Podcasts about Piano concerto

Neil Diamond is one of the best-selling singer-songwriters of all time.  In August 1972 he performed a series of 10 sold-out shows at the Greek Theatre in Los Angeles.  Recordings from this concert would be released as a live double-album entitled Hot August Night later that year in December.  Neil Diamond was born in Brooklyn, New York, the child of a Jewish family.  At the age of 16 he was inspired by seeing folk singer Pete Seeger perform at a camp for Jewish children in upstate New York, and received his first guitar shortly thereafter.  This would set the direction of Diamond's career, starting with both taking guitar lessons and writing songs.  After some time barely scraping by as a songwriter, Diamond began to find some success by the mid-60's, most prominently with several songs for The Monkees, including the big hit, "I'm A Believer."  Diamond moved to Los Angeles in 1969, where he recorded some of his bigger solo hits, including the iconic "Sweet Caroline."Many consider "Hot August Night" to be Neil Diamond's best work, capturing the artist at his prime and at the top of his game.  It went to number 5 on the Billboard 200 album chart, and was number 12 for the 1973 year-end chart.  It was number 1 in Australia for 29 weeks in 1973 and 1974, and remains one of the highest selling albums in that country. Neil Diamond retired from touring in 2018 toward the end of his "50 Year Anniversary World Tour" after being diagnosed with Parkinson's disease.  However, Diamond did not retire from music, and continued writing and developing new projects.Wayne brings us this soft rock singer-songwriter live album for this week's podcast. Kentucky WomanThis song is a bonus track on the CD, and many will recognize this song from the remake performed by Deep Purple.  It was written in 1967 and went to number 22 on the charts after its release.  It appeared on the compilation album, "Neil Diamond's Greatest Hits" released in 1968 on Bang records after Diamond left that label.Cherry CherryThe inspiration for this song was an early relationship with a significantly older woman.  This was Diamond's first hit, reaching number 6 on the Billboard Hot 100.  The most familiar studio version of this song was released in mid 1966 on Bang records, and was the final track on Diamond's debut studio album, "The Feel of Neil Diamond."Song Sung BlueThis song was originally released on Diamond's eighth studio album, "Moods."  It was his second number 1 song in the United States, and his last solo #1 song in America to date.  The musical inspiration for the song is Mozart's Piano Concerto #21, second movement.  The lyrics reflect on the power of music to heal when a sad mood is poured into a song. Cracklin' RosieOriginally released in 1970, this song topped the charts and sold over 1 million copies.  The studio version appeared on "Tap Root Manuscript," Diamond's sixth studio album, and was recorded with instrumentation provided by session musicians from the Wrecking Crew. While the lyrics suggest that Rosie is a prostitute, there are tales that it actually refers to a cheap sparkling wine from Canada called "Crackling Rosè."  ENTERTAINMENT TRACK:Theme from the animated series "Josie and the Pussycats"The animated series "Josie and the Pussycats" and "Josie and the Pussycats in Outer Space" concluded its run this month. STAFF PICKS:Ventura Highway by AmericaRob leads off the staff picks with a song inspired by a drive that vocalist and writer Dewey Bunnell took in 1963 on the Pacific Coast.  While his father was changing a flat tire, he and his brother stood on the side of the road near a road sign for Ventura, watching shapes in the clouds, inspiring the lyrics "alligator lizards in the air."Superstition by Stevie WonderLynch brings us the lead single from Wonder's fifteenth studio album "Talking Book."  It's lyrics mention many popular superstitions and their negative consequences.  Stevie Wonder collaborated with Jeff Beck on the demo for this song, and Beck would include his version of "Superstition" on his "Beck, Bogert & Appice" album.Rockin' Pneumonia and the Boogie Woogie Flu by Johnny RiversBruce features the song originally recorded in 1957 by Huey "Piano" Smith.  The original version went to number 52 on the pop charts, but the version we all know went to number 6 on the Billboard Hot 100.  Rivers was a member of the Wrecking Crew, and several musicians from that session group played on this single. It Never Rains in Southern California by Albert HammondWayne's closes out the staff picks with a storytelling song about a performer off to make it big.  He fails in his efforts, but wants to hide the failure from those he left behind.  Members of the Wrecking Crew also provide instrumentation on this song that went to number 5 on the Billboard Hot 100. NOVELTY TRACK:Crazy Horses by The OsmondsThis surprisingly heavy performance from the Osmonds takes us out for this week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This episode of The Other Side of the Bell, featuring women's trumpet trailblazer, founder of the International Women's Brass Conference, and 40-year First Trumpet of the St. Louis Symphony Orchestra, Susan Slaughter, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Susan Slaughter trumpet interview"   About Susan Slaughter:   Born in McCordsville, IN, Susan Slaughter started playing trumpet at the age of 10. Graduating from Indiana University with a coveted performer's certificate, Susan auditioned for and won the Principal Trumpet position in 1967 with the Toledo, Ohio Symphony.   Susan then joined the Saint Louis Symphony Orchestra in l969 and four years later became the first woman ever to be named Principal Trumpet of a major symphony orchestra.   In 1992, Susan founded the International Women's Brass Conference, an organization dedicated to provide opportunities and recognition for women brass musicians. As a fund-raising effort to support the International Women's Brass Conference, Ms. Slaughter organized and produced the very popular Holiday Brass Concerts, which are now in their second decade, and are performed each December in the Cathedral Basilica of Saint Louis. Other cities in the United States are holding their own Holiday Brass Concerts to help support the ever-growing International Women's Brass Conference.   In 1996, Ms. Slaughter founded Monarch Brass, an all women's brass ensemble, which has toured in the United States and Europe to critical acclaim.   Susan appears regularly in area recitals and religious programs, and has been a frequent soloist with the Saint Louis Symphony Orchestra, as well as with several other ensembles throughout the country. Her work is represented on a number of Saint Louis Symphony releases, including the highly acclaimed recordings of Mahler's Symphony No. 2, Prokofiev's Symphony No. 5, Gershwin's Piano Concerto in F, Mussorgsky's Pictures at an Exhibition, Barber's Capricorn Concerto, and most recently, John Adams' Doctor Atomic. Many of these and other recordings have been nominated for or won Grammy Awards. Susan has performed with Wynton Marsalis, Kathleen Battle, Christine Brewer, Doc Severinsen, Al Hirt in duets, amongst others.   She has served on the faculty of the Grand Teton Orchestra Seminar and the National Orchestra Institute, and has been lecture/recitalist at the International Trumpet Guild, while also serving on its board of directors.   Since the 1980's, Susan has performed the National Anthem and “God Bless America” on an annual basis for the St. Louis Cardinals Baseball Club and, at the invitation of the Baseball Commissioner Fay Vincent, performed the National Anthem at Game 3 of the 1991 World Series, played in Atlanta between the Braves and Twins (link).   Some of the awards and recognition Susan has received over the years include nomination by Ladies Home Journal for its annual Woman of the Year award, a special Leadership Award in the Arts from the Young Women's Christian Association, the American Federation of Musicians, Local 2-197 Owen Miller Award for loyalty, dedication and fairness in actions and deeds, and the 2007 Arts and Education Council Award for Excellence in the Arts.   Susan has studied over the years with Herbert Mueller, Bernard Adelstein, Arnold Jacobs, Robert Nagel, Claude Gordon and Laurie Frink, and retired as Principal Trumpet from the Saint Louis Symphony on September 1, 2010.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Holiday Brass Los Angeles Brass Alliance website https://www.instagram.com/losangelesbrassalliance/  International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam Greg Wing, Reflections on a Grateful Journey, available on Apple Music   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - Susan Slaughter Audio Engineer - Ted Cragg

