Podcasts about The Recording Academy

Dr. Chelsey Green is a No. 1 Billboard-charting recording artist, internationally acclaimed violinist, educator, and cultural leader. She serves as Chair of the Board of Trustees of the Recording Academy®, making history as the first Black woman and youngest person ever elected to lead the organization's governing body. An Associate Professor at Berklee College of Music, she also serves on the boards of the Latin Recording Academy®, the GRAMMY Museum®, and MusiCares®. Through her artistry, leadership, and advocacy, Dr. Green is helping shape the future of music, creator rights, and the global music industry.In this episode, Dr. Chelsey Green shares her journey to leading the Recording Academy and discusses AI, artist advocacy, and how independent musicians can build sustainable careers.Key TakeawaysLearn how AI is changing the music industry and discover practical ways to protect your music, ownership, and artistic integrity.Get an inside look at the Recording Academy and MusiCares to understand how these organizations support creators and advocate for artists worldwide.Discover why mentorship, community, and live performance remain the biggest competitive advantages for independent artists building sustainable careers.---→ Learn more about Dr. Chelsey Green and her work at: https://www.chelseygreen.com/.Book an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

@PermissionToStanPodcast on Instagram (DM us & Join Our Broadcast Channel!), TikTok & YouTube!NEW Podcast Episodes every THURSDAY! Please support us by Favoriting, Following, Subscribing, & Sharing for more KPOP talk!Comebacks: NCT WISH, GIRLSET, FROMIS_9, HYOLYN, AESPA, ILLIT, KARD, ATEEZ, P1HARMONY, UNISKCON LA ScheduleSEVENTEEN contract updateTWICE contract update: TZUYU & JIHYOTWICE Best AlbumBLACKPINK LISA LLOUD company opening a US branch in CaliforniaENHYPEN going to Comic Con?LE SSERAFIM starts world tourCORTIS KEONHO fractures double pinkiesCORTIS tour merch sells out in seconds on WeverseLNGSHOT releasing their fan membership soon on WeverseJOCO does 2 more MEOVV fan calls&TEAM fan sign in LA and Grammy MuseumIZNA fan sign drops & is scheduled at the worst timeBABYMONSTER "I Like You" MV behind the scenesBTS enjoying themselves & KBBQ in EuropeBTS V becomes first global brand ambassador for Jinro SojuBTS teaser for "Normal" MV - JUNGKOOK looks at RMs...STRAY KIDS new fan character "TASY"STRAY KIDS track list teaser for "THIS & THAT"STRAY KIDS, TWICE, JYP all officially appointed as Voting Members of Recording Academy for Grammy Awards Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Harvey Mason Jr., CEO of the Recording Academy, joins the Peggy Smedley Show at Think 2026 to share his candid take on AI and the future of music. From how producers are already using AI as a creative collaborator in the studio, to the 75,000 AI-generated songs hitting streaming platforms every day — Harvey breaks down why AI is a powerful tool, not a replacement for human creativity, and why legislation, transparency, and proper crediting are non-negotiable. Topics covered: How artists are using AI iteratively in the studio The disruption AI is bringing to streaming and distribution Why younger creators see no limits — and what that means for the industry Who should set the boundaries for AI in music Will we ever have a truly "soulful" AI? Recorded live at IBM Think 2026.   https://PeggySmedleyShow.com

Harvey Mason Jr., CEO of the Recording Academy, joins the Peggy Smedley Show at Think 2026 to share his candid take on AI and the future of music. From how producers are already using AI as a creative collaborator in the studio, to the 75,000 AI-generated songs hitting streaming platforms every day — Harvey breaks down why AI is a powerful tool, not a replacement for human creativity, and why legislation, transparency, and proper crediting are non-negotiable. Topics covered: How artists are using AI iteratively in the studio The disruption AI is bringing to streaming and distribution Why younger creators see no limits — and what that means for the industry Who should set the boundaries for AI in music Will we ever have a truly "soulful" AI? Recorded live at IBM Think 2026.   https://PeggySmedleyShow.com

“No sink or nothing, right? You're just gonna go free ball it…”   1989 was the very first year EVER that The Recording Academy recognized hard rock and metal music with the “Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental”. And other than the completely insulting “slap in the face” by The Recording Academy to Metallica (think Will Smith & Chris Rock, but even more childish, petty, and completely unnecessary), there were no other Big Four albums or happenings in 1989.   (SIDEBAR: Y'know, maybe it's just speculation, conspiracy theory, or just good old-fashioned karma in action, but the way Metallica “lost” that Grammy, it's like they were literally “deleted from the mix” of nominees, so to speak. Not unlike a certain bass player from a certain mix on a certain album. Moving on…)   “Just gonna raw dog it…”   As we are all aware, metal (especially thrash) is far more than just The Big Four, and 1989 was actually quite an excellent year for metal. As thrash was nearing the zenith of its popularity, Wrathchild America's debut album, Climbin' The Walls, hit the record store shelves, Exodus, Testament, and Sepultura each released legendary 3rd albums, and Nuclear Assault released the first, the best, and arguably one of the most revolutionary lyric videos in the history of music for Critical Mass, featuring a one-eyed smiley face saying, “Follow me!” and a “Required Nasty Bit”, courtesy of Jessica Hahn.   “What is YOUR favorite album of 1989?”   Prepare yourself for a bit of obscure Metal Nerdery 1989-centric trivia, embrace what it means to receive your “first JOB”, and find out what you should definitely NOT do in your landlord's pool when you JOIN US as we fire up the time machine and go check out THE CLASS OF 1989. Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes: (00:01): “Aww, mark the time!”/ “I might have got the end of it…hopefully it'll be enough…”/ “No sink or nothing, right? You're just gonna go free ball it…just gonna raw dog it!”/  “Do you have a problem using coasters?”/ #LakeVonMatthew / “Welcome to Lake Matthew…it's deep and it's wet…”/ “All the good buttons are gonna be Russell…”/ #markthetime / “Raw dog it…balls deep…”/ ***WARNING: #listenerdiscretionisadvised *** / “Sorry I made the table wet…” / “Turn it off now…”/ “So much yelling…that sounds like a great time…”/ ***WELCOME BACK TO THE METAL NERDERY PODCAST AND THE BUNKERPOON METAL CENTER FOR EXCELLENCE!!!*** / “It's deep and wet…and moist.”/  #bluealgae / “You can, but it's probably gonna ruin your day…Toxic Avenger style…”/ “Guys will do that? Or you'll do that?” (04:50): ***PATREON US at patreon.com/metalnerderypodcast *** / “We're not Winger over here…”/ “I think they're dangerous when they get to be that age…”/ “If you eat one more steak, it's gonna kill you…”/ “Is it the steak that's gonna kill you though? Maybe…or the steak's parents…”/ ***SOCIAL MEDIA US at #metalnerderypodcast on #Facebook #YouTube #Instagram and #TikTok / EMAIL US at metalnerdery@gmail.com and GIVE US A CALL AND VOICEMAIL US AT 980-666-8182!!!*** (07:55): “Boys…Fellas…Hey Guys!”/ #TheDocket METAL NERDERY PODCAST PRESENTS:  THE CLASS OF 1989 / “It was sort of the introduction to death metal…thrash was becoming more extreme…”/ “You don't even have to sell it…it sells itself.”/ “1989 is a special memory for me…that was when I first got my first job…and on the day I went to do my interview for the first job, I also got my first ‘JOB'!”/ “He's talking about a beej…”/ #tremendous / “I got it while I was driving a car…I'm like “WHOA! I've gotta pull off the road…”/ “It's like a buffet of metal…”/ “No Big Four releases during 1989…” (12:43): “That's the one place where it's appropriate to say ‘Fabulous'…”/  #Exodus FABULOUS DISASTER (Fabulous Disaster – 1989) / #useyourheadphones #cantbeloudenough / “That's a weird timing too…”/ “Zetro had this Udo, Brian Johnson, and a little bit of Bon all slammed together…”/ #ballstothewall / “That's why thrash metal is the Olympics of music…”/ “Give credit to Slayer…give credit to Exodus…”/ “Kirk Hammett leaving Exodus may have been the best thing to ever happen to Exodus…”/ “I've got a good suggestion…I just wanted to hear a taste of Envy Life where Chuck Billy does the ‘death thing' (death metal vocal growl) …” (19:37): #Testament ENVY LIFE (Practice What You Preach – 1989) / “That's kinda heavy and creepy at the same time…”/ “Get ready for the heavy harmonies…”/ “I swear…if you listen to this and you listen to their new album…it's a completely different band…”/  “If he would have said ‘yeah-yeah' a few times…”/ “You mentioned earlier ‘Headless Children'…did y'all ever get into the W.A.S.P.?”/ “The cover (the Headless Children album cover) looks kinda like Reign In Blood…”/ “Headless Children was released March 21, 1989 on Capitol Records”/ #WASP MEAN MAN (The Headless Children – 1989) / “Remember the interview with Chris Holmes in the pool?” / #fame / “Wouldn't it be weird if you put on KISS makeup to be able to go out in public and be yourself?” (26:30): “How about some Metal Church?” / “I think Metal Church is just a metal band…they can do anything.”/ #MetalChurch BADLANDS (Blessing In Disguise – 1989) / “They don't have any problem picking excellent singers…”/ “That's a dismount right there…stuck the landing…ten out of ten…”/ #notenoughriffs / #MCTentacleChoice /  “When Bill's tentacles come out, things happen (they do)…and the universe is impacted positively (it is), and we thank you (we do)…”/ “Those tentacles are magic…he's only got two of them…and he's got five mini-tentacles attached to his two main tentacles…”/ “We've never really talked about them…”/ ***You can find the show notes at metalnerdery.com/episodes *** / #Obituary SLOWLY WE ROT (Slowly We Rot – 1989) / “It's like a more death-y sounding Death…”   (33:21): “You know what else is '89…Sepultura…”/ Back in the day, many considered Sepultura's Beneath The Remains to be “the next Master of Puppets” in terms of thrash greatness / #Sepultura BENEATH THE REMAINS (Beneath The Remains – 1989) / “I almost thought you said ‘a little bit of diarrhea'…”/ “Don't shit in your landlord's pool…or their mouth…”/ “Fun Metal Nerdery fact…we did an episode for Beneath The Remains…way back…with the Mighty Mixon…”/ “Speaking of Mixon…”/ “Look at all the #cokelines (for Blood Feast)…”/ #thrashy / #BloodFeast CHOPPING BLOCK BLUES (Chopping Block Blues – 1989) / “I'll bet their rehearsals were a bitch…”   (39:46): “How about a little bit of Overkill?”/ “I got an inverse erection…it actually creeped up inside my body…”/ #Overkill TIME TO KILL (The Years Of Decay – 1989) / “That's what we're doing really…we're all just killing time…while we're here…”/ “That little dash in there…that's all your time to kill…”/ #NuclearAssault CRITICAL MASS (Handle With Care – 1989) / “OH listen to that! It's just dirty…”/ “They always had the best shirts…you'd see a Nuclear Assault shirt and you're like ‘that's cool…that's metal…'”/ #Kreator EXTREME AGGRESSION (Extreme Aggression – 1989) / “Look at the (Extreme Aggression) album cover…(Kreator are) radiating hatred off of their heads…”   (47:06): “We would be remiss to not include The King…Conspiracy is the sequel to “Them”…”/ #ThemPartTwo / #KingDiamond SLEEPLESS NIGHTS (Conspiracy – 1989) / “That sounds like Zakk Wylde…is this an Ozzy song?”/ “Here's another one…”/  #Ministry SO WHAT (The Mind Is A Terrible Thing To Taste – 1989) / #IndustrialMetal /  “Russell Stover's…or Whitman's…or Wittler's…”/ “Respect…”/ “Wait, what is that?”/  #rebellion / “You know what? Just for fun…”/ “You've been groomed for this…”/ #BlackSabbath WHEN DEATH CALLS (Headless Cross – 1989) /  “It's got a nice creepy intro…that's bass by the way…”/ “This has the sound of something… (NOTE: the intro to When Death Calls sounds somewhat similar to Planet Caravan)”/ “Keep your pants on…”/ “It's like Dio Sabbath kinda…in a way…”/ “See? The Tony Martin era didn't hurt you…”/ “What is YOUR favorite album of 1989?”/ “For those of you wondering…it still didn't touch '86.”/ THANK YOU FOR JOINING US!!! /  #untilthenext #outroreel  

Charu Suri is a Grammy nominated pianist and composer. She fuses Indian ragas with traditional jazz. Her latest album, Shayan, blends evening ragas with classical and jazz, encouraging people to sleep better and healthier. She had a sold-out premiere for this release at Carnegie Hall last year. Her prior album featured John Patitucci and Steve Gadd. Her albums have reached #1 in India and #2 in Kenya. She also became the first Indian artist to collaborate with the Preservation Hall Jazz Band. And she is a Governor of the Recording Academy's New York Chapter. My featured song is “Feeling So Good”, from the album Bobby M and the Paisley Parade. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH CHARU:www.charusuri.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

This week on The Kpopcast, Stephanie, PD-nim, and special guest Syed Saquib of Genius Korea unpack the Recording Academy's new 2027 Grammy categories and what they could mean for K-pop, Asian pop, and global music recognition. The conversation starts with each host's hit replay of the week, from izna's “Metronome” to BeWhy's politically charged “Stigmata” and Evan's solo debut “Ride or Die.” From there, the episode moves into a deeper, timely discussion: is the new “Best Asian Pop Music Performance” category a genuine step toward inclusion, or a way to contain K-pop's rise before it reaches the Grammys' biggest prizes? The hosts and Syed break down how category definitions, language requirements, and voting structures could shape what kinds of songs get rewarded in the future. They also compare the Grammys' approach to Latin music, world music, and other historically boxed-in categories, asking whether this new award creates opportunity or reinforces segmentation.Join the Kpopcast Slack: https://join.slack.com/t/kpopcast/shared_invite/zt-93kzxcv6-YNej2QkyY6vaPnhEQJxk0AChip in for show costs: https://ko-fi.com/thekpopcast Syed's Article: https://genius.com/a/is-the-new-asian-pop-grammys-category-a-step-forward-or-a-separate-lane HIT REPLAYS:izna 'METRONOME' MV https://youtu.be/NQRGAh7ukh8?si=FfEmD5XxAuVHFRSX BewhY (비와이) - STIGMATA (Official Music Video) https://youtu.be/cO2LQvgMA_k?is=QEgz4cx1PCoVT4jR EVAN (에반) 'Ride or Die' Official MV https://youtu.be/CsGENgLpyaw?si=B9rLm-E7J60gj0Rt Hosted on Acast. See acast.com/privacy for more information.

Joy Taylor sits down with Valeisha Butterfield, Obama administration alum, Recording Academy's first-ever Chief Diversity & Inclusion Officer, and founder of Seed Media. Get ready for a raw, wide-ranging conversation on audacity, the death of humility, entrepreneurship, dating post-divorce (with a hiking story that will have you screaming), sisterhood, and what it means to be a Black woman in this moment. 0:00 — Intro: Joy introduces Valeisha and teases the topics1:02 — Audacity: Redefining the word and why mediocre men have it in abundance3:02 — The case against humility: "I am not humble before other humans"4:40 — Working loud: Taking credit for your work and not letting anyone swoop it6:50 — Playing the game strategically in corporate and political spaces7:44 — Valeisha's mom moment: The audacity to take your full maternity leave9:29 — The girlboss myth and why the conversation is exhausting11:34 — How scared are we? Living in unprecedented times12:20 — Why Valeisha isn't afraid: People move where culture moves13:44 — Is culture in a good place? Music, art, film, and who we're platforming17:07 — Empowering creators: Pick up the camera, don't wait for the green light19:27 — Young people, their time, and learning to live with less23:18 — Valeisha's shift from corporate to entrepreneurship26:57 — The one thing Joy and Valeisha cannot stand: Wasted time27:33 — Dating after divorce: The lover girl problem29:38 — Love bombing — why it's a red flag AND why it feels so good33:14 — Meeting your kids: The story of the restaurant ambush39:00 — Men in their midlife era, online illusions, and the gender war myth44:00 — Dating apps — what worked, what didn't, and a hiking story gone left58:40 — What's keeping Valeisha centered right now1:00:02 — Boundaries as a muscle: Saying no to protect your peace1:02:17 — Women relationships as the key to survival1:06:27 — Black women, solidarity, and a direct charge to non-Black women1:12:24 — Closing: Something has to give, and we have to be ready1:13:47 — OutroSee omnystudio.com/listener for privacy information.

BioDeri Tyton is an Award-Winning Writer/Producer/Director, who grew up in Chicago enjoyingKung Fu, comedy, and action movies. As a very imaginative child growing up, he became interested in how films were made, but it wasn't until 1999 when he was invited to P.A. on an independent film set, which prompted him to write the screenplay, TOOT'S & BLOW'S, in 2001. As a self-taught filmmaker, Deri produced three critically sought-out films: Welcome To The Southside, The Party Line, and Love Bones. In each of these films, Deri deals with personal themes of Love & Sacrifice. While each film has had distribution, it was his latest independent film, FINDING FOREVER IN LOVE (2015), that has pushed his writing, directing, and producing endeavors to new heights with a distribution deal at Robert Johnson's streaming channel, Urban Movie Channel. He has since gone on to co-write web series, independent films, and television series, as well as produce a screenwriter's book entitled, The Film Mechanic: The Process to Writing A Screenplay That Works. He holds a Bachelor of Arts in Liberal Arts from Chicago State University and a Master of Fine Arts in Creative Writing (Class Salutatorian) from Full Sail University. As a 2017 and 2018 Fulton County Arts & Culture grant recipient in Atlanta, GA, he began The Film Mechanic Screenwriting Class which teaches writers the process and business of screenwriting. Deri's truest goal is to tell universal stories through his experiences of being Black in America.BioDr. India Dorsey Gaston, Ph.D., artistically known as Indi Tyton, is an internationalsinger-songwriter, filmmaker, educator, and entrepreneur whose career bridges the creative andbusiness sides of the entertainment industry. With more than 25 years of experience spanningmusic, film, leadership development, and arts education, she has built a career dedicated toempowering creatives while actively contributing to the industry as both an artist and executive.A native of the Washington, D.C. area, Dr. Dorsey-Gaston comes from a multigenerationalfamily of performers and educators. Inspired by a rich musical heritage rooted in jazz, R&B,soul, classical music, and opera, she began her artistic journey as a songwriter and laterexpanded into filmmaking, producing projects that have been recognized by film festivals andaudiences across the country.In addition to her creative work, Dr. Dorsey-Gaston is a Business Psychologist whose researchfocuses on leadership within the entertainment industry. She holds a Bachelor of Arts inPsychology from Hampton University, a Master of Arts in Psychology from Fisk University, aMaster of Science in Health, Physical Education and Recreation from Middle Tennessee StateUniversity, a Master of Science in Entertainment Business from Full Sail University, and a Ph.D.in Organizational Leadership with research centered on leadership self-efficacy in theentertainment industry. She is the Founder and CEO of Entertainment Leadership Academy, LLC, an organization dedicated to leadership development and wellness for creatives and athletes, and serves as CEO and Co-Founder of Famous on Purpose, LLC, a media and entertainment companyfocused on storytelling, education, and creative development.Dr. Dorsey-Gaston is a longtime member of The Recording Academy, where she has served asa District Advocate and mentor, and is affiliated with numerous professional organizationssupporting the advancement of artists, filmmakers, educators, and entrepreneurs. Her workreflects a commitment to developing both the creative and leadership capacities ofentertainment professionals while fostering meaningful opportunities for artistic expression,education, and community impact. As Vice-Chairperson of the Bloody Peach Film Festival, Dr. Dorsey-Gaston brings a unique perspective that combines artistic achievement, academic research, leadership development, and industry experience. She is passionate about supporting independent filmmakers, amplifying diverse voices, and helping creatives build sustainable careers while usingstorytelling to inspire positive change.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Mick Jagger is a rock and roll legend unlike any other.  The four-time Grammy winner has also received a Lifetime Achievement Award from the Recording Academy.  Now, Jagger and The Rolling Stones are out with a new album called Foreign Tongues. Jagger got together with Willie Geist to talk about his favorite of the band's iconic records, The Stones' old rivalry with The Beatles, the anxious excitement of releasing new music and much more.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this deeply moving episode of Songwriter Trysts, Rae Leigh sits down with Grammy Award-winning guitarist, educator, and recording artist Markus Illko.Rae first met Markus through the Recording Academy at the 2025 Grammy Awards and later reconnected with him at NAMM, where he was performing with the acclaimed String Revolution. Their conversation explores a remarkable musical journey spanning performance, recording, education, and personal resilience.Markus shares insights from his successful guitar studio and music school, where he helps aspiring musicians elevate their craft and unlock their creative potential. He also opens up about one of the most profound experiences of his life—becoming a father and navigating the heartbreaking tragedy that followed.At the heart of this episode is Markus's stunning instrumental composition, Milo, written in honour of his son. The piece is both a musical masterpiece and a deeply personal tribute, accompanied by an artistically captivating music video that has resonated with audiences around the world.Together, Rae and Markus discuss the creative process behind Milo, the emotional dynamics of recording such a personal work, and how music can become a powerful vehicle for healing and remembrance. They also dive into Markus's extensive industry experience, including recording a Johnny Cash cover in his son's studio and sharing the stage while touring with legendary guitarist Tommy Emmanuel.This episode is a powerful conversation about artistry, loss, legacy, and the enduring ability of music to tell the stories that words alone cannot.Listen now for an inspiring and heartfelt discussion with one of the guitar world's most accomplished and passionate musicians.Connect with Markus:⁠Spotify⁠⁠Website⁠⁠Youtube⁠⁠Instagram

There's nothing like the right combination of music and lyrics to crystalize a moment... or a movement. It's why we're asking every guest this season their favorite protest songs: everyone has an answer to that question, because we all instinctively understand music's power. In this episode, we talk with Dr. Chelsey Green, musician, educator, and the first Black woman to chair the Board of Trustees for The Recording Academy, the organization behind the Grammy Awards. She helps us unwrap why music, and representation in music, is such a big part of the quest for justice. Learn more about Dr. Chelsey Green's work at chelseygreen.com.And if our conversation inspires you, let us know what your favorite protest song is at raceunwrapped@lpm.org. We're making a playlist, and it's already gooood, y'all. This season of Race Unwrapped is supported by the Kentucky Center for African American Heritage, and by our listeners. Click here to help make this work possible!

AI is remixing the rules of music and the role of the human artist. If a machine can craft a hit, what's left that only humans can create? Join this conversation exploring AI's intersection with human creativity and the broader implications for authorship, equity and the fundamental qualities that make music truly human. Speakers:  Juliet Mann, TV Host, China Global Television Network (CGTN) Harvey Mason jr,  Chief Executive Officer, The Recording Academy will.i.am, Founder and President, i.am Angel Foundation This is the full audio from a session at the Annual Meeting 2026 in Davos. Watch it here: https://www.weforum.org/meetings/world-economic-forum-annual-meeting-2026/sessions/when-code-and-creativity-collide/ Check out all our podcasts on wef.ch/podcasts:  YouTube: https://www.youtube.com/@wef Radio Davos - subscribe: https://pod.link/1504682164 Meet the Leader - subscribe: https://pod.link/1534915560 Agenda Dialogues - subscribe: https://pod.link/1574956552  

Negotiating a deal. Protecting your brand. Understanding contracts. Sound intimidating? In this episode, Allen sits down with entertainment attorney Amy Oraefo to explore why legal strategy isn't something you do after success—it's something you build before the opportunity arrives.Amy has over 13 years of experience negotiating multi-million dollar deals for musicians, producers, podcasters, and content creators. She's an adjunct professor at the Joel A. Katz Music & Entertainment Program at Kennesaw State University, an active member of the Recording Academy, and founder of Creative Passport—a platform designed to help emerging creatives navigate the entertainment industry and protect their brands.In this conversation, you'll discover:What protecting your creative platform actually means (and why it's essential, not cynical)The critical legal and business moves to make before your big opportunity shows upHow sound judgment about deals is part of stewarding the gifts God gave youPractical strategies used in six, seven, and eight-figure deals—without needing an expensive lawyerIf you're building a creative career, navigating potential deals, or wondering what you should actually know about contracts and brand protection, this episode will equip you with the foundation, confidence, and clarity you need.FOLLOW OUR GUEST AMY ORAEFOWebsite: https://www.creativepassport.co/ LinkedIn: https://www.linkedin.com/in/amyoraefo/Text the Show! Don't Build Your Creator Lifestyle Alone. Join the Community! In our 360 Creator Community, you get focused encouragement, guidance, and training on how to thrive as a God-centered creator. Joining gives you access to our app, workshops and community conversations, so you can stop being isolated and frustrated and start enjoying creative confidence! Join today!GodandGigs.com/membershipSupport the showDownload our FREE 7 Day Prayer Devotional for Creatorshttps://godandgigs.com/prayerFOLLOW US ON SOCIAL!  InstagramFacebook YouTubeWant to be a guest on The God and Gigs Show? Send us a message on PodMatch, here! © 2026 Paul Creative Solutions

In this episode, Eddie Bazil breaks down the different types of EQ, explains their most common uses in mixing and production, and demonstrates how they shape and enhance sound with practical audio examples.Chapters00:00 - Introduction00:48 - What EQ Is And Different Types01:33 - Active And Passive02:45 - Linear Phase And Minimum Phase03:46 - High-Pass and Low-Pass Filters04:36 - Example 1: Using Synth Filters06:47 - Common Functions Of EQ07:27 - Example 2: Shaping A Kick Drum10:31 - Example 3: Rebalancing An Acoustic Guitar13:48 - Selecting The Right EQ Shape15:55 - Managing Redundant Frequencies18:15 - Example 4: Rebalancing A Mix#PultecEQP-1 #XferSerum #BozDigitalTransgressor2 #EventideSplitEQ #SonibleEntropyEQ+ #SSLNativeXSaturator #SSLValveComp #TokyoDawnTDRArbiterTrack CreditsExample 2: from 'Puppet' by John Walden.Example 3: from James Perret.Example 4: from 'Another Way' by forester. Written, performed and produced by René Schneeberger.https://foresterdnb.bandcamp.com/musichttps://open.spotify.com/intl-de/artist/2BtzZiEDaReXLveskYtYkmhttps://soundcloud.com/foresterdnbhttps://cambridge-mt.com/Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.https://eddiebazil.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Today on the Invest In Her podcast, host Catherine Gray talks with Briana Cash, a Grammy®-nominated musician and award-winning singer-songwriter whose work spans television, film, and advertising, with placements across major platforms like Amazon Prime, Paramount+, and Hulu. An accomplished live performer, Briana has shared the stage with notable artists across genres and is an active member of leading industry organizations including The Recording Academy and the Society of Composers and Lyricists. Beyond her music career, she is also a passionate advocate for creators' rights, having successfully defended her own name and trademark in a multi-year legal battle. She now educates others on intellectual property, branding, and the evolving impact of AI on creative ownership.  In this episode, Briana shares her journey navigating the music industry while maintaining ownership of her identity and work. The conversation dives into the realities of sync licensing, building an independent career, and why protecting intellectual property is more critical than ever—especially in an era shaped by rapidly advancing technology. Briana also discusses the lessons learned from her legal battle, how it reshaped her mission, and the importance of educating creators to safeguard their brands. This episode offers valuable insight for entrepreneurs, artists, and anyone building a personal brand in today's digital landscape. https://www.showherthemoneymovie.com www.sheangelinvestors.com    Follow Us On Social Facebook @sheangelinvestors Twitter (X) @sheangelsinvest Instagram @sheangelinvestors & @catherinegray_investinher LinkedIn @catherinelgray & @sheangels   #InvestInHer #FinancialWellness #WomenInFinance #FinancialEmpowerment #MoneyMindset #InclusiveFinance #FintechForGood #BehavioralEconomics #WealthBuilding #FinancialHealth #EmpowerWomen #MoneyMatters #SheAngelInvestors #InvestInYourself #FinancialFreedom  

Have you ever felt a flicker of something greater inside you, just waiting for the right moment to ignite? In a world that often asks us to dim our lights or follow someone else's blueprint, it is time to stop apologizing for your power and start leading from your soul. In this electrifying episode of Create Magic at Work, Amy Lynn Durham sits down with Grammy-nominated singer-songwriter and transformational leader Glenda Benevides. Glenda shares her "Soul on Fire" philosophy, a movement designed to help you break through limitations and rise into the bold, unapologetic life you were meant to live. Through stories of resilience, rejection, reinvention, and artistic courage, Glenda offers a grounded invitation to become more unapologetic in the way we live, lead, and create. From journaling and reflection to music, storytelling, and community, this conversation becomes less about fixing ourselves and more about returning to ourselves and finding our soul's fire.Moments That Create Momentum:Burnout Often Signals Disconnection – Explore why depletion is frequently tied to resisting your deeper purpose instead of simply doing too much.The Courage To Be Unapologetic – Glenda reframes confidence as the willingness to stop seeking permission and approval from the outside world.Why Creativity Is Essential for Leadership – Discover how creativity reconnects people to meaning, energy, and emotional resilience in work and life.The Story Behind the Grammy Journey – Hear how rejection from the Recording Academy became a lesson in persistence, clarity, and authentic self-worth.Soul on Fire as an Immersive Experience – Learn how music, journaling, reflection, and storytelling create transformative experiences that reconnect people to themselves.Honoring Hidden Stories Through Songwriting – Glenda shares how uncovering forgotten historical figures inspires empowerment, courage, and artistic purpose.About the Guest:Glenda Benevides is a GRAMMY®-nominated singer-songwriter, award-winning artist, author, and transformational leader known for her powerful voice and electrifying presence. Through her music, books, and immersive live experiences like Soul On Fire, she inspires audiences to step into their courage, confidence, and full self-expression.Blending soulful storytelling, raw authenticity, and a deep commitment to personal transformation, Glenda's work goes beyond entertainment. It's a movement. Her mission is to awaken courage and the fire within, helping people break through limitations and rise into the bold, unapologetic life they were meant to live.YOUTUBE: https://youtube.com/c/glendabenevidesW: https://glendabenevides.com or https://glendamusic.comIG: @glendabenevidesmusicLINKED IN: https://linkedin.com/in/glendabenevides/BUY MUSIC: https://glendabenevides.bandcamp.comAbout Amy:Amy Lynn Durham, known by her clients as the Corporate Mystic, is the founder of the Executive Coaching Firm, Create Magic At Work®, where they help leaders build workplaces rooted in creativity, collaboration, and fulfillment. A former corporate executive turned Executive Coach, Amy blends practical leadership strategies with spiritual intelligence to unlock human potential at work.She's a certified Executive Coach through UC Berkeley & the International Coaching Federation (ICF) In addition, Amy holds coaching certifications in Spiritual Intelligence (SQ21), the Edgewalker Profile, and the Archetypes of Change . In addition to being the host of the Create Magic At Work® podcast, Amy is the author of Create Magic At Work®, Creating Career Magic: A Daily Prompt Journal and the founder of Magic Thread Media™. Through her work, she inspires intentional leadership for thriving workplaces and lives where “magic” becomes reality.Connect with Amy:https://createmagicatwork.net/https://www.linkedin.com/company/create-magic-at-workhttps://www.facebook.com/112951637095427https://www.instagram.com/createmagicatworkhttps://www.youtube.com/channel/UCnEm4h3fUgaq8qgvZpz6dGgThanks for listening!Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page.Do you have some feedback or questions about this episode? Leave a comment in the section below!Subscribe to the podcastIf you would like to get automatic updates of new podcast episodes, you can follow the podcast on Apple Podcasts or your favorite podcast app.Leave us an Apple Podcasts reviewRatings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you are enjoying the show, please leave us a review on Apple Podcasts.Mentioned in this episode:This show was brought to you in part by the Magic Thread Media Network. To learn more visit: https://magicthreadmedia.com/

EPISODE 144: Charlie Feldman joined BMI's New York creative team in October of 1988 after having overseen EMI Music Publishing's Nashville office as Vice President and General Manager. He spent fourteen years in Nashville with EMI and thirty one years in New York with BMI, retiring at the end of 2019. As Vice President of BMI's New York creative department Feldman and his team signed Taylor Swift, Norah Jones, Gavin DeGraw, Lady Gaga, Rihanna, Chris Brown, R Kelly and John Legend, to name a few. Feldman has worked closely with such songwriters as Chip Taylor, Sandy Linzer, Carole King, Gregg Allman, Nile Rodgers, Tony Joe White, Holland/Dozier/Holland, Hall & Oates, Rihanna, Full Force and Cage the Elephant. He is a past Trustee of The Recording Academy and a two-time New York Chapter past president. He also serves as a Vice Chairman of the Entertainment Media division of UJA-Federation and is a board member of the T.J. Martell Foundation and The Songwriters Hall of Fame. He is a member of the Country Music Association, AIMP and The Academy of Country Music. Feldman received his Bachelor of Arts degree from the University of Alabama. He and his wife live in Scarsdale, New York. charliefeldmanart.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

April 20, 2026- Legislation in New York and states around the country would limit when a criminal defendant's creative expression - such as their original music - can be used against them in a trial. Our guest is Todd Dupler, chief advocacy and public policy officer for the Recording Academy.

Bad Bunny continues to dominate the music industry as one of the most influential artists of our time. According to Wikipedia's discography records, the Puerto Rican rapper has released seven studio albums and maintains an impressive catalog of over one hundred singles as a lead artist. His latest achievement came when he won Album of the Year at the 2026 Grammy Awards for his sixth record, Debí Tirar Más Fotos, marking a significant recognition from the Recording Academy.The artist's cultural impact extends far beyond music charts. A University of Michigan research article highlights how Bad Bunny reshaped the US pop mainstream without ever trading in his Spanish-language roots, becoming the biggest artist on earth while maintaining his authentic voice. This achievement underscores his influence on breaking down language barriers in mainstream music.Recent discussions surrounding Bad Bunny have explored his role as a cultural icon. Colombian media outlet Señal Colombia examined whether Bad Bunny represents genuine social resistance or represents the most brilliant marketing product of modern capitalism, comparing his phenomenon to historical figures like Che Guevara. The conversation reflects how his music and public presence have transcended entertainment to become a broader cultural conversation.On the performance front, Bad Bunny's recent work continues to blend reggaeton, trap, and pop with experimental production. His latest material balances innovative sonic landscapes with deeply relatable lyrical themes that resonate across diverse audiences. Spotify data shows that Un Verano Sin Ti remains among his most streamed albums, demonstrating the lasting appeal of his discography.The artist's Grammy win represents validation from the music industry's most prestigious institution, cementing his position as a transformative force in contemporary music. His ability to maintain artistic authenticity while achieving unprecedented commercial success continues to set him apart in an industry often defined by compromise.Thank you for tuning in to this update on Bad Bunny's ongoing influence in music and culture. Come back next week for more on your favorite artists and the latest developments shaping the entertainment world. This has been a Quiet Please production. For more, check out Quiet Please dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

It's in your TV shows. It's in the ads you watch. It's in your TikToks. Sync music is everywhere, and it's changing the music industry. This episode was produced by Ariana Aspuru, edited by Amina Al-Sadi, fact-checked by Gabriel Dunatov, engineered by Patrick Boyd and David Tatasciore, and hosted by Sean Rameswaram. Zara Larsson performing during the Grammy Awards this year. Photo by Matt Winkelmeyer/Getty Images for The Recording Academy. Listen to Today, Explained ad-free by becoming a Vox Member: vox.com/members. New Vox members get $20 off their membership right now. Transcript at ⁠vox.com/today-explained-podcast.⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

All Of It producers Jordan Lauf and Simon Close talk about the history of the Grammy's prestigious Album of the Year category. They've been listening to the winning records dating back to 1959, and ranking them. Listeners call in to share their favorite winners, and talk about the albums they think should have won. Photo by Kevin Mazur/Getty Images for The Recording Academy via Getty

I sit down with Juliana Miller — an artist manager, A&R at Classicks Never Die, DJ, and member of The Recording Academy — to talk about what it really takes to guide artists through the highs and lows of music. From discovering talent to helping creatives find their rhythm, Juliana shares lessons on building trust, protecting your energy, and staying grounded in purpose while moving through the industry.Follow Juliana:Instagram: julianamillerTwitter: julianavmiller#julianamiller #classickstudios #artistmanagement #artistmanager #themattshow #mattsmith #chicago

Bad Bunny, the Puerto Rican superstar known as Benito Antonio Martínez Ocasio, continues to dominate headlines with his recent Grammy triumph and streaming surge. Just weeks ago at the 2026 Grammys, he made history by winning Album of the Year for his sixth studio album, *Ritmo Global*, as reported by DailyDrama, marking a seismic shift for Latin music on the global stage. Paste Magazine highlighted the win for *Debí Tirar Más Fotos* in some coverage, underscoring the Recording Academy's rare nod to his innovative sound that blends reggaeton, trap, and experimental vibes.This past week, El Nuevo Día noted buzz around Puerto Rico's music scene with "Operación Triunfo" talent search on March 28, fueling speculation if Bad Bunny might mentor or guest, given his roots and influence there. On streaming fronts, AceShowbiz reports his stunning new visual album climbing to #4 on YouTube Music charts, with surreal themes driving billions of global streams and reinforcing his discography dominance—seven studio albums strong, per Wikipedia updates.Social media is abuzz with fans celebrating his post-Grammy glow-up, sharing clips of his emotional acceptance speech and calls for a world tour. No new singles dropped in the last seven days, but his legacy tracks like those from *Un Verano Sin Ti* keep trending. Listeners, stay tuned as Bad Bunny's empire shows no signs of slowing.Thank you for tuning in, and come back next week for more. This has been a Quiet Please production—for more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Gavin Orth, Radio 1190 Music Director, interviews Len Brown, Senior Manager of Hip-Hop, R&B, and Reggae at the Recording Academy, in April 2026 during Brown's visit to the University of Colorado Boulder campus.

An award-winning composer and acclaimed jazz pianist, as well as a producer and bandleader. A voting member of the Recording Academy, she has 31 albums released in the United States as well as two in Asia. She has performed at venues of all sizes, including Carnegie Hall, The Smithsonian, and UCLA Royce Theater, among others. At the end of November, she released an album that the London Times called one of “The Best Jazz Albums of 2025.” Her albums regularly sit at the top of the Jazz Week and other radio/streaming charts, for the last two decades drawing millions of plays on streaming services and appearing regularly as an Amazon Number 1 New Jazz Release.

Ever wonder why certain songs follow you from ballparks to bar bands to late-night TV finales? We take a playful but pointed run at the “most overplayed song” ever with a live listener bracket that pits Free Bird, Don't Stop Believin', Sweet Caroline, Brown Eyed Girl, and more in a ruthless showdown. Along the way, we unpack what repetition really means, how stadium anthems, wedding playlists, and radio gold become rituals that comfort some of us and exhaust the rest. You'll leave with your hill to die on and a few hot takes from fellow fans to test your case.Before the sparks fly, we open with a rapid-fire look at Ella Langley, state champion dancer, voice-shifting surgery, a pellet gun for pests, bangs born from a bad haircut, and a one-pickle pre-show ritual that weirdly works. That personal color tees up a high-energy country news sweep: Lainey Wilson teams with Kevin Costner on The Grey House soundtrack beside titans like Willie Nelson and Shania Twain; Riley Green stretches into acting with a Yellowstone-adjacent series; Rascal Flatts hit RodeoHouston; Meghan Moroney and Ella Langley notch a chart milestone for women in country; Thomas Rhett welcomes baby number five; Luke Combs and Dierks Bentley map new tours; and LeAnn Rimes and Rodney Crowell drop fresh tracks. We also spotlight the Recording Academy's new Best Traditional Country Album category debuting in 2026—an overdue nod to classic songwriting and instrumentation.We round things out with a tight chart countdown spanning radio favorites and indie gems, a March 2016 flashback that tracks how we got here, and a lively mailbag: production vs. songwriting first impressions, dream guests (from Rick Beato to Mutt Lange and Kelly Clarkson), and the gear that changed everything as studios moved from tape to Pro Tools. It's a full-spectrum listen for country fans, music nerds, and anyone who has ever yelled “Free Bird!” at the wrong time.Episode LinksBob Bullock: https://jayfranze.com/episode28/Dave Jackson: https://jayfranze.com/episode53/Dalila Mya: https://jayfranze.com/episode102/Mark Badolato: https://jayfranze.com/episode140/Send a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Episode #413 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth celebrate one of the most quietly essential careers in the history of video game music with a Composer Appreciation spotlight on Inon Zur. Born in Israel and classically trained from an early age, Zur initially built his career in film and television before being persuaded to score his first game... and never looked back. Over the decades that followed, he became the defining voice behind some of the most beloved franchises in gaming, crafting music that consistently prioritizes emotional honesty over spectacle. We explore the remarkable range Zur brings to every project, from intimate character themes and sweeping fantasy epics to militaristic tension and sci-fi wonder. A three-time award winner, a Recording Academy inductee, and a composer whose main theme for a major 2023 release reportedly went through twenty-nine versions before it was right, Zur is an artist who has never stopped pushing. This episode is a proper tribute to a man whose fingerprints are all over the medium we love. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS Main Theme from SOCOM II U.S. Navy SEALs [Inon Zur, 2003] Amkethran from Baldur's Gate II: Enhanced Edition [Inon Zur, 2013] The Severed Hand from Icewind Dale II [Inon Zur, 2002] Imperial Guard Theme from Warhammer 40,000: Dawn of War – Winter Assault [Inon Zur, 2005] The Brotherhood of Cluny from Crusader Kings [Inon Zur, 2003] Rogue Heart from Dragon Age II [Inon Zur feat. Aubrey Ashburn, 2011] Jump It Up from Run Like Hell [Inon Zur, 2002] Into the Starfield from Starfield [Inon Zur, 2023] The Path of Destiny from Sword Coast Legends [Inon Zur feat. Aeralie Brighton & Mimi Page, 2015] First Light from Crysis [Inon Zur, 2007] Vampire's Teeth from Twisted Metal: Head-On [Inon Zur, 2005] Kate Theme from Syberia 3 [Inon Zur feat. Aeralie Brighton, 2017] Gorowyn from EverQuest: Ring of Scale [Inon Zur, 2017] Suburbs of Edo from Rise of the Ronin [Inon Zur, 2024] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

In this episode, writer-producer Hilliard Guess and guest co-host actor-writer-prod-dir Dalila Ali Rajah sit down for an educational conversation (we do talk a bit of politics in this one - FYI), with actor/writer/coach and 2026 NAACP Image Award nominee ADAM DAVENPORT, recognized in the Outstanding Literary Work – Journalism category for his essay examining Audra McDonald's 2025 Tony Awards performance of “Rose's Turn.” The piece reframes the performance as a landmark cultural moment - serving as an act of protest, reclamation, and artistic defiance within the lineage of Black women reshaping American performance. The nomination is a full-circle moment for Davenport, as the NAACP was the first organization to recognize his writing when he was in high school. He can speak to the nomination as well as his broader career as a multidisciplinary artist working across acting, writing, directing, producing, casting, and education. A Chicago native and Yale graduate, Davenport is a member of SAG-AFTRA, BAFTA, the European Film Academy, and the Recording Academy. His screen work includes Glass Onion: A Knives Out Mystery (Netflix), for which he received a Satellite Award for Best Ensemble alongside multiple critics' group honors. In 2020, he founded The International Acting Studio (TIAS), where he coaches actors working at the highest international level. Two performers he coached are current 2026 Czech Lion Award nominees, and his clients have appeared in projects including The Brutalist, Dune: Part Two, The Crown, and numerous network and cable series.Read the Essay here:https://www.bronzecommhub.com/blog/audra-mcdonald-took-the-stage-and-rewrote-the-rules

•Tony B. Dickerson (now embracing the resonant name"Barnshaw") is not just an  artist; he is a catalytic force in inspirational music. A two-time Grammy-considered  songwriter and performer, his journey is a masterclass in musical synthesis. He  channels the raw soul of gospelpioneers, the fearless innovation of funk, and the  lyrical depth of classic songwriting into a sound that is both timeless and urgently contemporary. •Dickerson's credentials are a testament to a life dedicated to craft. From his  foundational role with the legendary O'LandaDraper & The Associates to serving as  a U.S. Navy musician and worship leader, his path has been one of disciplined  artistry. His pen authored the Tennessee Mass Choir's celebrated anthem, “The  Greatest of All Time,” and his own 2024 release, “The Song Within,” continues to garner acclaim, featured on platforms like GospelTop40.com. As a voting member of  the Recording Academy, he helps shape the industry's future while honoring its  roots. •On stage, Dickerson is a “being himself” kind of entertainer; authentic, magnetic, and  deeply connected. Off stage, he is an architect of community. He is the founder and  dynamic bandleader of Tony B. Dickerson & The Essential Band, the guiding teacher  at Barnshaw's School of Piano/ Voice,and the visionary director of The Songwriters Group, International. His mission extends beyond performance to education,  mentorship, and providing "excellent musical service that produces positive results." •Tony stated “My mission is to serve through sound- to fuse the traditional and the contemporary  into a message that resonates, uplifts, and endures.” •“No Battles" featuring Carla Marie Barnes  isavailable for download & purchase on all digital platforms.•Awarded a “Top Gospel Music Podcast” Badge from Feedspot which has named Let's Talk: Gospel Music Gold oneof the Top 10 Gospel Music Podcasts on the web! •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS EVERY SATURDAY 9:00 AM CST / 10:00 AM EST ON WMRM-DB INTERNET RADIO STATION  AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •There is a Let's Talk: Gospel Music Gold Facebookpage ( @LetsTalk2GMG ) where all episodes are posted as well.    •The Podcast and Radio shows are heard anywhere in the World on the Internet! •ANSONIA'S BOOK RELEASES•“Legacy of James C. Chambers And his Contributions to Gospel Music History•"If We Can Do It, You Can Too!"”•"Molding a Black Princess"Order Information https://www.unsungvoicesbooks.com/asmithgibbs

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠In this segment of Notorious Mass Effect, Analytic Dreamz breaks down Tyler, The Creator's high-energy theatrical medley at the 68th Annual Grammy Awards on February 1, 2026. Marking his first Grammys performance since 2020, Tyler delivered a standout set blending tracks from CHROMAKOPIA (2024) and DON'T TAP THE GLASS (2025): “Thought I Was Dead,” “Like Him,” and “Sugar On My Tongue.”The performance opened with “Thought I Was Dead” in a bright green exaggerated soldier uniform, featuring confrontational delivery, reworked lyrics, and militaristic staging as Tyler moved through the audience. A transitional gas station set piece included a full vehicle prop, dancers, faux gasoline effects, and a surprise cameo by Regina King as a service-station worker bridging the segments. The closing “Sugar On My Tongue” brought an all-red wardrobe shift, exuberant and suggestive choreography atop a red Ferrari, culminating in simulated explosion effects and Tyler's dramatic post-blast sprawl.Widely praised as energetic, artistic, and unforgettable—often ranked #1 performance of the night—this medley synthesized his back-to-back album eras through cinematic stagecraft, narrative symbolism, costumes, and practical effects. Tyler earned six nominations, including Album of the Year for CHROMAKOPIA, and won the inaugural Best Album Cover Grammy.Official uploads include Tyler's channel edit (“Thought I Was Dead / Sugar On My Tongue (Live at the 2026 GRAMMYs)”) and the full medley on Recording Academy channels, racking up massive views. Analytic Dreamz explores its strategic significance and media footprint.Tune in for detailed analysis on this iconic moment in hip-hop and awards history.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

Eddie Bazil demonstrates creative uses of advanced automation as a musical tool in the DAW, showing how automation can add movement, expression and musical detail. The episode covers shaping arpeggiated parts, using MIDI CC for dynamic control, modulating vocal tracks and applying MIDI note expression to enhance performance.Chapters00:00 - Introduction01:49 - Setting Up Automation Lanes02:30 - Example 1: Adding ARP Movement04:51 - Example 2: Using MIDI CC For Velocity07:41 - Example 3: Modulating A Vocal Track 14:52 - Example 4: MIDI Note Expression In A DAW #gforce #imposcar3 #cubase #deviousmachines #infiltrator2 #cableguys #shaperbox #ovoxvocoder #eventide #blackholeSee Also:https://www.soundonsound.com/techniques/using-phaser-effects-podcast Eddie Bazil BiogEddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands, including Art Of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra, and many more. By his 20s, he was working as a sound designer for Akai, Roland, Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie began developing libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Rob Papen, Arturia, and Propellerheads.During this time, he trained in music production. He soon gained several prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, and was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. This led to him offering educational workshops and classes, and becoming a contributing creator and Forum moderator for Sound On Sound.Recently, he was invited by the Recording Academy to become a professional member, approved educator, and mentor for their member base. Eddie now concentrates on providing private sound design and mixing/production tuition, and creating content for Sound On Sound magazine.https://eddiebazil.co.uk/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

In this solo episode, I recap the latest good vibes in DEI. This week the stories are about Miis matching real people, Bad Bunny breaking the Grammy ceiling, and Olympics coverage getting more accessible, and more!Here are this week's good vibes:Miis Finally Match Real PeopleBad Bunny Breaks Grammy CeilingKnitting Turns Into Collective PowerHappy Trees, Public Media ReliefOlympics Coverage Gets More AccessibleGood Vibes to Go: If you haven't yet watched Schitt's Creek, now is a great time to settle in and laugh and laugh and laugh. RIP Catherine O'Hara. I'm re-watching.Read the Stories.Subscribe to the 5 Things newsletter.Watch 5 Things Live on YouTube. Join thousands of readers by subscribing to the 5 Things newsletter. Enjoy some good vibes every Saturday morning. https://5thingsdei.com/

The legendary Nigerian musician Fela Kuti has been posthumously honoured with the Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious recognition from the Recording Academy since the award's inception in 1963. Richie sits down with his son Seun Kuti to talk what this means for his legacy.Richie is also joined in studio by 2026 EE BAFTA Rising Star Nominee, Archie Madekwe. Produced by Unedited for BBC Radio 1Xtra.

Someone at the Grammy's listens to the Psyce, and as they should because we are what? Loud + Right!!!!!!Follow the cast everywhere @thepsycepodcast

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: ⁠https://ow.ly/msoH50WCu0K⁠Join Analytic Dreamz on Notorious Mass Effect for a detailed executive breakdown of the 68th Grammy Awards (2026), held February 1 at Crypto.com Arena in Los Angeles. This segment covers the biggest winners, historic firsts, and cultural turning points from the night.Bad Bunny achieved a landmark victory as the first Spanish-language album to win Album of the Year with DeBÍ TiRAR MáS FOToS, while Kendrick Lamar surpassed Jay-Z to become the most-awarded rapper in Grammy history with 27 total wins, including Record of the Year for “Luther” feat. SZA. Billie Eilish earned her third Song of the Year for “Wildflower,” and Olivia Dean took Best New Artist with standout speeches on immigration.The ceremony featured unprecedented political focus, with nearly half of televised speeches addressing immigration and ICE raids from artists like Bad Bunny, Billie Eilish, Shaboozey, and more. Other milestones include the youngest Grammy winner ever (Aura V at age 8), Steven Spielberg completing his EGOT, the Dalai Lama's first Grammy, the first K-pop win, and breakthroughs in country, rock, and global music.Analytic Dreamz analyzes the Recording Academy's voter reforms, viral performances including the Fugees reunion, and how the 2026 Grammys signaled major shifts in language diversity, genre power, and generational influence. Tune in for the full executive recap on Notorious Mass Effect.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsPrivacy & Opt-Out: https://redcircle.com/privacy

Show NotesAt NAMM 2026, Sean Martin sits down with Chuck Tennin, the President and CEO of Big Fish Music and Big Fish Music Publishing Group, for a candid conversation about the role of AI in the music industry and why the human element remains irreplaceable. Known as "The Big Fish" and "The Alligator," Chuck has spent more than five decades working as an engineer, record producer, music publisher, and consultant, and he pulls no punches when it comes to the limits of technology in creative work.Chuck draws a sharp line between AI as a tool and AI as a replacement for human creativity. He points to organizations like ASCAP, BMI, and the Recording Academy as allies in the fight to protect the creative process, arguing that AI cannot replicate the feel, the instinct, and the emotional investment that go into producing a record. For Chuck, the difference between producing music and producing a record is everything: a record has to connect with an audience on a level that no algorithm can manufacture.The conversation takes listeners through Chuck's journey from two-track analog recording to the digital era of Pro Tools, exploring how each technological leap brought efficiency but never fully captured the warmth and authenticity of tape. He reflects on the critical distinction between an MP3 and a WAV file, between convenience and quality, and between what sounds good enough and what sounds like a record.Chuck also shares hard-earned wisdom about the business side of music: the perseverance required, the reality that 90% of aspiring artists fail, and the belief in oneself that separates survivors from those who walk away. Drawing on stories from legendary artists he has worked with over the decades, he reminds listeners that every big name started in the same place and climbed out of the same struggle.This is a conversation about what technology can assist with and what it can never touch: the soul of music and the humans who create it.HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/GuestChuck Tennin, President and CEO of Big Fish Music and Big Fish Music Publishing Group | On LinkedIn: https://www.linkedin.com/in/chuck-tennin-3468b6105/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center, Southern California — Follow our coverage: https://www.itspmagazine.com/the-namm-show-2026-namm-music-conference-music-technology-event-coverage-anaheim-californiaMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordschuck tennin, big fish music, sean martin, AI in music, analog vs digital recording, record producer, music publishing, Pro Tools, ASCAP, BMI, Recording Academy, NAMM 2026, music industry, human creativity, songwriting, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcastMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Award season is in full swing, and now, it's the Recording Academy's turn onstage. This weekend marks the 68th Grammy Awards, with decorated stars like Kendrick Lamar, up-and-comers like Olivia Dean and global icons like Lady Gaga all vying for a chance to take home a trophy. Two music experts give us the inside scoop on this year's Grammys.

Panos A. Panay, president of the Grammy Awards and Recording Academy, answers your questions about how governments can better support musicians and whether an AI-free music platform could exist in the future.He also explores whether royalties paid to artists' estates could be redirected to help fund the next generation of musicians.GET IN TOUCH* WhatsApp: 0330 123 9480 * Email: radical@bbc.co.ukEpisodes of Radical with Amol Rajan are released every Thursday and you can also watch them on BBC iPlayer: https://www.bbc.co.uk/iplayer/episodes/m002f1d0/radical-with-amol-rajanAmol Rajan is a presenter of the Today programme on BBC Radio 4. He is also the host of University Challenge on BBC One. Before that, Amol was media editor at the BBC and editor at The Independent.Radical with Amol Rajan is a Today Podcast. It was made by Lewis Vickers with Anna Budd. Digital production was by Gabriel Purcell-Davis. Technical production was by Dave O'Neill. The editor is Sam Bonham. The executive producer is Owenna Griffiths.

Entertainment attorney and professor at Loyola University in New Orleans Tim Kapel just won a very important landmark case which allows songwriters to reclaim their rights worldwide centering around "termination rights." About Tim Kapel Tim Kappel is a founding partner of the law firm Wells & Kappel, LLP. Mr. Kappel represents a diverse group of creators, professionals, businesses, and organizations in the music industry. Mr. Kappel's practice encompasses both transactional matters and complex civil dispute resolution, providing him with a unique perspective and ability to advise clients in multiple aspects of their careers. Mr. Kappel is an assistant professor at Loyola University New Orleans. He teaches courses on law, revenue streams, and public policy in the music industry. Mr. Kappel is also heavily involved in industry organizations and policy-making. He is the current President of the Board of Governors for the Memphis Chapter of the Recording Academy and serves on the boards of several other nonprofit organizations, including Louisiana Music Partners, Wolf Moon Entertainment, and the Partnership for Creative Louisiana. Loyola University www.loyno.edu Law Practice www.wellskappel.com bout Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.comFollow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer          

David Senra: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Jimmy Iovine is the co-founder of Interscope Records, Beats by Dre, and the USC Jimmy Iovine and Andre Young Academy. Iovine is widely regarded as one of the most influential figures in the modern music industry. Growing up in the Red Hook neighborhood of Brooklyn, New York, Iovine was raised in an Italian working-class family.  He began working as a recording engineer in the early 1970s, and went on to engineer landmark albums including Bruce Springsteen's Born to Run and John Lennon's Rock 'n' Roll and Walls and Bridges, before transitioning into production with Patti Smith's Easter, Tom Petty's Damn the Torpedoes, Stevie Nicks' Bella Donna, and U2's Rattle and Hum. In 1990, Iovine co-founded Interscope Records with Ted Field. Under his leadership, the label became one of the most dominant forces in popular music, launching or elevating the careers of Dr. Dre, Tupac Shakur, Nine Inch Nails, No Doubt, Eminem, 50 Cent, Lady Gaga, and Kendrick Lamar. He rose to become chairman of Interscope Geffen A&M Records. In 2006, he and Dr. Dre co-founded Beats by Dre, which Apple acquired in 2014 for $3 billion — the largest acquisition in Apple's history at the time. Iovine subsequently helped launch Apple Music in 2015 before departing Apple in 2018. His accomplishments include being inducted into the Rock & Roll Hall of Fame in 2022 with the Ahmet Ertegun Award, being honored by the Recording Academy's Producers & Engineers Wing during Grammy Week 2012, co-founding the USC Jimmy Iovine and Andre Young Academy in 2013 with a $70 million donation alongside Dr. Dre, launching the Iovine and Young Center high school program in Los Angeles in 2022 with additional locations in Atlanta and Inglewood, and donating to the city of Compton during the COVID-19 pandemic to fund medical supplies, testing, and meals for residents. https://davidsenra.com/episode/jimmy-iovine Made possible by Ramp: ⁠https://ramp.com⁠ Eight Sleep: https://eightsleep.com/senra Function: https://functionhealth.com/senra Chapters (00:00:00) Introduction: The Corny World of Fame (00:00:54) The Impact of Social Media on Fame (00:01:27) Chasing Greatness: Personal Reflections (00:02:10) Technological Shifts in the Music Industry (00:03:24) The Streaming Service Dilemma (00:05:34) The Artist's Perspective on Streaming (00:06:39) Early Career and Influences (00:09:40) The Importance of Humility (00:11:19) Working with the Best: A Career Retrospective (00:13:07) The Role of Brutal Honesty (00:15:00) Navigating the Music Industry (00:33:50) The Birth of Beats by Dre (00:46:14) The Music Industry's Customer Problem (00:46:44) Vertically Integrating Culture and Fashion (00:47:13) Building Beats: From Music Videos to Headphones (00:48:03) Marketing is Empathy (00:50:28) The Journey of Beats Music (00:59:09) The Future of the Music Industry with AI (01:14:40) The Bend in the Pipe: Harnessing Fear and Obsession (01:29:12) Comparing Work Approaches with Dr. Dre (01:30:50) The Tortured Path to Success (01:32:41) Balancing Happiness and Ambition (01:35:22) The Importance of Peace and Therapy (01:49:30) Learning from Legends (01:55:57) The Influence of Bono and Dre (02:00:15) California Dreams and Career Milestones (02:07:20) Final Thoughts and Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

The headlines would have you believe we're hurtling toward another global pandemic; this time an outbreak of Nipah virus. But how true is that actually? And what do the Australian Government and health officials have to say about it? And in headlines today, All eyes will be on Canberra today with Andrew Hastie taking himself out of contention to vie for the leadership of the Liberals; The US Department of Justice released 3.5 million more pages in compliance with the Epstein Files transparency act over the weekend, Aussies Clive Palmer and Kevin Rudd named; Iran’s ​​Supreme ⁠Leader Ayatollah Ali Khamenei says if ​the US ‍attacks Iran, it will become ​a ‌regional war; Israel says it has reopened the critical Rafah border crossing between Gaza and Egypt but only in a limited capacity; Chaka Khan, Cher, Carlos Santana, Paul Simon, Fela Kuti and Whitney Houston have received the Lifetime Achievement Award from the Recording Academy at the Grammys Special Merit Awards THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Hosts: Taylah Strano & Claire Murphy Guest: Dr Alison Peel Veterinarian and Wildlife Disease Ecologist at University of Sydney Audio Producer: Lu Hill Group Executive Producer: Ilaria BrophyBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Legendary producer, songwriter and Chairman Emeritus of The Recording Academy Jimmy Jam -- a 5-time Grammy winner and 23-time nominee -- joins Phil and David to discuss their behind-the-scenes perspectives on the 68th Grammy Awards airing February 1st on CBS and streaming on Paramount +. This marks 25 years of David as a writer and later also a producer on the Grammys with Jimmy, we get the inside story of not just this year's show, but also great stories from the past quarter century of Grammy broadcasts. Plus a few Grammy stories from previous episodes with former Grammy host Paul Reiser and Steven Van Zandt who featured in David's first favorite Grammy moment. For more on the Grammys and the work of the Recording Academy, go to https://www.recordingacademy.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

As president of The Recording Academy, which organises the Grammy Awards, Panos A. Panay is grappling with how artificial intelligence and streaming is transforming the music industry, often at the expense of artists. A former agent who worked with the likes of Leonard Cohen and Nina Simone, Panos tells Amol about his love of music and how that led to him becoming one of the most influential figures in the industry. And against the backdrop of record-breaking tours from Beyonce and Taylor Swift, he reflects on why the next generation of artists like Sabrina Carpenter are forging real connections with audiences through live performances. (00:04:16) What is the Recording Academy? (00:05:17) How did he want to change the Academy as president? (00:07:10) Finding his love for music growing up in Cyprus (00:10:39) Panos' career in the music industry (00:17:01) What does an agent look for in an artist in 2000 vs 2026? (00:22:19) Are artists being unfairly paid by music streaming companies? (00:25:55) How do you get a better deal for artists? (00:27:45) The threat of AI to the music industry (00:33:11) Panos' RADICAL ideas (00:37:32) The rise of live music (00:39:20) The popularity of music in different languages (00:45:51) Amol's Reflections GET IN TOUCH * WhatsApp: 0330 123 9480 * Email: radical@bbc.co.uk Episodes of Radical with Amol Rajan are released every Thursday and you can also watch them on BBC iPlayer: https://www.bbc.co.uk/iplayer/episodes/m002f1d0/radical-with-amol-rajan Amol Rajan is a presenter of the Today programme on BBC Radio 4. He is also the host of University Challenge on BBC One. Before that, Amol was media editor at the BBC and editor at The Independent. Radical with Amol Rajan is a Today Podcast. It was made by Lewis Vickers with Anna Budd. Digital production was by Gabriel Purcell-Davis. Technical production was by Dave O'Neill. The editor is Sam Bonham. The executive producer is Owenna Griffiths.

The Recording Academy CEO Harvey Mason Jr discusses the Grammy award nominees, the favorites and the legacy of the show itself. He is joined by Bloomberg's Romaine Bostick and Katie Greifeld.See omnystudio.com/listener for privacy information.

The Grammy Awards return next week at a pivotal moment for the music industry, one shaped by surging Latin artists, resurgent rock legends, and even charting AI acts. To unpack what will make this year's broadcast distinctive, The Recording Academy CEO Harvey Mason jr. joins Rapid Response to share how Grammy winners are chosen, how the show navigates social action and potential boycotts, and how music both reflects and influences the broader business marketplace.Visit the Rapid Response website here: https://www.rapidresponseshow.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

18-time Grammy nominee and American musical legend Taj Mahal goes deep on his influences and his approach to the craft. PART ONEPaul and Scott kick off the new year with a discussion about the nominees for the upcoming Grammy Awards. And more! PART TWOOur in-depth conversation with Taj MahalABOUT TAJ MAHALSinger, songwriter, and multi-instrumentalist Taj Mahal has mastered the blues form and has further built upon it by incorporating world music influences and expanding the boundaries of the genre. Growing up in Massachusetts, he made his way to Southern California in the mid-1960s where he formed the Group Rising Sons with Ry Cooder, Jessie Lee Kincaid, and Kevin Kelley. They signed with Columbia Records but, upon disbanding, Taj joined forces with guitarist Jesse Ed Davis and remained on the label as a solo artist. After a dozen albums with Columbia, he moved to Warner Bros. Records in the mid-1970s. Following a period spent living in Hawaii and largely out of the limelight in the 1980s, he ultimately reemerged for a new era of commercial success. Taj has been nominated for 18 Grammy Awards, winning five, including Best Contemporary Blues Album in 1997, 2000, 2008, and 2018, and best Traditional Blues Album in 2022 and 2025. He has received the Lifetime Achievement Award from both the Americana Music Association and the Recording Academy. His most recent album, a duet project with Keb' Mo' called Room on the Porch, is nominated for the Best Traditional Blues Album Grammy at the upcoming Awards on February 1st.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on the New Music Business Podcast, Ari sits down with recent GRAMMY Award winners Matt B and Angela Benson. Matt B is a GRAMMY-winning R&B singer, songwriter, and global recording artist whose career spans over a decade. His most recent project, ‘Alkebulan II', earned him and Angela a GRAMMY Award, following years of DIY artistry. Over the course of this album, Matt and Angela recorded across Africa, collaborated with artists like Eddie Kenzo and Oxlade, and worked with the Royal Philharmonic Orchestra at Abbey Road Studios. As a label owner, producer on ‘Alkebulan II', and longtime Recording Academy member, Angela has been instrumental in shaping Matt's artistic direction, visual world-building, and global strategy.In this episode, Matt B and Angela Benson walk through their incredible DIY journey and how they found themselves on the GRAMMY-winning path. They discuss the challenges of writing and recording in multiple African languages, shooting a full visual album across multiple countries, and balancing the creative workload between artist and manager. The pair break down how independent artists can navigate the GRAMMY process, the importance of joining the Recording Academy, the role of networking and bartering in major creative endeavors, and most importantly, the communication and patience required to run a music career as a married team.https://www.instagram.com/mattbworldhttps://www.instagram.com/angelavbenson01:40 – Home Studio & Recent Travels02:10 – Returning to His Alma Mater After the Grammy Win03:00 – Life & Opportunities After Winning a Grammy04:15 – Performing in Uganda & Global Breakthrough Moments05:20 – Inception of the Akebulan Concept09:00 – Connecting With Oxlade & Eddie Kenzo11:00 – Creating the “Gimme Love” Music Video13:00 – Building a Full Visual Album DIY17:40 – Finding Producers & Collaborators Worldwide20:00 – Incorporating the Royal Philharmonic Orchestra30:00 – Navigating Grammy Nominations & Recording Academy Membership47:00 – Working as a Husband-and-Wife Artist/Manager TeamEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Rebecca and John go down a road less traveled on this week's Little Gold Men and discuss the Grammy Awards with Vanity Fair associate editor Daniela Tijerina and staff writer Erin Vanderhoof. They break down this year's surprisingly good nominations, the Grammy's bumpy relationship with the music industry, and the idiosyncrasies of the Recording Academy before weighing in on their hopes for performances and wins on "music's biggest night." Learn about your ad choices: dovetail.prx.org/ad-choices

This episode is in partnership and collaboration with our friends at The Recording Academy You'll hear our deep dive on what we can learn from this years Grammys with our usual analysis and a few select guests including: Panos Panay (President of The Recording Academy), Tati Cirisano (MIDiA Research), Zack O'Malley Greenburg, author and investor. We discuss the biggest takeaways from the 2026 nominations, the rise of international music, how the voting body has evolved, and the economic lift of a Grammy win. CHAPTERS 01:41 - Biggest takeaways 05:41 - Tati Cirisano joins us 13:02 - Panos Panay joins us 17:10 - Which past Grammys would have changed 21:52 - The Grammy Bump 33:10 - Zack Greenburg joins us SPONSORS The Recording Academy Chartmetric: Listen in for our Stat of the Week Tidal: Win $100k with the Tidal Upload Contest GUESTS Panos Panay, President, The Recording Academy Tatiana Cirisano, VP Music Strategy, MIDiA Research Zack O'Malley Greenburg, Author, Empire State of Mind TRAPITAL Where technology shapes culture. New episodes and memos every week. Sign up here for free. RESOURCES What is the Economic Value of a GRAMMY in Today's Industry? - Chartmetric and Will Page