Podcasts about goltzius

In s3e59, Platemark host Ann Shafer sits down with David Avery to talk shop. David is an etcher, who restrains his work in both size and palette, but manages to tackle big topics. His social commentary is stinging and remarkable in that it comes in such a small package. These etchings pack a punch. Ann and David talk about absurdist literature, standing on the shoulders of giants (Dürer, Max Klinger, Della Bella), how prescient Goltzius's Disgracers are, and how we could never have imagined the state of our politics—reality is outstripping our imaginations.   Cover image: Patricia Avery Max Klinger (German, 1857–1920). Abduction (plate 9 from Paraphrase on the Finding of a Glove), 1881. Etching, drypoint, and aquatint on chine collé. Sheet: 18 15/16 x 26 in. Metropolitan Museum of Art, New York. David Avery (American, born 1952). Obeliscolycny, 2013. Etching. Plate: 27 ¾ x 5 in.; sheet: 33 5/8 x 10 in. Courtesy of the Artist. David Avery (American, born 1952). Safe, Clean, Cheap: Phaethon in the 21st Century, 2011. Etching. Plate: 6 x 6 in.; sheet: 11 x 12 in. Courtesy of the Artist. David Avery (American, born 1952). Too Close to the Sun, 2013. Etching. Plate: 6 x 6 in.; sheet: 11 x 12 in. Courtesy of the Artist. David Avery (American, born 1952). Running on Empty, 2016. Etching. Plate: 6 x 6 in.; sheet: 11 x 12 in. Courtesy of the Artist. David Avery (American, born 1952). Mendacia Ridicula (The Wheel of Ixion), 2018. Etching. Plate: 6 x 6 in.; sheet: 12 x 11 in. Courtesy of the Artist. Hendrick Goltzius (Dutch, 1558–1617). After Cornelis Cornelisz van Haarlem (Netherlandish, 1562–1638). The Four Disgracers, 1588. Engraving. Metropolitan Museum of Art, New York. David Avery (American, born 1952). Ship of Fools (Das Narrenschiff), 2018.Etching. Plate: 14 ¼ x 7 ½ in. Courtesy of the Artist. David Avery (American, born 1952). After the Deluge, 2022. Etching. Plate: 10 ½ x 7 ¾ in. Courtesy of the Artist. David Avery (American, born 1952). Becalmed, 2023. Etching. Plate: 6 x 15 ¾ in.; sheet: 10 x 18 ¾ in. Courtesy of the Artist. David Avery (American, born 1952). Concerning The Great Ship MOUR-DE-ZENCLE, 2016. Etching. Plate: 12 ¾ x 6 ¼ in.; sheet: 18 ¼ x 11 in. Courtesy of the Artist. David's galleries  https://www.inclusionsgallery.com/  https://www.warnockfinearts.com/david-avery            https://childsgallery.com/artist/david-avery/

Leistner, Judith www.deutschlandfunk.de, Kultur heute

Peter Greenaway hat einige der meistdiskutierten Filme der letzten Jahrzehnte geschaffen. Seine kühl-ironische und gleichzeitig oft ungeschönte Darstellung von Nacktheit, Sexualität, Gewalt und Tod in Filmen wie A Zed and Two Noughts, Drowning by Numbers; The Cook, the Thief, His Wife and Her Lover; The Baby of Mâcon oder auch Goltzius and the Pelican Company und Eisenstein in Guanajuato hat manche Gemüter erregt. Ebenso provokativ ist sein Anspruch, dass Kino nicht bloss zur Unterhaltung dienen, sondern komplexe Kunstwerke hervorbringen sollte, die vom Publikum eine vertiefte Auseinandersetzung erfordern. Ein offenes Gespräch über diese und andere diskussionswürdige Aspekte von Greenaways Schaffen, moderiert von Michel Bodmer.

In s2ep17, Ann Shafer and Tru Ludwig talk about one of their favorite engravers of all time, Hendrick Goltzius. A Dutchman, Goltzius was preternaturally gifted with a burin and made glorious prints of all sorts. Ann's favorite is the Farnese Hercules, a large engraving showing two Dutchmen looking up at a giant sculpture of Hercules, which viewers see from behind. Quirky and wonderful, these prints are worth a deep dive.

Films examined: Prospero's Books (1991), Goltzius and the Pelican Company (2012), The Baby of Mâcon (1993) & Eisenstein in Guanajuato (2015). NOTE: This is the 3rd Volume (audio-only) of the RANKING GREENAWAY YouTube series — check out the playlist here.

Intervista a Sergio Castellitto regista del film "Nessuno si salva da solo" una storia di passione e separazione, tratta dal romanzo omonimo di Margaret Mazzantini e interpretata da Jasmine Trinca e Riccardo Scamarcio. Peter Greenaway racconta il percorso originale e raffinato del film "Goltzius & the Pelican Company" in programmazione allo spazio Oberdan con la Cineteca Italiana. Alessandro Genovesi e l'attrice Valentina Lodovini parlano della commedia con Claudio Bisio "Ma che bella sorpresa" e ascolterete un intervento di Renato Pozzetto, che ha una parte nel film. Oggi comincia il Bergamo Film Meeting e il direttore artistico Angelo Signorelli illustra questa 33esima edizione.

Intervista a Sergio Castellitto regista del film "Nessuno si salva da solo" una storia di passione e separazione, tratta dal romanzo omonimo di Margaret Mazzantini e interpretata da Jasmine Trinca e Riccardo Scamarcio. Peter Greenaway racconta il percorso originale e raffinato del film "Goltzius & the Pelican Company" in programmazione allo spazio Oberdan con la Cineteca Italiana. Alessandro Genovesi e l'attrice Valentina Lodovini parlano della commedia con Claudio Bisio "Ma che bella sorpresa" e ascolterete un intervento di Renato Pozzetto, che ha una parte nel film. Oggi comincia il Bergamo Film Meeting e il direttore artistico Angelo Signorelli illustra questa 33esima edizione.

Intervista a Sergio Castellitto regista del film "Nessuno si salva da solo" una storia di passione e separazione, tratta dal romanzo omonimo di Margaret Mazzantini e interpretata da Jasmine Trinca e Riccardo Scamarcio. Peter Greenaway racconta il percorso originale e raffinato del film "Goltzius & the Pelican Company" in programmazione allo spazio Oberdan con la Cineteca Italiana. Alessandro Genovesi e l'attrice Valentina Lodovini parlano della commedia con Claudio Bisio "Ma che bella sorpresa" e ascolterete un intervento di Renato Pozzetto, che ha una parte nel film. Oggi comincia il Bergamo Film Meeting e il direttore artistico Angelo Signorelli illustra questa 33esima edizione.

Peter Greenaway talks about his latest film about the 16th Century Dutch painter Goltzius and we take a journey to the National Maritime Museum Maxine Peake discusses her stage debut as a playwright with the premiere of Beryl at the West Yorkshire Playhouse and we hear from writer Fredrik Backman whose debut novel about a Swedish Victor Meldrew has become a word-of-mouth bestseller. John Wilson discusses the value of museums, in today's social and economic climate with some leading museum directors and also to actor Gina McKee about starring in Richard III.

05min - American Bluff 20min - Jacky au royaume des Femmes 35min - Jack & la Mécanique du Coeur 45min - Lulu, Femme nue 50min - Robocop 1h05 - News 1h20 - L'Île des Miam-nimaux 1h30 - The Ryan Initiative 1h40 - Goltzius & la Compagnie du Pélican 1h45 - La Berlinale