Podcasts about instruments

durée : 00:14:46 - Carnets de campagne - par : Dorothée Barba - Au programme des Carnets du jour en Gironde : Cap'Orn, une association de musique en milieu rural, puis le Moulin de Pinquet, à Saint-Félix-de-Foncaude, qui a été restauré par des bénévoles et est ouvert au public. - équipe : Sophie Hoffmann Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Start Artist Song Time Album Year 0:01:08 Morgonrode Den som går ut 6:46 Det som blir 2024 0:08:26 Sairie The Breeze on the Meadow 3:46 Beneath the Spreading Tree 2026 0:12:35 Andy Aquarius The Soft And Silent Pastures 5:49 Vale Of Tears 2026 0:18:52 Baka Beyond Fair Molly (Mál Bhán Ní Chuilleanáin) 5:08 Sing the World Awake 2026 0:24:15 Michael Trew The Valley The Shadow 2:42 Shaniko b/w The Valley The Shadow 2026 0:27:32 Niyaz Love 4:33 Seven Realms of Attar 2026 0:32:24 Tyler Kamen Under Your Skin 3:22 Single 2026 0:36:00 Blanco White So Certain (Something Reminds Me) 5:07 Single 2025 0:41:20 The Thorn La Pernette 5:41 Single 2026 0:47:29 Spell Songs Bells Fall Still 3:56 In Thin Air 2026 0:51:44 Raphael Weinroth-Browne Sanctum 5:15 Empyrean 2026 Det som blir by Morgonrode favorite track Den som går ut Norwegian folk rock outfit sports not one, but three hardanger fiddle players, as well as violins and langeleik, a traditional droned zither. Everyone sings, too. Their sound includes elements of jazz as well, and the result is mesmerizing. Beneath the Spreading Tree by Sairie favorite track The Breeze on the Meadow Sairie is a psych folk sextet from Brighton, who've only released singles and EPs, until now. The dulcetly soaring female vocalist is at the fore most of the time, with a male vocalist joining in, and even being featured for a few tunes. Otherwise, autoharp, guitar, harmonium, bass, violin, cello, accordion, and percussion are the instruments, with the electric guitar in particular being a fine juxtaposition to the soprano female vocalist. Vale Of Tears by Andy Aquarius favorite track The Soft And Silent Pastures This thoughtful wyrd folk artist from Berlin returns with a full-length release. He's deeply inspired by nature and holy places, and these songs reflect his wanderings and ponderings. He plays all instruments, including Celtic harp, and provides vocals as well. This is a lovely addition to his catalogue, and is best heard from start to finish. Sing the World Awake by Baka Beyond favorite track Fair Molly (Mál Bhán Ní Chuilleanáin) Stalwart Afro-Celt musicians Baka Beyond, whose catalogue spans 30 years, are back after a 12-year recording drought. Instruments are guitars, bass, drums and percussion, violin, and various vocalists. From energetic to trance-inducing, there is something for everyone who loves this kind of music. Shaniko b/w The Valley The Shadow by Michael Trew I'm always eager to hear what Michael Trew has come up with, and never disappointed. This is a true single format, with two pieces, both with his wonderfully evocative vocals at the fore, a bit of a retro alt/rock feel. Both are exceptionally moving, but I'm going with, “The Valley Of The Shadow.” SEVEN REALMS OF ATTAR by NIYAZ favorite track LOVE Niyaz is an amalgamation of Middle Eastern, world, and electronica, composed and performed by Azam Ali and Loga Ramin Torkian. Azam Ali provides voice, beats & programming, percussion and keyboards; Loga Ramin Torkian plays kamaan, guitar-viol, robab, lafta, kopuz, electric guitar, additional programming, and keyboards; and they are joined by Sinan Cem Eroglu on kopuz, kaval, and voice. The overall effect is cinematic and mesmerizing. Under Your Skin by Tyler Kamen Tyler Kamen has release this single, that's a bit more idiosyncratic (if that can be said), than his previous outings perhaps because it's a standalone piece. It is still outstanding psych/folk/rock, so never fear, with a forceful wash of guitars and vocals. Hopefully a new full-length release is in the works. Blanco White “So Certain (Something Reminds Me) 2026 (5:17) Single Utterly haunting single from Blanco White, with his quavery voice, chilling harmonies, and shimmery violin. Hoping for another full-length release here, too. La Pernette by The Thorn As expected, The Thorn deliver the goods with this latest single, a traditional French ballad. Lysergically tinged heavy guitars are the perfect foil to the crystal clear vocals of Naomi Randall. In Thin Air by Spell Songs favorite track Bells Fall Still Seven stellar musicians make up Spell Songs. On this recording, it's all about the birds, inspired by a book about them, their habitats, and their increasing vulnerability. Instruments are all manner of guitars, bass, whistles, kora, piano other keyboards and synths, electroharp, viola, cello, ukulele, drums and other percussion, and everyone sings. Spellbinding. Empyrean by Raphael Weinroth-Browne favorite track Sanctum The fiery looping cellist is back with a new release, after issuing several singles ahead of the fact. Here, he does return to his usual slow burns working up to mayhem, but this time there's not just fire, but also some really luxuriantly warm pieces to settle in with.

Nicki and Mervyn chat about talents and the magic of art.

Sarah Walsh and Geoff Wotton visited a school in Westmoreland, Jamaica a year ago and were moved to raise money to send a pallet of donated musical instruments for the children. A big team helped them sort the instruments and raise funds. They had helpers for other things too, supplying footballs and IT equipment. Sarah and Geoff talk to Mike Waddington about the project and why the did it; arranging transport for the pallet to go from Petersfield to Harwich and then, after a five week journey by sea to Montego Bay, a hired van delivered the guitars, keyboards and drums to the school. Would they do it again? yes.See omnystudio.com/listener for privacy information.

Composers have long explored the percussive possibilities of traditionally non-percussive instruments, striking, tapping, scraping, and knocking on their bodies to uncover sounds beyond their conventional vocabulary. Many of these techniques already belong to a tradition of extended instrumental practice in contemporary music. But composers and performers continue to find new ways of expanding an instrument's expressive capabilities, and, in doing so, our own imaginations. On this episode of Relevant Tones, host Stephen Anthony Rawson explores music by Helmut Lachenmann, Nina Shekhar, Kazimierz Serocki, Erin Rogers, Luciano Berio, and Giacinto Scelsi that asks us to hear familiar instruments in unfamiliar ways, imagining what else they might become.

Sound Healing with David Gibson The Harmonic Structure of Sound: Odd and Even Harmonics From Guitar Strings to Galaxies David Gibson devotes the hour to the harmonic structure of sound, tracing odd and even harmonics from a plucked guitar string and the singing voice through gongs, crystal bowls, planetary distances, and the golden mean, closing with a live sound meditation for peace. Inside the Sound Healing Center David Gibson opens the broadcast with a tour of the Sound Healing Center's four branches: the Globe Institute, the Sound Healing Store, the Sound Therapy Center, and the Sound Healing Research Foundation. He describes Globe Institute as the only state-approved sound healing college in the United States, offering two sound healing certificates and an audio recording certificate, in person in Sausalito and online, with the online certificate program able to start September 29th and the recording program already underway. He walks through the Store's four hundred instruments and technologies, from crystal bowls and Tibetan bowls to Brainwave Assessment and voice analysis software, and mentions the contract bringing eight sound protocols into Northern California's largest dementia care company. He also describes the Research Foundation's library of over a thousand clinical papers, the Medical Sound Association's bimonthly treatment-plan meetings, and a $100,000 grant funding sound curriculum in Montessori schools, before inviting listeners to an October 4th open house in Sausalito. The Harmonic Structure of Sound Turning to the day's subject, Gibson explains the harmonic structure of sound, the mathematics behind why one instrument or voice feels different from another. He sings a single sustained "ah" and tells listeners they just heard over a hundred notes and frequencies stacked inside that one sound, since nearly every sound in nature is built from many frequencies at once rather than just one. Demonstrating on a guitar, he plucks the open E string at what he simplifies to 80 Hz, calling it the fundamental or root frequency, then rests a finger lightly on the twelfth fret to isolate the second harmonic at 160 Hz, an octave higher. He shows how the string is simultaneously vibrating in two, three, four, and dozens of smaller sections at once, each producing a frequency that is a whole-number multiple of the root, and explains that the voice's vocal cords generate roughly a hundred such vibrations in exactly the same mathematical pattern. Odd Harmonics Versus Even Harmonics Gibson then divides instruments and voices into two families based on which harmonics they emphasize. Metal instruments with bumps, reed instruments, and bagpipes, he explains, produce mostly odd-numbered harmonics, forming a dissonant, edgy chord that he calls activating, evident in gongs, Tibetan bowls struck with a wood stick, clarinets, and heavy metal guitar distortion. Instruments built from nylon string or wood, such as the harp, classical guitar, and wood tongue drum, produce even-numbered harmonics instead, forming a warmer, sweeter chord that calms the nervous system. He carries the same odd-even split into vowels, contrasting the tense, effortful "e" with the relaxed, resonant "oo," and into singers, naming Janis Joplin, Axl Rose, and Bob Dylan as odd-harmonic voices and Barry White and Norah Jones as even-harmonic ones, adding that Adele carries a slight edge of her own. Matching Sound To The Nervous System Gibson maps out when to reach for each family of sound. Odd harmonics, he says, break up stuck energy and emotion, energize a room, and help ease people out of depression once introduced gradually, and can speed blood flow for people in early-stage dementia. But he warns they can trigger panic attacks, overwhelm anyone fragile, freshly out of surgery, or living with advanced dementia, where even a Tibetan bowl must be handled carefully and gongs are off limits entirely. He lays out his spectrum of instruments running from most activating to most calming, gongs, noisemakers, the ocean drum, and wood-struck Tibetan bowls at one end, softening through rattles, drums, and frosted bowls, down to soft shakers, handpan, FreeNote xylophone, RAV drum, sansula, and koshi chimes at the other. He notes his own taste shifts through the day, favoring warm even harmonics in the morning, more activation in the afternoon, and calm again by evening. Harmonics Across Nature And The Body Zooming out, Gibson traces the same harmonic mathematics through the rest of the body and the cosmos. He describes alchemy crystal bowls carrying the vibrational signature of whatever gemstones or metals are embedded in them into every water droplet of the body, and recounts a visitor who had mapped harmonic chords for each organ, explaining that a person's voice takes on the harmonic structure of their weakest organ, fear-holding kidneys sounding one way, an angry liver another. He extends the pattern to the solar system, describing the distance from the Sun to Mercury as a root frequency multiplied outward through Venus, Earth, Mars, and the asteroid belt, a structure some spiritual teachers, he notes, associate with love. He adds that electron shells, vertebrae, and, in Fabien Maman's view, the human aura all follow the same one-times, two-times, three-times series, which is why acoustic instruments map to the body more precisely than electronic ones. The Golden Mean And Closing Meditation Gibson closes by setting the harmonic series against a second pattern, the Fibonacci sequence and its golden mean ratio of 1.618, which he calls nature's spiral, visible in the proportions of the fingers, hand, arm, and face and in shells and galaxies alike, and which he associates with the heart's own resonance when generating love. He calls the harmonic series the masculine structure of the universe and the golden mean its feminine counterpart. To let listeners feel the contrast directly, he plays his own recorded piece "Angelica," built on the odd, edgy harmonics of a tanpura, followed immediately by a mellow, even-harmonic piece he composed for sleep. He then leads listeners live in making the calmest, warmest sound they can manage with their own voice, and sends them off asking them to hold that peaceful state through the evening, the weeks, and the months ahead.

Worhip Amighty God wholeheartedly with us every Lord's day at 10 AM.

Au Tchad, des artistes musiciens s'emploient à renforcer le lien entre instruments traditionnels tels que la harpe, la cithare et le balafon et la musique moderne. C'est le cas de Soléa Damas, originaire du Sud, musicien sculpteur, harpiste et cithariste, auteur de plusieurs titres dominés par ces sonorités patrimoniales. Son œuvre, saluée pour son originalité après son premier album de 2018, inspire de nombreux jeunes qui imitent ses pas, se forment à la pratique et fabriquent eux-mêmes ces instruments. Notre correspondant Olivier Monodji a suivi une séance de formation au centre culturel et artistique « Kaya Kendé » (Les pro de la harpe) où la connaissance des instruments traditionnels continue de se transmettre. « Vouloir, c'est pouvoir », dit-on. Pour Soléa Damas, l'idée de fabriquer des instruments traditionnels ne date pas d'hier : c'est la concrétisation de son rêve, disposer de ses propres instruments pour mieux composer et interpréter ses chansons. « C'était parti, d'abord, d'une remarque. Plus tard, en 2019, je suis reparti chez les parents, certains détenteurs du savoir. Je travaille avec eux sur la fabrication, sur l'utilisation. Après, l'idée de faire des recherches est venue », explique-t-il.  Dans son atelier du 7ᵉ arrondissement de N'Djamena, vêtu de sa tenue de travail, deux morceaux de bois en main et un crayon posé sur l'oreille, il fredonne quelques-uns de ses titres tout en s'affairant au rythme des marteaux, scies et rabots. Les sons du réglage des instruments se mêlent à ce vacarme artisanal. « Ça, c'est la Sanza. Ça, c'est une innovation. On a récupéré quelques organes d'une guitare morte pour fabriquer la harpe. Là, elle est électro-acoustique », précise Soléa Damas.  À lire aussiLa sanza, un piano à pouces aux multiples noms Toujours entouré de ses apprenants, une dizaine au total. Parmi eux, Menda Benjamin, diplômé mais au chômage, découvre un métier porteur. Quant à la plus jeune, Sanglar Patricia, 15 ans, elle se distingue par sa motivation et sa passion : « J'ai adhéré pour motiver d'autres personnes. » Les matières premières se raréfient. « Il faut parcourir de longues distances pour s'en procurer, se lamente l'artiste Soléa Damas. Parfois, au mois de juillet ou autre, on rentre en province avec une autorisation, on taille du bois mort, c'est ce qui permet de fabriquer aussi les tambours, les tambourins. C'est beaucoup de difficultés et à l'heure où le monde fait face au réchauffement climatique, nous sommes aussi en train de chercher à innover, à réinventer la fabrication des instruments. » Fabriquer, oui, mais surtout concilier ces instruments avec sa musique : c'est ce qui révèle l'identité de l'artiste. C'est son défi. « Un peu ailleurs, partout, les artistes brillent avec les instruments patrimoniaux, avec les instruments de chez eux. Mais, pourquoi pas au Tchad ? Pourtant, il y a une panoplie d'instruments », regrette-t-il. Âgé de 38 ans et enseignant de carrière, Soléa Damas ambitionne de transformer le centre de formation et de fabrication des instruments traditionnels en une véritable académie, afin de promouvoir davantage le patrimoine musical tchadien. À lire aussiLe balafon, une histoire d'héritage

In the third installment of our four-part series based on Paul David Tripp's Instruments in the Redeemer's Hands, Nick joins us to explore the heart behind speaking the truth in love. Why do we avoid difficult conversations? Why does Paul describe speaking the truth in love as essential to the growth of the church? And why does our approach often matter as much as - or more than - the content of what we say? Together, we'll examine how the gospel shapes our posture, helping us confront with truth, grace, humility, and wisdom. If you'd like to go deeper, pick up Speaking Truth in Love by David Powlison using the link in the show notes. This is Part I of our conversation. In Part II, we'll get practical about the Process of Speaking the Truth in Love - including how to respond when someone comes to you, how to approach confrontation, and what to do when the conversation doesn't go as planned. Speaking the Truth in Love (Powlinson) - https://shorturl.at/xYu1F Instruments in the Redeemers Hands (Tripp) - https://shorturl.at/u84Na

In Part II of our conversation on speaking the truth in love, Nick joins us to move from the heart behind difficult conversations to the practical process of having them well. Building on Paul David Tripp's Instruments in the Redeemer's Hands, we'll consider how ordinary people can help ordinary people follow Jesus in everyday life through the means of Speaking the Truth in Love. What should you do when someone comes to you with a struggle? How can you lovingly approach someone when confrontation is necessary? And what happens when the conversation doesn't go as planned? We talk about two practical tools to add in our daily lives: five questions that help us listen, understand, and uncover what is happening beneath the surface - and the methods for approaching difficult conversations with truth, humility, and grace. If you'd like to go deeper, pick up Speaking Truth in Love by David Powlison using the link in the show notes. Speaking the Truth in Love (Powlinson) - https://shorturl.at/xYu1F Instruments in the Redeemers Hands (Tripp) - https://shorturl.at/u84Na

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On Gibraltar Today, a newly formed charity wants to put more orchestral instruments into local classrooms.Lili Olivero and Shaun Baglietto from the Gibraltar Music Trust will be here to tell us about their plans for the local music scene.Charity volunteer Adele Farrell is preparing to scale Morocco's highest peak to raise money for Carers Trust.She sets off on the five-day challenge on Wednesday and will tell us why the cause is worth the climb.And there's less than a week to go until the 11th annual EY Relay for Children.Organisers will be here for a final push to get people signed up ahead of Sunday's event, raising funds for Diabetes Gibraltar.We'll also have all the latest sporting news with Robin Sheppard Capurro. Hosted on Acast. See acast.com/privacy for more information.

The Pencil Primer returns with part three: the other end of the pencil. We trace the eraser from stale bread crumbs to Goodyear's vulcanized rubber to Hymen Lipman's well-timed patent sale, then get into ferrules — wartime plastic ones, the Blackwing's famous clip, and why American pencils wear erasers while Japanese and German ones mostly don't. But first: Andy falls down a Carter Family rabbit hole, Johnny finds a forest green ink and an all-black Musgrave Ceres, and Tim awaits Blackwing's new Telecaster pencil.Show Notes & LinksShow notesErasable episode 237: Pencil Primer, Part 1Erasable episode 240: Pencil Primer, Part 2Lost Weekend by Phoebe BridgersTrio by Dolly Parton, Linda Ronstadt, and Emmylou HarrisTrio IIThe Johnny Cash ShowThe Carter FamilyCountry Music: A Film by Ken BurnsBirthplace of Country Music MuseumField Notes Explore America: Northern CaliforniaPenco Bullet Ballpoint Pen LightThe Gentlemen (series)The Gentlemen (film)GrantchesterThe Vicar of DibleyThe Art of the Fold by Hedi Kyle and Ulla WarcholAsvine C80Jacques Herbin Vert Forêt inkGeneral's Cedar PointePaper Mate EarthWriteJohn & Paul: A Love Story in Songs by Ian LeslieOasis: Don't Look Back in AngerTiresPilot MetropolitanPilot PlumixDiamine Aurora Borealis inkNahvalur NautilusAgainst Convenience by Gabe BullardEnshittification by Cory DoctorowMusgrave Ceres 909 MidnightMusgrave America250 Ceres 909 Red, White, & Blue SetJustin Ostrander on YouTubeBlackwing Volume 33 1/3Tombow 2558Mitsubishi 9852Blackwing x Fender Butterscotch Blonde Telecaster pencilsBlackwing x Fender Butterscotch Blonde Telecaster notebookBlackwing x Fender Stratocaster pencilsBlackwing Volume 725Edward NairneCharles GoodyearVulcanizationKneaded eraserWill It Blend? iPhoneHymen LipmanThe brief and fascinating history of WWII-era pencil ferrulesBic EvolutionUni-ball AirTombow Mono eraserMitsubishi 9852EWStaedtler NorisTelephone pencils in action — pencils with a tip for dialing rotary phonesSupreme Court gift shop gavel pencilsHemingway Home & Museum storeSprout plantable pencilsFaber-Castell Perfect PencilThe Blackwing pencil: a historyEberhard Faber MongolMiradoGolden BearRichard Best FuturaVenus VelvetCraft Design Technology pencilsCamel pencils and the integrated eraserItoya Helvetica pencilErasable PatreonErasable Podcast Discord inviteYour HostsJohnny GamberPencil Revolution@pencilutionAndy WelfleWoodclinched@awelfleTim Wasem@TimWasem

Skribe joins us in the Lounge for Episode 78. We sit down with Annapolis musician Aaron Yealdhall, better known as Skribe, to talk about his music, his DIY approach, the road that got him here, and plenty more. Then we get into the music, with Skribe bringing his garage-folk sound and unique setup into the Lounge for a live performance. Full episode is available now on YouTube, Spotify, and all podcast platforms. Sponsored by Checkerspot Brewing Company

Worhip Amighty God wholeheartedly with us every Lord's day ait 10 AM.

https://amazonarts.org/ Instruments of Peace Concert with Diego Carneiro Diego Carneiro is a Brazilian cellist, conductor, composer, and peace advocate whose music bridges continents, cultures, and causes. As the founder of the AmazonArt Foundation, FOMITA, Orquesta Joven del Ecuador, and Orchestrating Peace, Diego has dedicated his career to transforming music into a tool for education, healing, and global connection. He is also the visionary behind the Instruments of Peace Campaign, a growing international initiative that donates musical instruments to underserved and displaced youth. Diego has performed in over 60 countries, from the Royal Albert Hall in London to communities deep in the Amazon. His repertoire blends classical works, particularly those of Bach, with Brazilian rhythms and original compositions inspired by nature and social justice. In 2024, he was selected as a Rotary Peace Fellow at Makerere University in Uganda, where he launched the global project Orchestrating Peace through Music. During this time, he began composing Amazonian Elegy: A Tribute to the Lost Species, a haunting solo cello piece that earned him the Annual Nancy Erickson Endangered Species Art Award (2025). The work premiered at the Rotary International Convention in Calgary, Canada, where it moved audiences with its message: “A cry from the forest. A call for urgent action.” Diego's work has been recognized by the United Nations, Rotary International, and various Ministries in Ecuador and Brazil, and featured on CNN, BBC, Deutsche Welle, and France 24. cellistdiegocarneiro@gmail.com https://portal.clubrunner.ca/2855/event/instruments-of-peace-concert-with-diego-carneiro

Preparing the instruments before handing them out to your students can help them be successful. Krystle Smith shows you how she prepares each of the beginner instruments for her students.Support the Show HereTo gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.comOur mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years.Connect with us with comments or ideasFollow the show:Podcast website : Thegrowingbanddirector.comOn Youtube The Growing Band Director Facebook-The Growing Band Director Podcast GroupInstagram @thegrowingbanddirectorTik Tok @thegrowingbanddirectorIf you like what you hear please:Leave a Five Star Review and Share us with another band director!

The Goldmund Quartet has a new album called “Paganini: His Music, His Instruments.” The Germany-based quartet recorded the album with classical guitarist Carlotta Dalia using the Paganini Quartet instruments and a guitar Paganini also owned. Cellist Raphael Paratore spoke with Brandon Isle about the new album.

In this episode, Bryan welcomes back Louise Kellar of UEi Test Instruments for a deep dive into getting more out of a digital clamp meter than the basic volts, amps, and ohms most techs rely on every day. The tool in the spotlight is UEi's High Accuracy Clamp Meter (HAC), which is accurate when dealing with the low current draws common on modern condenser fan and blower motors and is critical for reliable wattage and capacitor-under-load testing.  The podcast also walks through a series of lesser-used but valuable meter functions, including microamp measurement for flame rectification testing, diode testing for diagnosing boards on mini-splits, the Low Z setting for eliminating ghost voltage readings and safely bleeding capacitors, and the safety-locking temperature toggle that prevents technicians from accidentally crossing voltage and thermocouple leads. Bryan and Louise also cover common mistakes, such as not knowing when to use continuity or resistance and auto-ranging mistakes, as well as some crucial takeaways about true RMS measurements, temperature settings, and CAT safety ratings. This episode contains embedded sponsor messages from Refrigeration Technologies, Carrier, NAVAC, and Filtrete. Resources UEi products, manuals, and resources  HVAC Multimeter Skills: Continuity vs. Resistance & Diode Testing (video) CAT Ratings on Electrical Multimeters (tech tip) HVAC School calculators Submit a podcast question Learn about the GRIT Foundation Purchase your tickets or learn more about the 8th Annual HVACR Training Symposium at https://hvacrschool.com/symposium.

Marcus' What You Know 'Bout That trivia game for Thursday September 17th, 2026. See omnystudio.com/listener for privacy information.

MTCT #207: Sequencing Instruments and Songwriting with Tony Hartman by Carrie Nicholas and Tanya LeJeune

Worhip Amighty God wholeheartedly with us every Lord's day ait 10 AM.

We Chat with Fernando the CEO of Calypso Instruments, to get all the details, about their products and company. Recent innovations and most importantly upcoming products (The Gray line)  ! what there relationship with AB is now going forward. Your gonna wanna check this one out ! I learned alot, I know you will too !

Welcome to the “Wrap Party” where we dive a little deeper into Sunday's message. Tune in as we discuss the sermon. -Featuring Pastor Roger

After a sold out run last season, a father-daughter drama returns to a theater in Old Town, featuring music that mixes instruments with real-life bird sounds.

After a sold out run last season, a father-daughter drama returns to a theater in Old Town, featuring music that mixes instruments with real-life bird sounds.

After a sold out run last season, a father-daughter drama returns to a theater in Old Town, featuring music that mixes instruments with real-life bird sounds.

Mit dem Schlagzeug zum ARD-Musikwettbewerb: Für Teilnehmer Leon Lorenz bedeutet das deutlich mehr Aufwand als für viele andere. Wie er den Transport seines Instruments organisiert hat und welche Unterstützung es vor Ort gibt, hat Tobias Hell erfahren.

Instruments in the Redeemer's Hands: Are you sure this is for me?

Avec Yannick Marceau, on revient sur les sujets chauds de l'actualité. On fait le point sur les principaux partis politiques, leurs chefs et leur performance à l'approche des prochaines élections provinciales. On poursuit avec André Durocher et Mélanie Simard, de ISAAC Instruments, qui nous offrent une chronique spéciale à l'occasion de la Semaine nationale du... The post 8 septembre 2026 Yannick Marceau, ISAAC Instruments et Tarek Henoud appeared first on Truck Stop Québec.

Send us Fan MailWe finish our journey through the Psalms by touring Psalms 135–150 and discovering how beautifully the final songs bring the entire book to a close.Psalms 135–136 look back once again at the Exodus and God's Torah, reminding Israel of God's faithfulness throughout their history. Psalm 136 even gives families a pattern they can practice themselves: What if you looked back at your family's story and remembered God's track record together?Then Psalm 137 takes us into one of Israel's darkest moments—the exile in Babylon. Yet the Psalms don't leave us there. Psalm 138 responds with praise for God's chesed and emunah—His steadfast love and faithfulness—and Psalm 139 reminds us just how intimately involved God is in the lives of His people.As we move through Psalms 140–144, we find prayers we can borrow for our own lives. We can ask God for protection from evil, pray for Him to guard our words and hearts, pour out our complaints when we feel completely alone, and ask for His mercy and guidance. David even describes God in six different ways in Psalm 144, reminding us that our relationship with God is rich and multifaceted.Then we reach Psalms 145–150—the grand finale of the Psalter. Again and again we hear the command: Praise the Lord! God cares for the poor and needy. He actively works in His creation. He remains faithful to His covenant. His kingdom reigns, and all creation is invited to praise Him.Finally, Psalm 150 brings our entire journey to a fitting end. After all the fear, suffering, questions, waiting, rescue, joy, and hope we've encountered throughout the Psalms, the final word is praise—and it is anything but quiet. Instruments sound, voices rise, and everything that has breath is called to praise the Lord.As we finish the series, we step back and see something important: the Psalms have a flow. They weren't meant to be experienced only as isolated verses or individual songs. Read together and in order, they continually remind God's people of His character, His faithfulness, His kingdom, and His covenant love—and teach us how to respond to Him through every season of life.And that's something we can practice ourselves. Try reading one psalm a day as part of your prayers. You might even color-code each psalm according to its overall theme—lament, trouble, waiting, trust, thanksgiving, praise—and begin building your own visual prayer guide. When you don't know what to pray, let the Psalms give you the words.If you want the FREE hand outs that go along with this series, sign up for our newsletter at our website. Our website is The Context and Color of the BibleWe are on Facebook - The Context and Color of the Bible | FacebookWe are on Instagram - @contextandcolorofthebibleWe are on YouTube - The Context and Color of the Bible - YouTubeMusic: Tabuk by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4453-tabukLicense: http://creativecommons.org/licenses/by/4.0/

Worhip Amighty God wholeheartedly with us every Lord's day ait 10 AM.

Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYPRIMARY AND CLASSICAL SOURCESAugustine of Hippo. Confessions. Translated by Henry Chadwick. Oxford University Press.Augustine of Hippo. On Christian Teaching. Translated by R. P. H. Green. Oxford University Press.Augustine of Hippo. On Free Choice of the Will. Translated by Thomas Williams. Hackett Publishing.Augustine of Hippo. On Music. Translated by Robert Catesby Taliaferro. Catholic University of America Press.Boethius. Fundamentals of Music. Translated by Calvin M. Bower. Yale University Press.Boethius. De institutione arithmetica. Translated by Michael Masi as Boethian Number Theory. Rodopi.The Bible. The Gospels of Matthew, Mark, Luke, and John; the Book of Wisdom; and relevant Passion narratives and numerical traditions.The Gawain Poet. Sir Gawain and the Green Knight. Edited by J. R. R. Tolkien and E. V. Gordon, revised by Norman Davis. Oxford University Press.CHRISTIAN NUMBER, CREATION, AND THE MEDIEVAL INTELLECTUAL WORLDBrown, Peter. Augustine of Hippo: A Biography. University of California Press, revised edition, 2000.Evans, G. R. Augustine on Evil. Cambridge University Press, 1982.Grant, Edward. God and Reason in the Middle Ages. Cambridge University Press, 2001.Grant, Edward. The Foundations of Modern Science in the Middle Ages. Cambridge University Press, 1996.Lindberg, David C. The Beginnings of Western Science. University of Chicago Press, revised edition, 2007.Marenbon, John. Medieval Philosophy: An Historical and Philosophical Introduction. Routledge, 2007.McInerny, Ralph. Boethius and Aquinas. Catholic University of America Press, 1990.O'Daly, Gerard. Augustine's Philosophy of Mind. University of California Press, 1987.MEDIEVAL CHRISTIAN DEVOTION AND THE FIVE WOUNDSBynum, Caroline Walker. Christian Materiality: An Essay on Religion in Late Medieval Europe. Zone Books, 2011.Bynum, Caroline Walker. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. University of California Press, 1987.Bynum, Caroline Walker. Jesus as Mother: Studies in the Spirituality of the High Middle Ages. University of California Press, 1982.Bynum, Caroline Walker. Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond. University of Pennsylvania Press, 2007.Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, 1400–1580. Yale University Press, second edition, 2005.Lewis, Flora. “The Wound in Christ's Side and the Instruments of the Passion: Gendered Experience and Response.” In Women and the Book: Assessing the Visual Evidence, edited by Jane H. M. Taylor and Lesley Smith. British Library and University of Toronto Press, 1996.Rubin, Miri. Corpus Christi: The Eucharist in Late Medieval Culture. Cambridge University Press, 1991.Southern, R. W. The Making of the Middle Ages. Yale University Press, 1953.SIR GAWAIN AND THE PENTANGLEAndrew, Malcolm, and Ronald Waldron, editors. The Poems of the Pearl Manuscript. University of California Press.Burrow, J. A. A Reading of Sir Gawain and the Green Knight. Routledge and Kegan Paul, 1965.Davenport, W. A. The Art of the Gawain-Poet. Athlone Press, 1978.Putter, Ad. An Introduction to the Gawain-Poet. Longman, 1996.Spearing, A. C. The Gawain-Poet: A Critical Study. Cambridge University Press, 1970.Tolkien, J. R. R., and E. V. Gordon, editors. Sir Gawain and the Green Knight. Revised by Norman Davis. Oxford University Press.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

090226 PART 1MELISSA on Beef Ranchers Mosquitos Brass Instruments and MORE by Kate Dalley

Worhip Amighty God wholeheartedly with us every Lord's day ait 10 AM.

No Pencil Primer this time (part three is coming, promise) — instead, a Fresh Points extravaganza to say bye-bye to summer. Blackwing goes big with a Mickey and Friends collection and the gorgeous Frida Kahlo Volume 143, Andy's wristwatch rabbit hole deepens into designing the perfect podcaster's watch, Johnny hand-binds his kids' planners and stocks up on pastel Musgrave Ceres, and Tim shows off Sharpie Harpy art and a compendium of delightfully weird writing prompts. Plus: Hobonichi szn is upon us, the SF Pen Show, Ian Schon's new dip nib, and a tall stack of books. Patreon subscribers at any level can watch the video version.Show NotesSt. Denis Medical — season 1 on Netflix, season 2 on PeacockAgainst Convenience by Gabe Bullard — out September 15 from Hanover Square Press; preorder it! (More at gabebullard.com)Tom's Studio refillable fineliner penPaper Mate InkJoy multi-pen — surprisingly good company swagThe Land and Its People by David Sedaris — recorded live at his readingsRemarkably Bright Creatures by Shelby Van Pelt — the octopus book, now a Netflix moviethree six five: prompts, acts, divinations by Lucy Ives (Siglio Press) — Tim's beautiful, backordered book of writing exercises (three ribbons!)Field Notes: Is a River Alive? — Tim's favorite Field Notes ever, with art by Stanley Donwood for Robert Macfarlane's bookUni-ball Air Micro — Tim's pocket penMusgrave Ceres — America 250 blue for Johnny, pastels by the gross for back to schoolLevenger True Writer in Sea Glass with Levenger Empyrean bottled ink ("navy blue and teal had a very beautiful baby")Hamilton Khaki Field Murph — the Interstellar watch, plus Andy's musings on military field watch dials and podcaster's-watch designHobonichi Techo season — Weeks, Cousin, and the V&A collabs; see Yoseka Stationery's big walkthrough videoSan Francisco Pen Show — this weekend, bring your elbowsSchon DSGN — Ian Schon's new $68 titanium dip nib, debuting at the showBlackwing x Disney Mickey and Friends collection — soft graphite, $40 a dozenBlackwing Volume 143 — the Frida Kahlo edition: saturated florals, pink metallic ferrule, teal eraser, and the best QC in yearsBlackwing One-Step sharpener — a big responsibility, budSharpie Harpy — Em Varian's Sharpie art on Etsy (you can even license a tattoo)Leuchtturm1917 — Tim's new default notebook gift for normal peoplePencil Revolution Press — Johnny's handmade planners and '90s diskette journalsMusgrave Test Scoring 100 — now with that sweet new ferruleMusgrave Tennessee Red pencils and the Songbird edition — remembering Dolly PartonSupport the show and get video episodes: patreon.com/erasableYour HostsJohnny GamberPencil Revolution@pencilutionAndy WelfleWoodclinched@awelfleTim Wasem@TimWasem

Die Sommermonate sind die Zeit der Orgelkonzerte. Rund 50 überregionale Festivals, hunderte Konzertreihen vor Ort zeigen die Beliebtheit des Instruments im Konzertbereich. In letzter Zeit unterfüttert von „Orgel-Influencern“: Virtuosen wie die Britin Anna Lapwood versammeln über Social Media eine große Fangemeinde und spielen ausverkaufte Konzerte, unter anderem mit Film- und Popmusik. Andererseits werden Organistinnen und Organisten, die die Orgel im Gottesdienst spielen seit Jahren händeringend gesucht. An einigen Orten übernehmen die Aufgabe Orgelautomaten oder ab und an mal der Gitarrenkreis. Was bedarf es, um das immaterielle Kulturerbe der Orgel zu bewahren und weiterzuentwickeln? Ist die Kirche dabei möglicherweise ein Klotz am Bein? Was fasziniert heute immer noch an der „Königin der Instrumente“? Karsten Umlauf diskutiert mit Philipp Klais –Orgelbauer Bonn; Hannah Schmidt – Musikjournalistin; Prof. Dr. Meinrad Walter –Musikwissenschaftler und Kirchenmusiker

Today's Topics:1. Sound Signature Review 6.234 – Rugged Obsidian 45 in both long and short configurations on the .45ACP 1911 full size combat handgun. How does its back pressure manifest? How does the long and short configuration performance differ? Does the Obsidian 45 hold up in 2026? Technical discussion of last week's report. (00:07:34)a. Intro and some Rugged history (00:10:23)b. Rugged Obsidian 45 general overview (00:18:43)c. Rugged Obsidian 45 silencer design and functional physics (00:29:05)d. Two Hazard Maps in Silencer Hazard Map Brief 8.1.31 (00:42:05)e. Technical performance discussion – suppressing a pistol (00:45:56)f. Performance Comparisons and Overall thoughts (01:01:05)2. Sound Signature Review 6.235 – Apparition Instruments 3CM in both the long and short configuration on the 6.75-in SIG SAUER 300 BLK MCX AR-18 consumer retail LVAW analog.  This is the first report evaluating AI silencers; how does this similar modular system to the CAT RAT perform? Introductory discussion for the report published today. (01:04:49)Sponsored by  Legion Athletics and the PEW Science Laboratory!Legion Athletics: use code pewscience for BOGO off your entire first order and 20% cash back always!

Worhip Amighty God wholeheartedly with us every Lord's day ait 10 AM.

durée : 00:09:56 - La grande matinale - par : Alexis Morel - Sonia Devillers, invitée de France Inter avant la sortie le 27 août de son nouveau livre intitulé "Le Fabuleux Piano" et quatre ans après le succès de son récit "Les Exportés". - invités : Sonia Devillers Productrice française de radio Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

What makes the local church the natural home for biblical counseling? In part 6 of our 7-part series on CCEF's distinctives, Gunner Gundersen is joined by Jonathan Holmes and Ed Welch to discuss why care and counsel are pastoral and at home in the church. Together they explore the beauty of face-to-face ministry—the calling of every Christian, and the unique role of parachurch organizations in serving the local church. Along the way, they reflect on stories of faithful ministry, the ordinary conversations God uses to bring change, and the vision of a church where every member participates in caring for one another. Mentioned in this episode: - Explore CCEF books at ccef.org/book - Learn more about our beliefs and distinctives at ccef.org/about - Instruments in the Redeemer's Hands | Book by Paul David Tripp - Side by Side | Book by Ed Welch

The Pencil Primer returns with part two: the case of yonder pencil. We trace the wood itself — from Conté's badass eyepatch to eastern red cedar, California incense cedar, and the creeping basswood era — plus why pencils are yellow (blame a Siberian graphite strike and some questionable 19th-century marketing) and why triangular pencils are weird. But first, the summer releases: Blackwing's birding-themed Volume 458 and Field Notes' melty, paleta-inspired Paletas edition get the full review. Next time: ferrules and erasers. Patreon subscribers at any level can watch the video version.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show Notes & LinksBlackwing Volume 458 — a tribute to birding: Clark's Grebe, Mallard, Green Jay, and Black Rail gradients (Behind the Design)How Blackwing Pencils Are Made — the making-of video we kept mentioning (also on YouTube)Field Notes Paletas — nine popsicle notebooks inspired by Paletería Los Magos in Chicago's Pilsen neighborhoodField Notes: The Founding DocumentsOutshine popsicles — the official popsicle-flavor icebreakerNahvalur Original Plus — new sparkly colors (plus mystery jewel-tone demonstrators spotted at the NYC stationery festival)Pilot Iroshizuku Fuyu-gaki ink — Andy's persimmon-orange favoriteStationery Day recaps from Brad Dowdy and friendsMusgrave Tennessee Red — eastern red cedar, clear lacquer, glorious smellMusgrave Single Barrel 106 — named for Erasable episode 106 with Henry Hulan of MusgravePencils Past and Present — the YouTube channel reviewing the Single Barrel 106 (and lots of vintage pencils)ForestChoice — the FSC-certified incense cedar standard-bearerGeneral's Cedar Pointe — naked cedar, as God intendedKoh-i-Noor Hardtmuth — where the yellow pencil (and its complicated marketing history) beganCaran d'Ache Swiss Wood 348 — reportedly discontinued; pour one out (Pen Addict review; Well-Appointed Desk review)Dixon Tri-Conderoga — Andy's triangular gateway pencilTiconderoga Laddie — the bigger, soft-triangle oneFaber-Castell Grip 2001 — triangular, six design awards, formerly bubbly grip dots

An attempt to play a Britpop song, school musical instruments and a bit of help.

Picture two circles. The smaller one holds everything science could measure in 1800. The larger one holds everything it can measure today.  Between them sits what was mystical in 1800 and is provable now. Real the whole time. Just waiting for the instruments to catch up. This episode is about what sits outside the larger circle.Which is to say: about what you have known your entire life without being able to prove.  This is the ninth episode of season two of The Polymathic Perspective, the penultimate episode of a ten-episode investigation into what we want but refuse to accept. This episode is anchored in Robert Zemeckis's Contact (1997), from Carl Sagan's novel.  Jodie Foster's character, Ellie Arroway, returns from somewhere real but cannot prove she was there. Not because it did not happen. Because the instruments do not yet reach that far. There's an image in this episode that will probably outlast most of what you hear this year. An image that profoundly walks you across the paradoxical gap of who your Emotional Architecture says you are and a signal that says it's not true.  That's what living inside a mismatched field actually feels like. Dov names, on record, what living inside that gap has cost him personally. As a boy who grew up below the poverty line. As the adult who built the life and still sometimes struggles to fully own it. He also raises an open question, which he does not resolve, about whether some of what looks like neurodivergent wiring might be a field agreement made below conscious awareness. He is aware that a man raising that question is not the most immediately credible framing. He raises it anyway. Examined through Einstein's "spooky action at a distance," Rupert Sheldrake's morphic resonance, and the frameworks the series has been building. The question is not whether you can prove your signal.  The question is what you do when the instruments say it is not real, and you know it is. IN THIS EPISODE 00:00 Science Circles Metaphor 01:56 Beyond Your Allowed Wants 02:41 Show Intro and Episode Setup 03:56 Contact and The Signal 05:06 Signal vs Instruments Gap 06:34 Entanglement and Fields 09:08 Personal Scarcity Source Code 12:37 Restrictions as Field Agreements 14:26 Startups and Civilizations Signals 16:40 Holding the Paradox 18:06 Renegotiate and Make The Ask 20:02 Wrap Up and Call to Action THE SERIES: What We Want But Refuse To Accept is a ten-episode arc. Next episode is the series finale: The Ask.  Follow the show to receive it as it releases. ABOUT THE POLYMATHIC PERSPECTIVE  We don't collect ideas here. We examine the emotional logic beneath power, culture, identity, and meaning.ABOUT DOV BARON:  Dov Baron has spent more than thirty years inside the rooms where leaders, founders, and executives make the decisions that shape organizations. He is the creator of the Emotional Meaning Architecture and Emotional Source Code frameworks.  

Ethiopia's Value Recovery Instruments Value recovery instruments are a great idea in theory and a disaster in practice. The idea is to let investors share in the upside of a country's recovery. But governments rarely want to pay and the instruments quickly migrate into the hands of investors with little stake in the recovery. Everyone involved looks to exploit loopholes. And since the instruments seemingly are drafted at the last minute, there are plenty of those. But maybe after several tries, Ethiopia has found a way to crack the code? Producer: Leanna Doty

String instruments have been part of human culture for thousands of years, producing music through vibrating strings in countless shapes and sizes. This episode explores how string instruments create sound, the families they belong to, their development across different cultures, and the techniques musicians use to bring them to life. Along the way, you'll hear about bowed, plucked, and struck instruments and their enduring role in music around the world. It's steady and consistent, with no whispering and no sudden changes, just enough to give your mind something to follow as you wind down. Happy sleeping! Read with permission from String instrument, Wikipedia (https://en.wikipedia.org/wiki/String_instrument), licensed under CC BY-SA 4.0. — Ad-free episodes: ⁠icantsleep.supportingcast.fm⁠Have a topic in mind? ⁠Request a topic⁠ Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices