Podcasts about Covering

Covering some archery news and going over some of the finer details about the Outlaw season

Covering the movements, issues and people fighting for some of the most important social justice issues of our time. Hosted by Amy Gastelum, Salima Hamirani, Anita Jonhson, and Lucy Kang. Sign up for program alerts and sneak peeks from Making Contact at: http://ow.ly/1FkV30aq1z2 The post Making Contact – February 27, 2026 appeared first on KPFA.

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This week on Black on Black Cinema, the crew returns to introduce the next film to the reviewed, "Soul Men." The 2008 film follows two estranged soul-singing legends who agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader. The movie stars Samuel L. Jackson and the late great Bernie Mac. Available to stream for free on Tubi.The random topic this week we tackle the complex and difficult incident that unfolded at the 2026 BAFTA Film Awards when John Davidson, a Tourette's syndrome activist and subject of the nominated film "I Swear," involuntarily shouted racial slurs—including the N-word—while Black actors Michael B. Jordan and Delroy Lindo presented an award.This isn't a simple story. It's a collision of disability rights, anti-Black racism, media responsibility, and institutional failure.What happened: Davidson, who has spent decades advocating for Tourette's awareness, experienced involuntary vocal tics throughout the ceremony. His condition causes coprolalia—the uncontrollable utterance of socially inappropriate words. When Jordan and Lindo took the stage, Davidson's tic produced the N-word, audible throughout the venue.The BBC's failure: Despite broadcasting on a two-hour delay (giving them time to edit), the BBC left the slur in the broadcast AND on iPlayer for 15+ hours. Yet they DID edit out other content, including a "Free Palestine" statement and political jokes. The selective editing reveals a catastrophic failure/purposeful behavior in judgment and priorities.The complications: This incident sits at the painful intersection of two marginalized communities. Davidson has no control over his tics—they represent the opposite of his actual beliefs. Yet Black attendees, including production designer Hannah Beachler, experienced real racial trauma. Lindo told Vanity Fair he wished BAFTA had spoken to them afterward. Host Alan Cumming's apology said "sorry if you were offended" was woefully inadequate.Why this matters for cinema: The film "I Swear" was nominated for multiple BAFTAs and won three awards, including Best Actor for Robert Aramayo's portrayal of Davidson. The movie exists to educate about Tourette's. Yet BAFTA and the BBC failed both the disability community AND the Black community in how they handled this moment.We discuss:- The impossible position both communities were put in due to the BBC's actions or lack thereof- Why institutional preparation and response failed catastrophically- The difference between individual accountability and systemic responsibility- How ableism and anti-Black racism played out in the aftermath (including the idea of "he meant that shit" comments)- What should have happened vs. what did happen- The broader conversation about representation, disability, and whose comfort gets prioritizedThis is a conversation about nuance, compassion, and holding institutions accountable when they fail vulnerable communities.Full Black on Black Cinema episodes coming soon. Subscribe so you don't miss our deep dives into Black cinema, representation, and the stories Hollywood tells—and doesn't tellBlack on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Bruce Haertl played baseball for the Shockers, hosted a Shocker football coaches show, did play by play for the Wichita Wings, Wichita State basketball and baseball and much more. He is our guest after he recently retired from a lengthy career in sports broadcasting. We discuss the changing world of media and how a current … Continue reading "Roundhouse podcast with Bruce Haertl on his TV and radio career and covering the Shockers"

Aight folks. Thomas, Ian and the ol' size queen Andrew are back and talking Boston Bruins hockey. Yeah, of course we're going to touch on the golden sweep of US Olympic hockey -- and yeah we're going to talk about the other shit too. Once we put a bow on that, we talk some prospects.. although not nearly as much as Ian did on the most recent Low Qaulity Bruins Fan youtube (like comment subscribe, nailed it). Hagans, Letourneau, Pelosi, etc. We touch on some deadline prep, we make predictions. Fun times in Babylon. GET IN.Cynically acclaimed. Incredibly online. Covering all things #NHLBruins | OFFICIAL CHIRP LINE: (860) 506-5444 presented by @SeatGeek, use promo code SHORTSHIFTPODALSO CHECK OUT THE NEW OFFICIAL SSP MERCHANDISE NOW AVAILABLE ON OUR SHOP @ https://short-shift-podcast.creator-spring.com/Send us a message

This review series focuses on recent advances in resolving macro and molecular structures that have driven the field of occlusive thrombus structure and function forward. Covering multiple contributions to thrombosis, eg, platelets, factor XIII, and the contact system, the series also looks to put this new knowledge into the context of future advances in diagnostic and therapeutic tools to enhance normal hemostasis while preventing and treating unwanted thrombosis. Blood Associate Editor, Dr. Thomas Ortel discusses this series with Drs. Alisa Wolberg, Jonas Emsley, and John Weisel, who all contributed to articles in the Review Series on the Structural Underpinnings of Hemostatic Plugs and Thrombotic Occulsions which can be found in volume 146, issue 12 of Blood. 

Note: Short show as I was informed of a serious matter involving Dad and had to bail.Note: "Act 1" was a separate published audio podcast.Get an EZ "DEFECTOR" hoodie!*Check out EZ's morning radio show "The InZane Asylum Q100 Michigan with Eric Zane" Click here*Get a FREE 7 day trial to Patreon to "try it out."*Watch the show live, daily at 8AM EST on Twitch! Please click here to follow the page.Email the show on the Shoreliners Striping inbox: eric@ericzaneshow.comTopics*EZ probably would have been better served not wearing the "Bring Back Bullying" hoodie to the YMCA.*EZ got served; will appear for a deposition in a case involving hillbilly plaintiff and hillbilly defendant.*EZ breaks down the State of the Union. *One job, Al Green: Hold sign without covering letters*The chat was heavily involved in the State of the Union chat.*EZ got some troubling news during the show that cuts things short.Sponsors:Impact Powersports, Kuiper Tree Care, Frank Fuss / My Policy Shop Insurance, Kings Room Barbershop, Shoreliners,  Ervines Auto Repair Grand Rapids Hybrid & EV, TC PaintballInterested in advertising? Email eric@ericzaneshow.com and let me design a marketing plan for you.Contact: Shoreliners Striping inbox eric@ericzaneshow.comDiscord LinkEZSP TikTokSubscribe to my YouTube channelHire me on Cameo!Tshirts available herePlease subscribe, rate & write a review on Apple Podcastspatreon.com/ericzaneInstagram: ericzaneshowTwitterSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Note: Short show as I was informed of a serious matter involving Dad and had to bail.Note: "Act 2" will be a separate published audio podcast.*Check out EZ's morning radio show "The InZane Asylum Q100 Michigan with Eric Zane" Click here*Get a FREE 7 day trial to Patreon to "try it out."*Watch the show live, daily at 8AM EST on Twitch! Please click here to follow the page.Email the show on the Shoreliners Striping inbox: eric@ericzaneshow.comTopics:*EZ probably would have been better served not wearing the "Bring Back Bullying" hoodie to the YMCA.*EZ got served; will appear for a deposition in a case involving hillbilly plaintiff and hillbilly defendant.*EZ breaks down the State of the Union. *One job, Al Green: Hold sign without covering letters*The chat was heavily involved in the State of the Union chat.*EZ got some troubling news during the show that cuts things short.Sponsors:Impact Powersports, Kuiper Tree Care, Frank Fuss / My Policy Shop Insurance, Kings Room Barbershop, Shoreliners,  Ervines Auto Repair Grand Rapids Hybrid & EV, TC PaintballInterested in advertising? Email eric@ericzaneshow.com and let me design a marketing plan for you.Contact: Shoreliners Striping inbox eric@ericzaneshow.comDiscord LinkEZSP TikTokSubscribe to my YouTube channelHire me on Cameo!Tshirts available herePlease subscribe, rate & write a review on Apple Podcastspatreon.com/ericzaneInstagram: ericzaneshowTwitterSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

College newspapers are often on shoestring budget, and at the same time they’re a vitally important source of information — especially for their student readers. At the University of Oregon’s The Daily Emerald and Portland State University’s The Vanguard, reporters have been tear-gassed while covering immigration protests. Though reporters at Oregon State University’s The Daily Barometer have not faced that challenge, the editor-in-chief says the paper would like to be prepared for that situation if it arises. All three papers also cover stories in the community that affect the campus. Managing these competing priorities with limited resources can be a major challenge. We get more details from the editors-in-chief at the University of Oregon, Oregon State University and Portland State University: Tarek Anthony, Jenna Benson and Noah Carandanis.

What if the reason you cannot lose weight, think clearly, or stop craving sugar after dinner has nothing to do with discipline and everything to do with your hormones, your gut, and what you are eating at breakfast? These are the questions your doctor might not be asking or answering, but Jenn is.On this episode of Salad With a Side of Fries, Jenn Trepeck pulls back the curtain on the powerful Happy Healthy Hub community by sharing this Q&A from inside the hub. Covering hormonal weight gain, natural cholesterol remedies, healing leaky gut, taming food noise, boosting morning energy, and why protein intake early in the day is the most underrated tool for controlling sugar cravings and stubborn weight loss, it's likely your questions are included too! If you have ever felt like your body is working against you, this episode will help you understand why and what to do about it. For more Q & A, and answers to your personal questions, become a member of the Happy Healthy Hub here: https://asaladwithasideoffries.com/membership/What You Will Learn in This Episode:✅ Why hormonal weight gain and metabolic health are always the root cause of stubborn weight struggles and how willpower is never to blame, plus what actually depletes and replenishes this finite resource throughout your day.✅ How to naturally support cholesterol management through omega-3 supplements, soluble fiber, and reducing sugar and refined grains, and why coenzyme Q10 is essential for anyone currently taking a statin.✅ The key markers of gut health recovery, including zonulin testing and secretory IgA, and how repeated insults like antibiotics and artificial sweeteners compromise intestinal permeability over time.✅ How increasing protein intake earlier in the day dramatically reduces food noise, nighttime eating, and sugar cravings, and why satiety hormones like leptin and ghrelin are the real drivers behind your appetite.The Salad With a Side of Fries podcast, hosted by Jenn Trepeck, explores real-life wellness and weight-loss topics, debunking myths, misinformation, and flawed science surrounding nutrition and the food industry. Let's dive into wellness and weight loss for real life, including drinking, eating out, and skipping the grocery store.TIMESTAMPS: 00:00 Intro: You don't lack willpower, you're just spending your finite resources elsewhere throughout the day03:26 Natural cholesterol remedies using omega-3 supplements, soluble fiber, and reducing sugar/grain/starch intake07:13 Why coenzyme Q10 is critical for anyone on a statin and the disconnect between statin use and heart health outcomes09:47 Healing leaky gut: how to recognize recovery, what causes gut lining breakdown, and whether gut health and intestinal permeability damage can fully reverse15:34 Understanding food noise: how restriction, undereating, and low protein intake amplify cravings throughout the day and why low protein intake early in the day leads to nighttime eating20:46 Hormonal weight gain vs. metabolism: the roles of insulin, leptin, ghrelin, and satiety hormones in body weight24:50 How to stop sugar cravings after dinner by switching habits, increasing protein intake, and creating new meal-end rituals27:19 Warm water with lemon as a bedtime ritual: supporting digestion, gallbladder health, and signaling the end of meals naturally30:17 What is the easiest area to change first: nutrition, exercise, or health, and discussion of habits34:04 Jenn's go-to-tips for meal prep, cooking and takeout, favorite fitness activity and wellness habit that made the biggest difference42:00 Looking at health and wellness on social media and how it is tied to economics and the top wellness trends for 2026KEY TAKEAWAYS:

Dr. Hillary Melchiors sits down with clinical psychologist Dr. Kerry Makin-Byrd for a grounded, experience-led conversation about burnout, moral injury, and the emotional weight of long-term birth and mental health work. Dr. Makin-Byrd reflects on moving from Colorado to New Zealand and how that shift reshaped her clinical practice and her own recovery. Taking apart the myth that burnout is a personal failing, they make the case that systemic factors, not individual shortcomings, drive the exhaustion so many birth workers carry. Covering boundary-setting in a field that rarely rewards it, they directly and practically confront the value of professional support for providers, and what "good enough" care actually looks like when perfection stays just out of reach. This one episode won't define burnout for you, but speaks honestly about what to do when you're in it, why it is not your fault, and what might actually help.                        

My newsletter: https://simonowens.substack.com/   Michael Fritzell doesn't fit the typical profile of a newsletter writer. Before launching Asian Century Stocks, he spent 15 years inside the machinery of global finance — working in investment banking, buy-side firms, and eventually managing money for a wealthy family in Singapore. A Swedish native who studied Chinese at Peking University, Michael built a career analyzing overlooked equities across China and Southeast Asia. When he struck out on his own to launch the Asian Century Stocks newsletter in 2021, he wasn't experimenting with a side hustle — he was walking away from a traditional finance track to build a niche media business focused on Asian stocks that most Western investors ignore   Launched on Substack and now operating independently, Asian Century Stocks sells in-depth, 40- to 60-page research reports to paying subscribers, many of whom are professional investors accustomed to paying banks tens of thousands of dollars a year for comparable research. Michael positioned himself as a bridge between local Asian markets and global capital — offering deeply reported, independent analysis without the conflicts that often accompany sell-side research.    In an interview, he explained how he went from anonymous finance professional to six-figure recurring revenue newsletter operator, why he ultimately left Substack for Ghost, and what it takes to monetize serious financial research in a tightly regulated industry.  

As we commence the new season in the Desert Super 60, angler Cameron Karber provides an insightful analysis of the upcoming event. In an exclusive interview, Karber shares his preferred baits, target locations at the lake, and the anticipated weight range of the anglers competing. https://bass-angler-magazine-podcast.simplecast.com/episodes/old-school-fishing-in-the-new-era-of-bass-with-marty-lawrence About BAM Podcasts Bass Angler Magazine's is a bi-monthly podcast series its available free on Simple Cast, iTunes, Spotify, Google Play and Amazon. Stay tuned as we discuss the latest in bass fishing, lure trends, ways to catch fish, tournament wins and things of interest to bass anglers.BASS ANGLER MAGAZINE (BAM), a veteran owned quarterly print and digital magazine, designed, and printed in the U.S.A. Covering largemouth, smallmouth and spotted bass, Bass Angler was created specifically to help you become a better, more informed bass fisherman. As the industry's most informative bass fishing magazine, we provide you in-depth exclusive new features with the world's top anglers.Subscribe to Bass Angler Magazine print and or digital here

Malcolm Hoenlein and Thaddius McCotter assess the US withdrawal from Syria, leaving minority groups vulnerable while ISIS resurges, while also covering Azerbaijan's regional influence and the stalemate over Hamas disarmament. 6.1830 PERSIA

On this episode of The Finest Unfiltered, John Macari, Eric Dym, and Marlon Bethel discuss Manhattan DA Alvin Bragg's prosecution of two NYPD officers he is accusing of “covering up” a drunk driving crash involving an off-duty NYPD cop. The off-duty officer involved in the crash was ultimately arrested and prosecuted yet Bragg is now pursuing charges against responding officers, claiming misconduct in the handling of the scene. Is this a legitimate corruption case, or just another politically charged prosecution targeting NYPD officers? We break down: What actually happened the night of the crash, the timeline of the arrest and prosecution, what the “cover-up” allegations really mean legally, the indictment and the broader impact on NYPD morale and proactive policing. They also discuss how cases like this change the way cops respond to off-duty incidents. When line officers face prosecution for decisions made in the field, it doesn't just affect two careers, it affects how policing is done citywide. In today's political climate, are officers being judged by policy… or by narrative? Drop your thoughts in the comments. #NYPD #AlvinBragg #ManhattanDA #PoliceProsecution #NYCPolitics #TheFinestUnfiltered #LawEnforcement #PublicSafety #PoliceAccountability #NYPDNews ️ New to streaming or looking to level up? Check out StreamYard and get $10 discount! https://streamyard.com/pal/d/5689366474915840 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We are seeing repercussions around the world as a result of the release of even just some of the Epstein files. There are criminal investigations underweight in multiple countries. In the United Kingdom a UK ambassador to the US has had multiple search warrants executed on his properties. A former prince has been placed under arrest. Yet here in the United States, from our Department of Justice we get crickets and coverups.Covering up the crimes of others constitutes a crime itself, accessory after the fact, as Glenn explains.Find Glenn on Substack: glennkirschner.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Epstein Files chaos has exposed serious failures inside the DOJ. Is it time for AG Pam Bondi to step aside? This episode breaks down what the Epstein Files reveal, what they do not, and why accountability requires more than document dumps and political theater. The controversy surrounding the Epstein Files has spiraled into confusion, speculation, and institutional dysfunction. This analysis separates allegation from evidence, examines the Department of Justice's handling of the release, and asks whether meaningful reform is possible. Covering everything from due process and the presumption of innocence to congressional grandstanding and structural oversight failures, this episode delivers clarity in a moment dominated by noise. What You'll Learn Why the Epstein Files chaos reflects deeper DOJ leadership failures The difference between moral outrage and prosecutable evidence How Congress contributed to the dysfunction through performative oversight Why chaotic disclosure without context damages public trust What a serious, structured accountability commission should look like What Attorney General Pam Bondi and the DOJ can learn from the restructuring of the DNI under Tulsi Gabbard This is not about protecting the powerful. It is about restoring equal justice under law and demanding competence from institutions that hold immense power over American lives.

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

Send a textDobar dan!Uncle Mike has those Croatian one word responses we've all been waiting for. Tony D loves them!DJ MOE will be covering the Adriatic Sea. Covering how it came to be, wild life and even how it contributes to the weather for the area. Fun Pod awaits, see you there,Hvala Bog._LLC TeamPod cast links -Visit our website: https://www.letslearncroatian.com/Check out our Link Tree, lots of amazing ways to support the LLC Pod via our handpicked affiliate links! https://linktr.ee/MaliMomentoLLC?utm_source=linktree_profile_share<sid=830b9f1d-ec9d-483b-bf35-25d070ee2600We have a YouTube channel: https://youtube.com/c/LetsLearnCroatianLLC Merch Store: https://www.letslearncroatian.com/llc-storeKeep the content flowing, donate to the LLC: https://www.letslearncroatian.com/llc-supporters-pageBuy the LLC a Cup of Coffee: https://www.buymeacoffee.com/infoKX Collaborate with LLC: https://www.letslearncroatian.com/become-a-sponsorDo you FaceBook, we do: https://www.facebook.com/llcpod/?__tn__=-UC*FWe even do Instagram: https://www.instagram.com/llcpod/?hl=enTeeDee's Soapshttps://www.teedeessoaps.comDobar dan!Check out our Link Tree to amazing deals and discounts with out partners.A percentage of any purchase made through our affiliate links goes towards supporting the Let's Learn Croatian Pod cast.https://linktr.ee/MaliMomentoLLC?utm_source=linktree_profile_share<sid=7c22be9c-ac97-4808-8af6-72c5e50394feAs always, we thank you for listening and helping us keep the lights on.Puno hvala!_LLC TEAM Hello LLC Prieteljie!We launched a Buy Me a Coffee supporters page. Here's your opportunity to become an LLC Members. Lots of incentives, including: an LLC Members Only Magnet, automatic entrance to any LLC Member Only raffles & prizes and access to the LLC Members Only page on our website, where we upload new content monthly.Click on the link below.https://www.buymeacoffee.com/infoKXHvala, Bog!Support the show

We are seeing repercussions around the world as a result of the release of even just some of the Epstein files. There are criminal investigations underweight in multiple countries. In the United Kingdom a UK ambassador to the US has had multiple search warrants executed on his properties. A former prince has been placed under arrest. Yet here in the United States, from our Department of Justice we get crickets and coverups.Covering up the crimes of others constitutes a crime itself, accessory after the fact, as Glenn explains.Find Glenn on Substack: glennkirschner.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Covering the Commonwealth ft. JMU and UVA by Ed Lane

Covering the Commonwealth ft. NASCAR and Virginia Tech Hokies by Ed Lane

In this episode, you'll learn exactly how to start a pet treats business in 2025 with $500 or less. If you love animals and baking, you can turn simple ingredients like peanut butter, oats, and pumpkin into high-margin products that sell at farmers markets, local events, and even pet stores. You'll discover how to launch from your home kitchen, choose profitable recipes, price your treats for strong margins, and attract loyal pet parents in your community. This step-by-step blueprint shows you how to start small, keep overhead low, and build a brand that grows into consistent monthly income — all without a storefront or large investment. If you're ready to turn your passion for pets into profit, this episode gives you the exact roadmap to launch in just 7 days.Become a supporter of this podcast: https://www.spreaker.com/podcast/good-morning-gwinnett-podcast--3262933/support.

Sports journalist Steve Goldberg joins the show to share his incredible stories covering the 1986 World Cup, witnessing Diego Maradona's 'Hand of God', sneaking into a Bayern Munich tryout, and the early days of Charlotte soccer history with the Carolina Lightnin'.

Chuck Heinz and Jamie Lent talk about covering at Tech Baseball and Softball, Raising the Flag at Iwo Jima, High School basketball playoffs, Tech football offensive and Defensive numbers changes, and results from the weekend.

Little Dinosaur bite for you! Support us for extra bonus episodes here:  https://www.patreon.com/terriblelizards Covering two new papers: https://www.nhm.ac.uk/discover/news/2026/february/new-sabre-crested-spinosaurus-species-named-from-desert-dinosaur-fossils.html https://www.nhm.ac.uk/discover/news/2026/january/europes-missing-ceratopsian-dinosaurs-have-finally-been-found.html Watch on youtube here: https://youtu.be/GoAT-oVtqOc A new Spinosaurus paper was released, revealing a Spinosaurus with a larger head crest. While the new material is exciting, the larger crest is not surprising given the species' known display features. The new locality in Niger, further inland than previous finds, suggests Spinosaurus may have followed rivers inland, similar to other water-affiliated animals. A new paper confirms long-held beliefs about spinosaur evolution, including sexual selection, wading behaviour, and multiple evolutionary phases. The discovery of a new rhabdodontid skull, with clear ceratopsian characteristics, suggests that some previously identified rhabdodontids were actually early ceratopsians. This finding supports the idea that ceratopsians were present in Europe during the Cretaceous, filling a gap in the fossil record. Apologies for audio quality - was a bit rushed!  

In Part 2 of our quest to crown the 25 Best Horror Movies of the Last 25 Years, we're jumping into the modern era! Covering the years of 2011 through 2025. The rules stay brutal: • 4 nominations per year • 5 minutes (or so) to debate • Only ONE movie survives as the yearly champion   From genre-defining hits to under-the-radar nightmares, this stretch of years is absolutely stacked! Did we disrespect your favorite? Did we crown the right winners? Or are you already preparing your rebuttal? Sound off in the comments and let us know YOUR champions for 2011–2025.

Send a textThis week on Hoagie Time Podcast, we sit down with Gypsy Wisdom, a five-piece powerhouse band out of the Philly area bringing high-energy performances and a genre-spanning sound to stages across the region.Covering everything from pop, rock, and R&B to alternative and a little bit of country, Gypsy Wisdom has built a reputation for turning any venue into a full-on experience. Whether it's a packed club, a wedding celebration, or a private event, their mission is simple: help the crowd forget a bad day, celebrate a great one, and create the soundtrack for an unforgettable night.We talk about their musical roots, what it takes to keep a diverse setlist fresh, the Philly music scene, and how they adapt from full-band shows to intimate acoustic duos and trios. If you've ever wondered what goes into keeping dance floors packed and calendars full, this episode gives you a behind-the-scenes look at a band that's doing exactly that.go to https://gypsywisdom.com/schedule for datesSupport the showGet your Gear here: htpodcast.myshopify.com

Covering for Dean Richards, Cindy Pearlman Gaber joins Bob Sirott with update on the passing of “Grey's Anatomy” star Eric Danes, who passed after a long battle with ALS; he was 53. Also on the docket, another ‘Toy Story’ movie is coming and a Mama Cass full length feature. Plus, Bruce Springsteen is coming back to […]

This week on Black on Black Cinema, the crew returns to discuss the 2025 psychological thriller, "The Dutchman." Based on Amiri Baraka's groundbreaking 1964 Obie Award-winning one-act play, the film follows Clay (André Holland), a successful but troubled Black businessman navigating a crumbling marriage with his wife Kaya (Zazie Beetz). After a therapy session with the enigmatic Dr. Amiri (Stephen McKinley Henderson), Clay encounters Lula (Kate Mara), a seductive and sinister white woman on a New York subway, who draws him into a dangerous psychological game of cat and mouse that forces him to confront his identity, his marriage, and the concept of double consciousness. Directed by Andre Gaines and co-written with Qasim Basir, the film also stars Aldis Hodge and Lauren E. Banks. The crew digs into the film's exploration of race, assimilation, Black male identity, and whether this modern adaptation does justice to Baraka's original text — or if the meta-theatrical approach gets in its own way.Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and more. Hosted by Jay, Micah, Terrence, and T'ara. Featured on RogerEbert.com. A TNP Studios production. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. For more TNP Studios content, check out The Nerdpocalypse (movie & TV news), Look Forward (progressive politics), and Dense Pixels (video game news).

Peter Salerno, a retired licensed psychotherapist, nationally recognised expert on personality disorders and pathological relationships, and author of The Nature and Nurture of Narcissism and Traumatic Cognitive Dissonance (2024), discusses his work in the field of narcissism. Beginning with his appearance in the Hulu documentary on Ted Bundy, Salerno rejects the claims by those who believe Bundy's serial killing was a kind of reactive aggression, criticising those who believe Bundy's actions were somehow a result of a childhood trauma. To the contrary, Salerno notes how Bundy was able to sustain relationships, even working on a suicide helpline, such that he was able to earn the trust of others, all while Bundy kidnapped, sexually attacked, and murdered others. Salerno draws parallels between this type of psychological assessment of serial killers and the narcissist, where there has been an inclination in the field to understand the narcissist's aggression and control as reactive instead of proactive. Covering the genetic and biological roots behind narcissism, he highlights the scientific findings and neuroimaging that reveal the physiological underpinnings and genetic propensities towards narcissistic behaviour, noting, “This isn't just personality. This is all psychopathology and all mental health or mental disorder.” Salerno historicises research in this field, which is rapidly changing in how it frames narcissism and its victims. For instance, he elucidates the damage that narcissists inflict upon others, what he terms “traumatic cognitive dissonance,” observing how narcissists inflict damage by “insert[ing] a dilemma inside of you, and you don't know what's real or not.” Evidencing how narcissists often intentionally give mixed messages, causing distress in their victims, Salerno explores how this creates a constant state of ambiguity and confusion in “a normal person who simply wants to collaborate and cooperate,” while chronicling how the trauma of narcissistic abuse plays into the victim's goodwill as victims often attempt to understand why the narcissist would terrorise another person. Salerno relates how those suffering from traumatic cognitive dissonance are caught in a double-bind as they attempt to rationalise such behaviour by believing that this was reactive abuse which actually keeps them from seeing this person as a proactive abuser as they think: “Well, you know, they must have been really traumatised. That makes sense why they would be treating me this way.” Salerno carefully examines how narcissists seek out loving and trusting victims to exploit, while self-justifying their actions, even reversing and externalising the blame. Get full access to Savage Minds at savageminds.substack.com/subscribe

Cory King reveals how building a cash machine, mastering the BRRRR Strategy, and protecting family priorities can transform a driven agent into a disciplined wealth builder with lasting freedom.See article: https://www.unitedstatesrealestateinvestor.com/from-side-hustle-to-hardcore-freedom-building-success-with-cory-king/(00:00) - Welcome to The REI Agent and Introduction of Cory King(01:10) - Cory's Real Estate Overview and Investor Background(03:20) - Buying a First Home at 22 During the 2009 Market Crash(05:40) - Early House Hacking and Covering the Mortgage with Roommates(07:45) - Flipping Comic Books and Discovering Land Auctions(10:30) - Buying Vacant Lots and Creating Arbitrage Opportunities(13:15) - Selling the Restaurant Business and Moving to Knoxville(15:10) - Getting Licensed to Support Investing Goals(17:20) - Building a Cash Machine Versus a Wealth Machine(19:45) - Why Agents Should Invest in the Markets They Sell(22:10) - BRRRR Strategy and Long Term Rental Planning(24:40) - Leaving Money in Deals and Thinking Long Term(26:50) - Avoiding the Check to Check Agent Trap(29:00) - Risk Tolerance and Acting During Market Fear(31:15) - Investment Options Beyond Rentals Including Syndications(33:30) - Analysis Paralysis and Taking Imperfect Action(35:20) - Building The Caza Group and Serving the Investor Niche(37:40) - Creating a Specialist Team Model Like a Superhero Network(39:50) - Why Property Management Is Not in the Immediate Plan(41:20) - Launching and Growing the GRID Investor Meetup(43:40) - Hosting Events as a Lead Funnel for Agents(45:10) - Family Life, Glass Versus Rubber Balls, and Guardrails(46:10) - Golden Nuggets, Book Recommendations, and Closing Thoughts(46:48) - Episode Outro and DisclaimerContact Cory Kinghttps://www.thecazagroup.com/caza_knoxville_teamhttps://www.facebook.com/CoryKingREALTOR/https://www.instagram.com/cory__king_/https://www.linkedin.com/in/cory-king-984b6b4b/Cory King reminds us that freedom is built on discipline, focus, and courage to act before you feel ready. Build your cash machine, fund your long-term vision, protect your glass balls, and never let success cost your peace. If this conversation sparked something in you, take the next step and visit https://reiagent.comIs success destroying your peace? Most pros grind until they break. Download The Investor's Life Balance Sheet: A Holistic Wealth Audit to see if you are building a legacy or heading for burnout. Presented by The REI Agent Podcast & United States Real Estate Investor® https://sendfox.com/lp/m4jrl

Aight folks -- lots of hockey happening but none of it is Bruins. How are we holding up? How much of this hour is going to be hockey talk? Place your bets and GET IN.Cynically acclaimed. Incredibly online. Covering all things #NHLBruins | OFFICIAL CHIRP LINE: (860) 506-5444 presented by @SeatGeek, use promo code SHORTSHIFTPODALSO CHECK OUT THE NEW OFFICIAL SSP MERCHANDISE NOW AVAILABLE ON OUR SHOP @ https://short-shift-podcast.creator-spring.com/Send us a message

Covering the NFL Combine and Draft for The Athletic, Dane Brugler joins the guys with a primer for next week's gathering in Indianapolis focusing on the teams with top 10 picks.

Send a textA man lifts the covering of an ark and stares into a world made strange—mud-caked plains, unsettled skies, and the quiet left by judgment. We walk through that moment with Noah and trace the precise timeline of birds, days, and decisions, then widen the lens to the sweeping changes a global cataclysm could unleash. Oceans growing, mountains heaving upward, climates splitting into ice and desert, and human lifespans bending downward—each thread connects to a coherent picture of a post-flood Earth.From there we head beneath our feet. Fossil beds spanning continents tell a story of rapid burial and vast energy. We unpack why marine invertebrates often sit deep in the record while larger land animals appear higher, and how mobility, habitat, and water flow could explain the order. The coelacanth surfaces as a provocative example—once labeled a relic of deep time, now alive and well—nudging us to reconsider assumptions about extinction dates and layer meanings. Polystrate trees and mixed deposits remind us that geology can be messy, especially if formed under violent conditions.We also talk about worldview. Data does not speak without interpretation, and whether you come with a uniformitarian or biblical lens shapes what patterns you see and which questions you ask. Our aim is not to score points but to offer a cohesive reading of Scripture and science that honors both judgment and mercy. If the ark foreshadows Christ, rescue is personal and present: safety through chaos, gratitude over pride, and hope that looks beyond the storm to solid ground. Listen, test the claims, and share your take—we welcome thoughtful pushback and honest curiosity.If this conversation moved you or made you think, follow the show, share it with a friend, and leave a review. Your feedback helps more listeners find these deep dives and join the journey.Support the showhttps://www.jacksonfamilyministry.comhttps://bobslone.com/home/podcast-production/

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Tuesday, February 17, 2026 Welcome to today's show. Host Kerby Anderson's takes the first hour to teach us about the Collapse of Empires. Covering history, culture, social trends, he explores the way history points to America's future. Connect with us on Facebook at facebook.com/pointofviewradio and on Twitter @PointofViewRTS with your opinions or comments. Looking for […]

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this episode, I spoke with Johnny Moreland who covers the core topics that serve as the introduction to the 9-episode long in-depth dive into the payments ecosystem. We will heavily focus on Moov Financial as the case-study since it has accomplished a lot in this sector (like direct connections to Fed and TCH) and because I now work at Moov:)Clarification: during this interview it was mentioned that Stripe doesn't connect directly to the card networks. This information is outdated and Stripe does, in fact, connect directly into all 4 major card networks in the US.Questions that were covered during the interview:Tell us about yourself and MoovWhat IS Moov?Payment Processor VS Payment Service ProviderThe legalities of it: what is required of a processor vs PSPPayment Processors are controlled very similar to banks, what are the differences?Comparison of Moov to FIS and other core-like businesses As always, don't forget to follow my substack for more deep dives: https://aftfinance.substack.com/

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

Covering the Commonwealth ft. Hill City Howlers, NASCAR, VT Hokies by Ed Lane

Covering the Commonwealth ft. JMU, UVA, Commanders by Ed Lane

2-15-26 Bonus WEEKEND Episode - Covering Justin Baldoni & Texts Reveal His Plan To Combat Blake Lively's Unfollowing Sponsored by Wayfair. Get organized, refreshed, and back on track this new year for WAY less. Shop all things home at Wayfair.com Go to rushhourwithdave.com for tickets to my upcoming Asheville NC, Stamford CT and Boston shows!

1. Minnesota AG Keith Ellison’s Senate Testimony Minnesota Attorney General Keith Ellison was questioned in the Senate regarding alleged failures to prevent and address large‑scale fraud in the state’s Feeding Our Future program. Senators—primarily Josh Hawley—accused Ellison of: Ignoring whistleblower warnings as early as 2018–2019. Meeting with individuals later indicted for fraud and allegedly offering to “look into” investigators who were scrutinizing them. Accepting approximately $10,000 in campaign donations from individuals tied to the fraud shortly after their meeting. Ellison strongly denied wrongdoing, describing the claims as false and politically motivated. The session was tense, marked by interruptions, raised voices, and confrontational exchanges. 2. Refusal to Condemn Louis Farrakhan During questioning, Ellison declined to explicitly condemn antisemitic statements attributed to Louis Farrakhan. He attempted to redirect discussion to immigration topics, expressing discomfort with the line of questioning. 3. Democrats Linked to Record Sewage Spill Democratic officials in Washington, D.C., Maryland, and Virginia oversaw infrastructure failures leading to the largest sewage spill in U.S. history. A burst 72‑inch sewer pipe released nearly one billion gallons of raw sewage into the Potomac River. Criticism is directed at: Lack of media coverage. Slow response times. Infrastructure mismanagement. Emergency pumps had to be transported from Texas and Florida to address the crisis. 4. Discussion of Government Competence Democratic‑run cities and states mismanage public systems (snow removal, wildfire mitigation, infrastructure maintenance, etc.). They argue such patterns reflect systemic governmental incompetence. 5. Save America Act & Voter ID Debate The Save America Act, passed in the House with near‑unanimous Republican support, requires: Proof of U.S. citizenship to register to vote. Photo ID to vote. Senator Ted Cruz advocates for aggressive procedural tactics in the Senate, including: Forcing a “talking filibuster.” Using the two‑speech rule to pressure Democratic senators. The argument made: voter ID laws are widely supported across political and demographic groups. Please Hit Subscribe to this podcast Right Now. Also Please Subscribe to the 47 Morning Update with Ben Ferguson and The Ben Ferguson Show Podcast Wherever You get You're Podcasts. And don't forget to follow the show on Social Media so you never miss a moment! Thanks for Listening YouTube: https://www.youtube.com/@VerdictwithTedCruz/ Facebook: https://www.facebook.com/verdictwithtedcruz X: https://x.com/tedcruz X: https://x.com/benfergusonshow YouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

Russ Dorsey talks about covering Kris Bryant's MVP days with the Cubs when he covered the team every day.

Dean Karayanis, New York Sun columnist and former member of Rush Limbaugh's highly overrated staff, sits in for Derek on Monday. Topics include the Super Bowl's cultural impact, the Bad Bunny halftime show watched on mute, DOW 50,000, TrumpRX, justice for Benghazi, the HBO documentary that tries to make Mel Brooks a victim, and how Democrats are seizing on President Trump blundering by sharing a video he didn't watch all the way through, resulting in a second or two of an October "Lion King" parody of the Obamas slipping through. Republicans are running for the tall grass in the vain hope that it'll save them.