Podcast appearances and mentions of jean pierre melville

After more than 12 years of doing this podcast, it was high time for us to review something by French director Jean-Pierre Melville. Le Samourai was his (and his star, Alain Delon's) homage to '40s Hollywood noir. This crime classic is about Delon's passive hitman, who's either too cool for school...or just doesn't care. In this one-Ryan show, the talk gets into  relating to Delon's loner mindset and solo lifestyle, although not so much his sparse apartment, his constant smoking or his work as a contract killer. Or having a chirpie bird for a roommate. The ending is puzzling...but it might be more understandable when you remember the code of an actual samurai. So put on your white gloves, pull out your heater and prepare for episode #668 of Have You Ever Seen. Melville's film didn't predate the French New Wave, but he himself did. He, Godard, Truffaut, all of 'em could no doubt have been even more prolific back in those days if they had Sparkplug Coffee. Use our "HYES" promo code and you will be able to benefit from a onetime 20% discount. Go to "sparkplug.coffee/hyes". Subscribe to our channel in your app, but also review the podcast and rate it. Find us on YouTube (@hyesellis in the search bar) and do all those things there too. Contact options: email (haveyoueverseenpodcast@gmail.com). Social media: ryan-ellis and @moviefiend51 on Bluesky and Twi-X, with Bev's contact info being bevellisellis and @bevellisellis (on Bluesky and Twi-X).

Throughout June the New Beverly proudly presents a host of cinematic favorites in glorious 35mm, from hilarious Preston Sturges screwball classics to action-packed New York City adventures, showcases the indelible work of Lana Turner, Mariel Hemingway, and Burt Lancaster, spotlights Stanley Kubrick's epic Full Metal Jacket, plus highlights must-see film noir and Hong Kong rarities, international gems by Pedro Almodóvar and Jean-Pierre Melville, a Friday the 13th event, and an incredible, unpredictable 1970s Grindhouse Marathon! Brian, Phil and Jules discuss it all on this epic calendar episode! Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

Welcome to It's A Wonderful Podcast!A celebration of the best of French film all May long on the main show as Morgan and Jeannine explore a variety of some of the most revered and respected French movies of all time!Sleek, bleak, and effortlessly stylish Neo-Noir on this week's show as Morgan and Jeannine talk Jean-Pierre Melville's supremely influential, thoroughly captivating, and quietly intense masterpiece, LE SAMOURAI (1967) starring Alain Delon!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

Film historian Samm Deighan and cult cinema expert Andrew Leavold join Mike to shine a light on Jean-Pierre Melville's Two Men in Manhattan (1959). Often overshadowed by his better-known crime films, this moody noir follows a journalist and a photographer as they comb the streets of New York in search of a missing French diplomat. The trio digs into Melville's fascination with American style, the film's ethically murky characters, and how it fits within the director's larger body of work. They also explore the tension between documentary realism and stylized noir, and why Two Men in Manhattan deserves a second look. Author Ginette Vincendeau (Jean-Pierre Melville: An American in Paris), discusses this unique entry in Melville's filmography. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Film historian Samm Deighan and cult cinema expert Andrew Leavold join Mike to shine a light on Jean-Pierre Melville's Two Men in Manhattan (1959). Often overshadowed by his better-known crime films, this moody noir follows a journalist and a photographer as they comb the streets of New York in search of a missing French diplomat. The trio digs into Melville's fascination with American style, the film's ethically murky characters, and how it fits within the director's larger body of work. They also explore the tension between documentary realism and stylized noir, and why Two Men in Manhattan deserves a second look. Author Ginette Vincendeau (Jean-Pierre Melville: An American in Paris), discusses this unique entry in Melville's filmography. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

On this episode, we're staying in the late sixties for one more film as we watch Jean-Pierre Melville's Army of Shadows (1969). A haunting portrayal of the French Resistance during the early days of World War II that serves as an existential reflection on what it really takes to fight an occupying force. Melville's muted color palette and precise framing underscore the suffocating atmosphere of occupied France, while also highlighting the moral complexity faced by those fighting fascism. The film presents a sobering look at the personal costs of opposing tyranny and forces the viewer to confront the often futile nature of resistance in the face of overwhelming oppression.  The film was dismissed as Gaullist propaganda (which is fair) when it was first released in 1969, but received a much warmer welcome when it was restored and rereleased in 2006. It hits even harder in 2025 America. Follow us at: Patreon / Instagram / Letterboxd / Facebook 

THIS WEEK: In the Shadows (2010) and Scorched Earth (2024)There's a common misconception that we only do this podcast to subject ourselves to the dumbest bullshit imaginable. Not true! Every once in a while we stumble upon greatness. Do you like Michael Mann? How about Robert Bresson? Maybe a little Jean-Pierre Melville? Fantastic. It's time you join the 4 or 5 other folks who have watched the Thomas Arslan's crime dramas. Thank us later.Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon

Rashmi & Zach's tour through the wide world of noir lands them in Fance and at the door steps of an old friend, Jean-Pierre Melville, and his 1970 heist spectacular, LE CERCLE ROUGE!   Tune in to hear more of how Melville homages and updates the Noir genre of Hollywood that entranced him, thrill alongside our hosts as they unpack this meticulous and patient picture, and... swoon like crazy over the glory that is Alain Delon with a mustache!   To learn more about the beginnings of Melville and Delon's collaborations, listen to Rashmi & Zach's previous chat on Le Samouraï https://ballyhoorevuepodcast.com/ep-87-wonders-of-world-cinema-le-samourai-the-samurai-1967-or-a-matter-of-birds-bullets/

Rashmi & Zach's tour through the wide world of noir lands them in Fance and at the door steps of an old friend, Jean-Pierre Melville, and his 1970 heist spectacular, LE CERCLE ROUGE! Tune in to hear more of how Melville homages and updates the Noir genre of Hollywood that entranced him, thrill alongside our hosts as they unpack this meticulous and patient picture, and... swoon like crazy over the glory that is Alain Delon with a mustache! To learn more about the beginnings of Melville and Delon's collaborations, listen to Rashmi & Zach's previous chat on Le Samouraïhttps://ballyhoorevuepodcast.com/ep-87-wonders-of-world-cinema-le-samourai-the-samurai-1967-or-a-matter-of-birds-bullets/

This week, we discuss two films starring French actor Alain Delon. The first is Purple Noon (1960), an adaptation of the Patricia Highsmith novel “The Talented Mr. Ripley”. In the film, a young man becomes entangled in deception and identity theft while vacationing on the Italian coast, leading to dangerous consequences. The second is The Red Circle (1970), a crime thriller written and directed by Jean-Pierre Melville. The plot sees an ex-convict, a fugitive and a former policeman cross paths and plan a high-stakes jewellery heist, testing their loyalty and fate.   Timestamps What we've been watching/playing (00:01:08) –  The Monkey, Dawn of the Dead, Unforgotten season 6, Zero Day, Indiana Jones and the Great Circle, The Three Musketeers: D'Artagnan, The Three Musketeers: Milady Purple Noon (00:29:55) The Red Circle (00:52:20) Coin toss (01:10:10)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

Le journaliste et auteur français Philippe Brunel est notre invité pour son roman "Le cercle des obligés" (Grasset). Automne 1968, dans une décharge des Yvelines, Stefan Markovic, homme à tout faire et doublure d'Alain Delon, est retrouvé mort, ligoté dans une housse de matelas, le visage détruit et une balle dans la nuque. Automne 1993, sur le parking d'une résidence, le long des marais salants de la presqu'île de Giens, Henri Diana, grande figure du Milieu varois, est assassiné. Vingt-cinq années, deux morts, et un peu de sable blanc de la côte d'Azur comme piste oubliée. Ainsi commence Le cercle des obligés, le roman vrai de Philippe Brunel. Son héros, un jeune journaliste sans pratique mais avide de s'élever, suit les pas d'un reporter de légende, Pierre Salberg, qui enquête sur la plus sulfureuse des affaires des années 70. Simple règlement de compte, crime d'honneur, vendetta personnelle, complot politique, le meurtre de Markovic soulève autant de fantasmes que d'énigmes. Et maintient, égare, blesse les êtres dans une connaissance impossible. On croise ici des ombres, le réalisateur Jean-Pierre Melville, dont le studio-maison s'enflamme ; Alain Delon, magnifique et provocateur ; Markovic, garde du corps, ami, amant de l'épouse de l'acteur ; des femmes de grande vie, des hommes de basse vertu, des chefs d'Etat ; et une France cinématographique, violente et trouble, entre Série noire et le Café de la jeunesse perdue. A coup d'hypothèses, de rencontres et de choses vues, Philippe Brunel reconstitue l'histoire perdue derrière l'affaire Marcovic. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

Der französische Regisseur Jean-Pierre Melville hat in seinem Oeuvre meisterhaft die Unterwelt eingefangen. Dabei übersetzte er den amerikanischen Kriminalfilm der 1940er-Jahre ins Französische und entwickelte ihn weiter. In „Der Chef“ („Un flic“) ermittelt Alain Delon als Kommissar zu einem Banküberfall, inmitten des Geflechts aus Intrigen agiert Catherine Deneuve als femme fatale und fragile. Mehr dazu von Wolfgang M. Schmitt im Filmkompass! Werbung: Das Best-Of von DIE FILMANALYSE als Buch. Mit einem Vorwort von Dominik Graf. Affiliate-Link: https://amzn.to/3NCkVHB Unser Kinderbuch „Die kleinen Holzdiebe und das Rätsel des Juggernaut“ ist erschienen! Affiliate-Link: https://amzn.to/47h1LQI Die Anthologie SELBST SCHULD! ist jetzt erschienen. Affiliate-Link: https://amzn.to/47qau3a Sie können DIE FILMANALYSE finanziell unterstützen – vielen Dank! Wolfgang M. Schmitt Betreff: DIE FILMANALYSE IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD PayPal: http://www.paypal.me/filmanalyse Patreon: https://www.patreon.com/wolfgangmschmitt Wolfgang M. Schmitt auf Twitter: https://twitter.com/SchmittJunior Wolfgang M. Schmitt auf Facebook: https://www.facebook.com/wolfgangm.schmittjun/ Wolfgang M. Schmitt auf Instagram: https://www.instagram.com/wolfgangmschmitt/ Produziert von FatboyFilm: https://www.fatboyfilm.de/ https://www.facebook.com/fatboyfilm/ https://www.instagram.com/fatboyfilm/

Die dritte und letzte Zusammenarbeit von Regisseur Jean-Pierre Melville und dem 2024 verstorbenen Alain Delon geriet zwar nicht ganz so ikonisch wie “Der eiskalte Engel” einige Jahre zuvor. Dennoch bietet auch “Der Chef” einige Charakteristiken des für den Gangsterfilm so einflussreichen Regisseurs. Hierzu zählen insbesondere eine eiskalte Atmosphäre, die durch die Komposition der Bilder und das zurückgenommene Spiel der Darsteller kreiert wird, sowie der Umstand, dass die Figuren von Polizist und Gangster im Grunde austauschbar sind. Mail: podcast(at)retroboost.de

Cinquantième épisode du BiscCast :Rejoignez nous chaque troisième jeudi du mois à 19h en direct sur Radio Fajet (94,2 en Lorraine ou sur Fajet.net).N'hésitez pas à nous suivre sur Facebook & Instagram.Merci à Pascal, gérant de la page "Qu'est ce qu'on mange ce soir" pour sa participation.Et merci à nos invitées surprises, Louise & Lucille, stagiaires de troisième à Fajet.Pascal :Skeleton Crew, série télévisée américaine issue de l'univers Star Wars, créée et développée par Jon Watts et Christopher Ford et disponible sur Disney+.Louise :L'Amour Ouf, un drame romantique franco-belge co-écrit et réalisé par Gilles Lellouche.Lucille :"These Walls", une chanson en duo de Dua Lipa & Pierre de Maere.Val :La chaîne Youtube de Fatche (une nouvelle fois) sur les histoires folles du sport.Jean-Pierre Melville, un réalisateur et scénariste français dont on peut trouver une rétrospective sur Netflix. Il a notamment réalisé Le Samouraï (1967) et L'Armée des ombres (1969).Morgan :Arcane, une série télévisée d'animation américano-française issue de l'univers du jeu vidéo League of Legends. Elle est produite par le développeur américain Riot Games en collaboration avec le studio d'animation français Fortiche Production et diffusée sur Netflix.Le pleins d'humoristes :David Sun, (le parrain de la saison !)Franjo, Sebastian Marx,Alex Ramires.Bonne écoute & Joyeuses Fêtes !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Témoin de plus d'un demi-siècle de cinéma français, Éric Demarsan y a aussi largement contribué. À l'occasion de sa rétrospective à la Cinémathèque Française en janvier prochain, il revient avec nous sur son parcours et ses collaborations avec de nombreux réalisateurs parmi lesquels Jean-Pierre Melville et Costa-Gavras.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A* Tout ce qu'on va lire ici a été vécu par des gens de France”, écrit Joseph Kessel dans la préface de son roman L'Armée des Ombres, publié fin 1943 à Londres, suite à la demande du général de Gaulle" d'écrire un livre pour apprendre au monde ce qu'est la résistance française ". Popularisé par le film de Jean-Pierre Melville, avec Lino Ventura, Simone Signoret et Paul Meurisse, L'Armée des Ombres est aujourd'hui adaptée en bande dessinée par Jean-David Morvan au scénario et Emmanuel Moynot au dessin. On y suit, en 1942 et 1943, les membres d'un réseau de la Résistance, dirigés par Philippe Gerbier. Des hommes et femmes courageux qui luttent contre l'occupant allemand et la collaboration, au péril de leur vie. À travers leurs combats, on découvre l'importance des valeurs de solidarité, de courage et de sacrifice : une plongée dans les conditions de fonctionnement de la Résistance, dans une France éprouvée. Une séquence réalisée par Nicolas Bogaerts Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Hey Reservos! This week we are discussing Jean-Pierre Melville's Le Samouraï. Listen as we breakdown the “Killer for Hire” film that started it all. This film inspired many films depicting a meticulous, cold, calculating, lone-wolf killer, and the methods of his work. Enjoy!  

Happy Noirvember! On the thirty- first episode of ATFT, movie critic Matthieu Côté joins me in analyzing Jean- Pierre Melville's 1967 neo- noir classic, Le Samouraï! This episode is spoiler- filled.  Le Samouraï is regarded as one of the most influential films of all time, inspiring a plethora of films including Taxi Driver (1976), Drive (2011), and The Killer (2023). The film follows highly- skilled hit- man Jef Costello, played by Alain Delon, as he simultaneously carries out a job and his alibi but his careful plans soon go awry. The audience then watches Jef as he maneuvers his way around the police and the criminals who hired him. Le Samouraï, like Easy Rider, is a show- don't- tell film, meaning the more you watch it, the more you gain. We watch the characters and story unfold without there being too much dialogue. Films like these are the most rewarding to analyze and, when done right, become lauded as masterpieces. Le Samouraï cemented Alain Delon as massive star in cinema and many regard this film as his best.  Matthieu is a Canadian movie critic who writes for Horror Quebéc. He has interviewed several prominent directors with the most prominent thus- far being Ari Aster. Most recently, he interviewed director Timo Tjahjanto ahead of his new film The Shadow Strays. Watch his interview here!: https://youtu.be/-qDsUozgrFg?si=ITMrxcNEhYfTzGH5. Matthieu also has his own YouTube channel where he analyzes and reviews both films and television shows old and new. His analyses are truly excellent, I highly recommend subscribing to his channel… here's the link: https://www.youtube.com/@matthieucote2272/videos.   This is Matthieu's first appearance on ATFT! Funny enough, we got connected through the comments of his YouTube video, “⁠The Eyes Of Past Lives” about a year ago! His video greatly helped me prepare for last year's episode on the film Past Lives so I left a comment telling him how brilliant his analysis was and that I gave him and his video a shout out in that episode. He responded very graciously and said he would love to come on the show sometime. I always kept this in mind so, when I switched the film being discussed for Noirvember this year, I thought I'd ask Matthieu if he was interested and within 24 hours, we scheduled a time to record this episode! This episode was recorded on October 17, 2024.  In this episode, Matthieu and I analyze Le Samouraï while also pay tribute to one of cinema's greats, Alain Delon, who passed away this past August. Matthieu talks about his long- time appreciation for this film, even considering it among his very favorite films of all time. We discuss various aspects of the film including how Le Samouraï compares to American noir films of the 1940s as well as recent films that were inspired by this film, the power and emotion only Alain Delon can give through his eyes alone, and Jef's accomplice: his pet bird. All this and much more on the latest episode of All the Film Things! Music credit: Careful There by Justin Allan Arnold | https://www.ifnessfreemusic.com Music promoted by https://www.free-stock-music.com Creative Commons / Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/

Lors de l'exécution de son dernier contrat, une tueuse à gage provoque la cécité d'une jeune chanteuse. Pour trouver l'argent nécessaire à l'opération de la jeune femme, elle accepte un nouveau contrat.Comme le résumé le suggère, THE KILLER est une relecture du chef d'oeuvre que John Woo réalise en 1989. De retour derrière la caméra, le grand réalisateur transpose l'intrigue dans Paris, pour rendre hommage au cinéma de Jean-Pierre Melville, la source d'inspiration de son propre film. Hélas, Yannick Dahan et Stéphane Moïssakis, énormes fans de John Woo devant l'éternel, n'y trouvent pas leur compte…Pour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magPour acheter notre mag CAPTURE MAG N°1 - LE CINÉMA DE WILLIAM FRIEDKIN, rendez-vous chez votre libraire ou site marchand (Fnac, Amazon, etc.).Akileos : https://bit.ly/AkiFriedLibrairies indépendantes : https://www.librairiesindependantes.com/product/9782355746161/Pour acheter notre livre CAPTURE MAG 2012-2022 : NOTRE DÉCENNIE DE CINÉMA, rendez-vous chez votre libraire ou site marchand.Akileos : https://bit.ly/CapMookLibrairies indépendantes : https://bit.ly/AchTMookRetrouvez toutes nos émissions sur http://www.capturemag.frEn MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyOSur Google Podcasts : https://bit.ly/39W69oR#thekiller #johnwoo #omarsy Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In episode seven of our Manhunt series, we traverse a gritty and rebellious San Francisco in Bullitt (1968) alongside an oddly sleek and barren Paris in Le Samouraï (1967).Bullitt is famous for two reasons: Steve McQueen and the car chase. Like most famous films, its celluloid holds many more layers than its reputation claims. Bullitt was a leap forward for crime thrillers. Its naturalism, meticulousness, and postmodern plot made it a harbinger for the decades to come. There is no Chinatown without Bullit nor Heat. That alone makes it a remarkable and important film. The car chase is maybe the best ever put on screen, so that doesn't hurt it.On the other side of the Atlantic, Jean-Pierre Melville's Le Samouraï takes us into the calculated, Zen-like existence of a contract killer, played with masterful restraint by Alain Delon. Unlike the exposed id of Bullitt, Le Samouraï draws its power from a detached coolness, which deepens as the films reaches its crescendo. The film's manhunt is quietly relentless. The glitz and glamor of Paris and a life of crime are ruthlessly stripped away scene after scene until the isolated hero makes a final existential leap.

durée : 00:44:59 - Les Nuits de France Culture - par : Philippe Garbit - "Se délecter du physique de son confesseur est-ce un péché ?" Le roman de Béatrix Beck "Léon Morin prêtre" avait reçu le Prix Goncourt en 1952. Neuf années plus tard, Léon Morin, prêtre prenait le visage de Jean-Paul Belmondo dans le film de Jean-Pierre Melville, mis en ondes en 1961. - réalisation : Virginie Mourthé - invités : Jean-Paul Belmondo Comédien; Emmanuelle Riva

Erin and Paul review two films about lonely hired assassins: George Armitage's 1997 hipster-hitman black comedy GROSSE POINTE BLANK, starring John Cusack; and Jean-Pierre Melville's ultra-cool 1967 character study LE SAMOURAÏ.

durée : 00:58:43 - Toute une vie - par : Romain Weber - "Sur Jean-Pierre Melville, c'est très simple : c'est l'homme qui connaît le mieux cinéma, c'est le plus grand metteur en scène que je connaisse, c'est le plus grand chef opérateur, c'est le plus grand tout ce qu'on veut.” Alain Delon, 1967. - réalisation : Julie Beressi

When we're backpacking across the old countries for September's theme of EUROPEAN VACATION we gotta stop and sample some of that fine French excellence that Orson Welles so drunkingly told us about. We're playing it cool with today's discussion of our second ever Jean-Pierre Melville movie for the show and it's his swaggiest by far. We're talking “Le Samouraï” from 1967 starring Alain Delon, Francois Perier, Cathy Rosier and more. Delon plays a cold-as-ice hitman who lives by a personal code of solitude. When an employer turns on him he keeps his contracts while plotting revenge for the betrayal even while knowing that half the police in Paris are on his trail. Why did that piano playing woman not sell him out? How does she know these dead men? What is this final contract for? A defining feature in French cinematic style. Do yourself a favor and take this one in. It's on MAX last we checked. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We conclude Art House August with a look at Jean-Pierre Melville's Army of Shadows. Ostensibly a film about the French Resistance in World War II, the film stars Lino Ventura as Phillipe Gerbier, one of four main Resistance fighters we meet as we travel through the underworld, striking out at the German occupiers and those loyal to the Vichy government.Andrew Leavold and Samm Dieghan join Mike for an insightful conversation while special guest Ginette Vincendeau discusses Melville's career at the time and the reaction to the film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

We conclude Art House August with a look at Jean-Pierre Melville's Army of Shadows. Ostensibly a film about the French Resistance in World War II, the film stars Lino Ventura as Phillipe Gerbier, one of four main Resistance fighters we meet as we travel through the underworld, striking out at the German occupiers and those loyal to the Vichy government.Andrew Leavold and Samm Dieghan join Mike for an insightful conversation while special guest Ginette Vincendeau discusses Melville's career at the time and the reaction to the film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

A Vakfolt podcast tizenötödik évadjában olyan fajsúlyos vakfoltokat pótolunk, amelyek a nemzetközi filmes világból származnak, azaz sem nem angol nyelvűek, sem nem magyarnyelvűek. Az évad nyitóepizódjában a nemrég elhunyt Alain Delonra emlékezünk. Jean-Pierre Melville Le Samourai (A szamuráj) című filmjét elemezzük, amelyben Delon ikonikus új karakter-archetípust teremtett meg a szótlan bérgyilkos figurájával. A beszélgetés során a film jelentőségéről, Melville és Delon életéről is esik szó, valamint Melville szerepéről a francia új hullámban. Kiemeljük a film atmoszféráját, Melville rendezői stílusát és a főszereplő, Jef Costello karakterének ábrázolását.  Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak András az X-en: @gaines_ Péter az X-en: @freevo Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu

Rentrée de la classe avec un marathon quasi exhaustif (déso Trap, pourtant loin d'être le pire) des films vus cet été. Attention indigestion probable.On cause donc :de blockbusters : Twisters, Alien Romulus, Vice Versa 2, To the Moon.de film de pif-paf-pouf : City of Darkness, Raayan.de film documentaire : Year of Darkness. de films d'horreur : Longlegs, MaXXXine.et de film catastrophe : Emilia Perez.A vos agendas ! La moitié poilue de l'émission a concocté un cycle estival, ultime séance, Chinatown de Roman Polanski, venez manifester devant le cinéma Arvor mardi 3 septembre.La rentrée du Film du Dimanche Soir sera consacrée àLa Garçonnièrede Billy Wilderet on a très hâte !Les prochaines séances MONUMENTAL au Cinéma Arvor seront consacrées à L'Armée des ombres de Jean-Pierre Melville et au Napoléon d'Abel Gance

Rentrée de la classe avec un marathon quasi exhaustif (déso Trap, pourtant loin d'être le pire) des films vus cet été. Attention indigestion probable.On cause donc :de blockbusters : Twisters, Alien Romulus, Vice Versa 2, To the Moon.de film de pif-paf-pouf : City of Darkness, Raayan.de film documentaire : Year of Darkness. de films d'horreur : Longlegs, MaXXXine.et de film catastrophe : Emilia Perez.A vos agendas ! La moitié poilue de l'émission a concocté un cycle estival, ultime séance, Chinatown de Roman Polanski, venez manifester devant le cinéma Arvor mardi 3 septembre.La rentrée du Film du Dimanche Soir sera consacrée àLa Garçonnièrede Billy Wilderet on a très hâte !Les prochaines séances MONUMENTAL au Cinéma Arvor seront consacrées à L'Armée des ombres de Jean-Pierre Melville et au Napoléon d'Abel Gance

  Certainly not the arty-ist neo-noir ever made, but it's certainly the most Jean-Pierre Melville-ian neo-noir ever made.  And that's more than enough to make this one of the most widely-beloved of all Criterion films.  Alain Delain (who sadly passed away between our record and the release date for this episode) brought Tokyo-cool, Parisian romanticism, and American grime to this epitome of the “cool assassin” film. Join our Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Alfonso Cuarón's Y Tu Mamá También (2001).

pWotD Episode 2665: Alain Delon Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 616,050 views on Sunday, 18 August 2024 our article of the day is Alain Delon.Alain Fabien Maurice Marcel Delon (French: [alɛ̃ dəlɔ̃]; 8 November 1935 – 18 August 2024) was a French actor. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the 1960s, 1970s, and 1980s, and became an international sex symbol. His style, looks, and roles made him an icon of cinema worldwide and earned him enduring popularity. Delon achieved critical acclaim for his roles in films such as Women Are Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), Le Samouraï (1967), The Girl on a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), and Monsieur Klein (1976). Over the course of his career, Delon worked with many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni, and Louis Malle.Delon received many film and entertainment awards throughout his career. In 1985, he won the César Award for Best Actor for his performance in Notre histoire (1984). In 1991, he became a member of France's Legion of Honour. At the 45th Berlin International Film Festival, he won the Honorary Golden Bear. At the 2019 Cannes Film Festival, he received the Honorary Palme d'Or.In addition to his acting career, Delon also recorded the spoken part in the popular 1973 song "Paroles, paroles", a duet with Dalida as the main singing voice. He acquired Swiss citizenship in 1999.This recording reflects the Wikipedia text as of 03:00 UTC on Monday, 19 August 2024.For the full current version of the article, see Alain Delon on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Emma.

Can Master Wong navigate China into the 20th-century and past the obstacles of modernity, invasive western culture, and a whole host of outside threats to tradition?  Of course he can.  But even he's got to admit: he looks pretty good in a boater hat and sunglasses.  Tsui Hark's epic kung fu period action/comedy pits western powers, local corruption, modern technology, and the stubborn refusal to adapt against a ragtag group centered around a fighting school and its stoic martial arts master played by Jet Li. Join our  Patreon and support the podcast!  Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing's Jean-Pierre Melville's Le Samurai (1967).

Wes & Erin continue their discussion of Jean-Pierre Melville's 1967 noir thriller “Le Samouraï,” and the surprising power of love to capture its fugitives, even if it means finding them in the most shadowy of underworlds.

Jef Costello is a hit-man with airtight alibis, impeccable style, and a strict code of honor. Add to this a masterful ability to evade his pursuers, mobsters and authorities alike, and a simple but effective home alarm system in the form of a bird. But what he cannot orchestrate, control, or evade is the improvisational nature of a genuine encounter with another person, which he unexpectedly finds with the jazz musician who witnesses him leaving the scene of one of his crimes. Wes & Erin discuss Jean-Pierre Melville's 1967 noir thriller “Le Samouraï,” and the surprising power of love to capture its fugitives, even if it means finding them in the most shadowy of underworlds.

Peter Sobczynski has the rundown on this week's physical media with Erik Childress. Leading the way are French classics by Jean-Pierre Melville and Patrice Leconte. They talk about the controversies surrounding Todd Solondz third feature and the strange hiatus of director Robert Butler. 4K tries to clean-up a second helping of the Ghoulies and a Thailand based creature feature “not to be confused with Alligator.” Finally they go back and forth on the 1996 mega-hit that finally spawned a sequel 28 years later. 0:00 - Intro 0:55 – Criterion (Le Samourai 4K) 7:44 – Shout Factory (Storytelling) 20:29 – Synapse (Crocodile 4K) 29:05 – MVD (Ghoulies II 4K) 35:22 – Kino (The Hairdresser's Husband, Turbulence 4K) 51:56 – Warner Bros. (Twister 4K) 1:05:03 – New TV & Theatrical Titles On Blu-ray 1:14:22 – New Blu-ray Announcements & Outro

 Qui se cachait sous le chapeau Stetson, derrière les lunettes noires de Jean-Pierre Melville ? Une sorte d'écorché vif, en quête de perfection.    Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Le Samouraï popped up in the French New Wave and gave us the definitive image of the “cool Hit Man” that endures to this day, and so it only made sense that Clint, Cal and Alex welcome special guest and co-writer and director of Hit Man, Richard Linklater! The Academy Award nominated filmmaker chats about why people think retail hitmen actually exist, how Le Samouraï helped influence that belief and why the rest of the French New Wave looked up to Jean Pierre Melville and his incredible nom-de-guerre from the French Revolution. It's a super fun, super special in-between season installment of the CineFix Top 100 and we hope you have a good time with it! Meanwhile, Dan's algorithm is chirping like crazy in its cage, so we think somebody planted a bug in our apartment. CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Links mentioned in the episode: The Top 100 Podcast with Tim Coleman: Man with a Movie Camera episode with Ally Pitts. Saint Audio Podcast Festival line-up Saint Audio Podcast Festival announcement episode. I am Cuba, directed by Mikhail Kalatozov, screening at the Ultimate Picture Palace in Oxford. At the time of recording, Salt for Svanetia is available to stream on Klassiki, which is available in the UK, the US, and the Republic of Ireland. If you use the code RUPOD50, you can get 50% off an annual subscription. Jean-Pierre Melville episode of Shoot the Piano Player: A French New Wave Podcast with Spencer Seams & Joel Torres. Criterion release of I am Cuba, directed by Mikhail Kalatozov. Contact us/socials: (We've changed the name of the show, but the social handles are a bit of a mishmash). Email: russiansovietmoviepod@gmail.com Twitter (or 'X', if you really insist): @Russophiles Instagram: instagram.com/russiansovietmoviepodcast/ Letterboxd: https://letterboxd.com/Ally_Pitts/ Listen to Ally's other podcast appearances on Podchaser  

Today on KIOS at the Movies, I'm excited to welcome Taylor Eagan, the programming director at Film Streams. We'll be discussing the stunning 4K restoration of *Le Samouraï*, the 1967 neo-noir masterpiece by the legendary filmmaker Jean-Pierre Melville. This restoration brings new life to Melville's atmospheric and meticulously crafted film, showcasing its influence on the genre.

Les Ciné-Buddies remplissent leur contrat et s'attaquent au "Samourai" (1967), réalisé par Jean-Pierre Melville, starring Alain Delon. SVP likez, partagez, commentez, followez et abonnez-vous partout où vous écoutez et regardez le podcast, pour aider le show à continuer. La nouvelle fantastique de Romain Lehnhoff maintenant disponible sur la chaine abracadaPod de Youtube. Son Katia Lazareva. Likez avec le pouce et souscrivez.

Welcome to the finale of our petit français mini-series, and we're going out with a bang! It's one of the biggest blueprint movies out there that firmly established the idea of the "cool" assassin, it's Jean-Pierre Melville's 1967 crime masterpiece: LE SAMOURAIWe've seen it all before: the taciturn, lone wolf assassin who is a perfect precision instrument has a hit go bad, his employer betrays him, and the police are on his tail. But this is the one that set the template! We're talking all parts of Melville's style, from the trenchcoat uniform and the quiet protagonist, to the otherworldly qualities that push it into the the sligthly surreal.Plus, it's a grand opportunity to finally delve into one of Nick's favourite topics: Jean-Pierre Melville's insane personal history.

We're continuing our exploration of some French-language favs with Ariane Louis-Seize's feature-length debut, 2023's HUMANIST VAMPIRE SEEKING CONSENTING SUICIDAL PERSON! If you dig any modern vampire story, from Let the Right One In to What We Do in the Shadows, you owe it to yourself to check this film out!Major trigger warning if the title doesn't give it away: we discuss suicide in this episode! Also, full spoilers.This is a film of major firsts, from directing through starring and writing, and we're here to track how it does such a great job trading in vampiric mysticism in favour of its thematic material. We're talking poutine, anti-chemistry, Canadian Film & TV regulations, our favourite Québec swears, and the screaming interiority of teen angst. Plus: welcome to swag corner!Next week we're heading back to France for Jean-Pierre Melville's LE SAMOURAI!

Keith and Jason have been wanting to discuss a pair of films for a long time, a pair of films which seem perfectly in dialogue with each other: Jean-Pierre Melville's brilliant Le Samouraï (1967), the story of a lone assassin, and David Fincher's great The Killer (2023), the, umm, story of a lone assassin. Keith and Jason compare and contrast, considering which protagonist is cooler, the differerence between French and American films, and whether being an assassin for hire is an inherently corrupting job. Lots to consider in this one! --- Send in a voice message: https://podcasters.spotify.com/pod/show/jason-sacks/message

Bonjour and bienvenue au Garbage Film's first installment in a short series on French films, and what better place to start than the film that defined the heist movie, Jules Dassin's 1955 classic RIFIFI! (If you've never seen it, you can check it out on the Internet Archive!)We're talking Parisian slang, awful crime novels, connections with Jean-Pierre Melville, how you adapt something you hate, pistol-toting authors, and the interpersonal dynamics of France's underworldMore than anything else, we're getting into the clockwork mechanism of Jules Dassin's films, the beauty of the silent 30-minute heist, and how those elements took the world by storm. And a Hooray for Hollywood segment for a French film? It's more likely than you think!Next week we head to Québec for Ariane Louis-Seize's debut film, the 2023 vampire romcom, HUMANIST VAMPIRE SEEKING CONSENTING SUICIDAL PERSON.

In this week's Casually Criterion episode, Mike and Justin don their white gloves and trenchcoats to talk about Jean-Pierre Melville's Le Samourai, Spine #306! However, before that they briefly talk through their thoughts and feelings about Dune: Part Two and the results of the 2024 Oscars!  - Intro (00:00:00 - 00:02:33) - News on the March! (00:02:33-0:20:20)     - Dune: Part Two     - Oscars 2024 - Le Samourai (00:20:20-01:06:46) - Outro (01:06:46 - 01:07:27)   For all your movie and game news, reviews, and more, check out our friends at www.cinelinx.com. Follow us on: Twitter/X Facebook Instagram Email us at: casualcinemedia@gmail.com Talk Criterion Collection, film, tv, and other stuff with us in our Facebook group at:  https://www.facebook.com/groups/casualcinecast Intro/Outro Music courtesy of Jake Wagner-Russell at www.soundcloud.com/bopscotch

« Telle une déesse née parmi les hommes, Nul au monde n'égalait sa grâce, Dieux, démons et créatures terrestres Enviaient tous sa beauté céleste. » Voici l'extraordinaire histoire d'Ulma, choisie pour être la nouvelle petite déesse indienne sous la plume de Fred Bernard et les peintures de François Roca aux éditions Albin Michel Jeunesse L'histoire est lue par Fabrice Barcq Responsable secteur jeunesse à la médiathèque Jean-Pierre Melville à Paris dans le 13e arrondissement.

À sept ans, Oddmund se croit le maître de tout et de tous. Un jour qu'il jette furieusement un galet dans la mer, un torrent d'eau se déverse sur lui. Mais quel est l'être extraordinaire qui ose lui faire pareil affront ? Jean-François Chabas nous emmène au nord du Nord pour vivre une aventure bouleversante, sublimée par les peintures exceptionnelles de Christel Espié. L'histoire est lue par Fabrice Barcq Responsable secteur jeunesse à la médiathèque Jean-Pierre Melville à Paris dans le 13e arrondissement.

Billy Friedkin's iconic 1971 game-changing NYC police procedural/car chase classic 'The French Connection' has a fascinating backstory and making-of history, and, hey: that's what I'm here for! To bring you all the best stories behind the scenes on the streets of New York and all the context and color that helps place this movie in the pantheon of the films that came before and after it.   The NY Times article about this summer's censorship of the film is linked here. Mark Kermode's very well made BBC documentary about the making of The French Connection can be seen on YouTube. Owen Roizman, the film's brilliant and prolific cinematographer's IMDB page is here. Do yourself a favor and watch the films of the brilliant French director Jean-Pierre Melville. Listen to David Shire's iconic score for The Taking of Pelham 123 on YouTube. Don Ellis' haunting end credits music from The French Connection.  

durée : 01:32:00 - Les Nuits de France Culture - par : Albane Penaranda - Par la Communauté Radiophonique des Programmes de Langue Française, Gérald Cazaubon (Radio France), Jules Gérard-Libois et Georges Wielemans (Radio-Télévision Belge), Jérôme Deshusses (Radio Suisse Romande), Naïm Kattan et Yves Lapierre (Société Radio-Canada) - Avec les Archives de la CRPLF et de la BBC : les voix de Richard Nixon, Jean Lacouture, Henry Chapier, Juan Perón, Pablo Picasso, Pablo Neruda, Jean-Pierre Melville, Konrad Lorenz, Constantin II de Grèce, Jacques Guillermaz, Pierre Andreu et Maurice Fleuret - Réalisation Jean-Jacques Vierne

French Month continues with a look at Jean-Pierre Melville's Bob Le Flambeur. Released in 1956, the film was the first of many gangster films directed by Melville. Based on his story with dialogue by Auguste LeBreton, it tells the tale of Bob (Roger Duchesne), an aging man who robbed a bank 20 years prior, and now spends his time going from game to game -- craps, cards, whatever. He even has a slot machine in his Montmartre apartment.Samm Deighan and Andrew Leavold join Mike to discuss the film while Ginette Vincendeau (Jean-Pierre Melville: An American in Paris) talks Melville overall.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement