Podcasts about Piano sonata

referencesGuerra DJ 2025. General Immuno-Neurobiochemical lecturesPlant&Page. "Rain Song" LZIV.https://open.spotify.com/track/3JLrri1xSCui3bzITDJbkk?si=c4ff9d466c2d455fHunter/Garcia. 1970 "Attics of my Life" American Beauty lp. GDhttps://open.spotify.com/track/6WeLHc9eLjVJqOKhd97vaK?si=efeead325f094519Schubert F. 1828. Piano Sonata in B flat Major. #15. D960https://open.spotify.com/track/7H3UCOtOQhmvKaC3QA0h7p?si=312dc808cbf64a5b

Jed discusses nine live and unedited performances of Liszt's monumental Piano Sonata in B Minor. Pianists include Simon Barere, Jorge Bolet, Claudio Arrau, Howard Karp, Sviatoslav Richter, Irén Marik, Cyprien Katsaris, Terence Judd and Vladimir Horowitz.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven Here are some links to some of the performances mentioned in this episode:Vladimir Horowitz Carnegie Hall Recital March 19th 1978 - https://www.youtube.com/watch?v=AfkAkMoQ6QUHoward Karp Liszt Sonata - https://www.youtube.com/watch?v=96zA4CgJuosSimon Barere Liszt Sonata (excerpt) - https://www.youtube.com/watch?v=WZLn3i-eQi0Cyyprien Katsaris Liszt Sonata - https://www.youtube.com/watch?v=SgNytL777PkTerence Judd Liszt Sonata (excerpt) https://www.youtube.com/watch?v=g8uHB_hO73kIren Marik Liszt Sonata - https://www.amazon.com/Iren-Marik-Mozart-Messiaen/dp/B000PSJCDS

Kenneth Hamilton chooses his favourite version of Mozart's Piano Sonata no.15 K.533/494

ACIM Quote: Our function is to work together, because apart from each other we cannot function at all. (ACIM, T-8.VI.8:4) Today's Guest: Tara Hollander joins Tam and Matt to share her inspiring forgiveness story related to her musical career. In this episode, we explore themes of: Letting go of attachment Overcoming guilt Three Inspiring Classical Music Pieces That Tara Recommends: Appalachian Spring by Aaron Copland Franz Schubert's Piano Sonata in B-flat major Gustav Mahler's Symphony No. 3 in D minor Mentioned On This Podcast: The Fibonacci Sequence https://en.wikipedia.org/wiki/Fibonacci_sequence Announcement: ACIM Audio is now on both Android phones and iPhones. This easy-to-use app brings the profound teachings of A Course in Miracles directly to your mobile device, making it easier to immerse yourself in the Course anytime, anywhere. Android here: ⁠⁠https://play.google.com/store/apps/details?id=org.acim.audio⁠⁠ Iphone (iOS) here: ⁠⁠https://apps.apple.com/us/app/a-course-in-miracles-audio/id6443662668⁠⁠ The ACIM Audio App is the whole Course in the palm of your hands Read-Along Mode: Experience synchronized text and audio for enhanced comprehension and focus. Smart Auto Bookmarks: Seamlessly navigate between the Text and the Workbook without ever losing your place. Curated Prayers: Access nearly 200 different prayers from the Course in the Meditate tab. Stay Connected with Us, Join The Miracle Voices Email List: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/email-signup/⁠⁠⁠⁠⁠⁠⁠⁠ Feel Inspired to Make a Love Offering? Visit: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/donate⁠⁠ ⁠⁠⁠⁠⁠⁠ Think your Forgiveness Story Would Inspire Listeners? Submit your forgiveness story here: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/form⁠⁠

Celebrating Beethoven's 254th birthday with historic recordings of three, lesser-known works: Symphony #8, Piano Sonata #25 and The Creatures of Prometheus overture. Performers include Bruno Walter and Fredrich Gulda.

Donald Macleod delves into the life of Luise Adolpha Le Beau Luise Adolpha Le Beau was a German composer, concert pianist, teacher and music critic. Although her music was performed as far afield as Calcutta and Sydney, her story is one of continual struggle for recognition and respect. Le Beau frequently met opposition to her works and to performance opportunities, Despite these set-backs, Le Beau forged her own path as a composer not only with works for her own instrument, the piano, but also with chamber music, opera, a symphony and many songs. She was determined to succeed, but after her death, without anyone to promote her works on her behalf, Le Beau soon fell into obscurity and was largely forgotten. This week, Donald Macleod is joined by guest Dr Katy Hamilton to shine a light on Le Beau's musicMusic Featured: Piano Concerto in D minor, Op 37 (excerpt) Fantasiestück, Op 1 No 1 (Drei Klavierstücke) Fünf Lieder, Op 7 (excerpt) Piano Concerto in D minor, Op 37 (Allegro maestoso) Piano Sonata, Op 8 (excerpt) Violin Sonata, Op 10 Mazurka, Op 57 No 3 (Drei Klavierstücke) Polonaise, Op 26 No 3 (Drei Stücke) Theme and Variations, Op 3 Fünf Lieder, Op 11 (excerpt) Piano Trio, Op 15 Concert Overture in F major, Op 23 Eight Preludes, Op 12 No 2 (Munter) Romance, Op 35 Vier Stücke, for cello and piano, Op 24 Fünf Lieder, Op 11 (excerpt) Improvisata for left hand, Op 30 Gavotte, Op 32 Piano Concerto in D minor, Op 37 (excerpt) Eight Preludes, Op 12 No 8 (Mit Grazie) Nachstück, Op 26 No 2 (Drei Stücke) Deutscher Regien, Klavierstück, Op 49 Piano Quartet, Op 28 Drei Lieder, Op 39 Symphony in F major, Op 41 (Allegro con fuoco) Gigue, Op 48 No 3 (Danze Antiche) Vater unser, Op 61 Symphony in F major, Op 41 (Adagio) Cello Sonata, Op 17 Barcarole, Op 59 Abendklänge, Op 63 Symphony in F major, Op 41 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Donald Macleod delves into the life of Luise Adolpha Le Beau (1850-1927) https://www.bbc.co.uk/programmes/m0025cflAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

rWotD Episode 2767: Piano Sonata (Reubke) Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Saturday, 30 November 2024 is Piano Sonata (Reubke).The Piano Sonata in B-flat minor is a work written by Julius Reubke between December 1856 and March 1857. Although it remains very obscure and is little performed (unlike the composer's Sonata on the 94th Psalm for organ), it combines the Lisztian technique of thematic transformation, colourful harmonies, virtuosic piano writing and a wide array of characters and sentiments.The sonata was published posthumously, edited by the composer's brother, in 1871.This recording reflects the Wikipedia text as of 00:30 UTC on Saturday, 30 November 2024.For the full current version of the article, see Piano Sonata (Reubke) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ivy.

  Schubert – Piano Sonata in D major, op.53 D.850: Piano Sonata in D major, op.53 D.850: IV. Rondo. Allegro moderato Interprété par Paul Lewis Schubert – Piano Quintet in A Major, Op. Posth. 114, D. 667 « The Trout »: I.... Continue Reading →

Antonio Eberl (1765 - 1807)Sinfonia in do maggiore (1785)1. Allegro con brio [00:05]2. Andante grazioso [07:52]3. Finale. Allegro molto [13:22] Orchestra - Concerto ColoniaDirettore d'orchestra - Werner Ehrhardt *****Sonata per pianoforte in do minore, op. 1                 1. Adagio. Allegro con moto [17:58]2. Andante espressivo [28:01]   3. Allegro molto [32:39] James McChesney, pianoforte

On this episode of Inside the Music, Derek explores two of Beethoven's late piano sonatas, Opp. 109 and 111, in their entirety performed live at CRC by pianist Paul Lewis.Piano Sonata in E Major, Op. 109Piano Sonata in C Minor, Op. 111Paul Lewis [3/22/2015 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

This week, Artistic Director of Capital Region Classical Derek Delaney explores the fugal writing of Beethoven's late period with live CRC performances by pianists Jeremy Denk and Paul Lewis and the Belcea and ‭Ébène quartets.33 Variations on a Theme of Anton Diabelli, Op. 120Fuga: AllegroTempo di Menuetto moderatoPaul Lewis [10/20/2019 performance]Piano Sonata in A-flat Major, Op. 110Adagio ma non troppo—Allegro ma non troppoPaul Lewis [3/22/2015 performance]Quartet in C-sharp Minor, Op. 131Adagio ma non troppo e molto espressivoQuatuor Ébène [3/10/2016 performance]Große Fuge, Op. 133Belcea Quartet [10/14/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Cantor, Serenity Prayer, Una Corda piano selection, Bishop Barron, Piano Sonata in G Minor, Rush Limbaugh, conclusionBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-true-conservative--2039343/support.

Inside The Music continues the exploration of Ludwig van Beethoven's genius through chamber works of his middle period. Join Derek Delaney, Artistic Director of Capital Region Classical, as he examines these works of Beethoven with live CRC performances by pianists Emanuel Ax and Christian Zacharias, the Belcea Quartet, and Trio Cavatina.Piano Sonata in F Minor, Op. 57, AppassionataAllegro assaiEmanuel Ax [2/29/2008 performance]Quartet in E Minor, Op. 59, No. 2, RazumovskyMolto adagioBelcea Quartet [1/17/2004 performance]Piano Trio in G Major, Op. 70, No. 1, GhostAllegretto ma non troppoTrio Cavatina [11/2/2007 performance]Piano Sonata in E Minor, Op. 90Mit Lebhaftigkeit und durchaus mit Empfindung und AusdruckNicht zu geschwind und sehr singbar vorgetragenChristian Zacharias [10/30/2016 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

A thorny and iconic pillar of serial piano music. Here's a link to Jed's recording of choice: https://www.amazon.com/Jean-Barraqu%C3%A9-Sonate-Pour-Piano/dp/B00N28RXJS/ref=sr_1_1?crid=1OYVNMOUPXMW2&dib=eyJ2IjoiMSJ9.l2qLCWfxi3Wj_-pqAHAYSQ.IZIVWyqcZqUhWVBFLqSJqllGqX8cthtJxvFEh-TQJHM&dib_tag=se&keywords=barraque+woodward&qid=1717342891&s=music&sprefix=barraque+woodward%2Cpopular%2C96&sr=1-1

Inside The Music explores further the genius of Ludwig van Beethoven. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores works of Beethoven with live CRC performances by pianist Emanuel Ax and the Brentano Quartet.Piano Sonata in G Major, Op. 31, No. 1Adagio graziosoEmanuel Ax [4/24/2016 performance]Quartet in C Major, Op. 59, No. 3, RazumovskyAndante con moto – Allegro vivaceAndante con moto quasi allegrettoBrentano Quartet [1/24/2010 performance]Sonata in C Major, Op. 53, WaldsteinIntroduzione: Adagio moltoRondo: Allegretto moderato – PrestissimoEmanuel Ax [5/6/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Inside The Music presents Ludwig van Beethoven's Opus 10 and 18, Nos. 3 in their entireties. Join Derek Delaney, Artistic Director of Capital Region Classical, for live CRC performances by pianist Yefim Bronfman and the Belcea Quartet.Piano Sonata in D Major, Op. 10, No. 3Yefim Bronfman, piano [11/20/2002 performance]Quartet in D Major, Op. 18, No. 3Belcea Quartet [10/16/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

【主播的话】“在异乡”是不合时宜这两年新开启的一个特别栏目。如今，有越来越多的中国人去到国外生活，在异乡旅居、工作、落地、生根。在这个栏目中，我们尝试去寻找那些散落在全球各地的、有意思的华人朋友，听他们分享异乡生活的故事，他们的希望与失望，他们的快乐与挣扎。今天的这一集节目，我们把目光聚焦到了位于地球另一端的巴西。提到巴西，我们可能会想到，疯狂的足球，浪漫的桑巴，炎热的天气。除了这些文化符号之外，巴西其实还有很多丰富的层次。巴西是拉美最大的国家，政治经济实力都不容小觑。巴西与中国也交往密切，目前，中国是巴西的第一大贸易伙伴，有超过30万华人在巴西生活。对许多希望出海的中国企业来说，巴西也是中企布局全球的重要站点。今天我们就邀请到了两位与巴西很有渊源的嘉宾，分享他们对巴西的观察与感受。本期节目由TCL特别赞助播出。TCL是一家拥有25年出海经验的全球化科技企业，也是国内首个发起跨国并购的企业，它的业务遍及在全球160多个国家和地区。TCL的出海历程也折射了中国企业在过去几十年间出海的缩影。--

Inside The Music delves into Ludwig van Beethoven's ability to turn a single musical idea into countless melodies. Join Derek Delaney, Artistic Director of Capital Region Classical, as he examines theme and variation works of Beethoven with live CRC performances by pianists Arnaldo Cohen, Emanuel Ax, Jonathan Biss, and Paul Lewis.32 Variations in C Minor, WoO 80Arnaldo Cohen, piano [10/23/2004 performance]6 Variations on a Theme in F Major, Op. 34Emanuel Ax [4/24/2016 performance]Piano Sonata in F Minor, Op. 57, AppassionataAndante con motoJonathan Biss, piano [4/12/2015 performance]Piano Sonata in E Major, Op. 109Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivoPaul Lewis [3/22/2015 [performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

This week on Weird Studies, Phil and JF explore the intersections of the beautiful and the terrible in art and literature. There is a conventional beauty that calms and placates, and there is a radical beauty which, taking horror's pale-gloved hand, gives up all pretense to permanence and fixity and joins the danse macabre of our endless becoming. This episode is a preamble to a five-week course of lectures and discussions starting June 20th on Weirdosphere, JF and Phil's new online learning platform. For more information and to enroll in The Beauty and the Horror, visit www.weirdosphere.org. REFERENCES JF Martel, Reclaiming Art in the Age of Artifice (https://www.hachettebookgroup.com/titles/j-f-martel/reclaiming-art-in-the-age-of-artifice/9781668640289/?lens=basic-books), the audiobook, with a new introduction written and read by Donna Tartt. Denis Villeneuve, Dune: Part Two (https://www.imdb.com/title/tt15239678/) William Blake, “The Tyger” (https://www.poetryfoundation.org/poems/43687/the-tyger) Junichiro Tanizaki, In Praise of Shadows (https://bookshop.org/a/18799/9780918172020) Steven Spielberg, Raiders of the Lost Ark (https://www.imdb.com/title/tt0082971/) Walter Pater, The Renaissance (https://bookshop.org/a/18799/9781604597042) David Lynch, Twin Peaks: The Return (https://www.imdb.com/title/tt4093826/) Anna Aikin, “On the Pleasure Derived from Objects of Terror (https://biblioklept.org/2018/10/25/on-the-pleasure-derived-from-objects-of-terror-anna-letitia-aikin/) Donna Tartt, The Secret History (https://bookshop.org/a/18799/9781400031702) Keiji Nishitani, Religion and Nothingness (https://bookshop.org/a/18799/9780520049468) Charles Baudelaire, “Le Voyage” (https://fleursdumal.org/poem/231) Franz Schubert, “Death and the Maiden” Quartet (https://en.wikipedia.org/wiki/String_Quartet_No._14_(Schubert)) Franz Schubert, Piano Sonata in C major, D. 840 (https://en.wikipedia.org/wiki/Piano_Sonata_in_C_major,_D_840_(Schubert)) J.R.R. Tolkein, The Hobbit (https://bookshop.org/a/18799/9780547928227)

This week on Weird Studies, Phil and JF explore the intersections of the beautiful and the terrible in art and literature. There is a conventional beauty that calms and placates, and there is a radical beauty which, taking horror's pale-gloved hand, gives up all pretense to permanence and fixity and joins the danse macabre of our endless becoming. This episode is a preamble to a five-week course of lectures and discussions starting June 20th on Weirdosphere, JF and Phil's new online learning platform. For more information and to enroll in The Beauty and the Horror, visit www.weirdosphere.org. REFERENCES JF Martel, Reclaiming Art in the Age of Artifice (https://www.hachettebookgroup.com/titles/j-f-martel/reclaiming-art-in-the-age-of-artifice/9781668640289/?lens=basic-books), the audiobook, with a new introduction written and read by Donna Tartt. Denis Villeneuve, Dune: Part Two (https://www.imdb.com/title/tt15239678/) William Blake, “The Tyger” (https://www.poetryfoundation.org/poems/43687/the-tyger) Junichiro Tanizaki, In Praise of Shadows (https://bookshop.org/a/18799/9780918172020) Steven Spielberg, Raiders of the Lost Ark (https://www.imdb.com/title/tt0082971/) Walter Pater, The Renaissance (https://bookshop.org/a/18799/9781604597042) David Lynch, Twin Peaks: The Return (https://www.imdb.com/title/tt4093826/) Anna Aikin, “On the Pleasure Derived from Objects of Terror (https://biblioklept.org/2018/10/25/on-the-pleasure-derived-from-objects-of-terror-anna-letitia-aikin/) Donna Tartt, The Secret History (https://bookshop.org/a/18799/9781400031702) Keiji Nishitani, Religion and Nothingness (https://bookshop.org/a/18799/9780520049468) Charles Baudelaire, “Le Voyage” (https://fleursdumal.org/poem/231) Franz Schubert, “Death and the Maiden” Quartet (https://en.wikipedia.org/wiki/String_Quartet_No._14_(Schubert)) Franz Schubert, Piano Sonata in C major, D. 840 (https://en.wikipedia.org/wiki/Piano_Sonata_in_C_major,_D_840_(Schubert)) J.R.R. Tolkein, The Hobbit (https://bookshop.org/a/18799/9780547928227)

Inside The Music continues its exploration of Ludwig van Beethoven's early works which would lead to his monumental career. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores these impactful works of Beethoven with live CRC performances by pianist Rafał Blechacz, the Brentano Quartet, Pamela Frank, violin and Claude Frank, piano, and Musicians from Marlboro.Piano Sonata in C Minor, Op. 13, PathétiqueAdagio cantabileRondo: AllegroRafał Blechacz, piano [10/26/2014 performance]Quartet in F Major, Op. 18, No. 1Adagio affettuoso ed appassionatoBrentano Quartet [1/24/2010 performance]Violin Sonata in A Minor, Op. 23PrestoPamela Frank, violin and Claude Frank, piano [1/30/2000 performance]Quintet for Piano and Winds in E-flat Major, Op. 16Rondo: Allegro ma non troppoMusicians From Marlboro – Gilbert Kalish, piano; Rudy Vrbsky, oboe; Alexander Fiterstein, clarinet; Shinyee Na, bassoon; Paul LaFollette [3/2/2006 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

This week's Gramophone Podcast sees pianist Can Çakmur join Editor Martin Cullingford to talk about the latest album in his series for the BIS label in which he pairs works by Schubert with music by composers inspired by him - in this instance Ernst Krenek. As well as introducing Krenek's Second Sonata, he also talks about the composer's completion of Schubert's Piano Sonata in C Major, D 840.

Inside The Music begins its 3 month celebration of Ludwig van Beethoven with a look at the early works that would launch his compositional career. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores the Opp. 1 and 2 of Beethoven with live CRC performances by the Trio Cavatina, pianist Emanuel Ax, and Musicians from Marlboro.Piano Trio in E-flat Major, Op. 1, No. 1AllegroAdagio cantabileTrio Cavatina [11/2/2007 performance]Piano Sonata, Op. 2, No. 2Scherzo: AllegrettoRondo: GraziosoEmanuel Ax, piano [2/29/2008 performance]Piano Trio, Op. 1, No. 2Scherzo: AllegroFinale: PrestoMusicians From Marlboro – Jeremy Denk, piano, Michi Wiancko, violin, Sumire Kudo, cello[3/18/2002 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

This Day in Legal History: WIPO EstablishedOn April 26, 1970, a significant advancement in the protection and management of intellectual property took place with the establishment of the World Intellectual Property Organization (WIPO). This marked the enforcement of the Convention Establishing WIPO, making it one of the specialized agencies under the United Nations focused on intellectual property (IP) issues. WIPO's primary mission is to promote and protect intellectual property across different countries by fostering international cooperation. As of now, 184 countries are signatories to the convention, showcasing a global commitment to the principles laid out by WIPO.WIPO plays a crucial role in the development of a balanced and accessible international IP system, which benefits both creators and the public, thereby contributing to economic, social, and cultural development worldwide. The organization administers 26 international treaties, including the Paris Convention for the Protection of Industrial Property and the Berne Convention for the Protection of Literary and Artistic Works. These treaties serve as the backbone for international IP law, standardizing the protection of IP across borders and promoting creative activity globally.WIPO also assists countries in developing their IP strategies and provides a platform for dispute resolution concerning IP. Through its various programs, WIPO enhances the ability of countries to utilize IP for economic development. Additionally, WIPO's efforts include tackling the challenges of IP in relation to new technologies, which continually reshape the boundaries of law and creativity.The creation of WIPO in 1970 was a response to the growing significance of intellectual property in the age of technological and artistic innovation, recognizing the need for a systematic approach to IP issues that transcended national borders. Today, WIPO continues to evolve as it addresses emerging issues in intellectual property influenced by the digital age and globalization, underscoring its ongoing relevance in international legal and economic landscapes.The Supreme Court is currently deliberating on Donald Trump's assertion of immunity from prosecution regarding charges that he illegally tried to remain in power. During a hearing, there was notable skepticism from the justices towards Trump's broad claims of immunity relating to his efforts to overturn the election results of 2020. Chief Justice John Roberts suggested possibly remanding the case back to lower courts for a more detailed examination of the allegations, indicating that the appeals court had not sufficiently scrutinized the specifics of the actions and documents in question.Justice Brett Kavanaugh expressed concerns about the potential long-term implications of making presidents vulnerable to prosecution for their official acts, fearing it could cyclically affect future presidents. Meanwhile, the liberal justices questioned the absence of constitutional immunity for presidents, highlighting the risk of a president acting without fear of legal consequences. Justice Amy Coney Barrett also challenged the idea that former presidents could only be prosecuted post-impeachment.The case underscores the urgency from Special Counsel Jack Smith, who is pressed by time constraints to try Trump before the upcoming election, given that a trial and subsequent conviction could adversely affect Trump's electoral prospects. Trump, facing multiple prosecutions, has argued for absolute immunity for actions taken while in office, which include his conduct leading up to and on January 6th.There are fundamental questions that must be addressed about the scope of presidential power and its limits, which are central to the case's legal and constitutional stakes.Supreme Court Wary of Trump Immunity But May Keep Trial on HoldThe Biden administration's Medicare Drug Price Negotiation Program, a key component of the Inflation Reduction Act aimed at reducing the costs of certain Medicare Part D drugs by 2026, has attracted significant legal attention. Numerous former government officials, scholars, and patient advocacy groups have filed amicus briefs supporting the administration in response to legal challenges from the pharmaceutical industry, which contests the constitutionality of the program.These challenges involve several constitutional claims by the pharmaceutical companies, including violations of compelled speech under the First Amendment, the takings clause and due process under the Fifth Amendment, and excessive fines under the Eighth Amendment. The industry argues that the program unlawfully compels them to sell their products at government-dictated prices without just compensation.However, a notable decision by Chief Judge Colm F. Connolly dismissed AstraZeneca's due process claims, asserting that the manufacturer did not have a constitutional property interest jeopardized by the program. This decision aligns with several key legal precedents cited in various amicus briefs that reinforce the government's position.The case also touches on broader implications for governmental regulatory powers and the limits of constitutional protections for businesses under economic regulation frameworks. Legal experts and scholars have argued that the claims raised by the pharmaceutical industry stretch constitutional interpretations to protect against price negotiation practices that have been historically upheld as constitutional.The legal battle also involves a debate over the First Amendment, with the government asserting that the program does not compel speech from drug manufacturers. Judges and legal experts have scrutinized these claims, emphasizing the potential impact of accepting such an interpretation on a wide range of regulatory activities.While the majority of amicus briefs support the government, a few filed on behalf of the pharmaceutical industry focus on concerns about stifling drug innovation and the severe financial penalties imposed for non-compliance with the program's pricing mandates.The ongoing legal proceedings at the district court level, though less common for amicus filings than higher courts, play a crucial role in shaping the preliminary legal landscape before potentially reaching the Supreme Court. The involvement of high-level legal expertise in the form of amicus briefs underscores the significant stakes and complex legal issues at play, reflecting the profound implications of the outcome on the healthcare sector and regulatory practices.Wave of Amicus Briefs Back Drug Price Plan at Trial Court StageThe EPA's recent final rule under the Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA), commonly known as the Superfund law, designates two PFAS chemicals—perfluorooctanoic acid (PFOA) and perfluorooctane sulfonic acid (PFOS)—as hazardous substances. This designation is expected to significantly impact companies responsible for contaminated sites, potentially leading to the reevaluation and cleanup of sites previously considered resolved.The rule aims to address sites contaminated with PFOA and PFOS, which are part of a group of chemicals known as "forever chemicals" due to their persistence in the environment. Currently, only a small fraction of National Priorities List (NPL) sites have been identified as contaminated with these substances, but this number is expected to rise as more comprehensive testing is implemented. The EPA's action follows increasing evidence of the health risks associated with high concentrations of these chemicals, including potential links to cancer and other serious health issues.Companies and other entities responsible for releases of these chemicals will face new reporting requirements if they release one pound or more of PFOA or PFOS within a 24-hour period. These reports will contribute to the Toxics Release Inventory and are part of broader efforts to increase transparency and regulatory oversight regarding PFAS releases into the environment.The designation of PFOA and PFOS as hazardous substances under CERCLA is likely to lead to significant legal and financial implications for responsible parties due to the costly nature of cleanup efforts and potential litigation. Moreover, the rule's implications extend beyond immediate cleanup efforts, potentially impacting water utilities and prompting them to seek remediation and accountability from polluters as stricter limits on PFAS in tap water are set to take effect.This regulatory change reflects a growing recognition of the serious environmental and health impacts of PFAS chemicals, and it aligns with broader environmental justice efforts to address pollution exposure disparities among racial, ethnic, and socioeconomic groups. The long-term challenges of managing PFAS contamination will involve complex legal, environmental, and public health considerations, particularly as affected communities and regulatory agencies navigate the implications of these pervasive pollutants.New PFAS Designation Expected to Spark Rise in Superfund SitesHarvey Weinstein's 2020 conviction for sexual assault and rape was overturned by New York's highest court on April 25, 2024. The court, in a closely contested 4-3 decision, cited critical errors by the trial judge, particularly in allowing testimony about alleged assaults that were not directly related to the charges Weinstein faced. This decision has reignited discussions about the challenges in prosecuting powerful figures and has been met with dismay by many, including actress Ashley Judd, who viewed it as an institutional betrayal.The Manhattan District Attorney's office, led by Alvin Bragg, has indicated plans to retry the case, underscoring their ongoing commitment to addressing sexual assault. The overturned conviction, which had been a significant victory for the #MeToo movement, involved allegations by Miriam Haley and Jessica Mann that dated back to 2006 and 2013, respectively.Weinstein's legal team celebrated the decision as a triumph for justice, noting Weinstein's relief and resilience despite his ongoing incarceration. He remains imprisoned on a separate 16-year sentence in California for similar charges, which stands unaffected by the New York ruling.This case has had broad implications, influencing legislation and public awareness about sexual misconduct. New York, among other states, has passed laws allowing civil lawsuits for sexual misconduct outside the typical statutes of limitations, reflecting a legislative response to #MeToo. The case's developments continue to be closely watched, with potential impacts on both legal precedents and societal norms concerning accountability for sexual violence.Harvey Weinstein's rape conviction is overturned by top New York court | ReutersThe defamation lawsuit filed by Jack and Leslie Flynn against CNN, which involved claims of being wrongfully associated with the QAnon conspiracy theory, has been dismissed by a judge. The case revolved around a CNN segment that showed the Flynns at a barbecue raising their hands while Michael Flynn, the former National Security Advisor, recited a phrase linked to QAnon. The Flynns argued that this portrayal falsely labeled them as QAnon followers, which they considered defamatory.CNN countered that the phrase "where we go one, we go all" used by Michael Flynn during the event is widely recognized as associated with QAnon, and that the Flynns were visible participants in the event. The court, upon review, determined that the term "QAnon followers" as used in the context of the CNN segment is a non-defamatory opinion, not a statement of fact. The judge ruled that opinions, especially when based on disclosed, non-defamatory facts, do not constitute defamation.Furthermore, the court highlighted that the portrayal of the Flynns in the segment was based on their actual appearance and participation in an event alongside Michael Flynn, which is not disputed by the Flynns. The dismissal reflects judicial recognition of the challenges in proving defamation when the statements in question are based on interpreted opinions rather than explicit facts. The decision underscores the importance of context in defamation cases, particularly when public figures and political movements are involved. This case also reflects ongoing legal debates about the limits of free speech and the scope of media responsibility in reporting on controversial public figures and events.Flynn Family's SLAPP Suit Against CNN Slapped Down By Judge | TechdirtThis week's closing theme is by Ludwig van Beethoven.For this week's closing piece of classical music, where we will once again delve into the towering genius of Ludwig van Beethoven and his monumental Piano Sonata No. 29 in B-flat major, Op. 106, known as the "Hammerklavier." Composed in 1819, the "Hammerklavier" Sonata stands as one of the pinnacles of Beethoven's creative output and showcases his profound depth in musical structure and expressive range.This sonata is particularly renowned for its technical difficulty and ambitious scope, pushing the boundaries of the piano sonata form of the time. Beethoven's late period, during which he composed the "Hammerklavier," is marked by an increased use of complex structures and an exploration of new musical ideas, and this sonata is a testament to his innovative spirit.This week, we will focus specifically on the second movement of this sonata, the Scherzo: Assai vivace. In stark contrast to the grandiose and deeply serious first movement, the Scherzo bursts with energy and playfulness. Its rapid tempo and lively rhythms present a dazzling display of technical prowess and artistic flair. This movement is a brilliant example of Beethoven's ability to juxtapose contrasting moods within a single piece, providing a refreshing and exhilarating counterpart to the sonata's more introspective segments.The Scherzo is structured around a lively theme that leaps and dances across the keyboard, filled with syncopated rhythms and sudden dynamic changes that challenge even the most skilled pianists. It embodies a sense of joy and almost mischievous playfulness, showcasing Beethoven's mastery in transforming musical ideas into a vivid emotional narrative.As we close this week's episode with the Scherzo from Beethoven's "Hammerklavier" Sonata, let the vivacity and brilliance of this music inspire you. It serves not only as a showcase of Beethoven's technical mastery but also his undiminished spirit and the enduring power of his music to evoke a wide range of profound emotions. Enjoy the spirited journey through one of the most challenging yet rewarding pieces in the piano repertoire.Without further ado, Beethoven's Piano Sonata no. 29 “Hammerklavier”, Op. 106 - II. Scherzo - Assai vivace. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

Bassoonist Amy Harman and Wolf Hall composer Debbie Wiseman are today's studio guests, as Linton Stephens sits in for Cerys Matthews alongside Jeffrey Boakye. This episode takes us from Samuel Coleridge-Taylor to Glenn Miller's wartime smash hit.Producer Jerome Weatherald Presented, with music direction, by Jeffrey Boakye and Linton StephensThe five tracks in this week's playlist:Nonet, Op.2 ‘Gradus ad Parnassum': 1st movement by Samuel Coleridge-Taylor Nobody Knows (Ladas Road) by Loyle Carner Adagio from Piano Sonata in G minor by Clara Schumann If I Ain't Got You by Alicia Keys In the Mood by Glenn MillerOther music in this episode:Top Hat, White Tie and Tails by Irving Berlin Moondance by Van Morrison Symphony No. 6 in B minor by Pyotr Ilyich Tchaikovsky Nobody Knows by Pastor T L Barrett & The Youth for Christ Choir Tar Paper Stomp by Wingy Manone

Hi "Struggling To Cope", I'm Dad! Content Warnings: Discussion of death, grief, loss of a father, loss of a husband, and loss of a sibling. Transcript: https://tellnotalespod.com/transcripts/transcript-s2-e3-father-figure/Written and produced by Leanne Egan. In this episode you heard the voices of Leanne Egan as Leo Quinn, Asher Amor-Train as Frank Williamson, and Liam Chessell as Harry Powell.Intro and outro music by LumehillThe conveniently public domain music that Leo and Frank chose to listen to today was Piano Sonata no. 16 'Facile', K. 545 - II. Andante, Bach's Violin Sonata in G minor, BWV 1001, and Gluck's 'Melodie' from Orfeo ed Euridice (Piano arrangement - Sgmabati). Performances sourced from Musopen.orgAtmospheric music: The Star in My Life by Erasmus Talbot. Music and sound effects sourced from Epidemic SoundArt by Ana BalaciFind more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr or Twitter Hosted on Acast. See acast.com/privacy for more information.

Lucy Parham chooses her favourite version of Beethoven's Piano Sonata, 'Les Adieux'

References Dr Guerra: membrane lectures Balin, M.1966. "Coming Back to Me" Jefferson Airplane. Surrealistic Pillow.1967. https://youtu.be/y2f3tlgApHw?si=cTa1nhYw6kcycxUs Dylan (Zimmerman),R. 1962 "Girl from the North Country". w. Johnny Cash. https://youtu.be/Je4Eg77YSSA?si=eYXfJhwOQisGjPHW Schubert, F. 1828.Piano Sonata in B-flat major, D.960 https://youtu.be/lncNcNtGkJY?si=KRTh3hQStQ3x51Ug --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Celebrating the 268th Birthday of Wolfgang Amadeus Mozart. Excerpts from the Symphony #39, Piano Sonata #17, String Quartet #23, Horn Concerto #4 and The Magic Flute. Performers include: Herbert Von Karajan, Claudio Arrau, The Budapest String Quarter and Dennis Brain. 

The phenomenal pianist Stewart Goodyear, known as both an improviser and composer, famously played all 32 of Beethoven's sonatas in one sitting, when he turned 32 years old. In predictably jaw-dropping fashion, Stewart then turned his electrifying powers to Tchaikovsky's 'The Nutcracker,' with his own transcription of the complete ballet. (The album, released in October 2015, was chosen by the New York Times as one of the best classical music recordings of 2015.) He has since recorded Ravel piano works, his own "Callaloo" Suite and Piano Sonata, and Gershwin's Rhapsody in Blue. He was supposed to have toured with Chineke! Orchestra, playing his "Callaloo" Suite this past year, but well. Yeah. 2020. Instead, we'll revisit this 2015 in-studio performance of pieces from Tchaikovsky's 'The Nutcracker.' 

Inside The Music continues its exploration of composer Franz Schubert through his late works. Artistic Director of Capital Region Classical Derek Delaney explores selections from Schubert's celebrated Death and the Maiden quartet, Winterreise, and A-major Piano Sonata through live CRC performances by the Belcea Quartet,  tenor Ian Bostridge, and pianist Jonathan Biss.Schubert: Quartet in D Minor, D. 810, Death and the Maiden – Andante con motoBelcea Quartet [10/16/2016 performance]Schubert: Selections from Winterreise, D. 911 Der Lindenbaum Wasserflut Die Post Die Nebensonnen Der Leiermann Ian Bostridge, tenor; WenWen Du, piano [4/19/2015 performance]Schubert: Piano Sonata in A Major, D. 959 – Rondo: Allegretto–PrestoJonathan Biss [3/12/2017 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Songs include: Sugar Foot Stomp, Jesus Give Me Water, Walking the Floor Over You, Piano Sonata #13, El Chivo and Jeep's Blues. Performers include: Cuarteto Coculense, James P. Johnson, Ernest Tubb, Arthur Schnabel, FDR and the Soul Stirrers. 

Likewise with the Anglo-Scottish composer William Wordsworth (1908–88), great-great-grandnephew of the poet, with whom I occasionally exchanged letters and phone calls in the pre-e-mail late 1970s and early 1980s: I never could have predicted that his reputation might be restored by a series of Toccata Classics albums of his orchestral music, and I confess to an inordinate degree of pleasure in having helped right that injustice. Wordsworth's piano music, too, was poorly known before now, none of it recorded since a handful of pieces appeared on LP 60 years ago – though his epic Piano Sonata is a work of major importance. The first-ever complete recording, on this release, reveals an honest, unfussy approach to the keyboard akin to that of two other major symphonists, Sibelius and Rubbra: like them, Wordsworth's primary concern seems to have been the expression of deep feeling – which makes the gentle story-telling of his miniatures for children all the more surprising. The pianist is that stalwart defender of Scottish piano composers, Christopher Guild – who grew up just a few miles along the Moray Firth from Wordsworth's Highland home overlooking Glen Feshie in the Cairngorms.TracksPiano Sonata in D Minor, Op. 13 (1938-39) (27:04) I. Maestoso (13:21) II. Largamente e calmato – (6:13) III. Allegro molto – Poco adagio – Tempo I (7:30) Three Pieces for Piano* (10:35) Prelude (1932) (4:40) Scherzo (undated) (2:04) Rhapsody (spring 1934) (3:51) Cheesecombe Suite, Op. 27 (1945) (13:18) I. Prelude (4:35) II. Scherzo (1:34) III. Nocturne (4:58) IV. Fughetta (2:11) Ballade, Op. 41 (1949) (7:55) A Tale from Long Ago (publ. 1952)* (1:48) March of the Giants (publ. 1952)* (1:16) Ding Dong Bell (publ. 1952)* (1:19) Snowflakes (publ. 1952)* (1:38) Fireside Story (publ. 1952)* (2:28) Bedtime (Six O'Clock) (publ. 1952)* (1:13) Bedtime Story (publ. 1952)* (1:25) Hornpipe (publ. 1952)* (1:03) Valediction, Op. 82 (1967)* (10:00) - First RecordingsHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Composer of the Week explores the life and music of Samuel Barber, who is only considered one of the most expressive representatives of the Romantic trend in 20th century classical music, as well as one of the most frequently performed American composers. His most famous score is his early Adagio for Strings; some of his other breakthrough include his Piano Sonata, and the opera Vanessa. Barber began studying piano from the age of six and started to compose from the age of seven. He went on to take composition lessons with Rosario Scalero at the Curtis Institute of Music and, from this point, he never looked back, quickly becoming one of America's most famous composers. He wrote in many different genres, including chamber, vocal, orchestral and works for the stage, and often composed in response to significant and highly desirable commissions. He enjoyed close collaboration with the performers he wrote for, shaping his music to their individual styles and capabilities. Only towards the end of his life, when he was struggling with depression, alcoholism and also cancer, did his creative output slow. Music Featured: Overture to The School for Scandal Dover Beach, Op 3 Cello Sonata, Op 6 (Adagio - Presto) Sure on this shining night, Op 13 No 3 Nocturne, Op 13 No 4 Adagio for Strings, Op 11 Violin Concerto, Op 14 (excerpt) Monks and Raisins, Op 18 No 2 Commando March Cello Concerto, Op 22 (Andante sostenuto) Medea Orchestral Suite, Op 23 (excerpt) Knoxville: Summer of 1915, Op 24 Piano Sonata, Op 26 (excerpt) Souvenirs, Op 28 (Galop) At St Patrick's Purgatory, Op 29 No 1 (Hermit Songs) The Monk and his Cat, Op 29 No 8 (Hermit Songs) Meditation and Dance of Vengeance, Op 23a Summer Music, Op 31 Vanessa, Op 32 (excerpt) Nocturne, Op 33 (Homage to John Field) My Lizard, Op 41 No 2 (Despite and Still) Canzone, Op 38a Piano Concerto, Op 38 (Allegro appassionato) Night Flight, Op 19a Antony and Cleopatra, Op 40 (Give Me Some Music) Agnus Dei, Op 11 In the Wilderness, Op 41 No 3 (Despite and Still) Third Essay, Op 47 A Green Lowland of Pianos, Op 45 No 2 Toccata festiva, Op 36 The Lovers, Op 43 (excerpt) Ballade, Op 46 Canzonetta, Op 48 Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio in Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Samuel Barber (1910-1981) https://www.bbc.co.uk/programmes/m001nnr8 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Synopsis In Cockney rhyming slang, being “Brahms and Liszt” means being tipsy. But in the latter 19th century, “Brahms and Liszt” signified opposite schools of contemporary music. Oddly enough, it was the younger Brahms, who represented the more conservative, traditionally structured side of the spectrum, while the older Liszt, represented a freer, less structured style, dubbed “the music of the future.” Brahms and Liszt first met on today's date in 1853, when Liszt was 41 and Brahms 20. The American composer and pianist William Mason was present at the meeting, which took place at Liszt's home in Weimar, and recalled the encounter in his memoirs. Liszt read at sight one of Brahms' early piano pieces and praised the young composer's work. When pressed for some of his own music, Liszt began playing his recently completed Sonata in B-Minor. Midway through the piece it became embarrassingly apparent that Brahms had fallen asleep in his chair. Maybe it was the summer heat, perhaps sleep deprivation – or maybe, as some must have thought at the time, Brahms was just bored. In any case, Liszt was understandably miffed, and after finishing his Sonata, rose from the piano and left the room without a word. Music Played in Today's Program Johannes Brahms (1833 - 1897) Ballade No. 3, Op. 10 Lars Vogt, piano EMI 57125 Franz Liszt (1811 - 1886) Piano Sonata in b Jeno Jando, piano Naxos 8.550510

It's the end of the series and the end of volume one for us here at Grimm Castle! So join us as we reveal the winners and losers of series 5 of Grimm Reading and indulge in some classic story stats. We then share some clips from our latest special episodes (The Little Mermaid and Sinbad The Sailor), and finally resurrect story stats as we reveal the top and bottom stories of the entire five years of the podcast.  Links: 5 Year Grimmversary YouTube Livestream The Little Mermaid Payhip Sinbad The Sailor (Part 1) Payhip Sinbad The Sailor (Part 2) Payhip Series 5 Spotify Playlist Join our Patreon! Theme music: Bicycle Waltz by Goodbye Komiko. Other music: Dvořák's Humoresque Op.101 No. 7 // Nikolai Rimsky-Korsakov's Scheherazade Suite: The Sea and Sinbad's Ship // Franz Schubert's Piano Sonata no. 18 in G major, D.894 IV. Allegretto