Podcast appearances and mentions of Miles Davis

Drummer Kush Abadey joins Pablo Held to talk about mental practice, time feel, drum tuning, lessons learned from playing with Wallace Roney, Tomasz Stanko & Buster Williams, recording Melissa Aldana's new album with Gonzalo Rubalcaba, the art of playing brushes, clarity, Miles Davis' ‘Complete Concert 1964' album and much more.

Jason Fraley interviews Grammy winner Marcus Miller, who performs this Saturday at the D.C. Jazz Festival, which runs Wednesday through Sunday at The Wharf in Washington D.C. They discuss his prolific career working with Miles Davis, Luther Vandross, Roberta Flack, Aretha Franklin, Whitney Houston, Mariah Carey and Beyonce, as well as TV shows like “Saturday Night Live” and movies like Spike Lee's “School Daze” where he co-wrote “Da Butt.” (Theme Music: Scott Buckley's "Clarion")

Journey back to the summer of 1970 as we explore the legendary Isle of Wight Festival, where music lovers converged on a small island off England's southern coast for five days of extraordinary performances. What makes this festival particularly special is how well it was documented – allowing us to experience these historic performances through recordings and film footage decades later.From Chicago's early hits to The Who's powerful performance of "Tommy," the festival showcased artists at pivotal moments in their careers. Jim Morrison's haunting performance with The Doors stands as one of his final shows. Meanwhile, Miles Davis demonstrated how jazz could captivate rock audiences, and Jimi Hendrix delivered unforgettable performances just weeks before his death.We'll also transport you to the 1995 HORDE Festival in Atlanta, a touring concert series that helped bands like The Black Crowes and Blues Traveler reach larger audiences by combining their fan bases. Along the way, we explore summer hits that defined their eras – from KC and the Sunshine Band's disco anthem "Get Down Tonight" to The Kings' double-hit "This Beat Goes On/Switching to Glide." We'll also examine how The Cure's 1985 album "Head on the Door" marked their transition to mainstream success with its distinctive sound.These weren't just concerts – they were cultural touchstones that helped define musical movements and create the shared experiences that bind music fans together. Join us as we celebrate the festivals, songs, and albums that shaped rock history and continue to influence how we experience music today.“Music In My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldVisit our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

In this episode, Tales From The Green Room presents their conversations with Joe Marcinek and Jeremy Hoenig recorded before their respective performances during Jazz Fest 2025 in New Orleans – featuring two  musicians swimming in the same music circles in the San Francisco Bay Area and nationally - and both connected with Melvin Seals!   Marcinek joins the show before his stellar appearance leading Dead Funk Summit during the Crawfish Festival at The Broadside, and is joined by soulful percussionist, drummer, vocalist, Rick King – a member of the Summit on this day.  King talks about getting drawn into the Grateful Dead vibe, including with his own band, Rick King's Royal Hustle, elaborating on how magic happens on stage with Marcinek. Hoenig sits down with the hosts before holding down the beat on drums at his gig with Melvin Seals & JGB at Café Istanbul -  made possible by venue host Mitch Stein, responsible for curating a stellar lineup of musicians at the venue during Jazz Fest.The Marcinek segment – recorded the very day his new album, The Groove Sessions, was released -  delves into Joe's late entry into music, his love for New Orleans sounds, the evolution of his Dead Funk Summit project now taking on a life of its own, and the special energy created by different musicians joining the venture around the country - including the likes of George Porter, Jr. and the aforementioned, Melvin Seals. The Crawfish King, Shaggy Davis, even makes a cameo during the interview! Hoenig talks about his own musical journey  from being inspired by his father's record collection to his current gig with the iconic Seals, playing with Camille Boudin of The Radiators, and reflects on “falling into the groove” playing beats the first time he entered the New Orleans music scene. Jeremy identifies a cadre of his favorite New Orleans drummers and how playing with Melvin Seals & JGB is the perfect fit for him. Joe Marcinek, Rick King, and Jeremy Hoenig go in depth sharing their experiences in the music scene, their love for improvisation, and the collaborative spirit they embody, providing for a heartwarming and informative episode.HIGHLIGHTSWhen you have a band that plays all the time, it's easy to kind of go through the motions…where if you've never played together or it's something new, everyone's really locked in. Are we hitting the changes? Are we going to the move? Any little change that a musician does, that's when the magic happens.-Joe Marcinek on brining in different musicians to his "Dead Funk Summit"I read something about Miles Davis saying, “ I don't talk to my musicians about music, because if I would have to talk to 'em about it, I hired the wrong people in the first place. And I always think about that.-Rick King on the possibility of creating situations where magic can happen on stage among musicians, if you talk too much about it. You can imagine how proud I am  to be playing this music, which for me has all the styles that I love, and  the music I gravitate towards. It's blues, it's funk, it's reggae, it's jazz, it's country. It's all these rhythms. And Jerry knew, when he had his own band, he wanted to explore all those different things. So that's why I feel it's a very good fit for me… and personally, I just, I enjoy it. It lets me have everything that I love in one band.-Jeremy Hoenig on being a member of "Melvin Seals & JGB"PHOTOSBackstage Photos at NOLA Crawfish Fest – 4.29.25 – by Appelbaum ImagesSPONSOR SHOUT OUTSSpecial Thanks to Son Vo  (Jerry's Middle Finger) for his expert audio engineering skills editing the interview with Joe Marcinek and Rick King- recorded in a very noisy, outdoor backstage area at the Broadside in New Orleans during the Crawfish Festival - making this episode possible! Son Vo is also a talented writer! Check out his compelling story, now available as an audiobook: Tales of the Mekong Delta Bluesman - Autobiography of Son Vo@sonvosongsSpecial thanks also to Mitch Stein - producer of JazzFest after shows at Café Istanbul - for welcoming us to the venue and accommodating our interview with Jeremy Hoenig! Checkout and download Mitch's DEADSHOWZ App – The most powerful mobile Grateful Dead search engine on the planet! LINKSJOE MARCINEKhttps://www.joemarcinekband.com/The Groove Session – Album – Joe Marcinek Bandhttps://www.jesusmolina.org/https://www.groovesessionmusic.com/Upcoming ShowsJoe Marcinek's Dead Funk Summit w/ Melvin Seals, Tony Hall, Cliff Porter, and Rick King 22 Aug  -Good People Good Times Music Festival 2025 – Nashville, IN23 Aug - Rockopelli Music Fest 2025 -  Crown Point, IN24 Aug – Park Theater - Holland, MIJoe Marcinek Band31 Aug – Sunday Is Dead – Harlan Records, Outside Show,  San Francisco, CA 4pm – 7:15pm    w/ Angeline Saris, Dylan Teifer, Jerry Saracini, Jeff Hobbs, Jen Freebairn)Event Organized by Mr. Hat Presents27 Sep  - Michigan City's Last Splash Fest 2025 - Michigan City, INRICK KINGRick King's Royal Hustlehttps://www.honeyislandswampband.com/Upcoming Shows

Every law firm wants more leads — but what if chasing them is the very thing holding you back? In this episode of The Game Changing Attorney Podcast, Michael and Jessical Mogill tackle one of the most common (and costly) mistakes law firm owners make: pouring money into marketing before fixing the foundation of their business. A $100,000 ad campaign might sound like the fast track to growth, but if your systems, team, and client experience can't handle the volume, you'll end up scaling chaos instead of results. Here's what you'll learn: Why investing in marketing before your systems are ready creates more problems than profit How to recognize whether your firm needs capacity, optimization, or true demand generation The mindset shift that separates law firm owners who burn cash from those who build scalable, thriving practices Before you write your next big marketing check, listen to this episode. It might just save you $100K — and set your firm on the right path for sustainable growth. ---- 00:00 – Intro and setup: The difference between growing revenue and scaling your business 02:30 – Why mistakes don't define you — it's how you respond that matters 03:24 – Miles Davis on wrong notes and life lessons 06:42 – The $100K marketing question: Should you invest in leads or systems? 09:42 – Why scaling demand without capacity only creates bigger problems 10:36 – Run your own race: Why comparing your growth to competitors is a trap 13:40 – Should you hire before perfecting processes, or wait until everything is “just right”? 16:39 – How to expand capacity without sacrificing client experience ---- Links & Resources: Miles Davis Quote ---- Do you love this podcast and want to see more game changing content? Subscribe to our YouTube channel. ---- Past guests on The Game Changing Attorney Podcast include David Goggins, John Morgan, Alex Hormozi, Randi McGinn, Kim Scott, Chris Voss, Kevin O'Leary, Laura Wasser, John Maxwell, Mark Lanier, Robert Greene, and many more. ---- If you enjoyed this episode, you may also like: 389. AMMA — Stop Fixing $5 Problems and Start Solving $1M Ones 379. AMMA — If You're Still Chasing Leads, You've Already Lost 358. Your Competitors Don't Want You to Know These Game Changing Marketing Strategies

Today we're going on an aquatic journey with Herbie Hancock's Maiden Voyage. Herbie calls the title track the best tune he's ever written.  We dive deep into the music to explore what makes this tune, and this album, great. The roots of Maiden Voyage date back in 1963, when Herbie began hearing rumors that Miles Davis wanted to hear him play. He didn't believe it at first -- Miles was at the height of his celebrity by this point. But soon he got a call. He went over to Miles's house and played with him, George Coleman, Tony Williams and Ron Carter for three days. On the third day, Miles asks the group to come to studio to record Seven Steps to Heaven. Herbie says, "Does that mean I'm in the band?" Miles says, "You're making the record, mother f**cker!" After two years playing in what many call the one of the greatest jazz ensembles of all time, Herbie would release Maiden Voyage in 1965. Along with George, Tony and Ron, plus saxophonist Freddie Hubbard. Although it is one of his simplest tunes -- with a rhythm inspired by a cologne commercial -- Maiden Voyage would become a favorite and a standard among jazz musicians. In this episode, you'll hear:- Adam and Peter pick apart the greatest moments from the album, including some perfect solos- The story of the commercial roots of this jazz standard- Where the record got its aquatic theme- Why a great song starts with a great bassline (just ask Ron Carter)- How this record could have been even better ... if it weren't for that piano sound- Where we land on Van Gelder Sound controversy-----Keyboards? Albums we haven't covered. "Boomer" talk. We know you have opinions about this show. Help us make You'll Hear It better by sharing your feedback with us and answering a short survey. You could win one of three $100 Amazon gift cards! Visit youllhearitsurvey.com to learn more and fill out the survey.Want more Herbie Hancock content? Learn why Herbie's greatest era is not even jazz on last season's episode on Headhunters.

En su disco 'Kind of Miles', el trompetista sardo Paolo Fresu rinde homenaje al Miles Davis acústico ('It never entered my mind', 'Autumn leaves', 'I thought about you', 'Round midnight') y al eléctrico ('Time after time', 'Call it nothing'). Otros dos músicos italianos, el pianista Giovanni Ceccarelli y el bajista Ferruccio Spinetti, firman 'Le grand Michel' un homenaje al compositor Michel Legrand ('The summer knows', 'You must believe in spring' -con la voz de Chiara Civello-, 'What are you doing the rest of your life' -con la voz de Camille Bertault-, 'The windmills of your mind' -con la voz de Cristina Renzzetti-). Escuchar audio

Eric Frandsen and Jason Walker preview Region 11 and 3A North football as the season begins on Friday. Top 25 Aggies for 2025: Miles Davis Pick 6 Results

Claudia Acuna is an exquisite Chilean jazz singer. She is a Latin Grammy Nominee and an npr Tiny Desk Concert artist. She blends South American folk music with Jazz and World Music. She's collaborated with stars like Branford Marsalis, George Benson, Kenny Barron and Herbie Hancock. She's released five albums, and was the first Latin American vocalist to be signed by a major record label.My featured song is my version of Miles Davis's “All Blues” sung by the late, great Jon Lucien, from my 1994 debut album Miles Behind by the Robert Miller Group. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CLAUDIA:www.claudiaacuna.net____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

A special edition of the programme recorded in front of an audience at the Edinburgh Festivals earlier this week. Emmy and Olivier Award-winning actor Brian Cox discusses his role as the ghost of economist Adam Smith in James Graham's satirical play Make It Happen. The National Theatre of Scotland production at the Edinburgh International Festival chronicles the rise and downfall (in 2008) of the world's biggest bank, The Royal Bank of Scotland, and also features an actor playing the role of the bank's former chief executive, Fred Goodwin, and an onstage chorus. We're joined by Zainab Johnson - a black female Muslim comedian from Harlem whose show Toxically Optimistic is her debut at the Edinburgh Festival Fringe and by comedian, Taskmaster star and the voice of Netflix's Too Hot to Handle Desiree Burch, whose show The Golden Wrath tackles themes including death, menopause, spirituality and nationality. Plus music from leading trumpeter Jay Phelps, whose show Miles at the Fringe reflects on the legacy of the bestselling jazz album of all time, Kind of Blue by Miles Davis, and from The Bengsons, an Obie-winning husband and wife indie folk duo whose production Ohio is a celebratory true story about losing faith and finding hope in the darkest of places and is produced by the team behind Fleabag and Baby Reindeer. Presenter: Kirsty Wark Producer: Mark Crossan

Why is it so important to be cool? This week, Jess, Aaron, and Joey talk about Black culture, 21 Jump Street, social approval, bandwaggoning, alternative hierarchies, and Lauryn Hill. They don't talk about Digable Planets. references Dru Hill's "5 Steps" Old Man, look at my life. Journal of Experimental Psychology: "Cool is cool wherever you are" Miles Davis' The Birth of the Cool Uncola: Seven-Up, Counterculture and the Making of an American Brand Wired Video: Linguists Explain the History of "Cool" BET Video: The Origin Of "Cool": How Black Culture Embodies "Cool" & Influences Trends For Mainstream 21 Jump Street (2012) first day of school scene Corrections Department: To clarify, the study does not specifically question the Black origins of our collective use of the word "cool," rather it questions whether the emotional restraint in Black culture that came to define the early idea of "cool" is still the current concept of "cool." Bow Chicka Wow Wow 

MILES DAVIS / MILT JACKSON “MILES DAVIS AND THE MODERN JAZZ GIANTS” Hackensack, NJ, December 24, 1954 Bags' groove, The man I love Miles Davis (tp) Milt Jackson (vib) Thelonious Monk (p) Percy Heath (b) Kenny Clarke (d) AHMAD JAMAL “BUT NOT FOR ME – LIVE “PERSHING LOUNGE” Chicago, IL, January 16, 1958PoincianaAhmad Jamal (p) Israel Crosby (b) Vernel Fournier (d) HORACE SILVER “THE TOKYO BLUES” Englewood Cliffs, NJ, July 13, 1962Too much sake, Sayonara blues, The Tokyo blues Blue Mitchell (tp) Junior Cook (ts) Horace Silver (p) Gene Taylor (b) John Harris (d) Continue reading Puro Jazz 04 de agosto, 2025 at PuroJazz.

MILES DAVIS / MILT JACKSON “MILES DAVIS AND THE MODERN JAZZ GIANTS” Hackensack, NJ, December 24, 1954 Bags' groove, The man I love Miles Davis (tp) Milt Jackson (vib) Thelonious Monk (p) Percy Heath (b) Kenny Clarke (d) AHMAD JAMAL “BUT NOT FOR ME – LIVE “PERSHING LOUNGE” Chicago, IL, January 16, 1958PoincianaAhmad Jamal (p) Israel Crosby (b) Vernel Fournier (d) HORACE SILVER “THE TOKYO BLUES” Englewood Cliffs, NJ, July 13, 1962Too much sake, Sayonara blues, The Tokyo blues Blue Mitchell (tp) Junior Cook (ts) Horace Silver (p) Gene Taylor (b) John Harris (d) Continue reading Puro Jazz 04 de agosto, 2025 at PuroJazz.

Receiving B.S. and M.S. degrees from The Julliard School of Music, David Taylor started his playing career as a member of Leopold Stowkowski's American Symphony Orchestra, and with appearances with the New York Philharmonic under Pierre Boulez. Simultaneously, he was a member of the Thad Jones Mel Lewis jazz band, and recorded with groups ranging from Duke Ellington to The Rolling Stones. He has also recorded numerous solo CDs on the following labels: Koch, New World, ENJA, DMP, Tzadik, CIMP, PAU, and TLB. Mr. Taylor performs recitals and concerti around the world: from Lincoln Center in NY to the Musikverein in Vienna and Suntory Hall in Japan. In addition to his own compositions, he has been involved in well over a hundred commissioning projects for solo bass trombone collaborating with composers including Alan Hovhaness, Charles Wuorinen, George Perle, Frederic Rzewski, Lucia Dlugoszchewski, Eric Ewazen, Dave Liebman, and Daniel Schnyder. He has appeared and recorded chamber music with Yo Yo Ma, Itzhak Perlman, and Wynton Marsalis and performs with the Lincoln Center Chamber Music Society, the Mostly Mozart Festival Orchestra, Orpheus, and the St. Luke's Chamber Orchestra. Throughout his career, Taylor has appeared and recorded with major jazz and popular artists including Barbara Streisand, Miles Davis, Quincy Jones, Frank Sinatra, and Aretha Franklin. Mr. Taylor has won the National Academy of Recording Arts and Sciences Most Valuable Player Award for five consecutive years, and has been awarded the NARAS Most Valuable Player Virtuoso Award, an honor accorded no other bass trombonist. He has also won The International Trombone Association's Award “in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance. He has been a member of the bands of Gil Evans, Thad Jones-Mel Lewis, Jaco Pastorius, Charles Mingus, JJ Johnson, Joe Henderson, George Russell, Michele Camilo, Bob Mintzer, Dave Matthews, Dave Grusin, Randy Brecker, and the Words Within Music Trio (Daniel Schnyder, David Taylor, Kenny Drew Jr., The Art of the Duo (with D Schnyder) and B3+. He has performed on numerous GRAMMY Award winning recordings. David Taylor is also on the faculties of the Manhattan School of Music, Mannes College, and NYU. He plays Edwards bass trombones and Griego/Taylor mouthpieces exclusively. https://www.davetaylor.net/

I call Tracy Silverman “The Jimi Hendrix of the violin”. He's no ordinary violinist. He plays a 6 string electric violin with loops and pedals and effects. He plays everything from violin concertos to rock, jazz and hip hop, and that included Hendrix and Miles Davis. He's performed with the jazz group Turtle Island String Quartet, the Los Angeles Philharmonic and the Chicago Symphony, and he's played at Carnegie Hall and the Royal Albert Hall. He's been featured on npr and on A Prairie Home Companion, and he was profiled on CBS News Sunday Morning.My featured song is “Moon Shot” from the album What's Up! by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH TRACY:www.tracysilverman.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Dr. Don and Professor Ben talk about the risks from eating cooked chicken from a bag where one piece of chicken was caught in the bag seam. Dr. Don - not risky

La cantante de jazz Samara Joy ha grabado una versión de 'Flor de lis', la canción de Djavan, como agradecimiento a la música brasileña. Otra cantante estadounidense, Jane Monheit, canta 'My Brazil' y 'Too close for comfort'. Y dos contrabajistas, Christian Mc Bride y Edgar Meyer, firman el disco 'But who´s gonna play the melody?' con piezas como 'Days of wine and roses', de Henry Mancini, 'Solar', de Miles Davis' 'Interlude #1' o 'Bewitched, bothered and bewildered' de Rodgers y Hart. Abre el guitarrista Pasquale Grasso con su último disco 'Solo beb-bop' ('Chasin´the bird', 'Salt peanuts') y cierra João Bosco con 'Incompatibilidade de gênios', 'De frente pro crime' y 'Corsário' de su disco 'Corsário - Live at Rio Montreux Jazz Festival'. Escuchar audio

El pianista estadounidense Denny Zeitlin toca clásicos de Richard Rodgers como 'With a song in my heart', 'Wait till you see her', 'I have dreamed' o 'I didn´t know what time it was' en un homenaje al compositor Richard Rodgers; la octogenaria brasileña Alaíde Costa canta 'Tatuado', 'Errei sim', 'Ave Maria no morro', 'Fim de comédia' y 'El día que me quieras' en su homenaje a la cantante Dalva de Oliveira; el trompetista italiano Paolo Fresu abre con 'Time after time' en su homenaje a Miles Davis y, en su recuerdo a Ryuichi Sakamoto, el japonés Goro Ito y los brasileños Paula y Jaques Morelenbaum incluyen 'Happy end', 'M.A.Y. in the backyard' y 'Sayonara'.Escuchar audio

✦ Atlanta is a city rife with creativity. One of the artistic endeavors that Atlanta, and Georgia for that matter, has seen hockey stick growth within is film making. Not to be forgotten, however, amongst the known stars, million-dollar budgets, and expensive studios are the indie-film makers. City Lights Collective co-host Jon Goode sat down with poet, indie-film maker, and Atlanta native Malik Salaam, director of the new film Cut, to discuss the movie, his journey, and Atlanta's indie-film scene. ✦ A speakeasy meets a night of jazz-opera fusion, R&B, and chill vibes this Saturday. WABE arts reporter Summer Evans shares more about "The Den on Queen" event. ✦ City Lights Collective member, podcaster, and self-proclaimed history nerd Victoria Lemos lives to research the stories behind Atlanta's treasures, and this week, she dives into the wild origin story of one of the city's most beloved institutions: Zoo Atlanta. It all started in Grant Park in the late 1800s, where an abandoned circus, a lumber magnate with a vision, and some very confused animals collided to create Atlanta's first permanent menagerie. In today's story from Lemos, you'll meet the city's first zookeeper, an "educated pig," and learn how a train car full of lions, monkeys, and even a dromedary led to what we now call Zoo Atlanta. We'll uncover how public parades, dime campaigns, and even elephants named Coca and Cola shaped the park's future—and why the city's love for the zoo never quite matched the funding behind it. ✦ You know as well as we do that there is always a plethora of things to do in Atlanta, and we have earned the title of "The Cultural Capital of the South." Mike Jordan, senior editor at the AJC, and Sammie Purcell, associate editor at Rough Draft Atlanta, know this well too. They join us weekly to share a few of their picks for your weekend entertainment. Today, their mix includes two separate food events – one for veggies and one for jollof, and a film festival in the suburbs. ✦ Award-winning photographer Jim Alexander has spent his life refining what he calls the art of documentary photography. A photojournalist, teacher, activist, media consultant, and entrepreneur, Alexander has amassed an impressive collection of images showcasing Black culture and human rights. He's also a dear friend of photographer Sue Ross, who has spent five decades telling the story of Black Atlanta through images of politicians, artists, literary greats, community leaders, and as she puts it, "just plain people." These two giants of photography have much in common, but it's their shared love for Music that is spotlighted in the exhibition, "We Are Music," currently on view at The Sun ATL. Both Alexander and Ross have seemingly endless collections of live concert photography. They've both been stage-side to capture images of some of Black Music's biggest names, including Dizzy Gillespie, Gladys Knight, Miles Davis, Run-DMC, Herbie Hancock, and India Arie - many of whom were photographed at Atlanta's annual Jazz Festival. City Lights Collective co-host Kim Drobes recently visited The Sun ATL to view the exhibition and was given a tour by the legendary photographers.See omnystudio.com/listener for privacy information.

** PLEASE SUBSCRIBE ** Featured in a special edition of TRUTH IN RHYTHM, Episode 347 (Part 2 of 2): Iconic jazz keyboardist, producer and composer Lonnie Liston Smith! Beginning his recording career in the 1960s as a pianist for some of jazz's most prolific figures, he went on to lead his own group and release more than a dozen albums during the 1970s and 1980s that explored and redefined not only contemporary jazz but also jazz-funk and jazz-soul music, which later provided popular grooves for rappers.  Big names he collaborated with through the years include Roland Kirk, Pharoah Sanders, Gato Barbieri, Miles Davis, Norman Connors, Mtume, Marcus Miller and Phyllis Hyman. In 2023, he ended a 25-year studio hiatus with Vol. 17 of the Jazz Is Dead series. RECORDED JUNE 2025 Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― TRUTH IN RHYTHM is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Featured in a special edition of TRUTH IN RHYTHM, Episode 347 (Part 1 of 2): Iconic jazz keyboardist, producer and composer Lonnie Liston Smith! Beginning his recording career in the 1960s as a pianist for some of jazz's most prolific figures, he went on to lead his own group and release more than a dozen albums during the 1970s and 1980s that explored and redefined not only contemporary jazz but also jazz-funk and jazz-soul music, which later provided popular grooves for rappers.  Big names he collaborated with through the years include Roland Kirk, Pharoah Sanders, Gato Barbieri, Miles Davis, Norman Connors, Mtume, Marcus Miller and Phyllis Hyman. In 2023, he ended a 25-year studio hiatus with Vol. 17 of the Jazz Is Dead series. RECORDED JUNE 2025 Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― TRUTH IN RHYTHM is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

rWotD Episode 3005: Return to Forever Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Saturday, 26 July 2025, is Return to Forever.Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums.After playing on Miles Davis's jazz-fusion albums In a Silent Way (1969) and Bitches Brew (1970), Corea formed an avant-garde jazz band called Circle with Dave Holland, Anthony Braxton and Barry Altschul. In 1972, after converting to Scientology, Corea decided he wanted to communicate better with his audience. This meant performing a more accessible style of music than avant-garde jazz.Return to Forever first disbanded in 1977 after five years and seven studio albums. The band never released another studio album, but occasionally reunited for live performances until Corea's death in 2021.This recording reflects the Wikipedia text as of 00:05 UTC on Saturday, 26 July 2025.For the full current version of the article, see Return to Forever on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

La poesía es una arena tan sensible que registra la edad de nuestra sombra. Con esta cita de Roberto Juarroz comienza el último libro del poeta Matías Miguel Clemente: Una arena tan sensible, publicado por La Bella Varsovia. Con la música de Clacowsky - Los Galgos Sedientos y Las Solfamidas, The National con Taylor Swift, Hozier, Keith Jarrett y Miles Davis.Escuchar audio

Author and sports columnist Dave Zirin of The Nation joins us to delve into the Muhammad Ali psychedelia of A.K.A. CASSIUS CLAY (1970), possibly the trippiest sports documentary ever conceived. In this amazing conversation, Dave explains how Ali linked the civil rights movement to growing antiwar protests as well as giving us the lowdown on director Jimmy Jacobs and narrator Richard Kiley, a Broadway legend who looks like a handsy college professor here. Cory and Bob talk about the movie's funkified jazz score by Teo Macro, who scored this movie the same year he produced Miles Davis' fusion opus BITCHES BREW! And Dave sticks around long enough to tell us about the time that George Foreman (RIP) sang Bob Dylan to him. You'll never guess which song Big George sang, so you'll have to listen. Bob and Cory also talk a little bit about the new SUPERMAN movie and speculate if David Zaslav is the greatest studio chief of all time with Super and SINNERS coming out during his watch. We promised Dave Zirin talking Ali and Foreman back in PhilenApocalypse III and gave you THE BIRDS instead. And in THE BIRDS ep, we promised horse movies with Philena's partner Sage and you finally got Zirin and Ali. So the next episode will be Sage joining us for horse movies, but there's yet another programming change. Instead of Smoky and Francis the Talking Mule, you'll get HOT TO TROT (1988) with the great Bobcat Goldthwait plus Elizabeth Taylor in NATIONAL VELVET (1944), which Cory says is the least stony movie of all time but Bob promises is kinda pervy in a disturbing way, so there's that. Please subscribe so you don't miss it. You can find Dave Zirin at https://www.edgeofsports.com/ Hosts: Bob Calhoun and Cory Sklar Philena and Greg are on assignment OMFYS Theme and "Hamburgers for America" by Chaki the Funk Wizard used by permission. Calluses II by William Rosati via YouTube Audio Library Archival audio via Archive.org 20060419.horse.neigh.wav by dobroide -- freesound.org/s/18229/ -- License: Attribution 4.0 Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners AT gmail DOT com

durée : 00:59:10 - Midnight Walk - par : Nathalie Piolé - ✨ Ce soir, on croit aux bonnes étoiles, on touche des mirages, on rêve de balades à minuit, très loin de notre lit. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sommerzeit! Wir springen daher in dieser Folge an den Beginn des 20. Jahrhunderts, als jenes Objekt erfunden wird, das uns in dieser Jahreszeit ständig begleitet: die Sonnenbrille. Wir sehen uns an, wann die wissenschaftliche Grundlage dafür geschaffen wurde und welche kulturelle Bedeutung die Sonnenbrille seither eingenommen hat. // Erwähnte Folgen - GAG494: Der Serumlauf nach Nome – https://gadg.fm/494 - GAG460: Lorenzo Da Ponte oder Wie ein Librettist entsteht– https://gadg.fm/460 - GAG475: Eine kleine Geschichte des Anzugs– https://gadg.fm/475 - GAG391: Celia Cooney, die Banditin mit der Kurzhaarfrisur– https://gadg.fm/391 - GAG458: Wie wir die Nacht zum Tag machten– https://gadg.fm/458 - GAG501: Wie die Jeans entstand– https://gadg.fm/501 - GAG389: Spieglein, Spieglein an der Wand– https://gadg.fm/389 // Literatur - Brock, William H. „The Royal Society's Glass Workers' Cataract Committee; Sir William Crookes and the Development of Sunglasses“. Notes and Records of the Royal Society of London 61, Nr. 3 (2007): 301–12. - Hartewig, Karin. Der verhüllte Blick: Kleine Kulturgeschichte der Sonnenbrille. Marburg: Jonas Verlag, 2009. - Vanessa Brown. Cool Shades: The History and Meaning of Sunglasses. Bloomsbury Publishing, 2014. Das Folgenbild zeigt Miles Davis im Jahr 1984, mit Sonnenbrille //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

durée : 01:59:28 - Jazz & Compagnie - par : Thierry Jousse - "Au programme, jazz vocal et instrumental à tous les étages, avec quelques stars : Miles Davis, Alice Coltrane, Roberta Flack… quelques héros méconnus, tel le guitariste Oscar Moore… " Thierry Jousse Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Tenor saxophonist/composer Hank Mobley (born July 7, 1930) has been described as one of the most underrated musicians of the bop era. Even though his career included stints with Miles Davis, Max Roach, Horace Silver and recordings with most of the greatest players of his generation, addiction and poor health adversely affected his life, leading to homelessness and an early death at the age of 55. He left behind a legacy of wonderful recordings and compositions, and has influenced myriad players to this day.

Welcome to the annual Summer Yay episode!

The ultimate musical showdown: jazz vs classical. We bring in conductor Josh Weilerstein from the Sticky Notes podcast to compare, contrast and find the common ground among these two very different schools of music. From Duke Ellington's swinin' take on Peer Gynt to George Gershwin's Rhapsody in Blue, we explore the tunes and the musicians blurring the line between jazz and classical. Josh, Adam and Peter each bring their own picks to the conversation, and have the best time breaking it all down.Nerdy? Extremely. Snobby? A little. Fun? Heck yeah!In this episode you'll hear:- Ravel's Piano Concerto in G Major: Herbie Hancock vs the Cleveland Orchestra- How Duke Ellington made classical standards swingin'- Why Bartók matters to modern music - Two very different interpretations of Rhapsody In Blue- Brubeck's Blue Rondo à la Turk: no improv, still loose- Miles Davis and Gil Evans doing Adagio

durée : 00:34:54 - Les Nuits de France Culture - par : Albane Penaranda - Le jazz, notamment l'album "Legrand Jazz" enregistré avec Miles Davis à la fin des années 1950, la chanson, le show-business ainsi que le sens qu'il souhaite donner à sa carrière musicale, autant de thèmes abordés dans ce dernier entretien conduit par Émile Noël, pour l'émission "Profils", en 1970. - réalisation : Vincent Abouchar - invités : Michel Legrand Compositeur, interprète et arrangeur français

Episode 168! In this episode your pals Justin and Nate answer messages from almost every form of contact that we have to offer. We smoke an amazing blend, and have a good time doing it! Support our sponsorredeemedpipes.cominstagram.com/redeemedpipesfacebook.com/redeemedestatepipesebay.com/usr/redeemedpipesIf you would like to support the podcast mission of providing a smoking lounge atmosphere for those that don't have one, see the options at: https://www.buymeacoffee.com/pipespourspalsPipes, Pours, and PalsPO Box 432 Daleville, IN 47334Call "The Pipeline" and leave us a message to potentially be used on air at 209-677-7473 (209-Mrs-Pipe)Email us at pipespoursandpals@gmail.comInstagram@PipesPoursAndPals@TheCoffeePotCodger@IndianaNate

Diese Flitterwochen waren gut! Joaquín Rodrigo macht aus seinen Erinnerungen ein Konzert für Orchester und Gitarre. Logisch – denn er hat die Flitterwochen ja auch in einer spanischen Stadt verbracht! Von Michael Lohse.

HUGE Summer Sale! Get 50% off all annual plans at Open Studio and take your playing to the next level: https://link.youllhearit.com/summer John Coltrane's Giant Steps isn't just a jazz classic — it's a rite of passage. Peter Martin and Adam Maness dig into what makes the album so technically punishing and emotionally electrifying. From the iconic solo on the title track to the symmetrical harmonies, the lightning-fast chord changes, the fiery swing of Cousin Mary, and the full-throttle chaos of Countdown, they unpack the brilliance, the feel, and the mythology. Whether you've studied this album or are hearing it with fresh ears, you'll come away understanding Coltrane — and Giant Steps — like never before.You'll hear:- Adam's deep dive into Coltrane's use of symmetrical harmony and lightning fast chord changes — and why it still stumps players today- A glimpse into Coltrane's early years with Miles Davis and Dizzy Gillespie- The truth about Tommy Flanagan's controversial solo — was he lost or just playing it cool?- How Giant Steps became the tune every jazz musician has to face- Apex moments, desert island tracks, and a spirited debate: is Giant Steps better than Kind of Blue?

Benny Rietveld has worn multiple hats over the course of his career. The Utrect-born, Hawaii-raised bassist has played with the likes of Miles Davis, Shiela E, and has been Santana's bassist and musical director for close to 25 years. He caught up at the Hideout Studios in Las Vegas.

Robert Pinsky is a Rock Star Poet! He's the 3x United States Poet Laureate. He's won many awards and was a Pulitzer Prize finalist. As Poet Laureate he created the “Favorite Poem Project” where everyday Americans would select and read poems they admired by the greats including Emily Dickinson and Langston Hughes. He's performed with Bruce Springsteen and performed poetry with world class jazz musicians. And he was featured on “The Simpsons”. My featured song is my version of Miles Davis' “All Blues”, sung by the late, great Jon Lucien, from my 1994 debut album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ROBERT:www.robertpinskypoet.com________________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Please note: this will be a live broadcast.  This show was rescheduled after a previously scheduled broadcast was postponed.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

Composer Steve Reich is one of the most influential musicians of modern times. In the 1960s he helped rewrite the rules of composition, using analogue tape machines to experiment with rhythm, repetition and syncopation. As the godfather of musical minimalism, his influence on Philip Glass, David Bowie, Jonny Greenwood of Radiohead, and many other composers, has been enormous. Countless dance music producers also owe a debt to pieces including It's Gonna Rain, Drumming, Different Trains and Music for 18 Musicians. His music has been performed in concert halls all around the world, and his many awards include three Grammys, a Pulitzer Prize, the Polar Prize for Music and the Premium Imperiale. Steve Reich tells John Wilson how, at the age of 14, three very different recordings awoke his interest in music: Stravinsky's The Rite of Spring, Bach's 5th Brandenburg Concerto, and a piece of bebop jazz featuring saxophonist Charlie Parker, trumpeter Miles Davis and drummer Kenny Clarke. Inspired to start a jazz quintet of his own, Reich began to study percussion before enrolling in a music history course at Cornell University. It was here he discovered the music of Pérotin, the 12th century French composer associated with the Notre Dame school of polyphony in Paris. His beautiful sustained harmonies had a profound influence on Reich's own compositions, including Four Organs (1970) and Music for 18 Musicians (1976).Steve Reich also explains the significance of two books on his music; Studies in African Music by A.M.Jones and Music in Bali by Colin McPhee, both of which led to a greater understanding of music from parts of the world where music is passed down aurally rather than through notation.Producer: Edwina Pitman Additional recording: Laura Pellicer

In the 54th episode of the ECM podcast we're joined by the great reedsman and composer Bennie Maupin, whose iconic leader-debut "The Jewel In The Lotus" was just reissued as part of ECM's Luminessence vinyl series. Bennie talks about spirituality, arts, Miles Davis and much more.

Episode 79. Omar Hakim, Part 2! We're back with the drumming legend Omar Hakim and pick up right where we left off in Part 1. We start with the wild story of how he met Sting while recording Brothers In Arms with Dire Straits… ON AN ISLAND. This story blows my mind. From there, we continue through his career with Sting, Miles Davis, Madonna, and the crazy story of making the Daft Punk hit "Get Lucky." This episode is full of rare backstories, industry gems, and lessons in creativity and innovation. We talk about Omar being an early adopter of electronic and acoustic hybrid drum setups. As the drummer for Madonna in her stadium-filling heyday, Omar blended cutting-edge sampling, triggers, and MIDI controllers to deliver on recordings' impossible sounds in a live setting, building custom rigs and using expression pedals for real-time sound bending. This preceded today's standard in pop touring, marking him as a pioneer for the next generation of drummers. We also get into the business side of touring and recording and where Omar is at today. I hope you enjoy Part 2 of my conversation with the man, Omar Hakim! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO   (0:03:34) HOW OMAR MET STING   (0:08:13) SESSIONS WITH STING   (0:10:30) STINGS FIRST SOLO TOUR   (0:11:07) “BRING ON THE NIGHT” FILM   (0:14:58) THE “BRING ON THE NIGHT” BAND   (0:17:19) MILES DAVIS   (0:18:36) HANGING WITH MILES DAVIS   (0:20:52) MILES KNEW OMAR'S DAD, JAMAICA QUEENS   (0:33:09) MADONNA, LIONEL RICHIE   (0:39:20) MICHAEL BEARDEN   (0:40:08) LUIS CONTE, MADONNA BAND   (0:41:24) DAFT PUNK, “GET LUCKY”   (0:48:47) JOHN JR ROBINSON   (0:51:20) THE 80'S MUSIC BUSINESS MODEL   (0:59:21) MARKET RATES FOR MUSICIANS   (1:02:11) SONIC BOOM SQUAD, RACHEL Z, LIFE TODAY Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Omar: https://www.instagram.com/omarhakimmusic/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com

In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Please note: this will be a live broadcast.  This show was rescheduled after a previously scheduled broadcast was postponed.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

As the great Warren Zevon said, ‘Enjoy every sandwich'. The two-man canoe navigates this week's rock and roll rivulet which sadly entails reflections on a pair of towering musical giants ‘whose legend occupied the space where activity should have been'. Things considered include … …are you born with genius or does a set of circumstances allow it to flourish? … the impossible task of living up to people's expectations and the calamitous ways it led Sly and Brian Wilson to behave. … like Sly's plane landing at the moment he was meant to be onstage at Madison Square Garden. … the massive cultural contrast between Woodstock and ‘the Black Woodstock' a month earlier and how Sly & the Family Stone looked like they'd ‘come from Mars'. … how Derek Taylor, Tom Nolan and Nick Kent helped fashion the Beach Boys' myth. … Sly's impact on Miles Davis, Prince, Massive Attack and hip-hop and how a record as radical as There's A Riot Goin' On was a No 1 Christmas album. … In My Room, a completely new kind of teenage song. … David's five Beach Boys teenage moments … … and Mark's three examples of Brian Wilson's Greatest Bits – eg the overture to California Girls. … and 'Arise, Sir Roger Daltrey!'Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Participants: John Steppling, Hiroyuki Hamada, Daniel Broudy, and Dennis Riches. Topics covered: Palestine, a few words in honor of the life of Christopher Black, police actions in Los Angeles against migrants and minorities and their defenders, Mike Davis' “No One is Illegal” (2006), Alexandre Havard-Dianine on Descartes, Rousseau, and Nietzsche, Jacinda Adern's career after the covid years in New Zealand, digital money vs. travelers' checks, the occupation of the mind of the target population, Jacques Ellul: agitation and integration propaganda. Music track: “Spanish Key” by Miles Davis (public domain).

Episode 78: Omar Hakim. Today on the pod we've got one of the most recorded drummers of all time. The legendary Omar Hakim! We went deep for over 2 hours, and unlocked SO MUCH GOLD, so we're releasing this conversation in two parts. In Part 1, Omar shares the stories behind some of his most iconic recordings, including his legendary session with David Bowie on Let's Dance, his deep musical relationship with Nile Rodgers, and his time in Weather Report. We also get into the wild story of how he tracked the entire Dire Straits album "Brothers in Arms" (including the questions I've always had about Money for Nothing). With this interview, I hope you'll now understand how Omar became the legend he is today. I think your mind will be blown when you hear about the caliber of musicians that were around him since he was a kid! Part 2 drops next week. For now, here's the first hour of my conversation with the amazing Omar Hakim. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO (0:04:57) STARTING PROFESSIONALLY AT AGE 10 (0:05:57) JAMAICA QUEENS, NEW YORK (0:07:13) TOURING WITH JAY MASON AT AGE 15 (0:08:08) OPENING FOR HALL & OATS, PLAYING ARENAS AS A TEENAGER (0:08:42) LABELLE, LADY MARMALADE (0:11:15) JOINING WEATHER REPORT (0:11:35) DAVID SANDBOURNE, “AS WE SPEAK” RECORD, MARCUS MILLER (0:12:10) CARLY SIMON (0:13:29) OTHER GIGS IN TEENAGE YEARS (0:14:18) OPENING FOR “RETURN TO FOREVER” (0:15:00) CHICK COREA, STANLEY CLARKE STORY (0:20:02) GETTING THE GIG WITH WEATHER REPORT (0:21:41) MILES DAVIS (0:22:53) GETTING THE GIG WITH WEATHER REPORT CONTINUED (0:24:57) HUGH MASEKELA, VICTOR BAILEY (0:26:56) HOW THE WEATHER REPORT GIG CHANGED OMAR'S LIFE (0:27:31) NILE RODGERS (0:28:32) DAVID BOWIE'S “LET'S DANCE” (0:33:08) BECOMING A MUSICAL CHAMELEON (0:34:08) “LET'S DANCE” DRUM PART, THOUGHT PROCESS (0:36:53) RECORDING “RICOCHET” WITH DAVID BOWIE (0:38:22) TIPS FOR SESSION MUSICIANS (0:40:05) GROWING UP WITH NILE RODGERS (0:41:59) NILE RODGERS, “GOOD TIMES” MASTERING SESSION (0:44:58) NILE RODGERS AS A PRODUCER (0:47:23) DAVID BOWIE SESSIONS, SAYING NO TO TOURING (0:50:26) DAVID BOWIE “TONIGHT” ALBUM RECORDING (0:51:42) TURNING DOWN BOWIE FOR WEATHER REPORT (0:55:22) DIRE STRAITS “MONEY FOR NOTHING” Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Omar: https://www.instagram.com/omarhakimmusic/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Daniele Cordisco is an acclaimed Italian Jazz Guitarist and Composer. He has recorded with many artists including The Maestro, Ron Carter. He's performed at festivals and clubs in the United States, Japan and Europe. He's also a guitar instructor and teaches at the renowned Master Programs at Siena Jazz.My featured song is my cover of Miles Davis' “Nardis” from the album Miles Behind by The Robert Miller Group. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH DANIELE:instagram.com/daniele.cordisco________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

If you were eagerly anticipating the next pun-named episode of Music of the Mat Remix, then your wait is over. Shawn Michaels came out to his entrance theme "Sexy Boy" for many years, but what if instead of kicking his opponents' heads off with Sweet Chin Music, he wailed away on a saxophone instead? Why, he'd be... just a saxy boy (saxy boyyyyyy). On this episode, Andrew and first-time guest Roomba from the VOW Discord play songs that have a saxophone part in them. Artists played include Billy Idol, Fela Kuti, Ween, Romeo Void, FEAR, Sisters of Mercy, Grace Kelly, Miles Davis w/ John Coltrane & Cannonball Adderley, and many more. Get ready to make 'em hot and make 'em shiver with the help of some awesome saxophone songs!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrewAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we have a very special guest, Jon Stewart! Jon joins Armando and Helen to discuss whether Trump is the political equivalent of Miles Davis, the quaintness of UK politics compared to the US, Jon does a flawless Margaret Thatcher impression and they answer the age old question... are escalators the most emasculating form of travel?To hear more episodes from this series, search Strong Message Here on BBC Sounds.Have you stumbled upon any perplexing political phrases you need Helen and Armando to decode? Email them to us at strongmessagehere@bbc.co.ukSound Editing by Charlie Brandon-King Production Coordinator - Sarah Nicholls Executive Producer - Pete StraussProduced by Gwyn Rhys Davies. A BBC Studios Audio production for Radio 4. An EcoAudio Certified Production.

In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

Before Kind of Blue, a 21-year-old Miles Davis was already reshaping jazz with Birth of the Cool. In this episode, we explore how Miles teamed up with arranger Gil Evans and a chamber-like nonet to craft a sound full of singable melodies, tightly arranged horns, and forward-thinking restraint. With French horn in the mix, Gerry Mulligan and John Lewis' arranging touch, and Lee Konitz's lyrical solos, we unpack why this album – recorded in 1949-1950 and released years later – still lives up to its name.ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----