Podcast appearances and mentions of katy hamilton

Mendelssohn's Piano Trio No. 1 in D minor in Building a Library with Katy Hamilton.

Donald Macleod delves into the life of Luise Adolpha Le Beau Luise Adolpha Le Beau was a German composer, concert pianist, teacher and music critic. Although her music was performed as far afield as Calcutta and Sydney, her story is one of continual struggle for recognition and respect. Le Beau frequently met opposition to her works and to performance opportunities, Despite these set-backs, Le Beau forged her own path as a composer not only with works for her own instrument, the piano, but also with chamber music, opera, a symphony and many songs. She was determined to succeed, but after her death, without anyone to promote her works on her behalf, Le Beau soon fell into obscurity and was largely forgotten. This week, Donald Macleod is joined by guest Dr Katy Hamilton to shine a light on Le Beau's musicMusic Featured: Piano Concerto in D minor, Op 37 (excerpt) Fantasiestück, Op 1 No 1 (Drei Klavierstücke) Fünf Lieder, Op 7 (excerpt) Piano Concerto in D minor, Op 37 (Allegro maestoso) Piano Sonata, Op 8 (excerpt) Violin Sonata, Op 10 Mazurka, Op 57 No 3 (Drei Klavierstücke) Polonaise, Op 26 No 3 (Drei Stücke) Theme and Variations, Op 3 Fünf Lieder, Op 11 (excerpt) Piano Trio, Op 15 Concert Overture in F major, Op 23 Eight Preludes, Op 12 No 2 (Munter) Romance, Op 35 Vier Stücke, for cello and piano, Op 24 Fünf Lieder, Op 11 (excerpt) Improvisata for left hand, Op 30 Gavotte, Op 32 Piano Concerto in D minor, Op 37 (excerpt) Eight Preludes, Op 12 No 8 (Mit Grazie) Nachstück, Op 26 No 2 (Drei Stücke) Deutscher Regien, Klavierstück, Op 49 Piano Quartet, Op 28 Drei Lieder, Op 39 Symphony in F major, Op 41 (Allegro con fuoco) Gigue, Op 48 No 3 (Danze Antiche) Vater unser, Op 61 Symphony in F major, Op 41 (Adagio) Cello Sonata, Op 17 Barcarole, Op 59 Abendklänge, Op 63 Symphony in F major, Op 41 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Donald Macleod delves into the life of Luise Adolpha Le Beau (1850-1927) https://www.bbc.co.uk/programmes/m0025cflAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Katy Hamilton selects her favourite recording of Brahms' Symphony no.1 in C minor.

Katy Hamilton's ultimate recommendation for Schubert's Symphony no.9.

Katy Hamilton chooses her favourite recording of Dvořák's 'New World' Symphony

Host Dean Ryan welcomes Katy Hamilton to the show as she tells him how hard life is living on a boat with Fishermen in Alaska while defending her life choices. A Real Deal Peer Review takes place shortly after dissecting the interview . For More Visit RealDealMedia.TV --- Send in a voice message: https://podcasters.spotify.com/pod/show/realdealmedia/message Support this podcast: https://podcasters.spotify.com/pod/show/realdealmedia/support

Katy Hamilton with her pick of recordings of the last and greatest of Edvard Grieg's three violin sonatas, written when the composer was living in Troldhaugen in 1886-7.

Katy Hamilton surveys the key works and recordings of American composer Amy Beach and chooses her favourite. Born in 1867 in New Hampshire, Amy Beach became the first successful American female composer, and her 'Gaelic' Symphony was the first symphony to be composed by an American woman. Despite great success during her lifetime, Amy Beach's music was neglected after her death in 1944, but enjoyed a renaissance in the late 20th century.

Donald Macleod uncovers the story of a forgotten luminary of 19th century music Composer of the Week explores the remarkable life and music of Emilie Mayer, who was known in her lifetime as the Female Beethoven. Born in Germany, in 1812, Mayer is considered by some to be the most prolific female composer of the Romantic period. She was held in high regard by the musical establishment of her time and appointed co-director of the Opera Academy in Berlin. Royalty frequently attended Mayer's concerts and awarded her gold medals for her music and other artistic endeavours. In 1883 when Mayer died, she was buried in a place of honour, near to Felix and Fanny Mendelssohn. Donald Macleod is joined by Katy Hamilton throughout the week, to explore Mayer's life and the environment in which she flourished. Music Featured: Overture in C Piano Sonata in D minor (excerpt) Piano Quartet in E flat (Allegro) Symphony No 1 in C minor (Adagio – Allegro) Symphony No 2 in E minor (Un poco adagio – Allegro assai) String Quartet in G minor, Op 14 (Scherzo) Piano Concerto in B flat (excerpt) Symphony No 2 in E minor (excerpt) Tonwellen (Waltz) Symphony No 3 in C, “Military” (excerpt) String Quartet in G minor, Op 14 (Allegro appasionato) Symphony No 4 in B minor (excerpt) Symphony No 4 in B minor (Allegro appassionato) Piano Quartet in E flat major (Finale Allegro) Piano Trio in B minor, Op 16 (Scherzo) Symphony No 6 in E (excerpt) Piano Concerto in B flat (Allegro) Symphony No 6 in E (Adagio – Allegro con spirito) Notturno, Op 48 Overture to Faust, Op 46 Presented by Donald Macleod Produced by Luke Whitlock, for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Emilie Mayer (1812-1883) https://www.bbc.co.uk/programmes/m00120z9 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Music researcher and writer Katy Hamilton chooses her favourite recording of Liszt's Sonata in B minor. When Clara Schumann described Liszt's 1854 Piano Sonata in B minor as 'truly terrible' it reflected an influential school of 19th-century thought (Brahms fell asleep when he first heard it). But for Liszt himself it was his breakthrough piece which established him as a 'proper' composer, one for whom musically-driven formal organisation and inspired ingenuity were paramount, rather than a mere pianist whose music was generated by the need to demonstrate his transcendent technique. Posterity has sided with Liszt, not Clara – and so have successive generations of performers, reflected in a recorded legacy that is a veritable Who's Who of the great pianists of the last century and our own. Presented by Andrew McGregor.

On this episode, Katy Hamilton, Senior Editor at HarperOne, interviews Propaganda, author of TERRAFORM, available on June 8, 2021. Find show notes here: bit.ly/PropTERRAFORM Visit our website: librarylovefest.com. You can find us on Facebook (@librarylovefest), Twitter (@librarylovefest), and Instagram (@harperlibrary). We also have a voicemail! Give us a call at 212-207-7773.

Katy Hamilton picks her favourite recording of R Schumann's Piano Quintet in E flat major

Studies began life as an aid in the struggle to master the piano within the human limitations of two hands and ten fingers. But from being the bane of many a pianist's life and a means of selling more pianos, these arid technical exercises flowered into some of the greatest music written for piano from Chopin, though Debussy to György Ligeti. And in Conlon Nancarrow's studies for player piano, they even inspired the greatest set of keyboard works beyond any human ability. To find out how and why studies evolved to transcend their original function, Tom Service is joined by musicologist Katy Hamilton and talks to Pierre-Laurent Aimard who worked closely with Ligeti on his extraordinary series of studies, widely regarded as some of the greatest piano music of the 20th century. David Papp (producer)

Katy Hamilton recommends recordings of Beethoven's Piano Sonata No 29 in B flat, Op 106, 'Hammerklavier'

The classical music canon - who decides what's in and what's out? Can it and should it change? Bach, Beethoven, Brahms - widely regarded as permanent fixtures in the generally accepted canon. But what about the Chevalier de Saint-Georges, Louise Farrenc or Steve Reich? Tom Service looks at how and why certain composers and pieces of music became part of an established canon, and how things are changing over time, especially with the desire to see better representation of women and composers from more diverse backgrounds in the mix. With writer and historian Katy Hamilton and oboist and researcher Uchenna Ngwe.

Composer Mark-Anthony Turnage talks with writer and presenter Katy Hamilton about his new work for horn, Towards Alba, premiered by Richard Watkins (horn) and the Philharmonia Orchestra on 16 Jan 2020 at the Royal Festival Hall. Part of the Philharmonia Orchestra's 75th birthday celebrations - click for more information: www.philharmonia.co.uk/POat75

Katy Hamilton recommends recordings of Dvořák's Piano Trio no.4 in E minor "Dumky" Op.90

Katy Hamilton and Emily Woolf explore the history of women composers at Wigmore Hall. From the very beginning, works by women have been an integral part of concert programming at Wigmore Hall, and though trends and styles have shifted and changed through the years, there has never been a time when the creative voice of women was not given room on our stage. Musician, writer and presenter Katy Hamilton and the Hall’s Archivist Emily Woolf provide a fascinating overview of women composers at Wigmore Hall, tracing the story of their works in performance here throughout the 20th century and up to the present day.  This podcast is an original recording of an Archive Event held for Friends of Wigmore Hall earlier this year. As such, there are a series of images that are referred to throughout the talk, which are available for viewing in the slideshow below.

Katy Hamilton and Emily Woolf explore the history of women composers at Wigmore Hall. From the very beginning, works by women have been an integral part of concert programming at Wigmore Hall, and though trends and styles have shifted and changed through the years, there has never been a time when the creative voice of women was not given room on our stage. Musician, writer and presenter Katy Hamilton and the Hall’s Archivist Emily Woolf provide a fascinating overview of women composers at Wigmore Hall, tracing the story of their works in performance here throughout the 20th century and up to the present day.  This podcast is an original recording of an Archive Event held for Friends of Wigmore Hall earlier this year. As such, there are a series of images that are referred to throughout the talk, which are available for viewing in the slideshow below.

"The sociable side of nineteenth-century musical life is not acknowledged as often as it should be..." – Laura Tunbridge discusses the interconnected, complicated and often contradictory myths and realities that link Chopin, Schumann and Brahms; the TLS's music editor Lucy Dallas takes us through a selection of other pieces on music in this week's issue, including new histories of the blues and the poetic pop of Kate Bush and the Pet Shop Boys; when Irving Sandler wrote his seminal history of abstract expressionism, he neglected to mention Lee Krasner, Joan Mitchell, Helen Frankenthaler, Grace Hartigan and Elaine de Kooning – Jenni Quilter joins us to put these artists back in the frameNinth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler: Five painters and the movement that changed modern art, by Mary Gabriel Fryderyk Chopin: A life and times by Alan Walker Schumann: The faces and masks by Judith ChernaikBrahms in Context, edited by Natasha Loges and Katy Hamilton(with Liebeslieder Walzer, Opus 52, performed by the London Philharmonic Orchestra)Up Jumped the Devil: The real life of Robert Johnson by Bruce Conforth and Gayle Dean WardlowThe Original Blues: The emergence of the Blues in African American vaudeville, by Lynn Abbott and Doug SeroffOne Hundred Lyrics and a Poem by Neil TennantHow To Be Invisible by Kate Bush See acast.com/privacy for privacy and opt-out information.

Today, 'amateur' has become a byword for sloppiness and low standards. But for centuries amateurs were the bedrock of musical life and an essential and vitalising force for composers, providing not only a cohort of highly-accomplished performers and the most discerning audience but also a lucrative vein to be mined by music publishers. To find out how and why attitudes changed - and if they are still changing - Tom Service is joined by writer and historian Katy Hamilton. David Papp (producer)

Katy Hamilton recommends recordings of Brahms's Cello Sonata No.1 in E minor

What is a key? In western music, if all the intervals and possible chords in every scale in any major key are the same (and ditto for every scale and chord in every minor key), why do we need 12 major keys and 12 minor ones? What have keys meant to composers down the centuries and has that changed? Are keys now so last-century (or even before that)? What even is a key? Why is the Pythagorean Comma important and what even is it? So many questions... To attempt some answers, Tom Service enlists the help of harpsichord maker and tuner Andrew Wooderson, harpsichord player Masumi Yamamoto and musicologist Katy Hamilton. David Papp (producer)

Katy Hamilton talks to Principal Guest Conductor Santtu-Matias Rouvali and Pianist Alice Sara Ott ahead of the Sibelius & Ravel concert at the Royal Festival Hall in London on 24 January 2019.

Appointed Dame Commander of the British Empire in 2017, Dame Sarah Connolly has maintained a standard of excellence in the opera house as in concert and recital halls. With a repertoire ranging from the Baroque masters through bel canto, Wagner and Elgar to new works, she continues to explore a wide variety of music with dedication and unique interpretative skills.

Katy Hamilton opens the Philharmonia Orchestra's 2018/19 Royal Festival Hall season with an Insights Talk on Esa-Pekka Salonen's concert programme of Wagner, Schoenberg and Bruckner.

Katy Hamilton chooses the best recording of Brahms' String Quartet No.3 in B flat major.

Katy Hamilton recommends a recording of Brahms's String Sextet No.1, composed in 1860.

Katy Hamilton recommends a recording from the available versions.

Katy Hamilton recommends a recording of Brahms's Cello Sonata No.2, Op.99