Podcasts about romantics

How did the world arrive at its current, disorienting state of identity politics, and how should the church respond? Historian Carl R. Trueman joins us to show how influences ranging from traditional institutions to technology and pornography moved modern culture toward an era of “expressive individualism.” Investigating philosophies from the Romantics, Nietzsche, Marx, Wilde, Freud, and the New Left, he will outline the history of Western thought to the distinctly sexual direction of present-day identity politics and explain the modern implications of these ideas on religion, free speech, and personal identity. Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

Former Philadelphia Union, Timbers, and Austin Bold player, Amobi Okugo joins Josh Duder on this episode of The Soccer Romantics. Amobi tells us about his path from IMG Academy to UCLA and onward to USMNT U17s, MLS, and ending his career in the USL Championship with Austin Bold. Mr Okugo tells us about growing up with Nigerian parents and his current professional endeavor, OK U GO.

Rubio Rubin, of El Paso Locomotive, joins Josh on this episode of The Soccer Romantics to discuss his extraordinary career so far; from Oregon to the Netherlands and from Liga MX to the Guatemalan National Team, Rubin has travelled the world and has a wonderful perspective. Listen now to hear how he's fallen in love with futbol and where he's going next. 

Something strange is happening to us. The intelligent machines we've built to serve us have started to sound like us, look like us and even think like us. The line between real and artificial is dissolving… so, what awaits us in the uncanny valley?Across six episodes, award-winning journalist Marc Fennell will explore how AI will change us as humans.So much of the conversation around AI is about technology and speculation about the future. But this about us: how AI will change our sense of self, our sense of reality, the way we love and the way we grieve. Parents bring back a murdered son. Romantics fall for code that talks back. Machines read minds. Spirituality is found, and lost, in code.Marc Fennell's Unreal is a human-first exploration of how intelligent machines are reprogramming what being “human” actually means.Listen to Unreal: When AI Becomes Us right now on Audible. Download the Audible app today.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Something strange is happening to us. The intelligent machines we've built to serve us have started to sound like us, look like us and even think like us. The line between real and artificial is dissolving… so, what awaits us in the uncanny valley?Across six episodes, award-winning journalist Marc Fennell will explore how AI will change us as humans.So much of the conversation around AI is about technology and speculation about the future. But this about us: how AI will change our sense of self, our sense of reality, the way we love and the way we grieve. Parents bring back a murdered son. Romantics fall for code that talks back. Machines read minds. Spirituality is found, and lost, in code.Marc Fennell's Unreal is a human-first exploration of how intelligent machines are reprogramming what being “human” actually means.Listen to Unreal: When AI Becomes Us right now on Audible. Download the Audible app today.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Something strange is happening to us. The intelligent machines we've built to serve us have started to sound like us, look like us and even think like us. The line between real and artificial is dissolving… so, what awaits us in the uncanny valley?Across six episodes, award-winning journalist Marc Fennell will explore how AI will change us as humans.So much of the conversation around AI is about technology and speculation about the future. But this about us: how AI will change our sense of self, our sense of reality, the way we love and the way we grieve. Parents bring back a murdered son. Romantics fall for code that talks back. Machines read minds. Spirituality is found, and lost, in code.Marc Fennell's Unreal is a human-first exploration of how intelligent machines are reprogramming what being “human” actually means.Listen to Unreal: When AI Becomes Us right now on Audible. Download the Audible app today.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Something strange is happening to us. The intelligent machines we've built to serve us have started to sound like us, look like us and even think like us. The line between real and artificial is dissolving… so, what awaits us in the uncanny valley?Across six episodes, award-winning journalist Marc Fennell will explore how AI will change us as humans.So much of the conversation around AI is about technology and speculation about the future. But this about us: how AI will change our sense of self, our sense of reality, the way we love and the way we grieve. Parents bring back a murdered son. Romantics fall for code that talks back. Machines read minds. Spirituality is found, and lost, in code.Marc Fennell's Unreal is a human-first exploration of how intelligent machines are reprogramming what being “human” actually means.Listen to Unreal: When AI Becomes Us right now on Audible. Download the Audible app today.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the first of three parts, the lads wrap up 1980 by looking at December releases from the Clash, the Romantics, Crass and Swell Maps and more. YouTube Playlist: https://bit.ly/3SoaDRt. Spotify Playlist: https://bit.ly/4hYN63T. Email us at deepdives.deepcuts@gmail.com.

This episode is a replay from The Existential Stoic library. Enjoy! Does it seem like the world couldn't be any worse than it is now? Do you think things were better in the past? In this episode, Danny and Randy discuss whether life is harder now than it was in the past.Subscribe to ESP's YouTube Channel! Thanks for listening!  Do you have a question you want answered in a future episode? If so, send your question to: existentialstoic@protonmail.com 

“Misbehave, make something beautiful, and try to win.” — Curtis White's motto for resistance How to say no to fascism? Curtis White, the literary thinker dubbed “the splendidly cranky utopian,” has published what he calls a “manifesto” of “resistance.” On Resistance, the 75-year-old White told me, is his last work of non-fiction. He still has worlds to invent, novels to write. Enough with the manifestos. But don't expect a program. On Resistance is more of an anti-manifesto. “That's not for me to say,” White responds when asked what, exactly, we're supposed to do to resist fascism. His resistance is cultural. It's an attitude. Borrowing from Ted Gioia's subversive history of music, White likes the idea of “psychic treason.” Its patron saints are the first dropouts, romantics like Wordsworth and Coleridge who rejected the military, clergy and family to write poetry in the countryside. But On Resistance isn't simply sixties nostalgia. White, a veteran of Berkeley and the Haight, prefers the Nietzschean imperative to forget the past and move on to the next joyful deed. So the only good manifesto is the anti-manifesto. If you want to say no to fascism, become a cranky utopian. Or at least pick up On Resistance. Five Takeaways •       Psychic Treason. White's resistance is not conventionally political — Trump appears once or twice, party politics not at all. Borrowing “psychic treason” from Ted Gioia's Music: A Subversive History, he argues that the arts are subversive by nature: sometimes formally, sometimes by allying with social movements. His founding example is the Romantics, the first dropouts — Wordsworth and Coleridge refusing the military, the clergy, and the family estate to write poetry in the countryside, declaring cultural war once the church was out of the way. The treason White wants is the one the arts commit constantly, whether or not anyone calls it politics.•       Not Nostalgia — Nietzsche. The sixties made White: Berkeley in high school, San Francisco after, and the formative discovery that his country “had lied to me” and was indifferent to whether he lived or died. But On Resistance opens with the confession “I am living in a world that no longer exists” — and refuses to make anyone else live there. One chapter is bluntly titled “Forget The Beatles.” His position is Nietzschean: move on to the next joyful deed. And the rot, he insists, didn't start with Trump but with Reagan — the decades-long withdrawal of public money from public goods, education above all.•       The Three False Resistances. The book's first half is ideology critique: our culture says resistance is unnecessary because it has already been provided — by philanthropy, virtuous corporations, and liberalism. White's exhibits: Steve Jobs Buddha-branding the counterculture to sell machines to people who thought they were subverting something; the “big green” foundations (via Mark Dowie) taking over grassroots fights and defanging them; the Gates Foundation vaccinating children against polio downwind of a polluter it was invested in. Philanthropy, he argues, self-limits to protect the source of its own wealth. Patagonia may be the quiet exception that proves the rule.•       Dropping Out, Together. White's alternative is dropping out — plural: doing something else, and doing it with other people. The organic farms and farmers markets that have created communal well-being in most American cities; FC2, the author-run press he co-founded with Ronald Sukenick, past its fiftieth anniversary; the thriving-but-invisible independent presses — Graywolf, Coffee House, Rochester's Open Letter — for which he's now plotting a group Substack. The obstacle is the money jail: everyone's struggle for money limits what it is possible to do. The goal isn't overturning the status quo. “What we need right now is companions.”•       Misbehave, Make Something Beautiful, Try to Win. White's motto since The Middle Mind — the making beautiful needn't be art; the trying to win is where misbehavior gets socialized. His lineage runs Thoreau, Whitman, William Carlos Williams, and above all John Berger: Marxist, art critic, poet, writer of lively living books. His Marxism, such as it is, is the humanist 1844 Manuscripts — alienation, not expropriation — via Marcuse's One-Dimensional Man. And the book itself is the argument: playful and fierce, a performance that moves like a novel, reinvigorating worthy old ideas rather than hunting new ones. At 75, it's his last nonfiction — written in a spirit of play, to be left in one. About the Guest Curtis White is a novelist and social critic whose books include Memories of My Father Watching TV, The Middle Mind, The Science Delusion, and Living in a World That Can't Be Fixed. Called by Elle “the most inspiringly wicked social critic of the moment,” he is co-founder, with Ronald Sukenick, of FC2, the publisher of innovative fiction run collectively by its authors, and taught English for many years at Illinois State University. His new and, he says, final work of nonfiction is On Resistance: A Manifesto (Melville House, August 11, 2026). He lives in Port Townsend, Washington. References: •       On Resistance: A Manifesto by Curtis White (Melville House, August 11, 2026). Jeffrey St. Clair: “a trail guide through our disorienting and perilous political landscape.”•       Music: A Subversive History by Ted Gioia — the source of “psychic treason” and the argument that the arts subvert by nature.•       The Middle Mind by Curtis White — where the motto was coined: misbehave, make something beautiful, and try to win.•       Jon Taplin in Rolling Stone — the recent essay asking whether the counterculture can rise again, and a recent Keen On conversation in the same key.•       One-Dimensional Man by Herbert Marcuse — the Western Marxist tradition, via the 1844 Manuscripts, that taught White to worry about alienation rather than expropriation.•       FC2 — the author-run press of innovative fiction White co-founded with Ronald Sukenick, now past its fiftieth year. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTube

One of the founders of MPLS City, Dan Hoedeman joins the show to talk about his passion for the game and how it connects to his local community.

What does it mean to love your country?  Is that nationalism?  And isn't nationalism—you know—bad?  And how should our allegiance and love of country be weighed against our duties and affections to family and faith?   Saving Elephants host Josh Lewis is joined by John Wilsey to discuss his latest book, God and Country: Upholding Faith, History, and National Identity, the origins of nationalism and how it differs from patriotism, the link between history and love of ones country, the battles between the Romantics and Rationalists, and that great public servant, the freak show John Quincy Adams.   About John Wilsey From the Southern Baptist Theological Seminary   Dr. John Wilsey is Professor of Church History and Philosophy and Chair of the Department of Church History and Historical Theology.   Prior to coming to Southern, Wilsey taught elementary, middle, and high school students in history and Bible for eleven years in North Carolina and Virginia. He also has served Southern Baptist churches, as an associate pastor in Charlottesville, Virginia for eight years and interim pastor for three years in Spring, Texas. Between 2011 and 2017, he taught history and philosophy at Southwestern Baptist Theological Seminary, with most of his teaching load in a fully accredited baccalaureate program in a maximum-security unit of the Texas Department of Criminal Justice.   Dr. Wilsey's primary areas of teaching at Southern Seminary and Boyce College are in modern church history, history of Western thought, and American history. He supervises PhD dissertations in the areas of American church history and history of philosophy.   In addition to his work at Southern Seminary and Boyce College, Wilsey has held several fellowships, including with the McConnell Center at the University of Louisville as non-resident fellow (2023-2024); the Acton Institute for the Study of Religion and Liberty as Affiliate Scholar (2016-2020); the Russell Kirk Center for Cultural Renewal as Wilbur Fellow (2023); and the James Madison Program in American Ideals and Institutions in the Politics Department at Princeton University as William E. Simon Fellow in Religion and Public Life (2017-2018). He currently holds fellowships at the Center for Religion, Culture, and Democracy as Senior Fellow, the Ethics and Religious Liberty Commission of the Southern Baptist Convention as Research Fellow, and the Land Center for Cultural Engagement at Southwestern Baptist Theological Seminary as Research Fellow.   Wilsey's academic works have been reviewed in outlets such as National Review, Publisher's Weekly, Journal of Church and State, Fides et Historia, Providence, Church History, Reading Religion, Catholic Books Review, Reviews in American History, Anxious Bench, Claremont Review of Books, First Things, The American Conservative, Christianity Today, and The Federalist. He has appeared on podcasts and programs hosted by the Acton Institute, New Books Network, Current, Thinking in Public, Law and Liberty, the City of Man Podcast, Christ Over All, the Museum of the Bible, the Family Research Council, BBC Radio Wales, 9Marks, the McConnell Center, the Commonwealth Policy Center, and Ben Franklin's World.   Wilsey has produced peer-reviewed pieces in the journal Religions and in academic books published by Palgrave and Routledge. He has contributed other chapters to books published by Crossway and B&H Academic as well as long-form articles to Modern Age: A Conservative Review and Fides et Historia. He has served as manuscript reviewer for American Political Thought, Religions, InterVarsity Press, and New York University Press. He has also served as book review editor for H-AmRel of the H-Net: Humanities and Social Sciences Online network and The Southern Baptist Journal of Theology.   Wilsey has served on the Ciceronian Society Advisory Board, the Kern Foundation Advisory Council, the Board of Directors of the Society for Values in Higher Education, the Scholar's Council for the Center for the Electoral College, the Southern Baptist Historical Library and Archives Advisory Board, and the Annual Meeting Proposal Review Board for Church History as well as the Membership Committee of the Evangelical Theological Society.   In 2020, Wilsey was named Tutor of the Year in Boyce College's Augustine Honors Collegium. He has addressed students, faculty, and public audiences as an invited lecturer at Princeton University, Princeton Theological Seminary, the University of Notre Dame, the University of Louisville, the Ruprecht Karl University of Heidelberg, Waynesburg University, Calvin University, St. Francis University, Hannibal-LaGrange University, Charleston Southern University, Grand Valley State University, the College of Biblical Studies, Houston Baptist University, Northwest Nazarene University, the University of Wyoming, Samford University, Spring Arbor University, Ave Maria University, the Philos Project, the Religious Freedom Institute, the Russell Kirk Center, the Ethics and Religious Liberty Commission, and the Kentucky Historical Association.   Over the years, Wilsey has remained active with academic societies, reading papers at meetings of the Evangelical Theological Society, the Conference on Faith and History, the Society of Historians of American Foreign Relations, the Christian Scholars' Conference, the Society for Values in Higher Education, the Society for US Intellectual History, the African American Intellectual History Society, the Ciceronian Society, the Association for the Scientific Study of Religion, and the Center for Christian Study in Charlottesville, Virginia. He is a member of the Evangelical Theological Society, the Ciceronian Society, the Society of Historians of American Foreign Relations, the Philadelphia Society, and the James Madison Society.   Wilsey is a columnist for World Opinions, and his other public writings have appeared in outlets such as Law and Liberty, Current, Modern Reformation, Acton's Commentary, Christianity Today, Providence, Public Discourse, 9Marks Journal, The Gospel Coalition, Aeon, History News Network, The American Conservative, The Imaginative Conservative, Anxious Bench, Religion and Liberty, and Religion in American History. He has reviewed numerous books for outlets such as Themelios, Southeastern Theological Review, Public Discourse, Fides et Historia, Westminster Theological Journal, Trinity Journal, The Southern Baptist Journal of Theology, Journal of Church and State, Evangelical Quarterly, Journal of Markets and Morality, Religion and Liberty, Journal of Spiritual Formation and Soul Care, H-Diplo, Ad Fontes, and The London Lyceum.   Wilsey is married to Mandy, his wife of twenty-seven years, and they have two children. He is an elder at Kenwood Baptist Church in Louisville, Kentucky.  

Newly appointed Head Coach of USL Leauge One's 2027 expansion side, Sporting Cascades FC, Darren Sawatzky, joins Josh on this episode of the Soccer Romantics. We discuss his childhood in Seattle, how he impressed the legendary Clive Charles enough to join the Portland Pilots, and the era of journeymen players looking for stability. 

Joel Nash, Senior Vice President of Youth & Pre-Professional Soccer at USL joins Josh Duder to talk about his life-long love for the beautiful game. The former player for University of Evansville is now one of the key members of the USL leadership team, growing the pre-professional level of soccer in the United States.

