Podcast appearances and mentions of kelsey padgett

Could puberty get any more awkward? Turns out, yes. Patrick Burleigh started going through puberty as a toddler. He had pubic hair before he was two years old and a mustache by middle school. All of this was thanks to a rare genetic mutation that causes testotoxicosis, also known as precocious puberty. From the moment he was born, abnormally high levels of testosterone coursed through his body, just as it had in his father's body, his grandfather's body, and his great-grandfather's body. On this week's episode, Patrick's premature coming of age story helps us understand just why puberty is so awkward for all of us, and whether and how it helps forge us into the adults we all become. Special thanks to Craig Cox, Nick Burleigh, and Alyssa Voss at the NIH. EPISODE CREDITS: Reported by - Latif Nasserwith help from - Kelsey Padgett, Ekedi Fausther-Keeys, and Alyssa Jeong-PerryProduced by - Pat Walters, Alex Neason, and Alyssa Jeong-Perrywith help from - Ekedi Fausther-Keyeswith mixing help from - Arianne WackFact-checking by - Diane A. Kellyand Edited by  - Pat Walters   EPISODE CITATIONS: Articles - To read Patrick's own writing about his experience with precocious puberty and to see photos of him as a child, check out his article in The Cut, “A 4-Year-Old Trapped in a Teenager's Body” (https://zpr.io/athKVQmtfzaN) In her spare time, our fact checker Diane Kelly is also a comparative anatomist, and you can hear her TEDMED talk, “What We Didn't Know about Penis Anatomy” (https://zpr.io/MWHFTYBdubHj)  Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Fierce Rivalries is a podcast that explores the most intense and bizarre rivalries throughout history. Hosts Delta Work and Kelsey Padgett delve into the juicy details of each feud, revealing the strange and hilarious stories behind each one. From classic Hollywood stars to business wars, no rivalry is too big or too small. Tune in each week to get your fix of the wildest fights and pettiest feuds throughout history. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fierce Rivalries is a podcast that explores the most intense and bizarre rivalries throughout history. Hosts Delta Work and Kelsey Padgett delve into the juicy details of each feud, revealing the strange and hilarious stories behind each one. From classic Hollywood stars to business wars, no rivalry is too big or too small. Tune in each week to get your fix of the wildest fights and pettiest feuds throughout history. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It has now been 20 years since September 11th, 2001. So we're bringing you a Peabody Award-winning story from our archives about one sentence, written in the hours after the attacks, that has led to the longest war in U.S. history. We examine how just 60 words of legal language have blurred the line between war and peace. In the hours after the attacks of Sept. 11, 2001, a lawyer sat down in front of a computer and started writing a legal justification for taking action against those responsible. The language that he drafted and that President George W. Bush signed into law - called the Authorization for Use of Military Force (AUMF) -  has at its heart one single sentence, 60 words long. Over the last decade, those 60 words have become the legal foundation for the "war on terror." In this collaboration with BuzzFeed, reporter Gregory Johnsen tells us the story of how this has come to be one of the most important, confusing, troubling sentences of the last two decades. We go into the meetings that took place in the chaotic days just after 9/11, speak with Congresswoman Barbara Lee and former Congressman Ron Dellums about the vote on the AUMF. We hear from former White House and State Department lawyers John Bellinger & Harold Koh. We learn how this legal language unleashed Guantanamo, Navy Seal raids and drone strikes. And we speak with journalist Daniel Klaidman, legal expert Benjamin Wittes and Virginia Senator Tim Kaine about how these words came to be interpreted, and what they mean for the future of war and peace. Finally, we check back in with Congresswoman Lee, and talk to Yale law professor and national security expert Oona Hathaway, about how to move on from the original sixty words. Original episode produced by Matt Kielty and Kelsey Padgett with original music by Dylan Keefe. Update reported and produced by Sarah Qari and Soren Wheeler. Special thanks to Brian Finucane. Support Radiolab by becoming a member today at Radiolab.org/donate. 

Love it or hate it, the freedom to say obnoxious and subversive things is the quintessence of what makes America America. But our say-almost-anything approach to free speech is actually relatively recent, and you can trace it back to one guy: a Supreme Court justice named Oliver Wendell Holmes. Even weirder, you can trace it back to one seemingly ordinary 8-month period in Holmes’s life when he seems to have done a logical U-turn on what should be say-able.  Why he changed his mind during those 8 months is one of the greatest mysteries in the history of the Supreme Court.  (Spoiler: the answer involves anarchists, a house of truth, and a cry for help from a dear friend.)  Join us as we investigate why he changed his mind, how that made the country change its mind, and whether it’s now time to change our minds again. This episode was reported by Latif Nasser and was produced by Sarah Qari. Special thanks to Jenny Lawton, Soren Shade, Kelsey Padgett, and Soroush Vosughi. Support Radiolab by becoming a member today at Radiolab.org/donate.      further reading: Thomas Healy’s book The Great Dissent: How Oliver Wendell Holmes CHanged His Mind - And Changed the History of Free Speech In America (the inspiration for this episode) plus his latest book Soul City: Race, Equality and the Lost Dream of an American Utopia. The Science article that Sinan Aral wrote in 2018, along with Soroush Vosughi and Deb Roy: “The Spread of True and False News Online” Sinan Aral’s recent book The Hype Machine: How Social Media Disrupts Our Elections, Our Economy and our Health - And How We Must Adapt Zeynep Tufekci’s newsletter “The Insight” plus her book Twitter and Teargas: The Power and Fragility of Networked Protest Nabiha Syed’s news website The Markup Trailer for “The Magnificent Yankee,” a 1950 biopic of Oliver Wendell Holmes Anthony Lewis, Freedom for the Thought that We Hate: A Biography of the First Amendment

This hour we pull apart one sentence, written in the hours after September 11th, 2001, that has led to the longest war in U.S. history. We examine how just 60 words of legal language have blurred the line between war and peace. Last weekend President Trump authorized a strike that killed Iranian General Qasem Soleimani in Iraq. The news had us thinking about an episode we produced in 2014. We pulled apart one sentence, written in the hours after September 11th, 2001, that has led to the longest war in U.S. history. We examine how just 60 words of legal language have blurred the line between war and peace. In the hours after the attacks of Sept. 11, 2001, a lawyer sat down in front of a computer and started writing a legal justification for taking action against those responsible. The language that he drafted and that President George W. Bush signed into law - called the Authorization for Use of Military Force (AUMF) -  has at its heart one single sentence, 60 words long. Over the last decade, those 60 words have become the legal foundation for the "war on terror." In this collaboration with BuzzFeed, reporter Gregory Johnsen tells us the story of how this has come to be one of the most important, confusing, troubling sentences of the last two decades. We go into the meetings that took place in the chaotic days just after 9/11, speak with Congresswoman Barbara Lee and former Congressman Ron Dellums about the vote on the AUMF. We hear from former White House and State Department lawyers John Bellinger & Harold Koh. We learn how this legal language unleashed Guantanamo, Navy Seal raids and drone strikes. And we speak with journalist Daniel Klaidman, legal expert Benjamin Wittes and Virginia Senator Tim Kaine about how these words came to be interpreted, and what they mean for the future of war and peace. Finally, we check back in with Wittes, to see how the AUMF has trickled into the 2020s. Produced by Matt Kielty and Kelsey Padgett with original music by Dylan Keefe.  Watch Congresswomen Barbara Lee's speech here. 

Traveled down the road and back again. Your heart is true, you’re a pal and a confidante. Join us for a trip to Florida, with special guests Rufus Wainwright, Saeed Jones and the ghost of Bea Arthur. — Rufus Wainwright is a musician. — Saeed Jones is a poet and the executive editor, culture for BuzzFeed. — Samara Breger and Kelsey Padgett are producers. Episode scoring by Jeremy Bloom, Revolution Void ("Tree Tenants"), Kevin MacLoyd ("Monkeys Spinning Monkeys"), and Fabian Measures ("Calm the Fuck Down"). Theme by Alexander Overington. Support our work. Become a Nancy member today at Nancypodcast.org/donate.    

Featuring never-before-heard scenes and a post-award interview with Mariya Karimjee, this is an extended version of the award winning documentary, “Mariya.” A story about Mariya’s journey to figure out sex after FGM. Released in May 2016, “Mariya” received the Gold Award (Best Documentary) at the Third Coast International Audio Festival. Mariya Karimjee is a writer based in Karachi, Pakistan. Read her original essay here. Editorial support from Brendan Baker, Allen Watts, Kelsey Padgett, Samara Breger and Nadia Bajwa. Additional support from Kari June. Another version of this story can be heard on This American Life.

How many drafts does it take to make an episode of Radiolab? Listen to Kelsey Padgett's step-by-step accounting of a single scene she produced for More Perfect, Radiolab's first spinoff podcast, for the answer.    Werk It: The Podcast is a compilation of the best moments from Werk It, a women's podcasting festival produced by WNYC Studios. Both the festival and the podcast are made possible by a grant from the Corporation for Public Broadcasting with additional support from The Harnisch Foundation. You can find more information at www.wnyc.org/shows/werkit.   

Based on the 2015 essay from The Big Roundtable, writer Mariya Karimjee takes us on a journey from her childhood in Pakistan, to her adolescence in Texas, through college, all the way to where she is now, back in Pakistan as she navigates family, love, her body and her personal relationships, all despite the physical and emotional trauma that she has suffered. Mariya Karimjee is a writer based in Karachi, Pakistan. Read her original essay here. Editorial support from Brendan Baker, Allen Watts, Kelsey Padgett, Samara Breger and Nadia Bajwa. Additional support from Kari June. Another version of this story can be heard on This American Life.

A personal account of the haunting absence of a lost love. This is a story about grief, loss and reaching for freedom. The sense of emptiness that comes after saying, I love you, every day until, suddenly, you don’t. But the love is never truly gone. It’s with you always, leaning over your shoulder as you rediscover a world in which it no longer exists. This episode was originally produced for The Hearsay Audio Festival. Special thanks to Kelsey Padgett, A.C. Valdez and Allen Watts.

Desiray felt a deep, human connection the moment she first heard his voice: Aaron Carter spoke to her through his music. When Desiray was down, Aaron always cheered her up. When she needed him, his music was always there. And when they finally met, it was almost as if Aaron could read her mind. Maybe the deep, human connection Desiray felt as a kid was real. Dozens of concerts later, Desiray and Aaron are almost friends — almost. Now Desiray wonders: “Can a fan ever be a true friend?” Does Aaron value her as a friend, or as a fan? And if she’s just a fan like any other, can she live with it? This story was produced by Galen Koch in collaboration with The Heart. Special thanks to Kelsey Padgett, Justine Champine, Desiray Roy, and Aaron Carter.

How do you find the story when know too much and have hours and hours of tape? Reporter Karen Duffin and Radiolab producer Kelsey Padgett trace the path to "Nazi Summer Camp."

Just after the new year, Kaitlin and Mitra take a business trip to small town Ontario to meet Steffy. At six foot two inches, Stefonknee is the tallest six year old you will ever meet. Of course, she isn’t actually six. She is an age-player, meaning she likes to pretend to be a kid. She fluidly moves in and out of her six year old self and her adult self. In addition to her male and female identities. Steffy is in a place of peace with her identities after a very traumatic falling out with her family, which for trans folks, is unfortunately, not uncommon. Here are the results of a 2011 survey the American trans community. The National Center for Transgender Equality is launching another survey this summer. You can sign up to take the survey or help distribute it here. In addition to our dynomite team, this story could not have been possible without the help of so many people. Production Assistance by Maria Dønvang. Editorial Advising by Julia Alsop, Brendan Baker, Kelsey Padgett, Tina Horn and Ignacio Rivera. The biggest thanks to Mummy & Daddy and of course, Stefonknee Wolscht.