Podcasts about dvo

Jaká alba, osobnosti nebo akce zaujaly hudební publicisty Kristinu Kratochvilovou, Anetu Jetmar Martínkovou a Matěje Dvořáka? Ptá se Saša Michailidis.Všechny díly podcastu Akcent můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V domově pro seniory ve Dvoře Králové nad Labem na Trutnovsku se líhnou desítky tropických motýlů přímo před očima klientů. Jde o martináče pajasanové, není potřeba je krmit ani jim zajišťovat vodu.

Jaká alba, osobnosti nebo akce zaujaly hudební publicisty Kristinu Kratochvilovou, Anetu Jetmar Martínkovou a Matěje Dvořáka? Ptá se Saša Michailidis.

Kreslíř, ilustrátor a humorista Jiří Winter Neprakta se narodil v Praze a v Praze také bydlel. Přesto svou jedinou obsáhlou stálou expozici v České republice umístil do Spáleného Poříčí na jižním Plzeňsku. Výstava se nachází v druhém patře tamního Špejcharu ve Dvoře. Otevřena byla v roce 2009, kdy bylo oblíbenému autorovi 85 let.Všechny díly podcastu Výlety můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Kreslíř, ilustrátor a humorista Jiří Winter Neprakta se narodil v Praze a v Praze také bydlel. Přesto svou jedinou obsáhlou stálou expozici v České republice umístil do Spáleného Poříčí na jižním Plzeňsku. Výstava se nachází v druhém patře tamního Špejcharu ve Dvoře. Otevřena byla v roce 2009, kdy bylo oblíbenému autorovi 85 let.

Kreslíř, ilustrátor a humorista Jiří Winter Neprakta se narodil v Praze a v Praze také bydlel. Přesto svou jedinou obsáhlou stálou expozici v České republice umístil do Spáleného Poříčí na jižním Plzeňsku. Výstava se nachází v druhém patře tamního Špejcharu ve Dvoře. Otevřena byla v roce 2009, kdy bylo oblíbenému autorovi 85 let.

Welcome to another episode of Our Agile Tales, Navigating World Crises: The Agile-Law-AI Alliance in Action!In this continuation of our conversation with Ondřej Dvořák, CEO of AgiLawyer and COPS Solutions, we go deeper into how you actually run and scale an agile, cross-border legal-aid initiative in the middle of a war. If the first episode was about launching Linking Help, this one is about surviving the scale-up.Ondřej walks us through the messy, very human side of scaling legal aid for Ukrainian refugees: from dealing with thousands of requests in a language he didn't speak, to building a “clearing desk” and help desk function led by Ukrainian lawyers, to teaching volunteer lawyers across multiple countries how to work in a pull-based, Kanban system when they're used to command-and-control and assigned work.We explore how culture and ways of working showed up in very concrete ways - why France “just got it” from day one, while countries like Romania needed more support and education before becoming top performers. Ondřej talks about how simplifying the Kanban system (fewer columns, fewer concepts, one clear task: connect the person to a lawyer) was crucial to onboarding busy legal professionals quickly in a crisis.We also dig into scaling patterns: how they expanded country by country, used “early adopter” lawyers to grow local networks, and centralized the help desk while keeping case work decentralized. From there, the conversation shifts to constraints: the difficulty of fundraising for legal aid (which is hard to “picture”), differences in how pro bono is treated across jurisdictions, and the legal and ethical challenges of using AI to support legal work, especially questions of accountability and liability when AI-generated guidance might be wrong.If you're interested in how Agile, Kanban, and crisis-driven decision-making play out in the real world, across borders, cultures, and regulatory systems, then this episode is a rich case study in making agility practical, humane, and scalable beyond software.Episode Outline00:00 Introduction & recap of Part 101:05 The language barrier: Ukrainian requests and the need for a “clearing desk”07:58 Designing the help desk workflow10:45 Teaching lawyers a new way of working: pull vs. command-and-control13:12 Culture in action: why France “just worked” and Romania needed more coaching16:00 Simplifying Kanban for legal work18:48 Scaling country by country: early adopters, bar associations, and building local communities22:10 Centralized help desk, decentralized service: funding, hiring Ukrainian students, and managing demand24:55 Business model and funding constraints: the challenge of raising money for legal aid26:10 Legal and AI constraints: pro bono differences, AI-assisted legal opinions, and accountability28:30 Reflections on crisis as a catalyst and the future of global, AI-supported legal aid29:07 ConclusionAbout Ondrej DvorakOndřej is the co-founder of Linking Help, a nonprofit that mobilized legal aid for Ukrainian refugees using Scrum and Kanban to coordinate real-time support. It's a powerful story of how agility can make a real difference in humanitarian crises—far beyond the domain of business. Andre's work shows how Agile thinking can help even the most traditional sectors become more humane, responsive, and resilient. You can follow Ondřej on LinkedIn at https://www.linkedin.com/in/ondrej-dvorak-agile/Visit us at https://www.ouragiletales.com/about

Carlton Jumel Smith – Soul Man Vivendo na América em uma época em que muitos no poder são completamente desprovidos dealma, é preciso um Super Soul Man para manter a balança em equilíbrio genuíno! Esse é Carlton Jumel Smith.Soul Man de renome mundial, cantor, compositor, produtor e ator, construiu sua carreira sozinho e incendiou palcos de shows de Finlândia, China, Rússia, Turquia, Inglaterra, França e, claro, sua cidade natal, Nova York. Lexington Avenue", de 2019 é sua obra prima. Teve a honra de interpretar seu maior herói musical, James Brown, no filme "Liberty Heights" (1999), de Barry Levinson, e teve um papel principal ao lado de Cyndi Lauper no musical off-Broadway "Largo" (sobre a vida do compositor clássico tcheco Dvořák). Nasceu em no Spanish Harlem – com três irmãs e sua mãe. Ela quem levou Carlton, aos 8 anos, para assistir a James Brown no lendário Apollo – um local que não era apenas sagrado para Brown, mas também para todos os artistasnegros.  A experiência de ver James Brown, com sua orquestra de 16 músicos, cantores e dançarinos, deixou uma marca indelével em Carlton. Ao mesmo tempo, por meio de discos, sua mãe o apresentou à maestria de Ray Charles, Otis Redding, Sam Cooke, Joe Tex, Marvin Gaye, Johnnie Taylor, Al Green, e muitos outros. A profundidade do impacto deles foi tamanha que Carlton tem os nomes tatuados em ambos os braços.Passou os anos 80 aprimorando os vocais com os mentores locais Rick Torres e Greg Fore, experimentando a composição e enviando demos. Uma demo o conectou com a empresária, Yvonne Turner, resultando no single de estreia de Carlton em 1986, uma faixa de House Music apropriadamente intitulada "Excite Me". Após embarcar em um avião para Hollywood para entregar pessoalmente sua fita ao diretor Barry Levinson,  lhe garantiu o papel de um Brown ambicioso da década de 1950 no filme "Liberty Heights", Carlton estreou no B.B. King's Club, na Times Square, em Nova York, em 2002 – inicialmente como substituto de Ray Charles, que estava doente. Isso o levou a anos de shows lotados em New York, onde gravou dois álbuns ao vivo independentes lá: um deles: Carlton J. Smith Live at B.B. King's, de 2003 (com músicas associadas a Ray Charles e James Brown).  O lendário empresário Alan Leeds, que gerenciou as carreiras de Brown e Prince, apelidou carinhosamente Carlton de "Soul Brother Number New".Essa distinção em particular provou ser profética, pois Carlton teve uma grande oportunidade quando uma banda de jazz cancelou sua temporada em um clube na China, o agente ligou freneticamente para o mundo todo em busca de umsubstituto de última hora. Carlton, voou imediatamente e encantou o público asiático ávido por soul autêntico. Um contrato de três meses se transformou em quase uma década de trabalho constante, com seis shows por semana e três por dia, entre 2005 e 2014. Durante esse período, Carlton também gravou mais discos: Primeiro veio Waiting (2006), um projeto composto principalmente por regravações comoventes de obras de uma influência singular: o compositor experimental Tom Waits, que Carlton descreve – assim como Bobby Womack – como um tio que transmite “a verdade nua e crua”. De volta da China em 2014, Carlton lançou G.U.M. (Grown-up Music), direcionando seu foco para um público mais maduro. Em plena ascensão, morou na Turquia, Reino Unido, Suíça, Romênia, Indonésia, Rússia e Noruega. Lançou um livro "Nothing Matters Except the Music", que narra as experiências que teve com Sly Stone, The Isley Brothers, Patti LaBelle e muitos outros.  “Acredito firmemente que uma ótima canção é um beijo de Deus, afinal, na minha equação da alma: “Música + Letra = Sua Vida…”(Scott Galloway, June 2021) 

Sven Kull is a survivor of extreme abuse in former Socialist East Germany (GDR), through the Ernst Thälmann Pioneer Organization, which offered camps for gifted children. The extreme events at the holiday camp were similar to those described by survivors in the West. He and other children were also transported to a castle in Belgium, to the Leipzig Trade Fair and a hunt in the Schorfheide forest area.Wire App address: Sven@sven1964__________________________Click Here to Support our PodcastBook: "Quest for Love" - Click Here for More DetailsWebsite: www.annekelucas.comYouTube Channel: www.youtube.com/channel/UCysZ8BL_ZwWEz1k9sM2OKKgBitchute Channel: https://www.bitchute.com/channel/qtNhvFaILkK5/Facebook: www.facebook.com/AnnekeLucas2/Instagram: www.instagram.com/anneke.lucas/Telegram: t.me/anneke_lucasX: https://x.com/AnnekeLucas __________________________The views and opinions expressed by guests on this podcast are their own and do not necessarily reflect those of the host or the podcast. The Anneke Lucas podcast is not responsible for any statements, claims or opinions shared by its guests.__________________________Title Music: Antonín Dvořák - New World Symphony No. 9 by Leo Symphony OrchestraCopyright © 2025, Anneke Lucas...

Welcome to a new series of Our Agile Tales, Navigating World Crises: The Agile-Law-AI Alliance in Action!In this series of episodes, we are joined by Ondřej Dvořák, CEO of AgiLawyer and COPS Solutions, and someone proving that agility isn't limited to software teams or startups. With over 15 years at the crossroads of IT, law and finance, Ondřej has been bringing Agile principles into fields few consider “Agile-friendly.”In this first episode, Ondřej explains how Agile methodologies like Scrum and Kanban can transform even the most traditional industries, including legal services. He details his initiatives, such as the non-profit Linking Help, which utilized Agile frameworks to aid Ukrainian refugees. Ondřej shares how he sparked Agile adoption in the legal sector by addressing common barriers and educating legal professionals on these methods. Additionally, he discusses the practical challenges and solutions implemented in real-world environments, emphasizing the adaptability and resilience that Agile offers, even in chaotic situations such as war. The discussion highlights the importance of Agile education for students and how it can prepare them for dynamic work environments.00:00 Introduction to Agile Tales00:17 Meet Ondřej Dvořák03:14 Applying Agile to the Legal Industry07:18 Challenges and Objections in Legal Agile Transformation14:09 Agile Education for Law Students16:42 Linking Help: Agile in Humanitarian Aid20:44 Building and Scaling Linking Help29:07 Conclusion About Ondrej DvorakOndřej is the co-founder of Linking Help, a nonprofit that mobilized legal aid for Ukrainian refugees using Scrum and Kanban to coordinate real-time support. It's a powerful story of how agility can make a real difference in humanitarian crises—far beyond the domain of business. Andre's work shows how Agile thinking can help even the most traditional sectors become more humane, responsive, and resilient. You can follow Ondřej on LinkedIn at  https://www.linkedin.com/in/ondrej-dvorak-agile/Visit us at https://www.ouragiletales.com/about

Imagina só: a música clássica resolveu entrar em campo. Não é metáfora, não — é literalmente uma Copa do Mundo dos Compositores. O Conversa de Câmara abriu as portas do estádio, afinou a orquestra e convocou uma seleção histórica para disputar a glória eterna. Cada grupo está montado, cada maestro se posicionou, e as bandeirinhas já tremulam anunciando uma disputa que promete virar clássico instantâneo.Grupo ALudwig van Beethoven

Když se na obloze rozzáří první hvězda, něco se v nás ztiší. Možná to není jen čekání na zázrak, na Ježíška, ale i na to, že svět kolem nás znovu dostane smysl. Dnešním hostem je spisovatelka, která umí vyprávět o těžkostech i naději, o bolesti i kráse obyčejného života. Píše knihy, které léčí duši. Řeč je o Petře Dvořákové – autorce nové dětské knihy Až vyjde první hvězda, ale také románů Návrat, Dědina, Vrány, Já jsem hlad a mnoha dalších. Jaké to je psát pro děti a dospělé zároveň? Není jen o změně slovníku, ale i o změně srdce? Jaký pro ni byl rok 2025? Byl mimořádně plodný – Návrat, Sudety, Až vyjde první hvězda, a znovu Já jsem hlad. Byl to tvůrčí maraton? A co by si nejvíc přála? A co dělá kromě psaní? O tom všem a mnohém dalším si v pořadu Na stole je téma s Petrou Dvořákovou povídá Iva Horká.

Čím jsem starší, tím některé případy víc prožívám, říká v nové epizodě Bojs gynekolog a porodník Vít Dvořák alias Pan Primář. Kromě práce ve znojemské nemocnici je velmi aktivní na sociálních sítích a snaží se o osvětu lékařské profese.

Čím jsem starší, tím některé případy víc prožívám, říká v nové epizodě Bojs gynekolog a porodník Vít Dvořák alias Pan Primář. Kromě práce ve znojemské nemocnici je velmi aktivní na sociálních sítích a snaží se o osvětu lékařské profese.Všechny díly podcastu Bojs můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Karlovy Vary od 7. do 14. listopadu hostí Mezinárodní pěveckou soutěž Antonína Dvořáka. Ta nabídne přes stovku mladých pěvců z osmnácti zemí, finálový koncert s orchestrem i nové vedení soutěže.

Karlovy Vary od 7. do 14. listopadu hostí Mezinárodní pěveckou soutěž Antonína Dvořáka. Ta nabídne přes stovku mladých pěvců z osmnácti zemí, finálový koncert s orchestrem i nové vedení soutěže.Všechny díly podcastu Co vás zajímá můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Karlovy Vary od 7. do 14. listopadu hostí Mezinárodní pěveckou soutěž Antonína Dvořáka. Ta nabídne přes stovku mladých pěvců z osmnácti zemí, finálový koncert s orchestrem i nové vedení soutěže.

Předsedou Poslanecké sněmovny byl včera navzdory ostré kritice zvolen šéf hnutí SPD Tomio Okamura. Od jeho zvolení odrazoval poslance i starší bratr Hayato Okamura z KDU-ČSL. Politoložka Vladimíra Dvořáková v rozhovoru upozorňuje, že ačkoliv Okamura nyní působí smířlivěji, jeho dřívější vystupování představuje bezpečnostní riziko. „Zejména proto, že má přístup k tajným informacím bez prověrky,“ dodává. Co první schůze parlamentu napověděla o budoucí kultuře zákonodárců?Všechny díly podcastu Jak to vidí... můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Předsedou Poslanecké sněmovny byl včera navzdory ostré kritice zvolen šéf hnutí SPD Tomio Okamura. Od jeho zvolení odrazoval poslance i starší bratr Hayato Okamura z KDU-ČSL. Politoložka Vladimíra Dvořáková v rozhovoru upozorňuje, že ačkoliv Okamura nyní působí smířlivěji, jeho dřívější vystupování představuje bezpečnostní riziko. „Zejména proto, že má přístup k tajným informacím bez prověrky,“ dodává. Co první schůze parlamentu napověděla o budoucí kultuře zákonodárců?

La Orquesta Sinfónica de Galicia (OSG) ofrece esta tarde un concierto en el Auditorio de Ferrol, primera cita de la temporada organizada por la Sociedad Filarmónica Ferrolana. Bajo la batuta de la directora colombiana Ana María Patiño-Osorio, una de las figuras emergentes más destacadas del panorama internacional, el programa propone un recorrido por tres joyas del romanticismo centroeuropeo. El concierto se inicia con la obertura de Genoveva, la única ópera de Robert Schumann, inspirada en una leyenda medieval. A continuación, sonará la Serenata para cuerdas en Mi mayor, Op. 22, de Antonín Dvořák, obra que refleja el espíritu optimista y melódico del compositor checo. La velada culminará con la monumental Sinfonía nº 1 en do menor, Op. 68, de Johannes Brahms, considerada heredera del legado beethoveniano. Con esta actuación, la Sociedad Filarmónica Ferrolana, fundada en 1949, reafirma su compromiso con la excelencia y la difusión del repertorio sinfónico.

durée : 01:28:35 - Pablo Ferrández, la maîtrise et l'intensité - par : Aurélie Moreau - Pablo Ferrández impressionne par sa vraie nature de violoncelliste. Le chef et pianiste Christoph Eschenbach dit de lui: « Il a tout : technique splendide, profonde musicalité et un irrésistible charme ». Aujourd'hui : C. Schumann, Dvořák, Brahms… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

První filmovou zkušenost mu přinesla role Honzíka Dvořáka v seriálu Vyprávěj. O pár let později na sebe výrazně upozornil v pohádce Tři bratři. Je vítězem StarDance z roku 2016 a už dva roky je členem Národního divadla.

První filmovou zkušenost mu přinesla role Honzíka Dvořáka v seriálu Vyprávěj. O pár let později na sebe výrazně upozornil v pohádce Tři bratři. Je vítězem StarDance z roku 2016 a už dva roky je členem Národního divadla.

První filmovou zkušenost mu přinesla role Honzíka Dvořáka v seriálu Vyprávěj. O pár let později na sebe výrazně upozornil v pohádce Tři bratři. Je vítězem StarDance z roku 2016 a už dva roky je členem Národního divadla.

První filmovou zkušenost mu přinesla role Honzíka Dvořáka v seriálu Vyprávěj. O pár let později na sebe výrazně upozornil v pohádce Tři bratři. Je vítězem StarDance z roku 2016 a už dva roky je členem Národního divadla.

durée : 02:28:35 - France Musique est à vous du samedi 01 novembre 2025 - par : Gabrielle Oliveira-Guyon - Ce samedi, un parcours musical allant de Prokofiev à Tchaïkovski, en passant par Massenet, Dvořák, Berlioz, Berg, Wieniawski et Mozart. À l'écoute également, Perlimpinpin interprété par Birds on a Wire et Porque Si par le Trio Tasis. - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Na čem se dohodly strany pravděpodobné budoucí vládní koalice? S čím Andrej Babiš přichází na Hrad za prezidentem Petrem Pavlem? Jak stabilní by mohla být rýsující se vláda? K čemu by bylo dobré nové ministerstvo sportu? „Mně tam přijde problematické, že kolem sportu je tradičně hodně problémů a otázek spjatých s korupcí,“ poukazuje politoložka Vladimíra Dvořáková. V pořadu Jak to vidí... rozebírá také nejnovější překvapení Donalda Trumpa a vyjednávání o příměří na Ukrajině.Všechny díly podcastu Jak to vidí... můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Na čem se dohodly strany pravděpodobné budoucí vládní koalice? S čím Andrej Babiš přichází na Hrad za prezidentem Petrem Pavlem? Jak stabilní by mohla být rýsující se vláda? K čemu by bylo dobré nové ministerstvo sportu? „Mně tam přijde problematické, že kolem sportu je tradičně hodně problémů a otázek spjatých s korupcí,“ poukazuje politoložka Vladimíra Dvořáková. V pořadu Jak to vidí... rozebírá také nejnovější překvapení Donalda Trumpa a vyjednávání o příměří na Ukrajině.