ReferencesJ Neurochem.2009 May 31;110(4):1191–1202Front Neurol. 2020 May 21;11:437Guerra, DJ.2025. Unpublished LecturesHaggard, M. 1969. "Okie from Muskogee"https://music.youtube.com/watch?v=3dM03dG3zv4&si=UfnsqRfLxs8TBGAOLewis, N. 1928."Big Railroad Blues" performed by Grateful Dead.https://music.youtube.com/watch?v=ieNCBfHaZkw&si=gRCMUkyJkI6VcMaZSchumann. R 1845. Piano Concerto in A Minor. OP 54. KB artisthttps://youtu.be/CPzOlOSeha8

Ahead of the world premiere of his Piano Concerto at New Music Dublin Paul Herriott chats with composer Ed Bennett

In this week's episode, we sit down with pianist Maria Parrini to talk about her winning the Butler Piano Concerto competition and her upcoming performance of Beethoven's 4th Piano Concerto with the University of Texas Symphony Orchestra.

DescriptionLiszt's Dazzling Masterpiece: The 20-Year Journey of His First Piano Concerto in 60 Seconds. Take a minute to get the scoop!Fun FactLiszt's Piano Concerto No. 1 took over 20 years to complete, blending dazzling piano virtuosity with bold orchestration. Premiered in 1855 with Berlioz conducting, it featured dramatic runs and an unusual triangle part. Initially criticized, it later became a beloved staple of the Romantic piano repertoire.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Donald Macleod dives into the life and music of Maurice RavelMusic featured: Jeux d'eau Shéhérazade (No 3, L'indifférent) Valses Nobles et Sentimentales Miroirs (No 5, La Vallée des Cloches) Une Barque sur L'océan Alborada del Gracioso Allegretto (incidental music for ‘Antar') Rapsodie Espagnole (No 3, Habanera & No 4, Feria) Gaspard de la Nuit (No 2 Le gibet) Daphnis et Chloé, Part 2 Ma Mère l'Oye Le Tombeau de Couperin (No 1, Prélude) Trois Chansons Le Tombeau de Couperin (excerpt) La Valse Sonata for violin & cello (1st & 2nd mvts) A la manière de Borodine Tzigane Trois chansons madécasses (No 1, Nahandove & No 2, Aoua! Aoua!) Piano Concerto in G major (2nd & 3rd mvts) BoléroPresented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Maurice Ravel (1875-1937) https://www.bbc.co.uk/programmes/m00288rx And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This Day in Legal History: Bloody SundayOn March 7, 1965, a pivotal moment in the civil rights movement unfolded in Selma, Alabama. A group of 525 peaceful demonstrators, led by activists like John Lewis and Hosea Williams, began a march to Montgomery to demand voting rights for Black Americans. As they crossed the Edmund Pettus Bridge, they were met by Alabama state troopers and local law enforcement, who brutally attacked them with billy clubs and tear gas. The violent crackdown, later known as "Bloody Sunday," left at least 65 people injured and shocked the nation. Television broadcasts of the assault galvanized public support for civil rights, prompting federal intervention. After securing court protection, a second attempt on March 9, led by Martin Luther King Jr., was turned around peacefully to avoid further violence. Finally, under federal protection, thousands of marchers resumed the journey on March 21, arriving in Montgomery on March 25 with 25,000 people. The march directly contributed to the passage of the Voting Rights Act of 1965, which outlawed discriminatory voting practices. "Bloody Sunday" remains a defining moment in the struggle for racial justice in America, symbolizing both the brutality of oppression and the power of collective resistance.President Donald Trump issued an executive order targeting Perkins Coie LLP, citing the firm's role in commissioning the Steele dossier during the 2016 election and its diversity hiring practices. The order suspends security clearances for Perkins Coie employees and directs federal agencies to review and potentially terminate contracts with the firm and its business partners. It also instructs the Equal Employment Opportunity Commission (EEOC) and the Justice Department to investigate racial discrimination policies at major law firms, referencing Perkins Coie's past use of racial hiring quotas. The directive extends to restricting Perkins Coie employees from entering federal buildings and limiting their engagement with government officials.Trump's move comes after similar actions against Covington & Burling for its representation of former special counsel Jack Smith. The executive order frames Perkins Coie as a national security risk, linking its past election law litigation to alleged threats against democratic integrity. It also mandates that federal contractors disclose business ties to the firm, aiming to cut off government funds to entities associated with it. The order's broader scope signals heightened scrutiny of “Big Law” firms, especially those engaged in diversity, equity, and inclusion (DEI) initiatives. Trump's administration has pushed back against race-conscious hiring practices, aligning the order with prior efforts to dismantle DEI policies in education and employment.Perkins Coie, a longtime legal adviser to Democrats, denounced the order as unlawful and vowed to challenge it. The firm has been at the center of Republican criticism over election-related litigation and its former attorneys' ties to Democratic campaigns. The administration's focus on law firms suggests a broader effort to reshape the legal industry's relationship with the federal government.Trump Targets Law Firms Over Steele Dossier, Diversity Moves (1)A federal judge reinstated Gwynne Wilcox to the National Labor Relations Board (NLRB), ruling that former President Donald Trump lacked the authority to fire her. Judge Beryl Howell of the U.S. District Court for the District of Columbia found Trump's dismissal of Wilcox violated legal protections for independent agency members, emphasizing that the president's removal powers are not absolute. Howell's decision strongly reaffirmed Humphrey's Executor v. United States(1935), which upheld restrictions on presidential firings of independent agency officials.The ruling restores the NLRB's quorum, allowing it to issue decisions again, but the Trump administration immediately appealed, seeking to block Wilcox's return. Howell's opinion included a sharp rebuke of Trump's attempts to assert unchecked presidential authority, stating, “An American President is not a king.” She pointed to longstanding legal precedent that limits the president's power to remove officials from multi-member independent agencies, dating back to the Interstate Commerce Commission's creation in 1887.Trump's legal team argued that Wilcox's firing was justified under the Supreme Court's 2020 Seila Law v. CFPB decision, which expanded presidential removal power over single-agency heads. However, Howell rejected this claim, noting that NLRB members' powers resemble those of the Federal Trade Commission members protected under Humphrey's Executor. The ruling marks the third time a court has reversed Trump's firings of agency officials, signaling a broader legal battle over executive authority that may reach the Supreme Court. Wilcox's attorney praised the decision as a victory for the independence of federal agencies, while the Justice Department has not yet commented.Fired NLRB Member Reinstated in Decision Nixing Trump Move (4)A coalition of 20 Democrat-led states, led by New York Attorney General Letitia James, has sued the Trump administration over mass firings of federal workers. Filed in a Maryland federal court, the lawsuit argues that President Donald Trump illegally dismissed tens of thousands of employees without proper notice or justification. The states seek to reinstate the workers and block further terminations.Trump's efforts to shrink the federal workforce have already faced legal pushback. A judge recently reinstated a National Labor Relations Board member fired by Trump, and another court temporarily halted the administration's directive to fire new hires en masse. Additionally, a federal workforce board reinstated thousands of employees at the U.S. Department of Agriculture.Trump and Tesla CEO Elon Musk have framed the firings as part of a campaign to eliminate government inefficiency and waste. However, critics, including the states in this lawsuit, argue that the dismissals violate labor laws and undermine public service. The case adds to mounting legal challenges against Trump's sweeping efforts to reshape the federal bureaucracy.Democrat-led states join legal fight over Trump's mass firings of federal workers | ReutersThe Trump administration is planning to shut down nearly a dozen U.S. diplomatic missions, primarily in Western Europe, as part of a broader effort to reduce government spending and reshape foreign policy. The State Department is also considering merging several Washington-based expert bureaus focused on human rights, refugees, and global criminal justice. Additionally, U.S. embassies worldwide have been instructed to cut at least 10% of their American and locally employed staff.The proposed closures include consulates in Germany, France, Italy, Brazil, and Portugal, though officials say some locations may be spared. The administration argues these cuts align with Trump's “America First” agenda and his campaign promise to reduce the so-called "deep state." Critics warn that reducing the U.S. diplomatic presence, along with cuts to the U.S. Agency for International Development (USAID), could weaken American global influence and create openings for adversaries like China and Russia.Congress has been notified of the plan to close the U.S. consulate in Gaziantep, Turkey, a key hub for Syrian humanitarian aid. In Washington, dozens of State Department contractors have been terminated, including those handling Afghan refugee resettlement. Diplomats working on Asian affairs have been asked to justify their missions' alignment with Trump's policies. The administration's deep cuts to foreign aid and staffing have already resulted in thousands of USAID workers being laid off and billions in humanitarian aid being eliminated.Trump administration weighs closure of nearly a dozen diplomatic missions abroad | ReutersThis week's closing theme is by Maurice Ravel.Our theme is Piano Concerto in G - I. Allegramente by Maurice Ravel, a composer known for his shimmering orchestration and masterful blend of classical form with modern harmonies. Born on March 7, 1875, Ravel was a key figure in early 20th-century music, often associated with Impressionism, though he resisted the label. His Piano Concerto in G, composed between 1929 and 1931, reflects his fascination with jazz, which he encountered during a trip to the United States. The first movement, Allegramente, is bright and rhythmic, opening with a whip-crack that sets the tone for its energy and playfulness. Ravel weaves in blues-inspired harmonies, rapid piano flourishes, and sparkling orchestral textures, creating a piece that feels both spontaneous and carefully crafted. Despite its liveliness, the movement is meticulously structured, showcasing Ravel's precision and attention to detail. The concerto as a whole balances virtuosic brilliance with lyricism, particularly in the dreamy second movement. Ravel himself admitted he aimed for a work that was “light and brilliant,” rather than deep or profound. Yet, in its elegance and wit, the concerto captures the vibrancy of early 20th-century musical innovation. As the spirited Allegramente unfolds, it serves as a fitting farewell to the week—playful, energetic, and bursting with color.Without further ado, Piano Concerto in G - I. Allegramente by Maurice Ravel. Enjoy! This is a public episode. 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Send us a textFeeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the Episode 6 of the Fifth Series in the Relaxing Piano Playlist! In this episode, I perform for you music by Clementi, Paderewski, Respighi, Bortkiewicz, Liszt and Mvt 2 of Ravel's Piano Concerto in G.

