Podcast appearances and mentions of Miles Davis

It's All Blues this week as we review and rank Kind Of Blue, the revolutionary instrumental modal jazz album by the legendary Miles Davis! Davis and his sextet (full of icons like John Coltrane and Julian "Cannonball" Adderley) abandoned the idea of chord progressions and studied scales, with minimal rehearsal. The result is a five-track improvised album that "changed the language of music." Its songs have become staples in the jazz canon, to the point that a certain chord is named the So What chord because it's so recognizable from this album. We'll talk about Miles' storied life and fluctuating career that led to his 1959 masterpiece... and then figure out why he later dismissed it as "warmed-over turkey."James and Jazzy Connor talk about bearing Davis' torch into the future! As our resident trumpeter, Connor is quite familiar with Miles Davis. We learn how puffed up he can get. The Mixtaper is freestyling Fact Or Spin with tales about a vow of silence, a mysterious good Samaritan, and a Presidential Mix-Up that ended up Kinda Red. Then, get ready for a five-course meal as we examine the album track by track. Whether you're a decadent soup or an arugula dressed in regret, there's something on this album for every appetite.How's this jazz album sit with you? Are there other foods you'd put in your five-course meal? Let us know if hard bop and modal jazz is music to your ears in the comments or on social media, and be sure to give us a follow! It's all no charge-- there are no Freddie Freeloaders here!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro4:01 About Miles Davis16:34 About Kind Of Blue28:18 Awards & Accolades29:19 Fact Or Spin30:52 He Took A Year-Long Vow Of Silence35:05 He Had A Presidential Mix-Up38:49 He Was Saved By A Famous Good Samaritan45:34 Albino Loco Punched Him In The Face50:25 Album Art51:23 So What57:01 Freddie Freeloader1:00:41 Blue In Green1:05:03 All Blues1:09:18 Flamenco Sketches1:12:37 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Welcome back to When Words Fail, Music Speaks, the show that explores how music can lift us out of the valleys of depression and anxiety and into brighter emotional terrain. In today's episode, host James sits down with pianist, composer, educator, and prolific writer Kurt Ellenberger for a deep‑dive into the world of jazz, its pedagogy, and its power to heal.We'll hear Kurt recount his path from a performing career in Grand Rapids, Michigan, to a long‑standing faculty role at Grand Valley State University where he teaches everything from “Jazz in the Culture” to a beloved interdisciplinary course, “Music, Culture, and Aesthetics.” He shares practical advice for newcomers who feel intimidated by jazz—starting with the universally‑accessible Miles Davis classic Kind of Blue—and explains why jazz demands full, focused listening in the way classical music does, unlike the background‑friendly nature of pop or country.Kurt also opens up about his parallel life as a writer and managing editor of the Journal of the International Association of Jazz Educators. From a blog that caught the eye of the Huffington Post to a series of essays that demystify everything from why Christmas music feels “jazzy” to the emotional weight of minor chords, his mission is simple: turn scholarly insight into stories anyone can enjoy.We'll explore how jazz varies across continents, why European and Australian approaches sound distinct yet remain unmistakably jazz, and why the genre is less a fixed style and more an improvisational mindset. Kurt even reveals a surprising non‑musical talent—his knack for home‑repair and hammer‑work—that keeps him grounded when the academic world gets heavy.Finally, we close with Kurt's personal “Rushmore” of musical heroes—Genesis, pianist John Taylor, composer Paul Hindemith, and David Bowie—plus a secret, deeply moving piece that leaves him speechless every time he hears it.If you've ever wondered how to get into jazz, why it's sometimes dismissed as “wrong notes,” or simply want a heartfelt conversation about music's therapeutic power, you're in the right place. Grab your headphones, set aside the background noise, and let's tune into the conversation that proves—once again—when words fail, music truly speaks.

For Ad Free shows go to:www.patreon.com/dopeypodcastDave kicks off the first-ever Wednesday Dose of Dopey talking about post-Thanksgiving food insanity, a brownie-topped cheesecake Linda brought home, and his evolving stance on cheesecake as a “real” dessert. He updates the Dopey Nation on the Dopey Fitness Challenge, his failed attempt at jogging with his dog Winnie that ends with him eating pavement, ripping his pants, smacking the dog in frustration, and then feeling guilty about it all week. Dave reads an email from Haley in Mississippi, who loved the Glenis and Billy Strings episodes and promises heavy dopey stories from homelessness, prison, and IV meth. He begs for more voicemails and then plays a chunk of Miles Davis's autobiography, where Miles describes sliding from snorting heroin into shooting it, realizing he has a habit, and sinking into a four-year “horror show” of heroin and cocaine in New York.Then Dave introduces Naughty God (Dakota), a heavily tattooed Instagram/TikTok/YouTube creator who built a big following rating nod videos “sportscaster-style.” Dakota tells his story: growing up between a sweet, young mom and a meth-addicted dad, starting drugs at 13 by snorting random pain pills he found in a friend's brother's room, and becoming the classic weed-identity kid with a pot-leaf MySpace. He forms the band LAW with his friend Jacob Nowell (Bradley Nowell's son, who now sings for Sublime), and they grow up playing shows in San Diego and Long Beach while having access to grown-up levels of partying. Dakota falls in love with cocaine in his mid-teens, then with speed, and his using gets him kicked out of LAW when Jacob gets sober and can't handle him showing up high to everything.After moving to Orange County, Dakota dives into selling and using coke in San Clemente, then adds Oxy 30s (“blues”), fentanyl pills, and heroin to his daily rotation. He and his tight crew—especially his best friend Robert—live in a constant loop of dealing, partying, and using. Over two months, Robert, Dakota's cousin, and three other friends all die from fentanyl. The losses break him: he has a mental breakdown, calls his grandma, and checks himself into a San Diego hospital detox, where he's put on 100mg of methadone and spends years on the clinic grind.Dakota talks about being on methadone for four–five years, barely using anything else, then deciding—with help from a therapist—that he'll never fully turn a corner if he stays on it forever. He tapers himself from 100mg down to 4mg over about a year, jumps off, and goes through a long, foggy, uncomfortable withdrawal. He's now about a year and a half off methadone, occasionally smokes weed, sees a therapist, plays bass in his band Somehow Unseen, and works on content. He and Dave riff on nodding (“my whole life”), nod techniques, fentanyl's short “legs,” and the economics of why heroin likely won't “come back” in a big way.Dakota explains how he built NaughtyGod into a fast-growing account by structuring it like a recurring “show” and inventing/collecting phrases like “Charm City Rainbow,” “Nodwalk Shuffle,” “Baltimore Street Yoga,” “Sheriff of Nottingham” to describe different nod poses. They talk about Instagram flagging and banning drug content, other junkie meme/recovery pages, and how both of them accidentally stumbled into helping people through content that started out as pure jokes and self-centered ambition. They agree to collab on a nod reel, and Dakota shouts out his band and pages.All that and more on a brand new WEDNESDAY Episode of the good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Benny Rietveld — bassist, composer, arranger, musical director for Santana, and former member of Miles Davis' band — joins Walk Talk Listen for a deeply reflective, funny, and generous conversation about music, presence, heritage, and healing.   Born in Utrecht and raised in Honolulu, Benny grew up in a multicultural mix of Dutch-Indonesian roots, Hawaiian upbringing, family parties full of guitars, and the irresistible pull of a piano in a department store. At age 12 he was playing in bands; by his 20s he was on stage with Sheila E., Prince, and later Miles Davis, whose “laser beam of attention” taught him what it means to be truly present in music.   Today, Benny is the longtime musical director and bassist for Carlos Santana, and continues writing, recording, composing for film, and leading a genre-defying ensemble he jokingly calls “the circus.”   In this episode we talk about: Growing up as a Dutch-Indonesian kid in Hawaii's melting pot of cultures How Hey Jude sparked his first steps into music What Miles Davis really taught him: presence, intensity, and honesty Why music remains “medicine” for a dark and distracted world Leaving Miles for Santana — and why Miles wanted people to move on The joy (and lessons) of performing with his son His upcoming projects, including a new album and film score Benny also leaves a powerful question for the next guest   Listener Engagement: Discover the songs picked by Benny and other guests on our #walktalklisten here. Learn more about Benny via his LinkedIn, and Instagram accounts. Share your feedback on this episode through our Walk Talk Listen Feedback link – your thoughts matter! Follow Us: Support the Walk Talk Listen podcast by following us on Facebook and Instagram. Visit 100mile.org or mauricebloem.com for more episodes and information about our work. Check out the special series "Enough for All" and learn more about the work of the Joint Learning Initiative (JLI).

