Podcasts about Gigue

Das Flötenkonzert von Jacques Ibert gilt als das bekannteste Flötenkonzert des 20. Jahrhundert, entstanden ist es 1934 für den französischen Flötenvirtuosen Marcel Moyse, der viel dazu beigetragen hat, dass die Querflöte in Frankreich und den USA wieder populär wurde. Ibert folgt in seinem Konzert nicht der Mode der Zeit - von der damaligen Avantgarde mit ihrer Zwölftonmusik und dem Bemühen, möglichst «atonal» zu schreiben hielt er nichts. Vielmehr verwendete er Elemente des Jazz und interessierte sich für die Musik der Renaissance und des Barock. Auch die drei Sätze des Flötenkonzerts erinnern in ihrer Anmutung an die barocken Tänze Allemande, Sarabande und Gigue. Wo liegen die Herausforderungen bei diesem Konzert? Wie setzt sich die Flöte gegen das Orchester durch? Die beiden Flötisten Felix Renggli und Kaspar Zehnder sind Gäste von Eva Oertle und vergleichen fünf Aufnahmen dieses virtuosen Bläserkonzerts. Erstausstrahlung: 01.03.2021

durée : 00:13:06 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Iris Daverio présente Les Amoureux en bleu, un premier album inspiré de Chagall et Debussy, célébrant les couleurs de la musique française. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:13:06 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Iris Daverio présente Les Amoureux en bleu, un premier album inspiré de Chagall et Debussy, célébrant les couleurs de la musique française. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Præludium: Georg Friedrich Händel: Allemande e-mol Fra det G.T.: Amos 5, 8-15 Salme: 376, vers 1-4 "Lyksaligt det folk, som har øre for klang" Fra det N.T.: Matthæusevangeliet 5, 8-12 Korvers: Nils Greenhow: Guds nåde højt jeg prise vil (Tekst: Hans Christensen Sthen) Salme: 376, vers 5-6 Postludium: Georg Friedrich Händel: Gigue e-mol

„Germany, twelve points!“ Europa wächst musikalisch schon lange vor dem ESC zusammen. Johann Sebastian Bach macht in seinen „Englischen Suiten“ aus französischen, italienischen und deutschen Einflüssen ein barockes Feuerwerk. Von Christoph Vratz.

Wherever Irish speakers in the world get together, you can have a "pop-up Gaeltacht"! And we're having one on this episode. We've got author and TG4 presenter Laura Pakenham taking us through the history and orthography of this great and resilient language. Laura is the author of Irish: History and Culture Through Language. Timestamps 00:00 Start 00:24 Introducing Laura Pakenham 10:12 About Laura: Getting the gig 15:01 Navigating "correct" usage v. common usage 21:05 Different Irish voices on TG4 21:56 Getting feedback from Gaeilge speakers 24:33 Gaeilge as it is today 30:15 Irish is fun and cool, not so much a duty anymore 37:55 On coming to Irish as a learner 41:30 Related or Not: Theme 42:49 Related or Not: JIG, GIGUE, and JOG 49:51 Related or Not: HEATH, HEATHER, and HEATHEN 56:31 Related or Not: SCRAP and SCRUPLES 01:01:10 Gaeilge orthography and phonology 01:08:37 Gaeilge words and idioms 01:13:36 Why are things often referred to as "she"? 01:15:43 Favourite Irish words? 01:17:40 Irish diaspora and its linguistic impact 01:21:30 Advice for language advocates 01:23:59 The reads

durée : 00:04:36 - par : Producteurs en alternance - Ce matin, nous écoutons la Gigue de la deuxième Partita pour violon en Ré mineur BWV 1004 de Jean-Sébastien Bach, interprétée par Carolin Wildmann. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:36 - par : Producteurs en alternance - Ce matin, nous écoutons la Gigue de la deuxième Partita pour violon en Ré mineur BWV 1004 de Jean-Sébastien Bach, interprétée par Carolin Wildmann. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Johann Sebastian Bach - Fugue a la Gigue in G Major (arr. of BWV 577)Ohio State University Wind SymphonyMilton Allen, conductor arr. Gustav HolstMore info about today's track: Naxos 8.572980Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Élisabeth Jacquet de La Guerre (1665–1729) – “Les Pièces de Clavecin” Suite in la minore n. 3 1.      Prélude2.      Allemande3.      Courante4.      Courante II 5.      Sarabande 6.      Gigue [12:47] 7.      Chaconne [14:44] 8.      Gavotte [18:12] 9.      Menuet [19:51]  Elizabeth Farr, clavicembalo

This Day in Legal History: Bruno Hauptmann ConvictedOn February 13, 1935, a New Jersey jury convicted Bruno Hauptmann of kidnapping and murdering the infant son of famed aviator Charles Lindbergh. The crime had transfixed the nation for nearly three years and was widely labeled the “Crime of the Century.” The child was taken from the Lindbergh home in 1932, and despite a ransom payment, was later found dead. Public outrage was immediate and intense, with newspapers covering nearly every development in the investigation and trial.Hauptmann's prosecution relied heavily on circumstantial evidence, including ransom notes and expert testimony linking his handwriting to those notes. The government also introduced evidence tying marked ransom bills to Hauptmann's possession. The trial raised early concerns about the reliability of forensic handwriting analysis and the influence of media attention on jury impartiality. Critics then and now have questioned whether the intense publicity compromised due process protections.The case also reshaped federal criminal law. In response to the kidnapping, Congress enacted the Lindbergh Law, formally known as the Federal Kidnapping Act. The statute made it a federal offense to transport a kidnapping victim across state lines, expanding federal jurisdiction over what had traditionally been a state crime. That shift reflected a broader trend during the early twentieth century toward increased federal involvement in criminal enforcement.Today, the Hauptmann conviction remains a staple in criminal law courses, not only for its tragic facts but also for its lasting procedural and constitutional implications.Goldman Sachs' chief legal officer, Kathy Ruemmler, resigned after newly released Justice Department documents detailed her past communications with Jeffrey Epstein. CEO David Solomon announced that he accepted her resignation, which will take effect on June 30. Ruemmler said the media attention surrounding her prior legal work had become a distraction. The disclosures showed she exchanged numerous emails with Epstein between 2014 and 2019 and received gifts from him, including luxury items. Some emails revealed that she advised Epstein on how to respond to press inquiries about his treatment by prosecutors.The documents also noted that Epstein attempted to contact her by phone on the night of his 2019 arrest on sex trafficking charges. Ruemmler stated that she knew Epstein only in her capacity as a defense attorney and denied any knowledge of ongoing criminal conduct. Before joining Goldman, she led the white-collar defense practice at Latham & Watkins and previously served as White House counsel during the Obama administration.The broader document release has drawn attention to Epstein's connections within major financial institutions, including UBS and JPMorgan. Ruemmler's departure marks one of the most prominent banking exits linked to the renewed scrutiny of Epstein's network.Top Goldman Sachs lawyer Ruemmler resigns after Epstein disclosures | ReutersA federal judge in Minnesota ruled that U.S. Immigration and Customs Enforcement improperly interfered with detainees' access to their attorneys during a recent enforcement operation. U.S. District Judge Nancy Brasel found that ICE's practices during “Operation Metro Surge” effectively denied thousands of people meaningful legal access. The order requires ICE to stop quickly transferring detainees out of Minnesota and to permit attorney visits and confidential phone calls. The ruling will remain in effect for 14 days while the case proceeds.The class action lawsuit was filed on January 27 on behalf of noncitizen detainees. According to the court, many individuals were moved out of state without notice, making it difficult or impossible for lawyers to locate them. In some instances, detainees were transferred so often that ICE itself lost track of their whereabouts. Judge Brasel concluded that while ICE did not formally deny the right to counsel, its actions in practice severely limited that right.The court also cited evidence that detainees were given limited phone access, sometimes sharing a small number of phones among dozens of people, with calls occurring in nonprivate settings. One asylum seeker with a valid work permit was held for 18 days despite a court order requiring his earlier release and was transferred across multiple states without explanation. The judge rejected ICE's claim that it lacked sufficient resources, noting that the agency had committed substantial personnel and funding to the enforcement effort.ICE blocked detainees' access to lawyers in Minnesota, judge finds | ReutersPresident Donald Trump announced four new judicial nominations, including a White House attorney selected for a seat on the U.S. Court of International Trade. The nominee, Kara Westercamp, currently serves as associate counsel in the White House and previously worked at the Justice Department. If confirmed, she would join a nine-member court that handles disputes involving U.S. trade laws, including challenges to tariffs. Her nomination comes as numerous companies contest Trump's sweeping global tariffs and seek refunds on duties already paid.Retailers and manufacturers such as Costco, Goodyear, and Revlon have filed lawsuits arguing that the tariffs exceed presidential authority. Earlier rulings from the trade court and the U.S. Court of Appeals for the Federal Circuit blocked most of the tariffs, and the U.S. Supreme Court is now reviewing the matter. Trump has publicly criticized the earlier decisions.In addition to Westercamp, Trump nominated Katie Lane to a federal district court in Montana, Sheria Clarke to a district court seat in South Carolina, and federal prosecutor Evan Rikhye to a 10-year term on the District Court of the Virgin Islands. All nominees must be confirmed by the Senate.Trump nominates White House lawyer to court hearing tariff cases | ReutersFormer CNN anchor Don Lemon is scheduled to appear in federal court in Minnesota to enter a plea related to charges stemming from his coverage of a protest at a St. Paul church. The protest targeted President Donald Trump's immigration enforcement surge in the state. Lemon, now an independent journalist, livestreamed the January 18 demonstration, which disrupted a worship service at Cities Church.Federal prosecutors charged him with conspiring to violate civil rights and with obstructing access to a house of worship under a statute also used in cases involving abortion clinic protests. His attorney argues that the prosecution infringes on Lemon's First Amendment rights and characterizes the case as an attack on press freedom. Trump publicly supported the charges, while Attorney General Pam Bondi stated that authorities would protect the right to worship without interference.The protest occurred during broader demonstrations against federal immigration actions in Minnesota, where thousands had gathered to oppose the crackdown. Lemon was seen on video speaking with activists before and during the disruption and interviewing participants and congregants inside the church. Another journalist, Georgia Fort, faces similar charges and has denied wrongdoing, stating she was reporting rather than participating.Journalist Don Lemon to enter plea in Minnesota ICE protest case | ReutersThis week's closing theme is by Johann Sebastian Bach.Bach stands as one of the central figures of the Baroque era, revered for the structural clarity and spiritual depth of his music. Born in 1685 into a long line of musicians, Bach spent much of his career serving as a church organist and cantor in German cities such as Arnstadt, Weimar, and Leipzig. Though not widely celebrated outside musical circles during his lifetime, his reputation has since grown to near-mythic status. His compositions balance intellectual precision with emotional resonance, blending intricate counterpoint with lyrical expression.This week's closing theme is his Cello Suite No. 1 in G major, BWV 1007, likely composed around 1720 during his tenure in Köthen. The suite opens with one of the most recognizable preludes in all of classical music, built from flowing arpeggios that unfold with quiet inevitability. Written for unaccompanied cello, the piece demonstrates Bach's ability to imply harmony and depth through a single melodic line. The suite follows the traditional Baroque dance structure, moving from Prelude through Allemande, Courante, Sarabande, Menuets, and Gigue.For many listeners, the Prelude evokes clarity, order, and calm—qualities that make it a fitting close to the week. Its simplicity is deceptive; beneath the surface lies careful architecture and subtle harmonic movement. The work fell into relative obscurity until the twentieth century, when cellist Pablo Casals famously revived it and brought it to concert stages worldwide. Today, it remains a cornerstone of the cello repertoire and a touchstone of Baroque artistry. As a closing theme, it offers both reflection and renewal, ending not with flourish but with quiet confidence.Without further ado, Johann Sebastian Bach's Cello Suite No. 1 in G major, BWV 1007–enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:03:12 - Le Bach du matin du samedi 31 janvier 2026 - Nous écoutons la suite anglaise n°2 en la min BWV 807 - Gigue de Jean-Sébastien Bach, interprété par Jean-Frédéric Neuburger. Jean Frederic Neuburger live at suntory hall (MIRARE, 2008) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:12 - Le Bach du matin du samedi 31 janvier 2026 - Nous écoutons la suite anglaise n°2 en la min BWV 807 - Gigue de Jean-Sébastien Bach, interprété par Jean-Frédéric Neuburger. Jean Frederic Neuburger live at suntory hall (MIRARE, 2008) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:00 - Le Bach du matin du lundi 26 janvier 2026 - L'ensemble Musica Antiqua de Cologne interprète la Gigue de la Sonate en trio en Ut Majeur BWV 1037, sous la direction du chef allemand Reinhard Goebel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:00 - Le Bach du matin du lundi 26 janvier 2026 - L'ensemble Musica Antiqua de Cologne interprète la Gigue de la Sonate en trio en Ut Majeur BWV 1037, sous la direction du chef allemand Reinhard Goebel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Johann Pachelbel (1653 – 1706) - Partie Suite in sol maggiore 1.      Sonatine (0:01)2.      Allemande (1:01)3.      Gavotte (3:48)4.      Courante (4:38)5.      Aria (5:34)6.      Sarabande (6:12) 7.      Gigue (7:50)8.      Adagio (9:18) Musica Antiqua KölnHenk Bouman, clavicembaloReinhard Goebel, conductor 

durée : 00:06:15 - Le Bach du matin du mercredi 10 décembre 2025 - Ce matin, notre Bach est canadien puisque c'est le pianiste Bruce Liu qui interprète la Gigue et la Sarabande de la Suite française pour piano n°5 en Sol Majeur BWV 816. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:15 - Le Bach du matin du mercredi 10 décembre 2025 - Ce matin, notre Bach est canadien puisque c'est le pianiste Bruce Liu qui interprète la Gigue et la Sarabande de la Suite française pour piano n°5 en Sol Majeur BWV 816. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:21 - Le Bach du matin du lundi 08 décembre 2025 - Le claveciniste et organiste français Benjamin Alard s'est lancée dans l'enregistrement d'une intégrale des œuvres pour clavier de Bach, et ce matin nous écoutons la Gigue de la Partita n°1 en Si bémol Majeur BWV 825. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:21 - Le Bach du matin du lundi 08 décembre 2025 - Le claveciniste et organiste français Benjamin Alard s'est lancée dans l'enregistrement d'une intégrale des œuvres pour clavier de Bach, et ce matin nous écoutons la Gigue de la Partita n°1 en Si bémol Majeur BWV 825. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:16 - Le Bach du matin du mercredi 29 octobre 2025 - Bach n'a jamais écrit pour la clarinette, un instrument en train de naître à son époque. C'est donc un arrangement que propose le clarinettiste Richard Stoltzman pour cette Gigue de la Partita n°3 en La Mineur BWV 827. Il est accompagné de Paul Neubauer à l'alto et de Fred Sherry au violoncelle. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:16 - Le Bach du matin du mercredi 29 octobre 2025 - Bach n'a jamais écrit pour la clarinette, un instrument en train de naître à son époque. C'est donc un arrangement que propose le clarinettiste Richard Stoltzman pour cette Gigue de la Partita n°3 en La Mineur BWV 827. Il est accompagné de Paul Neubauer à l'alto et de Fred Sherry au violoncelle. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:10 - Le Bach du matin du jeudi 09 octobre 2025 - Le pianiste Igor Levit interprète la Gigue de la Partita n°6 en mi min BWV 830. Les Partitas pour clavier sont un ensemble de six pièces composées pour clavecin entre 1726 et 1731 par Jean-Sébastien Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:10 - Le Bach du matin du jeudi 09 octobre 2025 - Le pianiste Igor Levit interprète la Gigue de la Partita n°6 en mi min BWV 830. Les Partitas pour clavier sont un ensemble de six pièces composées pour clavecin entre 1726 et 1731 par Jean-Sébastien Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sunday Worship for October 5, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Pastor Kristy Daniels; Cantor Kyle Haugen. Prelude—A suite of contrasting pieces: 1.   Batalha do sexto tom, Pedro de Araújo; 2.   Prelude in F major , Johann Ludwig Krebs; 3.   Flourish, Allan Bullard; 4.   In Thee Is Gladness, Paul Manz  • Introit—Psalm 119: 166, 165 • Gathering Hymn —On Thee Is Gladness, (ELW 867) • First Reading—Habakkuk 1:1-4, 2:1-4 • Psalm 37:1-9 • Second Reading—2 Timothy 1:1-14 • Gospel—Luke 17:5-10 • Sermon—Guest Pastor Kristy Daniels • Hymn of the Day—Love Divine, All Loves Excelling (ELW 631) • Distribution Hymn—We Walk by Faith, (ELW 635)  • Sending Hymn —Jesus, Still Lead On (ELW 624)  • Postlude—Fugue in G major (“Gigue”), Johann Sebastian Bach     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

François Couperin (1668-1733) - Les Nations No. 41.      Gravement, et rondemont2.      Vivement 01:413.      Gravement 02:244.      Vivement, et marqué 03:475.      Air 04:576.      Second Air 06:087.      Gravement, et marqué 07:228.      Allemande 09:039.      Courante 11:4010.   Seconde Courante 13:1211.   Sarabande 15:2212.   Rondeau 19:2313.   Gigue 21:59 Hespèrion XXIJordi Savall, conductor

Vandaag - 31 augustus - is het de geboortedag van Alma Mahler, vooral bekend als de vrouw van Gustav Mahler. We weten van alles over haar beroemde relaties, maar wie waren eigenlijk de andere componerende vrouwen van haar generatie? Zo komen we langs de Chileense Carmela Mackenna, de Duitse Johanna Senfter en de Poolse Wanda Landowska: allemaal bouwjaar 1879.  En stiekem viert Anne-Maartje ook haar broertjes verjaardag door zijn lievelingsmuziek te draaien én muziek van musicerende en componerende broers. Hoera! gedraaid in de uitzending: Anoniem - All through the Night (DeJongDeJongPlus) Alma Mahler - Licht in der Nacht (piano & zang) Carmela Mackenna - concierto para Piano y Orquesta de Cámara Johanna Senfter - Sonata for Viola and Piano No.2 in F Major Jean Philippe Rameau - Suite in E mineur Gigue en Rondeau Wanda Landowska - Suit d'Automne Bert van den Brink - Leaving Anoniem / Euwe de Jong - Rosa das Rosas e Fror das Froras Alma Mahler - Licht in der Nacht (orkest) The Happenings - See you in September Louis van Dijk / Toots Thielemans - Maybe September

Folge 282: Für welches Tasteninstrument hat Bach eigentlich seine Französischen Suiten vorgesehen und wer hat sie zuerst gespielt? Und was hat die Feuerwehr mit der Gigue zu tun?

durée : 00:06:15 - Le Bach du matin du jeudi 17 avril 2025 - Notre Bach du matin est un Bach à la viole de gambe. Depuis une quinzaine d'années, le trio du Cellini Consort revisite avec bonheur la musique du compositeur allemand. Ici, c'est la cinquième suite française pour clavier, Gavotte et Gigue.

Música de Pat Metheny grabada por Los Angeles Guitar Quartet ('Road to the sun part. 5' -con el propio Metheny-) y por el guitarrista Jason Vieaux en 'From paths of light part. 2' en el disco de Pat Metheny 'Road to the sun' de 2021. Jason Vieaux, en su disco de hace veinte años 'Images of Metheny', tocando 'Always and forever' y en '5 songs in the form of a baroque suite' las piezas I. 'Last train home' (Prelude), II. 'Antonia' (allemande). III. 'Tell her you saw me' (Chaconne), IV. 'Question and answer' (Gavote) y V. 'James' (Gigue). Otro guitarrista, John Pizzarelli, con 'James', 'Spring ain´t here' y 'Better days ahead' de su disco 'Better days ahead (Solo guitar takes on Pat Metheny)'. Y, para terminar, 'Minuano', del disco del guitarrista andaluz Santiago Lara 'Flamenco tribute to Pat Metheny'. Escuchar audio

durée : 00:06:03 - Le Bach du matin du lundi 10 mars 2025 - Notre Bach du matin, est un Bach qui fugue. Non pas que Jean-Sébastien prenne la fuite mais dans cette Gigue de la 6e et dernière partita du compositeur, publiée en 1731, une fugue se déploie inexorablement. Et le pianiste Igor Levit offre du grand art, soignant la clarté et la beauté du son.

Præludium: Georg Friedrich Händel: Sarabande e-mol Fra det G.T.: Esajas 40, 1-8 Salme: 59 "Jesus os til trøst og gavn" Fra det N.T.: Markus 4,21-25 Korvers:Mark Baumann: Guds rige lignes ved et frø (tekst: N.F.S. Grundtvig) Salme: 582 "At tro er at komme til det, der er større" Postludium: Georg Friedrich Händel: Gigue e-mol

Donald Macleod delves into the life of Luise Adolpha Le Beau Luise Adolpha Le Beau was a German composer, concert pianist, teacher and music critic. Although her music was performed as far afield as Calcutta and Sydney, her story is one of continual struggle for recognition and respect. Le Beau frequently met opposition to her works and to performance opportunities, Despite these set-backs, Le Beau forged her own path as a composer not only with works for her own instrument, the piano, but also with chamber music, opera, a symphony and many songs. She was determined to succeed, but after her death, without anyone to promote her works on her behalf, Le Beau soon fell into obscurity and was largely forgotten. This week, Donald Macleod is joined by guest Dr Katy Hamilton to shine a light on Le Beau's musicMusic Featured: Piano Concerto in D minor, Op 37 (excerpt) Fantasiestück, Op 1 No 1 (Drei Klavierstücke) Fünf Lieder, Op 7 (excerpt) Piano Concerto in D minor, Op 37 (Allegro maestoso) Piano Sonata, Op 8 (excerpt) Violin Sonata, Op 10 Mazurka, Op 57 No 3 (Drei Klavierstücke) Polonaise, Op 26 No 3 (Drei Stücke) Theme and Variations, Op 3 Fünf Lieder, Op 11 (excerpt) Piano Trio, Op 15 Concert Overture in F major, Op 23 Eight Preludes, Op 12 No 2 (Munter) Romance, Op 35 Vier Stücke, for cello and piano, Op 24 Fünf Lieder, Op 11 (excerpt) Improvisata for left hand, Op 30 Gavotte, Op 32 Piano Concerto in D minor, Op 37 (excerpt) Eight Preludes, Op 12 No 8 (Mit Grazie) Nachstück, Op 26 No 2 (Drei Stücke) Deutscher Regien, Klavierstück, Op 49 Piano Quartet, Op 28 Drei Lieder, Op 39 Symphony in F major, Op 41 (Allegro con fuoco) Gigue, Op 48 No 3 (Danze Antiche) Vater unser, Op 61 Symphony in F major, Op 41 (Adagio) Cello Sonata, Op 17 Barcarole, Op 59 Abendklänge, Op 63 Symphony in F major, Op 41 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Donald Macleod delves into the life of Luise Adolpha Le Beau (1850-1927) https://www.bbc.co.uk/programmes/m0025cflAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Gerade mal 23 Jahre alt ist der Student Stephan Braun, als ihn Heidi Abel interviewt. Doch was der junge Mann erzählt, hätte für mehrere Sendungen gereicht. Das vielleicht ausserordentlichste Gespräch, das Heidi Abel für Musik für einen Gast geführt hat, beendet die Reprisen-Serie dieses Herbstes. Ja, diese Sendung ist wirklich speziell. Die bekannte und beliebte Fernseh- und Radiomoderatorin Heidi Abel, die 1982 und 1983 zwei Jahre lang auch die Sendung «Musik für einen Gast» moderiert hat, besucht den Studenten Stephan Braun in einer Wohnung in Schwamendingen, die dieser nur temporär und nur als Gast bewohnt. Gleich zu Beginn erzählt der Student der Veterinärmedizin, welchen intensiven Bezug er zu Anton Bruckner hat und wie wenig ihn Musik interessiert, die nicht diese Komplexität hat. Danach entwickelt sich ein Gespräch über ein damals noch recht junges Leben, in dem aber schon so sehr viel passiert ist: Der frühe Unfalltod des Vaters, eine ausgewachsene Krise in der Spätpubertät, das Nachholen der Matura und der Beginn des Studiums und schliesslich die grosse Sehnsucht nach der Freundin, die zum Zeitpunkt der Ausstrahlung am 17.März 1983 noch ganze sechs Monate in New York sein wird, und das, obwohl «jeder Tag zu viel» sei, wie Stephan Braun zum Schluss des Gespräches sagt. Dazwischen exquisite Musiktitel aus Klassik und Pop, kaum jemandem bekannt, die weder an- noch abgesagt werden und auf diese Weise das Gespräch nicht unterbrechen, sondern ergänzen. Ein unerwartetes Radiohighlight aus dem Archiv. Sendung vom 17. April 1983 Die Musiktitel: 1. Anton Bruckner – 4. Finale aus der Sinfonie Nr. 8 in c-Moll Berliner Philharmoniker / Herbert von Karajan, Leitung 2. Al Jarreau – Love Is Real 3. Blue rondo a la Turk – Change 4. J.S. Bach – 6. Gigue aus der Suite Nr. 2 in d-Moll, BWV 1008 János Starker 5. Santana – Searchin' 6. David Bowie – Heroes 7. Captain Sensible – Wot 8. Material – (feat. Whitney Housten)

A brief(er) episode for you today: Bach's first published opus was his six partitas for keyboard. In some of the sources within Bach's circle, copies retained as a ‘Handexemplar' include revisions by a scribe we can almost say with certainty is Bach himself. The most consequential of these revisions appears at the end of the third partita, where the second half of the Gigue is re-written with what one might call ‘updated' or ‘refined' counterpoint. Here we see the main source (G 25) in question:Hard to see here, but if we zoom in, we see that this:Is a correction of the original printings, which read:This link here should allow you to download the original print of all six partitas. N.B. As that link is the download of the original print, it will not contain any of the corrections mentioned in this episode. For a full list of the scholarship on these changes, see: Wolff, C. (1999). Text-critical comments on the original print of the Partitas. In Bach: Essays on his life and music (pp. 214-222). Cambridge, MA: Harvard University Press.How To Support This Podcast:https://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbachor become a paid subscriber at wtfbach.substack.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

A memorable collection, a composer whose primacy spans the ages, a great performer. We find ourselves in front of Johann Sebastian Bach's (1685-1750) six Suites for solo cello, performed by Antonio Meneses. In J. S. BACH: THE CELLO SUITES he turns to this precious legacy, which he masters like few others. Around the world, he presents it to audiences. In the past, he has recorded it. Now, a new perspective on these eternally meaningful works leads him to rediscover them. Tracks1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude – (2:30)         2. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande – (4:13)           3. Cello Suite No. 1 in G Major, BWV 1007: III. Courante – (2:52)          4. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande – (2:48)         5. Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II – (3:33)       6. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue – (1:52)               7. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude – (3:54)         8. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande – (3:33)           9. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante – (2:12)           10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande – (4:26)           11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuets I & II – (3:21)    12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue – (2:42)              13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude – (3:14)          14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande – (3:54)           15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante – (3:19)           16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande – (3:52)           17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II – (3:40)     18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue – (3:19)               19. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude – (4:02)         20. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande – (4:05)      21. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante – (3:45)      22. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande – (4:01)      23. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrées I & II – (5:04) 24. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue – (2:49)    And others …This album is broadcast with the permission of Bárbara Leu from Azul Music.         

Remember the carefree days of youth, when all seemed right with the world and the only bodily pains you had were growing pains? Nope, we don't either! On this episode of T&B, we are officially claiming the status of ANCIENT, distracting ourselves from reality with a GIGUE,  and delving into the realms of fantasy and Facebook, where anyone can be a god and everyone has an AVATAR to prove it. To top it all off, we're using our ancient brains to solve the NYTimes word game, Connections…live! If you're looking for escapism, you've come to the right place.

Two friends and academics recap classic literature and take it off its pedestal. In our forty-third episode, we go back to ancient epics and probably the earliest text we can cover on this show: the Epic of Gilgamesh (circa 2100-1200 BC). In this episode, Daniel finds religion, Abby repents her punning ways, we see a glorious return of MeasuringWorth, and our hosts make way for the real star of the show: semi-standardised cubits.Cover art © Catherine Wu.Episode Themes: Bach, 'Cello Suite No. 1 in G Major, VI. Gigue'; Baligh Hamdi 'Hobb Eih' on Arabic oud. Hosted on Acast. See acast.com/privacy for more information.

Handel's keyboard suites have remained strangers to most concert pianists. Seong-Jin Cho hopes that his latest album for Deutsche Grammophon will shed new light on some of the most heartfelt of all Baroque music. Set for release today, The Handel Project contains three of the 28-year-old South Korean pianist's favourite suites from Handel's first collection of Suites de pièces pour le clavecin. These are coupled with Brahms's virtuosic Variations and Fugue on a Theme by Handel, which Cho believes to be “the best variations that have ever been written”.Track Listing:1 Adagio 02:362 Allegro 02:183 Adagio 01:374 Allegro 02:105 Prélude 02:166 Allegro 02:297 Allemande 03:058 Courante 01:419 Gigue 02:0110 Prélude 02:0911 Allemande 04:3412 Courante 01:4313 Air & 5 Variations "The Harmonious Blacksmith" 03:3514 Aria 00:4915 Var. 1 00:4716 Var. 2 (Animato) 00:4217 Var. 3 (Dolce) 00:4418 Var. 4 (Risoluto) 00:4919 Var. 5 (Espressivo) 00:5720 Var. 6 00:5621 Var. 7 (Con vivacitá) 00:3822 Var. 8 00:3623 Var. 9 (Poco sostenuto) 01:1724 Var. 10 (Energico) 00:3525 Var. 11 (Dolce) 00:4826 Var. 12 (Soave) 00:4927 Var. 13 (Largamente, ma non più) 01:2528 Var. 14 (Sciolto) 00:3829 Var. 15 00:4430 Var. 16 (Piano ma marcato) 00:3131 Var. 17 (Più mosso) 00:2932 Var. 18 (Grazioso) 00:5133 Var. 19 (Leggiero e vivace) 01:0634 Var. 20 (Legato) 01:2335 Var. 21 (Dolce) 00:5136 Var. 22 01:0537 Var. 23 (Vivace e staccato) 00:3338 Var. 24 00:3339 Var. 25 00:3840 Fugue 05:0841 Sarabande 02:3642 Minuet (Arr. Kempff for Piano) 04:17Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

This episode features the “Nokia tune”—which actually comes from a Spanish guitar piece. We also have tributes to two late-greats: the clarinetist Stanley Drucker and the organist Frederick Swann. And music by Handel, Berkeley, Guillaume Connesson (b. 1970), et al. A wonderful assortment. Poulenc, Sonata for Clarinet and Piano, last movement Debussy, “La plus que lente” Handel, “No, no, I'll take no less,” from “Semele” Tárrega, Gran Vals Connesson, “Céléphaïs” from “Les Cités de Lovecraft” Bach, Gigue from the French Suite No. 1 in D minor Berkeley, Sonatina for Guitar, first movement Elvey, arr., Swann, “Crown Him with Many Crowns”

"Gigue" is the French word for jig -- a lively dance in triple time. The jig started out as folk dance in Ireland, Scotland, and northern England, before finding its way into classical music.