Podcasts about Girlhood

Melisa Febos joins Let's Talk Memoir for a conversation about romantic obsessions, celibacy as a portal to freedom, living her way into a corner and having to fight her way out, leading with scene and story and plot, taking back the sovereignty of her own mind and body, approaching oneself as a protagonist, leaving out what isn't central to the story, remembering memoir is not a transcription of a time lived, radical feminists, exercising agency and self-reclamation, living an examined life, integrating memories that were indigestible to us in the moment, the project of looking at ourselves honestly, and her most recent book, now in paperback The Dry Season: A Memoir of Pleasure in a Year Without Sex. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story   Also in this episode: -deepending friendships  -memoir-plus digressions -writing about our obsessions   Books mentioned in this episode: Will and Attention by Meghan O'Gieblyn  Canon by Paige Lewis Fat Swim by Emma Copley Eisenberg   Melissa Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly.   Connect with Melissa: Website: https://www.melissafebos.com/ Instagram: https://www.instagram.com/melissafebos Purchase book via bookshop: This is for the pre-order paperback for The Dry Season https://bookshop.org/p/books/the-dry-season-a-memoir-of-pleasure-in-a-year-without-sex-melissa-febos/f1c8367d8e351d91?ean=9780593685150&next=t - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/

If you're ready to deepen your understanding of kink, communicate your desires, or explore new fantasies with confidence, this is for you. In her Q&A, she covers mental blocks in bed, post deed convs and how to discuss where and how a partner finishes should finish the frosting. All with practical, honest advice to help you explore intimacy with confidence.

Halli shares five steps to be more present and “elite” in the bedroom: reignite that honeymoon heat your own your desires by embracing fantasies, confidence, and open communication. #girlcore #intimacycoach #DatingTips #Relationships #Confidence #relationshipadvice

Host Halli Smith is back with must know advice for group fun. Whether you're single or in a relationship. She covers how to ask the right questions to initiate this 3way fantasy with your partner, the best poses to try, and after care. Plus, tips first time backdoor prep, how to moan and tricks to stop ur reflex during brain. Want the inside scoop? Tune in.

This one is dedicated to all the girliepops and girlhood! In this episode, I talk about what being a feminist actually means and celebrate the beautiful aspects of female friendships aka girlhood. I share what makes our friendships so deep and soulful and why many (confident and secure) men are secretly wishing to emulate similar vibes in their friendships. I discuss how female intuition and wavelength can bond two passing strangers and how your best friend is as close to unconditional love (for a technically conditional relation) as it gets from understanding your soul to always choosing to lift and empower you. Lastly, I share some of my favorite fashionistas who embrace femininity and inspire me daily as I am revamping my closet lately. Be sure to give them a follow:@chelseaasoflate@byaimeekelly@maggievillamaria@maxinewylde@kalitaku@blaireadiebee@tessavmontfoort@thenotoriouskia@stylewithsoco@lisacorboand for the men, @wisdm 

Ještě nedávno byla Saša Uherková nejmladší členkou ochotnického souboru Divadélka DIK v Chotěboři. Dnes má v osmnácti letech premiéru autorského představení Girlhood, které nejen režíruje, ale také v něm hraje, zpívá a doprovází se na kytaru.

Kylie Minogue has told us something we didn’t know about her experience with cancer. That she got a second diagnosis in 2021, and she has a message for all of us about it. Matty J is the latest millennial parent to weigh in on the childcare debate that’s been preoccupying the media lately. Clare, Holly and Amelia do not agree on what all the noise is about. SUBSCRIBE here: Support independent women's media Also - It’s Meghan and Harry’s anniversary and they need to tell us something about penguins. And it looks like Deborra-Lee Furness kept Nicole Kidman in her Hugh Jackman divorce. Plus, there are three types of 'Fun'. Are all of them fun? And the friendship wedding dilemma that we can’t agree on. Oh, and have you noticed anything funny about the pictures behind us in the studio? Yes, that. New Mamamia subscribers get $40 off — $20 off an annual membership and $20 off your TWOOBS order. Click here to subscribe. Already a subscriber? Click here for your $20 TWOOBS discount code. T&C's apply. What To Listen To Next: Listen to our latest episode: The 'Normal Girlfriend' Dating Dilemma Listen: The 'Dog Year' Relationship Theory That Explains Your Ex Listen: UNPACKED: Famesick - Lena Dunham Listen: A Zero Birthday Freak Out & You've Got Something On Your Face Listen: Wait, There Are Four Styles of Friendship? Listen: A Fashion F-Up & The Ryan Reynolds Of It All Listen: Scurrilous Gossip: The Royal Affair No One Saw Coming Listen: How To Be Liked By Absolutely Everyone Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Read about the 3 Tiers of Fun here: https://haleynahman.substack.com/p/268-the-3-tiers-of-fun Meghan Markle has only just arrived in Australia, but the most damning story about her has already been written. Australia's golden girl Kylie Minogue will tell-all in a new memoir. Here's what we know so far. Laura Byrne publicly shared an honest conversation with Matty J. She wasn't prepared for what came next. 'I'm a childcare educator and these are the questions I want more parents to ask.' Everyone is losing it over Nicole Kidman and Deborra Lee-Furness' 'secret' meetups. Here's what they're talking about. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Halli is here to answer your most personal bedroom questions you're too shy to ask, sharing honest and practical advice. From boosting confidence to proven techniques, she's the “GOAT” at head and more. Get real talk on red flags in dating, body care, and tips for working with bigger partners. Plus, secrets on teasing, edging, and more. Want to know what she says? Watch now and find out!Host Halli Smith shares the truth on how women can stop pretending and truly enjoy intimacy. Learn the secrets to what excites you, your needs, and self-discovery to connect with your partner. She reveals the “Happy Highway” trick a simple external move to stimulate a guy's special G area without backdoor play. Plus, she answers all your questions from avoiding teeth during brain and buying discreet spicy toys, and tightness down there.

Hay una conversación que casi no tenemos entre mujeres creativas, y es la de querer construir una vida alrededor de algo que amamos y el miedo que viene con eso. En este episodio hablo sobre los cambios, los proyectos personales, el famoso “side hustle”, la presión de monetizar nuestra creatividad y lo difícil que puede ser mantenernos fieles a nosotras mismas y a nuestras ideas.Porque a veces somos más responsables con el trabajo de alguien más que con nuestros propios sueños. Y quizá ya es momento de preguntarnos por qué.Un episodio para mujeres creativas✨ espero te gusteee!Amor,DanielaSuscríbete a mi Substackhttps://danielaguerrero.substack.com/Mi último escritohttps://danielaguerrero.substack.com/p/lo-bloquee-cinco-veces-y-seguia-ahiMis diarios de gratitudhttps://siemprehayflores.com/products/la-gratitud-como-ciertas-flores?variant=13142968434739

Host Halli Smith shares the truth on how women can stop pretending and truly enjoy intimacy. Learn the secrets to what excites you, your needs, and self-discovery to connect with your partner. She reveals the “Happy Highway” trick a simple external move to stimulate a guy's special G area without backdoor play. Plus, she answers all your questions from avoiding teeth during brain and buying discreet spicy toys, and tightness down there.

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. --------- Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. --------- Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. --------- Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. --------- Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

My guest is Caroline Bicks, whose new book Monsters in the Archives: My Year of Fear with Stephen King (Hogarth, 2026) became a bestseller shortly after release. After she was named the University of Maine's inaugural Stephen E. King Chair in Literature, Caroline Bicks became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book?Bicks focuses on five early works—The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift—to reveal how he crafted his language, storylines, and characters. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. --------- Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-­ author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-­ host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column  of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

“If criticism isn't going to be written by one human mind, what else is it for? Criticism done by AI means nothing.” — Bethanne Patrick Is London really falling? Perhaps. This week on Keen On America, everything seems to be falling. There are young men falling from riverside apartments. Girlhood is falling to the commodification of appearance. Book reviewing is falling to AI. Mary Todd Lincoln fell through history as a shrill and inconvenient widow. And just three days ago, Yale historian Ian Shapiro argued that democracy itself has fallen — from the euphoric heights of 1989 to today's nadir of illiberal populism. One person who never falls is our unfailingly literate friend Bethanne Patrick — book critic at the Los Angeles Times, founder of #FridayReads, and the best-read lady in America. And her May list of recommended reads is full of books about falling. Take, for example, the New York Times bestselling London Falling by Patrick Radden Keefe — a true crime whodunnit about Zac Brettler, a nineteen-year-old who reinvented himself as the son of a Kazakh oligarch and fell to his death from a Thames-side luxury apartment. Then there's Girls by Freya India on Gen Z and the commodification of girlhood; Make Believe by Mac Barnett, the Children's Laureate, on storytelling as an art of raising kids; I Am Not a Robot by Joanna Stern on AI as useful tool, not a civilizational menace; and An Inconvenient Widow by Lois Romano which rehabilitates the already fallen Mary Todd Lincoln. And then there's the fall of book reviewing itself. Where have all the critics gone? New York Times book critic Dwight Garner wrote its obituary this week. But Bethanne Patrick hasn't fallen. And, last I checked, London is still standing. Five Takeaways •       London Falling: The Oligarchs Were the Problem: Patrick Radden Keefe's new New York Times bestseller is about Zac Brettler, a nineteen-year-old London boy who reinvented himself as the son of a Kazakh oligarch and fell to his death from a Thames-side luxury apartment. Bethanne's reading: the most interesting element is not the Brettler family's grief — sympathetic as they are — but the portrait of a London transformed by money from overseas. Twenty years ago, the worry was economic immigrants. The people who really changed London were the oligarchs. Andrew is sceptical of the neoliberalism-as-villain thesis. Janan Ganesh: London has always been defined by capitalism. •       Girls: The Commodification of Girlhood:  by Freya India (born 1999) argues that Gen Z girls have always been girls — but technology has made the existing anxieties about appearance, body, and social status thousands of times worse. Face-tuning, influencers, targeted advertising, social media bullying. Bethanne's daughter — summa cum laude in economics — relaxes by watching reality shows about the commodification of female appearance. The book's parallel with London Falling: both are about young people who cannot escape the mirror of other people's wealth and image. •       Make Believe: Art for Children, Not Just Books: Mac Barnett, current Children's Laureate of the Library of Congress, argues in Make Believe that children don't just need books — they need art. Great literature, beauty, truth. The book echoes Robert Coles' The Call of Stories and pushes back against the passive consumption of screens. Bethanne's connection to London Falling: Zac Brettler was a brilliant storyteller. He might have been a writer or filmmaker. But stories have to move you toward caring about other people. They're not just about taking in — they're about give and take. •       I Am Not a Robot: AI as Tool, Not Menace: Joanna Stern, the Wall Street Journal's consumer tech columnist, spent a year using AI for almost everything. The book is a stunt memoir in the tradition of “my year of doing this” — but also genuinely useful. Her verdict: AI is a tool. It's not good or bad. She wrote every sentence herself but used AI for spell-checking, research, and editing. Meanwhile: the Authors Guild raised close to $900,000 at their annual gala, with David Baldacci giving an impassioned speech about AI and intellectual property. The Chicago Tribune published AI-generated summer reading recommendations that included a Louise Erdrich novel she never wrote. •       Where Have All the Book Reviewers Gone? A Dwight Garner piece in the New York Times cites a 1981 Donald Barthelme story predicting machines doing reviews. Now it's happening: the New York Times recently discovered a freelance reviewer had been using AI for several reviews. Google Gemini now summarises reviews before you see them. Bethanne Patrick, book critic at the Los Angeles Times, is one of a tiny handful of full-time book critics left. Her verdict: criticism done by a non-human entity misses the point. The point of criticism is judgment. Judgment requires a human mind. About the Guest Bethanne Patrick is a book critic at the Los Angeles Times, founder of #FridayReads, host of the Missing Pages podcast, and the author of Life B: Overcoming Double Depression (Counterpoint, 2023). She is also known as @TheBookMaven on social media. Books Discussed: •       London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth by Patrick Radden Keefe (Doubleday, April 7, 2026). •       Girls by Freya India (2026). •       Make Believe by Mac Barnett (2026). •       I Am Not a Robot: My Year Using AI to Do Almost Everything by Joanna Stern (2026). •       An Inconvenient Widow: The Torment, Trial, and Triumph of Mary Todd Lincoln by Lois Romano (Simon & Schuster, 2026). About Keen On America Nobody asks more awkward questions than the Anglo-Ame...

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we are joined by author and Shakespeare scholar, Caroline Bicks, to discuss her latest book, Monsters in the Archive: My Year of Fear with Stephen King. Caroline will share with us how Shakespeare some of Stephen King's most famous works, and the surprising similarities she discovered between Shakespeare's writing and King's.  Monsters in the Archive: My Year of Fear with Stephen King is out now.  About Caroline Bicks Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare podcast. Her essays and humor pieces have appeared in the Modern Love column of the New York Times, McSweeney's Internet Tendency, and the show Afterbirth. She lives in Blue Hill, Maine, with her family. About Monsters in the Archives: My Year of Fear with Stephen King After Caroline Bicks was named the University of Maineʼs inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by one question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Bicks focuses on five of his most iconic early works—The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives—authorized by Stephen King himself—is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree.  

What does it mean to be seen by millions and still be figuring out who you are? For multi-hyphenate artist Dylan Mulvaney, it means letting go of the pressure to be palatable.Dylan was already a touring theater actress when she first gained global attention on TikTok with her viral series Days of Girlhood and has worn many hats since, including a playwright and now, a Broadway performer.This week on the TransLash Podcast, Imara Jones sits down with Dylan for a wide-ranging conversation about her journey from internet sensation to starring as Anne Boleyn Six the Musical and what it means to step into her next chapter on her own terms.Dylan opens up about what people often get wrong about her rise, how she's always been a theater kid at heart and in practice and how social media both created opportunity and challenged her sense of self. Together, Imara and Dylan explore the tension between visibility and privacy, the pressure to be “palatable,” and what it means to move from people-pleasing to self-definition while exploring why softness and earnestness can be powerful in a cynical world.This week's Trans Joy features Ticket Knowlton, a theater director, dramaturg and dancer from Atlanta, Georgia. Send your trans joy recommendations to translash_podcast @ translash [dot] orgFollow Dylan Mulvaney on Instagram & TikTok: @dylanmulvaneyFollow TransLash Media @translashmedia on TikTok, Instagram, Threads, Bluesky, and Facebook.Follow Imara Jones on Instagram (@Imara_jones_), Threads (@imara_jones_), Bluesky (@imarajones.bsky.social), X (@ImaraJones)You can get tickets to see Dylan in Six the Musical here: https://www.broadway.com/shows/six Hosted on Acast. See acast.com/privacy for more information.

In this episode of Rumors of Doing Good, Rob sits down with Rae Pears from Bristol, UK, founder of Girlhood Reclaimed. Rae is pioneering a bold vision to reclaim and restore the stories of women and girls who have been silenced or overlooked. They talk about the challenges of starting something new, the courage it takes to imagine differently, and the power of creativity and healing in building spaces where girlhood can flourish again. Listen in for a conversation about reclaiming what's lost, pioneering what's needed, and the hope that emerges when imagination meets action. Intro/Outro music by Skinfiltr8r.

Writer and scholar Caroline Bicks, the Stephen E. King Chair in Literature at the University of Maine, joins co-hosts Jennifer Maritza McCauley and V.V. Ganeshananthan to discuss her time in King's archives, an experience which resulted in her new book Monsters in the Archives: My Year of Fear with Stephen King. Bicks talks about meeting King and exploring his early drafts, dramatic revisions, exchanges with readers and editors, and undergraduate columns. She situates five of King's earliest novels in the context of his personal experiences and deepest fears and also considers how she understood the books as a younger reader, as well as what it was like to revisit them. She reflects on King's writing process and his unique use of language, showcasing how King is not just the king of horror but also a master of craft. Bicks, McCauley, and Ganeshananthan discuss their experiences with King's novels and the intimate and personal nature of horror writing. Bicks reads from Monsters in the Archives. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by Jennifer Maritza McCauley, V.V. Ganeshananthan and Whitney Terrell.Caroline BicksMonsters in the Archives: My Year of Fear with Stephen KingCognition and Girlhood in Shakespeare's World: Rethinking Female AdolescenceOther texts by Stephen King & screen adaptations based on his workThe ShiningCarrie"IT: Welcome to Derry" | HBO MaxOn Writing: A Memoir of the CraftThe StandItSalem's LotNight ShiftPet Sematary OthersThe Witch of Blackbird PondSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

Caroline Bicks became the first scholar granted extended access by Stephen King to his private archives, a treasure trove of manuscripts that document the legendary writerʼs creative process—most of them never before studied or published. The year she spent exploring King's early drafts and hand-written revisions was guided by a question millions of Kingʼs enthralled and terrified readers (including her) have asked themselves: What makes Stephen King's writing stick in our heads and haunt us long after we've closed the book? Dr. Bicks focuses on The Shining, Carrie, Pet Sematary, ʼSalemʼs Lot, and Night Shift—to reveal how he crafted his language, story lines, and characters to cast his enduring literary spells. While tracking King's margin notes and editorial changes, she discovered cut scenes and alternative endings that King is allowing her to publish now. The book also includes her interviews with King, that reveal new insights into his writing process and personal history. Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archive is unlike anything published about the master of horror. It chronicles what Dr. Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it's also a story about an English professor facing her childhood fears and getting to know the man whose monsters helped unleash them. Guest: Dr. Caroline Bicks is the Stephen E. King Chair in Literature at the University of Maine. She is the author of Cognition and Girlhood in Shakespeare's World and Midwiving Subjects in Shakespeare's England; co-author of Shakespeare Not Stirred: Cocktails for Your Everyday Dramas; and co-host of the Everyday Shakespeare Podcast. Show Host: Dr. Christina Gessler is an academic writing coach and editor. She is the creator and producer of the Academic Life podcast. Playlist for listeners: Once Upon A Tome The World She Edited: Katharine S. White at the New Yorker Claire Myers Owens and the Banned Book Before and After the Book Deal Your Art Will Save Your Life Becoming The Writer You Already Are The Top 10 Struggles in Writing A Book Manuscript and What To Do About It Do You Need A Developmental Editor? Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is me answering some of your most real-life girlhood questions

Host Halli Smith explains how intimacy and self-pleasure are learned, shaped by shame, media, and early experiences. She discusses her favorite poses to to practice "me time" going in depth to techniques and styles to try. Plus, helpful tips for exploring toys and other tools for "me time", along with a candid Q&A on common concerns like discomfort, communication, and relationships. Join us for an honest, empowering conversation.#girlcore #intimacycoach #DatingTips #Relationships #Confidence #relationshipadvice

In this episode, we're reflecting on girlhood and what it meant to us growing up and what it looks like now. From friendship and joy to the ways being Black girls shaped who we've become, this is a conversation filled with nostalgia, growth, and appreciation for every version of ourselves.Connect with us:@herworkmatters_ @dbestevaaa@z.shanise Beat Provided By https://freebeats.io Produced By White Hot

Making friends as an adult can tough but keeping them is harder. Join Maggy with our HOH faves, Natalie Chai and Naomi Yeo! Three hosts, one couch, zero filter. What's their first impression of each other? And why is it hard to make friends in the content creator industry???Plus, a card game that gets toooo honest. In this episode you'll learn:• How to actually curate your friend circle as an adult (and whether you even should)• Why expecting one person to be your everything is the fastest way to lose them• What to do when a friendship fades and nobody says anything about it• How the things people say about you before you meet can shape a whole relationship• Why the friendships that survive are not always the ones you worked hardest to keep• How a limiting belief from childhood can follow you into your career without you realising it• What it actually looks like to give someone a second chance, and trust your gut at the same timeFollow Nat @thenatstoryFollow Naomi @naomiyhsOUR COUCH IS FROM: ✨ LANOUVA @lanouvasofa✨ shoutout for our beautiful new couch in the fresh HOH Studio! don't forget to mention: HEADOVERHEELS to get RM300 OFF your next couch with Lanouva

Grey Gardens Section starts around the 50min mark

Act Two: The Girlhood TrinityThis April, and we're chatting about the Trinity of Girlhood, Akeelah and the Bee, The Secret Life of Bees, and Turning Red.So, sit back, nab your snacks and enjoy!

This week on ‘The Write Question,' host Lauren Korn speaks with Wyoming-based author Nina McConigley about her novel, ‘How to Commit a Postcolonial Murder' (Pantheon; Knopf Doubleday Publishing Group). Nina is a spring lecturer for the Elk River Arts & Lecture series; she will appear in Livingston on April 16, 2026.

This week on ‘The Write Question,' host Lauren Korn speaks with Wyoming-based author Nina McConigley about her novel, ‘How to Commit a Postcolonial Murder' (Pantheon; Knopf Doubleday Publishing Group). Nina is a spring lecturer for the Elk River Arts & Lecture series; she will appear in Livingston on April 16, 2026.

Send us a love letter (or hate mail, your choice!)Unfortunately whoever said, "If a thing is worth doing, it is worth doing badly" was onto something. Post your first attempt at a french mani to main, publish the scripted podcast episode you recorded out of your studio apartment, to be cringe is to be free! Alex and I jump on the podcast to talk about Doing the Thing™️, whatever that thing may be. Then it's time for The Good, The Bad & The Ugly: embracing creative collaborations, when people give you unsolicited product recommendations, and the idea that you have to do everything by yourself.Get silly with us on social:FOLLOW THE PODCASTInstagram: @pessimisticatbestFacebook: @pessimisticatbestWebsite: pessimisticatbest.comFOLLOW SAMInstagram: @samgeorgsonTikTok: @samgeorgsonTwitter: @samgeorgsonYouTube: @samgeorgsonWebsite: samanthageorgson.comSupport the show

Unlock explosive pleasure with Halli's no-fail tips! Learn how to improve doggy style with angle tricks, support tips, and eye contact. Discover how to communicate hair pulling, boost deep G-spot hits, and spice up long-distance intimacy with toys, texts, and role play. Perfect for breaking bad habits and taking your intimacy to the next level. Watch now for all the secrets!

In this episode of Please, Do Tell, hosts Ronnika Williams and Jeffrey Booker continue their Women's History Month conversations by reflecting on the women who shaped their lives; mothers, grandmothers, teachers, and community figures whose lessons didn't always make sense… until now.From childhood memories and playground dynamics to adult realizations, this episode explores how women have always been the foundation; holding families, communities, and culture together in ways we didn't fully understand growing up.And yes… we're also talking about the phrases, warnings, and advice that turned out to be very real.

At SXSW 2026, directors Jack Zagha Kababie and Yossy Zagha premiere FIFTEEN, a bold coming-of-age horror film where a quinceañera spirals into something monstrous. In this Filmmaker Mixer episode, we break down the creative decisions behind blending cultural tradition with body horror. We explore creature design, directing young actors, staging large celebration scenes under tension, and navigating co-direction at the highest level. If you're a filmmaker interested in genre storytelling, festival strategy, or practical vs. VFX creature work, this episode is packed with real-world insight.

Mia is late to the party. Despite “Let Them” being (one of) her Words Of The Year last year, she is finally listening to the Mel Robbins audio book — and she has thoughts. In this episode, Mia and Amelia unpack the complicated art of female friendships. From the 'scatterings' of marriage and kids to the isolation of running a business, is the secret to staying connected actually just... loosening your grip? But, while Mia is feeling a “massive unclenching”, Amelia is asking whether 'let them' is just a fancy way of being a passive friend? Plus, the '3-Word Rule' that might actually save your friendship. What To Listen To Next: Listen to Mel Robbins on No Filter: Mel Robbins On The Only Life Lesson You Need To Know Listen to our latest episode: A Reluctant Pregnancy Announcement On Live TV Listen: Mia's Diary Note: What I Didn't Expect About Being A Nana Listen: Beckham, Meghan & Jessie's Hospital Voice Note Listen: How To Talk To Absolutely Anyone Listen: Mia Enters The 'Working Mums' Chat Listen: Inside The Fight That Ended Kyle & Jackie O Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Australia's #1 podcast, Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: The 'let them' theory has changed more than 2 million people's lives. The 'let them' theory changed 2 million people's lives. The 'who says' theory is the easy alternative. 'I tried the "Let Them Theory" on my kids... Here's what happened.' 'I asked my friends to give me a performance review. They said, "No".' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloudBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Survivor-led nonprofit The SHERO Foundation and its agency partner Duncan Channon launched “Girlhood,” a pro bono campaign that reframes how sex trafficking is portrayed. Watch here: https://www.youtube.com/watch?v=fI2A9ve-uncThe work blatantly omits showing the crime itself and instead focuses on what trafficking takes away from girlhood. The work was created as part of Purpose, Produced, a partnership between Kevin Bacon's SixDegrees.org and Advertising Week that pairs top agencies with deserving nonprofits to create pro bono campaigns. The campaign includes a two-minute hero film and three 30-second spots that capture a diverse group of girls simply being girls: taking selfies, making TikToks, and going to school. Viewers hear the real stories of women who were trafficked as girls, describing what was stolen from them long before anyone noticed something was wrong.Lisa Hayden's involvement with SHERO began through a personal connection, but her commitment quickly evolved into transformative leadership. As the Founding Inaugural Chairperson of the Technology Committee, she helped build the operational infrastructure that supports the Foundation's mission. Her work strengthened systems, streamlined processes, and laid a foundation for growth during critical years of expansion.She then served six years on the SHERO Executive Board, helping guide strategic decisions and organizational development during a pivotal season for the Foundation. Today, as SHERO's Manager of Operations, Lisa ensures that vision becomes action — overseeing the internal structure, coordination, and day-to-day leadership that allows the mission to thrive.Jessea Hankins is an extremely online creative director and writer who was pulled into the vortex of advertising by fate. Her decades-long career began at Wieden+Kennedy (in the finance department! With a poetry degree!), flew through Bartle Bogle Hegarty, and landed at Duncan Channon. She can be blamed for work on brands like Sephora, Kettle Chips, the United Nations, Kona Big Wave, Horizon Organic, and the CA Department of Public Health – from their first anti-vaping campaign to the recent fentanyl prevention effort, “Facts Fight Fentanyl.” In between, she took a 4-year hiatus in the advertising wilderness before boomeranging back to DC to continue being very silly and very serious forever.

As the Raising Godly Girls Podcast launches another week of insightful Christian parenting conversation, hosts Rachael Culpepper and Melissa Bearden dive into the world of Biblical womanhood, especially as it relates to idols. After sharing prominent women and celebrities they idolized as girls, both hosts reflect on the many different ways idolatry can seep into modern Christian life in America.     Melissa took on the potential for even a medial diagnosis to become an idol label, shifting a girl's focus onto self and limiting the resilience the Holy Spirit might seek to produce in her heart. Rachael tags in to warn against the tendency for extracurricular activities and dedication to take an idol-type place in the family calendar.     Rachael shifts into asking insightful and key questions to determine if your girl might have an unhealthy relationship with things or areas of her life, which take the place that God set up for Himself to reign. Melissa roots the discussion with a gentle reminder that idolatry in the Old Testament of the Bible is not gone today, and Christian families must always be on guard to protect our hearts and minds from that way of life.       Three Things to Consider:    Has her idol taken over the majority of her day—every day?   Is there an absence of contentment and joy in her these days?   How does she react when an idol is pulled out of her everyday life? If she can't function, that's a clear sign, something needs to change.       Scriptures Referenced in this Episode:    James 4:13-16  Exodus 20:4-6  2 Chronicles 14-15    Visit raisinggodlygirls.com for more encouragement and faith-based parenting tools.          Learn how to find or start an American Heritage Girls Troop in your community at americanheritagegirls.org.     

There is a specific kind of ache that comes from looking at your daughter and seeing yourself — not the version of yourself you've carefully curated, but the girl you tried to leave behind. That's where Melissa Fraterrigo's memoir begins: standing in a doorway, watching her twin daughters navigate the turbulent terrain of adolescence, and recognizing in their self-doubt, their body shame, their quiet suffering, the exact contours of her own girlhood in the 80s and 90s. The recognition didn't just move her. It sent her back — back through memory, back through culture, back through every lesson she'd absorbed and every wound she'd never quite named — to write The Perils of Girlhood, a memoir in essays that is at once an excavation of the past and a love letter to the next generation.What makes this book extraordinary is how deliberately Melissa chose the essay form — not to present a tidy narrative arc, but to honor the messy, nonlinear way that girlhood actually lives inside us. She wrote it the way memory works: pulled toward heat, toward the unresolved, toward the scenes that still ask something of us. She started in the middle — an essay about her father's temper and the people-pleasing survival strategy it produced — and spent five years finding where all the pieces truly belonged. Along the way, she wove in pop culture touchstones from Judy Blume to 80s sitcom dads, not as nostalgia but as evidence: this is what the air was made of back then, and we breathed it in, and here is what it cost us. She wrote herself into forgiveness — for her younger self, for the people who didn't always get it right — and found that the longer she sat with each chapter, the softer and more spacious her understanding became.In this warm, wide-ranging conversation with Olivia, Melissa reflects on what it means to trade the safety of fiction for the vulnerability of memoir, why this book belongs to readers of every gender and generation, and why one of her twin daughters has already read it — while the other has politely declined, which Melissa accepts with the grace of a woman who has learned that healing doesn't happen on a schedule. The Perils of Girlhood is ultimately a book about the stories we tell ourselves about who we are, how those stories get written for us long before we're old enough to hold the pen, and what becomes possible when we finally decide to rewrite them. If you're in any season of self-examination — a parent trying to break a cycle, a daughter still untangling her past, or simply a person curious enough to ask how you became who you are — this book is waiting for you.

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Hadyn Green has been the creative force of Hear My Eyes, a sonic-visual, hybrid experience which blends film and music in creatively intriguing and boundary pushing ways. As the founder and artistic director of Hear My Eyes, Haydn reaches out to contemporary musicians to craft new scores for pre-existing cinema.Collaborations include Sampa the Great rescoring Céline Sciamma's Girlhood, The Murlocs putting their spin on Gregor Jordan's Two Hands, while Springtime and Mick Harvey explored a new sonic landscape for Andrew Dominik's Chopper.For its tenth anniversary, Hadyn Green has tapped Belgian electronic musician Peter Van Hoesen, powered by the Melbourne Electronic Sound Studio, to reimagine the music of James Cameron's iconic sci-fi classic, Terminator 2: Judgment Day (the original theatrical cut).Visit HearMyEyes.com.au for all tickets to the screenings taking place on the below dates:Melbourne: Feb 25-28, Hamer HallSydney: March 7, City Recital HallCanberra: March 18-19, Canberra TheatreSign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

Sapphic Adolescent Girls in Irish Young Adult Fiction: Queering Girlhood (Routledge, 2025) is the first sustained critical analysis of the representation of sapphic adolescent protagonists in contemporary Irish Young Adult (YA) literature. Ten YA novels published between 2017 and 2023 by both well-established and emerging Irish female authors are examined, analysing sapphic characters to demonstrate how Irish YA literature can transform and re-imagine sapphic literary representations. This book offers a critical evaluation of how lesbianism and bisexuality have been introduced into Irish YA literature, while also addressing the significance of racism, religion, violence against women and girls, friendships, and parental abandonment in shaping queer identities. This study is ideal for postgraduates and academics in the fields of Irish Studies, Cultural Studies, Gender Studies, and Queer Studies, as well as students interested in YA literature, comparative literature, and contemporary literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Brenda Williams was a Chief Diversity Officer at New York Public Radio for 29 years before retiring last February. In her next chapter, Brenda has written a children's book, Worthy and Wonderful: A Celebration of Girls Who Matter, inspired by her granddaughters, Kaehla, Demi, Dala, and Dior. Brenda Williams returns to WNYC to talk about her book. 

Send us a textWe love to blame betrayal on one man, one woman, one relationship. But the truth is harsher and much more important: Your betrayal didn't begin with him. It began with her, the girl you once were.In this solo episode of The Dimple Bindra Show, we go straight into the fire and unpack how your girlhood wounds made you vulnerable to toxic love, cheating partners, emotional manipulation, and self-abandonment in adulthood.We explore:Why your betrayal started long before the first red flag, heartbreak, or affairHow growing up with emotionally unavailable, abusive, or absent caregivers trained you to ignore your body's warning signalsThe “good girl” conditioning that taught you to be polite, quiet, agreeable, and easy to controlHow watching your mother (or the women who raised you) sacrifice herself became your blueprint for loveWhy you learned to accept crumbs and call it love and why a truly safe, healed man can feel “wrong” or unfamiliarThe 5 core girlhood wounds that made you a magnet for toxic partnersYou were taught to ignore your body's danger signalsYou learned love by watching a woman sacrifice herselfNo one taught you that your needs matterYou were rewarded for silence and “being a good girl”You were never shown what safe masculinity looks likeThis episode is not polite, pretty, or comfortable. It's the truth your mother couldn't say.

Girlhood is being threatened and this is officially a sports podcast.subscribe to our newslettershop merch Hosted on Acast. See acast.com/privacy for more information.

Black girls performing in a parade on the streets of Chicago and playing in the surf at Martha's Vineyard offer a glimpse of what it is like, growing up in the United States today. Sisters Salamishah and Scheherazade Tillet are using photographs and words to capture the lives of girls from two very different communities.

Practical ways to upgrade your narrative. Melissa Febos is the national bestselling author of five books, including Girlhood, Body Work: The Radical Power of Personal Narrative, and a new memoir, The Dry Season. She is the recipient of awards and fellowships from the Guggenheim Foundation, the National Endowment for the Arts and others. Her work has appeared in The Paris Review, The New Yorker, The Best American Essays and others. She is a professor at the University of Iowa. In this episode we talk about: How to "audit" your personal narrative with simple questions Melissa's five-step method for rewriting unhelpful stories Why community, and vulnerability are required for real change; in other words, why it's harder to do this work alone Melissa's own experiences running this playbook with regard to her relationships and her addictions. Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris