Podcasts about b flat

Max Ionata si racconta in un'esperienza fatta di sacrificio, amore e passione per la musica Max Ionata, radici abruzzesi, e una grande passione: la musica! che diventa una compagna di vita fidata che rappresenta un percorso non privo di difficoltà ma che porta tanta creatività e soddisfazione nella sua esistenza. Artista molto apprezzato per le sue qualità musicali, da considerarsi totalmente completo. Con il suo sassofono riesce ad emozionare le persone. In ogni tappa dei suoi tour, il suo pubblico si lascia trasportare dalle note suadenti del jazz, genere che accompagna Max Ionata da sempre, come materia musicale di studio e di perfomance. Un'artista musicale ma anche pregno di sentimento Come musicista trasmette con le sue doti e il suo talento da professionista diverse vibrazioni emotive, riuscendo ad attraversare l'anima; tutto questo può essere percepito durante le sue serate. Ha fatto tappa nella città di Cagliari, al B-Flat, dove l'evento ha fatto sold-out, e dove Max Ionata ha portato una ventata di freschezza ed eleganza con il suo sound, ricolmando il locale di tanti affezionati del genere jazz. Un rapporto con il suo strumento, il sassofono, che definisce letteralmente morboso. Innamorato della musica da tutta una vita, si permette di definire quest'ultima uno strumento per rimanere collegati alle proprie radici primarie e a luoghi pregni di magia. Max Ionata molto legato quindi alle sue radici si espande con temerarietà fra Italia, Francia, arrivando fino al Giappone: prevalentemente Tokio. Max Ionata e la profondità del suo percorso Un grande percorso, una strada non sempre diritta ma fatta con il cuore e con l'anima, poichè la musica rappresenta uno sposalizio, un sodalizio, che lui ritrova ogni volta che si immerge a tu per tu con il suo sassofono. La musica è un richiamo alla vita, alla gioia e alla spensieratezza; il suono è! un soffio che arriva dal profondo, e questo Max Ionata lo sa benissimo. Durante l'intervista ci racconta la bellezza dei suoi progetti futuri , di tutte le sue prossime tappe e collaborazioni. Max Ionata anche sui social: dove trovate i promemoria dei suoi concerti. Non perdetevi l'intervista per intero con Max Ionata, in questo viaggio esperienziale tra musica e introspezione.

Brief introduction of this very "Fun" Command Performance where all the stars play characters in a Dick Tracy story "Dick Tracy in B-Flat" Unusual show as generally the stars did solo performances or participated in some comedy skit. On this show they mostly play in the skit. Excuse? They said the troops were spending a lot of time reading comic books, so they re-created a comic book story from the Dick Tracy strip. Will be stored in Command Performance playlist.

#48 In this episode I open the floor to an important ingredient of great Music: the Mysterious. Music is often beautiful for reasons that we don't quite grasp, it is tricky to point at what makes a piece unique and profound. I invite you to stay open when listening to music that lets the element of Mystery take over. In this episode I will discuss and provide examples of three works by modern and classical composers.‎Perugia – by Roland Hanna – Apple MusicPerugia - by Roland Hanna | Spotify‎Piano Sonata No. 21 in B-Flat, D. 960: II. Andante sostenuto – by F. Schubert, Mitsuko Uchida – Apple MusicPiano Sonata No. 21 in B-Flat Major, D. 960: 2. Andante sostenuto - by Franz Schubert, Mitsuko Uchida | Spotify‎Meridianne--A Wood Sylph – by Wayne Shorter & Herbie Hancock – Apple MusicMeridianne - A Wood Sylph - by Herbie Hancock, Wayne Shorter | SpotifySupport Where is the Music Podcast: PATREONWhere is the Music on Substack:https://albertoferro.substack.com/My Piano Courses:The Piano Music of ChopinCounterpoint FundamentalsFor a 30% discount on my Chopin Course add the coupon code CHOPINhttps://www.udemy.com/course/the-piano-music-of-chopin/?couponCode=CHOPINFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFYWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE

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Yahrtzeit Yomi #1093!! כה סיון Reb Yossele Rosenblatt The King of Cantors ר׳ יוסף ב״ר רפאל שלום רוזנבלט מלך החזנים (1882 - 1933) ---------------------------------------------------- Yahrtzeit Yomi for the final week of Sivan is dedicated לעילוי נשמת רב יעקב בן ר׳ אברהם ז״ל ת.נ.צ.ב.ה. ---------------------------------------------------- Friends, as any seasoned follower of Yahrtzeit Yomi knows, NOBODY can do it as well as Reb Yaakov Brown, Curator of Klal Yisrael!! On the occasion of the 91st yahrtzeit of Reb Yossele Rosenblatt zl (כה סיון), YY is honored to present the following stunning tribute to “The King of Cantors”. Our utmost gratitude is extended to Reb Yaakov Shlita for his gracious and selfless dedication to the cause of spreading inspiration to the Jewish people!! זייט מצליח!! By a show of hands, how many of you are fans of chazzanus? (......Insert crickets here......) That's what I thought. However, in spite of this, it behooves us to step outside of our normal comfort zones, and very briefly (- emphasis on neither very nor briefly -) cover the life and career of The King of Cantors - The Golden Voice of Jewish Music, Yossele Rosenblatt. I think you'll find it's worth the read. Standing at not much more than five feet tall, Rosenblatt was still an impressive figure with his heavy, dark beard and fastidious appearance. Until the early post–World War I years, Rosenblatt pretty much dominated the world of chazzanus in America. Reviewers sometimes described him as a man with two, even three voices: a warm baritone, a ringing tenor, and a shimmering falsetto. What's more, he could navigate between them with ease. Rosenblatt, almost completely self-trained, had perfect pitch and could read the most difficult musical score at sight. He had a pure voice of extraordinary sweetness and carrying ability. The placement of his voice was fantastic. It was facetiously said that he could hit a fly in the gallery with a high B Flat. The voice itself was not large in size or in volume, but so well was it placed that it carried to the furthest part of any auditorium with utmost ease, whether in a heavenly pianissimo or in a ringing forte. His range was phenomenal. To get a little more technical for the vocalists out there, he sang into bass clef with no effort whatsoever and was able - in falsetto - to reach a sustained E above high C, a male range extending some three octaves, about a third more than is customary for an average good operatic tenor. The singer's vocal control was something that had to be heard to be believed. His ability to sing runs, trills, sustain a legato, handle coloratura passages and to color his voice all came from a technique no longer taught and which has not been known for well over three-quarters of a century. ... (See WhatsApp group or https://jewishmusicalnotes.com/yossele-rosenblatt-zl-1882-1933-25th-of-sivan/ for remainder of tribute) ---------------------------------------------------- Share the Yahrtzeit Yomi link with your contacts!! https://chat.whatsapp.com/JimbwNtBaX31vmRDdnO3yk --------------------------------------------------- To dedicate or sponsor, please contact 917-841-5059. Sponsorships can be paid by Zelle to the same number. First come, first served. Monthly sponsorships are $540. Weekly sponsorships are $180. Daily sponsorships are as follows: Dedications (l'Zecher Nishmas, Zechus shidduch/refuah/yeshuah, etc.) are $50. Sponsorships (fliers, advertising, promotions, additional links, etc.) are $100. The cost to request and sponsor a specific Tzaddik (unlisted on the Yahrtzeit Yomi schedule) is $180. MAY THE ZECHUS OF ALL THE TZADDIKIM PROTECT US FROM ALL TZAROS, AND MAY HASHEM GRANT US, AND ALL OF KLAL YISROEL, A MONTH OF YESHUOS, NECHAMOS AND BESUROS TOVOS!!! --------------------------------------------------- Remaining Sivan Yahrtzeits!! 26. Rabi Yonasan ben Uziel/Rabi Yosi ben Kisma 27. Rav Dovid Trenk 28. Rav Gustman 29. Shlichas Meraglim 30. Rav Shlomo Kluger

Send us a Text Message.Feeling tired? Need to unwind? Then how about some gentle, soothing piano music? Welcome to the the Episode 4 of Series 5 in the Relaxing Piano Playlist! In this episode, I perform for you music by Bach, Chopin, Schubert-Liszt, Grieg, MacDowell and Mvt 2 of Mozart's Piano Concerto No.27 in B Flat.

There are a few tropes when it comes to Schubert's late music. The pieces are very long. They have four movements.  The first two movemnts are expansive, magisterial explorations of the human psyche, and the last two movements are much lighter, almost like two different pieces are at play. All of these tropes fit the Schubert B Flat Sonata we started talking about a couple of weeks ago. After the huge first movement, Schubert takes us into a world of the most remarkably simple and yet profoundly moving music in the second movement, followed by a scherzo and last movement that seem(and I emphasize the word seem) to wash all of that away. The last two movements of this sonata in particular have come in for criticism in some quarters, but this is nothing new for Schubert. You hear this criticism about his G Major Quartet, his cello quintet, and other large scale works. It's also been theorized that the final two movement “curse” Schubert seemed to struggle with is why he left his 8th symphony unfinished. But as you'll hear today, I don't think there's much, if anything, to criticize in these final two movements, and I'll try to argue that there's no drop off in quality in this music, just a different approach and outlook. But the bulk of today's show will be about this second movement. There is something beyond otherworldy in this character of Schubert's music. It doesn't belong to our world, but it doesn't belong to another world either. Instead it goes somewhere even deeper than we can possibly imagine. Schubert goes to a different place than any other composer when he is in this “mood,” and in this movement, that bleak character is married to profound consolation, creating a movement of utter perfection. So let's explore the final three movements of this remarkable Sonata together. Join us!

For a long time I've received emails and messages from people asking, and sometimes demanding, that I explore the solo piano repertoire. Other than a look at the Goldberg Variations of Bach, I've basically neglected a huge amount music, including some of the greatest works ever written. Why have I been doing this? Well, if I'm totally honest, it's been slightly out of a sense of intimidation. I'm not a pianist, and I've always been somewhat in awe of the piano and pianists. Even after spending years with this music, I still felt that I just simply didn't know the solo piano repertoire well enough to do it justice. Well, now that I've gone through ALMOST all of the symphonic standard repertoire, and now that I've started exploring the string quartet repertoire, I think it's time to throw off this sense of awe and dive right in. You might think I might not reach too high to start off, maybe an early Beethoven sonata, or a Mozart or Haydn Sonata. Well, in my opinion you've got to go big or go home, so I've decided to explore one of the towering masterpieces not only of the solo piano genre, but of all music, Schubert's Sonata in B Flat Major. This is a piece that has been described as “well-nigh perfect,” as “beyond analysis,” as including “the most extraordinary trill in the history of music,” and as “the climax and apotheosis of Schubert's instrumental lyricism and his simplicity of form.” These are just a few of the superlatives I've found in researching this piece. It was written in the last weeks of Schubert's short life, and it truly does take the listener on an unforgettable journey. There is nothing quite like Schubert's final works, and so over the next two episodes, I will take you through this remarkable sonata, a piece that Alex Ross has described as “a premature communication from the beyond.” This is a huge piece, with so much to talk about, so I've split this episode into two parts. This week we'll look at the first movement, and then in two weeks we'll cover the final three movements. Join us!

Keep Retro Radio going… buy us a coffee here! https://www.buymeacoffee.com/retroradio If you like what you hear, consider giving this show a like! Liking these shows helps us to know what you like to hear more of. Take Retro Radio wherever you go! Subscribe today, and share it with your friends! ——————— As these shows have been in the public domain for quite some time, the audio quality of these episodes can vary. So don't adjust your dial… it's most likely the audio file itself :) Disclaimer: The content featured here originated from the “Golden Age of Radio” (1920-1962), and may contain racial, ethnic, and gender stereotypes that are incompatible with our values today. They were wrong then, as they are today. These representations do not reflect the views of Retro Radio and are presented here solely for historical, educational, and/or entertainment purposes. We denounce any form of discrimination and aim to foster a respectful and inclusive atmosphere, while still respecting the talent, entertainment value, and historical value these recordings may bring. Please approach this material with sensitivity, recognizing that they may reflect attitudes of its time. Your engagement with this content is appreciated, and we encourage thoughtful consideration and discussion. —————— Vintage radio classic radioshow OTR old time radio Hollywood movie stars shows suspense detective comedy sci-fi science fiction variety music guest star

The stars align here as Command Performance presents a star-studded comedy musical based on the classic comic strip "Dick Tracy". Starring Bing Crosby as Tracy and Dinah Shore as Tess Trueheart, and supported by Bob Hope, Jimmy Durante, Judy Garland, and more! ————— Keep Retro Radio going… buy us a coffee here! https://www.buymeacoffee.com/retroradio If you like what you hear, consider giving this show a like! Liking these shows helps us to know what you like to hear more of. Take Retro Radio wherever you go! Subscribe today, and share it with your friends! ——————— As these shows have been in the public domain for quite some time, the audio quality of these episodes can vary. So don't adjust your dial… it's most likely the audio file itself :) Disclaimer: The content featured here, originated from the “Golden Age of Radio” (1920-1962), and may contain racial, ethnic, and gender stereotypes that are incompatible with our values today. They were wrong then, as they are today. These representations do not reflect the views of Retro Radio and are presented here solely for historical, educational, and/or entertainment purposes. We denounce any form of discrimination and aim to foster a respectful and inclusive atmosphere, while still respecting the talent, entertainment value, and historical value these recordings may bring. Please approach this material with sensitivity, recognizing that they may reflect attitudes of its time. Your engagement with this content is appreciated, and we encourage thoughtful consideration and discussion. —————— Vintage radio classic radioshow OTR old time radio Hollywood movie stars shows suspense detective comedy sci-fi science fiction variety music guest star

Wow! One of the classics of all old time radio! Judy Garland Podcast 1945-02-15 Command Performance (162) - Judy Garland, Bing Crosby, Bob Hope, Frank Sinatra, etc in Dick Tracy in B Flat (Mindi and Stacey)

Today I'll explore some fundamental aspects of Beethoven's music through one of his early-mid works, the Sonata in B-flat op. 22. The revolution operated by the composer is about the power of sound as vehicle for carrying energy and tension: his masterful command over the musical form has transformed the way we enjoy and create music, from his contemporaries to today's listeners.L.v.Beethoven Sonata No. 11 in B-Flat op. 22AppleMusic Spotify Support Where is the Music Podcast through: PATREONWhere is the Music Podcast is on:SPOTIFYAPPLEYOUTUBE TUNEINRSS FEEDFollow Alberto L. Ferro:MUSICBLOGYOUTUBEINSTAGRAMFACEBOOKSPOTIFY

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Donna Hill began her career in 1987 writing short stories for the confession magazines. Since that time she has more than 100 published titles to her credit since her first novel was released in 1990, and is considered one of the early pioneers of the African American romance genre.  Three of her novels Intimate Betrayal, Masquerade and A Private Affair have been adapted for television. The only Arabesque /BET Books author that can claim that distinction. She has been featured in Essence, the New York Daily News, USA Today, Today's Black Woman, and Black Enterprise among many others. She has appeared on numerous radio and television stations across the country and her work has appeared on several bestseller lists. She has received numerous awards for her body of work—which cross several genres– including The Career Achievement Award, the first recipient of The Trailblazer Award, The Zora Neale Hurston Literary Award, The Gold Pen Award among others, as well as commendations for her community service, during her tenure as Coordinator for Kianga House—a transitional residence for homeless teen mothers and their children. Donna co-wrote the screenplay Fire, which enjoyed limited theater release before going to DVD.As an editor she has packaged several highly successful novels, and anthologies, two of which were nominated for awards.  She began her ‘teaching” career as  a writing instructor at The Frederick Douglass Creative Arts Center in New York in the early 90s. Several of her students have gone on to publish novels.  Donna also served as a writing instructor with the Elders Writing Program sponsored by Medgar Evers College through Poets & Writers, and successfully worked to compile and publish the memoirs of the elders.  While Donna may not be recognized on national bestsellers lists, she has maintained a solid  30-year writing career, supported by her devoted fans, which she celebrated in June 2020 in commemoration of the release of her first novel Rooms of the Heart.Donna holds an MFA in Creative Writing from Goddard College, and is in pursuit of her D.A. degree from Murray State University in English Pedagogy and Technology. She is an Assistant Professor of Professional Writing at Medgar Evers College, and former Adjunct Instructor at Baruch College, Essex County College and the College of New Rochelle. Donna currently lives in Brooklyn with her family.Variety just announced that Amblin Partners has secured the film rights to Donna Hill's Confessions in B-Flat (published in 2020), with Academy Award-winning actor and producer Octavia Spencer, four-time Oscar-nominated producer Kristie Macosko Krieger and Aimee Carpenter set to produce.  Learn more at: Donna's website: https://donnaohill.comConfessions in B-Flat: https://variety.com/2023/film/news/confessions-in-b-flat-octavia-spencer-kristie-macosko-krieger-amblin-partners-1235547697/https://twitter.com/donnahillhttps://www.facebook.com/donnahillwriterhttps://www.entangledpublishing.com/books/i-am-ayah-the-way-home

In this exciting installment, we had the pleasure of sitting down with the incredibly talented producer, singer, and songwriter, Brian "B-Flat" Cook. Join us as we delve into B-Flat's journey, exploring his humble beginnings and how he carved his path in the music industry. We'll uncover the influences that have shaped his unique sound, from his early days as a musician to his current artistic endeavors. During our conversation, we dive into some exciting collaborations that B-Flat has been a part of. Get ready to hear behind-the-scenes stories of his work with renowned artists like RL, Lil Duval, and Ty Dolla $ign. Discover the creative process behind their collaborations and the magic that happens when these talented individuals come together in the studio. But that's not all! We have an exclusive scoop on B-Flat's highly anticipated collaboration project, "Roses Are Red But I'm Color Blind," with the incredibly talented Akeem Ali. Gain insights into the inspiration behind the project, the stories behind the tracks, and the chemistry between B-Flat and Akeem as they bring their unique styles to this exciting musical endeavor. Whether you're a music enthusiast, aspiring artist, or simply curious about the creative process, this episode is a must-listen. So tune in and join us for an enlightening conversation with Brian "B-Flat" Cook as we explore his musical journey, his collaborations with industry heavyweights, and the captivating world of "Roses Are Red But I'm Color Blind."

Understanding the differences in every instrument in your band can be challenging. We are so grateful that Christina is joining us today to share some insight and tips to help us better understand the bass clarinet and how we can help our students with this instrument.Christina has an extensive background in bass clarinet and teaching. She is sharing the differences between bass clarinet and B-flat clarinet, tips for starting students on bass clarinet, when to switch students to bass clarinet and what to look for in terms of readiness, her suggestions for reeds, and what her favorite pieces are that have prominent bass clarinet parts. Show notes: https://classroomcomposers.com/episode-13-bass-clarinet Website: www.classroomcomposers.comTpT Store: www.teacherspayteachers.com/Store/Classroom-Composers

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虽然同属“古典音乐三巨头”，贝多芬与海顿、莫扎特在时间线上俨然已经是下一个世代的人了，那个时间的欧洲风云突变，启蒙思想兴起，一切的变化对贝多芬的音乐创作也产生了很大的影响。本期节目我们就来聊聊这些影响在贝多芬音乐中留下来的痕迹，以及贝多芬在音乐上是如何成为那个时代乃至整个古典时代的代表人物的。欢迎关注+订阅，欢迎互动，感谢收听。包含曲目：0:26- Piano Trio No.7 in B-Flat major - I. Allegro moderato (降B大调第7钢琴三重奏《大公》，作品 97)13:40- Symphony No. 3 in E Flat Major, Op. 55 "Eroica" - Finale. Allegro molto (E major)27:25- Beethoven: String Quartet No.13 in B flat major, Op.130 - 5. Cavatina (Adagio molto espressivo) (降B大调第13号弦乐四重奏，作品130 - 第五乐章 小歌调 - 深情的柔板)35:30- Symphony No. 9 in D Minor, Op. 125 - II. Molto vivace - Presto (D小调第9号交响曲，作品125“合唱” - 第二乐章 甚活泼)

We're talking about Minutes 43-44 of The Muppet Christmas Carol, in which Scrooge meets Belle and they seem to like each other. With special guest Erik Adams of IndieWire! PLUS: Does Rizzo ever eat sentient food? Scrooges with matching eyebrows! Is Scrooge more comfortable with numbers than people? When will Beaker turn into a fly? Dick Tracy in B-Flat! And did Robert Marley invent the phrase "dancing fool?" ALSO: Read Erik's article about the long-lost score of It's the Great Pumpkin, Charlie Brown on IndieWire! Hosted by Anthony Strand & Ryan Roe Guest Erik Adams Produced & Edited by Ryan Roe Logo by Morgan Davy

Steven Isserlis explores the rich and varied community at IMS Prussia Cove. With contributions from some of the people who are associated with the many aspects of the music seminars, including Jonathan Gaisman, Peter Greiner, Bridget Hugh-Jones, Mark Jennings, Alexander Maund, Petroc Trelawney, Samuel West and Rosie Yeatman. Artistic Director: Steven Isserlis  @StevenIsserlis Contributors in order of appearance: John Antonaki Petroc Trelawney Viv Shield Rosie Yeatman Nik Anikitou David Sommer Sam Hewson Arlex Martinez Eleanor Mumford Tim Bickersteth Bridget Hugh-Jones Alexander Maund Hannah Morrow Peter Greiner   Mark Jennings Amy Norrington Samuel West Jonathan Gaisman Music in order of appearance: Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Webern, Six Bagatelles for String Quartet, IMS Concert St Bunyan Church, 24.9.05 - Ida Levin & Susie Park violins, Lila Brown viola, Kari Ravnan, Cello. Mendelssohn Octet, Open Chamber Music 1978, St Michael's Mount - Sándor Végh, Sachiko Nakajima, Ola Rudner, Erich Höbarth, violin, Kim Kashkashian, Michel Rouilly, viola, Marcy Rosen, Steven Isserlis, cello. Schubert String Quartet in D minor, IMS Concert St Martin & St Meriadoc Church, Camborne, 2006 – Pekka Kuusisto, Fenella Humphries, violin, James Boyd, viola, Richard Harwood, cello. Schubert B-Flat Piano Trio, IMS Concert, 1978 - Sándor Végh, violin; Johannes Goritzki, cello; Peter Pettinger, piano. Brahms String Sextet in G Major Op.26. Kurtág, Carenza Jig, performed by Scott Dickinson. Haydn Sting Quartet Op.50 No.1 in B Flat, IMS Concert Wigmore Hall, 26.11.22 – Krysia Osostowicz, violin, Lesley Hatfield, violin, Tim Boulton, viola, Amy Norrington, cello. Narrator: Samuel West @exitthelemming Series Producer: Melissa FitzGerald @Melissafitzg With thanks to Chris Doggett for the archive digitisation. Special thanks to Capriccio for the use of the recording of the Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Cover Artwork: Bananadesign Ltd Follow us on Instagram @ims_pc Twitter @ims_pc www.i-m-s.org.uk This episode is dedicated to the loving memory of Tessa Gaisman, IMS Prussia Cove's Chairman from 1996 - 2022. 

This is the first micro message series here on the podcast! I'm going to be doing some shorter episodes in between the longer interview style conversations you all are used to! I hope this edifies you, makes you laugh and of course that it would be thought-provoking! This is a super cool conversation with Ben Bullock he was a music teacher, a pastor and music producer! It's a great conversation with plenty of flavor! Be encouraged and enjoy the show!

Bust out your favorite historic instrument and take a stab at a B Flat scale, because this week we're watching Season 3, Episode 8: Lisa's Pony! Join Robert & Kaitlyn as they discuss the perils of a tough audience, Robert's cool middle school clique, and why a teapot is worthless if it can't make tea.  You can check out the Simpsons Wiki

Donald Macleod explores Carl Maria von Weber's city lives and those dramas and scandals survived throughout. Weber's relationship with European cities mirrored his life and work, from the restless wandering of his earlier years, to the way his life changed after the success of his opera Der Freischütz. And in his final months he travelled to London to compose and produce another major opera, Oberon, but would die after giving its first performances. The young Weber had an unerring ability to cause offence. He got involved in multiple love affairs that caused him problems. He was also very good at racking up debts. These traits unfold as we follow Weber's picaresque journeys around Europe, flitting from city to city: sometimes chasing opportunities, sometimes in disgrace, at other times escorted away under armed guard. Music Featured: Grande polonaise in E-Flat major, Op 21, J. 59 Der Beherrscher der Geister (Ruler of Spirits), J. 122 Clarinet Quintet in B-Flat major, Op 34, J. 182 (1st mvt) Symphony No. 1 in C Major, Op 19, J. 50 (1st and 2nd mvt) Das Hifthorn schallt, ‘Huntsmen's Chorus' (Silvana, Act 1) Momento capriccioso, Op 12, J.56 Piano Concerto No 1 in C major, Op 11, J. 98 Clarinet Concertino in C minor / E-Flat major, Op 26, J. 109 Abu Hassan, J. 106 (Overture) Piano Concerto No 2 in E-Flat major, Op 32, J. 155 (2nd and 3rd mvt) 9 Variations on a Russian Theme, "Schöne Minka", Op 40, J. 179 Missa sancta No 1, Op 75, J. 224 (Kyrie and Gloria) Aufforderung zum Tanze, Op 65, J. 260 Der Freischütz, J. 277 (Act 3: Finale) Oberon, J. 306 (Overture) O Araby dear (Oberon, J. 306, Act 3) Piano Sonata No 4 in E minor, Op 70, J. 287 (3rd mvt) Presented by Donald Macleod Produced by Iain Chambers For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Carl Maria von Weber (1786-1826) https://www.bbc.co.uk/programmes/m001cckh And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the work of Franz Schubert, focusing on five distinct phases in the composer's life. And afterlife. We start in 1815, the year in which Schubert turned 18 and was a reluctant schoolmaster still living under his father's roof. Although he was in many ways unhappy and constrained by his circumstances, he was still prodigiously prolific. In the years after 1820, we see him spreading his wings as he'd never been able to do before, enjoying a sense of liberation after being shackled to the schoolroom in his father's house. In 1824 we see a year of ill-health for Schubert, but also a year of fighting back, with attempted cures and triumphant, ambitious music. In Schubert's final year – inevitably coloured by sadness, but also by great spirit and tenacity - emerged what is for many people Schubert's crowning achievement: his song-cycle Winterreise. Schubert died at the age of 31, when most people are just getting going in life – in the same decade as Keats and Byron and Shelley – and he's often thought of, with them, as an exemplar of a kind of doomed romanticism. Central to that is a sense of having been thwarted in life – encapsulated, in Schubert's case, by the fact that so much of his music was unpublished in his lifetime, so much never even heard. However, in the years after his early death, his music found an audience, including the BBC's regular ‘Schubert Nights' in the 1920s. Music Featured: Erlkonig Sonatina for violin and piano No 2 in A minor String Quartet No. 12 Variation on a Waltz by Diabelli (Variation 38) Am See Sei mir gegrüßt, o Sonne! (Alfonso und Estrella, Act 1) Fantasie in C major, “Wanderer” Das Wandern (Die Schone Mullerin, No 1) Des Baches Wiegenlied (Die Schone Mullerin, No 20) Piano Sonata in C major for Four-Hands, "Grand Duo" String Quartet No 13 in A minor, Op 29, "Rosamunde" Arpeggione Sonata in A minor (1st - 2nd mvt) Winterreise 2, No 1: Die Post Winterreise 2, No 7: Tauschung Symphony No 9 in C major, “the Great” (4th mvt) Piano Sonata No 21 in B Flat major (1st mvt) Die Nacht Der Tod und das Mädchen Symphony No 10 (orch. Brian Newbould) Presented by Donald Macleod Produced by Martin Williams For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Franz Schubert (1797-1828) https://www.bbc.co.uk/programmes/m001bkkp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here. What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works. Featured Recordings of Schubert's Works: "Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us "Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records "Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan,  Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records "Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space ""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here.What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works.Featured Recordings of Schubert's Works:"Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us"Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records"Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan, Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records"Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

This episode contains discussions of syphilis. If you are concerned you have syphilis or another sexually transmitted infection, you can find information about sexual health clinics in New York City here.What's the relationship between syphilis, mercury, and the composer of "Die Forelle?" Flute-player Emi Ferguson continues her exploration of how syphilis impacted classical composers. This episode looks at the case of Franz Schubert, who died in 1828 at the age of 31. She is joined by Schubert scholar and James H. Ottaway Professor of music history, Christopher H. Gibbs, as well as Dr. Sheila Lukehart. Together, Emi and her guests explore the impact of syphilis and its treatments on Schubert, as well as his late life and works.Featured Recordings of Schubert's Works:"Der Erlkönig," "Die Forelle," by Karim Sulayman and Yi-heng Yang, from the album Where Only Stars Can Hear Us"Die Taubenpost," from Schwanengesang, performed by Matthew Rose and Malcom Martineau, courtesy of Stone Records"Variations for Flute and Piano on Trockne Blümen," performed by Emi Ferguson and Peter Dugan, Piano Sonata No. 21 in B-Flat, D. 960 (1. Molto moderato, 2. Andante sostenuto), performed by Sviatoslav Richter, courtesy of Parnassus Records"Shepherd on the Rock," performed by musicians from Marlboro, live in the Greene Space""Der Erlkönig," performed by Hope Lies Within, courtesy of Hope Lies Within

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Today's WPMT premiere features some major stars - Bing Crosby as “Tracy,” funnyman Bob Hope as “Flattop,” Cass Daley as “Gravel Gertie,” at the time - teen heartthrob Frank Sinatra as “Shaky,” actress Dinah Shore as “Tess Trueheart,” Judy Garland as “Snowflake Falls,” The Andrews Sisters as “The Summer Sisters” (May, June and July), actor Frank Morgan as “Vitamin Flintheart,” comedian Jerry Colonna as “Chief Brandon,” Harry Von Zell as “Judge Hooper” and Jimmy Durante as “The Mole.” The original broadcast was performed at the Shrine Auditorium in Los Angeles on February 15, 1945 and is available to you, today!

Donald Macleod explores Beethoven's life as a set of themes and variations, beginning with his very first musical excursions in the form in the early 1790s. Ludwig van Beethoven (1770-1827) composed piano music in the form of themes and variations across his entire career - from his earliest published work to his late, titanic “Diabelli Variations”, lasting nearly an hour. And Beethoven's life can itself be seen as a set of variations on a theme: recurring episodes of unrequited love, artistic anguish, angry fallings-out and constant striving for the highest pinnacle of musical achievement. Yet Beethoven's piano variations often lie in the shadow of his 32 great sonatas for the instrument. This week, Donald Macleod puts that right - shining a light on this remarkable corpus of work, as well another often-overlooked genre: his piano bagatelles. Diabelli Variations (Theme and 1st variation) Variations in C Minor on a theme of Ernst Christoph Dressler, WoO 63 Variations in G on “Quant'e piu bello”, WoO 69 Piano Trio no 2 in G, Opus 1 No 2 (2nd mvt) Piano Concerto no 2 in B Flat, Op 19 (3rd mvt) Six Bagatelles, Op 126 Variations in D on “Rule Britannia!”, WoO 79 Variations in F, Op 34 Christ On The Mount Of Olives, Op 85 (excerpt) Seven Bagatelles, Op 33 Bagatelle in C Major, Woo 54 “Lustig-Traurig” Clarinet Trio, Op 38 (5th mvt) An die Hoffnung, Op 32 Eroica Variations, Op 35 Triple Concerto in C Major, Op 56 (2nd and 3rd mvts) Tarnopolsky: Echoes Of The Passing Day Bagatelle in A Minor (“Für Elise”), WoO 59 Variations in C Minor, WoO 80 Mass in C Major: Credo Variations on an original theme (March from the “Ruins of Athens”), Op 76 Eleven Bagatelles, Op 119 Diabelli Variations, Op 120: Theme Diabelli Variations, Op 120: Variations 1-10 Diabelli Variations, Op 120: Variations 11-14 Franz Liszt: Variation 24 for Diabelli's Waltz F.X. Mozart: Variation 28 for Diabelli's Waltz Schubert: Variation 38 for Diabelli's Waltz Diabelli Variations, Op 120: Variations 15-18 Diabelli Variations, Op 120: Variations 25-33 Presented by Donald Macleod Produced by Steven Rajam For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ludwig van Beethoven (1770-1827) https://www.bbc.co.uk/programmes/m0019c66 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Drake and Keith Van Horn walk into a bar... (The bar is this episode, duh.) Will finds a note and catches fire. Michael consults the Urban Dictionary. Also: Bad Brothers keeps going, Julia Fox ruins muses, music smarts, role reversal, Emerald Downs, dog toys, and the humility of Steve Pool. Instagram https://instagram.com/badbrotherspodcast  Apple https://apple.co/2JeSUIr Spotify https://sptfy.com/badbrotherspod   Bad Brothers Pod Michael and Will Browning Port Orchard (& Gig Harbor), Washington's Finest Podcast  

Khingz - Fort Cash Money from the 2022 album Over The World on OTOW/ freshcutflowers. Khingz has long been an influential force in the Seattle hip hop scene, with the crowning achievement of Best MC of the Year in 2009 according to Seattle Weekly for his groundbreaking record From Slaveships to Spaceships. A powerful collaborator, Khingz has worked with Geologic of Blue Scholars, Macklemore, and KEXP's own Gabriel Teodros in the hip-hop supergroup Good Medicine, with B-Flat and Crispy of Godspeed as the trio Hi-Life Soundsystem, and, once again, with Teodros as well as rapper Nam under the project The Livin Yard. His latest single and our Song of the Day reiterates Khingz' affinity for collaboration. Over a twinkling piano line and vibrant high hats, Khingz waxes poetic about his desire to bring up the people around him and the power and importance of doing so in “Fort Cash Money.” “Please God make me useful for those I love,” Khingz pleads. “I just wanna be the plug /I just wanna bring them power.” The song comes from Khingz' latest full-length and first in 13 years, Over the World, released last month. Khingz will be playing the Clock Out Lounge on July 23rd for the latest installment of The Good Foot alongside notable names such as the aforementioned Geologic and Grynch. Read the full story at KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

He's been an academic who's studied the country, and a businessman who's created wealth and jobs. Now he wants to help India achieve its potential. Naushad Forbes joins Amit Varma in episode 282 of The Seen and the Unseen to talk about his life and learnings -- and the roadmap that can help India lift its citizens. Also check out: 1. The Struggle And The Promise: Restoring India's Potential -- Naushad Forbes. 2. Ram Guha Reflects on His Life -- Episode 266 of The Seen and the Unseen. 3. Aakar Patel Is Full of Hope -- Episode 270 of The Seen and the Unseen. 4. PG Wodehouse on Amazon. 5. The Importance of the 1991 Reforms -- Episode 237 of The Seen and the Unseen (w Shruti Rajagopalan and Ajay Shah). 6. Elite Imitation in Public Policy -- Episode 180 of The Seen and the Unseen (w Shruti Rajagopalan and Alex Tabarrok). 7. The Great Redistribution -- Amit Varma. 8. Early Indians — Tony Joseph. 9. Tony Joseph's episode of The Seen and the Unseen. 10. Who We Are and How We Got Here — David Reich. 11. Two-and-a-Half Bengalis Have an Economics Adda -- Episode 274 of The Seen and the Unseen (w Rajeswaro Sengupta and Shrayana Bhattacharya). 12. India's Problem is Poverty, Not Inequality — Amit Varma. 13. On Inequality — Harry Frankfurt. 14. Our Unlucky Children (2008) — Amit Varma. 15. Fund Schooling, Not Schools (2007) — Amit Varma. 16. The Beautiful Tree -- James Tooley. 17. Fixing Indian Education -- Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 18. The Loneliness of the Indian Woman -- Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 19. Black Beauty -- Anne Sewell. 20. Enid Blyton and Gerald Durrell on Amazon. 21. Leave it to Psmith -- PG Wodehouse. 22. Survival In Auschwitz -- Primo Levi. 23. Homage to Catalonia -- George Orwell. 24. Steven Van Zandt: Springsteen, the death of rock and Van Morrison on Covid — Richard Purden. 25. Marginal Revolution. 26. Econ Talk — Russ Roberts's podcast. 27. Conversations With Tyler — Tyler Cowen's podcast. 28. Deirdre McCloskey on Amazon. 29. Manmohan Singh's budget speech on July 24, 1991. 30. Government's End: Why Washington Stopped Working -- Jonathan Rauch. 31. The oddest entry in Business Week's 2009 list of the 50 Most Powerful People in India. 32. India's Lost Decade — Episode 116 of The Seen and the Unseen (w Puja Mehra). 33. The Lost Decade — Puja Mehra. 34. State Building: Governance and World Order in the 21st Century -- Francis Fukuyama. 35. The Origins of Political Order -- Francis Fukuyama. 36. Political Order and Political Decay -- Francis Fukuyama. 37. James Buchanan on Amazon. 38. Public Choice Theory -- Episode 121 of The Seen and the Unseen. 39. Public Choice: A Primer — Eomonn Butler. 40. Wonder Woman, the God of War and Public Choice Economics -- Amit Varma and Kumar Anand. 41. Narendra Shenoy and Mr Narendra Shenoy -- Episode 250 of The Seen and the Unseen. 42. The Tragedy of Our Farm Bills -- Episode 211 of The Seen and the Unseen (w Ajay Shah). 43. Why Children Labour (2007) -- Amit Varma. 44. Becoming Modern -- Alex Inkeles and David H Smith. 45. The Overton Window. 46. Exit, Voice, and Loyalty — Albert O Hirschman. 47. India After Gandhi: The History of the World's Largest Democracy -- Ramachandra Guha. 48. Wealth And Poverty Of Nations -- David S Landes. 49. The Uncommon Reader -- Alan Bennett. 50. On Liberty -- John Stuart Mill. 51. Patriots and Partisans -- Ramachandra Guha. 52. Democrats and Dissenters -- Ramachandra Guha. 53. 1984 -- George Orwell. 54. The Passions and the Interests: Political Arguments for Capitalism before Its Triumph -- Albert O Hirschman. 55. Wolfgang Amadeus Mozart, Ludwig van Beethoven, Johannes Brahms, Franz Schubert, Robert Schumann and Frédéric Chopin on Spotify. 56. Brahms: Second Piano Concerto in B Flat. 57. Beethoven: The Piano Concertos. 58. Beethoven: Symphonies 1 to 9. 59. Schubert: Impromptus. 60. The Philadelphia Story -- George Cukor. 61. Casablanca -- Michael Curtiz. Check out Amit's online courses, The Art of Clear Writing and The Art of Podcasting. And subscribe to The India Uncut Newsletter. It's free! The illustration for this episode is by Nishant Jain aka Sneaky Artist. Check out his work on Twitter, Instagram and Substack.

This is a fascinating example of how Rachmaninoff uses a short motif as a foundation for a composition, and spins an endless amount of colorful variations on it. With pianist Henrik Kilhamn. Video: https://youtu.be/AuJ2ksqjhrY

Het is weer te lang geleden dat we elkaar gezien hebben, zeg ik helaas vaak tegen mijn vrienden. En uit deze aflevering van Bruto Nationaal Geluk weet ik dat tijd doorbrengen met je vrienden essentieel is voor die vriendschap. Snel weer even afspreken. Maar eerst nog luisteren naar Eva en Maaike. Ze hebben het o.m. over vriendschap en paracetamol, vriendschap en zakendoen, het effect van smartphones op vriendschap en het Michelangelo-effect. En we leren ook veel van het gesprek met Ward en Thomas van circusgezelschap B-Flat, straatacrobaten en vrienden sinds hun jeugd. Met passie en metier gemaakt door Eva Moeraert en Maaike Verstraete en sound designer Sander Lambrecht.

How to get your own sugar daddy or mommy, this week (specific step-by-step instructions). Holiday Songs in B-Flat album wraps up, along with the holiday in general! (All podcasts and reviews are on www.hlycrp.com, and you can also follow us on Facebook, Instagram, and Twitter, and Spotify, and Apple Podcasts.)

Andy Doyle Perkins, authority on cows, joins our crew to talk about American farming and the Holidays in B-Flat album. (All podcasts and reviews are on www.hlycrp.com, and you can also follow us on Facebook, Instagram, and Twitter, and Spotify, and Apple Podcasts.)

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John is in a parade. More, more, more conversations about how to hold your head up as an artist in the world. Holidays in B-Flat. (All podcasts and reviews are on www.hlycrp.com, and you can also follow us on Facebook, Instagram, and Twitter, and Spotify, and Apple Podcasts.)

During World War II, many programs were made for overseas broadcast. Today's podcast features such a show, perhaps the best ever done, “Dick Tracy in B Flat.” There is a staggering cast of big name stars here, including Bing Crosby, Dinah Shore, Bob Hope, Frank Sinatra, Jimmy Durante, Judy Garland, Frank Morgan, and the Andrews Sisters. Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Visit our website: https://goodolddaysofradio.com/ Our theme music is "Why Am I So Romanic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

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ZEN BEHAVIOR TIPHow to use Dog Gone Calm music for improved behaviorMUSIC:Schubert Sonata in B flat: AndanteFREE DOG GONE CALM PLAYLIST:MyZenPet.com DOGTV:Promo code for a FREE month of DogTV (Promo code LISADOGTV will automatically be applied) Lisa's segment from Your Dog's New NormalOTHER LINKS:Instagram: @My_Zen_Pet   @LisaSpectorPianoFacebook:       My Zen Pet      LisaSpectorPianistPodcast Website: MyZenPet.com/podcastLisa Spector's Website: LisaSpector.comClubhouse: @lisaspectorYouTube: LisaSpector

Marlon, Tyler, Cam, and special guest Anya review and discussion the upcoming musical event In The Heights. As always we hope you enjoy the episode!

Canada's multi-talented Darren Boyd (MTS Records) known for his ground-breaking debut “Lifting the Curse” after a life-altering accident gives us an update with “Wonders of the Invisible World” featuring “Creeping Beauty” and has some fun with “The Earth is B Flat”! plus his major plans for 2021 and beyond! Check out his amazing music at www.darrenboyd.com ! #darrenboyd #singer #songwriter #mtsrecords #ottawa #toronto #canada #canadian #guitarist #lifechanging#liftingthecurse #wondersoftheinvisibleworld #creepingbeauty #theearthisbflat #Bflat #iheartradio #spotify #spreaker #itunes #applemusic #anchorfm #youtube #amazon #audible #mikewagner #themikewagnershow #mikewagnerdarenboyd #themikewagnershowdarrenboyd --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/themikewagnershow/message Support this podcast: https://anchor.fm/themikewagnershow/support

Music allows an individual the opportunity to reinvent oneself and that is exactly what Daniel Payne, formerly known as KD is doing right now. After a decade of releasing music under KD, the Birmingham native and now Houston resident is reintroducing himself to the masses as simply Daniel Payne. And during his recent trip to Atlanta, we caught up with him to talk about the name change, the current state of Country Rap Tunes, T.I.'s trap music museum and so much more. He explains his growth as a person and as an artist led to the name change & he compares the change to Tity Boi morphing into 2 Chainz. He talks about his new “3rd Coastin On Purple Waves” EP & the heavy Houston influence on there. He explains how he first linked with DJ Burn One & their long working history. He states that he was the first rapper from Birmingham to use the internet to promote his music outside of the city. He compares how artists promoted themselves on the internet 10 years ago to now. He speaks on producer B-Flat's production style and their great chemistry from working together for over 10 years now. He then explains the huge difference with the rap scenes in Birmingham & the one in Houston. He talks about being inspired and relating to UGK & Scarface and then explains why he called out T.I. and his Trap Music Museum on Twitter recently. He also talks about the current state of Country Rap Tunes and if he considers Lil Nas X & NBA Youngboy's music as Country Rap Tunes. He explains what Dirty Glove Bastard means to him and talks about his upcoming albums and more! --- Support this podcast: https://anchor.fm/dirtyglovebastard/support

In the tenth episode, Tori and Nicole talk about some new books including inspirational young adult fiction picks as well as some new romance and mystery titles that will appear on library shelves soon. Plus, a new juvenile graphic novel, young adult science fiction, fun socks and a great place to grab some lunch! The resources discussed in this episode are listed below: Quantum by Patricia Cornwell; The Scorpion's Tail by Preston & Child; NYPD Red 6 by James Patterson; Robert B. Parker's Someone to Watch Over Me by Ace Atkins; Before She Disappeared by Lisa Gardner; Neighbors by Danielle Steel; Wyoming Heart by Diana Palmer; Wyoming True by Diana Palmer; Vivid by Beverly Jenkins; Confessions in B Flat by Donna Hill; The Last Best Hope by Una McCormack; The Dark Veil by James Swallow; Star Trek Discovery TV show; The Expanse TV show; The Expanse series by James S.A. Corey; Leviathan Wakes by James S.A. Corey; Forever Hidden by Tracie Peterson and Kimberley Woodhouse; A Picture of Love by Beth Wiseman; Twins by Varian Johnson, illustrated by Shannon Wright; Viral Parenting: A Guide to Setting Boundaries, Building Trust, and Raising Responsible Kids in an Online World by Mindy McKnight; Left Behind: The Kids series by Jerry B. Jenkins and Tim LaHaye; Sticks and Stones by Dianne Beck; Fallen Leaves by Tessa Emily Hall; Warcross by Marie Lu; The Silent Sister by Diane Chamberlain; John's Crazy Socks Cafe on Main

Dick Tracy (Bing Crosby) is about to wed his long-time fiancee Tess Trueheart (Diana Shore) but his wedding keeps getting interrupted by desperate gangsters Flattop (Bob Hope), the Mole (Jimmy Durante), and Shaky (Frank Sinatra) Original Air Date: February 15, 1945 Support the show monthly at patreon.greatdetectives.net Support the show on a one-time basis at…

Música pa ti DEmo sin digitada más lento b flat maj by Alex Califas