Podcast appearances and mentions of Miles Davis

When it comes to Hindustani music, he is both a doer and a thinker. A great tabla player, he has written books about the history and theory of music. Aneesh Pradhan joins Amit Varma in episode 430 of The Seen and the Unseen to chat about his life, his music and this world we inhabit. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Aneesh Pradhan on Instagram, Twitter, LinkedIn, YouTube, Scroll, Amazon, Spotify and his own website. 2. Chasing the Raag Dream: A Look into the World of Hindustani Music -- Aneesh Pradhan. 3. Hindustani Music in Colonial Bombay -- Aneesh Pradhan. 4. Tabla: A Performer's Perspective -- Aneesh Pradhan. 5. The Life and Music of Shubha Mudgal -- Episode 426 of The Seen and the Unseen. 6. The Light in Winter -- Episode 97 of Everything is Everything. 7. From Strength to Strength: Finding Success, Happiness and Deep Purpose in the Second Half of Life -- Arthur Brooks. 8. The Heckman Equation — a website based on James Heckman's work. 9. The Instagram reel about The Godfather. 10, The interview with Vasant Pradhan. 11. Dehachi Tijori -- Sudhir Phadke. 12. Chal Chal Chal Mere Saathi -- Song from Haathi Mere Saathi. 13. Categories of Music -- Ashok D Ranade. 14. Nationalism Is Bad for the Nation -- Episode 122 of Everything is Everything. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. Tawaif — Episode 174 of The Seen and the Unseen (w Saba Dewan). 17. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 18. Stage.in. 19. How Music Works — David Byrne. 20. The Changing Forms of Creativity -- Episode 72 of Everything is Everything. 21. Em and the Big Hoom — Jerry Pinto. 22. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 23. The War Against Cliche — Martin Amis. 24. Bridge of Dreams -- Various artists. 25. Out of the Shruti Box -- Anuja K's YouTube channel. 26. Malini Goyal is the Curious One — Episode 377 of The Seen and the Unseen. 27. The Disciple — Chaitanya Tamhane. 28. Niranjan Rajadhyaksha Is the Impartial Spectator — Episode 388 of The Seen and the Unseen. 29. Why Hindustani Musicians are Good Cooks: Analogies between Music and Food in North India -- Adrian McNeil. 30. Sangeet Kosh. 31. Begum Akhtar, Siddheshwari Devi, Kesarbai Kerkar, Faiyaz Khan, Bade Ghulam Ali Khan, Amir Khan, Sharadchandra Arolkar, Ahmed Jan Thirakwa, Amir Hussain Khan, Alla Rakha, Kishan Maharaj, Samta Prasad, Zakir Hussain, Anindo Chatterjee, Swapan Chaudhuri, Louis Armstrong and Miles Davis on Spotify. 32. Music Contexts: A Concise Dictionary of Hindustani Music -- Ashok D Ranade. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: 'Play' by Simahina.

durée : 01:00:09 - La rue - par : Nathalie Piolé -

Um pé no bico e uma ideia na cabeça- duas baquetas nas mãos!Malandro se diverte até quando sobe, urubuservando a turma aqui embaixo tecendo loas e vertendo lágrimas com birinaite pra amansar a saudade.Os obituários do Boia são grandes celebrações de vida - e da vida vivida.Reparem na repetição, jamais gratuita, quando escrita.O Poetinha insiste em recordar que é uma só -Vida- mas eterna nos copos e corpos suados.Julio Adler e João Valente (Bruno Bocayuva na Guarda do Embaú, trabalhando onde o pessoal passa férias) levantam o que resta dos cálicespara brindar ao impacto enorme que fizeram na terra azul, John Peck, mistura de Senhor Pipeline e Paramahansa Yogananda e o baterista Jack DeJohnette, sinônimo de ritmo.A trilha ficou com Soft Cell (Ave Dave Ball!) com Bedsitter e John McLaughlin com a banda do Miles Davis, Jack DeJohnette - Dave Holland - Wayne Shorter - Chick Corea.

Guest: Derrick Chevalier — H-C (h-c.com), Evolve or Be Slaughtered (Amazon #1) Core ideas:Negotiate people, not problems; products don't change—people do “Feel good” ≠ “win-win”; feelings aren't facts Persuasion vs influence: persuasion is seen, influence is felt Antidote axiom: the antidote to any tactic is that tactic (or its opposite) elevated Harmony > balance for life/work integration Tactics & frameworks:Identify counterpart intent (not just demeanor) When splitting the difference can be smart—and when it's a trap Cooperative empathy: share just enough of your constraints to co-design terms Post-deal audit: judge outcomes by ROI over time, not end-of-meeting vibes Stories & examples:From hostage talks to aerospace & automotive deals Coaching a skeptic who becomes a “gold medallion” client and top negotiator/lawyer Miles Davis “wrong chord → resolution” as a model for harmony Takeaways:Prepare to discover what you don't know about the other side Don't avoid “sales”—upgrade your definition and skill set Use influence to align behavior, not manipulate Resources:Book: Evolve or Be Slaughtered (Amazon) Connect with Derrick: IG @derrick_chevalier, FB /anyproblemsolved, LI profile Free 30-min consult link via h-c.com Key Questions(01:00) How did you get to be where you are today?(03:43) Who do you serve today?(05:38) So if I wanted to come work with you, what would be some of the criteria that you would be looking for?(09:37) So on that note, how do you get in front of your potential client?(12:34) What are some commonalities, mistakes, misconceptions that people have when they start working with you or when they come to you?(25:24) Can you talk to us about how negotiation impacts everyday life, whether it's business or personal?(30:41) Have you heard of Chris Voss?(42:34)  What is your take on balance in life and work?(49:34) What is the best advice you have ever received?(51:21) What's the best advice you've ever given?(58:23)  We've talked about a few things. Is there something that we haven't touched on yet that you would like to talk about?(59:39) Where can we learn more about you and what you do and your book?Derrick Chevalierwww.h-c.comhttps://www.amazon.com/EVOLVE-Be-Slaughtered-Negotiation-Negotiating/dp/1965092543www.linkedin.com/in/derrick-chevalier-6323272https://www.instagram.com/derrick_chevalier/https://www.facebook.com/anyproblemsolvedVirginia PurnellFunnel & Visibility SpecialistDistinct Digital Marketing(833) 762-5336virginia@distinctdigitalmarketing.comwww.distinctdigitalmarketing.com

Utah State football dropped to 4-4 overall and 2-2 in Mountain West play after a 33-14 loss at New Mexico on Saturday afternoon. The Lobos opened scoring with a punt return touchdown and built an early 16-0 lead after a safety and an interception derailed the Aggies' initial drives. Utah State found the end zone before halftime on a 64-yard touchdown run by senior running back Miles Davis, who finished with a game-high 110 rushing yards and one score. Quarterback Bryson Barnes finished with 164 yards passing and threw a 13-yard touchdown to wide receiver Braden Pegan in the second half, but the Lobos secured the victory by converting a fake punt and scoring late to maintain their comfortable lead. The Aggies return home to host Nevada on Saturday, Nov. 8, at 5:30 p.m. Hear postgame analysis, along with comments from the coach, players and fans. 

Joining me today is Emanuel Harrold, Educator, entrepreneur, producer, master drummer, two-time Grammy Award-winning musician, Harrold continues to raise the bar with collaborations and touring with the likes of Damon Alburn, Gregory Porter, Hypnotic Brass Ensemble, De La Soul and Roy Hargrove. When you think of four words, Emanuel Harrold name comes to mind: Fashion, community, music and love. Emanuels music legacy stands three generations. If you enjoy artists such as Gregory Porter, Robert Glasper, Max Roach, Miles Davis, Gospel, Classical, Jazz, Electro and any music that moves you, Harrold likes it too. Born into the artistry of music by way of St. Louis, MO, USA, Harrold is a multiple Grammy-nominated and winning musician. Emanuel's father being a pastor whilst growing up, the appetite for singing and playing instruments grew. There were many musical outlets, those being his grandfather's Memorial Lancers Drum and Bugle Corps, church gatherings and family reunions. Harrold did not seriously pursue his current instrument until after high school. In St. Louis, Emanuel was involved with Off-Broadway musicals with The Black Repertory Theater, traditional jazz and local gospel scenes. Harrold is a self-taught musician and inspired by many great people on his musical journey to date. He has performed or recorded in no specific order with: Wynton Marsalis, Roy Hargrove, Robert Glasper, Ronnie Mathews, Keyon Harrold, Damon Auburn, John Hicks, James Spaulding, Shedrick Mitchell, Marcus Strickland, Stevie Wonder, Kidz in The Hall, Hypnotic Brass Ensemble, Ben La Uncle Soul, Gregory Porter, Ambrose Akinmusire, Revive The Live Big Band, Jonathan Batiste, Keyon Harrold, Laura Mvula, and too many other great amazing musicians to name in this short bio. I truly Love Emanuels, stylish, dynamic and subtle drumming and im very grateful that he was kind enough to give up an hour from his busy schedule. www.emanuelharrold.com Huge thanks to The UK Drum Show for sponsoring this episode www.theukdrumshow.com 2026 drum show dates - October 24th & 25th 2026 ACC Liverpool

www.patreon.com/dopeypodcast This week on Dopey! Dave opens the episode feeling sick, dreading his upcoming dental implants, and joking about painkillers, nitrous, and Tylenol PM. He congratulates longtime dopes Margaret Hernandez (36 years sober) and Mattie Veach (recovering from cancer surgery), prays for the Knicks, and introduces guest RJ Elizarraz, co-host of Against All Odds with Rachel Slocum and founder of Oak Forest Recovery.Before diving in, Dave reads Spotify comments from the Brace Belden episode — about therapy, high memories, Suboxone, and more — gives shoutouts to listeners, and pushes the legendary Dopey socks. He jokes about how each platform reacts differently: Patreon loves him, Reddit hates him, Facebook doesn't care.He plays an old Miles Davis clip about Charlie Parker doing drugs and sex in a taxi while eating fried chicken, and finds the recovery moral in it — acceptance is the key. A listener named Nathan from San Francisco sends a disgusting classic: at 12 he cooked and ate his own poop hoping it would make DMT. It didn't. He puked, got bullied, overdosed, and finally got sober. Dave laughs, calls it top-notch Dopey storytelling, and awards him socks. Then comes the main interview with RJ Elizares. They record in RJ's Westlake Village home — complete with an infrared sauna, cold plunge, and jade crystal massage bed. RJ also runs a marketing agency for medical clients and has a 13-year-old daughter.RJ tells his story:Grew up in Westlake, straight-edge nerd playing video games and paintball.Swore he'd never do drugs, then caved at 15 after a best-friend betrayal.Smoked weed with his stepbrother, laughed hysterically at Maury Povich, devoured frozen peas, and instantly became “the stoner.”Started selling weed and stealing paintball gear; pulled off a heist from an optometrist's back-room store until his stepbrother turned him in for the reward.Skipped school, bribed attendance clerks with weed, got caught high at a parent meeting, expelled.At continuation school, excelled while high, manipulated teachers, and got expelled again for lying.Ran away on a dirt bike, sold weed full-time, then transferred to another continuation school where a rival stabbed him in the arm with a pencil for “selling on his turf.”Graduated early by testing out, kept selling, moved out, and lived off weed money.With his girlfriend (later the mother of his daughter) did ecstasy, coke, Xanax, mushrooms, pills — everything but heroin.She overdosed on ecstasy and stopped breathing before being revived — a turning point moment. 

Christian McBride is a nine-time Grammy-winning bassist and composer who's known for his prolific career across jazz and other genres. His new big band album, “Without Further Ado, Vol 1.,” nearly reunited the beloved U.K. rock band The Police. Christian joins Tom Power to share that story and more, including his time going to high school with The Roots and playing with Miles Davis as a teenager. Plus, ahead of an appearance at the Oscar Peterson centenary celebration in Toronto, Christian talks a little bit about why the Canadian pianist was so important to him.Fill out our listener survey here. We appreciate your input!

Episode 91: Christian McBride. Nine-time GRAMMY winner Christian McBride is one of the most influential jazz artists in the game. His collaborations span icons like Chick Corea, Herbie Hancock, Pat Metheny, James Brown, and Sting. He's the leader of multiple acclaimed bands including the Christian McBride Big Band, Inside Straight, and New Jawn. He also serves as the host of NPR's Jazz Night in America and was the Artistic Director of the Newport Jazz Festival for a decade. His story is incredible, and we're setting the stage here with Part 1, The Early Years. Growing up in Philadelphia, Christian was surrounded by greatness. His high school classmates included Questlove, Black Thought, Joey DeFrancesco, and Kurt Rosenwinkel, just to name a few. In this episode, we talk about those formative years, the Philly music scene, and how he broke into the spotlight with Wynton Marsalis and Freddie Hubbard, along with the wild story of his rare opportunity to play for Miles Davis. We also get into his professional mentality, early lessons on leadership, and what it took to earn respect from legends while still a teenager. Christian is an amazing storyteller, and this conversation is full of history, heart, and laughs. We had the best time recording this one, so I hope you enjoy it as much as we did. Lets go! Special thanks to Apogee Electronics. We used their Apogee HypeMic and Podcast Kit in this episode and they sounded great. Check it out! Apogee HypeMic & Podcast Kit: https://hubs.li/Q03zczhb0 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

El percusionista Steve Reid, fundador de la banda The Rippingtons, fallecía a finales del pasado mes de Septiembre. En este pequeño homenaje y recuerdo escuchamos pasajes de su discografía propia así como sus colaboraciones junto a The Benoit-Freeman Project, Carl Anderson, Kilauea, Marc Antoine, Dave Koz, Miles Davis y, por supuesto, algunos de sus trabajos encuadrado en la formación The Rippingtons.

durée : 00:20:27 - Disques de légende du jeudi 23 octobre 2025 : le choix d'Alexandre Astier - À l'occasion de la sortie du deuxième volet de Kaamelott dans les salles obscures, Alexandre Astier nous raconte comment cet album de Miles Davis, précurseur du jazz fusion, l'accompagne depuis sa jeunesse. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:27 - Disques de légende du jeudi 23 octobre 2025 : le choix d'Alexandre Astier - À l'occasion de la sortie du deuxième volet de Kaamelott dans les salles obscures, Alexandre Astier nous raconte comment cet album de Miles Davis, précurseur du jazz fusion, l'accompagne depuis sa jeunesse. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On this controversial episode of THIS IS REVOLUTION podcast, Jason Myles and I discussed how white people don't know the late D'Angelo, besmirched Miles Davis' musical legacy, discussed a seance to bring back the late Huey P. Newton on Facebook, how the Hip Hop duo Camp Lo is like the Pop group Wilson Phillips, step-incest porn, cleaning men's pee around toilets, Henry the 8th's Papa Roach needlepoint, looking shocked in your social media thumbnails, and more!   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially   YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

On this controversial episode of THIS IS REVOLUTION podcast, Jason Myles and I discussed how white people don't know the late D'Angelo, besmirched Miles Davis' musical legacy, discussed a seance to bring back the late Huey P. Newton on Facebook, how the Hip Hop duo Camp Lo is like the Pop group Wilson Phillips, step-incest porn, cleaning men's pee around toilets, Henry the 8th's Papa Roach needlepoint, looking shocked in your social media thumbnails, and more!   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially   YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Dave opens this Tuesday Dopey Patreon teaser by reflecting on feeling burnt out, upcoming dental implant surgery, and the need to slow down. He jokes about “cultivating illness” to get rest and shares his current obsession with the Martin Scorsese documentary series Mr. Scorsese, hoping listeners will “pray and manifest” Scorsese appearing on Dopey. He talks about Scorsese's film legacy, calling Goodfellas untouchable.Dave reads a Spotify comment from Emma about a pork ad and debates if it's anti-Semitic, then begins a new segment reading from Miles Davis's autobiography — a vivid story about Charlie Parker pawning Miles's belongings for heroin.Next, longtime Dopey Nation member Selby calls in with a story about getting through TSA with weed gummies and ends with “stay strong, Dopey Nation, and fucking toodles for Chris.” Dave laughs about TSA searches, harmonicas being mistaken for weapons, and promises either to play harmonica on the road or stop traveling with it.The teaser transitions into the Patreon preview with Ray Brown and Dave's dad, where a discussion about politics erupts — his dad talks about kindness, empathy, immigration, and frustration with leadership. Dave tries to steer it back but ends up apologizing for the tangent. The teaser closes with Dave's song “I Wanna Be Good So Bad,” a raw, humorous original with lyrics about bad desire, frustration, calling his dad, and seeking peace and love.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, I'm joined by Sheri Jacobs, an accomplished entrepreneur, bestselling author, keynote speaker, and passionate advocate for creative breakthroughs. She's here to help us rethink everything we know about boundaries! We often hear that endless options drive innovation, but Sheri shows us how setting the right boundaries can actually ignite creativity and teamwork. She brings impactful stories and inspiration, from her arctic wildlife photography adventures to behind-the-scenes moments with leading companies like Bank of America, demonstrating how a few smart limits can lead to sharper solutions. She shares practical ways to create more clarity and space for what matters, at work and at home, even while juggling busy family lives and bold aspirations. If you feel overwhelmed by all you “should” be doing or struggle to find space for your passions, this episode offers fresh tools to help you choose what truly matters and design your most vibrant season yet. Listen in to learn how setting sensible limits can spark your next great idea. Show Highlights: Sheri Jacobs' wisdom on boundaries with a Miles Davis insight. [02:08] The myth that boundaries restrict rather than provide clarity. [03:50] How fewer options within constraints led to a winning arctic wildlife photo. [05:01] Tatiana Goodman's findings on how fences foster creative play. [09:28] Why Bank of America's “Keep the Change” program is successful. [12:33] Advice for women to break through ceilings by narrowing focus. [15:14] Beat FOMO and overwhelm with a priority correction. [16:53] How to get more done by setting a firm bedtime. [19:36] The power of a capsule wardrobe and curbing fashion excess. [21:36] Where are you not setting yourself free by creating a boundary? [22:46] To find Sheri's work and her books, go to https://www.sherijacobs.com/. Subscribe to the Brilliant Balance Weekly: www.brilliant-balance.com/weekly Follow Cherylanne on Instagram: www.instagram.com/cskolnicki Join the Brilliant Balance Facebook Group: www.facebook.com/groups/281949848958057

Jazz legend Herbie Hancock plays in Milwaukee tonight. He's produced dozens of albums, spanning jazz, jazz-rock fusion, funk, and electronic music. He's also collaborated with other music greats, from Miles Davis to Joni Mitchell.  On that journey, Hancock has picked up 14 Grammys and an Oscar for best soundtrack. He's playing at Milwaukee's Pabst Theatre tonight. Ahead of that he joins WUWM's Maayan Silver who first noted that he has a voice for radio. 

