Podcasts about Chinese Americans

Don't forget to subscribe to our newsletter Hyphenly; it's our no-fluff love letter with hot takes, heartfelt stories, and all the feels of living in between cultures. Come for the nuance, stay for the vibes! Link below https://hyphenly.beehiiv.com What does it mean to cook with care, lead with equity, and challenge the rules of authenticity? In this episode, chef and entrepreneur Irene Li joins Saadia Khan for a powerful conversation about identity, food systems, and the evolving meaning of tradition. As the youngest-ever James Beard Leadership Award winner and co-founder of Mei Mei Dumplings, Irene has redefined what Chinese American cuisine can be, turning a Boston food truck into a values-driven culinary movement. The episode explores why dumplings are more than comfort food, how open-book management changed Irene's business, and why cultural appropriation in food needs a new framework, one that is rooted in reciprocity, transparency, and justice. Whether you're a food lover, a budding entrepreneur, or just hungry for stories that stir the pot, this episode delivers. Join us as we create new intellectual engagement for our audience. You can find more information at ⁠⁠⁠⁠⁠⁠⁠⁠http://immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠. Please share the love and leave us a review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to help more people find us!  You can connect with Saadia on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@swkkhan Email: ⁠⁠⁠⁠⁠⁠⁠⁠saadia@immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠ Host & Producer: Saadia Khan I Content Writer: Saadia Khan I Editorial review: Shei Yu I Sound Designer & Editor: Lou Raskin I Immigrantly Theme Music: Simon Hutchinson | Other Music: Epidemic Sound Immigrantly podcast is an Immigrantly Media Production. For advertising inquiries, contact us at ⁠⁠⁠⁠⁠⁠⁠⁠info@immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to our Apple podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for insightful podcasts. Follow us on social media for updates and behind-the-scenes content. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode, hear the story of Anna May Wong, cinema's first Chinese-American superstar, who turned disillusionment into a determination to create change... This episode is one of countless Hollywood stories available now by signing up at Patreon Signing up only takes a moment, and you'll get instant access to an entire world of storytelling! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 5, Episode 31! Our guest today is Daniel Tam-Claiborne, a writer, multimedia producer, and nonprofit director. His latest work is the novel Transplants released by Simon & Schuster. It's a coming of age story following two young women—Lin, who is Chinese and Liz, who is Chinese American. They're both navigating the journey to find their truest selves in a world that doesn't know where either of them belong. The novel is an exploration of race, love, power, and freedom that reveals how—in spite of our divided times—even our fiercest differences may bring us closer than we can imagine. Tam-Claiborne is also the author of the short story collection What Never Leaves, and his writing has appeared in a variety of publications and outlets including Michigan Quarterly Review, Catapult, Literary Hub, Off Assignment, The Rumpus, HuffPost, and elsewhere. Outside of writing, Daniel serves on the Board of Directors of Seattle City of Literature and on the Advisory Board of Off Assignment. He's a frequent speaker, moderator, and host. In our conversation, we discuss the process of writing a novel, inspiration for Transplants, feelings of belonging, the importance of COVID and lockdown as an element of Transplants, the diversity in the Asian American community, and so much more. Transplants is a well-written, moving book that we think shares several common themes that resonate with so many audiences. Tam-Claiborne doesn't shy away from deep issues that Asian Americans, Asians, and expats face as he explores belonging, identity, and more. You can see more of Daniel's work on his website Travel Breeds Content or his Instagram account @datclaiborne. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

In this episode of the Tiger Mom Podcast, host Jiaoying sits down with the revolutionary of comedy, Che Durena. Che started comedy in Mexico while living abroad trying to find himself. Years later he's found himself at the top of the comedy world with over 8 million followers across social media! From taking ayahuasca to find one's self, to debating whether or not kids should have wine at school, this episode has it all! #jiaoyingsummers #comedy #CheDurenaAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFansSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFansSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Today we put our friend caps on and think about what we would do in sticky situations with our friends. We talk about how we would react if our friend confessed they were cheating, or if a good friend started hanging out with our opp, and other tough situations!Support the showFollow us on social media @eatyourcrustpod

In this episode of the Tiger Mom Podcast, host Jiaoying sits down with her sister from another mister, Paige Gallagher! Paige has carved out a one-of-a-kind path in the world of comedy thanks to her quit wit and tremendous work ethic. This is a fun episode that focuses on celebrity fashion trends and whether or not Asian households produce harder workers. Sit back and enjoy the ride.*We had some audio issues with this episode. It's still a great listen #jiaoyingsummers #comedy #PaigeGallagherAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFansSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Send us a textChinatown Cha-Cha is a documentary that follows 92 year-old previous nightclub owner/dancer Coby Yee as she decides to perform again and go on tour with the senior dance troupe Grant Avenue Follies. Ange is joined by director Luka Yuanyuan Yang and Cynthia Yee, one of the dancers/subjects of the film, to discuss how Chinese women were at the core of the Chinatown nightlife and burlesque scene in the 1950s, the powerful bond of sisterhood, and how starting a senior dance troupe gave some women finally a chance to feel free.This film is set in the heart of Chinatown, San Francisco, and was a part of the CAAMFest (Center for Asian American Media) Film Festival. Due to the elimination of funding for the Corporation for Public Broadcasting, CAAM stands to lose 40% of their annual budget. For more information, and to see how you can help, click hereTo see the Grant Avenue Follies perform live, click hereFollow Chinatown Cha-Cha on IGFollow the Grant Avenue Follies on IGFollow director Luka Yuanyuan Yang on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

We have a very special episode for you today, folks. We're joined by Allison King, a novelist who recently published The Phoenix Pencil Company, a multi-generational story about Chinese-American women, data privacy, surveillance, LGBT love, and… pencils! We read the book and loved it, and Allison is here to answer some questions. If you want a copy for yourself, you can buy it at this link, or preferably at your local bookstore.Warning: this episode contains spoilers! If you're reading, or intending to read this book, you might want to wait until you finish it to listen to this episode.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show Notes and LinksLast Boat Out of ShanghaiA Tale for the Time BeingEmpire of AIOur GuestAllison KingAllison's Website@allisonkingwrites on InstagramYour HostsJohnny GamberPencil Revolution@pencilutionAndy WelfleWoodclinched@awelfleTim Wasem@TimWasem

Michael Luo is an executive editor at The New Yorker and writes regularly on politics, religion, and Asian American issues. His first book, “Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America,” is a well-researched history of Chinese Americans from the Gold Rush until the 1960s. Using his skills as a former investigative reporter, Luo manages to bring back to life the myriad Chinese Americans who struggled, suffered, and even were murdered in their persistent efforts to make this strange new land a new home for themselves and for those who would one day follow in their footsteps.

In this episode of the Tiger Mom Podcast, host Jiaoying sits down with the always hilarious Phil Hanley! From overcoming his dyslexia to becoming an Armani underwear model in Europe and now being one of the top comics in the world, Phil Hanley may be the most interesting person in comedy. What other comics can say they're a former fashion model on the highest stage? Oh yea, Jiaoying Summers. This was a fun episode filled with great laughs and some serious inspiration!  #jiaoyingsummers #comedy #PhilHanleyAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Today our friend Sunny joins us to talk about food in the household! We reminisce on what eating at home looked like in our childhood and any food-related habits our parents instilled into us. We explore how our families handled snacks, fast food, and sharing, as well as any phases our households went through in our eating habits. Support the showFollow us on social media @eatyourcrustpod

Welcome to Season 5, Episode 28! In this episode, we sit down with Michael Luo, the award-winning journalist, editor, and author of Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America. Currently an executive editor at The New Yorker, Michael writes extensively on politics, religion, and Asian American issues. Before joining The New Yorker, he spent over a decade at The New York Times as a national correspondent and investigative reporter, earning accolades like the George Polk Award and the Livingston Award for Young Journalists. His latest book, Strangers in the Land, published by Doubleday in April 2024, is a sweeping and deeply researched narrative history of the Chinese American experience—from the Gold Rush era to the 1960s. Drawing from archival sources, court cases, and personal stories, Luo sheds light on how Chinese immigrants helped build America while simultaneously being pushed to its margins. He highlights the people and policies that shaped their journey—from the railroad workers and early activists to the architects of exclusion laws and the courts that upheld them. Through vivid storytelling and compelling analysis, Luo explores the roots of anti-Asian sentiment in the U.S., the foundations of our modern immigration surveillance state, and the broader struggle for belonging in a multiracial democracy. This is a must-read not only for lovers of history but for anyone seeking to understand how the past shapes our present-day debates on race, immigration, and identity. In our conversation, Michael shares insights on how he approached this project, why it was important to center underrepresented figures like Hung Wah, Wong Chin Foo, Chin Gee Hee, and Sun Chong, and how understanding this history can guide us through today's political and cultural tensions. If you want to hear more from Michael you can read his work in the New Yorker or see his posts on Instagram @luomich. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Hosted by David and Nycci Nellis. On today's show:· Agave, baby! Mitchell Linton, CEO, Tony Ajayi, president, and Zachary Spence, CMO – all of 3708 American Agave Spirits –talking the difference between tequila and agave spirits; · They are husband and wife. And they are incredibly talented chefs who are getting handfuls of accolades heaped on them. They are Matt Conroy and Isabel Coss and they're teamed with our friend, much-admired restaurateur Omar Popal, in two of the city's most celebrated restaurants, Lutece and Pascual. In the course of things, both Matt and Isabel are themselves in the spotlight with James Beard and Rammy nominations. How do they do it and keep restaurants innovative and love alive? Matt and Isabel join us to reveal all; · Owning a restaurant is in Tim Ma's blood. Trained as an electrical engineer, he chucked it all, went to culinary school, opened a tiny spot in Vienna, Virginia that blew up and .. the rest is history. Today, Tim has his hands in a lot of projects. The newest is Lucky Danger in Chinatown, billed as an American Chinese restaurant brought to us by a Chinese American chef; · Georgetown salon owner Jack Howard is a L'Oreal Ambassador and hair colorist with over 40 years of experience. Jack's a family friend, and we've brought him in today to talk about his successful approach to customer service and long-term relationships and how that mirrors the concept of providing hospitality.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Tiger Mom Podcast, host Jiaoying sits down with the legend Godfrey. Godfrey has been a staple in the comedy scene for decades and he's only getting funnier with age. Together with Jiaoying, they discuss how Shaq influenced Godfrey's special taping, and some interesting Christmas traditions in the Netherlands. This is a great episode that leaves no stone unturned. Buckle up. #jiaoyingsummers #comedy #standupcomedy #godfreyAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

In this episode of Talk of Fame, Kylie Montigney talks with Annie Scherer! Annie Scherer merges her love of rock ‘n roll classics with her passion for alternative music to produce her own unique sound. Her evocative lyrics and haunting melodies have been heard live from New York to Tennessee.  In May 2025, Annie had the honor of performing at the 40th Annual Harvard Mayfair in the heart of Harvard University. She also celebrated her Chinese American heritage with her performance at the CMP gala in New York, NY and the Boston International Asian Music Festival. Annie is currently gearing up to release her EP this fall.  In 2023, Annie was the runner-up in Lightning 100's Music City Mayhem competition in Nashville, which had 430+ entries. The finale included a performance at 3rd & Lindsley, where the five remaining artists battled it out live. First and second place were determined by voters and judges, including some of Nashville's top music industry members. Following the competition, Annie performed at the annual festival series, Musician's Corner in Nashville. She played the festival again on the main stage in 2024. Annie's single, "Everywhere I Go (Everybody's the Same)" earned her the #1 spot on aBreak Music, the number one music platform for independent artists, in August 2023. The song was aired internationally via iHeart Radio, and received press coverage throughout the nation.  Annie released her first full-length album “Garden Bed” in March 2021. The album features previously released singles, "Andy Warhol," "Take Me Places," and "After Rain," along with six brand new tracks. Annie wrote and produced all the songs. Garden Bed showcases her skills as a composer and multi-instrumentalist, performing the trumpet, piano, guitar, and ukulele, while arranging string quartet scores for songs like "Kaleidoscope" and "Ashamed." The album was widely praised by American Songwriters, the Times Union in Albany, NY, and NYS Music. A month after its release, Annie was voted the best local musician in New York's Capital Region according to readers of the Times Union.  In 2020, three of Annie's songs, including "Kaleidoscope," "After Rain," and "Roses and Lies" received honorable mentions at the international and notable songwriting competition, SongDoor. "After Rain" was selected for special recognition. Annie was awarded the 2018 Producer's Choice for the 'Celebration of Music' PBS special in Troy, NY, hosted by Ethan Bortnick. She won a trip to LA where she was taped performing "Andy Warhol."    Annie's musical career began at age six, when she started classical piano lessons. She devoted 12 years to classical performance. At seven, she wrote her first song, a holiday tune that she sang for a two-person audience: her mom and music teacher. By age 12, Annie had taught herself guitar, and started gigging and writing more seriously.  In addition to her musical aspirations, she is a visual artist and practices with charcoal portraits. She is also a fashion model with Rune Models.Listen in as we discuss Annie's  journey and her new music. You'll be inspired by her dedication to inspiring others through music.Links Mentioned:https://linktr.ee/anniescherer?fbclid=PAZXh0bgNhZW0CMTEAAacTpyL2SuzAnV4hCvxu4KdtKPOT9aVFuecXhorjmaKzAtkUKLeNkH4fAE0G4A_aem_VSUNtTFGF0rnaMwn4AT6wgFollow Me:Instagram:@Officialkyliemontigney@TalkoffamepodFacebook:OfficialkyliemontigneyTalkoffameTwitter:@Kyliemontigney4About Me:Hi, I'm Kylie! I'm passionate about sports, spending time with family, traveling, and connecting with people who inspire me. I love listening to people's stories and sharing their journeys with the world!

