Podcasts about film events

Stel, de zombieapocalypse breekt uit. Waar kun je dan het beste verschansen? Een locatie waar je delen veilig kunt afzetten tegen het existentiële gevaar van wandelende doden, waar voedsel voorradig is en waar je de tijd kunt doden... Filmmaker George A. Romero wist het: een groot overdekt winkelcentrum. "Het origineel is overschat, en de remake is ontzettend leuk." Die tweede mening hoor je nog wel vaker, over Zack Snyders Dawn of the Dead (2004), maar een takedown van Dawn of the Dead (1978)? Dan moet je toch echt wel van goeden huize komen. En waarschtig, dat doet onze podgast in aflevering 101 gelukkig ook! We hebben namelijk een one-o'-one met festivaldirecteur Jan Doense, van Film By The Sea (9-18 september in Vlissingen). De grote Jan Doense, Mr. Horror! Filmcriticus, -maker en -programmeur, maar misschien wel vooral kenner. Met zo'n wandelende horrorencyclopedie bevat deze aflevering gegarandeerd goede tussentijdse kijktips, stevige meningen en lekkere anekdotes. We hebben het ook over hoe Jan er persoonlijk voor zorgde dat de beste versie van Dawn of the Dead op dvd werd uitgebracht, waar de zombiemythe oorspronkelijk vandaan komt en de keren dat Jan aan tafel zat met regisseur Romero en acteur Ken Foree. Steun Duimpjeworstelen op Patreon! En ontvang leuke extraatjes ^_^ Links: Film by the Sea: https://www.filmbythesea.nl/  Film Events: https://www.filmevents.nl/  Jan Doense op IMDb: https://www.imdb.com/name/nm0973063/  'Mr. Horror Jan Doense over zijn favoriete griezelfilms' in de Volkskrant: https://www.volkskrant.nl/cultuur-media/mr-horror-jan-doense-over-zijn-favoriete-griezelfilms~b225d008/  R.I.P. (2001), de short van Jan Doense: https://www.youtube.com/watch?v=uhbjUfUA1ms  Extra links: 'DAWN OF THE DEAD (1978) Revisited - Horror Movie Review - Ken Foree', op JoBlo: https://www.youtube.com/watch?v=3lLd_imFoYI  'The Problem (and Brilliance) with DAWN OF THE DEAD (2004)' van Ryan Hollinger: https://www.youtube.com/watch?v=xyOJDUVwzBU  'Julius vs Jasper: Dawn of the Dead vs Dawn of the Dead' in de Schokkend Nieuws podcast: https://schokkendnieuws.nl/specials/podcast/5796-julius-vs-jasper-dawn-of-the-dead-vs-dawn-of-the-dead 

Plus, some things to do for Presidents' Day and the long weekend.

German Film Series & Israeli Film Festival featuring a film's producer [powerpress]

David Manning is President of A-LIST Communications that provides publicity services and event marketing. He is also Executive Director of The Kia Telluride Supper Suite at the Sundance Film Festival. Learn more at https://www.a-listcommunications.com/ To find out more about Laura and her work please visit her website at www.laurapowers.net. You can also find Laura on twitter @thatlaurapowers, on Facebook @thatlaurapowers, and on instagram at laurapowers44. Use the code laura10 at www.filmfreeway/frenchrivierafilmfestival for 10% off your registration.

David Manning is President of A-LIST Communications that provides publicity services and event marketing. He is also Executive Director of The Kia Telluride Supper Suite at the Sundance Film Festival. Learn more at https://www.a-listcommunications.com/ To find out more about Laura and her work please visit her website at www.laurapowers.net. You can also find Laura on twitter @thatlaurapowers, on Facebook @thatlaurapowers, and on instagram at laurapowers44. Use the code laura10 at www.filmfreeway/frenchrivierafilmfestival for 10% off your registration.

Wenn eines der wichtigsten Film-Events des Jahres durch Wien zieht, dann laden wir herzlich zu einem Live-Podcast mit unseren HörerInnen ein. Gemeinsam mit euch haben wir den 4. Flip the Truck Live-Podcast (wie immer) im Café Sperlhof aufgenommen.

This year's Festival includes a film series as part of the programme.  Festival goers can enjoy cult classics in connected double bills revolving around a momentous month in history half a century ago. Tim Brown from the Dukes of York and CineCity came to the studios to tell us more about whats in store. To find out more about Brighton Festival see : http://brightonfestival.org To find out more about RadioReverb - the Broadcast Media Partner of Brighton Festival 2018 see : http://radioreverb.com #Brighton #Arts #Culture

It's that time again! Time for us to sit down with our good friend, Mr. Bruce Crawford with Omaha Classic Film Events and find out what the NEWEST film event will be! And this one is a doozy! On November 10th, 2017, Omaha Classic Film Events is bring to Omaha... "A Chistmas Story"!! Arguably a modern classic in it's own right, this film is both tragic and hilarious, heartwarming and heartbreaking. "A Christmas Story" coming this holiday season to the Joslyn Art Musem is sure to be a great night for all!  

Today we are spotlighting Catherine Downes of usheru. Usheru is your cinema app for listings, tickets, offers and unique film events, personal to you. This episode is powered by UpGuard.com, UpGuard's discovery engine brings visibility to complex IT environments, enabling teams to quickly identify risk, confirm compliance and make business safer. Connect with us at womenintechshow.com. Tweet @womenintechshow and @EspreeDevora

Hugo Frey‘s new book, Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2014) distinguishes between a national cinema (films made in France) and a nationalist cinema motivated by the specific agenda to promote une certaine idee de la France. Working with ideas about “political... Learn more about your ad choices. Visit megaphone.fm/adchoices

Hugo Frey‘s new book, Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2014) distinguishes between a national cinema (films made in France) and a nationalist cinema motivated by the specific agenda to promote une certaine idee de la France. Working with ideas about “political mythology” and the “film event,” Frey analyses a series of films and filmmakers, including: Michel Audiard, Jean-Luc Godard, Claude Lelouch, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, and Francois Truffaut. Contributing to a vast and complex field of work on the cinema in France since 1945, Nationalism and the Cinema in France offers readers an analysis of French “metafilms” (films about film and filmmaking) in the postwar period; the representation of French history and modernity; the conversation between French cinema and Hollywood  (and France and the United States more generally); the complex relationship between French film, nationalism, and empire; antisemitism; and the politics of the extreme Right up to the mid-1990s. In our conversation, Hugo and I consider the legacies of the fifty year period covered in the book, including the links between the issues discussed in its pages and more contemporary struggles over national identity and difference. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hugo Frey‘s new book, Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2014) distinguishes between a national cinema (films made in France) and a nationalist cinema motivated by the specific agenda to promote une certaine idee de la France. Working with ideas about “political mythology” and the “film event,” Frey analyses a series of films and filmmakers, including: Michel Audiard, Jean-Luc Godard, Claude Lelouch, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, and Francois Truffaut. Contributing to a vast and complex field of work on the cinema in France since 1945, Nationalism and the Cinema in France offers readers an analysis of French “metafilms” (films about film and filmmaking) in the postwar period; the representation of French history and modernity; the conversation between French cinema and Hollywood  (and France and the United States more generally); the complex relationship between French film, nationalism, and empire; antisemitism; and the politics of the extreme Right up to the mid-1990s. In our conversation, Hugo and I consider the legacies of the fifty year period covered in the book, including the links between the issues discussed in its pages and more contemporary struggles over national identity and difference. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hugo Frey‘s new book, Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2014) distinguishes between a national cinema (films made in France) and a nationalist cinema motivated by the specific agenda to promote une certaine idee de la France. Working with ideas about “political mythology” and the “film event,” Frey analyses a series of films and filmmakers, including: Michel Audiard, Jean-Luc Godard, Claude Lelouch, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, and Francois Truffaut. Contributing to a vast and complex field of work on the cinema in France since 1945, Nationalism and the Cinema in France offers readers an analysis of French “metafilms” (films about film and filmmaking) in the postwar period; the representation of French history and modernity; the conversation between French cinema and Hollywood  (and France and the United States more generally); the complex relationship between French film, nationalism, and empire; antisemitism; and the politics of the extreme Right up to the mid-1990s. In our conversation, Hugo and I consider the legacies of the fifty year period covered in the book, including the links between the issues discussed in its pages and more contemporary struggles over national identity and difference. Learn more about your ad choices. Visit megaphone.fm/adchoices