magazine, and is the author of many books, including books on Wes Anderson, Mad Men, The Sopranos, and many more. Matt not only loves this movie, but talks eloquently about how it changed his life. Released in the banner year of 1999, The Matrix follows Thomas Anderson, a mild-mannered software engineer who moonlights as a notorious hacker known as Neo, discovers to his horror that the world he lives in is actually an elaborate simulated reality created by intelligent machines who have subjugated humanity. Guided by the enigmatic resistance leader Morpheus (Laurence Fishburne) and the skilled warrior Trinity (Carrie-Anne Moss), Neo learns the truth about the Matrix and his potential role as "The One," a prophesied savior who can bend, and perhaps break, its rules. As he battles powerful Agents led by the ruthless Agent Smith (Hugo Weaving), Neo must embrace his destiny and free his mind to prevent the machines' enslavement of humanity.We talk about the film's unexpected connections to Die Hard (Kinda blowing Matt's mind), the movie's philosophical complexity (Plato! Descartes! Baurdrillard!), it's appropriation by both the right and left-wing, and if it can be seen, 26 years on, as being somewhat optimistic. We also talk about the culture-chaning action, the amazing performances by Reeves, Moss, Fishburne, and Weaving, and how the movie's style hasn't aged a day. So call your operator and strap in for one of our most mind-blowing episodes yet!Listen now, wherever you get your podcasts! Hosted on Acast. See acast.com/privacy for more information.

In this episode of the "Faith with Friends" podcast, host Lisa Lorenzo delves into the profound story of the healing of the ten lepers from the Gospel of Luke. Focused on the themes of compassion, restoration, and divine grace, Lisa guides listeners through a historical and spiritual examination of this often-overlooked biblical narrative. She invites her audience to reflect on the societal and religious implications of leprosy in the first century, setting the stage for a deeper understanding of Jesus' miraculous intervention.Lisa emphasizes the societal isolation faced by lepers and the transformative power of faith as depicted in Luke 17. By examining the journey of the ten lepers and the singular act of gratitude by the Samaritan man, she underscores how faith and thankfulness can lead to spiritual healing and wholeness. Weaving her personal testimony of overcoming breast cancer, Lisa shows how God's grace and power are limitless, inviting listeners to cultivate a heart of gratitude to experience a deeper relationship with God.Key Takeaways:Historical and societal context plays a crucial role in understanding biblical narratives, especially related to diseases like leprosy.The miracle of healing in the story highlights that God's power and compassion are boundless, addressing even the most overwhelming challenges.Gratitude is not just courteous but a profound acknowledgment of God's blessings and an opening for deeper spiritual connections.Personal testimonies of faith during trials can exemplify God's sustenance and grace, offering hope and inspiration to others.Exploring biblical stories with an open heart can reveal unexpectedly profound lessons applicable in modern life.Notable Quotes:"The healing happened as they went, as they obeyed, as they took each step of faith towards the priest, they were each met with God's miraculous power.""Jesus wasn't overwhelmed by the sheer number of them, by the magnitude of their suffering. He had the power and compassion to heal every single one of them.""Gratitude isn't just about good manners. For believers, it is a key that unlocks deeper connection with God.""God isn't overwhelmed by the magnitude of our problems, no matter how many or how significant they may be.""Let's express our heartfelt thanks, knowing that our gratitude opens doors to a deeper relationship with Him, the One who is never overwhelmed by our needs."

The Glasgow and West of Scotland Family History Society has a wealth of resources and local knowledge for anyone with ancestors from the Glasgow and wider west of Scotland area. Scott Fairie and I discuss what the society has available, Scottish records in general, burying grounds, shipbuilding, railways, weaving, memorial inscriptions and lots more. A transcript and resources sheet is available on Journeys into Genealogy on Substack. 

“If you can make the twists [in the story] hit your character in an emotional way and set up their emotional arc, then when the case twist intersects with them, if it's hitting them in the deepest way, in the most unexpected way, maybe – then you've done your job. So it's getting that emotional arc to really bounce off of the crime story in the most impactful way,” says Gina Lucita Monreal about the most powerful way to fuse together story and character.  On today's episode, we talk with David J. North and Gina Lucita Monreal, showrunners and creators of the CBS show NCIS: Origins that brings a fresh perspective to one of television's most beloved franchises as it dives into the early career of a young Leroy Jethro Gibbs (played by Mark Harmon in the original NCIS). Set in the 90s, NCIS: Origins taps into the nostalgia of the era, from great music from bands like Pearl Jam to life with pagers and payphones.  North and Monreal discuss getting to know each other a decade ago writing for the original NCIS, and how now they are pushing the boundaries of procedural television by creating more complex, character-driven storylines. “The biggest challenge for us isn't the going back to the 90s. I mean, I think for a lot of procedural writers, that would have been a challenge, that you're losing the DNA and the fingerprints, all that stuff. But for Gina and I, that's not really ever the way we leaned into NCIS or wrote the show. Our episodes were definitely more about the characters, so that's what we looked forward to. And obviously in each episode of Origins, it's very character based. I would say the most difficult part of going back is just sticking to canon, knowing it. Weaving in and out, trying to, when you hit something and saying, ‘Okay, well, we know this happened in season three of NCIS,' so trying to honor it while also using it to our advantage – that's difficult.  We get beat up a lot on X, and sometimes we have to just pick a path,” says North about the challenges of writing beloved characters with a lot of well-known history.  To learn more about North and Monreal's writing process and hear their advice for emerging TV writers, listen to the podcast.   

 What happens when the preventative surgery you chose to avoid cancer reveals you already have it?  In this episode of "Every Soul Has a Story," Dara Levan welcomes author Gila Pfeffer, whose memoir "Nearly Departed" chronicles her journey through losing both parents to cancer at a young age and her own battle with breast cancer. With refreshing candor and signature wit, Gila shares how her Orthodox Jewish identity shaped her experiences and how becoming a mother to four children galvanized her commitment to preventative healthcare - ultimately saving her life when a preventative mastectomy revealed aggressive cancer.  Weaving together themes of resilience, authentic storytelling, and finding humor in life's darkest moments, Gila reflects on the profound significance of reaching age 50 - making her the first woman in four generations of her family to achieve this milestone. Her powerful metaphor of a broken mug still worth saving resonates deeply as she discusses her advocacy work and how sharing her story has inspired countless women to prioritize breast health. Like the cracked vessel on her book cover - weathered yet still holding precious contents - Gila's narrative embodies the beauty of imperfect survival.  Gila Pfeffer is a Jewish American humor writer whose memoir "Nearly Departed" chronicles her journey through loss, cancer, and survival with unflinching candor and unexpected hilarity. A fifteen-year breast cancer previvor and survivor, Gila's "Feel It on the First" campaign has directly led to earlier diagnoses for countless women through its tongue-in-cheek reminders about breast health. As an Orthodox Jewish mother of four who underwent preventative mastectomy at 34 only to discover early-stage cancer, Gila's writing - featured in The New York Times, The New Yorker, and McSweeney's - transforms tragedy into empowerment through her signature wit. She splits her time between London, New York City, and Instagram.  In This Episode:  (00:00) Meet Gila Pfeffer: Author of "Nearly Departed" (05:26) "Making fun of something is taking your power back" (08:12) What does authentic branding really mean? (13:07) Breaking the cycle: First to reach 50 (19:11) The delicate balance of telling your truth in memoir (23:51) How four children saved their mother's life (29:16) Beyond the pink ribbon: Rethinking breast cancer awareness (34:42) One person at a time: The impact of sharing your story (38:45) The metaphor of the broken mug  (39:55) Closing thoughts   Like and subscribe to hear all of our inspirational episodes!  Resources: https://www.gilapfeffer.com/ @GilaPfeffer on Instagram Nearly Departed Sign up for Dara's Newsletter Listen to other podcast episodes Here Connect with Dara on Instagram and Facebook Visit DaraLevan.com 

Tune in this week as Josh and Jade review the 2025 comedy thriller, Borderline (2025). This film is written and directed by Jimmy Warden and stars Samara Weaving, Ray Nicholson, and Eric Dane. The film centers on a pop star (Weaving) whose home is invaded by an obsessive fan (Nicholson) who believes they are meant to get married and forcibly manipulates her into going along with his delusion.Also, our hosts discuss the 25th anniversary theatrical release of Dogma in theaters and express their delight in the Megan 2.0 trailer that dropped last week. Tune in for unsolicited film opinions and enjoy!

Renowned artist Marie Watt, a proud member of the Seneca Nation, invites us into her vibrant world of Indigenous art, where tradition meets innovation. With an extraordinary mix of text, textiles, beadwork, sculptures, and neon, Marie shares her journey from her early days at Willamette University to her transformative experiences at the Institute of American Indian Arts. Her art is a profound reflection of her Seneca identity, especially through the symbolic use of blankets, deeply rooted in her cultural heritage and personal narrative. Marie offers insights into the communal traditions reflected in her art, drawing from her experiences within the urban Indian community of the Pacific Northwest.Join us as we uncover the magic behind Marie's sewing circles, a practice that blossomed from necessity into a rich community-building exercise. These gatherings brim with storytelling and intergenerational exchange, emphasizing the connection between traditional beadwork and modern neon as evolving storytelling mediums. The episode also navigates the contemporary landscape of Indigenous art in prestigious collections, with language playing a crucial role in Marie's work. Themes such as "turtle," "island," and "companion species" challenge us to reconsider our relationships with nature, while cultural narratives and Marvin Gaye's music inspire reflections on motherhood and community. Marie's narrative beautifully intertwines language and art, reshaping how we perceive familial and communal ties.

Weaving between narrative and documentary features OTTO BY OTTO, SERIOUSLY RED and extensive work directing some of the best television (including DEADLOCH and HEARTBREAK HIGH), Gracie Otto is one of the most skilled and in-demand filmmakers in Australia. With great stories around Wong Kar-wai and David Lynch, Gracie’s visit to the Last Video Store is one of the greats. BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in MELBOURNE, SYDNEY, PERTH and BRISBANE Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here’s Gracie’s list. GUEST PICKS: OTTO BY OTTO (documentary), MULHOLLAND DRIVE (cult), CHUNGKING EXPRESS (cult)STAFF PICKS: HIPPO (cult)See omnystudio.com/listener for privacy information.

Mentorship is important in encouraging students to enter artistic and creative career paths. Mark Page, Vice President of Design at Mohawk Industries, touches on the importance of fostering connections with colleges and universities to inspire the youth of today to continue their creative paths. Mark also shares insights on the challenges and innovations in flooring, such as the use of sustainable materials and advanced fiber technologies. He discusses the evolving demands of the hospitality industry, being able to offer something creative and beautiful that also meets functional and performance needs. This episode provides valuable perspectives for anyone interested in hospitality design, product innovation, and the flooring industry's future.Takeaways: Understanding and enhancing the guest's journey is essential. Tailor experiences to make guests feel cared for and welcome.Design spaces that are not only functional but also inspiring and relaxing. Consider how elements like flooring can contribute to the overall guest experience.Embrace new materials and technologies. For example, using advanced fibers in carpets that repel stains can increase longevity and maintain aesthetic appeal.Incorporate sustainable practices, such as using recyclable materials in flooring, which can enhance the brand's eco-friendly appeal and reduce environmental impact.Recognize that different segments (hospitality, healthcare, office, etc.) have unique design needs and challenges. Tailor offerings to meet these specific requirements.Build relationships with colleges and design schools to attract fresh talent and foster loyalty among future designers.Ensure that design choices consider maintenance and longevity, making spaces easier to clean and sustain over time.Quote of the Show:“ My ideal is that our clients look to us for innovation, for new styling as being the specialists, as being the trend forecasters. We want them to come to us first. ” - Mark PageLinks:LinkedIn: https://www.linkedin.com/in/mark-page-asid-iida-newh-cmg-a83b9b4/ Website: https://mohawkind.com/ Shout Outs:20:28 - Raiders of the Lost Ark https://en.wikipedia.org/wiki/Raiders_of_the_Lost_Ark 21:59 - Brintons https://www.brintons.net/ 24:20 - LaGuardia https://www.laguardiaairport.com/ 34:34 - BDNY https://bdny.com/ 40:15 - Hirsch Bedner Associates https://www.hba.com/ 40:49 - Baywatch https://en.wikipedia.org/wiki/Baywatch 48:57 - Edwards Theaters https://en.wikipedia.org/wiki/Edwards_Theatres 53:18 - DuPont https://www.dupont.com/ 55:23 - VPI https://www.vpicorp.com/ 

In the final installment of our Women's History Month series, we go inside the lives of immigrant women who found their way to Hull House upon arrival to Chicago, and their homes in the surrounding neighborhoods. Reset speaks with Chicago professor and historian Jennifer Brier and Liesel Olson, director of the Hull House Museum, to honor the unnamed remarkable figures that helped shape Chicago. For a full archive of Reset interviews, head over to wbez.org/reset.

Lee is an artist and educator based in London. Weaving together fine art and storytelling, his compelling videos open us to the fascinating wonders of the animal kingdom.Listen to hear more about:Lee's creative history, including the development of his street dance and fine art. Incorporating movement into art practice.Creating art that has a positive outlook. Animal activism through art. Storytelling and its influence on Lee's life and work. Telling the story of animals that might not be typically charismatic. Sketching animals from life.Lee's upcoming online drawing session for the Saturday Sketch Club at the Royal Academy.How interactions with other artists can help orientate you within your ‘artistic ecosystem'. Communication through the language of art.Find Lee on social media over on Instagram, YouTube and Tiktok.You can find Lee's beautiful fine art prints in the online store on his website www.factsandfineliners.co.uk.Be sure to sign up to be part of Lee's online session for the Saturday Sketch Club for the Royal Academy: Saturday Sketch Club - drawing animals. -----------------Sign-up for Journaling With Nature's Newsletter to receive news and updates each month. You can support Journaling With Nature Podcast on Patreon. Your contribution is deeply appreciated.Thanks for listening!

A meaningful conversation with Mallory Solomon, co-founder and CEO of Salam Hello, a Morocco-based rug company focused on sustainable, ethical production.Mentioned in this episode:SALAM HELLOSALAM HELLO ON IGHave thoughts or comments to share? Feel free to reach out to MAREDI Design at hello@maredi-design.com

Text us your questions!This is a re-release of an episode from our second season when we spoke with philosopher C Thi Nguyen. We think it bears re-listening in our current moment.=====What happens when we seek simple answers in a complex world? Philosopher C Thi Nguyen takes us into the machinery of belief, understanding, and value formation, exploring how we navigate information landscapes designed to manipulate us.Thi introduces the concept of "moral outrage porn"—representations that give us the satisfaction of moral righteousness without requiring meaningful action. We discuss conspiracy theories and his notion of "the seduction of clarity"—the powerful feeling we get from explanations that seem to make everything simple. This feeling is particularly dangerous because we're limited beings who need mental shortcuts to navigate the world.We also tackle echo chambers and why perfectly rational people can end up in them. Thi distinguishes echo chambers (where we systematically distrust outside sources) from filter bubbles (where we simply aren't exposed to contrary views), explaining that people inside echo chambers often follow logical procedures based on who they've decided to trust. This challenges the dismissive assumption that those with radically different beliefs are simply stupid or lazy.Weaving through discussions of game design, social media metrics, and institutional incentives, Thi reveals how our values are increasingly captured by simplified scoring systems that reshape our priorities according to what can be easily measured. The result? We outsource our complex human values to technologies and institutions that weren't designed to handle them.Uncomfortable yet?Content note: this episode contains profanity.=====Want to support us?The best way is to subscribe to our Patreon. Annual memberships are available for a 10% discount.If you'd rather make a one-time donation, you can contribute through our PayPal. Other important info: Rate & review us on Apple & Spotify Follow us on social media at @PPWBPodcast Watch & comment on YouTube Email us at pastorandphilosopher@gmail.com Cheers!

In this episode, Mike and Doug catch up after a few eventful weeks and share stories that blur the line between the ordinary and the liminal. What starts as a conversation about group chats, notifications, and sound checks opens up into something deeper—a reflection on creativity, grief, and connection across realms.Doug tells the story of a late-night solo journey that led him to record a spontaneous synth track, sparking a creative back-and-forth with Mike. They reflect on the vulnerability of creating in altered states and the unexpected beauty that can emerge when we follow the impulse to make something—even if it's messy.Mike shares a recent encounter with a stranger who delivered a message about songwriting and the role of the artist—one that felt like it came from another world. Together, they explore what it means to live in the "in-between" space: the liminal zone where inspiration, memory, and presence overlap.

Ewe Kente weaving by a group of two weavers in the Kpetoe community in Volta Region, Ghana.  Kente is woven on a horizontal strip loom, which produces a narrow band of cloth about four inches wide. Several of these strips are carefully arranged and hand-sewn together to create a cloth of the desired size. Most kente weavers are men. Weaving involves the crossing of a row of parallel threads called the warp (threads running vertically) with another row called the weft (threads running horizontally). A horizontal loom, constructed with wood, consists of a set of two, four or six heddles (loops for holding thread), which are used for separating and guiding the warp threads. These are attached to treadles (foot pedals) with pulleys that have spools of thread inserted in them. The pulleys can be used to move the warp threads apart. As the weaver divides the warp threads, he uses a shuttle (a small wooden device carrying a bobbin, or small spool of thread) to insert the weft threads between them. These various parts of the loom, like the motifs in the cloth, all have symbolic significance and are accorded a great deal of respect. By alternating colours in the warp and weft, a weaver can create complex patterns, which in kente cloth are valued for both their visual effect and their symbolism. Patterns can exist vertically (in the warp), or horizontally (in the weft), or both.  Source: Khan Academy. Ewe Kente Cloths are considered by many to be one of the most premier and unique styles of Kente Cloth in the modern day. Ewe Kente Cloths are now made mostly by artisans in Southern Ghana near the towns Agbozume and Kpetoe. The tradition of Kente Cloth Weaving dates as far back as the 11th Century and Ewe Kente Cloths have a variety of influences with many variations in style. What makes Ewe Kente more unique than the traditional Asante style of Kente Cloth is the diversity of design styles. Recorded by Emmanuel Baffoe, a recently trained Field Recordist and upcoming Soundscape Ecology and Multimedia Specialist and Trainer.  Emmanuel is one of 5 selected trainees receiving mentorship under the Soundscape Ecology and Multimedia Education Ghana program carried out by CSEM (Center for Soundscape Ecology and Multimedia). UNESCO listing: Craftsmanship of traditional woven textile Kente ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

"With its sharp, clipped sounds and natural rhythm, this recording immediately drew me in. It felt like a composition in itself, already crafted, and required little manipulation to tease out its natural syncopation and lively tempo. In my reimagined piece, I aimed to enhance these natural rhythms, capturing the physicality of Kente weaving - the movement of hands, the crossings of parallel threads, the interplay of warp and weft.  "As I listened, the percussive quality of the weaving reminded me of the gyil, the traditional Ghanaian xylophone/ wooden. The gyil's bright, buzzing resonance created by its gourd resonators mirrors the sounds of the wooden loom and treadles. Inspired by this connection, I incorporated gyil-like tonal elements into the composition and played with a few samples. The warm, resonant timbres of the instrument blend with the weaving sounds, creating a dialogue between craftsmanship and music, tradition and reinterpretation. This interplay between instrument and craft reflects the deep relationship between Ghanaian music and artisanal traditions. "Many thanks to Samuel, Emmanuele, and the individuals featured in this recording. Through your hands and laughter in this recording, I feel a deep connection to this moment in time and wondered what you were creating. "The title, "Weaving Rhythms," highlights the profound cultural and historical significance of Kente weaving, Ghanaian music and the community that comes together through both art forms. Just as each thread in Kente cloth carries meaning, I wonder what stories the loom has heard. Interlacing tradition, storytelling, and heritage, kente is rich with symbolism. The piece unfolds in layers like a woven tapestry, as I build up the motif before scaling it back to reach the final few seconds, where a spool of thread is spun." Weaving in Kpetoe reimagined by Delphine Boagey. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Links:One Thread At A Time: A Somatic Mini-Course For Shifting Relational PatternsLindsey Lockett's Instagram @iamlindseylockettLindseyLockett.comIn this conversation, Drew Wild and Lindsey Lockett explore the intricate relationship between authenticity, trauma, and healing within the context of relationships. They discuss how addiction serves as a coping mechanism, the importance of relational authenticity, and the role of the nervous system in fostering genuine connections. The dialogue emphasizes the need for co-authenticity in relationships, the significance of couples work, and the metaphor of a web to illustrate the dynamics of relational interactions. They also challenge traditional views on emotional states and highlight the dangers of bypassing in healing processes. In this conversation, they explore the complexities of emotional intimacy in relationships, emphasizing the importance of communication, authenticity, and the need to confront assumptions and self-abandonment. They discuss the significance of navigating emotional dynamics, the value of multiple relationships, and the challenges of handling rejection. The conversation highlights the necessity of building trust through conflict and integrating past experiences into present relationships, ultimately advocating for a more authentic and connected way of relating to others. Lindsey and Drew discuss the complexities of relationships, emphasizing the importance of depth, authenticity, and communication. They talk about how attachment styles from childhood influence adult relationships and the necessity of navigating conflict with honesty and vulnerability. The dialogue highlights the transformative power of relationships in fostering self-discovery and emotional growth, advocating for a shift away from surface-level connections towards deeper, more meaningful interactions.They go into the complexities of relational healing, emphasizing the importance of discernment in recognizing the difference between rupture and harm in relationships. The speakers discuss the role of detachment in therapy, the necessity of vulnerability, and the challenges of navigating emotional dynamics. They also explore the decision-making process involved in parting ways when a relationship becomes harmful, the empowerment that comes from recognizing one's options, and the significance of authenticity in interpersonal connections. The discussion culminates in the idea that personal development should focus on interpersonal growth, highlighting the interconnectedness of relationships.

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin's Little Man, Little Man, Mildred D. Taylor's Roll of Thunder, Hear My Cry, Toni Morrison's The Bluest Eye, Gene Luen Yang's American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms. Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

