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Editorial del doctor Fernando Londoño Hoyos enero 30 de 2025
Editorial del doctor Fernando Londoño Hoyos enero 29 de 2025
Luis Herrero analiza la comparecencia del ministro de Transportes en el Senado.
Luis Herrero analiza los planes del Gobierno tras la caída del decreto ómnibus.
Barret Wertz, the New York Post Group's Senior Editorial Director of Commerce, is a lifestyle media veteran with over 15 years of experience in editorial, branded content, and celebrity collaborations. In this episode, he shares insights on building a personal style, the role of gift guides in commerce, and the challenges of navigating Google's algorithm. He also provides a perspective on current economic trends and consumer behavior, with a focus on value-driven purchasing.Key Takeaways:- How a sense of style can help you with personal branding- The current state of the retail economy - Navigating Google's tricky algorithmsEpisode Timeline:0:00Introduction to Barrett Wertz2:30How can the average guy develop a sense of style?4:00 How creating a personal style helps your brand5:30 Creating commerce content at the New York Post9:00Choosing which products the Post highlights11:30 Comparing and contrasting different products12:30 What's the secret to a great gift guide16:30How to manage a writing team20:45How to understand Google from an Editorial perspective23:55 Content used to be based on merit24:30What does Barret's work tell him about today's economy?This episode's guest:• Barret Wertz on LinkedIn • The New York Post on Instagram• The New York Post on X Subscribe and leave a 5-star review: https://pod.link/1496390646Contact Us!•Join the conversation by leaving a comment!•Follow us on Facebook, Twitter, Instagram, and LinkedIn!Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.
The Motherhood Anthology Podcast: Photography Education for a Business You Love
What does it mean to bring an editorial approach to family photography? In this episode, Kim and Ali sit down with Katie Ward, a New York-based photographer whose work has been featured in Vogue, Vice, and the Jewish Museum. Katie shares how she transitioned from corporate video production to full-time photography after an unexpected layoff—and how she built a thriving business that prioritizes creative fulfillment over volume. If you've ever wondered how to stand out in a crowded market or whether you really need social media to succeed, this conversation will challenge what you thought was possible. Topics Covered: How to build a portfolio from scratch Doubling your prices without losing your business Creating a client experience beyond the camera Running a profitable photography business without social media Finding your unique editorial voice Connect with Katie: https://www.katie-ward.com Check out Picture Perfect Rankings: Group Coaching: https://pictureperfectrankings.com/found-booked/ Learn more: https://pictureperfectrankings.com/ Connect with The Motherhood Anthology Join TMA! Enrollment link - https://themotherhoodanthology.com/photography-mentoring/ Connect with TMA: Website | Membership | Courses: www.themotherhoodanthology.com Free Community: https://www.facebook.com/groups/themotherhoodanthology Our Instagram: instagram.com/themotherhoodanthology Connect with Kim: Site: https://kimbox.com IG https://www.instagram.com/kimbox
It's (somehow!) six years ago that we started to learn about this new virus and then find ourselves caught up in a global pandemic. While there were some truly tragic parts to that crisis, it turns out there were also some good results, too. Quite by chance recently, two guests in the space of a couple of days told me stories about huge changes in their lives brought about by their travels around Covid times, and these stories were so interesting I quickly decided to create a whole episode on the topic. First up, I chat with Shannon O'Brien, an international school teacher who was actually working at a school in Shenzhen, China, at the start of 2020. During a school break for the Chinese New Year, Shannon flew to Sumatra, Indonesia, for a short holiday. Spoiler alert: it became a very long holiday! I then speak with Eva Westerling, a German doctor who in 2019 had decided that it was time for a big change and was contemplating a permanent shift to Morocco. When the pandemic hit, she and her partner were in the earliest stages of setting up a tourism business in Morocco, and then of course, no tourists came. My final guest is Eryn Gordon, who was working a corporate job in the United States when the pandemic began, and she soon found herself out of work. Instead of laying low like many of us did during Covid times, Eryn instead decided to get a new qualification and move to the other side of the world, to work in Seoul, South Korea. Links: Shannon O’Brien - https://www.shannon-obrien.com/ Shannon’s memoir Stray - https://amzn.to/4bQdiKT Eva Westerling’s blog Not Scared of the Jet Lag - http://www.notscaredofthejetlag.com Eva’s tour business in Morocco, Berber Adventure Tours - https://berberadventuretours.com/ Eryn Gordon’s website Earth to Editorial - https://earthtoeditorial.com/ Eryn's TEDx Talk on “What it means to be a good traveler” - https://www.youtube.com/watch?v=0WQYSdm-5ps Join our Facebook group for Thoughtful Travellers - https://www.facebook.com/groups/thoughtfultravellers Join our LinkedIn group for Thoughtful Travellers - https://notaballerina.com/linkedin Sign up for the Thoughtful Travellers newsletter at Substack - https://thoughtfultravel.substack.com Show notes: https://notaballerina.com/380 *Full disclosure: Amazon Services LLC Associates Program NotABallerina.com is a participant in the Amazon Services LLC Associates Program. As an Amazon Associate I earn from qualifying purchases. Support the show: https://thoughtfultravel.substack.com/See omnystudio.com/listener for privacy information.
