Podcast appearances and mentions of Miles Davis

In this episode of Daily Creative, we explore the tension between individuality and belonging, drawing inspiration from both jazz legend Miles Davis and the philosophical tradition extending back millennia. Our guest, Luke Burgis—author of The One and the Ninety-Nine—joins us to dig deep into why it's so hard to be part of a group without losing ourselves in the process.We discuss the perils of both extreme individualism and unthinking collectivism, highlighting how modern work environments (and even family structures) tempt us to trade authenticity for acceptance. Luke introduces the distinction between the "solid self"—rooted and consistent—and the "pseudo self" that constantly morphs to fit the crowd. We wrestle with the overload of information, opinions, and exposure in our hyperconnected age, calling out how these factors pressure us to conform and silence the voice that makes us distinctly ourselves.We also tackle practical disciplines for holding on to individuality, the power of true perception versus mere information, and the need for leaders to create environments where distinctive voices can thrive. If you've ever felt the quiet urge to blend in—or the anxiety of standing out—this conversation offers a roadmap for contribution without disappearance.Five Key LearningsReal Unity Is Not Sameness: Great teams, like great jazz ensembles, are unified not because everyone sounds the same, but because each person brings their full, distinctive self to the room.Solid Self vs. Pseudo Self: We risk exhaustion and detachment when we constantly negotiate or adjust our identities to fit group expectations, instead of rooting ourselves in deeper convictions and values.Information Isn't Relationship: The overwhelming flow of information in our lives can fool us into thinking we have real connections, when what we really need are authentic, lived relationships.Protect Your Perception: Amid a culture obsessed with articulating opinions, it's critical to foster and trust our own perception and intuition—a distinctly human capability that no machine or collective can replicate.Leaders Build the Room: If we are responsible for others, our job isn't to enforce uniformity, but to build spaces where authentic voices and creative risks are both valued and protected.Get full interviews and bonus content for free! Just join the list at DailyCreativePlus.com.Mentioned in this episode:To listen to the full interviews from today's episode, as well as receive bonus content and deep dive insights from the episode, visit DailyCreativePlus.com and join Daily Creative+.

When they go deep, we go deeper.     We have been thinking about Miles Davis in anticipation of his centennial (May 26).  How about we explore a dark corner of his vast touring history, his so-called "Lost Quintet"?  We have so many questions about it, but who to ask?  How about the guy who literally wrote the book on the subject?     On this week's Deep Focus, host Mitch Goldman welcomes musician/professor/author Michael E. Veal.  His book, Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital, opens a door to Miles' confounding and underdocumented 1969 group, whose members all became hugely influential bandleaders in their own right.  If only the WKCR archives were overflowing with rare, live recordings of this group.  Wait, did anyone check that last shelf on the left?     Tune in this Monday (5/25) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 450 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Miles Davis 1970 outside his home, West 77th St., NYC #WKCR #DeepFocus #MichaelEVeal #MilesDavis #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #LostQuintet #WayneShorter #ChickCorea #DaveHolland #JackDeJohnette

(00:00:00) Organized Konfusion - Stress: The Extinction Agenda / 1994, (00:31:57), LCD Soundsystem - Sound of Silver / 2007, (00:59:23) Miles Davis - In a Silent Way / 1969

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This episode of The Other Side of the Bell, featuring trumpet composer, performer and producer Gabriel Johnson, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Gabriel Johnson Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Gabriel Johnson went to the Monterey Jazz Festival at 9 years old - by himself - and witnessed Dizzy Gillespie and Freddie Hubbard on stage. He went home, switched instruments to the trumpet, and the rest is history. Gabe learned to play the trumpet by ear, playing along to Miles Davis, learning "the excitement inside the sadness." A glimmer of hope for Gabe during a difficult childhood. Self taught until later in high school, it wasn't until he was at the New England Conservatory when he learned that what seemed second-nature all along was in fact perfect pitch. A chance encounter with Chris Botti on Gabe's last night in Boston before moving to Los Angeles led to a friendship of over 20 years, and pivotal connections including meeting the manager of Blood, Sweat & Tears, who invited him to be the band's musical director for a year. From hanging out with Clint Eastwood and Robert Redford, to learning recording techniques and producer psychology from David Foster, Gabe has built a remarkable career full of originality and spontaneity, covering soundtracks, jazz, pop and more. With AI creeping into musicians' livelihood, Gabriel has some pertinent advice: individual artist expression is something that can never be replicated, whether by artificial intelligence or another human. Be yourself, be creative, be original. The rest will follow. About Gabriel Johnson:  Gabriel Johnson is an American jazz trumpeter whose lyrical sound and deep musical fluency have earned praise from artists, including David Foster, Clint Eastwood, and Chris Botti.  Gabe studied at New England Conservatory and then moved to Los Angeles and built a wide ranging career as a solo artist, session musician and featured performer. Recording and performing with artists such as Gladys Knight, Steven Tyler, David Foster, Chris Botti , Andrea Bocelli, Lyle Lovett, and Burt Bacharach, he was featured by Clint Eastwood as a trumpet soloist on the film scores for Changeling and Invictus, and has released a substantial catalog of recordings on his Sunset Horn label, blending jazz tradition with cinematic electronic and modern production influences. Episode Links: Website: www.gabrieljohnsonmusic.com Bandcamp: https://gabrieljohnson.bandcamp.com YouTube: https://www.youtube.com/user/GJTrumpet Apple Music: https://music.apple.com/us/artist/gabriel-johnson/336452318 Instagram: https://www.instagram.com/gjtrumpet/?hl=en Bob Reeves Brass Events and Appearances: William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Book your trumpet alignment here: https://trumpetmouthpiece.com/products/william-adam-trumpet-festival-valve-alignment-presale Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Courtesty Brian Shaw and Equinox Publishing Audio Engineer - Ted Cragg

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

In this episode we welcome Lloyd Bradley back to Hammersmith to discuss his monumental new tome Funk Is Its Own Reward. We ask our guest about what he describes as "Black America's second great cultural revolution" before learning of his own first awareness of funk as a new musical form. After we consider the parts played in the movement's evolution by James Brown, Earth Wind & Fire and Kool & the Gang, we get to George Clinton's Parliament-Funkadelic, whose mind-blowing  "P-Funk Earth Tour" of America celebrates its 50th anniversary this year. Clips from a rare audio interview with Betty Davis prompt our combined thoughts on the cult funk-rock queen who married Miles Davis and helped him fly his freak flag by turning him on to Sly Stone and Jimi Hendrix. After William discusses newly-added library pieces about the Beatles (1962) and a Marc Almond convention at London's Heaven (1986), Jasper revisits a live review of Bruno ('Uptown Funk') Mars from 2017. Many thanks to special guest Lloyd Bradley. Funk Is Its Own Reward is published by Constable and available now from all good bookshops. Visit his website at lloydbradley.net for more details. Pieces discussed: James Brown: Twilight Of The Godfather, Countdown on Parliament, from launchpad to mothership connection... We have lift-off!, A Journey to the Center of Parliament/Funkadelic, The Bizarre World of George Clinton (Parliament/Funkadelic Drop The Funk-Bomb On America), Betty Davis audio, Marc Almond Convention: Heaven Sent, Local Group: The Beatles and Bruno Mars live.

Un antropólogo, una trompetista, un saxofonista y un par de documentos radiofónicos de un programa fundacional del jazz en México, nos acompañan en este episodio del pódcast de la Fonoteca Nacional para celebrar a uno de los artistas más influyentes en la historia de la música.

durée : 00:58:51 - par : Nicolas Pommaret - Le pianiste et compositeur Emmet Cohen sort “Universal Truth”, son 4e album chez Mack Avenue. Enregistré pour célébrer le centenaire de Miles Davis et John Coltrane, il rend hommage à ses prédécesseurs en perpétuant leur esprit de quête personnelle et spirituelle à travers son style unique. - réalisation : Emmanuelle Lacaze, Gaspard Laloum Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

When they go deep, we go deeper.     We have been thinking about Miles Davis in anticipation of his centennial (May 26).  How about we explore a dark corner of his vast touring history, his so-called "Lost Quintet"?  We have so many questions about it, but who to ask?  How about the guy who literally wrote the book on the subject?     On this week's Deep Focus, host Mitch Goldman welcomes musician/professor/author Michael E. Veal.  His book, Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital, opens a door to Miles' confounding and underdocumented 1969 group, whose members all became hugely influential bandleaders in their own right.  If only the WKCR archives were overflowing with rare, live recordings of this group.  Wait, did anyone check that last shelf on the left?     Tune in this Monday (5/25) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 450 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Miles Davis 1970 outside his home, West 77th St., NYC #WKCR #DeepFocus #MichaelEVeal #MilesDavis #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #LostQuintet #WayneShorter #ChickCorea #DaveHolland #JackDeJohnette

Alex Frank is the Musical Director and bassist for actor and musician Jeff Goldblum's jazz group, The Mildred Snitzer Orchestra. He co-produced the group's latest album, which includes Ariana Grande, Cynthia Erivo, and Scarlett Johansson. He's also worked on previous albums with Kelly Clarkson, Fiona Apple and Miley Cyrus. He played the bass in the film Jersey Boys, directed by Clint Eastwood, and he's also appeared on albums by Michael Bublé, Charlie Puth, and Nas. He's played with Tamir Hendelman, Tierney Sutton, Jackie Ryan and Benny Benack III, each of whom has been a guest on this podcast  My featured song is Robert's reimagined version of Miles Davis's “All Blues”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ALEX:www.alexfrankmusic.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Short, sweet and totally different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Miles Dewey III was an American trumpeter, bandleader and composer.

Miles Davis and John Coltrane made some of the most beloved jazz recordings during a collaboration that began in the mid-1950's. Both artists would have celebrated their 100th birthdays this year. STLPR's Jeremy Goodwin has the story of a tribute concert in St. Louis this weekend.

This week, we bow down and raise up the almighty guitar heroes! The foundation of Rock n' Punk n' Metal is the guitar and the amazing sounds that those who wield them can make. How do they make such wonderful noise with metal wires on a piece of wood? There's some kinda voodoo in their hands, and we set off on a journey to raise some of the 70s shredders that you may have forgotten! What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss all three. Get out your old 70's Guitar Player mags and flip the pages as we discuss some of the most amazing fingers to ever touch a fretboard! Songs this week include: Frank Marino & Mahogany Rush – “Electric Reflections Of War / The World Anthem / The Answer” from Live (1978) Rory Gallagher – “Shadow Play” from Photo-Finish (1978) Tommy Bolin – “Teaser” from Teaser (1975) Robert Fripp – “Disengage II” from Exposure (1979) Wild Horses – “The Rapist” from Wild Horses (1980) Dixie Dregs – “Punk Sandwich” from Night Of The Living Dregs (1979) Alice Cooper – “Devil's Food / The Black Widow” from The Alice Cooper Show (1977) Al Di Meola – “Race With Devil On Spanish Highway” from Elegant Gypsy (1977) Check us out on the Boneless Podcasting Network: https://bonelesspodcasting.com/ Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

On the next special edition episode of Milestones: Celebrating the Culture podcast, host Angélika Beener commemorates 100 years of Miles Davis with two masters of their craft whose work helped carry Davis's legacy across generations — award-winning trumpeter and composer and the sound behind the Miles Davis biopic, Miles Ahead Keyon Harrold, and legendary hip-hop producer Easy Mo Bee, the architect behind Davis's final album.

We wind up Season 4 with a celebration of the 100th birthday of trumpeter Miles Davis. What prompted this episode? A phone call from the BBC to interview Bill Carter on the “spiritual dimensions of the music of Miles Davis.” Bill recounts three themes from that conversation: ceaseless creativity, the ability to process pain, and the possibility of building community. Music: “Kit and Kaboodle,” composition by Bill Carter, trumpet solo by Jeff Stockham. From the album, Stand on Your Head by Bill Carter and the Presbybop Quartet. Used by permission from Presbybop Music (BMI).Theme music: "All Thumbs" from Faith in a New Key, Bill Carter and the Presbybop Quartet Music used by permission from Presbybop Music (BMI) Announcer: Chris Norton (c) Presbybop MusicSupport the show

In a week where:Legendary Saxophonist Sonny Rollins dies aged 95.Former US Attorney General Pam Bondi is diagnosed with cancer.Italy seizes $232M in assets tied to late Sicilian Cosa Nostra boss Matteo Messina Denaro.Justice Department investigates writer E. Jean Carroll for perjury during her two civil suit wins over Trump.Bezos' Blue Origin rocket explodes.In Politics: (12:01) Tony Blair is throwing his weight around again, penning an essay about where the Red Tories should stand. But why should anybody listen to a War Criminal? (Article By Ian Dunt)In Media: (26:38) Four of the worst papers in the UK have decided to hound renowned Photographer and Southbank Centre's Chair Misan Harriman. But now they're backing off after a campaign in defence of Harriman. (Article By Harriet Williamson)In Sports: (37:28) After years of organising, the Enhanced Games have arrived and reaction was varied to say the least. (Article By Sean Ingle) Lastly, in Music: (48:45) Last week Jazz fans across the world celebrated what would've been Miles Davis' 100th birthday. One of the most relentless creatives in art. (Article By Deb Grant)Thank you for listening! If you want to contribute to the show, whether it be sending me questions or voicing your opinion in any way, peep the contact links below and I'll respond accordingly. Let me know "What's Good?"Rate & ReviewE-Mail: the5thelelmentpub@gmail.comTwitter & IG: @The5thElementUKWebsite: https://the5thelement.co.ukPhotography: https://www.crt.photographyIntro Music - "Too Much" By VanillaInterlude - "Charismatic" By NappyHighChillHop MusicOther Podcasts Under The 5EPN:Diggin' In The Digits5EPN RadioBlack Women Watch...In Search of SauceThe Beauty Of Independence

This week: Embarrassing drunken antics, gig dramas, perfect pitch, heapmaxxing, dude rooms, McCann's wrestling events, stranger encounters, Action Bronson at Katz Deli, analogue banking, tour shows review, Philly cheesesteaks, Miles Davis autobiography, Opioids, Comedy Cellar anxiety, slip & slides, throat lumps, twisted yoga & much more!Sign up to Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for access to exclusive episodes out every Thursday & our brand new merch.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/TheBombSquadPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SSE ARENA '26 Tickets.⁠⁠⁠⁠⁠⁠⁠MERCH: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bombsquadpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow @TheBombSquadPod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Hosted by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Colin Geddis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aaron McCann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Produced & Edited by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Niall Fegan⁠

Today, we're putting The Tonearm's needle on George Grella, one of the sharpest music critics working today.George is the music editor of The Brooklyn Rail and has written for The Wire, the New York Times, and, luckily for us, The Tonearm.George just published Minimalist Music, part of Bloomsbury's 33⅓ Genre series. His central argument is that minimalism isn't defined by sparse materials or specific harmonies; it's defined by how it uses time. Understanding that distinction impacts how we approach and hear the music, and what happens to this music when its originators are gone.We talk about that thesis, the line between minimalism and post-minimalism, and what it takes to build a life in music writing. We also take a detour into John Zorn's visual art.The musical excerpts heard in the interview are Terry Riley - “In C” (performed by Bang on a Can All-Stars on the album In C ), Philip Glass - "Music in Twelve Parts: Part 1" (performed by The Philip Glass Ensemble on the album Music in Twelve Parts), and Steve Reich - “Drumming: Pt III” (performed by Steve Reich and Musicians on the album Drumming).—Dig DeeperGuest and BookVisit George Grella Jr. at The Brooklyn Rail where he serves as music editor, and on The Tonearm, where he is a contributorSubscribe to his Substack newsletter, Kill Yr Idols,, and follow him on BlueskyPurchase Minimalist Music (Bloomsbury Academic, 2026) from Bloomsbury, Bookshop.org, Powell's Books, Barnes & Noble, Amazon, or your other retailer of choiceRead Grella's Substack post "Minimalism at the End" — the piece discussed in this episodeGeorge Grella Jr.'s previous book: Miles Davis' Bitches Brew (Bloomsbury, 2015) — part of the 33⅓ seriesKey ComposersSteve Reich — official websitePhilip Glass — official websiteMeredith Monk — official websiteMorton Feldman — WikipediaLa Monte Young — WikipediaArvo Pärt — official websiteLouis Andriessen — WikipediaJohn Zorn — Tzadik websiteKey Works DiscussedMusic for 18 Musicians — Steve ReichElectric Counterpoint — Steve ReichDrumming — Steve ReichDifferent Trains — Steve ReichEinstein on the Beach — Ictus, Suzanne Vega, Collegium Vocale Gent (VLEK, 2025) — the recording discussed in this episodeGlassworks — Philip GlassPanthalassa: The Music of Miles Davis 1969–1974 — reconstructed and mixed by Bill Laswell (Sony, 1998)Kind of Blue — Miles DavisEnsembles and OrganizationsBang on a Can — including the Bang on a Can All-Stars and the annual Long Play FestivalSō Percussion — Grammy-winning percussion quartetIctus Ensemble — Brussels-based contemporary music ensembleReferenced BooksOn Minimalism: Documenting a Musical Movement — Kerry O'Brien and William Robin (University of California Press, 2023)Kerry O'Brien and William Robin on The Tonearm PodcastThe Rest Is Noise: Listening to the Twentieth Century — Alex Ross (Farrar, Straus and Giroux, 2007)ExhibitionJohn Zorn: Hermetic Cartography — The Drawing Center, New York (February 7–May 11, 2025). The exhibition featured drawings, graphic scores, and visual works spanning seven decades of Zorn's practice.—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

La directora Laura García Alonso y la actriz Alba Sáez visitan El ojo crítico para presentarnos "Corredora", una película que pone el foco en la salud mental, la ansiedad y la sensación de agotamiento permanente que atraviesa buena parte de la sociedad actual. Además, Marta Orquín nos cuenta la visita a España del escritor estadounidense Richard Ford, que ha presentado en Barcelona su ensayo "En palabras sencillas". Más tarde, nos detenemos en la figura de Isabel Azkárate, considerada la primera fotoperiodista de Euskadi, protagonista de una exposición donde dialogan fotografías analógicas y digitales. Terminamos con la Ventana del Nautilus de Guillermo Busitil, que nos propone un recorrido sonoro entre Cameron Whitcomb, Amanda Lear y Miles Davis.Escuchar audio

House, funk, soul, disco, reggae, hip hop, afrobeats, UKG, drum & bass and all manner of beats for open-minded listeners. Fresh releases and classic gems, presented by DJ D'Francisco direct from London. New episode every Sunday night. Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Contact: fdisco@hotmail.com / @frankiedisco54 Tracklist Prodthina - Sax Man Thebe - Ungawa Kum Hugh Masekela - Grazing on Grass Valtteri Laurell & The Ricky Tick Band - Rico Suave Bossa Nova Monolog - Ring Ring Hey Hey BA Baracus Band - Mama Said Knock You Out Khadija - Good Ali Love -Deep Into the Night (Club Mix) Erykah Badu  - A Badoo Thank (Miguel Migs) Miles Davis - Blow (Shadow Zone Extended Club Mix) Jay W McGee - When We Party Ce Ce Peniston - Finally (lau.ra Remix) Jesse Garcia - Off Da Hook ( Funkerman Remix) The Flavour - No Matter What You Do Farley Jackmaster Funk - Love Can't Turn Around Skream x ROKAR - Rampage Jaydee - Plastic Dreams (Wide boys Baseline Remix) Natural Born Chillers - Rock the Funky Beat (187 Lockdown Beat down Remix) Masicka - Whites (Jumping Jack Frost Remix) Benny Page - They Should a Know no Deekline & Ed Solo - Top Rankin X project / Rebel MC - Jah Sunshine Wiley - Arctic Circle Bugzy Malone - Men II Stush - Dollar Sign Daddy Freddy - Haul & Pull (Bobby Konders Remix)

The GURU is back after a few weeks off. There has been some very hard times, but we are getting through this rough stretch. The New York Knicks will play the San Antonio Spurs after a thrilling game seven, ousting the defending World Champs, the Oklahoma City Thunder. The GURU is going with the Spurs in 7. My Vegas Golden Knights are heading back to the Stanley Cup Finals against the Carolina Hurricanes, after shocking the Colorado Avalanche in four straight. The GURU Is going with the VGK in 7. There has been several people that we had to say goodbye to, but the Saxophone genius, one of the last great jazz musicians of our time has left us. Sonny Rollins was no doubt, one of the last greats that made jazz one of the greatest art forms in music history. He was legendary in every sense of the word. When we take a look back and mention the greats, Coltrane, Miles Davis, Charlie Parker, Louis Armstrong, Duke Ellington, Dexter Gordon, Sonny Rollins has to be considered in the top tier of greats. At 95 years old, he was the last of era gone by. This episode is dedicated to him. We will be back next week with Episode 316, enjoy the rest of your Sports Weekend and be safe.

Today, we're putting The Tonearm's needle on George Grella, one of the sharpest music critics working today.George is the music editor of The Brooklyn Rail and has written for The Wire, the New York Times, and, luckily for us, The Tonearm.George just published Minimalist Music, part of Bloomsbury's 33⅓ Genre series. His central argument is that minimalism isn't defined by sparse materials or specific harmonies; it's defined by how it uses time. Understanding that distinction impacts how we approach and hear the music, and what happens to this music when its originators are gone.We talk about that thesis, the line between minimalism and post-minimalism, and what it takes to build a life in music writing. We also take a detour into John Zorn's visual art.The musical excerpts heard in the interview are Terry Riley - “In C” (performed by Bang on a Can All-Stars on the album In C ), Philip Glass - "Music in Twelve Parts: Part 1" (performed by The Philip Glass Ensemble on the album Music in Twelve Parts), and Steve Reich - “Drumming: Pt III” (performed by Steve Reich and Musicians on the album Drumming).—Dig DeeperGuest and BookVisit George Grella Jr. at The Brooklyn Rail where he serves as music editor, and on The Tonearm, where he is a contributorSubscribe to his Substack newsletter, Kill Yr Idols,, and follow him on BlueskyPurchase Minimalist Music (Bloomsbury Academic, 2026) from Bloomsbury, Bookshop.org, Powell's Books, Barnes & Noble, Amazon, or your other retailer of choiceRead Grella's Substack post "Minimalism at the End" — the piece discussed in this episodeGeorge Grella Jr.'s previous book: Miles Davis' Bitches Brew (Bloomsbury, 2015) — part of the 33⅓ seriesKey ComposersSteve Reich — official websitePhilip Glass — official websiteMeredith Monk — official websiteMorton Feldman — WikipediaLa Monte Young — WikipediaArvo Pärt — official websiteLouis Andriessen — WikipediaJohn Zorn — Tzadik websiteKey Works DiscussedMusic for 18 Musicians — Steve ReichElectric Counterpoint — Steve ReichDrumming — Steve ReichDifferent Trains — Steve ReichEinstein on the Beach — Ictus, Suzanne Vega, Collegium Vocale Gent (VLEK, 2025) — the recording discussed in this episodeGlassworks — Philip GlassPanthalassa: The Music of Miles Davis 1969–1974 — reconstructed and mixed by Bill Laswell (Sony, 1998)Kind of Blue — Miles DavisEnsembles and OrganizationsBang on a Can — including the Bang on a Can All-Stars and the annual Long Play FestivalSō Percussion — Grammy-winning percussion quartetIctus Ensemble — Brussels-based contemporary music ensembleReferenced BooksOn Minimalism: Documenting a Musical Movement — Kerry O'Brien and William Robin (University of California Press, 2023)Kerry O'Brien and William Robin on The Tonearm PodcastThe Rest Is Noise: Listening to the Twentieth Century — Alex Ross (Farrar, Straus and Giroux, 2007)ExhibitionJohn Zorn: Hermetic Cartography — The Drawing Center, New York (February 7–May 11, 2025). The exhibition featured drawings, graphic scores, and visual works spanning seven decades of Zorn's practice.—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

A quality rap from Chower aiming to educate racists. A track from the new Sosyete '25 album on a Funk / Broken Beat / Turkish vibe. A brilliant track from Tara Clerkin Trio. ZENA from the 20 Years Deep Brownswood records compilation. A classic from Nancy Wilson. Soulful Boogie from Jéroboam. DJ Marky & Makoto feat Vanessa Freeman cover a Nuyorican Soul classic Drum & Bass style. Piano club grooves from the wonderfully named Bass Toast. Miles Davis from the Doo-Bop album. DJ Spinna remixes Omar. Plus plenty more music treats.

Sonny Rollins passed away this week at 95. Jazz pianists Peter and Adam are listening through the recordings that defined his career and made him one of the most influential musicians in jazz history. From his earliest bebop tunes to Saxophone Colossus to A Night at the Village Vanguard, they trace the arc of a player who kept raising the bar on himself even when the rest of the world thought he'd already cleared it. Plus - they talk through the legendary Williamsburg Bridge sabbatical: two years of practicing up to 16 hours a day.------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.00:00 Sonny Rollins (1930-2026)00:37 Celebrating Sonny Rollins: Opening Tribute04:54 Sonny as the Bridge Between Bebop Generations05:57 "Autobahn" 09:47 "Pent-Up House" 12:56 "I'll Remember April" 16:10 "Oleo" 17:32 "Tenor Madness" 19:32 "More Than You Know" 21:19 "The Way You Look Tonight" 22:51 "Bemsha Swing" with Clark Terry24:00 Is Sonny Rollins the Most Influential Tenor Saxophone Player of All Time?28:01 "St. Thomas" from Saxophone Colossus34:40 "I'm an Old Cowhand" from Way Out West36:14 "A Night at the Village Vanguard" (Afternoon Set)39:00 "Wonderful! Wonderful!" 40:50 The Williamsburg Bridge Sabbatical44:04 "Without a Song" 46:29 Later Career: 1970s - 201249:13 "Blue Seven"

Photography Historian and Curator Audrey Sands joins PhotoWork with Sasha Wolf to discuss her book, Lisette Model: The Jazz Pictures (Eakins Press Foundation). Drawing on years of research, Sands presents Lisette Model's rarely seen archive of photographs of 1950s jazz legends, including Louis Armstrong, Billie Holiday, Duke Ellington, Percy Heath, Miles Davis, and Dizzy Gillespie. Sands and Wolf discuss the rise of fine art photography as a collectible medium in the latter half of the 20th century, the role of museums and institutions in shaping the narrative of photographic history, and the role of the historian in editing and interpreting an artist's work posthumously. https://harvardartmuseums.org/about/press-media/audrey-sands-appointed-associate-curator-of-photography-at-the-harvard-art-museums https://www.instagram.com/audreyleesands/  Audrey Sands is a historian of photography and curator who specializes in twentieth-century American photography.. She holds a Ph.D. and M.Phil. in the History of Art from Yale University, an M.St. in the History of Art and Visual Culture from the University of Oxford, and a B.A. in Art History from Barnard College. Since February 2025, Sands has served as the Richard L. Menschel Associate Curator of Photography at the Harvard Art Museums, where she oversees a collection of approximately 75,000 photographs and time-based media ranging from the early 19th century to the present. Her appointment followed a postdoctoral fellowship as Andrew W. Mellon Postdoctoral Curatorial Fellow in the Department of Photographs at the National Gallery of Art, Washington, D.C. (2022–25), during which she contributed to the exhibitions Gordon Parks: Camera Portraits from the Corcoran Collection (2024–25) and the multi-venue Photography and the Black Arts Movement, 1955–1985 (2025–26). Prior to the NGA, from 2019 to 2022, Sands held the Norton Family Assistant Curator of Photography position at the Center for Creative Photography (CCP), University of Arizona—a joint appointment with Phoenix Art Museum—where her exhibitions included Freedom Must Be Lived: Marion Palfi's America, 1940–1978 (2021–22) and Farewell Photography: The Hitachi Collection of Postwar Japanese Photographs, 1961–1989 (2022). Earlier curatorial positions include the Department of Photographs at The Museum of Modern Art, the National Gallery of Art, and the J. Paul Getty Museum. Sands has been the lead scholar on the work of photographer Lisette Model for over a decade, beginning with her Yale dissertation, “Lisette Model and the Inward Turn of Photographic Modernism.” Her most recent publication, Lisette Model: The Jazz Pictures (Eakins Press Foundation, 2025), realized a suppressed collaboration between Model and Langston Hughes that had been shelved during the McCarthy era, publishing for the first time nearly 200 of Model's approximately 1,500 jazz negatives alongside Hughes's original essay and new scholarship by Sands. Her ongoing research on flash photography—supported by a 2021 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts—is developing toward a publication and exhibition titled The Shape of Light: History, Ethics, and Aesthetics of Flash Photography.

This week Kate Molleson explores the life and work of a cultural icon: trumpeter, composer and bandleader Miles Davis, who was born 100 years ago this week and remains one of the most innovative and influential figures in 20th-century music. Kate is joined throughout the week by the leading American jazz critic Nate Chinen. Together, they'll survey his vast recorded output, which spans five decades, prioritising his own compositions but also appreciating the art of improvisation as spontaneous composition.

durée : 00:28:27 - Les émissions culturelles de France Culture - par : Marie Labory - Il y a cent ans naissait Miles Davis, trompettiste qui traversa toutes les révolutions du jazz au-delà de ses frontières. Un siècle plus tard, le saxophoniste Jowee Omicil rend hommage à l'esprit du grand maître dans un onzième album mystique et mythique. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Jowee Omicil Saxophoniste jazz Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Tavis hosts a special celebration as we mark 100 years since the birth of Miles Davis, the visionary trumpeter who forever changed the sound of jazz and modern music.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Pat and his friends admire good jazz music from artists like Miles Davis and Dick Parry - and we tell old Sacramento paperboy stories!

Discothèque Decadence Soundsystem presents: To The Manor Born: Swing House Nu Disco Party DD024 A tribute to the golden age of swing and jazz, from the roaring energy of the 1920s through to the big band brilliance of the 1930s and 1940s, reimagined with a modern nu disco, electro swing and house twist. This mix is also a tip of the top hat to one of the most unique and legendary nights in Durham, UK, reborn through the Discothèque Decadence lens with a Swing House twist. The journey celebrates the spirit of the original jazz age while bringing it firmly onto today's dancefloor, featuring heavyweight names and modern swing revival favourites including Parov Stelar, Caravan Palace, Club des Belugas, Swing Republic, Tape Five, Swingrowers, Ella Fitzgerald, Fred Astaire, Benny Berigan, Louis Prima, Fab Samperi, Klischée and more. Woven throughout the mix are original productions from The Funk Assassin, including Velvet Swing Affair, Minuit à Montmartre, Bourbon Bead Arcade, Manor Born, Velvet After Midnight and Midnight Foxtrot Symphony, created to sit naturally alongside the classic swing, jazz and electro swing sound that inspired the whole journey. Unlike a fast-cut club mix, this has been mixed to let each track play out in its entirety, allowing the arrangements, horns, vocals, rhythms and character of every record to breathe. The result is a continuous swing jazz band feel, like one long late-night performance inside a glowing manor house, where the dancefloor never quite stops moving. Dedicated with love and respect to Miles Davis for his heavenly 100th birthday, one of the true giants of jazz, innovation and musical freedom - and to Sonny Rollins, a true muse for this mix and one of the great spirits of swing, soul and improvisation. Save this one for the afters. The manor doesn't close early. TRACK LIST: 1. The Funk Assassin – Velvet Swing Affair 2. Fred Astaire, Club des Belugas – Puttin' On the Ritz (Club Des Belugas Remix) 3. Nekta – Listen 4. Parov Stelar – Booty Swing 5. Jamie Berry, Rosie Rascal – Twitch 6. The Funk Assassin – Minuit à Montmartre 7. Tape Five, Gardener of Delight – Tequila (Gardener Of Delight Radio Mix) 8. Lazlo – The Minor Drags 9. Caravan Palace – Rock It for Me 10. Swing Republic – Scrub Me Mama with a Boogie Beat 11. Electro Swing Sessions Band – Electro Swing 12. Benny Berigan – Snake Charmer 13. Swingrowers, Gypsy Hill – The Queen of Swing 14. The Funk Assassin – Bourbon Bead Arcade 15. Parov Stelar – Clap Your Hands 16. Swing Republic – Peas and Rice 17. Boban i Marko Markovic Orkestar – Cinnamon Girl (Radio Edit) 18. Parov Stelar Trio – The Invisible Girl 19. Tommy Largo – New Rhythm 20. Jazzotron, Nikola Vujicic – Digga Digga Doo 21. The Funk Assassin – Velvet After Midnight 22. The Funk Assassin – Midnight Foxtrot Symphony 23. The Funk Assassin – Manor Born 24. Caravan Palace – Black Betty 25. Caravan Palace – Dragons 26. Swingrowers – Bidibambumbey 27. Louie Prima, Wolfgang Lohr – Black Coffee 28. Parov Stelar Trio – Doctor Foo 29. Parov Stelar – All Night 30. 11 Acorn Lane – Spend My Time With You (Electro Swing Remix) 31. Kitten & The Hip – Shut Up and Dance (Tavo Remix) 32. Fab Samperi – The Big Swing 33. Klischée – Mais Non (1920 Version) 34. Ella Fitzgerald, Club des Belugas – Airmail Special (Club Des Belugas Remix)

Iran has issued a new warning, after the US carried out air strikes on Iranian missile sites and mine-laying boats. Also on the programme, how countries around world are adapting to heatwaves and higher summer temperatures; and, on his 100th birthday we ask what made Miles Davis one of the jazz greats from a musician who played with him.(Photo: An Iranian woman walks next to an anti-Israeli mural on a street in Tehran, Iran, May 26, 2026. Majid Asgaripour/WANA (West Asia News Agency)

Miles Davis spent his life searching. He changed the sound of jazz repeatedly, assembling generations of musicians around him and pushing constantly toward something new. Few artists loom so large over the history of the music. To mark what would have been his 100th birthday today, I'm revisiting a rare 1986 conversation between Miles and my dad, Ben Sidran, recorded on the terrace of Miles' Malibu home.  At a time when Miles was reticent about revisiting his past, in this interview he reflected on Kind of Blue, his early musical development and influences, as well as his ideas about creativity, individuality and what it means to make a meaningful artistic contribution. To start the episode, Ben and I had our own conversation about the Miles interview, his memory of doing it, how it resonated at the time and how it resonates today. In the 40 years since it was recorded, the interview has become one of the definitive documents of Miles' thinking during that period. Ben's original interview with Miles Davis was originally made for his NPR program Sidran on Record, and is now part of his Talking Jazz project. The full archive is available at https://talkingjazz.bandcamp.com/album/talking-jazz Today's episode image is borrowed from "Notes from the Ertegun Jazz Hall of Fame" produced by Quoted Studios and Jazz at Lincoln Center.

Writer and broadcaster Kevin Le Gendre, and trumpeter and composer Yazz Ahmed on 100 years of Miles Davis - the musician regarded as the Picasso of jazz.Artist Keith Tyson has just donated a quarter of a million pounds for an astronomy post at Oxford University. He's joined by Professor Ken Arnold, director of the Medical Museum at the University of Copenhagen, to discuss the relationship between art and science.Playwright Rory Mullarkey on his new play at the Royal Exchange, Even These Things, which marks the thirtieth anniversary of the bombing of Manchester by the IRA.Jazz's "Saxophone Colossus", Sonny Rollins, remembered.Presenter: Nick Ahad Producer: Ekene Akalawu

In this episode we're joined by a legend of '60s pop journalism to discuss her days at Rave magazine and her friendships with the stars of that swinging decade. Maureen O'Grady talks about the lucky break that brought her to Boyfriend magazine and her long friendship with the great Penny Valentine. She recalls her early interviews with the Beatles and the Rolling Stones before we digress into the role the UK played in hailing the Beach Boys' Pet Sounds as a game-changing masterpiece. Plus we ask our guest about Rave and its groundbreaking 1967 issue featuring Jimi Hendrix on its over. The conversation concludes with Maureen's reminiscences of the '70s, a decade in which she worked as a publicist for — among many other artists — Gladys Knight, Glen Campbell and, erm, Gary Glitter. We then celebrate Miles Davis' 100th birthday by listening to clips from the late Richard Cook's 1985 audio interview with that dark magus of avant-garde jazz. Jasper and William talk us out with their thoughts on pieces about the importance (or otherwise) of pop lyrics (2001) and the abuse meted out to female partners — from Yoko Ono to Courtney Love — of male rock stars (2025). Many thanks to special guest Maureen O'Grady. Pieces discussed: The Who did you say?, The Flower Game, The Beach Boys Visit the Animals, The Beach Boys: Complex and Intricate, Brian Wilson Remembers Pet Sounds on the Album's 50th Anniversary, Miles Davis audio, No Language, Just Sound — Looking Well Beyond the Lyric Sheet and Yoko Ono is now getting acclaim, but why do rock stars' female partners get so much abuse?.

Não lembro a ultima vez que um surfista dominou a etapa como Carissa fez em Raglan.E fez tudo com doçura, porque uma mamãe com a criança no colo não quer guerra com ninguém- só na bateria!Yagão fez de novo aquilo que ninguém mais faz em 2026, mágica pura, viradas extraordinárias na última onda.Não existe dúvida de quem é o melhor surfista do mundo atualmente.Italo Ferreira não tem nada com isso e decidiu que era hora de entrar no jogo, afinal são os 4 goofys brasileiros na ponta do ranking mundial e nenhuma pinta de que isso vai mudar nas próximas etapas.A trilha celebra os 100 anos do Miles Davis com Mystert, do album Doo-bop, Alphonse Mouzon com New York City e os O'Jays com a clássica, For The Love Of Money.

Ahead of the centenary of Miles Davis' birth Rick speaks to drummer and educator Conor Guilfoyle.

Einfluss von Deepfake-Videos auf die direkte Demokratie, Selbstregulierung bei ungesunden Lebensmitteln in Kinderwerbung, Hommage an Miles Davis zum 100. Geburtstag

On what would have been Miles Davis' 94th birthday, The 21st asks family members and musical experts to talk about his childhood in Illinois, his impact on the discussion of race and of course, his legendary musical performances and compositions.

Miles Davis's Kind of Blue is one of the greatest albums of all time - possibly THE greatest. But it's not perfect. In this special episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness break down this classic record, track-by-track, to uncover why it has become so legendary. They dig into what's really going on in the music during this album's best moments: Miles's trumpet solo on "So What", Wynton Kelly's piano solo on "Freddie Freeloader", John Coltrane's entrance on "Blue in Green".Plus - we learn more about what Miles was doing in his early years, his break from bebop, what he thought of Bill Evans's approach, and the production and engineering techniques that give Kind of Blue its unique sound.Miles Davis was born just outside of St. Louis 100 years ago this week. To celebrate his centennial birthday, Adam and Peter filmed this episode in front of a live audience at The Sheldon Concert Hall in St. Louis, MO.Chapters Legend: 

Send us Fan MailCover photo of Rick Allen - copyright Cindy Burnham, Lucky Shot Productions Show Note: 0:00 Nautilus Productions' Co-Founder Rick Allen gives the history of Allen v. McCrory - suit against NC over Allen's footage of the Queen Anne's Revenge Shipwreck 1:20 SCOTUS' 9-0 decision in Allen v. Cooper that the Copyright Remedy Clarification Act of 1990 (CRCA) was unconstitutional 2:00 NC's technical arguments against Allen's claims 2:55 court's use of pendant jurisdiction to wipe out 5 years of Allen's case3:45 petition for rehearing en banc denied 6:45 states' use of sovereign immunity against creators8:50 Jeff Sedlik's suit over use of his photo of Miles Davis as a tattoo  9:30 Michael J. Bynum's suit over Texas A&M University's unauthorized use of Bynum's 12th Man book (complaint here; dismissal of copyright infringement claims against A&M employee discussed here)11:00 Allen's recommendations to artists to protect their work online13:35 Emily Gould's discussion of LAION case 17:00 Bartz v. Anthropic - 23 June 2025 Order on Fair Use in N.D. Cal.19:50 Allen on opt out policy20:20 Visual Artists Copyright Reform Act (VACRA)21:00 Gould on survey by DACS (the Design and Artist's Copyright Society) 23:00 response to UK government's consultations 24:00 UK House of Lord's hearings24:30 Allen on artists not understanding impact of generative AI26:00 Gould on UK judgment from trial in Getty v. Stability 28:50 Gould on judgment in GEMA v. Open AI31:55 Lauren Stein on ChatGPT and law school's encouragement to use AI 33:00 Getty v. Stability in UK – Getty's drop of direct infringement claim and appeal of ruling on secondary infringement claim35:50 UK's Section 9(3) - copyright protection for original work created by a machine39:20 Stein on copyrightability and Japan's approach to sufficient human authorship41:40 Gould on Beijing Internet Court's judgment in Li v. Liu42:05 Allen's position on AI44:00 Gould on authenticity and human contribution47:35 Ed Newton-Rex Please share your comments and/or questions at stephanie@warfareofartandlaw.comMusic by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!This podcast and its content may not be used for training or developing AI systems without permission.© Stephanie Drawdy [2026]

Een TORcast geheel gewijd aan de muziek van Miles Davis. Miles werd honderd jaar geleden (op 26 mei 1926) geboren en ontwikkelde zich tot één van de belangrijkste musici, niet alleen in de geschiedenis van de jazz maar in die van hele hedendaagse muziek.  In deze TORcast laat Willem Habers een selectie van zijn favoriete Davis-opnames horen. Geen uitputtende opsomming, geen verantwoord chronologisch overzicht, geen doorwrocht spectrum van ’s mans invloeden en werk maar een heel persoonlijke keuze uit het gigantische oeuvre van deze jazzgigant. Playlist: Seven Steps to Heaven Miles Davis (trompet), Ron Carter (bas), Anthony Williams, Frank Butler (drums), Herbie Hancock, Victor Feldman (piano), George Coleman (tenorsax), Nefertiti Miles Davis (trompet), Wayne Shorter (tenorsax), Tony Williams (drums), Ron Carter (bas), Herbie Hancock (piano) Boplicity Miles Davi (trompet), Lee Konitz (altsax), Gerry Mulligan (baritonsax), John Lewis (piano), Kenny Clark (drums), Nelson Boyd (bas)J.J. Johnson (trombone), Bill Barber (tuba) Milestones Miles Davis (trompet), John Coltrane (tenorsax), Cannonball Adderly (altsax), Red Garland (piano), Paul Chambers (bas), Philly Jo Jones (drums) Tutu Miles Davis (trompet), Marcus Miller (producer, instruments), George Duke (keyboards), Paulhinho da Costa (percussie) Amandla Miles Davis (trompet), Kenny Garrett (altsax), Marcus Miller (bas), Omar Hakim (drums), Joe Sample (keyboards) Human Nature Miles Davis (trompet), Darryll Jones (bas), Vince Wilburn jr. (drums), John Scofield (gitaar), Robert Irving III (keyboards), Round Midnight Miles Davis (trompet), John Coltrane (tenorsax), Cannonball Adderly (altsax), Red Garland (piano), Paul Chambers (bas), Philly Jo Jones (drums) Jam Session Miles Davis (trompet), Michel Legrand (piano), Jimmy Cleveland (trombone), Kenny Garrett (sax), Mark Rivett (gitaar), Alphonse Mouzon, Harvey Mason (drums), Benny Reitveld (bas) Een paar bespiegelingen… De muziek van Miles Davis is niet slechts een hoofdstuk in de geschiedenis van de jazz; zij is een voortdurend herlezing van wat muziek kan zijn. Wie naar Davis luistert, hoort niet alleen noten, maar ook een bepaalde houding ten opzichte van tijd, stilte en vernieuwing. Zijn oeuvre lijkt zich steeds te onttrekken aan elke definitie die men erop loslaat. Dat maakt zijn betekenis filosofisch relevant: Davis laat zien dat identiteit niet iets statisch is, maar een proces van voortdurende transformatie. Een van de opvallendste kenmerken van zijn muziek is het gebruik van ruimte. In albums als *Kind of Blue* wordt stilte niet als leegte ervaren, maar als een actief element. Deze benadering roept vragen op over de aard van expressie zelf. Moet muziek altijd gevuld zijn, of kan juist het weglaten een diepere vorm van communicatie zijn? Davis' antwoord lijkt te zijn dat betekenis ontstaat in de spanning tussen klank en stilte. Daarmee sluit hij aan bij een bredere existentiële intuïtie: dat wat niet gezegd wordt, vaak even belangrijk is als wat wel wordt uitgesproken. Daarnaast belichaamt Davis het idee van artistieke vrijheid als morele houding. Hij weigerde zich te conformeren aan de verwachtingen van zijn publiek of de industrie. Telkens wanneer hij succes bereikte—of het nu ging om bebop, modal jazz of fusion—koos hij ervoor om een nieuwe richting in te slaan. In die zin is zijn carrière een praktijk van wat de filosoof Nietzsche “zelfoverwinning” noemde: het voortdurend achterlaten van het oude zelf om ruimte te maken voor het nieuwe. Deze radicale trouw aan vernieuwing maakt hem tot een bron van inspiratie voor hedendaagse musici. De invloed van Miles Davis op huidige jazzmuzikanten ligt dan ook niet alleen in specifieke harmonieën of technieken, maar in een manier van denken. Moderne jazz kenmerkt zich door hybriditeit: invloeden van hiphop, elektronische muziek en wereldmuziek vloeien samen tot nieuwe vormen. Deze openheid is rechtstreeks schatplichtig aan Davis' grensverleggende experimenten, vooral in zijn latere werk zoals *Bitches Brew*. Hij legitimeerde het idee dat jazz geen afgesloten traditie is, maar een permeabel veld waarin alles kan worden opgenomen. Ten slotte blijft Davis relevant omdat hij de luisteraar actief betrekt. Zijn muziek vraagt om aandacht, om interpretatie, om een zekere existentiële inzet. Zij is nooit volledig transparant; er blijft altijd iets ongrijpbaars. In een tijd waarin muziek vaak als achtergrondconsumptie fungeert, herinnert Davis ons eraan dat luisteren een vorm van denken is. Zo bezien is Miles Davis niet alleen een muzikant, maar een filosoof in klank. Zijn erfenis leeft voort in elke muzikant die durft te experimenteren, te twijfelen en opnieuw te beginnen—en in elke luisteraar die bereid is om in die zoektocht mee te gaan.

For this week's episode, we celebrate Miles Davis on the Centennial of his birth, May 26 1926. Miles is one of the most influential of jazz artist, having set new directions for jazz time and time again. Here we represent music from his first and second great quintets along with his explorations in electronics and rock rhythms that led to the jazz-rock fusion of the 70's and beyond. Playlist Artist ~ Name ~ Album Miles Davis ~ Milestones ~ Milestones Miles Davis ~ So What ~ Kind of Blue Miles Davis ~ Joshua ~ Seven Steps To Heaven Miles Davis ~ Footprints ~ Miles Smiles Miles Davis ~ Spanish Key (alternate take) ~ Bitches Brew (Legacy Edition) Gregory Hutchinson ~ Water Babies ~ Kind of Now - The Pulse of Miles Davis Peter Sprague ~ Flamenco Sketches ~ Blue Kind of Miles

Coucou everyone!Once there was a time, in post war Europe, where cinema and Jazz converged. A time where the likes of Miles Davis and others were composing the soundtracks in some of Europe's most experimental and famous films of Film Noir and Nouvelle Vague (among other genres). We then talk discuss how the Monte Carlo casino was able to keep Monaco afloat from the pockets of unlucky patrons. Can you dig it???Main topic sources: The New Wave JazzNational Humanities Center - Jazz and the African AmericanLiterary TraditionVerite News: New Orleans jazz: ‘visibility to the invisible, a voice to those silenced, respect to the disrespected'Mini topic sources:⁠The Monte Carlo Casino: From empty tables to a magnet for millionaires - The History Press Company That Saved Monaco: History of Société des Bains de Mer The man who broke the bank at Monte Carlo - Charles Coborn Kate's recommendation: Elevator to the Gallows film score by Miles DavisCatherine's recommendation: Monos luggageDon't forget to follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :)Cover art and logo by Kate WalkerMixed and edited by Catherine RoehreTheme song by LumehillThank you all - ciao!

This is a preview of a premium episode. To listen to the full thing, visit our Susbtack: https://designbetterpodcast.com/p/colin-fisher In jazz, there's a concept called minimal structures — a rhythmic framework, a harmonic pattern, an implied order of solos. Just enough to hold the band together, but plenty of space for autonomous creativity. It's a useful lens for thinking about how any team works, and it comes directly from today's guest. Colin Fisher was a professional jazz trumpet player before he became one of the leading researchers on group dynamics. He's now an Associate Professor of Organizations and Innovation at University College London, with a PhD in Organizational Behavior from Harvard, and his new book is The Collective Edge. In it, he makes a case that we systematically underestimate the role groups play in every breakthrough we celebrate. We love stories about lone geniuses — Newton, Einstein, Miles Davis — but when you peel back almost any one of them, you find a group behind it. We just tend to forget that part, because our brains are wired to remember heroes, not ensembles. Ask everyone on a six-person team how much credit they deserve for the group's output, and one study found the total came to 235%. In this conversation, we get into why teams are 6.3 times more likely than individuals to produce breakthrough work, why the sorting hat in Harry Potter is actually the series' true villain, and why 84% of managers try to coach their way out of team problems when the real fix is structural. We also talk about the dangers of using competition to motivate creative teams, why the ideal team size hovers around 4.5 people, and what it would take to pull our increasingly individualistic world back toward something more collective — without tipping into the other extreme. Bio Colin M. Fisher is an Associate Professor at University College London's School of Management and the author of The Collective Edge: Unlocking the Secret Power of Groups (Avery/Penguin Random House), translated into ten languages. His research on group dynamics, creativity, and improvisation has been published in top academic journals and featured in BBC, Harvard Business Review, NPR, Forbes, and The Times. Before earning his PhD in Organizational Behavior from Harvard, Colin was a professional jazz trumpet player and longtime member of the Either/Orchestra. He lives in London with his wife and two children, and can sometimes be found sitting in at jazz jams around the city. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most popular jazz albums of all time is still “Kind of Blue”, from trumpeter Miles Davis. Over the course of his career, Davis was pioneering in almost every major form of jazz, from be-bop to fusion. Early in his career, he recorded the compilation “Birth of the Cool” with nine other musicians, which is considered seminal to the era of cool jazz. KMHD and Portland trumpeter Noah Simpson will celebrate Miles Davis’ 100th birthday later this month with a performance of the classic 1957 album in its entirety.

Episode Notes The Wedding and the Marriage: On Creative Devotion and the Gift of the Slow Burn What does it actually mean to be devoted to your work — not the version of it you imagined, but the version that wants to exist? In this deeply personal episode, Michael reflects on the six-year journey of writing Resonance: The Art and Science of Human Connection — and the humbling gap between the grand launch he envisioned and the initiation the universe had in store. Recorded live from Tulum, Mexico, just weeks after the book's release, this is a raw and honest meditation on ego, surrender, patience, and what it means to stay in the work when the fanfare doesn't come. What You'll Hear in This Episode: The moment Michael nearly folded after five years — and the four-month ultimatum that changed everything Why he moved to Austin, found the right environment, and finally cracked the book's structure The emotional experience of recording the audiobook and hearing his "composition" for the first time How a crypto portfolio hit by 100% China tariffs wiped out his marketing budget — and what he did next The difference between the wedding (the launch) and the marriage (the lifelong commitment to the work) Why he stopped chasing the bestseller list and started thinking like Ryan Holiday's perennial bestseller What Esther Perel's Mating in Captivity and Steven Pressfield's The War of Art teach us about the slow burn The Miles Davis principle: music is what lives in the space between the notes Nelson Mandela's Long Walk to Freedom as a model for creative endurance How the principles of Resonance — listening, devotion, releasing transactional expectation — apply to your creative life, not just your relationships Key Themes: Creative initiation and the fire that forges you Releasing egoic expectation vs. listening to what wants to live The gift of the slow burn and the perennial work Environment as a creative catalyst Dissonance vs. resonance in relationships — and in your work What vision fasts and initiatory rituals teach us about patience and preparation Quotes From This Episode: "It's not about the night of the wedding. It's going to be about the years of commitment in the marriage." "How can I listen to what wants to live — and become an instrument for that song?" "Music is what lives in the space between the notes." — Miles Davis "I wasn't positive how the ideas came together in the most poignant way. But I knew it was in there." Referenced in This Episode: Resonance: The Art and Science of Human Connection by Michael Trainer — available wherever books are sold The War of Art — Steven Pressfield Mating in Captivity — Esther Perel Long Walk to Freedom — Nelson Mandela The Ryan Holiday perennial bestseller framework Connect with Michael:

Kirk returns to Kind of Blue, taking a closer look at two more tunes off of the 1959 jazz classic. First, he digs into the modified 12-bar blues "Freddie Freeloader," with a focus on Wynton Kelly's much-emulated opening piano solo. He then compares and contrasts how John Coltrane and Cannonball Adderley approached the closing track, "Flamenco Sketches" on tenor and alto sax, respectively. Music by: Miles Davis and Bill Evans The Musicians: Miles Davis, Trumpet Julian "Cannonball" Adderley, Alto Sax John Coltrane, Tenor Sax Wynton Kelly & Bill Evans, Piano Paul Chambers, Bass Jimmy Cobb, Drums Produced by Irving Townsend; Engineered by Fred Plaud Album: Kind of Blue, 1959 Listen/Buy via Album.Link ALSO REFERENCED/DISCUSSED: The 2021 episode of Strong Songs about the album's opening track, "So What" Adam Maness and Peter Martin's excellent music podcast “You'll Hear It”  Kirk's 2025 “You'll Hear It” guest appearance discussing Tower of Power's 1973 self-titled album Kind of Blue: The Making of the Miles Davis Masterpiece by Ashley Kahn, 2000 “Cold Sweat” by James Brown, 1967 “Everybody Wants to Rule The World” by Tears For Fears from Songs From The Big Chair, 1985 “Some Other Time” by Leonard Bernstein by Bill Evans and Tony Bennett from The Tony Bennett Bill Evans Album, 1975 “A Love Supreme, Pt. 2: Resolution” - by John Coltrane from A Love Supreme, 1965 --------------------MAY 2026 WHOLE NOTE PATRONS Dave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Butch Vig - Greg - Matt R MAY 2026 HALF NOTE PATRONS Colin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare Holberton - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Linda Duffy - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Michael Shain - Jamie - David Futter - Jeff Ulm - Aaron Wade - Greg Henion - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - Ol Parker - Dan Cutter - Jeff - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Rachel - Kym Griffith - PhantomMare - Alison Dugan - Margaret McReynolds - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Alex Miller - Steve B - Ian Karmel - Zach Putnam - Stephen - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - Alexis - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner - Edward Reisert - Klodrik - Aron - Kevin Davis - Matt - Louise Clarke - Richard Randall - AlanB - Will King - PJ and Ethan - TheShirtRipper - Rebecca Kline - Ned Rosen - Simon Hellman - Jim M - Ben Buddy Slack - Néa --------------------