durée : 02:29:17 - France Musique est à vous du samedi 18 octobre 2025 - par : Gabrielle Oliveira-Guyon - Ce samedi, place à un programme varié : Grieg, Mozart, Angelo Branduardi, sans oublier la chanson bretonne Ti Eliz Iza. Le "Clavier bien tempéré" interprété par Tatiana Nikolaïeva et l'Humoresque n°7 de Dvořák dans une version avec chœur seront également au programme. - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:33 - Le Quatuor Pavel Haas, richesse des timbres et passion communicative - par : Aurélie Moreau - Le Quatuor Pavel Haas qui « embellit la vie » (Arts Desk), se produit dans les salles les plus prestigieuses. Il a reçu de nombreux prix pour ses disques, dont cinq Gramophone Awards. Aujourd'hui : Dvořák, Smetana, Chostakovitch, Schubert et Brahms. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:39 - Disques de légende du mercredi 08 octobre 2025 - En presque 50 ans d'existence entre 1940 et 1989, le Quatuor Smetana s'est fait une spécialité des compositeurs de sa patrie : la Tchécoslovaquie. On retrouve ainsi au au cœur de son répertoire Bedřich Smetana, Antonín Dvořák ainsi que Leoš Janáček, dont voici le Quatuor n°2 "Lettres intimes". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Antonín Dvořák - Othello OvertureBBC Philharmonic OrchestraStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550600Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Desde Costa Rica, donde el director de orquesta Andrés Salado se encuentra por motivos profesionales, nos comparte reflexiones sobre grandes compositores que, en su momento, cruzaron el Atlántico en busca de inspiración o para compartir su música con el mundo.Antonín Dvořák, por ejemplo, llegó a Estados Unidos con una obsesión clara: descubrir la esencia de la música americana. Y lo hizo escuchando a los pueblos originarios, a los afroamericanos, a las voces que no siempre estaban en los grandes teatros pero sí en la raíz profunda del país. De esa mezcla nació su Sinfonía del Nuevo Mundo, que hoy se interpreta en salas de concierto de todo el planeta.Y si hablamos de inspiración, ¿quién le iba a decir a los parisinos de los años veinte que el claxon de sus taxis acabaría formando parte de una obra de música clásica? Pues eso hizo George Gershwin, que convirtió el bullicio de París en partitura con Un americano en París.Escuchar audio

Two-time GRAMMY Award-winning Albany Symphony will begin their 2025-2026 season next Saturday, featuring Stravinsky'smagnificent Firebird Suite, Dvořák's masterful Cello Concerto, the world premiere of Look Up by Alex Berko and Sibelius's stirring Finlandia.The concert will take place at the historic Palace Theatre in downtown Albany on Saturday, October 11, beginning at 7:30pm. A pre-concert talk by Music Director David Alan Miller will begin at 6:30pm.

Hudba není jen koncertní zážitek, ale může být i nástrojem porozumění a útěchy v dobách konfliktu. Takový byl i nedávný koncert České filharmonie ve Lvově. „Lidé reagovali jinak než tam, kde válka není. Nejvíce ocenili Dvořákův Klid nebo árii z Rusalky,“ říká generální ředitel České filharmonie David Mareček. Jak chránit umění před politickými spory? A kde je hranice mezi svobodným uměleckým projevem a požadavkem na veřejné distancování se od politiky?Všechny díly podcastu Jak to vidí... můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Hudba není jen koncertní zážitek, ale může být i nástrojem porozumění a útěchy v dobách konfliktu. Takový byl i nedávný koncert České filharmonie ve Lvově. „Lidé reagovali jinak než tam, kde válka není. Nejvíce ocenili Dvořákův Klid nebo árii z Rusalky,“ říká generální ředitel České filharmonie David Mareček. Jak chránit umění před politickými spory? A kde je hranice mezi svobodným uměleckým projevem a požadavkem na veřejné distancování se od politiky?

David Mareček is the director general of the Czech Philharmonic, one of Czechia's premier cultural institutions. The orchestra, launched in the 1890s with a concert conducted by Dvořák, is based at Prague's magnificent Rudolfinum, a building that once housed the country's parliament. And it was there that I spoke to Mr. Mareček about the selection of Jakub Hrůša as next music director – and much more besides.

durée : 01:29:25 - André Navarra, la puissance et le lyrisme - par : Aurélie Moreau - André Navarra alliait à son immense talent de violoncelliste des qualités de pédagogue exceptionnel. En plus de ses nombreux concerts, il a formé plusieurs générations d'interprètes au XXe siècle. Aujourd'hui : Beethoven, Dvořák, CPE Bach, Schumann… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Slezský FC Opava jede jako vlak!

durée : 00:12:14 - Les Midis de Culture - par : Marie Labory - Après le succès de son album Dvořák en 2022, et de nouveau associé à l'arrangeur instrumental tchèque Jiří Kabát, le Quatuor Talich nous invite à une plongée dans le répertoire folklorique de la Mitteleuropa. Une invitation à la danse. - réalisation : Laurence Malonda - invités : Zoé Sfez Productrice de La Série musicale sur France Culture; Emmanuelle Giuliani Journaliste à La Croix; Marie Labory Journaliste, productrice des "Midis de Culture" sur France Culture

Dr. Alison Miller, now retired, was a counsellor and psychologist since the 1960s. She played an influential role in the formation and development of ISSTD (International Society for the Study of Trauma and Dissociation) and the complex trauma and dissociative disorders field. She pioneered the treatment of patients with backgrounds of Organized and Extreme abuse and is well known for her many conference presentations, workshops, journal articles and her books.www.amazon.com/stores/Dr.-Alison-Miller/author__________________________Click Here to Support our PodcastBook: "Quest for Love" - Click Here for More DetailsWebsite: www.annekelucas.comYouTube Channel: www.youtube.com/channel/UCysZ8BL_ZwWEz1k9sM2OKKgBitchute Channel: https://www.bitchute.com/channel/qtNhvFaILkK5/Odysee Channel: https://odysee.com/@AnnekeLucasPodcast:d Facebook: www.facebook.com/AnnekeLucas2/Instagram: www.instagram.com/anneke.lucas/Telegram: t.me/anneke_lucas__________________________The views and opinions expressed by guests on this podcast are their own and do not necessarily reflect those of the host or the podcast. The Anneke Lucas podcast is not responsible for any statements, claims or opinions shared by its guests.__________________________Title Music: Antonín Dvořák - New World Symphony No. 9 by Leo Symphony Orchestra...

This week, two string quartets from the Music Institute of Chicago Academy play Haas, Dvořák, Brahms, Prokofiev, and a double helping of C major Haydn. The post Porphyrion String Quartet and The Hemingway Quartet appeared first on WFMT.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on a 4-Hour, Mega-Sized Episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike (finally) discuss the Season 3 Finale of The Gilded Age, Episode 8, “My Mind Is Made Up”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 | 7 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Neste episódio, o professor José Roberto, da sede São Caetano do Sul- SP, foi convidado a compartilhar algumas reflexões filosóficas sobre a solidão que alimenta a jornada da alma.  Dentro dessa abordagem, perpassamos sobre questões da existência, tratamos do livro da Professora Delia “Os jogos de Maia”, entendendo a solidão como algo inerente a este mundo, cuja origem é transcendental. Ainda, através de uma visão e postura filosófica, transbordamos o tema para a questão da solidão interior, da convivência social, das frustrações e desilusões cotidianas, assim como do vazio e falta de sentido para a vida. A solidão como momento de recolhimento interior para compreender os mistérios e dúvidas da nossa própria alma.  Sócrates, Platão, Marco Aurélio, Délia Steinberg Gusman, Jorge Angel Livraga, Krishna e Arjuna são citados de forma dinâmica, a fim de que analisemos e distinguamos tanto a solidão interior, quanto a exterior, cuidando, sobretudo, do aprimoramento das virtudes, em busca da evolução. Participantes: José Roberto e Danilo Gomes  Trilha Sonora: Antonín Dvořák: Sinfonia nº6 - Finalle 

This Day in Legal History: Expansion of US House of RepresentativesOn August 8, 1911, President William Howard Taft signed into law a measure that permanently expanded the size of the U.S. House of Representatives from 391 to 433 members. This change followed the 1910 census, which revealed significant population growth and shifts in where Americans lived. Under the Constitution, House seats are apportioned among the states according to population, and each decade's census can lead to changes in representation. Prior to 1911, Congress often responded to new census data by simply adding seats rather than redistributing them among states. The 1911 legislation reflected both that tradition and the political realities of the time, as expanding the House allowed growing states to gain representation without forcing other states to lose seats. It also set the stage for the modern size of the House—just two years later, New Mexico and Arizona joined the Union, bringing the total to 435 members. That number has remained fixed by law since 1929, despite the nation's continued population growth. The 1911 increase carried implications beyond arithmetic: more members meant more voices, more local interests, and a larger scale for legislative negotiation. It also underscored Congress's role in adapting the machinery of government to the country's evolving demographics. In many ways, the expansion reflected Progressive Era concerns with fair representation and democratic responsiveness. While debates over House size have continued into the 21st century, the 1911 law remains a pivotal moment in the chamber's institutional development. By enlarging the House, Taft and Congress preserved proportionality between population and representation, even if only temporarily.After the 1911 increase under President Taft, the size of the House stayed at 435 members following Arizona and New Mexico's statehood in 1912. The idea at the time was that future census results would continue to trigger changes, either by adding more seats or by redistributing them among the states.But after the 1920 census, Congress ran into a political deadlock. Massive population growth in cities—and significant immigration—meant that urban states stood to gain seats while rural states would lose them. Rural lawmakers, who still held considerable power, resisted any reapportionment that would diminish their influence. For nearly a decade, Congress failed to pass a new apportionment plan, effectively ignoring the 1920 census results.To end the stalemate, Congress passed the Permanent Apportionment Act of 1929. This law capped the House at 435 seats and created an automatic formula for reapportionment after each census. Instead of adding seats to reflect population growth, the formula reassigns the fixed number of seats among states. This froze the size of the House even as the U.S. population more than tripled over the next century.Critics argue that the 1929 cap dilutes individual representation—today, each representative speaks for about 760,000 constituents on average, compared to roughly 200,000 in 1911. Supporters counter that a larger House would be unwieldy and harder to manage. The debate over whether to expand the House continues, but the 1929 law has held for nearly a hundred years, making Taft's 1911 expansion the last time the chamber permanently grew in size.A fourth federal court blocked President Donald Trump's order restricting birthright citizenship, halting its enforcement nationwide. The order, issued on Trump's first day back in office, sought to deny citizenship to children born in the U.S. unless at least one parent was a citizen or lawful permanent resident. Immigrant rights groups and 22 Democratic state attorneys general challenged the policy as a violation of the Fourteenth Amendment's Citizenship Clause, which has long been interpreted to grant citizenship to nearly everyone born on U.S. soil.U.S. District Judge Deborah Boardman in Maryland sided with the challengers, issuing the latest in a series of nationwide injunctions despite a recent Supreme Court ruling narrowing judges' power to block policies universally. That June decision left a key exception: courts could still halt policies nationwide in certified class actions. Advocates quickly filed two such cases, including the one before Boardman, who had previously ruled in February that Trump's interpretation of the Constitution was one “no court in the country has ever endorsed.”In July, Boardman signaled she would grant national relief once class status was approved, but waited for the Fourth Circuit to return the case after the administration's appeal was dismissed. Her new order covers all affected children born in the U.S., making it the first post–Supreme Court nationwide injunction issued via class action in the birthright fight. The case, Casa Inc. et al v. Trump, continues as part of a broader legal battle over the limits of presidential power in defining citizenship.Fourth court blocks Trump's birthright citizenship order nationwide | ReutersThe Trump administration asked the U.S. Supreme Court to lift a lower court order restricting immigration enforcement tactics in much of Southern California. The Justice Department's emergency filing seeks to overturn a ruling by U.S. District Judge Maame Frimpong, who barred federal agents from stopping or detaining individuals based solely on race, ethnicity, language, or similar factors without “reasonable suspicion” of unlawful presence. Her temporary restraining order stemmed from a proposed class action brought by Latino plaintiffs—including U.S. citizens—who alleged they were wrongly targeted, detained, or roughed up during immigration raids in Los Angeles.The plaintiffs argued these tactics violated the Fourth Amendment's protections against unreasonable searches and seizures, describing indiscriminate stops by masked, armed agents. Judge Frimpong agreed, finding the operations likely unconstitutional and blocking the use of race, ethnicity, language, workplace type, or certain locations as stand-alone reasons for suspicion. The Ninth Circuit declined to lift her order earlier this month.The challenge comes amid a major escalation in Trump's immigration enforcement push, which includes aggressive deportation targets, mass raids, and even the deployment of National Guard troops and U.S. Marines in Los Angeles—a move sharply opposed by state officials. The administration contends the restrictions hinder operations in a heavily populated region central to its immigration agenda. The Supreme Court will now decide whether to allow these limits to remain in place while the underlying constitutional challenge proceeds.Trump asks US Supreme Court to lift limits on immigration raids | ReutersMilbank announced it will pay seniority-based “special” bonuses to associates and special counsel worldwide, ranging from $6,000 to $25,000, with payments due by September 30. Milbank, of course, is among the big firms that bent to Trump's strong-arm tactics, cutting a $100 million deal and dropping diversity-based hiring rather than risk becoming his next executive-order target. The New York-founded firm used the same bonus scale last summer, signaling optimism about high activity levels through the rest of the year. Milbank, known for setting the pace in Big Law compensation, is the first major corporate firm to roll out such bonuses this summer—a move that often pressures competitors to follow suit.Special bonuses are not standard annual payouts, and last year rival firms mostly waited until year's end to match Milbank's mid-year scale, adding those amounts to their regular year-end bonuses. Milbank also led the market in November 2024 with annual bonuses up to $115,000. The firm is one of nine that reached agreements with President Trump earlier this year after his executive orders restricted certain law firms' access to federal buildings, officials, and contracting work.In a smaller but notable move, New York boutique Otterbourg recently awarded all full-time associates a $15,000 mid-year bonus, citing strong performance and contributions to the firm's success.Law firm Milbank to pay out 'special' bonuses for associates | ReutersMilbank reaches deal with Trump as divide among law firms deepens | ReutersA federal judge in North Dakota vacated the Federal Reserve's rule capping debit card “swipe fees” at 21 cents per transaction, siding with retailers who have long argued the cap is too high. The decision, which found the Fed exceeded its authority by including certain costs in the fee calculation under Regulation II, will not take effect immediately to allow time for appeal. The case was brought by Corner Post, a convenience store that claimed the Fed ignored Congress's directive to set issuer- and transaction-specific standards under the 2010 Dodd-Frank Act.Banks, backed by groups like the Bank Policy Institute, defended the cap as compliant with the law, while retailers and small business advocates supported Corner Post's challenge. This is Judge Daniel Traynor's second ruling in the dispute; he initially dismissed the case in 2022 as untimely, but the U.S. Supreme Court revived it in 2024, easing limits on challenges to older regulations. An appeal to the Eighth Circuit is expected, with the losing side likely to seek Supreme Court review. The ruling comes as the Fed separately considers lowering the cap to 14.4 cents, a proposal still pending.US judge vacates Fed's debit card 'swipe fees' rule, but pauses order for appeal | ReutersTexas-based Fintiv sued Apple in federal court, accusing the company of stealing trade secrets to develop Apple Pay. Fintiv claims the mobile wallet's core technology originated with CorFire, a company it acquired in 2014, and that Apple learned of it during 2011–2012 meetings and nondisclosure agreements intended to explore licensing. According to the complaint, Apple instead hired away CorFire employees and used the technology without permission, launching Apple Pay in 2014 and expanding it globally.Fintiv alleges Apple has run an informal racketeering operation, using Apple Pay to collect transaction fees for major banks and credit card networks, generating billions in revenue without compensating Fintiv. The suit seeks compensatory and punitive damages under federal and Georgia trade secret and anti-racketeering laws, including RICO. Apple is the sole defendant and has not commented.The case follows the recent dismissal of Fintiv's related patent lawsuit against Apple in Texas, which the company plans to appeal. The new lawsuit was filed in the Northern District of Georgia, where CorFire was originally based.Lawsuit accuses Apple of stealing trade secrets to create Apple Pay | ReutersThis week's closing theme is by Antonín DvořákThis week's closing theme comes from a composer who knew how to weave folk spirit into the fabric of high art without losing either warmth or polish. Dvořák, born in 1841 in what is now the Czech Republic, grew from a village-trained violist into one of the most celebrated composers of the late 19th century. His music often married classical forms with the rhythms, turns, and dances of his homeland—an approach that made his work instantly recognizable and deeply human.His Piano Quintet No. 2 in A major, Op. 81, written in 1887, is a prime example. Dvořák had actually written an earlier piano quintet in the same key but was dissatisfied with it; rather than revise, he started fresh. The result is one of the most beloved chamber works in the repertoire. Across its four movements, the quintet blends lyrical sweep with earthy energy—romantic in scope, yet grounded in folk idiom. The opening Allegro bursts forth with an expansive theme, the piano and strings trading lines as if in animated conversation.The second movement, marked Dumka, takes its name from a Slavic song form alternating between melancholy reflection and lively dance. Here, Dvořák's gift for emotional contrast is on full display—wistful cello lines give way to playful rhythms before sinking back into introspection. The third movement is a Furiant, a fiery Czech dance bristling with syncopation and vigor, while the finale spins out buoyant melodies with an almost orchestral fullness.It is music that feels both intimate and vast, as if played in a parlor with the windows thrown open to the countryside. With this quintet, Dvořák shows how local color can speak in a universal voice—how the tunes of a homeland can travel the world without losing their soul. For our purposes, it's a reminder that endings can be celebratory, heartfelt, and just a bit homespun.Without further ado, Antonín Dvořák's Piano Quintet No. 2 in A major, Op. 81 – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss the Penultimate Episode of Season 3 of The Gilded Age, Episode 7, “Ex-Communicated”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 6 of Season 3 of The Gilded Age, “If You Want to Cook an Omelette”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5  FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 5 of Season 3 of The Gilded Age, “A Different World”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

On the latest episode of ‘New Classical Tracks,' the Takács Quartet celebrates its 50th anniversary with a recording featuring Marc-André Hamelin on piano quintets by Dvořák and Price. Listen now with host Julie Amacher!

Admit it: if you're a fan of classical music—or even just a regular concertgoer—you might have glanced at the title of this episode and done a double take. The Dvořák Violin Concerto? Not the Cello Concerto? One of the things I love about my job as a conductor—and my side gig as a podcast host—is bringing audiences and listeners like you pieces you may never have heard before, even if they're by extremely well-known composers. Don't get me wrong, I love the blockbusters. But there's a special thrill in introducing someone to something new. Now, some of you might already be big fans of the Dvořák Violin Concerto. But in my experience, it's relatively unknown compared to Dvořák's more famous works. I've never performed it myself, and I've only heard it live once. It's not part of most touring soloists' repertoire, and it's just one of those pieces that rarely comes up—especially compared to the Cello Concerto, which I think I've conducted at least once every season since becoming a conductor. This concerto came about much like the Brahms Violin Concerto, the Brahms Double Concerto we talked about a couple of weeks ago, and so many other great 19th-century works: inspired by the sound of Joseph Joachim's violin. Joachim was the great violinist of the 19th century and had been a friend and supporter of Dvořák for many years. Dvořák ended up dedicating the concerto to Joachim, writing: "I dedicate this work to the great Maestro Jos. Joachim, with the deepest respect, Ant. Dvořák." Sadly—and for reasons that remain somewhat unclear—Joachim never performed the piece. That may be one of the reasons it's never achieved the popularity it deserves. Today, in this Patreon-sponsored episode, we'll dive into the concerto, exploring its unusual form, the myriad challenges it poses for the violinist, and perhaps some reasons why it's not part of the so-called “Big Five” violin concertos—even though it probably deserves to be.