Podcasts about liliane lijn

Leister, Judith www.deutschlandfunk.de, Kultur heute

Krone, Tobias www.deutschlandfunkkultur.de, Fazit

• Hörspiel-Porträt • Liliane Lijn ist eine der herausragenden Protagonistinnen zeitgenössischer Kunst. Ihre Kindheit verbringt sie im vitalen Umfeld von sechs Sprachen. Diese Vielstimmigkeit hat ihr Werk geprägt.Nach Liliane Lijnwww.deutschlandfunkkultur.de, HörspielDirekter Link zur Audiodatei

In this podcast, we invited Liliane Lijn, whose work is featured in the David and Indrė Roberts Collection to choose a piece from the collection as a starting point for a conversation.Lilliane is one of the curatorial collaborators for Deep Horizons, our exhibition with MIMA, Middlesbrough Institute of Modern Art, and she selected Bernd and Hilla Becher's work Water Towers, 1972-2012 which features in the exhibition.Liliane describes her early encounters with Bernd and Hilla Becher's work and its impact on her practice. The conversation explores her own fascination with industrial structures, the role of fantasy and imagination in design and how she has experimented with light in her work.Have questions, comments or want to see more of what the Roberts Institute of Art does? Reach us via therobertsinstituteofart.com, @therobertsinstituteofart and subscribe to our newsletter!

Curated by Tate UK and drawn from their prestigious collection, the LIGHT exhibition at ACMI explores the influence of light, shade and darkness across the world of art, imagery and cinema with works by Joseph Mallord, William Turner (including his epic painting The Deluge exhibited for the first time in Australia), Claude Monet, Alfred Sisley, Joseph Albers, Tacita Dean, Liliane Lijn, James Turrell, Yayoi Kusama and Olafur Eliasso. Kerryn Greenberg, former Head of International Collection Exhibitions, Tate, discusses the process of gathering some of the world's most valuable artworks into this touring exhibition, the significance of these works for local audiences and the remarkable Tate collection more broadly.  A transcript of this interview is available for download HERE. The transcriptions are made possible by the support from Pixel Perfect Prolab - The photolab for professionals, and the Australian Arts Channel.  

Liliane Lijn, 1939 in New York geboren, gehört seit Mitte der 60er Jahre zu den herausragenden Protagonistinnen zeitgenössischer Kunst. Ihre Kindheit verbringt sie im vitalen Umfeld von sechs Sprachen. Diese Vielstimmigkeit hat ihr Werk geprägt.Von Gaby Hartel und Liliane Lijnwww.deutschlandfunkkultur.de, HörspielDirekter Link zur Audiodatei

Liliane Lijn, 1939 in New York geboren, gehört seit Mitte der 60er Jahre zu den herausragenden Protagonistinnen zeitgenössischer Kunst. Ihre Kindheit verbringt sie im vitalen Umfeld von sechs Sprachen. Diese Vielstimmigkeit hat ihr Werk geprägt.Von Gaby Hartel und Liliane Lijnwww.deutschlandfunkkultur.de, HörspielDirekter Link zur Audiodatei

For this episode we have invited Jennifer Higgie, editor at large of frieze magazine and the writer and thinker behind Bow Down an Instagram account and a podcast dedicated to significant women artists. Jennifer is in conversation with Liliane Lijn, an American-born artist based in London, who has been working with kinetic texts as early as since 1962. For decades Liliane has been involving poetry and light - set into motions in objects in space. Her installations induce a physical sense of time, the elapsing of time becomes a gesture, a haptic notion at our hands.

The London-based artist discusses the life and times of her friend, the late (and overlooked) British surrealist painter, photographer and collage artist, Stella Snead, who lived between New Mexico and India.

Video interview with artist Liliane Lin

Liliane Lijn explores the work of postwar French artist Yves Klein, famous for patenting ultramarine blue and jumping from a window in the suburbs of Paris. Leap into the Void!

Alistair Hudson was educated at Goldsmiths' College (1988 – 1991). He is currently Director of the Middlesborough Insitute for Modern Art at Teeside University and has recently been appointed Director of the Whitworth Art Gallery at Manchester University. For the last decade prior to this he was Deputy Director of Grizedale Arts in the Lake District, gaining critical acclaim for a radical approach to working with artists and communities, based on the idea that art should be useful and not just an object of contemplation. Liliane Lijn is an American-born artist living in London who began working with kinetic text, exploring both light and text in 1962. Utilising highly original combinations of industrial materials and artistic processes, Lijn is recognised for pioneering the interaction of art, science, technology, eastern philosophy and female mythology. Inspired by Conversations Before The End Of Time by Suzi Gablik. Conversations In Time is recorded and distributed as part of European Capital of Culture Aarhus 2017.

The City Sculpture Projects 1972 was a six-month initiative to bring contemporary sculpture to the streets of Britain's cities, but the chosen cities proved resistant and none of the commissioned sculptures was kept. The enterprise is now the subject of a new exhibition at the Henry Moore Institute in Leeds. Curator Dr Jon Wood, one of the original artists Liliane Lijn, and Professor Susan Tebby who worked on the project in Sheffield, look back at the concept.Baz Luhrmann's film Strictly Ballroom has been adapted for the stage at the West Yorkshire Playhouse. Olivier award-winning Drew McOnie, the choreographer of Strictly Ballroom The Musical, discusses his adaptation. Disney's latest movie is Moana, about a Polynesian girl charged with saving her island by taking on a deadly mission and enlisting the help of demi-god Maui, played by Dwayne Johnson. The film's directors Ron Clements and John Musker discuss their approach to the latest Disney princess.Presenter Samira Ahmed Producer Ekene Akalawu.

VLW, together with artist Liliane Lijn and founders of Jiggling Atoms, Jennifer Crouch and Natalie Kay-Thatcher discuss creativity. What holds us back? How do we know if something is good enough? Does it matter? For more information, check out http://www.lilianelijn.com/ and http://jigglingatoms.org/ See acast.com/privacy for privacy and opt-out information.

Over a year ago, Very Loose Women spoke to artist Liliane Lijn about her journey to becoming an artist, and Jiggling Atoms co-founders artists Nat Kay Thatcher and Jen Crouch, about the question, "what do you do?" See acast.com/privacy for privacy and opt-out information.

Artist Liliane Lijn sits down with Fabrice Lapelletrie and Bronac Ferran to discuss the intent and influences behind her contributions to kinetic art.

Bronac Ferran and Fabrice Lapelletrie continue picking the brain of artist Liliane Lijn. Here, Lijn offers her opinions on classifying her own artwork, collaboration with fellow artists, and inspirations that led to some of her more unique creations.

In this final part of Creative Disturbance's featured discussion on and with artist Liliane Lijn, the conversation moves to Lijn's take on the artistic atmosphere during the volatile '60s and her fifty-year-long legacy as a pioneer in kinetic art.

In an audio interview with Liliane Lijn, which took place in her north London studio in 2013, the leading international artist gives us an insight into her unique career. Lijn hung out with Surrealists and Beat poets in Paris in the 1960s where she applied Letraset to cylinders and cones and attached them to revolving turntables to create kinetic texts called Poem Machines. From these early beginnings Lijn has gone on to pursue the exploration of light and energy with scientific dedication. In the 1980s she worked on a number of gigantic, plumed and beaded kinetic sculptures that referenced the feminine. In the last couple of decades she has produced a new series of rotating cones known as koans, stemming from her interest in Zen Buddhism where a koan is a puzzle, or type of riddle used for meditation. Lijn’s whirring mainly off-white koans have a snaking neon line running through them in subtle contrast to the object’s opaque surface that mark elliptical planes on, in and through the sculpture itself. Lijn delights in juggling with combinations of industrial materials – including liquid, light, fire, acid – and has also worked with interstellar dust following a three-month residency at NASA’s Space Science Laboratory in the US in 2005. Covering sculpture, drawing and installation, Lijn’s kaleidoscopic practice brings into focus the diverse strands of science, art, technology, female mythology and Buddhist philosophy.

With Mark Lawson. The artworks competing to occupy Trafalgar Square's Fourth Plinth in 2015 and 2016 were unveiled today. Shortlisted artists Marcus Coates and Liliane Lijn discuss their designs, along with Ekow Eshun, chair of the Fourth Plinth Commissioning Group, who make the final decision about which two artworks will be successful. Stephen King publishes a sequel to his 1977 novel The Shining today. The boy Danny Torrance has grown up, but has he managed to escape the legacy of his alcoholic psychopathic father? Rachel Cooke reviews Doctor Sleep. Lionel Shriver is the latest writer in our series of interviews with the contenders for the BBC National Short Story Award 2013. Her story called Prepositions is set around events during 9/11 and takes the form of a letter between two women. Prepositions is broadcast on Wednesday at 3.30pm on Radio 4. Alfred Brendel, one of the world's greatest pianists, retired from playing in public in 2008, although at the age of 82 he still performs his own poems and is about to take part in a poetry and music event with his son, the cellist Adrian Brendel. They reflect on their artistic relationship and what it is like to perform together as father and son. Producer Dymphna Flynn.