Podcast appearances and mentions of Julia H Lee

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Mimi Khúc is a PhD, writer, scholar, and teacher of things unwell. She is currently the Co-Editor of The Asian American Literary Review and an adjunct lecturer in Disability Studies at Georgetown University. Her work includes Open in Emergency, a hybrid book-arts project decolonizing Asian American mental health; the Asian American Tarot, a reimagined deck of tarot cards; and the Open in Emergency Initiative, an ongoing national project developing mental health arts programming with universities and community spaces.  Her new creative-critical, genre-bending book on mental health and a pedagogy of unwellness, dear elia: Letters from the Asian American Abyss (Duke University Press, 2024), is a journey into the depths of Asian American unwellness at the intersections of ableism, model minoritization, and the university, and an exploration of new approaches to building collective care. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Neema Avashia is the daughter of Indian immigrants and was born and raised in southern West Virginia. She has been an educator and activist in the Boston Public Schools since 2003 and was named a City of Boston Educator of the Year in 2013. Her first book, Another Appalachia: Coming Up Queer and Indian in a Mountain Place, was published by West Virginia University Press in March 2022. It has been called “A timely collection that begins to fill the gap in literature focused mainly on the white male experience” by Ms. Magazine, and “A graceful exploration of identity, community, and contradictions,” by Scalawag. The book was named Best LGBTQ Memoir of 2022 by BookRiot, was one of the New York Public Library's Best Books of 2022, and was a finalist for the New England Book Award, the Weatherford Award, and a Lambda Literary Award. Neema lives in Boston with her partner, Laura, and her daughter, Kahani. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Adoption Fantasies: The Fetishization of Asian Adoptees from Girlhood to Womanhood (Ohio State UP, 2023), Kimberly D. McKee explores the ways adopted Asian women and girls are situated at a nexus of objectifications—as adoptees and as Asian American women—and how they negotiate competing expectations based on sensationalist and fictional portrayals of adoption found in US popular culture. McKee traces the life cycle of the adopted Asian woman, from the rendering of infant adoptee bodies in the white US imaginary, to Asian American fantasies of adoption, to encounters with the hypersexualization of Asian and Asian American women and girls in US popular culture. Drawing on adoption studies, Asian American studies, critical ethnic studies, gender studies, and cultural studies, McKee analyzes the mechanisms informing adoptees' interactions with consumers of this media—adoptive parents and families and strangers alike—and how those exchanges and that media influence adoptees' negotiations with the world. From Modern Family to Sex and the City to the notoriety surrounding Soon-Yi Previn and Woody Allen, among many other instances, McKee scrutinizes the fetishization and commodification of women and girls adopted from Asia to understand their racialized experiences. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Instagram @julia.x.lee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today I talked to Christopher Patterson about two books: the late Y-Dang Troeung's Landbridge [life in fragments] (Knopf Canada, 2023) and Christopher's own Nimrods: A Fake-Punk Self-Hurt Anti-Memoir (Duke UP, 2023), which was published under the name Kawika Guillermo. In Landbridge, Y-Dang Troeung meditates on her family's refugee history and the genocide that has marked the lives of millions of Cambodians like herself. She writes scathingly about how she and her family became the “faces” of Cambodian refugees in Canada, officially welcomed by then prime minister Pierre Elliot Trudeau, her 11-month old face plastered on newspapers as a sign of Canadian benevolence; her return trips to Phnom Penh with her mother and then with her partner Chris are filled with anguish and guilt but also love and friendship. Interspersed with memories of her childhood growing up in Canada – going out in the middle of the night to collect worms for money, enduring the racist attack of neighbors and schoolmates, staying up with her brothers to watch their beloved Montreal Canadiens – she talks about how her research into and deep knowledge about Cambodia is dismissed in academia. As much as it is a reflection on the past, Landbridge is also a missive to the future, a letter from a dying mother to her beloved child. Y-Dang's voice is powerful and raw, her words filled with joy, regret, anger, and love, sometimes within the space of a few sentences. I started reading this book and found that I could not put it down until I had finished it. Nimrods recounts a very different kind of Asian diasporic experience. Guillermo explores the pain of a childhood and adulthood marked by rigidly Christian dictates espoused by a father who was abusive and alcoholic. The alienation that he feels as a brown-skinned, biracial and bisexual person within his own family is echoed by the racism that he experiences living in the United States. His attempts to flee that past lead to a life of travel outside of the United States. Guillermo challenges the reader with a reading surface in which text and white space are in uneven relation to each other – words or letters fade in or out, the order in which you're supposed to read is unclear, images are interspersed with text – but the difficulty of the text and the difficult emotions that it depicts seemed to me to ultimately be a rumination on the nature of community and forgiveness. Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee.

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

There are few grand narratives that loom over Asian Americans more than the “model minority.” While many Asian Americanist scholars and activists aim to disprove the model minority as “myth,” author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms “model minority masochism.” Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all. Listen in as we discuss his book Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity (Oxford UP, 2022) Julia H. Lee is professor of Asian American Studies at the University of California, Irvine. She is the author of three books: Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011), Understanding Maxine Hong Kingston (University of South Carolina Press, 2018), and The Racial Railroad (New York University Press, 2022). With Professor Josephine Lee, she is co-editor of Asian American Literature in Transition, 1850-1930 (Cambridge University Press, 2021), a Choice Outstanding Academic Title for 2022. You can find her on Twitter @thejuliahlee. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Despite the seeming supremacy of car culture in the United States, the train has long been and continues to be a potent symbol of American exceptionalism, ingenuity, and vastness. For almost two centuries, the train has served as the literal and symbolic vehicle for American national identity, manifest destiny, and imperial ambitions. It's no surprise, then, that the train continues to endure in depictions across literature, film, ad music. The Racial Railroad (NYU Press, 2022) highlights the surprisingly central role that the railroad has played―and continues to play―in the formation and perception of racial identity and difference in the United States. Julia H. Lee argues that the train is frequently used as the setting for stories of race because it operates across multiple registers and scales of experience and meaning, both as an invocation of and a depository for all manner of social, historical, and political narratives. Lee demonstrates how, through legacies of racialized labor and disenfranchisement―from the Chinese American construction of the Transcontinental Railroad and the depictions of Native Americans in landscape and advertising, to the underground railroad and Jim Crow segregation―the train becomes one of the exemplary spaces through which American cultural works explore questions of racial subjectivity, community, and conflict. By considering the train through various lenses, The Racial Railroad tracks how racial formations and conflicts are constituted in significant and contradictory ways by the spaces in which they occur. Julia H. Lee is Associate Professor of Asian American Studies at the University of California at Irvine and author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937 and Understanding Maxine Hong Kingston. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia H. Lee is the author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011). Dr. Lee is an Assistant Professor in the department of Asian American Studies at the University of California, Irvine. Interracial Encounters investigates the overlapping of African American and Asian American literature. By focusing on the diverse attitudes that blacks and Asian Americans had towards each other, Dr. Lee pushes against dominant conceptions of these groups as either totally cooperative or as totally antagonistic. Lee also explores how American nationalism was produced through this comparison, and shows how Afro-Asian representations allowed readers and writers to consider alliances outside of the American nation-state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia H. Lee is the author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011). Dr. Lee is an Assistant Professor in the department of Asian American Studies at the University of California, Irvine. Interracial Encounters investigates the overlapping of African American and Asian American literature. By focusing on the diverse attitudes that blacks and Asian Americans had towards each other, Dr. Lee pushes against dominant conceptions of these groups as either totally cooperative or as totally antagonistic. Lee also explores how American nationalism was produced through this comparison, and shows how Afro-Asian representations allowed readers and writers to consider alliances outside of the American nation-state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Julia H. Lee is the author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011). Dr. Lee is an Assistant Professor in the department of Asian American Studies at the University of California, Irvine. Interracial Encounters investigates the overlapping of African American and Asian American literature. By focusing on the diverse attitudes that blacks and Asian Americans had towards each other, Dr. Lee pushes against dominant conceptions of these groups as either totally cooperative or as totally antagonistic. Lee also explores how American nationalism was produced through this comparison, and shows how Afro-Asian representations allowed readers and writers to consider alliances outside of the American nation-state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia H. Lee is the author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011). Dr. Lee is an Assistant Professor in the department of Asian American Studies at the University of California, Irvine. Interracial Encounters investigates the overlapping of African American and Asian American literature. By focusing on the diverse attitudes that blacks and Asian Americans had towards each other, Dr. Lee pushes against dominant conceptions of these groups as either totally cooperative or as totally antagonistic. Lee also explores how American nationalism was produced through this comparison, and shows how Afro-Asian representations allowed readers and writers to consider alliances outside of the American nation-state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia H. Lee is the author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011). Dr. Lee is an Assistant Professor in the department of Asian American Studies at the University of California, Irvine. Interracial Encounters investigates the overlapping of African American and Asian American literature. By focusing on the diverse attitudes that blacks and Asian Americans had towards each other, Dr. Lee pushes against dominant conceptions of these groups as either totally cooperative or as totally antagonistic. Lee also explores how American nationalism was produced through this comparison, and shows how Afro-Asian representations allowed readers and writers to consider alliances outside of the American nation-state. Learn more about your ad choices. Visit megaphone.fm/adchoices