Podcast appearances and mentions of Miles Davis

Ornette Coleman's The Shape of Jazz to Come (1959) may be the most controversial album in jazz history, and one of the most important.In 1959, a broke musician from Fort Worth, Texas arrived in New York City with a plastic saxophone and a band that didn't play by the rules. And EVERYONE had an opinion about it.Jazz legends hated it. Miles Davis said Ornette was "all screwed up inside." Max Roach punched him in the mouth. Dizzy Gillespie said Ornette's music wasn't even jazz. Meanwhile, Leonard Berstein and John Coltrane celebrated him.So what exactly is The Shape of Jazz to Come, and why was it so radical? Jazz pianists Peter Martin and Adam Maness break down every track, from "Lonely Woman" to "Chronology". They dig into harmolodics, free jazz, and how Ornette shaped everyone from Miles Davis (who eventually came around) to the '80s burnout crew, including Wynton Marsalis, who personally recommended this record to Peter.Dig into The Shape of Jazz to Come with us, and learn why this soft spoken saxophonist inspired both criticism and awe.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Mingus Ah Um: https://youtu.be/XYeRZ0Awui4Giant Steps: https://youtu.be/8umC2yZlPHcKind of Blue: https://youtu.be/ShzSnjP8bSgTime Out: https://youtu.be/-_qPhFSJeQUNina Simone at Town Hall: https://youtu.be/2PDjN5_2y5Q-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love:https://youllhearit.com/newsletter-------------------------------0:00:00 - Ornette Coleman's The Shape of Jazz to Come0:01:42 - 1959: A Pivotal Year0:03:06 - Ornette Coleman: The Backstory0:04:44 - Ornette's Earlier Sound0:06:18 - Lore of the Five Spot0:07:00 - "Lonely Woman"0:12:27 - Harmolodics Explained (Charlie Haden + Don Cherry)0:13:27 - "Eventually"0:14:42 - The '80s Jazz Connection (Wynton, Branford, Kirkland)0:17:21 - "Peace"0:23:50 - Ad: Open Studio0:24:57 - Mingus Said THIS About Coleman0:27:47 - "Focus on Sanity"0:29:40 - When Peter Played with Charlie Haden0:32:43 - Don Cherry's Kids: Neneh Cherry + Eagle-Eye Cherry0:34:22 - "Congeniality"0:36:28 - "Chronology"0:37:23 - Technical Technique vs. Artistic Vision0:42:13 - Categories: Desert Island Tracks, Apex Moments0:48:55 - You'll Read It Newsletter + Ambies

In Part 2 of our interview with Adam Holzman, we cover his longstanding work with Steven Wilson, his bands Brave New World and Trifecta, Jane Getter Premonition, Adam’s amazing solo works, his Creative Synthesizer Technique book and some amazing stories of playing with Herbie Hancock and Chick Corea (amongst many others). There’s also a great train wreck story and a funny Miles Davis anecdote to round things out. Part 1 of the interview can be found here. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Adam in action with Mona Lisa Overdrive in 1994 Adam and Brave New World at Progstock 2022 The brilliant William ‘Ju Ju’ House Adam Holzman & Brave New World – Spork Adam Holzman – Truth Decay Adam Holzman & Brave New World – The Last Gig Adam Holzman – Zombie Apocalypse The Moog DFAM Steven Wilson – Beautiful Scarecrow Forming Trifecta Trifecta – Clean Up on Aisle Five John Pritchard, Adam Holzman and Rich Damone – The Dawn (Of a New Age)  Joining Steven Wilson’s band (and being nervous about it) Steven Wilson – Raider II The Raven That Refused To Sing (And Other Stories) Discussion of Adam’s approach live and in the studio to his solo on Regret #9 Adam playing his iconic solo live on the song Regret #9 Adam’s co-write with Steven Wilson – Economies of Scale (from the album The Harmony Codex) Steven Wilson – Impossible Tightrope Adam’s keyboard rig with Steven Wilson Adam’s book – Creative Synthesizer Technique Avoiding ‘Preset Purgatory’ Getting to play with hero Jan Hammer Adam playing live with Herbie Hancock, 1988 The non-musical skills required for musical success The Fents – Back in the Saddle Brief chat on Cruise to the Edge and Jane Getter Premonition  Adam jumps into a Tony Levin-less Stick Men gig on Cruise To The Edge 2024 Desert Island Discs (Rock/Pop): Songs in the Key of Life – Stevie Wonder, Starless and Bible Black – King Crimson, Relayer – Yes, Us – Peter Gabriel, Rubber Soul – The Beatles Desert Island Discs (Jazz): Spectrum – Billy Cobham, Birds of Fire – Mahavishnu Orchestra, Tale Spinnin’ – Weather Report, Thrust – Herbie Hancock, Hymn of the Seventh Galaxy – Chick Corea / Return to Forever Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Adam Holzman, Steven Wilson / Miles Davis / Solo Artist (Part 2) appeared first on The Keyboard Chronicles.

This week's show features tuneage from Pat Metheny w Lyle Mays, Peter Gabriel, Neil Diamond, Bill Evans w Jim Hall, The Beatles, Strawbs, Oasis, Love, Leon Russell, Paul & Linda McCartney, Randy Newman, Todd Rundgren, Jefferson Airplane, Ten Years After, Mad Dogs & Englishmen, Miles Davis, John McLaughlin, Larry Coryell, Led Zeppelin and Lou Reed.

Pianist, composer, arranger, producer, and music director whose work has earned two GRAMMY Awards, 14 nominations, two Latin GRAMMY nods, and an Edison Award. Plus, his musical direction for the Jazz at the White House broadcast earned an Emmy nomination. He performed with Miles Davis, has collaborated with Chaka Khan, Stanley Clarke, and more, plus he has been musical director with Steely Dan, Queen Latifah, and others. In addition, he spent a decade as Lead Arranger for American Idol and The Tonight Show. He currently tours with Dianne Reeves and various European orchestras, all while preparing three releases for this year, supported by global tours.

Adam Holzman is an innovative keyboardist, composer, and musical director best known for his extensive work with jazz legend Miles Davis and progressive rock icon Steven Wilson. Blending his deep understanding of jazz harmonies with heavy progressive rock and electronic textures, Adam has become a highly sought-after sonic architect, renowned for his cutting-edge synthesizer solos and dynamic soundscapes. Beyond his high-profile touring work—which includes a pivotal tenure as Miles Davis’s musical director —Adam has released numerous acclaimed solo albums, fronts his own jazz-rock group Brave New World, and is a founding member of the prog-fusion supergroup Trifecta. In Part 1, we sit down with Adam to discuss his incredible journey from growing up around the music industry to shaping the live and studio sounds of some of modern music’s most influential artists.  To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Adam’s past year touring with Steve Wilson as part of The Overview Tour Adam in action with Trifecta on Cruise to the Edge 2025 Adam playing live with Steven Wilson 2025 (also don’t forget our rig tour with Adam from that same tour) Impossible Tightrope: Live in Madrid Adam in action with Big Bang Theory 2024 Adam’s musical upbringing including seeing Elektra Records in action in real time Watching The Doors rehearse, record and hit major success as an 11-12 year old When Jim Morrison brings you a birthday present Observations on Ray Manzarek The Fents – The Other Side Playing on Ray Manzarek’s album Carmina Burana Meeting Randy Hall The Linn 9000 Randy’s introduction of Adam to Mile Davis The Rubberband recording session Touring with Miles Davis with a couple of days notice Making a second keyboard player role work in a jazz context The role of a  Musical Director with Miles Davis  Miles Davis – Intruder (Live) Keyboard rig for recording and peforming with Miles Davis Meeting and working with Michel Petrucciani Adam playing with Michel Petrucciani in 1991 Working with Chaka Khan Adam in action with Chaka Khan in 1994 Rachel Z Performing with Wayne Shorter in 1995 in Paris Adam recording with Grover Washington Jr on the Breath of Heaven album Adam performing with Wallace Roney Learning from band leaders and the decision to leave Miles Davis Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Adam Holzman, Steven Wilson / Miles Davis / Solo Artist (Part 1) appeared first on The Keyboard Chronicles.