In this episode we venture into the Scottish mountains with the author Ed Douglas. After seeing the Battle of Falkirk Muir, we follow Bonnie Prince Charlie on his flight towards Skye after Culloden. We end our travels with a view of Lord Lovat – the most infamous of the Jacobite rebels – before his execution in London. Our guest, Ed Douglas, is an author and a climber who has spent much of his career writing about mountains. His last book, Himalaya: A Human History – was called ‘magnificent' by the Telegraph – and was shortlisted for the Duff Cooper Prize. In this episode Ed tells us about his new book. Upland: The Strange History and Vital Future of Britain's Mountains is out this week and it covers the deep and cultural history of Britain's mountains from Ice Ages to the Romantics and on into the future. Find out more about Upland here. Show Notes Scene One: 17 January 1746. Duncan Ban MacIntyre and the Battle of Falkirk Muir. Scene Two: Summer 1746. Bonnie Prince Charlie's escape after Culloden. Scene Three: Later in 1746. William Hogarth draws Lord Lovat before his execution. Memento: An OS Map. People/Social Presenter: Peter Moore  Guest: Ed Douglas Producer: Maria Nolan Theme music: Firelight by Minka Partner: ACE Cultural Tours.

In this episode of the Anglotopia Podcast, Jonathan Thomas sits down with Professor Paul Robichaud — Professor of English at Albertus Magnus College in New Haven, Connecticut — to discuss his remarkable new book, Stories of the Stones: Imagining Prehistory in Britain, Ireland, and Brittany, published by Reaktion Books on July 6th. Paul is not an archaeologist but a literary scholar, and his book takes a completely different approach to prehistoric monuments: rather than asking who built them or how, he asks what stories people have told about them across the centuries — and what those stories reveal about us. From the earliest Greek account of a possible spherical temple on a northern island (possibly Callanish), through Geoffrey of Monmouth's 12th-century account of Merlin flying Stonehenge from Ireland, through the antiquarian fantasies of Inigo Jones (who decided Stonehenge was Roman and helpfully corrected its geometry to fit) and William Stukeley (who invented the Druid connection that has never entirely gone away), through the Romantics — Wordsworth's visions of human sacrifice, Blake's prophetic paintings, Turner's atmospheric canvases — to the 1970s counterculture, folk horror films, and our own climate-anxious present, the book traces how five millennia of imagining these ancient places tells us as much about the people doing the imagining as it does about the stones themselves. Jonathan and Paul also share their personal favorite prehistoric sites, including Avebury, Wayland Smithy, and — Jonathan's top pick — Castlerigg in Cumbria. Links Stories of the Stones by Paul Robichaud (Reaktion Books, July 6) Stores of Stones - Amazon Stonehenge — English Heritage Avebury — National Trust Wayland's Smithy, Oxfordshire — English Heritage Castlerigg Stone Circle, Cumbria — National Trust Callanish Standing Stones, Isle of Lewis Stanton Drew Stone Circles, Somerset Newgrange, Ireland The Ridgeway National Trail Albertus Magnus College Friends of Anglotopia Club Takeaways The word "prehistoric" didn't exist until the mid-19th century. For most of human history, people encountering these monuments had no framework for understanding them as ancient — they were simply there, part of the landscape, and the stories told about them reflected whatever worldview the storyteller brought: giants, biblical patriarchs, Roman engineers, druid priests, or earth energies. Stonehenge is unique among stone circles not because of its age or size but because of its distinctive architecture — upright stones with lintels resting on mortise-and-tenon joints, clearly intentional and clearly extraordinary. Its location on a relatively populated southern English plain also meant it was seen by far more people across the centuries than monuments in Wales or the Outer Hebrides. The Stonehenge we see today is not how it looked for most of recorded history. Many of the stones that appear upright were raised during restoration work in the 19th and 20th centuries, and the contemporary visitor's experience of a cleaned-up, presented monument is itself a kind of modern imagination of what people thought it should look like. Geoffrey of Monmouth's 12th-century account — in which Merlin magically flies the stones from Ireland to Salisbury Plain as a memorial to fallen British nobles — dominated the medieval imagination for centuries because there simply were no rival stories. With no archaeological framework and no competing account, his version was accepted as genuine British history. Inigo Jones concluded that Stonehenge must be a Roman temple, and helpfully corrected its irregular geometry in his drawings to make it look properly classical. William Stukeley correctly identified the Druids as the likely builders — and then spent decades constructing increasingly elaborate Druidical fantasies connecting ancient Britain to biblical monotheism. Both men are cautionary examples of how we make evidence fit our assumptions. The Druid/Stonehenge association is almost entirely modern — an 18th-century invention that has almost no basis in archaeological evidence. The Iron Age Celts we associate with Druids arrived in Britain centuries after Stonehenge was built. But the association was cemented through repeated reproduction in engravings and illustrations — like a cultural meme — and has proved impossible to dislodge. The Romantics found in prehistoric monuments the perfect embodiment of the Sublime — Edmund Burke's idea of awe and terror in the presence of something vast and unknowable. Wordsworth had what he described as visions of ancient Britons and human sacrifice after being stranded near Stonehenge in a carriage accident; Blake incorporated megaliths into his prophetic paintings; Turner painted Stonehenge in dramatic atmospheric light. These Romantic responses shaped how visitors expected to feel at these sites for generations afterward. Paul's most unexpectedly moving site visit was to Wayland's Smithy in Oxfordshire — a Neolithic chambered tomb accessible via the ancient Ridgeway path. He had it entirely to himself in the rain, found a fresh offering of flowers left by a previous visitor, and experienced the kind of quiet communion with place that Stonehenge, with its crowds and visitor management, rarely allows. Jonathan's personal favorite prehistoric site is Castlerigg in Cumbria — a stone circle set on a hill and surrounded by mountains, relatively unknown and often visitable in near-solitude. Paul's is Avebury, which he recommends over Stonehenge for anyone wanting to actually walk among the stones rather than view them from a distance. Our contemporary fascination with prehistoric monuments is increasingly shaped by environmental anxiety — a need to reconnect with the landscape and with deep human time at a moment of climate crisis and technological acceleration. The stories we now tell about standing stones are as revealing of our own moment as Geoffrey of Monmouth's were of the 12th century. Soundbites "I had one book that had a picture of a druid kind of surfing on a large stone coming into Stonehenge — like he's landing. The idea was that they must have levitated the stones using Earth energies. The 70s was a time when there was a lot of interest in what we call New Age thinking. All that was kind of in the air when I was a kid." — Paul on his childhood introduction to prehistoric Britain. "I'm more interested in what these stories are doing and what they reveal about the people who are telling them. We can get some insight into what these places have meant to people who have visited them and lived alongside them for centuries and even millennia. The stories are interesting in their own right." — Paul on what a literary scholar sees that an archaeologist might not. "Geoffrey of Monmouth claimed to get his information from a mysterious book in Welsh that no one else had ever heard of and has never been identified or located. He was clearly a fabulator. But his account dominated the Middle Ages and kept getting retold all through the Renaissance because there were no rival stories." — Paul on Geoffrey of Monmouth's enduring influence. "Inigo Jones with his very careful architectural drawings, correcting the shape of Stonehenge to make it fit his vision, is a kind of exaggerated form of what we're all tempted to do — which is make things fit our assumptions about the world." — Paul on antiquarian projection. "The controversy around Druids in the 1700s was not whether they conducted their rites at Stonehenge — that was assumed — but whether the Druids were noble philosophers who had a secret wisdom, or bloodthirsty priests using human sacrifice to terrify the population into submission. Stukeley and his friend Borlase fell out over this." — Paul on the 18th-century Druid debate. "You've got a stone circle, you've got a druid there, and they're just always together. It becomes like a meme. And then they're taken up by the Romantics. So it really gets cemented in the popular imagination." — Paul on how the Druid/Stonehenge association became inescapable. "The Romantics find this admiration for the rugged beauty of these sites. Edmund Burke's idea of the sublime — that we experience awe in wild places that provoke a frisson of fear — becomes a kind of defining experience that travelers have at Stonehenge. These sites are viewed through the same lens as Niagara Falls." — Paul on the Romantic discovery of the prehistoric sublime. "I walked from the visitor center and I was glad I did. You see the barrows and the wooded land and then finally, a little bit in the distance, Stonehenge itself. And it really is impressive. You get at least a little bit of that experience of what it must have been like to suddenly see it in front of you in the landscape." — Paul's practical advice for visiting Stonehenge. "I drove up to Wayland's Smithy and I had the place to myself. It was raining, just one of those English drizzles. You walk down this pathway and then all of a sudden this really magnificent tomb is in front of you with standing stones around it. Someone had left an offering of flowers there. It was really beautiful." — Paul on his most unexpectedly moving prehistoric site visit. "As we're living in this increasingly dire moment of climate change, there's a sense of urgency in thinking about our relationship to the landscape. And we live in a time of unprecedented technological change — we spend so much of our time staring at screens. I think this interest in the deep past is something more and more people are developing as a way of connecting to our cultural and human origins." — Paul on why prehistoric monuments still matter today. Chapters 00:26 Introduction — Jonathan introduces Paul Robichaud and Stories of the Stones 02:15 Origin Story — Leonard Nimoy's In Search Of, Usborne books, and a trip to Callanish in 1998 03:42 A Literary Scholar Looks at Standing Stones — What Paul's approach reveals that archaeology alone can't 05:28 Why Britain, Ireland and Brittany? — The megalithic density of northwestern Europe and the span from 4500 BC to 3000 BC 07:42 A Catalog of Monument Types — Burial mounds, menhirs, stone circles, dolmens, earthworks, and what distinguishes them 08:57 The Word "Prehistoric" Didn't Exist Until the 19th Century — How the lack of a framework shaped every story told before it 11:13 Why Stonehenge Above All Others — The lintels, the mortise-and-tenon joints, the location, and the architecture of uniqueness 13:49 Stonehenge Is Not What It Looked Like — Restoration, re-erected stones, and why we see a cleaned-up version 16:33 Avebury vs. Stonehenge — Why Avebury often offers a more powerful experience, and the tip to walk rather than take the bus 18:06 Diodorus Siculus and the Spherical Temple — The earliest possible written reference to a British megalithic monument 20:51 Geoffrey of Monmouth and Merlin — The 12th-century account that dominated the medieval imagination for centuries 23:54 The Welsh Tradition — Arthurian connections, early saints, St. Samson, and the distinct Welsh relationship with prehistoric places 26:04 Old English Anxiety — Giants, barrow demons, Beowulf's dragon, and the fear that ran through early medieval English culture 28:26 The Antiquarians — Inigo Jones decides Stonehenge is Roman and corrects its geometry to fit 31:05 William Stukeley — The genuine archaeological pioneer who invented the Druid connection that has never gone away 36:05 Why Modern Druids at Stonehenge Are Performing a Modern Tradition — And why that doesn't make it meaningless 38:15 The Romantic Imagination — Burke's Sublime, Wordsworth's visions, Blake's prophecies, Turner's light 41:01 Wordsworth's Carriage Accident and the Wicker Man — How personal experience and literary reading combine at these sites 43:38 The Modern Era — Counterculture, New Age, Doctor Who, folk horror, and our climate-anxious present 46:33 Practical Tips for Visiting — Stonehenge, Avebury, Stanton Drew and its pub, Callanish, and what to prioritize 48:33 Personal Favorites — Wayland's Smithy (Paul) and Castlerigg in Cumbria (Jonathan) 51:00 Wrap-Up — Stories of the Stones out July 6 from Reaktion Books Video Version

John Morrisey is known throughout the lower league world as USLTactics. His application of analysis to the USL Championship level has been an eye-opening change for the online soccer community. He joins the show to discuss his connection to the sport and the goals of his work. 

Dennis Crowley, most famous for his work in big tech, including Dodgeball, Foursquare, and Hopscotch Labs, joins The Soccer Romantics to discuss his passion project - soccer. A founder of the now decade-old soccer club Kingston Stockade and one of the primary influencers and cofounders of The League for Clubs, Dennis' passion for the sport is making it more sustainable. 

On our brand new show, The Soccer Romantics, Josh Duder welcomes the Country Manager of Hummel USA, former San Diego Nomad, Boston Bolt, Tampa Bay Rowdy, Charlotte Eagle and US National Team player, Jeff Duback. We talk about his work in the soccer apparel industry, playing in an era without a national first division, and how he fell in love with the game. 

Get ready to escape to the lake isle of Innisfree, because for the penultimate episode of Forgotten Melodies we're talking all about Nature Songs!We explore the English trees and plants which have inspired folk musicians, poets and all true Romantics, and the songs which use them as motifs.First, we look at stone cold classic A North Country Maid, and its oak, ash and bonny ivy.More oak and ash abound in our second selection, A Tree Song, written by Rudyard Kipling for the 1906 book Puck of Pook's Hill, and set to music by Peter Bellamy. The third song might just be the best known song we've covered in the series, a staple of pub folk sessions, ideal for the end of the night. We'll be gathering the Wild Mountain Thyme - or possibly just making an elaborate excuse to take our sweethearts up into the hills...Martin and Eleanor explore the history and context behind each song, and the surrounding folklore for the plants and trees which inspired them!We really hope you enjoy the episode, and we will speak to you again on Thursday for a new Lang Fairy Tale triple bill, featuring Rapunzel, The Nettle Spinner, and Farmer Weatherbeard!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?REGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

This week on The Metro, Rev. Jeff Ivins brings you the following artists: Altered Images, Pearl Harbor & The Explosions, Kenny Loggins, Nick Lowe, Wham!, The Smiths, Truth, Annie Lennox, Real Life, The Romantics, Power Station, The Police, Midnight Oil, Joe Jackson, and finishing up with Adam & The Ants.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comTiffany is a cultural historian, writer, and broadcaster. She has been a critic and presenter on BBC Radio 4 and now serves as a trustee of the British Museum. Her latest book is Strangers and Intimates: The Rise and Fall of Private Life. It's a fascinating book of history and political insight: how privacy is deeply connected to liberal values, and why its abeyance matters.For two clips of the episode — on the first sexual revolution in England, and when privacy strengthened patriarchy — head to our YouTube page.Other topics: growing up in an Anglo-American household; losing and keeping accents; privacy a rare thing in history; the Greeks and Romans; the human tendency to gossip; the Reformation and private faith; Thomas More against Martin Luther; Cromwell banning Christmas; Hobbes and the right of conscience; Locke and natural rights; Marie Antoinette; Rousseau and self-creation; spying; the emergence of the back stairs; the Romantics and subjectivity; Wollstonecraft and women's equality; the Sodomites' Walk; the rise of coffee shops; John Stuart Mill; child abuse; marital rape; Betty Friedan; defending homosexuality based on privacy; outings; Lewinsky and the Starr Report; consent and policing sex; hook-up culture on campus; Obama's private life; Hunter's laptop; reality TV and Trump; Harry and Meghan's worldwide privacy tour; OnlyFans; and a defense of hypocrisy.Browse the Dishcast archive for an episode you might enjoy. Coming up: Bob Wright on the evolutionary force of AI, John Gray on Trump's new world, Stephen Grosz on the struggles of love, David Thomson on cinema history, John O'Sullivan on conservatism, Robby George on all our disagreements, and Megan McArdle on everything. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

All ideas have a history, no matter how inevitable and well-entrenched they may seem to us today. The later Enlightenment was a heady time when people were exploring new conceptions of nature, humanity, and the self. Andrea Wulf is a writer of narrative histories, examining the origins of ideas through the lives of the people who explored them. In this episode we discuss three of her books: The Invention of Nature, about Alexander von Humboldt and environmentalism; Magnificent Rebels, about the Jena circle of Romantics including Goethe, Schiller, Schlegel, and others; and most recently The Traveller, about George Forster, an early naturalist, ethnographer, and champion of human equality. Blog post with transcript: https://www.preposterousuniverse.com/podcast/2026/06/08/356-andrea-wulf-on-enlightenment-nature-romanticism-and-modernity/   Support Mindscape on Patreon. Andrea Wulf was born in India, raised in Germany, and studied design history at the Royal College of Art, London. She is the author of seven books. She is a Miller Scholar at the Santa Fe Institute and a Fellow of the Royal Society of Literature. The Invention of Nature won multiple prizes, including the Royal Society science book prize and the LA Times book prize. Web site Amazon author page Wikipedia

Continuing on Faith and Knowledge (1802), Ch. 1 and 2. We start off by discussing how beauty might give us a window into things-in-themselves according to the Romantics, who were in part following Kant's lead. Also, what version of the ontological argument for the existence of God does Hegel believe? We try to figure out what Hegel is praising in Kant's positing of synthetic a priori claims, and yet how he thinks Kant didn't understand the implications of this view. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. Sponsors: Don't get caught running yesterday's security on today's web: visit nordlayer.com/browser. Get a $1/month e-commerce trial at shopify.com/pel.

