Podcast appearances and mentions of Miles Davis

Rick Beato is a music educator, interviewer, producer, songwriter, and a true multi-instrument musician, playing guitar, bass, cello & piano. His incredible YouTube channel celebrates great musicians & musical ideas, and helps millions of people fall in love with great music all over again. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep492-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/rick-beato-transcript CONTACT LEX: Feedback – give feedback to Lex: https://lexfridman.com/survey AMA – submit questions, videos or call-in: https://lexfridman.com/ama Hiring – join our team: https://lexfridman.com/hiring Other – other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Rick’s YouTube: https://youtube.com/RickBeato Rick’s X: https://x.com/rickbeato Rick’s Instagram: https://instagram.com/rickbeato1 Rick’s Website: https://rickbeato.com Rick’s Ear Training: https://beatoeartraining.com The Beato Book: https://beatobook.com SPONSORS: To support this podcast, check out our sponsors & get discounts: UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex BetterHelp: Online therapy and counseling. Go to https://betterhelp.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex Fin: AI agent for customer service. Go to https://fin.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex Perplexity: AI-powered answer engine. Go to https://perplexity.ai/ OUTLINE: (00:00) – Introduction (00:28) – Sponsors, Comments, and Reflections (09:17) – Guitar solos (13:16) – Gypsy jazz and Django Reinhardt (14:48) – Bebop jazz (19:00) – Perfect pitch vs relative pitch (23:37) – Learning to play guitar (47:08) – Miles Davis (52:34) – Bass guitar (53:41) – Greatest guitar solos of all time (1:22:56) – 27 Club (1:27:37) – Elton John (1:30:51) – Metallica (1:35:21) – Tom Waits (1:41:12) – Greatest rock stars (1:44:35) – Beethoven (1:51:10) – Bach (1:54:01) – AI in music (2:07:52) – Sabrina Carpenter (2:11:23) – YouTube copyright strikes (2:16:59) – Spotify (2:27:51) – Guitars (2:32:13) – Advice PODCAST LINKS: – Podcast Website: https://lexfridman.com/podcast – Apple Podcasts: https://apple.co/2lwqZIr – Spotify: https://spoti.fi/2nEwCF8 – RSS: https://lexfridman.com/feed/podcast/ – Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 – Clips Channel: https://www.youtube.com/lexclips

Muchas veces solo hace falta remontarte a lo clásico para entender lo moderno. Máximo Pradera hace un repaso de la discografía de los Pet Shop Boys y de cómo su música conversa con obras maestras de la música clásica, como el Cascanueces de Tchaikovsky o el Canon en D de Pachelbel. Escuchamos cómo el jazz también bebe de la influencia clásica europea, en este caso española, con la versión de Miles Davis de El concierto de Aranjuez. El amigo secreto se atreve con los acordes de Go West, de los Pet Shop Boys. 

Ryan Estes sits down with Don Lucoff, founder of DL Media and Artistic Director of the Denver Jazz Fest. Don has spent nearly four decades in jazz as a publicist, producer, and festival programmer, working with legendary artists and labels like Impulse and Blue Note. Now he is helping build a national caliber jazz festival right here in Denver. The State of Jazz Don reflects on how dramatically jazz media coverage has changed. There was a time when major outlets regularly reviewed jazz records and featured artists on national television. Today, most of that coverage has vanished. Yet jazz itself has not disappeared. It continues to shape modern music. Artists like Kendrick Lamar have collaborated with jazz musicians such as Kamasi Washington and Robert Glasper. The influence is everywhere. As Don puts it, jazz can sell everything but itself. It is deeply embedded in popular culture, even if it is no longer center stage in mainstream media. Why Denver Is a Jazz City Denver has a stronger jazz pedigree than many people realize. The Front Range is home to major jazz education programs at the University of Northern Colorado, University of Denver, University of Colorado Boulder, Metropolitan State University of Denver, and Colorado State University. These institutions consistently produce world class players. Historically, Five Points was known as the Harlem of the West, a vital stop for touring jazz musicians crossing the country. Add the Beat Generation passing through town and you have a city that has long been part of America's cultural and musical story. Inside Denver Jazz Fest The Denver Jazz Fest spans 15 venues across Denver and includes performances in Boulder County. It blends national headliners with respected local artists, creating a citywide celebration. This year's lineup includes Pat Metheny, Branford Marsalis, Bob James, and John Beasley. The festival also honors the centenary of Miles Davis and John Coltrane with special tribute performances, including a presentation of A Love Supreme by Denver saxophonist Keith Oxman. The goal is inclusivity and accessibility. Whether you are a lifelong jazz fan or just jazz curious, there is a show for you. Where to Start Listening For new listeners, Don recommends classics from the Blue Note catalog such as Lee Morgan's Search for the New Land, Herbie Hancock's Maiden Voyage, Wayne Shorter's Speak No Evil, and Grant Green's Idle Moments. From Impulse, he points to John Coltrane's Crescent and A Love Supreme, Alice Coltrane's Journey in Satchidananda, and Pharoah Sanders' Thembi. These records are not homework. They are entry points into a vast and vibrant tradition. Final Takeaway Don's career proves one thing. You may not get rich in jazz, but you can build a life around passion, community, and great music. Denver Jazz Fest is more than a series of concerts. It is a statement that this city values artistry, education, and cultural history. Learn more and get tickets at denverjazz.org. See you there.

El pasado 20 de Febrero este programa celebró 9 años de emisión. Este episodio, el 233, se lo dedicamos a la música de ascensor, un sonido que entra en nuestros oídos sin pedirlo: en el supermercado cuando cogemos el carro, en el banco mientras esperamos nuestro turno, en la sala de espera del médico, en la tienda de ropa y, por supuesto, en el ascensor. Y aunque parece que es una música para no ser escuchada conscientemente, sólo lo parece. Playlist: – Le Petit Bal (Take 1), Miles Davis; – Misty, Errol Garner; – The Girl from Ipanema (feat. Astrud Gilberto & Antônio Carlos Jobim), Stan Getz & João Gilberto; – My Funny Valentine, Chet Baker; – Moonlight in Vermont (feat. Stan Getz), The Johnny Smith Quintet; – Lush Life, Red Garland; – The Shadow of Your Smile, Tony Bennett; – Estate, João Gilberto; – Watch What Happens, Sérgio Mendes & Brasil '66; – Speak Low (Live At The London House), Sarah Vaughan; – Wave, Antônio Carlos Jobim; – Nature Boy, Nat "King" Cole; – Tenderly, Rosemary Clooney; – Água de Beber, Os Gatos; – Round Midnight; Oscar Peterson & Nelson Riddle; – Summer Samba (So Nice), Walter Wanderley; – I Get a Kick Out of You, Juan Garcia Esquivel; – Moon River Cha Cha, Henry Mancini.

After five decades as jazz's best-kept secret, multi-instrumentalist Roger Glenn steps into the spotlight with his first solo album in 50 years. In this episode of Backstage Bay Area, host Steve Roby sits down with the son of jazz royalty to discuss Latin jazz, life lessons from legends, and why 2025 was finally the right time to share his story. Episode HighlightsGrowing Up in Jazz Royalty: Roger shares stories of his father, Tyree Glenn, and the legendary musicians who shaped his musical education—from Count Basie's Joe Jones to Miles Davis's Winton KellyThe Great Day in Harlem: Roger reveals he skipped the iconic 1958 photo shoot, only to later perform with many of those same jazz giants, including Mary Lou Williams18 Instruments and Counting: How Roger became a multi-instrumental wizard, mastering everything from flute to vibraphoneThe 50-Year Wait: Why COVID, economic downturns, and Grammy category eliminations delayed the release of "My Latin Heart"Cultural Fusion: The deep meaning behind tracks like "Zambos Mambo" and "Congo Square," exploring the African and European roots of American musicBeyond Music: Roger's parallel passions as a multi-engine pilot, helicopter pilot, and sailor—and how they inspire his compositionsFeatured TracksZambos MamboShowcasing Roger's incredible flute work (currently charting on Jazz Week)Congo SquareA tribute to cultural fusion featuring Roger's vibraphone masteryAll music used on the podcast was supplied by the musicians and used with there permissionUpcoming ShowsBach Dancing and Dynamite Society - Half Moon BaySunday, March 8th at 4:30 PMFeaturing special guest Ray Obito on guitar

durée : 00:59:51 - Till I Get My Share - par : Nathalie Piolé -

EPISODE 141: The Blackbyrds were at the cutting edge of jazz fusion, R&B and funk in the 1970s, pushing the boundaries of Black popular music forward in one of the most musically fertile decades of the past century. Established by legendary jazz trumpeter Donald Byrd in 1973, the band's success includes several highly touted albums, film scores (1975's "Cornbread," "Earl and Me"), as well as supporting such iconic artists as B.B. King. Herbie Hancock, Gladys Knight & the Pips, Roberta Flack and more. The Blackbyrds' self-titled debut album put the group on the map with "Do It, Fluid," a funky laid-back party anthem.  The group followed that initial success with a string of albums over the next five years, including FLYING START (1974), which yielded their biggest hit, the Grammy-nominated "Walking in Rhythm," and CITY LIFE (1975), which contained the hit "Happy Music" and the iconic "Rock Creek Park," which remains one of the most sampled jazz-funk tracks to this day, as well as such hits as “Supernatural Feeling,” Grammy-nominated “Unfinished Business,” “Time is Movin',” “Dreaming About You” and “Flyin' High,” among many others. Under the leadership of original drummer and vocalist, Keith Killgo, the band continues to record, tour and perform globally.  The Blackbyrds current lineup includes original founding members Keith Killgo (drums and vocals) and Joe Hall (bass), Paul Spires (vocals), Dominique Toney (vocals), daughter of original band keyboardist Kevin Toney, Roberto Villeda (keyboards), Charles Wright (guitar), Thad Wilson (trumpet), Marshall Keys (saxophone) and Sean Anthony (percussion). blackbyrdsmusic.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Vacuum tubes are supposed to be extinct yet here we are in 2026 still arguing swapping and occasionally getting electrocuted. In this episode Mitch Anderson, Eric Pye, and Jeremy Sikora strip the romance out of valves and talk about why they still matter without leaning on lazy audiophile clichés. The discussion cuts through tube rolling reality versus placebo and the ongoing new production versus NOS debate. It also looks at why Ray Tubes are suddenly on everyone's radar and what Jeremy's amp building class at the American Wireless Communication Museum teaches you that spec sheets never will.Along the way, we connect the dots between Talk Talk's obsessive studio craft, Miles Davis with Jimmy Cobb's unshakable timing, and the Tron soundtrack, while getting very real about tube amp safety; from blown parts to painful zaps, because high voltage does not care how experienced you think you are.Thank you to SVS and Shure for their support of our programming!https://www.svsound.comhttps://www.shure.comCredits:• Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comDon't forget to check our website for daily updates on the latest electronics, news, recommendations, and deals on high-end audio, loudspeakers, earphones, TVs, and more.https://www.ecoustics.com#raytubes #vacuumtubes #audiovalves #vinylcommunity #audioloveyyc #budgetaudiophiler #blackcircleradio #ecoustics #hifi #audiophile #hometheater #listeningroom #musicindustry #analogaudio 

In this month's music history spotlight, Ryan explores the 1937 jazz standard “My Funny Valentine,” written by Richard Rodgers and Lorenz Hart. From its Broadway origins in Babes in Arms to iconic interpretations by Frank Sinatra, Chet Baker, Ella Fitzgerald, and Miles Davis, this episode reflects on why a song about imperfect love has endured for nearly a century.

Marco Pastonesi"Rugby Underground"Bottega Errante Edizioniwww.bottegaerranteedizioni.itMilano, zona vecchia Fiera campionaria, metà anni Settanta. L'inagibile scantinato di un elettrauto si trasforma in una cantina, o in un salotto, o in un circolo anche se rettangolare o forse in un'osteria, in un dopolavoro per disoccupati, in una biblioteca, in un presidio di resistenza umana. Insomma, in un rugby club. L'unico rugby club al mondo che disputa esclusivamente il terzo tempo. Un terzo tempo rituale o anarchico, organizzato o improvvisato, ripetuto migliaia di volte nella cantina di Gabriele Cabrio detto Lele, elettrauto ovale in tutti i sensi. Qui ognuno dice liberamente la sua, narrazioni e battute, avverbi e proverbi, storie e geografie, un'insalata russa, un fritto misto, una macedonia esotica. E qui per quarant'anni giungono giocatori da tutta Italia, perfino alcuni All Blacks, un giorno si presenta Eddy Merckx, una sera Diego Abatantuono. E tutti insieme a mangiare e bere, guardare la Coppa del mondo e il TriNations, ascoltare Miles Davis e Fabio Treves. E il rugby come religione e filosofia, come scusa e alibi, come missione e ambasciata, come eredità.Marco Pastonesi, nato a Genova nel 1954, ha abitato a Roma e Milano, ora a Nervi e Bracciano. Ha lavorato, fra l'altro, a “la Repubblica” e “La Gazzetta dello Sport”,  adesso collabora con “Il Foglio”, “Tuttobiciweb” e Rai Radio 3 per “Wikiradio”, più varie ed eventuali, occupandosi sempre di sport e soprattutto di ciclismo e rugby. Fra i suoi libri, Pantani era un dio, L'Uragano nero e Rocky Marciano Blues (66thand2nd), Spingi me sennò bestemmio, Se cadono tutti vinco io e Strade nere (Ediciclo), Mia con Ivan Zaytsev, Il mio calcio libero con Barbara Bonansea e La quinta tappa con Vincenzo Nibali (Rizzoli).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Episode 659 also features an E.W. Poetic Piece titled, "So What?" Our music this go round is provided by these wonderful artists: Thelonious Monk, the Bug Club, Sean Kurti & Egypt 80, Miles Davis, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

Vor hundert Jahren, am 26. Mai 1926, wurde in einer Kleinstadt am Mississippi einer der über den Jazz hinaus einflussreichsten Musiker des letzten Jahrhunderts geboren: der afroamerikanische Trompeter Miles Davis. Auch wenn diesen Musiker etliche Mythen umgeben, hat er doch von den 50er- bis in die 80-Jahre des letzten Jahrhunderts der Jazzentwicklung einige wichtige Impulse gegeben. Der Hamburger Musikjournalist Stefan Hentz widmet sich dem bedeutenden Musiker in der neuen Biografie: „Miles Davis. Sound eines Lebens“.

Katrin Schumacher empfiehlt druckfrische Bücher. Die Saison hat begonnen, der Frühling noch nicht. Der Winter und der Osten – sind zwei der aktuellen Themen.

In this episode, I'm joined by Grammy-winning keyboardist, composer, producer, and arranger Jason Miles - an artist whose legacy spans decades of music-making across jazz, R&B, and beyond, and whose work has helped define the sound and direction of multiple musical eras, working alongside some of the most influential voices in modern music like Miles Davis, Luther Vandross, Grover Washington Jr., David Sanborn and Marcus Miller, to name a few.No less than Roberta Flack said about him, “Jason Miles has raised the level of excellence for the musicians who have had the good fortune of working with him, myself included. He has enriched the lives of millions of people.” And Miles Davis, in his 1991 autobiography, labelled Jason a genius - not a term he threw around!Jason and I met here in Lisbon, and what started as a conversation became a very honest and enriching exchange for me. I'm grateful to have had the opportunity to sit down with him.This podcast explores the journey behind the music - the decisions, mindset, and lessons that shape a sustainable creative life, especially in today's DIY landscape. We begin our interview by talking about what Luther Vandross understood about music that most musicians never quite grasp.From there, Jason shares the biggest lessons he's learned across his outstanding career — we explore creative decision-making, trust on the business side of music, and his perspective on today's jazz landscape compared to the past, as well as Jason's 2026 musical projects.This conversation is about practises that still guide artists today. If you're an independent musician looking for clarity and perspective, I am sure you'll find a lot of inspiration in hearing Jason's stories, reflections and guiding principles.Jason Miles - Links:WebsiteThe Extraordinary Journey of Jason MilesBandcampTable of contents:00:00 Intro03:29 Luther Vandross's integrity & intention14:26 Advice for DIY artists: listen & learn21:16 Why decision-making matters22:19 Trust in the business side of music23:11 Dealing with rejection26:11 Today's jazz landscape28:27 Jason Miles' 2026 projectsAs you listened, what reflection stayed with you the most?Let's talk about today's episode: 

The lights dim, the crowd stirs, and the show you traveled for kicks into gear. In that moment, your vacation becomes something more: you're feeling the heartbeat of the city. Live music can transform a destination into an unforgettable experience, taking you on a deeper journey through its history and culture.In this episode, host Angie Orth welcomes travel writer and musician Edmund Vallance to explore how music shapes the way we experience the world. Edmund shares stories from his adventures chasing live performances across continents, from seeing Lou Reed in a tiny Porto venue to watching the Sex Pistols in Las Vegas. As both a performer and a passionate fan, he reveals how music can unlock a destination's true character.You'll discover why Gen Z is leading the charge in concert travel and hear about iconic venues from Red Rocks in Colorado to Ronnie Scott's Jazz Club in London. You'll learn how music museums can turn you into a fan—even if you've never heard the artist before. Edmund also shares practical tips for finding serendipitous musical moments that can change how you see a place, plus his bucket list of must-visit music destinations—from Santiago de Cuba to Vienna's Mozart houses.What You'll Learn:3:36 How music festivals like South by Southwest can become the cornerstone of an unforgettable trip 9:25 Why having one central concert can reshape an entire destination 14:38 Seattle's essential music sites for Jimi Hendrix and Nirvana fans 20:48 New York's historic jazz venues to celebrate Miles Davis' centennial year 25:00 How to find life-changing musical moments through randomness and saying yesConnect with Edmund Vallance:Journalism: http://www.edmundvallance.com/Music:  http://www.edvallance.com/Instagram: https://www.instagram.com/edmundvallance/Listen to his music on SpotifyWhat musical experience would you travel anywhere for? Tell us in the comments! Connect with AAA:Book travel: https://aaa-text.co/travelingwithaaa LinkedIn: https://www.linkedin.com/company/aaa-auto-club-enterprisesInstagram: https://www.instagram.com/AAAAutoClubEnterprisesFacebook: https://www.facebook.com/AAAAutoClubEnterprises

durée : 00:59:22 - Banzzaï du vendredi 06 février 2026 : rediffusion - Donnez-nous de l'eau - par : Nathalie Piolé -

Julia Loktev's acclaimed documentary, ‘My Undesirable Friends,' follows young Russian journalists in the months before and after Putin's invasion of Ukraine — and the impossible choices they face when dissent means prison or exile. Also, jazz historian Kevin Whitehead revisits a two-night set Miles Davis did in Chicago in 1965.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week, Scott sat down with his Lawfare colleagues Molly Roberts, Michael Feinberg, and Troy Edwards to talk through the week's big warrant-related national security news, including:“Tulsi Went Down to Georgia, She Was Looking for a Vote to Steal.” This past week, the FBI executed a warrant to search Fulton County's election center for ballots and equipment related to the 2020 election, with the help of an unlikely senior administration official: Director of National Intelligence Tulsi Gabbard, who was reportedly there in-person at the order of President Trump. Observers are concerned that the search is the beginning of a broader effort to relitigate the 2020 election—especially as Trump calls for Republicans in Congress to “nationalize elections” in advance of the November mid-terms. What do we know about the legal basis for this search? And what does it tell us about what the Trump administration has planned for November?“I Hear the Jury's Still Out on the Fourth Amendment.” Over the past week, whistleblowers have revealed that ICE has issued a series of internal memos to agents advising that they do not need judicial warrants to detain or search the homes of people suspected of being undocumented immigrants. Instead, ICE has attempted to side-step the regular judicial process by suggesting that agents only need an administrative warrant, a controversial move that will almost certainly be challenged in court. What do we think of ICE's decision to shift to such a legally dubious policy, and where do we expect it to go from here?“Ex Post Justification.” Last month, the FBI conducted a search on the home of Washington Post reporter Hannah Natanson as part of an investigation into alleged leaks by a Defense Department contractor. During the search, agents seized Natanson's personal and professional devices, which drew concern from media outlets and civil liberty groups over potential First Amendment and privacy violations. A magistrate judge has now ordered that the FBI cannot access Natanson's materials at least for now, while some of these issues are litigated. How should federal law enforcement balance the need to conduct leak investigations with press freedoms? And is this case on the right side of the line?In object lessons, sometimes all you can do is cry: Molly is remembering better days for the Washington Post and mourning the fall of a once-great paper. Sometimes all you can do is get lost in the music: Mike is celebrating the still-great Miles Davis with the long-awaited release of The Complete Miles Davis Live at the Plugged Nickel 1965 on vinyl. Sometimes all you can do is laugh: Scott is delighting in his former State Department colleague's new Substack, Ridiculocracy. And sometimes, all you can do is wear something fabulous: Troy is modeling the new wardrobe must-have for the “Government in Exile.”To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his Lawfare colleagues Molly Roberts, Michael Feinberg, and Troy Edwards to talk through the week's big warrant-related national security news, including:“Tulsi Went Down to Georgia, She Was Looking for a Vote to Steal.” This past week, the FBI executed a warrant to search Fulton County's election center for ballots and equipment related to the 2020 election, with the help of an unlikely senior administration official: Director of National Intelligence Tulsi Gabbard, who was reportedly there in-person at the order of President Trump. Observers are concerned that the search is the beginning of a broader effort to relitigate the 2020 election—especially as Trump calls for Republicans in Congress to “nationalize elections” in advance of the November mid-terms. What do we know about the legal basis for this search? And what does it tell us about what the Trump administration has planned for November?“I Hear the Jury's Still Out on the Fourth Amendment.” Over the past week, whistleblowers have revealed that ICE has issued a series of internal memos to agents advising that they do not need judicial warrants to detain or search the homes of people suspected of being undocumented immigrants. Instead, ICE has attempted to side-step the regular judicial process by suggesting that agents only need an administrative warrant, a controversial move that will almost certainly be challenged in court. What do we think of ICE's decision to shift to such a legally dubious policy, and where do we expect it to go from here?“Ex Post Justification.” Last month, the FBI conducted a search on the home of Washington Post reporter Hannah Natanson as part of an investigation into alleged leaks by a Defense Department contractor. During the search, agents seized Natanson's personal and professional devices, which drew concern from media outlets and civil liberty groups over potential First Amendment and privacy violations. A magistrate judge has now ordered that the FBI cannot access Natanson's materials at least for now, while some of these issues are litigated. How should federal law enforcement balance the need to conduct leak investigations with press freedoms? And is this case on the right side of the line?In object lessons, sometimes all you can do is cry: Molly is remembering better days for the Washington Post and mourning the fall of a once-great paper. Sometimes all you can do is get lost in the music: Mike is celebrating the still-great Miles Davis with the long-awaited release of The Complete Miles Davis Live at the Plugged Nickel 1965 on vinyl. Sometimes all you can do is laugh: Scott is delighting in his former State Department colleague's new Substack, Ridiculocracy. And sometimes, all you can do is wear something fabulous: Troy is modeling the new wardrobe must-have for the “Government in Exile.”To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

Julia Loktev's acclaimed documentary, ‘My Undesirable Friends,' follows young Russian journalists in the months before and after Putin's invasion of Ukraine — and the impossible choices they face when dissent means prison or exile. Also, jazz historian Kevin Whitehead revisits a two-night set Miles Davis did in Chicago in 1965.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Before Blue Note became a brand and before Impulse! turned jazz into a cosmic mission, there was Prestige Records — raw, loose, experimental, and absolutely electric. Today, I'm joined by Chris Entwisle, authors of Wail: The Art of Prestige Records 1949–1960, a stunning deep dive into the label that captured some of the most vital moments in jazz history — from Miles Davis and John Coltrane to Sonny Rollins, Thelonious Monk, and Eric Dolphy. We talk about Prestige's iconic album art, the culture of speed-session recording, the musicians who defined the label's sound, and why Prestige still feels like the most human, gritty, and dangerous chapter in jazz's golden era. If you love jazz history, vinyl culture, or the story behind legendary records, this one's for you.

L'omaggio a Miles Davis nel centenario della nascita da parte di un grande trombettista come Paolo Fresu nella Domenica del Sole24Ore di oggi Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood's history with “the heavy,” Jack Nicholson, Miles Davis, Tom Waits, Stanley Kubrick, and more collide as Zeth breaks down Christopher Nolan's 2008 film ‘The Dark Knight' starring Heath Ledger as The Joker. Plus, we make a mixtape inspired by Ledger's beloved performance. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Listen without ads at:www.patreon.com/dopeypodcastThis Week on The Wednesday Dose of Dopey!Dave kicks off this Wednesday Dose solo from his dad's house, riffing on nostalgic broke-addict snacks (Little Debbie oatmeal pies as cheap highs) and weird fridge finds, before diving into fan Spotify comments praising last week's emotional Erin Khar episode. He shares wild Miles Davis coke-paranoia excerpts from the autobiography (Ferrari abandonment, trash-room hiding, dealer tricks), and recommending Kind of Blue and In a Silent Way as sick sick records!Then we welcome Sandra Vergara (Selling Sunset star, Sofia Vergara's cousin/sister-figure). Sandra opens up about a traumatic Colombian childhood: brother's murder at age 9, raised by an aunt after her bio-mom's brain damage left her mentally stuck at 12, feeling like a "burden," early glue-sniffing experiment, near-fatal ruptured appendix/septic shock at 16, and constant walking-on-eggshells survival via art, empathy, and never taking abuse personally.In LA from 18, she dabbled in makeup/acting (Fright Night), when she began drinking heavy. Blackouts, self-harm (throwing herself through glass), and suicide ideation. followed. First rehab in Medellín (befriended staff for special treatment → false security). Post-rehab: mushrooms sparked a "psychedelic love" fling, ayahuasca faced childhood trauma head-on, but led to half-assed AA and relapses.COVID alone-time in NYC brought painting growth, but cat Stewie's death (worse than losing family) plunged her into deep  depression. Enter ketamine: started therapeutic (Mindbloom) but escalated to daily K-holes with Oculus VR for near-death/grief escapes, addictive Journey Circle weekends (MDMA/ayahuasca/mushrooms group catharsis without integration), erratic calls to mom, club blackouts, and cousin finding her passed out. Family intervention (Sophia pays, nephew packs her) lands her in trauma-focused Breathe Life rehab.She firmly rejects "California sober" as a trap—psychedelics delayed real surrender for her; true addicts can't substitute one mind-alter for another. Full AA commitment (no more a la carte) + Kabbalah (post-breakup desperation) changed everything: tikkun (soul correction via tough life choices), turning reactive impulses (anger/gossip) into proactive restriction, daily study/meditation for frequency shifts. Ties Kabbalah to quantum physics (observer effect = perception shapes reality, entanglement = we're all connected, certainty in the unknown = surrender).Sandra discusses Selling Sunset challenges (producer manipulation, ego, glamour vs. spiritual presence) and her new neuroscience/IFS/Kabbalah coaching for holistic recovery (mind stories, body regulation, spirit alignment). All that and much more on the brand new episode of that good old dopey show!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This Week on The Wednesday Dose of Dopey!Dave kicks off this Wednesday Dose solo from his dad's house, riffing on nostalgic broke-addict snacks (Little Debbie oatmeal pies as cheap highs) and weird fridge finds, before diving into fan Spotify comments praising last week's emotional Erin Khar episode. He shares wild Miles Davis coke-paranoia excerpts from the autobiography (Ferrari abandonment, trash-room hiding, dealer tricks), and recommending Kind of Blue and In a Silent Way as sick sick records!Then we welcome Sandra Vergara (Selling Sunset star, Sofia Vergara's cousin/sister-figure). Sandra opens up about a traumatic Colombian childhood: brother's murder at age 9, raised by an aunt after her bio-mom's brain damage left her mentally stuck at 12, feeling like a "burden," early glue-sniffing experiment, near-fatal ruptured appendix/septic shock at 16, and constant walking-on-eggshells survival via art, empathy, and never taking abuse personally.In LA from 18, she dabbled in makeup/acting (Fright Night), when she began drinking heavy. Blackouts, self-harm (throwing herself through glass), and suicide ideation. followed. First rehab in Medellín (befriended staff for special treatment → false security). Post-rehab: mushrooms sparked a "psychedelic love" fling, ayahuasca faced childhood trauma head-on, but led to half-assed AA and relapses.COVID alone-time in NYC brought painting growth, but cat Stewie's death (worse than losing family) plunged her into deep  depression. Enter ketamine: started therapeutic (Mindbloom) but escalated to daily K-holes with Oculus VR for near-death/grief escapes, addictive Journey Circle weekends (MDMA/ayahuasca/mushrooms group catharsis without integration), erratic calls to mom, club blackouts, and cousin finding her passed out. Family intervention (Sophia pays, nephew packs her) lands her in trauma-focused Breathe Life rehab.She firmly rejects "California sober" as a trap—psychedelics delayed real surrender for her; true addicts can't substitute one mind-alter for another. Full AA commitment (no more a la carte) + Kabbalah (post-breakup desperation) changed everything: tikkun (soul correction via tough life choices), turning reactive impulses (anger/gossip) into proactive restriction, daily study/meditation for frequency shifts. Ties Kabbalah to quantum physics (observer effect = perception shapes reality, entanglement = we're all connected, certainty in the unknown = surrender).Sandra discusses Selling Sunset challenges (producer manipulation, ego, glamour vs. spiritual presence) and her new neuroscience/IFS/Kabbalah coaching for holistic recovery (mind stories, body regulation, spirit alignment). All that and much more on the brand new episode of that good old dopey show!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello Groovers, This week's Liquid Sunshine looks back at the best jazz releases of 2025, focusing on the spiritual and exploratory sounds that defined the year—music that ebbs and flows like ocean waves, from Makaya McCraven's hypnotic rhythms to The Circling Sun's cosmic expansions. The set moves through contemporary innovators like Levitation Orchestra and Chip Wickham before settling into timeless classics from Miles Davis, Pharaoh Sanders, and Donald Byrd that have soundtracked the year's listening. It's a journey through both new discoveries and old favorites, united by that searching, transcendent quality that makes jazz feel like both meditation and celebration. Clickety Click on the link to listen Oh yeah, good times! Deejay Maarten Vlot KC Tracklist Makaya McCraven - Holy Lands The Circling Sun - Constellation Ami Taf Ra - The Prophet Oiro Pena - Rei Rei Rantaniityllä Tuolla OkoNski - Passing Through OkoNski - Summer Storm Makaya McCraven - The Beat Up Alexander Flood - Life Is A Rhythm Langendorf United - From Longitude to Lassitude Levitation Orchestra - Another Way Omasta - We Gonna Make It Sons of Kemet - Hustle Chip Wickham - Astral Travelling Amanda Whiting - Facing the Sun Ahmad Jamal - Saturday Morning Miles Davis - All Blues / The Theme Pharaoh Sanders - Harvest Time Idris Muhammad - Loran's Dance Donald Byrd - Street Lady Buddy Rich - The Beat Goes On Put on your boogie pants and dancing shoes and come on down for some Liquid Sunshine. It's sexy music, for sexy people. Liquid Sunshine is a weekly radio show on 2XX FM in Australia, and The Face Radio in Brooklyn, USA, playing the best Deep Funk, Rare Groove, Disco & Beats - All The Good Stuff. And we also DJ out in the wild! We regularly do shows in Canberra, Sydney, Melbourne and along the Australian East Coast. 2025 will see us on the stages of the European summer festivals, the booths of the European night clubs and near the pools of Bali's finest venues. We are also a full service law firm to the music industry, providing advice to DJs, Producers, Musicians, Venues and Fetival Organisers. Link up, tune in and shake ya booty with Maarten Vlot - podcast, browse the socials, or get in contact via this link: https://linktr.ee/liquidsunshineradio or Stream live at The Face Radio, The Soul of Brooklyn https://thefaceradio.com every Friday 10pm – Midnite Brooklyn / 3 am – 5am London / 12pm - 2pm Oz

The main event: Miles Davis' "Circle in the round", the LONG version!Playlist: Miles Davis - Circle in the roundJason Moran - Sound it outNikolov-Ivanovic Undectet - Across the thresholdHermeto Pasacoal - Guizos (bells)Phil Miller, In Cahoots - Your roots 2

On this week's episode of History From The Backpages, Collin analyzes the 1944 supernatural horror film The Uninvited, directed by Lewis Allen and starring Ray Milland, Gail Russell, Donald Crisp, and Ruth Hussey. Noting the film's iconic song Stella By Starlight, which was later covered by Frank Sinatra, Charlie Parker, and Miles Davis.

Hot Box 148 is going to be both sad and joyful since we now remember the extraordinary drummer Jack DeJohnette who died at the end of October aged 83. He was a native of Chicago and certainly could lay a claim to being the greatest of all jazz drummers. Immensely influential in the overall direction of drumming in jazz and, by any standards, extraordinarily versatile. You only have to rattle off the names of the musicians he worked with to emphasise that point, take Miles Davis for example, then Bill Evans, John Surman, Keith Jarrett and Pat Matheney, really ticking most of the boxes in the post-bop era. So, let's listen to some of that music while we pay tribute to an extraordinary musician. Track list for The Hot Box #148 – Jack DeJohnette Sleeping Bee – Bill Evans Trio Forest Flower: Sunrise / Sunset – Charles Lloyd Quartet at Monterey Jazz Festival The Wrong Blues – Keith Jarrett Trio Hilltop Dancer – John Surman Entranced Androids – Jack DeJohnette Spanish Key – Miles Davis Tune In: Live Broadcast: Every two weeks on Jazz Radio Eire. Listen Live Listen Back: Catch past episodes on The Hot Box Jazz and Jazz Ireland. Subscribe to The Hot Box: Via Android: Subscribe on Android By Email: Subscribe by Email Spread the Word: Help us grow our jazz community by sharing The Hot Box with your friends and on social media. Your support keeps us going!

Andrés Amorós dedica su programa al centenario del legendario trompetista de jazz Miles Davis.

My guest is the incomparable Hip Hop legend...Producer, Rapper, Entrepreneur AB Money!

No one makes comics like Dave Chisholm, and we don't allow him to make one without first making a stop at the podcast. His latest, Is Ted OK?, reveals an artist pushing himself to his very limit, built on an incredible run of 2025 books, our favorite Limited Series from last year, Spectrum, and the gnarly haunted horror, Plague House. Not to forget his work on High Strangeness, which is still in process. Chisholm learns something about himself and the medium every time he steps up to his drawing board, allowing the next project to always top the last. Is Ted OK? The title answers itself, but certainly not in the way you expect. Chisholm imagines a dystopian world, where Ted drones away as a graphic designer for a megacorporation owned by the world's first trillionaire. He's disconnected from those around him, friendly only with a cat, and plagued by horrendous night terrors. He's also being watched 24/7 by Sarah, another employee tasked with monitoring his suicidal and homicidal tendencies. She's concerned, she wants to help, and her first attempt to do so makes Is Ted Ok?'s first issue climax. This week, we welcome Dave Chisholm back on the podcast. We spent six months with him last year on the show, meticulously dissecting Spectrum with his collaborator Rick Quinn. It's fun to catch up. We discuss how his past work brought him to Is Ted OK? We talk about allowing comics to be comics and making sure that every panel carries story. In fact, we discuss how every element of a comic is a chance to carry story. FOC (Final Order Cutoff) for Is Ted OK? #1 is Monday, February 2nd. The comic will eventually be available at comic shops on February 25th, thanks to Mad Cave Studios. Make sure you get your order in, and follow Dave Chisholm on Instagram and BlueSky. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! Other Relevant Links to This Week's Episode: Subscribe to The Stacks, Comic Creators Name Their Favorite Comics The Stampies: Best Comics of 2025 (Part One) The Stampies: Best Comics of 2025 (Part Two) Read The Stampies on GlobalComix Previously on CBCC: Rick Quinn and Dave Chisholm on Spectrum Previously on CBCC: Dave Chisholm on Miles Davis and the Search for the Sound Comic Book Club: Black Arms to Hold You Up at Meanwhile...Coffee in Herndon, Virginia, on 2/1 at 3:30 PM Comic Book Film Club: The Phantom w/Billy Zane Virtual Intro at the Alamo Drafthouse Winchester on 1/25 Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. The Comic Book Couples Counseling TeePublic Merch Page. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou.

Listen to an interview with Brandon Meeks, an Indianapolis–based jazz bassist, bandleader and hip-hop producer, widely recognized as a key figure in the city's contemporary jazz scene. He is best known for his work with acclaimed saxophonist Rob Dixon and as a member of the hip-hop jazz trio Native Sun, a group celebrated for blending modern jazz improvisation with hip-hop. Alongside his work as a bassist, Meeks is also a prolific producer of instrumental hip-hop, bridging jazz traditions with beat culture.  In 2015, Meeks received national attention for his role portraying legendary jazz bassist Ron Carter in Miles Ahead, the Miles Davis biopic starring Don Cheadle. More recently, Meeks made headlines after receiving a prestigious Creative Capital grant for Unsung Giants, a project he created to honor under-recognized Indiana jazz legends.

Celebrating the 100th Birthdays of: Miles Davis, John Coltrane, Tony Bennett, Julie London, Big Mama Thorton, Buddy Greco, Stan Freberg, Chuck Berry, And Ray Brown. 

Participants: John Steppling, Cory Morningstar, Hiroyuki Hamada, Lex Steppling, John Bower and Dennis Riches. Topics covered: Venezuela, ICE, Minnesota, Greenland. Music track: “Blue in Green” by Miles Davis (public domain).

Om kontrasterna mellan Miles Davis och Hitler, om att sälja ut och skylla det på coolhetens förtryck, samt om varför det i dag är mer accepterat att vara en pluggis.Prenumerera på: https://underproduktion.se/envargsokersinpod

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cartwheeling into 2026 with the usual cast of rock and roll heroes and pantomime villains. Behind you this week you'll find … … Boy George? Rick Wakeman? Chas Smash? Vanilla Ice? Pop stars who've done panto … will there ever be another Rock Knighthood? … Dylan, Elton, Chrissie Hynde and Lil Wayne mention Brigitte Bardot in songs: but who's seen any of her films? … “the Brigitte Bardot idea of beauty was conceived at the same time as the idea of rock and roll” … Chris Rea's obsession with Miles Davis – and the tale of Benny Santini … Billy Joel's ‘We Didn't Start The Fire' and ‘Hello' by the Beloved and their roll calls of saints and sinners … David saw Bob Marley at the Lyceum but now thinks he's seen a show that was even better … the great attraction of cinema is “our furtive dreams in the dark” … what Van Morrison owes Hugh McCracken for the intro to Brown-Eyed Girl … and birthday guest Andrew Slattery's Hepworth v Ellen SmashWaddy reviews quiz!Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

durée : 01:00:20 - Club Jazzafip - Quoi de plus beau que la ville lumière célébrée par Melody Gardot, Duke Ellington, Sathima Bea Benjamin, Eric Barret, Coleman Hawkins, Miles Davis, Etta James, Memphis Slim et d'autres. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This episode of The Other Side of the Bell is brought to you by Bob Reeves Brass. Makers of the finest handcrafted #trumpet, #trombone & #frenchhorn mouthpieces since 1968. Visit https://bobreeves.com to find your next mouthpiece and trumpet accessory!  This episode also appears as a video episode on our YouTube channel, you can find it here: "The Other Side of the Bell Holiday Special 2025!" Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/holiday-special-john-snell-and-friends-the-other-side-of-the-bell-148   John gets some good friends together to toast the end of one year, and the start of the next: it's our 2025 Holiday Special - perhaps the first annual? It was a lot of fun, so we might just start a new trend!   Eric Baker, Mike Zonshine, Kenny Rampton, Liesl Whitaker and the voice of Vinnie Ciesielski are here to share some highlights of the year, musical and otherwise, and things to look forward to in the new year.   Join us for a rousing conversation on such diverse topics as: Eric sharing his trick for playing a great horse neiiighhh on the trumpet, perhaps the bane of trumpet players' existence over the holidays. Mike's recent outdoor concert in Los Angeles, playing arrangements by none other than Keith Snell, John's dad. Kenny's holiday menu, centered around the Big Green Egg, might be a small reflection of a mid-life crisis? Liesl sharing some holiday family traditions in the Whitaker/Rampton household. And a great update from the voice of Vinnie - he talks about his new Christmas album, the inspiring sight of hearing kindergarteners talk about Miles Davis and Dizzy Gillespie, and the story behind the recording itself: forced at the last minute to go from a first-class studio to recording remotely. But they pulled it off in less than 30 days, just in time for Black Friday!   There's a great shout out to Will Leathers, some fantastic trivia, everyone's favorite holiday songs to play, and some poignant and heartful wishes for the new year.   Thank you to all our viewers and listeners for a great year, it's been a pleasure to bring you more episodes of The Other Side of the Bell in 2025, and we'll keep up the production in 2026.   And don't forget to check out our partner podcasts, The Trombone Corner and The Horn Signal, including our Trombone Corner Holiday Episode, with John, co-host Noah Gladstone, and special guests Jay Friedman and Michael Dease The Trombone Corner Holiday Episode   Episode Guest Links: Eric Baker, Trumpets Mic'd Up Mike Zonshine Liesl Whitaker Kenny Rampton Vinnie Ciesieulski   Bob Reeves Brass Upcoming Events and Appearances: Trumpet Festival of the Southeast, Jan. 17, 2026, Kennesaw State University, Georgia Texas Music Educators Association Conference, Feb. 11-14 2026, San Antonio, Texas Dylan Music, Feb. 26-28, Woodbridge, New Jersey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Audio Engineer - Ted Cragg

For the latest full SURFACE NOISE of 2025, we are taking you back....to the FUTURE! Our dais of (sometimes) disciplined vinyl mercenaries walks through some current events in the wonderful world of vinyl before turning their eyes, ears, and wallets to 2026. What will be some titles reissued in the new year? What trends or macro (or micro) patterns will envelope the hobby? Is this the year the pricing bubble bursts? And will there finally get a Miles Davis' "Kind of Blue" zoetrope? So many questions, so little time.   This is the show of records, talking about records. This. Is. Surface Noise.   ⏬⏬⏬⏬   For more on host Concert Buddie: https://www.youtube.com/@ConcertBuddie https://concertbuddie.com IG: @concertbuddie   For more on Arnaldo (fidelios_frequency):  https://www.youtube.com/@fidelios_frequency IG: @fidelios_frequency   For more on Jason Roxas: https://www.youtube.com/@JasonRoxas   For more on Chris (Groove Seeker): https://www.instagram.com/thegrooveseeker IG: @thegrooveseeker   El Presidente, Jose Moreno Rahn (aka John Bong): https://www.youtube.com/@josemorenorahn https://auroracentralrecords.bandcamp.com   For more information on Vinyl Community Podcasts: https://vinylcommunitypodcasts.com . . . . .   Don't forget to visit FOTS (friends of the show) Vinyl Storage Solutions for the BEST sleeves to protect your best records (and your worst). Save 10% using the code(s) below: CONCERTBUDDIE    

Episode 97: Robert Glasper. The career-defining, three hour deep dive with one of the most influential musicians of our time. In this conversation, Robert Glasper walks through his entire journey, from his upbringing and early musical foundations to becoming a Grammy-winning pianist, producer, composer, and cultural architect who reshaped the relationship between jazz, hip hop, and R&B. This is the most expansive interview Robert has ever done. He breaks down how he became the Robert Glasper we know and love, how he developed his voice, how to get gigs (and how to keep them), and how he built a meaningful career in music. He speaks openly about his philosophies on collaboration, artistry, leadership, and longevity, offering invaluable lessons for us all. The conversation includes rare stories about him with J Dilla, behind the scenes stories about working with Kendrick Lamar and Terrace Martin on To Pimp a Butterfly, including the creation of These Walls and the collaborative environment that defined that era. He reflects on his vision for Black Radio and how working with Erykah Badu led to their version of Afro Blue, one of the most iconic recordings of his career. Robert also discusses scoring the Miles Davis biopic Miles Ahead and getting to go through the Miles vault! He shares stories and lessons involving Quincy Jones, Herbie Hancock, Kenny Garrett, Terrace Martin, Bilal, Chris Daddy Dave, Lalah Hathaway, Thundercat, and many others. We talk about life lessons, fatherhood and integrity, He shares messages directly to singers and musicians about preparation, confidence, and showing up fully in every room. We also touch on the future of music and AI. This conversation is a complete document of a modern master artist reflecting on his life, career, and legacy in real time. And we have 100 laughing attacks while doing it. Here's my conversation with the great, Robert Glasper! Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Big thanks to our friends Moises.ai for supporting the show! If you need stems, they're the best in the game. Check them out! Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo https://www.instagram.com/gowithelmo/ Learn more about your ad choices. Visit megaphone.fm/adchoices

What drives a 20-time Grammy winner to continually innovate and evolve in the world of jazz music? Join host Buzz Knight on this captivating replay interview episode of takin' a walk as he dives deep into the mind of legendary jazz guitarist Pat Metheny. Known for his groundbreaking contributions to jazz guitar, Metheny shares his journey through the intricate landscape of music, revealing the dedication and passion that fuel his creative process. As Buzz Knight engages with Pat Metheny in this musician interview, listeners will uncover the secrets behind his daily life as a musician, including the continuous learning that defines his artistry. Metheny opens up about his early influences, paying homage to the iconic Miles Davis and Wes Montgomery, whose sounds shaped his musical identity. The conversation seamlessly flows into the importance of maintaining balance in life, as Metheny emphasizes his love for family and personal interests alongside his illustrious career. Throughout this episode of takin' a walk, Metheny reflects on his teaching experiences, shedding light on the significance of collaboration in the music industry. He discusses his creative process, detailing the development of unique guitars that have become synonymous with his sound. Listeners will also get an exclusive look into his latest album, "Moondial," and the stories behind the songs that make it a standout in his discography. Moreover, Pat Metheny shares heartfelt memories of collaborating with other legendary musicians, including the unforgettable David Bowie. His desire to work with both established icons and emerging indie artists showcases his commitment to fostering creativity within the music community. This episode encapsulates the essence of what it means to be a musician, making it a must-listen for jazz enthusiasts, aspiring musicians, and anyone passionate about the music journey. Join Buzz Knight on this inspiring episode of takin' a walk as he explores the stories behind albums and the creative journeys of one of jazz music's most influential figures. Whether you're a fan of classic rock history, indie music, or simply love diving into the rich tapestry of music history, this musician interview promises to deliver valuable insights and inspiration. Tune in now and walk alongside Buzz Knight and Pat Metheny as they unravel the magic of music! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

When the artist Jennie C. Jones listens closely to a piece of music, she's particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a selection of new and existing paintings, sculptures, works on paper, and sound pieces, and “Other Octaves,” a group show she curated of works by artists who have been formative to her practice. She was also commissioned to create the 2025 rooftop installation at New York's Metropolitan Museum of Art.On this episode of Time Sensitive, she discusses what listening as a conceptual practice looks like in action, the art of putting together a playlist, and her deep love of things tactile and analog.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes: [04:35] “Jennie C. Jones: A Line When Broken Begins Again” (2025)[04:35] “Other Octaves” (2025)[04:57] Carmen Herrera[04:57] Agnes Martin[04:57] Martin Puryear[04:57] Alma Thomas[04:57] Mildred Thompson[05:21] A Free and Shifting Tonal Center (2024)[7:26] Ellsworth Kelly[11:44] Fred Moten[11:44] “Dynamics” (2022)[13:02] Trisha Brown's “Leaning Duets” (1970)[14:40] Tadao Ando[14:55] “These (Mournful) Shores” (2020)[17:21] Moses Williams[17:21] Louis Dotson[18:20] Richard Tuttle[30:25] Olly Wilson[31:28] Maryanne Amacher[31:28] Arthur Russell[37:10] Jennie C. Jones: Compilation (2015)[38:30] “The Theater of Refusal: Black Art and Mainstream Criticism” (1993)[42:25] “Slow Birds” (2004) [42:25] "Slowly in a Silent Way, Caged” (2010)[42:25] Charlie Parker[1:09:47] “Jennie C. Jones: RPM (revolutions per minute)” (2018)[1:12:06] “Ensemble” (2025)

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Next Plane to London by The Rose Garden (1967)Song 1: Almost Like We're Already in Love by Masked Intruder (2014)Song 2: To Morrow by The Kingston Trio (1960)Song 3: Nothing's Gonna Stop Us Now by Starship (1987)Song 4: Song of Our Country by Miles Davis (1960/1981)Song 5: Hayloft by Mother Mother (2008)Song 6: Ain't No Stoppin' Us Now by McFadden & Whitehead (1979)Song 7: Raindrops Keep Fallin' on My Head by B.J. Thomas (1969)Song 8: Da Da Da (I Don't Love You You Don't Love Me Aha Aha Aha) by Trio (1981)Song 9: No Stopping Us by Jason Mraz (2002)Song 10: Two riders down by caroline (2025)

For Ad Free shows go to:www.patreon.com/dopeypodcastDave kicks off the first-ever Wednesday Dose of Dopey talking about post-Thanksgiving food insanity, a brownie-topped cheesecake Linda brought home, and his evolving stance on cheesecake as a “real” dessert. He updates the Dopey Nation on the Dopey Fitness Challenge, his failed attempt at jogging with his dog Winnie that ends with him eating pavement, ripping his pants, smacking the dog in frustration, and then feeling guilty about it all week. Dave reads an email from Haley in Mississippi, who loved the Glenis and Billy Strings episodes and promises heavy dopey stories from homelessness, prison, and IV meth. He begs for more voicemails and then plays a chunk of Miles Davis's autobiography, where Miles describes sliding from snorting heroin into shooting it, realizing he has a habit, and sinking into a four-year “horror show” of heroin and cocaine in New York.Then Dave introduces Naughty God (Dakota), a heavily tattooed Instagram/TikTok/YouTube creator who built a big following rating nod videos “sportscaster-style.” Dakota tells his story: growing up between a sweet, young mom and a meth-addicted dad, starting drugs at 13 by snorting random pain pills he found in a friend's brother's room, and becoming the classic weed-identity kid with a pot-leaf MySpace. He forms the band LAW with his friend Jacob Nowell (Bradley Nowell's son, who now sings for Sublime), and they grow up playing shows in San Diego and Long Beach while having access to grown-up levels of partying. Dakota falls in love with cocaine in his mid-teens, then with speed, and his using gets him kicked out of LAW when Jacob gets sober and can't handle him showing up high to everything.After moving to Orange County, Dakota dives into selling and using coke in San Clemente, then adds Oxy 30s (“blues”), fentanyl pills, and heroin to his daily rotation. He and his tight crew—especially his best friend Robert—live in a constant loop of dealing, partying, and using. Over two months, Robert, Dakota's cousin, and three other friends all die from fentanyl. The losses break him: he has a mental breakdown, calls his grandma, and checks himself into a San Diego hospital detox, where he's put on 100mg of methadone and spends years on the clinic grind.Dakota talks about being on methadone for four–five years, barely using anything else, then deciding—with help from a therapist—that he'll never fully turn a corner if he stays on it forever. He tapers himself from 100mg down to 4mg over about a year, jumps off, and goes through a long, foggy, uncomfortable withdrawal. He's now about a year and a half off methadone, occasionally smokes weed, sees a therapist, plays bass in his band Somehow Unseen, and works on content. He and Dave riff on nodding (“my whole life”), nod techniques, fentanyl's short “legs,” and the economics of why heroin likely won't “come back” in a big way.Dakota explains how he built NaughtyGod into a fast-growing account by structuring it like a recurring “show” and inventing/collecting phrases like “Charm City Rainbow,” “Nodwalk Shuffle,” “Baltimore Street Yoga,” “Sheriff of Nottingham” to describe different nod poses. They talk about Instagram flagging and banning drug content, other junkie meme/recovery pages, and how both of them accidentally stumbled into helping people through content that started out as pure jokes and self-centered ambition. They agree to collab on a nod reel, and Dakota shouts out his band and pages.All that and more on a brand new WEDNESDAY Episode of the good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----