STANDARSEMANAL.-Gone with the Wind.-VINILOS MITICOS DEL JAZZ.-Booker Little and friend.-JAZZACTUALIDADAfro Cuban Combo Sedajazz.-Herencia EnClave Título: And Friend. Músico: Booker Little. Acompañantes: Reggie Workman (b); Pete La Rocca (dm); Don Fredman (p); George Coleman (st); Julián Priester (tb); Fecha de Grabación: 1961. Lugar de Grabación: New York. Sello Discográfico: Bethlehem. Nº de temas: 9. Formato: MP3. Instrumento: Trompeta Estilo: Hard Bop Nº de Serie: CDGR-234. Año de Edición: 1998. Duración: 53:25. Calificación: 4*/2 Comentario: Una oportuna reedición en CD del álbum «Victory and Sorrow» del trompetista Booker Little para Bethlehem. Estamos ante la última grabación de Booker Little antes de morir de uremia a la edad de 23 años. La sesión en estudio del sexteto, cuenta con una excelente interpretación del trombonista Julian Priester, el saxofonista tenor George Coleman, el pianista Don Friedman, el bajista Reggie Workman y el baterista Pete LaRoca, y el trompetista está en plena forma, pero lamentablemente fallecería el 5 de octubre de ese año. De los seis temas del álbum, hay al menos tres tomas memorables: «Molotone Music», «Victory and Sorrow» y el punto culminante es el precioso tema: «If I Should Lose You». Un registro maravilloso de la actividad desarrollada por Alexey León, desde el año 2022 hasta el 2024, en su taller de combo "Afro-Cuban Combo". Un compendio del trabajo desarrollado por Alexey León desde el año 2022 hasta el 2024 en su taller de combo "Afro-Cuban Combo". Reúne tres sesiones de grabación, que corresponden a tres formaciones y cursos distintos del taller. En este trabajo, se pueden escuchar desde composiciones propias del propio León, hasta versiones de grandes figuras como Chucho Valdés, Javier Colina, Ernesto Lecuona, Miles Davis o Herbie Hancock, todo en clave de latin jazz. Músicos: Sesión 1 Àlex Fernández, trompeta Camila Eirín , saxo tenor Isabel Ruiz, piano y teclados Antía Couto, piano, teclados y celesta Andrés Pérez, contrabajo y bajo eléctrico Patxi Pastor, percusión Juan Ramón Roca, batería Alexey León, flauta, clarinete y saxo tenor Sesión 2 Miguel Ángel Bosch, trompeta Francisco Medina, saxo alto José Luis Peris, saxo tenor Antía Couto, piano Andrés Pérez, contrabajo Patxi Pastor, percusión Juan Ramón Roca, batería Feat. Francisco Blanco "Latino", saxo barítono y flauta Alexey León, flauta Sesión 3 Francisco Medina, saxo alto José Luis Peris, saxo tenor Antía Couto, piano Andrés Pérez, contrabajo Shiyun Yang, percusión Eric Barrachina, batería Alexey León, flauta, saxo soprano, alto y tenor Temas | Sesión 1 | Gandinga, Mondongo y Sandunga - Frank E. Flynn / La tarde - Sindo Garay, arr. J.Colina / ¡Ay, Galleguíbiri! - Alexey León / Descarga - Chucho Valdés / Wabash va a estallar - Alexey León y Julian Adderley / Vengo caminando... - Alexey León / | Sesión 2 | ...Y la negra bailaba! - Ernesto Lecuona / Moody's mood for love - J. Moody, arr. M. Frohman / Blues for Cos - Hilton Ruiz / Para Vigo me voy - Ernesto Lecuona / | Sesión 3 | Tune up, Miles Davis - arr. H. Ruiz / New arrival - Hilton Ruiz / One finguer snap - Herbie Hancock, arr. C. Herwig / King Jacob - Mitch Frohman /

Podcast Jazztime 710 – 03.03.26 Diese Sendung hat Jörg Müller-Jahns zusammengestellt. Das LIVE Anspiel ist : “Milestones” – 1958 von Miles Davis komponiert. Folgende Titel sind zu hören : 1. Accordion Joe – Duke Ellington and his Jungle Band 3:05 2. Love me or leave me – Nina Simone 4:05 3. Waiting – Ida Sand 5:35 4. Le mieux et le bien – Daniel Zimmermann 4:41 5. Milestones – NDR Big Band 6:00 6. As long as your faith – Nils Wülker 4:08 7. Gartenzaun – Helge Schneider 2:15 8. Four Flowers – Mammal Hands 4:48 9. The Ripper – Ramsey Lewis 2:00 Für Titelwünsche und Anregungen schreiben Sie gern an : jazztime.mv@ndr.de Keep Swingin' !!!

Ned drops in on Omloop, but then it's Hageland and Samyn. Featuring Charlotte Kool, Miles Davis, Ali Jackson, Elvis, Millie Couzens, Anna Henderson and Elynor Bäckstedt...Redeem your AG1 offer here!Oh, but do check out our merch. It's really good. Hosted on Acast. See acast.com/privacy for more information.

El 2 de marzo de 1959 se grabó Kind of Blue, un álbum de estudio del músico estadounidense de jazz Miles Davis.La grabación contó con el legendario saxofonista John Coltrane y el contrabajista Paul Chambers, el equipo se completó con Julian "Cannonball" Adderley, en el saxofón alto, Jimmy Cobb a la batería y Bill Evans al piano.​

Rick Beato is a music educator, interviewer, producer, songwriter, and a true multi-instrument musician, playing guitar, bass, cello & piano. His incredible YouTube channel celebrates great musicians & musical ideas, and helps millions of people fall in love with great music all over again. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep492-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/rick-beato-transcript CONTACT LEX: Feedback – give feedback to Lex: https://lexfridman.com/survey AMA – submit questions, videos or call-in: https://lexfridman.com/ama Hiring – join our team: https://lexfridman.com/hiring Other – other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Rick’s YouTube: https://youtube.com/RickBeato Rick’s X: https://x.com/rickbeato Rick’s Instagram: https://instagram.com/rickbeato1 Rick’s Website: https://rickbeato.com Rick’s Ear Training: https://beatoeartraining.com The Beato Book: https://beatobook.com SPONSORS: To support this podcast, check out our sponsors & get discounts: UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex BetterHelp: Online therapy and counseling. Go to https://betterhelp.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex Fin: AI agent for customer service. Go to https://fin.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex Perplexity: AI-powered answer engine. Go to https://perplexity.ai/ OUTLINE: (00:00) – Introduction (00:28) – Sponsors, Comments, and Reflections (09:17) – Guitar solos (13:16) – Gypsy jazz and Django Reinhardt (14:48) – Bebop jazz (19:00) – Perfect pitch vs relative pitch (23:37) – Learning to play guitar (47:08) – Miles Davis (52:34) – Bass guitar (53:41) – Greatest guitar solos of all time (1:22:56) – 27 Club (1:27:37) – Elton John (1:30:51) – Metallica (1:35:21) – Tom Waits (1:41:12) – Greatest rock stars (1:44:35) – Beethoven (1:51:10) – Bach (1:54:01) – AI in music (2:07:52) – Sabrina Carpenter (2:11:23) – YouTube copyright strikes (2:16:59) – Spotify (2:27:51) – Guitars (2:32:13) – Advice PODCAST LINKS: – Podcast Website: https://lexfridman.com/podcast – Apple Podcasts: https://apple.co/2lwqZIr – Spotify: https://spoti.fi/2nEwCF8 – RSS: https://lexfridman.com/feed/podcast/ – Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 – Clips Channel: https://www.youtube.com/lexclips

Vinyl jazz album covers are highly collectible, especially if they are from the iconic label of Prestige Records. These classic and cherished covers, especially from 1949 to 1960 are often even framed and displayed as stunning wall art. It was Prestige that ushered in a golden age of jazz through the music of Miles Davis, John Coltrane, Sonny Rollins, Billy Taylor and dozens of jazz legends. Their recordings were encased in extraordinary album jackets as part of a whole graphic universe of illustrations and photos.  Prestige was founded by Bob Weinstock who gave designers and photographers a carte blanche freedom to create art that reflected the unbridled spirit of the music. Those designers and photographers included Don Schlitten, David Young, Don Martin, Bob Parent, Reid Miles, Tom Hannan, Esmond Evan's and others. The amazing story behind the groundbreaking music and art of Prestige has now been chronicled in a new tabletop book published by RIT Press called “Wail: The Visual Language of Prestige Records.”  This remarkable book is authored by Mark Havens and Chris Entwistle. Havens is an artist, photographer and educator whose work has been exhibited internationally and is held in both public and private collections. Entwistle is an artist and illustrator who has used his passion for both jazz and postwar graphic design in his illustration work.  In my conversation with Mark and Chris, we explore the development of the book which took more than a decade of research to uncover hundreds of rare and meticulously photographed covers and never-before-seen sketches and outtakes from album shoots.

Der Fotograf Ralph Quinke durfte Davis 1989 in seinem Haus ganz nah erleben. Er zeigt ihn in eindrücklichen Schwarz-Weiß-Aufnahmen.

Keith Killgo, drummer and bandleader of The Blackbyrds, joins Joe Kelley to share extraordinary stories from his lifelong career in jazz and funk.He recalls playing drums during a Miles Davis performance at age 10, studying under jazz icon Donald Byrd, and helping build The Blackbyrds into one of the defining jazz-funk groups of the 1970s.Killgo also discusses touring, musical influences from Motown to rock, and the continued legacy of The Blackbyrds through remastered releases and live performances.This episode offers a rare firsthand perspective on jazz, funk, and the evolution of modern music.Musicians Reveal with Joe KelleyMusicians Reveal with Joe Kelley features legendary and emerging artists from the worlds of funk, R&B, jazz, and Prince-associated music.On air since 1982 and now spanning five decades, the program has documented firsthand stories from some of music's most influential performers. In 2004, the show was personally spotlighted by Prince on his official website. In 2002, he gifted One Nite Alone… The Aftershow: It Ain't Over! to the show before any other media outlet.Musicians Reveal is dedicated to preserving music history through long-form, in-depth conversations with the artists themselves.Listen & ConnectFull Interviews & Daily Content (YouTube) https://www.youtube.com/@musiciansrevealMusicians Reveal Radio – 24/7 Artist Music & Archives (Live365) https://live365.com/station/Musicians-Reveal-Radio-a2504Official Website (Episodes, Guest Info & Contact) https://musiciansreveal.comSpotify https://open.spotify.com/show/1rQAZZtdU2cZB6EeleSZ8Apple Podcasts https://podcasts.apple.com/au/podcast/musicians-reveal/id1545165178

Muchas veces solo hace falta remontarte a lo clásico para entender lo moderno. Máximo Pradera hace un repaso de la discografía de los Pet Shop Boys y de cómo su música conversa con obras maestras de la música clásica, como el Cascanueces de Tchaikovsky o el Canon en D de Pachelbel. Escuchamos cómo el jazz también bebe de la influencia clásica europea, en este caso española, con la versión de Miles Davis de El concierto de Aranjuez. El amigo secreto se atreve con los acordes de Go West, de los Pet Shop Boys. 

Blue and cool is the mood as we spin the dial back to the 1950s — a decade of chrome, tailfins, Cold War tension, Beat poetry, and late-night cigarette smoke curling toward the ceiling of a dimly lit club. Beneath the middle class culture of the day, there was a restless heartbeat of jazz. This was the era when bebop matured into cool, hard bop caught fire, and modal explorations began reshaping the language of improvisation. Artists like Miles Davis refined understatement into revolution, John Coltrane stretched harmony toward spiritual searching, Thelonious Monk bent notes and expectations alike, and Ella Fitzgerald turned the human voice into a virtuosic instrument. Jazz in the '50s wasn't background music — it was conversation, protest, poetry, and possibility. Dave's selected some important landmarks and deep tracks that take you into those dusty digital bins of jazz and improvisation this morning on Deeper Roots.

Wie es war, den Jazz-Trompeter Miles Davis zu interviewen und zu fotografieren, erfahren Sie in dieser Folge von „Erstklassisch mit Mischke“.

Ryan Estes sits down with Don Lucoff, founder of DL Media and Artistic Director of the Denver Jazz Fest. Don has spent nearly four decades in jazz as a publicist, producer, and festival programmer, working with legendary artists and labels like Impulse and Blue Note. Now he is helping build a national caliber jazz festival right here in Denver. The State of Jazz Don reflects on how dramatically jazz media coverage has changed. There was a time when major outlets regularly reviewed jazz records and featured artists on national television. Today, most of that coverage has vanished. Yet jazz itself has not disappeared. It continues to shape modern music. Artists like Kendrick Lamar have collaborated with jazz musicians such as Kamasi Washington and Robert Glasper. The influence is everywhere. As Don puts it, jazz can sell everything but itself. It is deeply embedded in popular culture, even if it is no longer center stage in mainstream media. Why Denver Is a Jazz City Denver has a stronger jazz pedigree than many people realize. The Front Range is home to major jazz education programs at the University of Northern Colorado, University of Denver, University of Colorado Boulder, Metropolitan State University of Denver, and Colorado State University. These institutions consistently produce world class players. Historically, Five Points was known as the Harlem of the West, a vital stop for touring jazz musicians crossing the country. Add the Beat Generation passing through town and you have a city that has long been part of America's cultural and musical story. Inside Denver Jazz Fest The Denver Jazz Fest spans 15 venues across Denver and includes performances in Boulder County. It blends national headliners with respected local artists, creating a citywide celebration. This year's lineup includes Pat Metheny, Branford Marsalis, Bob James, and John Beasley. The festival also honors the centenary of Miles Davis and John Coltrane with special tribute performances, including a presentation of A Love Supreme by Denver saxophonist Keith Oxman. The goal is inclusivity and accessibility. Whether you are a lifelong jazz fan or just jazz curious, there is a show for you. Where to Start Listening For new listeners, Don recommends classics from the Blue Note catalog such as Lee Morgan's Search for the New Land, Herbie Hancock's Maiden Voyage, Wayne Shorter's Speak No Evil, and Grant Green's Idle Moments. From Impulse, he points to John Coltrane's Crescent and A Love Supreme, Alice Coltrane's Journey in Satchidananda, and Pharoah Sanders' Thembi. These records are not homework. They are entry points into a vast and vibrant tradition. Final Takeaway Don's career proves one thing. You may not get rich in jazz, but you can build a life around passion, community, and great music. Denver Jazz Fest is more than a series of concerts. It is a statement that this city values artistry, education, and cultural history. Learn more and get tickets at denverjazz.org. See you there.

El pasado 20 de Febrero este programa celebró 9 años de emisión. Este episodio, el 233, se lo dedicamos a la música de ascensor, un sonido que entra en nuestros oídos sin pedirlo: en el supermercado cuando cogemos el carro, en el banco mientras esperamos nuestro turno, en la sala de espera del médico, en la tienda de ropa y, por supuesto, en el ascensor. Y aunque parece que es una música para no ser escuchada conscientemente, sólo lo parece. Playlist: – Le Petit Bal (Take 1), Miles Davis; – Misty, Errol Garner; – The Girl from Ipanema (feat. Astrud Gilberto & Antônio Carlos Jobim), Stan Getz & João Gilberto; – My Funny Valentine, Chet Baker; – Moonlight in Vermont (feat. Stan Getz), The Johnny Smith Quintet; – Lush Life, Red Garland; – The Shadow of Your Smile, Tony Bennett; – Estate, João Gilberto; – Watch What Happens, Sérgio Mendes & Brasil '66; – Speak Low (Live At The London House), Sarah Vaughan; – Wave, Antônio Carlos Jobim; – Nature Boy, Nat "King" Cole; – Tenderly, Rosemary Clooney; – Água de Beber, Os Gatos; – Round Midnight; Oscar Peterson & Nelson Riddle; – Summer Samba (So Nice), Walter Wanderley; – I Get a Kick Out of You, Juan Garcia Esquivel; – Moon River Cha Cha, Henry Mancini.

After five decades as jazz's best-kept secret, multi-instrumentalist Roger Glenn steps into the spotlight with his first solo album in 50 years. In this episode of Backstage Bay Area, host Steve Roby sits down with the son of jazz royalty to discuss Latin jazz, life lessons from legends, and why 2025 was finally the right time to share his story. Episode HighlightsGrowing Up in Jazz Royalty: Roger shares stories of his father, Tyree Glenn, and the legendary musicians who shaped his musical education—from Count Basie's Joe Jones to Miles Davis's Winton KellyThe Great Day in Harlem: Roger reveals he skipped the iconic 1958 photo shoot, only to later perform with many of those same jazz giants, including Mary Lou Williams18 Instruments and Counting: How Roger became a multi-instrumental wizard, mastering everything from flute to vibraphoneThe 50-Year Wait: Why COVID, economic downturns, and Grammy category eliminations delayed the release of "My Latin Heart"Cultural Fusion: The deep meaning behind tracks like "Zambos Mambo" and "Congo Square," exploring the African and European roots of American musicBeyond Music: Roger's parallel passions as a multi-engine pilot, helicopter pilot, and sailor—and how they inspire his compositionsFeatured TracksZambos MamboShowcasing Roger's incredible flute work (currently charting on Jazz Week)Congo SquareA tribute to cultural fusion featuring Roger's vibraphone masteryAll music used on the podcast was supplied by the musicians and used with there permissionUpcoming ShowsBach Dancing and Dynamite Society - Half Moon BaySunday, March 8th at 4:30 PMFeaturing special guest Ray Obito on guitar

durée : 00:59:51 - Till I Get My Share - par : Nathalie Piolé -

EPISODE 141: The Blackbyrds were at the cutting edge of jazz fusion, R&B and funk in the 1970s, pushing the boundaries of Black popular music forward in one of the most musically fertile decades of the past century. Established by legendary jazz trumpeter Donald Byrd in 1973, the band's success includes several highly touted albums, film scores (1975's "Cornbread," "Earl and Me"), as well as supporting such iconic artists as B.B. King. Herbie Hancock, Gladys Knight & the Pips, Roberta Flack and more. The Blackbyrds' self-titled debut album put the group on the map with "Do It, Fluid," a funky laid-back party anthem.  The group followed that initial success with a string of albums over the next five years, including FLYING START (1974), which yielded their biggest hit, the Grammy-nominated "Walking in Rhythm," and CITY LIFE (1975), which contained the hit "Happy Music" and the iconic "Rock Creek Park," which remains one of the most sampled jazz-funk tracks to this day, as well as such hits as “Supernatural Feeling,” Grammy-nominated “Unfinished Business,” “Time is Movin',” “Dreaming About You” and “Flyin' High,” among many others. Under the leadership of original drummer and vocalist, Keith Killgo, the band continues to record, tour and perform globally.  The Blackbyrds current lineup includes original founding members Keith Killgo (drums and vocals) and Joe Hall (bass), Paul Spires (vocals), Dominique Toney (vocals), daughter of original band keyboardist Kevin Toney, Roberto Villeda (keyboards), Charles Wright (guitar), Thad Wilson (trumpet), Marshall Keys (saxophone) and Sean Anthony (percussion). blackbyrdsmusic.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Vacuum tubes are supposed to be extinct yet here we are in 2026 still arguing swapping and occasionally getting electrocuted. In this episode Mitch Anderson, Eric Pye, and Jeremy Sikora strip the romance out of valves and talk about why they still matter without leaning on lazy audiophile clichés. The discussion cuts through tube rolling reality versus placebo and the ongoing new production versus NOS debate. It also looks at why Ray Tubes are suddenly on everyone's radar and what Jeremy's amp building class at the American Wireless Communication Museum teaches you that spec sheets never will.Along the way, we connect the dots between Talk Talk's obsessive studio craft, Miles Davis with Jimmy Cobb's unshakable timing, and the Tron soundtrack, while getting very real about tube amp safety; from blown parts to painful zaps, because high voltage does not care how experienced you think you are.Thank you to SVS and Shure for their support of our programming!https://www.svsound.comhttps://www.shure.comCredits:• Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comDon't forget to check our website for daily updates on the latest electronics, news, recommendations, and deals on high-end audio, loudspeakers, earphones, TVs, and more.https://www.ecoustics.com#raytubes #vacuumtubes #audiovalves #vinylcommunity #audioloveyyc #budgetaudiophiler #blackcircleradio #ecoustics #hifi #audiophile #hometheater #listeningroom #musicindustry #analogaudio 

In this month's music history spotlight, Ryan explores the 1937 jazz standard “My Funny Valentine,” written by Richard Rodgers and Lorenz Hart. From its Broadway origins in Babes in Arms to iconic interpretations by Frank Sinatra, Chet Baker, Ella Fitzgerald, and Miles Davis, this episode reflects on why a song about imperfect love has endured for nearly a century.

Marco Pastonesi"Rugby Underground"Bottega Errante Edizioniwww.bottegaerranteedizioni.itMilano, zona vecchia Fiera campionaria, metà anni Settanta. L'inagibile scantinato di un elettrauto si trasforma in una cantina, o in un salotto, o in un circolo anche se rettangolare o forse in un'osteria, in un dopolavoro per disoccupati, in una biblioteca, in un presidio di resistenza umana. Insomma, in un rugby club. L'unico rugby club al mondo che disputa esclusivamente il terzo tempo. Un terzo tempo rituale o anarchico, organizzato o improvvisato, ripetuto migliaia di volte nella cantina di Gabriele Cabrio detto Lele, elettrauto ovale in tutti i sensi. Qui ognuno dice liberamente la sua, narrazioni e battute, avverbi e proverbi, storie e geografie, un'insalata russa, un fritto misto, una macedonia esotica. E qui per quarant'anni giungono giocatori da tutta Italia, perfino alcuni All Blacks, un giorno si presenta Eddy Merckx, una sera Diego Abatantuono. E tutti insieme a mangiare e bere, guardare la Coppa del mondo e il TriNations, ascoltare Miles Davis e Fabio Treves. E il rugby come religione e filosofia, come scusa e alibi, come missione e ambasciata, come eredità.Marco Pastonesi, nato a Genova nel 1954, ha abitato a Roma e Milano, ora a Nervi e Bracciano. Ha lavorato, fra l'altro, a “la Repubblica” e “La Gazzetta dello Sport”,  adesso collabora con “Il Foglio”, “Tuttobiciweb” e Rai Radio 3 per “Wikiradio”, più varie ed eventuali, occupandosi sempre di sport e soprattutto di ciclismo e rugby. Fra i suoi libri, Pantani era un dio, L'Uragano nero e Rocky Marciano Blues (66thand2nd), Spingi me sennò bestemmio, Se cadono tutti vinco io e Strade nere (Ediciclo), Mia con Ivan Zaytsev, Il mio calcio libero con Barbara Bonansea e La quinta tappa con Vincenzo Nibali (Rizzoli).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Episode 659 also features an E.W. Poetic Piece titled, "So What?" Our music this go round is provided by these wonderful artists: Thelonious Monk, the Bug Club, Sean Kurti & Egypt 80, Miles Davis, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

In this episode, I'm joined by Grammy-winning keyboardist, composer, producer, and arranger Jason Miles - an artist whose legacy spans decades of music-making across jazz, R&B, and beyond, and whose work has helped define the sound and direction of multiple musical eras, working alongside some of the most influential voices in modern music like Miles Davis, Luther Vandross, Grover Washington Jr., David Sanborn and Marcus Miller, to name a few.No less than Roberta Flack said about him, “Jason Miles has raised the level of excellence for the musicians who have had the good fortune of working with him, myself included. He has enriched the lives of millions of people.” And Miles Davis, in his 1991 autobiography, labelled Jason a genius - not a term he threw around!Jason and I met here in Lisbon, and what started as a conversation became a very honest and enriching exchange for me. I'm grateful to have had the opportunity to sit down with him.This podcast explores the journey behind the music - the decisions, mindset, and lessons that shape a sustainable creative life, especially in today's DIY landscape. We begin our interview by talking about what Luther Vandross understood about music that most musicians never quite grasp.From there, Jason shares the biggest lessons he's learned across his outstanding career — we explore creative decision-making, trust on the business side of music, and his perspective on today's jazz landscape compared to the past, as well as Jason's 2026 musical projects.This conversation is about practises that still guide artists today. If you're an independent musician looking for clarity and perspective, I am sure you'll find a lot of inspiration in hearing Jason's stories, reflections and guiding principles.Jason Miles - Links:WebsiteThe Extraordinary Journey of Jason MilesBandcampTable of contents:00:00 Intro03:29 Luther Vandross's integrity & intention14:26 Advice for DIY artists: listen & learn21:16 Why decision-making matters22:19 Trust in the business side of music23:11 Dealing with rejection26:11 Today's jazz landscape28:27 Jason Miles' 2026 projectsAs you listened, what reflection stayed with you the most?Let's talk about today's episode: 

The lights dim, the crowd stirs, and the show you traveled for kicks into gear. In that moment, your vacation becomes something more: you're feeling the heartbeat of the city. Live music can transform a destination into an unforgettable experience, taking you on a deeper journey through its history and culture.In this episode, host Angie Orth welcomes travel writer and musician Edmund Vallance to explore how music shapes the way we experience the world. Edmund shares stories from his adventures chasing live performances across continents, from seeing Lou Reed in a tiny Porto venue to watching the Sex Pistols in Las Vegas. As both a performer and a passionate fan, he reveals how music can unlock a destination's true character.You'll discover why Gen Z is leading the charge in concert travel and hear about iconic venues from Red Rocks in Colorado to Ronnie Scott's Jazz Club in London. You'll learn how music museums can turn you into a fan—even if you've never heard the artist before. Edmund also shares practical tips for finding serendipitous musical moments that can change how you see a place, plus his bucket list of must-visit music destinations—from Santiago de Cuba to Vienna's Mozart houses.What You'll Learn:3:36 How music festivals like South by Southwest can become the cornerstone of an unforgettable trip 9:25 Why having one central concert can reshape an entire destination 14:38 Seattle's essential music sites for Jimi Hendrix and Nirvana fans 20:48 New York's historic jazz venues to celebrate Miles Davis' centennial year 25:00 How to find life-changing musical moments through randomness and saying yesConnect with Edmund Vallance:Journalism: http://www.edmundvallance.com/Music:  http://www.edvallance.com/Instagram: https://www.instagram.com/edmundvallance/Listen to his music on SpotifyWhat musical experience would you travel anywhere for? Tell us in the comments! Connect with AAA:Book travel: https://aaa-text.co/travelingwithaaa LinkedIn: https://www.linkedin.com/company/aaa-auto-club-enterprisesInstagram: https://www.instagram.com/AAAAutoClubEnterprisesFacebook: https://www.facebook.com/AAAAutoClubEnterprises

durée : 00:59:22 - Banzzaï du vendredi 06 février 2026 : rediffusion - Donnez-nous de l'eau - par : Nathalie Piolé -

Julia Loktev's acclaimed documentary, ‘My Undesirable Friends,' follows young Russian journalists in the months before and after Putin's invasion of Ukraine — and the impossible choices they face when dissent means prison or exile. Also, jazz historian Kevin Whitehead revisits a two-night set Miles Davis did in Chicago in 1965.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, Scott sat down with his Lawfare colleagues Molly Roberts, Michael Feinberg, and Troy Edwards to talk through the week's big warrant-related national security news, including:“Tulsi Went Down to Georgia, She Was Looking for a Vote to Steal.” This past week, the FBI executed a warrant to search Fulton County's election center for ballots and equipment related to the 2020 election, with the help of an unlikely senior administration official: Director of National Intelligence Tulsi Gabbard, who was reportedly there in-person at the order of President Trump. Observers are concerned that the search is the beginning of a broader effort to relitigate the 2020 election—especially as Trump calls for Republicans in Congress to “nationalize elections” in advance of the November mid-terms. What do we know about the legal basis for this search? And what does it tell us about what the Trump administration has planned for November?“I Hear the Jury's Still Out on the Fourth Amendment.” Over the past week, whistleblowers have revealed that ICE has issued a series of internal memos to agents advising that they do not need judicial warrants to detain or search the homes of people suspected of being undocumented immigrants. Instead, ICE has attempted to side-step the regular judicial process by suggesting that agents only need an administrative warrant, a controversial move that will almost certainly be challenged in court. What do we think of ICE's decision to shift to such a legally dubious policy, and where do we expect it to go from here?“Ex Post Justification.” Last month, the FBI conducted a search on the home of Washington Post reporter Hannah Natanson as part of an investigation into alleged leaks by a Defense Department contractor. During the search, agents seized Natanson's personal and professional devices, which drew concern from media outlets and civil liberty groups over potential First Amendment and privacy violations. A magistrate judge has now ordered that the FBI cannot access Natanson's materials at least for now, while some of these issues are litigated. How should federal law enforcement balance the need to conduct leak investigations with press freedoms? And is this case on the right side of the line?In object lessons, sometimes all you can do is cry: Molly is remembering better days for the Washington Post and mourning the fall of a once-great paper. Sometimes all you can do is get lost in the music: Mike is celebrating the still-great Miles Davis with the long-awaited release of The Complete Miles Davis Live at the Plugged Nickel 1965 on vinyl. Sometimes all you can do is laugh: Scott is delighting in his former State Department colleague's new Substack, Ridiculocracy. And sometimes, all you can do is wear something fabulous: Troy is modeling the new wardrobe must-have for the “Government in Exile.”To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his Lawfare colleagues Molly Roberts, Michael Feinberg, and Troy Edwards to talk through the week's big warrant-related national security news, including:“Tulsi Went Down to Georgia, She Was Looking for a Vote to Steal.” This past week, the FBI executed a warrant to search Fulton County's election center for ballots and equipment related to the 2020 election, with the help of an unlikely senior administration official: Director of National Intelligence Tulsi Gabbard, who was reportedly there in-person at the order of President Trump. Observers are concerned that the search is the beginning of a broader effort to relitigate the 2020 election—especially as Trump calls for Republicans in Congress to “nationalize elections” in advance of the November mid-terms. What do we know about the legal basis for this search? And what does it tell us about what the Trump administration has planned for November?“I Hear the Jury's Still Out on the Fourth Amendment.” Over the past week, whistleblowers have revealed that ICE has issued a series of internal memos to agents advising that they do not need judicial warrants to detain or search the homes of people suspected of being undocumented immigrants. Instead, ICE has attempted to side-step the regular judicial process by suggesting that agents only need an administrative warrant, a controversial move that will almost certainly be challenged in court. What do we think of ICE's decision to shift to such a legally dubious policy, and where do we expect it to go from here?“Ex Post Justification.” Last month, the FBI conducted a search on the home of Washington Post reporter Hannah Natanson as part of an investigation into alleged leaks by a Defense Department contractor. During the search, agents seized Natanson's personal and professional devices, which drew concern from media outlets and civil liberty groups over potential First Amendment and privacy violations. A magistrate judge has now ordered that the FBI cannot access Natanson's materials at least for now, while some of these issues are litigated. How should federal law enforcement balance the need to conduct leak investigations with press freedoms? And is this case on the right side of the line?In object lessons, sometimes all you can do is cry: Molly is remembering better days for the Washington Post and mourning the fall of a once-great paper. Sometimes all you can do is get lost in the music: Mike is celebrating the still-great Miles Davis with the long-awaited release of The Complete Miles Davis Live at the Plugged Nickel 1965 on vinyl. Sometimes all you can do is laugh: Scott is delighting in his former State Department colleague's new Substack, Ridiculocracy. And sometimes, all you can do is wear something fabulous: Troy is modeling the new wardrobe must-have for the “Government in Exile.”To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

Julia Loktev's acclaimed documentary, ‘My Undesirable Friends,' follows young Russian journalists in the months before and after Putin's invasion of Ukraine — and the impossible choices they face when dissent means prison or exile. Also, jazz historian Kevin Whitehead revisits a two-night set Miles Davis did in Chicago in 1965.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Before Blue Note became a brand and before Impulse! turned jazz into a cosmic mission, there was Prestige Records — raw, loose, experimental, and absolutely electric. Today, I'm joined by Chris Entwisle, authors of Wail: The Art of Prestige Records 1949–1960, a stunning deep dive into the label that captured some of the most vital moments in jazz history — from Miles Davis and John Coltrane to Sonny Rollins, Thelonious Monk, and Eric Dolphy. We talk about Prestige's iconic album art, the culture of speed-session recording, the musicians who defined the label's sound, and why Prestige still feels like the most human, gritty, and dangerous chapter in jazz's golden era. If you love jazz history, vinyl culture, or the story behind legendary records, this one's for you.

L'omaggio a Miles Davis nel centenario della nascita da parte di un grande trombettista come Paolo Fresu nella Domenica del Sole24Ore di oggi Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood's history with “the heavy,” Jack Nicholson, Miles Davis, Tom Waits, Stanley Kubrick, and more collide as Zeth breaks down Christopher Nolan's 2008 film ‘The Dark Knight' starring Heath Ledger as The Joker. Plus, we make a mixtape inspired by Ledger's beloved performance. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Listen without ads at:www.patreon.com/dopeypodcastThis Week on The Wednesday Dose of Dopey!Dave kicks off this Wednesday Dose solo from his dad's house, riffing on nostalgic broke-addict snacks (Little Debbie oatmeal pies as cheap highs) and weird fridge finds, before diving into fan Spotify comments praising last week's emotional Erin Khar episode. He shares wild Miles Davis coke-paranoia excerpts from the autobiography (Ferrari abandonment, trash-room hiding, dealer tricks), and recommending Kind of Blue and In a Silent Way as sick sick records!Then we welcome Sandra Vergara (Selling Sunset star, Sofia Vergara's cousin/sister-figure). Sandra opens up about a traumatic Colombian childhood: brother's murder at age 9, raised by an aunt after her bio-mom's brain damage left her mentally stuck at 12, feeling like a "burden," early glue-sniffing experiment, near-fatal ruptured appendix/septic shock at 16, and constant walking-on-eggshells survival via art, empathy, and never taking abuse personally.In LA from 18, she dabbled in makeup/acting (Fright Night), when she began drinking heavy. Blackouts, self-harm (throwing herself through glass), and suicide ideation. followed. First rehab in Medellín (befriended staff for special treatment → false security). Post-rehab: mushrooms sparked a "psychedelic love" fling, ayahuasca faced childhood trauma head-on, but led to half-assed AA and relapses.COVID alone-time in NYC brought painting growth, but cat Stewie's death (worse than losing family) plunged her into deep  depression. Enter ketamine: started therapeutic (Mindbloom) but escalated to daily K-holes with Oculus VR for near-death/grief escapes, addictive Journey Circle weekends (MDMA/ayahuasca/mushrooms group catharsis without integration), erratic calls to mom, club blackouts, and cousin finding her passed out. Family intervention (Sophia pays, nephew packs her) lands her in trauma-focused Breathe Life rehab.She firmly rejects "California sober" as a trap—psychedelics delayed real surrender for her; true addicts can't substitute one mind-alter for another. Full AA commitment (no more a la carte) + Kabbalah (post-breakup desperation) changed everything: tikkun (soul correction via tough life choices), turning reactive impulses (anger/gossip) into proactive restriction, daily study/meditation for frequency shifts. Ties Kabbalah to quantum physics (observer effect = perception shapes reality, entanglement = we're all connected, certainty in the unknown = surrender).Sandra discusses Selling Sunset challenges (producer manipulation, ego, glamour vs. spiritual presence) and her new neuroscience/IFS/Kabbalah coaching for holistic recovery (mind stories, body regulation, spirit alignment). All that and much more on the brand new episode of that good old dopey show!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This Week on The Wednesday Dose of Dopey!Dave kicks off this Wednesday Dose solo from his dad's house, riffing on nostalgic broke-addict snacks (Little Debbie oatmeal pies as cheap highs) and weird fridge finds, before diving into fan Spotify comments praising last week's emotional Erin Khar episode. He shares wild Miles Davis coke-paranoia excerpts from the autobiography (Ferrari abandonment, trash-room hiding, dealer tricks), and recommending Kind of Blue and In a Silent Way as sick sick records!Then we welcome Sandra Vergara (Selling Sunset star, Sofia Vergara's cousin/sister-figure). Sandra opens up about a traumatic Colombian childhood: brother's murder at age 9, raised by an aunt after her bio-mom's brain damage left her mentally stuck at 12, feeling like a "burden," early glue-sniffing experiment, near-fatal ruptured appendix/septic shock at 16, and constant walking-on-eggshells survival via art, empathy, and never taking abuse personally.In LA from 18, she dabbled in makeup/acting (Fright Night), when she began drinking heavy. Blackouts, self-harm (throwing herself through glass), and suicide ideation. followed. First rehab in Medellín (befriended staff for special treatment → false security). Post-rehab: mushrooms sparked a "psychedelic love" fling, ayahuasca faced childhood trauma head-on, but led to half-assed AA and relapses.COVID alone-time in NYC brought painting growth, but cat Stewie's death (worse than losing family) plunged her into deep  depression. Enter ketamine: started therapeutic (Mindbloom) but escalated to daily K-holes with Oculus VR for near-death/grief escapes, addictive Journey Circle weekends (MDMA/ayahuasca/mushrooms group catharsis without integration), erratic calls to mom, club blackouts, and cousin finding her passed out. Family intervention (Sophia pays, nephew packs her) lands her in trauma-focused Breathe Life rehab.She firmly rejects "California sober" as a trap—psychedelics delayed real surrender for her; true addicts can't substitute one mind-alter for another. Full AA commitment (no more a la carte) + Kabbalah (post-breakup desperation) changed everything: tikkun (soul correction via tough life choices), turning reactive impulses (anger/gossip) into proactive restriction, daily study/meditation for frequency shifts. Ties Kabbalah to quantum physics (observer effect = perception shapes reality, entanglement = we're all connected, certainty in the unknown = surrender).Sandra discusses Selling Sunset challenges (producer manipulation, ego, glamour vs. spiritual presence) and her new neuroscience/IFS/Kabbalah coaching for holistic recovery (mind stories, body regulation, spirit alignment). All that and much more on the brand new episode of that good old dopey show!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this week's episode of History From The Backpages, Collin analyzes the 1944 supernatural horror film The Uninvited, directed by Lewis Allen and starring Ray Milland, Gail Russell, Donald Crisp, and Ruth Hussey. Noting the film's iconic song Stella By Starlight, which was later covered by Frank Sinatra, Charlie Parker, and Miles Davis.

Andrés Amorós dedica su programa al centenario del legendario trompetista de jazz Miles Davis.

No one makes comics like Dave Chisholm, and we don't allow him to make one without first making a stop at the podcast. His latest, Is Ted OK?, reveals an artist pushing himself to his very limit, built on an incredible run of 2025 books, our favorite Limited Series from last year, Spectrum, and the gnarly haunted horror, Plague House. Not to forget his work on High Strangeness, which is still in process. Chisholm learns something about himself and the medium every time he steps up to his drawing board, allowing the next project to always top the last. Is Ted OK? The title answers itself, but certainly not in the way you expect. Chisholm imagines a dystopian world, where Ted drones away as a graphic designer for a megacorporation owned by the world's first trillionaire. He's disconnected from those around him, friendly only with a cat, and plagued by horrendous night terrors. He's also being watched 24/7 by Sarah, another employee tasked with monitoring his suicidal and homicidal tendencies. She's concerned, she wants to help, and her first attempt to do so makes Is Ted Ok?'s first issue climax. This week, we welcome Dave Chisholm back on the podcast. We spent six months with him last year on the show, meticulously dissecting Spectrum with his collaborator Rick Quinn. It's fun to catch up. We discuss how his past work brought him to Is Ted OK? We talk about allowing comics to be comics and making sure that every panel carries story. In fact, we discuss how every element of a comic is a chance to carry story. FOC (Final Order Cutoff) for Is Ted OK? #1 is Monday, February 2nd. The comic will eventually be available at comic shops on February 25th, thanks to Mad Cave Studios. Make sure you get your order in, and follow Dave Chisholm on Instagram and BlueSky. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics The Stampies: Best Comics of 2025 (Part One) The Stampies: Best Comics of 2025 (Part Two) Read The Stampies on GlobalComix Previously on CBCC: Rick Quinn and Dave Chisholm on Spectrum Previously on CBCC: Dave Chisholm on Miles Davis and the Search for the Sound Comic Book Club: Black Arms to Hold You Up at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: The Phantom w/Billy Zane Virtual Intro at the Alamo Drafthouse Winchester on 1/25 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Listen to an interview with Brandon Meeks, an Indianapolis–based jazz bassist, bandleader and hip-hop producer, widely recognized as a key figure in the city's contemporary jazz scene. He is best known for his work with acclaimed saxophonist Rob Dixon and as a member of the hip-hop jazz trio Native Sun, a group celebrated for blending modern jazz improvisation with hip-hop. Alongside his work as a bassist, Meeks is also a prolific producer of instrumental hip-hop, bridging jazz traditions with beat culture.  In 2015, Meeks received national attention for his role portraying legendary jazz bassist Ron Carter in Miles Ahead, the Miles Davis biopic starring Don Cheadle. More recently, Meeks made headlines after receiving a prestigious Creative Capital grant for Unsung Giants, a project he created to honor under-recognized Indiana jazz legends.

Celebrating the 100th Birthdays of: Miles Davis, John Coltrane, Tony Bennett, Julie London, Big Mama Thorton, Buddy Greco, Stan Freberg, Chuck Berry, And Ray Brown. 

Participants: John Steppling, Cory Morningstar, Hiroyuki Hamada, Lex Steppling, John Bower and Dennis Riches. Topics covered: Venezuela, ICE, Minnesota, Greenland. Music track: “Blue in Green” by Miles Davis (public domain).

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This episode of The Other Side of the Bell is brought to you by Bob Reeves Brass. Makers of the finest handcrafted #trumpet, #trombone & #frenchhorn mouthpieces since 1968. Visit https://bobreeves.com to find your next mouthpiece and trumpet accessory!  This episode also appears as a video episode on our YouTube channel, you can find it here: "The Other Side of the Bell Holiday Special 2025!" Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/holiday-special-john-snell-and-friends-the-other-side-of-the-bell-148   John gets some good friends together to toast the end of one year, and the start of the next: it's our 2025 Holiday Special - perhaps the first annual? It was a lot of fun, so we might just start a new trend!   Eric Baker, Mike Zonshine, Kenny Rampton, Liesl Whitaker and the voice of Vinnie Ciesielski are here to share some highlights of the year, musical and otherwise, and things to look forward to in the new year.   Join us for a rousing conversation on such diverse topics as: Eric sharing his trick for playing a great horse neiiighhh on the trumpet, perhaps the bane of trumpet players' existence over the holidays. Mike's recent outdoor concert in Los Angeles, playing arrangements by none other than Keith Snell, John's dad. Kenny's holiday menu, centered around the Big Green Egg, might be a small reflection of a mid-life crisis? Liesl sharing some holiday family traditions in the Whitaker/Rampton household. And a great update from the voice of Vinnie - he talks about his new Christmas album, the inspiring sight of hearing kindergarteners talk about Miles Davis and Dizzy Gillespie, and the story behind the recording itself: forced at the last minute to go from a first-class studio to recording remotely. But they pulled it off in less than 30 days, just in time for Black Friday!   There's a great shout out to Will Leathers, some fantastic trivia, everyone's favorite holiday songs to play, and some poignant and heartful wishes for the new year.   Thank you to all our viewers and listeners for a great year, it's been a pleasure to bring you more episodes of The Other Side of the Bell in 2025, and we'll keep up the production in 2026.   And don't forget to check out our partner podcasts, The Trombone Corner and The Horn Signal, including our Trombone Corner Holiday Episode, with John, co-host Noah Gladstone, and special guests Jay Friedman and Michael Dease The Trombone Corner Holiday Episode   Episode Guest Links: Eric Baker, Trumpets Mic'd Up Mike Zonshine Liesl Whitaker Kenny Rampton Vinnie Ciesieulski   Bob Reeves Brass Upcoming Events and Appearances: Trumpet Festival of the Southeast, Jan. 17, 2026, Kennesaw State University, Georgia Texas Music Educators Association Conference, Feb. 11-14 2026, San Antonio, Texas Dylan Music, Feb. 26-28, Woodbridge, New Jersey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Audio Engineer - Ted Cragg

What drives a 20-time Grammy winner to continually innovate and evolve in the world of jazz music? Join host Buzz Knight on this captivating replay interview episode of takin' a walk as he dives deep into the mind of legendary jazz guitarist Pat Metheny. Known for his groundbreaking contributions to jazz guitar, Metheny shares his journey through the intricate landscape of music, revealing the dedication and passion that fuel his creative process. As Buzz Knight engages with Pat Metheny in this musician interview, listeners will uncover the secrets behind his daily life as a musician, including the continuous learning that defines his artistry. Metheny opens up about his early influences, paying homage to the iconic Miles Davis and Wes Montgomery, whose sounds shaped his musical identity. The conversation seamlessly flows into the importance of maintaining balance in life, as Metheny emphasizes his love for family and personal interests alongside his illustrious career. Throughout this episode of takin' a walk, Metheny reflects on his teaching experiences, shedding light on the significance of collaboration in the music industry. He discusses his creative process, detailing the development of unique guitars that have become synonymous with his sound. Listeners will also get an exclusive look into his latest album, "Moondial," and the stories behind the songs that make it a standout in his discography. Moreover, Pat Metheny shares heartfelt memories of collaborating with other legendary musicians, including the unforgettable David Bowie. His desire to work with both established icons and emerging indie artists showcases his commitment to fostering creativity within the music community. This episode encapsulates the essence of what it means to be a musician, making it a must-listen for jazz enthusiasts, aspiring musicians, and anyone passionate about the music journey. Join Buzz Knight on this inspiring episode of takin' a walk as he explores the stories behind albums and the creative journeys of one of jazz music's most influential figures. Whether you're a fan of classic rock history, indie music, or simply love diving into the rich tapestry of music history, this musician interview promises to deliver valuable insights and inspiration. Tune in now and walk alongside Buzz Knight and Pat Metheny as they unravel the magic of music! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

For Ad Free shows go to:www.patreon.com/dopeypodcastDave kicks off the first-ever Wednesday Dose of Dopey talking about post-Thanksgiving food insanity, a brownie-topped cheesecake Linda brought home, and his evolving stance on cheesecake as a “real” dessert. He updates the Dopey Nation on the Dopey Fitness Challenge, his failed attempt at jogging with his dog Winnie that ends with him eating pavement, ripping his pants, smacking the dog in frustration, and then feeling guilty about it all week. Dave reads an email from Haley in Mississippi, who loved the Glenis and Billy Strings episodes and promises heavy dopey stories from homelessness, prison, and IV meth. He begs for more voicemails and then plays a chunk of Miles Davis's autobiography, where Miles describes sliding from snorting heroin into shooting it, realizing he has a habit, and sinking into a four-year “horror show” of heroin and cocaine in New York.Then Dave introduces Naughty God (Dakota), a heavily tattooed Instagram/TikTok/YouTube creator who built a big following rating nod videos “sportscaster-style.” Dakota tells his story: growing up between a sweet, young mom and a meth-addicted dad, starting drugs at 13 by snorting random pain pills he found in a friend's brother's room, and becoming the classic weed-identity kid with a pot-leaf MySpace. He forms the band LAW with his friend Jacob Nowell (Bradley Nowell's son, who now sings for Sublime), and they grow up playing shows in San Diego and Long Beach while having access to grown-up levels of partying. Dakota falls in love with cocaine in his mid-teens, then with speed, and his using gets him kicked out of LAW when Jacob gets sober and can't handle him showing up high to everything.After moving to Orange County, Dakota dives into selling and using coke in San Clemente, then adds Oxy 30s (“blues”), fentanyl pills, and heroin to his daily rotation. He and his tight crew—especially his best friend Robert—live in a constant loop of dealing, partying, and using. Over two months, Robert, Dakota's cousin, and three other friends all die from fentanyl. The losses break him: he has a mental breakdown, calls his grandma, and checks himself into a San Diego hospital detox, where he's put on 100mg of methadone and spends years on the clinic grind.Dakota talks about being on methadone for four–five years, barely using anything else, then deciding—with help from a therapist—that he'll never fully turn a corner if he stays on it forever. He tapers himself from 100mg down to 4mg over about a year, jumps off, and goes through a long, foggy, uncomfortable withdrawal. He's now about a year and a half off methadone, occasionally smokes weed, sees a therapist, plays bass in his band Somehow Unseen, and works on content. He and Dave riff on nodding (“my whole life”), nod techniques, fentanyl's short “legs,” and the economics of why heroin likely won't “come back” in a big way.Dakota explains how he built NaughtyGod into a fast-growing account by structuring it like a recurring “show” and inventing/collecting phrases like “Charm City Rainbow,” “Nodwalk Shuffle,” “Baltimore Street Yoga,” “Sheriff of Nottingham” to describe different nod poses. They talk about Instagram flagging and banning drug content, other junkie meme/recovery pages, and how both of them accidentally stumbled into helping people through content that started out as pure jokes and self-centered ambition. They agree to collab on a nod reel, and Dakota shouts out his band and pages.All that and more on a brand new WEDNESDAY Episode of the good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.