Podcasts about Philharmonia Orchestra

Anna Maxwell Martin is an award-winning actor whose versatility is evident from the breadth of parts she has played in popular television programmes including Motherland, Ludwig and Line of Duty. Anna was born and brought up in Yorkshire and loved acting and performing from a young age putting on shows with her friends in the cul-de-sac where they all lived. She read history at Liverpool University and then won a place at LAMDA.She made her professional debut in the Little Foxes at the Donmar Warehouse directed by Marianne Elliott. Her breakthrough came in 2003 playing Lyra Belacqua in the National Theatre's landmark production of His Dark Materials. In recent years she has become an advocate for vulnerable children and their families – especially those navigating the SEND – special educational needs and/or disabilities – system in schools. She was motivated to take on this role after struggling to get help for her daughters who were struggling with profound grief following the death of their father.Anna lives in London with her daughters.DISC ONE: I Love To Boogie – T. Rex DISC TWO: The Greatest Love of All - Whitney Houston DISC THREE: Together In Electric Dreams - Philip Oakey & Giorgio Moroder DISC FOUR: Gianni Schicchi: "O mio babbino caro" (Lauretta) Composed by Giacomo Puccini and performed by Maria Callas (soprano) and Philharmonia Orchestra, conducted by Tullio Serafin DISC FIVE: When A Knight Won His Spurs – The Choir of Salisbury Cathedral, directed by David Halls DISC SIX: Dry Your Eyes - The Streets DISC SEVEN: Ain't No Mountain High Enough - Marvin Gaye, Tammi Terrell DISC EIGHT: Tell Him - Lauryn Hill BOOK CHOICE: Jackson Brodie Series by Kate Atkinson LUXURY ITEM: Anna's lucky conker CASTAWAY'S FAVOURITE: The Greatest Love of All - Whitney Houston Presenter: Lauren Laverne Producer: Paula McGinleyDesert Island Discs has cast away many actors to the island over the years including Julie Walters, Jessie Buckley and Adeel Aktar. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

Anthony Hopkins erfüllt sich mit 88 Jahren einen Lebenstraum: Der Oscarpreisträger veröffentlicht ein Album bei Decca Classics. Eingespielt wurden seine Kompositionen vom Philharmonia Orchestra unter Gustavo Dudamel.

durée : 00:22:49 - par : Lionel Esparza - En avril 1955 à Londres, Herbert von Karajan enregistre La Chauve-souris de Johann Strauss avec le Philharmonia Orchestra, Elisabeth Schwarzkopf en Rosalinde et Nicolai Gedda en Eisenstein. - équipe : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:22:49 - par : Lionel Esparza - En avril 1955 à Londres, Herbert von Karajan enregistre La Chauve-souris de Johann Strauss avec le Philharmonia Orchestra, Elisabeth Schwarzkopf en Rosalinde et Nicolai Gedda en Eisenstein. - équipe : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:23:14 - par : Lionel Esparza - En septembre 1953, trois ans après la création posthume du cycle, Elisabeth Schwarzkopf grave les Quatre derniers Lieder de Strauss avec Otto Ackermann et le Philharmonia Orchestra. Un sommet d'émotion et de fraîcheur, devenu sa carte de visite et l'une des versions de référence du XXe siècle. - équipe : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:23:14 - par : Lionel Esparza - En septembre 1953, trois ans après la création posthume du cycle, Elisabeth Schwarzkopf grave les Quatre derniers Lieder de Strauss avec Otto Ackermann et le Philharmonia Orchestra. Un sommet d'émotion et de fraîcheur, devenu sa carte de visite et l'une des versions de référence du XXe siècle. - équipe : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Sie sei eine «kompromisslose Künstlerinnenpersönlichkeit»: Zu diesem Schluss kam die Jury im Auswahlprozess für den «Eurovision Young Musicians»-Wettbewerb. Am 6. Juni wird die junge Pianistin Manoush Toth im Finale in Armenien auftreten. Wie kompromisslos findet sie sich selbst? Ruhe. Das empfindet Manoush Toth, wenn sie am Klavier sitzt und einfach alles stimmt. Und gleichzeitig spüre sie die Kraft des Moments; das Wissen, dass genau dieser Moment zähle. Man wünscht Manoush Toth, dass sich diese Ruhe am Abend des 6. Juni in ihr ausbreiten wird. Dann findet in der armenischen Hauptstadt Jerewan das Finale des Musikwettbewerbs «Eurovision Young Musicians» statt, der alle zwei Jahre von der European Broadcasting Union (EBU) ausgerichtet wird und jungen Klassiktalenten eine grosse Bühne bietet. Im Rahmen der Förderung von Schweizer Musiktalenten bei SRF wurde die 19-Jährige von einer Fachjury als Teilnehmerin ausgesucht. Für diesen besonderen Auftritt hat sie sich für ein Stück von Schumann entschieden – allerdings nicht von Robert, sondern von Clara, dessen Ehefrau. «Clara Schumann wird immer mehr aufgeführt. Aber noch immer zu wenig», begründet Manoush Toth ihre Wahl. Dabei gehöre ihr Klavierkonzert zu den wichtigsten des 19. Jahrhunderts. Das verrät viel über Manoush Toth. Und was sie damit meint, wenn sie sagt, dass sie sich einen ernsthaften Zugang zur klassischen Musik wünsche. Weil Ernsthaftigkeit in ihrem Fall vor allem Offenheit und Neugierde bedeutet: «Wenn man die Hintergründe der klassischen Musik kennt, dann öffnet sich einem ein ganz besonderer Schatz.» Sie selbst nahm das erste Funkeln dieses Schatzes bereits im Alter von zwei Jahren wahr. Fast gleichzeitig mit dem Sprechen sei die Musik in ihr Leben gekommen. Und entsprechend vertraut fühle sie sich an, bis heute. Aufgewachsen ist sie zuerst auf den kanarischen Inseln, später im Berner Oberland. Sie und ihre Geschwister gehen nicht zur Schule, werden zu Hause von den Eltern unterrichtet. Paradiesisch sei das gewesen, sagt Manoush Toth. Doch mit dem Eintritt in die Hochschule für Musik Basel stand sie dadurch vor Herausforderungen, die sich anderen jungen Menschen nicht stellen. Im Gespräch mit Melanie Pfändler erzählt Manoush Toth von dieser Zeit, von dem Druck, den sie sich selbst auferlege, von der engen musikalischen Zusammenarbeit mit ihrem Bruder Anatol und ihrer jüngeren Schwester Anouk und von diesem magischen Moment auf der Bühne, wenn alles noch ganz still ist und sie ihre Finger auf die Tasten legt. Die Musiktitel: - W.A. Mozart: 3. Allegro, aus Sinfonie Nr. 31 D-Dur KV 297 «Pariser» (Freiburger Barockorchester; Gottfried von der Goltz, Leitung) - Antonin Antonín Dvořák: 3. Poco adagio, aus Klaviertrio Nr. 3 f-Moll op. 65 (Isabelle Faust, Violine; Jean-Guihen Queyras, Violoncello; Alexander Melnikov, Klavier) - Francis Poulenc: 3. Allegro ma non troppo, aus Doppelkonzert d-Moll (Sylviane Deferne & Pascal Rogé, Klavier; Philharmonia Orchestra; Charles Dutoit, Leitung) - Billy Joel: The Stranger - Franz Schubert: Impromptu Ges-Dur D 899 op. 90 (Radu Lupu, Klavier)

I hate how they make you go home at the end of the day even if you applied the proper cooling gel the entire time you were having a day siesta just because Mr. Sir wants to power trip. Future Fights is stuck in the past and we need to free it. The quality of the Beethoven movies is inversely correlated to the quality of the symphonies they were named after. There is going to be a roast of Jada Pinkett Smith hosted by Tony Hinchcliffe just to test if Will Smith is rehabilitated from slapping

Si vous souhaitez nous poser une question ou nous contacter : @TalesJDR / talesjdr@gmail.com Notre page Facebook : https://www.facebook.com/Tales-lémission-qui-vous-présente-les-jeux-de-rôles-103170588949508Notre topic sur BBE : https://www.black-book-editions.fr/forums.php?topic_id=21667&tid=514249#msg514249Notre pages podcast : https://tales.lepodcast.fr Crédits musicaux :RonN : https://open.spotify.com/artist/4LYKY49nJ23Zu2eqk8q54g?si=nlS6nJoIRC6zV_eArdoiiwIntro : Overture (From "Lawrence of Arabia") - Philharmonia Orchestra

Moin! Wir schreiben die Sendung eins vor Bremen und hören das Album 'Prokofiev' von Isata Kanneh-Mason und dem Philharmonia Orchestra und 'Nothing's about to happen to me' von Mitski. Danach geht's um die Ethik des Schweigens und um das Odenwälder Landbier von Schmucker.

Die rhythmische Energie dieser Ballettmusik ist so legendär wie die Berichte vom Pariser Uraufführungsskandal Anno 1913. Im Musiksalon fragen wir, warum dieses Werk so anders klingt als alles, was selbst die radikale Moderne akustisch zu bieten hatte - und warum das Publikum dennoch die Aufführungen seit Jahrzehnten regelrecht stürmt. Die Musikbeispiele stammen aus der grandiosen Aufnahme mit dem Philharmonia Orchestra unter Igor Markevitch (1959).

durée : 01:27:50 - En pistes ! du mercredi 18 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nemanja Radulović célèbre Prokofiev dans un disque qui alterne le Concerto pour violon n°2 avec le Philharmonia Orchestra, la Sonate pour violon seul, des transcriptions de Roméo et Juliette ou encore la Symphonie Classique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:50 - En pistes ! du mercredi 18 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nemanja Radulović célèbre Prokofiev dans un disque qui alterne le Concerto pour violon n°2 avec le Philharmonia Orchestra, la Sonate pour violon seul, des transcriptions de Roméo et Juliette ou encore la Symphonie Classique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Kent Nagano is one of today's outstanding conductors for both operatic and orchestral repertoire. He will be the next chief conductor and artistic director of the Orquesta y Coro Nacionales de España (OCNE) in Madrid starting in September 2026 and is the newly appointed principal artistic partner of Filarmonica Toscanini. He has been honorary conductor of the Deutsches Symphonie-Orchester Berlin since 2006, Concerto Köln since 2019, the Orchestre symphonique de Montréal since 2021 and the Philharmonisches Staatsorchester Hamburg since 2023 and is as patron of the Herrenchiemsee Festival. Kent regularly works with leading international orchestras worldwide, 2025/26 season highlights include several projects with the Deutsches Symphonie-Orchester Berlin, the Munich Philharmonic Orchestra, Maggio Musicale, the Tonhalle Orchestra Zurich, Opera de Paris, and the Philharmonia Orchestra amont others.   In 2015 Kent published "Erwarten Sie Wunder!" in Berlin Verlag, a passionate appeal for the relevance of classical music in today's world.  In 2019 the book was released in English by the Canadian McGill-Queen's University Press under the title “Classical Music - Expect the Unexpected.”  In September 2021, he published his second book with Berlin Verlag. In "10 Lessons of my Life", he recalls ten deeply personal encounters from which he learned important lessons, not only for his career but for his life more broadly. Among those experiences are encounters with the Icelandic pop artist Björk, Frank Zappa, Leonard Bernstein, Pierre Boulez and the Nobel Prize winner in physics Donald Glaser. We'll talk about both books!

Chillout Classic w Radiu Spin #119 Dzień Dziadka do Orzechów "1. J.S. Bach - Wariacje Goldbergowskie - Aria , Robin O' Neil, Philharmonia Orchestra.2. P. Czajkowski - Dziadek do orzechów - Uwertura, Seiji Ozawa, Boston Symphony Orchestra.3. P. Czajkowski - Dziadek do orzechów - Arsis Handbell Ensemble.4. Overture - Duke Ellington.5. Miniature Overture - Glenn Miller Orchestra.6. P. Czajkowski - Dziadek do orzechów Act I: VIII. Scene, A Pine Forest Winter, IX. Scene, Waltz of the Snowflakes.7. P. Czajkowski - Dziadek do orzechów - Taniec Arabski, Philharmonia Orchestra, John Lanchbery.8. Arabian Dance - Glenn Miller Orchestra.9. Asa Ahora Masaraya - N2k.10. Dance of The Mirlitons - Glenn Miller Orchestra.11. Toot Toot Tootie Toot (Dance od The Reed Pipes) Duke Ellington.12. P. Czajkowski - Dziadek do orzechów - taniec chiński.13. Chinese Dance - Glenn Miller Orchestra.14. P. Czajkowski - Dziadek do orzechów - Duke Ellington, Harmonie Ensemble.15. P. Czajkowski - Dziadek do orzechów - taniec Wieszczki Cukrowej, Arsis Handbell Ensemble.16. P. Czajkowski / Duke Ellington - Sugar Plum Cherry, Harmonie Ensemble.17. Sugar Plum And Clara - James Newton Howard.

durée : 00:16:16 - John Corigliano : Le violon rouge - Joshua Bell, Philharmonia Orchestra, Esa-Pekka Salonen - Récompensé par un Oscar de la meilleure, le concerto The Red Violin a été écrit par le compositeur américain John Corigliano pour le film éponyme de François Girard. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:16 - John Corigliano : Le violon rouge - Joshua Bell, Philharmonia Orchestra, Esa-Pekka Salonen - Récompensé par un Oscar de la meilleure, le concerto The Red Violin a été écrit par le compositeur américain John Corigliano pour le film éponyme de François Girard. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:16 - John Corigliano : Le violon rouge - Joshua Bell, Philharmonia Orchestra, Esa-Pekka Salonen - Récompensé par un Oscar de la meilleure, le concerto The Red Violin a été écrit par le compositeur américain John Corigliano pour le film éponyme de François Girard. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Lee Child is a writer who is best known for his series of bestselling novels featuring Jack Reacher. Reacher is an enigmatic 6ft 5in, 17-stone ex-military police major who rights wrongs before disappearing off into the sunset. The books have sold in their millions around the world and have inspired two films starring Tom Cruise and a television series.Lee Child was born James - Jim - Grant in 1954 and grew up in Birmingham. He studied Law at the University of Sheffield and then joined the presentation department at Granada Television where he was a shop steward and became a thorn in the side of the management. At 40 he was made redundant and sat down to write his first Reacher novel Killing Floor. He found himself an agent and the novel was published in March 1997 - the franchise was up and running. In the UK Lee outsells both Stephen King and John Grisham and worldwide he sells between 12 and 15 million copies a year.In 2020 Lee announced that he was handing over the Reacher franchise to his younger brother Andrew Grant. The two brothers have worked on several novels since then and the thirtieth Reacher title features both brothers' names on the cover.Lee Child was appointed CBE in the 2019 Queen's Birthday Honours. He lives in the Lake District with his wife Jane. They have one daughter.DISC ONE: She Loves You - The Beatles DISC TWO: (I Can't Get No) Satisfaction - The Rolling Stones DISC THREE: So What - Miles Davis DISC FOUR: Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito. Performed by Stephen Hough (piano) and Minnesota Orchestra, conducted by Osmo Vänskä DISC FIVE: Joe's Blues - Joe Pass DISC SIX: The Lemon Song - Led Zeppelin DISC SEVEN: Für Elise (Bagatelle No. 25 in A minor) Composed by Ludwig Beethoven and performed by Lang Lang DISC EIGHT: Delibes: Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) Performed by Renée Fleming (soprano), Susan Graham (mezzo soprano), Philharmonia Orchestra, conducted by Sebastian Lang-Lessing BOOK CHOICE: Killing Floor by Lee Child LUXURY ITEM: A mechanical wind-up watch CASTAWAY'S FAVOURITE: So What - Miles Davis Presenter: Lauren Laverne Producer: Paula McGinley

Margaret Atwood is a Canadian writer. She has published more than sixty books spanning novels, poetry, short stories, non-fiction, children's literature, and graphic novels, and has been called “one of the sharpest and most imaginative novelists writing in English”. She is one of only four writers to have won the Booker Prize twice: for The Blind Assassin in 2000 and for her 2019 follow-up to The Handmaid's Tale, The Testaments.Margaret was born in Ottawa in November 1939, shortly after the outbreak of World War II, the second of three children to Carl Atwood, an entomologist. During her early life, she would spend the warmer months in the remote forests of northern Quebec and Ontario where her father tracked insect infestations, and the winters in the city (first Ottawa, later Toronto). She didn't attend school for a full year until the age of twelve.Her childhood scribblings – a “novel” about an ant called Annie, a volume of rhyming poems about cats, and a play about a giant – turned into a more serious ambition to become a writer when Margaret was sixteen. After studying English at the University of Toronto, where she began publishing poems in the college magazine, her first novel, The Edible Woman, came out in 1969, following five collections of poetry. Her most famous work, The Handmaid's Tale, was published in 1985 and depicted a dystopian vision of the United States as a patriarchal and totalitarian place called Gilead. Although it was written during the Reagan era, it has become eerily relevant again in the wake of the election of Donald Trump. Margaret lost her life partner, the writer Graeme Gibson, in 2019. She lives in Toronto.DISC ONE: Anchors Aweigh - US Navy Band DISC TWO: Hearts of Stone - The Charms DISC THREE: Offenbach: Les contes d'Hoffmann, Giulietta Act: Barcarolle. Belle nuit, ô nuit d'amour. Performed by Joan Sutherland (soprano) Huguette Tourangeau (soprano), Plácido Domingo (tenor), Andre Neury (bass), Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, conducted by Richard Bonynge DISC FOUR: Four Strong Winds - Ian & Sylvia DISC FIVE: Barrett's Privateers - Stan Rogers DISC SIX: The Handmaid's Tale, Act I Scene 6: The Doctor. Composed by Poul Ruders and performed by Marianne Rorholm, Hanne Fischer (Mezzo-sopranos), Royal Danish Opera Chorus and Royal Danish Orchestra, conducted by Michael Schønwandt DISC SEVEN: We Praise the Tiny Perfect Moles - Orville Stoeber DISC EIGHT: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto. Composed by Beethoven and performed by Philharmonia Orchestra, conducted by Otto Klemperer BOOK CHOICE: How to Survive on a Desert Island by Samantha Bell LUXURY ITEM: A knife and matchbox CASTAWAY'S FAVOURITE: Hearts of Stone - The Charms Presenter: Lauren Laverne Producer: Sarah Taylor

Was Richard Wagner a revolutionary artist who reshaped music forever, or an egotists mired in scandal, whose dangerous ideas were inseparable from the operas he created? How did the legendary worlds encapsulated in his bombastic music - featuring gods, heroes, and monsters - become entangled with politics and power? And, did Wagner inspire Hitler and the Nazis…? Join Tom and Dominic at the Royal Albert Hall, featuring the renowned  Philharmonia Orchestra, conducted by Oliver Zeffman, as they play the music of Wagner live, as they delve into the life of one of the most controversial but famous figures in all of musical history: Richard Wagner. _______ Hive. Know your power. Visit https://hivehome.com to find out more.  _______ Get our exclusive NordVPN deal here ➼ https://nordvpn.com/restishistory It's risk-free with Nord's 30-day money-back guarantee ✅ _______ Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at therestishistory.com For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Social Producer: Harry Baldwin Assistant Producer: Aaliyah Akude  Producer: Tabby Syrett Senior Producer: Theo Young-Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices

What are the complex origins of Russia's most renowned composer, Pyotr Ilyich Tchaikovsky? What inner conflicts and private contradictions lay behind his romantic music, and how did these struggles shape it? And, what dark secrets lie hidden beneath Tchaikovsky's sweeping, lyrical melodies…? Join Tom and Dominic at the Royal Albert Hall, featuring the renowned  Philharmonia Orchestra, conducted by Oliver Zeffman, as they play the music of Tchaikovsky live, accompanying their journey into the life of one of the most mercurial but brilliant figures in all of musical history: Pyotr Ilyich Tchaikovsky. _______ Hive. Know your power. Visit https://hivehome.com to find out more.  _______ Get our exclusive NordVPN deal here ➼ https://nordvpn.com/restishistory It's risk-free with Nord's 30-day money-back guarantee ✅ _______ Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at therestishistory.com For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Social Producer: Harry Baldwin Assistant Producer: Aaliyah Akude  Producer: Tabby Syrett Senior Producer: Theo Young-Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:21:55 - Disques de légende du mercredi 19 novembre 2025 - Gravé le 8 janvier 1954 à Londres, ce disque mythique du "Carnaval des Animaux réunit l'énergie d'Igor Markevitch, la splendeur du Philharmonia Orchestra, et le dialogue virtuose de deux pianistes hongrois exceptionnels : Géza Anda et Béla Síki. Une fantaisie zoologique devenue un classique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:55 - Disques de légende du mercredi 19 novembre 2025 - Gravé le 8 janvier 1954 à Londres, ce disque mythique du "Carnaval des Animaux réunit l'énergie d'Igor Markevitch, la splendeur du Philharmonia Orchestra, et le dialogue virtuose de deux pianistes hongrois exceptionnels : Géza Anda et Béla Síki. Une fantaisie zoologique devenue un classique. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:10 - Disques de légende du mardi 11 novembre 2025 - Premier artiste classique français à atteindre la barre symbolique du million de disques vendus, André Cluytens a brillé aussi bien dans les répertoires russes, germaniques et français, comme ici avec le Philharmonia Orchestra dans la "Symphonie fantastique" d'Hector Berlioz. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:10 - Disques de légende du mardi 11 novembre 2025 - Premier artiste classique français à atteindre la barre symbolique du million de disques vendus, André Cluytens a brillé aussi bien dans les répertoires russes, germaniques et français, comme ici avec le Philharmonia Orchestra dans la "Symphonie fantastique" d'Hector Berlioz. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Enrique Mazzola, is music director at the Lyric Opera of Chicago, who recently announced his extension through the year 2031. In the 2025-26 season, Enrique makes debuts at Staatsoper Berlin with Verdi's Un ballo in Maschera and at Opera de Paris with Rossini's Cenerentola. At the Lyric Opera, he is currently leading productions of Medea, Cavalleria rusticana and Pagliacci and Cosi fan Tutti.Notable symphonic debuts include Orchestre National du Capitole de Toulouse,Philharmonia Orchestra, Royal Scottish National Orchestra, Orchestra of the Age ofEnlightenment, Oslo Philharmonic, New Japan Philharmonic, Taipei Symphony, UtahSymphony, Detroit Symphony, Luxembourg Philharmonic, Brussels Philharmonic,Staatsphilharmonie Nürnberg, and Swedish Radio Symphony. Other highlights includeperformances with Vienna Symphony, London Philharmonic and Bern Philharmonic.Enrique works regularly with young musicians, among them at Accademia Teatroalla Scala, Académie de l'Opéra national de Paris, Opéra Studio de l'Opéra national duRhin, Accademia del Maggio Musicale Fiorentino, the Lyric's Ryan Opera Center, andCodarts of Rotterdam. He has given conducting masterclasses.And, as you'll hear, Enreique Mazzoli is also renowned as a champion of bel cantoopera,

Andy Smith is so much more than just a timpanist. I loved our chat here about his decades with the great Philharmonia Orchestra in London, how he got there, what some of the glory times were and, what he thinks of the current state of affairs!

durée : 00:20:01 - Disques de légende du vendredi 29 août 2025 - Avec Lorin Maazel à tête du Philharmonia Orchestra et Placido Domingo en partenaire idéal, la soprano Renata Scotto livre, en 1978, une "Madame Butterfly" inoubliable, une version de référence où éclat vocal et intensité dramatique se rejoignent pour un duo d'anthologie. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Behzod Abduraimov's performances combine an immense depth of musicality with phenomenal technique and breath-taking delicacy. He performs with renowned orchestras worldwide including Philharmonia Orchestra, Los Angeles Philharmonic, Deutsches Symphonie-Orchester Berlin, San Francisco Symphony, The Cleveland Orchestra, Orchestre de Paris, Concertgebouworkest, Czech Philharmonic, Vienna Symphony Orchestra, NHK Symphony and Rundfunk-Sinfonieorchester Berlin (RSB). Regular festival appearances include Aspen, Verbier, Rheingau, La Roque Antheron, Lucerne and Ravello festivals. Behzod's second recording for Alpha Classics, featuring works by Ravel, Prokofiev, and Uzbek composer Dilorom Saidaminova, was released on 12 January 2024. The album was Gramophone' Editor's Choice in January 2024, and was included in Apple Music ‘10 Classical Albums You Must Hear This Month' of February 2024.  The year 2021 saw the highly successful release of his first recital album for Alpha Classics based on a program of Miniatures including Mussorgsky's Pictures at an Exhibition. In 2020, recordings included Rachmaninov's Rhapsody on a Theme of Paganini with Lucerne Symphony Orchestra under James Gaffigan, recorded on Rachmaninoff's own piano from Villa Senar for Sony Classical, and Rachmaninoff's Piano Concerto No.3 with Concertgebouworkest, for the RCO live label. Born in Tashkent, Uzbekistan, in 1990, Behzod began the piano at age five, as a pupil of Tamara Popovich at Uspensky State Central Lyceum in Tashkent.

durée : 01:28:45 - Santtu-Matias Rouvali, la clarté et l'imagination - par : Aurélie Moreau - Santtu-Matias Rouvali est chef principal du Philharmonia Orchestra et directeur musical de l'Orchestre Symphonique de Göteborg avec lequel il a gravé une remarquable intégrale des symphonies de Sibelius en plus de ses disques avec le Philharmonia.

Marin Alsop is a world-renowned conductor and the first woman to lead major orchestras internationally. The subject of the Emmy-nominated documentary "The Conductor” and formerly Music Director of the Baltimore Symphony Orchestra, she's Chief Conductor of the ORF Vienna Radio Symphony Orchestra and the Ravinia Festival, and Principal Guest Conductor of the Philharmonia Orchestra and the Philadelphia Orchestra. She has recorded 200+ titles and is the only conductor to receive a MacArthur Fellowship.In this episode, we explore:How giving people max autonomy drives performance How to balance elite talent with team cohesionTheories on talent selection to build top teamsThe "no shortcuts" practice philosophy This episode is great for anyone building teams. It offers powerful insights on creating excellence at scale, balancing autonomy with accountability, and fostering self-motivation. Enjoy this episode? Rate it and leave a review. It really helps others find the podcast.Learn more about Kristen and Irrational Labs ⁠here⁠.

Robert, Sammy & Eamonn chat through some tracks and things they're thinking about at the moment. Pentatonix, Jeremy Denk's book 'Every Good Boy Does Fine' - and the start of CHORAL CLINIC. Also Monteverdi & Bach. And Robert says 'Rinuccini gloss'. Read 'Every Good Boy Does Fine' by Jeremy Denk in Apple Books - https://apple.co/4hQkCGtExplore the music in this episode of Choral Chihuahua : Listen to 'Deluxe Edition' by Pentatonix on Apple Music - https://apple.co/4ht2Ed7; Listen to 'Sweet Torment' by I Fagiolini on Apple Music - https://apple.co/4aRUQ1W; Listen to 'Bach: Mass in B Minor' by Philharmonia Orchestra - https://apple.co/4hQps6x; Listen to 'Bach: Mass in B Minor' by The Sixteen on Apple Music - https://apple.co/4aRUQ1WSupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

Ursula Jones is “nothing short of a musical icon” – at least according to the Royal Philharmonic Society, who made her an honorary member last year at the age of 92. She has devoted her life to music, and has long championed the work of young performers – she gave Daniel Barenboim his first break as a conductor in London, when he was just 23. Ursula was born in Lucerne in 1932, where her father was one of the founders of the Lucerne Festival, so famous musicians, including the likes of Richard Strauss, were never far away. She came to London in 1954 and worked as a secretary for the Philharmonia Orchestra, moving on to co-found the English Chamber Orchestra in 1960. She married the eminent trumpet player Philip Jones, and later managed his Brass Ensemble. Music isn't her only fascination: she completed a doctorate in archaeology at the age of 60, and in 2021 she cycled 100km to raise money for the charity Brass for Africa. Ursula's choices include music by Britten, Mozart and Handel.

durée : 00:20:37 - Disques de légende du mercredi 08 janvier 2025 - Otto Klemperer dirige sur notre disque du jour la Symphonie n°2 en Do mineur de Gustav Mahler, surnommée "Résurrection", à la tête du Philharmonia Orchestra de Londres, un disque paru en 1963.

Ett ungt par begått brottet att fortsätta med sin kärleksyra efter den tillåtna årstiden. Paret åtalas och ställs inför de aderton i årstidskommissionen. Lyssna på alla avsnitt i Sveriges Radio Play. Kärlek är tillåten bara under sommarmånaderna och i augusti upphör licensen att gälla. Och den som har brutit mot årstidslagarna kan straffas med livstids djupfrysning!En liten anekdot om livets fåfänglighet skriven på beställning av Radioteatern 1951.Vår lilla sommar av Stig DagermanI rollerna: Eva – Jane Friedmann, Adamsson – Thommy Berggren, Gabrielsson – Karl-Magnus Thulstrup, Ordföranden – Nils Nygren, Åklagaren – Måns Westfelt, Höstman – Arne Nyberg, Magistern – Håkan Jahnberg, Carl-Hugo – Gunnar Uddén, Klubbe – Folke Walder, Kvinnorösten – Margita AhlinBerättaren – Herman AhlsellMusik som hörs i pjäsen: Petroucha av Igor Stravinskij med The Philharmonia Orchestra, dirigent: Efrem Kurtz och Stråkkvartett nr 6 av Béla Bartók med Vegh String Quartett.Ljud: Leif NordénInspicient och producent: Ingvar OhlssonRegi: Lars EngströmEn inspelning från Göteborg 1962.

Víkingur Ólafsson is a world-renowned Icelandic pianist. Celebrated for his profound artistry and visionary programming, he has performed with premier orchestras such as the Los Angeles Philharmonic, Philharmonia Orchestra, and London Philharmonic Orchestra. In 2023, he performed his album of Johann Sebastian Bach's Goldberg Variations on a world tour, showcasing his musicianship across six continents, totaling 88 performances. Ólafsson's latest release, an EP entitled Continuum, is described as his “personal Bach diary,” a work that blends his innovative approach to classical music with the 18th century composer's iconic work. As a two-time recipient of the Opus Klassik Solo Recording of the Year, CoScan's International Nordic Person of the Year (2023), and Album of the Year at BBC Music Magazine Awards (2019), Ólafsson continues to captivate audiences worldwide. His upcoming tour dates can be found here.  ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Vivo Barefoot http://vivobarefoot.com/tetra Use code 'TETRA25' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

durée : 00:15:38 - Le Disque classique du jour du mardi 24 décembre 2024 - Ces extraits de "La Belle au bois dormant" de Tchaïkovski, dirigés et arrangés par Santtu-Matias Rouvali, constituent un témoignage émouvant d'un grand concert du Philharmonia Orchestra au Royal Festival Hall en 2023. Il s'agit aussi du 2e disque numérique du label Philharmonia Records.

durée : 00:15:38 - Le Disque classique du jour du mardi 24 décembre 2024 - Ces extraits de "La Belle au bois dormant" de Tchaïkovski, dirigés et arrangés par Santtu-Matias Rouvali, constituent un témoignage émouvant d'un grand concert du Philharmonia Orchestra au Royal Festival Hall en 2023. Il s'agit aussi du 2e disque numérique du label Philharmonia Records.

Katherine Jenkins & Philharmonia Orchestra Meets Hip Hop - Pachelbel's Canon In D ( Blob66 Remix ) by alfreD oRtega roSa

This week on the Gramophone Podcast, Editor Martin Cullingford meets pianist Alexandra Dariescu who has recorded the piano concertos of Clara Schumann and Edvard Grieg for Signum with the Philharmonia Orchestra and conductor Tianyi Lu. Dariescu talks about her passion for Clara Schumann's concerto, and why she thinks it should be much more widely performed than it has been historically. 

durée : 00:18:55 - Beethoven : Triple Concerto - Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor - Trois anciens participants au concours BBC Young Musician unissent leurs forces pour enregistrer le Triple Concerto de Beethoven, aux côtés du Philharmonia Orchestra dirigé par Santtu-Matias Rouvali

On this week's episode of ‘New Classical Tracks,' violinist Nicola Benedetti, pianist Benjamin Grosvenor and cellist Sheku Kanneh-Mason present their live performance of Beethoven's Triple Concerto on the latest album by the Philharmonia Orchestra. Listen now!

A passionate advocate for the bassoon, Amy Harman is much sought after as a soloist, chamber musician, teacher and communicator.   Amy was a professor at the Royal Academy of Music from 2013 to 2024 and gives masterclasses and coaches internationally. She was appointed professor of bassoon at the Robert Schumann Hochshule Düsseldorf in 2024, the first woman to hold such a position in Germany.  Aged 23 Amy was appointed solo bassoon of the Philharmonia Orchestra. Sought after as guest principal with leading orchestras in Europe including Paavo Järvi's EFO and the Mahler Chamber Orchestra, she is currently principal of Aurora Orchestra. She was selected by YCAT in 2014. Solo highlights include premiering Roxanna Panufnik's concerto for bassoon & string orchestra with the Royal Northern Sinfonia, Strauss's Concertino with the English Chamber Orchestra, Mozart's Concerto at the Festival Suoni dal Golfo in Lerici and appearing as a flying soloist at the world premiere of Stockhausen's Mittwoch aus Licht. Amy was the first bassoonist to perform a live broadcast solo recital for BBC radio 3. She performs recitals regularly in UK and Germany with her collaborator Tom Poster. Summary: Amy Harman shares her journey to becoming a bassoonist, including her early musical inspirations and her transition from playing the cello to the bassoon. She discusses her experiences with the Aurora Orchestra and their memorized performances, as shares some practice tips for listeners. Amy also talks about the importance of the Young Classical Artist Trust in shaping her career and the significance of being the first female bassoon professor in Germany, at the Robert Schumann Hochschule in Dusseldörf. In this conversation, Amy discusses the challenges facing the arts industry, particularly in the UK, and offers words of encouragement to young musicians. She emphasizes the importance of creating art and suggests pursuing a portfolio career, and shares her experience of balancing a busy career with being a mother of three. She also mentions upcoming projects she's excited about, including a performance of Elizabeth MacConkey's concertino and various chamber music festivals. Chapters   00:00 Introduction and Amy's Musical Background 07:24 Memorized Performances with the Aurora Orchestra 24:38 The Power of a Portfolio Career 30:35 Finding Inspiration in Different Genres 38:42 The Art of Memorizing Music ************************************ Find out more about Amy here. Amy's Instagram Host: Jo Anne Sukumaran, find out more here. Legends of Reed is sponsored by Barton Cane, enjoy free shipping with coupon code" legendsofreed", on their website. Opening credits: Concert recording of Amy Harman with Castalian Quartet - Cantator and Amanda (2011), by Roxanna Panufnik - courtesy of Young Classical Artist's Trust.Photo credit: Kaupo Kikas

SynopsisIt might seem odd to think of Max Bruch as a 20th-century composer. After all, his three greatest hits — his Violin Concerto No. 1, his Scottish Fantasy for violin and orchestra, and his setting of the Hebraic liturgical chant Kol Nidrei for cello and orchestra — were all written in the 19th century.But this archetypal German Romantic composer, who was born in 1838, lived to the ripe old age of 82, and kept producing new works up to the time of his death in 1920.One of these, a Concerto for Two Pianos, was commissioned by an American duo piano team, Ottilie and Rose Suttro, who premiered it with Leopold Stokowski and the Philadelphia Orchestra on today's date in 1916. The new work was well-received and its composer praised.But there is a somewhat ironic historical footnote to this successful premiere: It appears the Suttro Duo drastically revised and even rewrote parts of Bruch's score for their 1916 performance, unbeknown to the composer. It wouldn't be until 1971 that the concerto was performed as he had actually written it.Music Played in Today's ProgramMax Bruch (1838-1920) Concerto for Two Pianos; Güher and Süher Pekinel, pianos; Philharmonia Orchestra; Neville Marriner, cond. Chandos 9711

SynopsisThese days at symphony concerts, when a new piece of music is about to be played, it's not uncommon to overhear someone mutter, “Why do they have to program this new stuff, when there's so much Brahms and Tchaikovsky we'd rather hear?”Well, on today's date in 1881, the 40th season of the New York Philharmonic Society's concerts opened with a pair of new works: first the New York premiere of the Tragic Overture, by Johannes Brahms, and after that, the world premiere of the Second Piano Concerto, by Peter Ilyich Tchaikovsky. The soloist in the Tchaikovsky was Madeleine Schiller.Here's what the New York Times had to say the following morning: “The return of Madame Schiller to the stage is a welcome event, ... the only regret being that her efforts had not been devoted to a more interesting work, for, apart from the novelty, it cannot be said that the Tchaikovsky concerto possessed any great merit. There are older works, of which one never tires and which, interpreted by Madame Schiller ... would always be welcomed.”Ah, some things never change!Music Played in Today's ProgramJohannes Brahms (1833 – 1897) Tragic Overture; Chicago Symphony; Daniel Barenboim, cond. Erato 95192Peter Tchaikovsky (1840 – 1893) Piano Concerto No. 2; Barry Douglas, piano; Philharmonia Orchestra; Leonard Slatkin, cond. RCA/BMG 61633

SOMM Recordings is delighted to announce the label debut of the acclaimed British composer Howard Blake with a disc of his orchestral music to mark his 85th birthday.Blake himself is heard at the piano and conducting the Philharmonia Orchestra, with Paul Daniel also conducting the English Northern Philharmonia.Tracks Symphony No. 1: Impressions of a City, Op. 42/409 (1967, rev. 1990) (14:34)Concert Dances for piano and orchestra, Op. 432 (1992) I. Parade (0:55) II. Slow Ragtime (1:39) III. Jump (0:54) IV. Medium Rock (1:48) V. Folk Ballad (2:24) VI. Boogie (1:00) VII. Jazz Waltz (2:34) VIII. Cha-Cha (1:55) IX. Galop (0:53) The Court of Love, Op. 286 (1979) I. The Enchantress (Theme and Variations) (6:16) II. The Maiden and the Troubadour (Scherzo) (7:07) III. The Queen (Theme and Finale) (6:21) A Month in the Country, Op. 446 (1992) I. Larghetto (3:04) II. Alla marcia (1:21) III. Adagio (Elegy) (3:55) IV. Scherzando (1:36) V. Andante espressivo (3:11) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Aaron Williamon is Professor of Performance Science at the Royal College of Music in London and is joined in our conversation by Jason Evans, who is head of the brass faculty at the Royal College and also principal trumpet with the Philharmonia Orchestra. Together we tackle the subject of performance psychology and specifically, performance anxiety. This is a very far ranging, open, and revealing conversation. I think it will be of interest to student and professional alike.We begin our conversation with Jason talking about the road he traveled to become the youngest person to be appointed principal trumpet in a major UK orchestra and his experiences dealing with nerves during his early playing years. Aaron follows up by speaking about his research at the Royal College of Music and the projects he is currently working on. We end with Jason discussing the pressures of a high level performance job.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

SynopsisOn today's date in 1829, German composer Felix Mendelssohn was in London, participating in a gala concert to raise funds for the victims of a flood in Silesia. “Everyone who has attracted the slightest attention during the season will take part,” wrote Mendelssohn. “Many offers of good performers have had to be declined, as otherwise the concert will last till the next day!”Mendelssohn performed his Double Concerto in E Major for two pianos and orchestra, joined by his friend and fellow-composer/pianist Ignaz Moscheles. Mendessohn and Moscheles jointly prepared a special cadenza, and jokingly bet each other how long the audience would applaud it—Mendessohn predicting 10 minutes, and Mosceheles, more modestly, suggesting 5.In the Baroque age, Double Concertos were very popular, but by Mendelssohn's day they had become less common. In our time, Concertos for Two Pianos are even rarer. One of the most successful American Double Concertos was written between 1952 and 1953 by the American composer Quincy Porter. Also known as the “Concerto Concertante,” commissioned by the Louisville Orchestra. It proved to be one of the most popular of Porter's works, and even won the Pulitzer Prize for Music in 1954.Music Played in Today's ProgramFelix Mendelssohn (1809 - 1847) Double Concerto Güher and Süher Pekinel, pianos; Philharmonia Orchestra; Sir Neville Marriner, conductor. Chandos 9711Quincy Porter (1897 - 1966) Concerto for Two Pianos Joshua Pierce and Dorothy Jonas, duo pianists; Moravian Philharmonic; David Amos, conductor. Helcion 1044

Synopsis The German composer Richard Strauss wrote his first song at age 6, and his last at age 84, a year before his death in 1949. Four of his last songs were for soprano and orchestra. These Four Last Songs, as they came to be known, were premiered in London, at the Royal Albert Hall, on today's date in 1950. Strauss had written to the great Norwegian soprano Kirsten Flagstad, suggesting "I would like to make it possible that [the songs] should be at your disposal for a world premiere ... with a first-class conductor and orchestra.” Flagstad did sing the premiere performances, with the first-rate Philharmonia Orchestra of London conducted by the legendary German conductor Wilhelm Furtwangler. In addition to those famous performers, credit for the realization of Strauss's request is also due to an unlikely and exotic patron of the arts, namely the Maharaja of Mysore, who put up a cash guarantee for the Strauss premiere. And since he could not be present himself, the Maharaja asked that the premiere be recorded and the discs shipped to him in Mysore. The Maharaja had wanted to be concert pianist, but the deaths of both his father and his uncle forced him to succeed to the throne in 1940 at the age of 21. In addition to underwriting the Strauss premiere, the young Maharaja championed the music of the Russian composer Nikolas Medtner, and, in 1945, the creation of the Philharmonia Orchestra of London as a recording ensemble for the enterprising EMI producer Walter Legge. In addition to Western classical music, the Maharaja was passionate about the court music of his native land, and, under the pen name of Shri Vidya, himself composed almost 100 works in the South Indian tradition. Music Played in Today's Program Richard Strauss (1864 - 1949) "Im Abendrot (At Twlight)," from "Four Last Songs" Jessye Norman, s; Leipzig Gewandhaus Orch; Kurt Masur, conductor. Philips CD 464 742