Podcasts about incredits

In an age where Deadpool & Wolverine is set to smash box office records, it can be hard to remember what things were like in the first wave of superhero blockbusters. Costumes were primarily made of black leather, nu-metal montages were all the rage, and yet–there was a willingness and desire to be experimental that is often lacking today. That's the scene The Incredibles burst onto in 2004, with its dynamic color palette, its retro-futuristic atmosphere, and (shockingly) its sharply defined point of view. For the next nostalgic installment of That Was Then, Paul and Arlo are joined by The Deli Counter of Justice co-founder Eric Sipple to discuss Brad Bird's landmark entry into the superhero canon. The gang discusses how Bird and his team utilized relatively primitive CGI to striking artistic effect, how comic books were not the film's main influence, and how Hollywood learned all the wrong lessons from The Incredibles' success.   NEXT: let's head to 1994 for more That Was Then, as we gaze upon the horrors unleashed by the Oliver Stone/Quentin Tarantino collab Natural Born Killers.     LINKS The Cinematography of The Incredibles, Part 1 by Ron Doucet, Flooby Nooby Part 2 Part 3     MUSIC “The Glory Days” by Michael Giacchino, The Incredibles (Music from the Motion Picture) (2004) “The Incredits” by Michael Giacchino, The Incredibles (Music from the Motion Picture) (2004)     GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

Whatever  Gordon Goodwin touches, whether it's in his role as pianist, saxophonist, composer, arranger, conductor - or any combination of these gifts - it's all about his love of music. That love, and prodigious talent has brought him 25 Grammy® nominations, including three this year: Best Jazz Vocal Album: Patti Austin Featuring Gordon Goodwin's  Big Phat Band - For Ella 2. Best Instrumental Composition: Quartet San Francisco Featuring Gordon Goodwin's Big Phat Band - Cutey and The Dragon, Composed by Raymond Scott and Gordon Goodwin. Best Arrangement, Instruments, and Vocals: Patti Austin ft. Gordon Goodwin's Big Phat Band - April in Paris, Arranged by Gordon Goodwin.   Gordon's collection already includes a Grammy® for ‘Best Instrumental Arrangement' for “Incredits” in the film The Incredibles and has been honored with 3 Emmy awards for his work on the Steven Spielberg-produced shows Animaniacs and Pinky and the Brain. His work has been featured/utilized in more than 80 film & TV productions spanning the gamut of pop culture, amplifying the likes of National Treasure, Star Trek: Nemesis, Snakes on a Plane, Get Smart, Remember the Titans, The Sorcerer's Apprentice, The Majestic (starring Jim Carrey), The Lion King, The Incredibles and Ratatouille.   “I look at that number and it shocks me every time. I still find it difficult to believe that the members of the Recording Academy have given me 25 Grammy® nominations for my work. I don't think you ever get used to it and the three most recent nominations seem somehow more precious than ever. I had the good fortune to be involved in two projects that were close to my heart in the past year, and happily, both were acknowledged by the Recording Academy.”   While this episode focuses primarily on the nominations for the current Grammy® season, we cover a lot of ground with Gordon in our conversation. 

Today a living legend joins the show! Even for a successful composer and arranger in Hollywood, Gordon Goodwin's numbers are impressive: A 2006 GRAMMY Award for his Instrumental Arrangement of “Incredits” from the Pixar film The Incredibles, three Emmy Awards, and thirteen GRAMMY nominations.Support the show

Bienvenidos amantes de la música, queremos agradecer vuestra compañía durante este 2023, en este episodio vamos a revisar algunos temas de los programas que fueron más importantes para nosotros durante este año. Esperamos que lo disfruten! Los temas son: 1. The Thrill Is Gone - Claudia Acuña. 2. Chasqui - Felipe Duhart. 3. The Flik Machine - Randy Newman 4. The Incredits (extracto) - Michael Giachinno 5. Linger Awhile - Samara Joy. 6. Hackensack - Bill Frisell. 7. Freddie Freeloader (False Start) - Miles Davis 8. Treasures - Stanley Jordan *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Bienvenidos amantes de la música, en el episodio de esta semana les queremos invitar a escuchar un programa especial sobre el Jazz presente en la animación. Nuestra revisión es bien amplia, como lo es el tema, y va desde Scott Bradley y la música para Tom & Jerry, pasando por Miles Davis hasta llegar a la actualidad con Michael Giacchino. Esperamos que lo disfruten. Los temas son: 1. The Incredits (extracto) - Michael Giacchino 2. Tom & Jerry at MGM (suite) - Scott Bradley 3. Belleville Rendez Vous - Matthieu Chedid 4. Someday My Prince Will Come (toma alternativa) - Miles Davis Sextet 5. Life's Incredible Again - Michael Giacchino *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Derek and Doug leave their capes at home and suit up for a very important mission: dissect The Incredibles, Pixar’s iconic superhero movie and first film to feature an entirely human cast. For the first time ever, Pixar tapped an outside director and gave them more creative control than ever before. Clearly the risk paid off, but what did that mean for Pixar—and for animation as a medium—moving forward? Listen in and find out! Film release: November 5, 2004 E-mail us: pixarpodcast@gmail.com Doug on Twitter: @ickybooley Derek on Twitter: @DerekBGayle Theme song features: “Stasis” by Eagle-Eyed Tiger | Source Closing song: “Incredits” from The Incredibles (soundtrack album) For more by Derek & Doug, check out Walloping Websnappers: A Spider-Man Podcast on the Four-Eyed Radio Network! --- Send in a voice message: https://anchor.fm/fallingwithstyle/message

主播打分： 荡科长（资深电影从业者；《复仇者联盟3：无限战争》等7期嘉宾；微博“荡科长”）：5.5分； “强烈建议和第一部连起来看，这样你才能发现这部问题有多大。” （荡科长的其它打分：《复仇者联盟3：无限战争》6.5分；《超时空同居》5分；《命运速递》4分） 波米：5.5分； “这片观感很像《银护2》，全面倒退之下，来靠婴儿卖萌尴尬撑场。” 《超人总动员2》(Incredibles 2)平均分：5.5分 本期节目流程与目录： 开场曲：(Michael Giacchino)； 第15秒-第1分半：嘉宾信息介绍与微店相关通知； 第1分半-第10分钟：影片信息介绍（无剧透）； 第10分钟-第17分半：两位主播为影片打分、阐述理由，先评价片头贴片《包宝宝》（包含对《包宝宝》的剧透）； 第17分半-第52分半：嘉宾“荡科长”和波米谈《超人总动员2》“问题”（涉及剧透）： 1、荡科长认为与前作时间线过度紧密的联系导致了两部主题表达相抵触，动作设计没有新意； 2、波米认为平行设置方面家庭线笑点老套，任务线反转缺乏吸引力，双线割裂，反派价值观树立和坍塌都缺乏说服力； 第52分半-第1小时10分半：交换意见，荡科长和波米谈该片“亮点”（涉及剧透）： 1、荡科长认为本片维持了皮克斯的高制作水准，超脱了一般低龄动画片的价值表达； 2、波米认为本片在价值观平衡方面做得较好，仍有部分趣味点； 第1小时10分半-尾声：外延话题（涉及剧透）： 1、对于皮克斯印象较深的前作回溯总结； 2、前掌门约翰·拉塞特性丑闻下课后皮克斯前景展望； 结束曲：(Michael Giacchino)； 影片《超人总动员2》重要信息： 本片北美分级：PG级（不适合光敏性癫痫或其他光敏症患者观看）； 本期节目重点提及的电影片单： 《桃色公寓》（1960） 《玩具总动员》（1995） 《虫虫危机》（即主播所说“虫虫特工队”，1998） 《X战警》（2000） 《怪兽电力公司》（2001） 《超人总动员》（2004） 《美食总动员》（2007） 《机器人总动员》（即主播所说“瓦力”，2008） 《玩具总动员3》（2010） 《神偷奶爸》（2010） 《怪兽大学》（2013） 《头脑特工队》（2015） 《疯狂动物城》（2016） 《银河护卫队2》（2017） 《寻梦环游记》（2017） 《复仇者联盟3：无限战争》（2018）

Will Brueggamann (The Underscore Podcast), Kristen Romanelli, and Christopher Coleman return to Metroville to discuss Michael Giacchino's original score for one of Pixar's most anticipated sequels - INCREDIBLES 2! To start, they quickly share their deepest, heartfelt, emotional reactions to the Pixar short, BAO. Next, they jump into the Incredibles 2 by talking through the highs and lows about the film itself, and then how well Giacchino's original score works within the film. They also share their reaction to the numerous "bonus tracks" on the soundtrack, the "Incredits 2" track, and finally what their respective pitches would be for an Incredibles 3!Episode Highlights00:00 - Incredintro02:39 - The Incredibles 204:26 - Bao11:43 - General film reaction18:24 - General score reaction24:11 - Problems in the film (SPOILERS)42:23 - How well does the score work in context? (SPOILERS)45:49 - Themes (SPOILERS)52:17 - Bonus themes (SPOILERS)60:17 - Final Thoughts (SPOILERS)64:13 - Pitching Incredibles 3 (SPOILERS)Music Selections00:00 - "Incredits 2" (Incredibles 2) by Michael Giacchino11:03 - "Episode 2" (Incredibles 2) by Michael Giacchino18:25 - "Elastigirl is Back" (Incredibles 2) by Michael Giacchino42:20 - "A Dash of Reality" (Incredibles 2) by Michael Giacchino45:19 - "Diggin' the New Digs" (Incredibles 2) by Michael Giacchino50:43 - "Consider Yourselves Undermined" (Incredibles 2) by Michael Giacchino53:05 - "Chill or be Chilled - Frozone's Theme" (Incredibles 2) by Michael Giacchino52:47 - "Pow Pow Pow - Mr. Incredibles Theme" (Incredibles 2) by Michael Giacchino54:23 - "Chicken in the Pot" (Solo - A Star Wars Story) by John Powell68:06 - "Happily After-Deavor" (Incredibles 2) by Michael GiacchinoNotes:Incredibles 2 by Michael Giacchino (Soundtrack Dreams Review)Find and Follow:Follow Will Brueggamann on Twitter - @underscore_showFollow Kristen Romanelli on Twitter - @kbfornowFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Our second episode focused on The Incredibles (2004) explores the wonderful themes at the heart of Michael Giacchino's score. We first discuss the two central motifs (which we call Main Theme and Main Fanfare) and reveal how they influence the character of the entire underscore. While perhaps lesser known, we dive into the wonderful character themes Giacchino composed for each member of the 'family of supers' - the outwardly shy and inwardly courageous Violet; the optimistic and irrepressible Dash; the brave and resourceful Helen 'Elastigirl' Parr. We also delight in Michael's theme for Incrediboy, music that at first seems sweet and innocent but foreshadows something sinister. Grab your earbuds and your supersuits, we're in for a rollicking ride. #nocapesListen to episode 6m2 Incredible ThemesThe Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,)-Logos-The Glory Days-Meet Elastigirl-Adventure Calling-Bob vs. The Omnidroid-Violet's In Charge-100 Mile Dash-A Whole Family of Supers-Road Trip!-Saving Metroville-Incredible Success-The IncreditsIMDBhttp://www.imdb.com/title/tt0317705/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

We're so jazzed to unveil our next topic - Michael Giacchino's score to The Incredibles. Written & directed by Brad Bird and produced by Pixar Animation studios in 2004, this super-sized supermovie brings a great many firsts to the podcast (our first animated feature, first Pixar film, first work from Michael Giacchino). Today we explore the swanky sound of this unique score and discuss the tradition that so inspires its spy vs spy style. Michael Giacchino's path to The Incredibles is an adventure story itself, full of unlikely origins and a true hero's call (this time to follow in the footsteps of a living Double-O legend). Sit back and enjoy - it's fun for the whole family of supers!Listen to episode 6m1 The Sound of The IncrediblesThe Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,)-Logos-The Glory Days-Off To Work-Incredible Success-The IncreditsIMDBhttp://www.imdb.com/title/tt0317705/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

Como foi uma semana fraca de assuntos, aproveito a oportunidade para falar de um dos compositores atuais favoritos: Michael Giacchino, responsável pelas trilhas de Lost, Star Trek, Divertidamente, Doutor Estranho, Rogue One, Homem-Aranha, Planeta dos Macacos e vários outros. TIMELINE 9:25: Medal of Honor: Allied Assault - Main Theme 12:07: Alias - Main Theme 13:26: Lost: Locke’d Out Again 16:11: Lost: Parting Words 18:59: Lost: Oceanic 815 20:37: Lost: Moving On 23:01: Os Incríveis: The Glory Days 24:25: Os Incríveis: Life’s Incredible Again 25:55: Os Incríveis: The Incredits 28:02: Missão: Impossível 3 28:22: Missão: Impossível - tema clássico 29:19: Ratatouille: Le Festin 30

Winner of the 2006 Grammy Award for his Instrumental Arrangement of nine-minutes long end [“Incredits”] credits from the Pixar film “The Incredibles,” with a 90 piece orchestra, as well as three-time Emmy Award winner and five-time Grammy nominee, Gordon Goodwin was warmly welcomed by ASMAC as the June luncheon speaker. For more information on this luncheon with Gordon Goodwin, please go to: http://www.asmac.org/gordon-goodwin-luncheon-june-18-2008/

Even for a successful composer and arranger in Hollywood, Gordon's numbers are impressive: A 2006 Grammy Award for his Instrumental Arrangement of "Incredits" from the Pixar film "The Incredibles," three Emmy Awards, and eight Grammy nominations. Here's another impressive number to add to the list: Eighteen. As in the number of musicians in Gordon Goodwin's Big Phat Band, one of the most exciting large jazz ensembles on the planet. Populated by L.A.'s finest players, the Big Phat Band takes the big band tradition into the new millennium with a contemporary, highly original sound featuring Gordon's witty, intricate, and hard-swinging compositions in a veritable grab bag of styles: swing, Latin, blues, classical, rock and even an homage to Looney Tunes. Watch them perform live from Disneyland in this exclusive Yamaha Hub podcast episode. Want to Connect with Yamaha on the go? Make sure to grab the free Yamaha Hub iPhone app - http://4wrd.it/hubapp for the Hub of all things Yamaha.

Even for a successful composer and arranger in Hollywood, Gordon's numbers are impressive: A 2006 Grammy Award for his Instrumental Arrangement of "Incredits" from the Pixar film "The Incredibles," three Emmy Awards, and eight Grammy nominations. Here's another impressive number to add to the list: Eighteen. As in the number of musicians in Gordon Goodwin's Big Phat Band, one of the most exciting large jazz ensembles on the planet. Populated by L.A.'s finest players, the Big Phat Band takes the big band tradition into the new millennium with a contemporary, highly original sound featuring Gordon's witty, intricate, and hard-swinging compositions in a veritable grab bag of styles: swing, Latin, blues, classical, rock and even an homage to Looney Tunes. Watch them perform live from Disneyland in this exclusive Yamaha Hub podcast episode. Want to Connect with Yamaha on the go? Make sure to grab the free Yamaha Hub iPhone app - http://4wrd.it/hubapp for the Hub of all things Yamaha.

Even for a successful composer and arranger in Hollywood, Gordon's numbers are impressive: A 2006 Grammy Award for his Instrumental Arrangement of "Incredits" from the Pixar film "The Incredibles," three Emmy Awards, and eight Grammy nominations. Here's another impressive number to add to the list: Eighteen. As in the number of musicians in Gordon Goodwin's Big Phat Band, one of the most exciting large jazz ensembles on the planet. Populated by L.A.'s finest players, the Big Phat Band takes the big band tradition into the new millennium with a contemporary, highly original sound featuring Gordon's witty, intricate, and hard-swinging compositions in a veritable grab bag of styles: swing, Latin, blues, classical, rock and even an homage to Looney Tunes. Watch them perform live from Disneyland in this exclusive Yamaha Hub podcast episode. Want to Connect with Yamaha on the go? Make sure to grab the free Yamaha Hub iPhone app - http://4wrd.it/hubapp for the Hub of all things Yamaha.

Even for a successful composer and arranger in Hollywood, Gordon's numbers are impressive: A 2006 Grammy Award for his Instrumental Arrangement of "Incredits" from the Pixar film "The Incredibles," three Emmy Awards, and eight Grammy nominations. Here's another impressive number to add to the list: Eighteen. As in the number of musicians in Gordon Goodwin's Big Phat Band, one of the most exciting large jazz ensembles on the planet. Populated by L.A.'s finest players, the Big Phat Band takes the big band tradition into the new millennium with a contemporary, highly original sound featuring Gordon's witty, intricate, and hard-swinging compositions in a veritable grab bag of styles: swing, Latin, blues, classical, rock and even an homage to Looney Tunes. Watch them perform live from Disneyland in this exclusive Yamaha Hub podcast episode. Want to Connect with Yamaha on the go? Make sure to grab the free Yamaha Hub iPhone app - http://4wrd.it/hubapp for the Hub of all things Yamaha.