Podcasts about cultural influence

We're celebrating the 50th anniversary of Jaws by looking back at Spielberg's genre-defining original and its progressively wilder sequels. A quartet of films that not only redefined summer horror but also played a pivotal role in shaping contemporary fears of the ocean, the Jaws franchise embraced genre hybridity, influenced public perception of sharks, and contributed to the rise of the summer blockbuster. But are there other reasons that explain the original film's enduring cultural relevance? We're diving in today with spoilers, so stay tuned!ReferencesCaputi, Jane E. "Jaws as Patriarchal Myth." Journal of Popular Film, vol. 6, no. 4, 1978, pp. 305-326.Caputi, Jane. "Jaws as Patriarchal—and Ecocidal—Myth." "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 9 - 17.Edgerton, Gary R. “Summer Spielberg, Winter Spielberg: Generational Transitions from Jaws to the Age of Convergence.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 227-244.Howe, Andrew. “Amity Means Friendship: Jaws and the Post-Vietnam Politics of Perception.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 31 - 45.Jackson, Kathy Merlock, and Philip L. Simpson, eds. " This shark, swallow you whole": Essays on the Cultural Influence of Jaws. McFarland, 2023.“Jaws (franchise).” Wikipedia, Wikimedia Foundation, 30 May 2025, en.wikipedia.org/wiki/Special_relativity. Accessed 6 June 2025.Le Busque, Brianna, and Carla Litchfield. "Sharks on Film: An Analysis of How Shark-Human Interactions Are Portrayed in Films." Human Dimensions of Wildlife, vol. 27, no. 2, 2022, pp. 193-199.Lucken, Melissa Ford. “Struggling Against the Tide: Narrative Structure and the Human Connection in Jaws.” "This Shark, Swallow You Whole": Essays on the Cultural Influence of Jaws, edited by Kathy Merlock Jackson and Philip L. Simpson, McFarland, 2023, pp. 46 - 58.Melia, Matthew. "Relocating the Western in Jaws." The 'Jaws' Book: New Perspectives on the Classic Summer Blockbuster, edited by IQ Hunter and Matthew Melia, Bloomsbury Academic, 2020.McFarland, 2023, pp. 46 - 58.Rubey, Dan. "⁠The Jaws in the Mirror⁠." Jump Cut: A Review of Contemporary Media, no. 10-11, 1976, pp. 20-23. Copyright Jump Cut: A Review of Contemporary Media, 1976, 2004.

In this episode of Clearing the Haze, host Chuck Marting dives into the controversial promotion of psilocybin by Trump's Surgeon General nominee. Through real-world incidents and medical research, he highlights the dangers of casual psilocybin use, including cases of psychosis and long-term disorders like HPPD. Marty also examines global trends, regulatory gaps, and the cultural impact of influencers promoting psychedelics without emphasizing the risks. The discussion calls for stricter regulations, public awareness, and accountability to ensure safety in the face of rising psilocybin normalization. 00:00 Introduction and Episode Overview00:06 Trump's Surgeon General Nominee and Psilocybin02:17 The Dangers of Psychedelics: Real-World Incidents04:29 Medical Research and HPPD08:34 Global Perspective on Psilocybin Use10:31 Cultural Influence and Media Narratives13:54 Policy Recommendations and ConclusionJoseph David Emerson, 44—a seasoned aviator with over 20 years of flying under his belt. Sounds normal until you hear what happened nextapnews.com+8en.wikipedia.org+8theguardian.com+8washingtonpost.com+3en.wikipedia.org+3opb.org+3. Miracle or grit, the on-duty crew subdued him within 30 seconds. Passengers and crew were stunned—but alive abcnews.go.com+2opb.org+2washingtonpost.com+2. en.wikipedia.org+6theguardian.com+6people.com+6

This deep-dive episode explores the jaw-dropping career of costume designer Edith Head—Hollywood's most awarded woman—whose designs for stars like Audrey Hepburn and Grace Kelly came with a trail of secrets, rivalries, and reinvention, with fashion enthusiast Darrian Wright joining for the ride._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by branding and design studio  Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______About Edith:Edith Head was a legendary Hollywood costume designer whose career spanned over 50 years and more than 440 films. Known for her iconic round glasses and modest demeanor, she was the behind-the-scenes architect of some of the silver screen's most iconic looks. With 8 Academy Awards—more than any woman in history—Head crafted wardrobes that shaped characters, stars, and an entire era of film, often blurring the lines between credit, creativity, and control.  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

We examine what happens when the feeling that "anything is possible" starts to fade from creative life. Starting with the mythology of Los Angeles and its role in manufacturing dreams, we dig into the shift from youthful ambition to adult pragmatism and what gets lost in that transition. The conversation explores how being surrounded by people chasing big goals creates an energy that's hard to replicate once life becomes more complicated.We discuss the practical realities that erode creative optimism - mounting responsibilities, financial pressures, and the accumulated weight of meetings that don't pan out and projects that stall. But we also examine whether this decline is inevitable or if there are ways to maintain that sense of possibility through intentional community building and creative practice. The episode grapples with finding authentic creative energy in midlife and the challenge of sustaining ambitious work when the path forward feels less clear than it once did. -Ai If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG

This episode features designer and Jungalow founder Justina Blakeney as she opens up about work-life balance, her art show California Poppy, the impact of the LA fires, and the quiet courage it takes to keep evolving creatively. Checkout her art show: California Poppy at The Art WolfCheckout her latest book: Jungalow: Decorate Wild_______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by branding and design studio  Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______About Justina:Justina Blakeney is a true multi-hyphenate—artist, designer, author, creative director, entrepreneur—and the founder of the wildly popular lifestyle brand, Jungalow. Her signature style is instantly recognizable: bold, bohemian, colorful, and deeply rooted in personal expression and global inspiration. But beyond aesthetics, Justina has reshaped what a modern creative career can look like.Over the years, she's collaborated with a long list of major brands including Target, Anthropologie, Loloi Rugs, Selamat, Opalhouse, and Keds—bringing her joyful sensibility into homes, wardrobes, and even our feet. Her work has been featured in Architectural Digest, Vogue, The New York Times, Dwell, and more. She's also the author of The New Bohemians, The New Bohemians Handbook, and Jungalow: Decorate Wild—books that have helped countless readers reclaim their homes as spaces of healing and self-expression.In this conversation, we talk about the LA fires that forced her to evacuate her home, the symbolism behind her solo art show California Poppy, and how she's finding her way back to forgotten parts of herself through painting, song, and joy. We also dive into work-life balance, creative risk-taking, identity, motherhood, and what it means to define “enoughness” in a culture that always demands more.Follow Justina:Instagram: @justinablakeneyjustinablakeney.comjungalow.comJungalow: Decorate Wild  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Eli Williams of Day One Agency joins the conversation to unpack findings from the agency's latest report, Gen Z: Life, Actually. The study challenges common assumptions about Gen Z and reveals a generation that's more multifaceted—and in some ways, more traditional—than many marketers assume.Through the lens of public relations and cultural insight, this episode explores how Gen Z is reshaping expectations around work, money, identity, and influence. Williams outlines three distinct cohorts within the generation and explains how their diverse values are already influencing the future of brand communication.Moderated by Fred Cook, the conversation addresses key questions, including:In what ways is Gen Z more similar to their parents than expected?How do their views on stability, risk, and tradition split across subgroups?Why does financial anxiety shape so many of their decisions?What should communicators understand about Gen Z's internal diversity?How can media literacy become a strategic asset in engaging Gen Z?Key Discussion HighlightsThe report identifies three mindsets within Gen Z:Neo-Traditionalists value stability and lean toward conservative idealsFluid Pragmatists take a cautious, balanced approach to major life decisionsInternet Age Explorers reject conventional paths in favor of experimentation and experienceMoney as a Central ConcernAcross all groups, financial uncertainty plays a central role in shaping priorities, spending, and life planning.A New Life TimelineUnlike previous generations, Gen Z is not in a hurry to pursue traditional milestones like marriage, homeownership, or long-term careers. Their timelines are fluid, self-defined, and experience-driven.The Implications for PRGen Z's complexity demands a more nuanced, culturally aware approach to communication. Understanding their values—and the differences within the generation—is key to long-term engagement.Media Literacy as a Core CompetencyGrowing up in the digital age, Gen Z is becoming increasingly adept at filtering content and questioning sources. Communicators must recognize that this generation does not take information at face value.Time markers00:00 — Understanding Gen Z: A New Perspective06:41 — The Three Cohorts of Gen Z12:09 — Fluid Pragmatists: The Middle Path17:37 — Internet Age Explorers: The Experimental Group25:18 — Navigating the Future of PR with Gen Z31:21 — Media Literacy and the Information Diet of Gen ZFind the report here:Gen Z: Life, Actually – Day One Agencyhttps://d1a.com/perspective/genz-life-actually A production of the USC Annenberg Center for Public Relations at the University of Southern California.

Cultural and Media CritiquesDisney's Hypocrisy and Cultural Influence (00:06:44 - 00:21:52)Travis exposes Disney's contradictory stance, operating a UAE theme park despite local anti-homosexuality laws while promoting progressive agendas in the U.S. He labels Disney a “grooming syndicate” driven by greed, citing Bob Iger's opposition to Florida's anti-grooming bill and inappropriate content in Star Wars: Andor as evidence of cultural manipulation.Critique of Modern Art and Hollywood (00:24:24 - 00:27:14)Travis denounces Hollywood and modern art for their soulless, ironic output, citing a Luigi Mangione musical as disrespectful. He accuses them of Marxist influences (e.g., Saul Alinsky) and spinelessness, failing to engage reality with depth or sincerity.Encouraging Christian Art (00:30:34 - 00:33:55)Travis calls for Christians to create art to counter demonic cultural influences, praising Doctor Universalis for its depiction of communion and emphasizing self-publishing's accessibility as a tool for cultural resistance.Hollywood's Decline and AI Art (00:36:29 - 00:39:07)Travis attributes Hollywood's decline to satanic influences and corporate control (e.g., BlackRock). He notes AI-generated art replicates vapid content, lacking depth and serving corporate quotas, reflecting a broader cultural decay.Political and Bureaucratic IssuesNew Pope's Background (01:03:09 - 01:06:25)Travis discusses the new American pope, Robert Prevost (Pope Leon XIV), highlighting his opposition to same-sex marriage and gender studies. He criticizes the media's focus on political metrics (e.g., Trump support) over theological substance.China-Russia Alliance (01:39:39 - 01:44:46)Travis warns of Xi Jinping and Putin's alliance to counter Western hegemony, noting their pursuit of power rather than anti-globalism. He predicts escalating U.S. conflict as a result of this geopolitical shift.Bureaucracy's Treason (01:50:50 - 01:54:22)Travis invokes Julien Benda's The Treason of the Clerics to critique intellectuals' political passions, calling Trump weak for failing to confront bureaucratic resistance and questioning his commitment to reform.War and Its ImpactsWar's Brutality in Storm of Steel (01:19:47 - 01:26:39)Travis reflects on Ernst Jünger's Storm of Steel, reading passages about World War I's romanticized yet brutal reality. He rejects notions of “safe” war, emphasizing its unchanging horror through vivid soldier experiences.Technology and SocietyAI in Courtroom (00:41:25 - 00:43:50)Travis finds an AI-generated victim impact statement in an Arizona courtroom alarming, warning of future psychological programming abuses and comparing it to dystopian scenarios.Automotive Industry (Eric Peters Interview)Loss of Driving Freedom (02:06:05 - 02:09:27)Travis and Eric lament the erosion of driving freedom due to regulations, high costs, and police presence. Eric sees an agenda to discourage car ownership, contrasting past affordability with modern constraints.Car Complexity and Debt Cycles (02:12:36 - 02:15:27)Eric and Travis critique modern cars' complexity and planned obsolescence, which trap consumers in debt. They view cars as shackles rather than symbols of freedom, reflecting broader societal control.Authoritarian Aesthetics (02:21:46 - 02:24:48)Eric links bland, uniform car designs to authoritarian ugliness (e.g., East Germany), while Travis mourns homogenized city skylines, both seeing a loss of beauty driven by regulatory and corporate forces.Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHT Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-david-knight-show--2653468/support.

Cultural and Media CritiquesDisney's Hypocrisy and Cultural Influence (00:06:44 - 00:21:52)Travis exposes Disney's contradictory stance, operating a UAE theme park despite local anti-homosexuality laws while promoting progressive agendas in the U.S. He labels Disney a “grooming syndicate” driven by greed, citing Bob Iger's opposition to Florida's anti-grooming bill and inappropriate content in Star Wars: Andor as evidence of cultural manipulation.Critique of Modern Art and Hollywood (00:24:24 - 00:27:14)Travis denounces Hollywood and modern art for their soulless, ironic output, citing a Luigi Mangione musical as disrespectful. He accuses them of Marxist influences (e.g., Saul Alinsky) and spinelessness, failing to engage reality with depth or sincerity.Encouraging Christian Art (00:30:34 - 00:33:55)Travis calls for Christians to create art to counter demonic cultural influences, praising Doctor Universalis for its depiction of communion and emphasizing self-publishing's accessibility as a tool for cultural resistance.Hollywood's Decline and AI Art (00:36:29 - 00:39:07)Travis attributes Hollywood's decline to satanic influences and corporate control (e.g., BlackRock). He notes AI-generated art replicates vapid content, lacking depth and serving corporate quotas, reflecting a broader cultural decay.Political and Bureaucratic IssuesNew Pope's Background (01:03:09 - 01:06:25)Travis discusses the new American pope, Robert Prevost (Pope Leon XIV), highlighting his opposition to same-sex marriage and gender studies. He criticizes the media's focus on political metrics (e.g., Trump support) over theological substance.China-Russia Alliance (01:39:39 - 01:44:46)Travis warns of Xi Jinping and Putin's alliance to counter Western hegemony, noting their pursuit of power rather than anti-globalism. He predicts escalating U.S. conflict as a result of this geopolitical shift.Bureaucracy's Treason (01:50:50 - 01:54:22)Travis invokes Julien Benda's The Treason of the Clerics to critique intellectuals' political passions, calling Trump weak for failing to confront bureaucratic resistance and questioning his commitment to reform.War and Its ImpactsWar's Brutality in Storm of Steel (01:19:47 - 01:26:39)Travis reflects on Ernst Jünger's Storm of Steel, reading passages about World War I's romanticized yet brutal reality. He rejects notions of “safe” war, emphasizing its unchanging horror through vivid soldier experiences.Technology and SocietyAI in Courtroom (00:41:25 - 00:43:50)Travis finds an AI-generated victim impact statement in an Arizona courtroom alarming, warning of future psychological programming abuses and comparing it to dystopian scenarios.Automotive Industry (Eric Peters Interview)Loss of Driving Freedom (02:06:05 - 02:09:27)Travis and Eric lament the erosion of driving freedom due to regulations, high costs, and police presence. Eric sees an agenda to discourage car ownership, contrasting past affordability with modern constraints.Car Complexity and Debt Cycles (02:12:36 - 02:15:27)Eric and Travis critique modern cars' complexity and planned obsolescence, which trap consumers in debt. They view cars as shackles rather than symbols of freedom, reflecting broader societal control.Authoritarian Aesthetics (02:21:46 - 02:24:48)Eric links bland, uniform car designs to authoritarian ugliness (e.g., East Germany), while Travis mourns homogenized city skylines, both seeing a loss of beauty driven by regulatory and corporate forces.Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHT Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-david-knight-show--5282736/support.

Daniel Anstandig is the CEO of Futuri Media, a leading AI-driven platform he founded in Cleveland in 2009 to help companies build and monetize engaged audiences.Today, Futuri's sales, content, and audience technology serves over 7,000 media brands across 22 countries, powered by a bold and passionate team recognized on the Inc. 5000 list of America's Fastest-Growing Companies for nine years.Daniel has advised The Wall Street Journal, CBS News, Clear Channel R&D, the White House Commission on Remembrance, Glencoe-McGraw Hill, and various broadcasting companies in the U.S., Canada, and Europe on digital audience and revenue growth strategies. His research and editorials on radio and interactive media have been published in The Wall Street Journal, Billboard, and numerous trade publications. A proud two-time recipient of Edison Research's 30 Under 30 Award, Daniel has also been recognized by Entrepreneur magazine for his work as a young entrepreneur.Outside of Futuri, Dan has developed more than 20 patents in audio, podcasting, AI, and broadcast technology. He also co-founded SparkTrade.io, a platform that democratizes AI-powered investment insights by offering real-time buy/sell signals to over 8,500 investors daily. He serves on the board of directors for Teaching Cleveland, part of Teaching Place—a nonprofit focused on social and civic engagement and education—and for Boxcast, a global leader in live streaming and remote mix technology. We previously heard more about Boxcast's story from its founder and CEO, Gordon Daily, in episode 26 of Lay of The Land.As you'll hear, Dan is thoughtful and articulate, offering clear insights into the evolution of media, curation in an age of information overload, the future of content creation, and life lessons learned from music that apply to entrepreneurship. He also shares reflections on building entrepreneurial teams, moving from Cleveland to Austin (and back again), the importance of community and trust, and much more.Please enjoy this insightful conversation with Daniel Anstandig!00:00:00 - Introduction and Background  00:04:36 - The Evolution of Media Consumption  00:06:51 - Daniel Anstandig's Entrepreneurial Journey  00:10:55 - Cleveland vs. Austin: A Tale of Two Cities  00:16:04 - The Importance of Community and Talent Retention  00:18:55 - The Role of Media in Society  00:23:01 - Futuri's Founding Vision and Evolution  00:27:03 - Cultural Influence on Business  00:30:53 - Lessons from Mentorship  00:32:55 - Navigating Legacy Media Challenges  00:37:00 - Curation of Information in the Digital Age  00:38:39 - Impact of Futuri's Innovations  00:42:54 - Transforming Intelligence in Trading  00:46:47 - The Future of Media and Content Creation  00:50:46 - Building Trust in New Media  00:52:56 - Futuri's Role in the Evolving Media Landscape  00:55:27 - Harnessing Machine Learning in Investments  01:00:34 - Democratizing Investment Strategies  01:09:36 - Lessons from Music for Entrepreneurship  01:12:20 - Hidden Gem-----LINKS:https://www.linkedin.com/in/anstandig/https://www.daniel-anstandig.com/https://futurimedia.com/-----SPONSOR:Roundstone InsuranceRoundstone Insurance is proud to sponsor Lay of The Land. Founder and CEO, Michael Schroeder, has committed full-year support for the podcast, recognizing its alignment with the company's passion for entrepreneurship, innovation, and community leadership.Headquartered in Rocky River, Ohio, Roundstone was founded in 2005 with a vision to deliver better healthcare outcomes at a more affordable cost. To bring that vision to life, the company pioneered the group medical captive model — a self-funded health insurance solution that provides small and mid-sized businesses with greater control and significant savings.Over the past two decades, Roundstone has grown rapidly, creating nearly 200 jobs in Northeast Ohio. The company works closely with employers and benefits advisors to navigate the complexities of commercial health insurance and build custom plans that prioritize employee well-being over shareholder returns. By focusing on aligned incentives and better health outcomes, Roundstone is helping businesses save thousands in Per Employee Per Year healthcare costs.Roundstone Insurance — Built for entrepreneurs. Backed by innovation. Committed to Cleveland.-----Stay up to date by signing up for Lay of The Land's weekly newsletter — sign up here.Past guests include Justin Bibb (Mayor of Cleveland), Pat Conway (Great Lakes Brewing), Steve Potash (OverDrive), Umberto P. Fedeli (The Fedeli Group), Lila Mills (Signal Cleveland), Stewart Kohl (The Riverside Company), Mitch Kroll (Findaway — Acquired by Spotify), and over 200 other Cleveland Entrepreneurs.Connect with Jeffrey Stern on LinkedIn — https://www.linkedin.com/in/jeffreypstern/Follow Lay of The Land on X @podlayofthelandhttps://www.jeffreys.page/

Disordered eating vs. eating disorders, GLP-1, cultural pressures around bodies, and how attachment styles shape eating patterns.

Send us a textWhat does freedom really look like for Americans in 2025? On this week's episode of The Heavyweight Podcast, we're taking the gloves off to talk truth about identity, culture, dating, and the pressure to unlearn what no longer serves us.

Heidi St. John is an author, speaker, and podcaster. She talks with David about what engagements means for Christians, who find themselves at the intersection of faith and culture.Heidi St. John's website: https://www.heidistjohn.net/www.worldviewmatters.tv© FreedomProject 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Want to grow your church with Facebook and Instagram ads? Schedule a discovery call with the ChurchCandy team here:https://go.churchcandy.com/new-guestsIn this episode of the ChurchCandy Podcast, Brady sits down with Copper Nelms, co-founder of Four Church Agency and a former church leader who helped rebuild a culture of generosity from the ground up—without a capital campaign. If you're a church planter, pastor, or ministry leader trying to increase giving in a healthy, sustainable way, this episode is for you.From viral sermons and cultural trends to post-COVID rebuilding, Copper shares practical systems and a deeply spiritual philosophy behind how his church increased giving by over 60% in one year—and 45% per household the next—without ever asking people to "give more."

00:00 Introduction02:55 Understanding Customer Avatars and Personas06:02 Defining Customer Profiles and Their Importance08:53 The Role of Customer Names in Marketing12:09 Discovering Customer Avatars Through Observation15:00 The Complexity of Customer Archetypes18:08 Balancing Brand and Growth Marketing20:57 Identifying Customer Identities23:49 Leveraging Subconscious Data for Marketing33:11 Innovative Survey Techniques38:13 Understanding Customer Bias44:02 The Importance of Identity in Marketing49:16 Emotional Triggers in Consumer Behavior55:20 Cultural Influence on Consumer Choices01:00:43 The Role of Reach in Shaping MarketsOperators Exclusive Slack: https://join.slack.com/t/9operators/shared_invite/zt-2tdfu426r-TepSHJP~evAyDfR29U2qUwPowered By:Fulfil.io.https://bit.ly/3pAp2vuThe Only Cloud ERP Designed to Efficiently Scale 8 and 9-Figure Brands. Northbeam.https://www.northbeam.io/Postscript.https://postscript.io/Richpanel.https://www.richpanel.com/?utm_source=9O&utm_medium=podcast&utm_campaign=ytdescSaras.https://www.sarasanalytics.com/?utm_source=podcast&utm_medium=podcast&utm_campaign=operators+podcast&utm_id=9operatorSubscribe to The Marketing Operators Podcast here: https://www.youtube.com/@MarketingOperatorsSubscribe to The Finance Operators here: https://www.youtube.com/@FinanceOperatorsFOPS Sign up to the 9 Operators newsletter here: https://9operators.com/

The most influential conversations about your industry might be from an anonymous commenters who is validated by hundreds of upvotes on popular subreddit thread. Join me and Dr. Marcus Collins, the award-winning marketer, author, and friend of the pod, as we discuss the significant cultural influence of Reddit, its evolution as a community of subcultures, and how the business has evolved. 02:08 Reddit as a Market Research Tool 04:54 The Power of Community and Moderation 15:29 Will Monetization Match its Cultural Influence? 19:41 If We Ran Reddit This episode is presented by State Farm, the home for your small business needs. Like a good neighbor, State Farm is there. Listen in for our Chartmetric Stat of the Week.

Welcome to Season IV of the RnB-Live Podcast! We're back with an all-new look, sound, and team. Joining us in the studio are:Recording artist and vocal coach, Mr. AvehreLife coach of Beverly Hills, Miss Ta'ShaThe Owner & CEO of the Podcast Keefer Tonight's topic will surely be a hit as the team discusses Cultural Influence & Representation.

We've been thinking a lot about culture recently, and reflecting on how–whether or not we're aware of it–culture is a force that's always exerting influence on us. It's typically only when we get outside of our daily routine, our city or even our country, and are confronted with new ways of doing things that we can clearly see the values, norms, and practices that make up the culture we live in. Today, we're re-running a thought-provoking conversation we had with Michele Gelfand about notions of what she calls “tight” and “loose” cultures. It's a conversation that helps illuminate some of the invisible forces of culture, and also sheds light on how understanding these forces helps us better navigate the world. We hope you'll take another listen and enjoy. Have a question for Russ? Send it our way in writing or via voice memo, and it might be featured on an upcoming episode. Please introduce yourself, let us know where you're listening from, and share your quest. You can send questions to thefutureofeverything@stanford.edu.Episode Reference Links:Stanford Profile: Michele Gelfand Mindset QuizConnect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads / Bluesky / MastodonConnect with School of Engineering >>> Twitter/X / Instagram / LinkedIn / FacebookChapters:(00:00:00) IntroductionRuss Altman introduces Michele Gelfand, a professor of psychology and business studies at Stanford University.(00:02:22) What is Culture?Defining culture as a set of norms, values, and beliefs.(00:03:36) The Tight-Loose ContinuumTight versus loose cultures and their enforcement of social norms.(00:06:20) Individual vs Societal Tight-LooseThe differences in tight-loose orientation across individuals and nations.(00:08:25) Tight-Loose Across Societal LevelsHow history, ecology, and mobility shape cultural tightness or looseness.(00:11:25) Cultural Intelligence (CQ)The role of cultural intelligence in negotiations and leadership.(00:16:21) Tight-Loose in Personal & Professional LifeNegotiating cultural differences in relationships and organizations.(00:19:53) Cultural Evolutionary MismatchCultural responses to crises and the influence of perceived vs. real threats.(00:23:45) Tight-Loose Differences in BusinessCultural differences in mergers, acquisitions, and financial performance.(00:25:58) Improving Cultural IntelligenceWhether individuals can improve their CQ through practice and exposure.(00:28:37) Tight-Loose in PoliticsThe growing tight-loose divide in political and social issues.(00:31:09) Conclusion Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads / Bluesky / MastodonConnect with School of Engineering >>>Twitter/X / Instagram / LinkedIn / Facebook

This is The Public's Radio, I'm James Baumgartner. At a time when the longstanding friendship between the US and Canada is fraught with a trade war sparked by the Trump administration, a Rhode Island museum is mounting a celebration of the Ocean State's ties with French Canadian culture. It's called “La Francophonie”. In this week's Artscape segment, reporter David Wright sat down with Anne Conway, Director of the Museum of Work & Culture in Woonsocket.

This is message 23 in the Isaiah series. Isaiah 23:1-18 Trye, once a wealthy maritime power known for its trade and influence, became a symbol of pride and self-reliance judged by God. Though it flourished through alliances, commerce, and cultural influence, its downfall came through divine judgement carried out by nations like Babylon and later Alexander the Great. Yet, in God's purpose, Tyre's wealth was ultimately turned to His glory, and its legacy continued into the New Testament as the gospel reached its people. Tyre's story reminds us that no nation or power can stand apart from God's sovereign hand. Don't forget to download our app for more from the Riverview Baptist Church. http://onelink.to/rbcapp Find more at https://riverviewbc.com/ Donate through Pushpay https://pushpay.com/pay/riverviewbc

For years, celebrity stylists were seen as separate from those consulting for brands and shaping fashion imagery. But the red carpet, like concerts and live performances, is its own battleground - one where fashion meets spectacle and commands cultural attention. Today, with "earned media value" driving the industry, the role of the celebrity stylist has become central, crafting moments that break through the algorithmic noise and recall an era when culture felt more unified. Few understand this better than Jahleel Weaver, whose work with Rihanna, Dua Lipa, and Taylor Russell has positioned him as a defining force at the intersection of fashion, music, and celebrity. In this episode, we move beyond the spectacle to discuss why the work matters more than how it's received, the power of staying present, and the creative force of surprise. For Weaver, influence is a byproduct, not the goal. "Love doing this podcast stuff, but you know, in general, I would love for the work to just speak for itself and not have to say anything." - Jahleel Weaver Episode Highlights: From Maryland to the Global Stage – Jahleel Weaver reflects on being the first American-born member of his Panamanian-Jamaican family, growing up without creative role models, and how music, film, and fashion shaped his path. The Icons That Shaped His Eye – Madonna's reinvention, Tom Ford's world-building, and hip-hop's lyrical name-dropping all played a role in defining Weaver's early understanding of style and cultural impact. The Leap Into Styling – A post-recession moment of clarity led him to take styling seriously, which led to an introduction to Mel Ottenberg—a meeting that would change everything. Building Rihanna's Visual Legacy – Since 2011, Weaver has been a key force behind Rihanna's evolving image, from styling to creative direction, launching Fenty Corp, and ultimately leading to his role as deputy creative director at LVMH's Fenty Maison. The Art of Storytelling Through Style – The difference between styling an individual and shaping an entire brand's creative vision, and why research is at the heart of it all. Mistakes, Learning, and the Internet's Watchful Eye – Why failure is essential to growth, even in an era where everything is recorded, and how staying true to his instincts became a guiding principle. Music and Fashion: A Lifelong Dialogue – Hip-hop was his first introduction to luxury fashion, serving as both a cultural educator and a gateway to brands that would later become part of his work. Launching His Own Studio – After a decade with Rihanna, Weaver added a new role, creating a studio where he could expand his creative vision across music, film, and fashion. Has Fashion Become Too Popular for Its Own Good? – Weaver discusses how fashion's explosion in accessibility has blurred the line between admiration and true passion for the industry. What is Contemporary Now? – For Weaver, it's about being fully present. With so much focus on nostalgia and the future, he sees contemporaneity as fully inhabiting the now. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bad Bunny, born Benito Antonio Martínez Ocasio, continues to make waves in the entertainment industry, standing out as a multifaceted artist known for his unique blend of reggaeton and Latin trap. This Puerto Rican sensation has captured global attention not only with his chart-topping music but also with his dynamic performances and vibrant public persona.Recently, Bad Bunny has made headlines with his praise for morning rituals that combine "coffee & perreo," a reflection of his playful yet passionate approach to both music and life. "Perreo," a dance style closely associated with reggaeton, is emblematic of Bad Bunny's musical roots and cultural influence. This sentiment highlights his dedication to his craft and his ability to connect with fans on a personal and cultural level.Moreover, Bad Bunny has been an influential figure in reshaping the landscape of Latin music, breaking barriers with his genre-blending tracks and bold artistic choices. His impact is seen not just in music charts but also in cultural discussions about Latin identity and representation in mainstream media.Bad Bunny's ventures extend beyond music as he has also been involved in political activism, using his platform to speak out against social injustices in Puerto Rico and advocating for causes such as LGBTQ+ rights. His commitment to these issues has further solidified his status as a voice for change among his fanbase and in the broader cultural context.His influence in the fashion world cannot be overlooked, as he frequently pushes boundaries with his eclectic and gender-fluid style. This fashion-forward approach has earned him a place as a modern icon not just in music but in pop culture at large.Bad Bunny continues to be a powerful force in expanding the reach of Latin music globally, maintaining his position as one of the most influential artists of his generation. With each project, he transcends traditional music industry expectations, resonating with audiences through authentic expression and bold creativity.

"Friday night, we lit a match under the quiet myths and watched them burn. It started with Theodor Herzl, scribbling dreams of a promised land while Europe simmered—then jumped to the Frankfurt School, those brainy exiles who swapped Germany for America, whispering chaos into the culture. What's the payoff? A grip on the levers that move us—dating apps turning romance into a game, silver-screen kings scripting our fantasies, and bankers counting coins while the world spins. Don't sleep on the night owls either—those shadow-dwellers churning out late-hour temptations, paired with music moguls remixing our souls. We asked the big one: is this a plot? A Marxist fever dream from the ‘30s, unleashed through tycoons who own the board? Some say it's a takeover—disrupt, dismantle, dominate—while others shrug it off as hustle in a free-for-all. Then there's the loyalty twist: can you root for a homeland far away and still bleed for the one you're in? We didn't hold back—Herzl's vision meets Frankfurt's critique, landing in a modern maze of power and play. The chat blew up, lines were drawn, and yeah, jaws dropped. Missed the fire? Replay's live—dive in and pick a side. Is this the blueprint for a flipped society, or just winners winning? We've got the dots; you connect ‘em. Bring your skepticism, your theories, and maybe a stiff drink. This isn't your average history lesson—it's a wake-up call from the shadows."

Bad Bunny, the chart-topping Puerto Rican artist born Benito Antonio Martínez Ocasio, continues to expand his influence far beyond the music industry. Known for his eclectic genre-blending style and vibrant persona, he has become a force in both entertainment and cultural spheres. Recently, he shared the spotlight with Pedro Pascal, the renowned Chilean-American actor, who has captivated audiences as the lead in "The Mandalorian." Both artists have joined forces on the entertainment stage, intertwining their arts in new and surprising ways.Bad Bunny's recent appearances included a noteworthy moment on "Saturday Night Live" where he performed and displayed his charismatic presence. Sharing the stage with Pedro Pascal and others, the collaboration highlighted Bad Bunny's crossover appeal, breaking language and cultural barriers. These appearances have showcased his versatility, not just as a musician but as a mainstream cultural icon.His rise in popularity is no surprise given his record-breaking albums and critical acclaim. With music that incorporates reggaeton, Latin trap, and other genres, Bad Bunny has consistently pushed boundaries, garnering a massive global fan base. His influence extends beyond music—he is known for bold fashion choices and speaking out on important social issues, often using his platform to advocate for change.The collaboration with figures like Pascal is indicative of Bad Bunny's growing impact in various entertainment forms. This trend reflects a broader movement in the industry, where artists are no longer confined to single outlets, allowing them to redefine modern stardom. Bad Bunny's continuous success and appearances alongside top-tier Hollywood names suggest an ongoing journey that blurs the traditional lines between music, acting, and cultural influence.As Bad Bunny continues his ascent, his diverse endeavors mark him as a trailblazer in bridging different worlds of entertainment and initiating conversations on cultural dynamics. His ability to engage with a wide audience while staying true to his roots ensures his position as a pivotal figure in the entertainment industry today.

If you like my work and would like access to bonus episodes, early access to episodes, all my writing and the Subversive Community, please consider signing up on my Substack or Patreon:⁠https://www.alexkaschuta.com/⁠⁠https://www.patreon.com/aksubversive⁠In today's conversation, I sit down with Prester John Andrews, whose journey from professional kitchens to the digital frontier offers a rare lens into America's shifting cultural landscape. A writer of remarkable clarity, Prester traverses the territory between theoretical abstractions and lived experience, having inhabited both leftist organizing spaces and traditional institutions. His work excavates the paradoxes of modern masculinity and examines the subtle tyranny of online political discourse. What emerges is a meditation on finding authentic meaning in an age where digital rage threatens to eclipse tangible action and where the path between radical theory and practical wisdom grows increasingly narrow.⁠Prester John Andrews⁠ is a writer, commentator, and podcast host on Substack. ⁠Dispatches From The Golden Horde⁠Chapters00:00 Exploring Modern Masculinity and the Bug Man Meme04:39 Navigating Online Spaces and Tribalism10:20 Political Awakening and Ideological Shifts16:27 The Impact of Technology on Global Politics21:42 Cultural Influence of American Ideology27:07 The Future of Political Change and Ideological Framing37:02 Navigating a Multipolar World39:56 The Shifting Ideological Landscape44:34 Cultural Aspirations and American Influence51:10 Masculinity in Modern Society01:01:32 Engagement Beyond Ideology

How did a simple painting transform into the world's most recognized depiction of Jesus?Head of Christ Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes and get exclusive access to bonus content.

What does it look like to engage culture as a Christian in today's world? Is it a battle to be won, a system to be escaped, or something else entirely? In this thought-provoking discussion, Keith Simon lays out a vision for what he calls "joyful outsiders" - Christians who embrace their identity as outsiders, but who engage the culture in diverse and creative ways. Keith draws from Scripture to show how the Bible presents a range of approaches - from the "advisor" who works from within, to the "protester" who calls out injustice, to the "builder" who cultivates new institutions. The key, he argues, is for Christians to resist the temptation to find our identity in political power or cultural influence, and instead root ourselves firmly in Christ. It's a perspective that acknowledges the real challenges and tensions of living as followers of Jesus in a disoriented world. But rather than despair or withdrawal, Simon casts a vision of Christians working together in unity, respecting each other's diverse callings and roles. Whether you see yourself as more of a "trainer" or an "ambassador," Simon's insights offer a compelling alternative to the tired culture war narratives that have done so much damage. He invites us to embrace our identity as outsiders, to engage creatively, and to do so with joy - because our hope is not in the shifting sands of politics or public opinion, but in the unshakable foundation of Christ's love and victory. It's a conversation that gets to the heart of some of the most pressing questions facing the church today. And it just might unlock new possibilities for how we can faithfully and fruitfully live out our faith in the world. Keith Simon is a lead pastor at The Crossing, cohosts the podcasts Ten Minute Bible Talks and Truth Over Tribe, and coauthored Truth Over Tribe: Pledging Allegiance to the Lamb, Not the Donkey or the Elephant. He graduated with an MDiv from Trinity Evangelical Divinity School. Keith lives in Columbia, Missouri, with his wife, Christine, and their four children.Keith's Book:Joyful OutsidersKeith's Recommendations:Bad TherapyGhostedHow to Stay MarriedWhat is a Girl Worth?Join Our Patreon for Early Access and More: PatreonSubscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeCEmail jjohnson@allnations.us, so we can get your creative project off the ground! The Bible is Alive! - Read the Bible in a Year - NIVWelcome to the "The Bible is Alive!" where we read through the entire Bible and...Listen on: Apple Podcasts SpotifySupport the show

In this episode of Working Class Audio, Matt welcomes back the Pellicci Brothers, Jay and Ian, who appeared originally on WCA #054. They have worked with Deerhoof, John Vanderslice, Sleater-Kinney, and the Magnetic Fields.They currently run Brothers (Chinese) Recording in the Bay Area. In This Episode, We Discuss: Challenges in Naming Unintentional Uniformity Studio History Literal Creativity Creative Decision Making Not Planning Studio Projects Burlap Links and Show Notes: Brothers (Chinese) Recording WCA #057 with The Pellicci Brothers Matt's Rant: Identity Credits: Guest: The Pellicci Brothers Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode, Dean Cain discusses his departure from California due to its worsening homelessness crisis and poor governance under Gavin Newsom. He reflects on the impact of woke culture on society, particularly in terms of isolation and the perception of masculinity. Cain emphasizes the importance of fatherhood and family values, advocating for policies that incentivize having children. The conversation also touches on the current political landscape, media dynamics, and the optimism surrounding potential changes in leadership. The Tudor Dixon Podcast is part of the Clay Travis & Buck Sexton Podcast Network. For more visit TudorDixonPodcast.comSee omnystudio.com/listener for privacy information.

In this episode of The AnxietyRX Podcast, I'm joined by Dr. Nick Holton and Dr. Adam Wright as we explore the powerful connection between trauma, resilience, and well-being. I dive into why I believe the traditional medical focus on medication isn't enough and why a holistic approach, including spiritual healing, is so important. Dr. Holton shares his thoughts on how having a clear sense of purpose and value-based goals can help us unlock our full potential. Dr. Wright offers insights from sports psychology, explaining how controlled exposure to stress is key to building resilience. We wrap up by discussing the concept of "anti-fragility" — how, with the right support, we can actually thrive through adversity. Thank you for listening and you can find me on IG: @theanxietymd if you have any questions. PS. If you would like to join the MBRX family of 4000+ anxiety WARRIORS who are shifting from coping with their anxiety to actually HEALING it, click the link below: https://www.theanxietymd.com/MBRX ______________________________ TIMESTAMPS 00:00 - Introduction 00:31 - Dr. Nick Holton's Background   01:53 - Dr. Adam Wright's Experience  03:08 - Disenchantment with Systems   04:32 - Importance of Purpose 05:09 - Concept of Anti-Fragility   07:31 - Proactive Resilience Building 09:10 - Childhood Trauma and Resilience 10:14 - Defining Anti-Fragility 12:42 - Cultural Influence on Resilience   13:55 - Trauma's Impact on High Achievers  14:38 - Talent and Trauma Correlation    18:27 - Trauma and Cellular Memory   19:06 - Understanding Trauma and Sensitivity   20:01 - Expanding Capacity and Resilience  21:15 - Cortisol Response and Inherited Trauma  22:15 - Reframing Trauma Perspectives  24:44 - The Importance of Safety in Healing  25:17 - Neurogenesis and Safety 27:37 - Applying Skills to Real-Life Challenges  28:30 - Navigating Stress Responses    31:02 - Health Management vs. Sick Management 32:12 - Client Goals and Progression   34:04 - Case Studies in Performance Improvement 37:44 - Defining Mental Health   38:18 - The Reward of Worry 40:10 - Defining Mental Wellness 42:01 - The Role of Joy  44:13 - Contrast in Life   45:06 - Tolerating Negative Feelings   48:27 - Creating a New Narrative 50:19 - Optimizing Performance 51:12 - Finding Resources 

In this episode of the Shepherd Press Podcast, host Anthony Russo is joined by Dr. Jen Chen and Dr. Ernie Baker for a thought-provoking panel discussion. They delve into Dr. Chen's new book, 'Biblical Counseling and Mental Disorder Diagnosis,' the DSM, and the tension between the secular and biblical counseling worlds. Dr. Chen and Dr. Baker discuss the misconceptions and challenges surrounding mental disorder diagnoses, like mental health labels. The conversation explores the sufficiency of scripture in addressing mental health struggles and the potential pitfalls of integrating secular psychological terms and methods into biblical counseling. Listeners are encouraged to re-evaluate their understanding of mental health diagnoses using Scripture-based standards. 00:23 Meet the Panel: Dr. Jen Chen and Dr. Ernie Baker01:02 Introduction to the book 'Biblical Counseling and Mental Disorder Diagnosis'02:37 Understanding the DSM and Its Implications05:34 Biblical Counseling vs. Secular Psychology08:14 The Impact of Mental Health Labels14:12 Cultural Influence on Psychiatric Diagnoses20:09 Encouragement for Pastors and Counselors34:25 Conclusion and Next Episode TeaserFollow Shepherd Press on social media for more insights:Facebook: @shepherdpressInstagram: @shepherdpressincGrab a copy of 'Biblical Counseling and Mental Disorder Diagnosis': https://www.shepherdpress.com/products/biblical-counseling-and-mental-disorder-diagnosis/

We are back! This time we are looking at what could have been the 'greatest show on earth' a.k.a the US presidential election of 2024.  It was definitely a show as it lacked any real substance. We will be looking specifically at image polities, online culture, the decline of legacy media & rise of new media.  Links: Exit polling Abortion did not play a big role as expected in the US election How female voters broke for Harris and Trump Progressive measures won in conservative states and lost in liberal  states It's the economy stupid. Trump taps voter anger in red wave Breaking Points - CNN: Trump COULD WIN Popular Vote   Election ads -  Youtube channel with all the election ads Top 5 Trump Ads of '24 Based On Views! Harris opening ad Trump Ad : They Will Never Silence Me Harris Ad : Monster Trump closing ad Harris closing ad   Celebrity Endorsements -  How 'damaging' celebrity endorsements could have made battleground voters turn against Kamala Harris Why Celebrity Endorsements Don't Always Deliver Votes, and Might Work Against Candidates   The rise of new media - How Podcasts Emerged as Vehicles of Mass Reach, Niche Audiences and Cultural Influence

Host Shayla Ouellette Stonechild interviews Indigenous fashion trailblazer Himikalas Pam Baker. They discuss Baker's journey into fashion, her experiences in fashion school as a single mother, and the cultural influences that have shaped her designs. The conversation also touches on the significance of the red dress in raising awareness for missing and murdered Indigenous women and girls, and the challenges faced by Indigenous designers in the industry. Baker emphasizes the importance of mentorship, cultural responsibility, and community empowerment through her work. She reminds Indigenous designers to define success through happiness with a focus on positivity and community support for Indigenous artists. Find out more about Himikalas Pam Baker: toclegendshouseofdesign.ca www.legaleriste.com/touch.of.culture flow/page/pambakerhimikalas https://www.instagram.com/himikalas Thanks for checking out this episode of the Matriarch Movement podcast! Leave comments and a thumbs up for us on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: https://www.instagram.com/shayla0h/ Find more about Matriarch Movement: https://matriarchmovement.ca/ Watch this episode on YouTube: https://www.youtube.com/@matriarch.movement This episode is produced by Sarah Burke and the Women in Media Network. Special thanks to the Indigenous Screen Office for supporting this podcast! Hiy Hiy! Chapters: (00:00) Introduction to Indigenous Fashion and Community Empowerment (01:59) The Journey into Fashion Design (06:27) Navigating Fashion School as a Single Mother (11:29) Cultural Influence in Fashion Design (14:34) The Significance of the Red Dress (21:57) Mentorship and Cultural Responsibility in Design (23:40) Challenges Faced as an Indigenous Designer (24:12) Giving Back and Defining Success (27:06) Advice for Young Indigenous Entrepreneurs (29:07) The Future of Indigenous Fashion (33:36) Reinventing Oneself in the Fashion Industry (36:39) Staying Positive and Supporting Indigenous Artists Learn more about your ad choices. Visit megaphone.fm/adchoices

Eoghan McCabe returned to the CEO seat at Intercom with a mission to shake things up. Over the past two years, he's been reinventing the company's culture, leading with zero apologies, and transforming Intercom into an AI-driven powerhouse. In my latest conversation, we dive into Eoghan's journey back to Intercom after a two-year break, his blueprint for turning a software company into an AI leader, and the tactics he uses to keep Intercom running like a high-intensity startup. Eoghan also shares his thoughts on personal freedom and his controversial endorsement of Donald Trump. [0:00] Intro[1:33] Eoghan McCabe's Return to Intercom[3:01] Challenges and Learnings[10:44] Cultural Reset at Intercom[29:23] AI and the Future of Customer Service[31:11] Adapting to AI and Market Changes[43:00] Competitive Landscape and Strategy[48:29] Future of AI in Customer Service[50:24] The Evolution of Work[52:18] Challenges and Rewards of Leadership[56:45] Media and Public Perception[1:00:40] Political Endorsements and Reactions[1:10:11] Freedom Club and Cultural Influence[1:12:33] HR and Company Culture[1:29:35] Fundraising and Investor Relations[1:33:01] Final Reflections and Advice  Executive Producer: Rashad AssirProducer: Leah ClapperMixing and editing: Sam Dewees and JR Bohannon Check out Unsupervised Learning, Redpoint's AI Podcast: https://www.youtube.com/@UCUl-s_Vp-Kkk_XVyDylNwLA

In this episode of the Concrete Genius podcast, host Mackenzie discusses the aftermath of the recent presidential election, the struggles of the Democratic Party, and the dynamics within the black community. He emphasizes the importance of unity and understanding among black individuals, critiques the political landscape, and reflects on the cultural responsibilities of the community. The conversation also touches on personal experiences with racism and the need for self-love and identity preservation. In this conversation, Sauce discusses various themes including the challenges of identity and adversity faced by youth, the importance of financial literacy and self-sufficiency, and the political landscape's impact on society. He emphasizes the need for personal responsibility within the black community, the significance of education and mentorship, and the cultural influences that shape community dynamics. Sauce also addresses the complexities of racial disparities and the necessity for unity among different classes within the black community, ultimately advocating for a more defined and engaged black identity.Chapters00:00 The Aftermath of the Election06:08 The Democratic Party's Struggles14:00 Racial Identity and Relationships20:06 Cultural Reflections and Responsibilities26:05 Racism and Personal Experiences31:53 Financial Empowerment and Self-Sufficiency37:44 Black Community and Personal Responsibility44:54 Cultural Influence and Community Dynamics49:59 Unity and Class Division in the Black CommunitySupport the show

Ana is a widely read columnist, public speaker, and the World's Most Influential CMOs by Forbes. She earned her Doctorate in Sociology and Masters in Media Studies, and she's held the Chief Brand Office position at fashion brands such as Rebecca Minkoff, Banana Republic, and Esprit. In this engaging conversation, Gavon interviews Ana Andjelic, a renowned strategy executive and author. She discusses her journey rising up in the ranks of the fashion industry. As a CBO, she stresses the importance of cultural influence and why a portfolio approach is the next evolution in creative career building. Order her upcoming book Hitmakers! Chapters 00:00 Introduction to Ana Andjelic 02:59 The Importance of Knowledge Sharing 05:38 Cultural Influence in Brand Strategy 08:42 Ana's Journey in the Fashion Industry 11:48 The Role of a Chief Brand Officer 14:41 The Narrative and Aesthetic of Branding 17:30 Rebranding Success Stories 20:34 Balancing Creativity and Data 23:39 Sustainability in Fashion 29:25 Hierarchies and Power Dynamics in Fashion 35:20 Personal Style and Fashion Philosophy 38:25 Advice and Career Reflections

In this episode of the Owaken podcast, we dive deep into how you can overcome the fear of taking up space and start freely expressing your authentic self. Whether you're battling self-doubt or seeking to express more of your creativity, this episode is packed with inspiration and practical advice to build confidence and strengthen your connection to your authentic self. We know all too well how easy it is to be held back by self-consciousness and societal judgments. Worrying too much about what others think of you can keep you disconnected from your purpose and living a life that feels smaller and less inspiring than what you're capable of. We'll share how practical tools like somatic therapy, breathwork, and meditation have helped us and thousands of others to unlock more creativity and self-expression. We share our personal experiences with inner child work, rebuilding self-love, and how to find like-minded community where your authentic self is accepted and embraced. (00:00) Introduction: The Importance of Your Voice (01:28) Setting Intentions with Cacao (03:00) Overcoming Self-Consciousness (03:48) Tall Poppy Syndrome and Cultural Judgments (05:01) The Journey of Self-Expression (13:16) Travel and Cultural Influence (24:04) Embracing Authenticity and Facing Judgment (31:57) The Process of Growth and Practice (37:25) Moving to LA: A Time of Growth (38:11) Living with Content Creators (39:26) Learning from Professionals (42:11) Photography Lessons with Danielle (44:31) Embracing Self-Worth and Expression (48:52) Overcoming Negative Self-Talk (51:51) Connecting with Your Inner Child (56:25) The Importance of Somatic Work (01:01:31) Personal Stories of Transformation (01:13:55) Turning Pain into Purpose (01:17:47) Final Thoughts and Encouragement Ready to learn our signature 5-minute Owaken Breathwork practice? It's 100% free for you to watch and learn here:  https://youtu.be/IrEGO53nhw8?si=bs_IBPsLFfrVsFGK Start the Owaken Breathwork Mystical Morning Ritual Challenge on the app: www.app.owaken.com Follow Owaken, Hellè Weston & Lukis Mac for more insights and inspiration: Follow Owaken: www.instagram.com/owakenbreathwork Follow Hellè Weston: www.instagram.com/helle_weston Follow Lukis Mac: www.instagram.com/lukismac Learn more about Owaken Breathwork: owaken.com

In this episode, we delve into the emotional impact of humane euthanasia on the veterinary hospital environment. We unpack how a candid team discussion helped alleviate tension and allowed us to share coping strategies. Our goal is to raise awareness of the unique challenges associated with humane euthanasia in our work, ensuring that no one feels alone on this journey. Submit experiences you would like us to unpack in our Lead By Example episodes here: choosepeoplelovepets@outlook.com  Follow for more:  FB: https://www.facebook.com/profile.php?id=61556480229406&mibextid=LQQJ4d  IG: https://www.instagram.com/choosepeoplelovepets?igsh=MTVzZjc4ZHE4MWd2NQ%3D%3D&utm_source=qr  LI: https://www.linkedin.com/company/choose-people-love-pets/ 

In this episode, Amir hosts Dave McGann, the CTO of Self Financial, to discuss scaling strategies in technology companies. Dave shares his experiences working with venture capital (VC) and private equity (PE)-backed companies, detailing different growth strategies and company cultures. He highlights the importance of a cohesive early team, understanding financials, and the role of leadership in scaling businesses. The conversation delves into the differences between VC and PE environments, focusing on people, product market fit, and financial management. Dave offers insights into successful exit strategies and the skills necessary for technologists to adapt to various business structures. The episode wraps up with practical advice for tech professionals aiming for success in scaling and exiting companies, offering listeners a chance to connect with Dave for further mentorship. Highlights: 02:04 Differences Between VC and PE Backed Companies 02:42 Scaling Strategies in VC Backed Companies 04:44 Scaling Strategies in PE Backed Companies 08:17 Cultural Influence and Leadership in Different Company Sizes 12:22 Transitioning from VC to PE: Challenges and Learnings 18:55 Evaluating Job Opportunities and Company Potential 23:38 Advice for Aspiring Leaders and Final Thoughts Guest: David McCann is a seasoned technology and product executive with over 20+ years of experience in the software industry. As the Chief Technology Officer (CTO) at Self Financial, Inc., David is passionate about helping people build credit through innovative, scalable, and secure fintech solutions. He has a proven track record of driving significant business outcomes, having been involved in over $5 billion in transactions, including a notable $1+ billion transaction with Carlyle during his tenure as CTO at Abrigo and the successful exit of Accurent to Fortive for approximately 2.1 billion USD in 2019. David's career is marked by his leadership in scaling cross-platform technology organizations, his expertise in mergers and acquisitions, and his deep knowledge of software development and cloud computing. He has held prominent roles such as CTO at Accruent and CLEAResult, where he led technology-driven solutions to meet the needs of businesses and consumers alike. Beyond his role at Self Financial, David serves as a Chief Technical Advisor at Cove Strategy Partners, advising private equity-backed growth firms in the enterprise SaaS market. His extensive experience includes supporting over 50 acquisitions and contributing to product and architecture design. LinkedIn: https://www.linkedin.com/in/damccann/ ---- Thank you so much for checking out this episode of The Tech Trek. We would appreciate it if you would take a minute to rate and review us on your favorite podcast player. Want to learn more about us? Head over at https://www.elevano.com Have questions or want to cover specific topics with our future guests? Please message me at https://www.linkedin.com/in/amirbormand (Amir Bormand)

We bring you a discussion about the secrets of ancient astronomy with Dr. Duane Hamacher, an Associate Professor of Cultural Astronomy in the School of Physics at the University of Melbourne. Our conversation explores the importance of astronomical observation to ancient people around the world, but particularly those of aboriginal Australia. We ask why so many cultures, geographically isolated, present the same myths for identical constellations. We also explore the migration out of Polynesia and ponder the world during the last ice age. Tell us your thoughts in the comments! Sign up for our Patreon and get episodes early + join our weekly Patron Chat https://bit.ly/3lcAasB AND rock some Demystify Gear to spread the word: https://demystifysci.myspreadshop.com/ OR do your Amazon shopping through this link: https://amzn.to/4g2cPVV (00:00) Go! Exploring the intersection of science and mythology in ancient sky observations (00:07:18) The significance of oral traditions and mythology in preserving ancient knowledge (00:22:02) Myth and mysticism in science and indigenous knowledge (00:23:28 Science as modern mythology (00:26:13) Myth vs mysticism: encoding ancient knowledge (00:29:01) Mythology and empirical myths in science (00:32:59) Evolution of scientific knowledge (00:43:10) Understanding Mythology as Knowledge Transmission (00:46:08) Speculations on Cosmic Events in Mythology (00:49:03) Challenges in Preserving Indigenous Knowledge (00:54:12) Impact of Academic Research on Indigenous Communities (01:04:14) Ancient astronomical predictions and variable stars (01:05:23) Understanding eclipsing binary systems (01:06:20) Ancient Egyptian records and astrophysical insights (01:07:56) Cultural interpretations of celestial events (01:09:19) Oral traditions and eclipse predictions (01:24:42) Ancient cultures' advanced astronomical knowledge (01:28:08) Polynesian migration and cultural astronomy (01:36:03) Underwater archaeology and sea level rise (01:45:29) Celestial Motifs in Global Religions (01:48:17) Venus and Cultural Symbolism (01:49:10) Astronomical Basis of Cultural Rituals (01:54:01) Cross-Cultural Constellations (01:57:03) The Myth of the Seven Sisters (02:05:55) Human Perception of Constellations (02:07:04) Cultural Influence on Constellation Creation (02:25:21) The impact of interdisciplinary collaboration #sciencepodcast, #longformpodcast, #Mythology, #AncientKnowledge, #OralTraditions, #IndigenousWisdom, #CulturalAstronomy, #ScienceAndMyth, #CosmicEvents, #AstronomyHistory, #AncientAstronomy, #PolynesianNavigation, #MythVsMysticism, #AncientEgypt, #CulturalRituals, #VenusSymbolism, #SevenSistersMyth, #CrossCulturalAstronomy, #Constellations, #InterdisciplinaryScience, #UnderwaterArchaeology, #HumanOrigins Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671

In this week's episode of Tank Talks, host Matt Cohen welcomes Peter Goldie and Deborah Kattler Kupetz the two principals of Category Design Co.Category Design is a powerful business strategy that involves identifying a gap in the market and creating an entirely new category to fill it. Together, they share their journeys, personal experiences, and insights into how category design can transform companies and shape industries.Peter and Deborah talk about how they first met through TED conferences and discovered a shared passion for category design. Peter, with his extensive experience in software and B2B industries, and Deborah, a serial entrepreneur with a background in trends, music, and events, explain how category design can redefine business strategies, create new market opportunities, and help companies achieve dominance in their fields.We also have John Ruffolo from Maverix Private Equity back to discuss the latest news.Deborah Kattler KupetzDeborah Kattler Kupetz is a partner at Category Design Co., where she helps businesses define new market categories and execute strategies to dominate them. She also serves as an advisor at Physio AI, focusing on computational analytics for digital health, and at Aligne Capital Partners, where she works on creating sustainable ecosystems in the food and waste industries. Since 2006, Deborah has led dkkevents, a green event production company that produces eco-conscious experiences, and she continues to produce hybrid and virtual events.She has extensive experience in community-focused ventures, including her roles as Executive Producer of TEDxGreenStreet and Founder of Recenterpiece, a project that repurposes event centerpieces to reduce waste and feed those in need. Earlier in her career, she co-founded several initiatives focused on philanthropy and literacy, including Koreh L.A., Virtual Philanthropy, and the L.A. Literacy Corps.Deborah holds a BA in American Studies from Scripps College and earned both her MSW and MSG from the University of Southern California.Peter GoldiePeter Goldie is a partner at Category Design Co., where he works with companies to define and dominate their business categories. He is also an advisor to Physio AI and Aligne Capital Partners, helping both organizations scale their impact in digital health and sustainability. Prior to these roles, Peter was an advisor at Karerra and Gold Front, assisting startups in scaling and category development.Before focusing on category design, Peter co-founded sewnow! fashion studio and FashionKit, a retail and online business. He also held executive roles at companies like Leanplum, Exploratory Software, and Fluid, where he led product marketing and business strategy efforts. At Macromedia, Peter played a key role in the growth of Flash as the world's most installed software, and he began his career at Procter & Gamble in brand management.Peter holds a Bachelor of Commerce degree in Marketing from Queen's University and completed his high school education at Upper Canada College.In this episode, we discuss:* News Rundown with John Ruffolo:(00:26) – Amazon's Return to Office MandateAmazon CEO Andy Jassy's return-to-office announcement and its implications.(02:00) – Corporate Downsizing Through PolicySpeculation on whether the return-to-office policy is a strategy to reduce headcount without layoffs.(03:00) – Return-to-Office Trends Across IndustriesThe broader trend of companies shifting away from fully remote work.(05:00) – Space & Telecommunications: Elon Musk vs. TelesatDiscussion on Canada's investment in Telesat and the ethics of government handouts.(09:00) – Canadian Government Ventures and InnovationConcerns about government-backed corporations and their ability to foster innovation.(12:00) – Business Development Bank of Canada (BDC) Leadership ChangesLeadership changes at BDC and their impact on Canadian venture capital.(16:00) – Secondary Sales and Continuation Funds in VCHow VC firms are turning to secondary sales and continuation funds in response to a stagnant IPO market.(20:00) – Investor Strategies Amidst a Stagnant IPO MarketThe effects of innovative liquidity strategies on startups remaining private longer.Main Interview with Peter and Deborah:(21:00) – Introduction to Peter and DeborahOverview of Peter and Deborah's backgrounds in category design.(21:35) – Deborah's BackgroundDeborah's entrepreneurial journey from fashion to tech and innovation.(23:00) – Peter's Early CareerPeter's early experiences in consumer goods and his transition into tech.(24:00) – Cultural Influence on DesignHow Peter's travels influenced his perspective on design and marketing.(25:45) – Peter's Early TED InvolvementPeter's role in creating a social network for TED and demonstrating rich internet applications.(28:00) – What is Category Design?Deborah explains the basics of category design and how it redefines markets.(30:00) – Examples of Category KingsDiscussion of category-defining products like the iPhone and iPad.(31:15) – The First Steps in Pursuing Category DesignKey steps companies should take when pursuing category design.(33:00) – Challenges in Defining a CategoryThe challenges startups face in differentiating themselves with category design.(35:00) – Real-World Examples of Category DesignExamples of companies that redefined their categories, and the risks involved.(38:30) – Timing and Consumer Behavior in Category DesignThe importance of timing and understanding consumer behavior.(40:45) – Case Study: Radical ScienceHow Radical Science created the "Proof as a Service" category using consumer participation.(45:00) – Storytelling in Category DesignThe role of storytelling in effectively communicating a category's value.(47:30) – Balancing Current Products with New VisionsHow companies balance existing products with bold new category visions.(50:00) – Role of Investors in Category DesignHow visionary pitches framed around new categories can win over investors.(53:00) – Overcoming Internal Resistance to Category ShiftsHow leadership and sales teams can embrace new category strategies despite initial resistance.(55:00) – Case Study: Airbnb's Category JourneyAirbnb's evolution from offering short-term rentals to defining "community-led hospitality."(57:00) – Using Category Design to Persuade InvestorsHow bold, category-driven strategies can secure investor buy-in.(59:00) – The Future of Category Design and Emerging TrendsHow AI and the Internet of Things (IoT) will shape future category creation.(01:02:00) – Favorite Category KingsPeter and Deborah share their favorite category-defining companies, such as Sonos and Patagonia.Fast Favorites:* Favorite Podcast:* Peter: 99% Invisible – a podcast about design in all its forms.* Deborah: Darknet Diaries – a podcast that explores the dark side of the internet, hacking, and cybercrime.* Favorite Newsletter or Blog:* Peter: Never Enough by Andrew Wilkinson of Tiny Capital.* Deborah: Human Times, focusing on developments in AI, robotics, and human-centered technologies.* Favorite Tech Gadget:* Peter: Beacon 40 – a light designed to ward off dementia and Alzheimer's by syncing gamma waves in the brain.* Deborah: Neuralink (future potential).* Favorite Book:* Peter: Play Bigger – the bible of category design.* Deborah: Outlive by Peter Attia, and the classic Invisible Cities by Italo Calvino.* Favorite Life Lesson:* Peter: "Things just don't go as expected."* Deborah: "You have universal permission – go for it."Follow Matt Cohen and Tank Talks here!Podcast production support provided by Agentbee.ai This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tanktalks.substack.com

On Episode 150 of the Radically Genuine Podcast I interview Ethan Watters an investigative journalist and author. He is most widely known for his book “Crazy Like Us: The Globalization of the American Psyche” published in 2010. He has also appeared on a number of media outlets such as Good Morning America, Talk of the Nation, and CNN and written articles published in The New York Times Magazine, Spin, Details, Mother Jones, Glamour, GQ, Esquire, and the San Francisco Chronicle Magazine. Does our western conceptualization of mental illness actually create more harm than good? We explore how the export of Western mental health concepts is changing the nature of mental illness globally, examining the impact of Western narratives on depression, schizophrenia and PTSD in non-Western societies. The conversation critiques the assumption that Western therapy is universally applicable and discusses the medicalization of emotional distress in Western cultures.Chapters00:00 The Globalization of Mental Health09:28 The Cultural Construction of Mental Illness18:40 Altering Cultural Responses to Suffering25:52 The Importance of Cultural Context in Mental Health39:32 The Impact of Western Narratives on Trauma43:16 The Limitations of Western Notions of Healing45:30 The Medicalization of Emotional Distress in Western Societies47:48 Challenging the Immediate Intervention Paradigm53:19 Culture's Influence on Mental Health and Individual Choice RADICALLY GENUINE PODCASTDr. Roger McFillin / Radically Genuine WebsiteYouTube @RadicallyGenuineDr. Roger McFillin (@DrMcFillin) / XSubstack | Radically Genuine | Dr. Roger McFillinInstagram @radicallygenuineContact Radically GenuineConscious Clinician CollectivePLEASE SUPPORT OUR PARTNERS15% Off Pure Spectrum CBD (Code: RadicallyGenuine)10% off Lovetuner click here—-----------FREE DOWNLOAD! DISTRESS TOLERANCE SKILLS

We tend to think about cultural influence under the heading of major categories like politics, economics, education, technology, and media. However, what if all of these are outworkings of something much deeper and more mysterious—namely, the human spirit? Join us as we kick the hornet's nest once again on the topic of cultural engagement.

A recent article in the New York Times suggested, "As more foreigners, especially Americans, visit or move to Mexico City, some taco shops have lowered the heat in their sauces. Not everyone is happy.” That makes me think about how foreign consumption of Tequila and Mezcal have also influenced the flavors — and the recipes — of those other landmarks of Mexican cultural heritage. And it makes me think about how salsa, Tequila, and Mezcal have changed daily life in the USA. It's a cross-cultural episode of Agave Road Trip! Agave Road Trip is a critically acclaimed, award-winning podcast that helps gringx bartenders better understand agave, agave spirits, and rural Mexico. This episode is hosted by Lou Bank with special guest Chef Gustavo Romero of Oro by Nixta. Find extra photos and related links at agaveroadtrip.comHeritage Radio Network is a listener supported nonprofit podcast network. Support Agave Road Trip by becoming a member!Agave Road Trip is Powered by Simplecast.

Send us a Text Message.In this Mini Series episode, Eileen and Amy discuss the topic of disordered eating. They provide definitions and distinctions between disordered eating, intuitive eating, and eating disorders. They share their personal experiences with disordered eating and how it has evolved over time. The conversation also touches on the influence of societal and cultural factors on eating behaviors, as well as the prevalence of eating disorders in the dance and aesthetic sports industries. Eileen and Amy go on to discuss the transition from disordered eating to eating disorders and the coping mechanisms involved; exploring the connection between control, trauma, and body image, highlighting the impact of societal beauty standards. They also discuss the prevalence of eating disorders among athletes and the role of shame and secrecy in perpetuating these disorders. This episode emphasizes the importance of recognizing and addressing the underlying pain and trauma that contribute to disordered eating and how the dance world is a prime environment for food to be used as a coping mechanism to manage bodily autonomy, control and a sense of empowerment or sovereignty within a dancing body.Resources:Episode 10 SlideshowActivation Warning: This episode contains sensitive topics including eating disorders, abuse and self harm. Please take care of your body.Support the Show.M.O.V.E. with Eileen + Amy is a Kaia Evolutions Podcast.New episodes air on Wednesdays when in season.To learn more about Eileen + Amy, be sure to follow them on IG at @ekielty + @amyreah and keep up to date on the podcast at @movewitheileenandamy. For more information about Kaia Evolutions, a culmination of Eileen's life's work and a love letter to her sister, Katie, who died by suicide in 2019 - visit https://www.kaiaevolutions.com/ or follow on IG at @kaia.evolutions If you want to share part of your dancer / movement artist journey with us, email us at movepod@kaiaevolutions.com*If you or anyone you know is in need of support, please call the National Suicide Prevention Lifeline at 800.273.8255 OR text 988. You are not alone.

In this milestone 100th episode of the Surf Mastery Podcast, host Michael Frampton welcomes back the stylish surfer Devon Howard. Broadcasting from the Channel Islands office in Santa Barbara, Devon shares his insights on the elusive concept of style in surfing. The episode delves into the historical evolution of style, its significance in competitive surfing, and the subjective nature of defining style.Devon emphasizes the importance of making difficult maneuvers look effortless and how personal demeanor often mirrors one's surfing style. He contrasts the stylistic approaches of surfers like Joel Parkinson and Kelly Slater with the more explosive style of Adriano de Souza. Listeners are encouraged to focus on form over presentation, maintain a relaxed and efficient approach, and view style as a natural extension of personal expression.Episode Highlights:Introduction to Devon Howard: Recap of Devon's previous appearances on episodes 41, 77, and 86.Importance of Style in Surfing: Exploring the subjective nature of style and its impact on surfing performance and aesthetics.Origins of the Word 'Style': Michael provides a brief etymology of the word 'style' and its various meanings throughout history.Cultural Influence on Style: How different surf cultures and eras emphasize or de-emphasize style.Effortless Style: The concept of making difficult maneuvers look easy and the importance of being relaxed and calm.Influence of Personality on Style: How a surfer's personality often reflects in their surfing style.Contrived vs. Natural Style: The difference between genuinely stylish surfing and trying too hard to look stylish.Technical Aspects of Style: Tips for improving style through form, patience, and not rushing maneuvers.Style in Tube Riding: The inherent style in good tube riding and how it relates to other surfing maneuvers.Practical Advice: Devon's practical advice for surfers aiming to improve their style.Key Quotes:Devon Howard: “Style is oftentimes making the difficult look easy.”Michael Frampton: “You can be quick without being rushed.”Devon Howard: “Don't try to contrive it. Don't rush your surfing.”Follow Devon Howard Check out Devon's surfing and updates on his Instagram.Devon_howardLinkedin : https://www.linkedin.com/in/devon-howard-a4b2a613/.Connect with Surf Mastery:Surf Mastery Website: Download the free PDF with the top five tips from the Surf Mastery Podcast at surfmastery.com. Instagram: Surf MasteryFull Show Transcript:Devon Howard: When I. When I often think about style, there's always like there's two camps. There's the people that get it and and style is usually it's like you know it when you see it. I said, how do you know that something's pornographic versus art or beauty? And a lot of times the answer is, well, you know, when you see it, you know, something is gross or smut as opposed to art. Michael Frampton: Welcome back to the Surf Mastery Podcast. I am your host, Michael Frampton, and this is episode 100 of the podcast. A little bit of a milestone. Special guest for this episode. And we've also revamped the website Surf Mastery. Com and on the front page of that website is a free PDF listing the top five tips from the Surf Mastery Podcast. So go to Surf mastery.com and you can download that PDF for free. Today's guest. Well, I was looking back through all the stats on this podcast and the the most downloaded episodes have been from Devon Howard, so it made sense to have him on episode 100. And so you can go back and listen to. He first appeared on the show, uh, episode 41, discussing longboarding and nose riding. Then it was back in, uh, episode 77 zero. Uh, we talked about Mid-lengths in episode 86. It was Twin fins. And today in episode 100, Devin Howard joins us again to discuss style. Style is something that is in it's fundamental. It's paramount for every type of surfing that is done, from traditional longboarding all the way through to high performance, short boarding. All of the greats, all of the most memorable surfers have good style. They are stylish. From Joel Tudor in traditional longboarding through to Joel Parkinson as a high performance, competitive short boarder Tom Curren. Uh, mid lengths and twin fins. You got Torin Martin. Michael Frampton: And of course, Devon Howard himself is a very stylish surfer. He's very smooth, very graceful on a longboard, on a mid length and a twin fin. We've even seen some footage of him riding, uh, three thrusters out there on his Instagram. And his style, his technique, his gracefulness runs throughout his surfing. So a perfect topic for us to discuss in episode 100, so I would love to hear your feedback on the show in general. Last 100 episodes and of course this episode. Go ahead, send us an email Mike at Surf mastery.com. Or you can DM me on Instagram or leave a comment under the, uh, the visual for this episode. And of course, support Devin Howard, give his Instagram a follow. And of course, he's, uh, joining us from the Channel Islands office in Santa Barbara. Uh, Devin is currently working with Channel Islands, are working on some new surfboard models as well as he's you know, some of the most popular boards recently have been he's been a part of. So without further adieu, I shall fade in my conversation with Devon Howard. I actually see a lot of agreement between Brett and Chaz on this subject. Yeah, yeah, because there are there are thing right that you go to a Grateful Dead concert and you experience the show and the vibe, you don't really listen to them on Spotify. Devon Howard: Yeah. It's it's something to be enjoyed live. Michael Frampton: Yeah. There's a certain style and vibe to them I think that come across differently in person than it does. And also the audience they sort of draw in. Yeah. Rather to the music on Spotify right there. Devon Howard: There are two bands that I think are better live as well, which I think Radiohead is better live. I like Radiohead, I think a lot of their albums are great. I've been to a few of their shows that I think, no, this is 10 or 15 years ago. I don't know if that's still the case, but at the time when they were really peaking, they were insane live. And then I also saw James Brown live. Oh, wow. 25 years ago. And that was incredible. Mhm. I mean what a showman. Michael Frampton: Yes. Yeah I can imagine I mean there's the Radiohead live from the basement. Um unbelievable. Like gives you I can't remember what album it's they play in full from their studio basement studio and just makes you appreciate them on a whole nother level. Yeah. Just just by watching that on YouTube, not even being there. Well, yeah. Um, I remember seeing a gentleman called AMP Fiddler, another one of the best live acts I ever saw. Um, gave me a new appreciation of his music. He's sort of new, new age funk slash reggae. Um. Interesting music. Yeah. Catch a fire. Catch a fire. They're doing a tour through California at the moment. There are another unbelievable band live. Their live performance and sound is bigger than their their studio albums. I think they actually New Zealand band. You get a chance to see them. They often play in Santa Barbara. I forget the venue names, like a 500 capacity venue in Santa Barbara. They always play there. Devon Howard: Is that the ball? I'm not sure. Michael Frampton: Can't remember. Devon Howard: Anyway, a lot of venues there, but yeah. Michael Frampton: Style. Let's talk about style. Do you? Yeah. What would what do you know the origin of the word. Devon Howard: Um, I don't, but I'd imagine. Uh. Well, I hope you did some research on it. Is it, um, the Latin word is it is it is it Greek? Is it? Where does it come from? Michael Frampton: Let me sort of summarize from etymology online from the early 14th century started out as a writing instrument, pen or stylus, uh, a piece of a piece of written discourse or narrative, uh, characteristic. Characteristic, uh, rhetorical mode of an author, a manner or mode of expression. Uh, a way of life behavior. Uh, then the word sort of transformed, uh, the evolution of the word uh, from writing tool went into writing into manner of writing, into mode of expression, uh, in writing of a particular writer, writer or author. Um, and then it was in the 1500s. It was paired with the word substance, um, which basically meant back then, divine part of essence, sorry, divine part or essence, uh, and that, sort of, that sort of gave the word, uh, a deeper meaning, including finer parents or dashing character. Um, then it was the word then went into an artist's particular mode or form of skilled presentation that was later extended into athletics. Um, then by the 1800s it was distinctive or characteristic mode of dress. Obviously it was more in regards to fashion. Um, and so there's a, there's a little bit of a history of the word. So I think there's a lot of lot of depth to that. And it's certainly, um, it's very, uh, apt for, for surfing. A lot of those meanings, I think. Yes. Had tell me what you think about style and how important it is. Devon Howard: Well, style is um, from my personal experience growing up, it was a, it was a measure of good surfing and, um, it was a marker of, like, one's own presentation of their expression of surfing. Uh, I don't want to cheapen it by, I guess, using the word brand, like your brand of surfing, but, um, everyone has their own form of expression, and style is. Oftentimes I see style as making the difficult look easy and my own belief in, you know, just absorbing what was around me when I was a kid. You know, we're humans. We we sort of mimic and and imitate what's around us. I haven't innovated anything really at all. I've just looked what's around. And you take bits and pieces of first. You take it from your parents, of course. And then as you get out in the world, it's like what's going on around you. And in San Diego, where I grew up. And I think this was the same in many other served cities in not only the US but the world. Um, in the 80s, the older surfers, 10 to 20 years or year older than you, where style focused as opposed to this idea of, um, ripping or tearing something apart and in doing it with reckless abandon. Um, that was something that started getting more popular as I was a kid. So I was sort of born into this era where one thing was kind of falling out of favor. Um, and this other form of surfing was gaining popularity. And, uh, sorry, that was kind of a muddled answer, but it's it's I think it's one of the most difficult subjects in surfing to discuss or to describe because it's so subjective. Um, and it comes with the word style, comes with a lot of different ideas to people ranging from beauty to something that's very contrived and nonfunctional. Michael Frampton: Yeah. I mean, has the word style itself has, as you sort of addressed, has a lot of meanings, like everyone has their own unique style, you could say, but that doesn't necessarily mean that they are stylish. So when we think of when we think of stylish surfers, we do. We think of beauty and grace and flow. Um, so and I think it is related to, to that and it's related to efficiency, right? I mean, Rob Machado comes to mind. I think he's sort of an incredibly stylish surfer, but he's also fits in that modern category. Category of radical. Yeah, he encompasses both. And I mean, world champ Joel Parkinson obviously fit the criteria of of competition surfing but remained incredibly smooth and stylish. Devon Howard: Yeah. Well, um, you know, I think depending who where you grew up and what culture you came from or grew up in, um, style could also just not be that important. You know, if, if surfing to to you or just to any individual is about, um, really pushing as hard as they can with maneuvers and being as radical as they can and, you know, tearing apart a wave of, you know, like you think of the Brazilian storm. Guys there for years have been, you know, they're well deserved. They're incredible athletes. They are highly athletic. And it is explosive maneuvers. And they're acrobats in many ways. Um, for some reason, as that game has gained popularity, some aspects of the presentation and sort of fall into the wayside where, uh, in gymnastics, um, presentation and form is still really part of the whole thing was never really let like if you do a floor routine in gymnastics, um, or let's say dance or anything like that, they're doing really kind of athletic, powerful moves, but they also keep the form and I don't know quite the exact reason, but, uh, that sort of started falling out of favor in surfing, mostly because what drives our conversations oftentimes revolves around competition. Surfing, um, like competition surfing drives a lot of the media narratives, um, let's say, who are like, where do we get our information from? It's driven by the cell to, to whatever extent that is, stab in their audience. Devon Howard: Um, surf line kind of, sort of. But they're more focused on cameras and whatnot. And then the most of the magazines have gone out of business. But only ten years ago, a lot of the stories were driven by the the personalities and the folks that competed. And there was a mixed bag in there of surfers that had great style, like Joel Parkinson. He mentioned, um, I would say Kelly Slater has a good style. It's a different style. It's his own. Um, and then on the opposite end of that would be like an Adriano de Souza or somebody like that, where he's clearly just incredibly talented, but sort of putting his surfing together and like one seamless, fluid motion was not a focus of his. And so, um, it's been interesting to watch and the broader conversations of the mainstream, how that sort of played out, uh, in back to where I grew up. I grew up on the fringe of all that. Anyways, so I was riding longboards in the 80s and 90s that was as fringe as it got. And in that world, all through that time, um, style was still important, even when folks were trying to emulate Shortboard maneuvers on longboards, there was still an emphasis of style. Um, sorry. I'll shut up. I don't know where I'm going with that, but yeah. Michael Frampton: So I'm just wondering when you look at, I mean, I think that you mentioned the Brazilian storm. I think Gabriel Medina is quite stylish. Not all the time, but probably actually more so when you see him. Freeserve he sort of. He just seems to be more relaxed when he's not surfing in a competition. And I think that's maybe what separates the I think that's a big part of being stylish is you're very calm and you're relaxed. That doesn't necessarily mean you're going slower or that you're even putting less effort in. It's just maybe you referenced gymnastics. I think a gymnast could do the same routine. They get the same height, the same amount of power. But if one of their runs, they were purposely trying to keep the presentation of themselves relaxed and calm, it would be more visually appealing. Sort of making it look, look easy. Devon Howard: Yeah. That's the that's the thing. Making it difficult look easy. Mhm. In the 60s or 50s or whatever the boards weren't very maneuverable. So um clearly the market did. Surfing was just people who were stylish and could kind of keep it together. Um, hang on one second. Um, are you hearing a beeping on your end? What? I'm getting messages. Yeah. Michael Frampton: Is that your phone? Devon Howard: Yeah. I don't know how to turn off the iMessage on my, uh. Oh, it's on the computer. I'm trying to see how to undo this. Is this on. Michael Frampton: Your phone, a phone or your laptop or your iPad? Devon Howard: It's on my laptop. Oh, sorry. You're going to have to edit this out. That's all right. I'm just getting, like, every one of them. Don't fuck me up. The client. Claudia, um, do you have any idea how to get rid of iMessage off here? Preferences services? Michael Frampton: That's a good question. I don't I don't have my, um, I don't have my laptop linked to my phone, so. Yeah. Devon Howard: Don't do it. References. Let's say. Michael Frampton: I'd say I'd be under notifications, notifications and focus is like a bell symbol. Devon Howard: On, uh, on the computer itself or on the phone. Michael Frampton: I'm looking on my laptop. Devon Howard: Where did you find the notifications in System Preferences? Michael Frampton: Okay. Devon Howard: System preferences notifications. There they are. Look at that. Michael Frampton: And top top right there's a there's a button. Allow notifications so you can turn that off or on I'd say that's it. Devon Howard: Only five messages? There we go. Okay, I want to turn that off. Okay. Apologies for that. Okay. So, um. All right. Michael Frampton: So where were we? Let me throw out some some adjectives that I wrote down after thinking about style a little bit. Um, efficient. Graceful. Functional. Calm. Focused. Relaxed. Grounded. Present. Fearless. Or maybe, better put, courageous. Is there anything you would add to that or you think shouldn't be there? Devon Howard: Uh, no. I just think it's more about a calm and a gracefulness. It's mostly what it is. And it's just a it's just the form of your personal expression. I think a lot of the style, you'll see style of folks from a distance, and a lot of ways it matches up to their personality. Right? You'll see someone who's quite busy, a lot of a lot of kinetic, sort of frantic, uh, motions and, and not always the case, but sometimes, like, okay, this person's a little overcaffeinated in general, you know, they're really mellow, kind of quiet. People have this very quiet. Always meet a really quiet surfer with their style, and they're really loud and and obnoxious. There's exceptions to the rule, but if you think about it quickly, there's not often the case. And so, um, I think a lot of those adjectives actually work pretty well. Um, I don't what did you say? Courageous. Michael Frampton: Yeah. Devon Howard: I don't really know that that applies to it. Really. I don't think it's really much to do with courage other than. Well, I was. Michael Frampton: Thinking that I was just wondering if that was a better word than fearless. Devon Howard: Mhm. Michael Frampton: Because if you, if you look, if you look scared, that's not very stylish is it. Devon Howard: No, no it's very your tent style. And yeah I've said to people I don't do surf coaching, but if I've ever seen someone in the water and looks like they're struggling, if it's appropriate or sort of convenient, like they're just sort of right there. I'll say, do you do you mind if I offer some advice? It's usually well received. Um, a lot of times I've said, I think you just relax a little bit. Your body's too tense. Looks bad, but it also screws up the your ability to surf because now it's affected the form. Like you're sort of hunched over and bracing for, like, some sort of impact where you need to be more relaxed. The arms need to be relaxed, the shoulders should be relaxed. Surely you should be able to sort of slink back and into your knees and your hips and let those kind of bend and sort of sit into the board nicely. And so I think, um, what I, what I often think about style, there's always like there's two camps as the people that get it and, and style is usually it's like you know it when you see it. I said, how do you know that something's pornographic versus art or beauty? And the a lot of times the answer is, well, you know, when you see it, you know, something is gross or smut as opposed to art. Devon Howard: Like you go into an art gallery and there's naked, you know, images of a naked person. How is that not pornography? And it's like, well, you know, when you see it and it's like, style. You sort of know it when you see it, and then you have, um, the other end of that where people will feel style is just posing and looking cool, like you're putting your hands in the air to, to look like Alex Knost or Mickey Dora or Rob Machado, whoever the insert the surfer, you're trying to mimic their hand placement, and sometimes the hand placement provides no real function or value to the to the ride. Other than it. It might feel good, I guess, but it's not making you surf better. Um, where I like to, I often will. I will argue or believe that yes, there are people that pose and that does exist, I exist, grant you that. But good style also brings about, um, really good form. Or I would look at it a different way. Really good form pulls along the style into it. So if you have good form and whether that's in a barrel or a cutback, if your body is doing sort of the right things to make a beautiful, seamless ride easier. Devon Howard: Um, along with that usually comes a pretty good style if you don't have a good style. A lot of times the form is really working against your surfing. So for example, you got to do a cutback in your arm is up and back, um, front side. And let's say I'm turning this way. Front side cut back. Well, if my back arm is in the air waving behind me, I'm really struggling to get my body around and I'm actually having to work really hard for could potentially even injure yourself. Um, so that really hinders your surfing. But if I brought the arm in and drop it down and then have the arm kind of point toward where I want to go, the rest of my body goes. And it's actually quite easy to do the turn and consequently it looks much better. Doesn't look so awkward. Yeah. And and this could be said of your front arm. I've seen folks do cut backs with. I don't know why this happens, but sometimes their front arm is is sort of flailing and going behind them over here. Or they're extending and reaching too far. Um, so when there's this nice balance of the front and the back hand on the front side, cut back looks cool. Hey, that's great. If someone took a photo. Yeah, you probably put on the wall. Devon Howard: Looks pretty good. Looks like Michael Peterson or somebody or whatever. Joel Parkinson Ethan Ewing would be a really good contemporary example, I guess. And, um, but when it's all sort of like the form is there, it looks good, but now you're surfing better and the turn is faster and more complete. And also when you have nice form, you get the board in trim. What I mean by that is when when the boards in trim, it's sort of if you know anything about sailing, when everything's in alignment with the bow and the sail and the the boat is really hitting its top speed, there's nothing really hindering or dragging or fighting against um, that top trim speed. In surfing, you want to get to the top trim speed, because when you have speed, it's easier to complete maneuvers, it's less work. You go into the maneuvers with speed, you can do a lot better. It's like snowboarding. If anyone snowboarded you know that the first few days you're learning, the instructor will say, you just need to get going faster. You know what? We know that's scary. I don't want to go faster, but. Well, you're going so slow that that's why you're tumbling and you're catching an edge and you're getting stuck on the hill. Go faster. And then you see this light bulb moment with people like, my gosh, well, I should have just been going faster all along. Devon Howard: It's the same with surfing. You'll see people struggling to get trim speed because their form is so terrible. They're not understanding that the board is not even in trend. The board then noses out or they're waving their arms. They're there. They're there shaking their body like this, and they're trying to wiggle and do stuff. And you're watching the board underneath. And the board is just like on a gimbal, just like not getting any trim. It's just stop and go, stop and go. So it's this utter fail where if the person just relaxed a little bit, relax their arms, don't try to flop the body around and just get the idea of even going straight, which is hard to do on a chalkboard. Clearly, if you're a beginner, you probably shouldn't even be on the floor. Um, it's just going to be a struggle. Yet a board that's medium like a mid length or something, or a long board where you can kind of stand there and glide and trim, and then you can kind of get that form where your body is body's relaxed. And um, so a lot of times good style, I believe just comes with the right form, if that makes sense. Michael Frampton: I totally agree. Yeah. And that's what I think. That's what a surf coach, the surf coach's job is. And then it's once, once the person becomes at first the new, the better form will feel strange and maybe even, um, abnormal and uncomfortable. And it's only once that form becomes, uh, ingrained and you become comfortable with it, then it looks stylish. So it's it's maybe it's a precursor to style. Is is good form. Devon Howard: Yeah. Yeah, I think so. Um, another thing that I've thought about a lot in the last several years about style is, um, it, it sort of belies the, the technique or the difficulty of the maneuver. I think if it looks like someone's trying really super hard to do like a, let's say, a crazy air or just like the craziest turn where like, they blow, they like, blow the tail out and spin the board around and like, oh, whoa, that was insane. That was so difficult. But if you see somebody do a top speed cut back and they don't lose or drift the fins and they just go and mock 20 and just bam, come up fluid and seamless. You might say, man, that was really smooth. That was really stylish. But you don't often think that that was also really difficult. It's interesting. And, um, I'm not trying to get people to cheer more for the stylist, I guess, but I think it's worth sort of acknowledging that Mikey February or Torin Martin and some of those things they're doing, um, we're drawn to them because they're beautiful, which is undeniable. Um, but it's also interesting to think that these are the highest level people at the very upper echelon, at the top peak of, uh, you know, ability of sphere fame. And it something to be learned there, like to not just only acknowledge and only see the style which is great. Devon Howard: I love that I'll watch that stuff all day long, but to like hit the rewind button and look at what they're doing and how on rail that board is and how difficult it is to hold the line and not lose it. Because a lot of times, especially in performance, short boarding it, it's incredible what the surfers do. It's like it's a controlled failure of the surfing. So a lot of times when the fins release, it's a and I know this because I put a lot of thought into fins and foils and whatnot. A lot of the best high performance surfing maneuvers are, um, a controlled failure. Mhm. Um, they're pushing the limits of the board, and a lot of times the fins or the equipment can't really handle what these surfers are giving it. It's really interesting. Look at look at someone laying into a turn and their butt is sliding across the wave and the fins and the board and everything's sliding. Um, and then look at, like a mick Fanning or somebody who can hold that or Ethan Ewing and hold it all the way through. That's gnarly. That is just like peak form. But you're like, man, that was so smooth, but you're not ever saying that was so difficult to do. And I don't know what the point is I'm making. Devon Howard: I guess it comes back to, uh, like the kind of surfing I like to do. It's could be easily scoffed at as pretty easy, like, hey, mid-length surfing, you're just going straight. It's not really difficult. Um, but I don't know, man. At the highest levels. Like, I think what Torin Martin does, I think what February does if he's on a mid lake or other, you know, there's other surfers out there doing it and I cut a watch. Wow, look at that. 5/6 of the rail of that board is buried. And that's what I do myself. And that's to me that's the most thrilling thing is to bury that rail. How how far can I push this thing before it fails me? That's just really, really thrilling. You're just on the edge of disaster. You know, when you go on one of those seven foot boards, go to the bottom, slink, you know, and and coil up into the board and push it as hard as you can. Alex Moss does this really good as well. I can go on forever. People do a great job of this and they push all that board through. And then if you don't watch it, you know, if you're not too far forward or too much weight on your front foot, you'll slingshot up the face as this fast, free feeling, like a flying feeling that's highly addictive. Devon Howard: It's something that you just keep my people that are into those types of boards, they just keep chasing it. Um, and then down the line, do the same thing again. Now I'm going to bury a whole lot of rail on the cutback. How hard can I push it? And when I get down to the bottom of the wave, can I just keep going right back to the whitewater? Oh yes, I can. Damn. Just keep going. Sometimes it doesn't work out. Uh, and if you blow that, you're doing the split that's on the board. Now you've got a torn MCL. Um, but you're going full throttle. And that on that type of equipment. Um, the form is important so that you don't botch it because you really could get injured on some of these things. It probably someone who hears has got a laugh and think, this is a joke. Like, you're being really hyperbolic, bro. Come on. It's just a mid length and you're over water. Um, yeah. When you're pushing it really hard, it's it's it's thrilling and it's exciting and it is difficult to do and it's I think it's, um, it's really appealing to a lot of people. Um, and then they, you know, they go and try and do it and say, man, I, I wish I could surf like Rob Machado on this thing. Yeah. Michael Frampton: Well, all the surfers. Devon Howard: Take ten years. Michael Frampton: Yeah, if not longer. I think all the surfers you mention and the way you talk about their surfing is they're. Can they stay connected? You know, that as, as they're going through the, through the turns and in between turns, there's no there's no radical gain or loss of speed. Right. So that where they do the cutback isn't just a change of direction. It's in sync with that part of the wave. So they stay connected to the power source. So there's a certain it's a radical maneuver, but the speed doesn't waver too much, whereas some surfers might jump up to the top and bust the fins, and they might slow right down and then fall back down into the wave and go again. And it looks good in photos and maybe gets judged well in a competition. But it's not necessarily they're not as connected to the wave as other surfers. Devon Howard: Yeah. And again, that's debatable. I'm sure there's other people who will feel opposite of that. And that's great. You know, surfing's subjective. Yeah. And you know, in in just to bring it back a little bit to competition if that's okay. I know lots of people don't care about surf competition, but it is where a lot of the best surfing's happening. It's where the like the high bar is a lot of times um, and in the 60s and 70s style was just sort of, um, it wasn't like there was a style box that was ticked. It was it was sort of like this nice little cozy little wrapping around the surfing that was just a given, you know, so it didn't really need to be discussed. And then in the 80s, when in probably really the late 70s when the twin fin was really coming on with Mr. pushing that and Sean Thompson and other people chasing him. Um, they were packing in as many maneuvers as they possibly could into a ride to take away more points. And and this isn't my own thought or original idea. I've read these things elsewhere, and I agree with his take, which is somewhere along the way. The beauty just sort of eroded because the focus is now like we're getting really fixated on number of maneuvers. And this like real technical aspect of the difficulty of the maneuvers. Devon Howard: And surfing is already highly subjective. And you have this even more subjective thing, style. Um, and some of them may be, correct me if I'm wrong, maybe there was a style element at some point. I'm not aware of it, maybe there was. And um, so anyways, the 80s kind of moves on and there were clearly lots of stylish surfers. I mean, I grew up like many people my age, I'm 50, so I worshiped Tom Curren and I loved Tommy Carroll and a bunch of folks. There was lots of style, but there was also some people with some really hideous style, like Gary Elkerton and David and all these people. Nothing against them, man. Like, I think they're all incredible surfers, but there were some hideous styles and they crushed it in contests because they were just animals, like lacerating, tearing it up. And because the broader culture is being driven by whatever media is being consumed. And the media at the time was really sort of swiveling and craning and watching what's going on in competition, because that's like where the money's being plugged in. So those brands like, hey, we validate this thing we're doing, which is competition surfing. Um, and it just boiled down to what do you got to do to win this thing? And if making it look beautiful was not ever important, why would you spend time doing that? Tom Curran couldn't help himself. Devon Howard: He was stylish no matter what. But, um, lots, lots of other surfers weren't, and they did very well. Um, and so as the decade or two ensues, um, just the sort of broad mainstream viewpoint was, that style just wasn't important. However, the people that were in the sort of the underground, your locals, people that sort of stuck to the fringe and even the in people that short boarded as well, obviously still kind of kept style alive and in it. And the reason style always stayed alive is because the idea that human beings are drawn and attracted to beauty is as old as time, I think. I mean, who knows? When that began, I had a really nice chat with David Scales on, um, Surf Splendor, and we spoke about this there. So if you want to hear more about this, go check that out. I think it was a nice conversation, but I'll sort of reiterate some of the points there was. I read an article by Scott Hewlett in The Surfer's Journal, and he wrote quite a bit about style, and he illustrated a point that I'd never considered. And he sort of talking about this Greek artists. It was like 500 BC. I'm like, where is this thing going? Why are we talking about bronze sculptures? Um, but he made a really brilliant point, which is, okay, why does style matter? Why do we keep talking about it? Um, it's because beauty endures. Devon Howard: It is a common theme in human nature. Now, in recent times, I'd say beauty is being abandoned. If you look at modern architecture and just about any town, everything looks like shit. So I don't know what's going on there. We used to make beautiful buildings and now we're stopping doing it. Um, you we can't control that. But in surfing, we keep getting drawn back to this idea of beauty. Despite all those things that happen that we just talked about in the 80s and 90s competition, surfing and getting derailed. The broad culture still is always known instinctively that this is something that should, um, we should never stop cherishing. We should never stop celebrating. Um, and I think it's backed up by if you go to any Torin Martin video, go down to this thing below the screen that says views. A lot of Torin Martin videos have like a million plus views. Um, go over to Gabrielle Medina or anyone, and I'm not picking on these people. Just pick anybody. I'll bet you right now that Torin is is beating a lot of those surfers, 2 or 3 or 4 to 1 in terms of views. Now, you could argue that, well, there's more a lot more Gabriel Medina type surfers and there's not that many tour Martin's, I'll give you that. Devon Howard: But I, I think it's really because we are drawn to beauty. And so back to that Surfers Journal article, which is he he said, imagine taking those Greek statues and putting a surfboard underneath them. And when I was done reading the article, I went and I googled 500 BC Greek statue and I forget the artist's name, its Greek name, and I was instantly like, huh, look at that. You just put a surfboard under these statues. And some of the form and posture was a little bit silly, but a lot of it was pretty spot on. And then you go right over to Jerry Lopez, or you go to Mikey February or somebody else, and you can see that, um, there's a similarity to this idea of beauty. And then you go take it steps further, take it to, uh, any type of traditional dance. Have you ever seen ugly, poor form at any dance scenario where there's, like, serious people, whether it's ballroom or it's swing or it's foxtrot or it's tango or it's salsa, it's just incredibly beautiful. And it's this expression. The music is coming in. You're viewing and watching and feeling the music. There's that input, and the output is what these people are feeling. And so that our output in surfing is, is that form and that expression. Um, bullfighters. Same thing. Michael Frampton: Mhm. Devon Howard: Now the bullfighters have a little more of a pose at the end, the bulls coming in and the bull goes through the cape and they kind of hold it and they sort of like it's almost like a taunting of the bull. Like you didn't kill me. And look how calm I am right here. And a lot of the surfers in the 50s and 60s, they really admired the bullfighters as a great shot of Joey Cobell in Peru in the 60s. Guys never bullfight, but bull fought before, and he's down there and there's pictures of him in the bull ring with a Hawaiian print shirt on and doing the whole full Ole, you know. And so this idea of style really, um, is always going to matter and always be important to us. Um, so long as we don't ever abandon this, um, attraction of ours to beauty, you know, we're attracted to beautiful people. Clearly, that's a given, right? Um, but we're really drawn to beautiful, um, things art, architecture, wonderful garden, uh, an unmolested landscape. And so it I don't think people really care to give too much thought about style. Devon Howard: I think it's just sort of like I said, you know, when you see it, does it really need to be talked about? But I think in the context of a podcast like yours where people are trying to improve their surfing, um, having a real understanding that this isn't just for show style isn't just to look cool. It's not like putting on a cool outfit to look cool. Um, it's a real purpose driven thing. Certain articles of clothing look great, but they also have a purpose. Maybe it has SPF in it, maybe it's, um, built for a particular, um, activity to make it more comfortable. Um, for us, as I was saying in the very beginning, like the form, um, the style sort of follows the form. And if you, if you really think about your form and you're relaxed and you're sort of paying attention to the things that you talk about on your podcast or where people get their information, There's lots of different YouTube things, obviously. Um, you two could have nice style if you so desire. Michael Frampton: Yeah, I 100% agree. Surfing is first and foremost an art form. Mhm. It's only within competition that it becomes a sport. And then yes, sometimes we don't necessarily we sacrifice a bit of style for progression perhaps as well as what's happening in windsurfing is a sport. I still think the best of the best, the best of the best can buy. Like John John, he's number one at the moment for a reason. Not just because he's progressive, but because he he would do a progressive turn with calm style like no one else. Yeah, yeah. So I still have faith. I think there'll be the odd slip up. You know, Toledo's frantic aerial maneuver that goes higher than everyone else. The judges kind of. They can't not score it, you know. So, you know, there'll be blips in the system, glitches in the matrix, per se, until until the judges, you know, really start to consider style and and make that a point which hopefully, maybe one day they will. I think it would make, uh, I would make surfing more watchable. Devon Howard: Well, they have done so in longboard surfing. Yes. Longboard surfing has a much smaller audience, obviously. Um, but as I believe you and I talked about in the past, I think we did. I was at the WSL for a few years, and I worked on the longboard tour and built into the criteria is the word style also two other words flow and grace. Um, Style. Flow. Grace is in the criteria and it's hard, a little difficult to train the judges on it, you know? Um, it's highly subjective. It's something we could we could sit here for an hour, breaking down style, flow, grace. It will still feel like we barely scratched the surface. Um, because it's it is highly subjective. Just like art is just like music is just like food is just like, what kind of waves I like? Ah, it's just like that. It's just, um, really can be difficult to put your finger on it. But the way we did the training to help, um, these judges, if anyone cares to know this stuff is, um, have them really focus on somebody making something really difficult look easy, but also at the same time, dealt with sight of the positioning of the wave or the difficulty of the maneuver, because to the untrained eye, you could you could see someone doing a nose ride and maybe they're doing something really what you may think is beautiful on the nose. Devon Howard: Maybe their arms are held a certain way. It just looks kind of like cool. But if you pay close attention, they're like ten feet in front of the pocket and you're like, that's not that hard to do. Mhm. So the so what helps is in the other part of the criteria is um, the degree of difficulty that is part of it. So you have to, you're looking at the style of flow and grace but you're applying it to are these surfers in the pocket. Is the surfer using their rail or are they lifting the board out of the water? Because to lift the longboard out of the water and turn it as far easier than engaging the rail in the water and pushing it through a turn. That's much more difficult. And so it has been applied in longboard surfing. Let's see if we can. If anyone cares, we could try to do a campaign to get the Shortboard tour to break more. Michael Frampton: I'm with you. I'm with you. Ultimately, I do think it shines through and the cream always rises to the top. But it would be nice if it was literally in the criteria, and it was considered by each surfer to be a worthy consideration. Um, coming back to form, let me I'm going to share my screen with you. Let me. Hopefully this works. Oh, shit. Did that work? Can you see my screen? Devon Howard: I think so. Let me move my notes here a little bit. Oops. Too many things around here. I'm terrible at computer stuff, but second. So where it is now? Okay, I can see it now. Michael Frampton: So there's an example of a, you know, if that was placed on the nose of a longboard, it'd be quite cool. Devon Howard: Yeah, it's pretty close. Michael Frampton: But then also so here's you see on the left there is the way that a baby learns to stand now because the infant is so weak, there's only one way that they can learn to roll over and learn to stand up and hold themselves. Because their muscles are so weak, their bones have to be placed so accurately in order for them to be able to stand and move. And that's how we learn because of our our weakness and our slow progression into strength, we learn the most efficient way possible. Now it's the athletes that maintain that neurological efficiency that end up with the best form naturally, i.e. the way Kelly Slater's standing there in those barrels. Not only is he standing in a very similar way to the infant there, he's also very calm and relaxed in that position. Devon Howard: Yeah, I would definitely not be that calm in that way. Those waves. Michael Frampton: Exactly. So it does come back to to form. And it's also when when an athlete is standing with their joints in DNS, we call it joint centration and that the bones are stacked on top on top of each other in a very efficient way. It just looks right. Not only does it look right the way the forces are spread throughout the body, it doesn't feel hard. Anyone who's ever tried, if anyone, has ever tried to skate a vert ramp, for example, half pipe, it feels like, oh man, my legs aren't strong enough. How do people and then you watch a 12 year old just go up and down. They're not doing it because their legs are stronger than yours. They're not even doing it because they're stronger relative to their body weight. They're doing it because they're stacking themselves. Their bones and their joints are centered properly, and the force is being transferred throughout their entire body through the center of the bone and into the skateboard. Whereas someone who doesn't know what they're doing, they're trying to muscle their way through it. They only does it feel terrible. It looks terrible. Yeah. So I agree with that. Yeah. So it does come back to efficiency. And you said no good style is that you know it when you see it. My question to you is, do you know it when you feel it? Devon Howard: Yes. Um, I believe so. Um, I know, um, I've even had moments where I just didn't feel like I was in the right form. It just didn't the the turn didn't feel good or the particular move movement. Maybe it's a nose ride or something. Didn't feel great. And if you get a chance to be lucky enough to come across a video or a photo of that moment, you're like, mm, yeah, that that is actually backs it up. It looks a bit awkward. It looks a bit off. So and you definitely can feel good style because you like it, like it's all tethered to, to itself. Like it's it feels good. It looks good. Um, and it, it's sort of like carries on the ride. It's it's like when you get off the very beginning of the ride and the first bottom turn is successful and your feet are in the right place. It really sets up the rest of the ride. Um, if you botch that, let's say you screw it up getting to your feet or off the bottom. Then you get you. You screw up the pace of the wave. So, um, yeah, I've had times where my feet were too far forward or back or whatever. Um, or I hit a chop and my arms sort of waved a little bit, and then I got out of that rhythm. Um, and that didn't that definitely didn't feel good. And it certainly didn't, because it looked like I was rolling up the windows as opposed to my arms being sort of down and going the direction that I want to be headed. Devon Howard: A lot of times the front end, the back end oftentimes are going the direction you want to go. I find that to be very helpful, and that feels good to me because I feel really centered. I or you'd say stacked. You know, I never thought of it that way, but, um, so yeah, I would agree. I would say you definitely. You definitely feel it. Um, my own belief is I don't I don't do anything in the style that I feel is what's called contrived, where I'm trying to present before of some kind that it has a certain look. The form I have is, is really based off of function, and that's because I watched the generation two ahead of me at a waves like wind and sea and Cardiff Reef, and I watched the elders and what the I really watched closely what they were doing. How they were sinking down into the board. And I noticed that their hands, their fingers were never apart. Their, um, hand gestures were sort of always in the direction of where their board and body was heading. It was like this stacking or centering. He kind of like hunkered down, but they never looked stiff or scared or afraid of anything or timid. It was very, a very confident, almost like a martial artist, like a kung fu person or something that has confidence in the form of that particular move. Devon Howard: Um, the really good surfers, the real standout surfers. I, I identified that pretty young and I said, I want I need to learn how to do that. Um, so it was never a contrived thing, like, I need to look good and look cool. I just knew that that was good surfing. And as a consequence of learning going through that, it also felt really good. It was like a good golf swing. I don't golf at all, but I have friends who do and I can understand like how much work they put into that golf swing. And when they do that, clearly it looks good from a distance because they hit the ball and it goes right where they want it to go. So that's pretty awesome. But they'll tell you it feels good. It's like uh, or baseball. If you've ever played baseball, you know the feeling of a homerun. There's a sound of the bat and the feel through the bat into your hands, and you feel it. The follow through of the swing. You're like, that ball is out of here. It's pretty cool. Um, Mhm. A reward to not that it's work but there's sort of like this payoff and a reward to the dedication that it took to learn that, that art form. Mhm. Michael Frampton: But it always comes back to the feeling. Yeah. Devon Howard: It really does. Yeah I didn't I haven't put too much thought into the feeling piece of it. But um yeah. You know it's disgusting and really dumb and shallow. But I've, I've had moments where the way where the ride did it feel good, and I didn't even finish the wave. I was so not into the feeling. I just kicked out. I was like, I've botched this thing so bad that someone else just needs to finish it. I'm just. I just kick out and I go back up to the top and kind of regroup and go, what? What just went wrong there? And then, you know, like surfing. Everyone surfs for different reasons too. Like for some people, surfing is a couple times a month. It's an escape for them. They don't care if they surf. Well, that's not what they're there for. Michael Frampton: Like they're probably not listening to this, though. Devon Howard: Probably not. Um, and I like I've had people say, man, you look so serious when you're surfing. I'm like, I'm pretty serious about it. Like it? I'm to me, it's so strange. It's serious fun and and it's as I've gotten older, I haven't lost interest in it. It's like a it's like a hunt to me. It's really weird. No, and I don't I don't know if it's just some human thing of like the game and the chess moves and the everything involved with observing patterns. I've observed patterns for decades, and now I see the patterns, and the benefit for me is I know which wave to pick. I know where to beat. And by knowing that I've set up the ride and therefore I've sort of like predetermined this feeling that I'm after, which is, as I said, it's highly addicting. Surfing like you, you never satiated. Why is that? You always want another one. You always want more. Um. And but all through this process, the hunt, the enjoying, understanding the patterns, the chasing, the moment, the feeling. Um, there's a there's a tremendous sense of there's like a reward when all the elements have come together and you apply everything you've learned. It's a really cool feeling. I think you could say that about a lot of things in life, whatever your or your craft is. Devon Howard: And for me, surfing isn't just like some waste of time thing, like that's part of it. That's a bonus to me. Like, hey, I'm not doing chores or I'm not at work. That's fantastic. I will take that. But it's also like a craft. It's like a, it's a, it's it's a way I express myself. Some people do that through building things out of wood in their garage or a number of other things. Um, so the style piece of it, it's just sort of come along with it. It never was like, I'm going to really think about this super duper hard. Um, and you just, you learn through time that they the style and the and the form, they sort of, like, are tied together, you know, and you kind of look at it this way, and then you go back and look at it the other way, and they really come together nicely. And if you fight them, you're surfing. You're not going to surf as well. If you're not surfing as well, you're not going to feel it as right. You won't feel that thing we just talked about. Um, and then consequently, not that not that that many people care, but you're surfing is going to be kind of ugly. Michael Frampton: Thing is. Michael Frampton: It'll. Michael Frampton: Because when you are, when you're connected and you're efficient, it feels better. Simple as that. It feels better if you if you close your eyes and just imagine, like an image or a video section of someone who epitomizes style, are they? What are they feeling in the moment? Are they worried about what they look like? No, no. Are they are they are they scared? No. Are they putting in a ton of effort? Devon Howard: I would say no. Michael Frampton: It's in the. Devon Howard: Moment. Yeah. There's probably a small number of people who. It's contrived, like you could go to Byron Bay. Sorry. Sorry. Byron Bay. They pick on you right now. You could go to Malibu. Um, pick your spot. Ah, maybe Montego Bay. I don't know, uh, way inside there. There's going to be places where there are folks that, for whatever reason, this. Well, like, who cares? There's no, like, laws or rules. Like, I'm not mad about this. It's just they're just observations. That's it. They're really controlled. It's just so contrived. They're sort of putting the form or I'm sorry, let me back up. They're putting the presentation ahead of the form. You know, they're worried about all the bells and whistles and the dressing, but, like, at the core of all the ingredients going into making this beautiful thing, they've got it all wrong, you know? And so, um, you. Michael Frampton: Can always smell that though, I think. Devon Howard: And it's a missed opportunity for them. Uh, does it change my life or your life or anybody listening? You do. You, man. Like, I'm very libertarian in that way. I don't really care. But, um, we're on a podcast called Surf Mastery, so we're we're we're nerding out. And if you're here to get better, don't get caught up in the presentation. Get caught up in the form. The presentation is going to come along. And yeah, it's just like this beautiful byproduct. You don't have to really. You shouldn't have to try to have good style. You should you should try to be good at surfing. And then once you have that confidence, you know, if you see a photo or catch a surf line, rewind. If you can see that far and you happen to notice that your your hands are bent at the wrist and going in instead of out, or you happen to notice that your fingers are wide apart, you could pull them in and it looks better, but it also centers and stacks you. You start feeling more stacked over your board, and once you start doing that, it starts improving. Your style just starts improving. And, um, it's interesting that tube riding, this is what we talked about with David the other day, I think. Or maybe we didn't, I can't remember, but he someone I was talking to you about. It's interesting that almost all good tube writing has good style. Most of it you You rarely see someone with really hideous style getting as sick barrel. Yeah. Michael Frampton: So yeah, because the, the, the the wave will hit them in the butt with their post dance. They just don't they don't fit in their ugly. Devon Howard: Yeah I think it's true. He's a lesson there that can be applied to other maneuvers like but but it's not always true. That good tube style now equates to this beautiful style of the face. You'll see what doesn't fall apart. Um. Why is that? I don't know exactly. Maybe the. I think one thing that could help with style, um, from a technique standpoint, is, um, don't rush your surfing. I've noticed, like, folks that, remember we were talking earlier about breaking trim, um, and seeing people that are trying to wiggle. They're sort of swaying. A lot of times it's the upper body that's swaying when that's not really helping them in any way. It's not benefiting the the ride. It's causing the board to lift out of the water and side to side motion, typically. And now you're breaking the trip. Now in a short board. A short board needs to be side to side, but it's also got to be pushed so that it's it's building momentum in a forward fashion. The people that are not very good are kind of not going anywhere, because they don't understand that. They're just sort of wiggling their arms and breaking the trim. Devon Howard: Um, and I think if you just. Yeah, just like think about being a little bit more quiet, um, and, and being a little bit more quiet means you're not in a big hurry like you don't if you're not at a level where you need to try to get eight maneuvers in the wave, don't do it. Take take your time and get the two really nice maneuvers and those will feel really good. Be patient off the bottom when you're. Let's start from the beginning. You go and you paddle in. You go to do a bottom turn. Just be there in that moment with that bottom turn. Don't be thinking about the four moves you want to do down the line, because now it becomes this rut here. You're hurrying up the surfing, and now you're kind of like screwing up the pace of the ride. You're screwing up the pace of the wave. And when you do that, now you're out of sync. When you're out of sync, it doesn't feel or look good. So I think the best advice to like, how do I get good stop, start with the foreign and don't rush your surfing. Devon Howard: Don't try to contrive it. Don't try to Like I'm gonna have. Make sure my hands are up here and I'll go like this. And I'm looking backwards and going, okay, that's go. You do you. But you know, that's not helping you surf better. Michael Frampton: Yeah, yeah. You can you can be quick without being rushed. Devon Howard: Exactly. Michael Frampton: Like like a drummer that's drumming at 160 beats per minute. If they're ahead of the beat slightly. It sounds rushed, but if they're on the beat, it's in time. It's rhythm and they're nice and relaxed. They're still fast. They're just not rushed, utterly. And it's interesting you mentioned, like the hands curled and like this. If your hands are curled in like this, you will feel scared. Your physiology affects your emotions. That's a scared posture. That's a protective posture. So if you forcefully open up your hands, like Tony Robbins says, stand up tall and and straight and relaxed, you will feel better. But if you force yourself to smile, you will feel better inside. So I think that, you know, a bit of video analysis and analyzing your own style can actually and changing it can actually make surfing feel better as well. But, um, I love those tips. You just, um, said and it was a good summary and it's a great place to end. Devin, thank you so much. Devon Howard: All right. I hope we, uh, made some sense there. It's fun to talk about it, because I've felt this stuff for a long time, but I don't really ever talk about it. And it's only just in recent times. And, um, I gotta thank Scott Hulett from The Surfer's Journal for getting the gears going in my mind of how to think about this stuff. Um, it's fun to share it, so I hope people get some value out of this conversation. Michael Frampton: Yeah. Oh, definitely. Definitely. I mean, we can if you come up with more thoughts on it, let me know. We get you back on and we'll expand because it's an important topic. Devon Howard: Well, we're, um, we're in the middle of some fin placement on a mid lane, so I got to get back down there. So I also got this, um, dust down here. Michael Frampton: All right. Thanks, Devin. I'll let you write. You get back to it. Devon Howard: All right. Thank you. Michael. See you.Devon Howard On Surf Mastery Podcast Devon Howard On Surf Mastery Podcast

Chinese Solar Builds, DOJ Domain Seizures, Scattered Spider Arrest, Kaiser AI, and more… ➡ Check out Vanta and get $1000 off:vanta.com/unsupervised Subscribe to the newsletter at: https://danielmiessler.com/subscribe Join the UL community at:https://danielmiessler.com/upgrade Follow on X:https://twitter.com/danielmiessler Follow on LinkedIn:https://www.linkedin.com/in/danielmiessler See you in the next one!Discussed in this episode:Intro (00:00:00)CrowdStrike Incident Discussion (00:01:49)Threat Actor and Social Engineering (00:03:49)AI Weapons for Ukraine (00:04:56)China's Energy Expansion (00:06:09)Foreign Influence and Disinformation (00:07:30)AI Race and China's Restrictions (00:08:33)Healthcare Innovations with AI (00:10:20)Nvidia's Potential Losses (00:11:19)Google's URL Shortening Service Shutdown (00:14:36)Tech Startup Challenges (00:14:36)Meta Analysis on Toothbrushing (00:16:43)Young Adulthood and Happiness Crisis (00:17:53)AI's Impact on Employment (00:19:08)The Impact of UBI on Ambition (00:20:11)The Nature of Ambition (00:21:18)Cultural Influence on Drive (00:23:14)Addressing Societal Issues (00:24:16)Mental Models for Success (00:24:16)Cannabis and Mediocrity (00:25:25)Conspiracy Culture Commentary (00:26:28)AI in Security (00:27:39)Silicon Valley Political Movements (00:27:39)Discovery Dilemma Tool (00:28:52)Emergency Preparedness (00:28:52)Constructive Political Conversations (00:29:48)Finding Common Ground (00:30:49)Wisdom in Silence (00:31:43)Become a Member: https://danielmiessler.com/upgradeSee omnystudio.com/listener for privacy information.

In this episode of "The Truth in This Art," host Rob Lee interviews music producer and DJ Stylo. Stylo shares his journey from a nerdy kid in DC with a background in IT and breakdancing to a passionate music creator influenced by jazz, classical, and techno. He discusses his creative process, emphasizing basslines and rhythm, and his approach to curating immersive musical experiences. The conversation touches on the challenges of staying current in the industry, the significance of Black Music Month, and the importance of diverse musical influences. Stylo also highlights his commitment to storytelling and elevating underrepresented voices in music.Episode Highlight:Introduction to DJ Stylo (00:00:10) Rob Lee introduces DJ Stylo, a music producer and DJ, known for his deep tech style with hip hop influences.DJ Stylo's Background (00:01:49) DJ Stylo shares details about his background, including his work as an IT director and his interest in sci-fi.Influences in Music (00:06:24) DJ Stylo discusses his early experiences with music, including playing piano and trumpet, and his exposure to electronic music as a breakdancer.Staying Current and Finding Inspiration (00:18:47) DJ Stylo talks about staying up to date with new music and finding inspiration, acknowledging the impossibility of keeping up with every new release.Uncovering Musical Influences (00:25:21) The conversation dives into the significance of liner notes, exploring the musicians behind the music and their impact on creative inspiration.Embracing Risks in Creativity (00:35:01) DJ Stylo shares his perspective on taking risks in creative pursuits, emphasizing the daily challenges and rewards of pushing boundaries.Good DJ vs. Great DJ (00:42:23) DJ Stylo discusses the difference between a good DJ and a great DJ, emphasizing the importance of playing music that listeners didn't know they wanted to hear.Connect with DJ Stylo (01:04:16) DJ Stylo shares his social media and upcoming live events, including rooftop performances and reissued music.Key Takeaways:1. Balancing Multiple Passions: DJ Stylo shows us that it's possible to juggle a demanding IT career while pursuing a passion for music.2. Creative Beginnings: Starting with simple elements like drum patterns and basslines can lead to innovative and unique music creations.3. Embracing Eclectic Tastes: Exploring a wide range of music genres can enrich your creative output and broaden your musical perspective.4. Taking Risks in Creativity: Pushing boundaries and embracing daily challenges are essential for growth and innovation in any creative field.Website and Socials:link.v1ce.co.uk/musicofstyloX: @MusicOfStyloInstagram: stylothedj