Podcast appearances and mentions of Miles Davis

Meta dips into petty cash to get rid of a nasty legal headache. Ben riffs. Mike Allemana tells you everything you need to know about this year's Chicago Jazz Fest. Get ready for riffs on George Freeman, Ahmad Jamal, Cannonball Adderley, Robert Glasper, Paquito D'Rivera, Robert Irving, Miles Davis, Darryl Jones, Dee Dee Bridgewater and more. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Who was the first person to be cool? What connects the civil rights movement and Albert Camus' 'The Rebel'? How has the coopting of black terminology impacted American society more broadly?From James Dean to Kate Moss, we know cool when we see it. But its history goes back to jazz music and the civil rights movement. Academic Joel Dinerstein reveals the forgotten history of this elusive concept. "Entertaining and insightful" - New York TimesJoel Dinerstein is the author of The Origins of Cool in Postwar America (University of Chicago, 2017) and Clark Chair of American Civilisation at Tulane University and writes about race, cool, and popular music. Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such talks live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“For me, if a poem doesn't swing, it's really not much of a poem,” says Adrian Matejka, author of the collection Be Easy: New and Selected Poems. His work hums with music, from its references to David Bowie, Miles Davis, and others to its infectious rhythms, repetitions, and rhymes. In this lively conversation recorded in 2024 at the Wick Poetry Center in Ohio, he reads several poems, and he and Pádraig Ó Tuama talk about “the imaginary discotheque” that takes place in Adrian's head when he writes, how metaphor and simile offer a third space for his ideas to reach people, and his intense interest in exploring “masculinities” in all their expressions and emotions.    We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Adrian Matejka is the author of many books of poetry, including most recently Be Easy: New and Selected Poems, which was published by W.W. Norton in 2026. He also serves as the editor of Poetry magazine, and he was poet laureate of the state of Indiana from 2018 to 2019.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

En julio de 1991, tres meses antes de dejarnos, Miles Davis se presentó en el Festival de Jazz de Vienne. El 'Picasso del jazz', como le definió el Ministro de Cultura de Francia al condecorarle con la Legión de Honor, tocó en el anfiteatro romano de la ciudad a orillas del Ródano, con Kenny Garrett, Deron Johnson, Richard Patterson, Fowley y Ricky Wellman, temas como 'Hannibal' de Marcus Miller, 'Human nature' de Steve Porcaro y John Bettis éxito de Michael Jackson, dos composiciones de Prince ('Penetration' y 'Jailbait') y 'Time after time' de Cyndi Lauper.Escuchar audio

Eric Frandsen and Jason Walker on Friday's Full Court Press on 106.9 FM / 1390 AM The FAN.Topics for day's show include: - High School Football kicks off today: Ridgeline Riverhawks, Bear River Bears, Sky View Bobcats, Green Canyon Wolves, Logan Grizzlies and Mountain Crest Mustangs.- Ranking NFL quarterbacks by tiers- Aggies on NFL preseason rosters- Utah State soccer faces Michigan on Sunday

***This show is brought to you by DistroKid. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ listener survey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a chance to win a $50 gift card! Comedian James Mattern is back to dive into Miles Davis' groundbreaking Bitches Brew, exploring the album's fearless fusion of jazz, rock, and experimentation as well as the lasting impact of a record that changed the course of modern music. Follow James on Instagram: https://www.instagram.com/thejamesmattern/ Distrokid Artist of the Week: Ulysses Owens Jr. https://www.youtube.com/shorts/scsL2mbEPoA Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Other Side of the Bell, featuring trumpet performer, composer and recording artist Liva Strazdina, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Liva Strazdina Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Liva Strazdina made the decision to pursue post-secondary studies in jazz music, and had been accepted to the Carl Maria von Weber Dresden University of Music, but there remained one crucial thing that she had to tackle first: Changing her embouchure. She had heard the suggestions before, the recommendations to do something about it before it got worse and created excessive fatigue. But the time had come. Liva was guided by the acclaimed yet demanding instructor Malte Burba, showing her breathing and muscle-building techniques that embraced the full body, not just the lips, mouth and lungs. Which led to Liva spending a solid three months practicing with only a mouthpiece, while her new classmates were progressing with her studies. Undoubtedly a test of perseverance and commitment! Liva compares her training to that of an athlete, who must see the bigger picture and the ultimate trajectory, particularly during the repetitive and even painful days of practice and repetition. Fortunately for her, and all of us, her commitment has led to a burgeoning career in jazz music, and the debut of her first album, Unbalanced, featuring a mixture of original compositions and interpretations. Listen in for a thoughtful conversation, and a thoughtful album, about trumpet, creativity, resilience, and building a life in music. About Liva Strazdina: Līva Strazdiņa, born in 1997 in Berlin with Latvian roots, combines depth, expression and a clear personal tone in her music. After studying jazz trumpet as her main instrument at the Carl Maria von Weber University of Music in Dresden, with teachers including Sebastian Studnitzky, Malte Burba, Simon Harrer and Till Brönner, she developed a distinctive musical language marked by intense melodic writing and a fine balance between energy and intimacy. As a trumpeter and flugelhornist, she chooses her instrument deliberately based on mood and tone color. Alongside numerous ensemble projects, big band experience, awards and tours including the Berlin Youth Jazz Orchestra, studio recordings with LaJJazzO and tours with the indie band BEACHPEOPLE, Līva is also active as a composer. Her music reflects not only influences from jazz greats such as Miles Davis and Freddie Hubbard, but also singer songwriters like Billy Joel and pop icons like Pink Floyd and Eminem. With her debut album, Līva shares her innermost thoughts and feelings. The album invites listeners to immerse themselves in these emotions and reflect on their own emotional world. Episode Links: Website liva-strazdina.com Store https://timezonerecords.lnk.to/LSUnspoken?utm_source=ig&utm_medium=social&utm_content=link_in_bio Instagram https://www.instagram.com/livastrazdinamusic YouTube https://www.youtube.com/@livastrazdinamusic Bandcamp https://livastrazdinamusic.bandcamp.com/merch Bob Reeves Brass Events and Appearances: Joy Brass, September 17-24, Tokyo Japan Virtuosity Music, October 9-10, Boston, MA Greg Black Mouthpieces, November 6-7, Mount Holly, NC NCMEA Conference, November 8-9, Winston-Salem, NC Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Aigars Hibneris Audio Engineer - Ted Cragg

Sax player Cannonball Adderley is our featured artist tonight. Recordings with Miles Davis, Milt Jackson, John Coltrane, Bill Evans, and more.

Anika sat down with Dr. Michael Gerharz to explore why brilliant ideas and vital corporate strategies so often end up in the trash bin. The conversation revealed a counterintuitive truth: the solution isn't persuading harder—it's resonating stronger. Michael's unique background transitioning from computer science networks to executive communication offered practical pushback against the persistent reliance on complex professional jargon, alongside a sharp look at what truly makes a presentation unforgettable (spoiler: it requires stepping off the hero's pedestal).   In This Episode From computer science to communication: frustration with discarded ideas What corporate leaders can learn about complexity from writing children's books The Alcoa turnaround: how focusing on worker safety quintupled company revenue Why words that resonate are found by listening better, not thinking harder The danger of hiding behind professional tech jargon and PowerPoint slides Breaking down the PATH Framework: Plain & Simple, Actionable, Transformative, Heartfelt Applying the framework in real-time: a CEO's vulnerable keynote success The pass-along phrase: a journalistic tool for razor-sharp presentation focus Stepping off the hero's pedestal: why audiences don't need another hero   Timestamps 00:00 Introduction: Simplicity as the entrance to complexity 02:18 The transition from computer science to communication 04:10 The connection between five-year-olds and CEOs: simplifying the core idea 08:14 Don't persuade harder, resonate stronger: The Paul O'Neill Alcoa story 13:21 Why leaders hide behind professional-sounding language 17:09 The PATH Framework explained 20:17 A real-world example of trading statistics for vulnerability 23:18 How the PATH framework led to a worldwide toy licensing deal 29:16 Creating a successful short-form format in a long-form world 33:14 The "pass-along phrase" communication strategy 35:36 Turning the spotlight off the speaker and onto the audience 38:29 Why smart people need to stop trying to be right and start getting it right 40:24 Final thoughts and the Miles Davis quote   Key Insights & Takeaways   Insight 1: Simplicity is the Entrance to Complexity   Professionals frequently wear complex jargon as a badge of honor, assuming it proves sophistication. However, whether speaking to a five-year-old or a board of directors, complexity without a simple entry point leads to immediate disengagement. Simplification isn't "dumbing down" the message; it is providing a clear hook that makes the audience say, "Tell me more," thereby inviting them down the rabbit hole into the complexity.   Insight 2: Don't Persuade Harder, Resonate Stronger   When a business is struggling, the instinct is to overwhelm the team with data, charts, and demands for greater effort. True impact, however, requires finding the intersection between business objectives and the audience's personal interests. As demonstrated by Paul O'Neill at Alcoa, focusing on an emotionally resonant keystone habit (like worker safety) can indirectly solve massive operational and revenue problems without relying on brute-force persuasion.   Insight 3: The Danger of the "Hero's Pedestal"   Speakers frequently step onto the stage believing they must prove their worth and act as the hero of the room. This mindset creates immense pressure and often alienates the audience, who view themselves as the heroes of their own lives. True influence is achieved by stepping down from the pedestal, adopting the role of the mentor, and utilizing the spotlight solely to help the audience overcome their own challenges.   Insight 4: The Power of the "Pass-Along Phrase"   To ensure a message lands, communicators must reverse-engineer their presentations. By identifying the exact phrase they want an audience member to relay to a colleague who missed the meeting, speakers create a razor-sharp navigation system. Any slide, anecdote, or statistic that does not directly support that final "pass-along phrase" is a detour that should be cut.   Insight 5: Stop Trying to Be Right, Start Getting it Right   Highly analytical leaders often waste presentations trying to make an airtight, factual case to force agreement. However, two people can agree on the exact same facts and still choose different courses of action. Communication is most effective when leaders let go of their ego and the need to be "right," focusing instead on outlining a shared path forward that makes sense for both parties.   Insight 6: Jargon is a Shield   When leaders know what they want to say but resort to dense, approved corporate language, they are usually trying to protect themselves. This vague, professional surface prevents them from being backed into a corner, but it also strips the passion and clarity from their message. The most powerful presentations often occur when a speaker drops the slides and explains their vision in plain, conversational English.   Resources & Links Mentioned The Path to Strategic Impact (Book) Irresistible Communication The Best Talk of Your Life:  https://michaelgerharz.com/yba   About Dr. Michael Gerharz   Dr. Michael Gerharz holds a doctorate in communication networks and has transitioned his expertise from machine-to-machine systems to high-stakes human communication. He is the author of The Path to Strategic Impact and The Aha Effect, and the host of the Irresistible Communication podcast. Through his consultancy, the Clarity Lab, he helps senior C-suite leaders abandon complex jargon and find the simple, resonant messages needed to deliver career-defining presentations.   Connect with Dr. Michael Gerharz   LinkedIn: https://www.linkedin.com/in/michaelgerharz/ Instagram: https://www.instagram.com/drgerharz/ Youtube: https://www.youtube.com/@MichaelGerharz Website: https://michaelgerharz.com Like the show? Leave us a rating or review: https://lovethepodcast.com/67940257010b317cdaa9d857Follow the Show: https://followthepodcast.com/67940257010b317cdaa9d857Send a Message: https://podcastfeedback.com/67940257010b317cdaa9d857Check out our Website: https://www.yourbrandamplified.comSpeak to my Delphi Clone: https://www.delphi.ai/amplifywithanika Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mike is swamped in Spain (with homework, not water), so Pat does an intermediary episode that is .5 by name, .5 by nature. He takes a look at five box sets in three completely made up categories and when he's done you'll still have time to go out for a nice dinner. John Coltrane - THE COMPLETE 1961 VILLAGE VANGUARD RECORDINGS; Charles Mingus - THE COMPLETE 1970s STUDIO RECORDINGS; Miles Davis - MILES IN FRANCE 1963 & 1964: THE BOOTLEG SERIES VOL. 8; Various Artists: NEWVELLE RECORDS SEASON FOUR: COMPLETE BOX SET; Various Artists: COMPLETE KEYNOTE COLLECTION. 

La escritora Pilar Asuero visita El Ojo Crítico para hablarnos de 'Las cabras', el libro en el que explora los vínculos de la amistad, la autoconsciencia, el duelo y los espacios compartidos.También hablamos con los responsables del festival Jazz de Ría, que se celebra en la Costa Ártabra conectando Galicia con Miles Davis y el jazz internacional.Los eclipses nos fascinan y están muy presentes en la cultura. Aprovechamos para recordar cómo se ha abordado este fenómeno en la literatura y en la gran pantalla.Escuchar audio

John Coltrane (born Sept 23, 1926) is easily one of a handful of the most important and influential musicians that jazz has produced. His harmonic and rhythmic innovations have influenced every generation of jazz musicians since he first rose to prominence with the bands of Miles Davis and Thelonius Monk. His own groups stretched the boundaries of modern jazz into free, extended improvisations.    Help sponsor St. Michael's Jazz Fest Donate to the Jazz Legends podcast Contact us at stmichaelsjazzfest@gmail.com

Tensions boiled over at Carolina Panthers training camp as physical, full-pad 11-on-11 drills led to a massive mid-practice scuffle between the offense and defense. In this breakdown, we dive into the post-practice sideline leadership huddle between Bryce Young, Mike Jackson, Nick Scott, Dave Canales, and Ejiro Evero to restore discipline—plus all the key takeaways from practice and yesterday's press conferences!IN THIS VIDEO:

Hace ya cinco años que 'Jazz es finde' se emitió por primera vez en Radio 3 donde el jazz siempre ha estado presente. Desde los inicios de la emisora, con Paco Montes y su "desde la santa casa de la radio", y sobre todo con la huella indeleble de Cifu, que ejerció su magisterio durante tantos años y que nos hubiera sin duda deleitado con sus comentarios sobre estos dos genios del jazz de los que estamos conmemorando el centenario de su nacimiento: Miles Davis y John Coltrane. Del saxofonista escuchamos grabaciones de 'My favorite things', 'Everytime we say goodbye' y 'But not for me' y del trompetista 'So what', 'Freddie Freeloader' y 'All blues'.Escuchar audio

Groove Podcast: Marcus Miller shares stories from his time with Miles Davis and explains how listening, creativity, and curiosity have guided his life on bass and beyond.

Trumpeter and composer John Montesante visited the Bent Notes studio to chat about his music, and the exhilaration of the sound of a horn section when placed over the top of a Jazz Quintet.   John was joined in-studio by his Associate Paula. John also spoke of his signature cap from his collection of caps and great-coats related to his interest in the American Civil War; and his being brought to Jazz after watching Miles Davis at the Newport Jazz Festvial. We learnt that John ‘s first trumpet leaked a lot and that he pushed soap into the gaps to seal them – which meant that occiaionally bubbles also found their way out of the trumpet in addition to the notes! Since that time John has spent much time in the industry, and runs his own quintet – the JMQ – and the exciting brassy sound of the expanded JMQ Dectet. John performs with his JMQ regularly at the Golden Gate Hotel in South Melbourne, and brings the Dectet out a couple of times a year.  Keep an eye on John’s Gig Guide for future events. Hear John chat in this Podcast from JOY 94.9 Follow John and his Quartet and Dectet on John’s socials. John Montsante and Paula were guests of Bent Notes on Sunday July 5, 2026 Bent Notes – 2 hours of Jazz and Improvised Music – 7 o'clock every Snday night JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support this podcast, Donate to JOY; Become a member The post The Power of a Horn section in Jazz – John Montesante appeared first on Bent Notes.

Eric Frandsen and Jason Walker share exclusive interviews with Utah State football players, including Bronson Olevao Jr.Gonzaga adds another 5th year player to their roster, this time a forward from Florida State.Former Utah State Aggies on NFL preseason rosters. Miles Davis played well for the Panthers at the Hall of Fame Game.

#podcast #jazz #jazztubeIn the, the second and final Part of my discussion of two jazz books I go into more detail of the prose of both the authors and their reflections on the passage of time, changes of taste and the effects on America's art form.More on this stream ( part 2 of 2), here:For the second and final episode of my jazz book lunches I gave myself an impossible, maybe silly task: pick only one album for each of the three master musicians of Bill Evans John Coltrane and Miles Davis. One thing I will say notwithstanding it probably not having to be said is that all three albums here are great on their own merits but do not reflect the traditional or canonical view especially among the musicians themselves, never mind scholars or critics. For Miles Davis I did not pick Kind Of Blue, for example and for John Coltrane I did not pick A Love Supreme. Again those two albums may very well be greater than the ones I personally have chosen and prefer in some Platonic sense but my interest here is getting listeners interested in and excited about less famous but at least equally valuable releases.Bill Evans:Consecration: The Final Recordings (Note: not only is this album not one of the typical ones used to represent Evan's work; it didn't even come out until 1989 in Japan and then in the US in 2002)! For me it reflects Evan's triumph and is my favorite trio of his. This is Bill Evans at his most romantic, even wild, and I love the performances for that. (It is also from performances at the very end of his life).   • Bill Evans Trio - Re: Person I Knew (Offic...  John Coltrane: The 1961 Village Vanguard recordings   • John Coltrane - Live At The Village Vangua...  This selection is one with which so many musicians and critics alike would agree: an incredible document of Trane and his great quartet in performance at the greatest of jazz rooms. There is some additional Eric Dolphy on one selection too. You can also hear McCoy Tyner's harmonic and pianistic innovations in fullest display on this one.Miles Davis:Filles De Kilamanjaro (1969)   • Frelon brun  I so love this album of Miles: it is so many things. It has a lot of traditional jazz styles language in it from the great quartet of Herbie Hancock, Ron Carter and Tony Williams and yet it is also funky, soulful sometimes like rock n roll at the same time. And then there are sections that are like classical or modern chamber music. A must.

Waar we vorige TORcast de Americana-muziek, de smeltkroes van country, folk, blues en jazz behandelden, hebben we deze TORcast de focus gericht op de jazzrock en fusion. Je zou kunnen zeggen: het tegenovergestelde: waar Americana sterk is georenteerd op traditie, richt jazzrock en fusion zich juist op vernieuwing en nieuwe – elektronische- instrumenten en zoekt de vebinding met rockmuziek. Playlist Blood, Sweat & Tears: Spinning Wheel; Miles Davis: Miles Runs The Voodoo Down; Mahavishnu Orchestra, John McLaughin, Carlos Santana: A Love Supreme; Weather Report: Birdland; Chick Corea & Return To Forever: Spain; Herbie Hancock: Watermelon Man; Jeff Beck: Come Dancing; Hiromi, Anthony Jackson, Simon Phillips: Alive. Jazz-rock en Fusion: de elektrische revolutie binnen de jazz Voor veel jazzliefhebbers vormen jazz-rock en fusion een fascinerend hoofdstuk in de geschiedenis van de moderne jazz. Deze stromingen brachten de improvisatievrijheid van jazz samen met de energie, ritmiek en technologie van rockmuziek. Het resultaat was een muzikale explosie die vanaf het einde van de jaren zestig nieuwe generaties luisteraars aantrok en nog altijd invloed heeft op hedendaagse jazz, funk en zelfs progressieve rock. De ontstaansgeschiedenis Aan het einde van de jaren zestig bevond de jazz zich op een kruispunt. Rockmuziek werd steeds populairder en trok een jong publiek, terwijl veel jazzmuzikanten op zoek waren naar nieuwe artistieke mogelijkheden. De introductie van elektrische instrumenten, zoals de Fender Rhodes-piano, elektrische bas en synthesizers, bood nieuwe klankwerelden. De trompettist Miles Davis speelde een sleutelrol in deze ontwikkeling. Met albums als In a Silent Way (1969) en vooral Bitches Brew (1970) verbrak hij de traditionele grenzen tussen jazz en rock. Zijn muziek werd elektrisch, ritmisch complex en sterk gebaseerd op grooves en collectieve improvisatie. Veel musici uit Davis’ bands richtten vervolgens hun eigen groepen op. Zo ontstonden onder meer: Weather Report (Joe Zawinul en Wayne Shorter) Mahavishnu Orchestra (John McLaughlin) Return to Forever (Chick Corea) The Headhunters (Herbie Hancock) Deze groepen zouden de fusionmuziek in de jaren zeventig verder vormgeven. Kenmerken van jazz-rock Jazz-rock ontstond uit een relatief directe combinatie van jazz en rock. Belangrijke kenmerken zijn: Sterke rockritmes en backbeats. Elektrische gitaren met vervorming of effecten. Elektrische keyboards zoals de Fender Rhodes. Lange improvisaties. Complexere harmonie dan in traditionele rock. Een krachtige, soms bijna agressieve energie. Jazz-rock klinkt vaak ruiger en directer dan latere fusion. De invloed van psychedelische rock en progressieve rock is duidelijk hoorbaar. Kenmerken van fusion Fusion is een bredere en veelzijdigere stijl. Naast rockinvloeden zijn vaak ook elementen uit funk, wereldmuziek, soul en elektronische muziek aanwezig. Typische kenmerken: Virtuoos instrumentaal spel. Complexe maatsoorten en ritmische structuren. Sterk uitgewerkte arrangementen. Combinatie van improvisatie en compositie. Gebruik van synthesizers en moderne studio-effecten. Invloeden uit uiteenlopende muziekculturen. Fusion kent daardoor een grote diversiteit. Sommige groepen klinken zeer funky, terwijl andere juist symfonisch, wereldmuzikaal of bijna futuristisch aandoen. Waarom deze stijlen belangrijk zijn Jazz-rock en fusion hebben de jazz geholpen zich aan te passen aan een veranderend muzikaal landschap. Ze maakten de muziek toegankelijk voor rockliefhebbers zonder de improvisatorische rijkdom van jazz op te geven. Veel hedendaagse artiesten bouwen voort op deze traditie. Bands als Snarky Puppy, The Yellowjackets en verschillende moderne jazzgitaristen en toetsenisten ontlenen nog steeds veel aan de fusionpioniers van de jaren zeventig. Smooth Jazz: toegankelijkheid en sfeer Smooth jazz ontstond eind jaren zeventig en begin jaren tachtig en putte deels uit fusion, maar koos een andere richting. De nadruk ligt op: Sterke melodieën Rustige grooves Eenvoudigere harmonieën Compacte solo’s Ontspannen sfeer Smooth jazz wordt vaak gebruikt als achtergrondmuziek, terwijl fusion meestal bedoeld is om aandachtig naar te luisteren.

James Brown, George Clinton, Jimi, and Sly are all contenders for a “Mount Funkmore.” There's one woman whose face should be carved in that stone with the boys.Long before she was ever a wife and “muse,” Betty Davis was an up-and-coming songwriter, Wilhelmina model, and “it” girl of the New York underground. She gave her hit song “Uptown” to the Chambers Brothers and called Jimi Hendrix and Warhol's Factory her friends. With her substantial influence on her husband Miles Davis, jazz fusion as we know it was born. Betty didn't need a famous man to make her groundbreaking albums: she was a singer, songwriter, arranger, and producer all on her own. Her in-your-face persona is still so fresh, she's got Beyoncé name-dropping her 50 years later! Betty was everything: raunchy, loud, unapologetically fierce, driven, sensitive, and spiritual. Above all, she was real. Get ready for Betty, because the queen of FUNK is here to stay!In addition, the Dolls Pod is honored to welcome professor, ethnomusicologist, DJ, and author of the upcoming “Game Is Her Middle Name: The Life and Music of Betty Davis” Dr. Danielle Maggio to the show. We talked about how her new book came to be, her own friendship with Betty, and celebrated Betty's power and soul.“Betty Davis: Queen of Funk” is available wherever you stream your podcasts ⭐️Preorder “Game Is Her Middle Name: The Life and Music of Betty Davis” by Danielle Maggio from Feminist Press: https://feministpress.org/collections/coming-soon/products/9781558613782-game-is-her-middle-nameFollow Danielle on Instagram: @saucequeen_phd(Episode starts at 3:41)Sources used:Personal interview with Danielle Maggio, PhD (7/25/2026)Danielle Maggio, “‘Sound Projector:' Reissuing, Representing, and Reclaiming the Music of Betty Davis” University of Pittsburgh, 2020Danielle Maggio, “Betty Davis In Japan,” parts 1-7. Substack via Light In The Attic, 2024John Ballon, “Betty Davis: Betty Davis” All About Jazz, 10/31/2003John Ballon, “Liberated Funk” Wax Poetics issue 22, March/April 2007John Szwed, “So What: The Biography of Miles Davis” (2002)Miles Davis with Quincy Troupe, “Miles: The Autobiography” (2011 ed.)Neil Spencer, “Miles Davis: The muse who changed him, and the heady Brew that rewrote jazz” The Guardian, 9/4/2010Virginia Vigliar, “Betty Davis: What happens when women have a hold on their own narrative?” Medium, 1/2/2021“Betty: They Say I'm Different” dir. Philip Cox, 2017Song used in this episode:Miles Davis - “Bitches Brew” (1970)Bessie Smith - “Young Woman's Blues” (1926)Betty Davis - “They Say I'm Different” (1974)Beyonce - “Break My Soul (The Queens Remix)” [2025]Betty Mabry - “Get Ready For Betty” (1964)The Chambers Brothers - “Uptown” (live at the 3rd Annual Harlem Cultural Festival, 6/29/1969)Betty Davis - “Steppin' In Her I. Miller Shoes” (1973)Miles Davis - “Mademoiselle Mabry” (1968)Betty Davis - “Politician Man” (1969)Betty Davis - “Ready, Willing, and Able (Take 1)” [1969]Miles Davis - “Pharaoh's Dance” (1970)Betty Davis - “If I'm In Luck I Might Get Picked Up” (1973)Betty Davis - “Don't You Call Her No Tramp” (1974)Betty Davis - “Dedicated To The Press” (1975)Betty Davis - “Stars Starve, You Know” (1976)Etta James - “Baby What You Want Me To Do” (Jimmy Reed cover) [1964]Danielle Maggio - “A Little Bit Hot Tonight” (2019)Follow @thedollspod on Instagram for clips and photos from this episode!

Jacobo Rivero vuelve a su sección Rutas Sonoras para hablar de los discos 'Sketches of Spain' de Miles Davis y de 'Olé' de John Coltrane. 

This wonderful episode features three members of the generation that came of age in the 50's and 60s.  They are a shining example of this show's mantra... PROGRESS DESPITE OBSTACLES. They deliver a powerful message to this generation of what life was like for them growing, the obstacles they faced as they reached the pinnacles of success in their lives. Walter Beach was a member of AFL and the NFL. He was the starting cornerback on the 1964 World Champion Cleveland Brown with Jim Brown. But most importantly,  he became a Yale trained lawyer after football. Dr. Richard Allen Williams is a Harvard trained world known cardiologist, who founded the Association of Black Cardiologists. But, he is a professional Jazz trumpeter,  mentored by both Clifford Brown and Miles Davis. Bobby Hunter is a Stanford University train sociologist, who was a member of the world famous Harlem Globetrotters from 1966- 1974. He travel the country speaking at schools, colleges and other youth oriented venues. Their advice based on their education, life experiences and observations should be received with open arms. It is truly a marvelous episode. Don't miss viewing it!

El mundo del jazz nos ha ofrecido su propia visión del verano. No ya concebido como ese alegre periodo vacacional del que disfrutamos cada año, sino como un territorio añorado de sueños perdidos. Algunos de los grandes trovadores del jazz como Chet Baker o Bill Evans han volcado su lirismo en emocionantes versiones de melodías evocadoras de esas experiencias del pasado. Otros grandes maestros del jazz, como Miles Davis o Pat Metheny siempre tan presentes en Radio Jazznoend, serán también protagonistas de esta velada en la que el recuerdo del verano se transforma en nostalgia y añoranzas.

This week on Blues From The Ouse we begin with another outstanding collection of new blues releases, including Shotgun Sam & His World Famous Blues Band, Chicago Nola, Jimmy Regal and the Royals, Kaspar'Berry' Rapkin, The Mercy Brothers and Bob Stroger.Our feature explores Blues in Film & Soundtracks Vol. 2, uncovering incredible blues music featured in films including The Departed, The Wolf of Wall Street, Ghost World, Black Snake Moan, We Bought A Zoo, Goodfellas, O Brother, Where Art Thou? and The Hot Spot.Hour two features classic album deep dives from Koko Taylor, Junior Wells, Magic Sam, Son Seals and Albert King, before winding down with Jimmy Reed, Susan Tedeschi, Charles Brown and Kelly Joe Phelps.If you love Chicago Blues, Delta Blues, electric blues, modern blues, British blues and discovering new artists every week, this episode is packed with outstanding music.Blues From The Ouse #334 Playlist: Shotgun Sam & His World Famous Blues Band - Diamonds For Dollars - 00:00:53Chicago Nola - Homewrecker - 00:05:13Jimmy Regal and the Royals - Don't Know Diddley - 00:09:41Kaspar'Berry' Rapkin - Pearly Gates - 00:13:16The Mercy Brothers - I Believe I'll Make A Change - 00:16:50Bob Stroger & The Headcutters - My First Love - 00:19:57Otis Rush - All Your Love (I Miss Loving) - 00:23:29Jessie Mae Hemphill - Standing in My Doorway Crying - 00:26:43The Allman Brothers Band - One Way Out - 00:31:23Bo Diddley - Pretty Thing - 00:36:43Skip James - Devil Got My Woman - 00:39:40Muddy Waters - Mannish Boy - 00:42:53 Bobby Rush - Chicken Heads - 00:45:49Chris Thomas King - Hard Time Killing Floor Blues - 00:48:28John Lee Hooker & Miles Davis - Coming To Town - 00:50:58Koko Taylor - Voodoo Woman - 00:54:53Koko Taylor - I Got What It Takes - 00:58:37Junior Wells - You Don't Love Me - 01:02:18Junior Wells - Tobacco Road - 01:05:09Magic Sam - That's All I Need - 01:10:40Magic Sam - I Need You So Bad - 01:13:33Son Seals - Your Love Is Like Cancer - 01:19:51Son Seals - Going Home Tomorrow - 01:24:19Albert King - Crosscut Saw - 01:27:54Albert King - The Hunter - 01:30:29Jimmy Reed - Bright Lights Big City - 01:33:29Susan Tedeschi - It Hurt So Bad - 01:36:26Charles Brown - Black Night - 01:41:01Kelly Joe Phelps - Spit Me Outta the Whale - 01:44:04new blues releases, blues podcast, blues radio show, UK blues podcast, Chicago blues, Delta blues, electric blues, British blues, blues soundtrack, blues movie soundtrack, movie blues, blues in films, Muddy Waters, Koko Taylor, Albert King, Junior Wells, Magic Sam, Son Seals, Otis Rush, John Lee Hooker, Miles Davis, Bob Stroger, Jimmy Regal and the Royals, Chicago Nola, modern blues, classic blues, blues guitar, harmonica bluesBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

Kyle Long speaks with Herbie Hancock — one of the most celebrated artists in American music history. His groundbreaking career has earned him 14 Grammy Awards, an Academy Award, and recognition as an NEA Jazz Master. From his early work with Miles Davis to his genre-defying explorations of jazz, funk, and electronic music, Hancock has continually expanded the possibilities of musical expression. Hear him reflect on his work with Freddie Hubbard and Miles Davis.

Countless ways to celebrate the electric era of Miles Davis. The playlist features Paolo Fresu; Flat Earth Society; Miles Davis; Tony Williams; The Big Tusk; Edward Perraud, Pascal Schumacher, Sebastian Studnitzky. Detailed playlist at https://spinitron.com/RFB/pl/22691398/Mondo-Jazz [from "Orange" onward]. Happy listening!

durée : 00:59:42 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - équipe : Emmanuelle Lacaze, Fabien Fleurat Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Award-winning author and cultural critic Ytasha Womack joins Dave to discuss Spider-Man: Miles Morales, An Exploration, her new book from the Marvel Age of Comics series examining the character's cultural significance. Womack shares how her work on Afrofuturism led her to Miles, why the character's vulnerability resonates far beyond superhero fandom, and the layered symbolism baked into everything from his hoodie to the number 42. The two discuss the deep ties between Brooklyn hip-hop and comics storytelling, why cities shape kids into fluid identity-shifters, and the musical DNA that connects Miles Morales to Miles Davis.https://www.ytashawomack.com/directeditionpodcast.comhttps://www.patreon.com/DavengersDirectEdition

durée : 01:01:30 - Pianiste incontournable de la scène jazz française découvert par Django Reinhardt, collaborateur de Miles Davis, Chet Baker, Stan Getz ou encore Serge Gainsbourg, le pianiste et compositeur bop nous a quittés le 15 juillet à l'âge de 92 ans. - équipe : Charlotte Bibring, Thomas Curbillon, Denis Soula Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

John is joined by Bill Patry, of counsel in Quinn Emanuel's New York office and author of numerous treatises and law review articles, including Patry on Copyright and Patry on Fair Use. Bill also served as in-house counsel at Google for 17 years. During that time, Google never lost a copyright case. They discuss a pending Ninth Circuit copyright appeal that could reshape how courts determine substantial similarity, the central test for copyright infringement.The dispute arises from a tattoo created by celebrity artist Kat Von D using a copyrighted photograph of Miles Davis taken by photographer Jeff Sedlik. She documented the process of creating the tattoo on social media and acknowledged copying the photograph exactly, creating the expectation that liability would be straightforward. Instead, the trial court denied the plaintiff's motion for summary judgment, the case proceeded to a jury, and the jury found no infringement, prompting an appeal focused less on the facts than on the Ninth Circuit's governing legal standard for infringement.For decades, the Ninth Circuit has applied two separate tests for infringement: the extrinsic test and the intrinsic test. The extrinsic test attempts to identify objectively protectable elements, while the intrinsic test asks jurors to compare the overall concept and feel of the two works, even though neither “concept” nor “feel” is copyrightable.The panel that heard the appeal affirmed the judgment in an unpublished opinion, concluding that the copying was fair use. However, the panel also issued three separate published opinions sharply criticizing the long-standing intrinsic test as confusing, overly subjective, and inconsistent with meaningful appellate review. The opinions suggested that the existing framework undermines copyright protection by making erroneous jury verdicts difficult to correct. They explain that copyright plaintiffs may lose cases even where copying is undeniable because the intrinsic test effectively shields jury decisions from appellate review.The en banc rehearing, scheduled for September 29 or 30, 2026, will present an opportunity for the Ninth Circuit to reconsider decades of precedent and replace an unpredictable doctrine with a clearer, more reviewable framework that could significantly influence future copyright litigation.The proposed alternative standard would require judges to determine, as a matter of law, which elements of a work are protectable before the case reaches a jury. Jurors would then decide only whether the defendant materially copied that protected expression.Podcast Link: Law-disrupted.fmHost: John B. Quinn Producer: Alexis HydeMusic and Editing by: Alexander Rossi

The advent of stereo dramatically changed our experience of sound. St. Louis audiophile David MacRunnel provides a primer on that audio development: how it works, why it took off in the U.S. in particular, and what makes stereo different from — not necessarily better than — monophonic sound. MacRunnel and his partner Katie Cahill will talk in-depth about stereophonic tech, show early-era equipment, and play full albums by Miles Davis, the Beatles, and the Reiner/Chicago Symphony Orchestra at the St. Louis Science Center's 21+ event “Up Late: Experience Sound” on July 25. *This episode is best listened to with headphones or earbuds, or in a car with dual speakers.

Send us Fan MailWhat happens when you mix punk rock, hip-hop, and a relentless pursuit of culinary-centric brewing? You get Dogfish Head Craft Brewery.In this episode of Outside Insights, host Chris Burkhard sits down with founder Sam Calagione to unpack his 30-year journey of entrepreneurial bliss. From rewriting Delaware state laws at 24 years old just to open his doors, to orchestrating legendary collaborations with the Grateful Dead and Patagonia, Sam reveals how treating a business like a band can create an exponentially powerful culture.Chris and Sam dive deep into the real-world definition of partnership, the humility required to hand off parts of your business, and Miles Davis's ultimate advice on finding your industry's "white space." Grab a cold one and tune in to learn how educating the head, heart, and hand can help you close your personal and professional gaps.In this episode, we discuss:The transition from a tiny 11-gallon system to a top 20 national craft brand.Why hospitality is the ultimate foundation for future entrepreneurs.The 10-year relationship that led to merging with Boston Beer Company.Sam's obsessive "60-minute" rule for earning his beer calories.The hilarious "beer-infused bratwurst" mistake that delayed their canning line.Resources Mentioned:"Let My People Go Surfing" (Book by Yvon Chouinard)"Extreme Brewing" (Book by Sam Calagione)"On A Back Porch" (Vinyl collaboration with David Lemieux)Connect with us and listen to more episodes!

Listen without ads at 8$ a month or up on patreon: www.patreon.com/dopeypodcast SUMMARY This week on Dopey Greatest Hits, Dave officially declares July to be Allman Brothers Month and revisits one of his favorite interviews—with Duane Betts, guitarist, songwriter and son of the legendary Dickey Betts. Before the interview, Dave talks about his lifelong love of “Blue Sky,” reflects on a difficult Patreon Zoom and reminds himself of one of recovery's hardest lessons: restraint of pen and tongue. Papa Smurf contributes an incredible story about selling mushrooms in an Allman Brothers parking lot, getting grabbed by undercover cops and escaping after an oblivious hippie accidentally distracts them. A listener named Jeff also shares a disastrous Phish adventure involving craft beer, moonshine, cocaine, getting lost outside the venue while “Maze” played in the distance, wandering through a locked campground and receiving a possession charge that ultimately introduced him to AA. Then Dave sits down with Duane Betts for an intimate and wide-ranging conversation about growing up inside the Allman Brothers family, touring with his father, living at Cher's Malibu home, learning guitar on the road and finding his own musical identity. Duane opens up about Hodgkin lymphoma, discovering Dilaudid after surgery, the Malibu party scene, Molly, cocaine, crack, black tar heroin and a gram-a-day opiate habit. He recalls smoking heroin-and-cocaine speedballs, flipping a car after scoring drugs, waking up beside a friend who had overdosed and nearly dying after a massive cocaine hit. He also describes arrests, drug court, treatment, Suboxone, relapse, touring with Dawes and eventually finding lasting recovery. Now more than seven years sober, Duane talks about meeting his wife in Jackson Hole, staying grounded through music, hiking, yoga and connection, and continuing the Allman Brothers legacy through his solo work, Palmetto Motel and the Allman Betts Family Revival. It is a story about rock-and-roll history, inherited addiction, devastating loss, recovery and finding a life filled with music, gratitude and purpose. Allman Brothers month continues!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Robin Beck could have been one of the top AOR singers of her era. She had the looks, the voice, the songs - the whole package. But, she was so successful in the jingle world she never really wanted it that much. She did have success anyway, including a massive global hit with "First Time" which, coincidentally, was used in a popular Coca-Cola ad at the time. With this came Top of the Pops, working with people like Desmond Child, Cher, Bowie and even Miles Davis. She has released consistently strong albums on her own schedule over the years, including her latest, Living Proof, which features contributions from former guest Peppy Castro. Robin's never done a podcast before, so we're honored to be her first and hope you all enjoy her fascinating story!  www.robinbeckrocks.com www.patreon.com/c/thehustlepod

This week we're putting The Tonearm's needle on trumpeter, composer, and bandleader Steven Bernstein. Amongst his many activities, Steven leads Sexmob and the Millennial Territory Orchestra and serves as Laurie Anderson's musical director. He's out now with an entwined set of albums. ResoNation Trio pares him down to valve trumpet, bass, and drums with Scott Colley and Nasheet Waits. Ultra Resonance is producer Scotty Hard's full reinvention of that same recording. We talk about why a trumpet trio gave him a blank slate, what Burning Spear has to do with Ultra Resonance, and what it means to still be playing Levon Helm's music twenty-two years from when he started. (The musical excerpts heard in the interview are from Steven Bernstein's albums, ResoNation Trio and Ultra Resonance)—Dig DeeperSteven Bernstein:Visit Steven Bernstein at stevenbernstein.net and browse his projects — including Sexmob and the Millennial Territory OrchestraPurchase ResoNation Trio and Ultra Resonance from Royal Potato Family, Bandcamp, or Qobuz, and listen on your streaming platform of choiceRead the All About Jazz review.The Trio and Collaborators:Scott Colley — bassNasheet Waits — drumsScotty Hard — producer of Ultra ResonanceBands, Projects, and Company Kept:Laurie Anderson with Sexmob, Let X=X (Live) on NonesuchLevon Helm Studios and the Helm Family Midnight Ramble, Woodstock, NYMusical Touchstones:Burning Spear, Garvey's Ghost (1976) — the dub companion to Marcus Garvey that seeded the Ultra Resonance concept: Wikipedia · streamingMiles Davis, Panthalassa: The Music of Miles Davis 1969–1974, reconstructed by Bill Laswell — a precedent for reworking improvised recordings: Wikipedia · streamingButch Morris, who gave Bernstein some of his earliest New York gigs, and his theory of Conduction—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

This week we're putting The Tonearm's needle on trumpeter, composer, and bandleader Steven Bernstein. Amongst his many activities, Steven leads Sexmob and the Millennial Territory Orchestra and serves as Laurie Anderson's musical director. He's out now with an entwined set of albums. ResoNation Trio pares him down to valve trumpet, bass, and drums with Scott Colley and Nasheet Waits. Ultra Resonance is producer Scotty Hard's full reinvention of that same recording. We talk about why a trumpet trio gave him a blank slate, what Burning Spear has to do with Ultra Resonance, and what it means to still be playing Levon Helm's music twenty-two years from when he started. (The musical excerpts heard in the interview are from Steven Bernstein's albums, ResoNation Trio and Ultra Resonance)—Dig DeeperSteven Bernstein:Visit Steven Bernstein at stevenbernstein.net and browse his projects — including Sexmob and the Millennial Territory OrchestraPurchase ResoNation Trio and Ultra Resonance from Royal Potato Family, Bandcamp, or Qobuz, and listen on your streaming platform of choiceRead the All About Jazz review.The Trio and Collaborators:Scott Colley — bassNasheet Waits — drumsScotty Hard — producer of Ultra ResonanceBands, Projects, and Company Kept:Laurie Anderson with Sexmob, Let X=X (Live) on NonesuchLevon Helm Studios and the Helm Family Midnight Ramble, Woodstock, NYMusical Touchstones:Burning Spear, Garvey's Ghost (1976) — the dub companion to Marcus Garvey that seeded the Ultra Resonance concept: Wikipedia · streamingMiles Davis, Panthalassa: The Music of Miles Davis 1969–1974, reconstructed by Bill Laswell — a precedent for reworking improvised recordings: Wikipedia · streamingButch Morris, who gave Bernstein some of his earliest New York gigs, and his theory of Conduction—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

ArtHaus Radio_LTRP_Miles Davis_On the Corner by WCUG

Minimalist Music (Bloomsbury, 2026) looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. George Grella, Jr. has written about music and culture for over thirty years for print and online publications, and has contributed to the Grove Dictionary of Music and the Library of Congress' National Recording Registry. He is Music Editor at The Brooklyn Rail, publishes the Kill Yr Idols newsletter, and is the author of Miles Davis' Bitches Brew (Bloomsbury, 2015). He has played jazz, classical, and improvised music from CBGB to Carnegie Hall. George Grella on Bluesky and Kill Yr Idols newsletter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Before TikTok, before OnlyFans, before anyone used the phrase "sex positive" — there was Robin Byrd on New York public access cable. Sarah Jessica Parker just produced a documentary about her called Bang My Box on Max, and it's worth your time. Ben and Ione break down why Robin Byrd was genuinely radical and why she was impossible to put down.Also: why 90s indie artists were culturally forbidden from wanting success (and how that's completely changed), the Miles Davis quote that explains every artist's journey, Ninajirachi's victorious homecoming and why the horror film Obsession is better than it has any right to be.

This is another Follow Your Dream Reflection — observations drawn from my many conversations with remarkable creative artists. After speaking with hundreds of artists from around the world, one idea keeps coming back to me: the best artists are adventurous. They're explorers. They are always searching for something new. Sometimes it's a new sound. Sometimes it's a new technique. Sometimes it's simply a new way of seeing the world. But they rarely stay in one creative place for very long. You see this everywhere in the arts. A musician experiments with new rhythms or new styles. Look, for example, at how Miles Davis continuously evolved his music — from bebop to modal jazz to jazz fusion. A filmmaker may try a completely different way of telling a story. An author may move from fiction to non-fiction. Great artists don't simply repeat what they've already done. They explore. Just think about the amazing evolution of the Beatles over the course of their career. And exploration means taking risks. Trying things that might not work. Going down paths that are uncertain. But that's where creativity often lives — in the willingness to venture into new territory. That's certainly how I've approached my own musical life. I've always enjoyed exploring different directions in my music — from jazz to rock, from instrumental to vocal. I think that's why artists tend to remain curious throughout their lives. There's always another idea to chase, another possibility to investigate. In many ways, the creative life is really a lifelong journey of exploration. Just an observation from my many conversations. This is Robert Miller with Follow Your Dream.

Era urgente e necessario estar Jeffrey's Bay 30 anos depois de ter filmado (e editado!) o Cambito 3- quem fez a convocação foi Marcelus (ele não veio).Falamos da etapa carioca com atenção aos detalhes escondidos nas frestas.Tivemos como convidado Daniel Rangel(@foamballunicorn), Bruno e Julio foram os anfitriões.A trilha teve Mundo Livre com Musa da Ilha Grande, New York Girl do Miles Davis (1972, On The Corner) e Mannenberg Is Where It's Happeni do Abdullah Ibrahim (Dollar Brand)

This week's episode is a musical time machine. In the late 1960s, the band Zapata sprang out of a street gang in northwest Washington, D.C., with a sound that combined a variety of contemporary styles: Afro-Caribbean rhythms, soul jazz and the golden era of American R&B. The mixture worked. For a few years, Zapata opened for an astonishing number of A-list acts passing through the city, like Miles Davis, Sly and the Family Stone, Herbie Hancock and The Isley Brothers. But the band would break up in 1974, and for years their recorded material was believed to be lost. Now, surviving member Pepe Gonzalez has restored a cassette tape of Zapata's music from 1971, and is releasing it for the first time. In this episode, Felix chats with Gonzalez about the origins of the band, and how they tried to unify the Black and Hispanic musical scenes in the city at the time.The podcast episode was produced by Noah Caldwell and edited by Otis Hart. Suraya Mohamed is the executive producer of NPR Music.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

This week's episode is a musical time machine. In the late 1960s, the band Zapata sprang out of a street gang in northwest Washington, D.C., with a sound that combined a variety of contemporary styles: Afro-Caribbean rhythms, soul jazz and the golden era of American R&B. The mixture worked. For a few years, Zapata opened for an astonishing number of A-list acts passing through the city, like Miles Davis, Sly and the Family Stone, Herbie Hancock and The Isley Brothers. But the band would break up in 1974, and for years their recorded material was believed to be lost. Now, surviving member Pepe Gonzalez has restored a cassette tape of Zapata's music from 1971, and is releasing it for the first time. In this episode, Felix chats with Gonzalez about the origins of the band, and how they tried to unify the Black and Hispanic musical scenes in the city at the time.The podcast episode was produced by Noah Caldwell and edited by Otis Hart. Suraya Mohamed is the executive producer of NPR Music.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

On his latest album, Universal Truth, pianist Emmet Cohen celebrates the anniversaries of two jazz greats: Miles Davis and John Coltrane. Cohen plays live in our studio. Photo by Kevin Alexander Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hosts Nate Wilcox and Justin Bankston discuss Mike Judge's brilliant Tales from the Tour Bus season 2: Funk. This episode covers Betty Davis, muse of Miles Davis and a funk queen in her own right. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In celebration of the 100th anniversary of his birth, we're excited to share Episode 1 from The Miles Davis Story, the latest series of the Legend podcast.Presented by acclaimed actor and longtime fan Clarke Peters (The Wire, Treme, Da 5 Bloods), the 5-part series explores the life and legacy of a visionary artist whose relentless pursuit of the "new" often scorched his own life and the lives of those around him.Across the series, Clarke charts Miles's ever-evolving artform, starting with this first great transformation of a legend - when the young Miles chose to step into the unknown, seize control of his own creative destiny, and begin his journey as a leader.This is episode one of the series, exploring how New York helped Davis discover a radical new sound. If you like what you hear, you can listen to every episode on BBC Sounds. Just search for ‘Legend'.Miles Davis Interview: From Jazz Talking by Ben Sidran, 1986. The Arsenio Hall Show, Paramount, originally broadcast in 1989. 60 Minutes, CBS News. Originally broadcast in 1989Featured tracks (in order of appearance) “So What” – Miles Davis “Blue in Green” – Miles Davis (feat. John Coltrane & Bill Evans) “Bitches Brew” – Miles Davis "Miles Runs the Voodoo Down" - MIles Davis “Agitation” – Miles Davis “Flamenco Sketches” – Miles Davis & Bill Evans “Ko Ko” – Charlie Parker “Salt Peanuts” – Dizzy Gillespie "Jivin with Jack the Bellboy" - Miles Davis "Move" - Miles Davis "Moon Dreams" - Miles Davis "Boplicity" - Miles DavisPresenter: Clarke Peters Series Producer: Clem Hitchcock Executive Producer: Rami Tzabar Editor: Kirsten Lass Production Manager: Emily Duffy Music Consultant: Guy Barker Additional Music: Guy Barker Archivist: Simon Rooks Script Consultant: Anne Harbin Technical Production and Sound Design: Melvin Rickarby Commissioning Editors for the BBC: Dan Clarke and Matthew Dodd A Loftus Media production for BBC Radio 4

When they go deep, we go deeper.     We have been thinking about Miles Davis in anticipation of his centennial (May 26).  How about we explore a dark corner of his vast touring history, his so-called "Lost Quintet"?  We have so many questions about it, but who to ask?  How about the guy who literally wrote the book on the subject?     On this week's Deep Focus, host Mitch Goldman welcomes musician/professor/author Michael E. Veal.  His book, Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital, opens a door to Miles' confounding and underdocumented 1969 group, whose members all became hugely influential bandleaders in their own right.  If only the WKCR archives were overflowing with rare, live recordings of this group.  Wait, did anyone check that last shelf on the left?     Tune in this Monday (5/25) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  It will join over 450 promo-free episodes.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, sponsor-free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: Miles Davis 1970 outside his home, West 77th St., NYC #WKCR #DeepFocus #MichaelEVeal #MilesDavis #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #LostQuintet #WayneShorter #ChickCorea #DaveHolland #JackDeJohnette

In this episode of Daily Creative, we explore the tension between individuality and belonging, drawing inspiration from both jazz legend Miles Davis and the philosophical tradition extending back millennia. Our guest, Luke Burgis—author of The One and the Ninety-Nine—joins us to dig deep into why it's so hard to be part of a group without losing ourselves in the process.We discuss the perils of both extreme individualism and unthinking collectivism, highlighting how modern work environments (and even family structures) tempt us to trade authenticity for acceptance. Luke introduces the distinction between the "solid self"—rooted and consistent—and the "pseudo self" that constantly morphs to fit the crowd. We wrestle with the overload of information, opinions, and exposure in our hyperconnected age, calling out how these factors pressure us to conform and silence the voice that makes us distinctly ourselves.We also tackle practical disciplines for holding on to individuality, the power of true perception versus mere information, and the need for leaders to create environments where distinctive voices can thrive. If you've ever felt the quiet urge to blend in—or the anxiety of standing out—this conversation offers a roadmap for contribution without disappearance.Five Key LearningsReal Unity Is Not Sameness: Great teams, like great jazz ensembles, are unified not because everyone sounds the same, but because each person brings their full, distinctive self to the room.Solid Self vs. Pseudo Self: We risk exhaustion and detachment when we constantly negotiate or adjust our identities to fit group expectations, instead of rooting ourselves in deeper convictions and values.Information Isn't Relationship: The overwhelming flow of information in our lives can fool us into thinking we have real connections, when what we really need are authentic, lived relationships.Protect Your Perception: Amid a culture obsessed with articulating opinions, it's critical to foster and trust our own perception and intuition—a distinctly human capability that no machine or collective can replicate.Leaders Build the Room: If we are responsible for others, our job isn't to enforce uniformity, but to build spaces where authentic voices and creative risks are both valued and protected.Get full interviews and bonus content for free! Just join the list at DailyCreativePlus.com.Mentioned in this episode:To listen to the full interviews from today's episode, as well as receive bonus content and deep dive insights from the episode, visit DailyCreativePlus.com and join Daily Creative+.

This episode of The Other Side of the Bell, featuring trumpet composer, performer and producer Gabriel Johnson, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Gabriel Johnson Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Gabriel Johnson went to the Monterey Jazz Festival at 9 years old - by himself - and witnessed Dizzy Gillespie and Freddie Hubbard on stage. He went home, switched instruments to the trumpet, and the rest is history. Gabe learned to play the trumpet by ear, playing along to Miles Davis, learning "the excitement inside the sadness." A glimmer of hope for Gabe during a difficult childhood. Self taught until later in high school, it wasn't until he was at the New England Conservatory when he learned that what seemed second-nature all along was in fact perfect pitch. A chance encounter with Chris Botti on Gabe's last night in Boston before moving to Los Angeles led to a friendship of over 20 years, and pivotal connections including meeting the manager of Blood, Sweat & Tears, who invited him to be the band's musical director for a year. From hanging out with Clint Eastwood and Robert Redford, to learning recording techniques and producer psychology from David Foster, Gabe has built a remarkable career full of originality and spontaneity, covering soundtracks, jazz, pop and more. With AI creeping into musicians' livelihood, Gabriel has some pertinent advice: individual artist expression is something that can never be replicated, whether by artificial intelligence or another human. Be yourself, be creative, be original. The rest will follow. About Gabriel Johnson:  Gabriel Johnson is an American jazz trumpeter whose lyrical sound and deep musical fluency have earned praise from artists, including David Foster, Clint Eastwood, and Chris Botti.  Gabe studied at New England Conservatory and then moved to Los Angeles and built a wide ranging career as a solo artist, session musician and featured performer. Recording and performing with artists such as Gladys Knight, Steven Tyler, David Foster, Chris Botti , Andrea Bocelli, Lyle Lovett, and Burt Bacharach, he was featured by Clint Eastwood as a trumpet soloist on the film scores for Changeling and Invictus, and has released a substantial catalog of recordings on his Sunset Horn label, blending jazz tradition with cinematic electronic and modern production influences. Episode Links: Website: www.gabrieljohnsonmusic.com Bandcamp: https://gabrieljohnson.bandcamp.com YouTube: https://www.youtube.com/user/GJTrumpet Apple Music: https://music.apple.com/us/artist/gabriel-johnson/336452318 Instagram: https://www.instagram.com/gjtrumpet/?hl=en Bob Reeves Brass Events and Appearances: William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Book your trumpet alignment here: https://trumpetmouthpiece.com/products/william-adam-trumpet-festival-valve-alignment-presale Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Courtesty Brian Shaw and Equinox Publishing Audio Engineer - Ted Cragg