Luis Herrero analiza una nueva derrota parlamentaria de Pedro Sánchez.
The Post editorial is not an argument, it is a tantrum disguised as analysis, built almost entirely out of contempt for the reader rather than engagement with the facts. Instead of explaining why the Epstein files should remain limited or why institutional handling has been sound, it opens by ridiculing curiosity itself, portraying transparency as hysteria and accountability as a nuisance. It repeatedly blames the public for prosecutors' workload while carefully ignoring the far more damning question of why millions of pages of sensitive material were allowed to accumulate in secrecy for years without resolution. The piece weaponizes the word “conspiracy” to dismiss any inquiry without ever confronting the actual record of non-prosecution agreements, sealed grand juries, immunity clauses, and documented institutional failures that made skepticism inevitable. By framing bipartisan concern as pathology and inquiry as obsession, the editorial tries to convert distrust — created by government misconduct — into a moral defect of the audience. Its constant appeals to SDNY's prestige function as a shield against scrutiny rather than evidence of competence. The article never once grapples with the known procedural irregularities that protected Epstein for decades, because acknowledging them would collapse its thesis. Instead, it replaces investigation with scolding and substitutes sneer for substance. The result is not journalism but narrative discipline, instructing readers that the real scandal is not trafficking, immunity, or protection, but the audacity of citizens to ask how power escaped consequence.More revealing than anything the piece says is what it refuses to say: nothing about the non-prosecution agreement, nothing about unnamed co-conspirators, nothing about sealed testimony, nothing about intelligence overlaps, nothing about the long record of deliberate suppression that made the Epstein case a legitimacy crisis in the first place. By insisting that “no evidence has ever surfaced” while ignoring flight logs, settlements, testimony, recruitment patterns, and financial trails, the editorial performs selective blindness in service of institutional self-defense. Its claim that Biden's access disproves Trump ties relies on naïve assumptions about leaks and ignores the legal architecture that prevents disclosure, while its mockery of “distraction” theories rings hollow in an article explicitly designed to redirect attention away from the files. The editorial's core fear is not conspiracy thinking but institutional exposure, because the danger of the Epstein archive is not salacious gossip but procedural truth — who intervened, who stalled, who authorized, and who buried. In the end, the piece is less a defense of reason than a plea for quiet, urging the public to abandon scrutiny so elites may remain undisturbed. It treats transparency as vandalism, victims as inconvenience, and curiosity as illness, revealing a worldview in which legitimacy is preserved not by accountability but by exhaustion. Far from debunking hysteria, the editorial demonstrates exactly why distrust persists: when institutions cannot answer questions, they try to shame people into stopping them.to contact me:bobbycapucci@protonmail.comsource:You'll never guess what the new Epstein scandal is
Luis Herrero analiza las peticiones de los partidos independentistas.
ဧရာဝတီရဲ့ ဒီတပတ် အယ်ဒီတာ့ စကားဝိုင်း အစီအစဉ်မှာတော့ "Walk for Peace နဲ့မြန်မာပြည်ကဘုန်းကြီးတွေဆန့်ကျင်ဘက်ဖြစ်နေ " ဆိုတဲ့ ခေါင်းစဉ်နဲ့ ဧရာဝတီ အယ်ဒီတာချုပ် အောင်ဇော်၊ အမှုဆောင် အယ်ဒီတာ ရဲနည် တို့က ဆွေးနွေးထားပါတယ်။
Editorial de la semana - Las cosas se gobiernan desde arriba by CCRTV
In this episode, Scott Becker speaks with Molly Gamble, Vice President of Editorial at Becker's Healthcare, about key insights from the JPM Healthcare Conference, including the shift away from hospital-centric models, growing capacity pressures, early results from AI investments, and the evolving reality of value-based care.
The Post editorial is not an argument, it is a tantrum disguised as analysis, built almost entirely out of contempt for the reader rather than engagement with the facts. Instead of explaining why the Epstein files should remain limited or why institutional handling has been sound, it opens by ridiculing curiosity itself, portraying transparency as hysteria and accountability as a nuisance. It repeatedly blames the public for prosecutors' workload while carefully ignoring the far more damning question of why millions of pages of sensitive material were allowed to accumulate in secrecy for years without resolution. The piece weaponizes the word “conspiracy” to dismiss any inquiry without ever confronting the actual record of non-prosecution agreements, sealed grand juries, immunity clauses, and documented institutional failures that made skepticism inevitable. By framing bipartisan concern as pathology and inquiry as obsession, the editorial tries to convert distrust — created by government misconduct — into a moral defect of the audience. Its constant appeals to SDNY's prestige function as a shield against scrutiny rather than evidence of competence. The article never once grapples with the known procedural irregularities that protected Epstein for decades, because acknowledging them would collapse its thesis. Instead, it replaces investigation with scolding and substitutes sneer for substance. The result is not journalism but narrative discipline, instructing readers that the real scandal is not trafficking, immunity, or protection, but the audacity of citizens to ask how power escaped consequence.More revealing than anything the piece says is what it refuses to say: nothing about the non-prosecution agreement, nothing about unnamed co-conspirators, nothing about sealed testimony, nothing about intelligence overlaps, nothing about the long record of deliberate suppression that made the Epstein case a legitimacy crisis in the first place. By insisting that “no evidence has ever surfaced” while ignoring flight logs, settlements, testimony, recruitment patterns, and financial trails, the editorial performs selective blindness in service of institutional self-defense. Its claim that Biden's access disproves Trump ties relies on naïve assumptions about leaks and ignores the legal architecture that prevents disclosure, while its mockery of “distraction” theories rings hollow in an article explicitly designed to redirect attention away from the files. The editorial's core fear is not conspiracy thinking but institutional exposure, because the danger of the Epstein archive is not salacious gossip but procedural truth — who intervened, who stalled, who authorized, and who buried. In the end, the piece is less a defense of reason than a plea for quiet, urging the public to abandon scrutiny so elites may remain undisturbed. It treats transparency as vandalism, victims as inconvenience, and curiosity as illness, revealing a worldview in which legitimacy is preserved not by accountability but by exhaustion. Far from debunking hysteria, the editorial demonstrates exactly why distrust persists: when institutions cannot answer questions, they try to shame people into stopping them.to contact me:bobbycapucci@protonmail.comsource:You'll never guess what the new Epstein scandal isBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Luis Herrero analiza la última hora del accidente ferroviario.
THE VIEW FROM THE WINDOW SEAT—Despite its name, Direction of Travel is not a travel magazine. Sure, it's a celebration of a certain kind of travel, but this is not a publication that takes you somewhere. Unless you think of Air World as a destination. Which I do.Founder Christian Nolle is an AvGeek. Which is not an insult. More an acknowledgement of a state of mind. Christian loves all things aviation. And mostly he loves how it looks and feels and, perhaps more importantly, how it looked and felt.Direction of Travel is a loving homage to route maps, in-flight entertainment, ticket offices, and airports. It is a magazine about the culture of flight and the aesthetics one finds in Air World. And for anyone with even the slightest interest in flight, it is a glorious—and loving—celebration of that world.Regular listeners of this podcast may have noticed that I've been speaking to quite a few people from travel magazines recently, and there are reasons for that. One could argue that no other type of magazine has had to weather such a variety of competition from the digital space. And travel itself is subject to forces that have nothing to do with travel itself. But it remains aspirational even to those lucky enough to travel often.So whether you're a frequent flying business person, or someone who might fly once in a while, the magic of lift off—and touch down—remains.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025
Luis Herrero analiza la última hora del accidente ferroviario.
La editorial La Felguera cumple 30 años de vida. Durante este tiempo se ha ganado un lugar propio gracias a su apuesta por historias sobre perdedores, outsiders, rebeldes, y de los márgenes. Hablamos sobre este viaje con su fundador, Servando Rocha. Escuchar audio
Editorial del doctor Fernando Londoño Hoyos enero 21 de 2025
Luis Herrero analiza la última hora del accidente ferroviario.
Luis Herrero analiza la última hora del accidente ferroviario.
The Sidebar crew is back for 2026 with a brand-new season of deep dives and analysis. From the world of online gambling and fictional laws of the land to a new round of life-altering decisions from the nation's highest court, join the Courthouse News team for another season of your favorite legal news podcast. This episode was produced by Kirk McDaniel. Intro music by The Dead Pens. Editorial staff is Ryan Abbott, Sean Duffy and Jamie Ross.
Editorial del doctor Fernando Londoño Hoyos enero 19 de 2026
Luis Herrero analiza la última hora del trágico suceso.
ဧရာဝတီရဲ့ ဒီတပတ် အယ်ဒီတာ့ စကားဝိုင်း အစီအစဉ်မှာတော့ "ကော်သူးလေအိပ်မက်နဲ့သမ္မတများမြန်မာနိုင်ငံတော် (ရုပ်/သံ) " ဆိုတဲ့ ခေါင်းစဉ်နဲ့ ဧရာဝတီ အယ်ဒီတာချုပ် အောင်ဇော်၊ သတင်းစာဆရာ ဦးကျော်ဇံသာ တို့က ဆွေးနွေးထားပါတယ်။
En tiempos de propaganda, la fidelidad se mide por la claridad: predicar que «Jesús es Señor»
Luis Herrero analiza las reacciones a la reunión entre Donald Trump y María Corina Machado.
Luis Herrero analiza el encuentro entre la líder opositora venezolana y el presidente estadounidense en la Casa Blanca.
Luis Herrero analiza el Consejo de Política Fiscal y Financiera.
Veja também em youtube.com/@45_graus Catarina Santos Botelho é Professora na Faculdade de Direito do Porto da Universidade Católica, onde é titular da Cátedra de Direito Constitucional. É investigadora no Católica Research Centre for the Future of Law. É Diretora Executiva de programas de mestrado e Diretora Científica do Mestrado em Constitucionalismo, Democracia e Direitos Humanos. Integra o Conselho de Administração da Agência da União Europeia para os Direitos Fundamentais (FRA) e é membro eleita da Comissão Editorial do Relatório Anual (AREDIT) da FRA. _______________ Índice: (0:00) Introdução (2:20) Relação entre PR e PM (10:34) Diferentes presidentes, diferentes interpretações sobre os poderes (16:52) Um presidente pode mesmo ser “suprapartidário”? | Ideias: mandato único de 6 ou 7 anos; moção construtiva (25:46) A Constituição pressupõe que o PR cumpre as regras… mas e se ele decidir testar os limites? | veto de gaveta (33:35) Papel do Tribunal Constitucional (39:17) A Constituição permite “governos de iniciativa presidencial”?See omnystudio.com/listener for privacy information.
Editorial del doctor Fernando Londoño Hoyos enero 13 de 2025
On this episode we're joined by Stacy Kess. Stacy is a journalist and the founder and head of editorial for Equal Access Public Media. She's a graduate of Indiana University and is based in Boston.The mission of Equal Access Public Media is to make news more accessible to all audiences so that it is more inclusive of those with disabilities, chronic illnesses, and others with accessibility needs; and to make jobs more accessible to journalists with disabilities, with chronic illnesses, who are military veterans, and who are caregivers.Stacy talked about her connection to disability, what her organization does and its points of emphasis, the importance of alt text, and why she believes journalism is a calling.Stacy's salute: 4 journalism professors she interviewed: Nicole Carr, Meghan Irons, Nicki Mayo, and Jason Strother Donate to Equal Access Public Media: https://equalaccesspublicmedia.org/You can find all our episode guides for teachers and professors here,Please support your local public radio station: adoptastation.orgThank you for listening. You can e-mail me at journalismsalute@gmail.comVisit our website: thejournalismsalute.org Mark's website (MarkSimonmedia.com)Bluesky at @marksimon.bsky.socialSubscribe to our newsletter– journalismsalute.beehiiv.com
Luis Herrero analiza la rueda de prensa posterior al Consejo de Ministros.
Veja também em youtube.com/@45_graus Catarina Santos Botelho é Professora na Faculdade de Direito do Porto da Universidade Católica, onde é titular da Cátedra de Direito Constitucional. É investigadora no Católica Research Centre for the Future of Law. É Diretora Executiva de programas de mestrado e Diretora Científica do Mestrado em Constitucionalismo, Democracia e Direitos Humanos. Integra o Conselho de Administração da Agência da União Europeia para os Direitos Fundamentais (FRA) e é membro eleita da Comissão Editorial do Relatório Anual (AREDIT) da FRA. _______________ Índice: (0:00) Introdução (3:59) O Semi-Presidencialismo à portuguesa | Maurice Duverger (11:44) Revisão constitucional de 1982 | Livro de Vital Moreira: Que Presidente da República para Portugal? (26:34) Principais poderes do Presidente: dissolução da AR, demissão do governo, veto político e veto “jurídico” (enviar leis para fiscalização preventiva e sucessiva pelo T. Constitucional) (43:27) As 10 dissoluções da AR desde 1976 e as mais controversas (2004, 2024).See omnystudio.com/listener for privacy information.
In the Editorial to Debris Magazine Issue 06, editors Jon Tjhia and Cher Tan write, "Everywhere you look, the word is no—a word that stakes a powerful foothold as it pushes the walls closer around you. No time for ambivalence or ambiguity. No! And then you wake up." This episode features three excerpts from the Debris Magazine Issue 06: NO! No Dogs by Luca Demetriadi Luca's story is about a town that bans dogs after an incident, and how that changes the town forever. Written and read by Luca Demetriadi Sound design by Mel Bakewell Grand Theft Autism by Alex Creece Alex Creece is openly neurodivergent, but their poem is not interested in confirming your suspected Autism diagnosis. Written and read by Alex Creece Sound design by Felicity Weaver Personal by Claire Cao An actor’s personal assistant wades through the blurred boundaries of life, work and performance on the day she’s going to quit. Written and performed by Claire Cao Sound design by Catarina Fraga Matos Substack f you want more of what’s happening at All the Best, check out our Substack! It’s a roundup of all our activities with a little bit of BTS. All The Best Credits Host: Kwame Slusher Executive Producer: Melanie Bakewell Programming & Community Coordinator: Catarina Fraga Matos Community Coordinator: Patrick McKenzie Theme Music composed by Shining Bird Mixed & Compiled: Emma Higgins Cover Art: Ray Vo Special shout-out to our volunteers. See omnystudio.com/listener for privacy information.
In this episode of AUANews Inside Tract, UPJ's new Editor-in-Chief, Dr. Kathleen Kobashi, and Associate Editor, Dr. Gina Badalato, share their vision for the future of Urology Practice. They discuss the journal's unique role in delivering practical, education-focused research, evolving article types, emerging topics like AI, and how readers can engage as authors and reviewers.
Luis Herrero analiza las últimas encuestas.
ဧရာဝတီရဲ့ ဒီတပတ် အယ်ဒီတာ့ စကားဝိုင်း အစီအစဉ်မှာတော့ "တိုက်ပွဲကြားကရွေးကောက်ပွဲနဲ့တရုတ်ခြေလှမ်း " ဆိုတဲ့ ခေါင်းစဉ်နဲ့ ဧရာဝတီ အယ်ဒီတာချုပ် အောင်ဇော်၊ မြန်မာပိုင်း အယ်ဒီတာ ကျော်ခ တို့က ဆွေးနွေးထားပါတယ်။
Editorial de la semana - Entre el silencio y la conciencia by CCRTV
Editorial del doctor Fernando Londoño Hoyos enero 9 de 2025
Luis Herrero analiza las novedades judiciales que afectan al expresidente del Gobierno.
WHEN EUSTACE MET FRANÇOISE— I first met Françoise Mouly at The New Yorker's old Times Square offices. This was way back when artists used to deliver illustrations in person. I had stopped by to turn in a spot drawing and was introduced to Françoise, their newly-minted cover art editor.I should have been intimidated, but I was fresh off the boat from Canada and deeply ensconced in my own bubble—hockey, baseball, Leonard Cohen—and so not yet aware of her groundbreaking work at Raw magazine.Much time has passed since that fortuitous day and I've thankfully caught up with her ouevre—gonna get as many French words into this as I can—through back issues of Raw and TOON Books. But mostly with The New Yorker, where we have worked together for over 30 years and I've been afforded a front-row seat to witness her mode du travail, her nonpareil mélange of visual storytelling skills.Speaking just from my own experience, I can't tell you how many times at the end of a harsh deadline I've handed in a desperate, incoherent mess of watercolor and ink, only to see the published product a day later magically made whole, readable, and aesthetically pleasing.Because Françoise prefers her artists to get the credit, I assume she won't want me mentioning the many times she rescued my images from floundering. I can remember apologetically submitting caricatures with poor likenesses, which she somehow managed to fix with a little digital manipulation—a hairline move forward here, a nose sharpened there. Or ideas that mostly worked turned on their head—with the artist's permission, of course—to suddenly drive the point all the way home.For Françoise, “the point” is always the point. Beautiful pictures are fine, but what does the image say? Françoise maintains a wide circle of devoted contributing artists—from renowned gallery painters to scribbling cartoonists, and all gradations between—from whom she regularly coaxes their best work. I thank my étoiles chanceuses to be part of that group.And now, an interview with Françoise. Apparently. —Barry Blitt—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025
Copper State of Mind: public relations, media, and marketing in Arizona
Journalism's role as a trustworthy source of verified information is under siege. With unprecedented speed, modern crises now spur a phenomenal amount of real-time media content that challenges conventional journalistic practices.How does the rapid influx of information — and misinformation — impact communication professionals, journalists, and the public? Abbie and Adrian explore the dynamic interplay of ethics, truth-telling, and the role of technology in shaping public perception.Read the transcript and notes for this episode on our website.Key TakeawaysThe rapid proliferation of crises and media through advanced technology poses unique ethical challenges for journalists in reporting verified facts.Ethical journalism necessitates careful gatekeeping, especially when assessing user-generated content that could alter the authenticity of news stories. Adrian emphasizes that professional journalists, even when acting in good faith, face difficult editorial decisions driven by external and internal pressures.Abbie advocates for recognizing the complex decisions journalists must navigate to ethically and transparently communicate important narratives. We discuss historical precedents in media ethics, highlighting the importance of intention and good faith in journalism.Follow the podcastIf you enjoyed this episode, please follow Copper State of Mind in Apple Podcasts, Spotify, or any other podcast app. We publish new episodes every other Friday. Just pick your preferred podcast player from this link, open the app, and click the button to “Follow” the show: https://copperstateofmind.show/listen Need to hire a PR firm? We demystify the process and give you some helpful advice in Episode 19: "How to Hire a Public Relations Agency in Arizona: Insider Tips for Executives and Marketing Directors." CreditsCopper State of Mind, hosted by Abbie Fink and Dr. Adrian McIntyre, is brought to you by HMA Public Relations, a full-service public relations firm in Phoenix, AZ.The show is recorded and produced by the team at Speed of Story, a strategic communications consultancy for PR agencies and marketing firms, and distributed by PHX.fm, the leading independent B2B podcast network in Arizona.If you like this podcast, you might also enjoy PRGN Presents: PR News & Views from the Public Relations Global Network, featuring conversations about strategic communications, marketing, and PR from PRGN, "the world's local public relations agency.”
Luis Herrero analiza la reunión entre el presidente del Gobierno, Pedro Sánchez, y el líder de ERC, Oriol Junqueras.
This week's episode of The PR Week podcast features 2026 predictions from our editorial team: Editorial director Steve Barrett, news editor Diana Bradley, associate news editor Jess Ruderman and reporter Julia Walker. They talk about what's in-store for the year ahead in relation to consumer marketing trends, agency dynamics and the impact of AI.PRWeek executive editor Frank Washkuch also joins the podcast remotely from CES in Las Vegas. He shares his insights and snippets of conversations he had with PR pros on the ground at the event, such as Jennifer Hartmann, John Deere's global director of corporate reputation and brand marketing; Sona Iliffe-Moon, Yahoo's chief communications officer; and Joseph Gallo, PayPal's director of communications and head of communications for crypto and PayPal Ads.The team also discusses the biggest industry news of the week, including Allison Worldwide hiring Wendy Lund as global CEO; ICR appointing Anton Nicholas as CEO; Chris Chiames' retirement from his role as Carnival Cruise Line's chief communications officer; Universal Music Group naming James Steven as EVP and chief communications officer; and WPP launching Agent Hub on its AI marketing platform WPP Open. PRWeek.comTheme music provided by TRIPLE SCOOP MUSICJaymes - First One Follow us: @PRWeekUSReceive the latest industry news, insights, and special reports. Start Your Free 1-Month Trial Subscription To PRWeek Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Luis Herrero analiza las últimas palabras del presidente estadounidense.
A 5-STAR MAGAZINE (DO NOT DISTURB)—Orlando is the magazine as hotel, quite literally—we'll explain what that means in a bit—a magazine that one can inhabit and live in, a love letter to culture in the most expansive use of the word. It's also very Italian. Maybe because it comes from Italy. More specifically, from the mind of Antonella Dellepiane Pescetto, who is Italian. But more importantly, she is someone with exquisite taste.And, yes, the magazine is set up as a hotel. Just go to the table of contents and you start to see how this concept works. Or visit the website, it's obvious there, too Ad the concept structures all various—and sometime disparate—ideas that go into the making of Orlando.And if you visit the website, again, you'll find courses and tours and podcasts and a Spotify playlist to accompany each story in each issue as well as a boutique, and you can sense the publishing plans as well. But mostly you'll find yourself in a charming confection of a magazine, kind of like something Wes Anderson might have come up with had he been Italian, which might work for you, or not—not everyone loves Wes Anderson, sure—but just like you know a Wes Anderson movie when you see or hear one, once you enter the hotel that is Orlando, you know. You just do. And it's the kind of place you can get comfortable in very easily.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025
Editorial del doctor Fernando Londoño Hoyos enero 6 de 2025
Episode Description - Join host Marv for an in-depth conversation with Sam Sethi, entrepreneur, former tech journalist, and co-creator of True Fans. Discover the evolution of podcasting technology, the future of RSS feeds, and how blockchain-based micropayments could revolutionize creator monetization. Sam shares insights from his 30+ year journey through tech giants like Microsoft, Netscape, and BBC, and explains why podcasting 2.0 might be the industry's biggest shift since iTunes. Key Topics Covered - Podcasting 2.0 & The New Namespace Sam explains the revolutionary metadata tags transforming podcast discovery and functionality, from person tags and chapters to location-based podcast mapping. Learn how open-source collaboration is challenging Big Tech's dominance. The Future of Podcast Monetization Discover programmable money and value-for-value models that could replace traditional advertising. Sam reveals how listeners can earn micropayments for their attention while giving creators direct revenue streams. Streaming vs. Downloads: The Coming Shift Why the podcast industry's obsession with download numbers is outdated, and how first-party listen time data will revolutionize advertising effectiveness and creator insights. AI in Podcasting: Hype vs. Reality Sam's take on "assisted intelligence" - where AI transcripts and automated chapters add value, and where synthetic voices fall short of authentic creator-listener relationships. Timestamps - [00:00] Introduction and Sam's tech journalism background [02:00] From army officer to Microsoft: Sam's unconventional career path [04:00] The early days of blogging and TechCrunch Europe [05:00] COVID pivot: Building a radio station and discovering podcasting [06:00] Launching Pod News Weekly Review with James Cridland [07:00] Getting involved with Podcasting 2.0 and building True Fans [08:00] Apple finally adopts transcripts and chapters - validation for the namespace [10:00] Location tags and the future of podcast discovery [12:00] Why Sam loves technology over advertising metrics [14:00] The Spotify-Netflix deal and protecting niche podcasting [15:00] Advertising as "Emperor's new clothes" - the measurement problem [17:00] Revolutionary concept: Paying listeners to watch ads with programmable money [20:00] Value-for-value and streaming micropayments explained [22:00] Co-listening feature and building podcast communities [26:00] The Pod News Weekly dynamic: British humor and rapport [28:00] Moving from downloads to streaming: The next five years [30:00] Why listen time percentage matters more than raw numbers [33:00] The death of the download model and rise of streaming data [36:00] BBC Sounds international availability debate [40:00] The Panorama editing scandal and BBC's reputation [42:00] What makes a great podcast: Content, chemistry, and audio quality [45:00] Parasocial relationships and podcast magic [46:00] Claire Waite Brown's "Podcasting 2.0 in Practice" - essential listening [47:00] Concerns about declining podcasting 2.0 content creators [51:00] Sam's podcast listening habits: Politics, sports, and intelligent conversation [53:00] AI as "assisted intelligence" not artificial intelligence [54:00] AI voices vs. authentic creator relationships [56:00] Different AI podcast models: Editorial control vs. content farms [58:00] How to connect with Sam and True Fans Key Quotes - "I think micropayments and wallets might take a little longer, but I can see in 2026 that catching on as well... the merit of what the technology provides and why people want it stands out very well." "The joy and the promise of podcasting is about the long tail, about the niche of podcasting... somebody who's got a niche podcast about fishing or knitting or whatever, can still have an audience." "I think advertising is the Emperor's new clothes. I think it's a scam... Who heard my ad? Oh, we can't tell you. How long did they listen to my ad? I don't know." "The download isn't irrelevant, but actual listen time is a real metric. And so I think in 2026, 2027, you'll see more and more people tell you what their listen time is not their download numbers." Resources Mentioned - People & Podcasts ● James Cridland - Pod News Weekly Review co-host ● Adam Curry - Podcasting pioneer, Podcasting 2.0 namespace creator ● Dave Jones - Podcasting 2.0 co-creator ● Claire Waite - "Podcasting 2.0 in Practice" podcast ● Elsie Escobar - Former host of The Feed ● Kara Swisher - Pivot podcast ● Emily Maitlis - The News Agents, The Rest is Politics Platforms & Tools ● True Fans - Sam's podcasting app and hosting platform ● Fountain - Podcasting 2.0 app ● Pod Verse - Podcasting 2.0 app ● Buzzsprout - Podcast hosting with AI features ● Zencaster - Recording platform ● 11 Labs - AI voice generation ● Wonder Craft - AI audio production Companies & Technologies ● Podcasting 2.0 namespace ● Value-for-value model ● Booster Gram Ball ● Lightning Network micropayments ● BBC Sounds Articles & Concepts - ● Kevin Kelly's "1,000 True Fans" essay ● Micro formats and micro data ● Premium RSS feeds ● Value time splits (wallet switching) ● Timed links in transcripts Connect with Sam Sethi - ● Email: sam@truefans.fm ● LinkedIn: Sam Sethi ● Listen: Pod News Weekly Review ● Listen: Creators from True Fans ● Platform: truefans.fm ● Mastodon: Active SEO Keywords - podcasting 2.0, podcast monetization, RSS feeds, micropayments, value for value podcasting, podcast analytics, listen time metrics, streaming podcasts, podcast advertising, AI in podcasting, podcast transcripts, podcast chapters, True Fans app, podcasting namespace, blockchain podcasting, creator economy, independent podcasters, podcast technology, podcast discovery, niche podcasting About the Guest - Sam Sethi is a tech entrepreneur and former journalist with over 30 years of industry experience. He's worked with Microsoft, Netscape, BBC, and TechCrunch, and currently serves as co-creator of True Fans and co-host of Pod News Weekly Review. Sam is deeply involved in the Podcasting 2.0 movement, developing innovative solutions for podcast monetization and listener engagement through blockchain-based micropayments and enhanced RSS metadata. For more episodes of Pods Like Us, visit themarzone.org or find us on your favorite podcast platform. Support the show on Patreon.
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