Podcast appearances and mentions of Miles Davis

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In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Please note: this will be a live broadcast.  This show was rescheduled after a previously scheduled broadcast was postponed.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

As the great Warren Zevon said, ‘Enjoy every sandwich'. The two-man canoe navigates this week's rock and roll rivulet which sadly entails reflections on a pair of towering musical giants ‘whose legend occupied the space where activity should have been'. Things considered include … …are you born with genius or does a set of circumstances allow it to flourish? … the impossible task of living up to people's expectations and the calamitous ways it led Sly and Brian Wilson to behave. … like Sly's plane landing at the moment he was meant to be onstage at Madison Square Garden. … the massive cultural contrast between Woodstock and ‘the Black Woodstock' a month earlier and how Sly & the Family Stone looked like they'd ‘come from Mars'. … how Derek Taylor, Tom Nolan and Nick Kent helped fashion the Beach Boys' myth. … Sly's impact on Miles Davis, Prince, Massive Attack and hip-hop and how a record as radical as There's A Riot Goin' On was a No 1 Christmas album. … In My Room, a completely new kind of teenage song. … David's five Beach Boys teenage moments … … and Mark's three examples of Brian Wilson's Greatest Bits – eg the overture to California Girls. … and 'Arise, Sir Roger Daltrey!'Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

As the great Warren Zevon said, ‘Enjoy every sandwich'. The two-man canoe navigates this week's rock and roll rivulet which sadly entails reflections on a pair of towering musical giants ‘whose legend occupied the space where activity should have been'. Things considered include … …are you born with genius or does a set of circumstances allow it to flourish? … the impossible task of living up to people's expectations and the calamitous ways it led Sly and Brian Wilson to behave. … like Sly's plane landing at the moment he was meant to be onstage at Madison Square Garden. … the massive cultural contrast between Woodstock and ‘the Black Woodstock' a month earlier and how Sly & the Family Stone looked like they'd ‘come from Mars'. … how Derek Taylor, Tom Nolan and Nick Kent helped fashion the Beach Boys' myth. … Sly's impact on Miles Davis, Prince, Massive Attack and hip-hop and how a record as radical as There's A Riot Goin' On was a No 1 Christmas album. … In My Room, a completely new kind of teenage song. … David's five Beach Boys teenage moments … … and Mark's three examples of Brian Wilson's Greatest Bits – eg the overture to California Girls. … and 'Arise, Sir Roger Daltrey!'Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear

Introduction: Watch Out... (Matthew 6:1–4) Because your MOTIVES MATTER. (Matt 6:1a) Wrong Motive – TO GLORIFY YOURSELF. Right Motive – TO GLORIFY GOD. Matthew 5:16 – In the same way, let your light shine before others, so that they may see your good works and give glory to your Father who is in heaven. 1 Corinthians 10:31 – So, whether you eat or drink, or whatever you do, do all to the glory of God. Because your REWARD IS AT RISK. (Matt 6:1b–4) Worldly Reward – THE RECOGNITION OF OTHERS. James 1:27 – Religion that is pure and undefiled before God the Father is this: to visit orphans and widows in their affliction… James 2:15–16 – If a brother or sister is poorly clothed and lacking in daily food, and one of you says to them, “Go in peace, be warmed and filled,” without giving them the things needed for the body, what good is that? 2 Corinthians 9:6–7 – The point is this: whoever sows sparingly will also reap sparingly, and whoever sows bountifully will also reap bountifully. Each one must give as he has decided in his heart... Eternal Reward – THE RECOGNITION OF GOD. Matthew 25:23 – “Well done, good and faithful servant. You have been faithful over a little; I will set you over much. Enter into the joy of your master.” Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! Small Group DiscussionRead Matthew 6:1-4What was your big take-away from this passage / message?Why do your motives matter so much to the Lord?In what ways do you see yourself struggling with self-glorification? How can you fight against this sinful trend?Why isn't the worldly reward of human praise worth pursuing after?Why does the Lord want you to be motivated by eternal rewards? Explain why this motivation isn't legalistic or self-centered.BreakoutPray for one another. AUDIO TRANSCRIPT Open your Bibles to Matthew chapter 6 verses 1 through 4. Matthew chapter 6verses 1 through 4. You know 12 years ago my friends and I took a road trip downto the middle of nowhere Tennessee. My one friend promised us a free stay in aspacious cabin that his dad built right next to a scenic lake. Only one of thoseguarantees end up being true. This day was free but it was free for a reason. Itwas not a spacious cabin it was a glorified shack. It turns out we weren'teven allowed to sleep in the beds we had to sleep on the floor because his daddidn't want us to mess up the beds. We were also not right next to the lake itwas a mile walk through hilly woods and once you got to the beach this is thesite that greeted you. Warning dangerous water because nothing says come on in thewater is fine like a do not swim here sign in the foreground and a nuclearpower plant in the background. You can't really see it but there was a fenced offarea where dozens and dozens of people were swimming and splish plashingaround without a care in the world. I kept thinking to myself what are youpeople doing don't you see the sign I mean can you even miss this sign is thateven possible? It is unmissable. I guess people saw this sign but they justdidn't care. They thought it was a harmless joke and not a serious warning.You know how you respond to warnings says a lot about who you are as a person.The waitress brings you your food and says hey be careful the plate is hot. Whatdo you do in that moment? Do you believe your nice waitress or do you touch it tosee if she's telling the truth? I don't know what's in it for her to lie to youabout the hot plate or you pass by a wet paint sign and you think to yourself isthis actually wet? You decide to touch it right? Or here's a new one I learnedthis week. Did you know in bold letters on the Q-tip box it says do not insertinto ear canal. I was blown away. I've been doing it wrong for all these years.Now that you know are you gonna keep exploring your ear like it's a cave orare you gonna stop doing it? Or you come to a red light at the top of the redlight says no turn on red. But you look both ways and there's no one coming soyou go anyway. Let's move beyond these somewhat funny examples of somethingmuch more important. God's Word is filled with hundreds and hundreds ofwarnings that you can either ignore or take very seriously. This is the firstweek in a new section of our study of the Sermon on the Mount, the heart ofreligion. In Matthew chapter 6 Jesus gives a three-part warning of how youshould and should not approach the spiritual disciplines of giving, praying,and fasting. According to Jesus these disciplines are not just external thingsthat you can check off your to-do list. They are internal indicators of who youreally are and who you are really worshiping. Because Jesus cares how yougive. Jesus cares how you pray. Jesus cares how you fast. The how of thesedisciplines reveal if you are a religious phony or a religious follower ofChrist who is faithful from the heart. This morning we're gonna dig intoMatthew chapter 6 verses 1 through 4 and focus on the warning of our Lord whenit comes to giving of our time, talents, and treasures. Before we get started Iwant to plead with you to not ignore this warning from Christ. Take it veryseriously. Be on guard. Watch out for what he is cautioning you against. Do notclose your eyes to your own sin. Do not think you have it all figured outbecause Jesus has a not-so-secret secret to share with you this morning that youoften lose sight of. The secret to giving is giving in secret. So before wecontinue any further let's go to the Lord and ask for His help. Please pray for meand I will pray for you.Father we come to once again a very challenging and convicting passage inyour word. We're once again we are being exposed not just on the outside but onthe inside. I pray for every single person in this room including myself Lord maywe truly listen to what your word has to say and take this warning with the utmostseriousness. We thank you in advance what you are going to do and we ask allthese things in the name of your Son Jesus Christ. Amen. Alright so watch outnumber one because your motives matter. Watch out because your motives matter.Let's read the first half of chapter 6 verse 1. Jesus says beware watch out ofpracticing your righteousness before other people in order to be seen by them.It's important to note that Jesus doesn't say it's bad for other people tonotice you practicing your righteousness or doing the right thing in public. Whatdoes he say? Watch out for practicing your righteousness and doing the rightthing in public in order to be seen by others. In the original Greek that phrasein order to be seen it comes from the word for theater. You're putting on ashow. You're pretending to be someone that you are not. You are putting on aninsincere performance. So once again Jesus zeros in on the on the internal. Hefocuses on your heart's greatest desire. It's all about your motive. So let's checkout the wrong motive first. So what is the wrong motive? To glorify yourself. Toglorify yourself. I'm not proud of this but in the past I've done chores aroundthe house in the hopes that my wife will notice my hard work. Is anyone elseguilty of this kind of behavior? Jonathan Trent thank you so much. I am soappreciative. It's just you and me buddy. To be fair all the guys should have theirhands raised as high as humanly possible whenever asked that kind of question.This is so lame to admit but I've done the dishes. Taken out the garbage. Laydown mulch. Cut the grass. Done long past due house projects hoping that mywife will see it and award me husband points. And husband points are a formof currency in marriage that aren't worth as much as you would hope and go asbad as quickly as unrefrigerated fish. All the husbands in the room knowexactly what I'm talking about. In those moments my motive was not to honor mywife but to glorify myself. To show off how great of a husband I am. And whenKate didn't notice what I had done I began to pout and feel disappointed.I only felt that way because I had a bad motive. I wouldn't have felt that way ifI had the right motive which is to be a loving husband who tookresponsibility for his own home. And this proves an important principle.Self-interest and self-glory always lead to self-deception and self-defeat. Withoutfail the most miserable person in every room is the most selfish person in thatroom. The more you make life about you the more unhappy you will find yourself.Maybe that is why you feel so depressed this morning. Maybe that's why you feelso empty right now. You want to be the son at the center of your solar systembut the problem is nobody else cares about your desired position. No one wantsto orbit around your preferences. And you may be wondering how can I tell if I amthis kind of self-glorifying person or not. Well first of all you are this kindof person to some degree and so am I. This problem does exist within your heartat some level. You have to figure out how serious and far-reaching the problemactually is. Here are some things to be on watch for. Do you check out what otherpeople share about their problems? Do you have a hard time being happy for someoneelse when they achieve a goal that you've always wanted to accomplish? When theyreceive a blessing that you've always wanted? Do you always try to one uppeople and have a better story than someone else? Do you always bring thetopic of conversation back to you? What you've done in the past? What you're doingright now? And what you plan to do in the future? Do you get annoyed and evensulky when you don't get your way? Do you push away opportunities to serve andhelp if you don't see what's in it for you? Even though there are tell-talesigns it can be extremely difficult to spot your own narcissism because you areoften blind to it. But other people around you are not. It would be a goodexercise to check in with your family and your friends after church today to askif they see any of these tendencies and how you speak and how you talk and howyou act. And if you ask that question please shut your mouth and open yourears. Stop inserting your opinion. Stop justifying yourself. You will not grow ifyou are more interested in defending yourself than dying to yourself. Startdealing with your problem because I guarantee you that you do have a problem.Stop glorifying yourself because you are not worthy of this act of self-worship.So that's the wrong motive. To glorify yourself. What's the right motive? Toglorify God. To glorify God. So Jesus provides the right motive for doing theright thing earlier in the Sermon on the Mount. Listen to what he has to say inMatthew 5.16. "Let your light shine before others that they may see your good worksand give glory to your Father who is in heaven." Compare that to chapter 6 verse1. "Beware of practicing your righteousness before other people in order to be seen bythem." Do you see the difference? Instead of shining the spotlight onto yourselfyou shine on to the only one who is actually worthy of it, the Lord and Himalone. Because this is the reason for which you were created. You exist tohonor God and show a watching world how awesome He truly is. This must be the goalof your marriage. This must be the goal of your parenting. This must be the goal ofyour job. This must be the goal of everything that you do. In 1 Corinthians1031 Paul says this, "So whether you eat or drink or whatever you do, do all to theglory of God. Because any worldly glory that you collect for yourself will besnuffed out when you pass on from this life. But the glory of God is an unendingfire that can never ever be put out." In 100 to 200 years from now you're gonna belong forgotten. No one is gonna be thinking about you. But the name of JesusChrist will stand the test of time. His name will be forever high and lifted up.I'm not a betting man but I can guarantee you with a hundred percentcertainty that you will be rewarded for throwing your chips in with the victoryof God's name and reputation. That is the only motivation that will truly fuelyou. That is the only motivation that will get you across the finish line oflife. So watch out because your motives matter. Secondly, watch out because yourreward is at risk. Because your reward is at risk.Jesus lays out the consequence for doing the right thing for the wrong reasonat the end of verse 1. "Beware of practicing your righteousness before otherpeople in order to be seen by them, for then you will have no reward from yourFather who is in heaven." If you were dominated by the desire to rob God ofhis glory as you do good deeds, you will receive a loud and clear message fromGod. It is the same message that Willy Wonka gave the Charlie and his grandpa atthe end of the Chocolate Factory tour. You get nothing. You lose. Good day, sir.That may seem extreme, but that's what the text says. That may seem harsh, but it'seven better than what you deserve. With that in mind, Jesus continues on with hiswarning in verse 2, "By revealing the emptiness of the worldly reward that youoften settle for. Thus, when you give to the needy, sound no trumpet before you,as the hypocrites do in the synagogues and the streets, that they may be praisedby others. Truly, I say to you, they have received their reward. The worldly rewardthat is most tempting to seek after is the recognition of others. Therecognition of others. And notice that Jesus doesn't say, "If you give to theneedy," he says, "when you give the needy." And he says that again in verse 3,"which means that you are expected to help those in need with your time, withyour talents, and your treasures. You are expected by God to care for the orphanand the widow." James 1.27, "A religion that is pure and undefiled before God isthis, to visit orphans and widows in their affliction. You are expected by Godto not ignore the poor, especially those within the body of Christ." Once again,let's read what James has to say. James 2.15 through 16, "If a brother or sisteris poorly clothed and lacking in daily food, and one of you says to them, 'Go inpeace, be warmed and filled without giving them the things needed for the body,what good is that? It is worthless.'" You're expected by God to be generous withthe money in your account, and not hoard it for yourself. 2nd Corinthians 9 verses 6through 7, the point is this, "Whoever sows sparingly will also reap sparingly, andwhoever sows bountifully will also reap bountifully. Each one must give as he hasdecided in his heart, not reluctantly or under compulsion, for God loves acheerful giver." Harvest, you are expected to make these kinds of sacrifices. But asyou make these expected sacrifices, you are also expected to not sound a trumpetbefore you, like the scribes and Pharisees did 2,000 years ago. Now, theydidn't literally sound a physical trumpet. They didn't pull a Miles Davis andblast a physical trumpet whenever they did a nice thing or made a donation.Jesus is using an over-the-top and funny illustration to prove a simple point. Donot be an obnoxious jerk who draws attention to himself or herself wheneveryou do the right thing. You know, while you were doing whatever you were doingover the past week, I was racking my brain to think of a modern-day example ofsounding a trumpet before you. And I came up short. So I'm going to ask you guys tosilently brainstorm, because I actually have something I need to do in the meantime,okay? So just be using your brains to think about an example.Alright, don't mind me guys.[laughter]You know what? I don't want to interrupt your brainstorming time, but you know what?This sermon is going really well. And you guys are all just laughing at mystories. I guess really tell that you're dialed into my spot on teaching. I reallythink Facebook needs to know about this. Oh, by the way, have you guys had any luckwith your brainstorming? Wait a minute. Maybe I did stumble upon the 21st centuryversion of sounding a trumpet before you. What do you guys think? Alright, I guessI'll put this away then. You know, seeking after the affirmation and praise ofothers is the heartbeat of the virtual world. People put on a manufacturedversion of themselves. They put their best foot forward. You can post about yourbest day to accumulate the affirmation and adulation of others. Maybe you post astatus on Facebook, a picture on Instagram or real on the TikToks as Pastor Jeffcalls it, that highlights a mission strip, a service project or a charitableevent that you took part in. Now, you can certainly do this in a godly way withgodly intentions, but you can also do it in an ungodly way with ungodlyintentions. You just bask in the glory of the likes and the comments and the heartemojis as human praise begins to pour in. You make a sizable contribution to aGoFundMe page. And instead of remaining anonymous, you put your name right nextto the amount that you donated. And you don't do that to show support. You do itto show off. You want others to be amazed by your big hearted generosity. Some ofyou are feeling pretty safe and sound right now because you don't leave muchof a digital footprint. You don't post anything anywhere. Well, let's movebeyond the bounds of social media because I don't want to leave you out of all thefun. Maybe you can seal a prideful remark of something kind you did as a praiseat a prayer service or at small group. Maybe you accidentally slip in orreference something nice you did while in conversation with someone else. Andyou inwardly hope that they'll take the bait. They'll ask a follow-up question soyou can get the at a boy or at a girl that you are so desperate for. Maybe youlike to brag about your family's accomplishments in the yearly Christmasletter. That's right. I went there. Because some of you may do that. You say that youwant to keep everyone informed about your life, but you actually want to keepeveryone impressed with your life. All of these examples are sounding a trumpet,pulling out the selfie stick so that everyone will notice you because youwant to be the recipient of admiration. You know, whenever I was a full-timeyouth pastor for eight years, I went to a countless number of musicals, trackmeets, games, graduation ceremonies, graduation parties, and before, during, orafter the event, I would track down my student and their parents to let themknow that I was there. Because how could I bless them with my presence if theywere totally unaware of my presence? It's kind of weird to admit, but if Ididn't make myself known or receive credit, it didn't really seem to count.Does that make sense? Does that seem reasonable? But you often feel a verysimilar way when it comes to your acts of good works. To your acts of service. Ifothers don't recognize what you did, it doesn't really seem to count, right? Itmay even seem like a complete waste of time if you do not receive immediatepraise. Jesus says you can blow that trumpet, you can pull out that selfiestick if you want to, knock yourself out. If you do, you will receive the reward ofhuman praise, but that's all you'll get and nothing more. You will get nothingfrom your Father in heaven because you know what? You don't really care aboutwhat He has to give you. What other mere human beings have to offer seems muchmore appealing. But that is so short-sighted because compliments, thank-yous, and awardsfeel good for about 15 minutes. And then you're just jones in for the next dose,right? Praise leaves almost as quickly as it arrives. And you so quickly forgethow little it satisfies you the next time you desire it. In verses 3 through 4,Jesus warns you to long for that which truly lasts. He cautions you to walk thepath of delayed gratification so that you can receive the eternal reward of therecognition of God Himself. So that is the eternal reward, the recognition of God.Let's read verses 3 through 4. "But when you give to the needy," there it is again,"not if, when, when you give to the needy, do not let your left hand know whatyour right hand is doing, so that your giving may be in secret, and your Fatherwho sees you in secret will reward you." As I said earlier, the secret to givingis giving in secret. Jesus says, "not even let your left hand know what your righthand is doing." I just want to give a warning up front. I don't want to offendall the left-handed people in the room with this explanation of theillustration. I love all of you just as much as the normal people in the room.Okay, so don't be offended.Moving on, about 90% of Americans are right-handed, not left-handed. Again, don'thate me, it's just the facts, which means that the majority of people use theirright hand way more than their left hand. So just go with this over-the-top funnyillustration from Jesus. Imagine that your hands can actually speak to eachother. In that scenario, your right hand shouldn't constantly brag about all thethings that it was used to do over the course of the day to the left hand.Instead, it should be quiet. It should be satisfied that it was used instead ofbroadcasting how it was used. Jesus is calling us to a very serious type ofself-denial here. He is saying, "serve me, serve others, and then do your best toforget all about it." Don't keep track. Don't keep score. Don't manage your ownpersonal scoreboard. Don't comb through your mental file of successes and think,"Yeah, I'm doing pretty good compared to most people at church, compared to mostpeople in my small group." That is a complete waste of time and energy. It isnot your job to keep score because you cannot accurately evaluate yourself.Only God can do that. But this kind of self-forgetfulness is so counterintuitiveto us because we all live in a culture that tries to ram self-worth down ourthroats every single chance that it gets. Oh, your self-esteem matters more thananything else. If you don't put yourself first, other people will put you last.Don't forget to love yourself. Give yourself pep talks and tell yourselfhow awesome you are. Is any of that biblical? Why do we often fall for it? TheBible doesn't teach you to have high self-esteem. The Bible also doesn'tteach you to have low self-esteem either. The Bible says to have noesteem, which means that you're not focused on your self-image. You're notobsessed with what other people think and say about you. Instead, you focus onwhat God thinks and says about you because his authoritative opinion mattersthe most. Listen, it does not matter if other people recognize and acknowledgeyour faithfulness. Let me say that again because I really need to hear it. It doesnot matter if other people recognize and acknowledge your faithfulness. Whatmatters is you hear these words from the Lord when you stand before Him one day.Well done, good, and faithful servant. Enter into the joy of your Master. That isthe reward you should long and live for. Jesus says that if you give in secret,your Father who sees in secret will reward you. Jesus isn't saying that youcan earn right standing before God or work your way to heaven. That's notpossible. Salvation is found in the person and work of Jesus Christ andnowhere else. Forgiveness of sin and eternal life are gifts to be receivedby faith, not earned by works. Scripture is so clear on that. But scripture isequally clear that rewards in heaven are diligently earned, not automaticallyreceived. If you honor God in this life, He will honor you in eternity. If youreject temporary rewards that you cannot take out of this world, you will be giveneternal rewards that can never be stolen away from you in heaven. What a promise.That is a heavenly check that will never bounce and it will clear every singletime. So let God keep score because He will reward you. What are these heavenlyrewards? I wish I could tell you but the Bible doesn't give us specificdetails. But I can tell you this, God has never given you a lame gift in the pastand He will not give you a lame gift in the future. If God promises it,trust me, you want it and you will love it. Right now you may be thinking, okay,what do I do when someone else does praise me? This is going to happen at somepoint. Do you just shut them down and say, whoa, whoa, I didn't do this to bepraised by you. You're going to make me lose my eternal reward. Is that what youshould do? That'd be super weird and awkward for the other person. So pleasedon't do that. You should humbly accept this person's compliment and thenredirect their praise to the source and supply of your good works. The love ofChrist and the power of the Holy Spirit. Point the complimenter to God Himself.And this kind of redirect will not lead to a forfeiture of heavenly reward. Ifanything, it will lead to even greater reward because you have rightly handledpraise and you have put it in the place where it truly belongs, which is thehands of Almighty God. You know, compared to some of the weighty topics we'vecovered during the Sermon on the Mount, this passage may seem kind of light andinconsequential to you. But I can assure you that it's not because you're givingand serving in public speaks volumes of who you are in private. This is seriousbusiness. You have received a personal warning from Jesus Himself. He has warnedyou to watch out for the motive of glorifying yourself. To watch out forthe worldly desire to receive worldly rewards. And there are only two responsesto this kind of warning. Indifference or humility. Maybe you don't see any problemwith your motives right now. You don't see any issue for the reward you're livingfor. So you just want to move on with your day. Well, you're free to make thatchoice if you want to, but it is the wrong choice. Because until the day you dieand are in the presence of Christ, your motives will always be tinged withselfishness. Even as I stand before you to preach this sermon, there is selfishnessin my heart. Your motives will never be 100% pure. And you will desire the wrongreward. So please do not choose ignorance because too much is at stake. And maybe youdo see major problems with your motives and the reward you are living for. Youknow that you have to make a change, but you don't know how to make that change.Well, I have good news and bad news for you. Let's start with the bad news. Youcannot change your motives and desires. Are you ready for the good news? God canchange your motives and desires, but this will only happen if you humbleyourself before Him. Admit that you need His help. Submit to the master motivatorand the richest rewarder in the entire universe. Go to the Lord in prayer and dothat right now. Spend some time in prayer.Father, we come to you to lay our motives before you. To lay down the worldlyrewards that we are living for. What help us to remember the only thing that willtruly last is your glory and your name. What help us to live for these rewardsthat last forever and not these worldly rewards that fade away so quickly. AndLord, there's anyone in this room who is not a follower of you and is just stuckin this cycle of glorifying themselves and living for themselves. May they forthe first time submit to Jesus Christ as their Lord and Savior. That they canfulfill the purpose for which you've given them, which is to make much of you.And for the rest of us Lord, help us to remember that biblical goal. To rememberwho we are living for. To remember why we exist. And we ask all these things inJesus' name. Amen.

As the great Warren Zevon said, ‘Enjoy every sandwich'. The two-man canoe navigates this week's rock and roll rivulet which sadly entails reflections on a pair of towering musical giants ‘whose legend occupied the space where activity should have been'. Things considered include … …are you born with genius or does a set of circumstances allow it to flourish? … the impossible task of living up to people's expectations and the calamitous ways it led Sly and Brian Wilson to behave. … like Sly's plane landing at the moment he was meant to be onstage at Madison Square Garden. … the massive cultural contrast between Woodstock and ‘the Black Woodstock' a month earlier and how Sly & the Family Stone looked like they'd ‘come from Mars'. … how Derek Taylor, Tom Nolan and Nick Kent helped fashion the Beach Boys' myth. … Sly's impact on Miles Davis, Prince, Massive Attack and hip-hop and how a record as radical as There's A Riot Goin' On was a No 1 Christmas album. … In My Room, a completely new kind of teenage song. … David's five Beach Boys teenage moments … … and Mark's three examples of Brian Wilson's Greatest Bits – eg the overture to California Girls. … and 'Arise, Sir Roger Daltrey!'Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Del triple CD, banda sonora del libro del francés Laurent Cugny, 'Une histoire du jazz', las grabaciones de Miles Davis ('Oleo'), Art Blakey & The Jazz Messengers ('Moanin'), Clifford Brown ('Joy spring'), Charles Mingus Septet ('Self portrait in three colors'), Miles Davis & Gil Evans ('Summertime'), Miles Davis ('So what'), John Coltrane ('Giant steps'), Ornette Coleman ('Invisible'), Billie Holiday ('Strange fruit') Sarah Vaughan ('Embraceable you') y Nina Simone ('My baby just cares for me').Escuchar audio

Participants: John Steppling, Hiroyuki Hamada, Daniel Broudy, and Dennis Riches. Topics covered: Palestine, a few words in honor of the life of Christopher Black, police actions in Los Angeles against migrants and minorities and their defenders, Mike Davis' “No One is Illegal” (2006), Alexandre Havard-Dianine on Descartes, Rousseau, and Nietzsche, Jacinda Adern's career after the covid years in New Zealand, digital money vs. travelers' checks, the occupation of the mind of the target population, Jacques Ellul: agitation and integration propaganda. Music track: “Spanish Key” by Miles Davis (public domain).

Blind Mango Chutney takes you on a journey through the jazz universe. Joining him in the studio this week is evergreen vocalist local legend Linn Lorkin, telling stories and painting colours from a whole lifetime in music—and *singing* her newest book: Linn Lorkin's Song Book, lyrics referencing life from Grey Lynn to K Rd. DJ Sassy pops in to fix microphones and deliver the Gig Guide and general sunniness. And Blind Mango continues the tribute to Frank Gibson Jr., because there's so much to play, and to others to whom the Grim Reaper has been unkind this week: Sly Stone, who needs no introduction, and trumpeter Al Foster, best known for his work with Miles Davis. The 95bFM Jazz Show is sponsored by San Ray on Ponsonby Rd, eulogised earlier by Linn Lorkin

Episode 78: Omar Hakim. Today on the pod we've got one of the most recorded drummers of all time. The legendary Omar Hakim! We went deep for over 2 hours, and unlocked SO MUCH GOLD, so we're releasing this conversation in two parts. In Part 1, Omar shares the stories behind some of his most iconic recordings, including his legendary session with David Bowie on Let's Dance, his deep musical relationship with Nile Rodgers, and his time in Weather Report. We also get into the wild story of how he tracked the entire Dire Straits album "Brothers in Arms" (including the questions I've always had about Money for Nothing). With this interview, I hope you'll now understand how Omar became the legend he is today. I think your mind will be blown when you hear about the caliber of musicians that were around him since he was a kid! Part 2 drops next week. For now, here's the first hour of my conversation with the amazing Omar Hakim. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO (0:04:57) STARTING PROFESSIONALLY AT AGE 10 (0:05:57) JAMAICA QUEENS, NEW YORK (0:07:13) TOURING WITH JAY MASON AT AGE 15 (0:08:08) OPENING FOR HALL & OATS, PLAYING ARENAS AS A TEENAGER (0:08:42) LABELLE, LADY MARMALADE (0:11:15) JOINING WEATHER REPORT (0:11:35) DAVID SANDBOURNE, “AS WE SPEAK” RECORD, MARCUS MILLER (0:12:10) CARLY SIMON (0:13:29) OTHER GIGS IN TEENAGE YEARS (0:14:18) OPENING FOR “RETURN TO FOREVER” (0:15:00) CHICK COREA, STANLEY CLARKE STORY (0:20:02) GETTING THE GIG WITH WEATHER REPORT (0:21:41) MILES DAVIS (0:22:53) GETTING THE GIG WITH WEATHER REPORT CONTINUED (0:24:57) HUGH MASEKELA, VICTOR BAILEY (0:26:56) HOW THE WEATHER REPORT GIG CHANGED OMAR'S LIFE (0:27:31) NILE RODGERS (0:28:32) DAVID BOWIE'S “LET'S DANCE” (0:33:08) BECOMING A MUSICAL CHAMELEON (0:34:08) “LET'S DANCE” DRUM PART, THOUGHT PROCESS (0:36:53) RECORDING “RICOCHET” WITH DAVID BOWIE (0:38:22) TIPS FOR SESSION MUSICIANS (0:40:05) GROWING UP WITH NILE RODGERS (0:41:59) NILE RODGERS, “GOOD TIMES” MASTERING SESSION (0:44:58) NILE RODGERS AS A PRODUCER (0:47:23) DAVID BOWIE SESSIONS, SAYING NO TO TOURING (0:50:26) DAVID BOWIE “TONIGHT” ALBUM RECORDING (0:51:42) TURNING DOWN BOWIE FOR WEATHER REPORT (0:55:22) DIRE STRAITS “MONEY FOR NOTHING” Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Omar: https://www.instagram.com/omarhakimmusic/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Daniele Cordisco is an acclaimed Italian Jazz Guitarist and Composer. He has recorded with many artists including The Maestro, Ron Carter. He's performed at festivals and clubs in the United States, Japan and Europe. He's also a guitar instructor and teaches at the renowned Master Programs at Siena Jazz.My featured song is my cover of Miles Davis' “Nardis” from the album Miles Behind by The Robert Miller Group. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH DANIELE:instagram.com/daniele.cordisco________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

If you were eagerly anticipating the next pun-named episode of Music of the Mat Remix, then your wait is over. Shawn Michaels came out to his entrance theme "Sexy Boy" for many years, but what if instead of kicking his opponents' heads off with Sweet Chin Music, he wailed away on a saxophone instead? Why, he'd be... just a saxy boy (saxy boyyyyyy). On this episode, Andrew and first-time guest Roomba from the VOW Discord play songs that have a saxophone part in them. Artists played include Billy Idol, Fela Kuti, Ween, Romeo Void, FEAR, Sisters of Mercy, Grace Kelly, Miles Davis w/ John Coltrane & Cannonball Adderley, and many more. Get ready to make 'em hot and make 'em shiver with the help of some awesome saxophone songs!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrewAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tonight's Jazz Feature is Part 2 of the major stylistic changes that Miles Davis explored. Trumpeter Miles Davis needs no introduction here but over the years he altered his style and musical context several times. Some of the changes caused him to lose some of his audience but alternately he gained new followers. Miles always followed his own artistic muse. We'll hear these stylistic changes from some selected recordings beginning with two from his iconic and classic "Kind of Blue" from 1959 and go from there until the mid 1980's. Enjoy part 2 of the many styles of Miles Davis.

This week, we have a very special guest, Jon Stewart! Jon joins Armando and Helen to discuss whether Trump is the political equivalent of Miles Davis, the quaintness of UK politics compared to the US, Jon does a flawless Margaret Thatcher impression and they answer the age old question... are escalators the most emasculating form of travel?To hear more episodes from this series, search Strong Message Here on BBC Sounds.Have you stumbled upon any perplexing political phrases you need Helen and Armando to decode? Email them to us at strongmessagehere@bbc.co.ukSound Editing by Charlie Brandon-King Production Coordinator - Sarah Nicholls Executive Producer - Pete StraussProduced by Gwyn Rhys Davies. A BBC Studios Audio production for Radio 4. An EcoAudio Certified Production.

Stephen Kohler, who transitions from a career in product and brand marketing to a successful path in music and executive leadership coaching, shares insights from his book, 'The Leadership Anthem,' which explores how music concepts can enhance leadership skills. Discover how his journey, fueled by a deep-rooted passion for music and a knack for curiosity, led him to start his own leadership development firm, AUDIRA Labs.“It's not the note you play that's the wrong note – it's the note you play afterwards that makes it right or wrong.”― Miles Davis▬▬▬▬▬ Resources ▬▬▬▬▬Stephen Kohler: https://www.linkedin.com/in/kohlerstephen/Chris Brown: https://www.linkedin.com/in/brown784/The Leadership Anthem: How Listening Like a Musician Creates Strong Performances: https://www.amazon.com/dp/1774585383Shure: https://www.shure.com/en-USWeber: https://www.weber.com/US/en/home/Zen Buddhism: https://plato.stanford.edu/entries/japanese-zen/  Victor Wooten: https://youtube.com/shorts/useZGfowtlI?si=DQb-TpJn_VS2_pA3Herbie Hancock on Miles Davis: https://www.youtube.com/watch?v=m6fVZtp9vGQMiles Davis quote: https://www.goodreads.com/quotes/7896467-it-s-not-the-note-you-play-that-s-the-wrong-noteStephen's website: https://stephenjkohler.com/AUDIRA: https://audiralabs.com/Spotify Music: https://open.spotify.com/artist/67BiYqwoCfu12vtBBuZntz?si=JYSusxnTRw2gMy0gPjmZBwInstagram: https://www.instagram.com/cacklemedia/TikTok: https://www.tiktok.com/@cacklemediaX: https://x.com/CackleMediaLLCYouTube: https://www.youtube.com/@CackleMediaLinkedIn: https://www.linkedin.com/company/cacklemedia/Support the pod when signing up for Descript / SquadCast: https://get.descript.com/transferableskill▬▬▬▬▬ Timestamps ▬▬▬▬▬00:00 Introduction to Transferable Skills00:24 Stephen Kohler's Musical Journey00:59 Transitioning from Music to Business03:23 The Power of Curiosity and Networking07:34 Leadership Lessons from Shure09:08 The Genesis of 'The Leadership Anthem'12:10 Creativity and Leadership19:20 The Art of Grilling and Music21:40 Finding What Fuels You22:22 Smoking Meat: Tips and Joy23:13 Pursuing Passion Over Paycheck25:56 Philosophy and Strategy in Business28:14 Overcoming Internal Obstacles36:32 Building Strong Leadership Teams38:26 Creative Leadership Workshops40:51 Engaging Presentations Without Slides42:13 Conclusion and Contact Information

In the seventies, when Uri Caine was discovering the piano, two dominant influences were Chick Corea and Herbie Hancock.  Both were in their thirties, both had played emerging electric music with Miles Davis after having established their Jazz bona fides, both led successful fusion bands (Chick with Return To Forever, Herbie with his Head Hunters band), and each had a distinctive voice on the keyboard.     How stunning must it have been in 1978 when they announced a joint recording and touring project?  Just two geniuses on stage at two concert grand pianos.  If that's not catnip for an eager young pianist, we don't know what is!  You better believe that, when they came to Philadelphia, Uri Caine was in the house.  I mean, the guy is still talking about it!   What did he hear?  What was the big deal?   Find out Monday (5/26) when Mitch Goldman hosts Uri Caine on Deep Focus and unearths live, unreleased recordings.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD or wkcr.org.     Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Find out more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.     Photo credit: no publishing information available.   #WKCR #DeepFocus #/UriCaine #HerbieHancock #ChickCorea #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman

Nos visita Julio Martí, productor musical, organizador de conciertos de jazz de primer orden - de Miles Davis a Dizzy Gillespie, pasando por Pat Metheny, Herbie Hancock o Diana Krall, y promotor, corresponsable del milagro de las Noches del Botánico cuya nueva edición arranca hoy con Van Morrison. Y Mäbu vuelve a nuestro estudio para presentarnos sus nuevas canciones.DISCO 1 HERBIE HANCOCK Mercy Street (ESCA)DISCO 2 KOOL & THE GANG Get Down On It (3)DISCO 3 QUIQUE GONZÁLEZ Día de Feria (ESCA)DISCO 4 CHAKA KHAN I’m Every Woman (6)DISCO 4 BRANDY CARLILE Late morning lullaby (1)DISCO 5 BETH GIBBONS Tom The Model (2)DISCO 6 MÄBU El Ruido (ESCA)DISCO 7 MÄBU Guerra y Paz (2)DISCO 8 MAXWELL Sumthin’ Sumthin' (3)Escuchar audio

Guitarist Sonny Sharrock was one of the most forward-thinking guitarists coming out of the '60s, and his music stayed on the cutting edge throughout his long career. His credits include Miles Davis' Jack Johnson and Herbie Mann—next to whom he performed in Questlove's 2021 documentary, Summer of Soul—and his tunes have been covered by Santana and the Messthetics. But it's as a bandleader and collaborator where Sharrock cut his wildest recordings. As groundbreaking as Sharrock's music could be, his distorted tone and melodic tunes helped bring rock listeners into the jazz tent. Our callers let us know how much Sharrock meant to them and why he's one of the “top guys of all time.” Episode sponsored by Focusrite: focusrite.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Tonight's Jazz Feature is different from the usual as it will present a selective groups of performances by trumpeter, band leader and Jazz icon Miles Davis over his career and his various changes throughout the years from his early days in the 1940's through the 50's.. Miles Davis was born on May 26,1926 and passed away at age 65 on September 26, 1991. These performances will reveal some of the stylistic changes that Miles Davis went through and pioneered. He is arguably one of the most important musicians in Jazz History and in many ways changed the way we perceive Jazz Music. Many of his changes alienated his fans but brought new ones to the forefront. We'll hear some of these changes tonight as out Jazz Feature. We covered the 40's and early 50's including Davis' "First Great Quintet. Next week we'll continue the Davis odyssey from the late 50's, 60's, 70's and 80's. Be sure to be here.

Before Kind of Blue, a 21-year-old Miles Davis was already reshaping jazz with Birth of the Cool. In this episode, we explore how Miles teamed up with arranger Gil Evans and a chamber-like nonet to craft a sound full of singable melodies, tightly arranged horns, and forward-thinking restraint. With French horn in the mix, Gerry Mulligan and John Lewis' arranging touch, and Lee Konitz's lyrical solos, we unpack why this album – recorded in 1949-1950 and released years later – still lives up to its name.ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.

What's the greatest album of all time—and why does it feel like the answer changes depending on who's holding the aux cord?In this music-fueled, laugh-out-loud episode of The Ben and Skin Show, with Ben Rogers still out on vacation, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray dive deep into a newly compiled list of the top-rated albums of all time—sourced from seven major music outlets and mashed together into one glorious, chaotic ranking.

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangement just for Strong Songs.Music/Lyrics: Jerome Kern & Oscar Hammerstein IIVersions Featured:Broadway Original Cast Recording of "Very Warm for May," - 1939Tommy Dorsey and His Orchestra, feat. Jack Leonard, 1939Artie Shaw w/ Hellen Forrest, 1939Dizzy Gillespie w/ Charlie Parker, 1945Johnny Griffin w/ Hank Mobley, John Coltrane, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey on A Blowing Session, 1957Ella Fitzgerald from Sings the Jerome Kern Songbook, 1963Michael Jackson, 1973Sonny Rollins w/ Coleman Hawkins from Sonny Meets Hawk!, 1963Bill Evans w/ Chuck Israels, bass, and Larry Bunker, drums at Shelly's Mane-Hole, 1963Keith Jarrett Trio, from Standards, Vol.1, 1983Brad Mehldau Trio, from Art of the Trio 4, 1999Jim Hall & Pat Metheney, 1999Strong Songs Version Featuring:Kirk Hamilton, tenor saxAndrew Oliver, keyboardScott Pemberton, guitarSam Howard, bassTyson Stubelek, drumsThe "All The Things You Are" Playlist:Spotify | Apple | YouTube MusicALSO REFERENCED/DISCUSSED:The Jazz Standards: A Guide To The Repertoire by Ted Gioia, 2012The terrific 99% Invisible episode about The Real Book“Autumn Leaves” by Joseph Kosma as recorded by Cannonball Adderley and Miles Davis on Somethin' Else, 1958“Pennies From Heaven” by Johnston and Burke, recorded by Stan Getz with the Oscar Peterson Trio, 1957“Bye Bye Blackbird” by Henderson/Dixon, recorded by Miles Davis on ‘Round About Midnight, 1957“All Of Me” by Marks and Simons, played by Charlie Parker, Lennie Tristano and Kenny Clarke, 1951“I Got Rhythm” by George Gershwin, recorded by Sonny Stitt on The Hard Swing, 1961Rachmaninoff: Prelude in C-Sharp Minor,  performed by Jason Minnis, 2011“Goodbye Yellow Brick Road” by Elton John, 1973“Bird of Paradise,” recorded by Charlie Parker w/ Howard McGhee, Tpt. on The Complete Dial Recordings, Feb 1947“Prince Albert” recorded by Art Blakey's Jazz Messengers (Mobley, Dorham, Watkins, Silver) live at Cafe Bohemia, 1955“Poinciana” by Simon/Bernier recorded by Amhad Jamal Live At The Pershing, 1958----LINKS-----

Kenny Garrett, GRAMMY Award-winning alto saxophonist and composer, reflects on his days playing with Miles Davis and previews his weekend residency at the Blue Note in New York City.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

durée : 01:00:20 - Club Jazzafip - Quoi de plus beau que la ville lumière célébrée par Melody Gardot, Duke Ellington, Sathima Bea Benjamin, Eric Barret, Coleman Hawkins, Miles Davis, Etta James, Memphis Slim et d'autres.

L'éphéméride new yorkais de la semaine 22 - Le 26 mai 1926, la naissance de Miles DavisMusicien et interprète de jazz pour le moins légendaire, Miles DAVIS est une figure incontournable du jazz du XXe siècle. Et c'est à Manhattan que Miles DAVIS recevra son éducations musicale, volet essentiel de la construction de son identité musicale.Cet éphéméride revient sur les liens qui ont uni cet artiste legendaire et notre ville favorite !Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On the May 26 edition of the Music History Today podcast, tragedy strikes at a teen idol's concert, Michael and Lisa Marie get married, and three music classics are recorded. Also, happy birthday to some musical heavy hitters, including Lenny Kravitz, Stevie Nicks, Lauryn Hill, Levon Helm, and Miles Davis.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday 

Join hosts Tami Larson and Dennis Strazulo as they dive into the vibrant atmosphere of JazzFest 2025, with this episode recorded at The Broadside in New Orleans during the 10th Annual Crawfish Festival. In this episode, the first of several generated from JazzFest, the focus is on the experiences of the captivating, modern New Orleans funk band, The Rumble, authors of  a sound they dub "New Orleans Mardi Gras Funk!" Special guest co-host, Wally Ingram, joins the first part of the episode, engaging with The Rumble's co-founder and soulful guitarist, Ari Teitel and its super talented keyboard player, Andriu  “Yano” Yanovski, as they reflect on their hard working paths to success as Grammy nominated musicians. The conversation flips to Ari, Andriu and the hosts delving into Wally's storied journey playing with the likes of Timbuk 3, David Lindley, Sherly Crow, Phil Lesh, Bob Weir, Bonnie Raitt, Jackson Browne, Crowded House, George Clinton, and David Nelson, making Wally a  beloved percussionist/drummer across music genres. As these remarkable artists muse about their influences and mentors, Wally shares stories of his role as mentor for his bass-playing daughter Lydia's friend, Paolo Pesce and his rising band, Great Big Cow, while exuding praise and respect for the New Orleans music scene and much more!Ari and Andriu visit with Tales From  The Green Room fresh off their set with The Gangsters of Love, performing the music of Johnny “Guitar” Watson on the opening day of the  Crawfish Festival. When not playing with The Rumble you can catch Ari playing with Ivan Neville's Dumpstaphunk and Andriu jamming with David Shaw of The Revivalists, or sitting in with a myriad of ensembles around The Crescent City and across the USA.  The duo also make up the-thirds of the sensational improv band, AX3.The backstage banter continues as the hosts chat it up with other members of The Rumble - leader and co-founder Chief Joseph Boudreaux, Jr., trumpet player Aurelien "Sunpie" Barnes, bassist TJ Norris, and  inspirational drummer Trenton O'Neal -  moments before they hit the stage on day two of Crawfish Fest. The artists explore the band's formation, intentional approach, and dynamic performances. The band members also delve into their cultural and musical heritage with engaging anecdotes, industry insights, and a celebration of New Orleans' rich musical tradition. This episode captures the essence of The Rumble's journey and their undeniable impact on New Orleans music and beyond!Catch The Rumble at High Sierra Music Festival 2025 July 3-6!Episode Photo Gallery by Chris Applebaum Images – 4/28/25 Episode Photo Gallery by Chris Applebaum Images – 4/29/25HighlightsThere's something about the groove here. It's different. I kind of always say I don't trust a drummer who hasn't spent some time in New Orleans. Yeah. I mean, it's just, it's in the air. You feel it, you're so spoiled down here, man. It's just amazing. It's unifying too!-Wally Ingram praising the New Orleans music scene Detroit's got such a rich musical tradition, and I had a chance to come up under a lot of the greats and people like Ralph Armstrong, who played with Mahavishnu Orchestra and got a chance to play with Allan Barnes, sax player from Donald Byrd and the Blackbyrds. I had great teachers like Rodney Whitaker, the great upright bass player in Detroit. So I got a strong foundation in blues bebop, R&B, and then played in church and also in Michigan there was a strong jam band community, so I was kind of always in and out of that.-Ari Teitel on learning from the greats in his home state of MichiganIt opens you up. You stay open for the moments, for those times when you might go off script. But that's where the magic is. That's the sauce. Those are the moments I freaking live for. You're on the edge, you don't know what's gonna happen, and then you come up. Especially if I were playing with like Wally or Andrew, I'm confident in that unknown. It will present a lot of opportunities for some great moments, and  in those moments you discover some new musical ground and then everybody shares a smile.-Ari Teitel on how his jazz training opens him up to magical musical momentsWhen I was 19, I met Clyde Stubblefield. in Madison, Wisconsin. A friend of mine brought him to see me play, and I met him and I asked him if he teaches lessons. He goes, no, no man, just play. Just come down every Monday night. I'm at this club. Just come down. So I would go down there and watch him play. Just like what you guys were talking about. And he would say, oh yeah, you're that guy. A drummer, okay, you're up next set. And you'd have to just sit in with his band, which is a full R&B band with horns and they'd be like, oh shit. Clyde's got another drummer. Shit. So you'd have to sit in with his band and hold your own. He was very open to that. And we became great friends his whole life and we played together a lot.-Wally Ingram on learning from legendary James Brown drummer, Clyde StubblefieldI was at the show seeing Robert Randolph when I was 11 years old. My dad got everybody in the section to point at me…this kid, this kid! So he calls me up. I played for two minutes and then his guitar tech came to usher me off. Like, okay, that was it. Good job buddy. And then Rob Randolph waved him off, and said, no, no, no, he's staying up. So I  played a whole 20 minutes with him. He lifted me up. Yeah. Put me on top of a chair. I didn't know it was happening, my legs were flailing!-Ari Teitel reflecting on his big moment on stage with Robert Randolph at age 11 I didn't really know the function of a keyboard in a band fully until I heard about Ray Charles and heard what he did for the first time. I had never played a Rhodes piano. It felt insane the first time I played one. It was Ray Charles really that opened my mind. And then it was like Art Tatum and Oscar Peterson. And that was cool with my parents 'cause they were classically proficient. But then it started to deepen. Then you, obviously, learn about Miles Davis

This wonderful episode features three members of the generation that came of age in the 50's and 60s.  They are a shining example of this show's mantra... PROGRESS DESPITE OBSTACLES. They deliver a powerful message to this generation of what life was like for them growing, the obstacles they faced as they reached the pinnacles of success in their lives.Walter Beach was a member of AFL and the NFL. He was the starting cornerback on the 1964 World Champion Cleveland Brown with Jim Brown. But most importantly,  he became a Yale trained lawyer after football.Dr. Richard Allen Williams is a Harvard trained world known cardiologist, who founded the Association of Black Cardiologists. But, he is a professional Jazz trumpeter,  mentored by both Clifford Brown and Miles Davis.Bobby Hunter is a Stanford University train sociologist, who was a member of the world famous Harlem Globetrotters from 1966- 1974. He travel the country speaking at schools, colleges and other youth oriented venues.Their advice based on their education, life experiences and observations should be received with open arms. It is truly a marvelous episode. Don't miss viewing it!

On tonight's show: Miles Davis, S'posin Miles Davis, Saeta Miles Davis, Blue in Green Tommy Flanagan and the Jazzmen Detroit, You Turned the Tables on Me The Tommy Flanagan Trio, In the Blue of the Evening Hank Mobley, This I Dig of You Hank Mobley, Dig Dis Wynton Kelly, Autumn Leaves Wynton Kelly, Gone with the Wind Pepper Adams, Star-Crossed Lovers Pepper Adams, Urban Dreams Note: Paul Chambers on bass on most of the songs

A sus 85 años, Francis Hime, autor de algunos clásicos de la música brasileña, acaba de publicar 'Não navego pra chegar' con canciones como 'Chuva', 'Não navego pra chegar' -con la voz de Mônica Salmaso-, 'Um rio' -con Dori Caymmi y Olivia Hime-, 'Tempo breve' -con Zelia Duncan- o 'Imaginada' -con Ivan Lins-. De 'Kind of Miles', el homenaje del trompetista Paolo Fresu a Miles Davis, 'It never entered my mind', 'I thought about you', 'Diane' y 'Time after time'. Y un anticipo del próximo disco de Gabriel da Rosa 'Cacofonia': 'Seu João' y 'No fundo'. Despiden Edison Machado & Boa Nova con 'A chegada'.Escuchar audio

Tonight's Jazz Feature is a belated Birthday tribute to one of the the most unique and individual voices of the alto saxophone John Lenwood "Jackie" McLean. Jackie was born in Harlem, New York City on May 17,1931 and passed away at age 74 on March 31, 2006 after a long illness. Jackie made his first recording at age 19 with Miles Davis as a disciple of Charlie Parker and with his own sound. It wasn't long before Jackie developed his own ideas and phrasing. The Jazz Feature is a rare and previously unissued Blue Note Records date from 1966 that has Jackie exploring linear modal forms on the five tunes on the album. He also presents along with bassist Don Moore, two relatively new players on the New York scene: pianist Larry Willis who contributes the title track and and one other tune and a great young drummer from Chicago named Jack DeJohnette! Jackie's sound has been described as "sugar free saxophone" and you'll hear that in abundance tonight. Happy Birthday Anniversary Mr. McLean and to our listers: enjoy "High Frequency".

This is an Encore Presentation of my July 2024 ROCK PHOTOGRAPHER SUMMIT. It features five of the greatest rock n' roll photographers of the era and the subjects they are known for: Ebet Roberts - Downtown NYC punk and New Wave scene. Television, Talking Heads, Blondie, Miles Davis.Bob Gruen - John Lennon, Yoko Ono, Tina Turner, Led Zeppelin, NY Dolls, The Clash, The Ramones.Jay Blakesberg - The Grateful Dead, Joni Mitchell, U2, Santana.Elliott Landy - Album covers: Bob Dylan's “Nashville Skyline”, The Band's “Music From Big Pink”, Van Morrison's “Moondance”. Jimi Hendrix, Eric Clapton.Gered Mankowitz - Album Covers by The Rolling Stones: “Out Of Our Heads”, “Between The Buttons”, “Got Live If You Want It”. Elton John, Traffic, Yardbirds.                                      ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Ebet Robertswww.ebetroberts.comBob Gruenwww.bobgruen.comElliott Landywww.elliottlandy.comJay Blakesbergwww.rockoutbooks.comGered Mankowitzwww.mankowitz.com—---------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others.We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation's hypocrisy beneath the self-deceptive rhetoric of American exceptionalism.  And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on.First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence's deeper meaning beyond the consumerist and war-like American culture being offered as our only option.Well, boy, do we need them now! HENRY MILLER INTERVIEWOur inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood  in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records.Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder.Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON. 

Escucha el episodio con Alfonso Cardenal e Igor Paskual

Två udda fåglar och två av de mest begåvade. Multiinstrumentalisten Emma-Jean Thackray (aktuell med starka albumet Weirdo), och violinisten Sudan Archives. Lyssna på alla avsnitt i Sveriges Radio Play. Emma-Jean hämtade inspiration i en tid då amerikansk jazz färdades ut i rymden, och blev både andlig och vetenskaplig. Hennes trumpetspel influerades lika mycket av brassbanden kring gruvorna i norra England som av Miles Davis. En osannolik jazzfunkgudinna från Yorkshire som drömde sig bort till andra platser och planeter, medan Sudan Archives, eller Brittney Parks, från Ohio förde samman modern R&B med sudanesiska och västafrikanska rytmer. Fiolen blev som en förlängning av hennes kropp.I avsnittet möter Mats Nileskär även Nubya Garcia och Mahalia.

From BITCHES BREW to "Feels So Good" and beyond, author Matthew Reed Baker delves into the funky, smooth, and transcendent records that resulted from the merging of jazz with R&B, pop, rock, and much much more in the 1970s. Miles Davis, Weather Report, Chuck Mangione, Herbie Hancock, Joni Mitchell, and Steely Dan are just some of the acts that are discussed in 1970s Jazz Fusion, a welcome new installment from 33 1/3's spin-off series on musical genres. Bookseller and writer Justin Remer hosts this discussion of both the book and the music.   Hosted and produced by Justin Remer. Recorded remotely via Zencastr.  Opening music: "Optimism (Instrumental)" by Duck the Piano Wire  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Mathieu Jaton is the CEO and artistic director of the Montreux Jazz Festival, carrying forward the legacy of one of the world's most revered music festivals.Since stepping into this role in 2013, Mathieu has been on a mission to build upon the vision of the festival's legendary founder, Claude Nobs who founded the event series in 1967.The Montreux Jazz Festival takes place for two weeks every summer in Switzerland, on the shores of Lake Geneva. In its 50 years history, Montreux has hosted iconic performances by artists including Nina Simone, Miles Davis, Aretha Franklin, Marvin Gaye, Prince, Leonard Cohen, David Bowie, Elton John and Stevie Wonder.Under Mathieu's leadership, Montreux has continued to evolve. He launched Montreux Jazz Digital, an ambitious project to make iconic festival performances accessible worldwide. He has also established the Montreux Jazz Artists Foundation, a platform that supports emerging talent, offering young artists the same legendary stage that shaped so many careers. And expanding beyond Montreux, Mathieu has also brought the festival's spirit to global audiences, launching events in cities like Tokyo and São Paulo.His work has turned Montreux into a global cultural phenomenon, bridging audiences and artists around the world with the magic that defines this unique festival.---CHAPTERS(00:00) Introduction: Mathieu Jaton(01:41) DNA of Montreux Jazz Festival(03:58) Origins of Music Passion(15:53) Making People Happy(18:35) Claude Nobs(31:00) A Lesson in Hospitality(40:08) Starting at Montreux Film Festival(57:23) The End of an Era(01:17:25) The Future of the Festival---RESOURCES & LINKSMontreux Jazz Festival Website - www.mjaf.chClaude Nobs - wikipedia.org/wiki/Claude_NobsMathieu Jaton - www.mjaf.ch/en/artist/mathieu-jaton

El trompetista sardo Paolo Fresu rinde homenaje a Miles Davis en un disco doble titulado 'Kind of Miles', con un primer disco inspirado por el Miles del periodo acústico, en el que toca clásicos como 'It never entered my mind', 'I thought about you' o 'Round midnight' y un segundo, dedicado al Miles eléctrico, con piezas como 'Time after time'. De la cantante Daniela Soledade 'Only love is allowed', 'Every flower, every raindrop', 'Cobra criada' y 'Corcovado' de su nuevo disco 'Deco tropical' y del músico Sérgio Britto 'Mango dragon fruit' -a dúo con Bebel Gilberto-, 'Viver de ilusão' -con la voz de Tamara Salles-, 'E não se fala mais' -con Fernanda Takai- y 'O barquinho' -con Roberto Menescal en el reciente 'Mango dragon fruit'. Despedida con el baterista Edison Machado & Boa Nova tocando 'Janeiro'.Escuchar audio

CHARLIE PARKER “CHARLIE PARKER'S REBOPPERS” New York, November 26, 1945Billie's bounce, (1,3) Now's the time, (1,3) Thriving from a riff Anthropology, Meandering (3), Ko-ko (2,3)Miles Davis (tp-1) Dizzy Gillespie (tp-2,p-3) Charlie Parker (as) Argonne Thornton (p-4) [aka Sadik Hakim (p) ] Curly Russell (b) Max Roach (d) PAOLO FRESU & URI CAINE “THINK” Cavalicco, Italy, October 10-12, 2008Blood money, Darn that dream, Doxy, Roberto StrepitosoPaolo Fresu (tp,flhrn) Uri Caine (p,el-p) + Alborada String Quartet : Anton Berovski, Nico Ciricugno (vln) Sonia Peana (viola) Piero Salvatori (cello) CHET BAKER/ART PEPPER SEXTET “PICTURE OF HEATH” Hollywood, CA, November 20 & 21, 1956Picture of Heath, For miles and miles, C.T.A. Continue reading Puro Jazz 12 de mayo, 2025 at PuroJazz.

(S4 EP 21) Wayne Shorter's -Apple Apple (Blue Note)  Released October 1967 - Recorded February 3 and 24, 1966Wayne Shorter's Adam's Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock's intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam's Apple is one of the finest examples of mid-'60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter's catalog and the post-bop era..Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"Full Album: YouTube  Spotify Playlist: YouTube 

May 26th 2025 will mark the 99th Birthday of Jazz Composer and Trumpet extraordinaire Miles Dewey Davis. His contribution to Jazz, Bop, Bebop, Fusion, Funk and Hip Hop should be acknowledged and praised. To celebrate his Musical and Artistic journey, JazzE-Lounge will revisit all episodes that feature his Music, Muses and Art.

Passing the thermometer of conversation over the rock and roll news to see where the mercury rises, which this week includes … … the new Barbra Streisand duets album. Duets are ‘playlets', small intense dramas that depend on human interaction, but so many are recorded separately (including, tragically, Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell). … but … duets you HAVE to hear! eg Cash & Carter, Otis Redding & Carla Thomas, Ray Charles & Betty Carter, Siouxsie & Morrissey, Nick Cave & Kylie, Peter Gabriel & Kate Bush. … the extraordinary story of the rebirth and Indian Summer of Mississippi John Hurt after 40 years of invisibility.   … blues lyrics that now seem unimaginable. … Frank Zappa as a drug dealer? Miles Davis as a pimp? Cyndi Lauper as a trophy wife? Real or made-up Miami Vice rock star cameos.  … great opening lines – “We got married in a fever …!” … how you always learn something you never knew about someone from their obituary - like Mike Peters' involvement in the highest altitude concert ever performed (on Everest with Glenn Tilbrook and Slim Jim Phantom). … where people listen to the Word In Your Ear “poddy” – eg in the bath, in court, at wedding receptions, by the Allman Brothers' graveside. Plus birthday guest John Montagna on rock stars who should be in a TV series.Help us to keep the conversation going by joining our Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Passing the thermometer of conversation over the rock and roll news to see where the mercury rises, which this week includes … … the new Barbra Streisand duets album. Duets are ‘playlets', small intense dramas that depend on human interaction, but so many are recorded separately (including, tragically, Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell). … but … duets you HAVE to hear! eg Cash & Carter, Otis Redding & Carla Thomas, Ray Charles & Betty Carter, Siouxsie & Morrissey, Nick Cave & Kylie, Peter Gabriel & Kate Bush. … the extraordinary story of the rebirth and Indian Summer of Mississippi John Hurt after 40 years of invisibility.   … blues lyrics that now seem unimaginable. … Frank Zappa as a drug dealer? Miles Davis as a pimp? Cyndi Lauper as a trophy wife? Real or made-up Miami Vice rock star cameos.  … great opening lines – “We got married in a fever …!” … how you always learn something you never knew about someone from their obituary - like Mike Peters' involvement in the highest altitude concert ever performed (on Everest with Glenn Tilbrook and Slim Jim Phantom). … where people listen to the Word In Your Ear “poddy” – eg in the bath, in court, at wedding receptions, by the Allman Brothers' graveside. Plus birthday guest John Montagna on rock stars who should be in a TV series.Help us to keep the conversation going by joining our Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

durée : 00:53:18 - Certains l'aiment Fip - À l'occasion de la parution du livre "Le métier de comédien", nous nous intéressons à l'alter ego de Delon, acteur dans "Plein soleil", "La piscine" ou "Ascenseur pour l'échafaud" dont les films comptent des musiques de Stan Getz, Martial Solal, Miles Davis, etc.

Back when we were all stuck inside and Broadway had gone quiet, I had the pleasure of sitting down with the great Warren Odze—a true Broadway and NYC studio veteran. Re-listening to this interview in 2025, I'm reminded just how rich and inspiring Warren's stories are. Things have changed for the better since we first recorded, but this conversation holds up stronger than ever.Warren has played in an incredible list of Broadway shows, including:

In this month's forecast, Tony Howard explores the momentous shift as Saturn moves into Aries and approaches its conjunction with Neptune – the big astrological news of 2025.Discover how Ryan Holiday's recent experience with censorship at the U.S. Naval Academy perfectly exemplifies a constructive response to a Saturn transit, embodying the Stoic wisdom that "the obstacle is the way." This real-world example shows the potential for growth and self-actualization during challenging transits.Tony unpacks what Saturn in Aries means for establishing healthy boundaries and inner authority, with special insights for those with placements in late mutable signs or early cardinal signs. Learn about the Saturn-Neptune conjunction's potential for "sobering up" through the lens of Miles Davis' journey and the deeper exploration of Saturn-Neptune themes in Ryan Coogler's breakout hit film "Sinners."The forecast also covers Mars in Leo, Mercury's movement away from Neptune, and highlights favorable days for taking action this month. Whether you're navigating obstacles or seeking clarity, this forecast offers practical wisdom for working with May's cosmic energies.Topics covered: Saturn's ingress into Aries (May 24) Saturn-Neptune conjunction Wisdom about facing Saturn transits Mars in Leo and its aspects Mercury's journey through Taurus into Gemini Favorable days for action in May Subscribe for monthly forecasts that blend psychological insight with practical astrological wisdom.

Listen to an interview with legendary jazz saxophonist and composer Gary Bartz. Bartz has performed with Charles Mingus, Max Roach, Art Blakey, and McCoy Tyner. In 1970, Bartz joined Miles Davis' band, contributing to the seminal Live-Evil sessions. But its Bartz work as a bandleader during the 1970s that cemented his reputation as a jazz icon, from his recordings with the Mizell Brothers, to performances with his group Ntu Troop. A two-time Grammy Award winner, Bartz was recently named an NEA Jazz Master by the National Endowment for the Arts.

Carlos Simon is a Grammy Nominated Classical composer with Gospel and Jazz Roots. He is the Composer-In-Residence of The John F. Kennedy Center For The Performing Arts; and the holder of the Inaugural Boston Symphony Orchestra Composer Chair. His works address themes including migration, belonging and community. His latest work is “Good News Mass” with the LA Philharmonic.My featured song is my version of Miles Davis's “All Blues” from the album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Carlos Simon:https://www.carlossimonmusic.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

One afternoon in Oslo changed the course of jazz piano history! In this episode, Adam and Peter dive into Facing You, the hit 1971 ECM release where a 26-year-old Keith Jarrett – torn between Miles Davis' electric band and his own acoustic instincts – walked alone into a studio and recorded eight completely improvised masterpieces. From the gospel-tinged “In Front” to the apex moment in “Lalene,” we explore his remarkable touch, bluesy intuition, and the distinctive distorted Steinway that producer Manfred Eicher perfectly captured. We place this album among solo piano giants (Monk, Tatum, Evans), lovingly examine Jarrett's “fussy” reputation, and show how this afternoon session laid the blueprint for his legendary Köln Concert. Five decades later, we jazz pianists are still chasing the magic Keith created that day.