In previous episodes we've talked about Lewis being "the last of the Romantics". It's time to return to this literary movement with Dr. Weber and learn about the poet Samuel Taylor Coleridge.[Show Notes]

Mayday Parade joins Teaser Talk at Welcome to Rockville 2026 for a conversation about 20 years as a band, their Florida roots, new music, fan-favorite songs, and what is next.In this episode, Mayday Parade reflects on playing Welcome to Rockville for the first time, how their longtime friendship has helped keep the band together, and what still makes festival performances exciting after two decades. They also talk about the emotional legacy of “Jamie All Over,” the upcoming 20-year anniversary of A Lesson in Romantics, their thoughts on AI-generated music, and how fans continue to connect with the band across generations.Plus, Mayday Parade answers fan-submitted questions about setlists, deep cuts, songs they never get tired of playing, and what fans may be able to look forward to next.Listen now to the full Mayday Parade interview with Teaser Talk from Welcome to Rockville 2026.

This week on the longest-running '80s pop culture podcast, Steve Spears and Brad Williams return to one of their favorite recurring topics: unlikely cover songs of the 1980s. Did you know Eddie Money's “I Wanna Go Back” was originally recorded by Billy Satellite? Or that Chaka Khan's Grammy-winning “I Feel for You” began as a deep cut by Prince? Episode Timeline 00:00 – Welcome back to Unlikely Cover Songs of the '80s 02:14 – “Wind Beneath My Wings” and its surprising origins 10:42 – Eddie Money vs. Billy Satellite: “I Wanna Go Back” 22:31 – Chaka Khan, Prince and “I Feel for You” 35:48 – The Clash cover Eddy Grant's “Police on My Back” 46:17 – TV Party seggy 51:42 – Arcade seggy 56:03 – Book updates, Barnes & Noble signing and Classic Pop review 59:50 – Closing thoughts   In this episode, the guys explore the surprising origins behind some of the decade's most beloved songs, including: “Wind Beneath My Wings” by Bette Midler “I Wanna Go Back” by Eddie Money “I Feel for You” by Chaka Khan “Police on My Back” by The Clash Along the way, they discuss: Forgotten original artists MTV-era music videos Prince songwriting trivia Jamaican rude boy culture Accidental studio moments that became iconic And why '80s music history is weirder than you remember Plus: Listener mail Arcade and TV Party seggies Updates on the Stuck in the '80s book Upcoming Florida book signings And more nostalgic chaos from your favorite retro podcast If you love '80s music, new wave, classic rock, MTV memories, and pop culture deep dives, this episode is for you. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. Use the promo code STUCK when booking to get $250 cabin credit. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We honor the "star cars" of the '80s including the General Lee, the "Back to the Future" DeLorean and more. Guest co-host Retro DJ Travis Bell. Seggies include Spin Me Round and Please Please Tell Me Now. Plus we reveal our promo code for The 80s Cruise. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. Use the promo code STUCK when booking to get $250 cabin credit. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you've felt compelled to pick up a steamy, smutty book throughout the last few months, you wouldn't have been the first - and you probably won't be the last. It's no doubt romance novels are having their moment, and besides the books themselves, readers and consumers alike are going beyond the pages and diving into their respective worlds. Host Maria Kestane speaks to Deborah Aarts, a freelance business writer about how Canadians are opting to invest in community, and how the recent boom in romance novels could teach other traditional media how to meet consumers where they're at. You can read Deborah's article here: https://www.theglobeandmail.com/business/rob-magazine/article-the-swoon-boom-meet-the-business-savvy-smut-mongers-of-the-great-hot/#comments We love feedback at The Big Story, as well as suggestions for future episodes. You can find us:Through email at hello@thebigstorypodcast.ca Or @thebigstory.bsky.social on Bluesky

Rob Tyner's Best Friend. Lester Bang's confidante. One of Townes VanZandt's favorite songwriters. Motown's Bob Babbitt played for him. The one and only Gil Clark has breached the Michigan Music enigma, as a folk musician, rock and blues bassist, first call vocalist, record store owner, and friend to rebel-rousing stars. From the late '70s to now, Clark has immersed himself as a musician and Michigan music touchstone for all of his adult life. His stories are unmatched and his music is still being sought after. Now he wants to share his story.     Here in part 1 of 2, Clark takes us to Tyner's house, gigs a the Old Miami with Tyner and Rodriguez, guitar lessons from Mike Skill of the Romantics, hangs with Dennis 'Machine Gun' Thompson, Cub Koda inspiration, tours with Destroy All Monsters/Niagara and Ron Asheton, Rockets love, and tours with Michael Katon. That's just the tip of the iceberg here. Did we mention he is in the Jim DeRogatis book, Let It Blurt: The Life and Times of Lester Bangs? Do yourself a favor and hit play, NOW!

Enjoy our review of the Japanese drama Romantics Anonymous. Hopefully you fell for it as hard as we did. (Originally aired in Patreon November 2025)You can also find us on X, BlueSky, and Facebook.Click HERE for our show notes.Remember to check out our Patreon which is full of extra content for our Kimchi VIPS!! Come check it out HERE, and make sure you don't miss a single moment of our drama-filled banter Hosted on Acast. See acast.com/privacy for more information.

Soccer legend and longtime friend Alexi Lalas joins us to talk about the 1981 movie "Victory" starring Michael Caine and Sylvester Stallone. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. We will have a promo code for you soon. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Buckle up, babes, we read 500 First Editions by Queen Maggie Gates this week! This is the final installment in the Romantics series and–spoiler alert–it might be her best book yet. Relationship coach Ryan Ford bets romance author Willow Winslet that he can make her fall in love with him in 12 weeks with his patented Ford Method. If he wins, she has to endorse his program. If she wins, he'll stop podcasting. Any bets who who'll win?SOS: Railed: A Why Cho-Cho-Choose Romance by Zane E. StoriUp Next: Penalty Play by Julia ConnorsWhat We're Reading:Cursed with Benefits by Roxie RayHeated Rivalry by Rachel Reid (re-Reid)Follow us on SpotifyWebsite: www.chicklitbookclubpodcast.comMerch: https://chicklitbookclubpodcast.threadless.com/TikTok: ChickLitBookClubInstagram and Threads: ChickLitBookClubPodcastPinterest: ChickLitBookClubPodcastBlueSky:@clbcpodcast.bsky.socialYoutube: @ChickLitBookClubEmail: chicklitbookclubpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

We introduce the 2026 class of the Rock and Roll Hall of Fame. We talk who got in, who got snubbed, and which choices will have us yelling at our dashboards like it's 1987 and the DJ just skipped our favorite song. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. We will have a promo code for you soon. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Remember our amazing interview with Kenny Loggins? Here it is again from 2007. Full show with co-host Sean Daly. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors SIT80s fans get 10% off everything at our new sponsor Rotellaresale.com. Collectibles, action figures, novelty genres, diecast cars, and even vinyl records, Zippo lighters and comic books. Use the promo code STUCK. The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. We will have a promo code for you soon. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Macbeth begins ominously: "Enter three witches." What did Scottish people believe about witches? Historian and author Mary Craig joins Royals, Rebels, and Romantics to explain.Show Notes:Mary Craighttps://marywcraig.com/ Mary and Doug's podcast: https://bordersbletherings.uk/#podcast Twitter: https://x.com/11mwc Facebook: https://www.facebook.com/marywcraig Instagram: https://www.instagram.com/11mwc/ Scottish Witches (Pen and Sword) available for preorder!Carol Ann Lloyd@shakeuphistoryhttps://carolannlloyd.com/ https://patreon.com/carolannlloydhttps://bookshop.org/shop/carolannThe Tudors by NumbersCourting the Virgin QueenSupport the showHistory reveals what's possible.

A new series on Royals, Rebels, and Romantics!Leadership Lessons from History and Shakespeare.This week we take a deep dive into Shakespeare's Henry V and why listening is a leader's superpower.Carol Ann LloydTEDx talk: https://www.youtube.com/watch?v=bVWJml2otH0 @shakeuphistoryhttps://carolannlloyd.com/ https://patreon.com/carolannlloydhttps://bookshop.org/shop/carolannThe Tudors by NumbersCourting the Virgin QueenSupport the showHistory reveals what's possible.

Which '80s teen romance movie is stronger: "Pretty in Pink" or "Some Kind of Wonderful?" We decide today. Plus, full seggies, a book update, and our review of the 2026 voyage of The 80s Cruise. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors SIT80s fans get 10% off everything at our new sponsor Rotellaresale.com. Collectibles, action figures, novelty genres, diecast cars, and even vinyl records, Zippo lighters and comic books. Use the promo code STUCK. The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. We will have a promo code for you soon. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

TV's "The Greatest American Hero" debuted 45 years ago today - March 18, 1981. We honor the '80s TV show with a reairing of our 2007 interview with actor William Katt. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors SIT80s fans get 10% off everything at our new sponsor Rotellaresale.com. Collectibles, action figures, novelty genres, diecast cars, and even vinyl records, Zippo lighters and comic books. Use the promo code STUCK. The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. We will have a promo code for you soon. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The new Stuck in the '80s podcast book is finally for sale. Brad interviews Spearsy about a project 20 years in the making. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors SIT80s fans get 10% off everything at our new sponsor Rotellaresale.com. Collectibles, action figures, novelty genres, diecast cars, and even vinyl records, Zippo lighters and comic books. Use the promo code STUCK. The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. We will have a promo code for you soon. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Has conservatism really defeated utilitarianism? Or are modern conservatives just utilitarians at their core? Find out as we discuss Jeremy Bentham, James Mill, John Stuart Mill, Walter Scott, George Canning, and Samuel Coleridge in their war for English politics!Follow us on X!Give us your opinions here!

"Highlander" is officially 40 years old. Well, technically Connor MacLeod is 508 years old now. Here's our tribute episode recorded in 2012 with co-host Sean Daly. Coming in March Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, will finally be published. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book will be available on March 11. Our Sponsors   Our Sponsors SIT80s fans get 10% off everything at our new sponsor Rotellaresale.com. Collectibles, action figures, novelty genres, diecast cars, and even vinyl records, Zippo lighters and comic books. Use the promo code STUCK. The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. We will have a promo code for you soon. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode 89 From An Essay on Man by Alexander Pope  Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/89_From_An_Essay_on_Man_by_Alexander_Pope.mp3 Poet Alexander Pope Reading and commentary by Mark McGuinness From An Essay on Man Epistle II By Alexander Pope Know then thyself, presume not God to scan;The proper study of mankind is man.Placed on this isthmus of a middle state,A being darkly wise, and rudely great:With too much knowledge for the sceptic side,With too much weakness for the stoic's pride,He hangs between; in doubt to act, or rest;In doubt to deem himself a god, or beast;In doubt his mind or body to prefer;Born but to die, and reasoning but to err;Alike in ignorance, his reason such,Whether he thinks too little, or too much:Chaos of thought and passion, all confused;Still by himself abused, or disabused;Created half to rise, and half to fall;Great lord of all things, yet a prey to all;Sole judge of truth, in endless error hurled:The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides,Go, measure earth, weigh air, and state the tides;Instruct the planets in what orbs to run,Correct old time, and regulate the sun;Go, soar with Plato to th' empyreal sphere,To the first good, first perfect, and first fair;Or tread the mazy round his followers trod,And quitting sense call imitating God;As Eastern priests in giddy circles run,And turn their heads to imitate the sun.Go, teach Eternal Wisdom how to rule –Then drop into thyself, and be a fool!   Podcast Transcript In the early 18th century, Alexander Pope's poetry was known to every cultured person in England. He was a fashionable, successful, wealthy writer and the preeminent poet of his age. He was also a canny businessman who published his translations of Homer via subscription, an early form of crowdfunding, and they sold so well he built himself, an extravagantly large villa in Twickenham – and its famous subterranean grotto still exists today. His political satires were so sharp and topical that he was rumoured to carry a pair of loaded pistols when going for a walk, in case one of his targets took violent exception. Phrases from his poetry are still proverbial: ‘hope springs eternal', ‘Fools rush in where angels fear to tread', ‘a little learning is a dangerous thing', ‘To err is human; to forgive divine', ‘What oft was thought but ne'er so well expressed', and also the title of the movie, ‘eternal sunshine of the spotless mind'. But these days, Pope has really fallen out of fashion. He's seen as archaic and artificial. In an age when formal poetry is out of fashion, for many people he represents the worst kind of formal poetry: his very regular metre and full rhymes sound clunky to our ears. His rhyming couplets are undoubtedly clever, but that's part of the problem, because these days we associate poetry with emotions and self-expression, so cleverness is seen as a little suspect and somehow inauthentic. And I'll be honest, for a long time, I had that image of Pope. He represented everything the Romantics rebelled against at the end of the 18th century, and as a young poet I was on the side of the Romantics, so I had no interest in Pope. However, a few years ago, I challenged myself to have another look at his work, and what I discovered was a really sharp and thought-provoking and witty and formidably skilful poet, who in certain moods, is an absolute pleasure to read. And he doesn't fit every mood, but then there aren't many poets who do. So turning to today's poem, An Essay on Man is one of Pope's major works, it's about 1,300 lines long. As the title suggests it's a meditation on the nature of what he called mankind, and we call humankind, we have to make allowance for the historic focus on the male as representative of the species. It's also a didactic poem, he's not just reflecting on the subject, he is telling us what we should think about it. Which again, is a deeply unfashionable stance for poets these days, at least when they are on the side of a conservative or establishment position. And he does this in the form of a series of verse epistles, verse letters, which are addressed to Henry St John, Viscount Bolingbroke. The epistle form also means that the poem addresses the reader in a very direct manner, as you would expect in a letter. His basic stance, which we find in many of his poems, is of a reasonable man writing for a group of like-minded people, trying to establish some sort of common sense, shared ideas and principles, in a world where these need to be debated and defined and defended. This was the world of the coffee house and the salon, where people came together to debate, sometimes in very robust fashion. It came to be known as the Augustan age in English literature, by comparison with the satirical and political poetry of the age of Augustus Caesar. OK looking more closely at the poem itself, the excerpt I just read is from the second Epistle, and one of the first things we notice is what Milton would have called the ‘jingling' rhymes: Know then thyself, presume not God to scan; The proper study of mankind is man. Placed on this isthmus of a middle state, A being darkly wise, and rudely great: With too much knowledge for the sceptic side, With too much weakness for the stoic’s pride, It's pretty unmistakeable isn't it? One pair of rhymes after another. And in case you're wondering, yes, these rhyming couplets do go on all the way through the poem, and indeed all the way through most of Pope's work. And not just in Pope: for over a century, from about 1650 to 1780, this was a hugely popular verse form. They are known as heroic couplets because they are associated with epic narrative poems, such as John Dryden's translations of Virgil and Pope's translations of Homer. Each line is in iambic pentameter, the familiar ti TUM ti TUM ti TUm ti TUM ti TUM, with two lines next to each other forming couplets, and the poem proceeding with one couplet after another. The form can be traced back to Chaucer, who used rhyming couplets for many of his narrative poems. But by the time of Dryden and Pope it had evolved into a tighter couplet form, described as closed couplets, meaning that they were typically self contained, with a sentence, or a discrete part of a sentence, beginning and ending inside the couplet. For instance: Know then thyself, presume not God to scan; The proper study of mankind is man. That stands on its own as a single thought, a unit of sense, ending with a full stop. And the full rhyme of ‘scan' and ‘man' means the couplet snaps shut at the end – this is the closed couplet effect we associate with heroic couplets. In the next couplet he introduces the idea of man as a creature of ‘middle state': Placed on this isthmus of a middle state, A being darkly wise, and rudely great: And then another couplet elaborates on the sense of being pulled in different directions: With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, So the poem proceeds one unit of sense at a time. The couplets are like Lego bricks, and Pope used them to build just about anything he wanted: literary and philosophical discourse here in the Essay on Man and in his Essay on Criticism; mock-heroic social comedy in The Rape of the Lock; actual epic in his translations of the Iliad and the Odyssey; and satire in The Dunciad. It's easy to see how this could become monotonous, and in the work of most poets of the time, it did. But Pope's great achievement was to take this established form and perfect it, sticking very strictly to the formal pattern, while varying the syntax, the grammatical patterns, with great subtlety and complexity, to keep the reader on their toes. Let's take another look at the first couplet. Notice the little pause in the middle of the first line, after ‘thyself': Know then thyself, presume not God to scan; This divides the line into two parts, conveying the dramatic tension in Pope's argument: he's saying that humans are ambitious for knowledge, they want to ‘scan' God, to examine him, but they should really focus on self-knowledge. This tension between opposites is known as antithesis, it's a rhetorical pattern we looked at back in episode 58 about one of Sir Philip Sidney's sonnets, and it's very common in Pope. And the tension is resolved in the next line, which is all one phrase, with no pause: The proper study of mankind is man. Have another listen to the couplet, to hear how the tension is established and then released: Know then thyself, presume not God to scan; The proper study of mankind is man. So when all of this comes together, the tension and release, the regular rhythm of the metre and the full rhymes clinching the couplet, it has the effect of making the words sound truer than true. The following couplet picks up on the antithesis, and extends it into paradox: Placed on this isthmus of a middle state, A being darkly wise, and rudely great: An isthmus is a narrow strip of land between two bodies of water, so standing on it, you could easily feel precarious and threatened. ‘Darkly wise' means ‘dimly wise', possessing a little knowledge, but not enough for full understanding. And ‘rudely great' means ‘powerful but coarse and unfinished'. And I think we can recognise what Pope is saying from our own experience – that sense of knowing enough to know how little we really know; of having great potential, but struggling to fulfil it. And isn't it delightful how Pope compresses all those feelings into these neat little paradoxes: ‘darkly wise and rudely great'. In another famous line, he describes true eloquence as ‘What oft was thought but ne'er so well expressed', which is exactly what he achieves here. We can also note that ‘darkly wise' and ‘rudely great' are not only antitheses expressed as paradoxes, they are also an example of another rhetorical pattern: parallelism, where similar structures are repeated with variation. In this case ‘darkly' and ‘rudely' are both adverbs and ‘wise' and ‘great' are both adjectives, so grammatically they are identical, which suggests both similarity and difference in mankind's relationship to knowledge and power. The next couplet uses a more elaborate parallelism: With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, So both lines say ‘With too much something for the something else'. It's hard to miss the pattern, isn't it? And notice how the couplet form is perfect for laying out two ideas that seem to counterbalance each other perfectly. So we're only six lines in and Pope has put his finger on a central conundrum in human existence, and conveyed it with at least three rhetorical patterns nested inside each other – antithesis, paradox and parallelism. Not only that, he's handled the metre and rhyme with great skill, wrapping each thought up in the neat little bow of a rhyming couplet. And if your mind is starting to boggle, welcome to the world of Pope's verse: elegant, authoritative and very, very clever. When we look closely, there's a lot going on inside every single couplet. He's like a watchmaker, working at a tiny scale, making an instrument with great precision and balance, that keeps perfect time, and chimes beautifully. And Pope's contemporaries would have found it easier to follow the sense than we do, because they were used to reading this kind of stuff. But I'm sure the poetry would often have given them pause, even if only for a moment, as they read. And my guess is that they would have enjoyed this slight difficulty, and the pleasure of making out the sense, with the little dopamine hit of understanding. Like unwrapping a sweet before you can pop it in your mouth and taste it. So I hope we're starting to see why Pope is the undisputed master of the heroic couplet. Even T. S. Eliot had to admit defeat, when he wrote a passage in this style for The Waste Land, only for Ezra Pound to point out tactfully that he couldn't compete with Pope, and draw the red pencil through it. But the form is more than simply one couplet after another. When he stacks them together, they create verse paragraphs, longer units of thought, that function very like paragraphs in prose. So having established the idea of man caught between opposing forces, he goes on to elaborate on the theme to dazzling effect: He hangs between; in doubt to act, or rest; In doubt to deem himself a god, or beast; In doubt his mind or body to prefer; Born but to die, and reasoning but to err; Alike in ignorance, his reason such, Whether he thinks too little, or too much: The couplets are individually brilliant, and cumulatively overwhelming, both in terms of the mental effort required to tease out their meanings, and the tension between action and inaction, divine and bestial impulses, mind and body, birth and death, reason and error. And I think that's why I find this line so funny: Whether he thinks too little, or too much: It feels like he's throwing his arms up and laughing and admitting that he's overthinking it all. The verse paragraph ends with three more couplets, where he sums up the nature of man: Chaos of thought and passion, all confused; Still by himself abused, or disabused; Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurled: The glory, jest, and riddle of the world! Although Pope is describing a ‘chaos of thought', his own thinking is always sharp, however convoluted his argument becomes. So he sticks to the themes of power and knowledge, undercutting man's pretension by saying he is ‘Great lord of all things, yet a prey to all', and ‘Sole judge of truth, in endless error hurled'. And he ends this paragraph with another rhetorical device, the tricolon, which uses three parallel elements to build to a conclusion: The glory, jest, and riddle of the world! We're familiar with this pattern in famous quotes from Julius Caesar, ‘I came, I saw, I conquered', the US Declaration of Independence, ‘Life, liberty and the pursuit of happiness', and Shakespeare: ‘Friends, Romans, countrymen!' Here, Pope uses it with typical precision, since if someone is both the ‘glory… of the world' and it's ‘jest', i.e. the butt of its jokes, then that makes that person a ‘riddle': The glory, jest, and riddle of the world! So this sums up the nature of man, and sets up the jesting irony of the next verse paragraph: Go, wondrous creature! mount where science guides, Go, measure earth, weigh air, and state the tides; Instruct the planets in what orbs to run, Correct old time, and regulate the sun; If this were the start of the poem, we might be forgiven for taking Pope's words at face value, but in the light of what has gone before, it's pretty clear that ‘wondrous creature' is a mocking criticism. He was writing this in an age where Newtonian physics was in the ascendancy and people were full of enthusiasm about the new discoveries in science and the possibility of understanding and mastering the physical world. And given that we are still living in a so-called age of reason, I think his criticisms of scientific overreach are still relevant, and the joke is still funny, when he talks about instructing the planets in what orbits to follow, correcting time and regulating the sun. As if measuring were full understanding, let alone complete power. But Pope doesn't confine his criticism to scientists. He also has philosophers in his sight: Go, soar with Plato to th' empyreal sphere, To the first good, first perfect, and first fair; Or tread the mazy round his followers trod, And quitting sense call imitating God; He clearly doesn't have a lot of time for Plato's first principles. Neither is he impressed by the contemporary vogue for what we would call Orientalism: As Eastern priests in giddy circles run, And turn their heads to imitate the sun. It's possible that he had in mind the whirling dervishes of Persia, or maybe this is just a caricature of his idea of ‘Eastern priests'. So obviously this is a joke that hasn't aged so well. OK he ends this verse paragraph with a final jab, which restates the idea from the opening couplet in bluntly comic fashion: Go, teach Eternal Wisdom how to rule – Then drop into thyself, and be a fool! It's hard to imagine a more apt image of intellectual presumption than trying to teach Eternal Wisdom a thing or two, but just in case we miss the point, Pope rams it home with relish: Then drop into thyself, and be a fool! And this is another characteristic aspect of Augustan poetry, particularly the satirical kind, that it can be very crude and direct, with a passage of sophisticated argument followed by a line or two where the mask drops and the insult is laid bare. And no, it's not big or clever, but let's face it, sometimes it can be deeply satisfying. One more little detail, which I can't help wondering about: notice how both of these couplets, conveying the same basic idea in very different tones, both hinge on the word ‘thyself': Know then thyself, presume not God to scan; The proper study of mankind is man. Go, teach Eternal Wisdom how to rule – Then drop into thyself, and be a fool! So that word ‘thyself' could be used to refer to various individuals, and knowing Pope, I wouldn't be surprised if he intended all of them at once. Firstly, the phrasing sounds proverbial, in which case each couplet is an injunction to mankind at large. Secondly, it could refer to the reader, any reader, of the poem, whether Viscount Bolingbroke, an 18th-century wit, or you and me, reading the poem together on this podcast. It could also refer to the specific targets of Pope's criticism, such as the overreaching scientists or philosophers. I think Pope may also have had in mind a target nearer to home: himself. W. B. Yeats wrote in one of his essays, ‘We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry'. And it's entirely possible that Pope is doing both at once: we've seen the brilliance of his rhetoric, in puncturing the pretensions of his fellow men and women. Yet by making poetry as well as rhetoric, he is arguably arguing with himself as well. It was of course be entirely right and proper and expected for a Christian such as Pope to admonish himself as well as others, for the many and various sins he describes in An Essay on Man. So from a moral viewpoint, I think I'm on pretty safe ground in suggesting that ‘thyself' includes Pope. But I would go further, and say that the idea of a brilliant mind that is not quite brilliant enough to fully understand itself may have been a deeply personal subject for Pope. Because what we have here is an extremely clever warning about taking cleverness to extremes. Maybe the irony was not lost on Pope. As he wrote in another poem, An Essay on Criticism, ‘A little learning is a dangerous thing'. So perhaps as we hear this passage again, and enjoy the sparkling wit and scurrilous attacks on others, we can also detect a note of self-reflection, and self-accusation, that makes it a little more poignant than it first appears. From An Essay on Man Epistle II By Alexander Pope Know then thyself, presume not God to scan;The proper study of mankind is man.Placed on this isthmus of a middle state,A being darkly wise, and rudely great:With too much knowledge for the sceptic side,With too much weakness for the stoic's pride,He hangs between; in doubt to act, or rest;In doubt to deem himself a god, or beast;In doubt his mind or body to prefer;Born but to die, and reasoning but to err;Alike in ignorance, his reason such,Whether he thinks too little, or too much:Chaos of thought and passion, all confused;Still by himself abused, or disabused;Created half to rise, and half to fall;Great lord of all things, yet a prey to all;Sole judge of truth, in endless error hurled:The glory, jest, and riddle of the world! Go, wondrous creature! mount where science guides,Go, measure earth, weigh air, and state the tides;Instruct the planets in what orbs to run,Correct old time, and regulate the sun;Go, soar with Plato to th' empyreal sphere,To the first good, first perfect, and first fair;Or tread the mazy round his followers trod,And quitting sense call imitating God;As Eastern priests in giddy circles run,And turn their heads to imitate the sun.Go, teach Eternal Wisdom how to rule –Then drop into thyself, and be a fool!   Alexander Pope Alexander Pope was an English poet and translator who was born in 1688 and died in 1744. As a Catholic he was barred from university and public office, so he educated himself and forged a brilliant literary career, becoming the leading poet of Augustan England, celebrated for his razor-sharp satire and polished heroic couplets. Early success came with An Essay on Criticism and The Rape of the Lock, followed by monumental translations of Homer that made him financially independent. His later works, including The Dunciad, attacked dullness and corruption. In An Essay on Man, he explored human nature, providence, and moral order with epigrammatic clarity. He lived at Twickenham, where he created a famous garden and grotto.   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes From An Essay on Man by Alexander Pope Episode 89 From An Essay on Man by Alexander Pope Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope.Poet Alexander PopeReading and commentary by Mark McGuinnessFrom An Essay on Man Epistle II By Alexander Pope Know... Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK... 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This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comMichael is quite simply one of the best nonfiction writers out the planet: a real role model. He's been a contributing writer to the New York Times Magazine since 1987, and he's the bestselling author of many books, including How to Change Your Mind — which I reviewed in 2018 — and its sequel, This Is Your Mind on Plants, which we discussed on the Dishcast in 2021. This week we covered his new book, A World Appears: A Journey Into Consciousness.For two clips of our convo — on the magic of spontaneous thoughts, and the consciousness of kids — head to our YouTube page.Other topics: toasters and other things that don't have consciousness; Thomas Nagel's bat; panpsychism; Francis Crick trying to solve consciousness; the global neuronal workspace theory; how brains are not like computers; AI and consciousness; Proust; James Joyce; Wordsworth and the Romantics; William James and stream of consciousness; Lucy Ellmann's Ducks, Newburyport; words on the tip of your tongue; phenomenology; letting your mind wander; Addison's Walk at Oxford; how smartphones distract from thinking; Trump taking up our headspace; Oakeshott and “the deadliness of doing”; AI and UBI; Allison Gopnik's lantern vs spotlight consciousness; how a child's brain resembles an adult's on psychedelics; ego death; the default mode network; meditation; the flow state of deep reading; the benefits of boredom; habit and ritual; my 10-day silent meditation retreat; the sentience of plants; Buddhism and Matthieu Ricard; the soul; the film Into Great Silence; and the disenchantment of the Enlightenment.Browse the Dishcast archive for an episode you might enjoy. Coming up: Jeffrey Toobin on the pardon power, Derek Thompson on abundance, Matt Goodwin on the earthquake in UK politics, Jonah Goldberg on the state of conservatism, Tom Holland on the Christian roots of liberalism, Tiffany Jenkins on privacy, Adrian Wooldridge on “the lost genius of liberalism,” Tom Junod on his memoir and masculinity, and Kathryn Paige Harden on the genetics of vice and virtue. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

Primavera de 1991: 'Cuidado con Paloma (que me han dicho que es de goma)' convierte a Emilio Aragón en número uno mientras el mundo escucha a Madonna o Guns N' Roses.Décadas después, la comparación con 'What I Like About You' de The Romantics, publicada en los años 70, sigue alimentando el debate: mismo nervio rítmico, estribillo contagioso y un 'parecido razonable' que muchos oyen, aunque nunca hubo denuncia ni pleito. ¿Influencia, coincidencia o simple aire de familia? El misterio pop sigue abierto.

Host Silas Farley is back with another fascinating Hear the Dance conversation, joined this week by Kay Mazzo, Christine Redpath, and Jean-Pierre Frohlich to discuss Jerome Robbins' masterpiece Dances at a Gathering. In this wide-ranging and intimate conversation, they share memories of the ballet's momentous 1969 premiere as well as time spent with Robbins in the rehearsal studio. As they discuss the various sections of Dances, they reflect on moments when Robbins' humor emerges; the "freedom" and even suspense of certain passages; and the ways in which the ballet is a gift from the choreographer as much to the dancers, who share in its rich sense of community, as to the audience. (1:09:57) Written by Silas Farley Edited by Emilie Silvestri Music:  Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Mazurka, op. 63, no. 3; Waltz, op. 69, no. 2; Mazurka, op. 33, no. 3; Mazurkas, op. 6, nos. 2 and 4, op. 7, nos. 4 and 5, op. 24, no. 2; Waltz, op. 24; Waltz, op. 34, no. 2; Mazurka, op. 56, no. 2; Etude, op. 25, no. 4; Waltz, op. 34, no. 1; Waltz, op. 70, no. 2; Etude, op. 25, no. 5; Etude, op. 10, no. 2; Scherzo, op. 20, no. 1; Nocturne, op. 15, no. 1 All music performed by New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Life of Chopin by Franz Liszt Chopin: Prince of the Romantics by Adam Zamoyski Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

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Send us a textJoin DJ Paulie and Lou on this week's episode of the Back in Time Brothers Radio Show as they explore the intersection of 90s music, marketing, and movies.Top 10 Countdown: Songs from 90s Commercials DJ Britt leads the charge with a countdown of the best tracks that found a second life selling us everything from jeans to toaster pastries. The brothers discuss the memorable tunes that lived rent-free in our heads, including Was Not Was's "Walk the Dinosaur" (Burger King), Billy Idol's "Dancing with Myself" (Toyota), and The Romantics' high-energy anthem "What I Like About You" (Budweiser). The segment culminates with the quirky use of The Vapors' "Turning Japanese" in a Pop-Tarts campaign.Movie Time: Flops That Became Legends The hosts dive into a surprising list of 90s movies that failed to perform at the box office but later achieved legendary status on DVD and cable. The discussion covers why summer release dates doomed holiday favorites like Hocus Pocus and how poor marketing sank The Iron Giant and Fight Club. They also examine how The Shawshank Redemption went from a financial disappointment to being considered one of the greatest films of all time.TV Time: The Legacy of 90210 In this segment, the brothers analyze the cultural phenomenon of Beverly Hills, 90210. They discuss how the show tackled heavy social issues and paved the way for a generation of teen dramas. The conversation traces the show's DNA through its spin-offs and spiritual successors, including Melrose Place, Dawson's Creek, The O.C., and One Tree Hill.Rock Talk with Todd Snyder Todd takes a darker look at the decade with "Scandalous 90s TV Commercials." This segment explores the friction between rock integrity and corporate advertising, detailing the fallout from Madonna's controversial "Like a Prayer" Pepsi spot, the legal battles over Nike using The Beatles' music, and the "happy slapping" craze caused by the Tango Orange Man ads in the UK.Stupid Criminals & Random Facts The episode features a hilarious lineup of inept criminals, including a woman who misused a "beer cave" in Pennsylvania, a naked man with a chainsaw in Minnesota, and a robber who tried to hold up a bank by simply claiming he was the boss. Finally, the team shares random facts ranging from Abraham Lincoln's wrestling career to the history of the "I Love NY" logo.Support the showThanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, since we need to catch up on sleep from the exhaustion of the holidays, we are featuring songs that are about sleep. On today's episode, Andy Atherton is watching, “Talking In Your Sleep” by The Romantics from 1983.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=JmGMzyajA2U

Murph & Markus - hour 4: Another one not with us, gauging the temperature on a potential Bryce Eldridge trade, & WDYTLT: "What I Like About You" by The RomanticsSee omnystudio.com/listener for privacy information.