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A teen cellist plays an electrifying arrangement of Monti's Czardas and speaks about organizing his own concert series to benefit a special Boston-area music program. We also meet a trio of close friends who met at summer camp and perform Clara Schumann.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Franz Joseph Haydn (1732-1809) - Piano Trio n. 38 in re maggiore, Hob. XV:24 1. Allegro2. Andante [07:34]3. Allegro, ma dolce [10:44] Beaux Arts TrioMenaham Pressler, pianoforteIsidore Cohen, violinoBernard Greenhouse, violoncello
On this week's episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores late works of Mendelssohn, including his final string quartet, written following the loss of his sister Fanny. This episode features live CRC performances by the Trio Cavatina and Modigliani Quartet.Piano Trio in C Minor, Op. 66Allegro energico e con fuocoAndante espressivoScherzo: Molto allegro quasi prestoTrio Cavatina [10/28/2009 performance]Quartet in F Minor, Op. 80Allegro vivace assaiAllegro assaiAdagioFinale: Allegro moltoModigliani Quartet [11/19/2017 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Richard Wigmore's recommendation for Beethoven's Piano Trio no.7 Op.97 'Archduke'.
On this episode, Derek explores chamber works of Mendelssohn written at the height of his career with performances by the Doric Quartet and Trio Cavatina.Quartet in E Minor, Op. 44, No. 2Allegro assai appassionatoScherzo: Allegro di moltoDoric Quartet [2/17/2019 performance]Piano Trio in D Minor, Op. 49Molto allegro ed agitatoAndante con moto tranquilloScherzo: Leggiero e vivaceFinale: Allegro assai appassionatoTrio Cavatina [10/28/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Donald Macleod colours in Bruch's life story and reveals the breadth of his output“Only true melody outlasts all changes and shifts of time” – so said this week's composer, Max Bruch, the creator of what may be the world's best-loved violin concerto. But Bruch would hate us to think of him as a one hit wonder. He even came to resent the very sound of his first Violin concerto, the only piece by which he's often remembered. This week, Donald Macleod colours in Bruch's life story and reveals the breadth of his output, including some of his lesser-heard music.Music Featured: Frühlingslied, Op 7 No 5 (arr. for violin and piano) Septet, Op Posth (3rd mvt, Scherzo) Klavierstücke, Op 12 (excerpt) Piano Trio, Op 5 Die Loreley Overture String Quartet No 2 in E major, Op 10 (1st mvt, Allegro maestoso) Swedish Dances (No 10, Frisch, nicht zu schnell) Musicaklang, Op 71 No 5 Symphony No 1 (5th mvt, Finale) Schön Ellen, Op 24 Violin Concerto No 1 in G minor 12 Scottish Folksongs (No 2, Johnie und Jenny) Songs, Op 49 No 4 – Serenade Piano Quintet in G minor (3rd & 4th mvts) Gruss an die Heilige Nacht (Greeting to the Holy Night) Kol Nidrei Scottish Fantasy for violin and orchestra (4th mvt, Allegro guerriero) 8 Pieces for Clarinet, viola and piano, Op 83 No 2 In der Nacht, Op 72 4 Pieces, Op 70 (No 1, Aria) Concerto for Two Pianos (4th mvt) Double Concerto for clarinet and viola Sommerlust im Walde, Op 71 No 1 String Quartet No 1 (3rd mvt) Das Lied von der Glocke (final movements) Odysseus Prelude In Memoriam, Op 65Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Max Bruch (1839-1920) https://www.bbc.co.uk/programmes/m002br0dAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Antonin Dvoràk (1841 - 1904) - Trio per pianoforte n. 3 in fa minore, op. 65 (B.130)1. Allegro ma non troppo2. Allegretto grazioso [14:00]3. Poco adagio [20:40]4. Finale: Allegro con brio [30:36] Claremont Piano Trio Emily Bruskin (violin)Julia Bruskin (cello)Donna Kwong (piano)
Perth based Pianist and composer Austin Salisbury spoke of his musical journey to date and bringing his piano trio to the Eastern States to launch their new album – OUTLINES... LEARN MORE The post Austin Outlines his Piano Trio appeared first on Bent Notes.
As we noted so succinctly way back in 2014: Some trios play nicer together than others - Pat and Mike investigate. Duke Ellington – MONEY JUNGLE; Terri Lyne Carrington – MONEY JUNGLE PROVOCATIVE IN BLUE; Jean-Michel Pilc – WELCOME HOME; Herbie Nichols – LOVE, GLOOM, CASH, LOVE. Tune in next time as the Herbie Nichols connection leads to a brand new episode covering four albums devoted solely to his music.
Donald Macleod delves into the lives and music of The Turkish FiveIn 1923 the Turkish Republic came into being. On the agenda for the founding father and first president, Mustafa Kemal Atatȗrk, was the aim to develop a new Turkish musical language, and to disassociate culturally with the Ottoman past. This new musical culture would be a blend of traditional Turkish music, in combination with Western classical music.A group of composers known as the Turkish Five were pioneers in this movement to form a synthesis between East and West. They included Cemal Reşit Rey (1904-1985), Ulvi Cemal Erkin (1906-1972), Hasan Ferit Alnar (1906-1978), Ahmet Adnan Saygun (1907-1991) and Necil Kâzim Akses (1908-1999). The Turkish Five became hugely influential in their home country as composers, teachers, conductors and artistic directors, and also became well known abroad, receiving many honours.This week, Donald Macleod is joined by Prof. Mine Doğantan-Dack and Dr. Emre Araci to delve into the impact these composers had on the music in the Turkish Republic. Music featured: Ulvi Cemal Erkin: Camdan sakiz akiyor (Seven Folk Songs) Piano Concerto (excerpt) Duyuşlar (excerpt) Piano Quintet (Ritmico e enérgico) Seven Folk Songs (excerpt)Ahmet Adnan Saygun: Meseli, Op 25 (Anadolu'dan) Piano Concerto No 1, Op 34 (excerpt) Theme and Variations, Op 2 String Quartet No 1, Op 27 (excerpt) Yunus Emre, Op 26 (excerpt) Halay, Op 25 (Anadolu'dan) String Quartet No 2, Op 35 (Grave) Köröğlu, Op 41 (Ten Turkish Folk Songs) Piano Concerto No 2, Op 71 (excerpt)Necil Kâzim Akses: Concerto for Orchestra (excerpt) Five Turkish Piano Pieces (excerpt) Violin Concerto (Adagio – Allegro) Andante (Ten Piano Pieces) Five Pieces for Piano (excerpt)Cemal Reşit Rey: Three Turkish Folks Songs (Twelve Anatolish Folk Songs) Nomad Zeybek Air (Turkish Scenes) Feast (Instantanés) Fatih Sultan Mehmet “Le Conquerant” Andante and AllegroHasan Ferit Alnar: Piano Trio (excerpt) Şu Yamaçta (8 Piano Pieces) Uyuşuk Dans (8 Piano Pieces) Concerto for Qānūn and String Orchestra (Allegro poco moderato) Piano Trio (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for The Turkish Five https://www.bbc.co.uk/programmes/m002822p And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Trio Voci visited Studio A to perform music of Beethoven and Shostakovich. The three members of the trio are currently students at Interlochen Arts Academy. Music performed in Studio A Ludwig van Beethoven, Piano Trio "Ghost": I. Allegro vivace e con brio Dmitri Shostakovich, Piano Trio no. 2: IV. Allegretto - Adagio Trio Voci members Jad Ibrahim, violin, Latakia, Syria Caleb Ryu, cello, Manlius, N.Y. Hailey Culp, piano, Cumming, Ga.
- Występujemy tam w ramach cyklu "Souvenir". Jest to powstały w 2022 roku autorski cykl dyrektora Musikverein, dr. Stephana Pauly'ego - mówiła w audycji "Wybieram Dwójkę" Zuzanna Budzyńska, skrzypaczka Cuore Piano Trio.
In the 45th episode of the ECM podcast we're joined by the Swiss pianist Colin Vallon, who talks about his new trio record "Samares", on which he is joined by his longstanding trio with Patrice Moret on bass and Julian Satorius on drums. Colin talks about his family tree, botanical inspirations, how he collects objects on travels which he uses to make music, and much more.
Ludwig van Beethoven (1770 - 1827)Piano Trio n. 1 in Mi bemolle Maggiore, Op. 1, n. 1AllegroAdagio cantabile (la bemolle maggiore)Scherzo. Allegro assai (do minore)Finale. PrestoItzhak Perlman, violinoLynn Harrell, violoncelloVladimir Ashkenazy, pianoforte [32'13”]"Triplo concerto" in do maggiore per pianoforte, violino e violoncello, op. 56AllegroLargo (la bemolle maggiore)Rondò alla PolaccaSviatoslav Richter, pianoforteDavid Oïstrakh, ViolinoMstislav Rostropovitch, VioloncelloBerlin Philharmonic OrchestraHerbert von Karajan, direttore
Donald Macleod delves into the life of Luise Adolpha Le Beau Luise Adolpha Le Beau was a German composer, concert pianist, teacher and music critic. Although her music was performed as far afield as Calcutta and Sydney, her story is one of continual struggle for recognition and respect. Le Beau frequently met opposition to her works and to performance opportunities, Despite these set-backs, Le Beau forged her own path as a composer not only with works for her own instrument, the piano, but also with chamber music, opera, a symphony and many songs. She was determined to succeed, but after her death, without anyone to promote her works on her behalf, Le Beau soon fell into obscurity and was largely forgotten. This week, Donald Macleod is joined by guest Dr Katy Hamilton to shine a light on Le Beau's musicMusic Featured: Piano Concerto in D minor, Op 37 (excerpt) Fantasiestück, Op 1 No 1 (Drei Klavierstücke) Fünf Lieder, Op 7 (excerpt) Piano Concerto in D minor, Op 37 (Allegro maestoso) Piano Sonata, Op 8 (excerpt) Violin Sonata, Op 10 Mazurka, Op 57 No 3 (Drei Klavierstücke) Polonaise, Op 26 No 3 (Drei Stücke) Theme and Variations, Op 3 Fünf Lieder, Op 11 (excerpt) Piano Trio, Op 15 Concert Overture in F major, Op 23 Eight Preludes, Op 12 No 2 (Munter) Romance, Op 35 Vier Stücke, for cello and piano, Op 24 Fünf Lieder, Op 11 (excerpt) Improvisata for left hand, Op 30 Gavotte, Op 32 Piano Concerto in D minor, Op 37 (excerpt) Eight Preludes, Op 12 No 8 (Mit Grazie) Nachstück, Op 26 No 2 (Drei Stücke) Deutscher Regien, Klavierstück, Op 49 Piano Quartet, Op 28 Drei Lieder, Op 39 Symphony in F major, Op 41 (Allegro con fuoco) Gigue, Op 48 No 3 (Danze Antiche) Vater unser, Op 61 Symphony in F major, Op 41 (Adagio) Cello Sonata, Op 17 Barcarole, Op 59 Abendklänge, Op 63 Symphony in F major, Op 41 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Donald Macleod delves into the life of Luise Adolpha Le Beau (1850-1927) https://www.bbc.co.uk/programmes/m0025cflAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
In the 43rd episode of the ECM podcast the pianist Marilyn Crispell joins us to discuss her trio album "Amaryllis", originally released on CD in 2001 and now available, for the first time, on vinyl as part of the Luminessence series. We talked about Marilyn's journey in music, her friendship and collaboration with Paul Motian and Gary Peacock, the encounters that changed her life and much more.
Schumann's Piano Trio no.1 in D minor Op.63 in Building a Library with Allyson Devenish.
The Marcin Wasilewski piano trio has been going for thirty years and their chemistry shines on and off stage. Tonight they're preparing for two shows at Berlin in the North Loop of Minneapolis. Sean McPherson connected with Marcin Wasilewski, Slawomir Kurkiewicz and Michal Miskiewicz to find out about their staying power, the Polish jazz scene and their love of Prince.
This week, Inside The Music takes an in-depth look at the famous Archduke Trio, Op. 97 of Beethoven, performed in its entirety by the Trio Cavatina.Piano Trio in B-flat Major, Op. 97, ArchdukeTrio Cavatina [11/2/2007 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Inside The Music continues the exploration of Ludwig van Beethoven's genius through chamber works of his middle period. Join Derek Delaney, Artistic Director of Capital Region Classical, as he examines these works of Beethoven with live CRC performances by pianists Emanuel Ax and Christian Zacharias, the Belcea Quartet, and Trio Cavatina.Piano Sonata in F Minor, Op. 57, AppassionataAllegro assaiEmanuel Ax [2/29/2008 performance]Quartet in E Minor, Op. 59, No. 2, RazumovskyMolto adagioBelcea Quartet [1/17/2004 performance]Piano Trio in G Major, Op. 70, No. 1, GhostAllegretto ma non troppoTrio Cavatina [11/2/2007 performance]Piano Sonata in E Minor, Op. 90Mit Lebhaftigkeit und durchaus mit Empfindung und AusdruckNicht zu geschwind und sehr singbar vorgetragenChristian Zacharias [10/30/2016 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!
Mark Weisberg on the bass, Michael Pilhofer the drummer and Phil Kadidlo on the piano. The trio could be called Weisberg, Pilhofer and Kadidlo. But in a conversation with Phil Nusbaum, Mark Weisberg quipped that it sounded a bit too much like the name of a law firm, so the group is called the WPK trio. It performs at Crooners Supper Club at 6:30 Friday June 28. Then Mark described the special contribution of the WPK trio. It's the trio's capacity to transform a song into something new each time they play it.
Donald Macleod & Dr Jennifer Martyn explore the remarkable, tragic story of gifted violinist and composer, Amanda Maier Amanda Maier was one of the 19th century's most brilliant musicians, yet whose story was almost lost to history. Born in the small Swedish town of Landskrona, her virtuoso talent at the violin saw her rise to become one of Europe's most in-demand performers: giving private and public concerts of major works by Brahms, Mendelssohn, and Bruch, as well as her own dazzling compositions. Maier was a friend of Grieg, Brahms, Clara Schumann and Ethel Smyth and her music was reviewed in newspapers across Europe. Tragically, ill health would see her pass away at the age of just 41 and her musical legacy slowly forgotten. This week, Donald Macleod is joined by musicologist and violinist Dr Jennifer Martyn to celebrate Amanda Maier's life and work - with performances of all her extant compositions alongside works by key figures in her life, including Edward Grieg, Carl Reinecke and Maier's husband, Julius Röntgen, with whom she enjoyed a close and loving relationship in music and in life.Music Featured:Violin Sonata in B minor (3rd mvt) Preludes in E major, G sharp minor, and E flat major Violin Sonata in B minor (2nd mvt) Den sjuka flickans sång (“Song of a sick girl”) Carl Reinecke: Symphony No 2 “Hakon Jarl” (1st mvt) Piano Trio in E flat major (3rd and 4th mvts) Aftonklockan (“The Evening Clock”) Violin Sonata in B minor (1st mvt) Julius Röntgen: Serenade for Wind No 1, Op 14 (1st mvt) Piano Trio in E flat major (2nd mvt) Violin Concerto in D minor Sången (“Song”) Nine Pieces for violin and piano Piano Trio in E flat major (1st mvt) Karol Lipinski: Violin Concerto No 2 “Militaire” (2nd mvt) Nacht-mittags Potpourri (St Nicholas-Schwank) St Nicholas-Schwank (excerpt) String Quartet in A minor (2nd and 3rd mvts) Grieg: Sarabande (Holberg Suite) Swedish Tunes and Dances Allegretto (Zwiegespräche) Piano Quartet in E minor (1st and 2nd mvts) Brahms: Violin Sonata No 3 (1st mvt) Zwiegespräche (excerpts) Piano Quartet in E minor (3rd and 4th mvts)Presented by Donald Macleod Produced by Steven Rajam for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Amanda Maier-Röntgen (1853-1894) https://www.bbc.co.uk/programmes/m001zmwn And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
We'll focus on the "Serioso" String Quartet, No. 11 in F Minor, Op. 95 (1810-1811), and the "Archduke" Piano Trio, B-flat Major, Op. 97 (1815).
Inside The Music begins its 3 month celebration of Ludwig van Beethoven with a look at the early works that would launch his compositional career. Join Derek Delaney, Artistic Director of Capital Region Classical, as he explores the Opp. 1 and 2 of Beethoven with live CRC performances by the Trio Cavatina, pianist Emanuel Ax, and Musicians from Marlboro.Piano Trio in E-flat Major, Op. 1, No. 1AllegroAdagio cantabileTrio Cavatina [11/2/2007 performance]Piano Sonata, Op. 2, No. 2Scherzo: AllegrettoRondo: GraziosoEmanuel Ax, piano [2/29/2008 performance]Piano Trio, Op. 1, No. 2Scherzo: AllegroFinale: PrestoMusicians From Marlboro – Jeremy Denk, piano, Michi Wiancko, violin, Sumire Kudo, cello[3/18/2002 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Gabriel Faure - Piano Trio: AndantinoRichard Hosford, clarinet Jesper Svedberg, cello Simon Crawford-Phillips, pianoMore info about today's track: Naxos 8.573223Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Violinist Tina Chang Qu, cellist Patrick Owen and pianist TJ Lymenstull take the stage of the Alluvion in Traverse City Friday night. They'll perform the Piano Trio no. 1 by Felix Mendelssohn and Café Music by Paul Schoenfield (also spelled Schoenfeld). The trio gave a preview of Friday's recital, performing the second movement of Café Music. Michael Culler engineered the music recording.
As part of the La Jolla Music Society's SummerFest 2023 series enjoy Schubert: Piano Trio in E-flat Major, D. 929 performed by Inon Barnatan on piano, Noah Bendix-Balgley on violin, and Alisa Weilerstein on cello. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39713]
As part of the La Jolla Music Society's SummerFest 2023 series enjoy Schubert: Piano Trio in E-flat Major, D. 929 performed by Inon Barnatan on piano, Noah Bendix-Balgley on violin, and Alisa Weilerstein on cello. For La Jolla Music Society at The Conrad Todd R. Schultz, President & CEO Leah Z. Rosenthal, Artistic Director Inon Barnatan, SummerFest Music Director Produced and directed by Tristan Cook Festival Founding Sponsors Brenda Baker and Steve Baum Synergy Initiative Producers Inon Barnatan | Clara Wu Tsai Synergy Initiative Underwriter Clara Wu Tsai SummerFest Music Director Underwriters Raffaella and John Belanich Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39713]
In the 32nd episode of the ECM podcast we're once again joined by Vijay Iyer, whose new album "Compassion" is the pianist's second outing with his trio of Linda May Han Oh on bass and drummer Tyshawn Sorey and was co-produced with Manfred Eicher. Vijay talks about the state of the world, the bond created when making music in collaboration with others, album titles and compassion.
The Rt Revd Dr Guli Francis-Dehqani is the Bishop of Chelmsford. She also sits in Parliament as a Lord Spiritual and last year she played a prominent role in the Coronation, administering Holy Communion to the King and Queen. She was born in Isfahan, central Iran, the youngest of four children to Hassan Dehqani-Tafti, the first ethnic Iranian Anglican Bishop of his country, and his wife Margaret. In 1980, in the wake of the Islamic Revolution, her family were targeted and forced to leave the country. She arrived in the UK aged 13 as a refugee. Four decades on, Guli has yet to set foot on Iranian soil.She was ordained as a deacon in 1998 and a priest the following year. She was consecrated a bishop in November 2017, making her the first woman from a minority ethnic background to be ordained as an Anglican bishop in the UK.She is the lead Bishop for Housing for the Church of England and is a contributor to BBC Radio 4s Thought for the Day. She is married to Lee, who is a priest, and they have three children.DISC ONE: Requiem in D Minor, Op. 48: VI. Libera me. Composed by Gabriel Fauré and performed by Stephen Varcoe (baritone), The Cambridge Singers, conducted by John Rutter DISC TWO: Morgh-e Sahar - Homayoun Shajarian and Dastan Ensemble DISC THREE: Ride on Time - Black Box DISC FOUR: Miniatures for Piano Trio. Set 2: No. 4, Romance. Composed by Frank Bridge and performed by Alexander Chaushian and Ashley Wass DISC FIVE: Variations on Bahram's Melody. Composed by Bahram Dehqani-Tafti and performed by Gabriel Francis-Dehqani with Fiona Sweeney, Krystof Kohout and Will Harmer DISC SIX: Take me to Church - Sinead O'Connor DISC SEVEN: Sovereign Light Café - Keane DISC EIGHT: Mahi - Golnar Shahyar, Mahan Mirarab, (feat. Luis Guerra)BOOK CHOICE: The Book of Kings LUXURY ITEM: Photo albums CASTAWAY'S FAVOURITE: Requiem in D Minor, Op. 48: VI. Libera me. Composed by Gabriel Fauré and performed by Stephen Varcoe (baritone), The Cambridge Singers, conducted by John Rutter Presenter Lauren Laverne Producer Paula McGinley
References Cell Death & Disease 2022. volume 13.Article number: 444. Nature 2019. volume 575, pages 361–365 Scientific Reports 2021. volume 11, Article number: 16512 Experimental & Molecular Medicine 2020. volume 52, pages 1496–1516 Mozart, WA. 1788. Piano Trio in G Major, KV 564 https://youtu.be/oOEuVtr8sF0?si=3-9RK1XkGkSWne7I --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support
SynopsisBy 1837, the symphonies of Beethoven had become quite popular in Paris. Beethoven had been dead for 10 years, but surprisingly, much of his chamber music had yet to be performed publicly in Paris.So Franz Liszt organized a series of chamber concerts at the Salle Erard to introduce Beethoven's piano trios. Liszt would play the piano part, of course, joined by the finest Parisian violinist and cellist available.One of the programs fell on today's date in 1837 and was to feature, on the first half, one of Beethoven's Trios, then, on the second half, a new trio by contemporary German composer Johann Peter Pixis, whose works Liszt admired.At the last minute, the performers decided to reverse the printed order of the program, performing the new Pixis trio first. The audience (and critics), following the printed program, warmly applauded the Pixis, mistakenly thinking it was the Beethoven, and reacted coolly to the Beethoven, assuming it was by Pixis.Among the many newspaper critics who attended the concert, only one noticed the switch and wrote his review accordingly — and that music critic's name happened to be a famous composer, Hector Berlioz.Music Played in Today's ProgramLudwig van Beethoven (1770-1827) Piano Trio, Op. 1, No. 2; Kempff-Szeryng-Fournier Trio DG 453 751
SynopsisBack in the 18th century, Frederick the Great of Prussia was a prolific composer of sonatas, concertos and even a few symphonies. In the 19th century, Prince Albert, the consort of Queen Victoria, composed songs and choral pieces. There have been other composers who were members of the European nobility, but more often they crop up as patrons of music rather than creators of it.But in our time, Belgian composer Jacqueline Fontyn, who was born in Antwerp on today's date in 1930, was made an honorary baroness by the King of Belgium in 1993 in recognition of her contributions to music in her native country and around the world.Now, Fontyn is probably a composer you never heard of until today, but she has a sizable body of orchestral and chamber works and enjoyed an international career as a composition teacher, holding positions at Georgetown University and the University of Maryland, as well as in Los Angeles, Tel Aviv, Cairo, Seoul and her native Belgium.Her music might be described as “European modern.” Today, you can find all the manuscript scores of Fontyn in the Library of Congress.Music Played in Today's ProgramJacqueline Fontyn (b. 1930) Piano Trio (1956); Morgenstern Trio AVI Music CD 8553315
Franz Berwald - Piano Trio: ScherzoKalman Drafi, pianoJozsef Modrian, violinGyorgy Kertesz, celloMore info about today's track: Naxos 8.555002Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Sergei Taneyev - Piano Trio: FinaleDelta Piano TrioMore info about today's track: Naxos 8.573561Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Donald Macleod explores Beethoven's life through his most iconic works Beethoven remains one of the most lauded composers in history, famed for both his music, and for his personal triumph as a musician over the adversity of his catastrophic hearing loss. Donald Macleod takes five of Beethoven's most iconic works, spread out through the composer's life, and tracks the journey of each of them. Through these stories, Donald discovers both the pieces' direct importance to the composer, and also finds wider issues which each of them point to in the general life of a complex, and troubled man. From his carefully stage-managed debut on the Viennese scene as a young man, and his steadily increasing anguish at the loss of his hearing, and the betrayal by Napoleon of his political ideals, to the close relationship between Beethoven and his most loyal patron, and the composer's late credo of joy through suffering which allowed him to continue to flourish artistically despite all of his personal demons. Music Featured: Symphony No 7 (IV. Finale) Piano Quartet No 1 in E-flat major, WoO 36 (II. Allegro con spirito) Cantata on death of Emperor Joseph II (I. Todt! Todt!; III. Da kam Joseph) Piano Sonata in C major, Op 2`3 (IV. Allegro Assai) Piano Concerto No 1 in C major, Op 15 (1st movement) The Creatures of Prometheus, Op 43 (Overture) Piano Sonata No 12 in A-flat, Op 26 (III. Funeral march on the death of a hero) Christus am Olberge, Op 85 (III. “Meine seele ist erschuttert”) An die hoffnung, Op 32 Symphony No 3 in E-flat major, Op 55 “Eroica” (I. Allegro con brio) Leonore, Op 72a (original version, 1805), Act I Nr. 12. Finale “O, welche Lust, in freier Luft" Ich bin der Herr von zu, Du bist der Herr von von, WoO 199 Piano Concerto No 4 in G major, Op 58 (III. Rondo) Symphony No 5 in C minor, Op 67 (IV. Allegro) Piano Sonata No 26 in E flat major, Op 81a “Les Adieux” (I. Das lebewohl) Piano Trio in B flat major, Op 97 “Archduke” (I. Allegro Molto) Missa Solemnis in D major, Op 123 (Gloria; Quoniam) Piano Sonata No 29 in Bb major, Op 106 “Hammerklavier” (II. Scherzo) Adelaide, Op 46 Sonata for Cello and Piano in D major, Op 102 An die ferne geliebte, Op 98 Symphony No 8 in F major (IV. Allegro Vivace) Piano Sonata No 29 in Bb major, Op 106 “Hammerklavier” (IV. Largo – Allegro risoluto) Symphony No 9 in D minor, Op 125 “Choral” (Finale (excerpt)) Piano Sonata No 32 in C minor, Op 111 (I. Maestoso) Missa Solemnis in D major, Op 123 (Credo: Et Incarnatus Est) Diabelli variations in C major, Op 120 (excerpt) Grosse Fuge in B flat major, Op 133 Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ludwig van Beethoven (1770-1827) https://www.bbc.co.uk/programmes/m001rr0t And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Donald Macleod surveys the life and music of the elusive French composer, Edouard Lalo Even if you know the name, it's possible you might not be able to place the French composer Edouard Lalo date-wise. He was born in Lille in 1823. Berlioz was his senior in age by some twenty years, Saint-Saëns twelve years his junior. Lalo has a direct contemporary in the shape of César Franck, another composer who preferred to stay out of the limelight. As a musician, Lalo cut an independent path, preferring to complete his music studies privately rather than following the accepted route of attending the Paris Conservatoire. Lalo had a retiring nature, a man who appears to have preferred the quiet life. That doesn't mean he wasn't sociable. He seems to have been generally well liked. He lived in Paris from the age of sixteen and mixed with and knew all the leading musical personalities of the day. Aside from the Symphonie espagnole, he wrote several operas, a ballet, a symphony, a whole number of orchestral and chamber works including three piano trios and a string quartet, and something in the region of 30 songs. Trying to get a handle on Lalo isn't straightforward. The first letter that's been preserved dates from 1848, by which time Lalo was in his late twenties. His son Pierre was a primary source of information about his father, but more recent research indicates the picture he drew seems to have been somewhat rose-tinted. The first full length biography in English has yet to be published. Donald Macleod sets about mapping the life and the music of this elusive, yet significant figure in French musical history in a survey that takes us from Lalo's early experiences in Lille, where he first met Berlioz, to his eventual triumph, age sixty on the opera stage with Le roi d'Ys. Music Featured: Guitarre, op 28 arr. Ernest Guiraud Symphonie Espagnole in D minor , Op 21 (I: Allegro non troppo) Le roy d'Ys - Overture Violin sonata in D major, “Grand duo concertant” Op 12 (2nd movement Variations) Piano Trio No 2 (III: Minuetto: Allegro) Violin Concerto No 1 in F major, Op 20 (I: Andante – Allegro) Deux impromptus, Op 4 (I : Espérance) Symphonie Espagnole in D minor, Op 21 (II : Scherzando; Allegro molto) Trois mélodies La fenaison Six romance populaires (IV : Si j'étais petit oiseau; I : La pauvre femme) Piano Quintet "Grand Quintette" in Ab major (2nd movement) Cello Concerto in D minor (I. Prélude. Lento - Allegro maestoso) Rapsodie norvégienne Divertissement No 3: Andantino Fiesque, Act 2: Entr'acte: une place de Gênes Fiesque, Act 1: Je ne puis supporter Fiesque Act 2 (except) Piano Trio No 3 in A minor, Op 26 (II: Presto) Sonata for cello and piano (I: Andante non troppo) Concerto russe (II: Chants russe; III. Intermezzo) Namouna, Act 1: Valse de la Cigarette Symphony in G minor (III: Adagio) Namouna Suite No 2 Piano Trio in A Minor, Op 26 (I: Allegro appassionato) Cello Concerto in D minor (II: Intermezzo; III: Introduction: Andante - Allegro vivace) Overture to Le roi d'Ys (excerpt) Le roi d'Ys, Act 3: Vainement, ma bien-aimée String Quartet in E flat (I: Allegro vivo) Piano Concerto in F minor (I: Lento-Allegro) Le roi d'Ys, Act 1 (excerpt) Le roi d'Ys, Act 3 (excerpt) Symphonie Espagnole (V: Rondo) Presented by Donald Macleod Produced by Johannah Smith for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Edouard Lalo (1823-1892) https://www.bbc.co.uk/programmes/m001rhyp And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
Two chamber trios from the Music Institute of Chicago Academy in movements by Mendelssohn, Dvořák, Beethoven, and Tchaikovsky. The post Scaleno Trio & Luminos Piano Trio appeared first on WFMT.
Stablemates is a Twin Cities Piano Trio. The group plays at the Metronome in Saint Paul, Thursday October 12 at 7:00 PM. When Phil Nusbaum met up with the trio, it was running through some repertoire.
Today we're featuring two piano trios from the Music Institute of Chicago Academy's 2022-23 school year, in music of Beethoven, Esmail, Clarke, Mendelssohn, and Shostakovich. The post Trio Nuvola & Goya Piano Trio appeared first on WFMT.
Frederick Septimus Kelly, born in Sydney in 1881, was on the way to becoming one of Australia's most important early composers when he was killed during the Battle of the Somme in 1916. The three works recorded here – for the first time – underline just how grievous was that loss, not only for Australia but for the musical world more generally. Kelly's D minor Violin Sonata is an astonishingly assured work for a twenty-year-old student composer; his Serenade for flute and piano exudes good-natured charm; and the two surviving movements of his Piano Trio – which have a Brahmsian intensity – suggest that he would have been one of the major composers of the twentieth century.TracksViolin Sonata No. 1 in D minor (1901) (26:06) I. Adagio – Allegro vivace (10:33) II. Andantino (5:17) III. Allegro vivace (10:16) Serenade for Flute and Piano, Op. 7 (1911) (22:18) I. Prelude (3:16) II. Idyll (7:13) III. Minuet (2:11) IV. Air and Variations (6:24) V. Jig (3:14) Piano Trio (c. 1905?) (17:21) I. Lento (moderato) (12:27) II. Scherzo and Trio (Presto) (4:54) Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.
From the La Jolla Music Society's SummerFest 2022 series, music director Inon Barnatan creates an ambitious program, evocatively titled “Under the Influence,” exploring the muses that seduced and inspired some of the greatest composers in musical history. This program features Ravel's Piano Trio in A Minor and Brahms' Quintet for Clarinet and Strings, Op. 115. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 39122]
David Bauer, Rob Moore and Russell Schmidt with Ravenscroft Ravenscroft opened its doors in October 2021 and stands as Scottsdale’s newest premiere music performance venue. It features a luxurious 200-seat concert hall that showcases world-renowned and Grammy Award-winning artists featured in some of the finest Jazz performances in the Phoenix metro area. Ravenscroft Hall offers […]
Franz Schubert - Piano Trio "Notturno"Stuttgart Piano TrioMore info about today's track: Naxos 8.550132Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
When we listen to the music of Johannes Brahms, we often are reminded of the image of the portly bearded Brahms at the piano, eyes closed in a soulful pose. Brahms' works always, even in his youth, seemed to have a burnished maturity about them. As I've said many times on this show, Brahms' music is often described as autumnal, and there's a good reason for this, as its gentle melancholy is one of those things that never left Brahms even in his earlier works. But the piece we're talking about today isn't an early work, or a late work of Brahms. Actually, it's both! Brahms' B major trio is one of the rarest of rare pieces, in that it is published in two distinct versions, a version that Brahms wrote when he was just 20 years old, and a work that he heavily revised near the end of his career 35 years later, making changes that in some senses fundamentally recast the piece. At the same time, much of the original material is left in place, creating an unusual amalgam of the youthful and the mature. Brahms himself jokingly said that in the revisions of the piece, “I didn't provide it with a new wig, just combed and arranged its hair a little" Today on this Patreon sponsored episode I'll take you through this piece in both of its versions, exploring the original trio and then its far more performed revision, trying to see why Brahms made the changes that he made, and what we can learn about his compositional process. We'll also learn why Brahms' B major piano trio is the answer to a famous(in the classical music world) trivia question! Join us!
IN THIS EPISODE JOIN US ON PATREON! https://patreon.com/ClassicallyBlackPodcast Follow us on social media! https://linktr.ee/classicallyblack Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com https://www.inquirer.com/entertainment/classical/yannick-nezet-seguin-ryan-speedo-green-kimmel-center-20230507.html https://www.pulitzer.org/winners/rhiannon-giddens-and-michael-abels Black Excellence: Dr. Vernell A. Bennett-Fairs https://www.loc.edu/about-us/the-president/ Piece of the week: Piano Trio in G minor - Clara Schumann https://www.youtube.com/watch?v=YXRVc_GeoUE
This episode we examine the fate of another royal head, that of King Oswald of Northumbria, and the miracles associated with his relics and the dirt from his grave, as reported by the Venerable Bede. Today's Text Bede. Beda's Ecclesiastical History. The Church Historians of England, translated by Joseph Stevenson, 1853. Google Books. References Fowler, J.T. "On an Examination of the Grave of St. Cuthbert in Durham Cathedral Church, in March, 1899." Archaeologia, vol. 57, no. 1, Jan. 1900, pp. 11-28. Archive.org. Raine, James. St. Cuthbert, with an Account of the State in Which His Remains Were Found upon the Opening of His Tomb in Durham Cathedral, in the Year MDCCCXXVII. Geo. Andrews, 1828. Google Books. Featured Music: Extracts from Franz Schubert, Piano Trio in E flat major, D. 929 (composed in 1827, the year Raine opened Cuthbert's tomb), and Edward Elgar, Variations on an Original Theme (Enigma), Op. 36 (published in 1899, the year Fowler opened Cuthbert's tomb) both via CC-PD license at MusOpen.org.