We would love to hear from you, wherever you are!https://podcast.feedspot.com/classical_music_podcasts/https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

ReferencesMol Cell Biol . 2002 Nov;22(22):7758–7768.Front Immunol. 2023; 14: 1151166. Guerra, DJ.2025. Unpublished lecturesBlood . 2017 Nov 30;130(22):2401-2409Blood.2021. 138, Issue 13, Pages 1120-1136Case Reports Immunol. 2020 Aug 26:8841571.Roy Rogers & Dale Evans 1952. "Happy Trails"https://music.youtube.com/watch?v=oG_fSoYFWLA&si=3iDBktoWNVX5LIsdCrew and Guidio.1967. "Cant Take my Eyes Off of You"https://music.youtube.com/watch?v=J36z7AnhvOM&si=M4co5ohwtNGbxV1fPreitti, Creatore and Weiss 1961"Cant Help Falling in Love with You". Elvishttps://music.youtube.com/watch?v=TlrNxJqODBc&si=59b1Bu5zBuW1cNjwMozart, WA. 1785. Piano Concerto #22.in EMajor. K482https://music.youtube.com/watch?v=OWFM3K8jOco&si=A6UiMJ4rmWCYyP3t.

Donald Macleod explores the early years in Benjamin Britten's creative storyBenjamin Britten was one of the most influential British composers of the 20th century, with celebrated works such as 'Peter Grimes', 'Friday Afternoons' or 'A Simple Symphony'. Music infused his very first moments in life and he started to develop his musical instincts from a very early age. Many of his future masterpieces can be traced back to the inspiration of his youth. This week, Donald Macleod explores these crucial early years in Britten's creative story, from his birth under the star of St Cecilia to his departure for America at 25 years old.Music featured:Hymn to St Cecilia, Op 27 Four Sea Interludes, Op 33a (from 'Peter Grimes') A Charm of Lullabies, Op 41 (arr for voice and orchestra by Colin Matthews) Five Waltzes Beware! Three Early Songs (No 1, 'Beware') On This Island, Op 11 (No 3, 'Seascape') Psalm 150, Op 67 Quatre chansons françaises Suite for harp in C major, Op 83 A Hymn to the Virgin A Walden Trio: Christmas Song of the Women The Birds Twelve Variations on a Theme, for piano Three Divertimenti for String Quartet (2nd mvt) Sinfonietta, Op 1 (1st mvt) Phantasy, Op 2, for oboe, violin, viola and violoncello (1st & 2nd mvt) Holiday Diary, Op 5 A Boy Was Born, Op 3 (Variation I, 'Lullay, Jesu') Simple Symphony, Op 4 Mont Juic (co-composed with Lennox Berkeley) (4th mvt) Friday Afternoons (excerpts) Suite for Violin and Piano, Op 6 (3rd & 4th mvts) Train Sequence, from 'The King's Stamp' Percussion Sequence, from 'Night Mail' (text by W.H. Auden) Love Music, from 'Love from a Stranger' Russian Funeral Soirées musicales, Op 9 Lullaby for a retired colonel' A Midsummer Night's Dream, Op 64 (excerpt) Variations on a Theme of Frank Bridge, Op 10 The Company of Heaven ( Part 3, No 7, ‘A Thousand, Thousand Gleaming Fires') Piano Concerto, Op 13 (1st mvt) Les Illuminations, Op 18 (on poems by Arthur Rimbaud)Presented by Donald Macleod Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Benjamin Britten (1913-1976) https://www.bbc.co.uk/programmes/m0027tjp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Episode Notes S6E5 -- Join us as we dive into the mind of Radio City Music Halls first ever African American Rockett.. Jennifer Jones will be in the house telling her tales of how she was able to breakthrough the color barrier to become the first African American Rockett in its 62 year history.. Jennifer Jones (born August 1, 1967) is an American dancer and actress. In 1987, she became the first African American Radio City Music Hall Rockette. Jones was born on August 1, 1967, in Newark, New Jersey and was raised in Randolph, where she attended Randolph High School and County College of Morris. CHECK OUT Ben & Jeff's newest animation and past LIVE episodes at https://redcoraluniverse.com/the-misadventures-of-tobi-duke1 HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ https://homebase.org/programs/get-care/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ https://www.refreshrecoverycenters.com/reclaim-your-life... https://www.veteranscrisisline.net/ / https://drughelpline.org/ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.comedcoraluniverse.com/en/ NEWS FLASH: You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars Follow our guest https://en.wikipedia.org/wiki/Jennifer_Jones_(Rockette) https://www.instagram.com/rockettejenn/ https://rockettejenn.com/ Toking with the Dead: https://www.stilltoking.com/ https://www.facebook.com/TokingwiththeDead?tn=-]C-R https://www.instagram.com/stilltokingwith/?hl=en https://twitter.com/thetoking?lang=en https:/ /pinecast.com/feed/still-toking-with Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with Our booking agent: https:// www.facebook.com/AmyMakepeace https://www.facebook.com/groups/3770117099673924 Sponsorship Opportunities: https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/ TheDorkening Youtube.com/ TheDorkening Twitter.com/ MORE ABOUT THE GUEST: Jones' national debut with the RCMH Rockettes was on Sunday, January 31, 1988 during the National Football League Super Bowl XXII halftime show at Jack Murphy Stadium in San Diego, in a game between the Washington Redskins and the Denver Broncos. Produced by Radio City Music Hall, the theme was "Something Grand", and was intended to break from the "traditional baton-twirling approach" of past halftime shows, as explained by Barnett Lipton, Radio City Music Hall's special events coordinator.[11] He added that the theme was a spinoff of the year 1988. “We've come up with a show that's all 88 – 88 pianos, each with 88 keys, and the 88 greatest legs in show business.” The 12-minute spectacle showcased 1,200 performers, which included 44 Rockettes, 400 swing band members, 300 Jazzercisers, 88 tuxedoed pianists simultaneously playing on 88 Kimball grand pianos, and two college marching bands (San Diego State and USC).R&B singer Chubby Checker sang his hit song, The Twist. The pianists performed an adapted version of Edvard Grieg's Piano Concerto in A minor, Op. 16, accompanied by the Radio City Music Hall Rockettes. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/8e2a9b11-7d9a-4926-bf09-979704453a82

