Podcasts about fishermen

Beyond Boston: Epic Day Trips & Weekend Getaways in New EnglandBoston is amazing, but here's the thing: sometimes you've gotta escape the city limits to really soak in New England magic. Lucky for us wanderers, Boston sits at the heart of some of the coolest, quirkiest, most historic little towns in the U.S. We're talking witch trials, fishing villages, patriotic battlegrounds, and even beachy boardwalk sunsets.Grab a rental car (yes, it's finally worth it outside the city), load up on Dunkin' iced coffee, and let's road trip Travel Brats style. Here are the best day trips and weekend escapes from Boston that'll make you fall in love with New England all over again. Salem: Witches, Ghosts & Seaside VibesAbout an hour north of Boston, Salem is basically Halloween Town year-round. It's spooky, historic, and surprisingly charming.Walking Route to Hit the HighlightsGedney House (21 High St) – One of the oldest timber-frame homes in Salem, creaky and full of character.Salem Jail (50 St. Peter St) – Atmospheric and eerie; you'll feel like you've stepped into a gothic novel.Broad Street Cemetery – Quiet, haunting, and beautiful.The Witch House (310 Essex St) – Former home of Judge Jonathan Corwin from the witch trials. Legit spooky.Ropes Mansion (318 Essex St) – Movie fans, this is Allison's house from Hocus Pocus. The gardens are gorgeous.Salem Witch Museum (Washington Sq.) – Dramatic, theatrical, and totally worth it for the immersive history lesson.Optional extra: Max & Dani's House (Ocean Ave) from Hocus Pocus. It's a bit of a trek, but fangirls/fanboys, this is your moment.Afternoon Treat: Schooner Fame CruiseFor a change of pace, hit the water on the Schooner Fame. You can help hoist the sails, steer the ship, and pretend you're a pirate for the afternoon. Way more interactive than your average harbor cruise.Eats in SalemVillage Tavern – Cozy, hearty, and pub-y.Longboards – Chill vibe, seafood-heavy menu.Oneil's – Local classic. Lexington & Concord: Where the Revolution BeganIf you geek out on history (hi, it's me ✋), this one's a must. Just 30 minutes from Boston, these twin towns are where the Revolutionary War kicked off.Drive between the sites because they're spread out, but don't expect Uber to save you here—it's not very ride-share friendly.Highlights:Lexington Battle Green – Where the “shot heard 'round the world” was fired.Minute Man National Historical Park – Scenic walking trails + reenactments.Concord's North Bridge – Stand where the colonists forced the British to retreat.Orchards & Farms – Depending on the season, you can go apple picking or just sip hot cider.It's basically a living history lesson, except with better snacks.Walden Pond: Nature Meets LiteratureWalden Pond is the kind of place that makes you want to throw your phone into the lake and live like Thoreau (minus the whole no-WiFi situation).For history lovers: This is where Henry David Thoreau lived in his tiny cabin and wrote Walden.For nature lovers: It's a gorgeous, swimmable pond surrounded by peaceful hiking trails.Pro tip: Visit in the morning to beat the crowds, especially in the fall when the foliage is next-level. Cape Cod & Martha's Vineyard: Beachy BlissAbout 90 minutes south of Boston, Cape Cod is summer in postcard form: sandy beaches, salty air, and clapboard houses.Cape HighlightsHyannisport – Kennedy family stomping grounds.Sandwich Boardwalk – Walk this at sunset for pure magic.From here, hop a ferry to Martha's Vineyard. Yes, it takes planning—parking, ferry tickets, bus passes—but it's worth every ounce of effort. Once you're there, rent bikes or hop the island buses to explore:Oak Bluffs – Cute gingerbread houses.Edgartown – Upscale shops and restaurants.Beaches – All of them. Pack snacks and beach hop.It's laid-back, stunning, and gives you all the coastal New England vibes. Gloucester & Rockport: Fishermen & Art LoversNorth of Boston, you'll find Gloucester, one of America's oldest fishing ports.Fishermen's Memorial – A powerful tribute with the names of those lost at sea.Harbor Walk – Scenic and lively with boats everywhere.Nearby Rockport is like a tiny storybook village with shops, art galleries, and ocean views for days. Perfect for an afternoon stroll with an ice cream cone in hand. Portsmouth, New Hampshire: A Seaport SurpriseDrive about an hour north and boom—you're in Portsmouth, NH. This little town is buzzing with cool restaurants, historic homes, and waterfront charm.Perfect for:A dinner out with fresh seafood.Wandering cobblestone streets.Starting a mini New England road trip if you're heading toward Maine. Foxborough: Patriots NationIf you're into football, a trip to Gillette Stadium in Foxborough is basically a pilgrimage.Training Camp (summer) is free, but it gets packed.Patriot Place is like an entertainment complex on steroids—restaurants, shops, and a museum.Even if you're not a Pats fan, the energy is infectious. Plymouth: Pilgrims, Lobster Rolls & Shimmer by the SeaWelcome to America's hometown—the landing spot of the Mayflower. And yes, the infamous Plymouth Rock is here (spoiler: it's… underwhelming).How to Spend a Day in PlymouthBreakfast at Café Nicole – Fuel up for exploring.See the Mayflower II – A replica of the original ship.Tavern on the Wharf – Grab a lobster roll for lunch.Shimmer by the Sea cocktail – Sparkly, fun, and Instagram-worthy.Monument to the Forefathers – Bigger than you'd expect.Cupcake Charlie's – Sweet pit stop.Shopping – Fave stores: Soft as a Grape & Fidel's.First Church in Plymouth – Founded in 1606.Marina Walkway – Perfect for catching the sunset.Dinner at 71 West – End with waterfront dining.It's touristy, yes, but in the best way. Bonus: Manchester, NH & Fall LeavesIf you're visiting in the fall, New England's foliage is basically the main event. A quick drive up to Manchester, NH, or even deeper into the White Mountains, will blow your mind with fiery reds, golden yellows, and Instagram gold. Bring a sweater, a thermos of cider, and your camera. Final ThoughtsBoston is the hub, but the real magic happens when you venture just beyond. From spooky Salem to sun-soaked Cape Cod, every trip feels like stepping into a different story. The best part? You don't have to pick just one. With a car, a little caffeine, and a sense of adventure, you can road trip your way through history, beaches, and small-town charm—all within a couple of hours of the city.So, next time you're in Boston, don't stop at the Freedom Trail. Go beyond. The witches, patriots, and fishermen are waiting. 

Send us a textThis week on The Corie Sheppard Podcast, we sit down with Gary Aboud — businessman, activist, and long-time Corporate Secretary of Fishermen and Friends of the Sea (FFOS).From building Mode Alive into one of Trinidad and Tobago's most recognizable retail brands to decades of outspoken advocacy on issues like oil spills, coastal protection, and sustainable fishing, Gary has never shied away from standing up for what he believes in.In this wide-ranging conversation, we cover:The origins and growth of Mode Alive and his approach to running a data-driven business.Why he believes entrepreneurship and small business are central to national development.The launch of his YES Program to support young entrepreneurs and educators.His views on environmental protection, public health, and what true sustainability means for Trinidad and Tobago.How personal experiences shaped his passion for justice, unity, and nation-building.It's a powerful and candid conversation about business, activism, and responsibility — and why speaking out matters.Harvard Implicit Association Testhttps://implicit.harvard.edu/implicit/takeatouchtest.htmlClick the link in my bio for the full episode.#coriesheppardpodcast #GaryAboud #ModeAlive #FFOS #TrinidadAndTobago #entrepreneurship #advocacy #sustainability0:00 Introduction to Gary Abud7:23 Data-Driven Business Approach18:16 The YES Program for Entrepreneurs30:22 Educational Challenges and Personal Journey43:27 Environmental Advocacy and Fisheries1:00:43 Social Responsibility in Business1:14:51 Origins of Mood Life Store1:29:36 Rebuilding After Disaster

Episode: Making Our First Sea Film (and Surviving It) — with filmmaker Zoe East What it's about: behind the scenes of our mini-documentary about Ash, a female fisherman. Two women, one working boat, the hottest day of the year, and a very real lesson in saying yes before you're “ready.”You'll hear about:The films Michelle & Zoe have already made together (rowers, stonemasons, adventurers) and why this one felt different.How the Ash film finally happened after five years of red tape.Filming on a live working boat: zero seating, tight wheelhouse, fuel fumes, safety zones, and why some shots were “off the cuff.”Sea-sickness roulette: ginger shots, mindset, the wheelhouse of doom, who threw up (and who didn't), and how to keep shooting when your horizon won't sit still.The drone saga: trees, no-fly zones, ND filter chaos, and missing “the one job” harbour shot.What actually gets kept vs thrown back (and why fishermen get an unfair rap).Doing the dares: banding lobsters and mackerel fishing while trying not to die.The long steam home, the graveyard camper stopover, and the infamous Co-op pants.What's next: festivals, sponsors, and building She Who Dares Wins Productions — films about women, by women.Key takeaways:You don't need perfect conditions to make a great film — you need respect, adaptability, and momentum.Boundaries keep you alive on a working boat; they also keep your story sharp.“Confidence” isn't the absence of nausea — it's doing the job while you feel it.Fishermen are far more regulated than most people think; sustainability was front and centre.Minimum crew, maximum story: say yes, keep it simple, solve one problem at a time.Gear & constraints (for the film nerds):Small crew, limited kit, prioritising safety & workflow over perfection.No flying at sea (signal risk), attempted harbour drone shot foiled by ND filter & timing.Interviews split: land day + light top-ups at sea.Timestamps (light, skimmable):0:00 — Why Zoe's back + our past films1:25 — The Ash idea: 5 years of “maybe” to “let's do it”2:53 — Planning vs reality: tourists, heat, off-the-cuff shooting4:08 — Ginger shots & mindset: the seasick strategy6:23 — Wheelhouse hell + safety on a working deck9:35 — Missing shots, saving the story12:01 — What gets thrown back: sustainability in action14:20 — The mackerel dare & keeping morale up18:30 — Harbour return, drone fail, tourist chaos21:10 — Camper van, graveyard, and the Co-op pants23:30 — What's next: festivals, sponsors, more women-led films Hosted on Acast. See acast.com/privacy for more information.

A few weeks ago, containers of frozen shrimp left Indian ports bound for the United States. By the time they were halfway across the ocean, U.S. tariffs had spiked, prompting buyers to cancel orders. The result: millions of rupees worth of seafood stranded at sea. The impact goes far beyond trade figures. Fishermen in Andhra Pradesh must decide whether it's worth taking their boats out, while women in Mumbai's Sassoon Dock who peel prawns by hand worry if there will be work tomorrow. In this episode, K.N. Raghavan walks us through how a decision in Washington is reshaping Indian fishing villages, markets, and homes—and what it means for the future of India's seafood exports. This episode is part of Tariff Watch, a special series from In Focus examining how U.S. trade policy is affecting Indian industries and the people who depend on them. Guest: K.N. Raghavan, Seafood Exporters Association of India Host: Anupama Chandrasekaran Edited and produced by Sharmada Venkatasubramanian Learn more about your ad choices. Visit megaphone.fm/adchoices

Fishermen in Costa Rica caught and released a rare orange nurse shark, a sight never recorded before. In another story, a jacket found in a local charity shop contained a mysterious note in Chinese, possibly a boyfriend spell. In South Carolina, a sailboat mysteriously washed ashore, its circumstances yet to be explained. Meanwhile, in a Chicago suburb, firefighters successfully rescued a runaway ball python named Lucius from a commuter train control box. Lastly, an otter pup named Mingo was found snoring peacefully in the flamingo habitat at a zoo in England, baffling the staff.  Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get 10% off with code NewMerch10 Go to Caloroga.comGet more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

Fishermen call for more government support for the industry at the algae bloom inquiry in Victor Harbor, renewed calls to establish an animal welfare office following an investigation into an SA piggery, and a significant increase in livestock transactions reported across Australian saleyards.

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Would you trust your teeth to the Tapp Inn Beauty Bar to veneer your teeth...even if they used Gorrilla Glue? Some did and paid a hefty price! There are fishermen posing as interested women on dating apps so they can steal other fishermen's favorite fishing spots. Inspiration for enhancing romance has been found in how hamsters drink water! Curious? My Insane Florida Nephew, "Pancho Guero", will amaze you with what they're doing on a sunroof.In This Weekend Episode...A Piece of My Mind… Church On Sundays Linked, Then Friday Night Lights? Religious Attendance Linked to More Support for Youth Tackle Football(Cool, Or Dystopian?)...Brain Implants can Speak Your Mind—Even When You Don't Want ToFL Woman Arrested For Unlicensed Dental Work—Allegedly Used Superglue on Victims' TeethFL Man Clings to Hood of Speeding Car—Driven By His GirlfriendFella Catfishes Other Guys On Dating Apps To Steal Their Fishing SpotsPeople Are Eating Cat Food—& Loving It‘Beef bandit' Busted For Stealing Hundreds of Dollars' Worth of Meat From Walmart—in His Pants"Hamstering" May Be One of the More Dangerous Sex PositionsPancho will also answer questions that have to do with parents making their young children pay rent and parents being made to pay for the classroom supplies for their children's teacher! And see of you can do better than Pancho in solving this week's Insane Game Show brainbusters!Become a supporter of this podcast: https://www.spreaker.com/podcast/insane-erik-lane-s-stupid-world--6486112/support.Real-time updates and story links are found on the TELEGRAM Channel at: https://t.me/InsaneErikLane  (Theme song courtesy of Randy Stonehill, ”It's A Great Big Stupid World”. Copyright ©1992 Stonehillian Music/Word Music/Twitchin' Vibes Music/ASCAP) Order your copy on the Wonderama CD from Amazon!

Scottish Conservative MSP Tim Eagle shares his vision for uniting farmers, fishers, and environmentalists through science-driven policy and collaboration. He pledges to fight for rural Scotland, giving communities and producers a strong voice in Parliament.Seafood Matters Podcast is available on all podcast networks and on YouTube.Contact Jim Cowie:Email: jim@seafoodmatterspodcast.comSocials: @seafoodmatterspodcastWebsite: seafoodmatterspodcast.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/seafood-matters-podcast--6102841/support.

“About three o’clock in the morning Jesus came toward them, walking on the water.” (Matthew 14:25 NLT) In Matthew 14, Jesus sends His disciples on a boat journey across the Sea of Galilee without Him. As the disciples rowed their way across the sea, they encountered a storm so severe that it made them fear for their very lives. Fishermen who had spent most of their lives on the water were convinced that they were going to drown. Meanwhile, Jesus had climbed a mountain to spend some time in prayer. No doubt He could see His disciples, but they couldn’t see Him. All they could see were their lives flashing before their eyes. And then we read this: “About three o’clock in the morning Jesus came toward them, walking on the water” (Matthew 14:25 NLT). Why did Jesus go to them at three o’clock in the morning? Why didn’t He go right away when the storm got bad? Or why didn’t He go at ten o’clock at night or at least midnight? Why did He wait until about three o’clock in the morning, after His disciples had been battling the waves for up to nine hours? I think He wanted the disciples to exhaust their own resources and realize that there was no way out of the situation except through Him. Sometimes life goes that way. Something traumatic happens. Something that seems unbearable presents itself. And we say, “How am I ever going to get through this? If God doesn’t come through for me, I’m dead in the water.” That’s not a bad place to be. A friend of mine named Alan Redpath used to say that when we get to the end of ourselves, we get to the beginning of God. The psalmist wrote, “What joy for those whose strength comes from the Lord” (Psalm 84:5 NLT). And Proverbs 3:5–6 says, “Trust in the Lord with all your heart; do not depend on your own understanding. Seek his will in all you do, and he will show you which path to take” (NLT). There’s no shame in battling the storms of life with everything you’ve got. Spiritually speaking, you might even say that if you’re in the battle or in the storm, you’re in the right place at the right time. The people who were safely on shore that night two thousand years ago could never fully appreciate what it was like to see Jesus walk across the water. They weren’t in the boat. They weren’t in the storm. Likewise, there’s no shame in admitting when storms are too big for you. When you turn things over to the Lord, you get to see His power at work. And there’s nothing like seeing the Lord work from the vantage point of the battlefield or the eye of the storm. Have you come to the end of yourself? Maybe, like the disciples, you’re experiencing an epic storm in your life right now. Maybe you’re facing a crisis or a hardship. And maybe you’re thinking you won’t get through it. I have good news for you: Jesus always shows up. Reflection question: In what area of your life would you like to see Jesus show up? Discuss Today's Devo in Harvest Discipleship! — The audio production of the podcast "Daily Devotions from Greg Laurie" utilizes Generative AI technology. This allows us to deliver consistent, high-quality content while preserving Harvest's mission to "know God and make Him known."All devotional content is written and owned by Pastor Greg Laurie. Listen to the Greg Laurie Podcast Become a Harvest PartnerSupport the show: https://harvest.org/supportSee omnystudio.com/listener for privacy information.

In Mark, Y'shua is preparing His disciples to operate in a new spiritual regime. After His resurrection, they will have the Holy Spirit and His power available to them. Boats are a significant part of this preparation. In Mark 6 and 8, the disciples do not understand what's going on as they crossed the sea because they had hard hearts. What was it that they were unable to understand? How does that correlate with what Moses was doing in Deuteronomy?

In this episode of End of the Road in Michigan, we journey to Beaver Island — the largest island in Lake Michigan and the only place in America that once had a king. From 1848 to 1856, James Jesse Strang ruled here as a self-proclaimed monarch, building roads, homes, and a newspaper before his dramatic assassination at the St. James docks.We explore the Irish fishing community that reclaimed the island, the rise and fall of its Great Lakes fishing dominance, and the daring rescues of lighthouse keepers and the U.S. Coast Guard.The story continues with the roar of logging trains through the forests, the quiet service of “Dr.” Feodor Protar, and the hard years when the population dwindled to fewer than 200 residents. This is a story of isolation, industry, and community spirit, told through the photographs and voices of history.

In this episode of 'Meet Your Maker,' Brian takes a solo interview with acclaimed horror author John Langan. They talk about his works, including 'The Fishermen' and the upcoming short story collection 'Lost in the Dark.' They discuss the intricate relationship between joy and horror, the communal aspect of the horror community, and the influence of found footage films on Langan's writing. The conversation also delves into Langan's experiences with Word Horde publishing, his inspirations, and the vibrant contemporary horror landscape.

Touring professional bass fisherman Mike Corbishley joins the boys to take a trip down memory lane and don't worry Alex was SUPER NICE.

Touring professional bass fisherman Mike Corbishley joins the boys to take a trip down memory lane and don't worry Alex was SUPER NICE.

When seven fishermen disappeared off Newfoundland's coast this summer, everyone feared the worst. But as hours turned into days and hope dwindled, the men were found — alive. The ‘Lucky 7' share their harrowing brush with death in our documentary Lost at Sea.

In 1995, an international row broke out between Canada and Spain over fishing quotas. It started with gunfire and ended with a deal.The dispute began after Canada set up restrictions to protect fish stocks, including the turbot. A 320km (200 mile) controlled zone was placed around the country's north Atlantic coast. Fishermen also had to stick to quotas. But, according to Canada, some boats from the European Union were catching far more turbot than had been agreed. As a warning, the coastguard chased off one Spanish trawler, shooting machine gunfire over the bow and arresting the crew. But Spanish officials were furious and denied any wrongdoing. The Turbot War had begun. Brian Tobin was Canada's Minister for Fisheries and Oceans. He tells Jane Wilkinson about the part he played in the dispute.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Picture: Brian Tobin and a turbot. Credit: Jon Levy/AFP via Getty Images)

Welcome  to the Hopewell Baptist Church podcast. In this episode, our pastor Barry Wilkinson talks about how to experience God's love and forgiveness in your life.  We hope you are encouraged to move closer to God and have a more genuine and joyful relationship with Him.   Hopewell Baptist Church is located 7 miles outside of Andalusia, Al at 6592 Brooklyn Rd, Andalusia, AL 36421. If you would like to contact the church, feel free to call 334-222-2757.  

It was banned in the Philippines, now a Kiwi film festival has resisted pressure from China to remove a documentary about a disputed area of sea. 

“Bait the hook well; this fish will bite.” So says Benedick in Much Ado About Nothing, and he's not alone—Shakespeare drops over 70 references to fish and fishing across his plays, from slippery metaphors to full-on fishing scenes, including actual Fishermen characters in Pericles. But behind those lines lies a very real part of daily life in Elizabethan England. In a world where Protestant reform gave rise to fish days on the calendar and entire industries formed around what came out of the water, one has to wonder: Where did all this fish actually come from? Who was catching it? What tools did they use? And could Shakespeare himself have cast a line into the Thames for a bit of dinner? Today, we're casting our net into the past to find out. Joining us is historian Mark Ferguson, here to help us explore the methods, markets, and meaning behind commercial and sport fishing in Shakespeare's England. Let's dive in. Hosted on Acast. See acast.com/privacy for more information.

Today on Bridging the Gap, we're going to meet The Lord's entourage - the group of men He chose to be His disciples. Fishermen, a religious zealot, a hated tax collector, and six others we know little about - just ordinary men, but they followed and extraordinary God. Pastor Lloyd Pulley is sharing a new series titled “Jesus The Humble Servant”, and today we'll begin in Mark chapter three.

Kennst du das Gefühl, wenn dein Kalender voll ist, aber du innerlich leer läufst? In dieser Folge verrate ich dir das überraschende Geheimnis meines Therapeuten, zeige dir einen simplen Feierabendtrick für mehr Leichtigkeit – und wie ein smarter AI-Prompt dein Personal Branding auf ein neues Level hebt. Ideal für High-Performer mit zu vielen Tabs im Kopf und dem Wunsch nach mehr Klarheit, Fokus und innerer Stimmigkeit. — ☎️ Clarity Call mit David: Du bist nicht mehr happy in deinem Job? Lass uns gemeinsam herausfinden, welcher Job wirklich zu dir passt.

"I aimed for making it sound like a disturbing dream. Used the entire original recording with a copy processed with echo and reverb as well. A drone, some kind of eerie pads and, surprisingly for me, percussion - some of it quite odd..." Fishermen's songs in Benin reimagined by Windspace (Bruce Hickey).

Songs of fishermen retrieving fish trapped in large nets by force of arms. Recorded by Pierre Costard.

Today's top headlines:  North Charleston event honors 9/11, Lowcountry first responders with stair climb Several organizations to host 3K Run/Walk for Public Safety event in N. Charleston Woman arrested after incident with Charleston parking enforcement officer Berkeley County man faces 11 charges of child sexual abuse material Orangeburg County coroner identifies pedestrian killed in crash SC to receive $100K grant to support ICAC team members, child victims Downtown Charleston block party celebrates Juneteenth history Berkeley County animal shelter calls for emergency moratorium Fishermen pushing for state control of offshore fisheries in SC

This week on the Podcast this week Tom and Dick are talking about Claddagh FishermenYou can find the articles referenced in this podcast on www.advertiser.ie/galway.If you have a message for Tom or Dick please email us at oldgalwaydiary@advertiser.ie

The Old Galway Diary Podcast - Episode 210 - Claddagh Fishermen by Advertiser.ie

As the French coastal city of Nice hosts the UN Ocean Conference, we take you to Kenya, where small-scale fishermen are struggling. Fish stocks are dwindling, and their nets often come up empty. The reason: some foreign industrial trawlers – mainly Chinese, Tanzanian, and Italian – are overfishing and damaging marine ecosystems, often with little oversight. But a grassroots response is taking shape. With protected areas, stricter fishing rules and coral reef restoration, coastal communities are working to reclaim and protect their waters. FRANCE 24's Clément Di Roma reports, with Olivia Bizot.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang   AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show.   Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express.    Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here.    Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves.    Miko Lee: [00:02:53] And what legacy do you carry with you?    Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world.    Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing?    Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language.   Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed?   Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids.    Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series?    Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself.   Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey?    Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York.    I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true.    Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right?    Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster.   Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author?   Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies   Miko Lee: [00:15:04] they're super cute by the way.    Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are    Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest?   Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids.   Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience?    Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience.    Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you?    Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community.   Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much.    Michele Wong McSween: [00:19:39] Thank you, Miko   Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria.    Gloria Huang: [00:19:48] Oh, thanks so much for having me here.    Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you?    Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean.    Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a    Gloria Huang: [00:20:37] thank you,    Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything.   Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath.    Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman.    Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life.    Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too.    Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment.    Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book.   Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age.    Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for.   Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading.    Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever.   Gloria Huang: [00:27:35] They really do.    Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I.    Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling.    Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world?   Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person.    Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice?   Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is.   Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something.    Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice.    Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on    Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture.   Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that.    Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess.   Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls.    Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too.    Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children?    Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too,   Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing.    Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close.    Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future?   Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together.    Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on.    Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure.    Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about?   Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you.    Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express.    Gloria Huang: [00:40:36] For sure. Thanks so much.   Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express.    Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here.    Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you?   Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American.    Miko Lee: [00:42:01] And what legacy do you carry with you?   Andrea Wang:[00:42:03]  I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet.    Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun.    Andrea Wang: [00:42:16] Yes.    Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book?    Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage.   Miko Lee: [00:43:29] And the inspiration for this book.    Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me.   Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work?   Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book.    Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal.    Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well.    Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers?   Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen.   Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it?    Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular.    Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why?   Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday.   Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it?    Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy.    Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race,    Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety,   Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author?    Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now.    Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say?   Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children.   Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world.    Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure.   Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.

Watch The X22 Report On Video No videos found (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:17532056201798502,size:[0, 0],id:"ld-9437-3289"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs");pt> Click On Picture To See Larger Picture Oil producers in the UK slam the windfall tax, the tax was put into place to damage the oil industry. Trump is bringing back industry that Obama and Biden pushed away. OBBB is going to expose the upside down system and Fed. Trump is pushing it to pass the Senate. DOGE cuts will come in the next bill. Florida will recognize gold and silver as legal tender. It has begun. The [DS] has been caught in the act of treason, this goes all the way back to Trump's first term, but what the people are going to see is that plandemic was used to over through the US government to install a puppet government. Besides the rigged election the autopen is the biggest scandal because it shows that Biden had no idea what was going on and the unelected were running the country. Year of the boomerang. Economy North Sea Oil Producer Slams The UK's Windfall Tax The chief executive of Enquest criticizes the UK's Energy Profits Levy, claiming it is doing "irreversible damage" to the oil and gas industry and discouraging investment. Due to the heavy tax burden, the company is planning a "disciplined approach" to investment and expects to pay a significant amount in windfall tax in June 2025. Enquest argues that the UK is the only country levying a windfall tax on its domestic energy producers where no windfall profits exist, further impacting competitiveness. The boss of Enquest has slammed the windfall tax on oil and gas firms as doing “irreversible damage” to the industry and “driving job losses across the sector”. It is designed to tax the extra profits these companies made due to surging energy prices after Russia's invasion of Ukraine. Initially, the rate was 25 per cent, but it later jumped to 35 per cent in January 2023. Source: zerohedge.com    meantime, Canada fished, and did very well in these formerly unrestricted areas. Immediately upon Sleepy Joe taking Office, his “AUTOPEN” rejected the Deal that I made for the people of Maine, greatly hurting the Fishermen and women. They call it a restricted “Environmental Monument,” an Ode to the Environmentalists doing everything they can to destroy our Country. In actuality, it was a punishment to the State by Obama/Biden. Additionally, I have done much for the wonderful Lumberjacks, who voted for me in great numbers. In fact, I won Maine-2, BIG. In any event, and as the World knows, I ended up winning the Election of 2024 in a LANDSLIDE, and am now working diligently to bring these valuable Fishing Rights back to Maine. Unfortunately, I have certain obstacles that only your Political Leaders can tell you about! Goldman analysts surprised to learn that policies of energy independence lower prices for the poor Goldman, and most other investment advisors, along with almost all media outlets, seemed to have no idea that completely reversing Biden's energy policies would lower prices. From an article at Zero Hedge:  They say that the lower gas prices, due to the policy changes, have unexpectedly helped those at the bottom. How the heck could that be unexpected? Energy prices affect everyone, but especially those who earn less. Trump's policies helped the poor in his first term, and they clearly will again. All the experts seemed shocked and surprised that inflation soared when Biden set out to destroy all oil, gas, and natural gas companies. They also had no idea that printing massive amounts of money, issuing regulations as fast as they could, and opening borders to anyone who wanted to come would le...

Send us a textDawn breaks over Tampa's shrimp docks as Chef Thomas Parker begins a culinary odyssey that will fundamentally transform how he approaches his craft. This powerful journey, captured in Walk- In Talk Media's debut mini-documentary, takes us beyond the polished restaurant plates to the weathered hands that first touch our food.At the docks, we meet shrimper, “Morris Gump”, a character straight from central casting whose stories of 45-day fishing expeditions yielding just $1,300 reveal the harsh realities behind commercial fishing. "Can you imagine what kind of turmoil you go through internally on a boat?" host Carl Fiadini asks, highlighting the mental and physical challenges these essential workers face daily. These moments of raw humanity give viewers rare insight into the true cost of seafood.As Chef Parker moves from the docks to blueberry farms and local markets, he reconnects with what he calls "the lost art" of being a chef—personally selecting ingredients and building relationships with producers. His enthusiasm becomes palpable when foraging for Florida's freshest offerings, culminating in an innovative dish combining Key West pink shrimp, Florida blueberries, and sweet corn. The unexpected pairing showcases Parker's technical prowess through a blueberry harissa glaze and a remarkable poached shrimp and corn cake that demonstrates how deeply understanding ingredients elevates creativity.What makes this documentary particularly compelling is its authentic, unscripted approach. Even when torrential rain threatened filming, the team embraced the elements—just as farmers and fishermen do daily. "You think the shrimpers or farmers stop because it's raining outside? Heck no," Parker remarks. This resilience permeates the film, adding character and emotional depth that perfectly captures the spirit of those who feed us.Ready to explore the hidden connections between your plate and the passionate people behind each ingredient? Watch our mini-documentary now and gain a new appreciation for the extraordinary journey our food takes before reaching your table. Follow @WalkTalkShow on Instagram. Introducing the SupraCut System - the automated solution that enhances safety, quality, and efficiency, cutting up to 120 perfect citrus wedges per minute, 6 times faster than manual. Patented tech delivers uniform slices, reducing waste and eliminating plastic, while the hygienic, contactless design lowers contamination and injuries, integrating seamlessly to transform your operations and improve profitability - get started at SupraCut.com and ask about risk-free trials. The following brands and companies help us continue supporting the food industry - have a look below! Support the showThank you for listening to the Walk-In Talk Podcast, hosted by Carl Fiadini and Company. Our show not only explores the exciting and chaotic world of the restaurant business and amazing eateries but also advocates for mental health awareness in the food industry. Our podcast offers a behind-the-scenes look at the industry. Don't miss out on upcoming episodes where we'll continue to cook up thought-provoking discussions on important topics, including mental health awareness.Be sure to visit our website for more food industry-related content, including our very own TV show called Restaurant Recipes where we feature Chefs cooking up their dishes and also The Dirty Dash Cocktail Hour; the focus is mixology and amazing drinks!Thank you for tuning in, and we'll catch you next time on the Walk-In Talk Podcast. https://www.TheWalkInTalk.comLeave a review and rating, please!

Veterinary medicine is not part of the agri-trade agreement sketched out between the EU and the UK earlier this week. It's left vets increasingly concerned that some veterinary medicines won't be available in Northern Ireland after the end of this year when a ‘grace period' under the Windsor Framework allowing medication from Great Britain to cross the Irish sea and be sold there runs out.The warming of coastal waters means a change in the species that can thrive in them. Fishermen in the South West of England are reporting an invasion of octopuses turning up in lobster and crab pots. It's good news for some fishermen who are catching and selling the octopuses, but disastrous for others.And getting bovine TB on a farm can be a huge financial blow and the emotional impact on farmers can be devastating. We visit one dairy farmer in Pembrokeshire who's been working with the Welsh Government to improve their policies on dealing with the disease, and the emotional impact it can have.Presented by Caz Graham Produced by Heather Simons

Matthew 4:18

Welcome to Brief Encounters—where history's strangest moments collide with the unexplained. I'm your host, Nik. It was April 1665. A quiet day along the shore of the Baltic Sea. Fishermen cast their lines near the German town of Stralsund, as they had for centuries. Salt in the air. Nets in the water. Nothing unusual—until they looked up and saw ships—not in the water, but in the sky. Dozens of them. Moving, maneuvering, and even firing at each other. A battle. In broad daylight. Overhead. And then… a dark object emerged. It hovered. It shimmered. It terrified.Brief Encounters is a tightly produced, narrative podcast that dives headfirst into the world of UFO sightings, the paranormal, cryptids, myths, and unexplained legends. From ancient sky wars to modern close encounters, each episode takes listeners on a journey through some of the most mysterious and compelling cases in human history. Whether it's a well-documented military sighting or an eerie village legend whispered across generations, Brief Encounters delivers each story with atmosphere, depth, and cinematic storytelling. Episodes are short and binge-worthy — perfect for curious minds on the go. In just 5 to 10 minutes, listeners are pulled into carefully researched accounts that blend historical context, eyewitness testimony, and chilling details. The series moves between eras and continents, uncovering not only the famous cases you've heard of, but also the forgotten incidents that deserve a closer look. Each story is treated with respect, skepticism, and wonder — offering both seasoned enthusiasts and casual listeners something fresh to consider. Whether it's a 15th-century sky battle over Europe, a cryptid sighting in a remote forest, or a modern-day abduction report from rural America, Brief Encounters is your guide through the shadows of our world — and the stories that refuse to be explained.UFO Chronicles Podcast can be found on all podcast players and on the website: https://ufochroniclespodcast.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

Welcome to Brief Encounters—where history's strangest moments collide with the unexplained. I'm your host, Nik. It was April 1665. A quiet day along the shore of the Baltic Sea. Fishermen cast their lines near the German town of Stralsund, as they had for centuries. Salt in the air. Nets in the water. Nothing unusual—until they looked up and saw ships—not in the water, but in the sky. Dozens of them. Moving, maneuvering, and even firing at each other. A battle. In broad daylight. Overhead. And then… a dark object emerged. It hovered. It shimmered. It terrified.Brief Encounters is a tightly produced, narrative podcast that dives headfirst into the world of UFO sightings, the paranormal, cryptids, myths, and unexplained legends. From ancient sky wars to modern close encounters, each episode takes listeners on a journey through some of the most mysterious and compelling cases in human history. Whether it's a well-documented military sighting or an eerie village legend whispered across generations, Brief Encounters delivers each story with atmosphere, depth, and cinematic storytelling. Episodes are short and binge-worthy — perfect for curious minds on the go. In just 5 to 10 minutes, listeners are pulled into carefully researched accounts that blend historical context, eyewitness testimony, and chilling details. The series moves between eras and continents, uncovering not only the famous cases you've heard of, but also the forgotten incidents that deserve a closer look. Each story is treated with respect, skepticism, and wonder — offering both seasoned enthusiasts and casual listeners something fresh to consider. Whether it's a 15th-century sky battle over Europe, a cryptid sighting in a remote forest, or a modern-day abduction report from rural America, Brief Encounters is your guide through the shadows of our world — and the stories that refuse to be explained.UFO Chronicles Podcast can be found on all podcast players and on the website: https://ufochroniclespodcast.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

In this punchy episode of Mark and Pete, we tackle three explosive issues shaping the UK today. First, we dive into the shocking statistic that 1 in 10 Britons have no savings, revealing the fragile state of personal finance and what it means for national resilience. With household budgets tighter than ever, are we heading for a savings crisis? Next, we commemorate and critique the legacy of Margaret Thatcher as her 100th birthday is marked with celebratory events in Grantham. Love her or loathe her, the Iron Lady remains one of Britain's most divisive political figures. We explore how Thatcherism reshaped the UK—and whether the celebration is deserved or divisive. Finally, we cast our nets into the stormy waters of the UK-EU fishing rights dispute. With the Brexit fishing deal expiring soon, tensions rise over quotas, sovereignty, and national identity. Will British fishermen be left high and dry while Brussels demands more access? As always, Mark and Pete bring wit, wisdom, and a splash of theological insight to today's most pressing issues. Subscribe now and join the debate.Become a supporter of this podcast: https://www.spreaker.com/podcast/mark-and-pete--1245374/support.

Fishermen in the Gulf are speaking out against legislation that would privatize wild oyster reefs in the area.Then, early childhood educators are celebrating the 60th anniversary of the Head Start program in the state.Plus, residents of Tylertown await word of federal aid nearly 2 months after the governor requested a major disaster declaration from the Trump Administration. Hosted on Acast. See acast.com/privacy for more information.

Don welcomes in the "Plastic Man" Ryan Lambert of Cajun Fishing Adventures to break down the latest from his neck of the woods where some fishermen got struck by lightning this past week, Snapper and Trout are looking very good in Luling, his take on this odd Bull Red bill, and his philosophy that has allowed for his business to be as successful as they've been!

Send us a textToday's podcast finds hosts Anderson and Gikas at the iconic Hunt Store (Hunt, Texas 78024) after a morning of stalking bass and panfish. Relaxing on the beer patio, they meet up with friends and Canadian competition fishermen Ernie Kalwa and Rick Wilson, and decide to record a podcast. Kawla and Wilson have just returned from a successful annual coastal fishing week, where they stalked Jack Cravelle, Spotted Redfish, and speckled Trout near Port O'Connor and shared their fishing tips.  This podcast has many tips for fly fishing on the Texas coast. Sidenote: The jack cravelle is a powerful, predatory fish. Extensive studies show the species consumes various small fish, including invertebrates such as prawns, shrimp, crabs, and molluscs. Visit Don Anderson's website at  FlyTexAngling.comSeason 4, Episode 3ROLL CAST PODCAST NEW FEATURE!! Use the hotlink at the top to contact us or ask questions via text message: "Send us a Text Message" Email us: contact@legitpods.com Instagram: @ROLLCASTPOD DON ANDERSON Carp & bass guided trips, professionally tied fliesWebsite: FlyTexAngling.comInsta: @flytex_anglingTexas Hill Country Fly Fishers: www.THCFF.org #angler #carp #carpfishing #dryfly #fishing #flyfish #flyfishing #flyfishingaddict #flyfishingjunkie #flyfishinglife #flytying #onthefly #tenkara #texasflyfishing #trout #texashillcountry #bassfishing #browntrout #catchandrelease #flyfishingjunkie #flyfishingphotography #tightlines #troutfishing #riograndecichlid #guadaluperiver #llanoriver@flytex_angling

On today's show, Don welcomes in a flurry of field reporters covering topics ranging from fishing following rainy nasty weather, Squirrel season do's and don'ts as we enter bushy tail time, Red Snapper season has opened up this past week, how viable are croakers as a bait for getting a good catch, the latest fishing reports across Louisiana's coastline, bayous, bays, and rivers, a recap of last week's Paddle Palooza action and how motorized kayakers went over, a Bad Boys story that details one mights goal of doing a lot of small illegal things at once, and so much more!

Wayne Reichle – who's been in the fishing business his whole life – had never heard of the Chevron doctrine. That's the two-step legal test that courts used for the past 40 years to decide whether a federal agency had the authority to make a regulation. "No idea," said Reichle, president of New Jersey-based Lund's Fisheries. "Myself, and many, many fellow fishermen had no idea what the Chevron doctrine was." That changed after a group of fishermen challenged a federal regulation requiring the herring industry to pay for onboard federal observers. "I think there's quite a few that know what the Chevron doctrine is today," Reichle said. This season on UnCommon Law, we're exploring the limits of agency power. To what extent are federal agencies authorized to create and implement regulations that aren't explicitly mandated by Congress? And what happens when an agency goes too far? In this episode, the story of the fishermen who fought back. Featuring: Wayne Reichle, president of Lund's Fisheries Jeff Kaelin, director of sustainability and government relations at Lund's Fisheries Ryan Mulvey, counsel with the Cause of Action Institute Erica Fuller, senior counsel with the Conservation Law Foundation Leif Axelsson, captain of the Dyrsten fishing vessel Greg Stohr, Supreme Court reporter for Bloomberg News *** Hosted and produced by Matthew S. Schwartz Editor/Executive Producer: Josh Block Additional Editing: Andrew Satter Cover Art: Jonathan Hurtarte

When fishermen set sail, Deacon Marlowe Sabater says, they place one foot on the deck—and the other, unknowingly, “in the watery grave, because you just won't know what's gonna happen out there.” Born and raised in Metro Manila, Marlowe now ministers to seafarers and port workers—many of them migrant workers from his native Philippines—through the Diocese of Honolulu's Apostleship of the Sea ministry. Facing unpredictable storms and countless dangers at sea, every safe return to shore, he says, is “an everyday miracle.” Marlowe is our guest on “Preach” for the Third Sunday of Easter. In his homily, he reflects on the Gospel story of the risen Christ meeting his disciples on the shore and connects it to the faith of those who work and live at sea today. In conversation with host Ricardo da Silva, S.J., Marlowe draws even further from his ministry—meeting workers at the docks to pray with them, to minister to them and to share the trust that sustains us all amid life's storms: “When Jesus is in our boat, he has the capability of calming the storm of our lives.” When he's not at the ambo, on the docks or behind a desk, Marlowe finds his anchor in family life with his wife, Maggie, and their two sons. He credits Maggie as his “editor in chief,” offering the honest feedback every preacher needs. “Sometimes she'll read my homily and say, ‘I don't feel it,'” he says. “And it's back to the drawing board—and she's always right.” Get daily Scripture reflections and support “Preach” by becoming a digital subscriber to America Magazine “Preach” is made possible through the generous support of the Compelling Preaching Initiative, a project of Lilly Endowment Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

A busy week in local and regional news

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Dustin Delano, The New England Fishermen's Stewardship Association (NEFSA) COO. Fishermen call on Elon Musk & DOGE to save iconic industry from regulators