Podcast appearances and mentions of Miles Davis

We kick off Monday with Braves playoff talk, President Trump on Iran, nuclear weapons, the economy and energy, plus a heated debate over excessive football penalties, questionable officiating and college football thuggery. Plus Chris Kristofferson, Rod Stewart’s retirement, Miles Davis, Tiny Tim, a Georgia park shooting, and the dark side of social media after a baseball broadcast clip sends one family into an online firestorm. Follow XTRA 106.3:Website | YouTube | Facebook | X/Twitter | Instagram Download the XTRA 106.3 App:iOS | Android See omnystudio.com/listener for privacy information.

This is the Music History Today podcast for September 28. On today's show, Miles Davis passes away & Stevie Wonder releases a legendary album.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history27:45 Music award ceremonies that were held on this date in music history28:13 Albums released on this date in music history 36:06 Singles released on this date in music history 40:45 Birthdays of music artists on this date in music history 47:48 Artists who died on this date in music history 52:46 What's on tomorrow's episode

Après s'être mis à dos la moitié de l'Olympia de Paris en mars 1960, John Coltrane assume : si le public l'a sifflé, c'est qu'il n'est pas allé assez loin ! Trane, un ténor en colère ? Pas tout à fait, c'est juste qu'il entend plein de choses dans sa tête. Mais quoi exactement ? Et bien la réponse est dans le morceau phare de son nouvel album Giant Steps. Un thème machiavélique. Ce n'est pas qu'une mélodie, c'est une figure qui se répète à une cadence infernale, et un solo vertigineux qui a traumatisé des générations de musiciens et musiciennes. Et dire que deux semaines plus tôt, John Coltrane enregistrait Kind Of Blue avec Miles Davis ! Mais alors qui pourra arrêter John Coltrane ? Pour le savoir, écoutez ce quatrième épisode d'A la Poursuite de John Coltrane, dans Pour Qui Sonne le Jazz avec David Koperhant !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Lumanyano Mzi is a South African drummer whose music is shaped by reggae, jazz, African music, and gospel. He attended Berklee Music School in Boston. He's performed at Lincoln Center and the JFK Library among many other venues.My featured song is my version of Miles Davis's “Nardis”, from the album Miles Behind by The Robert Miller Group. Spotify link.—------------------------------------Top 1% of all podcasts with Listeners in 200 countries!Click here for Start HereClick here for All Episodes Click here for Guest List Click here for Guest TestimonialsClick here for PillarsClick here for Robert's Project Grand SlamClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LUMANYANO:info@lumanyanomzi.com-----------------------------ROBERT''S LATEST RELEASE:"MA PETITE FLEUR STRING QUARTET"“Nine minutes of genuinely enjoyable chamber music-making: thoughtful, expressive, beautifully played and full of personality!” (Broadway World)"Robert Miller's "Ma Petite Fleur String Quartet” is a true musical treasure in the string quartet repertoire. Beautifully performed!”. (GRAMMY® nominee cellist Tess Remy-Schumacher)“I love it! Such an amazing work!” (Award Winning Pianist, GRAMMY® U Mentor, Vivian Fang Liu)CLICK HERE FOR ALL LINKS------------------------------ROBERT'S RECENT RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Cello). "Short, Sweet and Totally Different"Submitted for GRAMMY® considerationCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com

“Cet enfoiré était juste le ténor qu'il me fallait pour trouver mon propre style”. Les mots sont ceux de Miles Davis, qui ne tarit pas d'éloges sur son nouveau saxophoniste, John Coltrane. Pourtant, Trane a dû lutter face aux vents contraires. Sifflé par le public, addict à l'héroïne, il s'est fait virer du groupe de Miles et a dû regagner Philadelphie la tête basse. Mais c'est précisément à ce moment-là que Trane va décider à remonter la pente, et poser les bases de toute son oeuvre future. Histoire d'un ténor revenu de l'enfer dans ce troisième épisode de Pour Qui Sonne le Jazz à la poursuite de John Coltrane ! Une enquête de David Koperhant. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

One of the more obscure mayoral candidates concocts a clever idea to win—bump Alexi G off the ballot for running for two offices at once. Ben riffs. The great guitar player Mike Allemana returns to talk jazz! He takes the Allemana Challenge. In this case, involving Charles Earland, Miles Davis and Aretha Franklin. Will Ben stump him again? Mike will be playing with Chico Freeman at the Jazz Showcase, Oct 1-4.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we're taking it back to the early 70s as we begin a mini-series on spiritual jazz. Psychedelic, cosmic, astral: all words associated with a set of releases somewhat maligned at the time but now firm favourites on our turntables and across the globe. Tim and Jeremy cue up Pharoah Sanders, Albert Ayler, Lonnie Liston Smith and of course the great Alice Coltrane for a journey down the streams of consciousness. They examine the genealogy of the term spiritual jazz and the pre-history of some of its early progenitors, dig into the the various belief systems of universal love and peace, examine the Indian influences on both the music and the metaphysics, and give some time to the looming figure of Miles Davis in all this. Plus: an unexpected visit from Louis Armstrong.Patreon.com/LoveMessagePodLoveisthemessagepod.co.ukProduced by Matt HuxleyTracklist:Pharaoh Sanders - The Creator Has a Master Plan Louis Armstrong - The Creator Has a Master Plan Louis Armstrong - Give Peace a Chance Albert Ayler - Music is the Healing Force of the Universe Ahmad Jamal - The Awakening Gary Bartz NTU Troupe - Celestial Blues Alice Coltrane - Galaxy in Turiya Lonnie Liston Smith & the Cosmic Echos - Astral Traveling 

Dane Donohue returns! The first member of the Four-Time Guest Club, Dane is back to talk another album with us—this time, his third full-length LP, “California Gold,” dropping any day now!Dane still manages to regale us with even more untold stories from yesteryear, including his earliest recording sessions, his brush with Miles Davis, the one that got away in Woodstock, and many more! Listen as he and John break down from the inside the making of, and pending release for, “California Gold!” There's gold in them here hills!Listen and Subscribe:⁠Find the podcast platform of your choice here⁠.Referenced and Related:⁠⁠Playlist of songs featured on Out of the Main⁠⁠⁠John's Spotify Yacht Rock Playlist⁠⁠⁠⁠Tom's Spotify Yacht Rock Playlist⁠⁠⁠⁠Intro/outro: Stock Music “We're Here” composed by John H. Nixon (BMI)Find and Follow:Find us at Sea on Substack: outofthemain.substack.comThe Mainland: ⁠OutoftheMain.com⁠Facebook: ⁠https://www.facebook.com/yachtrockpodcast⁠Twitter: ⁠https://twitter.com/outofthemain⁠YouTube: ⁠https://www.youtube.com/@outofthemain⁠Support the Podcast: patreon.com/OutoftheMain“Born at Sea. Raised on Radio.”

“Ne lâchez rien les gars. Un jour peut-être, j'entendrai parler de vous”. Voilà ce que lance Charlie Parker aux jeunes John Coltrane et Benny Golson qui sont venu l'applaudir à Philadelphie. En 1945, John Coltrane commence tout juste à faire parler de lui. Il découvre New-York, rencontre Dizzy Gillespie, touche pour la première fois à la drogue, et se rend compte que pour lui le chemin sera tout sauf un long fleuve tranquille. Entre addiction, frustration et début d'une quête personnelle, Trane va flancher plus d'une fois, jusqu'à ce qu'un jour son téléphone sonne. Miles Davis le veut dans son quintette ! Deuxième épisode de cette enquête au long cours signée David Koperhant. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Okay. A LAMDA trained British actor who is also a fully practicing member of The Magic Circle walked into this week's episode and completely changed how I think about self tapes. Brendan Patricks — Downton Abbey, Rivals, Gentleman Jack — figured out that the same techniques magicians use to control where an audience looks apply directly to your tape. This week we break down the Miles Davis philosophy of treating every single take like a live performance — not a rehearsal for one — and the magic misdirection principles that put you in full control of where the casting director's eye goes from the first frame to the last. Subscribe now for insightful discussions, empowering interviews, and practical advice to enhance your career longevity and satisfaction. Connect with That One Audition: THE BRIDGE FOR ACTORS: Become a WORKING ACTOR - 50% OFF THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher Subscribe today and be part of a community that celebrates resilience and passion in the world of acting! #ActorsResilience #RecoveryMindset #ThatOneAudition #PodcastJourney CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Alyshia Ochse WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu

Tributes to Miles Davis, essential reissues, and compelling new releases come together in a set full of sonic adventures, surprises, and soul-searching. The playlist features Nicholas Payton, Butcher Brown; Nduduzo Makhathini, Keenan Ahrends; Ayumi Tanaka [pictured]; Billy Childs; Mick Goodrick. Detailed playlist at https://spinitron.com/RFB/pl/22925000/Mondo-Jazz [from "So What" to "Summer Band Camp"]. Happy listening! Photo: Erika Habbert

Vrijdag 25 september presenteert het Artvark Saxophone Quartet hun nieuwste album ‘Four Fathers’ in Jazzpodium de Tor in Enschede. Mooie aanleiding om in deze TORcast de geschiedenis van de jazz in te duiken aan de hand van een aantal belangrijke en invloedrijke saxofonisten. Als je de ontwikkeling van de jazz wilt begrijpen, kun je die bijna volgen aan de hand van een aantal invloedrijke saxofonisten. Iedere generatie bracht nieuwe ideeën in: van swing naar bebop, van hardbop naar modal jazz, free jazz en fusion. Coleman Hawkins (1904-1969): Body and Soul Wordt vaak beschouwd als de eerste grote tenor-saxofonist van de jazz. Maakte van de saxofoon een volwaardig solo-instrument. Zijn harmonische benadering vormde een belangrijke brug naar bebop. Lester Young (1909-1959): Lester Leaps In Tegenpool van Hawkins. Introduceerde een lichtere, melodische en meer ontspannen stijl. Grote invloed op cool jazz en latere saxofonisten zoals Stan Getz. Charlie Parker (1920-1955): Ornithology De grondlegger van de bebop. Veranderde voorgoed hoe jazzmusici improviseren. Introduceerde complexe harmonieën, snelle lijnen en nieuwe ritmische ideeën. Razendsnelle improvisaties. Harmonieën die destijds revolutionair waren. Sonny Rollins (1930-2026): St; Thomas Een van de belangrijkste hardbop-tenoristen. Bekend om zijn “thematische improvisatie”: een idee ontwikkelen gedurende een solo. Vormde een brug tussen bebop en moderne jazz. John Coltrane (1926-1967): Giant Steps Misschien wel de meest invloedrijke jazzsaxofonist ooit. Ontwikkelde modal jazz verder. Breidde de technische en spirituele mogelijkheden van jazz enorm uit. Invloedrijk in hardbop, modal jazz én free jazz. Intensiteit en spirituele diepgang. Cannonball Adderley (1928-1975): Mercy, Mercy, Mercy Bracht blues, gospel en soul terug in de moderne jazz. Belangrijke vertegenwoordiger van hardbop. Bekend van Miles Davis’ historische album Kind of Blue. Soulvolle klank, directe emotionele expressie. Ornette Coleman (1930-2015): Lonely Woman De grote pionier van free jazz. Liet traditionele akkoordstructuren grotendeels los. Opende de weg naar de avant-garde jazz. Vrijheid van melodie. Minder nadruk op traditionele harmonie. Stan Getz (1927-1991): Desafinado Het gezicht van de bossa nova. Introduceerde miljoenen luisteraars aan de combinatie van jazz en Braziliaanse muziek. Warme, zachte toon. Subtiele swing. Wayne Shorter (1933-2023): Footprints Belangrijk componist van Miles Davis’ tweede grote kwintet. Mede-oprichter van Weather Report. Verbindt hardbop, modal jazz en fusion. Sterke composities. Avontuurlijke harmonieën. Michael Brecker (1949-2007): Midnight Mood Dominante saxofonist van de fusion- en postbopperiode. Combineerde jazz, rock en moderne techniek. Grote invloed op vrijwel alle moderne tenorsaxofonisten. Fenomenale techniek. Modern harmonisch vocabulaire.

Miles Davis zou dit jaar honderd geworden zijn. Voor Lies Steppe van Klara de gelegenheid om een reeks van negen afleveringen over zijn leven en werk te maken: 'Miles. Badass & Jazzicoon'. Met natuurlijk véél muziek, en elke aflevering een Milesfan, want hij blijft natuurlijk een inspiratiebron in veel domeinen.

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Cette semaine on s'interesse à plusieurs artistes : Quincy Jones, Miles Davis, VHS Ghost, Les Masqués, Bobby Darin, Liam Kazar, Norio Maeda et Lewis. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Music fan Brian Koppen chats with music critic Will Layman as they discuss Rock & Roll Hall of Fame artists:Elvis Costello & the Attractions' “Man Out of Time” vs. Frank Zappa's “Montana”Ray Charles' “I Believe to My Soul” vs. The Kinks' “You Really Got Me”Creedence Clearwater Revival's “Lookin' Out My Back Door” vs.  Stevie Wonder's “You Haven't Done Nothin'”Heart's “Barracuda” vs.  Joni Mitchell's “Coyote”Four Tops' “Bernadette” vs. Miles Davis' “My Funny Valentine” (from 1965 live album of same name)Check out Will Layman at https://www.willlayman.com/, https://willlayman.substack.com/, and https://www.instagram.com/willlayman/!Intro music is from Jussy's Down Open Roads. Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

Con Carlos López I Después de rendir homenaje a Charlie Parker, Ella Fitzgerald o Miles Davis, le llega el turno a otro de los grandes del Jazz: John Coltrane. A través de algunas de sus grabaciones más significativas, recorremos las diferentes etapas de una trayectoria marcada por la búsqueda constante de un sonido propio. Partiendo de una sorprendente grabación de sus primeros años al saxo alto, llegaremos a su última etapa de consolidación y libertad creativa. No os perdáis este programa dedicado en exclusiva a un músico en permanente evolución, siempre dispuesto a explorar nuevos caminos y a llevar su música lo más lejos posible. Cien años después de su nacimiento, el sonido de John Coltrane sigue estando más vivo que nunca.

Rod and Karen banter about sports, signing up for subscriptions, ranking insurance mascots for a fighting game. Then they discuss Kennedy Center board votes to close, Trump slams the Supreme Court for rejecting his push to restrict mail ballots, Homeland Security officers are illegally accessing state voter data, new whistleblower alleges, 'Mystery meat': Trump’s plan to put old frozen foreign beef in your burger, 'Mystery meat': Trump’s plan to put old frozen foreign beef in your burger, Black Capitalism™ (Don Lemon, KAT, Miles Davis, Ryan Clark), White People News and sword ratchetness. CashApp: $BlackCapitalists Patreon: https://www.patreon.com/theblackguywhotips Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rodimusprime⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SayDatAgain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TBGWT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheBlackGuyWhoTips⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theblackguywhotips@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theblackguywhotips.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Teepublic Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- https://the-black-guy-who-tips-podcast.dashery.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wishlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – https://www.amazon.com/hz/wishlist/ls/1PDD9JUQUNVY5?ref_=wl_share ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crowdcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – https://www.crowdcast.io/theblackguywhotips Voicemail: ‪(980) 500-9034Go Premium: https://www.theblackguywhotips.com/premium/See omnystudio.com/listener for privacy information.

El 15 de septiembre de 1980 nos dejó uno de los pianista más influyentes de la historia del jazz: Bill Evans. Pat Metheny y Lyle Mays, que recibieron la noticia mientras estaban grabando en Oslo su disco 'As falls Wichita so falls Wichita Falls', le dedicaron 'September fifteenth' la pieza con la que se abre el programa. Y escuchamos a Evans con su legendario trío, Scott La Faro y Paul Motian, en las célebres sesiones del Village Vanguard de Nueva York del 25 de junio de 1961 ('Waltz for Debby', 'Milestones'); con Eddie Gómez y Marty Morell en 1974, también en el Village Vanguard, del disco 'Re: Person I knew' ('Emily'); con Gómez y Elliot Zigmund en estudio en 1977 para el disco 'You must believe in spring' ('Theme from M.A.S.H.', 'The peacocks', 'Sometime ago') y con LaFaro y Motian tocando 'Nardis' de Miles Davis. Escuchar audio

Chaka Khan's unmistakeable voice and musical versatility have made her one of the most influential musicians of the past six decades, with an estimated 70 million records sold. Whether fronting the band Rufus or performing as a solo artist, she's moved effortlessly between funk, soul, jazz, and pop, creating era-defining hits including I'm Every Woman, Ain't Nobody and I Feel For You. She grew up in Chicago, in an artistic family where she was surrounded by music. As a teenager, she became involved with the Affro-Arts Theater, where she was given the Yoruba name Chaka, and a political awakening led her to join the Black Panther Party. By her late teens, she had joined Rufus, whose breakthrough hit Tell Me Something Good launched the band to international success and marked the beginning of her recording career. She has since won 11 Grammy Awards, including a Lifetime Achievement Award in 2026, been inducted into the Rock & Roll Hall of Fame, and collaborated with some of music's modern greats, including Stevie Wonder, Miles Davis, Joni Mitchell and Prince. Chaka lives on a farm in Georgia, surrounded by family.DISC ONE: What Is and What Should Never Be - Led Zeppelin DISC TWO: Good Times - Aretha Franklin DISC THREE: Tomaas - Miles Davis DISC FOUR: California - Joni Mitchell DISC FIVE: Tell Me Something Good - Rufus, Chaka Khan DISC SIX: A Woman in a Man's World - Chaka Khan DISC SEVEN: Cool Water - Joni Mitchell (duet with Willie Nelson) DISC EIGHT: Precious Is Your Name - Richard Smallwood featuring Chaka Khan BOOK CHOICE: The Prophet by Kahlil Gibran LUXURY ITEM: A gigantic sandalwood and oud candle CASTAWAY'S FAVOURITE: Precious Is Your Name - Richard Smallwood featuring Chaka Khan Presenter: Lauren Laverne Producer: Hannah Hufford & Tim BanoDesert Island Discs has cast away other music legends to the island over the years including Nile Rogers and Cher. Chaka Khan's records have been chosen by previous castaways including Simon Pegg and David Harewood. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

Pure frequency, tasty players, and abandoning thyself. Tristan Lacombe (Population II) "Population II is a band dedicated to its disengagement, constantly working on refining their imposing, yet unpretentious sound. A trio consisting of singer/drummer Pierre-Luc Gratton, guitarist/keyboardist Tristan Lacombeand bassist Sébastien Provençal, Population II are masters at both improvised madness and sophisticated composition, delivering heavy psychedelic rock infused with feverish funk rhythms, a hint of jazz philosophy, a burst of energy reminiscent of punk's early days, and a love of minor scales that harkens back to the roots of heavy metal. Their sources of inspiration are diverse and not limited to music: the Detroit garage rock and psychedelic funk scenes of the late 60s, the Canterbury scene of the same period, the German experimental rock of the 70s, and Miles Davis' eclectic era collide, bound together by the swampy decor of their hometown of Pointe-Calumet and, above all, by the deep friendship and undeniable chemistry emerging from its three members. The roots of Population II go back a long way and are inextricably linked to its members' teenage memories. After years of jamming to the point of developing a sense of telepathy, the trio began recording a handful of independent releases that soon caught the attention of the independent label Castle Face Records. Thus was born À la Ô Terre, released in 2020. They returned in 2023 with their sophomore album Électrons libres du québec, this time released on Bonsound. A little more straightforward than its predecessor, the record reflects a natural progression of the sound the trio established on their previous releases, showing a sharp sense of songcraft and the undeniable expertise of their instruments. On a creative spree, Population II struck again the following year with their EP Serpent Échelle in the spring, and a split EP with local punk act Mulch in the fall. With this prolific sequence of releases, the band laid the groundwork for Maintenant Jamais, a third full-length album on which they stir up their various formative influences with sophistication, resulting in fourteen catchy, transgressive tracks. Released in March 2025, the album was shortlisted for the Polaris Music Prize the same year. Although Population II has kept busy touring internationally, sometimes supporting bands such as OSEES, SLIFT, and Frankie and the Witch Fingers, and playing at festivals like Levitation and Hipnosis, their creativity remains just as strong. After teaming up with You Doo Right and Nolan Potter to release the collective, improvised effort You II avec Nolan Potter in the fall of 2025, they return this spring with Gimmicks, a new EP that predominantly features keyboards and synthesizers." Excerpt from https://www.bonsound.com Population II: Bandcamp: https://population2.bandcamp.com Instagram: @populationii Website: https://bonsound.co Merch: https://population2.bandcamp.com/merch The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/@thevineyardpodcast

From his home in Østerbro, Copenhagen-born French-Vietnamese-Danish jazz bassist, composer, and band leader CHRIS MINH DOKY shares his journey that included a multicultural musical upbringing, becoming the house bass player at Copenhagen's La Fontaine at 17, and moving to New York at 18 to be closer to the music he loved, which resulted in a 30-year stay. Chris talks about discovering Miles Davis and the improvisational language of jazz that lends itself to superimposing on other genres. ----------For today's episode, Chris Minh Doky chose Antonio Corradini's Femme voilée (la Foi?), or Veiled Woman (Faith?), from 1800, from the collection of the Louvre Museum in Paris.https://collections.louvre.fr/en/ark:/53355/cl010094893  ----------Photographer: Camilla Winther----------This conversation with Finn-Olaf Jones occurred on July 15, 2026.----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/                                email: info@danishoriginals.com

The boys get into the spirit on non-metal september with perhaps the greatest Jazz album ever recorded, 1959's Kind of Blue by Miles Davis!

On tonight's show: Miles Davis with Bud Powell, Fats Navarro, and Thelonious Monk; then Gerry Mulligan, Coleman Hawkins, and John Coltrane with Johnny Hartman. Bossa nova from Stan Getz, Astrud Gilberto with João Gilberto & Stan Getz, Nara Leao, Frank Sinatra with Antonio Carlos Jobim, Brazilian musician Jorge Ben, Charlie Byrd, and the George Shearing Quintet.

Tributes to Miles Davis, essential reissues, and compelling new releases come together in a set full of sonic adventures, surprises, and soul-searching. The playlist features Nicholas Payton, Butcher Brown; Nduduzo Makhathini, Keenan Ahrends; Ayumi Tanaka [pictured]; Billy Childs; Mick Goodrick. Detailed playlist at https://spinitron.com/RFB/pl/22925000/Mondo-Jazz [from "So What" to "Summer Band Camp"]. Happy listening! Photo: Erika Habbert

Jazz pianists Adam Maness and Peter Martin play each other their favorite Ahmad Jamal tunes to build the ULTIMATE Ahmad Jamal playlist. Learn to play tracks from You'll Hear It. Join the You'll Hear It Players Club: https://yhi.link/players-club-------------------------------Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://yhi.link/linernotes-5-------------------------------Watch Ahmad Jamal at Studio 61: https://www.youtube.com/watch?v=7KFMLNop0_g&t=607s-------------------------------

For John Coltrane's hundredth birthday, this episode of The Buzz has host Lawrence Peryer delivering a solo monologue tracing how critics heard Coltrane while he was alive, and how that judgment has shifted, or hasn't, in the sixty-five years since.The piece opens with discussion of John Tynan's 1961 Down Beat review calling Coltrane and Eric Dolphy's playing "anti-jazz," then turns to LeRoi Jones (later Amiri Baraka), who used the same root word, "anarchy," that Tynan had used derisively, but as praise, in his essay "Jazz and the White Critic." From there it follows Ira Gitler's "sheets of sound," coined to give critics language for what Coltrane was doing instead of dismissing it as noise, and Miles Davis's On the Corner, hated at release and reclaimed twenty years later.The heart of the episode is Coltrane's relationship with Albert Ayler: the phone calls, the shared bills at the Village Vanguard, Coltrane pushing producer Bob Thiele to sign Ayler to Impulse, and Ayler's quartet opening Coltrane's 1967 funeral with a set built from their own compositions. Coltrane is close to a saint today. Ayler is still a name that has to be explained.The episode closes on a live critical fight: Phil Freeman's recent Brooklyn Rail case that Coltrane's real peak ended in 1965, against guitarist Nels Cline, drummer Jack DeJohnette, and saxophonist Peter Brötzmann's defense of the late recordings Freeman dismisses. The same argument that split critics in 1961 is still unresolved in 2026.Musical excerpts heard in this episode: John Coltrane, "Chasin' the Trane" (Live at the Village Vanguard, 1961); Miles Davis, "Black Satin" (On the Corner, 1972); Albert Ayler Quartet, "Truth Is Marching In," from the album, In Greenwich Village.Buzzworthy NotesGuest & Host Lawrence Peryer — host and managing editor of The BuzzDiscussed John Coltrane · Eric Dolphy · John Tynan (Down Beat critic who wrote the 1961 "anti-jazz" review) · LeRoi Jones / Amiri Baraka ("Jazz and the White Critic," collected in Black Music) · Ira Gitler (coined "sheets of sound") · Miles Davis, On the Corner (1972) · Albert Ayler · Ornette Coleman · Phil Freeman (critic, Brooklyn Rail / Burning Ambulance) · Nels Cline · Jack DeJohnette · Peter Brötzmann · Meditations (1966) · Interstellar Space (recorded 1967) · Saint John Coltrane African Orthodox Church, San FranciscoSupport for The JJA comes in part from the Jazz Foundation of America, providing emergency assistance, healthcare, and performance opportunities to performers, composers and others in need. Visit jazzfoundation.org.This podcast is made possible with the support of Jazz Road, a national initiative of South Arts, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation.Don't miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.

Del abuso de drogas y tocar con Miles Davis al redescubrimiento espiritual y una iglesia dedicada a adorarle. Nacho nos trae la historia de como un disco hizo Santo a John Coltrane. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In 1984, Paul Simon was at a professional and personal crossroads. His new marriage was failing and his career was in danger of stalling. He was forty-two, navigating a digital age, searching for inspiration in a scene driven by music videos, synthesizers, and drum machines.Driving around that summer, a bootleg cassette of “township jive”—the street music of South Africa—kept him company. Lent to him by a friend, it reminded Simon of the sound and the joy of the early days of rock and roll. He began to invent his own lyrics to the groove, and became drawn to the idea of recording with the musicians on that tape. But South Africa was in the thrall of a racist apartheid system, and with economic and cultural boycotts in place, such an undertaking was risky. He grew determined to find the right conditions to allow for a collaboration.Simon took a fateful trip to Johannesburg in 1985. It would turn out to be the first step on a musical journey that would lead him to New York, Los Angeles, Louisiana, and London, and eventually to the release of Graceland, a critical and commercial triumph, winning multiple Grammys, selling 16 million records, and spawning a five-year, worldwide tour.Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland (Atria Books, 2026) is the first book to tell the full story of Graceland, offering windows into Simon's creative process, the technical innovations that brought his songs to life, the people and places that made the album possible, the forces that helped the album achieve mainstream reach, and the controversies that the music raised—and which remain today. It sheds light on a period when America opened its doors to the sounds and styles of Africa and other faraway lands.This is an informed, heartfelt celebration of Simon's magnum opus, a recording forged in a tense cultural moment, but suffused with hope, change, and a sense of global connection. Ashley Kahn is a Grammy Award–winning music historian, author, and producer. He cowrote Carlos Santana's autobiography The Universal Tone, and has written books on such legendary recordings as Kind of Blue by Miles Davis and A Love Supreme by John Coltrane. He was a member of the Graceland tour production team, and tour manager for Ladysmith Black Mambazo. He teaches at New York University's Clive Davis Institute for Recorded Music. Ashley Kahn's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Alan Broadbent is an acclaimed 2x Grammy® winning jazz pianist and arranger originally from Auckland, New Zealand. He's worked with the Woody Herman band and Charlie Haden's Quartet West, touring and recording with them for 25 years. He won Grammys® as an arranger for Natalie Cole and Shirley Horn and has been nominated fourteen times. He arranged and performed an evening of music dedicated to Miles Davis's compositions of the 1950s for the WDR big band. His latest work as an arranger is for a string orchestra album, “It's Magic”, for the singer Stella Cole. My featured song is “The Gift", one of my recent singles. Spotify link. —------------------------------------ The Follow Your Dream Podcast: Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes Click here for Guest List Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ALAN: www.facebook.com/alan.broadbent ROBERT''S LATEST RELEASE: "MA PETITE FLEUR STRING QUARTET CLICK HERE FOR ALL LINKS —----------------------------------- ROBERT'S RECENT RELEASE: “THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com

¿Está tu equipo de trabajo programado para convertirse en chatarra digital en apenas tres años? En este episodio de Fotógrafo Pro, John Vargas lanza un manifiesto en defensa de la soberanía de nuestro oficio y analiza de forma crítica cómo la industria tecnológica nos empuja a una devaluación constante y acelerada de nuestras herramientas. Analizamos con lupa técnica los polémicos lanzamientos de esta semana: bajo el capó de los nuevos chips M6 y M5 Ultra de Apple descubrimos si realmente se justifica pagar un sobreprecio masivo por mejoras de rendimiento incrementales de apenas un 20% o 30% en multinúcleo. Si ya tienes una estación de trabajo basada en un chip M4 o M5, pagar esa fortuna anual es una pésima decisión de inversión. ¡Tu hardware actual sigue siendo extraordinariamente capaz! También rendimos un profundo y merecido homenaje al legendario fotógrafo neoyorquino Jay Maisel, fallecido a los 95 años. Recordamos su formación junto a Josef Albers en Yale, su mítica fotografía de Miles Davis para Kind of Blue en 1959, su icónico edificio de seis plantas vendido por 55 millones de dólares en 2015, y cómo su filosofía inquebrantable de la luz, el gesto y el color representa la antítesis de la automatización moderna.Además, desglosamos las novedades técnicas de la semana para proteger tu flujo de trabajo digital y tus finanzas:Adobe Photoshop y la Light Adjust Layer (Capa de Ajuste de Luz): La histórica integración de los algoritmos de exposición no destructivos de Adobe Camera RAW directamente en el lienzo de Photoshop frente a la encrucijada y los automatismos del motor Firefly Image 5.Metabones EFX2 Plus con True PDAF: Cómo el fabricante desafía la obsolescencia impuesta permitiéndote usar tus robustas ópticas reflex Canon EF en cuerpos Fujifilm X con rendimiento de enfoque nativo. Analizamos el Cine Speed Booster Ultra 0.71x2 Plus y las opciones de precios (desde los $99 del Smart Adapter estándar hasta los $699 de la versión Cine), además del plan de actualización física de Metabones para usuarios previos.OM System Pen F2 y la Lomo LC-A: El retorno del fetiche físico de la herramienta con el teaser de la inminente Pen F2 y la coronación de la Lomo LC-A con el legendario Minitar 2 de 32 mm F2.8 como cámara analógica del año en los Premios EISA 2026-2027.No permitas que el marketing devalúe tu criterio profesional. La verdadera fotografía no se calcula en una placa de silicio, se siente en el pecho y se educa en el ojo. Escucha este análisis técnico, defiende tu proceso artesanal y cuéntanos abajo en los comentarios: ¿Cuál es esa decisión visual de la que te sientes más orgulloso en tu trayectoria reciente?

durée : 01:26:04 - Retrouvez le concert "Dear Miles: A Love Letter", l'hommage à Miles Davis de la multi-instrumentiste, DJ et chanteuse anglaise, enregistré à la 25e édition du festival. - équipe : Shirley Adélaïde, Alexandre Girard - invités : Emma-Jean Thackray Chanteuse, musicienne et DJ anglaise Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Sigurður Flosason, tónlistarmaður, lítur við í hljóðstofu og segir frá Miles Davis. Í tilefni af því að 100 ár eru liðin frá fæðingu þessa trompetbákns blæs stórsveit reykjavíkur til tónleika honum til heiðurs nú á sunnudag þar sem leikin verða lög af tveimur merkilegum stórsveitaplötum sem Miles sendi frá sér á 6. áratugnum. Tumi Árnason flytur stutta samantekt á Jazzhátíð Reykjavíkur og dregur saman það sem stóð upp úr, sem og bendir á það sem betur mætti fara. Við rifjum upp eina af ótal mörgum Miles-Davis-flökkusögum sem við gerðum skil í Víðsjá laust eftir að píanóleikarinn Herbie Hancock hlaut Pólar tónlistarverðalunin mikilsvirtu.

Did you like the episode? Send me a text and let me know!! Lizzie spent 15 years mastering the American Songbook. She was a dedicated New York City jazz vocalist steeped in Coltrane, Miles Davis, Cole Porter, and Gershwin. And then she started hearing original melodies in meditation and dreams — and she followed them. Now she's releasing her second all-original album, heading to Carnegie Hall, and more authentically herself than she has ever been. In this episode of Undiscovered Entrepreneur: Get Across the Start Line, jazz singer-songwriter, arranger, producer, record label founder, and author Lizzie Thomas joins Skoob for one of the most soulful and wide-ranging conversations the show has ever had. From creative health and imposter syndrome to the power of the subconscious and why authenticity is the only branding strategy that lasts — this episode is for every entrepreneur who's afraid to leave the lane they were trained for. What You'll Learn: Why stepping outside your own work — becoming a listener instead of the creator — unlocks creative power and breaks perfectionismWhat "creative health" means and why it's the most overlooked entrepreneur skillWhy you have to release in order to receive — and what that looks like in practiceHow imposter syndrome is rooted in self-worth — and why knowing who you are is the cureWhy branding is authenticity — and why polished perfection is now working against you in the age of AIHow Lizzie started hearing original music in meditation and dreams — and what that teaches us about the subconsciousThe question-before-sleep technique for accessing answers your waking mind can't findWhy Lizzie's "detour" away from the jazz canon became her greatest liberationWhy people are craving human imperfection right now more than everHow to make something your own: take the best of your mentors and add your own essenceRumi's quote on walking the path — and what it means for getting across the start lineLizzie's six-month plan: album release, touring NYC, LA, Germany, Italy, Carnegie Hall & the GrammysTimestamps: [00:00:00] – Introduction & Welcome[00:01:30] – Meet Lizzie Thomas: Jazz Singer, Record Label Founder, Author & Musical Entrepreneur[00:03:00] – Musicians and Imposter Syndrome: Why Perfectionism Hits Differently in the Arts[00:03:30] – Stepping Out of the Song: How Objectivity Breaks Perfectionism[00:05:00] – Looking Outside the Bottle: Why You Can't See What You're In[00:06:00] – Creative Health: Rest, Release & Why Giving Yourself Permission Is the Hardest Part[00:07:30] – Brain Refreshers, Naps & the Art of Making Room for the Next Idea[00:08:00] – In Order to Receive, You Have to Release: The Philosophy of Creative Flow[00:10:00] – Imposter Syndrome Is a Self-Worth Problem — Here's the Real Fix[00:11:30] – You Can't Have a Tribe If You Don't Know Who You Are[00:12:30] – The House of Cards: What Happens When Branding Runs Ahead of Authenticity[00:13:00] – Rise by Lifting Others — But Know Yourself First[00:14:30] – Curiosity Is the Key to a Great Existence as a Human[00:15:30] – Rumi: "You Only Realize the Path Once You Start Walking the Path"[00:16:00] – The Pitfall She's Proud Of: Leaving the Jazz Canon to Find Her Own Voice[00:20:30] – Take the Best of Your Mentors and Make It Your Own[00:22:00] – The Subconscious as Creative Partner: Hearing Melodies in Dreams[00:22:30] – The Question-Before-Sleep Technique: How to Access Answers Your Waking Mind Can't Find[00:23:30] – Dream States and What We Can Access When We Stop Controlling[00:25:00] – One Piece of Advice for New Entrepreneurs: Find Out Who You Are First[00:26:00] – How Are You Making People Feel? The Question That Beats Any 10-Step Plan[00:27:30] – Authenticity IS the Brand — And Why It's More Urgent Than Ever[00:29:00] – Lizzie's Six-Month Plan: This Is Freedom, Carnegie Hall & the Grammys[00:31:30] – How to Find Lizzie ThomasUpcoming Shows & Releases:

Today's episode is with Tom Hoy, a name that will be familiar to anyone who has spent time exploring the world of Ivy and classic menswear. Tom has built a reputation for his knowledge, his eye for style, and his deep appreciation of the culture that surrounds Ivy. In this conversation, we found plenty of common ground from Miles Davis and jazz to Blue Note Records, Ivy, and the many characters, sounds and influences that helped shape one of the most iconic periods in menswear. Tom takes us back to his early days in menswear and talks about how his interest in Ivy developed over the years. We also discuss how that passion has evolved into what he does today, from his Substack and Instagram presence to his own podcast called Easy on The Ivy. This is a conversation about much more than clothes, it's about music, culture, taste, history and the people who continue to keep the spirit of Ivy alive.A great conversation with, someone who clearly understands that style is about far more than what you wear.

The clock is ticking in Charlotte! With the NFL's 53-man roster deadline moved up to Sunday at 6:00 PM ET, general manager Dan Morgan and head coach Dave Canales are making aggressive, game-changing moves to shape the 2026 Carolina Panthers. In this episode of Keep Pounding Daily, we dive headfirst into the explosive news shaking up Bank of America Stadium, starting with the blockbuster addition of veteran middle linebacker Bobby Okereke on a one-year deal.After weeks of monitoring an intense preseason positional battle between Trevin Wallace and Claudin Cherelus to start alongside offseason addition Devin Lloyd, the Panthers front office decided they needed a proven, battle-tested commander in the middle of Ejiro Evero's defense. Okereke—a former team captain and Walter Payton NFL Man of the Year nominee who has racked up 130-plus tackles in four of his last five seasons—instantly elevates the ceiling and leadership of this entire unit. We break down what Okereke brings to the field, how quickly he can get up to speed without a preseason ramp-up, and what his arrival means for the young linebackers fighting for snaps.However, bringing in high-caliber talent means making tough sacrifices, and the first wave of roster cuts has officially hit the wire. Carolina has parted ways with eight players to begin clearing space. We analyze the decisions to waive defensive tackle Kyon Barrs, wide receiver Elijah Cooks, running back Miles Davis, defensive tackle Tywone Malone, tight end Caden Prieskorn, and wide receiver Roc Taylor. Plus, we cover the injury-related departures of offensive tackle Ryan Hayes (waived-injured) and core special teamer Dan Chisena (released from IR with an injury settlement). What do these early wide receiver and interior defensive line cuts tell us about the final positions on the bubble? Which of these promising young prospects are most likely to clear waivers and return on the practice squad?Finally, we run through the numbers to see where the Panthers stand right now. With approximately 30 roster moves still required before tomorrow's 6:00 PM deadline, who is on the hot seat, which position groups are locked in, and where could Dan Morgan strike next on the waiver wire? Tune in for complete tactical analysis, depth chart breakdowns, and initial reactions as Carolina builds its 53-man squad for the regular season!

Join the guys as they discuss the Commanders struggles on the offensive Line, what impact LB Sonny Styles will have, and do a deep dive on Busta Rhymes' + J. Dilla's new release "Dillagence II", amd much more!

Meta dips into petty cash to get rid of a nasty legal headache. Ben riffs. Mike Allemana tells you everything you need to know about this year's Chicago Jazz Fest. Get ready for riffs on George Freeman, Ahmad Jamal, Cannonball Adderley, Robert Glasper, Paquito D'Rivera, Robert Irving, Miles Davis, Darryl Jones, Dee Dee Bridgewater and more. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Who was the first person to be cool? What connects the civil rights movement and Albert Camus' 'The Rebel'? How has the coopting of black terminology impacted American society more broadly?From James Dean to Kate Moss, we know cool when we see it. But its history goes back to jazz music and the civil rights movement. Academic Joel Dinerstein reveals the forgotten history of this elusive concept. "Entertaining and insightful" - New York TimesJoel Dinerstein is the author of The Origins of Cool in Postwar America (University of Chicago, 2017) and Clark Chair of American Civilisation at Tulane University and writes about race, cool, and popular music. Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such talks live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Afrofuturistics is a Chicago collective that "fuses cosmic jazz and instrumental hip-hop." They released their latest album 'The Enigmatic' in Aug. 2026. Peter Kreten sat down with Erik Oldman and Eli Wilson to learn how Sun Ra and Miles Davis inspired their sound, how the band came together the state of the jazz scene in the city of Chicago, and the upcoming album release show on Aug. 29 at Le Piano in Rogers Park. Photo Credit: Katia Jackson. Used with Permission

“For me, if a poem doesn't swing, it's really not much of a poem,” says Adrian Matejka, author of the collection Be Easy: New and Selected Poems. His work hums with music, from its references to David Bowie, Miles Davis, and others to its infectious rhythms, repetitions, and rhymes. In this lively conversation recorded in 2024 at the Wick Poetry Center in Ohio, he reads several poems, and he and Pádraig Ó Tuama talk about “the imaginary discotheque” that takes place in Adrian's head when he writes, how metaphor and simile offer a third space for his ideas to reach people, and his intense interest in exploring “masculinities” in all their expressions and emotions.    We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes.   Adrian Matejka is the author of many books of poetry, including most recently Be Easy: New and Selected Poems, which was published by W.W. Norton in 2026. He also serves as the editor of Poetry magazine, and he was poet laureate of the state of Indiana from 2018 to 2019.  Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

EPISODE 149: NYC-based Jane Getter is a “triple-threat” (Geoff Wilbur)—guitarist, singer, ASCAP award-winning and NYSCA commissioned composer. Getter's 2026 7D Media release, Transmogrify, coalesces a lifetime of musical exploration into intricate arrangements, powerful playing, and killer solos. Getter has been shredding boundaries since picking up a guitar at age eight and recently won the number 8 slot for best guitarist in Prog Magazine's 2021 readers poll. She cites musical influences Mahavishnu Orchestra, King Crimson, Porcupine Tree and guitar influences Jeff Beck, Allan Holdsworth, and Wes Montgomery. On her first tour, with legendary jazz/blues organist Brother Jack McDuff, Getter's musical language expanded to embrace the groove-oriented music that she saw thrilling audiences. Getter has also toured and played with Lenny White, Ursala Dudziak, Jaimoe (of the Allman Brothers), Michal Urbaniak, Kenny Garrett, The Roots the jam, Mike Clark (Headhunters), the Saturday Night Live Band and more. Following solo albums Jane (Lipstick Records, 1999), See Jane Run and Three (Alternity Records, 2005, 2012), the new songs Getter was composing had a fuller, richer sound than anything she had recorded before. For releases On (Snapper's MadFish Music, 2015), ON Tour (Big Fun Productions, 2017) Anomalia (Cherry Red/Esoteric Antenna) and Division World (Cherry Red/Esoteric Antenna) Getter formed Jane Getter Premonition to fulfill the promise of these compositions, assembling players Adam Holzman (Steven Wilson Band, Miles Davis), Alex Skolnick (Testament), Chad Wackerman (Frank Zappa), plus Bryan Beller, Mark Egan, Gene Lake, Stu Hamm, special guests Vernon Reid, Corey Glover, Theo Travis and singers Randy McStine and Chanda Rule. The Current touring and recording JGP features Adam Holzman, Alex Skolnick, Paul Frazier (David Byrne, Nile Rogers) and Gene Lake (Marcus Miller, Nile Rogers )with guest appearances on vocals by Randy McStine (Porcupine Tree, Steven Wilson). janegetter.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

***This show is brought to you by DistroKid. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ listener survey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a chance to win a $50 gift card! Comedian James Mattern is back to dive into Miles Davis' groundbreaking Bitches Brew, exploring the album's fearless fusion of jazz, rock, and experimentation as well as the lasting impact of a record that changed the course of modern music. Follow James on Instagram: https://www.instagram.com/thejamesmattern/ Distrokid Artist of the Week: Ulysses Owens Jr. https://www.youtube.com/shorts/scsL2mbEPoA Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Other Side of the Bell, featuring trumpet performer, composer and recording artist Liva Strazdina, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Liva Strazdina Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Liva Strazdina made the decision to pursue post-secondary studies in jazz music, and had been accepted to the Carl Maria von Weber Dresden University of Music, but there remained one crucial thing that she had to tackle first: Changing her embouchure. She had heard the suggestions before, the recommendations to do something about it before it got worse and created excessive fatigue. But the time had come. Liva was guided by the acclaimed yet demanding instructor Malte Burba, showing her breathing and muscle-building techniques that embraced the full body, not just the lips, mouth and lungs. Which led to Liva spending a solid three months practicing with only a mouthpiece, while her new classmates were progressing with her studies. Undoubtedly a test of perseverance and commitment! Liva compares her training to that of an athlete, who must see the bigger picture and the ultimate trajectory, particularly during the repetitive and even painful days of practice and repetition. Fortunately for her, and all of us, her commitment has led to a burgeoning career in jazz music, and the debut of her first album, Unbalanced, featuring a mixture of original compositions and interpretations. Listen in for a thoughtful conversation, and a thoughtful album, about trumpet, creativity, resilience, and building a life in music. About Liva Strazdina: Līva Strazdiņa, born in 1997 in Berlin with Latvian roots, combines depth, expression and a clear personal tone in her music. After studying jazz trumpet as her main instrument at the Carl Maria von Weber University of Music in Dresden, with teachers including Sebastian Studnitzky, Malte Burba, Simon Harrer and Till Brönner, she developed a distinctive musical language marked by intense melodic writing and a fine balance between energy and intimacy. As a trumpeter and flugelhornist, she chooses her instrument deliberately based on mood and tone color. Alongside numerous ensemble projects, big band experience, awards and tours including the Berlin Youth Jazz Orchestra, studio recordings with LaJJazzO and tours with the indie band BEACHPEOPLE, Līva is also active as a composer. Her music reflects not only influences from jazz greats such as Miles Davis and Freddie Hubbard, but also singer songwriters like Billy Joel and pop icons like Pink Floyd and Eminem. With her debut album, Līva shares her innermost thoughts and feelings. The album invites listeners to immerse themselves in these emotions and reflect on their own emotional world. Episode Links: Website liva-strazdina.com Store https://timezonerecords.lnk.to/LSUnspoken?utm_source=ig&utm_medium=social&utm_content=link_in_bio Instagram https://www.instagram.com/livastrazdinamusic YouTube https://www.youtube.com/@livastrazdinamusic Bandcamp https://livastrazdinamusic.bandcamp.com/merch Bob Reeves Brass Events and Appearances: Joy Brass, September 17-24, Tokyo Japan Virtuosity Music, October 9-10, Boston, MA Greg Black Mouthpieces, November 6-7, Mount Holly, NC NCMEA Conference, November 8-9, Winston-Salem, NC Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Aigars Hibneris Audio Engineer - Ted Cragg

Sax player Cannonball Adderley is our featured artist tonight. Recordings with Miles Davis, Milt Jackson, John Coltrane, Bill Evans, and more.

Anika sat down with Dr. Michael Gerharz to explore why brilliant ideas and vital corporate strategies so often end up in the trash bin. The conversation revealed a counterintuitive truth: the solution isn't persuading harder—it's resonating stronger. Michael's unique background transitioning from computer science networks to executive communication offered practical pushback against the persistent reliance on complex professional jargon, alongside a sharp look at what truly makes a presentation unforgettable (spoiler: it requires stepping off the hero's pedestal).   In This Episode From computer science to communication: frustration with discarded ideas What corporate leaders can learn about complexity from writing children's books The Alcoa turnaround: how focusing on worker safety quintupled company revenue Why words that resonate are found by listening better, not thinking harder The danger of hiding behind professional tech jargon and PowerPoint slides Breaking down the PATH Framework: Plain & Simple, Actionable, Transformative, Heartfelt Applying the framework in real-time: a CEO's vulnerable keynote success The pass-along phrase: a journalistic tool for razor-sharp presentation focus Stepping off the hero's pedestal: why audiences don't need another hero   Timestamps 00:00 Introduction: Simplicity as the entrance to complexity 02:18 The transition from computer science to communication 04:10 The connection between five-year-olds and CEOs: simplifying the core idea 08:14 Don't persuade harder, resonate stronger: The Paul O'Neill Alcoa story 13:21 Why leaders hide behind professional-sounding language 17:09 The PATH Framework explained 20:17 A real-world example of trading statistics for vulnerability 23:18 How the PATH framework led to a worldwide toy licensing deal 29:16 Creating a successful short-form format in a long-form world 33:14 The "pass-along phrase" communication strategy 35:36 Turning the spotlight off the speaker and onto the audience 38:29 Why smart people need to stop trying to be right and start getting it right 40:24 Final thoughts and the Miles Davis quote   Key Insights & Takeaways   Insight 1: Simplicity is the Entrance to Complexity   Professionals frequently wear complex jargon as a badge of honor, assuming it proves sophistication. However, whether speaking to a five-year-old or a board of directors, complexity without a simple entry point leads to immediate disengagement. Simplification isn't "dumbing down" the message; it is providing a clear hook that makes the audience say, "Tell me more," thereby inviting them down the rabbit hole into the complexity.   Insight 2: Don't Persuade Harder, Resonate Stronger   When a business is struggling, the instinct is to overwhelm the team with data, charts, and demands for greater effort. True impact, however, requires finding the intersection between business objectives and the audience's personal interests. As demonstrated by Paul O'Neill at Alcoa, focusing on an emotionally resonant keystone habit (like worker safety) can indirectly solve massive operational and revenue problems without relying on brute-force persuasion.   Insight 3: The Danger of the "Hero's Pedestal"   Speakers frequently step onto the stage believing they must prove their worth and act as the hero of the room. This mindset creates immense pressure and often alienates the audience, who view themselves as the heroes of their own lives. True influence is achieved by stepping down from the pedestal, adopting the role of the mentor, and utilizing the spotlight solely to help the audience overcome their own challenges.   Insight 4: The Power of the "Pass-Along Phrase"   To ensure a message lands, communicators must reverse-engineer their presentations. By identifying the exact phrase they want an audience member to relay to a colleague who missed the meeting, speakers create a razor-sharp navigation system. Any slide, anecdote, or statistic that does not directly support that final "pass-along phrase" is a detour that should be cut.   Insight 5: Stop Trying to Be Right, Start Getting it Right   Highly analytical leaders often waste presentations trying to make an airtight, factual case to force agreement. However, two people can agree on the exact same facts and still choose different courses of action. Communication is most effective when leaders let go of their ego and the need to be "right," focusing instead on outlining a shared path forward that makes sense for both parties.   Insight 6: Jargon is a Shield   When leaders know what they want to say but resort to dense, approved corporate language, they are usually trying to protect themselves. This vague, professional surface prevents them from being backed into a corner, but it also strips the passion and clarity from their message. The most powerful presentations often occur when a speaker drops the slides and explains their vision in plain, conversational English.   Resources & Links Mentioned The Path to Strategic Impact (Book) Irresistible Communication The Best Talk of Your Life:  https://michaelgerharz.com/yba   About Dr. Michael Gerharz   Dr. Michael Gerharz holds a doctorate in communication networks and has transitioned his expertise from machine-to-machine systems to high-stakes human communication. He is the author of The Path to Strategic Impact and The Aha Effect, and the host of the Irresistible Communication podcast. Through his consultancy, the Clarity Lab, he helps senior C-suite leaders abandon complex jargon and find the simple, resonant messages needed to deliver career-defining presentations.   Connect with Dr. Michael Gerharz   LinkedIn: https://www.linkedin.com/in/michaelgerharz/ Instagram: https://www.instagram.com/drgerharz/ Youtube: https://www.youtube.com/@MichaelGerharz Website: https://michaelgerharz.com Like the show? Leave us a rating or review: https://lovethepodcast.com/67940257010b317cdaa9d857Follow the Show: https://followthepodcast.com/67940257010b317cdaa9d857Send a Message: https://podcastfeedback.com/67940257010b317cdaa9d857Check out our Website: https://www.yourbrandamplified.comSpeak to my Delphi Clone: https://www.delphi.ai/amplifywithanika Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Groove Podcast: Marcus Miller shares stories from his time with Miles Davis and explains how listening, creativity, and curiosity have guided his life on bass and beyond.