Podcasts about dvo

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on a 4-Hour, Mega-Sized Episode of New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike (finally) discuss the Season 3 Finale of The Gilded Age, Episode 8, “My Mind Is Made Up”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 | 7 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Neste episódio, o professor José Roberto, da sede São Caetano do Sul- SP, foi convidado a compartilhar algumas reflexões filosóficas sobre a solidão que alimenta a jornada da alma.  Dentro dessa abordagem, perpassamos sobre questões da existência, tratamos do livro da Professora Delia “Os jogos de Maia”, entendendo a solidão como algo inerente a este mundo, cuja origem é transcendental. Ainda, através de uma visão e postura filosófica, transbordamos o tema para a questão da solidão interior, da convivência social, das frustrações e desilusões cotidianas, assim como do vazio e falta de sentido para a vida. A solidão como momento de recolhimento interior para compreender os mistérios e dúvidas da nossa própria alma.  Sócrates, Platão, Marco Aurélio, Délia Steinberg Gusman, Jorge Angel Livraga, Krishna e Arjuna são citados de forma dinâmica, a fim de que analisemos e distinguamos tanto a solidão interior, quanto a exterior, cuidando, sobretudo, do aprimoramento das virtudes, em busca da evolução. Participantes: José Roberto e Danilo Gomes  Trilha Sonora: Antonín Dvořák: Sinfonia nº6 - Finalle 

This Day in Legal History: Expansion of US House of RepresentativesOn August 8, 1911, President William Howard Taft signed into law a measure that permanently expanded the size of the U.S. House of Representatives from 391 to 433 members. This change followed the 1910 census, which revealed significant population growth and shifts in where Americans lived. Under the Constitution, House seats are apportioned among the states according to population, and each decade's census can lead to changes in representation. Prior to 1911, Congress often responded to new census data by simply adding seats rather than redistributing them among states. The 1911 legislation reflected both that tradition and the political realities of the time, as expanding the House allowed growing states to gain representation without forcing other states to lose seats. It also set the stage for the modern size of the House—just two years later, New Mexico and Arizona joined the Union, bringing the total to 435 members. That number has remained fixed by law since 1929, despite the nation's continued population growth. The 1911 increase carried implications beyond arithmetic: more members meant more voices, more local interests, and a larger scale for legislative negotiation. It also underscored Congress's role in adapting the machinery of government to the country's evolving demographics. In many ways, the expansion reflected Progressive Era concerns with fair representation and democratic responsiveness. While debates over House size have continued into the 21st century, the 1911 law remains a pivotal moment in the chamber's institutional development. By enlarging the House, Taft and Congress preserved proportionality between population and representation, even if only temporarily.After the 1911 increase under President Taft, the size of the House stayed at 435 members following Arizona and New Mexico's statehood in 1912. The idea at the time was that future census results would continue to trigger changes, either by adding more seats or by redistributing them among the states.But after the 1920 census, Congress ran into a political deadlock. Massive population growth in cities—and significant immigration—meant that urban states stood to gain seats while rural states would lose them. Rural lawmakers, who still held considerable power, resisted any reapportionment that would diminish their influence. For nearly a decade, Congress failed to pass a new apportionment plan, effectively ignoring the 1920 census results.To end the stalemate, Congress passed the Permanent Apportionment Act of 1929. This law capped the House at 435 seats and created an automatic formula for reapportionment after each census. Instead of adding seats to reflect population growth, the formula reassigns the fixed number of seats among states. This froze the size of the House even as the U.S. population more than tripled over the next century.Critics argue that the 1929 cap dilutes individual representation—today, each representative speaks for about 760,000 constituents on average, compared to roughly 200,000 in 1911. Supporters counter that a larger House would be unwieldy and harder to manage. The debate over whether to expand the House continues, but the 1929 law has held for nearly a hundred years, making Taft's 1911 expansion the last time the chamber permanently grew in size.A fourth federal court blocked President Donald Trump's order restricting birthright citizenship, halting its enforcement nationwide. The order, issued on Trump's first day back in office, sought to deny citizenship to children born in the U.S. unless at least one parent was a citizen or lawful permanent resident. Immigrant rights groups and 22 Democratic state attorneys general challenged the policy as a violation of the Fourteenth Amendment's Citizenship Clause, which has long been interpreted to grant citizenship to nearly everyone born on U.S. soil.U.S. District Judge Deborah Boardman in Maryland sided with the challengers, issuing the latest in a series of nationwide injunctions despite a recent Supreme Court ruling narrowing judges' power to block policies universally. That June decision left a key exception: courts could still halt policies nationwide in certified class actions. Advocates quickly filed two such cases, including the one before Boardman, who had previously ruled in February that Trump's interpretation of the Constitution was one “no court in the country has ever endorsed.”In July, Boardman signaled she would grant national relief once class status was approved, but waited for the Fourth Circuit to return the case after the administration's appeal was dismissed. Her new order covers all affected children born in the U.S., making it the first post–Supreme Court nationwide injunction issued via class action in the birthright fight. The case, Casa Inc. et al v. Trump, continues as part of a broader legal battle over the limits of presidential power in defining citizenship.Fourth court blocks Trump's birthright citizenship order nationwide | ReutersThe Trump administration asked the U.S. Supreme Court to lift a lower court order restricting immigration enforcement tactics in much of Southern California. The Justice Department's emergency filing seeks to overturn a ruling by U.S. District Judge Maame Frimpong, who barred federal agents from stopping or detaining individuals based solely on race, ethnicity, language, or similar factors without “reasonable suspicion” of unlawful presence. Her temporary restraining order stemmed from a proposed class action brought by Latino plaintiffs—including U.S. citizens—who alleged they were wrongly targeted, detained, or roughed up during immigration raids in Los Angeles.The plaintiffs argued these tactics violated the Fourth Amendment's protections against unreasonable searches and seizures, describing indiscriminate stops by masked, armed agents. Judge Frimpong agreed, finding the operations likely unconstitutional and blocking the use of race, ethnicity, language, workplace type, or certain locations as stand-alone reasons for suspicion. The Ninth Circuit declined to lift her order earlier this month.The challenge comes amid a major escalation in Trump's immigration enforcement push, which includes aggressive deportation targets, mass raids, and even the deployment of National Guard troops and U.S. Marines in Los Angeles—a move sharply opposed by state officials. The administration contends the restrictions hinder operations in a heavily populated region central to its immigration agenda. The Supreme Court will now decide whether to allow these limits to remain in place while the underlying constitutional challenge proceeds.Trump asks US Supreme Court to lift limits on immigration raids | ReutersMilbank announced it will pay seniority-based “special” bonuses to associates and special counsel worldwide, ranging from $6,000 to $25,000, with payments due by September 30. Milbank, of course, is among the big firms that bent to Trump's strong-arm tactics, cutting a $100 million deal and dropping diversity-based hiring rather than risk becoming his next executive-order target. The New York-founded firm used the same bonus scale last summer, signaling optimism about high activity levels through the rest of the year. Milbank, known for setting the pace in Big Law compensation, is the first major corporate firm to roll out such bonuses this summer—a move that often pressures competitors to follow suit.Special bonuses are not standard annual payouts, and last year rival firms mostly waited until year's end to match Milbank's mid-year scale, adding those amounts to their regular year-end bonuses. Milbank also led the market in November 2024 with annual bonuses up to $115,000. The firm is one of nine that reached agreements with President Trump earlier this year after his executive orders restricted certain law firms' access to federal buildings, officials, and contracting work.In a smaller but notable move, New York boutique Otterbourg recently awarded all full-time associates a $15,000 mid-year bonus, citing strong performance and contributions to the firm's success.Law firm Milbank to pay out 'special' bonuses for associates | ReutersMilbank reaches deal with Trump as divide among law firms deepens | ReutersA federal judge in North Dakota vacated the Federal Reserve's rule capping debit card “swipe fees” at 21 cents per transaction, siding with retailers who have long argued the cap is too high. The decision, which found the Fed exceeded its authority by including certain costs in the fee calculation under Regulation II, will not take effect immediately to allow time for appeal. The case was brought by Corner Post, a convenience store that claimed the Fed ignored Congress's directive to set issuer- and transaction-specific standards under the 2010 Dodd-Frank Act.Banks, backed by groups like the Bank Policy Institute, defended the cap as compliant with the law, while retailers and small business advocates supported Corner Post's challenge. This is Judge Daniel Traynor's second ruling in the dispute; he initially dismissed the case in 2022 as untimely, but the U.S. Supreme Court revived it in 2024, easing limits on challenges to older regulations. An appeal to the Eighth Circuit is expected, with the losing side likely to seek Supreme Court review. The ruling comes as the Fed separately considers lowering the cap to 14.4 cents, a proposal still pending.US judge vacates Fed's debit card 'swipe fees' rule, but pauses order for appeal | ReutersTexas-based Fintiv sued Apple in federal court, accusing the company of stealing trade secrets to develop Apple Pay. Fintiv claims the mobile wallet's core technology originated with CorFire, a company it acquired in 2014, and that Apple learned of it during 2011–2012 meetings and nondisclosure agreements intended to explore licensing. According to the complaint, Apple instead hired away CorFire employees and used the technology without permission, launching Apple Pay in 2014 and expanding it globally.Fintiv alleges Apple has run an informal racketeering operation, using Apple Pay to collect transaction fees for major banks and credit card networks, generating billions in revenue without compensating Fintiv. The suit seeks compensatory and punitive damages under federal and Georgia trade secret and anti-racketeering laws, including RICO. Apple is the sole defendant and has not commented.The case follows the recent dismissal of Fintiv's related patent lawsuit against Apple in Texas, which the company plans to appeal. The new lawsuit was filed in the Northern District of Georgia, where CorFire was originally based.Lawsuit accuses Apple of stealing trade secrets to create Apple Pay | ReutersThis week's closing theme is by Antonín DvořákThis week's closing theme comes from a composer who knew how to weave folk spirit into the fabric of high art without losing either warmth or polish. Dvořák, born in 1841 in what is now the Czech Republic, grew from a village-trained violist into one of the most celebrated composers of the late 19th century. His music often married classical forms with the rhythms, turns, and dances of his homeland—an approach that made his work instantly recognizable and deeply human.His Piano Quintet No. 2 in A major, Op. 81, written in 1887, is a prime example. Dvořák had actually written an earlier piano quintet in the same key but was dissatisfied with it; rather than revise, he started fresh. The result is one of the most beloved chamber works in the repertoire. Across its four movements, the quintet blends lyrical sweep with earthy energy—romantic in scope, yet grounded in folk idiom. The opening Allegro bursts forth with an expansive theme, the piano and strings trading lines as if in animated conversation.The second movement, marked Dumka, takes its name from a Slavic song form alternating between melancholy reflection and lively dance. Here, Dvořák's gift for emotional contrast is on full display—wistful cello lines give way to playful rhythms before sinking back into introspection. The third movement is a Furiant, a fiery Czech dance bristling with syncopation and vigor, while the finale spins out buoyant melodies with an almost orchestral fullness.It is music that feels both intimate and vast, as if played in a parlor with the windows thrown open to the countryside. With this quintet, Dvořák shows how local color can speak in a universal voice—how the tunes of a homeland can travel the world without losing their soul. For our purposes, it's a reminder that endings can be celebratory, heartfelt, and just a bit homespun.Without further ado, Antonín Dvořák's Piano Quintet No. 2 in A major, Op. 81 – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Návštěvníci jihlavské zoologické zahrady už si můžou ve venkovním výběhu pořádně prohlédnout trio nových samců žirafy núbijské. Zvířata postupně dorazila ze zahrad v Ostravě, Liberci a Dvoře Králové. Nejprve se ale žirafí samci museli seznámit s novým prostředím, chovateli a poznat se mezi sebou.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss the Penultimate Episode of Season 3 of The Gilded Age, Episode 7, “Ex-Communicated”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5 | 6 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Zámek Nelahozeves z 16. století je jedním z nejlépe dochovaných renesančních zámků v Čechách. Leží ve stejnojmenné obci asi 35 kilometrů severně od Prahy na levém břehu řeky Vltavy. Přímo pod zámkem se nachází rodný dům světoznámého hudebního skladatele Antonína Dvořáka. Dnes je zde umístěno interaktivní muzeum.

Zámek Nelahozeves z 16. století je jedním z nejlépe dochovaných renesančních zámků v Čechách. Leží ve stejnojmenné obci asi 35 kilometrů severně od Prahy na levém břehu řeky Vltavy. Přímo pod zámkem se nachází rodný dům světoznámého hudebního skladatele Antonína Dvořáka. Dnes je zde umístěno interaktivní muzeum.

Zámek Nelahozeves z 16. století je jedním z nejlépe dochovaných renesančních zámků v Čechách. Leží ve stejnojmenné obci asi 35 kilometrů severně od Prahy na levém břehu řeky Vltavy. Přímo pod zámkem se nachází rodný dům světoznámého hudebního skladatele Antonína Dvořáka. Dnes je zde umístěno interaktivní muzeum.

Zámek Nelahozeves z 16. století je jedním z nejlépe dochovaných renesančních zámků v Čechách. Leží ve stejnojmenné obci asi 35 kilometrů severně od Prahy na levém břehu řeky Vltavy. Přímo pod zámkem se nachází rodný dům světoznámého hudebního skladatele Antonína Dvořáka. Dnes je zde umístěno interaktivní muzeum.

Zámek Nelahozeves z 16. století je jedním z nejlépe dochovaných renesančních zámků v Čechách. Leží ve stejnojmenné obci asi 35 kilometrů severně od Prahy na levém břehu řeky Vltavy. Přímo pod zámkem se nachází rodný dům světoznámého hudebního skladatele Antonína Dvořáka. Dnes je zde umístěno interaktivní muzeum.Všechny díly podcastu Výlety můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Jedna z prvních věcí, kterou po volbách uděláme, bude zrušení televizního a rozhlasového poplatku, slibuje hnutí ANO. Plány na zásadní změny týkající se ČT a ČRo mají i další opoziční strany. Máme se o veřejnoprávní média bát?Hostem Ptám se já byl bývalý ředitel ČT a ředitel Nadačního fondu Vltavské filharmonie Petr Dvořák.Poté, co Rada České televize letos na jaře odvolala z funkce generálního ředitele Jana Součka a vybrala jako jeho nástupce Hynka Chudárka, zažívá ČT relativně klidné období. To by se ale mohlo změnit už po podzimních sněmovních volbách. Opoziční strany, mezi nimi i dosavadní favorit voleb, hnutí ANO, totiž prohlašují, že provedou zásadní změny ve financování a fungování veřejnoprávních médií. Bývalý šéf televize Petr Dvořák je zatím optimistický: „Současný management České televize patřil k mým nejbližším spolupracovníkům 12 let. A já věřím tomu, že i v tom tandemu, který nakonec z volby vypadl, to znamená generální ředitel Hynek Chudárek a jeho statutární zástupce Milan Fridrich, přispěje k tomu, že televize se nebude užírat nějakými vnitřními spory a nastartuje přesně tím směrem, aby se dokázala obhájit.“Nové vedení televize by podle něj ale mělo v příštím půlroce jasně říct, jak a kam hodlá investovat peníze z navýšených poplatků. ČT a zejména její zpravodajství před sebou má podle Dvořáka také další velký úkol. „A to je vrátit důvěryhodnost, která za poslední rok a půl klesla o asi šest nebo sedm procentních bodů, což je poměrně zásadní. Tohle je věc, které by se teď vedení zpravodajství mělo velmi intenzivně věnovat.“„Myslím, že jedním z důvodů, proč byl Jan Souček odvolán, bylo i to, že ve zpravodajství se děly věci, které se těžko vysvětlují. A sám za sebe musím říct, že se mě to také i osobně dotýkalo v momentě, kdy jsem viděl, jak tam vzniká tlak na Václava Moravce. Byl jsem nervózní, když jsem viděl, jakým způsobem, kdy a s jakým vysvětlením došlo ke zrušení 168 hodin,“ prohlásil bývalý ředitel ČT. Pomohla, nebo uškodila veřejnoprávním médiím bitva vládní koalice o zvýšení poplatků? V jaké kondici je Česká televize po dramatické výměně na pozici ředitele? A jak zásadní je pro Prahu projekt Vltavské filharmonie.--Podcast Ptám se já. Rozhovory s lidmi, kteří mají vliv, odpovědnost, informace.Sledujte na Seznam Zprávách, poslouchejte na Podcasty.cz a ve všech podcastových aplikacích.Archiv všech dílů najdete tady. Své postřehy, připomínky nebo tipy nám pište prostřednictvím sociálních sítí pod hashtagem #ptamseja nebo na e-mail: audio@sz.cz.

On the next Tuesday Concert with Sarasota Orchestra: Peter Oundjian leads a cosmic program from this past March featuring Holst's The Planets, and violinist Grace Park joins the orchestra for Dvořák's Romance in F-Minor.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 6 of Season 3 of The Gilded Age, “If You Want to Cook an Omelette”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 | 5  FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Nový samec žirafy síťované se má ve dvorském safari parku stát významnou posilou pro další chov tohoto druhu žiraf, protože na nové mládě čekají ve Dvoře Králové nad Labem chovatelé už 11 let. Cestu žirafího samce do nového domova přiblížil zoolog Luděk Čulík redaktorce Daně Voňkové.

Nový samec žirafy síťované se má ve dvorském safari parku stát významnou posilou pro další chov tohoto druhu žiraf, protože na nové mládě čekají ve Dvoře Králové nad Labem chovatelé už 11 let. Cestu žirafího samce do nového domova přiblížil zoolog Luděk Čulík redaktorce Daně Voňkové.Všechny díly podcastu Safari můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Questa edizione è dedicata alla musica, alla cultura e alla meraviglia degli incontri inaspettati. Siamo in Val Calanca, dove ogni tre anni la musica diventa lingua universale e il paesaggio si trasforma in palcoscenico. Torna infatti il Festival Demenga, che nel 2025 raggiunge la sua settima edizione.Otto concerti, una mostra suggestiva, una visita guidata… ma soprattutto un filo rosso: l'intreccio tra musica popolare e musica classica. Due mondi che sembrano lontani, eppure – ascoltando bene – parlano la stessa lingua: quella della memoria, della terra, dell'emozione. Dalle danze slave di Dvořák ai ritmi ungheresi rielaborati da Brahms, la musica ci racconta che la tradizione popolare è stata – e resta – linfa per la grande arte.Dal 2 al 9 agosto, la Val Calanca risuonerà di suoni antichi e contemporanei, con artisti di fama internazionale e la direzione artistica della famiglia Demenga, anima di questo festival che ha saputo ritagliarsi un posto speciale nel panorama musicale svizzero.Il Festival Demenga è pronto a sorprendere ancora, intrecciando passato e presente, gesti e suoni, corpi e strumenti. Dal 2 al 9 agosto. Ricordiamo che il programma completo è disponibile sul sito ufficiale festivaldemenga.ch.

durée : 01:28:34 - Pierre-Laurent Aimard, du grand répertoire à la création contemporaine - par : Aurélie Moreau - Pierre-Laurent Aimard a été entre autres pianiste soliste de l'Ensemble Intercontemporain pendant 18 ans, tout en continuant à jouer les auteurs du passé avec un même succès. Aujourd'hui : Dvořák, Debussy, Ligeti, Beethoven, Ravel et Messiaen. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 5 of Season 3 of The Gilded Age, “A Different World”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 | 4 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO Apologies for the long wait for this episode. We are caught back up from the holiday weekend and business travel and Episode 5 will be out much more timely! This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 4 of Season 3 of The Gilded Age, “Marriage Is A Gamble”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 | 3 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

durée : 01:29:01 - Jean-Guihen Queyras, la réflexion et l'inspiration - par : Aurélie Moreau - Curiosité, diversité et concentration sur la musique elle-même caractérisent le travail artistique de Jean-Guihen Queyras, violoncelliste passionné, à la grande maîtrise technique. Aujourd'hui : Elgar, CPE Bach, Dvořák, Dutilleux, Rachmaninov, Bach… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO Apologies for the delay on this one, the 4th of July Weekend slowed us up; thank you for your patience! This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 3 of Season 3 of The Gilded Age, “Love Is Never Easy”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 | 2 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

On the latest episode of ‘New Classical Tracks,' the Takács Quartet celebrates its 50th anniversary with a recording featuring Marc-André Hamelin on piano quintets by Dvořák and Price. Listen now with host Julie Amacher!

Irish Conductor and Musician, David Brophy will conduct National Symphony Orchestra Ireland at the National Concert Hall in a compelling programme pairing Shaun Davey's The Brendan Voyage with Dvořák's Symphony No. 9, 'From the New World'. David joined Ivan to chat about his career and upcoming shows.

Novák, Svoboda, Novotný nebo Dvořák – to jsou nejběžnější česká příjmení. Například Novákových žije v Česku přes 68 tisíc. Častá jsou také zvířecí příjmení.

Novák, Svoboda, Novotný nebo Dvořák – to jsou nejběžnější česká příjmení. Například Novákových žije v Česku přes 68 tisíc. Častá jsou také zvířecí příjmení.

durée : 01:28:53 - Le Quatuor de Jérusalem, la tradition de l'excellence - par : Aurélie Moreau - 2025 marque les 30 ans du Quatuor de Jérusalem qui a très vite acquis une renommée mondiale, jouant avec passion, précision et chaleur un large répertoire. Aujourd'hui : Chostakovitch, Brahms, Haydn, Dvořák, Schubert, Debussy, Schumann et Korngold. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Orli Shaham guest hosts with her brother violinist Gil Shaham on this episode dedicated to musical families. We'll meet a bunch of siblings, including Orli's own sons. We'll enjoy performances of Dvořák, Schumann, and a new work by a young composer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Antonín Dvořák - Symphony No. 9 “From the New World”: LargoSlovak Radio Symphony OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.556604Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO This week on New Money, Old Rules: The Gilded Age Podcast, Caroline and Mike discuss Episode 2 of Season 3 of The Gilded Age, “What the Papers Say”! Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 Season 3: 1 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

Hostem pořadu je rodačka z Jičína Alžběta Dvořáková. Bjetka jak jí tam rádi říkají - nás provede hlavně Berlínem. To i proto, že za knihu "Zpravodaj berlínský stážistky" byla letos nominována na cenu Hanzelky a Zikmunda - Cestopis roku. S úspěšnou autorkou se ale vydáme nejen do hlavního města Německa nebo třeba do Polska. I tam byla Alžběta Dvořáková na studentském pobytu a tak si povíme, jestli jí i Lublin zaujal.

Interpreten: Sinfonieorchester Basel, IvorBoltonLabel: ProsperoEAN: 4262353970362Vor wenigen Wochen haben wir uns an dieser Stellemit den „amerikanischen“ Kammermusikwerken von Antonín Dvořák beschäftigt. Heutesteht wieder Dvořák auf dem Programm, allerdings seinesinfonischen Dichtungen, die in der Zeit nach seinem USA Aufenthalt zurück inder tschechischen Heimat entstanden sind. Musik, der man sich schwer entziehenkann, findet auch heute wieder Michael Gmasz.Ivor Bolton schenkt sich und seinen Fans zum Abschied alsChefdirigent des Sinfonieorchester Basel noch eine aufregende CD mit Musik vonAntonín Dvořák. Drei sinfonische Dichtungen - Der Wassermann, DieMittagshexe und Das goldene Spinnrad - hat er dafür aufgenommen. DreiWerke, für die sich Dvořák von den düsteren Märchen der Balladensammlung»Kytice« (Blumenstrauß) des tschechischen Dichters Karel JaromírErben inspirieren ließ – Stoffe voller Magie, Morbidität und Moral. Bolton und seinem Orchester gelingt es, diese Geschichtenmit einer beeindruckenden klanglichen Farbpalette und erzählerischer Präzisionzum Leben zu erwecken. Besonders hervorzuheben ist dabei die Fähigkeit desDirigenten, die Balance zwischen dramatischer Zuspitzung und orchestralerTransparenz zu wahren. Die Musik bleibt stets durchhörbar, ohne anAusdruckskraft zu verlieren.Die Aufnahme überzeugt nicht nur musikalisch, sondernauch produktionstechnisch: Das Digibook ist liebevoll gestaltet, mit einem 48-seitigen,dreisprachigen Beiheft, das nicht nur informativ, sondern auch visuellansprechend ist. So ist es auch möglich, die Geschichten zur Musik zu lesen unddamit noch greifbarer machen und schlussendlich intensiver hören zu können. DieseCD ist eine Empfehlung für alle, aber im Besonderen für all jene, die denKomponisten Antonín Dvořák einmal von einer weniger bekannten, aber umsofaszinierenderen Seite erleben möchten. Ein musikalisches Märchenbuch fürErwachsene – spannend, berührend und meisterhaft erzählt. (mg)

Welcome to New Money, Old Rules: The Gilded Age Podcast!  Join Caroline and Mike each week as they discuss HBO's period drama, The Gilded Age! Photograph by Karolina Wojtasik/HBO After just over 18months, The Gilded Age is BACK! And so is the New Money, Old Rules: The Gilded Age Podcast! This week, Caroline and Mike discuss The Gilded Age Season 3 Premiere, Episode 1, “Who Is In Charge Here?” Join in the conversation on Twitter at @podclubhouse and our Facebook Group, The Gilded Age Fan Group (HBO Series)! Listen, rate, review, and subscribe to New Money, Old Rules: The Gilded Age Podcast on Apple Podcasts, Spotify Podcasts, or wherever you listen! Please leave a 5-Star Rating! Also, write in and leave us comments on PodClubhouse.com, we'd love to hear from you! MORE IN THIS SERIES Season 1: Trailer | 1 | 2 | 3 | Kelli O'Hara Interview | 4 | 5 | 6 | 7 | 8 | Julian Fellowes and Sonja Warfield Interview | 9 | Harry and Rupert Gregson-Williams Interview Season 2: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 FOLLOW THE HOSTS ON X (F/K/A TWITTER) Caroline | Mike  ### Credits: Music: “String Quartet No. 12 in F Major, "American", Op. 96: IV" by Antonín Dvořák. New Money, Old Rules: The Gilded Age Podcast is a Pod Clubhouse original production, recorded and produced at Pod Clubhouse studios. This episode was edited by Caroline Daley and assembled by Michael Caputo.

The tragedy that happened in Minnesota this past week has brought all manner of response from all manner of people, but Wisconsin's very own Derrick Van Orden was of two minds: one measured and respectful, the other; well very on brand for DVO. Also, Sen. Tina Smith from Minnesota confronted Sen. Mike Lee for his posts on social media and the GOP is still pushing the lie on the gunman. Then, Pat Kreitlow joins the show to talk about a long overdue decision from The Wisconsin Supreme Court, a new spanner in the works of the state budget, as well as a reversal on a reversal of a policy from The Felon President. Matenaer On Air is a part of the Civic Media radio network and airs Monday through Friday from 9 -11 am across the state. Subscribe to the show as a podcast so you don't miss an episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X and YouTube to keep up with Jane and the show! Guest: Pat Kreitlow

V desítém díle videopodcastu týdeníku Respekt Dělníci kultury spolu Jindřiška Bláhová, Pavel Turek a Jan H. Vitvar debatují o tom, co je v uplynulém týdnu v kultuře zaujalo či zklamalo a o své aktuální práci. Tentokrát došlo na: seriály Nathana Fiedlera Zkouška a Nathan For You filmy Sivia Narizzana Lup a Evy Toulové Krtkův svět umělecké sbírky podnikatelů Josefa Maixnera v kroměřížských Pekelných sáních a Jana Mužáka na zámku Dobrohoř koncerty kapel Turnstile (Lucerna) a Sensor Ghost, DVO a Barbory Hory (Festival Peníkov) knihy Dušana Tománka Mor (Jakost) a Jana Šrámka a Ladislava Jacksona Ohrožené druhy. Architektonické dědictví 1953-1989 (Page Five, FaVU) výstavy Davida Lynche Up in Flames (DOX), Dušana Tománka Mor a Blending (Krajská galerie výtvarného umění ve Zlíně, Galerie Teleport) a Dominiky Kováčikové Soft Targets (Bold Gallery) desku kapely Pulp MoreKdyž už člověk jednou je, tak má sledovat kulturu v Respektu.

Interpreten: Mandelring QuartettLabel: auditeEAN: 4022143978288Er ist einer der großen musikalischen Vertreter der nationalen Schule aus Tschechien und hat Folgegenerationen von komponierenden Landsleuten geprägt – Antonín Dvořák. Für einige Zeit hat er jedoch in Amerika gelebt und sich auch musikalisch sehr mit diesem Land auseinandergesetzt. Ergebnisse dieser Zeit präsentiert das Mandelring Quartett auf seiner neuen CD, von der sich Michael Gmasz begeistert zeigt.Im September des Jahres 1892 hat für den Komponisten Antonín Dvořák eine spannende Phase seines Lebens begonnen. Da hat er nämlich die Stelle als Direktor des National Conservatory of Music in New York angetreten. Bis April 1895 war Dvorak in Amerika, dann gings zurück in heimatliche Gefilde zu Frau und Kindern. Ob aus finanziellen Gründen oder eben aufgrund der Sehnsucht nach seiner Familie sei dahingestellt. Dass Antonín Dvořák in den USA eine spezielle Entwicklung als Komponist durchgemacht hat, zeigen einige seiner heute noch berühmtesten Werke. Die große 9. Symphonie „Aus der Neuen Welt“ und das „Amerikanische Streichquartett“ genannte F-Dur Quartett gelten als bekannteste Beispiele dafür. Dieses und noch weitere Werke, die in der amerikanischen Zeit Dvořáks entstanden sind, hat nun das Mandelring Quartett auf seiner neuen CD aufgenommen.Pentatonische Skalen, Trommelimitationen, gleichbleibende rhythmische Muster, sparsam harmonisierte Melodien – das sind nur einige der Merkmale, die die amerikanischen Werke Dvořáks prägen. Neben dem F-Dur Quartett sind dies u.a. das Streichquintett in Es-Dur Op.97 und auch die Humoresken Op.101, die zwar 1894 auf Heimaturlaub in Böhmen geschrieben wurden, die Antonín Dvořák allerdings zum großen Teil in den USA skizziert und konzipiert hat. Das Mandelring Quartett gestaltet alle drei erwähnten Werke, die Humoresken in einer Bearbeitung von Matthias Eichhorn, weniger archaisch sondern vor allem spritzig, locker und farbenfroh. Der Finalsatz des F-Dur Quartetts ist eine tänzerische, vor Leichtigkeit strotzende Petitesse, die den Charakter der Humoresken schon gut vorwegnimmt. Auch das Es-Dur Quintett, hier verstärkt durch Bratschist Roland Glassl, klingt in dieser Aufnahme federnd und elegant. Eine CD, die gerade jetzt lauen Sommerabenden, vielleicht mit einem kühlen Getränk in der Hand, die richtige Stimmung verleiht. (mg)

Česko má novou ministryni spravedlnosti. Prezident Petr Pavel v úterý jmenoval Evu Decroix z ODS, kterou následně uvedl do úřadu šéf Občanských demokratů a předseda vlády Petr Fiala. Nejen podle něj, ale také podle hlavy státu, má být jejím hlavním úkolem napravit reputaci resortu spravedlnosti, která utrpěla v důsledku bitcoinové kauzy, kvůli které úřad opustil nyní již exministr Pavel Blažek. Jak ale ve Výtahu Respektu upozorňuje František Trojan, realita je taková, že nyní hrozí pád vlády. Důvodem je, že Decroix společně s Alenou Schillerovou z hnutí ANO v nedělních Otázkách Václava Moravce zmínily e-mail, podle kterého mohl o Blažkově kauze vědět i Karel Dvořák z hnutí STAN: „Je náměstkem ministryně spravedlnosti, a zároveň jednička v Praze za Starosty. Je to mladý politik a jejich vycházející hvězda, pro jejich budoucnost tedy důležitá postava. I tím si lze odůvodnit zvýšenou citlivost STAN vůči jakýmkoliv výrokům k Dvořákovi. Nicméně minulý týden, když premiér Fiala vysvětloval kauzu na tiskové konferenci a řekl, že Blažkovou nástupkyní bude Decroix, Starostové zveřejnili své podmínky pro další setrvání ve vládě. A jednou z nich je, že na pozici náměstka zůstane právě Karel Dvořák," vysvětluje ve zpravodajském podcastu s tím, že kdyby se nyní ministryně spravedlnosti rozhodla náměstka odvolat, není vyloučeno, že se kabinet čtyři měsíce před volbami rozpadne. S čím Decroix na ministerstvo přichází? Jak je pro ODS důležitá? A mohla by koalici Spolu před sněmovními volbami nějak pomoct s preferencemi?

Interpreten: Pablo Ferrández, Julien Quentin, Swedish Chamber Orchestra, Martin FröstLabel: Sony ClassicalEAN: 198028986328Manchmal darf es auch wohlklingender Hochglanz sein, der es zur CD der Woche auf radio klassik Stephansdom schafft. Wie das Album Moonlight Variations des Cellisten Pablo Ferrández. „Nachtmusiken“ scheinen derzeit Hochsaison zu haben, wenn man an die Nocturnes-, Serenaden- usw. CDs der vergangenen Wochen und Monate denkt. Mit der Nacht in der Musik hat sich nun auch Pablo Ferrández beschäftigt, und das, obwohl er laut eigener Aussage ein ausgesprochener Morgenmensch ist. Träumerische Melodien von Schumann, Schubert, Liszt, Debussy, Chopin, Ponce und Dvořák hat der junge Cellist Ferrández teils in Originalbearbeitungen, teils in Eigenarrangements mit Orchester- oder Klavierbegleitung aufgenommen. Mit den Rokoko-Variationen von Peter Iljitsch Tschaikowsky findet die CD aber auch einen ganz und gar nicht nächtlichen Höhepunkt, aus musikalischer Sicht aber völlig irrelevant…„Einer der Gründe, weshalb ich so gerne Lieder spiele, ist, dass wir mit dem Cello immer zu singen versuchen.“ So wird Pablo Ferrández im Beiheft der CD zitiert und genau das gelingt ihm auch in den unterschiedlichen Bearbeitungen auf dieser CD. Schon bei Rusalkas Lied an den Mond zur Eröffnung oder auch Schuberts Nacht und Träume. „Heil'ge Nacht, du sinkest nieder; Nieder wallen auch die Träume, wie dein Mondlicht durch die Räume, durch der Menschen stille Brust.“ Da ist er wieder, der Mond. Schumanns Träumerei oder der dritte Liebestraum von Liszt fügen sich genauso ins Spektrum und erhellen den musikalischen Nachthimmel, wie der kleine Stern Estrellita des mexikanischen Komponisten Manuel Ponce. Selten genug, dass das Hauptwerk einer CD, wie hier die Rokoko-Variationen von Tschaikowsky, zur Zugabe mutiert. Makellos und musikantisch gelingen die sieben Variationen auf ein Rokoko-Thema, wobei auch das Schwedische Kammerorchester unter Martin Fröst seinen Anteil daran hat. Aufmerksam wie die sprichwörtlichen Haftlmacher begleiten die Musikerinnen und Musiker und legen so ein Fundament, auf dem es sich wunderbar solieren lässt! Das Finale ist dabei ein feingezeichnetes Feuerwerk, bei dem sich Orchester- und Solostimme herrlich ineinander verschränken. (mg)

Věra Dvořáková ze spolku Přírodní zahrada připomíná tři základní podmínky pro založení ekologické zahrady.

Admit it: if you're a fan of classical music—or even just a regular concertgoer—you might have glanced at the title of this episode and done a double take. The Dvořák Violin Concerto? Not the Cello Concerto? One of the things I love about my job as a conductor—and my side gig as a podcast host—is bringing audiences and listeners like you pieces you may never have heard before, even if they're by extremely well-known composers. Don't get me wrong, I love the blockbusters. But there's a special thrill in introducing someone to something new. Now, some of you might already be big fans of the Dvořák Violin Concerto. But in my experience, it's relatively unknown compared to Dvořák's more famous works. I've never performed it myself, and I've only heard it live once. It's not part of most touring soloists' repertoire, and it's just one of those pieces that rarely comes up—especially compared to the Cello Concerto, which I think I've conducted at least once every season since becoming a conductor. This concerto came about much like the Brahms Violin Concerto, the Brahms Double Concerto we talked about a couple of weeks ago, and so many other great 19th-century works: inspired by the sound of Joseph Joachim's violin. Joachim was the great violinist of the 19th century and had been a friend and supporter of Dvořák for many years. Dvořák ended up dedicating the concerto to Joachim, writing: "I dedicate this work to the great Maestro Jos. Joachim, with the deepest respect, Ant. Dvořák." Sadly—and for reasons that remain somewhat unclear—Joachim never performed the piece. That may be one of the reasons it's never achieved the popularity it deserves. Today, in this Patreon-sponsored episode, we'll dive into the concerto, exploring its unusual form, the myriad challenges it poses for the violinist, and perhaps some reasons why it's not part of the so-called “Big Five” violin concertos—even though it probably deserves to be.

Dvořák's radiant salute to the New World kicks off an American road trip with James Gaffigan at the wheel. Take in poignant selections from Gershwin's landmark opera — sung by Janai Brugger — and the composer's urbane and nostalgic love letter to Paris. Chicago native Florence Price sets two American poems to song, and a pair of symphonic showstoppers by Bernstein transports audiences to “New York, New York” and beyond. Learn more: cso.org/performances/24-25/cso-classical/an-american-suite

Antonín Dvořák - Carnival OvertureBBC Philharmonic OrchestraStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550600Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

(S4 EP23) Moody Blues - “Days of Future Past” (Derem Records)Released November 17, 1967. Recorded May 9-Nov 3, 1967 Days of Future Passed (1967) by The Moody Blues is a landmark concept album that fused rock with orchestral music, marking a pivotal moment in the evolution of progressive rock. Initially commissioned by Decca Records to showcase stereo sound with a rock adaptation of Dvořák's New World Symphony, the band instead created an original work that follows a symbolic day from dawn to night. Featuring the London Festival Orchestra and pioneering use of the Mellotron by Mike Pinder, the album blends lush orchestration with introspective songwriting. Highlights include Justin Hayward's “Nights in White Satin” and “Tuesday Afternoon,” both emotionally resonant and enduringly popular. The album's innovative structure, poetic lyrics, and seamless integration of classical elements redefined the LP as an artistic format. Days of Future Passed remains a foundational piece in the history of progressive music, influencing bands like Genesis and Yes, while solidifying The Moody Blues' legacy as sonic visionaries.Signature Songs: "Dawn: Dawn is A Feeling", "The Afternoon: Forever Afternoon" "The Night: Nights In White Satin" Full Album: YouTube, Spotify Playlist: YouTube, Spotify

The BYU-Idaho Symphony Orchestra celebrates the arrival of spring with an evening of uplifting music, featuring iconic works by Finnish composer Jean Sibelius and Czech composer Antonín Dvořák, performed live at the Barrus Concert Hall

Wisconsin lawmakers know that childcare is a huge problem in the state and a new bill proposed to give some assistance seems to be leaving some wanting more. Next...wait Derrick Van Orden did a good thing? We agree with DVO?! This can't be real. For today's Audio Sorbet, we ask you: Did you ever go into a store to buy something and instead, you bought everything? And because we know that you count on it, let's do another installment of This Shouldn't Be A Thing - If It Looks Like A Duck Edition. As always, thank you for listening, texting and calling, we couldn't do this without you! Don't forget to download the free Civic Media app and take us wherever you are in the world! Matenaer On Air is a part of the Civic Media radio network and airs Monday through Friday from 10 am - noon across the state. Subscribe to the podcast to be sure not to miss out on a single episode! You can also rate us on your podcast distribution center of choice, they go a long way! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook, X and YouTube to keep up with Jane and the show!

Peggy Van Rooij is a survivor of organized abuse who is currently still being victimized. She shares her present and past experiences in this interview as well as her challenges in finding therapeutic support. Although the introduction to this podcast is recorded in English, the interview with Peggy Van Rooij is recorded in Dutch. English subtitles are available on the Video of the podcast. To access this episode on YouTube, Click Here.To access this episode on Bitchute, Click Here. __________________________Click Here to Support our PodcastBook: "Quest for Love" - Click Here for More DetailsWebsite: www.annekelucas.comYouTube Channel: www.youtube.com/channel/UCysZ8BL_ZwWEz1k9sM2OKKgBitchute Channel: https://www.bitchute.com/channel/qtNhvFaILkK5/Odysee Channel: https://odysee.com/@AnnekeLucasPodcast:d Facebook: www.facebook.com/AnnekeLucas2/Instagram: www.instagram.com/anneke.lucas/Telegram: t.me/anneke_lucas__________________________The views and opinions expressed by guests on this podcast are their own and do not necessarily reflect those of the host or the podcast. The Anneke Lucas podcast is not responsible for any statements, claims or opinions shared by its guests.__________________________Title Music: Antonín Dvořák - New World Symphony No. 9 by Leo Symphony Orchestra...

Columnist and music critic Jay Nordlinger joins Mona for an excursion into classical music. No coat or tie required. REFERENCES: Here's a list of every musical piece played in the episode. Thomas Tallis – Motet from the Gospel of John Johann Sebastian Bach – Preludio from Partita in E major for solo violin J.S. Bach (arr. Rachmaninoff) – Preludio (Bach/Rachmaninoff transcription) Ludwig van Beethoven – Final movement from a String Quartet in C major Léo Delibes – “Flower Duet” from Lakmé Giuseppe Verdi – Duet from Otello Antonín Dvořák – Humoresque Antonín Dvořák – Humoresque (Jazz rendition) Maurice Ravel – Menuet sur le nom d'Haydn Sergei Prokofiev – “Dance of the Knights” from Romeo and Juliet Sergei Prokofiev – “Midnight” from Cinderella Scott Wheeler – “If I Had a Wife” (song cycle Serenata) Daniel Asia – “My Father's Name Was” (from Breath and a Ram's Horn) Lee Hoiby – “Goodbye, Goodbye World” Philip Glass – Violin Concerto No. 2, The American Four Seasons, final movement

„Umění mám v DNA. Neumím si představit čistou bílou zeď. I když dědeček neměl co jíst, stejně koupil obraz. Takže mám v sobě zakódováno, že mám sbírat umění," říká o odkazu předků Jakub Kodl. Nejmladší z rodiny, která už několik generací obchoduje s uměním a aktuálně připravuje otevření třípodlažní skleněné galerie na Dvořákově nábřeží v Praze.

News, exhibition showing never-before-seen images of Antonín Dvořák, reconstruction of Prague square, the return of beavers to the Czech lands 

Antonín Dvořák - In Nature's Realm OvertureBBC Philharmonic OrchestraStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550600Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonín Dvořák - Stabat Mater: Tui Nati VulneratiWestminster Choir New Jersey Symphony Orchestra Zdenek Macal, conductorMore info about today's track: Delos DE3227Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon