Podcasts about morteza hajizadeh

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

At the heart of the fiercest international conflicts is the struggle for the future of globalization. In the wake of a pandemic that tested economies and societies, geopolitical conflict has taken on a new intensity. The Rest and the West: Capital and Power in a Multipolar World (Verso, 2024) locates the origins of this development in the turbulent dynamics of the capitalist world market. Rather than reducing global conflict to a matter of great power rivalries or the process of economic decoupling, Sandro Mezzadra and Brett Neilson investigate the increasing centrality of war to capital operations and to the transformation of capitalism. The goal is to forge a theory of imperialism adequate to a world in which the ‘rest' no longer provides a putative unity that defines and opposes the ‘West'. Brett Neilson is professor and deputy director at the Institute for Culture and Society, Western Sydney University. In the last decade, his work has centered on issues of migration, borders, and globalization, logistics and digitalization, contemporary capitalism, geopolitics, and automation. Apart from writings with Sandro Mezzadra, he has published many articles and books, including Free Trade in the Bermuda Triangle … and Other Tales of Counterglobalization (Minnesota, 2004). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

At the heart of the fiercest international conflicts is the struggle for the future of globalization. In the wake of a pandemic that tested economies and societies, geopolitical conflict has taken on a new intensity. The Rest and the West: Capital and Power in a Multipolar World (Verso, 2024) locates the origins of this development in the turbulent dynamics of the capitalist world market. Rather than reducing global conflict to a matter of great power rivalries or the process of economic decoupling, Sandro Mezzadra and Brett Neilson investigate the increasing centrality of war to capital operations and to the transformation of capitalism. The goal is to forge a theory of imperialism adequate to a world in which the ‘rest' no longer provides a putative unity that defines and opposes the ‘West'. Brett Neilson is professor and deputy director at the Institute for Culture and Society, Western Sydney University. In the last decade, his work has centered on issues of migration, borders, and globalization, logistics and digitalization, contemporary capitalism, geopolitics, and automation. Apart from writings with Sandro Mezzadra, he has published many articles and books, including Free Trade in the Bermuda Triangle … and Other Tales of Counterglobalization (Minnesota, 2004). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

At the heart of the fiercest international conflicts is the struggle for the future of globalization. In the wake of a pandemic that tested economies and societies, geopolitical conflict has taken on a new intensity. The Rest and the West: Capital and Power in a Multipolar World (Verso, 2024) locates the origins of this development in the turbulent dynamics of the capitalist world market. Rather than reducing global conflict to a matter of great power rivalries or the process of economic decoupling, Sandro Mezzadra and Brett Neilson investigate the increasing centrality of war to capital operations and to the transformation of capitalism. The goal is to forge a theory of imperialism adequate to a world in which the ‘rest' no longer provides a putative unity that defines and opposes the ‘West'. Brett Neilson is professor and deputy director at the Institute for Culture and Society, Western Sydney University. In the last decade, his work has centered on issues of migration, borders, and globalization, logistics and digitalization, contemporary capitalism, geopolitics, and automation. Apart from writings with Sandro Mezzadra, he has published many articles and books, including Free Trade in the Bermuda Triangle … and Other Tales of Counterglobalization (Minnesota, 2004). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

At the heart of the fiercest international conflicts is the struggle for the future of globalization. In the wake of a pandemic that tested economies and societies, geopolitical conflict has taken on a new intensity. The Rest and the West: Capital and Power in a Multipolar World (Verso, 2024) locates the origins of this development in the turbulent dynamics of the capitalist world market. Rather than reducing global conflict to a matter of great power rivalries or the process of economic decoupling, Sandro Mezzadra and Brett Neilson investigate the increasing centrality of war to capital operations and to the transformation of capitalism. The goal is to forge a theory of imperialism adequate to a world in which the ‘rest' no longer provides a putative unity that defines and opposes the ‘West'. Brett Neilson is professor and deputy director at the Institute for Culture and Society, Western Sydney University. In the last decade, his work has centered on issues of migration, borders, and globalization, logistics and digitalization, contemporary capitalism, geopolitics, and automation. Apart from writings with Sandro Mezzadra, he has published many articles and books, including Free Trade in the Bermuda Triangle … and Other Tales of Counterglobalization (Minnesota, 2004). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years. James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years. James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years. James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years. James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years. James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years. James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of medieval Britain through twelve remarkable illuminated manuscripts. Illumino: A History of Medieval Britain in Twelve Illuminated Manuscripts (Reaktion, 2025) explores the history of medieval Britain through the biographies of twelve remarkable illuminated manuscripts and of their creators and owners. The manuscripts each serve as portals into these lives and as springboards into the era of their production. For illuminated manuscripts are among the most intricate and fascinating forms of evidence for the Middle Ages, blending the fruits of human intellect – the arts, the sciences, politics, philosophy and faith – with the materiality of their production. By undertaking the detective work needed to determine the nature of each project and the underlying human-interest stories, this book reveals their manifold social, economic and cultural contexts and charts the exchange of ideas, techniques and materials over time and space. Featuring more than a hundred beautiful illustrations, this is a unique and accessible introduction to Britain's history, art history and book history across a thousand years. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of medieval Britain through twelve remarkable illuminated manuscripts. Illumino: A History of Medieval Britain in Twelve Illuminated Manuscripts (Reaktion, 2025) explores the history of medieval Britain through the biographies of twelve remarkable illuminated manuscripts and of their creators and owners. The manuscripts each serve as portals into these lives and as springboards into the era of their production. For illuminated manuscripts are among the most intricate and fascinating forms of evidence for the Middle Ages, blending the fruits of human intellect – the arts, the sciences, politics, philosophy and faith – with the materiality of their production. By undertaking the detective work needed to determine the nature of each project and the underlying human-interest stories, this book reveals their manifold social, economic and cultural contexts and charts the exchange of ideas, techniques and materials over time and space. Featuring more than a hundred beautiful illustrations, this is a unique and accessible introduction to Britain's history, art history and book history across a thousand years. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A rich history of cross-racial coalitions and alliances of the Sixties' freedom movement, acclaimed historian Alice Echols's Black Power, White Heat reshapes our understanding of the entire era. One of the most divisive issues in recent progressive politics has been what role, if any, allies might legitimately play in other people's movements. Despite the significance of this debate, it has taken place in a historical vacuum.In Black Power, White Heat: From Solidarity Politics to Radical Chic, (Oxford UP, 2026) the Sixties historian Alice Echols explores what happened some sixty years ago when whites and Blacks came together in the fight against racism. She tells this story by focusing on two Black-led organizations that bookend the Sixties: The Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party. In SNCC, whites were, in part, meant to generate a "white heat" so searing it would accelerate change. Results were mixed, and white activists formed new movements, from women's liberation to draft resistance.By 1967, the Black Panther Party was advancing its own unique brand of "revolutionary nationalism," and seeking out white supporters. Partnering with whites brought the group visibility and resources, but it also put the Panthers at odds with other Black radicals, with unfortunate consequences.Black Power, White Heat explains how solidarity lost credibility, and not just from within the movement. Here, the FBI played a key role, and so did the discourse of "radical chic," advanced most effectively by the journalist Tom Wolfe. Still, even as Black-white solidarity lost steam, it was not entirely played out. In some of the era's most important political trials, even courtrooms became sites of solidarity as predominantly white juries returned verdicts that suggested they trusted Black Panther defendants more than the District Attorneys prosecuting them. Clear-eyed about the difficulties of solidarity, Black Power, White Heat nonetheless emphasizes the achievements and considerable promise of uniting across difference, and in ways that will inform and deepen current debates roiling progressive politics. Alice Echols is Professor of History at the University of Southern California. She is the author of numerous books, including Daring to Be Bad, Scars of Sweet Paradise: The Life and Times of Janis Joplin, Hot Stuff: Disco and the Remaking of American Culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of medieval Britain through twelve remarkable illuminated manuscripts. Illumino: A History of Medieval Britain in Twelve Illuminated Manuscripts (Reaktion, 2025) explores the history of medieval Britain through the biographies of twelve remarkable illuminated manuscripts and of their creators and owners. The manuscripts each serve as portals into these lives and as springboards into the era of their production. For illuminated manuscripts are among the most intricate and fascinating forms of evidence for the Middle Ages, blending the fruits of human intellect – the arts, the sciences, politics, philosophy and faith – with the materiality of their production. By undertaking the detective work needed to determine the nature of each project and the underlying human-interest stories, this book reveals their manifold social, economic and cultural contexts and charts the exchange of ideas, techniques and materials over time and space. Featuring more than a hundred beautiful illustrations, this is a unique and accessible introduction to Britain's history, art history and book history across a thousand years. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here  Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of medieval Britain through twelve remarkable illuminated manuscripts. Illumino: A History of Medieval Britain in Twelve Illuminated Manuscripts (Reaktion, 2025) explores the history of medieval Britain through the biographies of twelve remarkable illuminated manuscripts and of their creators and owners. The manuscripts each serve as portals into these lives and as springboards into the era of their production. For illuminated manuscripts are among the most intricate and fascinating forms of evidence for the Middle Ages, blending the fruits of human intellect – the arts, the sciences, politics, philosophy and faith – with the materiality of their production. By undertaking the detective work needed to determine the nature of each project and the underlying human-interest stories, this book reveals their manifold social, economic and cultural contexts and charts the exchange of ideas, techniques and materials over time and space. Featuring more than a hundred beautiful illustrations, this is a unique and accessible introduction to Britain's history, art history and book history across a thousand years. Michelle P. Brown is Professor Emerita of Medieval Manuscript Studies at the School of Advanced Study, University of London, and was formerly Curator of Illuminated Manuscripts at the British Library. Her books include Bede and the Theory of Everything (Reaktion, 2023). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

A major new look at Africa's influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas's Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil's Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt's, Libya's, and Carthage's influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas's Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine (Princeton UP, 2025) challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced Zionist aims.Drawing on a wealth of sources ranging from Arabic medieval chronicles, travel narratives, and poetry to modern Hebrew geography and botany texts, Mostafa Hussein provides a nuanced understanding of Hebrew orientalism by focusing on the practical activities of Hebrew writers, such as recuperating the Jewish past in the East, constructing Jewish indigeneity, consolidating Jewish ties to Palestine's landscape, enhancing understanding of the Hebrew Bible, reviving Hebrew language, and undertaking translation projects. Through the lens of a diverse group of Jewish intellectuals—ranging from Palestine-born Sephardi/Oriental and Ashkenazi Jews to Eastern European immigrants—he unveils the complex realities of cultural exchange and knowledge production, highlighting the dual role of these intellectuals in connecting with the East and promoting Zionist aspirations. Hussein offers fresh insights into the role of scholarly practices in advancing new perspectives on the region and its peoples and forging a modern Zionist Hebrew identity.Illuminating the intricate and often contradictory engagement of Hebrew scholars with Arabo-Islamic culture, Hebrew Orientalism informs contemporary discussions of postcolonialism and settler colonialism and enriches our understanding of the historical dynamics between Jews and Arabs in Palestine. Mostafa Hussein is assistant professor of Jewish-Muslim studies at the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan. He is the editor (with Brahim El Guabli) of Remembering Jews in Maghrebi and Middle Eastern Media. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine (Princeton UP, 2025) challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced Zionist aims.Drawing on a wealth of sources ranging from Arabic medieval chronicles, travel narratives, and poetry to modern Hebrew geography and botany texts, Mostafa Hussein provides a nuanced understanding of Hebrew orientalism by focusing on the practical activities of Hebrew writers, such as recuperating the Jewish past in the East, constructing Jewish indigeneity, consolidating Jewish ties to Palestine's landscape, enhancing understanding of the Hebrew Bible, reviving Hebrew language, and undertaking translation projects. Through the lens of a diverse group of Jewish intellectuals—ranging from Palestine-born Sephardi/Oriental and Ashkenazi Jews to Eastern European immigrants—he unveils the complex realities of cultural exchange and knowledge production, highlighting the dual role of these intellectuals in connecting with the East and promoting Zionist aspirations. Hussein offers fresh insights into the role of scholarly practices in advancing new perspectives on the region and its peoples and forging a modern Zionist Hebrew identity.Illuminating the intricate and often contradictory engagement of Hebrew scholars with Arabo-Islamic culture, Hebrew Orientalism informs contemporary discussions of postcolonialism and settler colonialism and enriches our understanding of the historical dynamics between Jews and Arabs in Palestine. Mostafa Hussein is assistant professor of Jewish-Muslim studies at the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan. He is the editor (with Brahim El Guabli) of Remembering Jews in Maghrebi and Middle Eastern Media. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine (Princeton UP, 2025) challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced Zionist aims.Drawing on a wealth of sources ranging from Arabic medieval chronicles, travel narratives, and poetry to modern Hebrew geography and botany texts, Mostafa Hussein provides a nuanced understanding of Hebrew orientalism by focusing on the practical activities of Hebrew writers, such as recuperating the Jewish past in the East, constructing Jewish indigeneity, consolidating Jewish ties to Palestine's landscape, enhancing understanding of the Hebrew Bible, reviving Hebrew language, and undertaking translation projects. Through the lens of a diverse group of Jewish intellectuals—ranging from Palestine-born Sephardi/Oriental and Ashkenazi Jews to Eastern European immigrants—he unveils the complex realities of cultural exchange and knowledge production, highlighting the dual role of these intellectuals in connecting with the East and promoting Zionist aspirations. Hussein offers fresh insights into the role of scholarly practices in advancing new perspectives on the region and its peoples and forging a modern Zionist Hebrew identity.Illuminating the intricate and often contradictory engagement of Hebrew scholars with Arabo-Islamic culture, Hebrew Orientalism informs contemporary discussions of postcolonialism and settler colonialism and enriches our understanding of the historical dynamics between Jews and Arabs in Palestine. Mostafa Hussein is assistant professor of Jewish-Muslim studies at the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan. He is the editor (with Brahim El Guabli) of Remembering Jews in Maghrebi and Middle Eastern Media. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine (Princeton UP, 2025) challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced Zionist aims.Drawing on a wealth of sources ranging from Arabic medieval chronicles, travel narratives, and poetry to modern Hebrew geography and botany texts, Mostafa Hussein provides a nuanced understanding of Hebrew orientalism by focusing on the practical activities of Hebrew writers, such as recuperating the Jewish past in the East, constructing Jewish indigeneity, consolidating Jewish ties to Palestine's landscape, enhancing understanding of the Hebrew Bible, reviving Hebrew language, and undertaking translation projects. Through the lens of a diverse group of Jewish intellectuals—ranging from Palestine-born Sephardi/Oriental and Ashkenazi Jews to Eastern European immigrants—he unveils the complex realities of cultural exchange and knowledge production, highlighting the dual role of these intellectuals in connecting with the East and promoting Zionist aspirations. Hussein offers fresh insights into the role of scholarly practices in advancing new perspectives on the region and its peoples and forging a modern Zionist Hebrew identity.Illuminating the intricate and often contradictory engagement of Hebrew scholars with Arabo-Islamic culture, Hebrew Orientalism informs contemporary discussions of postcolonialism and settler colonialism and enriches our understanding of the historical dynamics between Jews and Arabs in Palestine. Mostafa Hussein is assistant professor of Jewish-Muslim studies at the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan. He is the editor (with Brahim El Guabli) of Remembering Jews in Maghrebi and Middle Eastern Media. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine (Princeton UP, 2025) challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced Zionist aims.Drawing on a wealth of sources ranging from Arabic medieval chronicles, travel narratives, and poetry to modern Hebrew geography and botany texts, Mostafa Hussein provides a nuanced understanding of Hebrew orientalism by focusing on the practical activities of Hebrew writers, such as recuperating the Jewish past in the East, constructing Jewish indigeneity, consolidating Jewish ties to Palestine's landscape, enhancing understanding of the Hebrew Bible, reviving Hebrew language, and undertaking translation projects. Through the lens of a diverse group of Jewish intellectuals—ranging from Palestine-born Sephardi/Oriental and Ashkenazi Jews to Eastern European immigrants—he unveils the complex realities of cultural exchange and knowledge production, highlighting the dual role of these intellectuals in connecting with the East and promoting Zionist aspirations. Hussein offers fresh insights into the role of scholarly practices in advancing new perspectives on the region and its peoples and forging a modern Zionist Hebrew identity.Illuminating the intricate and often contradictory engagement of Hebrew scholars with Arabo-Islamic culture, Hebrew Orientalism informs contemporary discussions of postcolonialism and settler colonialism and enriches our understanding of the historical dynamics between Jews and Arabs in Palestine. Mostafa Hussein is assistant professor of Jewish-Muslim studies at the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan. He is the editor (with Brahim El Guabli) of Remembering Jews in Maghrebi and Middle Eastern Media. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine (Princeton UP, 2025) challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced Zionist aims.Drawing on a wealth of sources ranging from Arabic medieval chronicles, travel narratives, and poetry to modern Hebrew geography and botany texts, Mostafa Hussein provides a nuanced understanding of Hebrew orientalism by focusing on the practical activities of Hebrew writers, such as recuperating the Jewish past in the East, constructing Jewish indigeneity, consolidating Jewish ties to Palestine's landscape, enhancing understanding of the Hebrew Bible, reviving Hebrew language, and undertaking translation projects. Through the lens of a diverse group of Jewish intellectuals—ranging from Palestine-born Sephardi/Oriental and Ashkenazi Jews to Eastern European immigrants—he unveils the complex realities of cultural exchange and knowledge production, highlighting the dual role of these intellectuals in connecting with the East and promoting Zionist aspirations. Hussein offers fresh insights into the role of scholarly practices in advancing new perspectives on the region and its peoples and forging a modern Zionist Hebrew identity.Illuminating the intricate and often contradictory engagement of Hebrew scholars with Arabo-Islamic culture, Hebrew Orientalism informs contemporary discussions of postcolonialism and settler colonialism and enriches our understanding of the historical dynamics between Jews and Arabs in Palestine. Mostafa Hussein is assistant professor of Jewish-Muslim studies at the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan. He is the editor (with Brahim El Guabli) of Remembering Jews in Maghrebi and Middle Eastern Media. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here

Challenging Anzac: Stories that don't fit the legend Edited by Mia Martin Hobbs, Carolyn Holbrook, The Anzac legend has shaped Australia's national identity for more than a century. Yet many experiences of war do not fit comfortably within this. In Challenging Anzac, leading historians explore some of these stories: Aboriginal activists, deserters on the Western Front, veterans who took their own lives and soldiers who became radicalized by their service. They reveal how episodes in Australia's war history that unsettled the Anzac legend – from the relief of Tobruk, nuclear testing on Australian soil and feminist protests against war, to alleged atrocities in Afghanistan – have been elided or adapted to ‘fit' the legend. Edited by award-winning historians Mia Martin Hobbs, Carolyn Holbrook and Joan Beaumont, Challenging Anzac examines how the reality of warfare has always been at odds with mythic representation and considers why, despite this, the Anzac legend has survived. Mia Martin Hobbs is an oral historian of war and conflict, with a research focus on the Vietnam War, War on Terror, gender, peace, security and postwar reconciliation. Her first book, Return to Vietnam: An Oral History of American and Australian Veterans' Journeys, won the Oral History Australia Book Award in 2022 and was highly commended for the Memory Studies First Book Award in 2023. She has written widely on anti-war veteran activism, war crimes and the impact of the Anzac revival on Australian veterans' war memory. She is presently an ARC DECRA fellow at Deakin University. Carolyn Holbrook is a historian at Deakin University. Her latest books are Challenging Anzac: Stories that Don't Fit the Legend, co-edited with Mia Martin Hobbs and Joan Beaumont (2026), Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia, co-authored with James Walter (2026), and Gold Standard? Remembering the Hawke Government, co-edited with Frank Bongiorno and Joshua Black (2026). She is the director of the Australian Policy and History network and the Australian Health and History digital archive. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Challenging Anzac: Stories that don't fit the legend Edited by Mia Martin Hobbs, Carolyn Holbrook, The Anzac legend has shaped Australia's national identity for more than a century. Yet many experiences of war do not fit comfortably within this. In Challenging Anzac, leading historians explore some of these stories: Aboriginal activists, deserters on the Western Front, veterans who took their own lives and soldiers who became radicalized by their service. They reveal how episodes in Australia's war history that unsettled the Anzac legend – from the relief of Tobruk, nuclear testing on Australian soil and feminist protests against war, to alleged atrocities in Afghanistan – have been elided or adapted to ‘fit' the legend. Edited by award-winning historians Mia Martin Hobbs, Carolyn Holbrook and Joan Beaumont, Challenging Anzac examines how the reality of warfare has always been at odds with mythic representation and considers why, despite this, the Anzac legend has survived. Mia Martin Hobbs is an oral historian of war and conflict, with a research focus on the Vietnam War, War on Terror, gender, peace, security and postwar reconciliation. Her first book, Return to Vietnam: An Oral History of American and Australian Veterans' Journeys, won the Oral History Australia Book Award in 2022 and was highly commended for the Memory Studies First Book Award in 2023. She has written widely on anti-war veteran activism, war crimes and the impact of the Anzac revival on Australian veterans' war memory. She is presently an ARC DECRA fellow at Deakin University. Carolyn Holbrook is a historian at Deakin University. Her latest books are Challenging Anzac: Stories that Don't Fit the Legend, co-edited with Mia Martin Hobbs and Joan Beaumont (2026), Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia, co-authored with James Walter (2026), and Gold Standard? Remembering the Hawke Government, co-edited with Frank Bongiorno and Joshua Black (2026). She is the director of the Australian Policy and History network and the Australian Health and History digital archive. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Described by Voltaire as “perhaps a man of the most universal learning in Europe,” Gottfried Wilhelm Leibniz (1646–1716) is often portrayed as a rationalist and philosopher who was wholly detached from the worldly concerns of his fellow men. Leibniz in His World: The Making of a Savant (Princeton UP, 2026) provides a groundbreaking reassessment of Leibniz, telling the story of his trials and tribulations as an aspiring scientist and courtier navigating the learned and courtly circles of early modern Europe and the Republic of Letters.Drawing on extensive correspondence by Leibniz and many leading figures of the age, Audrey Borowski paints a nuanced portrait of Leibniz in the 1670s, during his “Paris sojourn” as a young diplomat and in Germany at the court of Duke Johann Friedrich of Hanover. She challenges the image of Leibniz as an isolated genius, revealing instead a man of multiple identities whose thought was shaped by a deep engagement with the social and intellectual milieus of his time. Borowski shows us Leibniz as he was known to his contemporaries, enabling us to rediscover him as an enigmatic young man who was complex and all too human.An exhilarating work of scholarship, Leibniz in His World demonstrates how this uncommon intellect, torn between his ideals and the necessity to work for absolutist states, struggled to make a name for himself during his formative years. Audrey Borowski is a Leverhulme Early Career Fellow and Isaac Newton Trust Fellow at the University of Cambridge working on the philosophy of AI. She received her PhD from the University of Oxford and is a regular contributor to The Times Literary Supplement and Aeon. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Described by Voltaire as “perhaps a man of the most universal learning in Europe,” Gottfried Wilhelm Leibniz (1646–1716) is often portrayed as a rationalist and philosopher who was wholly detached from the worldly concerns of his fellow men. Leibniz in His World: The Making of a Savant (Princeton UP, 2026) provides a groundbreaking reassessment of Leibniz, telling the story of his trials and tribulations as an aspiring scientist and courtier navigating the learned and courtly circles of early modern Europe and the Republic of Letters.Drawing on extensive correspondence by Leibniz and many leading figures of the age, Audrey Borowski paints a nuanced portrait of Leibniz in the 1670s, during his “Paris sojourn” as a young diplomat and in Germany at the court of Duke Johann Friedrich of Hanover. She challenges the image of Leibniz as an isolated genius, revealing instead a man of multiple identities whose thought was shaped by a deep engagement with the social and intellectual milieus of his time. Borowski shows us Leibniz as he was known to his contemporaries, enabling us to rediscover him as an enigmatic young man who was complex and all too human.An exhilarating work of scholarship, Leibniz in His World demonstrates how this uncommon intellect, torn between his ideals and the necessity to work for absolutist states, struggled to make a name for himself during his formative years. Audrey Borowski is a Leverhulme Early Career Fellow and Isaac Newton Trust Fellow at the University of Cambridge working on the philosophy of AI. She received her PhD from the University of Oxford and is a regular contributor to The Times Literary Supplement and Aeon. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Described by Voltaire as “perhaps a man of the most universal learning in Europe,” Gottfried Wilhelm Leibniz (1646–1716) is often portrayed as a rationalist and philosopher who was wholly detached from the worldly concerns of his fellow men. Leibniz in His World: The Making of a Savant (Princeton UP, 2026) provides a groundbreaking reassessment of Leibniz, telling the story of his trials and tribulations as an aspiring scientist and courtier navigating the learned and courtly circles of early modern Europe and the Republic of Letters.Drawing on extensive correspondence by Leibniz and many leading figures of the age, Audrey Borowski paints a nuanced portrait of Leibniz in the 1670s, during his “Paris sojourn” as a young diplomat and in Germany at the court of Duke Johann Friedrich of Hanover. She challenges the image of Leibniz as an isolated genius, revealing instead a man of multiple identities whose thought was shaped by a deep engagement with the social and intellectual milieus of his time. Borowski shows us Leibniz as he was known to his contemporaries, enabling us to rediscover him as an enigmatic young man who was complex and all too human.An exhilarating work of scholarship, Leibniz in His World demonstrates how this uncommon intellect, torn between his ideals and the necessity to work for absolutist states, struggled to make a name for himself during his formative years. Audrey Borowski is a Leverhulme Early Career Fellow and Isaac Newton Trust Fellow at the University of Cambridge working on the philosophy of AI. She received her PhD from the University of Oxford and is a regular contributor to The Times Literary Supplement and Aeon. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Revolutions: A New History (Verso Books, 2025) is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small. Revolutions is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Revolutions: A New History (Verso Books, 2025) is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small. Revolutions is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How might a twenty-first-century revolution against class society succeed? Communism comes from the future, but its hopes haunt our past. Reading revolutionary history from the Paris Commune to the George Floyd Uprising by the light of communist theory, from Marx to C. L. R. James, The Future of Revolution: Communist Prospects from the Paris Commune to the George Floyd Uprising (Verso Books, 2025) illuminates the possibilities for overcoming class society in the twenty-first century.When Marx wrote that the Paris Commune of 1871 showed that “the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes,” he identified a principle that will remain true as long as capitalism and its class antagonism persist. Historical revolutions reveal essential features of our communist horizon, which would-be revolutionaries, then as now, must negotiate one way or another. In chapters that move from a critical history of the workers' council to a reading of Marx's theory of value as an inverted description of communism, Jasper Bernes synthesizes from a history of failure the key criteria for success. He defines for our present moment the urgent mission of the world proletariat. Jasper Bernes lives in Oakland and teaches in the English Department at the University of California, Berkeley. A regular contributor to the Field Notes section of the Brooklyn Rail, he is the author of The Work of Art in the Age of Deindustrialization and two books of poetry, We Are Nothing and So Can You and Starsdown. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

By any measure, Julius Caesar is one of the most significant and famous figures in Roman history. Self-identified as a "popular" politician, he advocated for effective government to better the lives of average Romans,but believed such a government could not be based upon the existing democracy. Only through his personal authority and the massive organization he built to overthrow the government could the prosperity of all Rome's citizens be ensured. Through a careful analysis of the ancient sources, especially Caesar's own writings, David Potter offers us a stunning and original portrait of this great general and statesman. Master of Rome: A Life of Julius Caesar (Oxford UP, 2025) reveals Caesar as a highly organized manager with an extraordinary ability to adjust to circumstances while maintaining the ancient equivalent of a positive "media presence." After his death, Caesar's followers put forward a narrative of his life that made his rise to power seem inevitable, but Caesar's own writing tells us a different story—one of a detail-oriented general who demanded a high degree of accountability from his subordinates.A critical aspect of Caesar's philosophy of command was the need to find room for former enemies to serve in his organization. While this philosophy catapulted Caesar to great fame as a general during the wars in Gaul, when he attempted to put this method into effect in the wake of the civil war that established him as the master of Rome, it led to his brutal assassination in 44 BCE.Master of Rome tells the dramatic story of one of history's most intriguing figures, who rose from the fringes of Roman political society to unprecedented heights. Along the way, Potter identifies the extraordinary qualities that enabled Caesar to dominate the world in which he lived. David Potter is Francis W. Kelsey Collegiate Professor of Greek and Roman History and Arthur F. Thurnau Professor in the Department of Classical Studies at the University of Michigan. His previous books include The Origin of Empire: Rome from the Republic to Hadrian, Constantine the Emperor, The Victor's Crown: A History of Ancient Sport from Homer to Byzantium, and Theodora: Actress, Empress, Saint. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network