Podcasts about dvo

Slezský FC Opava jede jako vlak!

Dr. Alison Miller, now retired, was a counsellor and psychologist since the 1960s. She played an influential role in the formation and development of ISSTD (International Society for the Study of Trauma and Dissociation) and the complex trauma and dissociative disorders field. She pioneered the treatment of patients with backgrounds of Organized and Extreme abuse and is well known for her many conference presentations, workshops, journal articles and her books.www.amazon.com/stores/Dr.-Alison-Miller/author__________________________Click Here to Support our PodcastBook: "Quest for Love" - Click Here for More DetailsWebsite: www.annekelucas.comYouTube Channel: www.youtube.com/channel/UCysZ8BL_ZwWEz1k9sM2OKKgBitchute Channel: https://www.bitchute.com/channel/qtNhvFaILkK5/Odysee Channel: https://odysee.com/@AnnekeLucasPodcast:d Facebook: www.facebook.com/AnnekeLucas2/Instagram: www.instagram.com/anneke.lucas/Telegram: t.me/anneke_lucas__________________________The views and opinions expressed by guests on this podcast are their own and do not necessarily reflect those of the host or the podcast. The Anneke Lucas podcast is not responsible for any statements, claims or opinions shared by its guests.__________________________Title Music: Antonín Dvořák - New World Symphony No. 9 by Leo Symphony Orchestra...

Česko má světu co nabídnout. Tuzemské firmy umí vyrábět technologie, o které je ve světě zájem. Sázka na zelenou energetiku by tak mohla přinést vysněnou výrobu s přidanou hodnotou, popisuje v pořadu Agenda ekonom Tomáš Dvořák z poradenské společnosti Oxford Economics, autor výroku o Česku jako „nemocném muži Evropy“. Podle něj tento výrok, pronesený před dvěma lety, do jisté míry stále platí. Dnes se sice tuzemské ekonomice daří mnohem lépe, avšak růst je postaven především na spotřebě domácností a dlouhodobý potenciální růst klesá.Nemocná je navíc podle Dvořáka i celá Evropa, která čelí obdobným výzvám jako Česká republika. Česká ekonomika aktuálně roste o 2,5 procenta, ale potýká se s nedostatkem investic. Průměrná mzda se přitom pohybuje na úrovni roku 2019 a její růst se zpomalí, stejně jako tempo růstu spotřeby domácností.Agenda. Rozhovory s top lídry českého byznysu, zakladateli firem, odborníky. Čtvrthodinka o byznysu z první ruky.Každý všední den na SZ Byznys a ve všech podcastových aplikacích.Odebírejte na Podcasty.cz, Apple Podcasts nebo Spotify.

Magazín: Minoritní sexualita v pastoraci věřících; Mezinárodní vězeňské společenství pro děti. Hovoří: Jiří Unger, Žaneta Dvořáčková.Tento podcast můžete podpořit na https://radio7.cz

In aflevering 6 van de PZC Voetbal Podcast praten sportjournalist Barry van der Hooft en presentator Juriën Dam je bij over de afgelopen Zeeuwse voetbalweek. Barry vertelt onder meer over de waarschuwing die hij uitdeelde. Dat laatste gebeurde in Goes, waar een toeschouwer zijn duidelijke mening over het Nederlands elftal en Jan Paul van Hecke ventileerde. Op eigen veld won Goes van Scheveningen, waardoor het van de hatelijke nul af is. Ondanks de matige competitiestart oogt de ranglijst zo slecht nog niet voor de ploeg van trainer Giovanni Siereveld. Kloetinge won eerder deze week in de KNVB beker van DVO, en volgens een journalist van De Limburger werken de Bevelanders wel met een enorme ruime begroting. Er wordt gesproken over de topper tegen Blauw Geel’38, de nieuwe fase waarin Kloetinge zit en over het scorend vermogen. Hoek speelde in een allesbehalve saaie wedstrijd met 0-0 gelijk tegen Jong Sparta. De Zeeuwse doelman Rik Suur blonk uit bij de Rotterdammers en hem laten we ook aan het woord. De Spartanen spelen al sinds 2016 op het niveau van de tweede divisie. Toen maakten twee Zeeuwen deel uit van die selectie, en ook twee spelers die later iets minder goed in het nieuws kwamen. Ook gaat het nog over Zeeuwse dames in de Eredivisie, de warming-up die Barry ooit liep in Spakenburg en ook komen ook de namen van Marvin Young, Memphis Depay en Alexander Büttner voorbij.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

Wie solidarisch sind die Menschen in Tschechien, Neue Regelungen für Betrieb von Drohnen abheben, Antonín Dvořáks Geburtshaus in Nelahozeves

Avec la légalisaion de la psilocybine, la Tchéquie à l'aube d'une révolution psychothérapique – Vers une meilleure prise en charge des anciens combattants - Plongée dans l'enfance d'Antonín Dvořák

Avec la légalisaion de la psilocybine, la Tchéquie à l'aube d'une révolution psychothérapique – Vers une meilleure prise en charge des anciens combattants - Plongée dans l'enfance d'Antonín Dvořák

Wie solidarisch sind die Menschen in Tschechien, Neue Regelungen für Betrieb von Drohnen abheben, Antonín Dvořáks Geburtshaus in Nelahozeves

This week, two string quartets from the Music Institute of Chicago Academy play Haas, Dvořák, Brahms, Prokofiev, and a double helping of C major Haydn. The post Porphyrion String Quartet and The Hemingway Quartet appeared first on WFMT.

Jaké bylo dětství slavného skladatele v Nelahozevsi a odkud čerpal inspiraci pro svou tvorbu? Nová expozice rodného domu Antonína Dvořáka propojuje hudbu s jedinečným geniem loci jeho rodiště. Ve Vizitce vypráví nejen o slavném skladateli, ale také o vlastní cestě k hudbě, která začala touhou hrát na housle už ve třech letech a dnes pokračuje prací pro Nadaci Lobkowiczké sbírky. Čím může expozice ještě překvapit odborníky? Co poslouchá, když odpočívá? Ptá se Karolína Koubová.

Jaké bylo dětství slavného skladatele v Nelahozevsi a odkud čerpal inspiraci pro svou tvorbu? Nová expozice rodného domu Antonína Dvořáka propojuje hudbu s jedinečným geniem loci jeho rodiště. Ve Vizitce vypráví nejen o slavném skladateli, ale také o vlastní cestě k hudbě, která začala touhou hrát na housle už ve třech letech a dnes pokračuje prací pro Nadaci Lobkowiczké sbírky. Čím může expozice ještě překvapit odborníky? Co poslouchá, když odpočívá? Ptá se Karolína Koubová.Všechny díly podcastu Vizitka můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V pátek 5. září začíná 18. ročník festivalu Dvořákova Praha. Během devatenácti dní nabídne prestižní zahraniční orchestry, slavné sólisty i nové programové řady – od písní Antonína Dvořáka v kurátorské péči Kateřiny Kněžíkové až po neformální cyklus „Bez kravaty“.

V pátek 5. září začíná 18. ročník festivalu Dvořákova Praha. Během devatenácti dní nabídne prestižní zahraniční orchestry, slavné sólisty i nové programové řady – od písní Antonína Dvořáka v kurátorské péči Kateřiny Kněžíkové až po neformální cyklus „Bez kravaty“. Všechny díly podcastu Mozaika můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Předseda STAN Vít Rakušan svolal setkání u piva s možnými koaličními partnery v budoucí vládě – Petrem Fialou, předsedou ODS, a šéfem Pirátů Zdeňkem Hřibem. Ten setkání nakonec odmítl. „Piráti byli součástí vlády, ale nebyli potřeba. To je i důvod, proč na pivo nechtěli jít,“ říká politoložka Vladimíra Dvořáková. Dalšími tématy budou skryté koalice, hledání povolebních partnerů a boj o moc na Katolické teologické fakultě.Všechny díly podcastu Jak to vidí... můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Ragnhild Motzfeldt forteller om Antonín Dvořáks opera Rusalka, om havfruen som ønsker å bli menneske for kjærlighetens skyld. Her får du også høre hvordan regissør Tatjana Gürbaca har valgt å fremstille operaen på scenen i Den Norske Opera & Ballett.

On the next Tuesday Concert with Sarasota Orchestra: it's a program from this year's Sarasota Music Festival, featuring Samuel Coleridge-Taylor's richly scored Nonet, Dvořák's beloved Serenade for Strings, and Mozart's Piano Concerto No. 17, performed and conducted by Robert Levin.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on a 4-Hour, Mega-Sized Episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike (finally) discuss the Season 3 Finale of The Gilded Age, Episode 8, “My Mind Is Made Up”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 | 7 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Koalice ochotných jedná o tom, jak by mohly vypadat bezpečnostní záruky pro Ukrajinu. Země zároveň tlačí na co nejrychlejší zastavení bojů a čekají, zda skutečně dojde na schůzku Zelenského s Putinem. Je prostor na optimismus?Hostem Ptám se já byl ministr pro evropské záležitosti Martin Dvořák (STAN). Česká vláda ocenila pokrok v jednání o míru na Ukrajině po pondělním jednání amerického  prezidenta Donalda Trumpa s ukrajinským protějškem Volodymyrem Zelenským a zástupci evropských států v Bílem domě.K výsledkům summitu ve Washingtonu se v úterý v poledne schází takzvaná koalice ochotných, tedy neformální skupina států aktivně podporujích Ukrajinu. Francouzský prezident Emmanuel Macron avizoval, že spojenci na schůzce zahájí práci na návrhu bezpečnostních záruk pro Ukrajinu. Jednání se účastní i český premiér Petr Fiala (ODS). Podle Fialy Česko spolu s dalšími evropskými státy považuje za důležité, aby Kyjev dostal opravdu silné bezpečnostní garance. Trump uvedl, že se na nich budou podílet USA, byť detaily neuvedl. „Trumpova slova jsou naprostý průlom,“ řekl ministr Dvořák s odkazem na předchozí rétoriku americké administrativy, která o něčem takovém nemluvila.Jak má Evropa reagovat, pokud Putin odmítne ukončit válku? A jak si má nastavit vztahy s Ruskem, pokud bude uzavřen mír?--Podcast Ptám se já. Rozhovory s lidmi, kteří mají vliv, odpovědnost, informace.Sledujte na Seznam Zprávách, poslouchejte na Podcasty.cz a ve všech podcastových aplikacích.Archiv všech dílů najdete tady. Své postřehy, připomínky nebo tipy nám pište prostřednictvím sociálních sítí pod hashtagem #ptamseja nebo na e-mail: audio@sz.cz.

Neste episódio, o professor José Roberto, da sede São Caetano do Sul- SP, foi convidado a compartilhar algumas reflexões filosóficas sobre a solidão que alimenta a jornada da alma.  Dentro dessa abordagem, perpassamos sobre questões da existência, tratamos do livro da Professora Delia “Os jogos de Maia”, entendendo a solidão como algo inerente a este mundo, cuja origem é transcendental. Ainda, através de uma visão e postura filosófica, transbordamos o tema para a questão da solidão interior, da convivência social, das frustrações e desilusões cotidianas, assim como do vazio e falta de sentido para a vida. A solidão como momento de recolhimento interior para compreender os mistérios e dúvidas da nossa própria alma.  Sócrates, Platão, Marco Aurélio, Délia Steinberg Gusman, Jorge Angel Livraga, Krishna e Arjuna são citados de forma dinâmica, a fim de que analisemos e distinguamos tanto a solidão interior, quanto a exterior, cuidando, sobretudo, do aprimoramento das virtudes, em busca da evolução. Participantes: José Roberto e Danilo Gomes  Trilha Sonora: Antonín Dvořák: Sinfonia nº6 - Finalle 

This Day in Legal History: Expansion of US House of RepresentativesOn August 8, 1911, President William Howard Taft signed into law a measure that permanently expanded the size of the U.S. House of Representatives from 391 to 433 members. This change followed the 1910 census, which revealed significant population growth and shifts in where Americans lived. Under the Constitution, House seats are apportioned among the states according to population, and each decade's census can lead to changes in representation. Prior to 1911, Congress often responded to new census data by simply adding seats rather than redistributing them among states. The 1911 legislation reflected both that tradition and the political realities of the time, as expanding the House allowed growing states to gain representation without forcing other states to lose seats. It also set the stage for the modern size of the House—just two years later, New Mexico and Arizona joined the Union, bringing the total to 435 members. That number has remained fixed by law since 1929, despite the nation's continued population growth. The 1911 increase carried implications beyond arithmetic: more members meant more voices, more local interests, and a larger scale for legislative negotiation. It also underscored Congress's role in adapting the machinery of government to the country's evolving demographics. In many ways, the expansion reflected Progressive Era concerns with fair representation and democratic responsiveness. While debates over House size have continued into the 21st century, the 1911 law remains a pivotal moment in the chamber's institutional development. By enlarging the House, Taft and Congress preserved proportionality between population and representation, even if only temporarily.After the 1911 increase under President Taft, the size of the House stayed at 435 members following Arizona and New Mexico's statehood in 1912. The idea at the time was that future census results would continue to trigger changes, either by adding more seats or by redistributing them among the states.But after the 1920 census, Congress ran into a political deadlock. Massive population growth in cities—and significant immigration—meant that urban states stood to gain seats while rural states would lose them. Rural lawmakers, who still held considerable power, resisted any reapportionment that would diminish their influence. For nearly a decade, Congress failed to pass a new apportionment plan, effectively ignoring the 1920 census results.To end the stalemate, Congress passed the Permanent Apportionment Act of 1929. This law capped the House at 435 seats and created an automatic formula for reapportionment after each census. Instead of adding seats to reflect population growth, the formula reassigns the fixed number of seats among states. This froze the size of the House even as the U.S. population more than tripled over the next century.Critics argue that the 1929 cap dilutes individual representation—today, each representative speaks for about 760,000 constituents on average, compared to roughly 200,000 in 1911. Supporters counter that a larger House would be unwieldy and harder to manage. The debate over whether to expand the House continues, but the 1929 law has held for nearly a hundred years, making Taft's 1911 expansion the last time the chamber permanently grew in size.A fourth federal court blocked President Donald Trump's order restricting birthright citizenship, halting its enforcement nationwide. The order, issued on Trump's first day back in office, sought to deny citizenship to children born in the U.S. unless at least one parent was a citizen or lawful permanent resident. Immigrant rights groups and 22 Democratic state attorneys general challenged the policy as a violation of the Fourteenth Amendment's Citizenship Clause, which has long been interpreted to grant citizenship to nearly everyone born on U.S. soil.U.S. District Judge Deborah Boardman in Maryland sided with the challengers, issuing the latest in a series of nationwide injunctions despite a recent Supreme Court ruling narrowing judges' power to block policies universally. That June decision left a key exception: courts could still halt policies nationwide in certified class actions. Advocates quickly filed two such cases, including the one before Boardman, who had previously ruled in February that Trump's interpretation of the Constitution was one “no court in the country has ever endorsed.”In July, Boardman signaled she would grant national relief once class status was approved, but waited for the Fourth Circuit to return the case after the administration's appeal was dismissed. Her new order covers all affected children born in the U.S., making it the first post–Supreme Court nationwide injunction issued via class action in the birthright fight. The case, Casa Inc. et al v. Trump, continues as part of a broader legal battle over the limits of presidential power in defining citizenship.Fourth court blocks Trump's birthright citizenship order nationwide | ReutersThe Trump administration asked the U.S. Supreme Court to lift a lower court order restricting immigration enforcement tactics in much of Southern California. The Justice Department's emergency filing seeks to overturn a ruling by U.S. District Judge Maame Frimpong, who barred federal agents from stopping or detaining individuals based solely on race, ethnicity, language, or similar factors without “reasonable suspicion” of unlawful presence. Her temporary restraining order stemmed from a proposed class action brought by Latino plaintiffs—including U.S. citizens—who alleged they were wrongly targeted, detained, or roughed up during immigration raids in Los Angeles.The plaintiffs argued these tactics violated the Fourth Amendment's protections against unreasonable searches and seizures, describing indiscriminate stops by masked, armed agents. Judge Frimpong agreed, finding the operations likely unconstitutional and blocking the use of race, ethnicity, language, workplace type, or certain locations as stand-alone reasons for suspicion. The Ninth Circuit declined to lift her order earlier this month.The challenge comes amid a major escalation in Trump's immigration enforcement push, which includes aggressive deportation targets, mass raids, and even the deployment of National Guard troops and U.S. Marines in Los Angeles—a move sharply opposed by state officials. The administration contends the restrictions hinder operations in a heavily populated region central to its immigration agenda. The Supreme Court will now decide whether to allow these limits to remain in place while the underlying constitutional challenge proceeds.Trump asks US Supreme Court to lift limits on immigration raids | ReutersMilbank announced it will pay seniority-based “special” bonuses to associates and special counsel worldwide, ranging from $6,000 to $25,000, with payments due by September 30. Milbank, of course, is among the big firms that bent to Trump's strong-arm tactics, cutting a $100 million deal and dropping diversity-based hiring rather than risk becoming his next executive-order target. The New York-founded firm used the same bonus scale last summer, signaling optimism about high activity levels through the rest of the year. Milbank, known for setting the pace in Big Law compensation, is the first major corporate firm to roll out such bonuses this summer—a move that often pressures competitors to follow suit.Special bonuses are not standard annual payouts, and last year rival firms mostly waited until year's end to match Milbank's mid-year scale, adding those amounts to their regular year-end bonuses. Milbank also led the market in November 2024 with annual bonuses up to $115,000. The firm is one of nine that reached agreements with President Trump earlier this year after his executive orders restricted certain law firms' access to federal buildings, officials, and contracting work.In a smaller but notable move, New York boutique Otterbourg recently awarded all full-time associates a $15,000 mid-year bonus, citing strong performance and contributions to the firm's success.Law firm Milbank to pay out 'special' bonuses for associates | ReutersMilbank reaches deal with Trump as divide among law firms deepens | ReutersA federal judge in North Dakota vacated the Federal Reserve's rule capping debit card “swipe fees” at 21 cents per transaction, siding with retailers who have long argued the cap is too high. The decision, which found the Fed exceeded its authority by including certain costs in the fee calculation under Regulation II, will not take effect immediately to allow time for appeal. The case was brought by Corner Post, a convenience store that claimed the Fed ignored Congress's directive to set issuer- and transaction-specific standards under the 2010 Dodd-Frank Act.Banks, backed by groups like the Bank Policy Institute, defended the cap as compliant with the law, while retailers and small business advocates supported Corner Post's challenge. This is Judge Daniel Traynor's second ruling in the dispute; he initially dismissed the case in 2022 as untimely, but the U.S. Supreme Court revived it in 2024, easing limits on challenges to older regulations. An appeal to the Eighth Circuit is expected, with the losing side likely to seek Supreme Court review. The ruling comes as the Fed separately considers lowering the cap to 14.4 cents, a proposal still pending.US judge vacates Fed's debit card 'swipe fees' rule, but pauses order for appeal | ReutersTexas-based Fintiv sued Apple in federal court, accusing the company of stealing trade secrets to develop Apple Pay. Fintiv claims the mobile wallet's core technology originated with CorFire, a company it acquired in 2014, and that Apple learned of it during 2011–2012 meetings and nondisclosure agreements intended to explore licensing. According to the complaint, Apple instead hired away CorFire employees and used the technology without permission, launching Apple Pay in 2014 and expanding it globally.Fintiv alleges Apple has run an informal racketeering operation, using Apple Pay to collect transaction fees for major banks and credit card networks, generating billions in revenue without compensating Fintiv. The suit seeks compensatory and punitive damages under federal and Georgia trade secret and anti-racketeering laws, including RICO. Apple is the sole defendant and has not commented.The case follows the recent dismissal of Fintiv's related patent lawsuit against Apple in Texas, which the company plans to appeal. The new lawsuit was filed in the Northern District of Georgia, where CorFire was originally based.Lawsuit accuses Apple of stealing trade secrets to create Apple Pay | ReutersThis week's closing theme is by Antonín DvořákThis week's closing theme comes from a composer who knew how to weave folk spirit into the fabric of high art without losing either warmth or polish. Dvořák, born in 1841 in what is now the Czech Republic, grew from a village-trained violist into one of the most celebrated composers of the late 19th century. His music often married classical forms with the rhythms, turns, and dances of his homeland—an approach that made his work instantly recognizable and deeply human.His Piano Quintet No. 2 in A major, Op. 81, written in 1887, is a prime example. Dvořák had actually written an earlier piano quintet in the same key but was dissatisfied with it; rather than revise, he started fresh. The result is one of the most beloved chamber works in the repertoire. Across its four movements, the quintet blends lyrical sweep with earthy energy—romantic in scope, yet grounded in folk idiom. The opening Allegro bursts forth with an expansive theme, the piano and strings trading lines as if in animated conversation.The second movement, marked Dumka, takes its name from a Slavic song form alternating between melancholy reflection and lively dance. Here, Dvořák's gift for emotional contrast is on full display—wistful cello lines give way to playful rhythms before sinking back into introspection. The third movement is a Furiant, a fiery Czech dance bristling with syncopation and vigor, while the finale spins out buoyant melodies with an almost orchestral fullness.It is music that feels both intimate and vast, as if played in a parlor with the windows thrown open to the countryside. With this quintet, Dvořák shows how local color can speak in a universal voice—how the tunes of a homeland can travel the world without losing their soul. For our purposes, it's a reminder that endings can be celebratory, heartfelt, and just a bit homespun.Without further ado, Antonín Dvořák's Piano Quintet No. 2 in A major, Op. 81 – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Návštěvníci jihlavské zoologické zahrady už si můžou ve venkovním výběhu pořádně prohlédnout trio nových samců žirafy núbijské. Zvířata postupně dorazila ze zahrad v Ostravě, Liberci a Dvoře Králové. Nejprve se ale žirafí samci museli seznámit s novým prostředím, chovateli a poznat se mezi sebou.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss the Penultimate Episode of Season 3 of The Gilded Age, Episode 7, “Ex-Communicated”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Jedna z prvních věcí, kterou po volbách uděláme, bude zrušení televizního a rozhlasového poplatku, slibuje hnutí ANO. Plány na zásadní změny týkající se ČT a ČRo mají i další opoziční strany. Máme se o veřejnoprávní média bát?Hostem Ptám se já byl bývalý ředitel ČT a ředitel Nadačního fondu Vltavské filharmonie Petr Dvořák.Poté, co Rada České televize letos na jaře odvolala z funkce generálního ředitele Jana Součka a vybrala jako jeho nástupce Hynka Chudárka, zažívá ČT relativně klidné období. To by se ale mohlo změnit už po podzimních sněmovních volbách. Opoziční strany, mezi nimi i dosavadní favorit voleb, hnutí ANO, totiž prohlašují, že provedou zásadní změny ve financování a fungování veřejnoprávních médií. Bývalý šéf televize Petr Dvořák je zatím optimistický: „Současný management České televize patřil k mým nejbližším spolupracovníkům 12 let. A já věřím tomu, že i v tom tandemu, který nakonec z volby vypadl, to znamená generální ředitel Hynek Chudárek a jeho statutární zástupce Milan Fridrich, přispěje k tomu, že televize se nebude užírat nějakými vnitřními spory a nastartuje přesně tím směrem, aby se dokázala obhájit.“Nové vedení televize by podle něj ale mělo v příštím půlroce jasně říct, jak a kam hodlá investovat peníze z navýšených poplatků. ČT a zejména její zpravodajství před sebou má podle Dvořáka také další velký úkol. „A to je vrátit důvěryhodnost, která za poslední rok a půl klesla o asi šest nebo sedm procentních bodů, což je poměrně zásadní. Tohle je věc, které by se teď vedení zpravodajství mělo velmi intenzivně věnovat.“„Myslím, že jedním z důvodů, proč byl Jan Souček odvolán, bylo i to, že ve zpravodajství se děly věci, které se těžko vysvětlují. A sám za sebe musím říct, že se mě to také i osobně dotýkalo v momentě, kdy jsem viděl, jak tam vzniká tlak na Václava Moravce. Byl jsem nervózní, když jsem viděl, jakým způsobem, kdy a s jakým vysvětlením došlo ke zrušení 168 hodin,“ prohlásil bývalý ředitel ČT. Pomohla, nebo uškodila veřejnoprávním médiím bitva vládní koalice o zvýšení poplatků? V jaké kondici je Česká televize po dramatické výměně na pozici ředitele? A jak zásadní je pro Prahu projekt Vltavské filharmonie.--Podcast Ptám se já. Rozhovory s lidmi, kteří mají vliv, odpovědnost, informace.Sledujte na Seznam Zprávách, poslouchejte na Podcasty.cz a ve všech podcastových aplikacích.Archiv všech dílů najdete tady. Své postřehy, připomínky nebo tipy nám pište prostřednictvím sociálních sítí pod hashtagem #ptamseja nebo na e-mail: audio@sz.cz.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 6 of Season 3 of The Gilded Age, “If You Want to Cook an Omelette”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5  FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Questa edizione è dedicata alla musica, alla cultura e alla meraviglia degli incontri inaspettati. Siamo in Val Calanca, dove ogni tre anni la musica diventa lingua universale e il paesaggio si trasforma in palcoscenico. Torna infatti il Festival Demenga, che nel 2025 raggiunge la sua settima edizione.Otto concerti, una mostra suggestiva, una visita guidata… ma soprattutto un filo rosso: l'intreccio tra musica popolare e musica classica. Due mondi che sembrano lontani, eppure – ascoltando bene – parlano la stessa lingua: quella della memoria, della terra, dell'emozione. Dalle danze slave di Dvořák ai ritmi ungheresi rielaborati da Brahms, la musica ci racconta che la tradizione popolare è stata – e resta – linfa per la grande arte.Dal 2 al 9 agosto, la Val Calanca risuonerà di suoni antichi e contemporanei, con artisti di fama internazionale e la direzione artistica della famiglia Demenga, anima di questo festival che ha saputo ritagliarsi un posto speciale nel panorama musicale svizzero.Il Festival Demenga è pronto a sorprendere ancora, intrecciando passato e presente, gesti e suoni, corpi e strumenti. Dal 2 al 9 agosto. Ricordiamo che il programma completo è disponibile sul sito ufficiale festivaldemenga.ch.

durée : 01:28:34 - Pierre-Laurent Aimard, du grand répertoire à la création contemporaine - par : Aurélie Moreau - Pierre-Laurent Aimard a été entre autres pianiste soliste de l'Ensemble Intercontemporain pendant 18 ans, tout en continuant à jouer les auteurs du passé avec un même succès. Aujourd'hui : Dvořák, Debussy, Ligeti, Beethoven, Ravel et Messiaen. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 5 of Season 3 of The Gilded Age, “A Different World”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO Apologies for the long wait for this episode. We are caught back up from the holiday weekend and business travel and Episode 5 will be out much more timely! This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 4 of Season 3 of The Gilded Age, “Marriage Is A Gamble”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

durée : 01:29:01 - Jean-Guihen Queyras, la réflexion et l'inspiration - par : Aurélie Moreau - Curiosité, diversité et concentration sur la musique elle-même caractérisent le travail artistique de Jean-Guihen Queyras, violoncelliste passionné, à la grande maîtrise technique. Aujourd'hui : Elgar, CPE Bach, Dvořák, Dutilleux, Rachmaninov, Bach… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO Apologies for the delay on this one, the 4th of July Weekend slowed us up; thank you for your patience! This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 3 of Season 3 of The Gilded Age, “Love Is Never Easy”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

On the latest episode of ‘New Classical Tracks,' the Takács Quartet celebrates its 50th anniversary with a recording featuring Marc-André Hamelin on piano quintets by Dvořák and Price. Listen now with host Julie Amacher!

Irish Conductor and Musician, David Brophy will conduct National Symphony Orchestra Ireland at the National Concert Hall in a compelling programme pairing Shaun Davey's The Brendan Voyage with Dvořák's Symphony No. 9, 'From the New World'. David joined Ivan to chat about his career and upcoming shows.

Novák, Svoboda, Novotný nebo Dvořák – to jsou nejběžnější česká příjmení. Například Novákových žije v Česku přes 68 tisíc. Častá jsou také zvířecí příjmení.

Novák, Svoboda, Novotný nebo Dvořák – to jsou nejběžnější česká příjmení. Například Novákových žije v Česku přes 68 tisíc. Častá jsou také zvířecí příjmení.

durée : 01:28:53 - Le Quatuor de Jérusalem, la tradition de l'excellence - par : Aurélie Moreau - 2025 marque les 30 ans du Quatuor de Jérusalem qui a très vite acquis une renommée mondiale, jouant avec passion, précision et chaleur un large répertoire. Aujourd'hui : Chostakovitch, Brahms, Haydn, Dvořák, Schubert, Debussy, Schumann et Korngold. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Orli Shaham guest hosts with her brother violinist Gil Shaham on this episode dedicated to musical families. We'll meet a bunch of siblings, including Orli's own sons. We'll enjoy performances of Dvořák, Schumann, and a new work by a young composer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Antonín Dvořák - Symphony No. 9 “From the New World”: LargoSlovak Radio Symphony OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.556604Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 2 of Season 3 of The Gilded Age, “What the Papers Say”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Hostem pořadu je rodačka z Jičína Alžběta Dvořáková. Bjetka jak jí tam rádi říkají - nás provede hlavně Berlínem. To i proto, že za knihu "Zpravodaj berlínský stážistky" byla letos nominována na cenu Hanzelky a Zikmunda - Cestopis roku. S úspěšnou autorkou se ale vydáme nejen do hlavního města Německa nebo třeba do Polska. I tam byla Alžběta Dvořáková na studentském pobytu a tak si povíme, jestli jí i Lublin zaujal.

Interpreten: Sinfonieorchester Basel, IvorBoltonLabel: ProsperoEAN: 4262353970362Vor wenigen Wochen haben wir uns an dieser Stellemit den „amerikanischen“ Kammermusikwerken von Antonín Dvořák beschäftigt. Heutesteht wieder Dvořák auf dem Programm, allerdings seinesinfonischen Dichtungen, die in der Zeit nach seinem USA Aufenthalt zurück inder tschechischen Heimat entstanden sind. Musik, der man sich schwer entziehenkann, findet auch heute wieder Michael Gmasz.Ivor Bolton schenkt sich und seinen Fans zum Abschied alsChefdirigent des Sinfonieorchester Basel noch eine aufregende CD mit Musik vonAntonín Dvořák. Drei sinfonische Dichtungen - Der Wassermann, DieMittagshexe und Das goldene Spinnrad - hat er dafür aufgenommen. DreiWerke, für die sich Dvořák von den düsteren Märchen der Balladensammlung»Kytice« (Blumenstrauß) des tschechischen Dichters Karel JaromírErben inspirieren ließ – Stoffe voller Magie, Morbidität und Moral. Bolton und seinem Orchester gelingt es, diese Geschichtenmit einer beeindruckenden klanglichen Farbpalette und erzählerischer Präzisionzum Leben zu erwecken. Besonders hervorzuheben ist dabei die Fähigkeit desDirigenten, die Balance zwischen dramatischer Zuspitzung und orchestralerTransparenz zu wahren. Die Musik bleibt stets durchhörbar, ohne anAusdruckskraft zu verlieren.Die Aufnahme überzeugt nicht nur musikalisch, sondernauch produktionstechnisch: Das Digibook ist liebevoll gestaltet, mit einem 48-seitigen,dreisprachigen Beiheft, das nicht nur informativ, sondern auch visuellansprechend ist. So ist es auch möglich, die Geschichten zur Musik zu lesen unddamit noch greifbarer machen und schlussendlich intensiver hören zu können. DieseCD ist eine Empfehlung für alle, aber im Besonderen für all jene, die denKomponisten Antonín Dvořák einmal von einer weniger bekannten, aber umsofaszinierenderen Seite erleben möchten. Ein musikalisches Märchenbuch fürErwachsene – spannend, berührend und meisterhaft erzählt. (mg)

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO After just over 18months, The Gilded Age is BACK! And so is the New Money, Old Rules: The Gilded Age Podcast! This week, Caroline and Mike discuss The Gilded Age Season 3 Premiere, Episode 1, “Who Is In Charge Here?” Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

The tragedy that happened in Minnesota this past week has brought all manner of response from all manner of people, but Wisconsin's very own Derrick Van Orden was of two minds: one measured and respectful, the other; well very on brand for DVO. Also, Sen. Tina Smith from Minnesota confronted Sen. Mike Lee for his posts on social media and the GOP is still pushing the lie on the gunman. Then, Pat Kreitlow joins the show to talk about a long overdue decision from The Wisconsin Supreme Court, a new spanner in the works of the state budget, as well as a reversal on a reversal of a policy from The Felon President. Matenaer On Air is a part of the Civic Media radio network and airs Monday through Friday from 9 -11 am across the state. Subscribe to the show as a podcast so you don't miss an episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X and YouTube to keep up with Jane and the show! Guest: Pat Kreitlow

Admit it: if you're a fan of classical music—or even just a regular concertgoer—you might have glanced at the title of this episode and done a double take. The Dvořák Violin Concerto? Not the Cello Concerto? One of the things I love about my job as a conductor—and my side gig as a podcast host—is bringing audiences and listeners like you pieces you may never have heard before, even if they're by extremely well-known composers. Don't get me wrong, I love the blockbusters. But there's a special thrill in introducing someone to something new. Now, some of you might already be big fans of the Dvořák Violin Concerto. But in my experience, it's relatively unknown compared to Dvořák's more famous works. I've never performed it myself, and I've only heard it live once. It's not part of most touring soloists' repertoire, and it's just one of those pieces that rarely comes up—especially compared to the Cello Concerto, which I think I've conducted at least once every season since becoming a conductor. This concerto came about much like the Brahms Violin Concerto, the Brahms Double Concerto we talked about a couple of weeks ago, and so many other great 19th-century works: inspired by the sound of Joseph Joachim's violin. Joachim was the great violinist of the 19th century and had been a friend and supporter of Dvořák for many years. Dvořák ended up dedicating the concerto to Joachim, writing: "I dedicate this work to the great Maestro Jos. Joachim, with the deepest respect, Ant. Dvořák." Sadly—and for reasons that remain somewhat unclear—Joachim never performed the piece. That may be one of the reasons it's never achieved the popularity it deserves. Today, in this Patreon-sponsored episode, we'll dive into the concerto, exploring its unusual form, the myriad challenges it poses for the violinist, and perhaps some reasons why it's not part of the so-called “Big Five” violin concertos—even though it probably deserves to be.

Dvořák's radiant salute to the New World kicks off an American road trip with James Gaffigan at the wheel. Take in poignant selections from Gershwin's landmark opera — sung by Janai Brugger — and the composer's urbane and nostalgic love letter to Paris. Chicago native Florence Price sets two American poems to song, and a pair of symphonic showstoppers by Bernstein transports audiences to “New York, New York” and beyond. Learn more: cso.org/performances/24-25/cso-classical/an-american-suite

Antonín Dvořák - Carnival OvertureBBC Philharmonic OrchestraStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550600Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Wisconsin lawmakers know that childcare is a huge problem in the state and a new bill proposed to give some assistance seems to be leaving some wanting more. Next...wait Derrick Van Orden did a good thing? We agree with DVO?! This can't be real. For today's Audio Sorbet, we ask you: Did you ever go into a store to buy something and instead, you bought everything? And because we know that you count on it, let's do another installment of This Shouldn't Be A Thing - If It Looks Like A Duck Edition. As always, thank you for listening, texting and calling, we couldn't do this without you! Don't forget to download the free Civic Media app and take us wherever you are in the world! Matenaer On Air is a part of the Civic Media radio network and airs Monday through Friday from 10 am - noon across the state. Subscribe to the podcast to be sure not to miss out on a single episode! You can also rate us on your podcast distribution center of choice, they go a long way! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X and YouTube to keep up with Jane and the show!

Peggy Van Rooij is a survivor of organized abuse who is currently still being victimized. She shares her present and past experiences in this interview as well as her challenges in finding therapeutic support. Although the introduction to this podcast is recorded in English, the interview with Peggy Van Rooij is recorded in Dutch. English subtitles are available on the Video of the podcast. To access this episode on YouTube, Click Here.To access this episode on Bitchute, Click Here. __________________________Click Here to Support our PodcastBook: "Quest for Love" - Click Here for More DetailsWebsite: www.annekelucas.comYouTube Channel: www.youtube.com/channel/UCysZ8BL_ZwWEz1k9sM2OKKgBitchute Channel: https://www.bitchute.com/channel/qtNhvFaILkK5/Odysee Channel: https://odysee.com/@AnnekeLucasPodcast:d Facebook: www.facebook.com/AnnekeLucas2/Instagram: www.instagram.com/anneke.lucas/Telegram: t.me/anneke_lucas__________________________The views and opinions expressed by guests on this podcast are their own and do not necessarily reflect those of the host or the podcast. The Anneke Lucas podcast is not responsible for any statements, claims or opinions shared by its guests.__________________________Title Music: Antonín Dvořák - New World Symphony No. 9 by Leo Symphony Orchestra...

Columnist and music critic Jay Nordlinger joins Mona for an excursion into classical music. No coat or tie required. REFERENCES: Here's a list of every musical piece played in the episode. Thomas Tallis – Motet from the Gospel of John Johann Sebastian Bach – Preludio from Partita in E major for solo violin J.S. Bach (arr. Rachmaninoff) – Preludio (Bach/Rachmaninoff transcription) Ludwig van Beethoven – Final movement from a String Quartet in C major Léo Delibes – “Flower Duet” from Lakmé Giuseppe Verdi – Duet from Otello Antonín Dvořák – Humoresque Antonín Dvořák – Humoresque (Jazz rendition) Maurice Ravel – Menuet sur le nom d'Haydn Sergei Prokofiev – “Dance of the Knights” from Romeo and Juliet Sergei Prokofiev – “Midnight” from Cinderella Scott Wheeler – “If I Had a Wife” (song cycle Serenata) Daniel Asia – “My Father's Name Was” (from Breath and a Ram's Horn) Lee Hoiby – “Goodbye, Goodbye World” Philip Glass – Violin Concerto No. 2, The American Four Seasons, final movement

Antonín Dvořák - In Nature's Realm OvertureBBC Philharmonic OrchestraStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550600Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon