UnderScore

Marty & Will at long last break their podcast quarantine and ask "was there anything beautiful in this strange and frightening year?". download Catching Up: The QuarantineMusical excerpts from:Onward (2020) - Mychael Danna & Jeff Danna - Pixar Animation Studios (Dan Scanlon, dir.)Soul (2020) - Trent Reznor & Atticus Ross, Jon Batiste - Pixar Animation Studios (Pete Docter, dir.)The Last of Us Part II (2020) - Gustavo Santaolalla - Naughty Dog (Neil Druckmann, dir.)Star Wars: The Rise of Skywalker (2019) - John Williams - Lucasfilm Ltd. (J.J. Abrams, dir.)and featuring songs from: Silk Sonic, Dua Lipa, Arizona Zervas, Surfaces, Clairo, Hamilton, and Cuco For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please leave a review at Apple Podcasts or share with someone you love.

After focusing on Herbert Stothart's fantastic underscore, we bring our attention back to the magical songwriting partnership of Harold Arlen and E.Y. Harburg. The song score to The Wizard of Oz is unlike any other, built from infectious melody, peerless lyrics and surprising structure. Moving piece by piece through Arlen & Harburg's work brings us face to face with some of the most classic songs of the 20th century. 80 years since the film's release, titles like 'Ding-Dong! The Witch is Dead', 'Follow the Yellow Brick Road', and 'If I Only Had a Brain' continue to be indispensable to our cultural lexicon. We chart the development of the many Oz songs, along the way uncovering music removed from the final cut of the film (but thankfully not lost to history). Today's episode is an absolute bash; we can't wait for you to join us in celebrating this stunning score of scores.Listen to episode 8m3 The Merry Old Land of OzThe Wizard of Oz -Herbert Stothart (score), Harold Arlen & E.Y. Harburg (song score) - 1939 - Metro Goldwyn Mayer (Victor Fleming, et al, dir,)The Wizard of Oz in Full Score - Herbert Stothart, Harold Arlen, E.Y. Harburg - Omni Music Publishing (conductor score)https://omnimusicpublishing.com/product/oz/The Wizard of Oz - Original Motion Picture Soundtrack [Deluxe Edition] - Warner Archive Collectionhttps://itunes.apple.com/us/album/wizard-oz-original-motion-picture-soundtrack-deluxe/1455918173IMDBhttps://www.imdb.com/title/tt0032138/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

We devote today's episode to the Academy Award-winning underscore to The Wizard of Oz and its composer Herbert Stothart. His musical tapestry is a technicolor extravaganza itself - lavish, sensitive and irreplaceable.  Written with a stunning lack of ego, Stothart's score pushes powerful musical ideas into the spotlight, be they melodies of songwriter Harold Arlen, inspired excerpts from classical literature or the ingenious inventions of the composer himself. This is a score that takes advantage of every potential musical moment to lift the film upwards and upwards - to quote lyricist E.Y. Harburg - "to a place behind the sun, just a step beyond the rain..." Join us as we revisit the wonderful world of Oz, courtesy of Mr. Herbert Stothart.Listen to episode 8m2 Introducing Herbert StothartThe Wizard of Oz -Herbert Stothart (score), Harold Arlen & E.Y. Harburg (song score) - 1939 - Metro Goldwyn Mayer (Victor Fleming, et al, dir,)The Wizard of Oz in Full Score - Herbert Stothart, Harold Arlen, E.Y. Harburg - Omni Music Publishing (conductor score)https://omnimusicpublishing.com/product/oz/The Wizard of Oz - Original Motion Picture Soundtrack [Deluxe Edition] - Warner Archive Collectionhttps://itunes.apple.com/us/album/wizard-oz-original-motion-picture-soundtrack-deluxe/1455918173IMDBhttps://www.imdb.com/title/tt0032138/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

We are ecstatic to begin our next film subject, The Wizard of Oz (1939), arguably the most magical film ever produced. At the heart of our movie is a song that changed the world. "Over the Rainbow" is one of the most lauded, most performed, and most beloved pieces of music we know of and our dive into the film begins with a conversation centered on this Arlen & Yarburg-penned standard. We discuss the special history of the song and the way in which it vividly paints our heroine Dorothy's inner world. What began 80 years ago as a humbly staged song on a Kansas farm has become a powerful anthem around the world - built not from bombast but from melodic beauty, harmonic depth, and lyrical aspiration. Join us as we explore and celebrate the song that speaks to the dreamer in us all - "Over the Rainbow".Listen to episode 8m1 Over the RainbowThe Wizard of Oz -Herbert Stothart (score), Harold Arlen & E.Y. Harburg (song score) - 1939 - Metro Goldwyn Mayer (Victor Fleming, et al, dir,)The Wizard of Oz in Full Score - Herbert Stothart, Harold Arlen, E.Y. Harburg - Omni Music Publishing (conductor score)https://omnimusicpublishing.com/product/oz/The Wizard of Oz - Original Motion Picture Soundtrack [Deluxe Edition] - Warner Archive Collectionhttps://itunes.apple.com/us/album/wizard-oz-original-motion-picture-soundtrack-deluxe/1455918173IMDBhttps://www.imdb.com/title/tt0032138/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today's Reel Change concludes our delightful dive into the history of the Movie Musical. We continue our travel backwards in time, as we step song by song down memory lane. We hope today's selections (by no means intended as an exhaustive 'greatest of' list) spark joy in the way only great movie musicals can.Join us and be prepared - you may find yourself suddenly and uncontrollably bursting into song.[Note: This 2-part podcast focuses on songs from live-action Movie Musicals. A future Reel Change will cover the wonderful tradition of music from Animated Musicals].Listen to Reel Change: The Movie Musical (Part II)  Today's Selections:Little Shop of Horrors “Little Shop of Horrors” (music: Alan Menken, lyrics: Howard Ashman)Annie“Maybe” (music: Charles Strouse, lyrics: Martin Charnin)Grease“You’re the One that I Want” (John Farrar)Willy Wonka & the Chocolate Factory“Pure Imagination” (Leslie Bricusse / Anthony Newley)Hello Dolly“It Only Takes a Moment” (Jerry Herman)The Sound of Music“The Sound of Music” (music: Richard Rodgers, lyrics: Oscar Hammerstein)Mary Poppins“A Spoonful of Sugar” (Richard Sherman / Robert Sherman)The Music Man“Marian the Librarian” (Meredith Wilson)West Side Story“Something’s Coming” (music: Leonard Bernstein, lyrics: Stephen Sondheim)Carousel“If I Loved You” (music: Richard Rodgers, lyrics: Oscar Hammerstein)Calamity Jane“The Deadwood Stage” (music: Sammy Fain, lyrics: Paul Francis Webster)Singin' in the Rain“Singin' in the Rain” (music: Nacio Herb Brown, lyrics: Arthur Freed)Annie Get Your Gun“They Say It's Wonderful” (Irving Berlin)Meet Me in St. Louis“The Boy Next Door” (Hugh Martin / Ralph Blane)■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today's Reel Change begins a delightful dive into the history of the Movie Musical. For a twist, we start in the present day and move backwards in time, step by step, song by song in a most melodious walk down memory lane. We hope today's selections (by no means intended as an exhaustive 'greatest of' list) spark joy in the way only great movie musicals can.Join us and be prepared - you may find yourself suddenly and uncontrollably bursting into song.[Note: This 2-part podcast focuses on songs from live-action Movie Musicals. A future Reel Change will cover the wonderful tradition of music from Animated Musicals].Listen to Reel Change: The Movie Musical (Part I)  Today's Selections:Mary Poppins Returns “Nowhere to Go but Up” (music: Marc Shaiman, lyrics: Marc Shaiman & Scott Wittman)The Greatest Showman“A Million Dreams” (Benj Pasek / Justin Paul)LaLa Land“City of Stars” (music: Justin Hurwitz, lyrics: Benj Pasek, Justin Paul)The Last Five Years“Nobody Needs to Know” (Jason Robert Brown)Les Miserables“Castle on a Cloud” (music: Claude-Michel Schönberg, French lyrics: Alain Boubil, English lyrics: Herbert Kretzmer)Sweeney Todd“Pretty Women” (Stephen Sondheim)Enchanted“That’s How You Know” (music: Alan Menken, lyrics: Stephen Schwartz)How the Grinch Stole Christmas“Christmas, Why Can’t I Find You” (music: James Horner, lyrics: Will Jennings)Robin Hood: Men in Tights“Marian” (music: Hummie Mann, lyrics: Mel Brooks)Newsies“King of New York” (music: Alan Menken, lyrics: Jack Feldman)Dick Tracy“More” (Stephen Sondheim)■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today Marty & Will get together for an unedited chat over one of their favorite pieces of recent film music - the songs & score to Marc Shaiman & Scott Wittman's Mary Poppins Returns.download Catching Up: Mary Poppins ReturnsMary Poppins Returns (2018) - Marc Shaiman & Scott Wittman - Walt Disney Pictures (Rob Marshall, dir.)https://www.imdb.com/title/tt5028340/ For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today Marty & Will turn their attention to some of their own compositional work, starting with the pieces used as theme music for UnderScore.This is the first in a new series of episodes (Composer's Corner) where composers will share the inspirations, approaches and backstories to their own unique music.Thank you so much for another great year of movie-music podcasting. We look forward to the exciting year ahead - happy holidays!download Composer's Corner: The Music of UnderScoreFind the music from today's episode: Martywww.martybmusic.comBandcampSoundcloudiTunes Spotify  Willwww.williambmusic.comBandcampSoundcloudiTunesSpotify see also: Super Marcato BrosHoneytone Music For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

It is our immense pleasure to share our conversation with Audio Engineer/Composer Alan Snelling. [Excerpts of this interview were included in our arc of episodes devoted to the score to STAR WARS - we are delighted to be sharing the full extent of our conversation with you on today’s podcast].Alan began his career in the late seventies as the assistant to audio engineer Eric Tomlinson at Anvil Studios in Denham, England, where he shortly became involved in such landmark projects as Star Wars, Alien, and Superman (to name but a few). In our delightful and long-ranging chat, Snelling recounts unforgettable stories from the recording sessions of these treasured films. Along the way, we'll encounter the likes of George Lucas, Steven Spielberg, Richard Donner, Jerry Goldsmith, Hans Zimmer, and the composer who left perhaps the greatest impact on Snelling and Tomlinson - John Williams. Alan is an incredible craftsman, phenomenal storyteller, and an incredibly generous human being; experiencing his wisdom is a true privilege. Enjoy! Listen to Interview: Alan Snelling Return of the Jedi (1983) - John Williams - 20th Century Fox (Richard Marquand, dir.)  -The Return of the JediThe Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)  -Lando's PalaceThe Great Train Robbery (1978) - Jerry Goldsmith - United Artists (Michael Crichton, dir.)  -No Respectable GentlemanStar Wars (1977) - John Williams - 20th Century Fox (George Lucas, dir.)  -The Land of the Sandpeople  -Inner City  -Main Title  -Rescue of the Princess  -Cantina Band  -The Desert and the Robot Auction  -The Princess AppearsDracula (1979) - John Williams - The Mirisch Corporation (John Badham, dir.)  -To ScarboroughThe Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)  -The Training of a Jedi KnightRaiders of the Lost Ark (1981) - John Williams - Paramount Pictures (Steven Spielberg, dir.)  -A Thought for Marion / To NepalBrideshead Revisited (1981) - Geoffrey Burgon - Granada Television (Charles Sturridge, Michael Lindsay-Hogg, dir.)  -Julia's ThemeLadyhawke (1985) - Andrew Powell - Warner Bros./20th Century Fox (Richard Donner, dir.)  -Phillipe Describes Isabeau Star Wars (1977) - John Williams - 20th Century Fox (George Lucas, dir.)  -The Throne Room and End TitleThe Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)  -The Wampa's Lair / Vision of Obi-Wan/Snowspeeders Take Flight  -Jedi Master Revealed / Mynock Cave  -The Imperial MarchE.T. the Extra-Terrestrial (1984) - John Williams - Warner Bros (Richard Donner, dir.)  -The DepartureSuperman (1978) - John Williams - Warner Bros (Richard Donner, dir.)  -Leaving Home [5M3]  -Prelude / Main Title March  -Can You Read My Mind (Alternate Instrumental)  -The Flying SequenceA Pinprick of Light (2018) - Alan Snelling - Stranger Than Paradise Prod. (Kasra Karimi, dir.)  -Manfred's Room Alan Snellinghttp://www.up4loud.com/https://www.imdb.com/name/nm0811074■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

Marty & Will craaaawl back from the dead just in time to for a listening party of some spooktacular Halloween movie music. Ready your candle and brave this dark corridor with us for there's something lurking in the shadows, something ghostly..What was that?... From whence comes this chilling sound?... What terrifying harmony... Yet what ethereal melody... I'm drawn helplessly closer... prisoner to the music of this dark & evil night.Bwahahaha...Happy Halloween everyone - thanks for listening!To accompany today's podcast we've prepared a Spotify playlist featuring many of the pieces listened to (see below). Enjoy!download Listening: Happy HalloweenUnderScore Podcast Playlist ■ HALLOWEEN (Spotify link)■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today’s the day! After 5 episodes exploring the context & composition of this historic, world-changing score we’re finally ready to sit down to watch 1977’s STAR WARS in its entirety. As mentioned previously, our commentary corresponds to the original theatrical cut of the film. At the moment this is a difficult copy to obtain commercially, but is available in a few sources including the special features of the 2006 DVDs, pre-1997 VHS and laserdisc copies and various fan preservation editions online. The snare drum rolls of Alfred Newman’s 20th Century Fox opening fanfare should be a helpful sync point for lining up your audio. Thank you so much for listening - producing these episodes has been a profound and humbling experience that has left us forever changed. Here we go... #maytheforcebewithyou #always #thankyouforlisteningListen to episode 7m4 The STAR WARS CommentarySTAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,)Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score)https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1&IMDBhttps://www.imdb.com/title/tt0076759/?ref_=nv_sr_5■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today we conclude our cue-by-cue exploration of the score to STAR WARS (1977). Picking up where we last left off, we enter the final half of the film and continue to marvel at John Williams' genius for orchestration, timing, melody, story and audience. Pouring over this underscore has been the most profound and fulfilling experience we could ever hope to have on the podcast. Join us as we step into film & music history as we prepare for next week's full-length audio commentary. #maytheforcebewithyou #always #thankyouforlisteningListen to episode 7m3B Spotting Session for STAR WARS (Part II)STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,)Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score)https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1&IMDBhttps://www.imdb.com/title/tt0076759/?ref_=nv_sr_5■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today's interlude is devoted to the only piece in the score to STAR WARS composed not for placement in the film, but as a stand alone movement for soundtrack and concert. We explore the exquisite orchestration of John Williams and the unforgettable portrayal of Carrie Fisher that together continue to bring life & wonder to this timeless character. #maytheforcebewithyouListen to episode Interlude: Princess Leia's Theme (soundtrack suite)STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,)Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score)https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1&IMDBhttps://www.imdb.com/title/tt0076759/?ref_=nv_sr_5Academy of Scoring Arts - Highlights 5/20/16 (with David Cripps)https://www.youtube.com/watch?v=2qqynrTkSSk■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

We've arrived at another Spotting Session - the moment in our film study where we move cue by cue through every piece of underscore. To commemorate the size, substance and significance of John Williams' STAR WARS, today's entry will be the first in a 2-part Spotting Session. This episode will take us from Alfred Newman's 20th Century Fox Fanfare up to the midpoint of the film - the Millenium Falcon's flight out of Mos Eisley, en route to Princess Leia's homeworld of Alderaan. We revel in exploring the rich orchestrations and story-driven composition of one historic cue after another, calling upon conversations from several of our past guests (including Conrad Pope, Joe Kraemer, and assistant audio engineer on the STAR WARS score, Alan Snelling). This is as unabridged and intentional an examination of the score as we could fathom. Full disclosure: we were left somehow even more riveted by this landmark 1977 work and can only hope you'll feel the same. Please enjoy this voyage inside this John Williams musical masterpiece. #maytheforcebewithyouListen to episode 7m3A Spotting Session for STAR WARS (Part I)STAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,)Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score)https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1&IMDBhttps://www.imdb.com/title/tt0076759/?ref_=nv_sr_5■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

With the exuberant Main Title still ringing in our ears, we turn our attention today to the many character themes that populate the underscore of John Williams' STAR WARS (1977). Examining this music uncovers a masterclass of melodic writing for film: from the short jingle-like motifs for the Rebel starships & Imperial soldiers to the lyrical, upward reaching anthems for Princess Leia and spiritual master Obi-wan Kenobi. We explore what each of these themes reveals of their characters, marveling at their ingenious & complementary expressions of rhythm, pitch, harmony and emotion. To help us in our discovery, we are joined by Dr. Jefferson Campbell, world-renowned Bassoonist and professor at the University of Minnesota-Duluth, where he continues to instruct on film music. Dr. Campbell is an authority on the music of the STAR WARS saga, frequently presenting his lecture "John Williams: The Other Star Wars Storyteller". With Dr. Campbell's help, we take a historical glance at the franchise, appreciating the seeds Williams plants in this first film - seeds he continues to water & nurture 40 years onward. We also delight in placing some attention on lesser-sung themes of this original film; equally memorable motives that never again appear in the saga (in fact, we even listen to Williams' unused first draft of an iconic character theme - a theme so appealing it found a happy home a few scores afterward). Join us as we continue to unearth John Williams incredible storytelling power in this landmark film. #maytheforcebewithyouListen to episode 7m2 The Themes of STAR WARSSTAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,)Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score)https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1&IMDBhttps://www.imdb.com/title/tt0076759/?ref_=nv_sr_5■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

When reviewing the century-long tradition of music in cinema, the American Film Institute's selection for 'greatest film score of all time' came as little surprise; it was of course John Williams' score to George Lucas' STAR WARS. For us, this 1977 score is something of a modern miracle - a work whose colossal popularity is matched only by its outstanding quality. Nowhere is that combination more apparent than in the very first piece of underscore, the unforgettable Main Title. Arguably the crown jewel of film music cues (whose original recording broke into the '77 Billboard top 10 [yes, the pop charts!]), this dazzling opening number presents a definitive rendition of the main theme and unequivocally proclaims the tone of the film that follows.We recently had the great fortune to speak with audio legend Alan Snelling, assistant engineer on STAR WARS (as well as THE EMPIRE STRIKES BACK, RETURN OF THE JEDI, SUPERMAN, RAIDERS OF THE LOST ARK and many others). Here he provides a vivid account of the debut performance of the Main Title and its impact on those to first experience it. [We will continue to hear from Alan throughout our arc of episodes. His full unedited interview will be available later this week on Patreon]We simply can't contain our joy for today's episode - an hourlong exploration into the composition, orchestration, performance and storytelling power of the Main Title. Please join us as we take our "first steps into a larger world".Listen to episode 7m1 The STAR WARS Main TitleSTAR WARS - John Williams - 1977 - Lucasfilm Ltd./20th Century Fox (George Lucas, dir,)Star Wars: Suite for Orchestra - John Williams Signature Edition - Hal Leonard (conductor score)https://www.halleonard.com/product/viewproduct.action?itemid=4490057&lid=150&keywords=john%20williams%20signature&subsiteid=1&IMDBhttps://www.imdb.com/title/tt0076759/?ref_=nv_sr_5Alan Snelling http://www.up4loud.com/https://soundcloud.com/alan-snelling-1/sets/alan-snelling-music■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

We've dreamed of these episodes since ever conceiving the podcast... Today we want to offer our thanks for your patience, attention and support by turning to a subject so many of us love like no other: John Williams' score to STAR WARS (1977). Now more than ever we want to remember the original cinematic phenomenon that defied the odds and seemed to unite a jaded, world-weary nation. Now we turn back the clock more than 40 years, to a time when Princess Leia & Luke Skywalker were little more than ideas in the mind of a young & visionary George Lucas; to a decade where a seasoned & sophisticated composer was presented the opportunity of a lifetime. Unbeknownst to either of them, together these two collaborators would create a work that would enrapture their public, transform their industry, and undeniably change the popular culture of their planet. We begin our 5-part series on STAR WARS with a special prologue examining all that happened before John Williams put pencil to paper. We've got so many questions we're dying to ask: What was the state of film music in the late 1970's? What did George Lucas envision musically for his space fantasy? How was Williams uniquely poised to deliver what is arguably the most essential film score of all time? What was the temp score to STAR WARS and who was its author? What of these occasional allegations of copying/borrowing/plagiarism? ... Today we attempt to answer each of these questions and prepare as best as we can for the episodes ahead. We hope to make this series as special & content-rich as possible - we can't wait to share what's in store. May the force be with you!Listen to Prologue: A Long Time Ago... Rinzler, J.W. The Making of Star Wars New York, NY, Ballantine Books, 2007 Star Wars, Lucas, and Williams: An Introductionhttps://www.soundtrackpodcast.com/podcasts/star-wars-lucas-and-williams-an-introduction.htm■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Today we look at a delightful tradition of cinematic storytelling, one we find at the very beginning of our favorite films: studio logos. These jingles & fanfares are the anthems of Hollywood industry and have been crafted by our most beloved screen composers. We chronicle this unique musical art form from the dawn of sound-film to the present day, uncovering much about the evolution of cinema in the process. What were initially war cries on the battlefield of early Hollywood eventually evolved into tiny hymns celebrating the wonder of moviegoing. Today's episode brings together almost too many legendary composers to mention: Alfred Newman, Max Steiner, John Williams, Jerry Goldsmith, Danny Elfman, Hans Zimmer, Michael Kamen (to name but a few). Put on your headphones and take a trip down memory-lane with us as we celebrate the past & present (and try our best to contain our anticipation for the next film subject...). Enjoy!Listen to Reel Change: Logos Classic Film and TV Studio Signature Logoshttp://www.classicthemes.com/studioLogos.shtml■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

We are pleased to finally present our feature-length audio commentary to The Incredibles (2004). Let's all unleash our inner Supers and race head-on into one of the most perfect pieces of cinema of the 21st century. Thank you for your Incredi-patience in this series of episodes on Michael Giacchino's breakthrough cinematic debut - a score that is as potent & powerful today as it ever was. Music that... ah, you caught us monologuing again. Here we go - on with the show!Listen to episode 6m4 The Incredibles Audio CommentaryThe Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,)The Incredibles (Music from the Motion Picture)https://itunes.apple.com/us/album/the-incredibles-music-from-the-motion-picture/161398291IMDBhttp://www.imdb.com/title/tt0317705/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

We've come at very long last to our third Incredi-Episode - it's another "spotting session". As in the past, once again we move cue by cue, reflecting on each piece of underscore in our film subject. Along the way we explore the air-tight, impeccably balanced story beats of Brad Bird's modern-day masterpiece and reveal the always deft, story-wise hand of composer Michael Giacchino. This is a score brimming with color, melody and superhero-sized heart. On our previous episode we identified and celebrated the many character themes & variations from The Incredibles; today we uncover just how Giacchino artfully weaves them into the fabric of the finished film. What a treat![A special note: it has truly pained us to have been away from producing the show for so long. We apologize for the unexpected & unprecedented hiatus. We're doing everything we can to bring our weekly show back on schedule and cannot thank you enough for your patience - you are the Supers!]Listen to episode 6m3 The Incredible Spotting SessionThe Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,)The Incredibles (Music from the Motion Picture)https://itunes.apple.com/us/album/the-incredibles-music-from-the-motion-picture/161398291IMDBhttp://www.imdb.com/title/tt0317705/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

Our second episode focused on The Incredibles (2004) explores the wonderful themes at the heart of Michael Giacchino's score. We first discuss the two central motifs (which we call Main Theme and Main Fanfare) and reveal how they influence the character of the entire underscore. While perhaps lesser known, we dive into the wonderful character themes Giacchino composed for each member of the 'family of supers' - the outwardly shy and inwardly courageous Violet; the optimistic and irrepressible Dash; the brave and resourceful Helen 'Elastigirl' Parr. We also delight in Michael's theme for Incrediboy, music that at first seems sweet and innocent but foreshadows something sinister. Grab your earbuds and your supersuits, we're in for a rollicking ride. #nocapesListen to episode 6m2 Incredible ThemesThe Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,)-Logos-The Glory Days-Meet Elastigirl-Adventure Calling-Bob vs. The Omnidroid-Violet's In Charge-100 Mile Dash-A Whole Family of Supers-Road Trip!-Saving Metroville-Incredible Success-The IncreditsIMDBhttp://www.imdb.com/title/tt0317705/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

We're so jazzed to unveil our next topic - Michael Giacchino's score to The Incredibles. Written & directed by Brad Bird and produced by Pixar Animation studios in 2004, this super-sized supermovie brings a great many firsts to the podcast (our first animated feature, first Pixar film, first work from Michael Giacchino). Today we explore the swanky sound of this unique score and discuss the tradition that so inspires its spy vs spy style. Michael Giacchino's path to The Incredibles is an adventure story itself, full of unlikely origins and a true hero's call (this time to follow in the footsteps of a living Double-O legend). Sit back and enjoy - it's fun for the whole family of supers!Listen to episode 6m1 The Sound of The IncrediblesThe Incredibles - Michael Giacchino - 2004 - Pixar Animation Studios (Brad Bird, dir,)-Logos-The Glory Days-Off To Work-Incredible Success-The IncreditsIMDBhttp://www.imdb.com/title/tt0317705/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

After an overlong break, we're happy to be back on air with possibly our most joyful episode. Today's Reel Change is devoted to the phenomenal tradition of Cartoon Music. We trace the roots of this great art to the historic partnership of Walt Disney & Carl Stalling and the earliest days of recorded music for film. We chronicle the evolution of score for animation and the transformational techniques pioneered by the CartoonMusic masters. Many of films' greatest composers have added to the Cartoon corpus - today is also a tasting tour of some delightful cues from Williams, Broughton, Goldsmith, Silvestri and more. Enjoy!Listen to Reel Change: Cartoon Music For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

Without further ado we present our feature-length audio commentary to E.T. the Extra-Terrestrial (1982). It has been our great honor for the past several weeks to examine and celebrate what may possibly be the most perfect score yet composed for cinema. Flashlights and Reese's Pieces at the ready, there's something in the shadows... a stranger... a searcher... a friend. Let's watch!Listen to episode 5m4 Audio Commentary for E.T.E.T. the Extra-Terrestrial - John Williams - 1982 - Universal Pictures (Steven Spielberg, dir,)Extra-Terrestrial (The 20th Anniversary) Original Motion Picture Soundtrackhttps://itunes.apple.com/us/album/e-t-the-extra-terrestrial-the-20th-anniversary/id1951771IMDBhttp://www.imdb.com/title/tt0083866/E.T. the Extra-Terrestrial in Concerthttp://filmconcertslive.com/movies/e-t-extra-terrestrial/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

Today's spotting session was produced with no small amount of labor and love. From beginning to end we discuss each instance of underscore in E.T. the Extra-Terrestrial, hopefully contextualizing this powerful music along with the cinematic narrative it supports. Steeped in the collection of thematic material we covered last week, we now explore just how those melodic threads are woven into the fabric of the complete film and hopefully illuminate the rich tapestry of music throughout. Today's episode also includes very poignant thoughts on the score from our recent guest - composer, orchestrator, and John Williams collaborator Conrad Pope. While we fully expected that combing through the music of E.T. cue by cue would be an emotionally powerful experience, it has been rewarding beyond our imagining. Please enjoy!Listen to episode 5m3 Spotting Session for E.T.E.T. the Extra-Terrestrial - John Williams - 1982 - Universal Pictures (Steven Spielberg, dir,)Extra-Terrestrial (The 20th Anniversary) Original Motion Picture Soundtrackhttps://itunes.apple.com/us/album/e-t-the-extra-terrestrial-the-20th-anniversary/id1951771IMDBhttp://www.imdb.com/title/tt0083866/E.T. the Extra-Terrestrial in Concerthttp://filmconcertslive.com/movies/e-t-extra-terrestrial/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

We continue our journey through John Williams' score to E.T. the Extra-Terrestrial by focusing on the many additional themes that populate the film. While perhaps best remembered for the themes featured in last week's episode (Flying theme, the Call), E.T. contains a wealth and diversity of iconic music. Remarkably, the majority of the thematic material emphasizes an important melodic gesture - the ascending perfect fifth. We explore how masterfully Williams distinguishes these disparate motives while simultaneously binding them together in the narrative fabric of the underscore. We endeavor to name the many iconic melodies that recur throughout the film; 'Danger', 'Friendship', 'Mystery', 'Searching', 'E.T.'s Antics', 'Earth', 'Awe', 'Goodbye' and 'Triumph'. Swimming through this rich #moviemusic has been an absolute pleasure. Ready the Reese's Pieces and enjoy!Listen to episode 5m2 Additional Themes from E.T.E.T. the Extra-Terrestrial - John Williams - 1982 - Universal Pictures (Steven Spielberg, dir,)Extra-Terrestrial (The 20th Anniversary) Original Motion Picture Soundtrackhttps://itunes.apple.com/us/album/e-t-the-extra-terrestrial-the-20th-anniversary/id1951771IMDBhttp://www.imdb.com/title/tt0083866/E.T. the Extra-Terrestrial in Concerthttp://filmconcertslive.com/movies/e-t-extra-terrestrial/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

Today we begin what may likely be our most meaningful set of episodes; a month devoted to John Williams' score to E.T. the Extra-Terrestrial. In the year it was released, the score won the Academy Award, Golden Globe, two Grammy Awards and the BAFTA and has since been recognized by the American Film Institute as one of the top 25 greatest American movie scores of all time. E.T. is one of the few film scores performed live to picture, with an ongoing concert schedule around the world. For us the film has been a deeply essential part of our lives and its music remains a constant & profound inspiration. We feel lighter than air to be able to share our love and fascination with Williams' classic score, starting with an exploration of the film's anthem - The Flying Theme. Listen to episode 5m1 The Flying Theme from E.T. the Extra-TerrestrialE.T. the Extra-Terrestrial - John Williams - 1982 - Universal Pictures (Steven Spielberg, dir,)-The Flying Theme-The Magic of Halloween-Far From Home/E.T. AloneExtra-Terrestrial (The 20th Anniversary) Original Motion Picture Soundtrackhttps://itunes.apple.com/us/album/e-t-the-extra-terrestrial-the-20th-anniversary/id1951771IMDBhttp://www.imdb.com/title/tt0083866/E.T. the Extra-Terrestrial in Concerthttp://filmconcertslive.com/movies/e-t-extra-terrestrial/■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

We are thrilled to share our conversation with composer/orchestrator/conductor Conrad Pope. Known throughout Hollywood for his deep musical knowledge and artistry, Conrad is an outstanding composer for cinema and one of the most in-demand orchestrators and conductors in the business. He has participated in well over a hundred films, working for composers John Williams, Alexandre Desplat, James Newton Howard, Jerry Goldsmith, James Horner, Alan Silvestri, Danny Elfman, John Powell and Hans Zimmer.

A small sampling of the truly classic cinema Pope has contributed to: the Star Wars series, the Harry Potter series, The Hobbit series, Jurassic Park, Pirates of the Caribbean, The Matrix films, Argo, The Rocketeer, Memoirs of a Geisha, The Polar Express, The Curious Case of Benjamin Button, Life of Pi, Sleepy Hollow, The Tree of Life, The Adventures of Tintin and most recently, Valerian and the City of a Thousand Planets.His acclaimed work as a composer includes My Week With Marilyn, The Wolfman, Ghost Ship and the documentary Tim’s Vermeer, to name but a few scores. In addition to his very busy schedule composing, orchestrating and conducting (in studio and on stage), Conrad will be once again teaching courses this summer for the Hollywood Music Workshop outside of Vienna, in Baden Austria. We are extremely pleased to invite Conrad to the show. What transpires in today's episode is a Film Music conversation that is riveting, hilarious and deeply moving. Enjoy!                                                                                                       Listen to Interview: Conrad Pope Pavillion of Women - Conrad Pope - Universal Focus (Yim Ho, dir.)  -Together ForeverEmpire of the Sun - John Williams - Amblin Entertainment (Steven Spielberg, dir.)  -The PlaneProject: Metalbeast - Conrad Pope - Prism Pictures (Alessandro De Gaetano, dir.)  -Deadly ChaseGhost Ship - Conrad Pope - Sandtrap Productions (James T. Flocker, dir.)  -All's WellThe Boss Baby - additional music by Conrad Pope - Dream Works Animation (Tom McGrath, dir.)  -LoveTim's Vermeer - Conrad Pope - Sony Pictures Classics (Teller, dir.)  -Tim's ThemeMy Week With Marilyn - Conrad Pope - The Weinstein Company (Simon Curtis, dir.)  -Marilyn on the TownPavillion of Women - Conrad Pope - Universal Focus (Yim Ho, dir.)  -The Embrace http://conradpopemusic.com/http://hollywoodmusicworkshop.com/For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

It's part 2 of Reel Change: The Orchestra and we've invited a special guest to join the podcast - our brother and percussionist extraordinaire Karl Brueggemann. Previously we walked through the String and Wind choirs and today we explore orchestral Brass and Percussion. Get to know the unique timbres of some of the leading lights of film music. From ancient drums to cutting edge synthesizers, the band of instruments behind the Hollywood Sound is dazzling and diverse. Enjoy!Listen to Reel Change: The OrchestraFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

Our latest Reel Change explores the ensemble at the heart of film music - the symphonic orchestra. Every week our score discussions are rife with references to the orchestra and we're delighted to finally give each member their proper introduction. Today's podcast is the first of a 2-part episode, covering the string section, woodwind section and historical origins of the modern film orchestra. Get to know the instruments and players that breathe life into our cinema and make movie music possible. [Part 2 airs Thursday and features a special guest] Enjoy!Listen to Reel Change: The OrchestraFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

With our banquet prepared, finally we feast! Today's episode is our feature-length audio commentary to Amélie. Assembled by Jean-Pierre Jeunet and the film's editorial team, Yann Tiersen's original & pre-existing music combine seamlessly into a narratively rich, unforgettable underscore. Amélie is a fairytale journey through the full spectrum of human emotion and a true cinematic tour de force. Crack the surface of your Crème brûlée and join us as we take in this delectable film. Bon appétit!Listen to episode 4m4 Commentaire d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Our spotting session for Amélie is perhaps our most unique installment thus far. We endeavor to cover the entire soundtrack for the film, putting each piece in its time and place. Jeunet, Tiersen and the editorial team assembled a clever collection of 'needle drops' into a narratively compelling underscore. We progress track by track through Amélie's music, uncovering the spirit of the film and the soul of our heroine. From 40s era showtunes to carnival organs to club remixes to intimate original piano ballads, listening to the music of this film end to end is an aural delight. Breaking down each individual piece, we set the table for next week's full-length audio commentary. Enjoy!Listen to episode 4m3 Spotting Session d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Today we continue our whimsical adventure through Yann Tiersen's music to Amélie. While much of the score originates from Tiersen's back catalogue, there is some exceptional original music we've yet to cover. Let's start with one of our very favorite pieces from the score, L'autre valse d'Amélie, a melodious delight emblematic of our heroine. We explore just how beautifully her two primary themes (both of them waltzes) embody the sun and moon of her persona. Next is one of the film's most recognized pieces, Comptine d'un autre été: L'après-midi. Breaking character somewhat from the rest of the score, this flowing piano ballad seems to reflect not the yesteryear of Amélie's fantasies, but the contemporary world she truly lives in. We close with another lovely selection composed specifically for the film, Le moulin. "Sans toi, les émotions d'aujourd hui ne seraient que la peau morte des émotions d'aut"Listen to episode 4m2 L'Autre Valse d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)- L'autre Valse d'Amélie- Comptine d'un autre été: L'après-midi- Le moulinFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

In an episode of many firsts we're thrilled to introduce our next film subject - Amélie. Yann Tiersen's irreplaceable score is brimming with charm and today we explore the film's central theme, La Valse d'Amélie (Amélie's Waltz). We study the musical features of the theme and discover what it suggests about the inner life of our film's heroine. Along the way we dive into the history of the Waltz in European musical culture and the legacy of the French Bal-musette tradition. Tiersen's score was uniquely constructed, ultimately including several pieces of music from his existing catalogue. This theme, along with a handful of others written specifically for the film, marked his first foray into cinema scoring and the result is something worthy of the canon of great film music. Bon appétit!Listen to episode 4m1 La Valse d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)- A Quai- La Valse d'Amélie- La Valse d'Amélie (Version Orchestre)- La Valse d'Amélie (Version Piano)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Today we are delighted to share our conversation with composer/producer Gabriel Mann. You know Gabriel as the composer for the multiple-Emmy winning television series Modern Family, including its signature title theme. He has also composed the music to Rosewood, Dr. Ken, Rectify, Dawn of the Croods, and School of Rock, currently airing on Nickelodeon. Additionally, Gabriel is an in-demand record producer and his band The Rescues has met great acclaim since its founding in 2008. Fans of Arrested Development will recognize Gabriel as he served as the resident songwriter and vocalist for the series. Along with Rebecca Kneubel, Mann composed the scores to three games in the popular Spyro series. A graduate of the USC scoring program and a great champion of melodic pop music Gabriel is a delight to talk to and an all around enthusiastic and hilarious person. Enjoy!                                                                                                       Listen to Interview: Gabriel Mann -Leaky Family - from Rectify (Sundance Channel / Gran Via Productions)-This Feeling - from the album Tall Buildings (Gabriel Mann, 2007)Arrested Development (Imagine Television):  -As It Is Such (Gabriel Mann, David Schwartz, Lucy Schwartz)  -Getaway (Mitch Hurwitz, Gabriel Mann, David Schwartz)-Floating Islands - from Legend of Spyro: Dawn of the Dragon (Gabriel Mann, Rebecca Kneubuhl)Modern Family (ABC/ 20th Century Fox Television):  -Main Title   -Feldman Brenda-Can't Stand The Rain - from the album Let Loose The Horses (The Rescues, 2010)Dr. Ken (ABC Studios / Sony Pictures Television)  -Main TitleRosewood (20th Century Fox Television)  -PetechiaeMarry Me (NBC / Sony Pictures TV)-I Was Just Worried About Youhttp://www.gabrielmann.com/For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

We are excited to share our feature-length audio commentary for Back To The Future. After weeks of exploring Alan Silvestri's sensational underscore (as well as the film's memorable song soundtrack) we're thrilled to revisit one of our favorite films from start to finish. Back To The Future is arguably one of the most entertaining pieces of cinema and rewards rewatching like perhaps no other movie. It has been a pleasure and a privilege covering BTTF and today we hope to put all its' wonderful music and story into context.  Sit back, crack open a Pepsi-free and enjoy! It's like Doc always says, "if you put your mind to it, you can accomplish anything".Listen to episode 3m4 Back To The Future - The CommentaryBack To The Future - Alan Silvestri - 1985 - Universal Pictures (Robert Zemeckis, dir,)-[The Power of Love]-[The Washington Post March]-[Time Bomb Town]-DeLorean Reveal-Disintegrated Einstein-'85 Twin Pines Mall-Peabody Barn-Ditches DeLorean-[Mr. Sandman]-'55 Town Square-[The Ballad of Davy Crockett]-Is That You-Retrieve DeLorean-Jigawatts-Dream Boat-Picture Fades-[Out The Window]-[The Wallflower]-Skateboard Chase-The Letter-[Night Train]-[Pledging My Love]-Biff Attacks-Marvin Be-Bop-George To The Rescue-Reaching For Lorraine-[Earth Angel]-Marty Disappears-The Kiss-Earth Angel Overlay-[Johnny B. Goode]-Goodnight Marty-It's Been Educational-Clock Tower-Helicopter-[Heaven Is One Step Away]-Lone Pine Mall-[Back In Time]-4 x 4-Doc Returns-End CreditsFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

As if we weren't already having fun, today we walk piece by piece through the entire cue list of Back To The Future. From the misty reveal of the time-traveling DeLorean to the dazzling final shot, Alan Silvestri's score is thrilling, funny, and unforgettable. We explore the unique connective tissue of the underscore and in so doing uncover yet more depth and narrative beauty in this cinema classic. Today marks our final score preparation for Silvestri's masterwork as we look forward to next week's full-length audio commentary. Enjoy!Listen to episode 3m3 Back To The Future - Spotting SessionBack To The Future - Alan Silvestri - 1985 - Universal Pictures (Robert Zemeckis, dir,)-DeLorean Reveal-Disintegrated Einstein-'85 Twin Pines Mall-Peabody Barn-Ditches DeLorean-'55 Town Square-Is That You-Retrieve DeLorean-Jigawatts-Dream Boat-Picture Fades-Skateboard Chase-The Letter-Biff Attacks-Marvin Be-Bop-George To The Rescue-Reaching For Lorraine-Marty Disappears-The Kiss-Earth Angel Overlay-It's Been Educational-Clock Tower-Helicopter-Lone Pine Mall-4 x 4-Doc Returns-End CreditsFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Today is a first for the podcast - an entire episode devoted not to a film's underscore but its song soundtrack. It would be impossible to talk about the musical fabric of Back To The Future without exploring the wide variety of memorable songs featured in the film. From songs penned specifically for the movie to its many popular period hits, everything is covered on today's episode. Huey Lewis & The News? Check. Johnny B. Goode? Check. That Van Halen solo in Marty's tape player? Doc, we've got 'em all. And as we discovered, following the thread of these songs highlights a beautiful emotional arc hidden in the film - a story of a teenager coming to discover his own voice through the power of song. Heavy!Listen to episode 3m1 Back To The Future (Main Theme)Back To The Future - Alan Silvestri - 1985 - Universal Pictures (Robert Zemeckis, dir,)-The Power of Love (Huey Lewis, Chris Hayes, Johnny Colla) -The Washington Post March (John Philip Sousa)-Time Bomb Town (Lindsey Buckingham)-Mr. Sandman (Pat Ballard)-The Ballad of Davy Crockett (George Bruns, Thomas Blackburn)-Out the Window (Eddie Van Halen) from the film, The Wild Life (1984)-The Wallflower (Dance With Me Henry) (Hank Ballard, Johnny Otis, Jamesetta Rogers)-Night Train (Jimmy Forrest, Lewin Simpkins, Oscar Washington)-Pledging My Love(Ferdinand Washington, Don Robey)-Earth Angel (Jesse Belvin, Gaynel Hodge, Curtis Williams)-Johnny B. Goode (Chuck Berry)-Heaven is One Step Away (Eric Clapton)-Back in Time (Huey Lewis, Chris Hayes, Johnny Colla, Sean Hopper)-Back To The Future (End Credits) Alan SilvestriFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

We're ecstatic to begin our third film subject - Back To The Future. Today we devote our entire episode to Alan Silvestri's timeless and ever-powerful main theme. We examine what makes this piece of music uniquely fitted to the premise, pace and spirit of this now classic film. Silvestri is a true master of scorecraft and his work on BTTF is a Hollywood adventure itself - a young composer turning an incredible challenge into genuine breakout success. Stunningly only his second large-scale orchestral film work, his score continues to stand alongside the very best in adventure movie music.Time circuits on - where we're going, we don't need roads...Listen to episode 3m1 Back To The Future (Main Theme)Back To The Future - Alan Silvestri - 1985 - Universal Pictures (Robert Zemeckis, dir,)-Back To The Future (End Credits)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

On today’s very special episode, we have a conversation with the Emmy-award winning composer John Lunn (Downton Abbey, Grantchester, The White Queen). Both a classically-trained composer and innovative producer, John brings a unique blend of musical depth and contemporary daring to his work in TV and Film. In addition to his beloved work on Downton Abbey, he is also known for his scores to several BBC adaptations of Charles Dickens’ classics, including Little Dorrit, which was nominated for both BAFTA and Emmy awards and the Mystery of Edwin Drood which was nominated for an Ivor Novello Award in 2013. Also in 2013, John composed the score to The White Queen, based on the series of books by Phillipa Gregory and this year has composed the score to its’ sequel series The White Princess, airing now in the US, Sunday evenings on STARZ. In addition to his great work as a composer, John is a truly sweet person who has much to say on music and its storytelling power. Enjoy!  [Note: this will be a 2-episode week - stay tuned this Friday for the next UnderScore episode]                                                                                                       Listen to Interview: John Lunn Downton Abbey - ITV Studios / Carnival Films (2010 - 2015)-Modern Love-The Suite-EscapadesGrantchester - ITV Studios (2014 - present)-Mr. ChambersThe White Queen - Company Pictures (2013)-The White Queen-CoronationElectricity - 2014 (Bryn Higgins, dir.)-Lilyhttp://www.jlunn.com/For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

In today's Reel Change we explore film music's most magical palette, the Lydian mode. From the twistedly comic to the ethereally cosmic, we chart Lydian's evocative power around the world and into the 20th century of American film music. Join us for a podcast that unites Leonard Bernstein, Ravi Shankar, James Horner and more. It's a celebration of true movie magic - enjoy!Listen to Reel Change: The Lydian Mode:Raga Yaman Kalyan - Ravi Shankar - 1974Maria - Leonard Bernstein/Stephen Sondheim - West Side Story - 1957Blue in Green - Miles Davis - Kind of Blue - 1959Tonight - Leonard Bernstein/Stephen Sondheim - West Side Story - 1957Main Title - Elmer Bernstein - To Kill A Mockingbird - 1962 (Robert Mulligan, dir.)Moon River - Henry Mancini - Breakfast At Tiffany's - 1961 (Blake Edwards, dir.)The Flying Scene - John Williams - Superman - 1978 (Richard Donner, dir.)Yoda's Theme - John Williams - The Empire Strikes Back - 1980 (Irvin Kershner, dir.)Flug auf dem Glücksdrachen - Klaus Doldinger - 1984 (Wolfgang Petersen, dir.)My Name is Chance - Bruce Broughton - Homeward Bound - 1993 (Duwayne Dunham, dir.)Universal Pictures Theme - James Horner - 1990Space Dance - Thomas Newman - Wall·E  - 2008 (Andrew Stanton, dir.)Belle (reprise) - Alan Menken/Howard Ashman - 2017 (Bill Condon, dir.)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

Award-winning composer Joe Kraemer joins us for an in-depth interview on his exciting career and the art of character-driven film scoring. You've heard Joe's remarkable work in such films as Mission Impossible: Rogue Nation (2015), Jack Reacher (2012) and Way of the Gun (2000). His celebrated score to Mission Impossible: Rogue Nation won the IFMCA Award in 2015 for Best Original Score for an Action/Adventure/Thriller Film and in 2016 Kraemer was awarded the Discovery Of The Year at the World Soundtrack Awards. Recently, Joe was commissioned by the Dallas Chamber Symphony to write new music for F.W. Murnau's silent film classic Sunrise: A Song of Two Humans. In addition to composing, he'll once again be a featured instructor at the Hollywood Music Workshop this summer in Vienna.  Joe has an infectious, enthusiastic personality and an expertise with film music that is both insightful and inspiring. Enjoy!                                                                                                       Listen to Interview: Joe Kraemer Mission Impossible: Rogue Nation - Joe Kraemer -Paramount - 2015 (Christopher McQuarrie, dir.)-Moroccan Pursuit-Good Evening, Mr. HuntJack Reacher - Joe Kraemer -Paramount - 2012 (Christopher McQuarrie, dir.)-Main TitleWay of the Gun - Joe Kraemer -Artisan Entertainment - 2000 (Christopher McQuarrie, dir.)-Robinhttp://www.joekraemer.com/For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

We are proud to present our feature-length audio commentary for Hitchcock & Herrmann's masterwork, Vertigo.  By now fully acquainted with Herrmann's voice and the alluring motifs of the score, we sit down to enjoy the film in its entirety. Whether your fourth or fiftieth viewing, we hope to offer fresh musical and narrative insight into this true cinematic classic. Enjoy!                                                                                                          Listen to episode 2m4 Vertigo: The Commentary Vertigo - Bernard Herrmann -Paramount/Universal - 1958 (Alfred Hitchcock, dir.)-Prelude-Rooftop-The Window-Madeline's First Appearance-Madeline's Car-The Flower Shop-The Alleyway-The Mission-Mission Organ-Graveyard-Tombstone -Carlotta's Portrait-The Hotel-The Hallway-Nosegay-The Catalog-The Gallery-The Bay-Sleep-By the Fireside-Exit-The Streets-The Outing-The Forest-The Beach-3AM-The Dream-Farewell - The Tower-The Nightmare -Dawn-The Past -The Girl-The Letter-Goodnight -The Park-The Hair Color-The Beauty Parlor- Scene D'Amour-The Necklace-The Return -FinaleFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Today we take all that we've learned thus far about Bernard Herrmann's iconic score to Vertigo and make our way through the entire cue list of the film. We explore Herrmann's mastery in weaving strong and memorable motives throughout this deeply hypnotic score. It's a chance to familiarize ourselves with the musical narrative of the film before next week's Vertigo finale - the complete UnderScore audio commentary. Don't look down!Listen to episode 2m3 Spotting Session: VertigoVertigo - Bernard Herrmann -Paramount/Universal - 1958 (Alfred Hitchcock, dir.)-Prelude-Rooftop-The Window-Madeline's First Appearance-Madeline's Car-The Flower Shop-The Alleyway-The Mission-Mission Organ-Graveyard-Tombstone -Carlotta's Portrait-The Hotel-The Hallway-Nosegay-The Catalog-The Gallery-The Bay-Sleep-By the Fireside-Exit-The Streets-The Outing-The Forest-The Beach-3AM-The Dream-Farewell - The Tower-The Nightmare -Dawn-The Past -The Girl-The Letter-Goodnight -The Park-The Hair Color-The Beauty Parlor- Scene D'Amour-The Necklace-The Return -FinaleFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

This week we dive head first into Bernard Herrmann's hypnotic score to Vertigo by exploring some of its dizzying themes and re-occurring motives. From the subdued mystery of Carlotta Valdes to the torrid and infamous Scene D'Amour, today's episode is a small taste of one of cinema's most seductive film scores!Listen to episode 2m2 Seductive & Hypnotic: Vertigo ThemesVertigo - Bernard Herrmann -Paramount/Universal - 1958 (Alfred Hitchcock, dir.)-Prelude-Madeline's First Appearance -Carlotta's Portrait-The Nightmare-The Streets- Scene D'Amour-Farewell - The Tower-The Rooftop-The Letter For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Today we unveil the next film score in our series, the mysterious and romantic score to Alfred Hitchcock's 1958 classic, Vertigo. This week we begin by celebrating composer Bernard Herrmann, who in addition to being Hitchcock's long-standing musical collaborator is one of the most important and influential names in the landscape of film music. We examine some of the many musical traits that embody Herrmann's stellar output and contextualize this month's seminal score in the process. Join us as we dive into cinema's other great master of suspense!Listen to episode 2m1 Vertigo: The Harmony of Herrmann Citizen Kane - Bernard Herrmann - 1941 - RKO Pictures (Orson Welles, dir,)-OvertureThe Ghost and Mrs. Muir - B. Herrmann -1947 -20th Century Fox (Joseph L. Mankiewicz, dir.)-Andante CantabileThe Day the Earth Stood Still - B. Herrmann - 1951 - 20th Century Fox (Robert Wise, dir.)-Suite from 'The Day the Earth Stood Still'North By Northwest - B. Herrmann - 1959 - MGM (Alfred Hitchcock, dir.)-The Airport-Concersation PieceCape Fear - B. Herrmann - 1962 - Universal Pictures (J. Lee Thompson, dir.)-Main TitleMarnie - B. Herrmann - 1964 - Universal Pictures (Alfred Hitchcock, dir.)-PreludePsycho - B. Herrmann - 1960 - Paramount Pictures (Alfred Hitchcock, dir.)-The StormVertigo - B. Herrmann - 1958 - Paramount/Universal (Alfred Hitchcock, dir.)-Prelude  Twisted Nerve - Herrmann - 1968 - National General Pictures (Roy Boulting, dir.)-Suite from 'Twisted Nerve'For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Today is the first installment of Reel Change, an ongoing series of episodes in between films. To hopefully cleanse the palate and prepare for our next subject, this week we focus on a musical device relevant to all eras of cinema: The Ostinato. Join us on a brief exploration of this musical mechanism as we track its development in films from the golden age to the present. Off we go!Listen to Reel Change: The OstinatoCaptain Blood - Erich Wolfgang Korngold - Warner Bros - 1935 (Michael Curtiz, dir.)King Kong - Max Steiner - Radio Pictures - 1933 (M. Cooper, E. Schoedsack, dir.)Scaramouche - Victor Young -  MGM - 1952 (George Sidney, dir.)Peter Gunn - Henry Mancini - NBC - Official Films  - 1958-61 (Blake Edwards, creator)The Magnificent Seven - Elmer Berstein - United Artists - 1960 (John Sturges, dir.)Taras Bulba - Franz Waxman - United Artists - 1962 (J. Lee Thompson, dir.)The Good, the Bad and the Ugly - Ennio Morricone - United Artists - 1966 (Sergio Leone, dir.)Midnight Cowboy - John Barry - United Artists - 1969 (John Schlesinger, dir.)-Everybody's Talkin' (Song) Performed by Harry Nilsson, Written by Fred NeilSuperman - John Williams - Warner Bros. - 1978 (Richard Donner, dir.)Conan the Barbarian - Basil Poledouris - Universal Pictures - 1982 (John Milius, dir.)The Terminator - Brad Fidel - Orion Pictures - 1984 (James Cameron, dir.)Brazil - Michael Kamen - 20th Century Fox, Universal Pictures - 1985 (Terry Gilliam, dir.)Total Recall - Jerry Goldsmith - TriStar Pictures - 1990 (Paul Verhoeven, dir.)The Simpsons - Danny Elfman - 20th Century Fox Television - 1989-2017 (Matt Groening, creator)Robin Hood Prince of Thieves - Michael Kamen - Warner Bros. - 1991 (Kevin Reynolds, dir.)Sneakers - James Horner - Universal Studios - 1992 (Phil Alden Robinson, dir.)Crimson Tide - Hans Zimmer - Buena Vista Pictures - 1995 (Tony Scott, dir.)Star Wars Episode I: The Phantom Menace - John Williams - Lucasfilm - 1999 (George Lucas, dir.)Finding Nemo - Thomas Newman - Walt Disney Pictures, Pixar - 2003 (Andrew Stanton, dir.) The Dark Knight - Hans Zimmer/James Newton Howard - Legendary Pictures - 2008 (Christopher Nolan, dir.)The Expendables - Brian Tyler - Lionsgate - 2010 (Sylvester Stallone, dir.)Star Trek - Michael Giacchino - Paramount Pictures - 2009 (J.J. Abrams, dir.)The Last Airbender - James Newton Howard - Parmount Pictures - 2010 (M. Night Shyamalan, dir.) Harry Potter and the Deathly Hallows: Part 1 - Alexandre Desplat - Warner Bros. - 2010 (David Yates, dir.)Puss in Boots - Henry Jackman - Paramount Pictures - 2011 (Chris Miller, dir.)MI: Rogue Nation - Joe Kraemer - Paramount Pictures - 2015 (Christopher McQuarrie, dir.)Mad Max: Fury Road - Junkie XL - Warner Bros. - 2015 (George Miller, dir.)Zoolander No. 2 - Theodore Shapiro - Paramount Pictures - 2016 (Ben Stiller, dir.)Arrival - Jóhan Jóhannson - Sony Pictures/Paramount Pictures - 2016 (Denis Villeneuve, dir.)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

Culminating our month-long adventure, today we share the first ever UnderScore commentary track! Join us as we discuss the score to Raiders of the Lost Ark in real time along with the film. Follow along at home with our supplementary materials, including a Score Sheet to track the many instances of character themes (see how many you can spot!)  Pop some corn, dim the lights and ready your whip as we set off!                                                                                                          Listen to episode 1m4 Commentary of the Lost Ark Raiders of the Lost Ark  - John Williams - Paramount Pictures - 1981 (Steven Spielberg, dir.)  -In the Jungle-The Idol Cave -Escape From the Temple-Flight From Peru -Washington Men / Indy's Home -A Thought For Marion-To Nepal  -The Medallion -Flight to Cairo -The Basket Game-Bad Dates  -The Map Room: Dawn -Reunion in the Tent / Searching for the Well -The Well of Souls-Uncovering the Ark   -Indy Rides the Statue-The Fist Fight / The Flying Wing-Dessert Chase -Marion's Theme / The Crate -The German Sub -Ride to the Nazi Hideout-Indy Follows the Ark  -The Miracle of the Ark  -Washington Ending-The Raiders March                                                                                                                    For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

In today's episode, we continue our focus on the Raiders score and set the stage for the first UnderScore Commentary Track! This week we travel piece by piece through all of the music cues in the film and discuss their function as the story unfolds. Join us in these final weeks as we wrap up our exciting Indiana Jones adventure!                                                                                                            Listen to episode 1m3 Raiders Spotting Session Raiders of the Lost Ark  - John Williams - Paramount Pictures - 1981 (Steven Spielberg, dir.)  -In the Jungle-The Idol Cave -Escape From the Temple-Flight From Peru -Washington Men / Indy's Home -A Thought For Marion-To Nepal  -The Medallion -Flight to Cairo -The Basket Game-Bad Dates  -The Map Room: Dawn -Reunion in the Tent / Searching for the Well -The Well of Souls-Uncovering the Ark   -Indy Rides the Statue-The Fist Fight / The Flying Wing-Dessert Chase -Marion's Theme / The Crate -The German Sub -Ride to the Nazi Hideout-Indy Follows the Ark  -The Miracle of the Ark  -Washington Ending-The Raiders March                                                                                                                    For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

This week on the podcast, we continue our discussion of the soundtrack to "Raiders of the Lost Ark." The next step on our journey is an examination of the many interesting themes of the film. From the highly religious and ominous "Ark Theme" to the suggestive and romantic theme for Marion, today's episode covers the wide variety of melodies and leitmotifs in this treasure trove of a score!                                                                                                              Listen to episode 1m2 Themes of the Lost Ark  Raiders of the Lost Ark  - John Williams - Paramount Pictures - 1981 (Steven Spielberg, dir.)-Washington Ending -The Map Room: Dawn-A Thought For Marion-To Nepal-The Miracle of the Ark-Washington Men / Indy's Home-Marion's Theme / The Crate-Flight to Cairo-The Basket Game-The Medallion-The Fist Fight / The Flying Wing-Ride to the Nazi Hideout-Reunion in the Tent / Searching for the Well-The German Sub-The Idol Cave-Dessert Chase-Flight From Peru-The Well of Souls-In the Jungle                                                                                                                  For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

In the exciting premiere episode of UnderScore, we meet our two hosts and dive head first into John Williams' beloved soundtrack to "Raiders of the Lost Ark." To start our adventure we devote an entire episode to the iconic theme for the character of Indiana Jones, "The Raiders March."   Listen to episode 1m1 "The Raiders March"Raiders of the Lost Ark - "The Raiders March" - John Williams - Paramount Pictures - 1981 (Steven Spielberg, dir.)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com