Sitting across from Dr. Peter Weller — another actor/author/academic like myself — I knew I was in for an engaging conversation. But as Peter explained the shape his life has taken, I saw beyond his vast accomplishments to his deep sense of self-knowledge. Long before he was Robocop, Peter was a masterful jazz trumpet player, idolizing innovators like Miles Davis. Yet, for all Peter’s talent, the horn wasn’t the ticket to self-expression he craved. He pivoted to acting, finding a new sense of wonder and challenge working opposite legends like Diane Keaton. At the heart of it all is the idea he explored in his academic work: the inextricable link between art and artist. And hey, he even gives me a few tips for finishing a dissertation. Fail Better is now on YouTube! Watch this episode here. Follow me on Instagram at @davidduchovny. Find more video podcasts on our YouTube channel. Stay up to date with Lemonada on X, Facebook and Instagram at @LemonadaMedia. Joining Lemonada Premium is a great way to support our shows and get bonus content. Subscribe today on Apple Podcasts, Spotify, or wherever you get your podcasts. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

Ospite di questa settimana nel "mondo di Manuel" è Marco Molendini, giornalista di lungo corso autore di "Sotto il sole di Roma" (Minimum Fax), che racconta storie di una Roma musicale passata e dal fascino mitico.In chiusura di puntata ascoltiamo "La Primavera di Praga" di Jack Nur, artista che ha partecipato alla rassegna Carne Fresca.Playlist:Lucio Dalla - "Com'è Profondo Il Mare"Miles Davis - "Time After Time"Jack Nur - "La Primavera Di Praga"

Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----

This conversation is hosted by JJA Board Member and Chair of our Book Committee, Bob Blumenthal. Bob, along with JJA members Fiona Ross, Todd Jenkins and Katch Cartwright, share some of their book recommendations for you to consider for those on your 2025 holiday nice list. Maybe a few of the naughty people deserve some of these, too. The JJA's book committee votes on Book Award nominees everyJanuary and February. The recommendations herein do not reflect any prejudgments by the committee nor should this episode be taken as any preview of what's to come with the awards. Here is your shopping list of books and music discussed in this episode:Books Discussed in DetailWriting Jazz: Conversations with Critics and Biographers by Sasha FeinsteinGuide to Jazz in Japan by Michael PronkoFocus on Women in Jazz by Guy le QuerrecThe Story of Jazz by Marshall Stearns Jazz: Its Evolution and Essence by André HodeirThe Life and Writings of Ralph J. Gleason: Dispatches from the Front by Don ArmstrongGoing Back to T-Town: The Ernie Fields Territory Big Band by Carmen FieldsMaster of the Drums: Gene Krupa and the Music He Gave the World by Elizabeth J. Rosenthal Cross Rhythms: An Introspective into the Life and Musicality of Joe Chambers by Joe Chambers and Cristian SchorrOceans of Time: The Musical Autobiography of Billy Hart by Billy Hart and Ethan IversonThe Jazz Barn: The Music Inn, the Berkshires, and the Place of Jazz in American Life by John GennariBecoming Ella Fitzgerald by Judith TickStomp Off, Let's Go: The Early Years of Louis Armstrong by Ricky RiccardiSong for Someone: The Musical Life of Kenny Wheeler by Brian Shaw and Nick SmartSax Expat: The Biography of Don Byas by Con ChapmanBlack Mystery School Pianists and Other Writings by Matthew ShippRun the Song: Writing About Running, About Listening by Ben RatliffBooks ReferencedSophisticated Giant by Maxine Gordon (about Dexter Gordon)Gene Krupa: His Life and Times by Bruce CrowtherRhythm Man: Chick Webb and the Beat that Changed America by Stephanie Stein CreaseThe Swing Era by Gunther Schuller Albums Referenced Friday and Saturday Night at the Blackhawk by Miles Davis (includes essay by Ralph J. Gleason)Dizzy on the French Riviera by Dizzy Gillespie (includes essay by Ralph J. Gleason)The Jazz Omnibus is on sale now at 25% off. This 600-page anthology features 21st-century photos and writings by JJA members. Details at: bit.ly/jja25If you're a media-maker working in jazz, the JJA is offering first-time members a special rate of $50. Join a community of colleagues telling all the stories of jazz. Sign up at members.jazzjournalists.org/joinDon't miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts. For more from the Jazz Journalists Association, go to JJANews.org.

This wonderful episode features three members of the generation that came of age in the 50's and 60s.  They are a shining example of this show's mantra... PROGRESS DESPITE OBSTACLES. They deliver a powerful message to this generation of what life was like for them growing, the obstacles they faced as they reached the pinnacles of success in their lives.Walter Beach was a member of AFL and the NFL. He was the starting cornerback on the 1964 World Champion Cleveland Brown with Jim Brown. But most importantly,  he became a Yale trained lawyer after football.Dr. Richard Allen Williams is a Harvard trained world known cardiologist, who founded the Association of Black Cardiologists. But, he is a professional Jazz trumpeter,  mentored by both Clifford Brown and Miles Davis.Bobby Hunter is a Stanford University train sociologist, who was a member of the world famous Harlem Globetrotters from 1966- 1974. He travel the country speaking at schools, colleges and other youth oriented venues.Their advice based on their education, life experiences and observations should be received with open arms. It is truly a marvelous episode. Don't miss viewing it!

El guitarrista John Scofield y el contrabajista Dave Holland, que han tocado juntos en diversos proyectos y que fueron miembros de las bandas de Miles Davis en distintas épocas, publican su primer disco como dúo 'Memories of home'. Con composiciones de ambos, nuevas y antiguas, lo escuchamos al completo: 'Icons at the fair', 'Meant to be', 'Mine are blues', 'Memorette', 'Mr. B', 'Not for nothin', 'Easy for you', 'You I love' y 'Memorie of home'. Escuchar audio

 Former Colts Owner Jim Irsay's Memorabilia Collection is Up for AuctionHis guitar collection alone is valued at over One BILLION Dollars This collection is largely known for its vast selection of musical instruments -  often dubbed "The Greatest Guitar Collection on Earth” , which is estimated to be worth over $1 billion and includes instruments previously owned by -Bob Dylan, John Lennon, Miles Davis, Jimi Hendrix, and David Gilmour. Items also in the collection include:A 1963 Gretsch 6120 Country Gentleman, used by John Lennon on The Beatles' 1966 single "Paperback Writer"Lennon's 1964 Rickenbacker Rose Morris Model 1996, used during The Beatles' 1964 Christmas tour. Ringo Starr's first Ludwig drum kit used with The Beatles while touring Europe in 1963And Ringo's drum kit he played on the Ed Sullivan showMuhammad Ali's "Rumble in the Jungle" championship belt-rocking chair used by President John F. Kennedy at the white house- include Jackie Robinson's baseball bat from the 1953 season -Movie MemorabiliaA Wilson volleyball, used during the filming of Cast Away (2000)-a "golden ticket" from Willy Wonka & the Chocolate Factory (1971)-Al Pacino's shooting script used during production of Scarface (1983)-Sylvester Stallone's early working script notebook for the film Rocky (1976-Jack Kerouac's original manuscript of "On the Road -Hunter S Thompson's Chevrolet, -The saddle used for Secretariat's Triple Crown run -documents handwritten by George Washington, Abraham Lincoln and Thomas Jefferson, -The original manuscript of the Alcoholics Anonymous 'Big Book'.-And a more-than-200-year-old copy of the Declaration of Independence   To subscribe to The Pete McMurray Show Podcast just click here

Ravi Coltrane with Marcus MillerMarcus Miller interviews Ravi Coltrane about his musical evolution and the dual legacy of his parents, Alice and John Coltrane. This insightful and candid talk, recorded live on the Journey of Jazz cruise, covers the challenges of growing up under the shadow of a jazz icon and finding one's own voice through the music.Key TakeawaysThe episode is a conversation between host Marcus Miller and guest Ravi Coltrane, focusing on Ravi's development as a jazz saxophonist.Ravi's father, John Coltrane, passed away in 1967 when Ravi was 2 years old, leaving Ravi to be raised by his mother, Alice Coltrane. Ravi notes that his father's instruments are currently in his stateroom.Ravi began his musical journey playing the clarinet throughout junior high and high school. He switched to the soprano saxophone at age 16 after his mother gave it to him for his birthday as a hint, later moving to the tenor saxophone.Ravi did not initially feel pressure from his famous last name because, during the 1970s in the San Fernando Valley where he grew up, John Coltrane was still considered "underground" or "counter culture".The death of Ravi's older brother, John Jr., in an automobile accident when Ravi was 17, caused a "void" that Ravi later filled by studying his father's music. Ravi began listening to his father's records to gain answers for questions asked at parties, and through this, the music "hit" him.Ravi worked with key members of the John Coltrane Quartet, including joining drummer Elvin Jones's band in 1991 (though he felt he was "prematurely" ready) and later working with pianist McCoy Tyner in the 2000s.Ravi and Marcus discuss the meaning of being "ready" to perform at a high level, noting that it means being "prepared to do the job properly" and recognizing that evolution and learning are continuous processes.Host and Guest InfoHost: Lee Mergner (introduction), Marcus Miller (interview).Guest: Ravi Coltrane.This talk was recorded during the Journey of Jazz cruise. Marcus Miller provided the theme music, which is a clip from his song "High Life" on his album Aphrodesia on Blue Note.The talk was captured by Brian Ratchkco and his production team.Send us a text

Barry and Abigail try something a little different with newly minted Three-Timer Jeff “Jafo” Shettler, who previously appeared on Jukebox: Wish There Were Beer (Pink Floyd and brewLAB) and Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers). Jafo brings us on location to brewLAB in Carpinteria, California, to open a bottle of The False Prophet he had been saving for over eight years.Watch this video version of this episode!Suggested pairings of brewLAB beers and albums we heard included: Green Tea IPA and Mad Villainy by MF DOOM, Coco Johnny and Time Out of Mind by Bob Dylan, Green Tea IPA and Rust Never Sleeps by Neil Young, Beatbox and License to Ill by Beastie Boys, and Sorciere Noir and Dub Side of the Moon by Easy Star All-Stars.Abigail was intrigued by Mangose and Botanicale Deux. Barry called out Rice Rice Baby.Jafo suggested pairing The False Prophet with Sympathy for the Devil by The Rolling Stones, Bitches Brew by Miles Davis, or Ripple by Grateful Dead. Other suggested song pairings we heard included California Dreamin' by The Mamas & The Papas, Caravan by Van Morrison, Cinnamon Girl by Neil Young, Banana Pancakes by Jack Johnson, and Worst Comes to Worst by Dilated Peoples.Barry suggested pairing Jafo's homebrewed Maple Bacon Bourbon Porter with Darkness on the Edge of Town by Bruce Springsteen. By the way, you can hear our discussion of this album in our episode Dark Beer on the Edge of Town from 2021.Abigail wasn't drinking, but she plugged I Don't Want to Know by Fleetwood Mac.Dave, one of the brewers and the beertender the night we “stopped by,” suggested pairing The False Prophet with (Got) Everything to Shine by Saudade Experiment.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

Eric Frandsen and Jason Walker share their predictions for Utah State at UNLV - offense vs defense. Score predictions by Eric, Jason and Full Court Press listeners. Audio from Miles Davis, UNLV's Reid Williams and Marsel McDuffie and head coach Dan Mullen.

Miles Davis, Jimmy Buffet, 10/8 time, Lost Phones, Phishing, Whisper Leak, Quantum Route Redirect, AI Galore, Rob Allen, and more on the Security Weekly News. Segment Resources: https://www.bleepingcomputer.com/news/security/how-a-ransomware-gang-encrypted-nevada-governments-systems/ This segment is sponsored by ThreatLocker. Visit https://securityweekly.com/threatlocker to learn more about them! Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-528

Miles Davis, Jimmy Buffet, 10/8 time, Lost Phones, Phishing, Whisper Leak, Quantum Route Redirect, AI Galore, Rob Allen, and more on the Security Weekly News. Segment Resources: https://www.bleepingcomputer.com/news/security/how-a-ransomware-gang-encrypted-nevada-governments-systems/ This segment is sponsored by ThreatLocker. Visit https://securityweekly.com/threatlocker to learn more about them! Show Notes: https://securityweekly.com/swn-528

Miles Davis, Jimmy Buffet, 10/8 time, Lost Phones, Phishing, Whisper Leak, Quantum Route Redirect, AI Galore, Rob Allen, and more on the Security Weekly News. Segment Resources: https://www.bleepingcomputer.com/news/security/how-a-ransomware-gang-encrypted-nevada-governments-systems/ This segment is sponsored by ThreatLocker. Visit https://securityweekly.com/threatlocker to learn more about them! Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-528

Miles Davis, Jimmy Buffet, 10/8 time, Lost Phones, Phishing, Whisper Leak, Quantum Route Redirect, AI Galore, Rob Allen, and more on the Security Weekly News. Segment Resources: https://www.bleepingcomputer.com/news/security/how-a-ransomware-gang-encrypted-nevada-governments-systems/ This segment is sponsored by ThreatLocker. Visit https://securityweekly.com/threatlocker to learn more about them! Show Notes: https://securityweekly.com/swn-528

Eric Frandsen and Jason Walker recap Utah State's big win over Nevada. Comments from Bronco Mendenhall and Miles Davis. Utah State women's soccer will face BYU in the NCAA soccer tournament. Interview with USU coach Manny Martins.

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Since we started this show we've known that, someday, we would sit down to talk about Metallica: Some Kind of Monster, a movie about Metallica, and the world, going to therapy for the first time. Topics include: popular music, thrash, the 80's, drinking, how exactly you make a heavy metal record, the way computers absolutely annihilated the music business in a way that predicted the future annihilations we are currently living through, the advent of a new perspective on therapy and the emergence of therapy-speak, even among the world's biggest violence-celebrating band.  excerpted music in this episode in order: "Maple Leaf Rag" by Scott Joplin (published 1899) "Crazy Blues" by Perry Bradford, performed by Mamie Smith and Her Jazz Hounds (1920) "Stardust" by Hoagy Carmichael, performed by Louis Armstrong and His Orchestra (1931) "Tomorrow Never Knows" by The Beatles (1966) "God Only Knows" by The Beach Boys (1966) (YouTube video) "So What" by Miles Davis (1959) "Whole Lotta Love" by Led Zeppelin (1969) "Detroit Rock City" by KISS (1976) "Hear Nothing See Nothing Say Nothing" by Discharge (1982) "Black Sabbath" by Black Sabbath (1970) "Machine Gun (Live)" by Jimi Hendrix (1969) "Breaking the Law" by Judas Priest (1980) "Bonded by Blood" by Exodus (1985) "Phantom Lord" by Metallica (1983) "Master of Puppets" by Metallica (1986)   Our NEXT episode will be about Cobra Verde! Watch it here. 

Presentamos los principales conciertos del 42º Festival de Jazz de Zaragoza, los que tendrán lugar en la Sala Multiusos por parte de John Medeski, Kenny Garrett, Jazzmeia Horn, Something Else, Chucho Valdés y Miles Sanko. Temas que suenan en el programa: 01 1992 Medeski, Martin & Wood - Notes From The Underground 03 La Garonne (5' 36'') 02 2011 John Zorn - Nova Express 2 Port of Saints - John Medeski K Wollesen T Dunn J Baron (5' 09'') 03 2013 John Medeski - A Different Time 01 A Different Time (4' 24'') 04 2018 John Medeski - Mad Skillet 03 Tuna In A Can - Kirk Joseph Will Bernard Terence Higgins (4' 07'') 05 1991 Miles Davis & Quincy Jones & The Gil Evans Orchestra 13 Summertime - Kenny Garrett (4' 35'') 06 2021 Kenny Garrett - Sounds of Ancestors 02 Hargrove - Vernell Brown Corcoran Holt Ronald Bruner Rudy Bird (5' 14'') 07 2025 Jazzmeia Horn - Messages 01 Happy Livin' (5' 40'') 08 2024 Something Else - Soul Jazz 01 Filthy McNasty - Freddie Hendrix Vincent Herring Wayne Escoffery Dave Kikoski Paul Bollenback Essiet Essiet Joris Dudli (4' 51'') 09 2024 Chucho Valdés - Cuba And Beyond 05 Mozart a la Cubana - José Armando Gola Roberto Jr. Vizcaíno Horacio El Negro Hernández (6' 22'') 10 2024 Miles Sanko - Leti it Unfold 12 Say It (2' 02'')

When it comes to Hindustani music, he is both a doer and a thinker. A great tabla player, he has written books about the history and theory of music. Aneesh Pradhan joins Amit Varma in episode 430 of The Seen and the Unseen to chat about his life, his music and this world we inhabit. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Aneesh Pradhan on Instagram, Twitter, LinkedIn, YouTube, Scroll, Amazon, Spotify and his own website. 2. Chasing the Raag Dream: A Look into the World of Hindustani Music -- Aneesh Pradhan. 3. Hindustani Music in Colonial Bombay -- Aneesh Pradhan. 4. Tabla: A Performer's Perspective -- Aneesh Pradhan. 5. The Life and Music of Shubha Mudgal -- Episode 426 of The Seen and the Unseen. 6. The Light in Winter -- Episode 97 of Everything is Everything. 7. From Strength to Strength: Finding Success, Happiness and Deep Purpose in the Second Half of Life -- Arthur Brooks. 8. The Heckman Equation — a website based on James Heckman's work. 9. The Instagram reel about The Godfather. 10, The interview with Vasant Pradhan. 11. Dehachi Tijori -- Sudhir Phadke. 12. Chal Chal Chal Mere Saathi -- Song from Haathi Mere Saathi. 13. Categories of Music -- Ashok D Ranade. 14. Nationalism Is Bad for the Nation -- Episode 122 of Everything is Everything. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. Tawaif — Episode 174 of The Seen and the Unseen (w Saba Dewan). 17. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 18. Stage.in. 19. How Music Works — David Byrne. 20. The Changing Forms of Creativity -- Episode 72 of Everything is Everything. 21. Em and the Big Hoom — Jerry Pinto. 22. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 23. The War Against Cliche — Martin Amis. 24. Bridge of Dreams -- Various artists. 25. Out of the Shruti Box -- Anuja K's YouTube channel. 26. Malini Goyal is the Curious One — Episode 377 of The Seen and the Unseen. 27. The Disciple — Chaitanya Tamhane. 28. Niranjan Rajadhyaksha Is the Impartial Spectator — Episode 388 of The Seen and the Unseen. 29. Why Hindustani Musicians are Good Cooks: Analogies between Music and Food in North India -- Adrian McNeil. 30. Sangeet Kosh. 31. Begum Akhtar, Siddheshwari Devi, Kesarbai Kerkar, Faiyaz Khan, Bade Ghulam Ali Khan, Amir Khan, Sharadchandra Arolkar, Ahmed Jan Thirakwa, Amir Hussain Khan, Alla Rakha, Kishan Maharaj, Samta Prasad, Zakir Hussain, Anindo Chatterjee, Swapan Chaudhuri, Louis Armstrong and Miles Davis on Spotify. 32. Music Contexts: A Concise Dictionary of Hindustani Music -- Ashok D Ranade. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: 'Play' by Simahina.

On October 26, 2025, the legendary jazz drummer Jack DeJohnette passed away at the age of 83. DeJohnette was one of the greatest drummers in modern jazz. He released more than 50 albums as a bandleader and appeared on hundreds of recordings as a sideman — including landmark sessions such as Miles Davis' “Bitches Brew”, Wayne Shorter's “Super Nova”, and Keith Jarrett's “Standards”, among many others. DeJohnette also recorded six classic albums with Naptown jazz icon Freddie Hubbard. This week on Echoes of Indiana Avenue, we'll share music highlighting Freddie Hubbard's collaborations with Jack DeJohnette.  Born in Chicago in 1942, DeJohnette began his musical journey studying classical piano before switching to drums — a duality that shaped his melodic sensibility behind the kit. He rose to prominence in the 1960s through his work with jazz luminaries including Charles Lloyd, Chick Corea, Bill Evans, and Miles Davis. During his six-decade career, DeJohnette led numerous ensembles and recorded prolifically, creating a distinctive sound that fused jazz traditions with abstract and avant-garde influences. A National Endowment for the Arts Jazz Master and Grammy Award winner, DeJohnette was a guiding force in the evolution of modern jazz.

durée : 01:00:09 - La rue - par : Nathalie Piolé -

Um pé no bico e uma ideia na cabeça- duas baquetas nas mãos!Malandro se diverte até quando sobe, urubuservando a turma aqui embaixo tecendo loas e vertendo lágrimas com birinaite pra amansar a saudade.Os obituários do Boia são grandes celebrações de vida - e da vida vivida.Reparem na repetição, jamais gratuita, quando escrita.O Poetinha insiste em recordar que é uma só -Vida- mas eterna nos copos e corpos suados.Julio Adler e João Valente (Bruno Bocayuva na Guarda do Embaú, trabalhando onde o pessoal passa férias) levantam o que resta dos cálicespara brindar ao impacto enorme que fizeram na terra azul, John Peck, mistura de Senhor Pipeline e Paramahansa Yogananda e o baterista Jack DeJohnette, sinônimo de ritmo.A trilha ficou com Soft Cell (Ave Dave Ball!) com Bedsitter e John McLaughlin com a banda do Miles Davis, Jack DeJohnette - Dave Holland - Wayne Shorter - Chick Corea.

Guest: Derrick Chevalier — H-C (h-c.com), Evolve or Be Slaughtered (Amazon #1) Core ideas:Negotiate people, not problems; products don't change—people do “Feel good” ≠ “win-win”; feelings aren't facts Persuasion vs influence: persuasion is seen, influence is felt Antidote axiom: the antidote to any tactic is that tactic (or its opposite) elevated Harmony > balance for life/work integration Tactics & frameworks:Identify counterpart intent (not just demeanor) When splitting the difference can be smart—and when it's a trap Cooperative empathy: share just enough of your constraints to co-design terms Post-deal audit: judge outcomes by ROI over time, not end-of-meeting vibes Stories & examples:From hostage talks to aerospace & automotive deals Coaching a skeptic who becomes a “gold medallion” client and top negotiator/lawyer Miles Davis “wrong chord → resolution” as a model for harmony Takeaways:Prepare to discover what you don't know about the other side Don't avoid “sales”—upgrade your definition and skill set Use influence to align behavior, not manipulate Resources:Book: Evolve or Be Slaughtered (Amazon) Connect with Derrick: IG @derrick_chevalier, FB /anyproblemsolved, LI profile Free 30-min consult link via h-c.com Key Questions(01:00) How did you get to be where you are today?(03:43) Who do you serve today?(05:38) So if I wanted to come work with you, what would be some of the criteria that you would be looking for?(09:37) So on that note, how do you get in front of your potential client?(12:34) What are some commonalities, mistakes, misconceptions that people have when they start working with you or when they come to you?(25:24) Can you talk to us about how negotiation impacts everyday life, whether it's business or personal?(30:41) Have you heard of Chris Voss?(42:34)  What is your take on balance in life and work?(49:34) What is the best advice you have ever received?(51:21) What's the best advice you've ever given?(58:23)  We've talked about a few things. Is there something that we haven't touched on yet that you would like to talk about?(59:39) Where can we learn more about you and what you do and your book?Derrick Chevalierwww.h-c.comhttps://www.amazon.com/EVOLVE-Be-Slaughtered-Negotiation-Negotiating/dp/1965092543www.linkedin.com/in/derrick-chevalier-6323272https://www.instagram.com/derrick_chevalier/https://www.facebook.com/anyproblemsolvedVirginia PurnellFunnel & Visibility SpecialistDistinct Digital Marketing(833) 762-5336virginia@distinctdigitalmarketing.comwww.distinctdigitalmarketing.com

Utah State football dropped to 4-4 overall and 2-2 in Mountain West play after a 33-14 loss at New Mexico on Saturday afternoon. The Lobos opened scoring with a punt return touchdown and built an early 16-0 lead after a safety and an interception derailed the Aggies' initial drives. Utah State found the end zone before halftime on a 64-yard touchdown run by senior running back Miles Davis, who finished with a game-high 110 rushing yards and one score. Quarterback Bryson Barnes finished with 164 yards passing and threw a 13-yard touchdown to wide receiver Braden Pegan in the second half, but the Lobos secured the victory by converting a fake punt and scoring late to maintain their comfortable lead. The Aggies return home to host Nevada on Saturday, Nov. 8, at 5:30 p.m. Hear postgame analysis, along with comments from the coach, players and fans. 

Joining me today is Emanuel Harrold, Educator, entrepreneur, producer, master drummer, two-time Grammy Award-winning musician, Harrold continues to raise the bar with collaborations and touring with the likes of Damon Alburn, Gregory Porter, Hypnotic Brass Ensemble, De La Soul and Roy Hargrove. When you think of four words, Emanuel Harrold name comes to mind: Fashion, community, music and love. Emanuels music legacy stands three generations. If you enjoy artists such as Gregory Porter, Robert Glasper, Max Roach, Miles Davis, Gospel, Classical, Jazz, Electro and any music that moves you, Harrold likes it too. Born into the artistry of music by way of St. Louis, MO, USA, Harrold is a multiple Grammy-nominated and winning musician. Emanuel's father being a pastor whilst growing up, the appetite for singing and playing instruments grew. There were many musical outlets, those being his grandfather's Memorial Lancers Drum and Bugle Corps, church gatherings and family reunions. Harrold did not seriously pursue his current instrument until after high school. In St. Louis, Emanuel was involved with Off-Broadway musicals with The Black Repertory Theater, traditional jazz and local gospel scenes. Harrold is a self-taught musician and inspired by many great people on his musical journey to date. He has performed or recorded in no specific order with: Wynton Marsalis, Roy Hargrove, Robert Glasper, Ronnie Mathews, Keyon Harrold, Damon Auburn, John Hicks, James Spaulding, Shedrick Mitchell, Marcus Strickland, Stevie Wonder, Kidz in The Hall, Hypnotic Brass Ensemble, Ben La Uncle Soul, Gregory Porter, Ambrose Akinmusire, Revive The Live Big Band, Jonathan Batiste, Keyon Harrold, Laura Mvula, and too many other great amazing musicians to name in this short bio. I truly Love Emanuels, stylish, dynamic and subtle drumming and im very grateful that he was kind enough to give up an hour from his busy schedule. www.emanuelharrold.com Huge thanks to The UK Drum Show for sponsoring this episode www.theukdrumshow.com 2026 drum show dates - October 24th & 25th 2026 ACC Liverpool

www.patreon.com/dopeypodcast This week on Dopey! Dave opens the episode feeling sick, dreading his upcoming dental implants, and joking about painkillers, nitrous, and Tylenol PM. He congratulates longtime dopes Margaret Hernandez (36 years sober) and Mattie Veach (recovering from cancer surgery), prays for the Knicks, and introduces guest RJ Elizarraz, co-host of Against All Odds with Rachel Slocum and founder of Oak Forest Recovery.Before diving in, Dave reads Spotify comments from the Brace Belden episode — about therapy, high memories, Suboxone, and more — gives shoutouts to listeners, and pushes the legendary Dopey socks. He jokes about how each platform reacts differently: Patreon loves him, Reddit hates him, Facebook doesn't care.He plays an old Miles Davis clip about Charlie Parker doing drugs and sex in a taxi while eating fried chicken, and finds the recovery moral in it — acceptance is the key. A listener named Nathan from San Francisco sends a disgusting classic: at 12 he cooked and ate his own poop hoping it would make DMT. It didn't. He puked, got bullied, overdosed, and finally got sober. Dave laughs, calls it top-notch Dopey storytelling, and awards him socks. Then comes the main interview with RJ Elizares. They record in RJ's Westlake Village home — complete with an infrared sauna, cold plunge, and jade crystal massage bed. RJ also runs a marketing agency for medical clients and has a 13-year-old daughter.RJ tells his story:Grew up in Westlake, straight-edge nerd playing video games and paintball.Swore he'd never do drugs, then caved at 15 after a best-friend betrayal.Smoked weed with his stepbrother, laughed hysterically at Maury Povich, devoured frozen peas, and instantly became “the stoner.”Started selling weed and stealing paintball gear; pulled off a heist from an optometrist's back-room store until his stepbrother turned him in for the reward.Skipped school, bribed attendance clerks with weed, got caught high at a parent meeting, expelled.At continuation school, excelled while high, manipulated teachers, and got expelled again for lying.Ran away on a dirt bike, sold weed full-time, then transferred to another continuation school where a rival stabbed him in the arm with a pencil for “selling on his turf.”Graduated early by testing out, kept selling, moved out, and lived off weed money.With his girlfriend (later the mother of his daughter) did ecstasy, coke, Xanax, mushrooms, pills — everything but heroin.She overdosed on ecstasy and stopped breathing before being revived — a turning point moment. 

Christian McBride is a nine-time Grammy-winning bassist and composer who's known for his prolific career across jazz and other genres. His new big band album, “Without Further Ado, Vol 1.,” nearly reunited the beloved U.K. rock band The Police. Christian joins Tom Power to share that story and more, including his time going to high school with The Roots and playing with Miles Davis as a teenager. Plus, ahead of an appearance at the Oscar Peterson centenary celebration in Toronto, Christian talks a little bit about why the Canadian pianist was so important to him.Fill out our listener survey here. We appreciate your input!

Episode 91: Christian McBride. Nine-time GRAMMY winner Christian McBride is one of the most influential jazz artists in the game. His collaborations span icons like Chick Corea, Herbie Hancock, Pat Metheny, James Brown, and Sting. He's the leader of multiple acclaimed bands including the Christian McBride Big Band, Inside Straight, and New Jawn. He also serves as the host of NPR's Jazz Night in America and was the Artistic Director of the Newport Jazz Festival for a decade. His story is incredible, and we're setting the stage here with Part 1, The Early Years. Growing up in Philadelphia, Christian was surrounded by greatness. His high school classmates included Questlove, Black Thought, Joey DeFrancesco, and Kurt Rosenwinkel, just to name a few. In this episode, we talk about those formative years, the Philly music scene, and how he broke into the spotlight with Wynton Marsalis and Freddie Hubbard, along with the wild story of his rare opportunity to play for Miles Davis. We also get into his professional mentality, early lessons on leadership, and what it took to earn respect from legends while still a teenager. Christian is an amazing storyteller, and this conversation is full of history, heart, and laughs. We had the best time recording this one, so I hope you enjoy it as much as we did. Lets go! Special thanks to Apogee Electronics. We used their Apogee HypeMic and Podcast Kit in this episode and they sounded great. Check it out! Apogee HypeMic & Podcast Kit: https://hubs.li/Q03zczhb0 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

El percusionista Steve Reid, fundador de la banda The Rippingtons, fallecía a finales del pasado mes de Septiembre. En este pequeño homenaje y recuerdo escuchamos pasajes de su discografía propia así como sus colaboraciones junto a The Benoit-Freeman Project, Carl Anderson, Kilauea, Marc Antoine, Dave Koz, Miles Davis y, por supuesto, algunos de sus trabajos encuadrado en la formación The Rippingtons.

durée : 00:20:27 - Disques de légende du jeudi 23 octobre 2025 : le choix d'Alexandre Astier - À l'occasion de la sortie du deuxième volet de Kaamelott dans les salles obscures, Alexandre Astier nous raconte comment cet album de Miles Davis, précurseur du jazz fusion, l'accompagne depuis sa jeunesse. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On this controversial episode of THIS IS REVOLUTION podcast, Jason Myles and I discussed how white people don't know the late D'Angelo, besmirched Miles Davis' musical legacy, discussed a seance to bring back the late Huey P. Newton on Facebook, how the Hip Hop duo Camp Lo is like the Pop group Wilson Phillips, step-incest porn, cleaning men's pee around toilets, Henry the 8th's Papa Roach needlepoint, looking shocked in your social media thumbnails, and more!   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially   YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

On this controversial episode of THIS IS REVOLUTION podcast, Jason Myles and I discussed how white people don't know the late D'Angelo, besmirched Miles Davis' musical legacy, discussed a seance to bring back the late Huey P. Newton on Facebook, how the Hip Hop duo Camp Lo is like the Pop group Wilson Phillips, step-incest porn, cleaning men's pee around toilets, Henry the 8th's Papa Roach needlepoint, looking shocked in your social media thumbnails, and more!   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially   YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Dave opens this Tuesday Dopey Patreon teaser by reflecting on feeling burnt out, upcoming dental implant surgery, and the need to slow down. He jokes about “cultivating illness” to get rest and shares his current obsession with the Martin Scorsese documentary series Mr. Scorsese, hoping listeners will “pray and manifest” Scorsese appearing on Dopey. He talks about Scorsese's film legacy, calling Goodfellas untouchable.Dave reads a Spotify comment from Emma about a pork ad and debates if it's anti-Semitic, then begins a new segment reading from Miles Davis's autobiography — a vivid story about Charlie Parker pawning Miles's belongings for heroin.Next, longtime Dopey Nation member Selby calls in with a story about getting through TSA with weed gummies and ends with “stay strong, Dopey Nation, and fucking toodles for Chris.” Dave laughs about TSA searches, harmonicas being mistaken for weapons, and promises either to play harmonica on the road or stop traveling with it.The teaser transitions into the Patreon preview with Ray Brown and Dave's dad, where a discussion about politics erupts — his dad talks about kindness, empathy, immigration, and frustration with leadership. Dave tries to steer it back but ends up apologizing for the tangent. The teaser closes with Dave's song “I Wanna Be Good So Bad,” a raw, humorous original with lyrics about bad desire, frustration, calling his dad, and seeking peace and love.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, I'm joined by Sheri Jacobs, an accomplished entrepreneur, bestselling author, keynote speaker, and passionate advocate for creative breakthroughs. She's here to help us rethink everything we know about boundaries! We often hear that endless options drive innovation, but Sheri shows us how setting the right boundaries can actually ignite creativity and teamwork. She brings impactful stories and inspiration, from her arctic wildlife photography adventures to behind-the-scenes moments with leading companies like Bank of America, demonstrating how a few smart limits can lead to sharper solutions. She shares practical ways to create more clarity and space for what matters, at work and at home, even while juggling busy family lives and bold aspirations. If you feel overwhelmed by all you “should” be doing or struggle to find space for your passions, this episode offers fresh tools to help you choose what truly matters and design your most vibrant season yet. Listen in to learn how setting sensible limits can spark your next great idea. Show Highlights: Sheri Jacobs' wisdom on boundaries with a Miles Davis insight. [02:08] The myth that boundaries restrict rather than provide clarity. [03:50] How fewer options within constraints led to a winning arctic wildlife photo. [05:01] Tatiana Goodman's findings on how fences foster creative play. [09:28] Why Bank of America's “Keep the Change” program is successful. [12:33] Advice for women to break through ceilings by narrowing focus. [15:14] Beat FOMO and overwhelm with a priority correction. [16:53] How to get more done by setting a firm bedtime. [19:36] The power of a capsule wardrobe and curbing fashion excess. [21:36] Where are you not setting yourself free by creating a boundary? [22:46] To find Sheri's work and her books, go to https://www.sherijacobs.com/. Subscribe to the Brilliant Balance Weekly: www.brilliant-balance.com/weekly Follow Cherylanne on Instagram: www.instagram.com/cskolnicki Join the Brilliant Balance Facebook Group: www.facebook.com/groups/281949848958057

Frank Swart was born and raised in Boston. He grew up hearing the big band swing records and classic Broadway show albums that were in his parent's record collection, along with the music that his sister (who was ten years older) listened to including the Beatles, Jimi Hendrix, Sly and the Family Stone, and Led Zeppelin. He also developed a love for Miles Davis' 1970s recordings, the spiritual Jazz of John and Alice Coltrane, and the deep soul and blues of Chess and Stax records. After some ungratifying drum lessons, when he was 13, his sister bought him a bass. “I was able to play it immediately, learned some riffs from a guitarist, and was soon practicing eight hours a day.” As a teenager, he worked with rock, blues, and acid funk bands. Very interested in making recordings, Swart rented a recording studio in the basement of a hair salon on the graveyard shift and taught himself how to engineer and produce records.      After meeting his future wife and deciding to leave Boston, he spent periods living and working in Los Angeles, San Francisco, and Nashville where he led the experimental jam band Funkwrench (which is a nickname for a bass). He engineered the first Pixies demos, worked with Patty Griffin off and on for 17 years, recorded with Morphine, produced and performed with cult underground art-rock band Billy Nayer Show, was part of the acid jazz group Junk/Post Junk Trio, was a founding member of the psychedelic electric blues trio SIMO, and recorded and toured with such artists as Norah Jones, The Indigo Girls, John Hiatt, and Buddy Miller. After settling back in San Francisco in 2017, Swart and publisher-producer Brian Brinkerhoff founded the Need To Know label, Skunkworks Studios, and Funkwrench Blues. Utilizing Swart's instrumental blues-oriented compositions and such talents as guitarist Rick Kirch (who worked with John Lee Hooker) and a variety of drummers, they have made recordings with over 200 notable artists. A partial list includes Guitar Shorty, Cash McCall, Fareed Haque, Jim Campilongo, John Hammond, Sonny Landreth, John Primer, Albert Lee, Vieux Farke Toure, Mr. Sipp, Tommy Castro, and Duke Robillard but that only hints at the wide variety of performers. Swart will release his newest endeavor, Funkwrench Blues—Mischief In The Musitorium, in the summer of 2025. The album features collaborations with Lenny White, Vernon Reid, Donald Harrison, Nduduzo Makhatini, Jason Marsalis, Joseph Bowie, and more.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

CADENA 100 está sonando la mejor variedad musical. Se promociona un concierto de CADENA 100 por ellas a beneficio de la Asociación Española contra el Cáncer. Álvaro de Luna presenta su canción 'Juramento Eterno'. Ana Mena y su tema suenan a continuación. Se informa que Rihanna es madre por tercera vez. Se comenta la noticia de la nueva relación entre Katy Perry y Justin Trudeau, ex primer ministro de Canadá, tras sus anteriores parejas. 'Mateo & Andrea' ofrece 45 minutos de música sin interrupción. Se busca el fagot más antiguo de España y se anuncian canciones y sonidos considerados parte de la historia, como Elton John, Celine Dion, Amy Winehouse, Miles Davis y el sonido de inicio de Windows 95. Se invita a escuchar 'Buenos días, Javi y Mar' en CADENA 100. También se mencionan productos como Trómbozit para piernas cansadas y servicios como el Triplex de la ONCE, CoffeDís, Mutua, Seat, Lidle, y viajes de Royal Caribbean.

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

New Sode Glitter Ledger; I must be the only person on God's Green Earth who is so deeply unimpressed with AI. Have you ever heard one of your peers or staff speak with authority on the topic without sounding like a complete pompous asshole with small anatomy and/or a  troubling complexion? Alas, I consider myself a deeply attractive pompous asshole with a kind stalker-like disposition . As such, I use ChatGPT like rest of my well bred waspy goldigging alcoholic materialistic sxually starved intellectuals for concoctions on how to seduce a Sheik or for how to leverage all of my alimony into a House in St St. Tropez. Otherwise, I see the AI use cases as a Communist Manifesto; good idea in practice, but everyone ends up #poor.  Perhaps automated workflows are uninteresting to yours truly because I have no workflow to automate. Ipso Facto; wake me when #AI can give my husband a uknowwhat and design a powerpoint that designs a plan to launder money for the lazy. I digress,, my guest today is a real Crypto Nigerian Prince, side ordered as a well dressed Zoologist turned Ava Labs Executive. Not to be confused with an Avalanche Foundation executive. Yes, Afeez Awowole. He is a sought after guest and heavily edited my questions because most were too personal and likely  indictable.  I was looking forward to learning how to cook the books beyond throwing my journals into boiling water. I asked him why #accounting is so boring. I asked how to talk about balance sheets with a hint of mortifying sexual tension. When I was high on quaaludes I took out a mortgage that I made on crayons to buy more #AVAX and could only eat chickpeas and prosecco for 3 weeks. ButI lost a stone so I am bullish. Furthermore, my ex had a penchant for the P-chain.#Avalanche is the less cute stepsister of #Solana with an Ivy League degree and a #vicodin problem. She has what it takes to succeed with meaningful useless institutional partnerships for real world assets that I cannot melt down into a bullet. Real world assets should not be on-chain and should be in a #vault. Although I have some assets onchain I lost them because it is too goddamn complicated to retrieve. But like #Jesus Christ rising on Easter, Avax too will rise. I digress, Awkle met during the early days of Facebook in Ireland, I was working as a cocktail waitress on the lam and he helped set up a sick album. I was desperately in love with him but he maintained that he couldn't marry a married woman . Instead he agreed to help me put my ConED on autopay and teach me the zoology of #Ocelots. He is deeply intelligent to the point of sinister intrigue. His accent is a country club pour of Miles Davis meets Michael Saylor meets Liam Neeson. If this Nigerian Prince says Avalanche will change the world then it's indeed time to take out a third mortgage in Cray Paux right in time for Halloween. #GlitterLedger #Avax #AutomateMyPChainSupport the show

La cantante, pianista y arreglista Selma Boragian ha grabado en los últimos dos años obras como 'Crystal silence' -composición de Chick Corea a la que puso letra Neville Potter- con el vibrafonista André Juarez, 'Beija-flor' -del guitarrista Garoto- con Edgard Poças, 'Tutu' -de Marcus Miller para Miles Davis- con el bajista y flautista Stefano Andreatta-, 'Three views of a secret' -de Jaco Pastorius- a dúo con el bajista Mark Egan y 'Olha pro céu' -que Antonio Carlos Jobim grabó en su disco de 1967 'Wave'- como invitada especial de Dan Fontaine & Orchestra. También la escuchamos en un disco de 2013, 'Setembro', para el que grabó 'A volta' de Menescal y Bôscoli y 'Fuga nº2' de Os Mutantes. Langendorf United, de la saxofonista sueca Lina Langendorf, tocando la pieza que da título al disco 'Undercover beast' y 'Cesaria'. Y en un nuevo volumen, el 24, de la serie Jazz is dead, Adrian Younge y Ali Shaheed Muhammed rescatan al octogenario pianista brasileño, pionero del samba-funk, Dom Salvador con grabaciones hechas en el momento de 'Os ancestrais', 'Não podemos o amor parar' o 'Safira'.Escuchar audio

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In At the Vanguard of Vinyl, Darren Mueller examines how the advent of the long-playing record (LP) in 1948 revolutionized the recording and production of jazz in the 1950s. The LP's increased fidelity and playback capacity allowed lengthy compositions and extended improvisations to fit onto a single record, ushering in a period of artistic exploration. Despite these innovations, LP production became another site of negotiating the uneven power relations of a heavily segregated music industry. Exploring how musicians, producers, and other industry professionals navigated these dynamics, Mueller contends that the practice of making LPs significantly changed how jazz was created, heard, and understood in the 1950s and beyond. By attending to the details of audio production, he reveals how Black musicians such as Louis Armstrong, Miles Davis, Duke Ellington, and Charles Mingus worked to redefine prevailing notions of race and cultural difference within the United States. Mueller demonstrates that the LP emerges as a medium of sound and culture that maps onto the more expansive sonic terrain of Black modernity in the 1950s. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Flip that record over and listen to the latest 'sode of SURFACE NOISE where our dais of audiophiliacs discuss the latest news in the wild world of vinyl record collecting - Taylor Swift, Miles Davis, and Danzig reissues - who knew?!?

What if fewer mics could help you make better records? Alan Evans (Soulive) joins me to talk 4-track recording, Iceland sessions, AI in music, and how simplicity, mindset, and health can fuel your best creative work.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alan Evans, a recording, mixing, and mastering engineer, producer, and musician based in Western Massachusetts. Alan's probably best known as the drummer and co-founder of Soulive, but over the past 30 years, he's also built a deep discography engineering, producing, and shaping the sound of hundreds of recordings. He grew up in a musically rich household in Buffalo, NY, soaking in the sounds of Miles Davis, Ray Charles, and Jimi Hendrix which ignited his interest in music. As a teenager, he hit the clubs and started recording bands, teaching himself the craft of recording, mixing, and production from the ground up. These days, Alan continues to push boundaries through his label, Vintage League Music, with projects spanning jazz, funk, reggae, rock, and Americana—including recent recordings with Oteil Burbridge and MonoNeon at Floki Studios in Iceland, and a new album with Charlie Hunter and Ella Feingold at Pilot Recording Studios in Housatonic, MA. Alan's been on the show before in episodes RSR183, RSR339, and RSR440—and I'm psyched to have him back again, this time in person for video at Ready To Rock Studios. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=FJKiBFINRAOZrjKf0FdYJg If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/525

Christmas begins early in Venezuela… Cruise ship passenger jumps due to debt… Hershey park coaster stops due to –“off ride guest issue”... Share The Arrows event / www.sharethearrows.com... Miles Davis catalog sold to Reservoir Media… New Iphone 17... Roseanne Barr moves to Texas…Moving? / www.realestateagentsitrust.com Cracker Barrel bends the knee all the way… Taco Bell Y2K menu this month… Shake Shack new burger… Email: ChewingTheFat@theblaze.comwww.blazetv.com/jeffy $20 off annual plan right now ( limited time ) Nepal Uprising… France appoints new Prime Minister… Ollie North remarries his former secretary… Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices