Album by David Byrne
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5 episodes with American Utopia
12 episodes with American Utopia
5 episodes with American Utopia
5 episodes with American Utopia
3 episodes with American Utopia
4 episodes with American Utopia
3 episodes with American Utopia
2 episodes with American Utopia
2 episodes with American Utopia
How can embracing the Japanese concept of omotenashi create better connections? Dr. Eric Brey, a Professor of Hospitality in the School of Management at the University of Wisconsin-Stout, joins Dan on the show today. Eric brings a wealth of experience from his time in the US Army to earning a PhD in hospitality administration and management. They discuss the significance of hospitality in various contexts, the launch of the nation's first Luxury Management Program at UW Stout, and how luxury isn't limited to opulence but extends to heartfelt interactions and detailed customer service. From the importance of thoughtful gift giving to cultural insights about hospitality, Eric shares the essence of genuine, anticipatory hospitality that enhances guest experiences across the spectrum, whether at a local tavern or a five-star property.Takeaways:Strive to deliver genuine hospitality, which involves anticipating guests' needs and providing meticulous attention to detail.Understand the varying expectations in different hospitality settings, from budget accommodations to luxury establishments.Recognize the value of understanding and integrating cultural nuances in hospitality. Consider participating in study-abroad programs or international internships to broaden your perspective.Engage with industry professionals and participate in hospitality summits and conferences. Extend your network by connecting with professors, industry leaders, and peers on platforms like LinkedIn.Always seek to learn from various sources, including other industries and educational programs, to continuously improve your hospitality skills.Cultivate meaningful relationships with guests, colleagues, and mentors. Emphasize the importance of personal interactions in an increasingly digital world.Quote of the Show:“ Omotenashi is at the heart of every interaction.” - Eric BreyLinks:LinkedIn: https://www.linkedin.com/in/professorbrey/ Website: https://www.uwstout.edu/Shout Outs:2:45 - New York University https://www.nyu.edu/ 2:46 - Pennsylvania State University https://www.psu.edu/ 2:51 - Cornell University https://www.cornell.edu/ 10:56 - Green Bay Packers https://www.packers.com/ 12:34 - Kwik Trip https://www.kwiktrip.com/ 14:13 - Courtyard https://courtyard.marriott.com/ 14:17 - Ritz-Carlton https://www.ritzcarlton.com/ 14:30 - Hampton Inn https://www.hilton.com/en/brands/hampton-by-hilton/ 19:08 - Four Seasons https://www.fourseasons.com/ 20:58 - Michigan State University https://msu.edu/ 20:59 - University of Central Florida https://www.ucf.edu/ 21:00 - University of Nevada-Las Vegas https://www.unlv.edu/ 22:08 - Scott Pierson https://www.linkedin.com/in/scott-pierson/ 23:15 - Giftology https://www.amazon.com/Giftology-Increase-Referrals-Strengthen-Retention/dp/1619614332 25:40 - Paul Bunyan https://en.wikipedia.org/wiki/Paul_Bunyan 33:24 - Dan Seymour https://www.linkedin.com/in/dan-seymour-549a4326/ 33:39 - HD Expo https://hdexpo.hospitalitydesign.com/ 40:14 - David Byrne https://en.wikipedia.org/wiki/David_Byrne 40:16 - American Utopia https://www.imdb.com/title/tt11874226/ 42: 57 - McDonald's https://www.mcdonalds.com/us/en-us.html 46:32 - Disney https://www.disney.com/
Send us a textLee and Simon talk about songs that make them dance (or not in Lee's case).Things covered: an Oliver Spencer jacket, body size, Simon's nickname "Snogglegrass", having brothers, David Byrne's American Utopia (by Spike Jonze), I Zimbra by David Byrne, songs that make you dance, songs that make you sing, songs that make you cry, Nina Simone's "Don't Smoke in Bed", Sarah Bareilles "Once Upon Another Time", Elbow "Build A Rocket Boys!", searching for pitch, Lee banging his head three times, the feeling of longing for the things we can't do, Cyndi Lauper's "Time After Time", a printer stuck in Depeche Mode (joke), being Depeche Mode fans (or not), Depeche Mode's fanbase, Duran Duran "The Reflex!" lip sync competition in 1986, being popular (or not), having too much fun (and not being shamed), dance like nobody's watching, singing to musicals, Hamilton, Lee's wonky shoulder, Lee's knitting update (a woolen tanktop), apartment owning update, happy endings.--- Correction:David Byrne's American Utopia is a Spike Lee film not a Spike Jonze film.Get in touch with Lee and Simon at info@midlifing.net. ---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)
Coming up on Martin Luther King Jr. Day (2025), the Harvey B. Gantt Center for African American Arts + Culture in Charlotte will host a day of events called "Designing the Future." A panel discussion will look at the late 1960s project in North Carolina's Warren County called "Soul City." On this Piedmont Arts, we talk with Charlotte native and Seton Hall law professor Thomas Healy, who wrote the 2021 history "Soul City: Race, Equality, and the Lost Dream of an American Utopia." Learn more about this and other Martin Luther King, Jr. Day events at the Harvey B. Gantt Center .
Theater- en televisiemaker Dominique Van Malder vertelt deze week in Bar Miroir waarom de film Skunk van Koen Mortier een must see cinematografische klets in je gezicht is, hoe het komt dat de performance American Utopia van David Byrne op Broadway weken later nog nazinderde, en waarom hij bij Banksy's werk vaak denkt: ‘Wtf, wat is dees!' Je kan deze podcast ook bekijken op YouTube op het kanaal van De Standaard.See omnystudio.com/listener for privacy information.
Theater- en televisiemaker Dominique Van Malder vertelt deze week in Bar Miroir waarom de film Skunk van Koen Mortier een must see cinematografische klets in je gezicht is, hoe het komt dat de performance American Utopia van David Byrne op Broadway weken later nog nazinderde, en waarom hij bij Banksy's werk vaak denkt: ‘Wtf, wat is dees!' Je kan deze podcast ook bekijken op YouTube op het kanaal van De Standaard.See omnystudio.com/listener for privacy information.
Moody Movies: The Amusement Park (1975), David Byrne's American Utopia (2020), Basquiat (1996), and The Devil's Bath (2024).Welcome back to Moody Movie Club! In this episode, Kylie and Elliott feel that more movies should be bookended by PSAs, get their feet tappin', marvel at a stacked cast, and see a movie that feels so bad but looks so good.Follow along onInstagram: @moodymovie.clubLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.
Talking Heads. American Utopia. Singular creative David Byrne talks with Kelly about how he stays just cheerful enough to keep making art in a world of chaos. Then, Kelly sits with Judy Woodruff on the set of PBS NewsHour to talk about holding on to the positive on even the very hardest days and how she processes the news as both an American, a special needs mom and a media professional. (Previously aired) To watch the full Tell Me More with Kelly Corrigan series, go to PBS.org/kelly. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
40 years ago, one of the greatest concert films ever made was released: STOP MAKING SENSE by the Talking Heads. The film has recently been re-released in a beautifully remastered format by A24. Anthony, Stephanie, Rob and Alan review in-depth the new release of this classic film which captures a band at the height of their confidence; We'll talk about the first time we ever saw the film, our favorite songs, the supporting musicians, why this film is so important, and how it compares to David Byrne's more recent concert film, American Utopia. And Rob shares his experiences playing host at one of the premiere screenings! We hope you enjoyed this episode! What are your thoughts about Stop Making Sense? Please let us know by emailing us at modernmusicology1@gmail.com or by leaving a comment on our socials! And don't forget to rate us on your favorite podcast app! Find us on Facebook: https://www.facebook.com/ModernMusicology Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/ Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/ Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition Stephanie Seymour: www.therearebirds.com R. Alan Siler: www.kozmiccreative.com Anthony Williams: https://watchers4d.podbean.com/
Sigmund and Devon highlight new Apple Original documentary STEVE!, share a few hopes for this year's WWDC, grade their Academy Awards predictions, and preview this weekend's premiere of Apple Original series Sugar. --- Highlight STEVE! (martin) a documentary in 2 pieces Cheaper By the Dozen Father of the Bride Dirty Rotten Scoundrels Three Amigos! WWDC 2024 Apple's Worldwide Developers Conference returns June 10, 2024 Apple Developer on YouTube Immersive and Spatial Video Spatialify Can Apple Vision Pro Change Filmmaking Forever? | Strada Trailer Talk Franklin Jane — Season 2 News First Look at The Big Cigar Foundation: Galactic Frontier Releases The Bloody Hundredth Fraggle Rock: Back to the Rock Palm Royale Manhunt Alto's Odyssey: The Lost Kingdom Gibbon: Beyond the Trees Spire Blast Loot Puyo Puyo Puzzle Pop Super Monsters Ate My Condo+ Sago Mini Trips+ Film Collection: New To Apple TV+ This Month Sugar Girls State 2024 Friday Night Baseball Schedule Two-Month Free Apple TV+ Trial MLS Season Pass One-Month Free Trial Extras Loot — Actually Helpful Recap: Season 1 Palm Royale — An Inside Look Sugar — An Inside Look The New Look — The Real Miss Dior Fraggle Rock: Back to the Rock — Season 2 Guest Star Puppet Surprise Up Next Taylor Swift | The Eras Tour (Taylor's Version) Stop Making Sense David Byrne's American Utopia --- Send us a voice message all week via iMessage or email to magic@macstories.net. Sigmund Judge | Follow Sigmund on X, Mastodon, or Threads Devon Dundee | Follow Devon on Mastodon or Threads View our Apple TV release calendar on the web. Subscribe to our Apple TV release calendar. Subscribe to Apple TV+. Subscribe to MLS Season Pass.
We are excited to bring you this new episode in our podcast series, The Art of Collaboration. This series focuses on directors and choreographers in conversation with some of their collaborators on a specific production. This series explores the ins and outs of these processes, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. In the second episode of this two episode arc, Director Alex Timbers, Sound Designer Peter Hylenski, and Scenic Designer Derek McLane are interviewed by Foundation Director Dani Barlow to discuss their experience working together on Moulin Rouge! The Musical. Learn more about this episode's guests below. Bios: ALEX TIMBERS (Director) is the recipient of Tony, Drama Desk, Outer Critics Circle, and London Evening Standard Awards, as well as two Obie and Lortel Awards. Broadway credits include Gutenberg the Musical; Here Lies Love; Moulin Rouge!; Just For Us; Beetlejuice; David Byrne's American Utopia; Oh Hello with Nick Kroll and John Mulaney; The Pee-wee Herman Show; Peter and the Starcatcher; and Bloody Bloody Andrew Jackson (also bookwriter). For television, he co-created Amazon's “Mozart in the Jungle” (Golden Globe Award) and has helmed the Netflix specials “John Mulaney: Kid Gorgeous,” “Ben Platt: Live at Radio City,” and most recently “John Mulaney: Baby J” (2023 Emmy Award nomination). His debut picture book, Broadway Bird, set in an all-animal version of Broadway, is published by Macmillan. @alextimbers PETER HYLENSKI (Sound Designer). Peter received a Tony Award, Drama Desk Award, and an Outer Critics Circle Award Honor for his work on Moulin Rouge! The Musical. A Grammy, Olivier, and eight time Tony nominee, his selected Broadway designs include: Moulin Rouge!, Frozen, Anastasia, Beetlejuice, Once On This Island, Something Rotten, King Kong, Rock of Ages, After Midnight, Motown, The Scottsboro Boys, Side Show, Rocky, Bullets Over Broadway, Shrek the Musical, On A Clear Day, Lend Me A Tenor, Elf. Other designs: Awakening, Le Rêve and Lake of Dreams at Wynn Las Vegas. He's designed for Carnegie Hall, Radio City Music Hall, Madison Square Garden, London's O2 Arena, and The Kennedy Center. Peter holds a BFA from Carnegie Mellon University. DEREK MCLANE (Scenic Designer) SELECTED CREDITS: BROADWAY: MJ the Musical, Moulin Rouge!, Purlie Victorious, A Soldier's Play, American Son, The Parisian Woman, Children of a Lesser God, The Price, Noises Off, Fully Committed, Beautiful, Gigi, China Doll, Anything Goes, The Heiress, Nice Work If You Can Get It, The Best Man, Follies, How to Succeed In Business Without Even Trying, Bengal Tiger at the Baghdad Zoo, Million Dollar Quartet, Ragtime, 33 Variations The Pajama Game, I Am My Own Wife. OFF-BROADWAY: Black No More, Merrily We Roll Along, The True, Jerry Spring the Opera, If I Forget, The Whirligig, Into The Woods, Love, Love, Love, Sweet Charity, Evening at the Talk House, Two Gentlemen of Verona, Buried Child, The Spoils, Sticks and Bones, The Last Five Years, A Lie of the Mind, Ruined, Hurlyburly. TELEVISION: He designed the 2013, 2014, 2015, 2016 & 2017 Academy Awards as well as the NBC LIVE! Musicals The Sound of Music, Peter Pan, The WIZ & HAIRSPRAY. AWARDS: Winner of 1997 + 2004 OBIE Awards, 2004, 2005, 2007 Lortel Awards; 2009 + 2021 Tony Award, 2011 Drama Desk Award, 2015, 2016 Art Directors Guild Award, 2014 + 2017 Emmy Award.
On today's episode. The Vern is joined by two of the greatest podcasters to talk about the greatest concert film of all time, Talking Heads' Stop Making Sense. Yeah, that's right I said it so suck it Taylor Swift and your Eras Tour. Im just joking plese don't have me killed. Jim of Film Rage https://www.filmrageyyc.com/ & Ryan of Soundtrack Your Life https://www.soundtrackyourlife.net/ join Vern as they discuss this classic feature directed by Jonathan Demme( The Silence of the Lambs) and shot by Jordan Cronenweth(Blade Runner). They talk about thier favorite songs, seeing it on the big screen, family interactions and they even talk about David Byrne's American Utopia as well Sponsor Magic Mind https://www.magicmind.com/cinemarecall ( Get up to 56% off your subscription for the next 10 days with our code CINEMARECALL20) Ad Spot Podtastic Audio https://podtasticaudio.com/ Listen to us on Newsly https://newsly.me/ (Use Promo Code Recall and get one month free of Premium) Goodpods https://goodpods.com/podcasts/cinema-recall-173330 Podcasher https://www.podchaser.com/podcasts/cinema-recall-967547 Full Swap Radio (Sunday at 8:30 PM) https://fullswapradio.com/cinemarecall/ --- Support this podcast: https://podcasters.spotify.com/pod/show/cinemarecall/support
We're bringing a close to our series on therapy, and we couldn't be happier to have Kelly Corrigan with us to have a candid conversation with Jen around their thoughts on therapy, including when it first entered their awareness, and now, in a more enlightened age, how the next generation has more access to therapeutic help. Even as recently as 20-30 years ago, therapy was not talked about a lot in public. For Jen and Kelly, they didn't see it modeled from their parents, it wasn't mentioned in their church circles, and only earth shattering situations seemed to require it. But as they look back, they realized there were people in their lives who were likely touched by a host of mental health issues–like panic attacks, depression, anxiety–and they usually suffered in silence while others wondered why they were so “moody” or “different.” Now that therapy is enjoying its day in the zeitgeist, we can all benefit from the openness around mental health that is evolving daily. Kelly's a dear friend of Jen's and has been on our show numerous times–winning the coveted title of most appearances on our pod! Besides offering wonderful conversation and amazing insight here, Kelly is the host of her own podcast, Kelly Corrigan Wonders, and is the author of several amazing books including Tell Me More, Glitter and Glue, and The Middle Place. She also hosts a show called “Tell Me More” for NPR, and she and Jen discuss the value of the statement “tell me more” when relating to others about our deepest thoughts and feelings. * * * Thank you to our sponsors! ABLE | Visit https://www.ableclothing.com/ and use code JEN to save at checkout FOCL | Visit https://focl.com/ and use code FORTHELOVE at checkout for 20% off of your purchase Jen Hatmaker BookClub | Visit jenhatmakerbookclub.com and use code READ at checkout $5 off your purchase! Thought-Provoking Quotes: "In suffering there's this mistaken idea that you are lonely in your suffering--that you're alone in that people don't know. All that reassurance when we say, 'Got that, yep. I had a thing.' It makes it undeniable that no one is uniquely afflicted, and to remove that from suffering is to lighten it." - Kelly Corrigan “The fact is that I am deeply attached to my people and their happiness. It matters to me above all else, and if the only way not to feel that is to detach, then I'm not signing up. This means that when I'm feeling worried, it means I'm crazy about you.” - Kelly Corrigan “I think the most common thing that happens, and I don't think it's ill intent, but someone says 'Oh, I know. You know what happened to me. I had something just like that.' And it's so sweet. They're trying to relate and they're trying to normalize what's going on, and that can be really helpful. But they're probably wrong. That's the thing. You tell me your thing in five sentences and then I relate to it right away without saying, 'Tell me more. What else? Go on.' I probably don't have your thing right yet.” - Kelly Corrigan Resources Mentioned in This Episode: Tell Me More Stories About the 12 Hardest Things I'm Learning to Say by Kelly Corrigan - https://www.amazon.com/Tell-Me-More-Stories-Learning/dp/0399588396/ Glitter and Glue: A Memoir by Kelly Corrigan - https://www.amazon.com/Glitter-Glue-Memoir-Kelly-Corrigan/dp/0345532856/ The Middle Place by Kelly Corrigan - https://bit.ly/49Gsxmt For the Love of Conversations - https://jenhatmaker.com/podcasts/series-43/ Tell Me More with Kelly Corrigan - https://www.pbs.org/show/tell-me-more-kelly-corrigan/ Kelly Corrigan Wonders - https://www.kellycorrigan.com/podcast American Utopia - https://en.wikipedia.org/wiki/American_Utopia_(film) Guest's Links: Kelly's Website - https://www.kellycorrigan.com/ Kelly's Instagram - https://www.instagram.com/kellycorrigan/?hl=en Kelly's Twitter - https://twitter.com/corrigankelly?lang=en Kelly's Facebook - https://www.facebook.com/kellycorriganauthor/ Connect with Jen! Jen's website Jen's InstagramJen's Twitter Jen's FacebookJen's YouTube
Playwright Lynn Nottage says it's in her nature to be optimistic. And if it's true what they say that you can manifest good things by thinking positively, well, it's worked out for her in myriad ways. Nottage is the first and only woman to have won a Pulitzer Prize for Drama twice, and she's one of today's most produced playwrights. Her work, though, explores the experiences of Americans existing in the margins who have little reason to have hope. In this episode, she joins host Kai Wright to reflect on her remarkable career and share how she develops complicated characters that manage to be relatable, resilient and inspire optimism in audiences. Plus, musician David Byrne is known for a darkness to his lyrics. As the former frontman for the band Talking Heads with songs like “Psycho Killer,” “Road To Nowhere,” and “Slippery People,” it's easy to assume Byrne is fresh out of hope in humanity. Instead, he says he's motivated by the beauty of human connection he experiences when he pushes past the anxiety of being a social creature. Byrne and Kai discuss how he channeled that uplifting outlook into his Broadway show “American Utopia,” named for Byrne's 2018 album. Tell us what you think. Instagram and X (Twitter): @noteswithkai. Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or going to Instagram and clicking on the link in our bio. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. Tune into the show on Sunday nights via the stream on notesfromamerica.org.
For the better part of a decade, David Byrne was the front-man of Talking Heads. To celebrate the revival of Jonathan Demme's concert film, Stop Making Sense, we're revisiting our special talk with the legendary musician himself. At the top, we discuss how Byrne processed the pandemic in New York City (6:45), finding creativity in unlikely places (9:50), the evolution of his Broadway show ‘American Utopia' (10:47), the influence of poet William Blake (13:00), his gift for collaboration (16:36), and the power of the song, Glass Concrete & Stone (20:54). On the back-half, he opens up about his pivot from New Wave to Latin music (23:40), getting comfortable with creating on his own terms (30:35), and why he turned to performance as a response to being neurodivergent (36:32). He also reflects on his relationship to the Talking Heads (41:30), the cross generational impact of his art (44:15), the unique interpretations of American Utopia (46:30), and how he “found the world” through making music (50:25). Purchase tickets to see Stop Making Sense in theaters here.See omnystudio.com/listener for privacy information.
Jonathan Demme and the Talking Heads' concert film classic Stop Making Sense is back in theaters for a 40th anniversary revival, so Brad saw it in IMAX at Jake's request. Brad and Jake talk about the delightful addition of David Byrne solo and Tom Tom Club songs, Bryne's insane stamina, and propose a revival for concert films in the wake of this and Taylor Swift's new juggernaut movie. The talk then shifts to Brad's assignment for Jake, the four-hour epic and final Sergio Leone film, Once Upon a Time in America. They talk about enduring Robert De Niro's despicable protagonist Noodles, wrestling with James Woods's problematic real-life personality in light of his terrific performance here, the production struggles the movie had upon its release, and the raw deal that composer Ennio Morricone was served up in 1984. Other movies discussed in this episode: The Last Waltz (1978), True Stories (1986), Tanner '88 (1988), Tanner on Tanner (2004), Shine a Light (2008), Beyonce: Lemonade (2016), Rolling Thunder Revue (2019), American Utopia (2020), Taylor Swift: The Eras Tour (2023).
Hello and welcome to another harmonious episode of Bad Dads Film Review! Dads, grab your air guitars, don your freshest 90s threads, and let's explore the collision of music, movies, and some serious sitcom nostalgia.Top 5: Musician Cameos in Movies: Have you ever been watching a movie and suddenly thought, "Wait, isn't that...?" Musicians popping up in our favorite films can be a delightful surprise. From David Bowie in "Zoolander" to Keith Richards in "Pirates of the Caribbean," we'll rank and rave about the most memorable, unexpected, and downright hilarious musician cameos on the big screen. Plus, as Dads, we'll have a few personal stories up our sleeves about explaining to our kids who that “old guy” is playing Jack Sparrow's dad.Movie of the Week: American Utopia: Directed by Spike Lee and featuring the eclectic David Byrne (yes, him again), "American Utopia" is a live Broadway adaptation of Byrne's album and tour of the same name. We'll dive into the visuals, the music, the raw energy, and the impactful themes interwoven throughout this stage-to-screen experience. From sociopolitical messages to heart-pounding choreography, we'll dissect how "American Utopia" creates, well, its own version of Utopia for its audience.Kids TV: The Fresh Prince of Bel-Air: Now, this is a story all about how... we get nostalgic about one of the most iconic sitcoms of the 90s. We Dads will not only reminisce about our favorite Fresh Prince moments but also discuss the cultural impact the show had and the lessons it brought to the living rooms around the world. And as we recount the comedic genius of Will Smith and the charm of the Banks family, we'll also touch upon the show's deeper themes of identity, class, and familial bonds.Whether you're in for the musical musings, stage spectacles, or just eager to do the Carlton dance, we've got you covered. Tune into Bad Dads Film Review, where every episode is a mixtape of cinematic insights and Dad-level humor. Time to drop the beat!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
Along with fronting the Talking Heads, David Byrne has collaborated with Brian Eno, St. Vincent, Philip Glass, Selena and so many more. He's written books and scored soundtracks. He even wrote and directed his own movie. In this interview from 2021, he talks about his Broadway debut: American Utopia an immersive live show based on his album of the same name. Plus: Stop Making Sense, the legendary concert film just turned 40!
We've been at this idiocy for 150 episodes! Whether this is your first time listening or you've listened before, we thank you! This week our main segment is “Idiot Palooza!” We each pick 5 all-time bands living or dead for our all-time 5-band stage act! Who as the best lineup? Let us know! In our “Ask An Idiot” segment we discuss the “Barbenheimer” movie phenomena. Are moviegoers showing we will go to the theaters if give us interesting and compelling movies & experiences beyond super-hero or big franchise movies? “Pop Culture Headlines” includes the UFO government hearing. Did we really hear potential evidence of “non-human” remains and other evidence of UFOs and not really show we care on social media?! Also “gray water beer.” Are you ready to drink beer made from recycled shower water? Some think so! “Idiot Reviews” includes non-spoiler reviews of ‘Oppenheimer', ‘They Cloned Tyrone', ‘American Utopia' and more! We hope you enjoy and listen on the next 150 episodes! Note-forgive us due to video source error the first segment has audio a bit out of sync but clears up in segments 2 & 3. Warning as usual for explicit language from us idiots! Listen to us weekly on your favorite podcast platforms including Apple Podcasts, Spotify, Overcast, Google Podcasts, Amazon Music, Overcast, iHeart Radio, Vurbl, Goodpods, Podvine & more! Watch us on our YouTube channel & the B.O.S.S. Code Media Network! Show info can be found on our website: convincingidiots.wordpress.com Find show links on our Link Tree: https://linktr.ee/ConvincingIdiots Email us at ConvincingIdiots@gmail.com. Enjoying the show? Consider becoming a Patreon: https://www.patreon.com/ConvincingIdiots Or support the show from our main podcast page: https://anchor.fm/convincing-idiots YouTube Channel: https://youtube.com/@convincingidiots Show merch store here: https://convincing-idiots-podcast.creator-spring.com/ We hope we convince you to listen & subscribe! --- Support this podcast: https://podcasters.spotify.com/pod/show/convincing-idiots/support
Aki a Marcziba kérte az ajándékát, az jöjjön érte! /////////////////////////////////////////////////////////////////Tibi nem beszél, avagy az adást megelőző bemelegítés.Perzsia/Irán története hét és fél percben. Egy ragyogóan szerkesztett rövid előadás a perzsa nyelvről. (Meglepően sok szavunk perzsa eredetű!)Nem tűntem el. Spáh Dávid filmje Richter Gedeonról. Juttatások a Richternél.David Byrne és még 11 szürke öltönyös ember mezítláb csodát tesz. American Utopia.Michael Knowles interjúja Daniel Reehil katolikus pappal. 8.30-tól hallható a falramászó apáca története.Borítókép: Linda BlairAdászene: American utopia / David Byrne/////////////////////////////////////////////////////////////////Support the showHa szeretnéd támogatni a gombapresszót, akkor a Patreon oldalunkon megteheted.A gombapresszó Twitter csatornája.Az élő adások helyszine, az MR4 csatorna.MR4 keresőA gombapresszó Buzzsprout oldala.A korábbi adászenéket tartalmazó Spotify lista.Email.
Today legendary sound engineer Pete Keppler joins me for another look behind the scenes at David Byrne's American Utopia (check out episode 376 of this podcast for our audio documentary on the show), from conception to the world tour to Broadway, dealing with the technical and creative challenges inherent in reinventing the whole idea of a rock'n'roll band. Plus Pete talks about his time on the road with David Bowie as the sound engineer for his last ever tour.
Music as a reputable career choice, boy bands, prophetic guitar tattoos, visiting 34 countries, and the role of those with power in the industry are part of Hilary's conversation with guitarist Angie Swan. Huge thanks to this episode's sponsors! EarthQuaker Devices- extra special effects pedals made by hand in Akron, OH! Stompbox Sonic- personalized pedal curation and sales in Somerville, MA! Holcomb Guitars- custom guitars and mobile guitar repair in RI/MA! ANGIE's BIO Angie Swan is a guitarist/producer originally from Milwaukee, WI. After Attending Berklee College of Music, Angie worked with artists such as David Byrne ("American Utopia"), Will.i.am, Cee Lo Green, Billy Porter, Fifth Harmony, Ari Lennox, Adam Lambert, Terri Lyne Carrington and many more. She has also toured with Cirque du Soleil's production Amaluna. Angie is a 2x Grammy nominee and Tony Award recipient. Angie is currently working on releasing her debut album set to be released in late 2023. ANGIE's MENTIONS NAMM / Berklee / Premier Guitar / Guitar World / Paul McCartney / Prince / Joe Satriani / Stevie Ray Vaughn / Tracy Chapman / Robert Cray / Dave Brubeck / Chick Correa / Green Day / Nine Inch Nails / Nirvana / Stone Temple Pilots / Jared Sharp / Talking Heads / Adrian Belew / David Byrne / Jerry Harrison / Wes Montgomery / Jimmy Page / Pete Kepler / Anna Blumenthal / Sam Barsch / Mono Neon / Lyndon Rochelle / Esperanza Spalding / Annie Clark / St Vincent / Justin Tranter / Reeve Carney / Thomas Pridgen / Ronald Bruner / Eddie Brown / Novo Guitars / Fano Guitars / Naggs Guitars / PRS Guitars / Lollar Pickups / Epiphone Guitars / Gibson Guitars / Kauer Guitars / Mesa Boogie Amps / Supro Amps / Kemper Amps / Fender Guitars / EarthQuaker Devices / Walrus Audio / Quarantine Effects / Boss Effects ANGIE's LINKS Instagram MID-RIFF LINKS Website Instagram Facebook Newsletter Blog Gender and Music Gear Experiences Report Thanks for rating/reviewing on Apple Podcasts! Support Mid-Riff by shopping on Reverb! Check out more from Ruinous Media! Theme Music: "Hedonism" by Towanda Artwork by Julia Gualtieri
Part 2 of our DAVID BYRNE mini-series Joined by special guests: Natalie Nicole Dressel (she/her) @natalienicole24601 Sofija "Jay" Dutcher (she/him) @softjay SUBSCRIBE. RATE. REVIEW!! THEME and Stingers: Ryan Thomas Johnson IG: @theatre_theater_pod Twitter: @the_theatre_pod Gmail: theatretheaterpod@gmail.com tiktok: @theatre_of_the_absurd Resources below BLM Donation and Education LinkTree: https://linktr.ee/NationalResourcesList Black Owned Businesses in LA: https://docs.google.com/spreadsheets/d/18w-0RBhwBBlXDN9kRV9DVSCAGSCjtHb9K0Pq2YBv18U/htmlview?usp=sharing&pru=AAABcpXptV0*XfoiE2Ay5SJUCEO3tXROGQ&urp=gmail_link MPJI https://marshap.org/ Petitions https://linktr.ee/petitions_123
Today on the show, Paul and Ben talk about colonoscopies, Resident Alien, celebrity impersonators, buying a used car, American Utopia, spicy mustard Doritos, Big Little Burger and the burger experience, diagnosing mental health issues, inclusive language, Washington's new governor, and finally succession.
Jonathan and Richard sprinkle in some newer releases like David Byrne's American Utopia between 90s throwbacks like Veruca Salt and Fatboy Slim.
Tom Gabbard (blumenthalarts.org)(IG:@tomgabbard) has been CEO of Blumenthal Performing Arts since 2003. The Blumenthal's 110 employees manage six theaters in Charlotte, hosting over 1,000 performances annually, as well as extensive education programs, immersive projects, and the Charlotte International Arts Festival. During his tenure, the Blumenthal became a Top 10 market for touring Broadway shows in North America. A member of the Board of Governors of the Broadway League, he serves on the Legislative Council and Finance and Intra-Industry Committees. He has been a voter for Broadway's Tony Awards since 1997. In 2022, the League awarded Tom with Lifetime Tony Award Voter status. In 2012 the League awarded him the Samuel J. L'Hommedieu Award for Outstanding Achievement in Presenter Management. He serves as co-chair of The Jimmy Awards, the National High School Musical Theatre Awards held annually on Broadway. Tom is a Past President of the Independent Presenters Network (IPN), a consortium of 40 leading touring Broadway presenters in North America, Asia, and the UK. Tony Awards as a co-producer/investor include Monty Python's Spamalot, Thoroughly Modern Millie, La Cage aux Folles, RED, Pippin, Kinky Boots, The Color Purple Revival, Hello Dolly, Dear Evan Hansen, The Band's Visit, Oklahoma!, Hadestown, A Strange Loop, and Lehman Trilogy. Other Broadway, Off-Broadway, national tour and London West End credits include Moulin Rouge, Ain't Too Proud, David Byrne's American Utopia, Death of a Salesman, Tootsie, Legally Blonde, Frost/Nixon, Matilda, Cinderella, Jagged Little Pill, Something Rotten, An American in Paris, Waitress, The Broadway Museum, and Back to the Future. He produced the New York run and the national tour of TRACES, and the national tour of 9 to 5. Tom is a leader in developing partnerships between the UK and US, working on over 25 UK/US transfers and London productions. He was the Founding Managing Director of Pepperdine University's Center for the Arts in Malibu, the Executive Director of the Arvada Center for the Arts and Humanities in Denver, and the Weidner Center for the Performing Arts in Green Bay. He holds an MBA in Arts Management from Golden Gate University and a BA in Music Performance from Pepperdine University where he also attended Law School.
Tom Gabbard (blumenthalarts.org)(IG:@tomgabbard) has been CEO of Blumenthal Performing Arts since 2003. The Blumenthal's 110 employees manage six theaters in Charlotte, hosting over 1,000 performances annually, as well as extensive education programs, immersive projects, and the Charlotte International Arts Festival. During his tenure, the Blumenthal became a Top 10 market for touring Broadway shows in North America. A member of the Board of Governors of the Broadway League, he serves on the Legislative Council and Finance and Intra-Industry Committees. He has been a voter for Broadway's Tony Awards since 1997. In 2022, the League awarded Tom with Lifetime Tony Award Voter status. In 2012 the League awarded him the Samuel J. L'Hommedieu Award for Outstanding Achievement in Presenter Management. He serves as co-chair of The Jimmy Awards, the National High School Musical Theatre Awards held annually on Broadway. Tom is a Past President of the Independent Presenters Network (IPN), a consortium of 40 leading touring Broadway presenters in North America, Asia, and the UK. Tony Awards as a co-producer/investor include Monty Python's Spamalot, Thoroughly Modern Millie, La Cage aux Folles, RED, Pippin, Kinky Boots, The Color Purple Revival, Hello Dolly, Dear Evan Hansen, The Band's Visit, Oklahoma!, Hadestown, A Strange Loop, and Lehman Trilogy. Other Broadway, Off-Broadway, national tour and London West End credits include Moulin Rouge, Ain't Too Proud, David Byrne's American Utopia, Death of a Salesman, Tootsie, Legally Blonde, Frost/Nixon, Matilda, Cinderella, Jagged Little Pill, Something Rotten, An American in Paris, Waitress, The Broadway Museum, and Back to the Future. He produced the New York run and the national tour of TRACES, and the national tour of 9 to 5. Tom is a leader in developing partnerships between the UK and US, working on over 25 UK/US transfers and London productions. He was the Founding Managing Director of Pepperdine University's Center for the Arts in Malibu, the Executive Director of the Arvada Center for the Arts and Humanities in Denver, and the Weidner Center for the Performing Arts in Green Bay. He holds an MBA in Arts Management from Golden Gate University and a BA in Music Performance from Pepperdine University where he also attended Law School.
Suzie Explores is a podcast series focussing on the nature of creativity and curiosity. Bringing her unique perspective of the world of music and beyond, Suzie joins forces with a host of luminaries in the creative field to explore what it means to be an inspired human being in this world.American Utopia is a show which toured many cities of the world, before becoming a sell-out Broadway hit. It is the creation of the incredible, ever-evolving, ever-creative David Byrne and features many of his best-loved songs performed by 12 musicians, singers, and dancers live on stage using no pre-recorded tracks. His wish was to represent hope and possibility on stage….and this he does, in the most abundant of ways. This podcast was recorded 6 months after the Broadway run finished and explores how life has evolved since the show ended. We discuss connectivity, mistakes, grief, surviving on tour, and feeding the creative imagination. It was hard to coordinate everyone to be in the same place at the same time, but we did manage to have Jacquelene, Bobby, Mauro, Danny, Tim and Stephane in the same room, and Tendaye joined us by the magic of Zoom. American Utopia Trailer: https://www.youtube.com/watch?v=lg4hcgtjDPc
Are you ready to start investing but don't know where to start? Get VIP access to the top investment strategies, active and passive, from today's guest, Real Estate Investor, #1 Best-Selling Author, and Tony Award Winner Matt Picheny! Matt went from earning less than $8,000 a year as an actor to generating half a billion dollars of real estate transactions. In just six years, Matt invested in over 10,000 apartments nationwide and helped his own clients amass tens of millions of dollars in profit. He's also the author of the #1 best-selling book Backstage Guide to Real Estate: Produce Passive Income, Write Your Own Story, and Direct Your Dollars Towards Positive Change. Matt and his wife have two Tony Awards® as co-producers of the Broadway shows Moulin Rouge and American Utopia. They have invested in many other theatrical productions, including the iconic musicals Hamilton and Wicked. Matt shares what it was like overcoming his fears and investing in his first passive and active deals, the challenges he faced, and how he was able to apply the things he learned to his business along the way. He shares how important building a relationship, being persistent, and being educated are to successful investing as well as the three pillars of investing that he uses to generate cash flow and live his life to its fullest. HIGHLIGHTS FROM THE EPISODE 00:00 - Coming up 00:13 - Intro 00:54 - Welcome Matt to the show 01:20 - Matt shares his background 03:24 - How he got into real estate 05:18 - His experience in active investing 07:15 - Working as a property manager 09:25 - Cost segregation study 12:40 - What you should know as an investor 15:17 - First passive investment 21:05 - Investing and purchase strategies 24:51 - Attitude of operators 27:16 - His journey back into the active space 31:02 - Podcast or book recommendations 32:10 - Resources that new investors might find helpful 34:17 - A recent bucket item list that he has checked off 35:30 - Final thoughts LINKS FROM THE EPISODE Get Matt's Book- The Backstage Guide to Real Estate- https://picheny.com/backstage-guide/ Principles for Dealing with the Changing World Order: Why Nations Succeed and Fail by Ray Dalio- https://www.amazon.com/Changing-World-Order-Nations-Succeed/dp/1982160276 Matt Linkedin- https://www.linkedin.com/in/picheny/ CONNECT WITH THE GUEST Connect with Matt at www.picheny.com CONNECT WITH THE HOST Connect with our host, Randy Smith, for more educational content or to discuss investment opportunities in the real estate syndication space at www.impactequity.net, https://www.linkedin.com/in/randallsmith or on Instagram at @salesguyinvestor --------------------------------------------------------------------------------------------------------------------------- Follow us on social media @the.gentle.art.of.crushing.it Listen, like, subscribe, comment: http://thegentleartofcrushingit.com/
From Broadway to Frozen, Idina Menzel has captivated young and old audiences alike. A new documentary about her journey as a performer reveals how she worked to land her dream gig. Actor and singer Idina Menzel has played a series of roles that inspire empowerment and a quest for identity. Her critically acclaimed turns on Broadway in Rent and Wicked and her voice work as Elsa in Disney's Frozen have made her an intergenerational star. Now, a new Disney Plus documentary called “Idina Menzel: Which Way to the Stage” unveils the person behind such iconic characters and shares her devotion to entertaining audiences. Ahead of the film's release, Host Kai Wright spoke with Menzel about balancing work and life, and realizing her dream of performing at Madison Square Garden. Companion listening for this episode: David Byrne on Musical Democracy (2/10/2022) The former Talking Heads frontman explores the challenges – and beauties – of human connection while breaking down his hit Broadway show, American Utopia. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC's YouTube channel. We want to hear from you! Connect with us on Instagram and Twitter @noteswithkai or email us at notes@wnyc.org.
Success in the theatre industry rarely happens overnight. Most people in live entertainment started as performers in high school or college, and then they developed their skills through their journey. When you see an artist who commands authority with their work, they have gone through years of refinement, leveraging other people and their unique superpowers. This episode is for you if you are passionate about following this path to your happy place.Two key success factors in the theatrics and entertainment industry are relationships and experience. Running a concert alone is impossible, so you need a team. You must learn effective communication, conflict resolution, and how to work with different personalities. Long-term success is related to your experience. Have a teachable spirit and be willing to learn from others who are better than you. Don't get discouraged when you make mistakes because that is how you learn. The more mistakes you make, the more you will learn and the better you become. Mistakes are what lead to experience.In this episode, Erica Schwartz shares her journey in theatre, lessons she has learned, and how she has been able to rise through the ranks to become the Vice President of Theatrical Programming for Ambassador Theatre Group - North America., and a two-time TONY Award winner. Erica has some information and insights to help you navigate the murky waters of the entertainment industry.Snapshot of the Key Points from the Episode:[02:28] A bit about Erica's theatrical background and her current position in the theatre industry.[09:54] Erica's largest project that she's always proud of.[12:55] The superpowers Erica credits with helping her navigate through this industry.[17:45] Relationship-building techniques in the entertainment industry.[26:33] How can college students make the best of their time to prepare themselves for building their career the theatre industry? And, what are the first steps toward building that career?[35:22] Is it a smart idea to get an agent immediately?[39:44] What does working from your happy place mean to Erica? About Erica Schwartz - Erica is the Vice President of Theatrical Programming for Ambassador Theatre Group - North America. She is a two-time TONY Award winner as a Co-Producer on Moulin Rouge: the Musical and David Byrne's American Utopia. Prior to her current role, she was the General Manager for the Emerson Colonial Theatre in Boston, Massachusetts, overseeing all operations and programming.Erica's love of theatre began in her teens, thinking she would be a performer. In college, she learned that there was a whole other side to live entertainment behind the scenes. She focused her studies on Directing, leading to a career in management and producing, diving into all aspects of live entertainment.How to connect with Erica Schwartz:LinkedIn: https://www.linkedin.com/in/erica-lynn-schwartz-44327a2/About the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. How to Connect with Belinda:Facebook -https://www.facebook.com/workfromyourhappyplaceLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram -https://www.instagram.com/workfromyourhappyplace/Website - www.workfromyourhappyplace.com
Today's guest is a creative design sage. With more than 20 years of experience in the hospitality industry, today's guest is truly an expert in this field. Andrew Alford is the Founder/Owner/Designer/ Chief Creative officer/chef/cook and bottle washer of Andrew Alford Creative. Andrew worked his way from answering phones at a high-end residential design firm to leading his own company where he gets to let his true creativity shine. Andrew joins the host Dan Ryan to talk about his journey through design and hospitality and what it all means to him. Takeaways: The real innovation in hospitality comes from the people who grew up with little to nothing to their name. People like that grow up wanting a luxurious environment and want to give that idea of luxury to everyone. Hotels should be an experience that helps lift away any suffering you have and transport you to a better state of mind. They are the backdrop to our most precious memories. The whole objective for design is not to make something look good or to be a background in a selfie. The actual point is that design should be something that makes you stop and appreciate the beauty around you and be a transformative experience in itself. A work life balance is something that is incredibly important and can help prevent you from feeling burnt out. You want to make sure that you aren't working after your normal hours and set boundaries so that you can enjoy your work and not have it feel like a chore. When it comes to design, you want to make sure that you stand out and that you are unique. The same bland, beige and boring designs won't get noticed. If you are going to stand out like a unicorn, stand out like a unicorn in every way. The word “interbeing” comes from a Buddaheist poet Thich Nhat Hanh. It describes the relationship between everything in the world and how it all works together in order to create the environment we see around us. Design has been so serious for many years, and it's time that the seriousness needs to be stopped and new, creative ideas need to be implemented. Every design doesn't have to copy something else that is already out there. Quote of the Show: 15:37 “Design [is] not to make it pretty, it's not a selfie background. It's a transformative experience.” Links: LinkedIn: https://www.linkedin.com/in/andrewalfordcreative/ Instagram: https://www.instagram.com/andrewalfordcreative/ Shout Outs: 4:41 Kimpton Hotels 5:22 IHG 9:44 Ed Labrano 13:25 Raptor roller coaster 14:46 SpringHill Suites by Marriott 26:25 Hospitality Design Summit 28:00 Alec Baldwin 41:58 American Utopia by David Byrne 43:18 Thich Nhat Hanh 45:14 Free Think 46:58 Star Trek 47:09 Reasons to be Cheerful 50:00 Soho House 50:20 Delano 50:21 Philippe Stark 50:32 Ace Hotels 53:10 Modern Elder Academy 53:12 Chip Conley 1:02:38 The Hoffman Process Ways to Tune In: Spotify: https://open.spotify.com/show/0A2XOJvb6mGqEPYJ5bilPX Apple Podcasts: https://podcasts.apple.com/us/podcast/defining-hospitality-podcast/id1573596386 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly93d3cuZGVmaW5pbmdob3NwaXRhbGl0eS5saXZlL2ZlZWQueG1s Amazon Music: https://music.amazon.com/podcasts/8c904932-90fa-41c3-813e-1cb8f3c42419 Podbean: https://www.defininghospitality.live/ Youtube : https://youtu.be/UCzEZwSoRIU
***Originally published 13 July 2020*** Support this ad-free show by joining my Patreon for early access, pictures, videos, music and more: Patreon.com/focusedoninfinity All my links: linktr.ee/FoILG People's Voice Network YouTube: https://www.youtube.com/channel/UCLFdPLOWk54LDcwr2O0hS4A Mastodon: https://todon.eu/@focusedoninfinity IG: @focusedoninfinity Twitter: @LoganGrendel In this episode we talk about the world we are fighting for and just how plausible it all is. Not only is a better world possible, we have most of the ideas and tools already. Music (including full track "Heavy Bag") by The Audible Doctor audibledoctor.com @audibledoctor "Welcome to New Lenape" Intro produced by LG BGM and sounds by: ERH InspectorJ Spoonsandlessspoons on Freesound.org Photo by Daniel Bendig from Pexels
I'm donnie l. betts. "Now I've been very lucky in my life to meet some of my artistic and scholarly heroes. People like August Wilson, Sonia Sanchez, Grace Lee Boggs, and Oscar Brown Junior. Next on the Eclectic, I sit in conversation with another one of my creative idols. He is the co-creator of the Immersive Theater experience Theater of the Mind as well as Here Lies Love and American Utopia. And he is the founding member and the principal songwriter, lead singer, and guitarist of the Talking Heads.... I welcome the amazing David Byrne!" theateroftheminddenver.com/about David Byrne is the founder and in-house headline writer of Reasons to be Cheerful, and the founder of the Arbutus Foundation, a non-profit organization dedicated to re-imagining the world through projects that inspire and educate. Reasons to be Cheerful is the Arbutus Foundation's first project. In conjunction with the premiere of the immersive production Theater of the Mind, co-created by creator of the Broadway hit American Utopia, David Byrne, and writer Mala Gaonkar, Byrne has created a series of seven lenticular artwork images in five editions and a short piece of new music to coincide with the production. The Eclectic is a companion podcast to Destination Freedom Black Radio Days that features interviews with difference makers, artists, authors, bold thinkers, and people we love who get stuff done. Produced and hosted by donnie l. betts of No Credits Productions, LLC. Follow @nocreditsproductions on Facebook and Instagram, and @donniebetts on Twitter. #Blackradiodays #socialjustice #destinationfreedomblackradiodays #donniebetts Learn more about your ad choices. Visit megaphone.fm/adchoices
To Annie-B Parson, choreography isn't confined to the studio and the stage; rather, practically everything around us abounds with movement that's worth paying attention to. In her new, aptly titled book, The Choreography of Everyday Life, an inventive, observant, and witty ode to her relationship with dance and movement over the course of her lifetime, she delves into exactly that belief. Across the past 30-plus years with Big Dance Theater, which she co-founded in 1991, her work has amounted to more than 20 choreographed and co-created works. As a whole, her inventive oeuvre extends in seemingly infinite directions: opera, pop music, television, movies, ballet, marching bands, symphonies. A frequent and close collaborator with the legendary David Byrne, Parson has choreographed two of his world tours, and most recently, his highly acclaimed broadway hit American Utopia. The eclecticness of Parson's body of work is rivaled only by that of her choreographic style, which finds inspiration in everything from traditional ballet, to Russian folk dances, to pedestrians on the sidewalk. A meticulous attentiveness and a whimsical ingenuity are the hallmarks of everything she does.On this episode, Parson speaks with Andrew about how the pandemic has altered our understanding of the ways our bodies relate to one another, why she considers TikTok a new kind of folk dance, and choreography as a means of controlling and testing time.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Annie-B Parson[05:19] The Choreography of Everyday Life[36:15] Big Dance Theater Company[29:27] Paul Lazar[09:30] Previous books[49:37] The Mood Room[55:15] American Utopia[55:20] Here Lies Love[55:51] Everything That Happens Will Happen Today
As broadcast October 17, 2022 while the Buskers World Cup Grand Finale was fully underway. Tonight in part 4 we had a very special presentation, with us paying homage to some of the buskers who traveled all the way across the world to join us in Gwangju for the first annual Buskers World Cup. It was amazing meeting and making friends with these talented people, and it's so exciting watching them get the recognition they so thoroughly deserve. Big up to all the artists involved! For our usual steelo, we had a ton of new favorites to cover in parts 1 & 2 tonight with Big Thief heading into Seoul, new joints out from SAULT, Drugdealer, and Nature TV amongst others. Big new pop tunes to give airtime in part 3 as well, with The 1975 and Tove Lo out with new albums, and singles from plenty of others to let into space. #feelthegravityTracklist (st:rt)Part I (00:00)David Byrne – Burning Down The House (Live)Nature TV – Self EsteemDrugdealer feat Kate Bollinger – Pictures of YouGoth Babe – Surfing in IcelandPlains – HurricaneField Medic – always emptiness Part II (30:56)SAULT – AngelWeyes Blood – GrapevinePaw Paw Rod – LovetapHotel Ugly – Mannequin SongBig Thief – Simulation SwarmBig Thief – Sparrow Part III (61:52)The 1975 – Oh CarolineTove Lo – GrapefruitSG Lewis feat Tove Lo – Call On MeFazerdaze – Thick of the HoneyZack Bryan - Starved Hope Tala – Stayed at the PartyQueen – Face It Alone Part IV (95:17)Katie Ferrara – This CityBorja Catanesi feat Thierry James – What a DayMoses Concas – Medieval BastardsGap's Orchestra – Danza MalenaMalachy – HighwayBen Jansz - Woman
Pt. 2 3 hr episode on Utopia and Crisis with Ed Berger (Pseudodoxology podcast) brushes on the history of American Utopian Communities (Mormons, Labadists, Owenites, Catholic E-Girls), their failures and successes, and long wave economic patterns…Carlota Perez, Techno Economic Paradigms, Alfred Sohn Rethel (Real Abstraction) and Finance Punk, the delinking of Gold from the Dollar, epic road trips, Plato & Deleuze, the eternal 1970's, Apocalyptic Fantasies, the decadence movement…Ed introduces the concept of ‘Defluencing', Global Peacekeeping and Nuclear Power, Deep Country Shamanism, The Human Potentiality movement, Hashish, frenetic standstills, ‘Lacanian Maoism' (lol), the end of the microtrend and the introduction of the macrotrend… “The microtrend in and of itself is like a tautology…each individual street trend is a discourse surrounding who started the trend in question, pure self referential, a hall of mirrors.”
Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000. With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker. Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical). He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.
Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000. With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker. Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical). He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.
The conclusion of our 5 part series, Allen Dulles' American Utopia. Episodes 24, 28, 40, and 51 make up the first 4 parts, with companion episodes in 31, 35, and 54. To round out the series, we discuss the Gehlen Organization, Gladio, MKULTRA, Cuba, the Godfather Part II, the rise of JFK, and the death of Patrice Lumumba. We will eventually discuss some of these at much greater length in future episodes, so consider this final installment of our as-yet longest series a primer for those successor episodes. You can hire Murder, Inc. on Twitter: @leftunreadpod (Twitter and Instagram) @poorfidalgo @gluten_yung You can reach out to us at leftunreadpod@gmail.com. Suggestions and hate mail welcome. Theme music by Interesting Times Gang. Check them out at: itgang.bandcamp.com.
To support independent ski journalism, please consider becoming a free or paid subscriber. Paid subscribers receive thousands of extra words of content each month, plus all podcasts three days before free subscribers.WhoKarl Kapuscinski, President and CEO of Mountain High and Dodge Ridge, CaliforniaRecorded onJune 6, 2022About Mountain HighClick here for a mountain stats overviewOwned by: Invision Capital and Karl KapuscinskiLocated in: Wrightwood, CaliforniaClosest neighboring ski areas: Mt. Waterman (45 minutes), Mt. Baldy (1 hour, 15 minutes – they’re only 8.4 miles apart as the crow flies, but 57.4 miles apart via road!), Snow Valley (1 hour, 25 minutes), Big Bear/Snow Summit (1 hour 40 minutes)Base elevation | summit elevation | vertical drop:West Resort: 7,000 feet | 8,000 feet | 1,000 feetEast Resort: 6,600 feet | 8,200 feet | 1,600 feetNorth Resort: 7,200 feet | 7,800 feet | 600 feetSkiable Acres: 290Average annual snowfall: 117 inchesNight skiing: North onlyTrail count: 60 (35% advanced, 40% intermediate, 25% beginner)West Resort: 34 (1 expert, 16 advanced, 12 intermediate, 5 beginner)East Resort: 16 trails (1 expert, 4 advanced, 7 intermediate, 4 beginner)North Resort: 10 trails (6 intermediate, 4 beginner)Lift count: 14 (2 high-speed quads, 2 fixed-grip quads, 3 triples, 4 doubles, 3 carpets - view Lift Blog’s inventory of Mountain High’s lift fleet)West Resort: 1 high-speed quad, 3 triples, 2 doubles, 2 carpetsEast Resort: 1 high-speed quad, 1 quad, 2 doubles, 1 carpetNorth Resort: 1 quadAbout Dodge RidgeClick here for a mountain stats overviewOwned by: Invision Capital and Karl KapuscinskiLocated in: Pinecrest, CaliforniaClosest neighboring ski areas: Bear Valley (2 hours, 6 minutes), June Mountain (2 hours, 24 minutes), Mammoth Mountain (2 hours, 37 minutes), Badger Pass (2 hours, 45 minutes), Kirkwood (2 hours 58 minutes)Base elevation: 6,600 feetSummit elevation: 8,200 feetVertical drop: 1,600 feetSkiable Acres: 862Average annual snowfall: 300 to 500 inchesNight skiing: NoTrail count: 67 (40% advanced, 40% intermediate, 20% beginner)Lift count: 12 (1 fixed-grip quad, 2 triples, 5 doubles [2 of these doubles - lifts 1 and 2 below, are making way for one triple chair for the 2022-23 ski season], 1 T-bar, 1 ropetow, 2 conveyors - view Lift Blog’s of inventory Dodge Ridge’s lift fleet)Why I interviewed himIn the Midwest of my youth, the calculus was simple: north, cold; south, warm. The only weather quirk was lake-effect snow, tumbling off Michigan and Superior in vast snowbelts west and north, and across that mysterious realm known as the UP. Altitude wasn’t a factor because there was no altitude. Iowa, Nebraska, the Dakotas get rounded up by the chortling masses reaching for a flatland target to ridicule, but they overlook Michigan by ignorance, or, if they’re Michiganders, denial and self-preservation. Midland County, where I grew up, is the flattest place I have ever seen, a forever plain that disguises itself in treed horizons. It was California that alerted me to the notion that altitude could override latitude. It could snow in the south. You just had to get to the sky. The mountains went there. Humans have so overrun modern SoCal that it is easy to forget what an amazing natural monster it is: foreversummer – or at least foreverspring – on the coast. From the beach with bare feet in the sand you can see the mountains*, snow-capped and forbidding, impossible and amazing, thrusting Tolkien-ish over pulsing Los Angeles. Beyond that, deserts vast and inhospitable, stretching hundreds of miles toward the rest of America. Cross that wasteland to understand why California so often feels like a nation of its own – geologically, it may as well be.But what we care about here are those mountains. There is no reason that LA, America’s second-largest city, must have skiing. But it does. Big Bear and Snow Summit, Baldy and Waterman, Snow Valley and Mountain High. From the ocean, the land lurches skyward with astonishing speed. Mt. Waterman, 40 straightline miles from the coast, sits at 7,000 feet. Mt. Baldy, base elevation 6,500, is 52 miles. Snow Valley, 6,800 feet, 67 miles. Snow Summit, 6,965 feet, 74 miles. Big Bear, 73 miles, 7,104 feet. And Mountain High, seated between 6,600 and 7,200 feet, depending upon which parking lot you pull into on any given day, standing 52-ish miles from the ocean.And it snows. Not what-the-hell amounts. This isn’t Tahoe. But enough that, 98 years ago, someone said “well by gum we ought to be snowskiing on these here hills” (in my head, everyone in the past either talks like Yosemite Sam or Winston Churchill), and set up a snowskiing operation at Mountain High. The ski areas of Southern California are not, like the Poconos or the mountains of the Southeast, the products of technology, of machines providing snow where nature provided hills and cold. Mountain High is the fourth-oldest ski area in the country, opened in 1924. Snow Valley opened in 1937. Waterman in ‘42. Big Bear in ‘46. Baldy and Snow Summit in ‘52. From a technology point of view, 1924 may as well have been a different planet. Electricity was this newfangled thing. Forget about snowmaking, or even chairlifts. I’m almost positive dudes must have been up there in top hats and bowties. And indeed here’s a photo of a fellow rocking a kerchief while smoking his pipe:I’ve been processing this for decades, and it still amazes me: there is skiing in Southern California. Of the many geological and geographic wonders packed into our sprawling continent, the mountains-looming-over-the-seaside-city phenomenon remains one of the most stunning in its asymmetric, improbable glory.And here, in the clouds, dwells Mountain High. Once, this complex was three competing ski areas, fighting it out for families scaling the mountains in rear-wheel drive Buicks and skiing in peacoats. Everything is different now. Those three ski areas – Blue Ridge (West), Holiday Hill (East), and Table Mountain ne Sunlight (North) – are still three separate ski areas, but they operate as one. The cars are better, the gear is better. Vapers and backpack speakers rule the day (Though were I to spy a chap swiveling downslope with poles tucked underarm while puffing on a pipe, I daresay I would invite the old swell to a game of backgammon and a bottle of my finest mead [and there’s the Churchill]). Somewhere along the way, Mountain High installed chairlifts, and then, snowmaking. But despite all this change, a century on, there is still skiing in Southern California. And what a marvelous fact that is.*“on a clear day,” one must always addWhat we talked aboutThe 2021-22 ski season at Mountain High and Dodge Ridge; a record broken at Dodge Ridge; growing up at Ascutney, Vermont; ascending the ranks to the top of Mountain High; Ascutney’s disadvantages compared to the rest of Vermont; how three once-separate ski areas united to form the modern Mountain High; the novel big-business prospects of “snow play” zones at the base of high-altitude urban-adjacent ski areas; why snow play is “drought-resistant”; Mountain High’s snowmaking source, limitations, technology and potential; the incredible efficiency of modern snowmaking; undeveloped land within Mountain High’s permit area and whether we could see expansion anytime soon; the possibility of connecting Mountain High East and West, and whether that would be done through lifts or skiing; the mountain-to-mountain connection we’re most likely to see; humoring me on the could-we-connect-North-to-East-and-West-with-a-gondola question; the most likely next lift upgrade at Mountain High and what it would take to make it happen; whether we could ever see Mountain High North expand lifts back down into the bowl where trails ran at the old Sunrise ski area; the cultural importance of night skiing and why it’s unlikely to ever expand beyond its current footprint; why Kapuscinski purchased Dodge Ridge last year; how Dodge Ridge is “very culturally different” from Mountain High; the amazing percentage of Dodge Ridge skiers that also have an Epic or Ikon pass; a long-term vision for Dodge Ridge; replacing chair 1 and 2 with a single lift this summer, and how the new alignment will enhance the experience for beginners; how much money the ski area is saving by putting in a new lift rather than a used one; possible alignments for high-speed lifts at Dodge Ridge; what a high-speed lift will run you these days; thoughts on Lift 8; the big expansion opportunities at Dodge Ridge and what sort of terrain skiers would find there; the differences between running a ski area that relies heavily on snowmaking and one that doesn’t; Dodge Ridge’s nascent snowmaking system; whether the ski area could ever get night skiing; reciprocity between Dodge Ridge and Mountain High season passes; the Saturday problem; the number of season passes each mountain sells; an estimate of Ikon Pass sales in Southern California; forming the Powder Alliance; and whether the ski areas are considering joining the Indy Pass. Why I thought that now was a good time for this interviewKapuscinski has been the king of Mountain High for decades, taking the CEO job in the mid-90s and eventually buying out his partners to take full control of the resort. He gradually grew the place, and in 2004 purchased nearby Sunrise, now Mountain High North, in what was essentially – as he tells me in the interview – an estate sale.That may have been practice for what came last summer, when Kapuscinski purchased big and snowy Dodge Ridge from Frank and Sally Helm, who had run the joint for 45 years.“I’d had my eye on Dodge Ridge for quite some time,” Kapuscinski tells me in the interview. “It was an area that I knew probably wouldn’t draw a ton of interest from the bigger ski companies. There’s not a lot of those areas that are well-positioned, where they still have a fair amount of upside, but aren’t going to get gobbled up by the bigger ski companies.”Dodge Ridge is one of a series of larger-than-you’d-think ski areas – Bear Valley and China Peak are the others – that hangs off the west side of the Sierras, in an awkward limbo that’s invisible to Epic- and Ikon-wielding skiers racing off to Mammoth and Tahoe. It’s a bit of a time machine, a fixed-grip redoubt that lacks material amounts of snowmaking and is seated, in a very un-California way, far from a large city or interstate. But it has terrain, room to expand, and 300-plus inches of snow per season. That’s plenty to work with.With a full season of operations behind him, I figured it was a good time to check in with Kapuscinski to see where Dodge Ridge was sitting and where he planned to take it, and how the ski area may work with Mountain High – six hours away – to form a little in-state ski network. He has plenty of ideas, particularly when it comes to blowing out the lift fleet. Dodge Ridge skiers tired of the 10-minute ride up Lift 7 are going to like where Kapuscinski’s head is at with an upgrade. Things are already starting to happen: this summer, Chairs 1 and 2 are making way for a used-but-rebuilt replacement, and the resort has, for the first time, the whispers of a snowmaking system.With skier visits up across the country and multi-mountain passes opening the state’s resorts to a new generation of skiers, this is an exciting time for California skiing. Kapuscinski is, and will continue for some time to be, an important part of the whole scene.Questions I wish I’d askedGiven that Kapuscinski ran Stevens Pass for many years, I ought to have asked him about Vail’s struggles up in Washington this past season. There was enough, however, to talk about with his two ski areas, and that seemed like the better place to focus. I also neglected to ask which runs, in particular, Kapuscinski had in mind for Dodge Ridge trail improvements when he mentioned that as a priority.What I got wrongThis isn’t really something I got wrong so much as something I didn’t explain properly – when I mentioned Loon’s base-to-base railroad connection, I commented that it “would never get environmental approval” in California. The reason why is that this is an old-fashioned steam train with an exhaust pipe that would embarrass the Onceler:I’m sure it’s grandfathered in in New Hampshire as some sort of tourist novelty, but any base-to-base transit between Mountain High East and West would have to, um, not run on wood. Not that they would propose it, but that explains my remark in the podcast.Why you should ski Mountain High and Dodge RidgeThere was a moment, before I turned against it, when I was in thrall to U.S. America’s car-first notion of civilization-building. Dropping out of the high desert after a cross-country roadtrip my buddy Ron and I found Los Angeles and its spectacular network of freeways. For days we explored, Midwest teenagers awestruck and eager, zippering through staggered herds of Hondas and BMWs in a beat-up GMC pickup with a topper and a brand-new transmission we’d acquired after a mid-night breakdown in Victorville*. What was this magical realm, sandwiched between sparkling ocean and spectacular mountains, with its Beach Brah vibe and its bristling subtext of hustle and ambition? City-strong, nature-adjacent, nearly rainless with moderate coastal temps, it struck me as a sort of American Utopia, everything great about the nation organized into a self-contained realm.It was the skiing, as mentioned above, that most fascinated me. Access to winter without the doldrums of winter, the ice and the wind, the endless months in jackets and boots, the extra 20 minutes in the morning to warm and de-ice the car and clear it of snow. While my infatuation with Southern California freeway culture would not last the week – shattered in a four-hour dead stop southbound on the 5 while the authorities tended to an overturned and fire-blackened vehicle – my belief in the awesomeness of its top-of-the-world skiing never abated. Most of America’s warm-weather cities – Miami, Houston, Dallas – are considerable journeys from easy turns. Not Los Angeles. There are a half dozen choices, right there. Vertical drops up to 2,000 feet. Glades aplenty and skiing into May when the snow comes. Parks, nights, whatever you want. I’m not saying it’s Mammoth. But I’m saying that it’s right goddamn there, and that’s pretty incredible.I never did move to Los Angeles, or anywhere in California. But if I had, I imagine I’d treat that halo of resilient little SoCal ski areas the same way I treat Mountain Creek now – as my local to notch turns between my runs farther north. The season passes are not expensive – Snow Valley’s is just $329 and grants you the option of a discounted Indy Pass add-on. Baldy and Mountain High run $499. Big Bear and Snow Summit are, of course, on the Ikon Pass, and I suppose that’s become the default for so many Southern California residents as a result. But Mountain High remains compelling – North is a beginner’s paradise, completely free of Radbrahs. West is a parks and night-skiing haven. East is the more traditional trails-and-glades option. I guess many people in Southern California simply choose none-of-the-above and wait out winter between trips to Tahoe and Salt Lake. Which, OK. But, I don’t know man, if there’s turns to be had, I’m taking them.Dodge Ridge is a whole different thing. How, exactly, does a mountain sandwiched between Tahoe and Mammoth stand out? Well, by not being Tahoe or Mammoth. The terrain gets plenty of snow. The mountain is big enough. It’s a good place to hide out, especially from high-speed lift snobs with the patience of a fruit fly, who act as though a 10-minute lift ride were the equivalent of waterboarding.Kapuscinski seems committed to changing that and upgrading the rusty lift fleet, but the mountain will always be a smaller alternative to California’s ski resort royalty. He told me in the interview that an amazing percentage of Dodge Ridge passholders also have an Epic or Ikon Pass. For them, Dodge Ridge is where they go when they can’t – or don’t want to – go to the chest-beaters. It is, as Kapuscinski says, “a multi-generational mountain.” Meaning, for a lot of people, it’s home.*To this day (this was 1996), my buddy is convinced that it was my insistence to reroute off I-70 and up US 6 in Colorado that strained the transmission to its breaking point later in the journey. He’s probably right, but I really, you know, NEEDED, to drive past Arapahoe Basin.More Mountain HighIn our interview, Kapuscinski mentioned mothballed plans for a gondola to connect the resort to lower-altitude terrain, which would have eliminated the need for “mountain driving.” I couldn’t find any of these old plans – if you have any materials on this, please send them over.I had a lot of fun poking around in the archives for trailmaps to Mountain High’s predecessor resorts. Here are a few:Table Mountain/Sunlight (now Mountain High North)Poma #1 in this 1970 trailmap of Table Mountain runs in the approximate line of the modern-day Sunlight quad at Mountain High North. Lift service is now restricted to the top portion of the mountain, and Poma #3 on this map stretches down into a bowl that is just a wide-open snowfield on the current trailmap. Holiday Hill (now Mountain High East)It’s hard to make out the modern hill in this map from 1976.In this version, it’s easier to recognize the basic footprint of modern-day Mountain High East. I’m not entirely confident on the date here, as skimap.org suggests this is from 1980, and some sources indicate that the resort merged with its neighbor in 1979.Mountain High WestI couldn’t find any trailmaps of Blue Ridge, as West was originally known. But this 1978 map of the ski area is pretty cool. You can see the outline of modern Mountain High West here: Chairlift #2 here runs along the approximate line of modern-day Lift 6, Exhibition. The resort long ago abandoned the Wild West-themed trailnames, but, for context, “Calamity Jane” is “Calamity” at the modern ski area.This podcast hit paid subscribers’ inboxes on June 10. Free subscribers got it on June 13. To receive future pods as soon as they’re live, consider an upgrade.The Storm publishes year-round, and guarantees 100 articles per year. This is article 63/100 in 2022, and number 309 since launching on Oct. 13, 2019. Want to send feedback? Reply to this email and I will answer (unless you sound insane). You can also email skiing@substack.com. Get full access to The Storm Skiing Journal and Podcast at www.stormskiing.com/subscribe
Adrian Shirk talks to Chuck about her book "Heaven is a Place on Earth: Searching for American Utopia." In a Moment of Truth Jeff Dorchen takes the Party of Manson Family Values to task. A winner of the weekly Question from Hell! is chosen.
Today I'm joined by Michael John Warren to discuss SPRING AWAKENING: THOSE YOU'VE KNOWN 15 years after the smash, Tony-winning Broadway run of “Spring Awakening,” the original cast and creative team reunite for a spectacular, one-night only reunion concert to benefit The Actors Fund. Chronicling their whirlwind journey back to the stage, the film follows the players as they reconnect and rediscover the beauty and timelessness of the hit musical, sharing the show's underdog origins, its path to Tony glory, the universal themes of teenage repression and angst, and the unconventional love story of breakout stars Jonathan Groff and Lea Michele. The documentary pulls back the curtain to showcase the reunited original cast and creative team at rehearsals, in their homes and backstage. The film features electrifying performances from the reunion concert in November 2021, newly filmed interviews, candid archival video and photographs, as well as performance footage from the original 2006 show that went on to sweep the Tonys, winning eight awards, including Best Musical. “Spring Awakening” forever changed the lives of the mostly unknown teenage cast and inspired a generation of fans by laying bare taboo issues of teen love, abortion, abuse, sexual identity and suicide in an unapologetic, edgy rock musical set in the 1890s. HBO Documentary Films' SPRING AWAKENING: THOSE YOU'VE KNOWN , directed by Michael John Warren and produced by RadicalMedia (HBO's “David Byrne's American Utopia”), debuts TUESDAY, MAY 3 (9:00-10:23 p.m. ET/PT) on HBO and will be available to stream on HBO Max. --- Support this podcast: https://anchor.fm/followingfilms/support
Talking Heads frontman David Byrne, whose Broadway show, "American Utopia," wrapped last month, has a new book out, titled, A History of the World (in Dingbats). The book uses text and original drawings to explore modern life. Byrne joins us to talk about it, and he will also be at McNally Jackson this evening.
This episode of Across The Margin: The Podcast presents an interview with multi-instrumentalist, composer, arranger, and music producer Stuart Bogie. Bogie has toured and recorded extensively with groups such as Antibalas, Arcade Fire, TV on the Radio, and Iron and Wine, to name a few, and he performed as the featured soloist in the original Broadway production of Fela!. As a composer/arranger, he scored the Oscar nominated documentary How To Survive a Plague, which featured performances by the Kronos Quartet alongside Bogie's group Superhuman Happiness. He has appeared on recordings by renowned artists such as Craig Finn (of The Hold Steady), Cass McCombs, Sharon Van Etten, Angelique Kidjo (2 Grammy winning albums), Medeski Martin and Wood, Yeasayer, Spencer Day, Holly Miranda, Foals, Passion Pit, Mac Miller, and legendary improvised conductor Butch Morris. Bogie currently leads The Bogie Band featuring Joe Russo, a nine piece Winds and Drum group that just released their debut album entitled The Prophets In The City (Royal Potato Family) — the main focus of this episode. The Prophets in the City is a collaboration between old friends, as Bogie teams with drummer extraordinaire Joe Russo most known for helming Joe Russo's Almost Dead. Heightening Bogie's fiery arrangements and Russo's dynamic drumming, The Prophets in the City features a supporting cast of musicians whose resumes run through some of New York City's most beloved bands including Antibalas, The Dap-Kings, Budos Band, St. Vincent, and David Byrne's American Utopia.The resulting efforts on the debut album are riotous and jubilant, pushing the boundaries of instrumental music. In this episode host Michael Shields and Stuart Bogie discuss how New York City's energy and spirit directly inspired The Prophets in the City. They discuss the brilliant grouping of players on the album and what it's like for Bogie to work with the phenomenally talented Joe Russo. They discuss music that has influenced Bogie over the years, a variety of his other projects, and so much more. See acast.com/privacy for privacy and opt-out information.
"I dance like this, Because it feels so damn good..." Grab your suits and percussion because this week we're lucky enough to be joined by actress and creator of unhinged TikToks Joan Milburn to talk about "David Byrne's American Utopia." Donate to Black Lives Matter here Social Media: Our WEBSITE Musicals with Cheese on Twitter Musicals W/ Cheese on Instagram Email us at musicaltheatrelives@gmail.com Merch!! Jess Socials Jess on Twitter Jess on Instagram Andrew Socials Andrew on Instagram Andrew on Twitter Brianna Socials Brianna on Twitter Brianna on Instagram Use our Affiliate Link Learn more about your ad choices. Visit megaphone.fm/adchoices
Matt Picheny is a real estate investor, Tony award winner, and author of the #1 best-selling book, Backstage Guide to Real Estate. He is focused on developing passive income streams that enable investors to write their own story and choose how they want to spend their time. Matt has over 15 years of experience revitalizing and elevating communities through real estate investment and has invested in over 8,000 apartments nationwide. He is a licensed real estate agent and has earned both Commercial Real Estate & Real Estate Finance certificates from Boston University. Matt is a member of the Forbes Real Estate Council, the Fast Company Executive Board, and is an advisor to a PropTech company. A PMI certified Project Management Professional, Matt is a digital marketing veteran whose 18-year career in the advertising world included working for some of the world's largest advertising agencies, producing award-winning projects for Fortune 500 clients including Verizon, IBM, and Coca-Cola. Matt and his wife have two Tony Awards® as co-Producers of the Broadway shows Moulin Rouge! and American Utopia. They have invested in many other theatrical productions including the iconic musicals Hamilton and Wicked. A native of Orlando Florida, and a former actor, Matt still believes in happily ever after. He lives with his wife and their two daughters in Brooklyn, New York and in his downtime enjoys long walks on the beach, Broadway, Rock and Roll, and amazing barbecue. picheny.com Follow us on Instagram: @TheMorningSpotlight Email us at: themorningspotlight@gmail.com www.themorningspotlight.com For title insurance inquiries contact Mike at michael.ham@ctt.com Buy Mike a Coffee!
Both Prime Minister Scott Morrison and Leader of the Opposition Anthony Albanese delivered pre-election foreign policy speeches this month, and this episode analyses them together. Relevant links “An address by PM Scott Morrison”, Lowy Institute, 7 March 2022: https://www.lowyinstitute.org/publications/address-prime-minister-scott-morrison Scott Morrison, “Virtual address, AFR Business Summit”, 7 March 2022: https://www.pm.gov.au/media/virtual-address-afr-business-summit “An address by Opposition Leader Anthony Albanese”, Lowy Institute, 10 March 2022: https://www.lowyinstitute.org/publications/address-opposition-leader-anthony-albanese Graeme Wood, “Absolute power”, The Atlantic, 3 March 2022: https://www.theatlantic.com/magazine/archive/2022/04/mohammed-bin-salman-saudi-arabia-palace-interview/622822/ “American Utopia” (trailer): https://www.youtube.com/watch?v=lg4hcgtjDPc David Byrne, “One fine day” (live), Spotify: https://open.spotify.com/track/0mig4WeZbQ9FSxf50Ta9Eo
On this weekend's show, "An American Utopia." #OTD #1517 #churchhistory — SHOW NOTES are available: https://www.1517.org/podcasts/the-christian-history-almanac GIVE BACK: Support the work of 1517 today CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter Audio production by Christopher Gillespie (gillespie.media).
This week we head to New York City to sit with the legendary David Byrne (Talking Heads). We discuss how he's processed the pandemic (3:29), finding creativity in unlikely places (4:23), the evolution of his Broadway show ‘American Utopia' (5:22), the influence of poet William Blake (7:26), his gift for collaboration (10:16), and the power of the song, Glass Concrete & Stone (15:30). On the back-half, David opens up about his pivot from New Wave to Latin music (18:34), getting comfortable with creating on his own terms (21:25), and why he turned to performance as a response to being neurodivergent (29:48). He also reflects on his relationship to the Talking Heads at age 69 (34:54), the cross generational impact of his art (36:36), the unique interpretations of American Utopia (38:25), and how he “found the world” through making music (41:45). Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.
A professional percussionist, Mauro Refosco has performed and recorded with artists such as David Byrne, The Red Hot Chili Peppers and Thom Yorke's Atoms for Peace. After beginning his touring career in 1994 as Byrne's percussionist, he returned to NYC and joined cult creative ensemble The Lounge Lizards, playing experimental punk jazz. He formed his own band, Forro in the Dark, which has recorded four full-length albums and performed at major domestic and international festivals. He's also composed music and soundtracks for movies, television, fashion shows and Off-Broadway plays. You can now find him walking around barefoot, on Broadway, in American Utopia Born in Brazil, he found his way to NYC and ultimately the professional touring world of music. His career exploded alongside other music legends. Once he began to embrace what makes him unique and different, he found his tribe after a short stint bring a NYC-based street performer in Central Park and in the subway. He found his way to an audition for David Bryne, which resulted in an interview(!). The rest, as they say, is history. In this episode, we talk about: How his love for soccer led to his professional career as a percussionist How the album “American Utopia” made its way to Broadway as a show The difference a percussion player and a drum player Why Ted Lasso is the greatest show ever Being a NYC busker Why he decided to stop singing backing vocals for David Byrne Connect with Mauro: IG: @MauroRefosco Web: MauroRefosco.com Listen to Jomoro (and Blue Marble Sky) Get tickets for American Utopia on Broadway Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
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