"Among the Asante (or Ashanti) people of Ghana, West Africa, a popular legend relates how two young men—Ota Karaban and his friend Kwaku Ameyaw—learned the art of weaving by observing a spider weaving its web. One night, the two went out into the forest to check their traps, and they were amazed by a beautiful spider's web whose many unique designs sparkled in the moonlight. The spider, named Ananse, offered to show the men how to weave such designs in exchange for a few favors. After completing the favors and learning how to weave the designs with a single thread, the men returned home to Bonwire (Bonwire is the town in the Asante region of Ghana where kente weaving originated), and their discovery was soon reported to Asantehene Osei Tutu, first ruler of the Asante kingdom. The asantehene adopted their creation, named kente, as a royal cloth reserved for special occasions, and Bonwire became the leading kente weaving center for the asantehene and his court. Weaving Kente Kente is woven on a horizontal strip loom, which produces a narrow band of cloth about four inches wide. Several of these strips are carefully arranged and hand-sewn together to create a cloth of the desired size. Most kente weavers are men. Weaving involves the crossing of a row of parallel threads called the warp (threads running vertically) with another row called the weft (threads running horizontally). A horizontal loom, constructed with wood, consists of a set of two, four or six heddles (loops for holding thread), which are used for separating and guiding the warp threads. These are attached to treadles (foot pedals) with pulleys that have spools of thread inserted in them. The pulleys can be used to move the warp threads apart. As the weaver divides the warp threads, he uses a shuttle (a small wooden device carrying a bobbin, or small spool of thread) to insert the weft threads between them. These various parts of the loom, like the motifs in the cloth, all have symbolic significance and are accorded a great deal of respect. By alternating colors in the warp and weft, a weaver can create complex patterns, which in kente cloth are valued for both their visual effect and their symbolism. Patterns can exist vertically (in the warp), or horizontally (in the weft), or both.  Source: Khan Academy. Recorded by Emmanuel Baffoe, a recently trained Field Recordist and upcoming Soundscape Ecology and Multimedia Specialist and Trainer.  Emmanuel is one of 5 selected trainees receiving mentorship under the Soundscape Ecology and Multimedia Education Ghana program carried out by CSEM (Center for Soundscape Ecology and Multimedia). UNESCO listing: Craftsmanship of traditional woven textile Kente ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Mechanisms of wooden frames and wools in a seemingly textural sonic dialog during a Kente weaving session at Asante Bonwire. Among the Asante (or Ashanti) people of Ghana, West Africa, a popular legend relates how two young men—Ota Karaban and his friend Kwaku Ameyaw—learned the art of weaving by observing a spider weaving its web. One night, the two went out into the forest to check their traps, and they were amazed by a beautiful spider's web whose many unique designs sparkled in the moonlight. The spider, named Ananse, offered to show the men how to weave such designs in exchange for a few favors. After completing the favors and learning how to weave the designs with a single thread, the men returned home to Bonwire (Bonwire is the town in the Asante region of Ghana where kente weaving originated), and their discovery was soon reported to Asantehene Osei Tutu, first ruler of the Asante kingdom. The asantehene adopted their creation, named kente, as a royal cloth reserved for special occasions, and Bonwire became the leading kente weaving center for the asantehene and his court.  Weaving Kente Kente is woven on a horizontal strip loom, which produces a narrow band of cloth about four inches wide. Several of these strips are carefully arranged and hand-sewn together to create a cloth of the desired size. Most kente weavers are men. Weaving involves the crossing of a row of parallel threads called the warp (threads running vertically) with another row called the weft (threads running horizontally). A horizontal loom, constructed with wood, consists of a set of two, four or six heddles (loops for holding thread), which are used for separating and guiding the warp threads. These are attached to treadles (foot pedals) with pulleys that have spools of thread inserted in them. The pulleys can be used to move the warp threads apart. As the weaver divides the warp threads, he uses a shuttle (a small wooden device carrying a bobbin, or small spool of thread) to insert the weft threads between them. These various parts of the loom, like the motifs in the cloth, all have symbolic significance and are accorded a great deal of respect. By alternating colors in the warp and weft, a weaver can create complex patterns, which in kente cloth are valued for both their visual effect and their symbolism. Patterns can exist vertically (in the warp), or horizontally (in the weft), or both.  Source: Khan Academy. Recorded by Emmanuel Baffoe, a recently trained Field Recordist and upcoming Soundscape Ecology and Multimedia Specialist and Trainer.  Emmanuel is one of 5 selected trainees receiving mentorship under the Soundscape Ecology and Multimedia Education Ghana program carried out by CSEM (Center for Soundscape Ecology and Multimedia). UNESCO listing: Craftsmanship of traditional woven textile Kente Recorded by Samuel Kudjodzi. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin's Little Man, Little Man, Mildred D. Taylor's Roll of Thunder, Hear My Cry, Toni Morrison's The Bluest Eye, Gene Luen Yang's American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms. Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin's Little Man, Little Man, Mildred D. Taylor's Roll of Thunder, Hear My Cry, Toni Morrison's The Bluest Eye, Gene Luen Yang's American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms. Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Child Gaze: Narrating Resistance in American Literature (UP of Mississippi, 2024) theorizes the child gaze as a narrative strategy for social critique in twentieth- and twenty-first-century US literature for children and adults. Through a range of texts, including James Baldwin's Little Man, Little Man, Mildred D. Taylor's Roll of Thunder, Hear My Cry, Toni Morrison's The Bluest Eye, Gene Luen Yang's American Born Chinese, and more, Amanda M. Greenwell focuses on children and their literal acts of looking. Detailing how these acts of looking direct the reader, she posits that the sightlines of children serve as signals to renegotiate hegemonic ideologies of race, ethnicity, creed, class, and gender. In her analysis, Greenwell shows how acts of looking constitute a flexible and effective narrative strategy, capable of operating across multiple points of view, focalizations, audiences, and forms. Weaving together scholarship on the US child, visual culture studies, narrative theory, and other critical traditions, The Child Gaze explores the ways in which child acts of looking compel readers to look at and with a child character, whose gaze encourages critiques of privileged visions of national identity. Chapters investigate how child acts of looking allow texts to redraw circles of inclusion around the locus of the child gaze and mobilize childhood as a site of resistance. The powerful child gaze can thus disrupt dominant scripts of power, widening the lens through which belonging in the US can be understood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Christian Historical Fiction Talk is listener supported. When you buy things through this site, we may earn an affiliate commission.Become a patron and enjoy special perks and bonus content.Donna Wichelman, a first-time guest, joins us this week to talk about her new book, A Song of Deliverance. In addition to talking about the book, we discuss how her writing journey began, the importance of imagination, and her love for kayaking. If you're a patron, you'll get to hear about how she would spend a rainy day. A Song of Deliverance by Donna WichelmanBorn into the Irish system of landholding that favors the moneyed class, Anna Sullivan has no dowry and no chance of marrying the man she loves. Poor and heartbroken, she flees Ireland to tend to Uncle Liam's house in Colorado and take on her deceased aunt's sewing business.But when Anna arrives in Georgetown, she discovers a mine disaster at the Singing Silver Mine has killed her uncle. Orphaned and destitute again, she gathers her faith, courage, and ingenuity to establish a life in the community. Only one person stands in her way—the mine's owner.A wealthy, grief-stricken widower of European nobility, Stefan Maier threw his energies into making his mark as a silver mining baron in Colorado when his wife and child died at sea, emigrating to America. Now, everyone blames him for the mine disaster that killed nine men. But how does he convince the lovely and opinionated Irish woman of his innocence?Will Anna's heart soften towards Stefan? Will Stefan prove himself worthy of Anna's affections? Each will have to risk everything to attain what they want and need most—love.Get your copy of A Song of Deliverance.Weaving history and faith into stories of intrigue and redemption grew out of Donna's love of travel, history, and literature as a young adult while attending the United World College of the Atlantic—an international college in Wales, U.K. She enjoys developing plots that show how God's love abounds even in the profoundly difficult circumstances of our lives. Her stories reflect the hunger in all of us for love, forgiveness, and belonging in a world that often withholds second chances.Donna received her master's degree in mass communication/journalism from San Jose State University and became a communications professional before writing full-time. Her short stories and articles have appeared in inspirational publications. She has two indie-published Christian romantic suspense novels in her Waldensian Series—Light Out of Darkness and Undaunted Valor, and her Gilded Age historical romance, A Song of Deliverance, released on December 3, 2024.Donna and her husband of forty years participate in ministry at their local church in Colorado. They love spending time with their grandchildren and bike, kayak, and travel whenever possible.Visit Donna Wichelman's website.

Weaving together nearly two centuries of family history “The Lehman Trilogy,” now running at The Rep in Albany, New York, charts the humble beginnings, outrageous successes and devastating failure of the Lehman financial institution that would ultimately bring the global economy to its knees.

What a beautiful and thoughtful reflection on places of connection and spiritual significance. It's fascinating how certain spaces, whether physical or emotional, provide that sense of peace, clarity, or even healing, just like the one I described as a child under the bush in your yard. Weaving the idea of being open to the present moment, and to the connections we share with others can be spiritual in the deepest sense. There's a profound connection between the self and nature, the present moment, and community, which can shape our personal growth. The story of Leonard Knight and Salvation Mountain is such a powerful example of how dedication, belief, and passion can create something that transcends just a physical space. It's inspiring to think of how Leonard's life and work—something as personal as his devotion to his faith—turned into a public monument that has touched so many people across the world. The mountain isn't just a structure; it represents years of persistence, love, and a desire to spread a message of faith, connection, and hope. I also think it's so moving that Bob Levesque is carrying forward Leonard's work, ensuring that his vision continues. It reminds us how important it is to protect and nurture the things that matter deeply to us, even after we're gone, and how communities can preserve these treasures for future generations. It's amazing how these places of connection, healing, and spirituality are passed down through the dedication of individuals and communities. It seems like a beautiful, spiritual journey for Bob to be part of this legacy. His role in preserving Leonard's vision must be incredibly meaningful. Do you feel like there's a specific lesson or message you've taken from Leonard Knight's story and Salvation Mountain that resonates with your own journey or understanding of connection? Check out their website: www.salvationmountain.org  

Special Patreon Re-Release: Stories about Faith, Family, and Leading a Generous Business with John Wieland   **Transcription Below**   Matthew 7:13-14 (NIV) "“Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it.”   Questions and Topics We Discuss: Are there any  personal stories that set your life on a different trajectory? Most business people do not have an experience like yours where they go from losing hundreds of thousands of dollars to becoming hugely profitable. Will you share your business journey with us? How has God taught you to grow in generosity and how can we learn to do the same? Uncommon Threads   John Wieland purchased a small, virtually bankrupt company in 1994. Under his leadership, MH Equipment has gone from having three branches and 50 employees to having over 900 employees and over 30 branches. Wieland is also the president of the His First Foundation, a non-profit that receives 10 percent of MH's profits. He teaches college graduates how to handle money responsibly, is a speaker and will guest preach from time to time. He and his wife Julie have four children: Jessica, Jennifer, Jamie and Josiah. They also have one granddaughter: Saylor.   Thank You to Our Sponsors: Chick-fil-A East Peoria and The Savvy Sauce Charities (and donate online here)   Other Recommended Business Leadership Episodes on The Savvy Sauce: 12 How to Apply Successful Business Principles to Your Life with Dee Ann Turner 67 Thriving at Work, Home, and Life with Author, Blogger, Podcaster, and Business Owner, Crystal Paine 70 Energy to Spark Success in Your Business with Best-Selling Author, Speaker, and Podcaster, Christy Wright 77 How 2 Questions Can Grow Your Business and Change Your Life with Author, Pastor, and Podcaster, Jeff Henderson 79 Radical Business and Radical Parenting with Gary & Marla Ringger, Founders of Lifesong for Orphans 127 Generational Differences in the Workplace with Haydn Shaw 132 Pursuing Your God-Given Dream with Francie Hinrichsen 152 Leadership Training: Five Key Elements for Creating Customer Loyalty in Your Business with Elizabeth Dixon 193 Biblical Principles as Wise Business Practices with Steve Robinson 198 Divine Productivity with Matt Perman   Connect with The Savvy Sauce on Facebook or Instagram or Our Website   Please help us out by sharing this episode with a friend, leaving a 5-star rating and review, and subscribing to this podcast!   Gospel Scripture: (all NIV)   Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”    Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”    Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”    Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”    John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”    Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”   **Transcription**   Music: (0:00 – 0:08)   Laura Dugger: (0:09 - 1:46) Welcome to The Savvy Sauce, where we have practical chats for intentional living. I'm your host, Laura Duggar, and I'm so glad you're here.    I'm grateful for today's sponsor, Chick-fil-A East Peoria.   Check them out online to place your order for dining or catering, or to fill out an application to join their friendly team. Visit Chick-fil-A East Peoria.   If you've been with us long, you know this podcast is only one piece of our nonprofit, which is the Savvy Sauce Charities.   Don't miss out on our other resources. We have questions and content to inspire you to have your own practical chats for intentional living. And I also hope you don't miss out on the opportunity to financially support us through your tax-deductible donations.   All this information can be found on our recently updated website, TheSavvySauce.com. And now I'm pleased to share this episode with you that used to only be available to paying patrons. I am on site at MH Equipment to interview their CEO, John Wieland.   John is an inspiringly generous leader, and he recently published his first book, entitled Uncommon Thread, Weaving a Life Through Family, Business, and Faith. And we're going to cover each one of those topics now. Here's our chat.   Welcome to The Savvy Sauce, John.   John Wieland: (1:47 - 1:49) Thank you very much, Laura. I look forward to this.   Laura Dugger: (1:50 - 2:02) I'm very excited about this chat as well. And we're going to go back a little bit as we begin. So, will you just first start us off with sharing how you came to a saving faith in Jesus Christ?   John Wieland: (2:03 - 3:49) Yeah. Growing up, I was a decent guy, very narcissistic. When I got to college, I started to realize I was missing something.   And a guy told me to start reading the Bible, and he suggested reading the book of Matthew. And so, I was feeling pretty good until I got to the Sermon on the Mount, which is Matthew 5 through 7. And in Matthew 7, it says, “Enter by the narrow gate. For the gate is wide and the way is easy that leads to destruction, and those who enter by it are many. For the gate is narrow and the way is hard that leads to life, and those who find it are few.”   I was like, hold it. Many and few. Well, we still went to church, so I thought I was still in the club. A few verses later, they throw another bomb.   And Jesus says, “Hey, not everyone who says to me, Lord, Lord, shall enter the kingdom of heaven. On that day, many will say to me, Lord, Lord, do we not prophesy your name? Cast out demons in your name and do many mighty works in your name. And then I will declare to them, I never knew you. Depart from me, you evil doers.” In about a span of eight verses, I realized I was on the outside looking in.   And as I got further into the gospel, I realized that my sin has to be dealt with. And that Jesus is one that dealt it for me. And so that became a follower of Jesus when I was a sophomore in college.   Laura Dugger: (3:49 - 4:01) Wow. Thank you for sharing that testimony. And are there any other personal stories that you want to share that kind of illustrate how it set your life on a different trajectory?   John Wieland: (4:02 - 7:17) Yeah. Growing up, I really had a blessed environment. Mom and dad was great.   But I will share with you a moment in time when I was a senior in high school. And like I said, I was pretty narcissistic. I was dating a lady in my class and it wasn't long before she got pregnant.   I didn't think either one of us were at this stage where we should get married, let alone have a child. The idea of having a baby and giving it to one of the millions of couples who are crying out everyday for a baby to love didn't even enter my mind at that time because life was just about me. What was the most convenient for me at that time?   So we decided to have the abortion. My memory of that was that I paid for the abortion. When I talked to the lady about this book and asked her if she was okay with it, she had different memories.   She was very nice about it. But this was her memory. She said, I remember you telling me you had plans for college and that we were too young.   I remember being at the abortion clinic, sitting on a beanbag chair, waiting for them to call my name. I remember the pain of the procedure. I remember sitting in the recliner after the procedure, feeling numb, feeling cold, feeling empty.   I remember looking around wondering what I had done and wondering if I would go to hell for taking this soul's life. I remember seeing you for the first time afterwards and feeling sad. I remember you going off to college that fall.   There's not a month that goes by that I don't wonder what my child would have looked like, what my child would have become. I count my child as one of my own, my oldest. I had a ceremony for my child's death.   I pray for my child's soul. Significantly different memories, wouldn't you say? It was 12 years later that I met with a doctor and he's telling me that it's going to be very hard for me and my wife to conceive.   The irony did not pass me by. The only biological child that I was ever going to have, I aborted. I kind of felt like I was getting what I deserved.   The thing I learned is this. God is rich in mercy. He gave us four three-day-old babies to adopt.   It has been just an incredible journey to experience his mercy and grace. That has probably defined me probably as much as anything.   Laura Dugger: (7:17 - 7:57) Thank you for being willing to share such a personal story. I'm wondering for the people listening where that lands, if someone has made a similar choice and they've never received the forgiveness from Jesus. They've never been able to forgive themselves, but like you say, He is rich in mercy.   I think it's interesting how you even bring that up because just yesterday in church during our Sunday school hour, that was what our pastor was highlighting. How God doesn't say he's rich in other things in the Bible, but he is rich in mercy.   John Wieland: (7:58 - 8:48) A side note, just a couple of weeks ago, my daughter had a friend about 30 years old. She was single. She was dating someone.   She got pregnant. She didn't want to get married. She really didn't know if she wanted to have the baby, and she was thinking about taking the easy way out.   In God's sovereignty, she started to read the book that my daughter gave her that I wrote. After she read the chapter of four adoptions and one abortion, she decided, I'm not taking the easy way out. I'm going to have this child.   That makes being vulnerable and transparent to a broken world worth everything.   Laura Dugger: (8:50 - 9:10) Yes, absolutely. You have no idea whose life and even a baby's life that may be saved or changed through hearing this. Also, in your book, you've written about your family.   What would you say was the most impactful lesson that you learned from your family growing up?   John Wieland: (9:10 - 11:03) I think the most important thing I learned was from my dad, you do the right thing because it is the right thing, not because of the outcome. It's never wrong to do the right thing. With my mom, she was rich in mercy and grace.   People were people, and everybody was invited into our home. We had a house right across the high school. We had an in-ground swimming pool.   There were hundreds and hundreds and hundreds of people that would come to our house for swimming parties. I thought that I was a real popular guy. I went off to college, and every time I would come home or talk to my mom or dad, they would say, “Hey, so-and-so came over for lunch today.”   I'm like, that's interesting. So-and-so came and had dinner with us. So-and-so came over just to talk to us.   I was like, this is really interesting. They haven't talked to me since I went to college, and I realized I was not the popular one. My parents were the popular one.   I was just window dressing. And so what I got from my home is God's currency is people, especially the brokenhearted, the hopeless, the hungry. And we need to lean into that community, that a society is judged on how we care for the least of us.   And I think I got that from my parents, as well as, obviously, the scripture.   Laura Dugger: (11:04 - 11:17) Absolutely. But it sounds like you had wonderful role models. And now as a father yourself, what are you most grateful you prioritized while you and your wife Julie were raising your own children?   John Wieland: (11:17 - 12:16) Even though we had resources, our children did not grow up entitled. We lived in a neighborhood, and our kids always had the fewest toys. I was engaged in their lives.   They liked that. I coached softball, basketball, soccer, etc., etc. Julie was a stay-at-home mom.   Obviously, she was more engaged in their lives. They knew that messing up wasn't a big deal. It was just a chance to grow.   With my background and the number of times I messed up, I'm sure I'm not going to be cast in many stones. But it's like an opportunity to learn and grow from there, and that my love was not dependent on their behavior. And then lastly, it was what my mom and dad taught, is to be kind to everyone, especially to those who are hurting and struggling.   So, I think those were the things that they came back with that said, you probably hit the ball there.   Laura Dugger: (12:16 - 12:20) What a neat opportunity to get to hear that from your growing children.   John Wieland: (12:21 - 12:57) I would encourage parents out there to ask your kids, even if they're in high school or grade school, where am I hitting the ball and I'm doing well, and where have I wounded you? Because sometimes when you've wounded them, you won't even remember when it happened. But it still is an impactful moment for them.   And so, I've had both of those conversations. Obviously, I like this conversation better as opposed to the times where I've wounded them. So, yeah.   Laura Dugger: (12:58 - 17:58) Well, thank you for sharing that. And now a brief message from our sponsors.  I want to say thank you to our longtime sponsor, Chick-fil-A East Peoria.   I hope that you've already downloaded the Chick-fil-A app. Because did you know that with the app, you can skip the line and have food ready for you when you arrive? This is one of my favorite options when I'm taking my four daughters to Chick-fil-A East Peoria.   Download the Chick-fil-A app today and start earning points toward free rewards that are fully customized to your preferences and tastes. Chick-fil-A was named as one of Glassdoor's best places to work in the nation. That's a huge honor.   And one team member even wrote, “No comparison. This is a great job for a first job, extra money, or for career advancement. 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We are all about sharing around here, sharing resources, sharing joy, and sharing the good news about Jesus Christ. We ask that you also will share by sharing financially, sharing The Savvy Sauce podcast episodes, and sharing a five-star rating and review.   You can also share any of our social media posts on Instagram or Facebook. We are grateful for all of it and we just love partnering together with you. Now, back to the show.   As we transition from family to business, I think it's just worth noting that most business people do not have an experience like yours where they go from losing hundreds of thousands of dollars to becoming hugely profitable. So, John, will you share your business journey with us now?   John Wieland: (17:58 - 20:30) Yeah, I was an average student, a very average student going into high school. The only thing I had any ability in was math. I got along well with numbers, so I did not have much of a problem figuring out what I was going to do.   It was going to have to do with numbers, so I became an accountant. I was a public accountant for an accounting firm, and I was auditing this company, MH Equipment, for about seven years, and they were virtually bankrupt. And there's a couple of things I learned being in public accounting.   I thought that an entrepreneur was a special type of person, that he was or she was really smart and just insightful. And as I audited all these companies, I realized some of these people aren't that smart, to the point where I'm thinking, I'm not that smart, but I think I'm smarter than them. And so the luster of, you have to be somebody special to be an entrepreneur, was taken away.   And so, fast forward, they were virtually bankrupt. The people that they did business with, their primary supplier, Hyster, they were going to decide who took it over, because they were going to have to write off about a million dollars for someone to take it over. I decided it wasn't a complicated business, and I tell people I was in the right place at the right time.   God is sovereign, and for some reason, they said yes to some 35-year-old guy who had no entrepreneurial spirit and can't even change his own oil. So, I had no mechanical skills. That was in 94.   For the next five years, the economy was great. And a good economy will cover a multitude of sins. And so, all the mistakes I was making, I wasn't having to really pay for them, because the economy was good.   And so, we went from 50 employees to close to 1,000 now, and we had three branches, and now we got 30 branches. And it's been a fun ride, because you're able to create a company that you want to be a part of. So, it's been a short 28 years.   Laura Dugger: (20:31 - 20:42) And then even to go more micro, there was a certain decision that you made that doesn't make sense on paper when you look at the numbers.   John Wieland: (20:43 - 22:14) Yes, it was in 2001. We had just bought two other companies and tripled the size of MH Equipment. I thought, like, I had some type of silver spoon and that I was a genius.   I wasn't. The economy turned on us. And in the first six months of 2001, we lost over $700,000.   Julie and I, we always wanted to give back to our communities by setting aside funds to make a positive difference in our communities, but we just never pulled the trigger. But it was at this low point in July of 2001, after we had lost $700,000, that we decided to go for it. And the executive team decided to start the His First Foundation, where we would commit 10% of all future profits starting in July to His First to come alongside our employees' passions.   Since then, MH Equipment, we have invested over $20 million to not-for-profits and charitable organizations. But we started it when we had to take a step of faith. And God honored that.   Laura Dugger: (22:15 - 22:28) That is incredibly powerful. And even since that point, how would you say that God's taught you to grow in generosity? And how can all of us learn to do the same?   John Wieland: (22:28 - 24:20) That is a great question. Scripture is very clear. You got to be faithful in small things.   If you're faithful in small things, He'll probably entrust you to be faithful in greater things. That's just a biblical principle. It's not a promise, but it's a principle.   And so, Julie and I, we've always had a heart for giving, and so when we didn't have much, we still gave. And the beauty about God is this. He doesn't need our money.   He does not care how many zeros there are before the decimal point. He's interested in how much of the giver is in the gift. Why do you think the rock star of giving is the poor widow who gave two pennies?   Because she was all in. And God loved it. And so people who are listening to this podcast, if you don't have much resources, this is a great opportunity.   To honor God, because if you choose to give something to somebody else, and you can't do something, that's a sacrifice. It's hard for people that have resources to actually sacrifice. So, I think it starts out at the beginning, and if you have not been overly generous with your time and your talents and your treasure, start.   I tell you, when you have a passion outside yourself, it is a game changer. You're so much more balanced. I mean, it's got to be tough to wake up everyday thinking life is all about you.   So, it has been a good journey.   Laura Dugger: (24:20 - 24:48) There's a lot of wisdom packed in there. And as I think back on our conversation already, we've covered a few aspects of your life, including faith and family and business lessons. And you've woven all of these areas together in your book, Uncommon Threads.   And this book might be classified as a secular book, but the gospel is naturally shared throughout. So, was that intentional?   John Wieland: (24:48 - 26:14) That was extremely intentional. I did not want to write a Christian book for one reason. I want non-Christians to read it.   The illustrator, who is Jim Burkle, who's a great illustrator, he's a missionary to Iranian refugees up in Michigan. He has been giving the books out to people. And a few months ago, he called and said, John, I got to tell you, I met this guy.   His father is in the mafia. He doesn't want to talk about Christ. He didn't want to think about going to church.   But he said he would read this book. Two weeks later, this guy called Jim and said, I read that book. It impacted me.   I want to talk to you. I don't want to preach to the choir. I want to create a book where non-Christians would not feel like they're being proselytized to every page.   But throughout the book, between family, business, and faith, the beauty of the cross is just naturally shared. Yeah, so I was intentional. I did not want that to be a uniquely Christian book because I want non-Christians to read it and like it.   Laura Dugger: (26:15 - 26:35) And I think you've very much done that and woven so many helpful stories and nuggets of wisdom tucked in there. But also in your book, you share an interesting story about sitting by a woman that had a very different lifestyle from you. So, can you tell me about that and what you learned?   John Wieland: (26:36 - 30:33) Yes. So, I'm on the plane. We're boarding it.   It's very crowded. I'm on the phone. I'm talking to one of my co-owners.   We're talking about Jesus. I used to think I said King Jesus. And the lady in front of me, she just tensed up when I said King Jesus.   And to her horror, when she sat down, I sat next to her. And, you know, I kind of felt like she may have a different lifestyle. And the last thing she wanted to do was sit by a Christian.   And I realized we need to own that. We have treated people who have a gay or lesbian lifestyle with meanness, judgment, hatred. And I thought, man, I want her to feel the love of Jesus.   Jesus, he doesn't want people to have lifestyles not because he's just mad. He wants them to be fulfilled. And so, during that time, I started talking to her.   And finally, I asked her what she liked to do. And she said, well, me and my partner, we like to go camping. And I think she thought, uh-oh, he will quit talking to me because now I've disclosed that I am gay.   And so, I just went back into and said, I just read a book on how people survive, you know, like land crashes. And some of the things that are common to all the people that survive when we start talking about it. And she just had a great conversation.   I said, “I would love to send you that book.” She went from hating the fact that she was sitting next to me to giving me her name, her personal address. I don't know what ever happened to Sarah.   But I think maybe for the first time, she felt loved by a follower of Jesus. And that can open doors. I have a cousin who got married, had two kids.   And then he decided he was gay or whatever and was with a guy for 40 years who just recently died. And this last year, he sent me a mass Christmas card from him and his partner. And on the back of the card, he wrote a few words that made me cry.   He simply said, “Your book was wonderful.” And I kind of felt like he felt like he gets it. He gets it that so many times Christians, they hate the sinner, you know.   And Jesus, he was a friend. He broke bread with the tax collectors and sinners. People flocked to him.   And if we want to change the world, we have to change our reputation. That is okay. I mean, I have a relative whose husband is going through a transgender thing.   And when this first started happening, they were all at our house for Thanksgiving. And I got the two. They were in the corner someplace.   And I walked up to them, and I said, “Look, you guys need to know this. You will always be welcomed in this home.   Laura Dugger: (30:36 - 30:45) That's powerful to hear tangibly how love can change things rather than hate.   John Wieland: (30:45 - 30:52) Oh, absolutely. Absolutely. And that's a lesson that sitting by that person, I learned that well.   Laura Dugger: (30:53 - 31:44) Did you know you could receive a free email with monthly encouragement, practical tips and plenty of questions to ask to take your conversation a level deeper? Whether that's in parenting or on date nights, make sure you access all of this at thesavvysauce.com by clicking the button that says join our email list so that you can follow the prompts and begin receiving these emails at the beginning of each month. Enjoy.   Well, and just to highlight something else from your book, there's one chapter that was especially practical and it was entitled Leading Leaders. So, will you elaborate on a couple of your key takeaways? And we can begin with this one that you say every voice in the room is important.   John Wieland: (31:46 - 33:09) Yeah, I mean, if you want to have a healthy culture, everybody needs to have a voice. And as the leader, and if I have another leader, they think we should do A. The first thing I think about is what is the worst thing that can happen if we do A?   And if the worst thing that can happen is manageable, then let's go A. Because you're creating an environment where everybody will be open to speaking their opinions, their ideas. I mean, the Bible talks about out of the mouth of babes comes incredible wisdom.   And so, I think it's just really important that everyone has a voice. I also talk about never lose people because you're greedy. I mean, if you've got good people in your organization, be thinking about how can I give them more money?   That's why I've got like 12 people in the company that are minority shareholders. They own part of the buildings. I'm trying to figure out how to get them more money, not how I can pay as little as possible for as long as possible.   Laura Dugger: (33:09 - 33:31) I love that, both of those takeaways. And to circle back, when you have that thought cross your mind of what is the worst thing that could happen, does that oftentimes play out that the worst thing does happen? Or have there been times that it surprised you and going with that A that was mentioned turned out to be beneficial for all?   John Wieland: (33:31 - 34:16) Oh, actually, two times I went with it because I didn't understand what they were thinking. I didn't see their vision, but I trusted them. And both times I said, okay, the worst is manageable.   Both of them turned out to be home runs, not only for the company, but also for our customers and also financially. And so, all wisdom does not reside with you. And so, you need to understand just because you're the CEO, that does not mean you're the smartest guy in the room.   And typically, if you are, you haven't done a good job hiring.   Laura Dugger: (34:18 - 34:33) That's good. There were so many good business takeaways. And we oftentimes hear that leaders are readers.   So what are a few of the books that have most impacted you as a leader?   John Wieland: (34:33 - 36:34) Well, I'm going to say this. I don't want to come across overly spiritual, but the Bible, I try to read through that at least once a year. And it's interesting.   I was with a friend a couple of years ago, and they're like, does anyone have a good devotional that I can use and read this year? I'm looking for a good devotional. And I said, “Yeah, it's called the Bible.”   He was like, ooh, that's a good push. And so, guess what his devotion is. He's reading the scripture.   I like Business by the Book. That was an old book by Larry Burkett. And it really talked about if you say it's God, then act like your business is God.   And you don't have the right just to do whatever you want with it. You're a steward. I like to read a variety of genres.   I like to read human behavior. I like to read history. I like to read spiritual books.   I like to read biographies. You don't want to be a one-trick pony when it comes to conversations. You want to be interested.   You want to be able to pivot and talk to people about a wide variety of topics because that develops relationships. If they think that every time you talk to them, you're going to turn it to a spiritual conversation, I think that's going to get tiring. So, I'm a believer in being well-read, a variety of topics.   But again, if there's a book that you want to read continuously, I believe that God's Word keeps you on a solid path.   Laura Dugger: (36:35 - 36:57) I would say yes and amen to that. And I love that advice too for always being a reader and sharpening because we're never too young or too old to implement that habit. But I would also encourage other people listening to pick up a copy of your book as well.   So where can listeners get a copy of that?   John Wieland: (36:57 - 38:58) Yeah, you can get it at Barnes & Nobles. You could get it on Amazon. You can buy it at Paperback.   I don't produce the paperback, but we have the hardbacks and the hardbacks are only like $10 on Amazon. And if you put your name to who you want to give it to in parentheses under your name, I would address it to that person and sign it. And that's for a hardback.   And like I said, it's only $10. We did this. I did this.   It was not a money play. I have shared with you before. I'm glad it wasn't a money play because I've lost a lot of money on it.   And that wasn't the reason. It was because of the message. And I want people to have movement in their lives.   Obviously, I would love people who are not believers to come to saving faith in Christ. But Christians, there's just so many points of interest and stories where you'll grab a hold of something and pivot. And that's what I was hoping for is that when you read it, it's an easy read.   I write like I talk. I don't use big words. I'm 64 now.   I still like to read books with pictures in it. So, there's a bunch of illustrations in it. I'm selfie-facing.   And so, I always felt like if you want, if I want you to look in your mirror, I don't think it's very good for me to say, Laura, you need to look in your mirror. It's more effective to, as an author, to look in my own mirror and share honestly where I've messed up. And that gives the reader freedom to say, hmm, if he can be honest about that and put it on paper, maybe I need to look into this.   Laura Dugger: (39:00 - 39:25) Well, and I think this book has already touched many lives. And you were gracious to share a few of those stories of where that landed with people. So, I can't wait to see what else God has in store for this message.   But John, you may know that we're called The Savvy Sauce because savvy is synonymous with practical knowledge or insight. And so as my final question for you today, what is your savvy sauce?   John Wieland: (39:25 - 41:07) I'm going to give you two answers. One, from a business perspective, that is our culture. The importance of truly living out our mission and our vision and our values.   About four years ago, we had a lady who had been doing strategic planning for Fortune 500, the Army and the Navy. And she spent three days with MH Equipment. And at the end of three days, she made this declaration.   In all my years of over 40 years, I have never met a company whose value statements that were on their wall were so closely related to reality. And so, you have to live out your values. You can't have something on your wall and then live something else out.   From a personal standpoint, my savvy sauce is this. Everything's not okay. Quit saying that.   When someone asks me how things are going, I will always say, considering the ordinary struggles of life, things are going okay. You would not believe the responses I get from that simple statement. They're like, I know what you mean.   I'm having problems with my son. Be okay with your brokenness. Jesus is a perfect one.   We're not. And so, I think when a watching world sees Christians that are honest in their own brokenness and they're walking towards Jesus and saying, he's the one that loves us unconditionally. I think we make movement.   Laura Dugger: (41:08 - 41:47) Absolutely. John, it's a privilege to get to hear you share about your faith and your family and your business and really that it is built on faith.    It just brings to mind Matthew 6:33, “Seek ye first the kingdom of God and his righteousness and all these things shall be added unto you.”    And I feel like your life experience really illustrates that scripture coming to life. And so, I appreciate your transparency, appreciate your humble leadership and really appreciate you being my guest today.   John Wieland: (41:47 - 41:51) Laura, I just loved our time together and I appreciate what you do for the kingdom.   Laura Dugger: (41:52 - 45:08) Thank you, John. One more thing before you go. Have you heard the term gospel before?   It simply means good news. And I want to share the best news with you. But it starts with the bad news.   Every single one of us were born sinners, but Christ desires to rescue us from our sin, which is something we cannot do for ourselves. This means there is absolutely no chance we can make it to heaven on our own. So for you and for me, it means we deserve death and we can never pay back the sacrifice we owe to be saved.   We need a savior. But God loved us so much, he made a way for his only son to willingly die in our place as the perfect substitute. This gives us hope of life forever in right relationship with him.   That is good news. Jesus lived the perfect life we could never live and died in our place for our sin. This was God's plan to make a way to reconcile with us so that God can look at us and see Jesus.   We can be covered and justified through the work Jesus finished if we choose to receive what He has done for us. Romans 10:9 says, “That if you confess with your mouth Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved.” So would you pray with me now?   Heavenly Father, thank you for sending Jesus to take our place. I pray someone today right now is touched and chooses to turn their life over to you. Will you clearly guide them and help them take their next step in faith to declare you as Lord of their life?   We trust you to work and change lives now for eternity. In Jesus' name we pray. Amen.   If you prayed that prayer, you are declaring him for me, so me for him. You get the opportunity to live your life for him. And at this podcast, we're called The Savvy Sauce for a reason.   We want to give you practical tools to implement the knowledge you have learned. So you ready to get started? First, tell someone.   Say it out loud. Get a Bible. The first day I made this decision, my parents took me to Barnes & Noble and let me choose my own Bible.   I selected the Quest NIV Bible and I love it. You can start by reading the book of John. Also, get connected locally, which just means tell someone who's a part of a church in your community that you made a decision to follow Christ.   I'm assuming they will be thrilled to talk with you about further steps, such as going to church and getting connected to other believers to encourage you. We want to celebrate with you too, so feel free to leave a comment for us here if you did make a decision to follow Christ. We also have show notes included where you can read Scripture that describes this process.   And finally, be encouraged. Luke 15:10 says, “In the same way I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.” The heavens are praising with you for your decision today.   And if you've already received this good news, I pray you have someone to share it with. You are loved and I look forward to meeting you here next time.

Scott Chaskey is a farmer, poet, and pioneer of the international Community Supported Agriculture (CSA) movement. Weaving together his passion for farming and prose, Scott has penned multiple books on the community farming movement, creating a road-map for Americans who want to live off the land as a community. [Originally published Sep 19, 2023. Ep 104] In this episode of Nature Revisited, Scott recounts the formative events of his life which led him to his love of gardening, farming, and the land - experiences recounted in his collection of essays 'Soil and Spirit'. From Maine to Cornwall, England, planning rotations of fields and tending to crops and their ecosystems, Chaskey cultivated a longstanding commitment to food sovereignty and organic farming with a belief that humble attention to microbial life and diversity of species provides invaluable lessons for building healthy human communities. Scott's book: https://milkweed.org/book/soil-and-spirit Scott's website: https://www.scottchaskey.com Listen to Nature Revisited on your favorite podcast apps or at https://noordenproductions.com Subscribe on Spotify: https://tinyurl.com/bdz4s9d7 Subscribe on Apple Podcasts: https://tinyurl.com/5n7yx28t Podlink: https://pod.link/1456657951 Support Nature Revisited https://noordenproductions.com/support Nature Revisited is produced by Stefan van Norden and Charles Geoghegan. We welcome your comments, questions and suggestions - contact us at https://noordenproductions.com/contact

RFP - 'Spinning and Weaving' ed. by Elizabeth Miller, discussed by Dorothea Annison and Jill Raymond.A live webinar recorded on 16th March 2025 at 10am UK time.On Sundays (10am UK time), our webinar series Radical Feminist Perspectives offers a chance to hear leading feminists discuss radical feminist theory and politics.Attendance of our live webinars is women-only, register at https://bit.ly/registerRFP

Samara Weaving's firmly cemented herself as a genre icon. Thanks to The Babysitter, Ready or Not and then some, she's become one of the most trusted and exciting artists in horror. When her name popped up on yet another genre movie roster, it instantly became a highly anticipated production, and Weaving made due on that hype. Her latest, Borderline, is an outrageous and twisted delight.Marking the feature writing and directing debut of her husband, Jimmy Warden, Borderline stars Weaving as Sofia, an extremely popular 90s pop star with a dangerously obsessive fan, Paul Duerson, played to over-the-top perfection by Ray Nicholson. While Sofia often has her loyal bodyguard (Eric Dane) at her back, one night, Paul slips through the cracks, determined to carry out his grand delusion, marrying Sofia.Borderline is wonderfully bonkers in many respects, but it's also an effective edge-of-your-seat thrill because Weaving successfully crafts an anchor character who can play with the extreme while feeling just grounded enough to convey she's fighting for something real. It's a reminder that, yes, Weaving is an absolute ace in the horror genre, but she's also got the endless range to deftly handle a horror genre mash-up - and any other type of film she wants to tackle, for that matter.With Borderline now available to watch in theaters and on digital, Weaving joined me for a Collider Ladies Night interview to revisit her film professor father's early influence, to look back on her very first trip to LA and what it was like finding her place in Hollywood, and to discuss how she pushed herself in new ways in Borderline. Hosted on Acast. See acast.com/privacy for more information.

Episode 104. In this episode, Kate sits down with author Will Bardenwerper to talk about baseball. Now, before you think this doesn't tie in to some of the major themes we've been exploring on the podcast—think again. Will's new book ‘Homestand: Small Town Baseball and the Fight for the Soul of America' is a love letter to small towns, communities, and coming together to build friendship and camaraderie across generations, political ideologies, and classes in “third places” like small town baseball stadiums. Will lays out what is happening to minor league baseball and the small towns that have housed teams for decades as private equity firms gobble them up, what happens when AI takes over scouting, and when concessions are just a click away on an iPhone. Kate and Will tug at themes around community, efficiency, and loneliness. This story of consolidation and small town triumph will be familiar to listeners who have found similar themes across agriculture, manufacturing, and so much more. Find Will: Homestand: Small Town Baseball and the Fight for the Soul of America by Will BardenwerperInstagram: @willbardenwerperX: @wbardenwerperWebsiteResources Mentioned:Bowling Alone by Robert PutnamFront Porch Republic Related Episodes:Episode 75: Building an Agriculture We Can Live In with Cole MannixEpisode 88: Weaving a New Vision for American Manufacturing and Small Town Resilience with Steven KurutzEpisode 96: The Complexity of Simplicity with Jill WingerSponsored By:REDMOND REAL SALTMine to Table Salt from Utah, Redmond Real Salt is packed full of 60+ Trace Minerals and is a staple in my kitchen. Find their salt, Re-Lyte Hydration Powder, and so much more here. Use code MINDBODYSOIL_15 for 15% off!redmond.lifeFIELD COMPANY CAST IRONUSA made cast iron. Light, thin bottomed, and smooth - just like vintage cast iron. My go to for everything from small skillets to big dutch ovens. fieldcompany.com/kate_kavanaughBAHÉ FOOTWEARBarefoot, zero-drop, gorgeous running shoes, sandals, and hiking boots that are grounded. Meaning you can reap all the benefits of the electron flow from earth to your body while you're getting in your steps. Use the code ‘Kate10' for 10% off. Support the Podcast:

Episode: 2696 Winged Words: The Homeric Epics as Oral Poetry.  Today, classicist Casey Dué listens to the Homeric epics.

Be guided as you weave purpose into your everyday life through a dedicated weekly review. By setting aside time for reflection, you'll gain clarity on your intentions, evaluate your progress, and realign your actions with your core values. This weekly ritual involves examining your accomplishments, challenges, and lessons learned, allowing you to make conscious adjustments and deepen your understanding of your life's purpose. Through guided contemplation and journaling prompts, you'll cultivate a sense of direction, gratitude, and mindful awareness, transforming your week into a purposeful journey. YOUR MEDITATION JOURNEY DURING THIS WEEK'S SERIES This is episode 7 of a 7-day meditation series titled, "Weaving Purpose Into Your Everyday" episodes 2348-2355.  THIS WEEK'S CHALLENGE: Awareness Accelerator Quest Rapidly deepen your self-awareness through focused breathing. amplify your understanding of your thoughts, feelings, and behaviors. THIS WEEK'S MEDITATION TECHNIQUES:   Day 1:  Becoming Self-Aware Day 2:  Affirmation, "I live my life with meaning." Day 3:  Inhale: Affirm, "Now is..." Exhale: Affirm "... my time."   Day 4:  Uttarabohdi mudra for enlightenment Day 5:  3rd chakra for inner fire and zest for life Day 6:  Layer Meditation Techniques Day 7:  Reflection + Introspection   SHARE YOUR MEDITATION JOURNEY WITH YOUR FELLOW MEDITATORS   Let's connect and inspire each other! Please share a little about how meditation has helped you by reaching out to me at Mary@SipandOm.com or better yet -- direct message me at https://www.instagram.com/sip.and.om. We'd love to hear about your meditation ritual!  SUBSCRIBE, LEAVE A REVIEW + TAKE OUR SURVEY SUBSCRIBE so you don't miss a single episode. Consistency is the KEY to a successful meditation ritual. SHARE the podcast with someone who could use a little extra support. I'd be honored if you left me a podcast review. If you do, please email me at Mary@sipandom.com and let me know a little about yourself and how meditation has helped you. I'd love to share your journey to inspire fellow meditators on the podcast! SURVEY: Help us get to know more about how best to serve you by taking our demographics survey: https://survey.libsyn.com/thedailymeditationpodcast FOR DAILY EXTRA SUPPORT OUTSIDE THE PODCAST Each day's meditation techniques posted at: sip.and.om Instagram https://www.instagram.com/sip.and.om/ sip and om Facebook https://www.facebook.com/SipandOm/ A DIFFERENT MEDITATION TECHNIQUE EVERY DAY FOCUSED ON A WEEKLY THEME: Get ready for an exciting journey with a new meditation technique daily, perfectly tailored to the week's theme! Infuse these powerful practices into the most stressful moments of your day to master difficult emotions. These dynamic techniques will help you tame the "monkey mind," keeping your thoughts from interrupting your meditation and bringing peace and focus to your life. FREE TOOLS: For free meditation tools to help you meditate please head over to my website at www.SipandOm.com, and there you'll find free resources to help you on your Meditation Journey. Enjoy access to more than 3,000 guided meditations without ads on the Sip and Om app. Try it for 7 days of free access to the full app! Listen on iTunes for 1-Week Free! https://itunes.apple.com/us/app/sip-and-om/id1216664612?platform=iphone&preserveScrollPosition=true#platform/iphone   1-week Free Access to the Android app! https://play.google.com/store/apps/details?id=com.sipandom.sipandom   ***All meditations are Mary Meckley's original copyrighted content unless otherwise stated, and may not be shared without her written permission.   RESOURCES Music composed by Christopher Lloyd Clark licensed by RoyaltyFreeMusic.com, and also by musician Greg Keller.   I'D LOVE TO HEAR FROM YOU I'd love your feedback! Please let me know how you're enjoying the meditations by leaving me a review on iTunes.   **All of the information shared on this podcast is for your enjoyment only. Please don't consider the meditation techniques, herbal tea information, or other information shared by Mary Meckley or any of her guests as a replacement for any medical or psychological treatment. That being said, please enjoy any peace, energy, or clarity you may experience as you meditate.