Podcasts about instruments

Preview for Later Today: Peter Huessy details Russia's focus on low-yield, tactical nuclear weapons designed for "tailored effects" on the battlefield. These weapons are viewed by Moscow as practical military instruments rather than just tools of mass destruction.MAY 1930

Andy's out this week for the best possible reason — he got married! (Congratulations, Andy and Erica!

Epizodes nosaukums: Ķermenis kā instruments. Raidījuma nosaukums - Un viņi kļūs viena miesa Raidījuma vadītāji Dina un Sandris Floreni Datums - 22.05.26. Apraksts - Atgriešanās mājās: Kā salabot saikni ar savu ķermeni Apkopojums: Raidījums pievēršas mūsdienās izplatītajam duālismam, kas mākslīgi šķeļ prātu no ķermeņa, radot atsvešinātību, emocionālas problēmas un traucējot veselīgai seksualitātei. Tā vietā, lai uztvertu miesu kā ienaidnieku vai tikai kā instrumentu, tiek piedāvāts kristīgs un holistisks skatījums uz ķermeni kā svētu un neatņemamu cilvēka būtības daļu. Analizējot stresa, liekā svara un perfekcionisma ietekmi, raidījums skaidro, kā šī iekšējā plaisa bloķē patiesu tuvību un baudu. Praktiskajā daļā tiek piedāvāti rīki nervu sistēmas nomierināšanai un "iemiesošanās" prakses, kas palīdz izkāpt no "galvas" un atgriezties klātesamībā šeit un tagad. Mērķis ir veidot integrētu vidi, kurā neizmantojam ķermeni ļaunprātīgi, bet pieņemam un rūpējamies par to, spējot sajust - būt šeit un tagad un izmantot tai skaitā arī mīlestības apmaiņai ar tuvākajiem.

Barton McGuire of Cosmodio Instruments joins us again for a long-awaited update, including a dazzling new release, Splinter Twin, and tales of what's next for Cosmodio.   Hosted by Todd Novak with Tony Dudzik   #guitarpodcast #electricguitar #pedaleffects #pedalfx #theguitarknobs #guitarknobs #guitarinterview #guitaramplifier #guitarpickups #guitarsetup #fuzz #overdrive #reverb #distortion #guitartips    Visit us at theguitarknobs.com Support our show on Patreon.com/theguitarknobs

reference: Sri Aurobindo and the Mother, The Psychic Being — Soul: Its Nature, Mission and Evolution, Section 3 Growth and Development of the Psychic, pg. 84This episode is also available as a blog post at https://sriaurobindostudies.wordpress.com/2026/06/06/the-psychic-being-works-to-gain-experience-and-independence-and-upgrade-the-instruments-of-body-life-force-and-mind/Video presentations, interviews and podcast episodes are allavailable on the YouTube Channel https://www.youtube.com/@santoshkrinsky871More information about Sri Aurobindo can be found at www.aurobindo.net  The US editions and links to e-book editions of SriAurobindo's writings can be found at Lotus Press www.lotuspress.com#Sri Aurobindo #The Mother #yoga #integral yoga #spirituality #Bodhisattva vow #soul #psychic being #rebirth

Els instruments de vent, com la flauta, tamb

Psalm 71 | When believers feel forgotten by God amid suffering, they must remember their secure place in God's covenant through Christ and continue praising Him with confidence in His faithfulness and the hope of resurrection.Psalms | Michael Crosswhite

The gospel wasn't just spread. It was intentionally sent...In this next part of our journey through Acts, we see how the early believers move beyond their borders to carry the message of Jesus to the ends of the earth. From the shores of Antioch to the heart of Rome, they step into the unknown, navigating cultural barriers, trials, and shipwrecks along the way. What looks like a dangerous journey is actually God's direction. As the Church is sent, the gospel transforms the world, and that same mission is handed to us today.

Comencem amb Mozart i amb una versi

You may wonder if your story is too messy, if the labels or wounds others have given you are just your lot in life. This message throws open the doors to all—no matter what you've carried or the battles you still fight.Pastor Kevin doesn't shy away from difficult topics. He's experienced brokenness and confusion firsthand. What changed everything wasn't wishing for a simple fix, but coming to the table with Jesus, again and again, embracing the daily process of letting His love wash away old pain and mistaken ideas about who you are.When life tries to stick you with labels and expectations, remember that your worth is given, not achieved. Nothing anybody else has said or done, no wound or mistake, can separate you from the wholeness and acceptance at Christ's table.Kids running wild? Past hurts? Questions about belonging? There's a place for you, just as you are. Here, you'll find people who understand that growth isn't instant, who walk with you as you discover that God truly doesn't make mistakes.Scriptures ReferencedGenesis 1:1, 1:27; 1 Samuel 17:38-40; Psalm 16:6, 139:14; Proverbs 3:5; Romans 8:38-39, 15:1-9; 2 Corinthians 5:17, 12:8-10Key InsightsJesus didn't die to fix you. He died to make you new.If you spend enough time around Jesus, you become like Jesus.Your identity is received, not achieved.Many of us want struggles removed from our lives. God wants maturity.God's grace is sufficient.ResourcesYou Are Special by Max LucadoKey Sections00:00:00 - Welcome and AnnouncementsJoin us June 6 for the Instruments of Joy benefit concert. Enjoy some excellent Nashville musicians and partner with Instruments of Joy in providing quality instruments to musicians in need all over the world.00:03:04 - Anchoring in God's LovePeople struggle with feeling like they are mistakes or not good enough, but God makes us new, and nothing can keep us away from His love.00:05:20 - The Power of Abide and AriseMany people work hard to do great things for God but forget to let Him change them inside. The real journey is about living as who we are in Christ, not just seeking constant outside success.00:10:10 - Owning Brokenness and Finding HealingChildhood trauma, broken families, or abusive experiences affect how we view ourselves. Pastor Kevin shares his honest story and invites us to stop listening to those old thoughts. Instead, we should let Jesus' words define us, bringing daily healing and freedom with Him.00:18:42 - Becoming Who You Spend Time WithThe people and places around us shape who we are. If we spend time with negative people or face criticism, we may become like them. But if we get close to Jesus, we start to show His love and truth instead of the hurtful labels from the world.00:21:19 - The Process of Forgiveness and Releasing BlameTrue faith means not letting past hurts or what others do control our present. Pastor Kevin shows that forgiveness is both a special gift and a helpful action. This helps those who hurt us to be free, so their choices don't shape or restrict our future.00:30:32 - Calling, Restoration, and New LifeEach person has a special calling from God and is given what they need. We should not try to take on someone else's problems or burdens. God's healing does not happen all at once; it is a journey. We find it by coming to Him every day for cleansing, accepting our weaknesses, and receiving the grace that helps us change and gives us hope.https://springhouse.captivate.fm/episode/arise-in-who-he-created-you-to-beSubscribe & Follow the PodcastDownload our appOur WebsiteOnline Tithes & OfferingsJoin our LivestreamGathering TimesSundays, 9:00 AMSundays, 11:00 AMThursdays, 6:00 PMContact InfoSpringhouse Church14119 Old Nashville HighwaySmyrna TN 37167615-459-3421CCLI License 2070006

Lord, Use My Hands as Instruments of Healing Today! He said to her, “Daughter, your faith has healed you. Go in peace and be freed from your suffering.” Mark 5:34 Heavenly Father, I come before You with a heart overflowing with gratitude. Thank You for the breath of life, for Your boundless love, and for the hands You have given me — tools for Your divine purpose. As I reflect on the miracle of Jesus healing the blind man, I am reminded that no barrier is too great for Your love to overcome. Through faith, You transformed darkness into light, and today, I long to be a vessel of that same power. Lord, use my hands as instruments of healing today. May they serve as a conduit for Your grace, reaching out to those in pain, despair, and loneliness. Just as the woman touched the hem of Your garment and was healed (Mark 5:34), let my touch be a symbol of hope. May my hands bring comfort to the weary and strength to the weak, restoring their spirits through Your love. James 5:14 says, "Is anyone among you sick? Let them call the elders of the church to pray over them and anoint them with oil in the name of the Lord." Your Word tells us in James 5:14 to pray for the sick, and I am eager to respond to Your calling. May my prayers rise like fragrant incense, inviting Your healing touch into the lives of those I encounter. Remind me that even the simplest act — a gentle pat, an encouraging squeeze — can be life-changing when done in Your name. As I reach out, let me embody the essence of Isaiah 53:5, recognizing that by Your stripes, we are healed. May healing flow through these hands in ways only You can orchestrate, igniting faith and inspiring courage in others. Let my actions be a reflection of Your love, touching hearts and transforming lives. In closing, I ask for Your blessing upon my hands, Lord. Allow them to be instruments that heal the broken and restore hope. Let me walk boldly in faith, embracing the truth that “healing hands bring hope.” I trust that through my service, Your miracle will unfold. In Jesus' name, Amen. Isaiah 53:5 says, "But he was pierced for our transgressions, he was crushed for our iniquities; the punishment that brought us peace was on him, and by his wounds we are healed." Amen.https://maglife.org

It was a very music-heavy show today, topic-wise, but we started off in Florida where a thief broke into a store to steal Pokemon cards with a chainsaw! A couple musicians without instruments showed off their skills in a parking garage, we celebrated National Burger Day with some awful dad jokes, discovered a family that harmonizes at the pump, and traded theories on why modern music is so soulless and flat-out BAD these days! See omnystudio.com/listener for privacy information.

Ihr habt gefragt - wir antworten. Und zwar ausführlich! In Folge 119 von MET & MOSHPIT dreht sich alles um das Instrument, das den Sound von SALTATIO MORTIS seit Jahren prägt: den Dudelsack. Kaum ein anderes Instrument begeistert unsere Fans so sehr, sorgt für so viele Fragen und spaltet gleichzeitig die Meinungen zwischen „wunderschön“ und „ganz schön laut“. Deshalb haben wir eure Fragen gesammelt und unseren Dudelsack-Experten Elsi vor das Mikrofon gesetzt. Der Mann spielt nicht nur Dudelsack, er baut die Instrumente sogar selbst. Gemeinsam mit Moderator Jean und Chefhistoriker Falk beantwortet er alles, was ihr schon immer über Pfeifen, Säcke, Luft, Lautstärke und die kleinen Geheimnisse dieses außergewöhnlichen Instruments wissen wolltet. Freut euch auf ein spannendes FAQ-Special voller interessanter Einblicke, überraschender Geschichten und Antworten auf die Fragen, die unsere Hörerschaft am meisten beschäftigen. Doch keine Sorge: Natürlich kommt dabei auch der Humor nicht zu kurz! Beim Tavernenspiel wird es tierisch, chaotisch und vor allem unglaublich lustig. Ob das Rätsel gelöst wird, verraten wir natürlich nicht – aber so viel Gelächter gab es bei MET & MOSHPIT vermutlich noch nie. Also: Kopfhörer auf, Luft holen und eintauchen in die wunderbare Welt des Dudelsacks!

Pablo Picasso revendiquait ne pas aimer la musique. Il n'a pourtant cessé de peindre des musiciens, collaborant avec Satie, Stravinsky et Falla. Ses portraits d'instrumentistes sont souvent des autoportraits qui ne disent pas leur nom – ceux d'un homme hanté par ses obsessions.Picasso, figure incontournable de l'art moderne, a entretenu tout au long de sa vie une relation fascinante avec la musique. Franck Ferrand nous emmène dans les coulisses de cet artiste aux multiples talents, révélant une facette méconnue de son génie créatif.Dès son plus jeune âge, Picasso baigne dans un univers musical qui imprègne profondément son œuvre. De la zarzuela andalouse aux cabarets parisiens, en passant par les collaborations avec les Ballets russes, le peintre espagnol semble avoir été habité par une véritable passion pour les sonorités. Pourtant, lorsqu'on lui demande son avis sur la musique, Picasso n'hésite pas à affirmer qu'il ne l'aime pas. Une déclaration surprenante quand on constate à quel point elle transparaît dans ses tableaux cubistes, ses natures mortes et ses portraits d'instrumentistes. Franck Ferrand décrypte cette paradoxale relation, révélant la place centrale qu'occupe la musique dans la démarche artistique du maître.Des joueurs de flûte aux guitaristes cubistes, en passant par les collaborations avec des compositeurs comme Satie et Stravinsky, Picasso semble avoir cherché à retranscrire dans sa peinture les vibrations sonores qui l'habitaient. Une quête incessante qui l'a mené à repousser toujours plus loin les frontières de l'art, faisant de lui l'un des plus grands créateurs du XXe siècle.

Ever felt like you're following all the right steps but still missing something deeper?Many people walk through church doors confident in their faith yet quietly shackled to old habits, unhealed pain, or a fear of never “arriving.” Pastor Kevin describes this as the difference between getting wet and actually going swimming. Between being close to truth but not fully saturated by it.Pastor Kevin unpacks why so many well-meaning people settle for surface-level Christianity, never realizing how much God longs to set them free. He reminds us that real change, doesn't come from louder declarations or checklist spirituality, but from a daily, honest encounter with Jesus and his word.Whether you're brand new or wrestling with old doubts, you're invited to belong, to try again, and to ask, “Do I really want to be free?” There's space for your questions here, and a next step that's actually doable. You don't need to fix yourself first—just come prepared to move forward.Scriptures ReferencedPsalm 16:6; John 5:1-8, 5:14-15, 8:31-47, 15:13; Galatians 5:1; Ephesians 6:12; 1 Corinthians 1:18; 1 John 4:7Key InsightsSettling for spiritual “proximity” leaves us dry and unchanged. Full immersion in God's truth creates real transformation.True freedom is found within God's boundaries, not outside them.Excuses and busy schedules often mask the reality of spiritual bondage.Everyone is welcome to start small and step into God's freedom, no matter their past.Key Sections00:00:00 - Welcome & AnnouncementsJoin us for an upcoming Instruments of Joy benefit concert.00:02:09 - Owning Blind Spots and LoveIt's easy to mistake attempted faithfulness for true spiritual maturity, particularly in areas like love, where most overestimate their own growth and miss the lifelong challenge of loving as God does.00:07:29 - Exposing False FreedomMany Christians often parade around believing they are free while quietly living in bondage, highlighting the cultural confusion between worldly and godly freedom, and why God's limits are actually gifts that unleash joy and peace.00:12:26 - The Discipline of God's LoveWhy God disciplines those he loves, how our avoidance of authority affects spiritual growth, and the uncomfortable but freeing truth that discipline and freedom go hand in hand.00:14:37 - Lukewarm Living and Self-ExaminationLukewarm Christianity is where true transformation gets replaced by louder words or religious routines. The only real antidote is choosing daily to die to self and let God's truth saturate every area of life.00:17:49 - Do You Want to Be FreePastor Keven shares Jesus' direct challenge to the man at the pool of Bethesda, paralleling it with our own reluctance to truly seek freedom; excuses often feel safer than risking change, but Jesus calls us to “get up” and act.00:25:34 - From Proximity to Immersion in TruthKnowing about God is not the same as surrendering to his truth.. It's like moving from standing at the edge of the pool to being completely submerged, where God's voice finally becomes clearest and the old lies lose their volume.00:41:48 - Concrete Next Steps for Real ChangeImmersion in Scripture is not about religious head knowledge but letting Jesus' words shape every decision.https://springhouse.captivate.fm/episode/arise-in-true-freedomSubscribe & Follow the PodcastDownload our appOur WebsiteOnline Tithes & OfferingsJoin our LivestreamGathering TimesSundays, 9:00 AMSundays, 11:00 AMThursdays, 6:00 PMContact InfoSpringhouse Church14119 Old Nashville HighwaySmyrna TN 37167615-459-3421CCLI License 2070006

To help us understand how assisted births work, how this new technology compares to traditional tools, and whether South African mothers could benefit from it, John Maytham is joined by Dr Peter de Jong, obstetrician-gynaecologist in private practice in Cape Town. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Mit Werken von Ernest Bloch und Witold Lutosławski präsentiert der Cellist auf seinem neuen Album die Gesprächigkeit dieses Instruments.

Episode Topic: Art and the Museum as Instruments of HopeAs part of the Sesquicentennial Celebration of the University of Notre Dame Art Museum, join us for an inspiring conversation exploring the intersections of the arts, faith, history, and education, and the role of the museum in contemporary life.Featured Speakers:Heather Hyde Minor, University of Notre DamePresident Rev. Robert A. Dowd, C.S.C., University of Notre DameBarbara Jatta, Vatican MuseumsRead this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: https://go.nd.edu/ccc4f1.This podcast is a part of the ThinkND Series titled Cultivating Hope.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career.Learn more about ThinkND and register for upcoming live events at think.nd.edu.Join our LinkedIn community for updates, episode clips, and more.

Hey everybody! Welcome back to the second and final volume of The Loupe Guroo Musical Experience: The Collected Works! What does Loupe get up to in the second half of his WRYAT run, you ask? Welllllllllllllllllll... The King's crossing was the main attraction Dominoes falling in a chain reaction The scraping subject ruled by fear told me Whiskey works better than beer The judge is on vinyl, decisions are final And nobody gets a reprieve And every wave is tidal If you hang around you're going to get wet I can't prepare for death any more than I already have All you can do now is watch the shells The game looks easy that's why it sells Frustrated fireworks inside your head Are going to stand and deliver talk instead The method acting that pays my bills Keeps the fat man feeding in Beverly Hills I got a heavy metal mouth, it hurls obscenity And I get my check from the trash treasury Because I took my own insides out It don't matter 'cause I have no sex life And all I wanna do now is inject my ex-wife I've seen the movie And I know what happens It's Christmas time And the needles on the tree A skinny Santa is bringing something to me His voice is overwhelming But his speech is slurred And I only understand every other word Open your parachute and grab your gun Falling down like an omen, a setting sun Read the part and return at five It's a hell of a role if you can keep it alive But I don't care if I fuck up I'm going on a date With a rich wife lady Ain't life great? Give me one good reason not to do it (Because we love you) So do it This is the place where time reverses  And dead men talk to all the pretty nurses Instruments shine on a silver tray Don't let me get carried away Don't let me get carried away Don't let me be carried away Alright everybody, thank y'a-woooooooolllllllllll for listenin' and loopin' with the guru of loops himself, Loupe Gooru, or Loupothy Albus Severus Gooru for long, or DJ Loupothy Albus Severus Gooru-Coyote for slightly longer! We hope you enjoyed your experience with The Loupe Gooru Musical Experience in its entirety, because this is literally all there is and all there'll ever be. It's too late for us to change anything now, so if you had notes this whole time, you shoulda listened to us and let us know back when we were still on the air sometime during, I dunno, THE PAST SEVEN YEARS?! Loupe would never say this to any one of you ungrateful motherfuckers but you pieces of shit don't deserve him, or any of WRYAT for that matter. Seven fucking years and you couldn't be fucking bothered. Seven fucking years. The reason you think we never have to put up with any of your bullshit is because we make it look like we're not. It's because we care, and we thought you felt the same way. Trust us, we have had to put up with so, so, so much more from you than you could ever, ever, ever know.  Oh, don't try to explain yourself now. No excuses necssary. The goddamn show's over now anyway. And good news: you still never have to listen to it! Virtually nothing's changed for you, so sit back, relax and take a minute to just shut the fuck up. Just shut the fuck up. Shut the fuck up, and then howl, damn it! Howl and fuck off forever! (Unless, of course, you did actually listen to Loupe and WRYAT, in which case, thank you so much!)

Au sommet Africa Forward de Nairobi (Kenya), cinq acteurs clés de la finance en Afrique (Ecobank, Proparco, Meridiam, Africinvest, Melanin Kapital) débattent du paradoxe qui freine les investissements sur le continent : une perception du risque souvent bien supérieure à la réalité. Instruments de dérisquage, appui des données, besoins de gouvernance : quelles clés pour libérer le potentiel africain ? Émission présentée par Bruno Faure enregistrée au Kenyatta International Convention Centre de Nairobi (Kenya) le 12 mai 2026.  Nos invités

Au sommet Africa Forward de Nairobi (Kenya), cinq acteurs clés de la finance en Afrique (Ecobank, Proparco, Meridiam, Africinvest, Melanin Kapital) débattent du paradoxe qui freine les investissements sur le continent : une perception du risque souvent bien supérieure à la réalité. Instruments de dérisquage, appui des données, besoins de gouvernance : quelles clés pour libérer le potentiel africain ? Émission présentée par Bruno Faure enregistrée au Kenyatta International Convention Centre de Nairobi (Kenya) le 12 mai 2026.  Nos invités

Msgr. Roger J. Landry Pontifical Missionary Union Webinar May 14, 2026   To watch a recording of today's webinar, please click below:    To listen to an audio recording of the webinar, please click below:  https://traffic.libsyn.com/secure/catholicpreaching/5.14.26_Four_Pontifical_Mission_Societies_II.mp3   To download a copy of the slides of the presentation, please click below: 5.14.26 PUM MIssiology Lecture on […] The post The Four Pontifical Mission Societies as Instruments of Missionary Animation and Formation in the Local Churches for a New Missionary Movement in the Church, Pontifical Missionary Union Refresher Course in Missiology, May 14, 2026 appeared first on Catholic Preaching.

This episode is a breakout session from the Braveheart Summit in 2025, and it was titled The Gospel In Worship. In it, Aaron Tedeschi and Ashley Bailey give some keys on how to approach the Throne of Grace and how to lead a congregation into true worship to the Living God. Braveheart Summit 2026 registration is officially open!This November 4th through 6th we're joining together in sunny Miami with Bravehearts like you from around the world. These three days will be like no other. We will encounter the living God through His Table, worship, faith training, connection and commissioning.The Summit isn't a conference — it's a connect point for people who are hungry for MORE of God - more of His vision, His growth, His freedom and His abundant joy. Spots are limited, so don't wait. Get your ticket HERE. We can't wait to see you in Miami!GOSPEL HOMES TRAINING These trainings are meant to be gospel foundations for our own hearts as we experience the overflow of Christ in us. When the gospel expresses itself in us, it first expresses itself in love for one another - first to those we live with and then to those who come and go from our homes. If you want to join these trainings, email discipleship@braveheartministries.org. Send us Fan MailSupport the show

This episode of The Other Side of the Bell, featuring trumpet performer, composer and designer Thomas Gansch, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Thomas Gansch Trumpet Interview" And, find the expanded show notes, transcript and more photos here From his groundbreaking Mnozil Brass to his original take on a rotary valve trumpet, the "Gansch Horn," Thomas Gansch has made an indelible impact on professional music. Thomas joins us today to share his musical journey from a young boy, surrounded by instruments in a musician's family, to becoming a prominent trumpet player in Austria and beyond. He opens up quite honestly about his struggles with classical music education, and family expectations, before eventually making his transition towards jazz, which he embraced as part of his wide-range of musical interests. Growing up as the son of renowned Austrian composer Johann Gansch, and as the much younger brother of Hans Gansch, a prominent trumpet soloist and professor himself (and principal trumpeter of the Vienna Philharmonic), there was a lot of push and pull as both brothers sought their own place of identity, creativity and freedom to pursue their musical dreams. It was through humor and originality that Thomas truly found his wings, particularly with the Mnozil Brass septet, considered the "Monty Python of the musical world." Going strong since 1992, Mnozil forms just part of Thomas' busy schedule that comprises all sorts of musical styles and groups. And he gives us a tour of the original Gansch Horn, a rotary trumpet that can be played with one hand, which gives it its distinctive arced bell shape. Thomas worked directly with the noted Austrian manufacturer Schagerl in the early 2000's to create the horn that has become his identity. From practice routines to juggling gigs, jamming with Wynton Marsalis and Jerry Hey to looking after your body and mind, this is a wonderful conversation of breadth and inspiration! About Thomas Gansch: Thomas Gansch, born in 1975, has always successfully eluded any categorisation. Whether in the formation "Mnozil Brass", which he co-founded and with which he has been performing around the world for thirty years, in the legendary "Vienna Art Orchestra", as a soloist with a large orchestra or as part of a family theatrical ensemble with his wife Theresia and the joint programme "Doppelgansch", whether as a composer, arranger, compere, pop singer, big band leader or brass band conductor, the native of Lower Austria does not allow himself to be confined to any musical genre. He likes to summarise all varieties of his art under the term "music" that "either touches him or doesn't touch him" in order to put all prejudices to one side and to give listeners an intuitive approach to listening. Various projects have taken Gansch to over 45 countries and his first musical experiences in the brass band of his father Johann Gansch S. (1925 - 1998), which he - in the spirit of the gifted improviser - always integrates directly into his work. Today, Gansch draws on his wealth of artistic experience and also brings his engaging personality to every project, from symphony orchestras to chamber music ensembles, from jazz to new music, from pop acts to musical theatre and comedy programmes, into his performances. There are no hierarchies in his understanding of art, and so he manages to inspire and "pick up" the audience again and again. Episode Links: Mnozil Brass: https://mnozilbrass.at/en YouTube: @ThomasGanschOFFICIAL Instagram: @thomasgansch  Facebook: @thomasganschofficial  Bob Reeves Brass Events and Appearances: Next Up! Concert Series: Watch the live streamed premier of Dan Rosenboom's special composition, "In a World Like This," with the Los Angeles Brass Alliance: https://www.youtube.com/watch?v=2xfR6Gwtyw4 And stay tuned for the fully HD version coming soon! William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - ©Daniela Matejschek Audio Engineer - Ted Cragg

We kick off the Pencil Primer — a new series for anyone who wants to start at the beginning of pencildom. This installment traces graphite from the legendary Borrowdale lightning strike of 1564 to Nicolas-Jacques Conté's clay-and-graphite breakthrough during the Napoleonic Wars, plus the Thoreau family's role in standardizing the American pencil grade scale and a tour through HB-to-9B. Plus, Tim's into a Bill Frisell biography, Johnny's writing with a sparkly Narwhal "raspberry cheesecake" pen that looks like, uh, something else, and Andy debuts booklet.lol — a vibe-coded book tracker. Patreon subscribers can watch the video version.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show Notes & LinksErasableRead a transcript of this episode at Erasable ScribeErasable PatreonErasable Facebook groupErasable Discord inviteEpisode referencesEpisode 57: “The F Bomb”Podcasts / mediaDrug Storyr/pencilsLetterkennyBooksBill Frisell, Beautiful DreamerExcellent Advice for Living by Kevin KellyAutomatic Noodle by Annalee NewitzA Psalm for the Wild-Built by Becky ChambersPencil / stationery / book artsCumberland Pencil MuseumNicolas-Jacques Conté (Britannica)Henry David Thoreau (Britannica)Guild of Book WorkersGeneral's Layout PencilSTAEDTLER WOPEXDerwentPhotography / camera stuffMicro Four NerdsPetaPixelApps / sites / companiesbooklet.lolPeople / artists / companiesWillie NelsonCharlie CrockettBill FrisellJHS PedalsYour HostsJohnny GamberPencil Revolution@pencilutionAndy WelfleWoodclinched@awelfleTim Wasem@TimWasem

The Rolling Stones confirm the artwork & artist guest list of their 25th studio album titled ‘Foreign Tongues' after revealing a social media puzzle with their fans, Ozzy Osbourne had a secret cologne he used for 30 years and now it's getting a limited edition release that benefits his Parkinson's charity, Dave Grohl reveals he changed the name of the latest Foo Fighters album after the initial title was too similar to the blockbuster musical ‘Wicked: For Good' that was released last November, and some good news as lots of rare stolen instruments found their ways back home this week as Richie Sambora was finally reunited with his stolen 1976 Gibson Explorer after 41 years, and Korn's Ra Diaz recovered all 15 different custom basses that were stolen from him right before Korn's upcoming South American tour & more… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 different platforms (including Amazon Audible & Apple/Google Podcasts)Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#ForeignTongues #No88 #YourFavoriteToy #RichieSambora #RaDiaz#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

Does God's infinite grace mean we have a "license to sin"? In this Sunday evening study, our guest speaker Parker Reynolds dives into **Romans chapter 6** to answer the question Paul poses: "Are we to continue in sin that grace may abound?".While it's true that where sin increased, grace abounded all the more, Paul is clear that this is not an invitation to live an unrepentant life. We explore the transformative power of the gospel, the symbolism of baptism as a death and resurrection, and why true grace leads to a life of radical obedience rather than a "crook's admirable arrangement" of sin and easy forgiveness.**Key Topics Covered:****The Debt We Can't Repay:** Why good deeds alone cannot tip the scales of our guilt or atone for our sins.**The Beauty of the Gift:** Exploring how justification comes as a free gift through the redemption found in Jesus Christ.**The Meaning of Baptism:** How being buried with Christ in baptism allows us to rise and "walk in newness of life".**Grace vs. License:** Deconstructing the flawed logic that "I like sin and God likes forgiving," and why sin remains destructive to our lives and relationships.**Instruments of Righteousness:** The call to renounce worldly passions and align our will with God's purpose as "zealous for good works".

Instruments of God's Grace Guest Speaker Steve Zarrilli Acts 9:36-42 Our world celebrates the loud. We chase after famous people on bright stages, quote authors and podcasters we've never met, and take on the agendas that shout the loudest. Yet something in us still longs for the quiet – the soft wind, the lapping waves, the songs of birds at dawn. Jesus celebrates that quiet place. He lifts up the humble and the lowly. He honors the unseen, the overlooked, and the ordinary. He Himself entered the world not with applause, but as a baby in a manger. This Mother's Day, join us as we explore how Jesus views humble, natural servanthood within His supernatural kingdom and discover what a life of gospel faithfulness truly looks like. 

You run a borescope through an instrument, and something doesn't look right. Is it debris? Damage? Or has it always been there? On this episode of Beyond Clean, we're joined by William Filipponi to break down one of the biggest challenges teams face after implementing borescopes: knowing what you're actually looking at. From telling the difference between debris and manufacturing artifact to building reference tools that help your team make confident calls, Bill walks us through how to make sense of what you're seeing inside your instruments for the first time. Whether you're new to borescopes or looking to strengthen your process, this episode brings clarity to one of the biggest learning curves in SPD. After finishing this podcast episode, earn your 1 CE credit immediately by passing the short quiz linked here: https://www.flexiquiz.com/SC/N/episode32-05 Visit our CE Credit Hub at https://www.beyondcleanmedia.com/ce-credit-hub to access this quiz and over 350 other free CE credits. #BeyondClean #SterileProcessing #Podcast #Season32 #SPDFactCheck #Borescopes #InstrumentInspection #SurgicalInstruments #Debris

Today, we're putting The Tonearm's needle on Caroline Davis, a saxophonist and composer based in New York.Her new album, Fallows, just came out on Ropeadope Records. Caroline made it alone during a residency in Ucross, Wyoming - improvising and recording in a cabin, using prepared saxophone techniques and a unique little instrument called an Organelle to process and build sounds she'd never put to tape before. The result is twelve tracks that use the saxophone as raw material rather than a lead voice.We talk about how that music got made, what it means to deliberately avoid the sound of your own instrument, and Caroline's work teaching music inside Sing Sing prison.(The musical excerpts heard in the interview are from Caroline Davis's album Fallows )—Dig DeeperArtist and AlbumVisit Caroline Davis at carolinedavis.orgPurchase Caroline Davis's Fallows from Ropeadope Records, Bandcamp, or Qobuz, and listen on your streaming platform of choiceLabel and ResidencyRopeadope RecordsUcross Foundation — the Wyoming artist residency where Fallows was recordedCivitella Ranieri Foundation — the Italian residency Caroline attended in 2025Tulu Bayar — Turkish artist who made the paper artwork for Fallows (please verify link)Instruments and TechnologyThe Organelle — Critter & Guitari — the hardware synthesizer/processor central to FallowsORAC by Technobear — Patchstorage — the community-built patch framework Caroline used on the recordCollaborators, Influences, and ReferencesSteve Lacy — soprano saxophonist (1934–2004), honored in the track "Lacy Steve"Geri Allen — pianist and mentor; "Barbara Allen (for Geri)" closes the albumThích Nhất Hạnh — Vietnamese Buddhist monk; a sample of his voice appears on "She Know She Is Water"Connie Crothers — pianist from the Lennie Tristano lineage; a sample of her playing appears on "Cloudburst"Lee Konitz — Caroline's teacher; alto saxophonist (1927–2020)Sam Newsome — soprano saxophonist; prepared saxophone pioneer cited by Caroline as a major influenceChristine Abdelnour — French experimental alto saxophonist; a formative reference for prepared saxophone techniqueAnna Webber — saxophonist and composer, cited for her work with venting vocabularyJames Falzone — clarinetist whose solo tour performance is discussed in the episodeKris Davis — pianist and founder of Pyroclastic Records; cited as a touchstone for prepared pianoSylvie Courvoisier — pianist cited for her prepared piano work (please verify link)Qasim Naqvi — New York-based composer and modular synthesist; a frequent collaboratorLabels and Organizations — Current ListeningOut of Your Head Records — Adam Hopkins's artist-run label; praised in the episodePyroclastic Records — Kris Davis's artist-run label; praised in the episodeAdvocacy and JusticeMusicambia — the organization through which Caroline teaches music at Sing Sing Prison and other facilitiesFREER Records — nonprofit label for incarcerated and formerly incarcerated musicians; Caroline is on the boardKeith LaMar — keithlamar.org — death row prisoner in Ohio whose execution is scheduled for January 13, 2027; wrongfully convicted per advocatesJalil Muntaqim — political prisoner (Black Panther Party) with whom Caroline corresponded; released from prison in 2020The New School — Jazz & Gender course — co-taught by Caroline Davis and Sarah Elizabeth Charles—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Welcome to another edition of BREAKING Protocol from The Razzle Dazzle Show — our ongoing mini-series where we break down key updates and design questions straight from the development of SHADE Protocol. These episodes are built around the game's community engagement series, Devs Ask You, or DAUs — where Kendall and the team not only show what's changing, but invite fans to shape the journey with them. Today's episode focuses on one of the most experimental and unpredictable Instruments in the game: the Chakram. This weapon has gone through multiple iterations already, and it's clear the team loves the fantasy behind it — but it's also presenting some of the most complicated design challenges in the entire combat system.⁠⁠https://linktr.ee/LittleLegendaryGames?utm_source=linktree_profile_share⁠⁠⁠⁠ ⁠⁠Host: Jared Gonzalez. Executive Producer: Kendall Quinoñes. Cohost: Chaz Hawkins, Mauro Piquera. Master Chief Engineer: Jared Gonzalez. Editor: Jared Gonzalez. Graphics Editor: Jared Gonzalez. Digital Media Editor: Jared Gonzalez. Producer: Jared Gonzalez. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/razzledazzleshowpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#razzledazzle #razzledazzleshow #indiegames #indiegamedev #indiedev #shadeprotocol #metroidvania

Today, we're putting The Tonearm's needle on Caroline Davis, a saxophonist and composer based in New York.Her new album, Fallows, just came out on Ropeadope Records. Caroline made it alone during a residency in Ucross, Wyoming - improvising and recording in a cabin, using prepared saxophone techniques and a unique little instrument called an Organelle to process and build sounds she'd never put to tape before. The result is twelve tracks that use the saxophone as raw material rather than a lead voice.We talk about how that music got made, what it means to deliberately avoid the sound of your own instrument, and Caroline's work teaching music inside Sing Sing prison.(The musical excerpts heard in the interview are from Caroline Davis's album Fallows )—Dig DeeperArtist and AlbumVisit Caroline Davis at carolinedavis.orgPurchase Caroline Davis's Fallows from Ropeadope Records, Bandcamp, or Qobuz, and listen on your streaming platform of choiceLabel and ResidencyRopeadope RecordsUcross Foundation — the Wyoming artist residency where Fallows was recordedCivitella Ranieri Foundation — the Italian residency Caroline attended in 2025Tulu Bayar — Turkish artist who made the paper artwork for Fallows (please verify link)Instruments and TechnologyThe Organelle — Critter & Guitari — the hardware synthesizer/processor central to FallowsORAC by Technobear — Patchstorage — the community-built patch framework Caroline used on the recordCollaborators, Influences, and ReferencesSteve Lacy — soprano saxophonist (1934–2004), honored in the track "Lacy Steve"Geri Allen — pianist and mentor; "Barbara Allen (for Geri)" closes the albumThích Nhất Hạnh — Vietnamese Buddhist monk; a sample of his voice appears on "She Know She Is Water"Connie Crothers — pianist from the Lennie Tristano lineage; a sample of her playing appears on "Cloudburst"Lee Konitz — Caroline's teacher; alto saxophonist (1927–2020)Sam Newsome — soprano saxophonist; prepared saxophone pioneer cited by Caroline as a major influenceChristine Abdelnour — French experimental alto saxophonist; a formative reference for prepared saxophone techniqueAnna Webber — saxophonist and composer, cited for her work with venting vocabularyJames Falzone — clarinetist whose solo tour performance is discussed in the episodeKris Davis — pianist and founder of Pyroclastic Records; cited as a touchstone for prepared pianoSylvie Courvoisier — pianist cited for her prepared piano work (please verify link)Qasim Naqvi — New York-based composer and modular synthesist; a frequent collaboratorLabels and Organizations — Current ListeningOut of Your Head Records — Adam Hopkins's artist-run label; praised in the episodePyroclastic Records — Kris Davis's artist-run label; praised in the episodeAdvocacy and JusticeMusicambia — the organization through which Caroline teaches music at Sing Sing Prison and other facilitiesFREER Records — nonprofit label for incarcerated and formerly incarcerated musicians; Caroline is on the boardKeith LaMar — keithlamar.org — death row prisoner in Ohio whose execution is scheduled for January 13, 2027; wrongfully convicted per advocatesJalil Muntaqim — political prisoner (Black Panther Party) with whom Caroline corresponded; released from prison in 2020The New School — Jazz & Gender course — co-taught by Caroline Davis and Sarah Elizabeth Charles—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Valentina Ciardelli , double bass professor at Trinity Laban Conservatoire of Music and Dance and an active performer/educator, returns to the podcast to talk about a project that goes way beyond the practice room: fixing the chaos of traveling with large instruments. Check out Valentina's work and latest updates on her website . We dig into Valentina's advocacy work to create clearer, non-discretionary standards for transporting professional musical instruments, sparked by real-world experiences (including those "crying in the airport" moments many traveling musicians know all too well). Jason shares a few horror stories from the bass-travel trenches, and Valentina describes the progress being made through dialogue with airlines, airports, and policymakers, including her recent speech in Brussels and why signatures matter even outside the EU. You can sign the petition here , follow Valentina on Instagram and Facebook , and visit her YouTube channel !   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

Today's guest lives at the intersection of craft, sound, and story. If you've ever wondered what happens when making the instrument becomes part of the art — and when music leads before meaning — this conversation will invite you to slow down, listen deeply, and sit inside the mystery.Martin Maudal is a renowned luthier, songwriter, and producer, and a graduate of Berklee College of Music. Raised in Claremont, California at the foot of Mount Baldy, and shaped by years in the New York music scene, Martin blends West Coast soul with East Coast grit.He is the founder of Maudal Musical Machines, where he hand-builds electric resonator guitars—functional sculptures and vessels of sound that he also performs and records with. What began as a way to showcase these instruments evolved into Baldy Crawlers, a deeply expressive musical collective blending Folk, Americana, Jazz, and social commentary.Martin on YouTube@maudalmusicalmachines on InstagramMartin's Facebook pageFollowing critical acclaim for “Bring Me a Flower,” Baldy Crawlers return with the haunting new single Boy, released January 9, 2026—an intuitive, open-ended work that invites listeners not to solve the song, but to sit inside it.1) When Craft Becomes the MuseMartin, Baldy Crawlers began as a way to showcase your handmade guitars—and then became something much bigger. At what point did you realize this wasn't just a marketing project, but a true artistic calling of its own?2) Music Before MeaningYour new single “Boy” started not with a concept, but with a feeling. You've said, “This one was music before it was words.” What happens creatively when you let sound lead before meaning—and how do you know when not to force interpretation?3) Instruments as StorytellersYou build the very instruments you record and perform with. How does handcrafting a guitar—its materials, weight, resonance—shape the stories that come out of it? In what ways does the instrument itself become a collaborator?4) Leaving Space for Mystery“Boy” lives in a dreamlike space where silence speaks as loudly as sound. In a world that pushes clarity, content, and explanation, how do you protect ambiguity—and why do you think listeners crave that space now?5) Empathy, Myth, and the Human PulseFrom “Bring Me a Flower” to “Boy,” Baldy Crawlers' music feels rooted in empathy and shared humanity. What themes keep returning in your work—and what do you hope listeners discover about themselves when they sit with these songs?“Before we wrap up, Martin, where can listeners explore Baldy Crawlers' music, your instruments at Maudal Musical Machines, and keep up with upcoming releases?”For creatives listening who feel pressure to explain, optimize, or over-define their work—what would you say about trusting intuition and letting the art reveal itself in its own time?Music tracks are copyrighted, provided by the artist, and used with permission."Bedlam""Boy""Bring Me A Flower""Orbelin"

April 23rd, 2026 Follow us on Facebook, Instagram and X Listen to past episodes on The Ticket’s Website And follow The Ticket Top 10 on Apple, Spotify or Amazon MusicSee omnystudio.com/listener for privacy information.

On this episode, we'll focus on debt instruments and what happens when debt is amended or modified, which can provide some unwelcome surprises. We welcome Howard Wagner, managing director in our Washington National Tax Office, and Jack Gillespie from our Tax Specialty group, to break down what you should be thinking about to work through deals and manage cash flow.

Lügen haben kurze Beine, heißt es, und doch verbreiten sie sich rasend schnell. Um ihrer Herr zu werden, bedarf es eines einfachen Instruments, um sie erst zu zerstreuen und dann Stück für Stück zu beseitigen. Doch alles Ungelöste weicht der Wahrheit oftmals aus und verlagert sich.

A big one this time around: we celebrate 12 years of Erasable, Andy launches a transcript site and an AI quiz generator, Johnny's been making books and hiking in 15-degree weather, and Tim christens his new Nahvalur Nautilus with a boiling water incident. Plus fresh releases from Field Notes, Blackwing, Baronfig, and Musgrave.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show notes & linksErasable PatreonErasable Podcast Discord inviteThe Truth About Vintage Amps with Skip SimmonsPilão coffee (Tim's Brazilian coffee recommendation from Skip Simmons)Erasable ScribeQuizard.cool12 years of Erasable, by the numbers (according to Claude)Ed Kemp on zines (Erasable episode) (if you have a specific episode link handy)Plumbago magazineField Notes "Lucky"Blackwing Volume 343Blackwing Quarterly Zine, Issue 1Baronfig Winnie the Pooh Squire HexBaronfig Legend hardcover notebookMusgrave America 250 Celebration Red, White, and Blue setNahvalur Nautilus Ti "Toffee"Mike Masuyama nib grindingYour HostsJohnny GamberPencil Revolution@pencilutionAndy WelfleWoodclinched@awelfleTim Wasem@TimWasem

Depuis des siècles, l'humanité affronte un défi : représenter fidèlement la Terre sur une surface plane. Ce casse-tête impose aux cartographes des compromis, créant de nombreuses projections. Or ces choix ne sont pas neutres : chaque carte reflète une vision du monde.

Episode: 1554 In which new science yields new instruments: 1500 to 1950.  Today, a new class of machines and new viewpoint.

Got a question? Let us know!Host (Heather): Welcome to Made for Mondays—the podcast where we explore ways to bring Sunday's message into our everyday lives. Who's joining me today?Guests (Tyler, Jamey, and Chelle): Hey everyone!WEEKEND CHITCHATHost: Alright—quick catch-up. What did everyone get into this weekend?Host Transition: Okay, now that we've established we're real people with real lives…BIBLE READING CHALLENGEHost: How's Jesus speaking to you through the Bible Reading Challenge this week?(Judges, Ruth, 1 Samuel, Luke)WHAT THE WHAT????Host: After Easter, we got some great questions sent in—so we're going to start digging into a few of those today, and we'll keep that going in the weeks ahead.We're also gearing up for a summer series called Campfire Stories, where we'll tackle real questions about faith, life, and culture—so this is a bit of a preview.Question 1 – Relationships & TimingWe heard from someone wrestling with timing, trust, and relationships—feeling behind, feeling pressure, and wondering how much is on them versus trusting God.Discussion prompts: How do you balance intentionality in relationships with trusting God's timing?  What does healthy discernment look like vs. being overly critical or judgmental?  How do you deal with the fear of being “behind” in life? Question 2 – Trinity & Focus on JesusAnother question asked why Christians focus so much on Jesus instead of speaking more broadly about God as a whole.Discussion prompts: How does Jesus reveal the fullness of God rather than compete with it?  Why is focusing on Jesus central to Christian faith? Follow-up: How should we understand gendered language for God—what's cultural, and what's theological?SUNDAY DISHHost: Tyler, this week you continued our Turbulence series, looking at John 14–15—where the disciples wanted clarity, direction, and answers… and Jesus offered them something deeper: Himself.Q1 – IcebreakerHave y'all ever been completely lost—like truly had no idea where you were going?Q2 – Personal ConnectionTyler, you shared about your journey—especially this being your last season on staff here.Can you give us a glimpse into that earlier season when you first came here—and how that's shaping how you're navigating what's ahead?Follow-up: Jamey and Chelle, can you relate to that tension of uncertainty and transition?Q3 – Seeing the Father in the SonIn John 14, Jesus says, “Anyone who has seen me has seen the Father.”How would you help someone understand that without oversimplifying the mystery?Follow-up: Why does this matter for someone whose view of a “father” has been shaped by pain?Q4 – Trusting Without the Whole MapWe often want full clarity before we trust.What does it actually look like to obey with partial light?Follow-up: How can we tell the difference between faithful waiting and fear disguised as wisdom?Q5 – Big Idea: Trusting the PilotThe big idea: Peace comes from Stay Connected Website: https://believerschurch.org/ Bible Reading Plan: https://believerschurch.org/bible-reading-plan/Believers Facebook: https://www.facebook.com/believerschurch.va/ Believers Instagram: https://www.instagram.com/believers_church/Subscribe to The Outlet: https://believerschurch.us13.list-manage.com/subscribe?u=66f00f86238de86688d2480e6&id=729c3f381f

In eastern Kentucky, the heritage of folk and traditional music, rooted in instruments like guitars, mandolins and dulcimers, is deeply seated. There's an effort to capitalize on this rich culture while providing a fresh start for people in addiction recovery. Jeffrey Brown has the story for our look at the intersection of art and health for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy