Flemish artist and diplomat
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From Seed to Sanctuary: Cultivating Garden-Centered Classrooms with Sara RubensWhat if your classroom didn't just have a garden… but was shaped by one?In this episode of the Outdoor Classrooms Podcast, Victoria sits down with Sara Rubens, author of A Love Letter for a Garden-Centered Life, to explore how gardens can become living, breathing learning environments for children.Together, they discuss:What it truly means to live — and teach — a garden-centered lifeHow gardens support inquiry, literacy, science, and social-emotional growthCreating rhythms and rituals that connect children to the landTurning any outdoor space into a sanctuary for learningSarah shares how tending a garden mirrors the work of educators: planting seeds, nurturing growth, trusting seasons, and believing in what is not yet visible.Whether you're building a school garden, reimagining your outdoor classroom, or simply longing to deepen children's connection to nature, this conversation will inspire you to see your teaching space differently.
O Espírito Santo Em Nossa Intimidade Com Deus - Ap Rubens de Mattos Antonio 22/02/2026 by Ministrações CCP
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I vårt senaste poddavsnitt besöker vi Rubenshuis i Antwerpen, som är den flamländska konstnären Peter Paul Rubens hem och ateljé (1577–1640). I dag är Rubenshuis både museum, upplevelsecentrum och forskningscentrum – en plats där besökare kan komma nära konstnärens liv och arbete, samtidigt som internationell forskning om Rubens och hans samtid bedrivs. Här levde och verkade en av barockens mest inflytelserika konstnärer, vars internationella nätverk, diplomatiska uppdrag och omfattande verkstad kom att prägla både flamländsk och europeisk konsthistoria.Vi intervjuade intendenten för forskning, fil. dr. Abigail D. Newman, som berättar om Rubens personlighet, hans hem och ateljé samt hans betydelse för flamländsk och internationell barockkonst. Vi samtalar också om hur Rubens konstnärliga arbete kan förstås i relation till hans personlighet, utifrån vad källmaterialet faktiskt berättar om honom. Dessutom talar vi om hennes egen forskning om flamländska konstnärer som under tiden för de spanska Nederländerna flyttade till Spanien och etablerade karriärer där.Avslutningsvis diskuterar vi Rubens ofullbordade målning Henri IV:s belägring av Amiens, som finns på Göteborgs konstmuseum, och reflekterar, något skämtsamt, över frågan om det någonsin är en god idé att låta någon annan måla färdigt ett mästerverk.Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.
Stu Watts chats with Alice Ivy, who is a three‑time ARIA‑nominated artist, songwriter, and producer from Melbourne, Australia, with over 100 million streams and three studio albums to her name. Her 2020 record Don't Sleep received nominations for “Best Dance Release” and “Engineer of the Year” at the ARIA Awards, the triple j Award for “Australian Album of the Year,” and was shortlisted for the Australian Music Prize. Its single In My Mind featuring Ecca Vandal reached #1 on the U.S. Shazam Discovery Chart after being featured in an Apple “Shot on iPhone” campaign.Her 2024 album Do What Makes You Happy—featuring collaborations with Mayer Hawthorne, Mallrat, and Josh Teskey—debuted at #1 on the ARIA Australian Dance Albums Chart and earned her three 2025 AIR Awards, including “Independent Producer of the Year.” Alice has toured globally with artists such as Billie Eilish, Foster the People, and Oh Wonder, and performed at major festivals including Splendour in the Grass and Electric Forest. Beyond her own work, she has co‑written and produced for artists like Mallrat, Boo Seeka, and Beckah Amani, and delivered official remixes for Death From Above 1979, PNAU, and The Rubens.How you can support the podcast:Subscribe on YouTubeBuy some merchDonateWhat's That Sound? InstagramStu Watts InstagramAlice Ivy InstagramStu Watts WebsiteAlice Ivy WebsiteListen to Stu's work on SpotifyListen to Alice Ivy's work on SpotifyEnquiries and suggestions: podcast.whatsthatsound@gmail.com
Conhecendo Verdadeiramente a Deus - Ap Rubens de Mattos Antonio 15/02/2026 by Ministrações CCP
Enfrentando Conflitos - Ap Rubens de Mattos Antonio 12/02/2026 by Ministrações CCP
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Annemieke Bosman in gesprek met Frits Scholten, senior conservator beeldhouwkunst Rijksmuseum. Frits Scholten is de samensteller van de indrukwekkende tentoonstelling Metamorfosen nu te zien in het Rijksmuseum. De tentoonstelling Metamorfosen laat zien hoe kunstenaars zich al eeuwenlang laten inspireren door het grootse gedicht van de Romeinse dichter Ovidius. Meer dan 80 topstukken van onder anderen Titiaan, Correggio, Cellini, Caravaggio, Rubens, Rodin, Brancusi, Bourgeois én Bernini worden voor deze tentoonstelling samengebracht, afkomstig uit musea en collecties wereldwijd. De tentoonstelling wordt gemaakt in samenwerking met Galleria Borghese in Rome. Een van de kunstwerken die te zien zijn is de wereldberoemde sculptuur de Slapende Hermaphroditus, afkomstig uit de collectie van het Musée du Louvre in Parijs. De sculptuur is een iconisch werk uit zowel de antieke als de barokke beeldhouwkunst vanwege de ingreep van de Italiaanse beeldhouwer Bernini. Hij voorzag het antieke Romeinse marmeren lichaam begin 17de eeuw van een verbluffend realistisch matras en kussen. Het beeld, dat vrijwel nooit wordt uitgeleend, is een van de hoogtepunten van de tentoonstelling Metamorfosen.
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SÉRIE: BATALHAS DA ALMA - CURANDO FERIDAS - 08/02/2026 - PR. RUBENS MARTIMSeja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
A Disciplina Do Corpo - Apóstolo Rubens de Mattos Antonio 29/01/2026 by Ministrações CCP
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Im back, we talk furries, neo-pronoun Alex Jones, pills that make you bust instantly and Rubens spot on Jeffery Epstein impersonation. Youtube: https://youtu.be/uW0Td0URnJk Ivy's twitch: https://www.twitch.tv/professorgetter Patreon: https://homie.gives/ https://xenotransmissions.substack.com/ Merch: https://www.redbubble.com/people/HomiesOnly/shop?asc=u Other stuff: https://linktr.ee/OccultnicHomie Discord: https://discord.gg/ua6FjftA5w
SÉRIE: BATALHAS DA ALMA - A GUERRA INVISÍVEL - 01/02/2026 - PR. RUBENS MARTIMSeja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
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No devocional de hoje, refletimos sobre Provérbios 26 e o retrato bíblico da insensatez humana. O texto nos mostra que o tolo não é quem não sabe, mas quem insiste no erro e rejeita a correção.A partir de imagens fortes e atuais, somos convidados a avaliar padrões repetitivos, discussões inúteis, arrogância espiritual e áreas da vida onde esperamos resultados diferentes sem mudança real. A sabedoria bíblica aponta para um caminho mais profundo: rendição, humildade e transformação pela graça.
SÉRIE: BATALHAS DA ALMA - FÉ - 25/01/2026 - PR. RUBENS MARTIMSeja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
This week, we're joined again by Erin Herle! Erin is a certified mental performance consultant and a black belt under Rubens "Cobrinha" Charles. In this episode, Erin explains how to develop a sense of self-worth in Jiu-Jitsu. She discusses the problem of "performance-based self-worth" and why we should not base our identity around belts, wins, rankings, or comparisons with others.Follow Erin on Instagram:https://instagram.com/erinherleWork with Erin:https://www.erinherle.comMental models discussed in this episode:Keep Your Identity Smallhttps://bjjmentalmodels.com/keep-your-identity-smallContinuum of Motivationhttps://bjjmentalmodels.com/continuum-of-motivation ⬆️ LEVEL UP with BJJ Mental Models Premium!The world's LARGEST library of Jiu-Jitsu audio lessons, our complete podcast network, online coaching, and much more! Your first week is free:https://bjjmentalmodels.comNeed more BJJ Mental Models?Get the legendary BJJMM newsletter:https://bjjmentalmodels.com/newsletterLearn more mental models in our online database:https://bjjmentalmodels.com/databaseFollow us on social:https://instagram.com/bjjmentalmodelshttps://threads.com/@bjjmentalmodelshttps://bjjmentalmodels.bsky.socialhttps://youtube.com/@bjjmentalmodelsMusic by Enterprize:https://enterprize.bandcamp.com⚠️ NEW course from BJJ Mental Models!MINDSET FOR BETAS, our new Jiu-Jitsu audio course with Rob Biernacki, is now available on BJJ Mental Models Premium! For a limited time, get your first month FREE at:https://bjjmentalmodels.com/beta
Where Christ Is, There Is Our Home Where Christ Is, . . . Today's Homily on the Feast of the Epiphany explores the manifestation of Christ . . . . . . not only to Israel, but to all nations. Through the journey of the Magi, the Homily reveals God's universal plan of salvation and the deeply personal invitation each person receives to seek, meet, and honor Christ. The Magi's response to the star becomes a spiritual model: they step outside the ordinary, look up, and allow themselves to be guided by a light beyond themselves. Seeing the star is not enough . . . they move toward Christ, recognizing that His coming is for them. Their journey reflects the innate human longing for God, a desire placed in every heart that, when followed, leads closer to Christ. . . . There Is Our Home The gifts of gold, frankincense, and myrrh symbolize enduring spiritual virtues . . . charity, prayer, and self-denial . . . virtues acquired along the journey rather than possessed at the outset. In contrast, Herod and Jerusalem represent resistance to grace: agitation without movement, power without surrender. Ultimately, the Epiphany is not merely an ancient story but the ongoing rhythm of Christian life. Like the Magi, believers are drawn week after week to Christ's presence, where He not only receives their offerings but gives Himself in return, gathering not just some, but all, into His saving light. Listen to this Meditation Media. Listen to: Where Christ Is, There Is Our Home -------------------------------------------------------------------------------- Art Work The Adoration of the Magi: Flemish Artist and Painter: Peter Paul Rubens: 1609 -------------------------------------------------------------------------------- Why was this image selected: Rubens' dynamic composition draws all attention toward Christ at the center. Earthly power fades into the background, underscoring the homily's teaching that the true Jerusalem is not a place, but a Person . . . Jesus Christ. -------------------------------------------------------------------------------- Gospel Reading: Matthew 2: 1-12 First Reading: Isaiah 60:1-6 Second Reading: Ephesians 3:2-3, 5-6
Tijl gaat maar meteen met de billen bloot: de telefoonverslaving is té erg en er moet nu iets aan gedaan worden. De 75 day hard challenge is Rubens persoonlijke nachtmerrie en de mannen hebben het over de ballen van Dries Roelvink.
No devocional de hoje, somos convidados a desacelerar e refletir sobre a importância da prudência em meio a uma cultura marcada pela pressa, impulsividade e decisões tomadas no calor da emoção. O texto confronta a confiança excessiva no instinto e aponta para uma vida construída com paciência, discernimento e maturidade. A Bíblia nos ensina que a pressa é inimiga da sabedoria, e que o caminho sólido é aquele trilhado com temor do Senhor, atenção ao coração e disposição para aprender.
No Café PT desta segunda-feira (12), o professor de Relações Internacionais Rubens Duarte para analisar a ofensiva dos Estados Unidos contra a Venezuela e o sequestro do presidente Nicolás Maduro. A conversa aborda a legalidade da ação à luz do direito internacional, o respeito à soberania dos países, o uso da força sem aval multilateral e as ameaças do governo Trump a outras nações, como Cuba e a Groenlândia. A conversa também discute o imperialismo norte-americano e os impactos dessa movimentação para as relações internacionais e o multilateralismo global.
Durante os meses de dezembro e de janeiro o podcast OFascinante Mundo do Sensoriamento Remoto entrará em recesso e nesse período vamos reapresentar alguns episódios importantes para nossa história. Aproveite para conhecer melhor esses episódios, alguns em áudio e outros em vídeo. Em fevereiro estamos de volta com novos episódios. Um grande abraço!Episódio207 - Retrospectiva 2023 e Perspectivas para 2024 - foi ao ar em 1 de janeiro de 2024Nesse primeiro episódio de 2024 trazemos uma grande novidade para o GeoSensor, bem como para O Fascinante Mundo do Sensoriamento Remoto: a entrada do Prof. Rubens do Amaral para o nosso time. Essa aproximação começouno início de julho do ano passado, quando começamos a contar com um post colaborativo semanal produzido por ele e foi natural que essa incorporação ao grupo ocorresse. A partir desse ano teremos um episódio mensal conduzido porele e com a nossa participação e vamos também lançar uma capacitação sobre soluções baseadas na natureza e geotecnologias. Além disso, chegamos no episódio passado à 50K downloads de episódios e fizemos um balanço do quefizemos em 2023, bem como o que pretendemos fazem em 2024. Sem mais spoilers, mas vale muito a pena conferir!A equipe GeoSensor e dO Fascinante Mundo do Sensoriamento Remoto desejam um 2024 FASCINANTE! Um grande abraço!
SÉRIE: BATALHAS DA ALMA - ANSIEDADE - 11/01/2026 - PR. RUBENS MARTIMSeja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
PREPARADO PARA A BATALHA - 04/01/2026 - PR. RUBENS MARTIMSeja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
Religion and urban life are the most successful strategies of handling, enhancing, and capitalizing on human sociability. By integrating religious studies, archaeology, and spatial theory, Emiliano Rubens Urciuoli aims to re-describe the formation of Christ religion as urban religion in Citifying Jesus: The Making of a Roman Religion in the Roman Empire (Mohr Siebeck, 2024). Spanning almost four centuries of Christian literature from Paul to Augustine, the author shows that several characteristics commonly attributed to Christ religion are, in fact, outcomes of the distinct ways in which religious agents enact urbanity and interact with the urban space. The study brings the urbanity of religious agents into focus, shedding light on significant elements of religious transformation, innovation, institutionalization, empowerment, and resistance to power. Simultaneously, it explores the key urban features that shaped the emergence and development of Christ religion. Emiliano Rubens Urciuoli is Associate Professor in the Department of History and Cultures at the University of Bologna. Previously he was a postdoctoral researcher at the Max-Weber-Kolleg of the University of Erfurt and has spent research stays in Paris, Berlin, and Geneva. His research interests focus on the history of the ancient Christ religion, methodological advances in the study of ancient Mediterranean religious groups and traditions, issues of theory and method in the accademic study of religions, and the phenomenon of ancient and contemporary urban religion. He is conversant with issues of political theology, sociology of religion, critical theory of space, and critique of ideology (including religious ideologies). Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Religion and urban life are the most successful strategies of handling, enhancing, and capitalizing on human sociability. By integrating religious studies, archaeology, and spatial theory, Emiliano Rubens Urciuoli aims to re-describe the formation of Christ religion as urban religion in Citifying Jesus: The Making of a Roman Religion in the Roman Empire (Mohr Siebeck, 2024). Spanning almost four centuries of Christian literature from Paul to Augustine, the author shows that several characteristics commonly attributed to Christ religion are, in fact, outcomes of the distinct ways in which religious agents enact urbanity and interact with the urban space. The study brings the urbanity of religious agents into focus, shedding light on significant elements of religious transformation, innovation, institutionalization, empowerment, and resistance to power. Simultaneously, it explores the key urban features that shaped the emergence and development of Christ religion. Emiliano Rubens Urciuoli is Associate Professor in the Department of History and Cultures at the University of Bologna. Previously he was a postdoctoral researcher at the Max-Weber-Kolleg of the University of Erfurt and has spent research stays in Paris, Berlin, and Geneva. His research interests focus on the history of the ancient Christ religion, methodological advances in the study of ancient Mediterranean religious groups and traditions, issues of theory and method in the accademic study of religions, and the phenomenon of ancient and contemporary urban religion. He is conversant with issues of political theology, sociology of religion, critical theory of space, and critique of ideology (including religious ideologies). Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Religion and urban life are the most successful strategies of handling, enhancing, and capitalizing on human sociability. By integrating religious studies, archaeology, and spatial theory, Emiliano Rubens Urciuoli aims to re-describe the formation of Christ religion as urban religion in Citifying Jesus: The Making of a Roman Religion in the Roman Empire (Mohr Siebeck, 2024). Spanning almost four centuries of Christian literature from Paul to Augustine, the author shows that several characteristics commonly attributed to Christ religion are, in fact, outcomes of the distinct ways in which religious agents enact urbanity and interact with the urban space. The study brings the urbanity of religious agents into focus, shedding light on significant elements of religious transformation, innovation, institutionalization, empowerment, and resistance to power. Simultaneously, it explores the key urban features that shaped the emergence and development of Christ religion. Emiliano Rubens Urciuoli is Associate Professor in the Department of History and Cultures at the University of Bologna. Previously he was a postdoctoral researcher at the Max-Weber-Kolleg of the University of Erfurt and has spent research stays in Paris, Berlin, and Geneva. His research interests focus on the history of the ancient Christ religion, methodological advances in the study of ancient Mediterranean religious groups and traditions, issues of theory and method in the accademic study of religions, and the phenomenon of ancient and contemporary urban religion. He is conversant with issues of political theology, sociology of religion, critical theory of space, and critique of ideology (including religious ideologies). Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies
Religion and urban life are the most successful strategies of handling, enhancing, and capitalizing on human sociability. By integrating religious studies, archaeology, and spatial theory, Emiliano Rubens Urciuoli aims to re-describe the formation of Christ religion as urban religion in Citifying Jesus: The Making of a Roman Religion in the Roman Empire (Mohr Siebeck, 2024). Spanning almost four centuries of Christian literature from Paul to Augustine, the author shows that several characteristics commonly attributed to Christ religion are, in fact, outcomes of the distinct ways in which religious agents enact urbanity and interact with the urban space. The study brings the urbanity of religious agents into focus, shedding light on significant elements of religious transformation, innovation, institutionalization, empowerment, and resistance to power. Simultaneously, it explores the key urban features that shaped the emergence and development of Christ religion. Emiliano Rubens Urciuoli is Associate Professor in the Department of History and Cultures at the University of Bologna. Previously he was a postdoctoral researcher at the Max-Weber-Kolleg of the University of Erfurt and has spent research stays in Paris, Berlin, and Geneva. His research interests focus on the history of the ancient Christ religion, methodological advances in the study of ancient Mediterranean religious groups and traditions, issues of theory and method in the accademic study of religions, and the phenomenon of ancient and contemporary urban religion. He is conversant with issues of political theology, sociology of religion, critical theory of space, and critique of ideology (including religious ideologies). Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies
Religion and urban life are the most successful strategies of handling, enhancing, and capitalizing on human sociability. By integrating religious studies, archaeology, and spatial theory, Emiliano Rubens Urciuoli aims to re-describe the formation of Christ religion as urban religion in Citifying Jesus: The Making of a Roman Religion in the Roman Empire (Mohr Siebeck, 2024). Spanning almost four centuries of Christian literature from Paul to Augustine, the author shows that several characteristics commonly attributed to Christ religion are, in fact, outcomes of the distinct ways in which religious agents enact urbanity and interact with the urban space. The study brings the urbanity of religious agents into focus, shedding light on significant elements of religious transformation, innovation, institutionalization, empowerment, and resistance to power. Simultaneously, it explores the key urban features that shaped the emergence and development of Christ religion. Emiliano Rubens Urciuoli is Associate Professor in the Department of History and Cultures at the University of Bologna. Previously he was a postdoctoral researcher at the Max-Weber-Kolleg of the University of Erfurt and has spent research stays in Paris, Berlin, and Geneva. His research interests focus on the history of the ancient Christ religion, methodological advances in the study of ancient Mediterranean religious groups and traditions, issues of theory and method in the accademic study of religions, and the phenomenon of ancient and contemporary urban religion. He is conversant with issues of political theology, sociology of religion, critical theory of space, and critique of ideology (including religious ideologies). Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies
UMA VIDA CHEIA DO ESPÍRITO - PR. RUBENS MARTIM - 21/12/2025Seja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
I'm Still Here (dir. Walter Salles, 2024) is based on the true story of the enforced disappearance and murder of former congressman Rubens Paiva by the military dictatorship in Brazil. The film opens in Rio de Janeiro in 1970, where Rubens lives with his wife, Eunice, and their five children. Their lives are forever altered when the military government arrests and disappears Rubens. The film describes Eunice's attempt to find out what happened to Rubens and to rebuild her life and raise her family in his absence. The film is based on the memoir of their son, Marcelo Rubens Paiva, who was a young boy when Rubens was disappeared. I'm Still Here provides a harrowing account of Brazil's military dictatorship and a moving story of a woman's struggle to overcome adversity and obtain justice.Timestamps:0:00 Introduction2:16 The military dictatorship in Brazil4:38 Living amid contradictions6:52 The kidnapping of the Swiss ambassador8:33 Rubens' arrest and disappearance12:38 Authoritarian legality14:18 The arrest and mistreatment of family members17:16 Covering up state crimes19:29 Exile as another tool of repression23:08 Enforced disappearances27:18 Leveraging international pressure29:08 Eunice Paiva's struggle and success33:15 Support for the military dictatorship36:01 Finally obtaining Rubens' death certificate 25 years later40:10 Brazil's National Truth Commission48:39 Authoritarian threats to democracy todayFurther reading:Atencio, Rebecca J., Memory's Turn: Reckoning with Dictatorship in Brazil (2014)Filho, Paulo Coehlo, “Truth Commission in Brazil: Individualizing Amnesty, Revealing the Truth,” The Yale Review of International Studies (Feb. 29, 2012)Lima, Ana Gabriela Oliveira, “Corrected death certificates for Herzog, Rubens Paiva,and one hundred others are celebrated in a ceremony,” Folha de S. Paulo (Oct. 8, 2025)Paiva, Marcelo Rubens, I'm Still Here (2025)Pitts, Bryan, Until the Storm Passes: Politicians, Democracy, and the Demise of Brazil's Military Dictatorship (2023)Weinberg, Eyal, “Transitional Justice in Brazil, 1970s–2010s,” Oxford Research Encyclopedia (2022) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast
O MISTÉRIO REVELADO - PR. RUBENS MARTIM - 14/12/2025Seja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
Join host Manya Brachear Pashman for a powerful conversation about Red Alert, the Critics Choice Award-nominated Paramount+ docu-series that confronts the October 7 Hamas massacre with unflinching honesty. Producer Lawrence Bender (Pulp Fiction, Good Will Hunting) shares why this project couldn't wait—launched in real time to push back against denial, disinformation, and a world struggling to absorb the scale of the tragedy. Bender reflects on the courage and trauma of the ordinary Israelis whose stories anchor the series, including survivors like Batsheva Olami, whose resilience changed the production team forever. Hear how filming during an active war shaped the storytelling, the emotional toll on everyone involved, and why capturing these true accounts is essential to ensuring October 7 is neither minimized nor forgotten. Key Resources: AJC.org/Donate: Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact. Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Listen – AJC Podcasts: Architects of Peace The Forgotten Exodus People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: [Clip from Red Alert] Manya Brachear Pashman: Academy Award nominated film producer Lawrence Bender has quite a repertoire for both feature films and documentaries: Pulp Fiction, Inglorious Bastards, Good Will Hunting and Inconvenient Truth. In fact, his works have earned 36 Academy Award nominations. His most recent TV miniseries is a more personal project on the second anniversary of the October 7 Hamas terror attacks on Israel, Paramount Plus began streaming a four episode series called red alert about the attack on festival goers, innocent passers by and families waking up to terrorists inside their Israeli homes that day, a tragedy that many of us, either on this podcast or listening have watched with overwhelming grief for the last two years. Lawrence is with us now to talk about how he grappled with this attack on Israel and the rise of antisemitism that followed. Lawrence, welcome to People of the Pod. Lawrence Bender: Thank you, Manya, it's good to be here. Manya Brachear Pashman: So that clip that we played at the top of this episode, it's one of the few clips in English. Most of the dialog in this show is in Hebrew with subtitles. But that scene is a woman, Bathsheba and her two daughters. They're walking across a field trying to return home, and her son has been taken. Her husband is gone. This series weaves together her story and three or four other ordinary civilians fighting for their lives on October 7, 2023. You know, as someone personally who's been immersed in this subject matter for two years, to be honest, I had to muster the energy to watch this, and I'm so glad that I did. But why are, I mean, as we're still waiting for the last hostage to be returned, why was it important for this show to air now? Lawrence Bender: Well, thank you so much for doing this with me, and thank you for playing that clip. I have to tell you first, I love that clip. I love that scene because one of the things about the show and the stories that we portrayed is that even with the horrific things that happened on that day, people still were able to fight back. People were still able to be strong. A mother with her daughter and her infant stood in the face of a terrorist and stood him down in real life, this happened. Now, not everybody was so fortunate, and her husband Ohad was not fortunate, and her son was taken hostage, as you mentioned, but it does show her personal power in this horrific situation. And I just thought, you know, this woman is a real hero. I've spent a lot of time with her, Batsheva Olami, she's really an extraordinary human in all ways. So thank you for playing that clip. So in terms of the show, I felt on October 8, it's just amazing how quickly, before Israel did anything, the entire world quickly turned against the very people who were the victims and having spent subsequently, a lot of time with people on the set, because, as you mentioned, this show was about real people, and those real people spent a lot of time on the set with us. And the very people that were traumatized, felt isolated, they felt alone, and they're the very ones that need to be loved, that need to be hugged, they need to be supported. Anyway, I just felt like I needed to do something fast to try to show the world what really happened. AndRed Alert is the result of that. Manya Brachear Pashman: Do you fear that the world has already moved on? Lawrence Bender: Oh, that's a good question. It feels like we've passed a tipping point, actually, in terms of Jew hatred and anti-Israel and antisemitism. Even as we are now trying to have a peace process, right, that somehow we are stumbling forward, and if that's going to happen, people need to understand why we're here and why we're here happened on October 7. And if you watch the show, hopefully you're pulled into the show, and you have a, you know, you have an emotional journey, and then you understand, oh, this really happened. And you understand that's the truth. And only when you really understand the truth of October 7 do I really think that you can really get some sort of peace. Manya Brachear Pashman: So is this different from other historical events? You know, a lot of movies and television shows commemorate historical events, like the Holocaust, for example, but they happen years later. They're made years later. I kind of call it the never forget genre. But is October 7 unique in that it's not a question of whether people will forget or move on. It's a question of whether they believe that this present is actually true. Lawrence Bender: That's right, there's the deniers. There's people that just don't know. There's people that forgot, maybe you know, there are people who I know that I had to explain. Like, you know, it's interesting. As an example, when you see the show and you see all these Hamas terrorists invading the kibbutz, and Ohad says to her, his wife, Bathsheva, he whispers in her ear, I just saw about 20 terrorists, and someone said to me, who's not unintelligent, I didn't realize there are that many. I didn't realize that. And if you're not really paying attention, maybe you don't really know. And look, they're the haters, haters which are never going to change. But I think there's a large group of people that just don't really understand, and they're the ones that I feel we have a shot at showing this to and having a conversation with. Manya Brachear Pashman: In fact, are you actually introducing or experimenting with a new genre of truth or facts in the face of fiction. Lawrence Bender: I guess that's true. I mean, this just happened. And some people ask over this last, you know, when I released, and we were paramount, released the show. You know, I've been asked a question, is it too soon? And my answer is, I feel like it's not soon enough. And I felt like immediately I needed to work on something, and this is the result of that. For me, personally, there are many collaborators of people on this show that incredible Israeli partners, my American partners. I mean, there's a lot of amazing people that came together to work on this, to make this show, but we really felt like time was of the essence, because the world was shifting so quickly, we wanted this to get out there, to show the world what really happened. Manya Brachear Pashman: One of the reasons I'm pressing you on this, this was not a fiction film. This was based in reality. You said you met Bathsheba, the actors prepared for their roles by meeting with the very real people who they were portraying in this show whose stories they were recreating. I'm curious what some of the takeaways were for you, for your colleagues, from your encounters with these victims, with these survivors, and did anything about the production ever change after they got involved? Lawrence Bender: It was truly a life changing experience for myself, but really for everyone involved, of course, myself and my partner, Kevin Brown and Jordana Rubin, and we were basically the only non Israelis that were full time producing the show. And everyone else was a citizen of the country. Everyone else, you know, was affected dramatically, everything but from like our key grips brother ran the kibbutz Raim, where we filmed that area that was a kibbutz overrun by terrorists, right? His brother survived. So it was really like every single person at some point, you know, we call it triggered, but it really happened quite often where you have a scene and people just have to stop for a second and take a moment, whether it's an actor finishing a scene or a crew member, you know, partaking in the making of the scene. But lots of things happen. I'll tell you one story which was, you know, quite interesting. We're working at the Nova festival scene, and one of the actors, Moran, her niece, was on vacation in Greece, and her niece told her, if a red headed police woman shows up on the set, she's the one who saved my life. And indeed, her name was Bat, she showed up, and we said, we need you to meet somebody. And we FaceTimed Moran's niece with Bat, and the young lady she's like in her early 20s, said, You're the one who saved my life. You're the one I was hiding by your feet while you were firing. And we asked, Did you remember the people that you saved? And she said, I really only remember the people I didn't save. You really felt the pain that she is still at that point a year and a half later, this is. In April, May, suffering from what she went through. RPG hit nearby her. She went flying through the air. She had had half reconstructive surgery, on and on and on. It was obviously an extremely traumatic day for her to you know, a moment where there's a woman on the set whose daughter was murdered, and someone on my crew, actually, Mya Fisher, has said, you know, there's someone here I want to introduce you to. It's after lunch. And I spent some time with her, and I asked her, you know, like, how do you go? Fine, I can't, you know, I can't imagine losing my son in this way. It's just unimaginable. And I asked her, do you have a rabbi? What do you do to survive? And it was a very difficult emotional exchange. And sometime later, she had sort of retold that encounter to somebody else on the set who came to me and said, you know that woman you're talking to. She told me what happened, you know this conversation? And she said, You know this Hollywood producer came all the way from California, she doesn't know me, from Adam, and sat down with me for an hour to hear my story, and it clearly meant a lot to her. And again, you realize that the very people who are traumatized directly are not getting the love, are so isolated and people are against them, and it made me feel even more determined to tell these stories for the world to understand. Every day we had these type of difficult, emotional and to be honest, I was extremely honored every time I met someone. I spent every Saturday night at Hostage Square because we were making the show, I got to spend time backstage with all the families who had loved ones in the tunnels. There was a deep dive into this. Now, I have to tell you, on the other hand, the filming while a war is still going on is quite it's like things you don't have to think about normally, right? So, as an example, we were in a town and we're shooting a shootout. We're filming a shootout between the IDF actors and the Hamas actor. They're actors. I keep saying they're actors, right? Because they are actors. But the mayor and the chief of police in the town were extremely worried, because they look real, right? They look like real people. And unfortunately, the cemetery is littered with people who have been murdered and killed by the Hamas. And all the other men who are there, they have guns, they carry, and if something's happening, they're going to run towards the problem. So he's worried, what if someone walks by, or someone's up in a building. He looks down and they see an actor who looks like Hamas, they are going to shoot him. So we literally had speakers every 10 yards, like all up and down the street, and every like 15-20 minutes, saying, don't worry, in Hebrew, of course, this is a movie, everything's okay. We had a drone up in the air, never coming down, on a tether with a police officer. They're a full big screen watching case someone walks down the street. We dressed up the Hamas actors as they're walking from the holding area to the area where they're filming, we put them in these kind of white hazmat-like suits so that they couldn't confuse them, and when they got done filming, we put them right back in these hazmat white suits and brought them back to the holding area. We all had to dress up, and we had to wear these very, very light blue shirts the entire crew, so nobody looked like anything but a crew member. It was something, right? Manya Brachear Pashman: I did not even think about that. I mean, I knew that you had filmed on location in Israel, and I knew you had filmed during the war. In fact, I was going to explain to listeners who don't know Red Alert is what Israelis call the sirens and the phone alerts when there are rockets being fired upon Israel and they have time to seek shelter. I was going to ask you if you had been there during a red alert and had to seek shelter, but I didn't even think about the possibility of people confusing the filming with actual war activity. I imagine you were there during a red alert, and did have to seek shelter, yes? Lawrence Bender: so there's different types of alerts in the south. We did shoot in the guys called the Gaza envelope. We shot within less than a mile away from the Gaza border. So a scene that comes soon after the one that you showed. They're resting under a tree, and we are in the Gaza envelope. And this is a scene where they're running from the Hamas. They're running, they're bare feet, and they're out of breath, and they stop under this tree that's hot, and so forth. And you can hear, just a mile away, the war going on in Gaza. Hear the bombs and everything, and we weren't worried about we're going to be attacked, but it was eerie hearing a war go on, and we're filming a scene where they're running from that war, right? So it was dramatic every week or so still at that point, the Hamas would lob a missile bomb into southern Israel and an alert would go off. You have 15 seconds to. Get into. So we had to bring these portable concrete safe rooms with us so that crew, at any given moment can run quickly into one of these concrete things. We couldn't always do it. So there's always this conversation, and by the way, it costs a lot of money, so everything you're always carrying these things. There's a lot of planning that went on. But I have to tell you, as an American showing up in Israel for the first time after October 7, I wasn't used to these alarms going off, so we were fortunate that while we were filming in the south, no missiles were lobbed at us. However, my first day there, I'm in a meeting on the eighth floor. It was a Friday morning. I got in there on a Thursday evening, 10 o'clock in the morning, the alarm goes up. I mean, just like that, right? And it's loud. And you have these buzzers. Everyone's phone is buzzing, not like the Amber Alerts we have, like, really buzzing loud. And everyone stops and looks at me, and they apologize to me. They apologize and they go, Oh, we're really sorry, but it's an alert. We have to go into a safe room. Oh, don't worry, it's just from the Houthis. It takes eight minutes to get here. Now it's an intercontinental ballistic missile. These are real big missiles. They can really do bad damage. Don't worry, the Iron Dome usually gets them. It's really okay. So we go, you know, we go into and they pick up their danish and their coffee, and of course, I take out my cell phone and I'm videotaping. And then we go in there, and when it's off, we go back to the meeting. The meeting starts as if it never happened. And then they stop, and they go, Oh, how was that for you? And then I just didn't realize, what with the emotion that was going on because we're not used to having missiles shot at us. It's not normal. And I started to bubble up with emotion, and I had to, like, stop myself, I didn't want to cry in front of all these people that I barely knew. So I had to suppress my feelings. Like, don't worry, it's okay. You're having a normal reaction, right? And that happened quite often while I was there. Now, you do get used to it. And the last night I was there, I was having dinner outside, tables outside, you know, in restaurants everywhere. So we're having a typical outside dinner, and they're handing the fish, and the alarm goes off, and we go, let's eat. And we don't go into the restaurant where they're called maamads. You don't go into the safe room. So that's kind of the quote, unquote normal life. Now you imagine here in the United States we get a missile from Mexico or Canada or wherever. No one's going to put up with that. That's just insane. It's insane what people in Israel have to go through. Manya Brachear Pashman: it really is. But it's interesting that you've kind of adopted the nonchalance that your colleagues had at the very beginning of the trip, and wow, certainly no apologies. I want to know if there's a missile headed my way. Thank you. It does sound like October 7 changed you personally. And I'd like to know as a progressive Jew, on what level did it change you as a human being. I mean, how did it change you the most? Lawrence Bender: I've been an active Jewish person for maybe 20, somewhere, 2025, years. I went to Israel My first time. I was ready. As far as I'm concerned. I was too old already to go for the first time. It was like 2003 I went with the Israeli policy forum, and we met with a lot of people there, and we ended up going to Ramallah, met with Abu Mazen, we went to Cairo and met with the president there, Barak, and met with a lot of people in Israel and so forth. And I've been involved one way or another for quite a while. But of course, October 7 was dramatic. Of course, I was safe in my house in Los Angeles, but I still watched in horror. And of course, October 8, it's just hard to understand what happened. It was the latent antisemitism, Jew hatred, that sits there. I still don't quite understand that. It feels like antisemitism never went away, but it was underneath, and it just gave a good excuse to come out, and now the world is where it is. So yeah, for me, I became much more active than I was before. It became much more important to me, my Jewishness, my relationship to Israel. I want to protect Israel as much as I have that power to you know, whatever my ability is, like a lot of people, I know it's become a really important part of my existence, and it's like a new chapter in my life. I'm absolutely looking for more Jewish or Israeli projects. You know, I'm looking to do as much as possible in this area. Manya Brachear Pashman: A number of your colleagues in Hollywood have proposed boycotting Israeli film festivals, institutions, projects, they're going the opposite direction that you are. And I'm curious if you had difficulty finding an American network to air this series, and what do you say when you confront colleagues who do want to boycott and are hostile toward Israel? Lawrence Bender: You know, there's different groups of people. They're the true haters. I don't think that you can ever even have a conversation with them. There are people who just don't understand, and there's people you can and there are people who you know they're trying to be good people. They're trying to understand, like, What don't you understand about women being brutally raped and murdered? It's a little hard for me to understand that, actually. But there are a lot of good people who just are either confused or got too much of the wrong message. But the one thing I would say straight up is, let's take an analogy. You know, there's very few people that I know that you see on TV, on any news show, that is very empathetic with the regime in Iran as an example, right? That means a brutal regime. If you're a liberal or if you're a conservative, there's very few people who support that regime here in this country, right? But they don't boycott their filmmakers, right? They actually give their filmmakers Academy Awards. So why is that with Israel? I feel like there's something very misguided here in Hollywood. Now, we got really lucky when it came to distribution. I just have to say, because we were supposed to go out to sell the show like it was fully financed from equity and from Keshet, who's the local Israeli. This is the biggest network in Israel, by the way. It's the biggest drama in Israel in the last decade. It really performed well there. But now we're going to go sell it here in the United States and the rest of the world, and it's early September, which is our deadline to do that, and Israel bombs Qatar, and then this boycott letter is signed. And I have to tell the investors. You know, it's like, this is not a good time. We cannot go sell. We're just gonna fail, and there's no second chances. And you know, I was getting into dramatic arguments with my investors because they really felt strong. You got to be like that character in your show, the police officer is going to save his wife and you know, nothing's going to stop you. And I said, Yes, I'm with you. I developed that character I know in the Middle East arguments. I was at Skip Brittenham's memorial. Skip is like this beautiful man who was like the Mount Rushmore of lawyers here in LA. He's just a great human and one of those guys that wants to make deals, not just take everything and have the other guy get nothing. He was just like a he's just a real mensch, right? And well, loved anyway. Unfortunately, he passed, but I was at his memorial, and I ran into David Ellison. Now, I know David a little bit, not well, but I know him a little bit, and I also know that, you know, he loves Israel, from what I've read and so forth. And so I went up to him and said, Hey, man, we talked. I said, you got to know what I'm doing. And it probably got three words out of my mouth, and you can see him go, I'd love to see this. This sounds amazing, and sounds like it's exactly the timing we need. And we sent him the material, and he watched every episode himself, and then he gave it to Cindy Holland, who runs paramount, plus his main person. And you know, they said, we do this. We want this. It would be an honor to be your partner in this is actually quite humbling. And it was an incredible moment for us to have David Ellison, Cindy Holland, say, hey. You know, we want this now. Then they said, We need to drop it. We want to drop all the episodes on October 7? Well, by the time they got those episodes, it was like two weeks to go before October 7, or a couple days before, because we couldn't give it to them in the midnight before October 7, obviously. And they had pretty much final picture edit, but we had temporary sound, temporary music, temporary effects, and so we had to work double triple shifts to get it done. But of course, we did. Manya Brachear Pashman: This actually reminds me of a conversation I had with playwright, screenwriter, Oren softy for the Forgotten Exodus, which is a podcast series we did about Jews from the Middle East. He spoke about his father's side of the family, which hails from Aleppo, Syria, and he shared a lot of his frustrations with the modern anti Israel movement and sentiments in Hollywood, the protests which he's been trying to combat in theater and on the stage. And he actually said that investors had pulled out of a film project about Israel when tensions flared. So it's interesting to hear your investors took the opposite approach, but he told me in our conversations, he told me that being Jewish is about stepping up. That's how he sees it. It's about stepping up. And I'm curious if that rings true to you, and do you feel like this series and your plans to do more, is that your way of stepping up? Lawrence Bender: Hmm, that's beautiful, and I'm so glad to hear you recount that story with him. I'd love to talk to him about that I feel like, without really understanding that it's built into me genetically, right? My grandparents, far as you go back, my family is Jewish, right? From Romania, from Hungary, from Minsk Belarus. So it's the way that you're brought up as a Jew. It's just always been a part of our lives, and we're pretty much taught that that's part of being Jewish, right? So, you know, I've always felt like it's important for me. Now I tell you, you know, it's interesting, and I think about as we're talking so in the 90s, when I was getting started, and I was actually doing pretty well this one year, I had Good Will Hunting and Jackie Brown and a price above Rubens, those three movies, and things were going well, but I felt like something was missing in my life. And then we screened Good Will Hunting and Camp David in 1998 and it was an amazing moment. And that was like one of these light bulb moments for me. You know, I met the President and Mrs. Clinton and Madeleine Albright, Secretary of State, and Secretary of Defense, Sandy Berger and the Chief of Staff and Senate Majority Leader, and on and on, right? They're all there. And it was Matt Damon, Ban Affleck, Gus Van Zant, Robin Williams, et cetera, et cetera, right? And I felt like these guys are making a difference, and that's what was missing in my life. And so since 1998 I've been always looking for ways that I'm and that's that's that becomes like a more of a fulfilling way of living right for myself. So yes, I would answer that. That's a long way to get to yes. Manya Brachear Pashman: Wow, Camp David, that's awesome. Lawrence, thank you so much for joining us and for talking about the impetus behind this series. I encourage everyone to take some time, brace yourself emotionally, but do sit down and watch Red Alert. It is really quite worthwhile. Thank you so much. Lawrence Bender: Thank you. Manya Brachear Pashman: If you missed last week's episode, be sure to tune in for my conversation with AJC colleague, Dr Alexandra Herzog, the granddaughter of Chaim Herzog, Israel's Irish born sixth president. She shared how an attempt by Dublin officials to strip her grandfather's name from a community park illustrates how criticism of Israel can veer into an effort to erase Jewish memory. As I mentioned in my conversation with Lawrence, it took some degree of wherewithal to watch Red Alert, as we've spent the last two years on this podcast speaking with the families of hostages, former hostages themselves, and survivors of the October 7 massacre. I've wanted nothing more than to make sure their voices are heard. We end this week's episode with the voice of Orna Neutra, the mother of Omer Neutra. Orna recently spoke at the AJC Long Island meeting, shortly after the return of her son's remains more than two years after his death, followed by a word from AJC Long Island Director Eric Post. Orna Neutra: When Omer was taken, our world collapsed. But something else happened too. People stood up. People showed up. And many of you here showed up. This community, the broader Long Island Jewish community, AJC, our friends, colleagues, neighbors, complete strangers, carried us. You wrote, you marched, you advocated, you pressured you called you consoled and refused to let the world look away. To our personal friends and honorees here tonight, Veronica, Laurie, and Michael, your leadership has not been symbolic. It has been practical, steady and deeply felt by our family. Like you said, Veronica, on the first days when we were barely understanding what was going on, you connected us to Senator Schumer's office, and Michael, you helped us write a letter to the White House on October 8, and that was the first sign from hostage families that the White House received. We know that Secretary Blinken had the letter in his hands on October 8, indicating that Omer was probably a hostage. And AJC as an organization, beyond your many actions and advocacy, I want to specifically acknowledge your DC team. It was mentioned here tonight, throughout our many, many, many visits to Capitol Hill, AJC professionals were instrumental. They arranged meetings, they walked us through endless hallways, opened doors, prepared us and stood beside us, and they're still doing that for us, and we will see them this week. Always professional, with purpose and humanity, and we will never forget that. Over these two years, we learned something essential: that when Jewish families are in danger, the responsibility belongs to all of us, across movements, across generations, across continents. This work is the work that AJC does every day. This is the work that everyone here in this room understands. Eric Post: Since the horrors of October 7, AJC has been empowering leaders around the world to take action against antisemitism and stand with Israel. But we cannot succeed alone. Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact. Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Donate at AJC.org/donate – that's www - dot - AJC - dot org slash donate.
Greg Jenner is joined in 16th-century Italy by historian Professor Jill Burke and comedian Tatty Macleod to learn all about Renaissance beauty standards and treatments.Early modern Italy is renowned for the gorgeous artworks created by painters like Titian, Rubens and Botticelli, many of them featuring beautiful women looking at themselves in mirrors or getting made up for a night out. In this episode, we take you through a Renaissance Get Ready With Me as we explore how these women would have been taking care of their hair and skin. We look at what hairstyles and makeup men and women wore, how often they bathed, whether or not they removed their body hair, and how they shaped their bodies through dieting and underwear. Along the way, we dive into the recipes for popular cosmetics and skincare treatments, ask where Renaissance beauty standards came from, and uncover the sexist, racist and classist ideas that often underpinned them. But we also explore how their beauty routines could be an avenue for women's self-expression, and show the importance of the history of beauty, even amidst the turbulent politics and warfare of the early modern period.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Emma Bentley Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Emma Nagouse Executive Editor: Philip Sellars
Geo er på aftenvisit i Frederiksværk, og Niarn er et helt andet menneske. Geo har været til koncert, og Niarn har haft en toilet relateret oplevelse. Geo har på en måde overført 200 kroner til Effie, og Niarn har sokkeletagen fuld af julekugler. Og så giver drengene Ruben Sølberg et late night call. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
AP correspondent Rica Ann Garcia reports on the long-lost Peter Paul Rubens painting that was sold for $2.7 million at an auction.
CHAMADOS, ESCOLHIDOS E VIVIFICADOS - PR. RUBENS MARTIM - 30/11/2025Seja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
Quem foi o marechal Lott? - Felipe Lott - Programa 20 Minutos
PÕE NA MINHA CONTA - PR. RUBENS MARTIM - 23/11/2025Seja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
Na terceira parte da entrevista de Eli Corrêa, ele conta como foi trabalhar Nelson Rubens, Zé Bettio e Gil Gomes, que chegava a terminar seu programa só de cueca! Tudo nessa edição especial do Café Antagonista #118 apresentado por José Inácio Pilar!Café Antagonista 2025 é o seu ponto de encontro semanal para ficar bem informado. Apresentado por José Inácio Pilar, o programa vai ao ar todos os sábados, às 10h e 16h, trazendo uma análise inteligente dos principais acontecimentos do Brasil e do mundo. Com um jornalismo independente e sem amarras, debate política, economia, notícias e bastidores exclusivos com um olhar crítico e direto. Inscreva-se no canal para não perder nenhuma edição do Café Antagonista 2025! #caféantagonista Apoie o jornalismo Vigilante: 10% de desconto para audiência do Café Antagonista https://bit.ly/oa-cafe10 Siga O Antagonista no X: https://x.com/o_antagonista Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais. https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344 Leia mais em www.oantagonista.com.br | www.crusoe.com.br
Long time lurker, first time poster - be nice please! :) I was searching for summary data of EA funding trends, but couldn't find anything more recent than Tyler's post from 2022. So I decided to update it. If this analysis is done properly anywhere, please let me know. The spreadsheet is here (some things might look weird due to importing from Excel to sheets) Observations EA grantmaking appears on a steady downward trend since 2022 / FTX. The squeeze on GH funding to support AI / other longtermist priorities appears to be really taking effect this year (though 2025 is a rough estimate and has significant uncertainty.) I am really interested in particular about the apparent drop in GW grants this year. I suspect that it is wrong or at least misleading - the metrics report suggests they are raising ~$300m p.a. from non OP donors. Not sure if I have made an error (missing direct to charity donations?) or if they are just sitting on funding with the ongoing USAID disruption. Methodology I compiled the latest grants databases from EA Funds, GiveWell, OpenPhilanthropy, and SFF. I added summary level data from ACE. To remove [...] ---Outline:(00:41) Observations(01:26) Methodology(02:12) Notes --- First published: November 14th, 2025 Source: https://forum.effectivealtruism.org/posts/NWHb4nsnXRxDDFGLy/historical-ea-funding-data-2025-update --- Narrated by TYPE III AUDIO. ---Images from the article:Apple Podcasts and Spotify do not show images in the episode description. Try Pocket Casts, or another podcast app.
CEGOS PELA GLÓRIA, CURADOS PELA GRAÇA - PR. RUBENS MARTIM - 09/11/2025Texto base: Atos 9:3-9Seja muito bem-vindo!Neste Podcast você vai encontrar tempos preciosos de orações e pregações inspiradas pelo Espírito Santo de Deus, o único capaz de transformar os corações por inteiro, conduzindo para uma profunda intimidade com o Pai e equipando sua vida para falar do amor de Jesus a todos os povos.Que o fogo do Espírito Santo queime em seu coração em cada vídeo/aúdio, despertando sua vida para o chamado de Deus para estes últimos dias.Inscreva-se no canal e compartilhe para que mais pessoas sejam abençoadas pela pregação do evangelho do Reino de Jesus Cristo.Leia a bíblia!https://www.instagram.com/casa.comunidadecrista/https://www.instagram.com/rubens_martim/https://www.instagram.com/falaprapsico.julianamartins/
En la 1435-a E_elsendo el la 05.11.2025 ĉe www.pola-retradio.org: • En nia hodiaŭa leterkesta programero - krom trakti aktualajn korespondaĵojn ni decidis prezenti mallongan interparolon kun nia slovena aŭskultanto, Peter Grbec renkontita en la 110-a UK, kiu dividas siajn opiniojn pri niaj elsendoj. • En la kulturtema kroniko – post la kalendarfoliaj informoj ligitaj kun la 05.11 – ni informas pri portreto de Dürer prezentata en Krakovo; pri pentristaj Rubens-spuroj en Silezio; pri 31 novaj objektoj en la Listo de nemateria kulturheredaĵo de Pollando. • El la E-komunuma segmento eblas ekscii pri la revuo Esperantologio-Esperanto Studies (EES) akirinta sciencan agnoskon en Italio; pri Amikeca Premio de la ĉina registaro por Rafael Zerbetto. • Muzike ni memorigas la kanzonon de Ĵomart „Pasero”. La reta foto/grafikaĵo de Maria Skłodowska lige kun la 120-jariĝo de ŝia prelego en Sorbono devenas el la paĝo de Pola Radio. • En unuopaj rubrikoj de nia paĝo eblas konsulti la paralele legeblajn kaj aŭdeblajn tekstojn el niaj elsendoj, kio estas tradicio de nia redakcio ekde 2003. La elsendo estas aŭdebla en Jutubo ĉe la adreso: https://www.youtube.com/results?q=pola+retradio&sp=CAI%253D Ineralie pere de Jutubo, konforme al individua bezono, eblas rapidigi aŭ malrapidigi la parolritmon de la sondokumentoj; eblas transsalti al ajna serĉata fragmento de la elsendo.
Pfeifer, Henning www.deutschlandfunkkultur.de, Fazit
“The emotions that come out from magic, the spaces that magic allows you, they are quite global.” - Rubens Filho In this Facilitation Lab podcast episode, host Douglas Ferguson interviews Rubens Filho, Director of Spells & CEO of Abracademy, about using magic as a tool for transformative learning and team development. Rubens shares how magic, psychology, and learning design are blended to create engaging, research-informed workshops that foster curiosity, wonder, and collaboration. The discussion covers the origins of Abracademy, the power of metaphor and storytelling in leadership, the importance of embracing diverse perspectives, and the impact of shifting from militarized to magical language in the workplace. The episode highlights the value of human-centered, memorable learning experiences.
Boston is one of those cities that just gets under your skin in the best way possible. Equal parts old-school history and modern-day hustle, it's where cobblestone streets meet glass skyscrapers, where the story of America was born, and where you can eat your body weight in lobster rolls without a shred of regret.Founded in 1630 by English Puritans, Boston has played host to some of the most pivotal events in U.S. history—the Boston Tea Party, the Battle of Bunker Hill, and even the first public park in America. Today, it's a vibrant mix of college-town energy, cutting-edge innovation, and diehard sports fandom (you'll never hear a “Go Sox!” shouted with more passion than here).I recently spent five days exploring Boston like a local, armed with a loose plan, comfy walking shoes, and an appetite big enough to conquer the city's legendary food scene. Here's how it all went down—my perfect Boston adventure. Day 1: Arrival & First Taste of the CityFlying into Logan International Airport is a breeze—it's practically right in the city. But here's your first Boston pro-tip: skip renting a car if you can. Boston traffic is next-level chaotic, parking is expensive, and the city is surprisingly walkable. Between the subway (locals call it “the T”) and Uber, you'll get around just fine.Of course, I had to test the rental car waters—$368 for two days of a Nissan Rogue—and let me tell you, the line alone made me question my life choices. If you do rent, book with a company that lets you walk straight to the garage and grab your car. Otherwise, hop in an Uber and save yourself the headache.Where to StayI split my stay between two totally different vibes:Hampton Inn & Suites Watertown – Budget-friendly ($100 a night) and great if you don't mind being just outside the city. Parking in Boston can run you $30 a day, so staying here helped balance the budget.Copley Square Hotel (FOUND Hotels) – Right in the heart of Back Bay, this historic gem ranges from $300–$600 a night. My corner-view studio overlooked the breathtaking Trinity Church at sunset, and it felt like waking up inside a postcard. Designed in 1877 by architect H.H. Richardson, this place is dripping with Richardsonian Romanesque charm—arched windows, rough stone, and colorful details. Around Copley, you'll also find:Fairmont Copley Plaza (1912) – A Gilded Age beauty and part of the Historic Hotels of America.Boston Public Library McKim Building (1895) – A Renaissance Revival masterpiece with white marble halls and free daily tours at 2 pm. Don't skip it; the architecture is jaw-dropping.Old South Church (1873) – A National Historic Landmark in Northern Italian Gothic style, complete with multicolored stone and a towering bell.John Hancock Tower (1976) – Boston's tallest skyscraper at 790 feet, shimmering in blue glass.After a long travel day, we celebrated our first night with dinner at Lolita Cocina & Tequila Bar. Order the lobster guacamole and grilled elote—and when in Boston, remember the golden rule: always order seafood. Steaks are for later. Oh, and if you see Scrod on the menu? Don't panic. It's not a weird mythical fish; it's just the white catch of the day—usually cod or haddock. Day 2: Walking Through HistoryIf Boston had a greatest hits album, it would be the Freedom Trail—a 2.5-mile path that connects 16 historic sites and tells the story of America's revolution. You can do it self-guided, join a regular tour, or go all out with an actor-led adventure (think Paul Revere cosplay).Morning Coffee & Boston CommonStart with caffeine at Thinking Cup Coffee Bar, then wander into Boston Common, the oldest public park in America (1634). It's massive, filled with monuments, and now home to the striking Embrace Memorial, honoring Martin Luther King Jr.From there, the trail unfolds like a time machine:Massachusetts State House (1798) – Charles Bulfinch's golden-domed wonder, still home to the state government.Park Street Church (1809) – Once Boston's tallest landmark, it sits on the site of the city's old grain storage.Granary Burying Ground (1660) – Final resting place of heavyweights like John Hancock, Sam Adams, and Paul Revere.King's Chapel & Burying Ground (1686) – Boston's first Anglican church, with over 330 years of history.Boston Latin School Site (1635) – The oldest public school in America; today it's marked by a Benjamin Franklin statue.Old Corner Bookstore (1718) – Once the publishing hub of legends like Hawthorne, Longfellow, and Thoreau. Now… a Chipotle (I wish I were kidding).Lunch at Union Oyster HouseBy now, you'll be starving. Enter Union Oyster House, America's oldest continuously operating restaurant (since 1826). The JFK booth is a must-sit, and yes—you're ordering a lobster roll.Afternoon: Monuments & Baseball MagicDon't miss the New England Holocaust Memorial—six glass towers etched with survivor stories, both sobering and moving.Then, if you're lucky enough to visit in season, cap off your night at Fenway Park. Whether it's catching a Red Sox game, snagging early batting practice passes, or just soaking up the energy at Cask 'n Flagon across the street (hot tip: persistence pays when getting a table here), Fenway is pure Boston. Day 3: More Freedom Trail & North End TreatsStart with breakfast at Quincy Market, the ultimate food hall. Then dive back into history:Old South Meeting House (1729) – Where colonists debated tea taxes and kicked off the Boston Tea Party.Old State House (1713) – Boston's oldest public building, central to colonial politics.Boston Massacre Site (1770) – A simple cobblestone marker for one of America's darkest sparks of revolution.From here, pop back into Quincy Market for another lobster roll (yes, it's worth a second one).Keep following the trail:Faneuil Hall (1742) – “Cradle of Liberty” where fiery speeches once filled the air. Today, it's mostly a giant souvenir shop, but the echoes of history remain.Paul Revere House (1680) – The patriot's humble home. Tours are intimate but no photos allowed inside.Old North Church (1723) – Where lanterns signaled “One if by land, two if by sea.” Take the tour to see the crypt and bell chamber.Cannoli TimeBoston's North End is an Italian dreamland, so refuel at Mike's Pastry with a giant cannoli. (Pro tip: get a few extra to-go. You'll thank me later.)End the night at Bell in Hand Tavern (1795), America's oldest continuously operating tavern. It's rowdy, it's historic, and it's the perfect spot for your nightcap. Day 4: Big Battles & Big ShipsIf your legs aren't jelly yet, tackle the Bunker Hill Monument. Climb the 294 steps for killer views of the city.From there, wander over to the USS Constitution, aka “Old Ironsides,” the oldest commissioned warship afloat. The ship and museum are free and make for an epic history-meets-maritime adventure.For a modern twist, hop in an Uber to the JFK Presidential Library & Museum—a sleek, inspiring deep dive into the Camelot era. Afterward, head to Sam Adams Brewery in Jamaica Plain. Tours start at $10, include tastings, and give you all the Boston beer vibes. Day 5: Art, Rainy-Day Magic & Sunset on the HarborBoston weather can turn on a dime, so I saved indoor treasures for day five.Morning: Museum of Fine ArtsThe MFA is massive, so choose wisely:Jewelry lovers: Beyond Brilliance exhibit (ancient to modern sparkle, with Chanel and Bulgari highlights).Classicists: Greek, Roman, and Byzantine collections.Painters-at-heart: Dutch & Flemish gallery with works by Rembrandt and Rubens.Quirky souls: Dollhouses and temporary Van Gogh exhibits.Fuel up at the museum café before heading out.Evening: Sunset Harbor CruiseOur trip ended on the water, with a Boston Harbor sunset cruise. Even in the rain, the top deck views were worth it. There's a buffet dinner, DJ, and plenty of space to dance—because no Boston trip is complete without one last celebration. Other Boston Must-Dos (If You Have Time)Duck Boat Tour – Amphibious buses that roam the streets then splash into the Charles River. Cheesy? Yes. Fun? Also yes.Cheers Pub – Grab a drink where everybody used to know your name.Green Dragon Tavern – A revolutionary haunt turned modern-day pub.Boston Burger Co. or Wahlburgers – Because you need at least one outrageous burger on this trip. Final ThoughtsBoston is the kind of city that can be done in a weekend but deserves a week. It's history you can touch, seafood you'll crave long after, and neighborhoods that feel like they've been waiting just for you.If you only had one day, I'd say walk the Freedom Trail—it's Boston in a nutshell. But if you want to experience the city like a local? Take your time, eat the lobster rolls, get lost in the cobblestone streets, and maybe—just maybe—let Fenway turn you into a Red Sox fan for life.Boston, you're wicked awesome.
Greg Jenner is joined in sixteenth-century Italy by historian Professor Jill Burke and comedian Tatty Macleod to learn all about Renaissance beauty standards and treatments. Early modern Italy is renowned for the gorgeous artworks created by painters like Titian, Rubens and Botticelli, many of them featuring beautiful women looking at themselves in mirrors or getting made up for a night out. In this episode, we take you through a Renaissance Get Ready With Me as we explore how these women would have been taking care of their hair and skin. We look at what hairstyles and makeup men and women wore, how often they bathed, whether or not they removed their body hair, and how they shaped their bodies through dieting and underwear. Along the way, we dive into the recipes for popular cosmetics and skincare treatments, ask where Renaissance beauty standards came from, and uncover the sexist, racist and classist ideas that often underpinned them. But we also explore how their beauty routines could be an avenue for women's self-expression, and show the importance of the history of beauty, even amidst the turbulent politics and warfare of the early modern period.If you're a fan of women's creativity through time, whacky historical recipes and early modern Italian art, you'll love our episode on Renaissance beauty.If you want to know more about the beauty standards of the past, why not listen to our episode on the history of high heels, or haircare entrepreneur Madam CJ Walker. And for more from Renaissance Italy, check out our episodes on the Borgias and Leonardo Da Vinci.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Emma Bentley Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Emma Nagouse Executive Editor: Philip Sellars
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