Podcasts about rubens

As Director Matt Wolf shows in his  insightful and fun 2-part HBO series “Pee-wee as Himself”, in Pee-wee, Paul Rubens found a persona that allowed him to both reveal and yet hide some core truths about who he was.     Fascinated with television and show business since he was a boy, Rubens combined elements of his childhood's pop culture with the art world of Southern California in the 70s and early 80s to craft a character that would both conquer the then punkish milieu of Melrose Avenue as well as create a nationally televised children's TV show.  To achieve this, Wolfe delineates how Rubens deliberately foreclosed both his potential love life as well as cast aside long-held friendships.  Wolfe's series demonstrates both the costs as well as the benefits of outsized talent and ambition.   You can watch “Pee-wee as Himself” on HBO and HBO Max starting Friday, May 23rd.   Follow: @mattpwolf on Instagram @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

My first reaction to these oil pastels, what makes them different from other brands! Demo with Art Prof Clara Lieu. Art Club is our BEST program for learning, getting unstuck, chatting with pro artists, and making artist friends!  https://artprof.org/support-us/  xoxo Prof Lieu 

We return to international cinema with 2024's Oscar winner for Best International Film, "I'm Still Here," a powerful true story about Brazil's military dictatorship and one family's devastating experience.• Based on the true story of Eunice Paiva, whose husband disappeared during Brazil's military dictatorship in 1971• Features an extraordinary performance from Fernanda Torres that captures the quiet strength of a mother protecting her children while seeking answers• Set against the backdrop of Rio's beaches, the film contrasts the family's idyllic lifestyle with the ever-present military threat• Director Walter Salles uses authentic period filmmaking techniques including Super 8 footage to create an immersive historical experience• Portrays the difficult reality of living under authoritarian rule with subtle tension and emotional restraint• Shows how Eunice transformed her personal tragedy into purpose by becoming a lawyer and human rights advocate• Received universal critical acclaim with a 97% rating on Rotten Tomatoes from both critics and audiencesLetterbox'd Synopsis: In 1971, military dictatorship in Brazil reaches its height. The Paiva family — Rubens, Eunice, and their five children — live in a beachside house in Rio, open to all their friends. One day, Rubens is taken for questioning and does not return.

Radio, today, can feel like a faithful old companion, but its early history was sensational. Between 1922 and 1939, British life was transformed by what was known as the Radio Craze. Listen In: How Radio Changed the Home (Bodleian Library, 2025) expresses what the radio's arrival signified at a personal level. This narrative history recounts the perspective of listeners who adopted the then radical form of communication technology, invested in their first-ever gadgets, and tuned in by their firesides to outside voices, music, SOS calls, the Pips, news, sports, royalty, and innovative radiogenic comedy. Listen In also traces how radio affected family life by exploring whether it altered dynamics between children and adults, changed relationships between women and men, as well as affected class and a wider sense of nationhood. Packed with touching stories and anecdotes, Listen In comes at a timely moment when traditional linear radio is shifting, and the experience of how people consume audio is once again transforming. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Public transit in Canada is facing a crisis. Between chronic underfunding, dwindling ridership, and outdated infrastructure, it's becoming increasingly difficult for urban residents to rely on transit, while rural areas often have no options at all. Could making public transit free be a climate solution that also addresses social inequities? Guests Rubens and Christian are organizers with Climate Justice Montreal, a group pursuing environmental and climate justice through education, mobilization and collective action in solidarity with directly affected communities. Rubens and Christian make the case for why public transit shouldn't just be affordable - it should be free for all. Free transit reduces carbon emissions, eases traffic congestion, and improves noise and air pollution. It removes financial barriers, helping low-income riders, students, and seniors get where they need to go. This episode explores how a fare-free system isn't just a dream – it's a practical step towards more just, sustainable cities.   Pullback is a proud member of the Harbinger Media Network Enjoy our work? Support us on Patreon!

Radio, today, can feel like a faithful old companion, but its early history was sensational. Between 1922 and 1939, British life was transformed by what was known as the Radio Craze. Listen In: How Radio Changed the Home (Bodleian Library, 2025) expresses what the radio's arrival signified at a personal level. This narrative history recounts the perspective of listeners who adopted the then radical form of communication technology, invested in their first-ever gadgets, and tuned in by their firesides to outside voices, music, SOS calls, the Pips, news, sports, royalty, and innovative radiogenic comedy. Listen In also traces how radio affected family life by exploring whether it altered dynamics between children and adults, changed relationships between women and men, as well as affected class and a wider sense of nationhood. Packed with touching stories and anecdotes, Listen In comes at a timely moment when traditional linear radio is shifting, and the experience of how people consume audio is once again transforming. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Radio, today, can feel like a faithful old companion, but its early history was sensational. Between 1922 and 1939, British life was transformed by what was known as the Radio Craze. Listen In: How Radio Changed the Home (Bodleian Library, 2025) expresses what the radio's arrival signified at a personal level. This narrative history recounts the perspective of listeners who adopted the then radical form of communication technology, invested in their first-ever gadgets, and tuned in by their firesides to outside voices, music, SOS calls, the Pips, news, sports, royalty, and innovative radiogenic comedy. Listen In also traces how radio affected family life by exploring whether it altered dynamics between children and adults, changed relationships between women and men, as well as affected class and a wider sense of nationhood. Packed with touching stories and anecdotes, Listen In comes at a timely moment when traditional linear radio is shifting, and the experience of how people consume audio is once again transforming. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Radio, today, can feel like a faithful old companion, but its early history was sensational. Between 1922 and 1939, British life was transformed by what was known as the Radio Craze. Listen In: How Radio Changed the Home (Bodleian Library, 2025) expresses what the radio's arrival signified at a personal level. This narrative history recounts the perspective of listeners who adopted the then radical form of communication technology, invested in their first-ever gadgets, and tuned in by their firesides to outside voices, music, SOS calls, the Pips, news, sports, royalty, and innovative radiogenic comedy. Listen In also traces how radio affected family life by exploring whether it altered dynamics between children and adults, changed relationships between women and men, as well as affected class and a wider sense of nationhood. Packed with touching stories and anecdotes, Listen In comes at a timely moment when traditional linear radio is shifting, and the experience of how people consume audio is once again transforming. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Radio, today, can feel like a faithful old companion, but its early history was sensational. Between 1922 and 1939, British life was transformed by what was known as the Radio Craze. Listen In: How Radio Changed the Home (Bodleian Library, 2025) expresses what the radio's arrival signified at a personal level. This narrative history recounts the perspective of listeners who adopted the then radical form of communication technology, invested in their first-ever gadgets, and tuned in by their firesides to outside voices, music, SOS calls, the Pips, news, sports, royalty, and innovative radiogenic comedy. Listen In also traces how radio affected family life by exploring whether it altered dynamics between children and adults, changed relationships between women and men, as well as affected class and a wider sense of nationhood. Packed with touching stories and anecdotes, Listen In comes at a timely moment when traditional linear radio is shifting, and the experience of how people consume audio is once again transforming. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Radio, today, can feel like a faithful old companion, but its early history was sensational. Between 1922 and 1939, British life was transformed by what was known as the Radio Craze. Listen In: How Radio Changed the Home (Bodleian Library, 2025) expresses what the radio's arrival signified at a personal level. This narrative history recounts the perspective of listeners who adopted the then radical form of communication technology, invested in their first-ever gadgets, and tuned in by their firesides to outside voices, music, SOS calls, the Pips, news, sports, royalty, and innovative radiogenic comedy. Listen In also traces how radio affected family life by exploring whether it altered dynamics between children and adults, changed relationships between women and men, as well as affected class and a wider sense of nationhood. Packed with touching stories and anecdotes, Listen In comes at a timely moment when traditional linear radio is shifting, and the experience of how people consume audio is once again transforming. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Dando continuidade ao tema da bondade de Deus, neste último domingo o apóstolo Rubens ministrou sobre "Compartilhando a Bondade". A mensagem nos convidou a refletir sobre como podemos ser instrumentos dessa bondade no cotidiano. Ouça a ministração e seja inspirado a manifestar o amor e a graça divina em suas ações.

Começamos a série "Confirmando as Direções de Deus" nos cultos de quinta-feira, onde exploramos como discernir a voz de Deus e confirmar suas orientações para nossas vidas. Cada ministração trará revelações profundas para fortalecer sua caminhada de fé. Não perca, ouça até o final e permita que Deus fale ao seu coração!

On the quiet Labour Day weekend of 1972, three masked men executed a daring heist at the Montreal Museum of Fine Arts. Scaling a tree and slipping through a skylight under repair, they descended into the museum, subdued the guards, and made off with 18 paintings and 39 pieces of jewelry—valued at $2 million at the time, making it the largest art theft in Canadian history.Among the stolen works was a rare Rembrandt landscape, along with pieces by Delacroix, Rubens, and Millet.Despite ransom negotiations and extensive investigations, only two items have ever been recovered, and the culprits remain unidentified.All our links:https://bio.to/canboringThis podcast is hosted two idiots and created purely for entertainment purposes. By accessing this Podcast, I acknowledge that the CIB Podcast makes no warranty, guarantee, or representation as to the accuracy or sufficiency of the information featured in this Podcast. The information, opinions presented in this Podcast are for general entertainment and humor only and any reliance on the information provided in this Podcast is done at your own risk. However, if we get it badly wrong and you wish to suggest a correction, please email canadianpoliticsisboring@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Ouça esta ministração até o final e não deixe de compartilhar com seus amigos e família! Deus abençoe!

Ouça esta ministração até o final e não se esqueça de compartilhar com seus amigos e família! Deus abençoe!

This week on The Message is Hope Podcast, Ruben comes on to share his story with us. He shares with us how attracted he was to the lifestyle started with tagging, skateboarding and smoking weed, and ended up in full fledged addiction. His brother was a significant park of his addiction and now they are both in recovery! Amazing story, please share with anyone who needs to hear. Rubens story!

Annamaria Bava"Da Botticelli a Mucha"Sale Chiablese, Musei Reali di TorinoNelle Sale Chiablese dei Musei Reali di Torino, la mostra DA BOTTICELLI A MUCHA. Bellezza, Natura, Seduzione, un viaggio nella seduzione e nella bellezza espresse attraverso il mito, la natura e l'universo femminile, da sempre principali soggetti della creazione artistica.Con oltre 100 opere tra dipinti, disegni, sculture antiche e oggetti d'arte provenienti dai Musei Reali di Torino, dalle Gallerie degli Uffizi e da molte altre prestigiose istituzioni, la mostra spazia da magnifiche statue e bassorilievi archeologici di età romana, passando da Botticelli e Lorenzo di Credi – di cui vengono messi a confronto due incredibili capolavori – proseguendo con opere rinascimentali; un excursus per temi che toccano il mito, il fascino dell'antico, la natura e l'universo femminile, fino ad arrivare all'inizio del Novecento con la seduzione delle opere di Alphonse Mucha, maestro dell'Art Nouveau.Tra i capolavori in mostra, la Venere di Botticelli della Galleria Sabauda e la Dama con l'unicorno di Luca Longhi da Castel Sant'Angelo.La mostra contiene anche preziosi focus su figure femminili straordinarie quali la Contessa di Castiglione, figura emblematica di fine Ottocento, nobildonna di rara bellezza e seducente agente segreto, o ancora principesse e regine di Casa Savoia.Vengono anche svelate, per la prima volta, le indagini diagnostiche realizzate sulla Venere di Botticelli, da cui si potranno scoprire i pensieri e i ripensamenti dell'artista.Contestualmente, ospite d'onore della mostra, lo splendido Volto di fanciulla, disegno autografo di Leonardo da Vinci realizzato tra il 1478 e il 1485 circa, proveniente dalla Biblioteca Reale ed esposto nel nuovo Spazio Leonardo al primo piano della Galleria Sabauda.Prodotta dai Musei Reali di Torino e da Arthemisia, la mostra è curata da Annamaria Bava.Anna Maria Bava, ha conseguito il dottorato di ricerca in Storia e critica d'Arte e il post-dottorato di ricerca in Storia dell'arte moderna presso l'Università di Torino. Nel 1999 è diventata funzionario della Soprintendenza per i Beni Storici Artistici ed Etnoantropologici del Piemonte. Dal 2011 è direttrice della Galleria Sabauda e ha curato il riordinamento dei nuovi settori a partire dal 2017. Ha pubblicato numerosi saggi, in particolare sul caravaggismo, sull'arte piemontese e sul collezionismo sabaudo tra il Cinquecento e il Settecento e ha curato diverse mostre in Italia e all'estero fra cui, tra le ultime, Le meraviglie del mondo: le collezioni di Carlo Emanuele I di Savoia; Van Dyck pittore di corte; Rubens. Capolavori d'arte dei Musei Italiani; Riccardo Gualino imprenditore e collezionista; Sulle tracce di Raffaello nelle collezioni sabaude; Le Signore dell'Arte. Storie di donne tra ‘500 e ‘600; Rembrandt incontra Rembrandt. Dialoghi in Galleria.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Rubens Glezer is a professor of Constitutional Law at the Getúlio Vargas Foundation Law School in São Paulo. He holds a PhD in Legal Theory from USP, a Master's in Law and Development from the Getúlio Vargas Law School and is a visiting researcher at NYU (New York University). Glezer is a specialist in Brazil's Supreme Court and is the author of several research and scientific works, as well as a frequent commentator in the media about the country's higher court. He is the author of the book "Resiliência e Deslealdade Constitucional" (Resilience and Constitutional Disloyalty), nominated for the prestigious book award Jabuti Prize in 2024.Brazil is going through challenging times. There's never been a more important moment to understand Brazil's politics, society, and culture. To go beyond the headlines, and to ask questions that aren't easy to answer. 'Brazil Unfiltered,' does just that. This podcast is hosted by James N. Green, Professor of Brazilian History and Culture at Brown University and the National Co-Coordinator of the U.S. Network for Democracy in Brazil. Brazil Unfiltered is part of the Democracy Observatory, supported by the Washington Brazil Office. This podcast is edited and produced by Camilo Rocha in São Paulo.https://www.braziloffice.org/en/observatory#activities

Orgulho: impedimento ao propósito de Deus - Apóstolo Rubens de Mattos Antonio 24/04/2025 by Ministrações CCP

Santidade e Comunhão - Apóstolo Rubens de Mattos Antonio 27/04/2025 by Ministrações CCP

O Jornal PT de hoje conversa com o deputado federal Rubens Júnior sobre a tentativa de golpe, os ataques do 8 de janeiro de 2023 e os julgamentos que já aconteceram no STF.

Jones Manoel: Aproveitamos que mais uma vez o senhor Rubens mentiu sobre uma fala minha para reforçar o debate crítico sobre os limites do nacionalismo e industrialismo burguês na realidade brasileira. Confere que ficou bom!

Ouça essa ministração até o final e não deixe de compartilhar com seus amigos e família. Deus abençoe!

Ouça essa ministração até o final e não deixe de compartilhar com seus amigos e família. Deus abençoe!

Här blandas medeltid och 1890-tal. Klockstapeln är från 1500-talet. Altartavlans korsfästning är en kopia av en målning av Rubens. Lyssna på alla avsnitt i Sveriges Radio Play. I den uppländska medeltidskyrka mitt i byn kyrkan förvarades S:t Jacobs relikskrin som beslagtogs av Gustav Vasa. I slutet av förrförra seklet gjorde man en drastisk renovering och fönstren fick sin tredelade form och kyrkan vitrappades. Alla tidslager vilar ovanpå varandra, visst har knackats ner och annat kalkats över. Här finns också en träskulptur föreställande aposteln Jakob från 1300-talets senare hälft och en madonna med Jesusbarnet härstammar från 1400-talet.Guide i Riala kyrka är Kulturredaktionens konstkritiker Mats Arvidsson (1944-2022). Klassikern sändes första gången 2012.

A IGREJA QUE O INFERNO NÃO CONSEGUE PARAR - Pr Rubens Martim - 13/04/2025 ACOMPANHE TRANSMISSÃO AO VIVO EM NOSSO YOUTUBEhttps://www.youtube.com/RubensMartimQUEREMOS TE CONHECER!nos envie uma mensagem(11) 9 7447-6739Rua Mazagão, 128 - Guarulhos/SPCultos:Domingo às 18h30

COMO NÃO PERDER A FÉ QUANDO TUDO PARECE SECO - Pr Rubens Martim - 06/04/2025 ACOMPANHE TRANSMISSÃO AO VIVO EM NOSSO YOUTUBEhttps://www.youtube.com/RubensMartimQUEREMOS TE CONHECER!nos envie uma mensagem(11) 9 7447-6739Rua Mazagão, 128 - Guarulhos/SPCultos:Domingo às 18h30

In this episode, host Claire Bown talks with Tonia Dhaese and Armand Storck about the church-based Slow Art Day movement in Antwerp. We explore why churches provide ideal settings for slow looking and how the architecture, lighting, and atmosphere naturally encourage contemplation.For Slow Art Day 2025 (April 5), listeners will learn about events across four Antwerp churches, including St. Paul's exhibition featuring masterpieces by Rubens and Van Dyck displayed at eye level - a rare opportunity to get up close with artworks normally hung four metres high. Tonia and Armand share practical advice for churches interested in joining the movement, emphasising the importance of training guides to facilitate rather than lecture, maintaining flexibility in approaches, and creating inclusive experiences where no prior knowledge is required. Whether you're interested in slow looking techniques or considering how your own church might participate in Slow Art Day, this conversation offers lots of new insights into creating meaningful art experiences in sacred spaces.The Art Engager is written and presented by Claire Bown. Editing is by Matt Jacobs and Claire Bown. Music by Richard Bown. Support the show on Patreon and find more resources at thinkingmuseum.comSHOWNOTESSUPPORT THE SHOW with a simple monthly subscription on Patreon: https://www.patreon.com/c/TheArtEngagerMKA website: https://mkantwerpen.be/St Paul's Church (Sint Paulus Kerk) Antwerp: https://www.sintpaulusantwerpen.be/en/Tonia Dhaese, Coordinator of Monumental Churches Antwerp (MKA), Tonia.Dhaese@antwerpen.beAntwerp's Church-Based Slow Art Day Movement - https://www.slowartday.com/antwerps-church-based-slow-art-day-movement/‘The Art Engager: Reimagining Guided Experiences in Museums‘ is now available worldwide through your favourite online platforms and retailers. Buy it here on Amazon.com: https://tinyurl.com/buytheartengagerThe Art Engager book website: https://www.theartengager.com/

QUANDO TUDO PARECE ACABADO, DEUS FAZ O IMPROVÁVEL - Pr Rubens Martim - 30/03/2025ACOMPANHE TRANSMISSÃO AO VIVO EM NOSSO YOUTUBEhttps://www.youtube.com/RubensMartimQUEREMOS TE CONHECER!nos envie uma mensagem(11) 9 7447-6739Rua Mazagão, 128 - Guarulhos/SPCultos:Domingo às 18h30

QUANDO A PORTA SE FECHA - Pr. RUBENS MARTIM- 23/03/2025ACOMPANHE TRANSMISSÃO AO VIVO EM NOSSO YOUTUBEhttps://www.youtube.com/RubensMartimQUEREMOS TE CONHECER!nos envie uma mensagem(11) 9 7447-6739Rua Mazagão, 128 - Guarulhos/SPCultos:Domingo às 18h30

durée : 01:19:16 - Toute une vie - par : Stéphanie Katz - Plongez dans l'univers fascinant de Pierre Paul Rubens, peintre baroque de renommée mondiale, à travers ce documentaire. Découvrez sa vie, son œuvre et son héritage artistique grâce à des spécialistes et des visites de lieux emblématiques, dont sa maison à Anvers. - réalisation : Claude Guerre

No episódio desta quarta-feira (12/03) do 20 Minutos, programa do canal Opera Mundi, recebemos a jornalista Juliana Dal Piva para discutir um dos casos mais emblemáticos da história recente do Brasil: "Crime Sem Castigo: O Caso Rubens Paiva".Rubens Paiva, deputado federal cassado pela ditadura militar em 1964, foi preso, torturado e morto pelos agentes do regime em 1971. Seu corpo nunca foi encontrado, e o caso permanece como um símbolo da impunidade e da violência do período ditatorial. Nesta entrevista, Juliana Dal Piva, autora do livro "Crime sem Castigo: O Caso Rubens Paiva", traz à tona detalhes chocantes e documentos inéditos que revelam como o Estado brasileiro atuou para ocultar os crimes cometidos contra Paiva e sua família.Com o viés crítico e investigativo que marca o Opera Mundi, este episódio do 20 Minutos mergulha nas entrelinhas da história, expondo as estruturas de poder que perpetuam a impunidade e questionando: quantos crimes da ditadura ainda aguardam por justiça?

Eduardo Barba, además de paisajista y jardinero, es investigador en obras de arte. En colaboración con el Museo del Prado, ha  ideado un "Paseo Botánico" por 26 obras de autores como Velázquez, Patinir, Rubens, Fra Angelico o Tiziano  acompañadas de explicaciones de las plantas que aparecen en los cuadros y esculturas. Hoy, ha hecho parte del recorrido en compañía de Àngels Barceló y Pablo Ortiz de Zárate. 

Nesta sexta-feira (07/3), o Opinião discute a importância do filme 'Ainda Estou Aqui', dirigido por Walter Salles, para o cinema nacional. A obra recebeu o primeiro Oscar para o Brasil na categoria “Melhor Filme Internacional”, mas já coleciona prêmios, entre eles o Globo de Ouro de melhor atriz para Fernanda Torres. Para comentar o tema, o programa recebe o jornalista de Cultura Ubiratan Brasil; a historiadora e escritora Wilma Antunes Maciel; e, de forma remota, Eliana Paiva, filha de Rubens e Eunice Paiva, cuja vida foi retratada nas telas do cinema.Confira!#TVCultura #Jornalismo #Opinião #AindaEstouAqui #Oscar #Cinema

In 1971 wordt de Braziliaanse Rubens Paiva gearresteerd. Hij is een van de vele mensen die wordt gemarteld en vermoord tijdens de militaire dictatuur in Brazilië, die van 1964 tot 1985 duurde. De oscarwinnende film I'm still here vertelt het waargebeurde verhaal van Rubens, maar vooral dat van zijn vrouw Eunice Paiva en haar strijd voor gerechtigheid. De film staat symbool voor de verschrikkingen die plaatsvonden tijdens de Braziliaanse dictatuur en nog steeds voelbaar zijn. We praten over de film I'm still here en de militaire dictatuur met onderzoeker Mariana Françozo, verbonden aan de Universiteit Leiden.

DO SEPULCRO PARA A LUZ - Pr. Rubens Martim - 09/03/2025ACOMPANHE TRANSMISSÃO AO VIVO EM NOSSO YOUTUBEhttps://www.youtube.com/RubensMartimQUEREMOS TE CONHECER!nos envie uma mensagem(11) 9 7447-6739Rua Mazagão, 128 - Guarulhos/SPCultos:Domingo às 18h30

Um ex-deputado e engenheiro que teve a sua vida e a de sua família interrompida pela Ditadura Militar. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a vida e a trajetória de Rubens Beyrodt Paiva.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube, e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja!www.lolja.com.br/creators/historia-em-meia-hora/PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- BRANCO, Carlos Castelo. 1976. Os militares no Poder. Rio de Janeiro: Nova Fronteira.- D'Araujo, Maria Celina; Soares, Gláucio Ary Dillon; Castro, Celso. 1994. Os anos de chumbo: a memória militar sobre a repressão. Rio de Janeiro: Relume Dumara.- DREIFUSS, René Armand, 1981, 1964; a conquista do Estado: ação política, poder e golpe de classe. Petrópolis: Vozes.

Alexandre Garcia compara Clezão com Rubens Paiva, comenta caso do maior iceberg do mundo e fala de Macron sobre Rússia.

Tema de abertura de Claudio Zaidan no programa Bandeirantes Acontece.

DISTRAÇÕES QUE NOS TIRAM DO PROPÓSITO - Pr. Rubens Martim - 02/03/2025ACOMPANHE TRANSMISSÃO AO VIVO EM NOSSO YOUTUBEhttps://www.youtube.com/RubensMartimQUEREMOS TE CONHECER!nos envie uma mensagem(11) 9 7447-6739Rua Mazagão, 128 - Guarulhos/SPCultos:Domingo às 18h30

Formulário de Aptidão para conhecer o método exclusivo do Ricardo com Dividendos Sintéticos: https://lvnt.app/t4ykpa25/02 - Compre Petrobras, Dividendos R$ 1,13 a R$ 1,35Olá, seja bem-vindo a mais um Fechamento de Mercado, comigo Flávio Conde e sem Ricardo Afonso que está fazendo imersões com futuros clientes, hoje é 3ª. feira, dia 25 de fevereiro, e o programa de hoje é dedicado ao Marcos Luciano, Ronaldo, Nicoletti, Gílson (quanto tempo, hein), Moacir, Zecca, Rodrigo, Roberto, Francisco, Rubens, Carson e rba além do Anderlei e Carlos, clientes do Sala VIP que tiveram reunião conosco hoje ao vivo e individual. Agradeço a todos e convido a quem não assistiu ainda o Mata-Mata de Suzano que faça hoje à noite porque a ação está de graça e subirá com dólar indo para R$ 5,85. A recomendação de hoje é comprar Petrobras que divulgará resultados amanhã, dia 26/2, depois do pregão, com teleconferência dia 27, de manhã. As projeções médias dos analistas são as seguintes: EBITDA entre US$ 10 bi e US$ 11 bi, dividendos entre US$ 2,5 bi e US$ 3 bi que multiplicado por um dólar de R$ 5,80 resultaria em R$ 14,5 bi a R$ 17,4 bi, equivalente a R$ 1,13 a R$ 1,35 por ação, entre 3,0% e 3,6% de dividend yield. Se esses dividendos forem repetidos durante o ano somarão de R$ 4,50 a R$ 5,40 em doze meses, com dividend yield equivalente de 11,8% a 14,2%, nada mal, heinO Ibovespa fechou em torno de +0,60%, ao redor de 126,1 mil pontos, depois de cair -1,36% ontem, com volume negociado fraco, de R$ 20 bilhões, R$ 5 bilhões abaixo da média de R$ 25 bilhões, das segundas de mercado em alta em dezembro de 2023. Por que o mercado performou assim?1º. A primeira notícia do dia, foi o Índice Nacional de Preços ao Consumidor Amplo 15, o IPCA-15, prévia do referencial das metas de inflação do Banco Central, fechou fevereiro em alta de 1,23%, depois de subir 0,11% em janeiro, segundo informações do IBGE. Foi a maior taxa desde abril de 2022. A projeção do mercado era de alta de 1,36%. Em 12 meses, o IPCA-15 acumula alta de 4,96%, ante 4,50% até janeiro e uma expectativa de 5,10%.Com o IPCA-15 abaixo do esperado mais o dólar estável a R$ 5,75, os juros longos caíram um pouco no Brasil com os títulos do Tesouro Prefixado devolvendo boa parte da alta de ontem de 14,69% a.a. para 14,59% a.a. e o IPCA+2029 de 7,49% para 7,46% a.a.. 2o. Na B3, investidores voltaram as compras destaques para, de novo, AZUL 8%, MGLU3 6%, LWSA3 6%, PETZ3 4,6%, ASAI3 4,5%, VBBR3 4,5% e WEGE3 1,9%. Cosan 3,6% e RAIZ4 4%. Essas duas últimas subirem me deixa perplexo porque a Cosan (CSAN3) informou na noite de segunda-feira, 24, que o arquivamento das demonstrações financeiras de 2024 da companhia, previsto para dia 26 de fevereiro de 2025, será postergado para o dia 10 de março de 2025, tendo em vista que ainda não foram finalizados, até a presente data, os trabalhos dos auditores. 3º. Já nas baixas YDUQS -4%, MRVE3 -4%, POMO4 -4%, COGN3 -4% e HAVP3 -4%

Evangelist and revivalist, Rubens Cunha, speaks to us about identity, purpose, and the foundation of our lives! Connect with The House Church: The House Church website: https://ithehouse.org Share what God is doing in your life: https://ithehouse.churchcenter.com/people/forms/152271 Follow us on social! The House Instagram: https://www.instagram.com/ithehouse/?hl=en The House Facebook: https://www.facebook.com/TheHouseOfficialPage

O episódio deste sábado (8) do Ilustríssima Conversa recebe a jornalista e pesquisadora Juliana Dal Piva, autora de "Crime Sem Castigo: Como os Militares Mataram Rubens Paiva" (editora Matrix). O livro traça um panorama das informações disponíveis sobre o assassinato do ex-deputado e revela o esforço jornalístico para encadear descobertas da investigação que levou à identidade dos culpados. Na entrevista, Dal Piva explica como os rastros deixados em documentos históricos ajudaram a expor mentiras em depoimentos e a desmontar a versão criada pelos militares para justificar o “desaparecimento”. A história de Eunice Paiva, esposa de Rubens, e sua luta por posicionamentos do Estado brasileiro sobre o crime contra o marido são o tema de "Ainda Estou Aqui", filme com três indicações ao Oscar e que já rendeu a Fernanda Torres o Globo de Ouro de melhor atriz.Produção e apresentação: João RabeloEdição de som: Raphael ConcliSee omnystudio.com/listener for privacy information.

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners? In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

This week we're excited to present a conversation from the 62nd New York Film Festival with I'm Still Here director Walter Salles, lead actress Fernanda Torres, and Brazilian journalist & author Marcelo Rubens Paiva. This conversation was moderated by FLC Assistant Programmer Madeline Whittle. An NYFF62 Spotlight selection, I'm Still Here is now nominated for three Academy Awards, including Best Performance by an Actress in a Leading Role, Best International Feature, and Best Picture. One afternoon in 1971, Rubens Paiva, a former congressman and outspoken critic of Brazil's newly instituted military dictatorship, was taken from his home in Rio de Janeiro by government officials, told nothing more than that he must give a “deposition” to authorities, and disappeared. Adapted from his son Marcelo Rubens Paiva's memoir, this overwhelming, richly realized political drama from Walter Salles (The Motorcycle Diaries) stays tightly wedded to the perspective of Rubens's wife, Eunice (a shattering Fernanda Torres), whose indefatigable search for the truth about her husband would stretch out for decades. A devastating true story, I'm Still Here is exhilarating in its portrayal of human tenacity in the face of injustice. Featuring a deeply affecting appearance from Fernanda Montenegro, Oscar nominee for Salles's Central Station. A Sony Pictures Classics release.

He's one of the most experienced drivers in F1 history, who won races for teams for championship teams Ferrari and Brawn GP. During his long career, Rubens Barrichello had to cope with the loss of his legendary countryman, Ayrton Senna, and the challenge of carrying the hopes of Brazilian fans afterwards. At Ferrari, Rubens went up against a dominant Michael Schumacher, and while he never won a title, he proved he could match his teammate on his day. Speaking to Tom Clarkson, Rubens reflects on some of the highs and lows of his career, the long shadow cast by the death of Ayrton Senna, and the pressure and pride he felt racing for Brazil's passionate F1 fans. 10 Teams, 20 Drivers, 1 Massive Season Launch A groundbreaking season launch event at London's The O2 – featuring all the teams, their drivers and team bosses, plus top entertainment – ahead of the 2025 campaign. Save the date – 18.02.25! Tickets at theO2.co.uk/F175LIVE This episode is sponsored by: SelectQuote: get the right life insurance for YOU, for LESS, at selectquote.com/BEYONDTHEGRID  Indeed: to get your jobs more visibility with a seventy-five dollar sponsored job credit, go to indeed.com/GRID