Gerardo Edelstein, Music Director & Conductor of the Williamsport Symphony Orchestra, speaking about a concert titled, "Marvels of Majesty," on Tuesday, February 11, 2025, at 7:30 pm, at the Community Arts Center, 220 West Fourth Street in Williamsport. Featured works: Piano Concerto in G by Ravel & Symphony No. 7 by Bruckner. For information: www.williamsportsymphony.org/ or CACLive.com/

"Dance Talk” ® with Joanne Carey and special guest Skylar Brandt.  In this episode of "Dance Talk” ® , host Joanne Carey interviews Skylar Brandt, a principal dancer with the American Ballet Theatre. They discuss Skylar's journey from childhood dance classes to becoming a professional dancer, the importance of private coaching, and the emotional connection required in performance. Skylar shares insights into her preparation for roles, the dynamics of partnering, and her experiences as a principal dancer. The conversation also touches on her advocacy for causes close to her heart, her love for teaching, and her upcoming performances.  Skylar Brandt was born in Purchase, New York and began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Bach Partita, The Brahms-Haydn Variations, Company B, Gong, In the Upper Room, Piano Concerto #1, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.  Skylar Brandt Website  ⁠https://www.skylarbrandt.com/ ⁠ Follow Skylar on Instagram ⁠ ⁠ ⁠@skylarbrandtballet ⁠  American Ballet Theatre Upcoming Performances  ⁠https://www.abt.org/performances/abt-on-tour/⁠  “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ ⁠ Follow Joanne on Instagram @westfieldschoolofdance  Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Celebrating Mozart's 269th birthday with historical recordings including: Rondo In D Major by Walter Gieseking, Sring Quartet 21 by the Budapest String Quartet, Der Schauspieldirektor Overture by Eric Leinsdorf and Piano Concerto 19 by Clara Haskil. 

References Discov. Immunol. 2024 Nov 19;3(1):kyae016. Cell Reports 2015. 13, Issue 1p132-144October 06. Guerra, DJ. 2025. Biochemistry Lecture Notes, unpublished Rachmaninoff, S. 1900. Piano Concerto 2 in C minor. op.18.Khatia. https://www.youtube.com/watch?v=tSvq_GnGfTI&t=761s Kirwan, Danny 1971. "Woman of a Thousand Years" on Future Games lp. https://youtu.be/DQYHFWGXeDk?si=sYVGCrCvilagi5rt

Ferruccio Busoni (1866 - 1924) - Piano Concerto in Do maggiore, Op. 39Prologo e Introito: Allegro, dolce e solennePezzo giocosoPezzo serioso:Introductio: Andante sostenuto·         Prima pars: Andante, quasi adagio·         Altera pars: Sommessamente·         Ultima pars: a tempo  5. All'Italiana: Tarantella: Vivace; In un tempo  6. Cantico: Largamente (con coro)Marc-André Hamelin, pianoforteLahden Kaupunginorkesteri Osmo Vänskä, direttore

The La Jolla Symphony & Chorus presents "This Soil," conducted by Arian Khaefi. The program features a stunning array of works, including Kristen Kuster's Moxie, Samuel Barber's Knoxville, Summer of 1915, Gabriela Lena Frank's Escaramuza, Gala Flagello's Bravado, Florence Price's Piano Concerto in One Movement, and Leonard Bernstein's “Symphonic Dances” from West Side Story. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39112]

The La Jolla Symphony & Chorus presents "This Soil," conducted by Arian Khaefi. The program features a stunning array of works, including Kristen Kuster's Moxie, Samuel Barber's Knoxville, Summer of 1915, Gabriela Lena Frank's Escaramuza, Gala Flagello's Bravado, Florence Price's Piano Concerto in One Movement, and Leonard Bernstein's “Symphonic Dances” from West Side Story. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39112]

Joanna MacGregor chooses her favourite version of Beethoven's 1st Piano Concerto.

Donald Macleod delves into the life of Luise Adolpha Le Beau Luise Adolpha Le Beau was a German composer, concert pianist, teacher and music critic. Although her music was performed as far afield as Calcutta and Sydney, her story is one of continual struggle for recognition and respect. Le Beau frequently met opposition to her works and to performance opportunities, Despite these set-backs, Le Beau forged her own path as a composer not only with works for her own instrument, the piano, but also with chamber music, opera, a symphony and many songs. She was determined to succeed, but after her death, without anyone to promote her works on her behalf, Le Beau soon fell into obscurity and was largely forgotten. This week, Donald Macleod is joined by guest Dr Katy Hamilton to shine a light on Le Beau's musicMusic Featured: Piano Concerto in D minor, Op 37 (excerpt) Fantasiestück, Op 1 No 1 (Drei Klavierstücke) Fünf Lieder, Op 7 (excerpt) Piano Concerto in D minor, Op 37 (Allegro maestoso) Piano Sonata, Op 8 (excerpt) Violin Sonata, Op 10 Mazurka, Op 57 No 3 (Drei Klavierstücke) Polonaise, Op 26 No 3 (Drei Stücke) Theme and Variations, Op 3 Fünf Lieder, Op 11 (excerpt) Piano Trio, Op 15 Concert Overture in F major, Op 23 Eight Preludes, Op 12 No 2 (Munter) Romance, Op 35 Vier Stücke, for cello and piano, Op 24 Fünf Lieder, Op 11 (excerpt) Improvisata for left hand, Op 30 Gavotte, Op 32 Piano Concerto in D minor, Op 37 (excerpt) Eight Preludes, Op 12 No 8 (Mit Grazie) Nachstück, Op 26 No 2 (Drei Stücke) Deutscher Regien, Klavierstück, Op 49 Piano Quartet, Op 28 Drei Lieder, Op 39 Symphony in F major, Op 41 (Allegro con fuoco) Gigue, Op 48 No 3 (Danze Antiche) Vater unser, Op 61 Symphony in F major, Op 41 (Adagio) Cello Sonata, Op 17 Barcarole, Op 59 Abendklänge, Op 63 Symphony in F major, Op 41 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Donald Macleod delves into the life of Luise Adolpha Le Beau (1850-1927) https://www.bbc.co.uk/programmes/m0025cflAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Moszkowski's Piano Concerto has enjoyed considerable revival on disc. On this episode, Jed Distler explores the work's recorded discography. Here's a link to the slow movement: https://www.youtube.com/watch?v=4iXawr9iVjY

Edvard Grieg - Piano Concerto: 3rd movementJeno Jando, piano Budapest Symphony Orchestra Andras Ligeti, conductorMore info about today's track: Naxos 8.550118Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Robert Schumann - Piano Concerto in A Minor: I. AllegroJeno Jando, piano Budapest Symphony Orchestra Andras Ligeti, conductorMore info about today's track: Naxos 8.556662Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Send us a textFor more information on Jeff Nations visit: www.jeffnations.netBorn in Kyoto Japan and raised in North Carolina, pianist Jeff Nations began studying at the age of eight and playing professionally by the age of sixteen, performing in local establishments in his hometown of Raleigh, North Carolina.Actively competing by the age of twelve, he was the recipient of numerous awards, and by age 17 was the first prize winner in the Young Artist Competition held by the Raleigh Piano Teachers' Association. The next year he took first prize in the Concerto Division of the same competition, performing the final movement of Mendelssohn's Piano Concerto in G minor.He was a finalist in the Sanford Scholarship Competition to attend The North Carolina School of the Arts, where his teachers were Marian Hahn and Robert McDonald. While attending NCSA, Mr. Nations was a member of the ONYX Contemporary Ensemble, under which he premiered his own work "Night Fantasy" for solo piano (not to be confused with the work by Elliot Carter of the same title).Upon graduating from NCSA with the prestigious Irwin Freundlich Award in Piano, he was offered a scholarship to study with pianist David Bradshaw in New York City.He has performed in various cities throughout the U.S., including New York, Philadelphia, Washington D.C., San Antonio, as well as throughout North Carolina and Ohio. His Philadelphia performances include recitals at The Church of Saint Luke and the Epiphany, The Ethical Society of Philadelphia, The Fleischer Art Memorial, Jacob's Music, and The Karin Fuller Capanna Memorial Concert at the Settlement Music School.A classical artist who is accomplished in a variety of musical genres including popular idioms, musical theater, and gospel, he has consistently endeavored to break through barriers that have often stood between the classical musician and the public. From 1995 to 1998 he was a regular pianist for The Philadelphia Gospel Seminars Choir and the Villanova Gospel Choir.Recognized for his performances of works by American composers, he has collaborated extensively with Soprano Diana Barnhart and has also served as Artistic Ambassador for the United States Government, performing in over twenty recitals in countries throughout the Middle East including Saudi Arabia, Syria, Bahrain, Bangladesh, Oman and Egypt as well as conducting master classes at the Cairo and Alexandria Conservatories.He has lectured on the Taubman Approach and since 1998 has been studying the Taubman Approach with Robert Durso, Senior Faculty Member of The Golandsky Institute.A former faculty member of the Settlement Music School, Mr. Nations now teaches privately in Philadelphia and the surrounding area.This Summer, Edna Golandsky, renowned pedagogue and leading expert on the Taubman Approach will release her first book with Amplify Publishing Group. Entitled ‘The Taubman Approach To Piano Technique: A Comprehensive Guide To Overcome Physical Limitations and Unlock Your Full Pianistic Potential.' Visit: www.ednagolandsky.com to learn more.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

Laura Jackson, Reno Phil Music Director and Conductor, talks with Chris Morrison about the Reno Phil's “Rachmaninoff Piano Concerto” concerts, the second concerts of the orchestra's 2024-25 Classix season, on November 23 and 24, 2024. The music on the program includes the Overture to La forza del destino by Giuseppe Verdi, the Negro Folk Symphony by William Dawson, and the Piano Concerto No. 2 by Sergei Rachmaninoff, with piano soloist Sara Davis Buechner.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Jonathan Cross selects his favourite version of Prokofiev's Piano Concerto no.2.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

References Neuromolecular Medicine. 2018. Jun. 20(2): 1559-1174 Cell Rep. 2018 Feb 6; 22(6): 1509–1521 Cell Cycle .2008.7(15):2296-8 Front. Immunol., 18 June 2013 Sec. T Cell Biology Tchaikovsky, PI. 1874. Piano Concerto 1. B Minor. Opus 23. https://youtu.be/W6Zr_0LYYTI?si=YlrIK-UDVGHbMp4P --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Tom Sutcliffe is joined by Rhianna Dhillon and Viv Groskop to review novel Echoes by Evie Wyld, which focuses on Max, a ghost who, stuck in the flat they had shared, watches his girlfriend grieving and discovers secrets about her. Pianist Benjamin Grosvenor talks about his upcoming performance of the longest concerto ever written, the Piano Concerto by Ferruccio Busoni, whose centenary is celebrated at this year's Proms. We'll also review the film Didi, a coming of age film set in 2008, focussing on a 13-year-old Taiwanese-American boy learning how to navigate life, love and family relations.Presenter: Tom Sutcliffe Producer: Corinna Jones

Concert pianist Rebeca Omordia, has just released her second African Pianism album, volume 2, which was just named Editor's Choice in the Gramophone Magazine,  and it is a fascinating and beautiful kaleidoscope of piano works from West Africa, North Africa, South Africa and East Africa. Rebeca spoke to me about her extensive research about these composers, varied styles, and the different traditional music traditions which are often at the heart of this music.  We talked about  her experiences growing up in Romania with a Romanian mother and a Nigerian father. Now based in London, Rebeca spoke to me about The African Concert Series at Wigmore Hall, and  many of her collaborations,  including with Errollyn Wallen whose  Piano Concerto,  written for Rebeca Omordia, is featured in this podcast along with excerpts from several of the works on the African Pianism album, volume 2.     Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the platforms, and I've also linked the transcript to my website https://www.leahroseman.com/episodes/rebeca-omordia-african-pianism Rebeca Omordia website and recordings: https://www.rebecaomordia.com/recordings Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ Timestamps (00:00) Intro (02:50) African Pianism, Akin Euba (05:41) Wakar Duru: Study in African Pianism number 1 by Akin Euba (10:30) childhood in Romania, deportation and return (20:50) Florence Price (22:40) excerpt from Fantaisie Nègre by Price (24:46)  encouraging women composers in Africa, Rebeca's identity in Africa (27:11) Salim Dada Algerian composer (31:14) excerpt from Soirée au Hogarr by Salim Dada (33:05) about Salim Dad's Crépuscule sur la baie d'Alger, with an excerpt (35:36) African Concert Series  (38:13) different ways you can help this podcast continue (39:06) Delius Prize, duo with Julian Lloyd Weber, book about John Ireland (42:50) duo with South African bass soloist Leon Bosch (46:36) about Errollyn Wallen's Piano Concerto (50:12) last movement of Errollyn Wallen's Piano Concerto (52:55) family legacy in music, Nigerian grandfather (57:03) experience of nerves, performing from memory (01:01:12) Ethiopian composer Girma Yifrashewa (01:03:43) excerpt from Elilta - Cry of Joy by Girma Yifrashewa (01:05:21) next projects, Omo Bello (01:07:51) childhood music exposure in Romania (01:09:41) advice about self-care photo of Rebeca Omordia: Fourchiefs Media

In this episode, we discuss recordings of “Giuseppe Clemente Dall'abaco: Cello Sonatas and Duos, the London Manuscript, Vol. I” (Da Vinci Classics) by Julia Nilsen-Savage, Candela Gómez Bonet & Shin Hwang, “Lukas Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode” (Naxos) by Amy Porter, Nikki Chooi & The Buffalo Philharmonic Orchestra / Joann Falletta, “Gabriel Erkoreka: Cello Concerto ‘ekaitza'; Tres Sonetos de Michelangelo; Piano Concerto ‘piscis'” (Ondine) by Asier Polo, Carlos Mena, Alfonso Gómez & The Basque National Orchestra / Juanjo Mena, “Leon's Lullaby” (Fresh Sound Records) by Alexander Brott, “Guidance & Gratitude” (Shifting Paradigm Records) by Zachary Finnegan, and “Sanyas” (Smoke Sessions Records) by Steve Turre.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 172 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Giuseppe Clemente Dall'abaco: Cello Sonatas and Duos, the London Manuscript, Vol. I” (Da Vinci Classics) Julia Nilsen-Savage, Candela Gómez Bonet, Shin Hwang https://open.spotify.com/album/12AQu6znnMs6aHPBzdybxz https://music.apple.com/za/album/giuseppe-clemente-dallabaco-cello-sonatas-and-duos/1743231681 https://music.amazon.com/albums/B0D2JC38J9   “Lukas Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode” (Naxos) Amy Porter, Nikki Chooi, Buffalo Philharmonic Orchestra / Joann Falletta https://open.spotify.com/album/6VOX7sLmgbPFltp4lRE9fu https://music.apple.com/us/album/lukas-foss-symphony-no-1-renaissance-concerto/1743379208 https://music.amazon.com/albums/B0CYQKJF62   “Gabriel Erkoreka: Cello Concerto ‘ekaitza'; Tres Sonetos de Michelangelo; Piano Concerto ‘piscis'” (Ondine) Asier Polo, Carlos Mena, Alfonso Gómez, Basque National Orchestra / Juanjo Mena https://open.spotify.com/album/5eTcRHPR7j0EFsacc2BXwe https://music.apple.com/us/album/gabriel-erkoreka-cello-concerto-ekaitza-3-sonetos-de/1753220982 https://music.amazon.com/albums/B0D2J4YNCC   “Leon's Lullaby” (Fresh Sound Records)  Alexander Brott https://open.spotify.com/album/0jfDZaJ9dKwL50yhoZoOMO https://music.apple.com/us/album/leons-lullaby-feat-stefano-doglioni-ari-roland-keith-balla/1742147362 https://music.amazon.com/albums/B0D263QZJW   “Guidance & Gratitude” (Shifting Paradigm Records) Zachary Finnegan https://open.spotify.com/album/5NkkObzc1tTKyi9XWvaUG9 https://music.apple.com/us/album/guidance-gratitude/1743042164 https://music.amazon.com/albums/B0D2LRCH4P   “Sanyas” (Smoke Sessions Records)  Steve Turre https://open.spotify.com/album/76XjMXvCjc4Ds9rP4xJuEw https://music.apple.com/us/album/sanyas/1741810905 https://music.amazon.com/albums/B0D1ZH2BVJ   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.

Donald Macleod explores the life and music of American composer, Lou Harrison Lou Silver Harrison was an American, multi-faceted composer who died in 2003. In his music he explored a synthesis of Asian and Western influences, just intonation, and writing for percussion ensemble. He also involved himself in the arts as a performer, dancer, instrument maker, critic, puppeteer, poet, painter and much more. Harrison's interest in Asian cultures began when he was very young, and remained a significant influence on his work for the rest of his life He enjoyed working with Gamelan percussion and instruments from Korea or China. With his partner William Colvig, Harrison also made his own instruments including an American Gamelan, for which he composed multiple works. Harrison took lessons with Henry Cowell and Arnold Schoenberg, and also collaborated with John Cage in exploring the possibilities of percussion ensembles. His career as a composer developed in the world of dance and theatre, supplementing his income as a critic and, later, as a teacher.Music Featured: The Heart Sutra (Tial, Sariputro, ciuj Darmoj) Waltz in C (New York Waltzes) First Concerto for Flute and Percussion Suite for Symphonic Strings (excerpt) Largo Ostinato Prelude for Grandpiano John Cage & Lou Harrison: Double Music Blaze of Day (Finale: Solstice) Piano Sonata No 3 (excerpt) Symphony No 2 “Elegiac” (excerpt) Hesitation Waltz (New York Waltzes) Waltz in A (New York Waltzes) Suite No 2 The Marriage at the Eiffel Tower (Overture) The Only Jealousy of Emer (excerpt) Suite for Cello and Harp Beverly's Troubadour Piece, for harp and percussion Suite for Symphonic Strings (Nocturne) Four Strict Songs (Here is Holiness) Concerto in slendro Pacifika Rondo (excerpt) Easter Cantata A Waltz for Evelyn Hinrichsen Music for Bill and Me Young Caesar (excerpts) Suite for violin and American Gamelan (excerpt) Double Concerto for Javanese gamelan, violin and cello (excerpt) Third Symphony (Largo ostinato) Piano Concerto with selected orchestra (excerpt) O you whom I often and silently come where you are Grand Duo (Polka) Fourth Symphony ‘Last Symphony' (Largo) Vestiunt Silve Pipa Concerto Mass to St Anthony (Gloria)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Lou Harrison (1917-2003) https://www.bbc.co.uk/programmes/m00209q6 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Franz Berwald: Piano Concerto: 3rd movementNiklas Sivelov, piano Helsingborg Symphony OrchestraOkko Kamu, conductorMore info about today's track: Naxos 8.553052Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Leo needs a distraction, and a spirit in a hospital needs a chance to say goodbye.Content Warnings: Medical setting, extensive discussion of illness, death and grief, loss of a spouse and loss of a parent.Transcript: https://tellnotalespod.com/transcripts/transcript-s2-e11-not-going-anywhere/Written and produced by Leanne Egan. In this episode you heard the voices of Leanne Egan as Leo Quinn, Asher Amor-Train as Frank Williamson, and AMC as Holly DessenTwin Strangers Productions is partly sponsored by World Anvil, the leading tool for creatives of all varieties. To support TSP and get 51% OFF of a yearly World Anvil subscription, click here (link: https://worldanvil.com/?c=tnt) or use the promo code tnt at checkout.Twin Strangers Productions is partly sponsored by BroadlyEpi, a rapidly growing repository of information and education about public health and epidemiology. To find more information and support Tell No Tales, go to https://www.broadlyepi.com/tsp/At the start of this episode you heard a showcase for Dark Dice... Do you seek him? If so, find out more at https://darkdice.com/ Intro and outro music by LumehillThe conveniently public domain music that Leo and Frank chose to listen to today was Beethoven's Piano Concerto no. 5, 'Emperor', Op. 73 - II, and Mayer's Valse mélancolique / 'Le Regret', Op. 332 Performances sourced from Musopen.org Atmospheric music: A Love That Once Was by Gavin Luke, The Still Midnight by Eden Avery, and To Find Peace by Megan Wofford. Music and sound effects sourced from Epidemic Sound and Soundsnap.Art by Ana BalaciFind more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr or TwitterDistributed by Twin Strangers Productions Hosted on Acast. See acast.com/privacy for more information.

H.C. Robbins Landon, the great musicologist, once wrote about Mozart that his music was “an excuse for mankind's existence and a small hope for our ultimate survival." I couldn't agree more, especially when it comes to a piece like the one we're going to talk about today, Mozart's Piano Concerto in D minor, NO. 20, or K. 466. These days, Mozart is still one of the most popular composers in the world, one of two composers almost anyone on the street could name off the top of their head. But it might surprise you to know that Mozart was not always so popular. During the 19th century, Mozart's music was seen as too light, graceful, and even superficial by the stormy Romantics who wanted to probe the deepest and darkest feelings of humanity and the natural world, by extreme means if necessary. Only a few of Mozart's works were played regularly during this time period, and this concerto was one of them. It's easy to say why - it is one of only two Mozart Piano Concertos in a minor key, and its stormy and dramatic character allowed the Romantics to create fantastical stories to go along with the piece, and to connect it to the one Mozart opera that remained popular throughout the 19th century, Don Giovanni. Strangely enough, I see a similar thing happening today, among young lovers of classical music. I often see Mozart's music being criticized on social media by younger musicians as being too light and superficial, and sometimes I even see this criticism from musicians who seem to gravitate to works that have more extroverted dramatic intentions. But to me, Mozart is just as, if not more dramatic that many of the Romantic era composers. It's all just done in a very different way. This concerto might be the perfect example of all of this! It has all the drama you could ever want for you thrill seekers, and it also has all of the masterful subtlety that for me makes Mozart's music so endlessly touching. This is a concerto of remarkable breadth of emotion, character, and feeling, and it'll be a joy to take you through it this week. Join us!    Performance is Mitsuko Uchida with Camerata Salzburg. Assorted first movement cadenzas are performed by Michael Rische.        

In this episode of Join Us in France, Annie Sargent and Elyse Rivin delve deep into the life and musical journey of Maurice Ravel, one of France's most celebrated composers. Known for his lush orchestrations and exquisite compositions like Boléro and the Piano Concerto in G Major, Ravel's work blends technical mastery with rich cultural influences. Get the podcast ads-free We explore his Basque origins, his formative years in the vibrant cultural milieu of Paris, and his evolution as a composer against the backdrop of early 20th-century Europe. From his studies at the Paris Conservatoire to his challenges with the establishment, his involvement with the avant-garde Apaches, and his experiences during World War I, this episode paints a comprehensive portrait of Ravel's complex character and artistic genius. Learn about his famous American tour, his philosophical disputes, and the creation of his revolutionary yet simplistic masterpiece, Boléro. Discover Ravel's lasting impact on music and why his innovative compositions continue to captivate and mesmerize audiences around the globe. This episode is a must-listen for anyone interested in the intersections of history, culture, and timeless music. Table of Contents for this Episode Today on the podcast Podcast supporters The Magazine Segment Introduction to a Special Composer: Maurice Ravel Ravel's Early Life and Musical Beginnings Ravel's Unique Musical Journey and Influences Interested in Experimentation at an Early Age No Romantic Relationships The Apaches: Ravel's Artistic Circle and Social Life Do you play the Piano Puzzler on NPR? Ravel's Philosophical Stance towards Germany Grand American Tour Gershwin and Ravel: A Musical Friendship The Creation of Bolero: Ravel's Iconic Composition Bolero's Premiere and Legacy: Controversy to Classic Ravel's Life and Other Works: Beyond Bolero Maurice Ravel at the end of his life Music in constant motion What do you listen to when driving, walking the dog, working? Thank you Patrons Reviews on VoiceMap Taking the Train in France Train Strikes Next week on the podcast Copyright More episodes about French culture    

In 1857, Brahms wrote to his friend Joseph Joachim about his first Piano Concerto, saying, “ “I have no judgment about this piece anymore, nor any control over it.”  Brahms first began sketching his first piano concerto in 1853, but it would be five full years before Brahms finished the piece, and another year until its first performance.  During that time, the piece became a Sonata, then a symphony, then a sonata for two pianos, and then finally a concerto for Piano and orchestra, or as the joke goes, a concerto for piano VERSUS orchestra.  The piece, and Brahms' struggles with it, are completely understandable considering Brahms' youth, and the extraordinarily tumultuous circumstances of his private life during the years of 1853-1858.  During this time period, he was anointed by no less than the kingmaker of classical music at the time, Robert Schumann, as the Chosen One that represented the future of music. He became friendly with both Robert and Clara Schumann, began achieving huge successes, then witnessed the slow mental breakdown of Robert, culminating in a suicide attempt and institutionalization, all while falling deeper and deeper in love with Clara Schumann, and she with him.  The turbulence and emotional weight of all of this is reflected in one of Brahms' most impassioned works, the first piano concerto.  We'll talk about the historical background for the piece, Brahms' working out process, and of course, the structure and insides of this massive, daunting piece.

SynopsisOn this date in 1785, a new Piano Concerto in C major was given its premiere at the Burgtheater in Vienna, with its composer, Wolfgang Amadeus Mozart, at the keyboard.Years later, this piano concerto was labeled as Mozart's 21st, and given the number 467 in the chronological list of his works compiled by Ludwig Ritter von Koechel, an Austrian botanist, mineralogist and Mozart enthusiast.Today, this work is popularly referred to as the Elvira Madigan Concerto, for the simple reason that its romantic slow movement was used to great effect in a 1967 Swedish film of that name to underscore a passionate love story.That Swedish movie helped to bring Mozart's concerto to the attention of a far wider audience than ever before, as did the 1984 movie Amadeus, with Mozart's music in general.Musicologists might wince when they hear the title Amadeus. It's a matter of historical record that Mozart signed his name “Amadeo” or “Amadé.” Others object that a Swedish film should provide a nickname for one of Mozart's most sublime works — but, for better or worse, both Amadeus and Elvira Madigan are labels that seem to have stuck to Mozart's name and his concerto.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756-1791): Piano Concerto No. 21; Alfred Brendel, piano; Academy of St. Martin-in-the-Fields; Neville Marriner, cond. Philips 412 856

Kate Molleson & Nastasha Loges explore the life and music of Johanna Senfter.If you know the name Johanna Senfter, it is probably in connection with her teacher, the composer, Max Reger. Senfter won the Arthur Nikisch prize for composition in 1910, and went on to be one of the most prolific of all late-Romantic female composers, writing at least 150 works, yet she has all but disappeared from our history books. In between the two World Wars she was very active within the world of music too, founding the Oppenheim Music Society, organizing her own concert series and founding the Oppenheim Bach Society. However, her personal life is shrouded in mystery with little information published about either her biography, or her music, and there are substantial gaps in her story when we know nothing about Senfter. Unsurprisingly then, there are also questions hanging over certain elements of her personal life, and her political allegiances. Over the course of this week, Kate Molleson is joined by Professor Natasha Loges to explore the life of Johanna Senfter. They also examine the tumultuous world of early 20th Century Germany in which Senfter was working, and speculate on the reasons for her anonymity today.Music Featured: Suite for two violins No 2 (Menuet) Symphony No 4 (2nd mvt) Drei Klavierstucke, op 77 Violin Sonata in G minor, Op 32 (4th mvt) Trio for clarinet, horn and piano (3rd mvt) Vogelweise Clarinet Quintet (2nd mvt) Symphony No 4 (3rd mvt) Viola Sonata No 1 in F minor, Op 41 (3rd mvt) Chorale Preludes, Op 70 (Nos 4, 2 & 9) Sonata for cello in A Major, Op 10 (4th mvt) Suite for two violins No 91 No 2 (1st mvt) 5 pieces for viola and piano, Op 76 (No 5) Piano Concerto in G minor, Op 90 (3rd mvt) 6 Little Pieces for violin and piano, Op 13 (No 3 Elegie) Sonata for cello and piano in E flat major, Op 79 (2nd mvt) Clarinet Sonata (3rd mvt) Drei Klavierstucke Op 83, No 1 Sonata for violin and piano in A major, Op 26 (4th mvt) Concerto in C minor for two violins and orchestra, Op 40 5 pieces for viola and piano, Op 76 (Weihnachten. In ruhiger Bewegung) Piano Concerto in G minor, Op 90 (1st mvt) Suite for two violins No 1 (Courante) Piano Concerto in G minor, Op 90 (2nd mvt) Symphony 4 (1st mvt) Quintet for clarinet and string quartet in B, Op 11 (3rd mvt) 6 Little Pieces, for violin and piano (No 1, Melodie) Mazurka: AllegrettoPresented by Kate Molleson Produced by Sam Phillips for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johanna Senfter (1879-1961) https://www.bbc.co.uk/programmes/m001wqp7 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

SynopsisToday marks the birth in 1913 of American composer Margaret Bonds. Her mother was a church musician in Chicago; her father was a physician and one of the founders of a medical association for Black physicians denied membership in the American Medical Association.One of the visitors to Bonds' childhood home was composer Florence Price, with whom she studied composition. At 16, Bonds became one of the few Black students enrolled at Northwestern University, although she was not allowed to live on campus. At the 1933 World's Fair, Bonds performed Price's Piano Concerto with the Chicago Symphony, becoming the first African-American woman soloist to appear with a major American orchestra.After earning her master's degree, she moved to New York to study at the Juilliard School. She met and became a close friend of poet Langston Hughes, with whom she collaborated on many projects.Bonds wrote about 200 works, but only 47 were published during her lifetime, and only about 75 of her scores are known today. The rest exist as privately held manuscripts scattered all over the country.One of her best-known works is Troubled Water, a solo piano fantasia on the spiritual “Wade in the Water.”Music Played in Today's ProgramMargaret Bonds (1913-1972): ‘Troubled Water'; Joel Fan, piano; Reference Recordings RR-119

Rossini was born on February 29, 1792. So Jay doffs his cap to him. We also hear Schubert, Brahms, Ravel, and worthy others (including Dvořák, who knew how to swing). Rossini, Overture to “La gazza ladra” Schubert, Symphony No. 5, first movement Ravel, Piano Concerto in D for Left Hand Alone Dvořák, Symphony No. 7, Scherzo Chopin, Étude in A flat, Op. 25, No. 1, “Aeolian Harp” Brahms, Piano Concerto No. 1 in D minor, Rondo

SynopsisOn today's date in 1932, an all-Maurice Ravel concert was given in Paris by the Lamoureux Orchestra at the Salle Erard. Ravel was on hand, conducting some of his works, including the premiere of his new Piano Concerto in G with pianist Marguerite Long the soloist.The critics were enthusiastic about the music, but less so about Ravel's conducting skills.“Once again,” one wrote, “I wish to protest against the habit, more and more frequently indulged in, of attempting at all costs to bring a composer before the public in a part which he is incapable of filling. Monsieur Ravel is continually brought out as a pianist or as a conductor, whilst he cannot shine in either of these two specialties. ... His Pavane was unutterably slow, his Bolero dry and badly timed, and the accompaniment of the concerto lacked clarity and elasticity. ... But there can only be praise for the composer of all these delicate, subtle works, the orchestration of which abounds in amusing and profound inventions. ... The new concerto,” the review concludes, “is worthy of the other masterpieces we owe to Ravel.”Music Played in Today's ProgramMaurice Ravel (1875-1937) Piano Concerto in G; Jean-Yves Thibaudet, piano; Montréal Symphony; Charles Dutoit, cond. London 452 448

SynopsisDecades before the Cuban revolution, some decidedly revolutionary sounds had their birth in that country's capital city on today's date in 1930 during a concert of ultramodern music presented by the Havana Philharmonic.The concert offered the premiere performance of a new Piano Concerto by American composer Henry Cowell, who also was the soloist. Cowell's concerto broke new ground — and perhaps a few piano strings — by employing what Cowell dubbed “tone clusters.” These dense, dissonant chords were produced by pounding the keys of the piano with the fist, palms or extended forearms.Cowell also took his new techniques to the Old World in the 1920s and ‘30s, performing concerts of his works in Europe. These attracted the attention of Bela Bartok, who asked Cowell's permission to employ tone clusters in his works, and Arnold Schoenberg, who invited Cowell to perform for his Berlin composition classes.Cowell's oft-stated goal was to embrace what he described as “the whole world of music,” whether dissonant or consonant, radical or traditional, Western or non-Western. Perhaps that ideal was even more revolutionary than his Piano Concerto must have seemed back in 1930.Music Played in Today's ProgramHenry Cowell (1897-1965) Piano Concerto; Stefan Litwin, piano; Saarbrucken Radio Symphony; Michael Stern, cond. Col Legno 20064

In January of 1839, Clara Wieck, Robert's future wife, wrote to Robert, “Don't take it amiss if I tell you that I've been seized by the desire to encourage you to write for orchestra. Your imagination and your spirit are too great for the weak piano.” Clara knew that she would have struck a nerve with Robert, whose history with the piano was full of trials and tribulations. Robert had trained as a pianist, but a 3 year period of reckless amounts of practicing as well as the exacerbating effects of experimental devices meant to strengthen his fingers had destroyed his ability to play professionally. But already from the age of 17, in 1827, Robert had considered writing a piano concerto, probably for himself to perform. He made 4 further attempts to write a concerto, but it seems, like so many things in Schumann's life, that his marriage to Clara was the final inspiration that he needed to get over the hump. It made sense, as Clara Schumann was possibly the greatest pianist of her age, and someone who was ceaselessly devoted to promoting her husband's works wherever she played. In 1841, one year after their marriage, Robert finished a one movement piano concerto in A minor, which he called a Phantasie. Clara reported adoring the piece, but no publisher was interested in the work of a still relatively unknown composer. They were especially uninterested in a on movement concerto, and so Robert knew he needed to “finish” the piece with two extra movements. It would take him 4 more years to finally tack on those extra movements, and the first performance would be given 4 years after that Phantasie had been written, of course with Clara as soloist. This concerto has remained popular practically ever since it was written, and there are so many reasons for it, from its arresting opening, to its abundant lyricism, to its constant interplay with the orchestra, something that Robert grappled with when writing this concerto. This piece is one that doesn't have a story behind it, or any sort of narrative - it lives in the world as a sort of fantasy, constantly evolving in its beauty throughout. We're going to talk about this piece in detail, from start to finish on this Patreon Sponsored Episode. Join us!