On this episode, we're joined by author Naomi Xu Elegant to chat about her debut novel Gingko Season, a story about a young Chinese American woman finding love, identity, purpose, and political awakening alongside her friends, set in New York City in 2018. Books & Boba is a podcast dedicated to reading and featuring books by Asian and Asian American authorsSupport the Books & Boba Podcast by:Joining our Patreon to receive exclusive perksPurchasing books at our bookshopRocking our Books & Boba merchFollow our hosts:Reera Yoo (@reeraboo)Marvin Yueh (@marvinyueh)Follow us:InstagramTwitterGoodreadsFacebookThe Books & Boba July 2025 pick is Bingsu for Two by Sujin WitherspoonThis podcast is part of Potluck: An Asian American Podcast Collective

What does dim sum have to do with discipleship? In this deeply personal and thought-provoking episode, James Spencer talks with author and spiritual formation leader Jen Suen Chin about her book Dim Sum and Faith: How Our Stories Form Our Souls. From round tables with lazy Susans to the spiritual weight of saying goodbye, Jen shares how her Chinese American heritage, years of overseas ministry, and story-shaped spirituality reveal a theology of presence, hospitality, and healing. Together, they explore what it means to be formed not only in solitude with God but around the messy, beautiful table of community. They also discuss the power of naming, the nuances of “undoing” vs. deconstruction, and how paying attention to our past helps us love more freely and faithfully in the present. If you're looking for a conversation that combines theology, culture, story work, and soul care, this one's for you. Explore the book: Dim Sum and Faith at ivpress.com (use code IVPPOD20 for a 20% discount)

We're traveling back to the 1930s Mississippi Delta with Sinners! Join us as we learn about fake plantation money, "Rocky Road to Dublin", Chinese-American communities in Mississippi, hoodoo, and more! Sources: John Jung, "Chinese for the South: Mississippi Delta Chinese Migration Chains," in Zhang, Wenxian, et al. Far East, Down South: Asians in the American South. Tuscaloosa: The University of Alabama Press, 2016. https://muse.jhu.edu/book/49183. "Shaolu Yu, ""Placing Racial Triangulation, Triangulating Place and Race: Chinese Grocery Stores in the Mississippi Delta during the Jim Crow Era,"" Annals of the American Association of Geographers, 112(1) 2022, pp. 97–122" Karin Lurvink, "Strapped for Cash: Non-cash Payments on Louisiana Cotton Plantations, 1865-1908," TIJDSCHRIFT VOOR SOCIALE EN ECONOMISCHE GESCHIEDENIS 11, 3 (2014) Sonny Albarado, "The violent and racist fight against laborers' basic rights in the South," Arkansas Advocate, 2023 Katrina Hazzard-Donald, Mojo Workin': The Old African-American Hoodoo System (University of Illinois Press, 2013).  Cierra Black, "Sinners Hoodoo Consultant Talks Working with Ryan Coogler & Protecting Black Spirituality On-Screen: 'Blues Is the Music of Hoodoo'" Teen Vogue 3 May 2025.  Marcelitte Failla, ""You Deserve, Baby!": Spiritual Co-creation, Black Witches, and Feminism," The Witch Studies Reader 75-89 (Duke University Press, 2025). https://www.jstor.org/stable/jj.25003747.9  Kinitra D. Brooks, "Haints, Hollers, and Hoodoo," Southern Cultures 29:4 (2023): 2-7. Zora Hurston, "Hoodoo in America," The Journal of American Folklore 44:174 (1931): 317-417. https://www.jstor.org/stable/535394  "The Rocky Road to Dublin" in Will Carleton, Will Carleton's "Dandy Pat Songster (1866). https://www.google.com/books/edition/Will_Carleton_s_Dandy_Pat_Songster/ULo-AQAAMAAJ?hl=en&gbpv=1&dq=%22Rocky%20Road%20to%20Dublin%22&pg=PA59&printsec=frontcover  The Citizen (1842), https://www.google.com/books/edition/The_Citizen/VYdPAQAAMAAJ?hl=en&gbpv=1&dq=%22Rocky%20Road%20to%20Dublin%22&pg=PA262&printsec=frontcover  https://www.google.com/books/edition/Diprose_s_Standard_Song_Book_and_Reciter/jzJYAAAAcAAJ?hl=en&gbpv=1&dq=Rocky%20Road%20to%20Dublin&pg=PA24&printsec=frontcover "The Rocky Road to Dublin," in The New Singer's Journal (1871) https://www.google.com/books/edition/Henry_De_Marsan_s_New_Comic_and_Sentimen/3Lk_AQAAMAAJ?hl=en&gbpv=1&dq=%22Rocky%20Road%20to%20Dublin%22&pg=PA175&printsec=frontcover  The rocky road to Dublin. Image. https://www.loc.gov/item/amss-as111860/  "Along the Rocky Road to Dublin" (1915) https://egrove.olemiss.edu/sharris_c/92/  D Taylor, "'Champagne Charlie is my name': The swell, the Irish and the cockney," in From Mummers to Madness (2021).  Michael Pierse, ""A Pole of Differentiation": Pasts and Futures in Irish Working-Class Writing," Working-Class Literature(s): Historical and International Perspectives (2020).  "The Schools' Collection" folklore collected by students in Ireland from 1937-1939 https://www.duchas.ie/en/cbes/stories?SearchText=blackthorn&SearchLanguage=ga&Page=1&PerPage=20 https://www.myirishjeweler.com/blog/irish-folklore-the-blackthorn-and-fairies-fighting-and-harry-potter/?srsltid=AfmBOoqlYcrE-xW106rf2XlffXUu-8oyNtkuISgfqsRmUOsNFEh0g9RU  RT: https://www.rottentomatoes.com/m/sinners_2025  Richard Brody, ""Sinners" is a Virtuosic Fusion of Historical Realism and Horror," April 17, 2025 The New Yorker https://www.newyorker.com/magazine/2025/04/28/sinners-movie-review  Wiki: https://en.wikipedia.org/wiki/Sinners_(2025_film) https://en.wikipedia.org/wiki/First-dollar_gross 

In this episode of the Tiger Mom Podcast, host Jiaoying sits down with the Florida bombshell, Charlotte McKinney. Most probably recognize Charlotte from her steamy Carls Jr. commercial that became a sensation, however she is also a talented actress and a hilarious standup comedian. Don't be fooled by her looks, this beauty has brains. Charlotte talks about her personal battles and how she overcame her insecurities in pursuit of her standup, her far too supportive mother and petitions for America to adopt the "Chinese Breakup Fee". This episode has it all! #jiaoyingsummers #comedy #standupcomedy #charlottemckinneyAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Tyrus Wong is the Chinese American artist who provided inspiration and vision for the Disney animated masterpiece, Bambi. He went on to have a long career as an artist at Warner Brothers, as well as designing cards for Hallmark. He was an amazing individual whom my guest, film scholar Karen Fang, has written a book about. It's called Background Artist. Listen to our conversation on Spotify, Apple Podcasts, YouTube, or wherever you get podcasts! I had so much fun chatting with Karen; she's super knowledgeable on a wide range of topics, but especially the life of Tyrus Wong. You can learn more about Karen at her website https://www.karenfang.net/  Get a copy of Background Artist, wherever you get books, especially at your local independent bookstore. Write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianauthor #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters

Today our friend Jimmy joins us to discuss the various ways we approach our meetings - from pre-meeting chitchat to miming reactions on camera. We talk about taking on roles in meetings, like being a note taker or the jokester. Support the showFollow us on social media @eatyourcrustpod

In this episode we challenge the ideas about invisibility of Asian Americans in the urban Midwest by discussing Rebecca Jo Kinney's Mapping AsiaTown Cleveland: Race and Redevelopment in the Rust Belt (Temple University Press, 2025). Mapping AsiaTown Cleveland links the contemporary development of Cleveland's “AsiaTown” to the multiple and fragmented histories of Cleveland's Asian American communities from the 1940s to present. Kinney's sharp insights include Japanese Americans who resettled from internment camps, Chinese Americans food purveyors, and Asian American community leaders who have had to fight for visibility and representation in city planning—even as the Cleveland Asian Festival is branded as a marquee “diversity” event for the city. Importantly, this book contributes to a growing field of Asian American studies in the U.S. Midwest by foregrounding the importance of region in racial formation and redevelopment as it traces the history of racial segregation and neighborhood diversity in Cleveland during the 20th and 21st centuries. Rebecca Jo Kinney is a Fulbright Scholar and an interdisciplinary teacher and scholar of American Studies and Ethnic Studies at Bowling Green State University, Ohio, USA. Dr. Kinney's award-winning first book, Beautiful Wasteland: The Rise of Detroit as America's Postindustrial Frontier argues that contemporary stories told about Detroit's potential for rise enables the erasure of white supremacist systems. Her third book, Making Home in Korea: The Transnational Lives of Adult Korean Adoptees, is based on research undertaken while she was a Fulbright Scholar in South Korea. Her research has appeared in American Quarterly, Food, Culture & Society, Verge: Studies in Global Asia, Radical History Review, Race&Class, among other journals. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode we challenge the ideas about invisibility of Asian Americans in the urban Midwest by discussing Rebecca Jo Kinney's Mapping AsiaTown Cleveland: Race and Redevelopment in the Rust Belt (Temple University Press, 2025). Mapping AsiaTown Cleveland links the contemporary development of Cleveland's “AsiaTown” to the multiple and fragmented histories of Cleveland's Asian American communities from the 1940s to present. Kinney's sharp insights include Japanese Americans who resettled from internment camps, Chinese Americans food purveyors, and Asian American community leaders who have had to fight for visibility and representation in city planning—even as the Cleveland Asian Festival is branded as a marquee “diversity” event for the city. Importantly, this book contributes to a growing field of Asian American studies in the U.S. Midwest by foregrounding the importance of region in racial formation and redevelopment as it traces the history of racial segregation and neighborhood diversity in Cleveland during the 20th and 21st centuries. Rebecca Jo Kinney is a Fulbright Scholar and an interdisciplinary teacher and scholar of American Studies and Ethnic Studies at Bowling Green State University, Ohio, USA. Dr. Kinney's award-winning first book, Beautiful Wasteland: The Rise of Detroit as America's Postindustrial Frontier argues that contemporary stories told about Detroit's potential for rise enables the erasure of white supremacist systems. Her third book, Making Home in Korea: The Transnational Lives of Adult Korean Adoptees, is based on research undertaken while she was a Fulbright Scholar in South Korea. Her research has appeared in American Quarterly, Food, Culture & Society, Verge: Studies in Global Asia, Radical History Review, Race&Class, among other journals. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In this episode we challenge the ideas about invisibility of Asian Americans in the urban Midwest by discussing Rebecca Jo Kinney's Mapping AsiaTown Cleveland: Race and Redevelopment in the Rust Belt (Temple University Press, 2025). Mapping AsiaTown Cleveland links the contemporary development of Cleveland's “AsiaTown” to the multiple and fragmented histories of Cleveland's Asian American communities from the 1940s to present. Kinney's sharp insights include Japanese Americans who resettled from internment camps, Chinese Americans food purveyors, and Asian American community leaders who have had to fight for visibility and representation in city planning—even as the Cleveland Asian Festival is branded as a marquee “diversity” event for the city. Importantly, this book contributes to a growing field of Asian American studies in the U.S. Midwest by foregrounding the importance of region in racial formation and redevelopment as it traces the history of racial segregation and neighborhood diversity in Cleveland during the 20th and 21st centuries. Rebecca Jo Kinney is a Fulbright Scholar and an interdisciplinary teacher and scholar of American Studies and Ethnic Studies at Bowling Green State University, Ohio, USA. Dr. Kinney's award-winning first book, Beautiful Wasteland: The Rise of Detroit as America's Postindustrial Frontier argues that contemporary stories told about Detroit's potential for rise enables the erasure of white supremacist systems. Her third book, Making Home in Korea: The Transnational Lives of Adult Korean Adoptees, is based on research undertaken while she was a Fulbright Scholar in South Korea. Her research has appeared in American Quarterly, Food, Culture & Society, Verge: Studies in Global Asia, Radical History Review, Race&Class, among other journals. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode we challenge the ideas about invisibility of Asian Americans in the urban Midwest by discussing Rebecca Jo Kinney's Mapping AsiaTown Cleveland: Race and Redevelopment in the Rust Belt (Temple University Press, 2025). Mapping AsiaTown Cleveland links the contemporary development of Cleveland's “AsiaTown” to the multiple and fragmented histories of Cleveland's Asian American communities from the 1940s to present. Kinney's sharp insights include Japanese Americans who resettled from internment camps, Chinese Americans food purveyors, and Asian American community leaders who have had to fight for visibility and representation in city planning—even as the Cleveland Asian Festival is branded as a marquee “diversity” event for the city. Importantly, this book contributes to a growing field of Asian American studies in the U.S. Midwest by foregrounding the importance of region in racial formation and redevelopment as it traces the history of racial segregation and neighborhood diversity in Cleveland during the 20th and 21st centuries. Rebecca Jo Kinney is a Fulbright Scholar and an interdisciplinary teacher and scholar of American Studies and Ethnic Studies at Bowling Green State University, Ohio, USA. Dr. Kinney's award-winning first book, Beautiful Wasteland: The Rise of Detroit as America's Postindustrial Frontier argues that contemporary stories told about Detroit's potential for rise enables the erasure of white supremacist systems. Her third book, Making Home in Korea: The Transnational Lives of Adult Korean Adoptees, is based on research undertaken while she was a Fulbright Scholar in South Korea. Her research has appeared in American Quarterly, Food, Culture & Society, Verge: Studies in Global Asia, Radical History Review, Race&Class, among other journals. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices

The New Yorker writer discusses his new history of the Chinese in America, and immigrant identity from the Chinese Exclusion Act to Trump.The China Books Podcast is a companion of China Books Review, a project of Asia Society's Center on U.S.-China Relations and The Wire, a digital business platform that also publishes The Wire China. For any queries or comments, please write to editor[at]chinabooksreview.com.

In this powerful and unfiltered interview, Mike Moy—a former made man in the infamous Fuk Ching Syndicate and later a 25-year NYPD officer—breaks down the bloody history of Chinese-American gangs in New York City's Chinatown during the 70s, 80s, and early 90s. From underground gambling parlors, prostitution rings, and extortion rackets, to the $1 billion heroin trade and brutal gang wars, Mike reveals shocking insider details never before shared so openly. He explains how the Tong associations, triads, and local street gangs like the Ghost Shadows, Flying Dragons, and BTK worked together—and what ultimately led to their collapse under federal RICO prosecutions. Go Support Michael! Book: https://a.co/d/eVaVsur YouTube: @chinatowngangstories IG: https://www.instagram.com/chinatowngangstories/ This Episode Is #Sponsored By The Following: MANDO! Control Body Odor ANYWHERE with @shop.mando and get 20% off + free shipping with promo code MITCHELL at https://shopmando.com! #mandopod BAY SMOKES! To get your free sample just head to https://baysmokes.com/pages/free-thca-flower-gram-sample/theconnect Join The Patreon For Bonus Content! https://www.patreon.com/theconnectshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Arthur Sze, one of the most acclaimed poets of our time, is celebrated for exploring the natural world, the human condition and connections between cultures. A second-generation Chinese American based in Santa Fe, New Mexico, Sze’s work invites readers to deepen their sense of place and reflect on the world around them. Jeffrey Brown spoke with Sze for our Arts and Culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Drew and Sean explore the rich world of Chinese American genealogy - from online tools to historical archives and other cultural resources that can help folks trace their family roots. Whether you're reconnecting with your heritage or researching for future generations, this episode of Asians Represent is a great way to level up your understanding of Chinese American ancestry, the diaspora, and tools to uncover your family's story! Free show notes: https://www.patreon.com/posts/132048528 //SUPPORT  Help us produce new and exclusive content! Join us on Patreon for ad-free audio and exclusive series! ⁠⁠patreon.com/aznsrepresent⁠⁠ Join the conversation on our Discord server | ⁠⁠discord.gg/aznsrepresent⁠⁠ Check out Daniel's new TTRPG, Wandering Blades, at ⁠⁠wanderingblades.com⁠⁠ //SPONSOR  The Asians Represent! podcast is brought to you by HERO FORGE! Visit ⁠⁠HeroForge.com ⁠⁠to start designing your custom miniature today and check back often: new content is added every week! //FOLLOW  Website | aznsrepresent.com  Blue Sky | @aznsrepresent  YouTube | @aznsrepresent  //CONTACT  If you have questions about this episode's themes, suggestions, or anything else related to Asians Represent, get in touch with us at ⁠⁠aznsrepresent.com⁠⁠  //MUSIC Euphoria by PAVALON

Born in Pittsburgh, Michael Luo is the son of Chinese immigrants. He attended Harvard, and later became a reporter at the New York Times and today he is the Executive Editor at The New Yorker. One rainy afternoon in 2016, he was standing on the sidewalk with his family and some friends after church, trying to decide where to go to lunch when a stranger accosted him and his family. “Go back to China,” she said. Today, he joins us for the hour to talk about his new book on the hidden history of brutality and violence that so many Chinese Americans faced at the turn of the century. GUEST: Michael Luo: Executive Editor for the New Yorker, and author of the book Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America Where We Live is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. This episode originally aired May 20, 2025.Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

A new week means new questions! Hope you have fun with these!A magnifying glass features what kind of lens?Give any of the 3 types of animals in the titles of surviving plays by ancient Greek playwright Aristophanes.Tyrian Purple, aka Royal or Imperial Purple, was once a highly valued dye secreted by several species of what kind of animal?The Second Temple period in Jewish history ended with the Roman siege of which city?In mechanical terms, what are the toothed disks on a conventional bicycle referred to?The grape variety known in France as Syrah is called by which name in Australia, Chile and other wine regions?Comics or graphic novels originating from Japan are known by what collective term?The Louvre Pyramid, the large glass-and-metal entrance way and skylight designed by which Chinese-American architect?Who voiced Ms. Frizzle on the children's television series “Magic School Bus”?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

Today we talk about our hormonal health and periods! We discuss the process of going off a long-term birth control and getting reintroduced to the hormonal cycle. We talk about how to work with the different phases of the cycle and changes we notice in our body and mood. We also share what we personally like to do during our periods.Support the showFollow us on social media @eatyourcrustpod

In this episode of The Leader's Journey Podcast, Jim sits down with Houston-area pastor Melissa Emerson to explore what it means to live faithfully in the midst of deep church change. After stepping into leadership of Mosaic Community Covenant Church following her father's sudden passing, Melissa and her husband have led their community through a nomadic, experimental journey—redefining what church can be in the most diverse suburb in the U.S. With honesty, wisdom, and a heart for justice, Melissa shares what it's been like to shed institutional expectations, rediscover community, and follow the Spirit's leading in uncharted territory. If you've ever felt disillusioned with “church as usual,” or if you're discerning a new way forward, this conversation offers courage and clarity for the road ahead. Melissa Lee Emerson is a third generation Chinese American woman co-pastoring Mosaic Community Covenant Church with her husband. Mosaic meets at a YMCA in the most diverse suburban county in the United States. Passionate about the intersection of faith and justice, Melissa dedicates her energy to the church, to Mosaic Learning Center, and raising her two daughters. She has a masters of divinity from North Park Theological Seminary with an emphasis on intercultural ministry and a bachelors in psychology with an emphasis on sociology and human development. She enjoys multicultural learning spaces and trips, especially if food is involved.  Conversation Overview: The shift from institutional church to a nomadic, mission-focused church Creative approaches to discernment  Developing missional partnerships Embracing Unlearning Rebuilding culture: resisting performance-driven worship and prioritizing outreach The role of emotional maturity, spiritual formation, and slowing down in adaptive leadership   Resources:  Mosaic Covenant Community Church Unlikely Nomads: In Search of the New Church by Terry Walling A prophetic and pastoral look at the shifting landscape of the North American Church and how leaders are navigating toward new expressions of faith. Shattered Dreams – a sermon by Rev. Dr. Martin Luther King Jr. A profound reflection on disappointment, surrender, and trusting God's larger purpose through unfulfilled expectations. Acts 1:8 Model A biblical framework used to guide outreach and mission—beginning in one's immediate community (“Jerusalem”) and expanding outward to the world. Dwelling in the Word (Lectio Divina) A contemplative practice of reading Scripture in community with an emphasis on spiritual listening and discernment. Nomads in the Changing Church - The Leader's Journey Podcast  Find The Leader's Journey on YouTube!

In this hilarious and raw episode of the Tiger Mom Podcast, comedian and podcast host Yannis Pappas dives deep into his personal life, including navigating fatherhood, the ups and downs of being a Greek dad, and his love for history. From his new comedy special "Property Owner" to his take on World War II, history, and the world of sports, Yannis shares stories that are equal parts funny and insightful. Plus, he opens up about his upbringing, his complicated relationship with his mother, and the hilarious moments that shape his comedy. Don't miss this wild conversation about culture, family, and a bit of chaos—because Yannis never holds back. Tune in every week for more Tiger Mom!Watch Yannis Pappas FULL NEW SHOW: https://www.youtube.com/watch?v=HN_irAlyFQgAbout Jiaoying Summers:Jiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Jen and Sarah review ‘Slanted,' as part of the Seattle International Film Festival. They reflect on the impressive premise and powerful screenplay that helps us explore important themes around beauty standards, belonging, and what it's like being a Chinese-American teenager. Shownotes: Spoilers (~8:23) Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. Check out our website, andusmedia.co, for the latest on Movies & Us and TV & Us, and don't forget to shop Movies & Us Merch at andusmedia.etsy.com.

In this uncensored and side-splitting episode of the Tiger Mom Podcast, Jiaoying Summers interviews comedian Britney Schmidt. Britney gets real about her path from stand-up comedy to handling family trauma, such as losing her mom and choosing not to have children. From humor to actual challenges, Britney talks about how she used pain to create comedy. Listen for laughs, tears, and a dash of reality!#jiaoyingsummers #comedy About Jiaoying Summers:aJiaoying Summers is a Chinese-American stand-up comedian, actress, and social media influencer known for her bold humor, sharp wit, and unique perspectives on life, culture, and identity. A proud mother and successful performer, Jiaoying's journey from her beginnings in China to becoming a comedy sensation in the U.S. is nothing short of inspiring. She uses herplatform to tackle topics like cultural differences, family, and self-empowerment, always leaving audiences laughing and thinking.Stay Connected With Jiaoying:Facebook: https://www.facebook.com/jiaoyingsummers Instagram: https://www.instagram.com/jiaoyingsummers/TikTok: https://www.tiktok.com/@jiaoyingsummersX: https://x.com/jiaoyingsummersWebsite: https://summerscomedy.comCopyright Notice:This video and my YouTube channel contain dialog, music, and images that are property of Jiaoying Summers. You are authorized to share the video link and channel, and embed this video in your website or others as long as a link back to my YouTube channel is provided.Support the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFansSupport the showFollow Jiaoying Summers Social media & get tickets for Tiger Milf Tour!Facebook | Youtube | TikTok | Twitter | Instagram | Merch | Tour | Patreon | OnlyFans

Lily Lam is a content creator and designer based in New York City.  She creates content that speaks to underrepresented voices and is an influencer within the world of Magic: The Gathering.  Today, we talk about gentrification in New York's Chinatown, cultural identity as Chinese-Americans, and the recent rise of Chinese soft power.  Lily shares her thoughts on deep systemic problems in America and we discuss how American perceptions of China are shaped and how they're now changing.  We talk about Lily's personal transgender experience, transitioning, its impact on her family, and finding inner peace in a new, yet familiar identity.  We also talk about fashion and how it can be a useful tool in building personal confidence through individual style instead of chasing trends.  This is a heartfelt discussion on identity, acceptance, and change. _____________________ If you enjoy this show don't forget to leave a rating! Follow Us On Instagram: https://www.instagram.com/thehonestdrink_/ RedNote: THD The Honest Drink WeChat: THD_Official Find us on: Spotify, Apple, YouTube, 小红书, Ximalaya, 小宇宙, 网易云音乐, Bilibili or anywhere else you get your podcasts.

Kyle Casey Chu, aka Panda Dulce is a fourth-generation Chinese-American. Her twin brother has autism, and the two went to Jefferson Elementary in the Sunset because the school had a good inclusive special education program. Kyle says that from an early age, she fought for her twin, all the way up to teaching classmates ASL to be able to communicate with her brother. After one year at Lick-Wilmerding High School, Kyle transferred to School of the Arts (now Ruth Asawa San Francisco School of the Arts) to major in music. She went to Sarah Lawrence College in New York after that, where she majored in ethnic studies and arts, followed by time at Columbia University for social work. Then Kyle Casey Chu came back to her hometown. She says she missed the calmness here, the Queer scene, and her family. We shift the conversation to the story of how San Francisco Drag Story Hour got started. Michelle Tea founded Drag Story Hour after having a kid of her own and discovering how hard it was to find spaces for queer parents or parents of queer kids. Tea thought, ‘Why not bring the magic of drag to youth spaces?' When she set out, Tea sought drag queens who had worked with youth before, something that proved not too easy. But Kyle and her drag persona, Panda Dulce, did in fact have youth work experience. Kyle had worked as a K–5 Spanish immersion teacher, a special ed. teacher, a music teacher, and a camp counselor. That plus her social work degree definitely qualified her for Drag Story Hour. She along with a handful of other queens joined the pilot program. Fast-forward to June 2022, when members of the so-called “Proud Boys” (ugh) stormed a Drag Story Hour in San Lorenzo in the East Bay that Panda Dulce had been asked to read at. After barging in uninvited and definitely unwanted, they shouted transphobic slurs and calling Panda a pedophile, a “tranny,” and an “it.” She was forced for her own safety to lock herself in a back room of the library until authorities arrived. When they did, they simply asked these horrible people to leave. No citations. Not even a slap on the wrist or taking of names. The goings on in San Lorenzo that day were awful enough. But starting soon after, the missteps by media were relentless for Kyle. Journalists seemed more interested in a preordained narrative than Kyle's actual experience and associated trauma. It was like the story was being fed to her, rather than coming from her own words. But Kyle and her writing partner, Roisin Isner, were talking one day. They decided that they wanted to reclaim authorship of Kyle's story, to add dimensionality and humanity to her experience. Isner had been through a traumatic event of her own years earlier and could easily relate to her friend. We talk at length about Kyle's reliving her trauma to film the short film that came out of writing sessions with her friend. She says that she never really stopped living it, in fact, and that shooting the movie served as a sort of catharsis for her. Then we talk about her new book, The Queen Bees of Tybee County, which is out now wherever you buy books (except for that one place—never buy anything there yuck). When we recorded that day in April, the book had just been optioned and could become a movie in the near future. She's also got another short coming soon, Betty, which just premiered in New York. Follow Kyle/Panda Dulce on Instagram and her Kyle Casey Chu website. We recorded this bonus episode during SFFILM fest in The Presidio in April 2025. Photography by Jeff Hunt

Today we talk about how we balance our personal independence with our romantic relationships! We chat about our ideal balance of solo time vs. time with our partners. We also talk about signs that alert us that we need more independence when in a relationship.Support the showFollow us on social media @eatyourcrustpod

Chinese American literary pioneer Maxine Hong Kingston revolutionized storytelling with her groundbreaking 1976 book ‘The Woman Warrior,' which blended reality and myth to capture the immigrant experience. As part of our Bay Area Legends series, we talk with Kingston – who grew up working in her parent's Stockton laundry business and was an integral part of Berkeley's counterculture movement – about her genre-defying work. And we check in with contemporary authors about Kingston's lasting influence on their craft and the evolution of immigrant narratives in American literature. Guests: Vanessa Hua, author, Forbidden City; Hua's previous books include “A River of Stars”; former columnist, San Francisco Chronicle Aimee Phan, author, "The Reeducation of Cherry Truong"; associate professor of writing and literature, California College of the Arts in San Francisco. Chitra Banerjee Divakaruni, novelist, short story writer and poet; Her most recent novel "Independence" won the American Book Award in 2024. Maxine Hong-Kingston, author Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textAn insecure Chinese-American teenager undergoes experimental surgery to appear white, hoping to secure the prom queen title and peer acceptance. Slanted will be screening at this year's Sydney Film Festival (SFF) on June 9th, 13th & 15th. As suggested by Amy, double feature watching of Slanted & Being ThereCheck out the video interview.Website | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram

By Dalia ColónIt's one thing to cook food. But talking about food on the radio takes a lot more than knife skills. And Francis Lam does it so well.Lam is a food writer, cookbook editor and host of the popular public radio program The Splendid Table. On June 1, he'll be at the New Tampa Performing Arts Center for a sold-out live taping of the show.Ahead of his visit to Florida, Francis chatted with Dalia Colón from his hometown of New York City, where he lives and works. In this conversation, Francis shared how his Chinese-American upbringing helped him learn to talk about food on the radio, the Florida foods he's most excited to try and his dream Splendid Table guest—a name that might surprise you. Thanks to The Zest's brand manager, Alexandria Ebron, for suggesting this episode. If you have an idea for a Zest guest, email info@thezestpodcast.comRelated episodes:Yee Farms Brings Chinese Vegetables and a “Sense of Pride” to Boynton BeachIn “My (Half) Latinx Kitchen,” Kiera Wright-Ruiz Explores Identity Through FoodGiuliano Hazan Honors Mother Marcella Hazan's Legacy Through Italian Cooking Classes in Sarasota and Italy

Author Michele Wong McSween is here for AAPIHM to discuss her children's book series, Gordon & Li Li, the challenges of trying to learn Mandarin later in life, and reconnecting to her culture. More about Michele:She s a former fashion designer and creator of Gordon & Li Li. She is a native Californian, but has lived in New York City for the past 23 years. She currently lives in Williamsburg, Brooklyn with her husband and three boys.Growing up as a fourth generation Chinese-American, Michele never learned to speak Chinese, so making sure her own boys were exposed to the language and culture became a priority for her.After enrolling them in early-learning Mandarin classes, Michele looked for first word Mandarin books that were easy to read, engaging, modern, and most importantly, were books that they'd want to cuddle up with at bedtime.When Michele realized what she wanted didn't exist, she created Gordon & Li Li to introduce her children to the joy of learning Mandarin Chinese and to foster a deep appreciation for their heritage and culture. You can find her books at https://gordonandlili.com/ Find us at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tiktok.com/@werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠THEDHK can be found at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠instagram.com/thedhk ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠twitter.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠

Long before he directed Wicked, In The Heights, or the groundbreaking film Crazy Rich Asians, Jon M. Chu was a movie-obsessed first-generation Chinese American helping at his parents' Chinese restaurant in Silicon Valley and forever facing the cultural identity crisis endemic to children of immigrants. Growing up on the cutting edge of 21st-century technology gave Chu the tools he needed to make his mark at USC film school and to be discovered by Steven Spielberg, but he soon found himself struggling to understand who he was. In Viewfinder: A Memoir of Seeing and Being Seen, Chu questions what it means when your dreams collide with your circumstances and how it's possible to succeed even when the world changes beyond all recognition.  On August 3, 2024, Jon M. Chu came to the Sydney Goldstein Theater in San Francisco to talk with writer, actor, comedian, and rapper Nora Lum, aka “Awkwafina,”, who starred in Crazy Rich Asians.  This program originally aired in August 2024. 

Jeff and Phil welcome Michael Luo, executive editor at The New Yorker and author of the book Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America, a sweeping narrative history of the Chinese in America, and their more than century-long struggle to belong in the face of bigotry, persecution, exclusion and racial terror. Michael talks about the real-life racist incident that partially inspired the project; the complexities and quirks of Chinese American immigration history; some of the fascinating stories and characters he uncovered during his research for Strangers in the Land; and the alarming parallels between past and current debates on immigration, citizenship, and our multiracial democracy.

Jeff and Phil welcome Dolly Li, documentary filmmaker, journalist and cultural consultant on Ryan Coogler's epic vampire blockbuster Sinners. They discuss Dolly's documentary on The Untold Story of America's Southern Chinese, and the deep-rooted origins of the Mississippi Delta's Chinese American community; how Ryan Coogler's own family connection to the Delta Chinese inspired the Chinese characters in Sinners; and how Dolly worked with the filmmakers to make the movie historically accurate and authentic as possible -- right down to that one horny line of Chinese dialogue. And of course, they offer their own hot takes on Sinners.

➡️ Join 321,000 people who read my free weekly newsletter: https://newsletter.scottdclary.com➡️ Like The Podcast? Leave A Rating: https://ratethispodcast.com/successstoryDr. Tiffany Moon is a Chinese-American anesthesiologist, entrepreneur, and television personality best known for appearing on The Real Housewives of Dallas. Born in Beijing and raised in the U.S., she earned her medical degree by age 23 and is now an Associate Professor at UT Southwestern. In addition to her medical career, she is the founder of Aromasthesia Candles and Three Moons Wine. A dedicated philanthropist and advocate for AAPI communities, Dr. Moon shares her story of resilience and connection in her upcoming memoir, Joy Prescriptions.➡️ Show Linkshttps://www.instagram.com/tiffanymoonmd/https://www.linkedin.com/in/tiffany-moon-md-fasa-06938455/https://www.tiffanymoonmd.com/ ➡️ Podcast SponsorsHubspot - https://hubspot.com/ Vanta - https://www.vanta.com/scott Federated Computer - https://www.federated.computer Lingoda - https://try.lingoda.com/success_sprintCornbread Hemp - https://cornbreadhemp.com/success (Code: Success)FreshBooks - https://www.freshbooks.com/pricing-offer/ Quince - https://quince.com/success Northwest Registered Agent - https://www.northwestregisteredagent.com/success Prolon - https://prolonlife.com/clary Stash - https://get.stash.com/successstory NetSuite — https://netsuite.com/scottclary/ Indeed - https://indeed.com/clary➡️ Talking Points00:00 – Intro01:34 – The Moment That Changed Everything06:01 – The “Good Asian Daughter” Script08:51 – Breaking Away from Her Parents13:28 – Healing & Finding Joy After Trauma14:39 – Redefining High Performance17:48 – Sponsor Break21:40 – Tiffany's First Taste of Joy30:13 – What Writing Taught Her About Herself32:24 – The #1 Joy-Killing Trait34:30 – Sponsor Break38:35 – Tiffany the Entrepreneur43:15 – Loving the Journey, Not Just the Goal46:57 – Escaping the Scarcity Mindset48:40 – Joy in Her Career53:10 – Comparison: The Thief of Joy1:01:53 – A Lesson for Her KidsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hi friends, happy Wednesday! You know, after living in Los Angeles for a few years, I've learned a lot. Like, for example, if you tell people you live in LA, the first thing they ask about is celebrities.  Who have I seen? What were they like? Am I friends with Kris Jenner? It's always the same question. LA is huge and a lot of people don't realize it has a *crazy* history. Hollywood and celebrity culture is just one small part of it.  We've covered some LA history here on Dark History a couple of times. We did an episode on the Chicano Movement, and we even did one the Zoot Suit Riots.  During my research for those episodes, I came across an event I had never heard of… the Chinese Massacre of 1871. You might think by the name, this massacre happened in China.  But turns out, it happened right here in Los Angeles. It was essentially a mass murder killing spree, targeting Chinese American communities.  I wanted to do this episode because it's one of those stories where I thought to myself: why aren't they teaching this in school? Why has it gotten brushed under the rug and lost to history? Well, today we're going to find out.  Welcome to the Dark History of the Chinese Massacre of 1871.  I appreciate you for coming by, and tune in next week for more Dark History. I sometimes talk about my Good Reads in the show. So here's the link if you want to check it out. IDK. lol: https://www.goodreads.com/user/show/139701263-bailey ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian* RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 ________ Credits: This podcast is Executive Produced by: Bailey Sarian & Kevin Grosch and Joey Scavuzzo from Made In Network Head Writer: Allyson Philobos Writer: Katie Burris Additional Writing: Jessica Charles Research provided by: DH Research Team Special thank you to our Historical Consultant: Scott Zesch, historian and author of "The Chinatown War." Director: Brian Jaggers Additional Editing: Julien Perez & Maria Norris  Post Supervisor: Kelly Hardin  Production Management: Ross Woodruff Hair: Angel Gonzalez Makeup: Roni Herrera ________ Right now, listeners of this show can get an extended 30-day free trial! Just go to https://dipseastories.com/darkhistory to start your free trial.  Calm the chaos of order fulfillment with the shipping software that delivers. Switch to ShipStation today. Go to https://www.shipstation.com and use code DARKHISTORY to sign up for your FREE trial.  Check out the SKIMS Ultimate Bra Collection and more at https://www.skims.com/darkhistory #skimspartner Personal styling for everyone—get started today at https://www.stitchfix.com/darkhistory. 

In recent years, there's been a stark uptick in the level of violence and hate crimes that Asian Americans have experienced, but the “precarity of the Asian American experience is not new,” Michael Luo tells David Remnick. Luo is a longtime New Yorker editor, and the author of a new book about the Chinese American experience. He looks at how tensions over labor—with native-born workers often blaming immigrants for their exploitation by business interests—intersected with racial and religious prejudice, culminating in episodes of extraordinary violence and laws that denied immigrants civil rights and excluded new arrivals from Asia. “The way politicians, craven politicians, talk about immigrants today could be just torn from the nineteenth century,” he points out. “I do think that the ‘stranger' label is still there.” But Luo also uncovers the extraordinary support of Chinese Americans from Frederick Douglass, who argued extensively for the immigrants' political participation and civil rights. “Asian American history is American history,” Luo says. “I want all the dads who are reading about World War Two, . . . who are interested in Civil War literature, to read about this different racial conflagration.” Luo's book is “Strangers in the Land: Exclusion, Belonging, and the Epic Story of the Chinese in America.”