Podcasts about Notturno

Jazz, elettronica, rap: contaminazione di generi per gli Studio Murena. Sono al terzo album: "Notturno". Con noi Lorenzo "Carma" Carminati.

Interpreten: Harriet Krijgh, Nikita Boriso-Glebsky, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gregor BühlLabel: CapriccioEAN: 845221055350Der Dirigent Gregor Bühl setzt bei Capriccio seine Reihe mit Konzertmusik von Miklós Rózsa fort. Für Michael Gmasz ein absolut spannendes Projekt, das sich unbedingt mehr Aufmerksamkeit verdient!  Es ist für mich immer wieder faszinierend, Komponisten, die man mit ganz bestimmten Werken oder einem bestimmten Genre verbindet, quasi neu zu entdecken. So wie Miklós Rózsa, der mit seinen Filmmusiken zu Ben Hur und El Cid unsterblich geworden ist, mit seiner Konzertmusik auf unserer CD der Woche. Wie seine „avantgardistischen“ Landsmänner Bartók und Kodály hat sich auch Miklós Rózsa mit traditioneller ungarischer Musik auseinandergesetzt und diese notiert. In vielen seiner, vor allem späteren, Werke findet sich das ungarische Kolorit wieder, das er in seinen Jugendjahren und Studientagen im kleinen schwarzen Notizbüchlein aufgeschrieben hat.Rózsa jedoch auf das ungarische Kolorit zu reduzieren wäre weit gefehlt. Gemäßigt modern, meist der Tonalität verpflichtet – so lässt sich der Kompositionsstil von Miklós Rózsa am besten beschreiben. Und so verhält es sich z.B. mit dem Hauptwerk dieser CD, der Sinfonia Concertante für Violine, Cello und Orchester Op. 29. Kurz nach der Musik zu Ben Hur fertiggestellt, ist dieses Werk von der Filmmusik überraschenderweise ziemlich abgekoppelt. Nikita Boriso-Glebsky an der Geige und Harriet Krijgh am Cello spielen sich virtuos durch die herausfordernden Soloparts, die ursprünglich von keinen Geringeren als Piatigorsky und Heifetz uraufgeführt wurden! Akzentuiert und energiegeladen der erste Satz, einer lyrischen ungarischen Melodie zu Grunde liegend der zweite Variationssatz, noch am ehesten der Filmmusik zuzuordnen, der aufregende Finalsatz. Eine kleine Verschnaufpause mit einem klingenden Ausflug auf die ungarische Puszta gönnen uns Gregor Bühl und die Deutsche Radiophilharmonie Rheinland-Pfalz mit dem Notturno ungharese Op.28. Absolute Entdeckung für mich auf dieser CD ist aber die Cello-Rhapsodie Op.3, in der Harriet Krijgh als Solistin in allen Belangen aus dem Vollen schöpfen kann. (mg)

Ascoltiamo un brano dall'ultimo disco dei Beirut, artisti della settimana, parliamo dei Murder Capital costretti ad annullare due concerti in Germania per l'impossibilità di esporre la bandiera palestinese, presentiamo il libro Rockteller con Mimmi Maselli, ospitiamo gli Studio Murena per un'intervista e qualche brano live dal loro ultimo disco "Notturno"

Quattro stelle al mistero, cinque al prezzo di Vinted. Questa recensione è sponsorizzata dall'affare!Viaggio Notturno 1 "La casa", scritto e disegnato da Vanna Vinci, edito dalla Sergio Bonelli Editore.Mi trovi anche su Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.instagram.com/fumetti.e.dintorni/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Se ti piace il mio podcast, offrimi un caffè ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/fumettiedintorni⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Qui c'è il mio piccolo mercatino su Subito⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.subito.it/utente/16653861⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E qui quelloVinted⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.vinted.it/member/

Robert Schumann is a big name in classical music. However, in his own lifetime, Robert Schumann wasn't “the” Schumann. His wife was the famous one. Clara Schumann was an internationally known virtuoso who delighted audiences for 60 years, including the periods before, during, and after her eight pregnancies, Robert's illness, and eventual death. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads as Her Half of History. Music used in this episode include the following free or licensed tracks: · Robert Schumann's Kinderszenen, Op. 15: Träumerei · Clara Schumann's Soirees Musicales Opus 6: Ii. Notturno , performed by David Ezra Okonsar · Robert Schumann's Album for the Young, Op. 68, No. 10 "The Happy Farmer," performed by Trygve Larsen from Pixabay · Clara Schumann's Variations on a Theme by Robert Schumann, Opus 20, performed by David Ezra Okonsar · Clara Schumann's Soirees Musicales Opus 6: I. Toccatina, performed by David Ezra Okonsar Learn more about your ad choices. Visit megaphone.fm/adchoices

Nella celebre villa adibita ad albergo e locale per convegni e ricevimenti è andato un segno un colpo da centinaia di migliaia di euro. 20 mila euro in contanti, gioielli vari, un orologio di lusso e una pistola sono stati sottratti da un forziere trafugato all'esterno. La denuncia del furto risale a venerdì. Ad agire indisturbati erano in tre, ripresi dalle telecamere.

Luigi De Pascalis"Il buio e le stelle"La Lepre Edizioniwww.lalepreedizioni.comAndrea Sarra nasce nel 1895 a Borgo San Rocco, immaginario paese d'Abruzzo all'ombra della Majella, e fa parte di una generazione che più di ogni altra vedrà cambiare il mondo. Quindici anni fa Luigi De Pascalis ha già narrato parte della sua storia, dall'infanzia alle trincee infernali della Grande Guerra, nel romanzo La pazzia di Dio, incastonato nella parte centrale di questo libro. Ora – con una scrittura poetica e insieme di raro, potente realismo – affida alla voce di Andrea il racconto del “prima”, l'epica corale e senza tempo di Borgo San Rocco, filtrato dai ricordi familiari, e di un “dopo” a Zanzibar, dove il protagonista approda alla ricerca della donna africana che suo padre Filippo ha amato più di ogni altra. Si delinea così un viaggio che coincide con la vita, in continuo moto ondivago tra passato e presente, denso di incontri che, ognuno a suo modo, si riveleranno decisivi. Come l'Ulisse omerico Andrea è al tempo stesso tutti e nessuno, sospinto da ogni lancio di dadi del destino verso un'Itaca che resta indelebile in lui, malgrado ogni sua fuga più o meno consapevole.Luigi De Pascalis ha pubblicato molti racconti di genere fantastico, vincendo diversi premi (Montepulciano, Courmayeur, Tolkien tra gli altri). È stato il primo scrittore italiano di narrativa fantastica a essere tradotto negli Stati Uniti, in un'antologia ormai storica del genere a cura di Sprague De Camp, ed è presente in molte antologie italiane. Con La Lepre Edizioni ha pubblicato anche, nel 2010, Rosso Velabro, Il labirinto dei Sarra, La pazzia di Dio; la graphic novel Pinocchio (2011, Premio Carlo Lorenzini); Il nido della Fenice (2012); Il mantello di porpora (2014, candidato al Premio Strega); Notturno bizantino (2016, candidato al Premio Strega e vincitore del Premio Acqui Storia); Volgograd (2018); Il signore delle furie danzanti (2020); Il cavaliere, la morte e il diavolo (2021). Tra i libri pubblicati con altre case editrici: La morte si muove nel buio (Mondadori 2013); Il sigillo di Caravaggio (2019), Il pittore maledetto (2020) e La congrega segreta (2022), tutti e tre con Newton Compton; Odissea futura (già finalista al premio Urania, Tabula Fati 2024). Con Delos Book, tra il 2014 e il 2023, ha pubblicato in e-book La cena di Dumas, Il collezionista di sogni, La Chanson d'Antiochie, Il vaso di Pandora.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Fanny Mendelssohn - NotturnoMichael Landrum, pianoMore info about today's track: Dorian Sono Luminus DSL-92158Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Episode 155 Chapter 16, Other European Electronic Music Studios. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Playlist: OTHER EUROPEAN ELECTRONIC MUSIC STUDIOS Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Luciano Berio, “Mutazioni” (1955). Tape composition produced at the RAI studio (Milan). 03:36 01:38 2.     Luciano Berio and Bruno Maderna, “Ritatto di Città (poema radiofonico)” (1955). Tape composition produced at the RAI studio (Milan). 06:05 05:14 3.     Bruno Maderna, “Notturno” (1956). Magnetic tape composition, RAI studio (Milan). 03:24 11:16 4.     Dick Raajimakers, “Song of the Second Moon” (1957). Tape composition produced at the Philips Research Laboratories (Eindhoven). 03:08 14:40 5.     Luciano Berio, “Thema–Omaggio a Joyce” (1958). Early text-sound composition using magnetic tape. RAI studio (Milan). 06:24 17:48 6.     Tom Dissevelt, “Whirling” (1958). Tape composition produced at the Philips Research Laboratories (Eindhoven). 02:37 23:56 7.     Luigi Nono, “Omaggio A Vedova” (1960). Tape composition produced at the R.A.I. (Rome). 04:52 26:32 8.     Pietro Grossi, Marino Zuccheri, “Progetto II e III” (1961). Tape composition produced at the Studio Di Fonologia Musicale Di Firenze (S 2F M) (Florence). 02:56 31:24 9.     Ake Karlung, “Antihappening” (1962). Tape composition produced at the studio of ABF, Stockholm (Norway). 03:51 34:20 10.   Alfred Janson, “Canon” (1964). Tape composition produced in his private studio (Norway). 12:27 38:08 11.   Lars-Gunnar Bodin, “Den heter ingenting, den heter nog ‘Seans 2'” (1965. Tape composition produced in the studios of Swedish Radio (Stockholm). 16:00 50:46 12.   Gruppo NPS (Rampazzi, Marega, Chiggio, Meiners, Alfonsi), “Ricerca 4” (1965). Gruppo Nuove Proposte Sonore (NPS) (Padua). 05:46 01:06:46 13.   Arne Nordheim, “Response I” (1966) for 2 percussion groups and magnetic tape. Tape composition produced at NRK radio (Oslo). 18:09 01:12:32 14.   Enore Zaffiri, “Musica Per Un Anno” (1968, excerpt).  Tape composition produced at the Studio di Musica Elettronica di Torino (SMET) (Torino). 13:41 01:30:41 15.   Teresa Rampazzi, “Duodeno normale” (1972). Tape composition produced at the Gruppo Nuove Proposte Sonore (NPS) (Padua). 01:27 01:44:24   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

In questa puntata si parla dell'impatto che le leggi sul lavoro notturno e festivo ebbero su Magenta. testo di Alessandro Colombo.Testo: https://bit.ly/43kn97v

Émission du 29 janvier 2025, au côté des Syrien·nes- 14 ans de soulèvements contre le régime, un coup dans le rétroviseur par Luigi*- « L'argent c'est la pire chose dans la révolution » une rencontre avec Mehyar enregistrée par des ami·es lyonnais·es, monté et doublé par Pull- Quand les européens parlaient de « crise migratoire », un rappel de Boscop- De la cantine syrienne aux peuples veulent, un entretien de Boscop- « Retourner dans sa nation d'origine sans perdre le droit d'en repartir », une lecture de Pull** - Rindala, 2 jours après la révolution, rencontre de Boscop- Le pied sur la carte, le dessous des cartes par Boscop et Pull- « Go home ! » Témoignage de Mehyar enregistré par des camarades lyonnais·es, Pull aux ciseaux et au doublage* Un coup dans le rétroviseur nourri par des nombreux articles et davantage encore par le livre "Burning Country" de Leila al-Shami et Robin Yassin-Kassab, aux éditions de l'Echappée** extraits de Yassin Al Haj Saleh, Sur la liberté : La maison, la prison, l'exil…et le monde aux éditions de L'Arachnéen et Nisrine Al Zahre, Tout nu, la tête haute aux Éditions Esprit.Tous les morceaux de musique sont de Beak. On entend notamment les titres "Backwell", "Birthday suit", Nailsea", "Lulsgate", "Teisco", "Kidney", "Kosmik Musik" et "Yaton"Les ambiances tournées en Syrie viennent de micro anonymes trouvés sur https://aporee.org/maps/ et d'autres capturées dans le film "Notturno" et "Eau argentée".L'ensemble a été assemblé par Luigi et Le FrigoPhoto : Juma Mohammad

Daniela Finocchi"Duemilaventiquattro"Racconti di donne non più straniere in ItaliaConcorso Lingua Madreconcorsolinguamadre.itwww.seb27.itMaral narra come ha deciso di iniziare ad abitare per la prima volta la propria vita, Shima si esprime attraverso la carica evocativa e simbolica degli oggetti quotidiani, Simona Nicoleta descrive un antiretorico ritorno in patria attraverso gli occhi e i pensieri di una madre e una figlia. Racconti che coniugano immaginari e nuove sensibilità, immediatezza e autenticità, relazione e riflessioni profonde; dove le protagoniste si permettono di essere provvisorie, decidono di stare nell'oggi senza troppi proclami e propositi. A unirle è il loro sguardo al mondo e l'autorità femminile che da questo sguardo emerge. La forza motrice può essere rappresentata da una fotografia, ma anche dal cibo, dall'arte, da un incontro, dalla lingua o dall'uso dell'ironia. La migrazione, vissuta o solamente reinterpretata, non è qualcosa che le definisce, ma un approccio inedito alla complessità. Sono donne consapevoli, determinate, che pensano attraverso i loro corpi e perseguono il diritto a vivere pienamente la propria appartenenza femminile. La propria libertà.Le autrici e i racconti:   Halima Aden Omar, Le difficoltà di una donna; Mariia Aleksandrova, Fiori per l'8 marzo; Shima Allahi, I piccoli tesori; Linda Marcela Aparicio Estrada, 17 strati di pelle; Marwa Ibrahim Awad, Autobiografia; Man Azadam e Sonia Canu, Azad; Samia Maria Begar, Tra Vesuvio e stelle: sussurri di due cuori migranti; Simona Nicoleta Bogdan, Ritorno; Imane Bou-Saboun, Scambio linguistico; Anita Cagnazzo, Sotto la pelle; Lisa Calvo, Straniera, strana, extranea; Olivia Carmona Hernández, Come le api; Yuleisy Cruz Lezcano, Né colpi che fanno male né parole che feriscono; Tilly Grace Dabbs, La luce soffusa alla fine del tunnel; Cecilia Daverio, Più che sorelle; Julianna Arlette De León Vargas, Continuare; Marinella Dela Rosa, Diario di bordo: tra l'Italia e le mie radici asiatiche; Mame Diara Diop, Ricordi indelebili; Rajae El Jamaoui, E noi amiamo la vita; Maryame El Qabach, Oltre il colore della pelle; Karin Dalia Estrada Aguilar, I ricordi fioriscono; Deeqa Farah Mohamed, La donna nera; Fulvia Fieni, Il mondo capovolto; Arianna Mercy Fiori, Turbe mentali; Viviana Fragas, Un viaggio di amore; Anila Hoxha, La Franca; Shumian Huang, S'impara finché si vive; Selma Jakupovic, Mille sfumature; Kumiko Kodama, Memoria di una geisha in Italia; Kristina Konomaj, Mollare non è una scelta; Laureta Lilaj, Quando Anna incontrò la stella marina; Lorena Lomuscio, Identità riflesse: donne oltre le frontiere; Elena Lucchese, La vicina; Marcela Magalhães de Paula, Il mare di Marmara; Kristina Mamayusupova, Frammenti di identità; Caren Yanir Martinez Hurtado, Primi approcci; Valdrina Mehmedi, La donna delle onde; Sayaka Miyamoto, La forza degli udon; Clio Monaco, Marzo 2022; Valeria Natalia Moncada Bustamante con Mariapaola Infuso, Palmina Montanari e Paola Pavan, Passaporto bianco; Manishimwe Giselle Musabimana, Aranciata con pan biscotto; Natalia Esther Nieto Volante, La ricetta dell'affetto; Juliet Okojie, Una combattente; Lidia Amalia Palazzolo, La morte vi ha colto stranieri; Igballe Parduzi Emini, Il viaggio verso la libertà; Roberta Pelizza, Notturno libero; Renata Pieroni, Piccole donne; Erika Plamadeala e Diana Sinigaglia, Cibarsi di origini; Nune Poghosyan, La storia di una donna armena; Emina Ristovic, L'esame; Roberta Russo Vizzino, Le chiavi di casa; Gulala Salih con Silvia Cegalin e Manola Miglioranzi, Gulala Salih racconta Bexal Barzingi. La mia luce in fondo al tunnel; Geralda Shabani, L'attestato; Maral Shams, Capolinea; Giuliana Spadaro, Parole straniere; Maya Taylor, Diario multiculturale; Elena Titkova, Le cronache di Nadia o lo specchio della galaverna; Eralda Xibraku, La voce del mare.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 01:58:59 - Tanguy de Williencourt ; Mondkabarett ; Eva Zavaro & Clément Lefebvre ; Ensemble Céladon ; Duo Maradraq - par : Clément Rochefort - Tanguy de Williencourt, piano : "Muses" de Franz Liszt ; l'Ensemble Mondkabarett, autour du Pierrot lunaire ; Eva Zavaro, violon, & Clément Lefebvre, piano : "Notturno" ; l'Ensemble Céladon du contre-ténor Paulin Bündgen, pour des chants de trouvères ; le duo Maradraq, vocal et multi-instrumentiste - réalisé par : Sophie Pichon

durée : 00:27:41 - Eva Zavaro, violoniste - Trois ans après sa nomination aux Victoires, la violoniste franco-polonaise Eva Zavaro sort, avec le pianiste Clément Lefebvre, son premier album "Notturno", dédié à deux compositeurs a priori éloignés : Fauré et Szymanowski. Rencontre avec une musicienne fougueuse, également membre du Trio Hélios.

durée : 02:04:33 - Musique matin du mercredi 27 novembre 2024 - par : Jean-Baptiste Urbain - Trois ans après sa nomination aux Victoires, la violoniste franco-polonaise Eva Zavaro sort, avec le pianiste Clément Lefebvre, son premier album "Notturno", dédié à deux compositeurs a priori éloignés : Fauré et Szymanowski. Rencontre avec une musicienne fougueuse, également membre du Trio Hélios. - réalisé par : Yassine Bouzar

Nella mattinata di giovedì 25 ottobre, nel programma Degiornalist, Fabiana e Claudio hanno intervistato l'Ingegnere Domenico Scida - Direttore Business Intercity FS Italiane - per trattare il tema del viaggio notturno che piace sempre di più. Negli ultimi tempi c'è stato un vero e proprio rilancio di questo servizio che unisce un aspetto moderno come quello della produttività e del non voler perdere tempo a un fascino quasi retrò. Scida spiega come, il treno notte, oltre a essere comodo e confortevole, sia utile ed efficace, dato che copre il territorio nazionale in modo capillare con 148 stazioni. Anche dal punto di vista economico viaggiare in notturna è molto più conveniente del servizio diurno e ci sono diverse soluzioni: dal posto a sedere classico, alle cuccette con quattro posti, fino alla cabina in cui si può stare da soli con un prezzo che oscilla tra i 26 euro fino ad arrivare a oltre 100.

Hallo Freunde hier kommt eine neue Episode meiner Indie Dance The Mix Series... diesmal mit Colapso aus Paris, Frankreich. Viel Spaß Kurt Kjergaard Hey Friends here comes a new episode of my Indie Dance The Mix Series... this time with Colapso from Paris, France Enjoy It Kurt Kjergaard BIO COLAPSO (APERO NOTTURNO) –  ITALO / EBM / PROG HOUSE / TRANCE Colapso is a project in keeping with the spirit of the 80s and 90s. A digger with a passion for progressive house and trance, Colapso draws his inspiration from the Italo of Giorgio Moroder, German EBM, and the oriental sounds of India and the Middle East. Alternating between catchy vocals and instrumental music, he designs his sets with bouncy rhythms and touches of acid to infuse the audience with his boundless energy. Founder of the Apéro Notturno collective, Colapso has played at Paris venues such as Mazette and Marbrerie, alongside local artists and collectives - such as Clinique Lacuna, Bubs, Quartier Libre and Vénus Club - as well as international artists - such as Gaston Fiore. He has also performed at the Voyage Voyage Festival, as well as in Strasbourg and Lyon. New dates are scheduled in Paris, Biarritz and Barcelona, alongside artists such as Caiva, Odymel, Mundo D and Curses. LINKS SOUNDCLOUD Colapso: https://soundcloud.com/colapso_dj Apéro Notturno: https://soundcloud.com/aperonotturno INSTAGRAM Colapso: @colapso_dj Apéro Notturno: @aperonotturno FACEBOOK Colapso: https://www.facebook.com/colapso_dj  Apéro Notturno: https://www.facebook.com/aperonotturno Tracklist 1. Flashmob, Lexa Hill - What 2. Disfreq - Lights

 3. Ton Globiter - Terminal B

 4. Disfreq - Later

 5. REES - Reptile

 6. Ton Globiter - Zur Xtasy

 7. Disfreq - Batida

 8. Orchid - Goa Train

 9. Abdul Raeva - Speed Dance

 10. Laherte - Gate

 11. Clüb De Combat - Delirio

 12. Jean Bruce - A Trip Back Into Time (Vondkreistan Remix)

 13. Zaatar - Zankat mimosas

 14. Elkka - DJ Friendly

 15. Clint - Theta Overdrive

 16. Ahmed Adaweya - Bent el Soltan (thePhilosophica Edit)

 17. Adana Twins feat. Jasmine Azarian - Feel The Acid

 18. Dar Beida 04 (feat. Kasbah Rockers) - Karma Iz Iman

 19. mpeg - Botanist (Bliss Inc. Remix)

 20. I.E - Hiding When The Sun Is Dark listen all episodes also on APPLE PODCAST podcasts.apple.com/de/podcast/kurt…E7vXOuDgX7Ga8z4 SOUNDCLOUD PLAYLIST soundcloud.com/kk-remixe/sets/indie-dance-the-mix-series Disclaimer: All material on this channel is posted with the explicit consent of the artist/labels and no copyrights are violated in any way. If you are a copyright owner and want your work to be removed from our channel please contact us with a personal message here and we will remove your material right away. Please note that we do not benefit from posting this material and have only the intention to help new and emerging artist to be heard by supporting & promoting podcasts. Thx a lot... Kurt Kjergaard

Mit Anfang 20 schreibt Frédéric Chopin drei Nocturnes, von denen mindestens eines weltberühmt werden sollte. Der Pole hat gerade seine Heimat verlassen, um die vornehmen Pariser Salons zu erobern. Im Gepäck hat er diese Nachtstücke voller Poesie, die bei den Zeitgenossen einen Nerv treffen. Von Michael Lohse.

In queste ore avviene un cambio di circolazione. Le correnti ruoteranno dai quadranti orientali. Un brusco calo delle temperature sarà accompagnato da un modesto peggioramento del tempo sul vicentino con quota neve in calo fino alla bassa collina. Venti sostenuti da est in pianura, a seguire forti gelate.

Donald Macleod explores the life and music of German composer Engelbert Humperdinck German composer, Engelbert Humperdinck, became an international celebrity with his music for the stage. His lasting hit was his opera, Hansel and Gretel. There were other huge successes too. Die Heirat wider Willen (The Reluctant Marriage) was highly praised after its premiere at the Royal Opera in Berlin, and Humperdinck took 19 curtain calls in London for his stage work Das Wunder (The Miracle). In New York, at the Metropolitan Opera House, after the premiere of Humperdinck's opera Königskinder (King's Children), the applause just kept going so that the management had to turn the lights off, in order to force the audience to leave.Humperdinck was born in Siegburg, and from early on his parents encouraged his musical abilities, provided he focused on his other school commitments, too. He went on to study at the Cologne Conservatoire and soon fell under the spell of Wagner whom he met, and later worked with, in the preparation of Wagner's opera, Parsifal. Humperdinck travelled Europe, and in the early 1890s he saw the premiere of his own opera Hansel and Gretel, which was performed on sixty-nine German stages within one year. Humperdinck became a professor of composition in Berlin and, between his teaching duties, he continued to write many works for the stage. Opera houses clambered to give the premiere of a new work by Humperdinck and he became a giant of his times. Music Featured: Evening Prayer (Hansel and Gretel) Weihnachten Piano Quintet in G (Allegro moderato) Hansel and Gretel (Overture) Die Wallfahrt nach Kevlaar (excerpt) Notturno in G, for violin and string quartet Junge Lieder Die Lerche String Quartet in C minor Wagner arr. Humperdinck: Parsifal (Herzeleide) Hansel and Gretel (excerpt) Nachtstück in A flat Christkindleins Wiegenlied An das Christkind Frühlingssehnsucht Altdeutsches Liebeslied Wiegenlied Piano Quintet in G (Adagio) Das Licht der Welt Erinnerung Liebesorakel Königskinder (excerpt) Moorish Rhapsody (Elegy at Sunset) Die Heirat wider Willen (excerpt) Winterlied Shakespeare Suite No 1 (Ferdinand und Miranda) Die Lerche II Verratene Liebe Unter der Linden Das Wunder (excerpt) String Quartet in C (Lebhaft)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Engelbert Humperdinck (1854-1921) https://www.bbc.co.uk/programmes/m001t2k8 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Gennaro Serio"Ludmilla e il corvo"L'Orma Editorewww.lormaeditore.itNel settembre del 1923, mentre passeggiavano in un parco a Berlino, Dora e Franz si imbatterono in una bambina in lacrime, inconsolabile all'offerta di una carezza e persino di un gelato. Kafka le chiese cosa potesse darle tanto dispiacere. La bambina disse di non trovare più la sua bambola, quella che tante ore di felicità aveva condiviso con lei. Credeva di averla smarrita al parco. Kafka quasi pianse, dice Dora, ma senza farsi notare dalla bambina. Disse, so io dove si trova la tua bambola. Come fai a saperlo, chiese la bambina. Mi ha scritto una lettera per te, disse Kafka, ce l'ho a casa, se vuoi vado a prenderla. Sì? chiese la bambina, davvero? prendila, per piacere. Io mi chiamo Franz, si presentò Kafka. Io Ludmilla, disse la bambina.Uno studioso islandese siede all'ombra di una veranda affacciata sui vitigni di Coimbra. Tiene la mano poggiata su un plico di fogli ingialliti, che si credeva esistesse soltanto nelle fantasie più spericolate dei critici letterari di mezzo mondo. Se fosse ciò che sembra, vi si troverebbe raccontato il lungo viaggio di una bambola braccata da elusivi figuri che la tengono lontana dall'amore della sua vita, un corvo.Alla ricerca di quelle pagine fantasma – inseguite invano fra tendoni da circo, casseforti inviolabili e traduzioni approssimative – si sono lanciati per decenni cacciatori di manoscritti e fanatici pronti a tutto. Si vocifera possa essere il leggendario romanzo che Franz Kafka avrebbe scritto per consolare una bambina in lacrime, incontrata durante una passeggiata al parco nel settembre del 1923.Gennaro Serio prende spunto da questo episodio reale della vita del grande scrittore praghese e, con una prosa iridescente e un'inventiva densa di umorismo, lo trasforma in un implacabile gioco narrativo. Ludmilla e il corvo è un romanzo fiabesco, avvincente e caparbiamente inverosimile, una festa della finzione che celebra il potere immaginifico della letteratura.Gennaro Serio è nato a Napoli nel 1989. Lavora nella redazione di «Alias D», supplemento libri del «manifesto», e collabora con varie testate e inserti culturali. La sua opera prima, Notturno di Gibilterra (L'orma editore 2020), un giallo letterario e parodistico, oltre ad aggiudicarsi il Premio Italo Calvino, è stata accostata alle atmosfere di Bolaño e di Eco e salutata dalla critica come uno degli esordi più sorprendenti degli ultimi anni.Ludmilla e il corvo è il suo secondo romanzo.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

De Max Richter al último álbum de Víkingur Ólafsson, «el Glenn Gould de Islandia», en un programa evocador en el que también contamos con la arpista Lavinia Meijer; el Dream House Quartet de las hermanas Katia y Marielle Labèque, David Chalmin y Bryce Dessner; Gabríel Ólafs o Brian Eno, entre otros. SLEEP: Tranquility Base Max RichterNotturno         Víkingur Ólafsson, Álfheiður Erla GuðmundsdóttirThe Plover and the Raven      Víkingur Ólafsson, Snorri Hallgrímsson, Þorsteinn EyfjörðSung (After Brahms)  Víkingur ÓlafssonBird as Prophet           Víkingur Ólafsson, Michael A. Muller, Heather Woods BroderickThe Arts and the Hours          Lavinia Meijer, Jean-Philippe RameauSun     Lavinia MeijerEllis Island      Meredith Monk, Katia Labèque, Marielle Labèque, Bryce Dessner, David ChalminPausa Dom La NenaFantasía           +Bambaló          Gabríel Ólafs, Steiney SigurðardóttirMoving Chords          Roger EnoEscuchar audio

Fanny Mendelssohn - NotturnoMichael Landrum, pianoMore info about today's track: Sono Luminus DSL-92158Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Emilie Mayer - NotturnoAnne Katharina Schreiber, violinJutta Ernst, pianoMore info about today's track: CPO 555029-2Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Franz Schubert - Piano Trio "Notturno"Stuttgart Piano TrioMore info about today's track: Naxos 8.550132Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Episode 100 Crosscurrents in Early Electronic Music: Italy—Part 1 Playlist Berio, Maderna, Nono, Zuccheri, RAI Studio di Fonologia Musicale (RAI), Milan Luciano Berio, “Mutazioni” (1955) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). The first complete tape work by Berio at the newly founded RAI studio, which he was running with composer Bruno Maderna. Sound engineering by Marino Zuccheri. Berio and Maderna kept an open mind about the music that would be produced under its roof. They did not align themselves aesthetically with either the musique concrète approach taken in Paris or the serialist, rules-based composing style of Cologne. “Bruno and I immediately agreed,” explained Berio, “that our work should not be directed in a systematic way, either toward recording acoustic sounds or toward a systematic serialism based on discrete pitches.”[1] As a consequence, Alfredo Lietti Marino Zuccheri, engineers for the studio, filled it with equipment that appealed to a wide spectrum of compositional needs. In 1956, studio no. 3 at RAI had a custom-built cabinet with six vertical racks consisting of audio generators (9 sine wave oscillators, 1 white noise generator, 1 pulse generator), sound modifiers (plate reverb, octave filter, high pass filter, low-pass filter, variable band-pass filter, third-octave filter, ring and amplitude modulators), and a mixing panel. Several tape recorders were available mix and match sounds. You can almost sense the excitement of the creation of these foundational works as each composer brought their own individualism to the sound a translated that into electronic music. 3:36 Berio & Maderna, “Ritatto di Città (poema radiofonico)” (1955) (1955 RAI). File from the RAI Archives. This is an excerpt from a radiophonic production that was 26' long. 6:05 Bruno Maderna, “Notturno” (1956) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). Maderna's first official solo tape work produced at the RAI studio. From an original disc released by the RAI in 1956. 3:24 Luciano Berio, “Perspectives” from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). An eight-part work of experiments in transforming musical sounds and rhythms with electronic manipulation. 6:36 Bruno Maderna, “Música su Due Dimensioni” from História da Música Eletroacústica (1958). 7:10 Luciano Berio, “Momenti”(1960) from Images Fantastiques (Electronic Experimental Music) (1968 Limelight). This release was an American collection of European electronic music released on the Limelight label, a subsidiary of Philips. Although released a few years after “Momenti” was available elsewhere, this was an album that captivated my imagination at the time. You hear Berio's innate sense for fashioning unique sounds and rhythms with this sound material, adding some reverb to give it depth, producing audio that is reminiscent of natural sounds, but transformed to give it an other-worldly quality. 7:02 Bruno Maderna, “Dimensioni II (Inventione su Una Voce)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Anyone familiar with Italian new music will know the name of Cathy Berberian. She was an American operatic mezzo-soprano and for a time (1950-64) was married to Luciano Berio. She was a kind of muse for the modern composers at the Milan studio, lending her incredible vocal capabilities to tracks that could then be transformed into electronic music. One such famous piece, not included here because it is so familiar, is “Thema (Omaggio a Joyce)” by Berio. Instead, I wanted to feature another tape piece, this one by Maderna, because he not only transforms Berberian's voice using electronic techniques but allows her to express herself as well in some unmodified sections. This marks a period where Maderna was longer magnetic tape pieces, ten minutes or more each. Unlike his shorter, more frenetic works, these longer pieces gave him time to develop themes, apply long silences, and structure his works around variations on his audio materials. 10:52 Luigi Nono, “Omaggio a Vedova” (1960) (1976 Wergo). A magnetic tape work by another outstanding contributor to electronic music in Italy, Luigi Nono. Like Berio, Nono went on to be better known for his instrumental and vocal compositions. This work is an homage to artist Emelie Vedova. Note that we feature another homage to Vedova from 1967 later in the podcast, “Parete 1967 _1” by Marino Zuccheri. 4:52 Niccolò Castiglioni, “Divertimento” (1960) from Elektron 3 (1967 Sugar Music). Produced at the Studio di Fonologia Musicale di Milano. Castiglioni was an Italian composer, born in Milan who later came to the United States to teach composition at the University of Michigan. This work sounds a bit like chirping insects and is the only tape piece he produced at the RAI. 2:38 Bruno Maderna, “Le Rire” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Another long-form tape piece by Maderna. The voices heard and processed are those of Maderna, Cathy Berberian, and the sound designer Marino Zuccheri. The sounds in the beginning are modulated by sine waves and filters, plus some occasional ambient sounds like footsteps and rain. The second part of the work, beginning around the 11-minute mark, switches to more traditional musique concrete sounds reminiscent of drums, flutes, as well as white noise. 15:53 Luigi Nono, “La Fabbrica Illuminata” for voice and magnetic tape (1964) from Luigi Nono La Fabbrica Illuminata (1968 Wergo). Nono was also expanding his use of electronic sounds and wrapping them in vocal music. This work combines sounds created at the RAI with vocals written for a choir ( Chor Der RAI Mailand) and sopranos (Carla Henius). Marino Zuccheri helped Nono with the tape music. 16:28 Jon Hassell, “Music for Two Vibraphones” (1965) (1965 RAI). Yes, this is the Jon Hassell, the American composer and trumpeter. I know he is American, but I couldn't resist including this brief track that he recorded while in Milan in 1965. To my ears, this has an especially digital sound, especially when you consider how time consuming it must have been to assemble the opening sequence using tape editing. It is also a work of contrasts, with the explosive opening section giving way to about a minute of extremely quiet, almost ambient sound to close the work. 2:43 Marino Zuccheri, “Parete 1967 _1” (1967) from Parete '67 Per Emilio Vedova (2018 Die Schachtel). The sound mixer and designer at the RAI studio, Zuccheri often appears as a credit on works created in the studio. Working as a sound technician after World War II, Zuccheri was transferred to the RAI headquarters in Milan where he met Luciano Berio. He was instrumental in developing the system and layout of the Studio di Fonologia Musicale, where he worked until 1983. His close collaboration with the composers working at the Studio, above all Berio, Maderna and Nono, gave rise most of their notable tape pieces. Visitors, such as John Cage, were quick to acknowledge his steady hand as chief orchestrator of sound and engineering at the studio. He was often asked to provide electronic music for broadcast and film productions, of which this is one, a collaboration with Emilio Vedova for the preparation of the Italian pavilion of the Montreal Expo. 15:03 Luigi Nono, “Contrappunto Dialettico Alla Mente” (For Magnetic Tape)(1968) from Roland Kayn / Luigi Nono – Cybernetics III / Contrappunto Dialettico Alla Mente (1970 DGG). Another one of Nono's exquisite works combining vocals and electronic music on magnetic tape, recorded at RAI. In this work you can see how Nono complements the sound palette of the usual RAI sounds with sounds that are uniquely presented by human voices. Chorus, Coro Da Camera Della RAI; Conductor, Nino Antonellini; Soprano Vocals, Liliana Poli; Other Voices, Cadigia Bove, Elena Vicini, Marisa Mazzoni, Umberto Troni. 19:48 Opening background music: Bruno Maderna, “Serenata III” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). 11:20 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.   [1] Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Upper Saddle River, NJ: Prentice Hall, 1997), 48

The song of a nightingale on an Italian evening. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Not all of Grieg's works were inspired by the Norwegian countryside. Today we talk about the evening of Grieg's life and one of his works inspired by an Italian night. We discuss May-December relationships, quid pro quo relationships, and nightingales. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Yes, June is bustin' out, and so is a new episode. Jay plays that song and several others, known and less known. There's also piano music, a violin piece—a tasty musical meal. Rodgers & Hammerstein, “June Is Bustin' Out All Over,” from “Carousel” Kern & Harbach, “Smoke Gets In Your Eyes,” from “Roberta” Albéniz, “Evocación,” from “Iberia,” Book 1 Strauss, Adolf, “Ich weiß bestimmt, ich werd' dich wiedersehen” Bloch, “Nigun,” from “Baal Shem” Romberg & Hammerstein, “Stout-hearted Men,” from “The New Moon” Lehrer, “Alma” Respighi, “Notturno”

durée : 00:04:38 - Le Feuilleton - Profession de foi, Au-dedans tes yeux sont des fenêtres, Notturno, Poèmes extraits du recueil Toute personne qui tombe a des ailes, traduction par Françoise Rétif aux éditions Gallimard

durée : 00:04:38 - Le Feuilleton - Profession de foi, Au-dedans tes yeux sont des fenêtres, Notturno, Poèmes extraits du recueil Toute personne qui tombe a des ailes, traduction par Françoise Rétif aux éditions Gallimard

From Academy Award® nominated filmmaker Gianfranco Rosi (FIRE AT SEA, NOTTURNO) comes IN VIAGGIO: THE TRAVELS OF POPE FRANCIS. Rosi chronicles the travels of the head of the Catholic church, Pope Francis, as he crisscrosses the globe to meet with political, secular and religious leaders. Composed mostly of archival footage, the film grants rare access to the public life of the pontiff, from the elevated security of his pulpit and traveling through large crowds to the personal interaction with impoverished, the frail and the incarcerated. In the first nine years of his pontificate, Pope Francis made 37 trips visiting 53 countries, focusing on his most important issues: poverty, migration, the environment, solidarity and war. Intrigued by the fact that two of Francis's trips - the first to the refugees landing in Lampedusa; the second in 2021 to the Middle East - so closely mirrored the itineraries of his films Fuocoammare (Fire At Sea, 2016) and Notturno (2020), Rosi follows the Pope's Stations of the Cross. He sees what he sees, hears what he says and creates a dialogue between archival footage of Francis' travels, images taken by Rosi himself, recent history and the state of the world today. Director Gianfranco Rosi joins us for a conversation on meeting Pope Francis, his affinity for connecting with people, the spiritual and metaphysical importance of the “journey” towards a greater understanding our own humanity. For more go to: inviaggiodoc.com

The name and personality of Niels Wilhelm Gade are well known among music specialists, but unfortunately largely ignored by the mainstream concert repertoire and its audiences. And this is an unfair and regrettable situation, since Gade is an important figure under both the historical and the artistic viewpoint.Tracklist1)Aquarelle Op. 19 n. 1 “Elegie”2)Aquarelle Op. 19 n. 2 “Scherzo”3)Aquarelle Op. 19 n. 3 “Canzonette”4)Aquarelle Op. 19 n. 4 “Humoreske”5)Aquarelle Op. 19 n. 5 “Barcarole”6)Aquarelle Op. 19 n. 6 “Capriccio”7)Aquarelle Op. 19 n. 7 “Romanze”8)AquarelleOp. 19 n. 8 “Intermezzo”9)Aquarelle Op. 19 n. 9 “Novellette”10)Aquarelle Op. 19 n. 10 “Scherzo”11)Sonata in E minor Op. 28: I. Allegro con fuoco.12)Sonata in E minor Op. 28: II. Andante.13)Sonata in E minor Op. 28 III. Allegretto.14)Sonata in E minor Op. 28 IV. Molto Allegro e appassionato.15)Phantasiestücke Op. 31 n. 1: Moderato16)Phantasiestücke Op. 31 n. 2: Allegretto vivo17)Phantasiestücke Op. 31 n. 3: Molto vivace18)Phantasiestücke Op. 31 n. 4: Allegro non troppo19)Aquarelle Op. 57 n. 1 “Humoreske”20)Aquarelle Op. 57 n. 2 “Notturno”21)Aquarelle Op. 57 n. 3 “Scherzo”22)Aquarelle Op. 57 n. 4 “Romanze”23)Aquarelle Op. 57 n. 5 “Capriccio”Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In the footsteps of Mark Twain, we're on the lookout for historical rhymes in today's world.Gianfranco Rossi's "Notturno" - a documentary like you've never seen - is next up on our disquieting journey.Also, our twelfth season is coming up, and we want YOUR input!  

必须要聊聊勋伯格了。第一次世界大战几乎摧毁了欧洲的一切，也包括西方音乐最后的辉煌期。为西方音乐史掘土的主要发动人物，或许就是勋伯格和斯特拉文斯基了。他们毫无顾忌的实验可能彻底颠覆了旧的西方音乐既有架构，为后来的新世界音乐发展开辟了可能性。本期我们就来聊聊这个让音乐传统化为粉末的时代和人。包含曲目：0:26- Notturno for Strings and Harp - Schoenberg: Notturno for Strings and Harp (勋伯格,弦乐和竖琴的 "夜曲")7:10- The Rite of Spring, Part I - 1 The Adoration of the Earth - Introduction15:18- 6 Little Piano Pieces, Op. 1: II. Langsam

Ilide Carmignani"Notturno cileno" di Roberto BolañoAdelphihttps://www.adelphi.it/Traduzione di Ilide Carmignani.«Ora muoio, ma ho ancora molte cose da dire. Ero in pace con me stesso. Muto e in pace. Ma all'improvviso le cose sono emerse». L'uomo che in una notte di agonia e delirio decide di ripercorrere la propria esistenza è stato un sacerdote, un membro dell'Opus Dei, e anche un poeta e un autorevole critico letterario. Ma soprattutto ha sempre badato a tenersi al riparo da ogni rischio, e per riuscirci si è piegato a molti compromessi, ha chiuso gli occhi dinanzi a molte nefandezze, si è macchiato di molte viltà. Ha accettato e svolto coscienziosamente incarichi bizzarri, come dare lezioni di marxismo a Pinochet e ai membri della sua giunta, e ha preso parte a squisite serate letterarie in una sontuosa villa, alla periferia di Santiago, nei cui sotterranei venivano torturati gli oppositori politici al regime. E adesso che le cose e i volti del suo passato gli turbinano davanti come sospinti da un soffio infernale, «si scatena la tempesta di merda».Roberto BolañoScrittore cileno (Santiago del Cile 1953 - Barcellona 2003). Messicano di adozione, ha dato vita al movimento poetico d'avanguardia infrarealista (insieme con M. S. Papasquiaro), in opposizione all'establishment letterario messicano. In seguito si è trasferito in Spagna, pubblicando diversi romanzi e raccolte di racconti tra cui Estrella distante (1996; trad. it. 1999), Llamadas telefónicas (1997; trad. it. 2000), Los detectives salvajes (1998; trad. it. 2003), Nocturno de Chile (2000; trad. it. 2003), Amuleto (1999; trad. it. 2001), Una novelita lumpen (2002; trad. it. Un romanzetto lumpen, 2013). Gli eroi picareschi tipici della sua produzione traggono spunto dalle esperienze giovanili e in particolare dalla militanza in movimenti d'avanguardia non solo letteraria, ma anche politica (nel 1973, di ritorno in Cile, è stato incarcerato perché in opposizione con il regime di A. Pinochet). La recente riscoperta dell'opera di B. ha portato alla pubblicazione postuma di diverse opere, anche in Italia: si ricordano El tercer Reich (1989; trad. it. 2010); 2666 (2004; trad. it. 2007), la raccolta di versi La universidad desconocida (2007; trad. it. 2020) e Los sinsabores del verdadero policía (2011; trad. it. 2012). Nel 2016 è stato pubblicato il romanzo inedito El espíritu de la ciencia-ficción (trad. it. 2018), scritto da B. agli inizi degli anni Ottanta, mentre è del 2018 Sepulcros de vaqueros (trad. it. 2020).IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

In this episode, Dave and Andrew discuss a composer who is usually considered a 12-tone composer, but who also rejected labels. He famously told the New York Times in 1997 that "If anyone writes program notes and says I am a Serial or a 12-tone composer, I am infuriated." How do Dave and Andrew label Martino's music? How does Notturno fit into the style of other winners in the early 1970s?   If you'd like more information about Donald Martino and Notturno, we recommend: James Praznik's 2022 dissertation "Dreaming of Single Hexachords in an Infinite Expanse: An Analysis of Movement II of Donald Martino's Notturno" The collection of articles in tribute to Martino in Perspectives of New Music 29/2 (Summer 1991) Bruce Duffie's interview with Martino

Synopsis An old music dictionary's definition of “nocturne” reads as follows: “A night piece, a musical composition that suggests a nocturnal atmosphere, for example Haydn's ‘Notturno' or Mozart's ‘Serenata Notturna,' but more specifically a short piece of romantic character. First to use this title for this genre was John Field, followed by Chopin.” Hundreds of composers since Field and Chopin have tried their hand at writing nocturnes. This particular one was written for flute and guitar by the Boston-based composer Daniel Pinkham, as part of a five-movement suite of Nocturnes, all premiered on today's date in 1993, at the First and Second Church in Boston. Now, as any insomniac will tell you, there are all sorts of night moods, and the descriptive titles of Pinkham's set of five “Nocturnes” ranges from the sprightly to the serene, with others entitled “brooding,” “sultry,” and “restless” tossed in for good measure. Daniel Pinkham was particularly fortunate in his teachers. Imagine studying composition with Aaron Copland, Walter Piston, and Samuel Barber, or harpsichord with Wanda Landowska and organ with E. Power Biggs. Pinkham did – and in turn became a successful teacher himself, with a long tenure at the New England Conservatory of Music. He served as music director of Boston's historic King's Chapel, and as a composer was particularly honored by his church musician colleagues for his many works for chorus and organ. Music Played in Today's Program Daniel Pinkham (1923 - 2006) — Nocturnes (Fenwick Smith, flute; David Leisner, guitar) Koch 7423

On An Overgrown Path, Leoš Janáček's 15 pieces-spanning piano cycle, is here presented in a reshaped guise, arranged for string orchestra, and interpreted by the Camerata Zürich under lead violinist Igor Karsko's direction. This is the premiere recording of the orchestral adaption. In this program, Janáček's cycle is bookended by Josef Suk's Meditation on the Old Czech Chorale St. Wenceslas and Antonín Dvořák's Notturno – pieces that are thematically connected to the folkloric elements found in Janáček's composition. French writer Maïa Brami wrote poems to accompany the new arrangement of On An Overgrown Path, and their recorded versions, spoken by the writer herself, are included on the album, contextualizing the cycle with inventive analogies to Janáček's life.Purchase the music (without talk) at:On An Overgrown Path (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

Fanny Mendelssohn - Notturno Michael Landrum, piano More info about today's track: Dorian Sono Luminus DSL-92158 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Ten utwór jako pierwsza śpiewała Pola Negri. Jak potoczyły się jej losy? Dlaczego musiała zrezygnować z kariery w Hollywood? O tym usłyszą Państwo w ósmym odcinku serii „Piosenka prawdę ci powie” w wykonaniu Izabeli Żukowskiej.… Czytaj dalej Artykuł Piosenka prawdę ci powie – „Tango Notturno” pochodzi z serwisu Audycje Kulturalne.

Critique cinéma par François Bégaudeau du film "Notturno" réalisé par Gianfranco Rosi. De l'Irak au Kurdistan, en passant par la Syrie et le Liban, les stigmates des récents conflits armés sont encore vivaces. Les infrastructures sont en ruines tandis que les populations encaissent l'onde de choc de ces violences récurrentes. Notturno est la suite de Fuocoammare, précédent documentaire de Gianfranco Rosi, qui part voir d'où les migrants sont partis, ce qu'ils ont fuit. Trois années d'observation et d'immersion, dont Rosi prélève en plans fixes, sans commentaires, un Moyen-Orient suspendu dans l'espace et le temps d'un conflit sans fin… Date de sortie : 22 septembre 2021 © 2021 – Météore Films Musique : © Saja Al-Maghasba - Mawtini

Second only to the United states, Brazil’s death toll stands at over 275,000 and it’s now entering the deadliest chapter in this crisis. CNN Correspondent Matt Rivers gives us the view from the ground in Sao Paolo. Then Brazil's former health minister Luiz Henrique Mandetta joins Christiane Amanpour to discuss the failings of President Bolsonaro to tackle the pandemic and warns that there are many difficult days ahead. One corporation, Salesforce, is using its vast computing resources to help health agencies around the world track vaccinations. Our Hari Sreenivasan speaks to CEO Marc Benioff about the many ways COVID-19 is changing the world, both for businesses and the public. Today marks 10 years since the start of the war of Syria; a deadly conflict that would decimate millions of lives and leave the economy in tatters. Directors Waad Al-Kateab and Gianfranco Rosi reflect on where Syria is today. Their documentaries “For Sama" and "Notturno" respectively give an emotional and raw account of life under siege and the aftermath of so many years of war.To learn more about how CNN protects listener privacy, visit cnn.com/privacy