Frank Swart was born and raised in Boston. He grew up hearing the big band swing records and classic Broadway show albums that were in his parent's record collection, along with the music that his sister (who was ten years older) listened to including the Beatles, Jimi Hendrix, Sly and the Family Stone, and Led Zeppelin. He also developed a love for Miles Davis' 1970s recordings, the spiritual Jazz of John and Alice Coltrane, and the deep soul and blues of Chess and Stax records. After some ungratifying drum lessons, when he was 13, his sister bought him a bass. “I was able to play it immediately, learned some riffs from a guitarist, and was soon practicing eight hours a day.” As a teenager, he worked with rock, blues, and acid funk bands. Very interested in making recordings, Swart rented a recording studio in the basement of a hair salon on the graveyard shift and taught himself how to engineer and produce records.      After meeting his future wife and deciding to leave Boston, he spent periods living and working in Los Angeles, San Francisco, and Nashville where he led the experimental jam band Funkwrench (which is a nickname for a bass). He engineered the first Pixies demos, worked with Patty Griffin off and on for 17 years, recorded with Morphine, produced and performed with cult underground art-rock band Billy Nayer Show, was part of the acid jazz group Junk/Post Junk Trio, was a founding member of the psychedelic electric blues trio SIMO, and recorded and toured with such artists as Norah Jones, The Indigo Girls, John Hiatt, and Buddy Miller. After settling back in San Francisco in 2017, Swart and publisher-producer Brian Brinkerhoff founded the Need To Know label, Skunkworks Studios, and Funkwrench Blues. Utilizing Swart's instrumental blues-oriented compositions and such talents as guitarist Rick Kirch (who worked with John Lee Hooker) and a variety of drummers, they have made recordings with over 200 notable artists. A partial list includes Guitar Shorty, Cash McCall, Fareed Haque, Jim Campilongo, John Hammond, Sonny Landreth, John Primer, Albert Lee, Vieux Farke Toure, Mr. Sipp, Tommy Castro, and Duke Robillard but that only hints at the wide variety of performers. Swart will release his newest endeavor, Funkwrench Blues—Mischief In The Musitorium, in the summer of 2025. The album features collaborations with Lenny White, Vernon Reid, Donald Harrison, Nduduzo Makhatini, Jason Marsalis, Joseph Bowie, and more.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Aquest és un programa diferent: el primer episodi exclusiu per a mecenes de Crema d'estrelles. Creat com a mostra d'agraïment pel vostre suport durant tot aquest temps, aquí no hi trobareu les seccions habituals, però sí una selecció molt especial de cançons que amaga pistes del que vindrà: temes que tindran un paper destacat en les pròximes edicions del programa. Si vols descobrir aquest avançament i donar un cop de mà a Crema d'estrelles, pots fer-te fan des de només un parell d'euros al mes. Així contribuiràs a mantenir viu aquest espai dedicat a la música, a les històries i a les emocions que les envolten. També pots provar Ivoox Premium 30 dies gratis. Ivoox Premium: https://www.ivoox.vip/premium?affiliate-code=0c2fca8aa0e6cfffa1f31d2df6c21b75 Moltes gràcies a totes i tots els mecenes i patrocinadors: Pedro Enrique Esteban, Aitor De Las Heras, Pedro Nieto, i també a les fans i els fans anònims. Sense vosaltres, aquest episodi no hauria existit. Amb The Dynamics, The Style Council, Philip Glass, Albert Pla, Griffi, Mr Nik i la última peça és Mystery de Miles Davis. Jordi Via, Terrassa, octubre de 2025 Nostalgia: https://go.ivoox.com/sq/2574733 Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Sinfonautas: https://go.ivoox.com/sq/1317188 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Subterranea: https://go.ivoox.com/sq/17710 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Escucha este episodio completo y accede a todo el contenido exclusivo de Crema d'estrelles. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/1539104

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

CADENA 100 está sonando la mejor variedad musical. Se promociona un concierto de CADENA 100 por ellas a beneficio de la Asociación Española contra el Cáncer. Álvaro de Luna presenta su canción 'Juramento Eterno'. Ana Mena y su tema suenan a continuación. Se informa que Rihanna es madre por tercera vez. Se comenta la noticia de la nueva relación entre Katy Perry y Justin Trudeau, ex primer ministro de Canadá, tras sus anteriores parejas. 'Mateo & Andrea' ofrece 45 minutos de música sin interrupción. Se busca el fagot más antiguo de España y se anuncian canciones y sonidos considerados parte de la historia, como Elton John, Celine Dion, Amy Winehouse, Miles Davis y el sonido de inicio de Windows 95. Se invita a escuchar 'Buenos días, Javi y Mar' en CADENA 100. También se mencionan productos como Trómbozit para piernas cansadas y servicios como el Triplex de la ONCE, CoffeDís, Mutua, Seat, Lidle, y viajes de Royal Caribbean.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

New Sode Glitter Ledger; I must be the only person on God's Green Earth who is so deeply unimpressed with AI. Have you ever heard one of your peers or staff speak with authority on the topic without sounding like a complete pompous asshole with small anatomy and/or a  troubling complexion? Alas, I consider myself a deeply attractive pompous asshole with a kind stalker-like disposition . As such, I use ChatGPT like rest of my well bred waspy goldigging alcoholic materialistic sxually starved intellectuals for concoctions on how to seduce a Sheik or for how to leverage all of my alimony into a House in St St. Tropez. Otherwise, I see the AI use cases as a Communist Manifesto; good idea in practice, but everyone ends up #poor.  Perhaps automated workflows are uninteresting to yours truly because I have no workflow to automate. Ipso Facto; wake me when #AI can give my husband a uknowwhat and design a powerpoint that designs a plan to launder money for the lazy. I digress,, my guest today is a real Crypto Nigerian Prince, side ordered as a well dressed Zoologist turned Ava Labs Executive. Not to be confused with an Avalanche Foundation executive. Yes, Afeez Awowole. He is a sought after guest and heavily edited my questions because most were too personal and likely  indictable.  I was looking forward to learning how to cook the books beyond throwing my journals into boiling water. I asked him why #accounting is so boring. I asked how to talk about balance sheets with a hint of mortifying sexual tension. When I was high on quaaludes I took out a mortgage that I made on crayons to buy more #AVAX and could only eat chickpeas and prosecco for 3 weeks. ButI lost a stone so I am bullish. Furthermore, my ex had a penchant for the P-chain.#Avalanche is the less cute stepsister of #Solana with an Ivy League degree and a #vicodin problem. She has what it takes to succeed with meaningful useless institutional partnerships for real world assets that I cannot melt down into a bullet. Real world assets should not be on-chain and should be in a #vault. Although I have some assets onchain I lost them because it is too goddamn complicated to retrieve. But like #Jesus Christ rising on Easter, Avax too will rise. I digress, Awkle met during the early days of Facebook in Ireland, I was working as a cocktail waitress on the lam and he helped set up a sick album. I was desperately in love with him but he maintained that he couldn't marry a married woman . Instead he agreed to help me put my ConED on autopay and teach me the zoology of #Ocelots. He is deeply intelligent to the point of sinister intrigue. His accent is a country club pour of Miles Davis meets Michael Saylor meets Liam Neeson. If this Nigerian Prince says Avalanche will change the world then it's indeed time to take out a third mortgage in Cray Paux right in time for Halloween. #GlitterLedger #Avax #AutomateMyPChainSupport the show

La cantante, pianista y arreglista Selma Boragian ha grabado en los últimos dos años obras como 'Crystal silence' -composición de Chick Corea a la que puso letra Neville Potter- con el vibrafonista André Juarez, 'Beija-flor' -del guitarrista Garoto- con Edgard Poças, 'Tutu' -de Marcus Miller para Miles Davis- con el bajista y flautista Stefano Andreatta-, 'Three views of a secret' -de Jaco Pastorius- a dúo con el bajista Mark Egan y 'Olha pro céu' -que Antonio Carlos Jobim grabó en su disco de 1967 'Wave'- como invitada especial de Dan Fontaine & Orchestra. También la escuchamos en un disco de 2013, 'Setembro', para el que grabó 'A volta' de Menescal y Bôscoli y 'Fuga nº2' de Os Mutantes. Langendorf United, de la saxofonista sueca Lina Langendorf, tocando la pieza que da título al disco 'Undercover beast' y 'Cesaria'. Y en un nuevo volumen, el 24, de la serie Jazz is dead, Adrian Younge y Ali Shaheed Muhammed rescatan al octogenario pianista brasileño, pionero del samba-funk, Dom Salvador con grabaciones hechas en el momento de 'Os ancestrais', 'Não podemos o amor parar' o 'Safira'.Escuchar audio

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Running back Miles Davis speaks with Scotty and Kevin after Utah State's road loss to Hawaii on October 11, 2025

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

A track from the new Ebi Soda album on Tru Thoughts. Jazz from Miles Davis & United Vibrations. Rap from MIKE, Mark B & Blade and Durrty Goodz. Dancefloor beats from 2000BLACK. Quality tracks from MidnightRoba & Demae. A brilliant South Asian style dancefloor track from EX GENERATION. Plus plenty more music treats.

Flip that record over and listen to the latest 'sode of SURFACE NOISE where our dais of audiophiliacs discuss the latest news in the wild world of vinyl record collecting - Taylor Swift, Miles Davis, and Danzig reissues - who knew?!?

This conversation with Seth Godin explores the difference between strategy and tactics, why most brands confuse the two, and how true marketing is about the product and story itself—not just promotion. Seth unpacks how systems shape behaviour, often invisibly, and how founders can break or reframe those systems to create new opportunities.The episode dives into the idea of customer traction and feedback loops—how the right audience, story, and channel can make or break a product. Seth illustrates with examples from Patagonia, Dyson, Apple, Prince Spaghetti, Tony's Chocolonely, Innocent Drinks, and Scharffen Berger Chocolate—showing how successful brands win by embedding meaning, status, and culture into their strategy, not just chasing tactics.Creativity and consistency are also central themes: Seth argues professionals “ship” every day, rather than waiting for inspiration, citing musicians and artists like Miles Davis, Rolling Stones, David Bowie, and Patti Smith. He frames origin stories as self-fulfilling—founders must choose a productive story that drives them forward.At its core, the episode is about seeing differently: spotting the hidden systems we operate in, distinguishing tactics from strategy, and building stories that compound over time. The conversation blends behavioural economics, culture change, and practical examples into a playbook for founders who want to grow brands that matter. ==============================================

Al son de Miles Davis, Javier Sampedro y Pere Estupinyà analizan la actualidad científica de la semana, desde las enseñanzas que nos deja la carrera científica de Jane Goodall a la advertencia de los ingenieros de Microsoft por la posible fabricación de armas biológicas con Inteligencia Artificial.

On the September 28 edition of Music History Today, Miles Davis passes away & Stevie Wonder releases a legendary album. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Markus bringt Chris mit dem wohl kniffligsten Quiz aller Zeiten ordentlich ins Schwitzen. Doch damit nicht genug: Als Chris schon fast am Limit ist, drehen The Next Movement den Temperaturregler endgültig auf Anschlag. Wie ihr es von Vinylopresso als Radio-Podcast kennt, erwartet euch nicht nur ein energiegeladenes Interview, sondern auch Musik – in diesem Fall Funk vom Allerfeinsten: roh, präzise und voller Spielfreude. Schweizer Top-Musiker treffen hier auf Sounds, die an Marvin Gaye und Prince erinnern – eine Kombination, die direkt unter die Haut geht. Die Presse schreibt: "Prince hätte seine Freude … Sie haben mit ihrem Hochpräzisions-Funk schon halb Europa heimgesucht." Oder wie es der WDR Rockpalast nach einem ihrer Auftritte formulierte: "Funk, Soul und Jazz aus der Schweiz: Es knarzt, es groovt, es klingt funky und soulful. Von wegen: Menschen aus der Schweiz haben es gern gemütlich und sind gemächlich. Vorbilder wie James Brown, Prince und Miles Davis schimmern im Klangkosmos von The Next Movement zuverlässig immer wieder durch, und zugleich kreiert das Trio auf Alben wie "Loud" und dem nach der Band benannten Zweitwerk mit großer Spielfreude und technischer Präzision seinen ganz eigenen Sound." Macht euch bereit für die analoge Antwort auf den KI-Hype – eine Folge, die so groovt, dass selbst die Nadel auf der Platte ins Tanzen kommt. Freu dich auf eine Folge, die den perfekten Mix aus Radio und Podcast bietet – vollgepackt mit Musik, einer guten Portion Hörspiel, spannenden Anekdoten und Einblicken in die kreative Welt von THE NEXT MOVEMENT Und wenn dir unsere Sendung gefällt, dann freuen wir uns über ein kostenfreies Abo und eine Bewertung in deinem Podcast-Player. Für direktes Feedback, schau doch mal auf unserer Webseite http://vinylopresso.ch oder auf Instagram und Facebook vorbei.

What if fewer mics could help you make better records? Alan Evans (Soulive) joins me to talk 4-track recording, Iceland sessions, AI in music, and how simplicity, mindset, and health can fuel your best creative work.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alan Evans, a recording, mixing, and mastering engineer, producer, and musician based in Western Massachusetts. Alan's probably best known as the drummer and co-founder of Soulive, but over the past 30 years, he's also built a deep discography engineering, producing, and shaping the sound of hundreds of recordings. He grew up in a musically rich household in Buffalo, NY, soaking in the sounds of Miles Davis, Ray Charles, and Jimi Hendrix which ignited his interest in music. As a teenager, he hit the clubs and started recording bands, teaching himself the craft of recording, mixing, and production from the ground up. These days, Alan continues to push boundaries through his label, Vintage League Music, with projects spanning jazz, funk, reggae, rock, and Americana—including recent recordings with Oteil Burbridge and MonoNeon at Floki Studios in Iceland, and a new album with Charlie Hunter and Ella Feingold at Pilot Recording Studios in Housatonic, MA. Alan's been on the show before in episodes RSR183, RSR339, and RSR440—and I'm psyched to have him back again, this time in person for video at Ready To Rock Studios. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=FJKiBFINRAOZrjKf0FdYJg If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/525

In this episode, Dr. Killeen shares a story from his college days playing violin at late-night jazz sessions in St. Louis—and the lesson it carries for life and dentistry. Inspired by a Miles Davis quote, he unpacks why mistakes don't define us, but our response to them does. From missed opportunities to off-key patient interactions, it's not about avoiding wrong notes—it's about adaptability, learning, and choosing what you play next.To learn more about Dr. Killeen and his two-day event in Lincoln, NE or to connect with him, check out www.AddisonKilleen.com.

In this special episode of The Underground Lounge, Lou and Spank welcome an icon who truly needs no introduction: Flea, the Rock and Roll Hall of Fame bassist for the Red Hot Chili Peppers. Known for his explosive stage presence and innovative bass lines, Flea takes us through the journey of his life and career with honesty, humor, and reflection.The conversation begins with his early childhood and the jazz influences that shaped him, from Miles Davis to John Coltrane, and how picking up a bass in high school completely changed his world. Flea shares how his lifelong friendship with Anthony Kiedis sparked the foundation of the Red Hot Chili Peppers, and how their bond, while tested over the decades, has been the glue holding the band together through lineup changes, global tours, and creative evolution. He recalls the band's rise from gritty L.A. clubs to massive stadiums, memorable festival moments, and the infamous chaos of Woodstock.Beyond the music, Flea opens up about his personal growth. He discusses the turning point that led him to give up hard drugs in his 30s, the role of sobriety in helping him embrace health and creativity, and how fatherhood continues to shape his perspective. He emphasizes the importance of self-love, learning from childhood traumas, and finding joy in constant growth, whether through reading, exploring new art, or picking up a basketball to shoot around at 57 years old.Naturally, basketball plays a big role in the conversation. A die-hard Lakers fan, Flea reminisces about the Showtime era with Magic and Kareem, the ups and downs of the team over the years, and his respect for LeBron James's longevity and excellence. The discussion connects the worlds of sports and music, highlighting how teamwork, trust, and chemistry are just as crucial on the court as they are on stage.The crew also touch on the cultural shifts in music, from the originality demanded in earlier eras to today's algorithm-driven sameness, and Flea reflects on the importance of pushing boundaries and staying true to individuality. He also shines a light on his nonprofit, the Silverlake Conservatory of Music, which has been teaching hundreds of kids every week for over two decades, giving them the same gift of music that changed his own life.From smashing guitars to smashing stereotypes, Flea proves why he's one of the most compelling figures in modern music. This episode is equal parts funny, insightful, and inspiring, offering a rare glimpse into the mind of a rock legend who's still as passionate, curious, and relentless as ever.

Saxophonist Julian “Cannonball” Adderley (born September 15, 1928) and his cornet-playing brother Nat (born November 25, 1931) co-led a popular jazz combo for many years in the 1960s and 70s. While Nat composed much of the music for the group, Cannonball's galvanic,  pyrotechnic alto saxophone playing was the big draw. Indeed, from the time he arrived on the New York jazz scene in the 1950s, he set the town on fire with his incredible virtuosity and distinctive tone and attack. He was a key member of the great Miles Davis sextet alongside John Coltrane that recorded the classic album Kind of Blue. Plus, St. Michael's Jazz Fest returns for a second year of incredible jazz in Carlsbad Village this Saturday, September 27th! Headlining is New Orleans' own, the legendary Grammy Award-Winning Rebirth Brass Band, joined by Euphoria Brass Band, Gilbert Castellanos Latin Jazz Ensemble, Starsign, Chunky Hustle Brass Band, Sue Palmer Swing Orchestra, and more. Free to the public and held outside on the campus lawn of St. Michael's by-the-Sea in Carlsbad. Learn more and consider volunteering or donating: https://www.stmichaelsjazzfest.org/

Patrice Rushen joins Pablo Held to talk about composing for orchestras, films, and small groups; important orchestration lessons; and recording the ‘Joy Ryder' album with Wayne Shorter. They also discuss witnessing a Weather Report recording session for 'Tale Spinnin', a memorable meeting with Miles Davis, sight reading, her technique and touch on the piano, the … Continue reading Patrice Rushen

The St. Louis Shakespeare Festival is wrapping up its 25th season with its annual "Shakespeare in the Streets" production. This year, the play “Power” explores East St. Louis — a city that carries the legacy of legendary artists and athletes, as well as the stigma of political corruption and the 1917 Race Massacre. Loosely inspired by Shakespeare's Richard III, “Power” follows "Richard" on his attempted rise to East St. Louis mayor. We talk with actor RobWood, an East St. Louis Native who plays Richard, and the play's director, Kathi Bentley.

From his early accordion days and forró roots to his global influence, Hermeto Pascoal lived in total communion with sound, inspiring generations worldwide. More than a multi-instrumentalist, he was a true “multi-thing-ist,” turning pianos, flutes, and drums into magic—but also rubber ducks, teapots, rivers, and stalactites. Perhaps shaped by his vision impairment, he treated every style and every sound source with equal respect, creating what he called universal music—not jazz, not strictly Brazilian, but everything at once. This playlist honors his genius and career, eight decades of spreading music, joy, and love. The playlist features also Quarteto Novo; Antonio Carlos Jobim; Miles Davis; Médéric Collignon; Anat Cohen, The Anzic Orchestra; and Huw Warren. Detailed playlist at https://spinitron.com/RFB/pl/21241959/Mondo-Jazz (up to "Pra você, Ilza"). Happy listening!

Greg has been itching to talk about the new Deftones album, but two artists passed this week so we're getting a thoughtful Three for Thursday. He kicks off with a track from the new Deftones album, Private Music, a great listen if you like anything they've ever done. Tomas Lindberg, singer for the Swedish metal band At the Gates, died of cancer at the age of 52. We also lost prolific Brazilian multi-instrumentalist and composer Hermeto Pascoal at the age of 89. Miles Davis once called him “one of the most important musicians on the planet.”Songs: Deftones - “Milk of the Madonna”At the Gates - “Cold”Hermeto Pascoal - “Mixing Pot (Tacho)”Jay has a new game! Using RadioGarden, Jay selects a random station from any part of the world and contestants must guess the city and country that they're hearing. The closest guess gets a point, a correct guess gets two points. Let's play Radio Guesser!Song: J.D. Crowe & The New South - “Old Home Place”Nick fills us in on some news for the week. Miles Davis's estate sells his catalog ahead of what would have been his 100th birthday. Morrissey would very much like someone to buy The Smiths catalog so he doesn't have to talk to his former band members ever again. Neil Young is getting sued, and D4vd is in some very hot water.Song: Spilly Cave - “Ice Klone”

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Tom "Bones" Malone.   About Tom : Tom “Bones” Malone, trombonist, multi-instrumentalist, arranger & producer is best known for his work with The Blues Brothers, David Letterman Show and Saturday Night Live. Tom has played on 4,400+ television shows, 3,500+ radio & television commercials, over 1,500 recordings and thousands of live performances throughout the world. Tom has done 3,000 arrangements for television.   Tom plays trombone, tuba, bass trombone, contrabass trombone, euphonium, bass trumpet, trumpet, flugelhorn, piccolo trumpet, alto sax, tenor sax, baritone sax, flute, piccolo, alto flute and bass flute.   “Tom Bones Malone, a multi-instrumentalist, is perhaps the most successful musician in the history of film, live television and sound recording production.” - Ray Hair, president, American Federation of Musicians   Tom has performed, recorded and/or arranged for Ray Charles, James Brown, Stevie Wonder, Paul McCartney, Gil Evans, Yes, Miles Davis, Beck, Aretha Franklin, Spyro Gyra, Jimmy Cliff, Frank Zappa, Stuff, The Temptations, The Supremes, Sting, Elton John, James Taylor, J Giels Band, Blood Sweat & Tears, The Band, Levon Helm, Phil Collins, Wilson Pickett, Sam & Dave, Ben E. King, The BeeGees, Meco, The Coasters, Bon Jovie, Carly Simon, Dr. John, Olivia Newton-John, Joe Cocker, The Meters, The Neville Brothers, Leo Sayer, Boz Skaggs, Chuck Berry, Robert Plant, Jeff Beck, Jimmy Page, Gypsy Kings, Willie Nelson, Clint Black, Dolly Parton, George Benson, B B King, Vince Gill, John Mayer, Steve Winwood, The Killers, Blues Traveler, The Stylistics, Busta Rhymes, Bonnie Raitt, Bruce Springsteen, Al Green, Gloria Estefan, Garth Brooks, Faith Hill, Eddie Harris, Cyndi Lauper, David Bowie, ‘N Sync, Coolio, Snoop Dog, 50 Cent, Solomon Burke, Steely Dan, Aerosmith, Tony Bennett, Mary J. Blige, Peter Frampton, Lyle Lovett, Etta James, Jon Secada, Joe Cocker, Sinead O'Conner, Toni Braxton, Harry Connick, Jr., Randy Newman, Little Richard, Pointer Sisters, Eric Clapton, Billy Preston, Marvin Gaye, Whitney Houston, Chaka Kahn, Four Tops, Elephant's Memory, Eddie Floyd, Count Basie, The Spinners, The Stylistics, Barry Manilow, Jose Feliciano, Woody Herman, Tom Petty, Macy Grey, Van Morrison, Frankie Valli, Hanson, Peggy Lee, Brenda Lee, Liza Minelli, Cab Calloway, The O'Jay's, Nancy Wilson, Shirley Bassey, Billy Joel, Bonnie Tyler, Lou Reed, Baja Men, Dr. Buzzard's Savannah Band, Joss Stone, Dionne Warwick, Meatloaf, Ashford & Simpson, Pat Metheny, David Sanborn, Luther Vandross, Teddy Pendergrass, Glen Campbell, Malo, Vicki Sue Robinson, Mandrill, Gladys Knight & The Pips, Diana Ross, Average White Band, Dreamgirls, Van McCoy, Mongo Santamaria, Instant Funk, Stephanie Mills, Herbie Mann, Paul Simon, Gloria Gayner, Plácido Domingo, Village People, Bobby Blue Bland, Pink Floyd, Hubert Laws, Tina Turner, Joe Jackson, Chuck Mangione, Lou Rawls, David Byrne, Phil Woods, James Ingram, Hank Crawford, Carmen McRae, Bette Midler, Phoebe Snow, Rupert Holmes, BJ Thomas, Samantha Sang, Al Jarreau, Sheena Easton, Johnny Taylor, Little Milton, Stanley Clark, Little Anthony & The Imperials, Joe Pesche, Ron Carter, Buddy Rich, Les Elgart, Larry Elgart, Billy Cobham, Louis Bellson, Stanley Turrentine, Gato Barbieri, Ringo Starr, Lady Gaga, Bob Geldoff, Debbie Harry, Run DMC, Ricky Martin, John Mellencamp, Eurythmics, Rufus Thomas, Debby Harry, Run DMC, Ricky Martin, Shaggy, John Mellencamp, Chris Montez, Joey Dee, Dusty Springfield, The Blues Brothers, Hanson and many others.

Listener suggestions are rated on the Yachtski Scale, with songs by Miles Davis, Sade, and Ralph.

Christmas begins early in Venezuela… Cruise ship passenger jumps due to debt… Hershey park coaster stops due to –“off ride guest issue”... Share The Arrows event / www.sharethearrows.com... Miles Davis catalog sold to Reservoir Media… New Iphone 17... Roseanne Barr moves to Texas…Moving? / www.realestateagentsitrust.com Cracker Barrel bends the knee all the way… Taco Bell Y2K menu this month… Shake Shack new burger… Email: ChewingTheFat@theblaze.comwww.blazetv.com/jeffy $20 off annual plan right now ( limited time ) Nepal Uprising… France appoints new Prime Minister… Ollie North remarries his former secretary… Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

Participants: John Steppling, Jennifer Matsui, Hiroyuki Hamada, and Dennis Riches. Topics covered: Bari Weiss gets a $100-million deal to work for CBS, Western media freaked out by Chinese summit and military parade to mark 80 years since WWII victory, Israel assassinates the political leadership of Yemen, US Navy becomes pirates of the Caribbean by sinking an alleged drug-smuggling vessel. Why can't the BRICS nations do anything to stop the genocide in Palestine? Uprising in Indonesia forces president to cancel his trip to China. Music track: “Blue in Green” by Miles Davis (public domain).

Like many hip youngsters of my generation, at some point in my twenties I got Jazz-pilled by Beat literature, with writers like Jack Kerouac and Allen Ginsberg name-dropping bop-era musicians like Miles Davis, Thelonious Monk, John Coltrane, Charlie Parker, and many more, sending me to Limewire to download mp3s of 1950s and 1960s Jazz. In recent years, my casual appreciation has turned into a more intense investigation of music history and practice, particularly after discovering “The Grape,” a Jazz club in my neighborhood that's overflowing with colorful characters and musical adventure. My guest today is one of those characters: Monte Montgomery is a multi-instrumentalist, former touring funk guitarist, and all around hip music dude. In this conversation, he shares highlights from his decades in music, from playing funk with a group of Black GIs on a military base in Germany at the age of 17, to entertaining celebrities and insanely rich people on the Beverly Hills philanthropic event circuit, to his current gig holding court on piano, guitar, and drums every Tuesday night at The Grape. Check out my new ‘90s music podcast/video series with John Lombardo, 120 MONTHS: https://substack.com/@120months Listen to our special News Trap episode on the 20th anniversary of Hurricane Katrina with Justin Rogers-Cooper: https://www.patreon.com/posts/news-trap-8-30-w-137726055  Subscribe to the Nostalgia Trap Patreon for FREE to get updates on all our podcasts, videos, and writing:  patreon.com/nostalgiatrap    

There is no more important relationship in this era of music than that of Miles Davis and John Coltrane; two masters ever-present in the musical and cultural landscape. Someday My Prince Will Come marks the last time Coltrane and Davis played together, and it couldn't be more perfect.We dive into how their partnership played out on stage and in the recording studio over the years, and how their dynamic on Someday My Prince Will Come marks a handoff from '50s jazz to the rock and roll sound of the '60s, with Coltrane leading the way.And Miles Davis, even more so than a masterful trumpet player or composer, was a tastemaker. From the musicians he picked, to the chord changes, to his choice of album art, we explore how this record brings it all together in one phenomenal package.

Every law firm wants more leads — but what if chasing them is the very thing holding you back? In this episode of The Game Changing Attorney Podcast, Michael and Jessical Mogill tackle one of the most common (and costly) mistakes law firm owners make: pouring money into marketing before fixing the foundation of their business. A $100,000 ad campaign might sound like the fast track to growth, but if your systems, team, and client experience can't handle the volume, you'll end up scaling chaos instead of results. Here's what you'll learn: Why investing in marketing before your systems are ready creates more problems than profit How to recognize whether your firm needs capacity, optimization, or true demand generation The mindset shift that separates law firm owners who burn cash from those who build scalable, thriving practices Before you write your next big marketing check, listen to this episode. It might just save you $100K — and set your firm on the right path for sustainable growth. ---- 00:00 – Intro and setup: The difference between growing revenue and scaling your business 02:30 – Why mistakes don't define you — it's how you respond that matters 03:24 – Miles Davis on wrong notes and life lessons 06:42 – The $100K marketing question: Should you invest in leads or systems? 09:42 – Why scaling demand without capacity only creates bigger problems 10:36 – Run your own race: Why comparing your growth to competitors is a trap 13:40 – Should you hire before perfecting processes, or wait until everything is “just right”? 16:39 – How to expand capacity without sacrificing client experience ---- Links & Resources: Miles Davis Quote ---- Do you love this podcast and want to see more game changing content? Subscribe to our YouTube channel. ---- Past guests on The Game Changing Attorney Podcast include David Goggins, John Morgan, Alex Hormozi, Randi McGinn, Kim Scott, Chris Voss, Kevin O'Leary, Laura Wasser, John Maxwell, Mark Lanier, Robert Greene, and many more. ---- If you enjoyed this episode, you may also like: 389. AMMA — Stop Fixing $5 Problems and Start Solving $1M Ones 379. AMMA — If You're Still Chasing Leads, You've Already Lost 358. Your Competitors Don't Want You to Know These Game Changing Marketing Strategies