Podcasts about Olivier

Padlet, l'outil collaboratif adoré des formateurs pour sa simplicité et sa polyvalence, ne cesse d'évoluer ! Dans ce nouvel épisode de Rendez-vous en terre digitale, Clément et Olivier

Entretien avec les frères Paquet qui sont à la tête du groupe DOJOS D'ARTS MARTIAUX avec leur père! Une affaire de famille, rondement menée par des gens qui ont les deux pieds sur terre et qui ont fait leur devoir en tant qu'hommes d'affaires. Une discussion très enrichissante!Le podcast est une présentation de Florian Belhumeur, Courtiers d'Assurances de dommage. Composez le 1-877-472-0078 et mentionnez GUERRIERPODCAST pour être dirigés vers leur équipe de spécialistes!°°°POUR NOUS SOUTENIR SUR PATREONhttp://www.patreon.com/guerrierpodcastPOUR NOUS SUIVRE SUR FACEBOOKhttp://www.facebook.com/guerrierpodcastPOUR NOUS SUIVRE SUR INSTAGRAMhttp://www.instagram.com/guerrierpodcasthttp://www.instagram.com/warriorpodca...ABONNE-TOI À NOTRE CHAÎNE YOUTUBE ANGLOPHONEhttps://youtube.com/channel/UCsOUwnsI... Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:29:53 - Les Pieds sur terre - par : Sonia Kronlund, Élise Andrieu, Charlotte Bienaimé, Amaury Chardeau, Emilie Chaudet, Delphine Dhilly, Leila Djitli, Rémi Dybowski Douat, Sophie Knapp, Inès Léraud, Bahar Makooi, Ilana Navaro, Olivier Minot, Delphine Saltel, Jérôme Sandlarz, Stéphanie Thomas - Clémentine connait des insomnies depuis son mariage, Olivier est atteint de narcolepsie et s'endort sans prévenir dans des endroits inappropriés, Patricia a subi des paralysies du sommeil… Trois histoires de sommeil problématique - réalisation : Emmanuel Geoffroy, Eric Lancien, Peire Legras, Delphine Lemer, Marie Plaçais - invités : Élise Andrieu Documentariste française de radio; Emmanuel Geoffroy Réalisateur à Radio France

Tous les jours dans la matinale d'Europe 1, Olivier de Lagarde scrute et analyse la presse du jour. Aujourd'hui, 33 maires signent une tribune dans Ouest France pour réclamer l'abaissement du droit de vote à 16 ans. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:29:53 - Les Pieds sur terre - par : Sonia Kronlund, Élise Andrieu, Charlotte Bienaimé, Amaury Chardeau, Emilie Chaudet, Delphine Dhilly, Leila Djitli, Rémi Dybowski Douat, Sophie Knapp, Inès Léraud, Bahar Makooi, Ilana Navaro, Olivier Minot, Delphine Saltel, Jérôme Sandlarz, Stéphanie Thomas - Clémentine connait des insomnies depuis son mariage, Olivier est atteint de narcolepsie et s'endort sans prévenir dans des endroits inappropriés, Patricia a subi des paralysies du sommeil… Trois histoires de sommeil problématique - réalisation : Emmanuel Geoffroy, Eric Lancien, Peire Legras, Delphine Lemer, Marie Plaçais - invités : Élise Andrieu Documentariste française de radio; Emmanuel Geoffroy Réalisateur à Radio France

Rendez-vous incontournable des amoureux de la musique FUNK Il était une fois, mes premiers 45T, maxis, albums, mes premières cassettes audio, il me manquait quelque chose, une expérience radio, elle allait venir, il a fallu se présenter, ce fut chose faite et hop : L'aventure allait commencer en 1982, je m'en souviens très bien, les émissions Funk se succédaient le week end, c'était de la folie, premiers calages de disques vinyles et premières interventions au micro. La toute première radio s'appelait RDP Radio des Poumons 92 mhz, de bons souvenirs avant de connaître d'autres horizons. Nous sommes en 1983, je débarque sur une radio beaucoup plus importante à l'époque avec à l'intérieur une équipe d'animateurs qui pour la plupart officiaient aussi en discothèque, cette station de radio avait pour nom Contact Fm sur le 104 mhz. Il a fallu se faire une place et ce fut chose faite avec une émission Funk Night Club le vendredi, le samedi il existait une autre émission Funk appelée Dérapages Nocturnes animée par Pascal , belle rencontre, contraint d'abandonner pour raisons personnelles quelques temps après cette émission, je décide avec son accord de reprendre celle-ci, il était inconcevable à l'époque que cette émission DN puisse disparaître de la grille des programmes de la radio, les années passent, Contact FM devient Radio Mandarine 95.2 mhz. Au milieu des années 80 l'occasion se présente et j'organise des soirées Funk dans une discothèque Nantaise située à la Beaujoire : le New Cleef , de bons souvenirs mais aussi de belles rencontres. Fin Janvier 1988, Radio Mandarine cesse d'émettre, une page se tourne, l'émission DN reprendra sur quelques radios : Saga 98 Mhz, Radio Fréquence bleue 102.1 Mhz en Bretagne , Radio Alternantes 98.1 Mhz. Janvier 1996 l'émission DN arrive sur Turbulence Radio 93.4 mhz qui deviendra par la suite Radio NTI en Janvier 2001, l'émission cessera d'émettre sur NTI le samedi 24 Juillet 2004. 8 ans ½ là encore de bons souvenirs. Nouveau départ pour les DN en Septembre 2004 sur une Radio locale Nantaise SUN 93 FM où je retrouve la couleur musicale que j'avais connu une bonne vingtaine d'années auparavant sur Contact Fm puis Radio Mandarine. Vendredi 26 Septembre 2008 sur SUN le Son Unique à Nantes avec des passionnés de musique Funk, nous avons célébré comme il se doit le 25 eme Anniversaire de l'émission DN toutes radios confondues, un grand merci à Pascal, Denis Louis Marie, Dominique, Xavier et José. Vendredi 30 Septembre 2011, le 28 eme Anniversaire des DN a eu lieu, un grand merci pour leur présence à Kamel et Thierry, étaient également présents José , Dominique, Eric, Maxime, Denis, Louis Marie, Xavier, Guy Accardo du groupe Plaisir mais aussi Joce, Charles et les frangins Eric et Alex A. Vendredi 27 Septembre 2013, autre Anniversaire avec cette fois-ci les 30 ans de l'émission DN ; merci pour leur présence à Pascal ; Denis ; Louis Marie ; José ; Samir ; Frédéric P ; Guy Accardo ; Joce ; Thierry ; Anne ; Patrice ; Lionel ; Nadjette ; Fabrice ; Fredi ; Alexandre et Thierry Guillom Vendredi 28 Septembre 2018 les 35 ans de l'émission avec une bien belle équipe ; Nadjette ; Lionel ; Thierry R. ; Thierry G. ; Denis D. ; Stephane L. ; Olivier "Kélo" ; Laurence ; Didier "Did" ; Samir ; Nathalie ; Louis Marie ; José et Enzo. Vendredi 25 Septembre 2020 L'initiative est signée Laurence qui avait envie de faire quelque chose pour ce 37 ème Anniversaire de l'émission Dérapages Nocturnes ; ce fut chose faite avec des invités et avons passé une bonne soirée ; merci pour leur présence à Ludivine ; Ludovic ; Keno ; José ; Stephane et Laurence Vendredi 24 Septembre 2021 Anniversaire DN ; les 38 ans avec Thierry Guillom ; José ; Nadjette ; Lionel ; Stéphane L. ; Ludovic ; Didier " Did " et Nathalie H. Vendredi 23 Septembre 2022 ; 39 ème Anniversaire de l'émission Dérapages Nocturnes ; étaient présents et avons passé une très bonne soirée avec José - Stéphane L. - Did - Laurence - Ludovic - Nathalie - Lionel - Nadjette - Thierry G. et John Macenzo.  Vendredi 22 Septembre 2023 ; 1ère partie concernant le 40 ème anniversaire de l'émission Dérapages Nocturnes ; les invités présents ce jour étaient ; Alain A. Olivier B. Ludovic C. Pierre L. Didier ; Thierry ; Bruno ; Pascale et Ghislaine ; pour les photos prises ; grand merci à Bruno P. Vendredi 29 Septembre 2023 ; 2ème partie avec une autre équipe de passionnés de musique Funk et parmi les invités ; il y'avait ; Lionel B. Nadjette ; José G. Stéphane L. Samir ; Did ; Thierry G. Pierre B. Nathalie ; Rafael ; Clément et Quentin ; absente : Laurence ; notre Parisienne girl Merci à tous ; l'aventure DN continue sur SUN www.lesonunique.com Le temps passe ; nous sommes en 2025, l'émission Dérapages Nocturnes est toujours en place le vendredi sur SUN 22h – Minuit et sur la fréquence de Cholet 87.7mhz . Auditrice, Auditeur, Merci pour votre Fidélité . LAURENT

À l'occasion des 10 ans de Laurent Ruquier aux commandes des "Grosses Têtes", RTL vous propose chaque jour de revivre en podcasts les meilleures séquences de l'émission ! Aujourd'hui, découvrez un extrait du 25 février 2019 ! Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

La Llibreria Catalana i l'Editorial Trabucaire, organitzen un Sant Jordi alternatiu el dissabte 19 d'abril 2025 a l'avinguda Torcatis de Perpinyà (de 10h a 18h).Una festa popular i reivindicativa que té com a objectiu promoure la llengua i la cultura catalana. Al programa: lectures, presentacions de llibres, cultura popular, concert, roses i llibres.Una festa proposada amb la col·laboració de l'editorial Paraules, Les Publicacions de l'Olivier, l'Oficina Pública de la Llengua Catalana, Cam Mainada, el Bar Têt i un amplia mostra del món associatiu nord-català.Mireia Falques, de l'Editorial Trabucaire, ens ha presentat l'esdeveniment.

Nvidia (NVDA) will have to pay $5.5 billion for licenses to export its H20 chips, while AMD Inc. (AMD) will pay $800 million. Olivier Blanchard says these companies can absorb these costs without issue if it weren't for the "snowball" of other developments these companies are managing. Olivier believes the tariff picture can be even more complicated if China is more "patient" with negotiations. ======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

Dans cet épisode, j'ai le plaisir d'accueillir Olivier Sibony, professeur à HEC Paris, auteur de La Diversité n'est pas ce que vous croyez, et expert en biais congnitifs et prise de décision. Olivier nous invite à repenser le leadership et la diversité en entreprise, en déconstruisant les stéréotypes hérités du passé et en réévaluant la manière dont nous sélectionnons nos leaders.Nous abordons des sujets essentiels, comme la remise en question du modèle héroïque du leadership, la diversité comme symptôme d'un problème plus profond, et l'importance de repenser les processus de recrutement pour une véritable inclusion. Olivier met en lumière que les biais cognitifs, bien que souvent pointés du doigt, ne sont qu'une partie de l'équation. Il plaide pour un leadership qui soit avant tout une posture choisie, fondée sur l'interaction et le service à l'équipe, plutôt que sur l'autorité et la compétition.Un échange passionnant pour remettre en question nos pratiques managériales et ouvrir la voie à un leadership plus inclusif et performant.Bonne écoute ! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tous les jours dans la matinale d'Europe 1, Olivier de Lagarde scrute et analyse la presse du jour. Aujourd'hui, la lettre ouverte à destination d'Emmanuel Macron de la part des filles de Boualem Sensal, mais également sur les nombreuses attaques coordonnées envers les prisons françaises dans Le Figaro et la qualification du Paris Saint-Germain en demi-finale de Ligue des Champions dans l'Equipe.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of Corporate Treasury 101, we dive into the complex but essential world of commodity risk management with Olivier Kaczmarek, Partner at O2 Finance and a seasoned treasury consultant. We discuss how companies can identify, assess, and mitigate their exposure to commodity price fluctuations through both strategic planning and operational tools. From forecasting exposure and selecting the right systems to aligning strategy across procurement and finance, this episode sheds light on how corporates can proactively manage commodity volatility. We also discuss real-world examples like how Ryanair saved €1.4 billion through effective fuel hedging and why financial derivatives should be your last line of defense, not the first. Whether you're exposed to gas, metals, or oil, this discussion offers a clear roadmap for building a solid hedging framework that goes far beyond the treasury desk.Olivier Kaczmarek shares his proven approach for helping multinational companies mitigate commodity exposure. With over 20 years of experience in the field, Olivier explains how to identify implicit versus explicit risk, the importance of aligning your hedging strategy with market behavior, and what KPIs you should be tracking to measure success. From system implementation to pitching the project to the CFO, this episode is full of strategic and practical insights for modern treasury teams.What You'll Learn in This EpisodeThe four types of commodity risks: direct vs. indirect, explicit vs. implicitHow to forecast commodity exposure based on sales and production dataWhy financial hedging comes last in a complete risk management strategyReal-life examples of how companies like Ryanair use commodity hedgingCommon tools used in commodity risk management (SAP, FIS, Orchestrade)How to align strategy between procurement, finance, and treasuryBuilding internal awareness and pitching risk projects to the C-suiteKPI strategies to evaluate risk performance and decision-makingEpisode Breakdown & Timestamps [00:00] Introduction and AFP Partnership (Get $100 Off CTP Certification) [01:22] Why commodity risk is often overlooked in treasury [02:51] Forecasting energy, input, and production exposure [05:18] Using supplier price strategies and arbitrage [06:21] Understanding direct vs. indirect, explicit vs. implicit risk [10:57] How pricing strategies protect brands from volatility [13:06] Ryanair's €1.4B gain from fuel hedging [14:16] Strategic hedging vs. following the competition [15:24] Tools and software used for commodity risk [17:09] Hedging vs. operational decisions: which comes first [19:14] Building your strategy from the ground up [21:52] When financial derivatives are the right move [24:30] Operational ideas: integration, re-engineering, 3R model [26:36] KPIs, the monkey benchmark, and measuring value [28:12] Pitching a risk project to the CFO [30:27] Who should own commodity risk management[31:31] Where to learn more about O2 Finance and OlivierFollow our guest, Olivier Kaczmarek:Website: https://www.o2finance.be/ LinkedIn:

Olivier is here! All the way from Babolat Headquarters in Lyon, France he joins the Talk Tennis podcast in studio to answer ALL of your questions about the Babolat Pure Drive! From the origin story of this franchise of racquets to the current 2025 lineup, we cover all the things you wanted to know about these racquets.   We also discuss the elusive topic of STIFFNESS! How it is measured, why it is stiff and how this helps with power and control in the Pure Drive line of racquets.  If you have any further questions or want to continue the conversation?! Email us at podcast@tennis-warehouse.com   Shop with us for all your TENNIS needs all over the WORLD:

Emre Baran, CEO and co-founder of Cerbos, and Alex Olivier, CPO and co-founder, join SE Radio host Priyanka Raghavan to explore “stateless decoupled authorization frameworks. The discussion begins with an introduction to key terms, including authorization, authorization models, and decoupled frameworks. They dive into the challenges of building decoupled authorization, as well as the benefits of this approach and the operational hurdles. The conversation shifts to Cerbos, an open-source policy-based access control framework, comparing it with OPA (Open Policy Agent). They also delve into Cerbos's technical workings, including specification definitions, GitOps integration, examples of usage, and deployment strategies. The episode concludes with insights into potential trends in the authorization space. This episode is sponsored by Penn Carey Law school

Money is not the root of all evil, the Bible says that the love of money is the root of all evil. In this message, Ps André continues in part 3 of our series Powerful Things as he encourages us with 5 powerful and practical truths about the value of money in our lives.

Reunited, the disciples of Pedante venture forth to the town of Saddle-Brook. But all is not well in the northern fortress town, where a nightly visitor is proving to be... a bloody nightmare.From members of Mischief Theatre, creators of the Olivier award winning ‘The Play That Goes Wrong' and the BBC's ‘Goes Wrong Show; comes this brand new live action role play podcast.Loosely following the rules of D&D 5e join our players as they take on the roles of four heroes attempting to escape eternal damnation in DnD Hell!This episode contains Adult content and listener discretion is advisedCast GM - @HenryShieldsMister Shadow - @ChrisLeaskAgnes Blawka - @EllieMorrisEverley Brothers - @AdamMeggidoQuarrel Rumblebelly - @gregtannahillSocialsFollow us on Twitter @hellorhighpodFollow us on Instagram @hellorhighrollersProductionTheme song by Max Runham Max Runham Spotify Producer @GarethTempestGet in contact with us hellorhighrollerspodcast@gmail.comDon't forget that you can support the show on PatreonThis podcast is hosted on Acast. See https://acast.com/privacy-policy for more information. Hosted on Acast. See acast.com/privacy for more information.

Anunciamos o hino para o “3 por Todos”, o Olivier faz uma experiência com um ovo para explicar os riscos de concussões e perda de memória no desporto e Ana Bacalhau vem ao estúdio apresentar o novo disco.

This time we celebrate Layton Williams the Olivier award winning iceberg; we pick over the return of Celebrity Big Brother, Madonna and Elton end their feud, Jamie Lee Curtis celebrates tennis legend Billie Jean King and and King Charles makes us smile. The show complete with music is available at mixcould.com/thisisndebz Also search for us on Apple & Spotify Podcasts Catch up with the latest via @ThisisNDebz on Instagram & X (Twitter). If you'd like to get in touch with the show you can email us via thisisNDebz@gmail.com.

À l'occasion des 10 ans de Laurent Ruquier aux commandes des "Grosses Têtes", RTL vous propose chaque jour de revivre en podcasts les meilleures séquences de l'émission ! Aujourd'hui, découvrez un extrait du 23 février 2022 ! Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:53:44 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Mitan des années 80, Michel Fourniret, en détention pour agression sexuelle, met une petite annonce dans le journal catholique "Le Pèlerin" : “Prisonnier aimerait correspondre avec personne de tout âge pour oublier solitude”. Une femme répond. Elle s'appelle Monique Olivier. - invités : Michèle Fines - Michèle Fines : Journaliste d'investigation dans la production documentaire - réalisé par : Frédéric Milano

Soutenez cette chaîne pour 3€ par mois et accédez en avant-première aux VOD de cette émission : https://fr.ulule.com/canardpc/Ces gens écrivent des trucs sur le jeu vidéo ! : https://www.canardpc.comTous nos magazines papiers et nos offres d'abonnement : https://boutique.canardpc.com Les derniers numéro de Canard PC : https://boutique.canardpc.com/common/categories/4Et Canard PC Hardware : https://boutique.canardpc.com/common/categories/7 Ecoutez l'émission en podcast: https://linktr.ee/canardpc Retrouvez-nous aussi:► Twitch : https://www.twitch.tv/canardpc► Twitter : https://twitter.com/Canardpcredac► Facebook : https://www.facebook.com/CanardPCmagazine► Instagram : https://www.instagram.com/canardpc/► Discord : https://discord.gg/nJJFe9r► Tiktok : @canardpcredac Replay de l'émission du 04/10/25. Crédits :Présenté par : Olivier ''ackboo'' PeronAvec la participation de : Arnaud "Caféine" Chaudron Réalisation : Jean-Ludovic " Monsieur Chat " Vignon. Musique : Stéphane "Fishbone" Hébert, alias FB-1, disponible sur BandCamp : https://fb-1.bandcamp.com/album/canardpc-tv Tous droits réservés Presse Non-Stop / Canard PC. Aucun youtubeur n'a été maltraité pendant le tournage.

Stephen Smith profiles the actor Lesley Manville, winner of a second Olivier theatre award. From growing up in Hove to her long-time collaboration with film-maker Mike Leigh, Manville has a reputation as the complete professional. With contributions from Mike Leigh, Director Rob Icke, Actor Tim McCullan, former teacher Julia Clarey, Observer critic Susannah Clapp and friend Rebecca Blond. Presenter: Stephen Smith Production Team: Bob Howard, Chloe Scannapieco, Devian Maside Editor: Max Deveson Sound Engineer: Gareth Jones Production Coordinator: Maria Ogundele

Soutenez cette chaîne pour 3€ par mois et accédez en avant-première aux VOD de cette émission : https://fr.ulule.com/canardpc/Cette émission vous est présentée par PC Spécialist : https://www.pcspecialist.fr/suivi/0wSZyeWDwn/Ces gens écrivent des trucs sur le jeu vidéo ! : https://www.canardpc.comTous nos magazines papiers et nos offres d'abonnement : https://boutique.canardpc.com Les derniers numéro de Canard PC : https://boutique.canardpc.com/common/categories/4Et Canard PC Hardware : https://boutique.canardpc.com/common/categories/7 Ecoutez l'émission en podcast: https://linktr.ee/canardpc Retrouvez-nous aussi:► Twitch : https://www.twitch.tv/canardpc► Twitter : https://twitter.com/Canardpcredac► Facebook : https://www.facebook.com/CanardPCmagazine► Instagram : https://www.instagram.com/canardpc/► Discord : https://discord.gg/nJJFe9r► Tiktok : @canardpcredac Replay de l'émission du 09/04/25. Crédits :Présenté par : Olivier ''ackboo'' Peron.Réalisation : Jean-Ludovic " Monsieur Chat " Vignon. Musique : Stéphane "Fishbone" Hébert, alias FB-1, disponible sur BandCamp : https://fb-1.bandcamp.com/album/canardpc-tv Invité : Daz @DazJDMAvec la participation dans le désordre de : Julien ''Perco'' Loiseau.Tous droits réservés Presse Non-Stop / Canard PC. Aucun youtubeur n'a été maltraité pendant le tournage.

Brian Cox is one of the finest classical actors of his generation. Fans of Succession will of course know him for his portrayal of the ruthless media mogul, Logan Roy, but in this interview we go back to the beginning of Cox's long career, which has its roots deeply in theatre. We also go back to his childhood in Dundee, which was unusual and somewhat solitary. Brian talks to Gyles about his early years, the death of his father when he was very young, and his mother's subsequent struggles with mental illness and depression. He talks about his early ambitions to act, his lucky break getting a job at Dundee Rep when he was only 15 and the things that happened there. He tells Gyles about moving to London for drama school, getting married, and his early successes. He tells stories about some of the great actors he's worked with: Olivier, Richardson and Gielgud. This is a fascinating conversation with an unconventional, and remarkable, person. Thank you to Brian for this brilliant interview. Brian is currently starring in The Score at the Theatre Royal, Haymarket, in London. It's open until April 26th 2025. Gyles has been and loved it - this is highly recommended. Learn more about your ad choices. Visit podcastchoices.com/adchoices

En su primer pronóstico oficial sí que decía que para cuando lleguen los días festivos, es decir, a partir del miércoles, jueves de la semana que viene, solo iba a llover por el norte. Es lo que ha dicho en su primer pronóstico oficial. También te digo, hasta entonces nos espera un poquito de lluvia. Olivier ya está aquí, ya ha llegado a la península y hoy, por ejemplo, nos va a dejar bastante agua repartida salvo por el noreste en toda España, así que hoy con un paraguas harías bien en llevártelo y sacarlo de casa si todavía no has salido de casa. Bueno, esta mañana también se habla y tanto ...

Buenos días, es viernes, es 11 de abril, son las 6 de la mañana. Bienvenido a Cadena 100. Buenos días, Javi Mar. Buenos días, Mara Maté. Buenos días, Javi Nieves. Viernes de Dolores. José Real, buenos días, ¿cómo estás? Hola Javi, hola Mar, ¿qué tal? Buenos días, me duele todo. Olivier ya ha llegado a la península y poco a poco va a ir cubriendo de nubes y lluvia Andalucía, Extremadura, Castilla La Mancha, Madrid, hasta ir dejando agua por Aragón y la zona norte también. Mañana sábado, toda España con agua, salvo la zona noreste. A esta hora está prevista la reunión entre Pedro Sánchez y Xi ...

Carol G si antes te hubiera conocido. Estás escuchando Buenos días Javi Mar. Son las 8 de la mañana en Cadena 100. Buenos días Mar Amate. Buenos días Javi Nieves. Son como decías las 8 y viernes 11 abril. José Real me estaba situando yo. Tengo una empanada. No, no, es que me ha recordado son 80 días iba a decir yo, es decir. Pues molaría, te imaginas. Cómo se nota lo generacional eh amigo. Totalmente, totalmente. Bueno, os habéis presentado ya o no. A quién es. Sí, claro. A ver, sí a Olivier digo. Olivier Javi, Olivier Mar, encantado. Yo mira, tengo esa edad en la que ya no quiero más amigos. ...

Aujourd'hui, c'est au tour d'Olivier Calon, journaliste, auteur des "Privilégiés de la République", de faire face aux GG. - L'émission de libre expression sans filtre et sans masque social… Dans les Grandes Gueules, les esprits s'ouvrent et les points de vue s'élargissent. 3h de talk, de débats de fond engagés où la liberté d'expression est reine et où l'on en ressort grandi.

Alex returns from sabbatical to report from behind the scenes at the Olivier awards where Giant, Fiddler on the Roof, The Curious Case of Benjamin Button and The Years were among the big winners. He and Sarah discuss what the prizes reveal about London theatre, the artistic directors making waves - and announce a couple of shows that might be in the running for awards next year Hosted on Acast. See acast.com/privacy for more information.

Con Jorge Bustos y Pilar Cisneros, la última hora en mediodía cope. Estar informado. ¿Qué tal? Bienvenidos si te incorporas a este mediodía cope. Arranca ya la Semana Santa. En este mismo instante hay gente que se está yendo de vacaciones con un ojo puesto en la carretera y otro en el clima, porque la borrasca Olivier tiene de los nervios, por ejemplo, a todos los cofrades. ¿Lloverá? ¿Podrá salir el paso? Bueno, tengamos fe, que es lo que toca ahora. Y toca hablar de pasión, de la pasión con mayúscula, pero también con minúscula, o sea, del calvario judicial de ciertos políticos, de su ...

Chaque jour, deux chroniqueurs présentent les infos indispensables à connaître en matière de culture : les dernières actus musique, les sorties littéraires ou cinéma, les nouvelles pièces de théâtre et les séries à ne pas manquer… C'est ici ! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Me fui a hacer a Estados Unidos lo que es el cou cou y cuando volví tres días antes de selectividad la aprobé por los pelos y me bajó muchísimo la nota y terminé en 6,47. En cualquier caso estás donde tenías que estar, que es en este programa. Bueno, ¿y con qué cosas? Después de este currículum, ¿qué te ha parecido? Un día tenemos que hacer como cuando llegas a un cursillo que dices hola soy Mar y tengo X años y me dedico a esto. Totalmente. Bueno, con Olivier entrando hoy por Canarias, Olivier para quien se haya perdido es la nueva borrasca que va a entrar a partir de hoy, digo por Canarias, ...

Forever Young, David Guetta y Alphaville con Ava Max. En Buenos días, Javi Mar. Pues, son las 9 en punto de la mañana. Esto es Cadena 100. Y ahora llega el momento en que José Real nos cuenta las noticias. Hola, José, buenos días. Hola Javi, hola Mar, ¿qué tal? Buenos días, con Olivier ya llamando a la puerta, ¿verdad? La borrasca. No, Quirón. Canarias 2. Se fue Nuria, viene Olivier. Olivier. Estamos con una cantidad de nombres. Ya estamos todos, efectivamente. Bueno, esta tarde solamente va a llover por Aragón y por Cataluña, pero el invierno, como digo, está llamando a las puertas de ...

Stellantis' CMO Raj Register talks about building consistent storytelling across channels, what she's learning from AI and why she's obsessed with connecting marketing action to tangible business outcomes. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Current Podcast.Ilyse Liffreing (00:09):This week we're delighted to talk with Raj Register, the Senior Vice President and CMO for North America at Stellantis, one of the biggest names in the global auto industry.Damian Fowler (00:19):That's right. Stellantis is the powerhouse behind iconic brands like Jeep, Dodge, Ram, Chrysler, and so many more.Ilyse Liffreing (00:26):And as our North American fans may be well aware, stellantis just ran off one but two high profile spots at the Super Bowl in February, both featuring major celebs,Damian Fowler (00:37):Glenn Powell as Goldlock in the Ram Super Bowl commercial, and Harrison Ford who rarely appears in ads starring in the Jeep commercial.Ilyse Liffreing (00:45):Let's get started.Damian Fowler (00:51):The first thing I want to ask you, Raj, is how did it all come together?Raj Register (00:55):Yeah, that's a great question and not the most straightforward way that many would think. So at Stellantis we have something called a jump ball. And Jump ball basically means that we curate several agencies and we allow them to pitch and based on the pitch how we brief them and whoever comes up with the best idea pretty much wins the business. So for this past Super Bowl, we spoke to around 35 plus agencies and we were able to round them out to the best two, one for Ram, one for Jeep. So we go through several rounds of creative, we determine what's the best story, how does it really relate to our business? And from my perspective it was what's the best creative outside of that? Then what's the best thing that will help give us more runway past the Super Bowl? So outside of the creative is the business aspect and how are we going to perform and make sure that it delivers upon all of our goals.Damian Fowler (01:56):Now everyone knows, I guess at this point that the Super Bowl ad spot is one of the most coveted in the world and one of the most pricey I suppose. But wanted to ask you why was it important for Stellantis? I mean, you're the only order maker as I understand it, to have a spot during the game this year. Why was it important for you?Raj Register (02:14):There's a lot of dialogue around why were we the only one. I saw it as an incredible opportunity for us to be auto exclusive. When do you get to do that? During Super Bowl? It was really important for us to show up, not only to show that we're here, not only are we American born and we are proud of our brands, but when we think of everything we have to offer to our consumers, we wanted to leverage this as an opportunity to tell that story and give them an indication of who we are. And it was almost like a reintroduction back to America as well as supporting our UAW workers, supporting our dealers, supporting our employees. So I think it was a rally cry for us to just let everyone know that we're here and we're here to stay.Ilyse Liffreing (02:58):That's awesome. And such terrific actors in both of the commercials, Glenn Powell and Harrison Ford, and I feel like they speak to definitely different generations obviously of fans and types of moviegoers potentially. What were the main challenges of securing the talents?Raj Register (03:16):Gosh, so Glenn Powell, so we already have an established relationship with him for Ram. He did a really nice job with us for our integration that we had with Twisters. And so for him it was more of a natural fit. He has this serious nature, but he's also very funny. And so when we came up with the idea of Cody Lakson the Three Bears and using that old American fairytale to help bring to life something really cool and unique glim, I mean it was like a no-brainer, like let's extend this relationship because he's easy to work with, but then also he brings a lot to the table to help us with bringing things to life. So he was very involved with making sure that our script and how things showed up were authentic to him. But then also because he knows us as a brand, he knew certain things to lean into.(04:03):So he was a really good partner in that way. Harrison Ford was a lot more difficult for us to secure. So quite frankly, and if you've looked at any of the behind the scenes that were done, Harrison talked about his first answer was No, Olivier and a group of us went back and he started with a different script, one that paid homage to Harrison Ford, but then also related to us as a brand and the freedom of America. And so once we were able to align on the idea and have a script that Harrison actually reacted to in a positive way, he actually reviewed it with his wife and she said, now that's good. Then it was a matter of, okay, well who's the director who could work with him and make sure that this comes to life in the way that he's proud of as well as us? We tap James Mango and that was incredible. So they already have a really good relationship. Mango did four versus Ferrari, so he has this really extensive background in movies, but for commercials, this was, I believe it was his first one. And so just balancing the star power of Harrison, Mangold and Olivier, it was like the trifecta of greatness I would say. But it took a while for us to get to where we needed to be. We shot our Super Bowl at three weeks before,Ilyse Liffreing (05:24):Which that is a tight turnaround.Raj Register (05:27):It's a lot of pressure, but being on set and getting everything together, Harrison was amazing, but that one was definitely a day by day, how are we going to get this done? And just making sure that he felt comfortable with the commercial and it came out better than I could have expected. But that one definitely was a challenge, but in a good way.Damian Fowler (05:48):And it's interesting to note that Harrison rarely does commercials, so it was an amazing coup for you to getIlyse Liffreing (05:53):Him. Totally. And yeah, it's great that it came, but it's also a great example of the brand campaign overall because it's the power of choice and why was this the right message for the moment?Raj Register (06:08):Yeah, so just to clarify, so power of choice was our Ram ad and freedom of choice was our G ad. And so the reason why we chose those bookends of power and freedom one is it's the breadth and the quilt of America being able to make a choice and be happy and stand up for whatever it is that you want or whatever you believe in. The other part was is as we think about the way the automotive business is changing, there's a lot of energy around what type of vehicle should you choose? And our stance at Stellantis is, one, we want you to love our brands and our vehicles first, and then you make a choice as far as what platform or what energy you want. In both commercials we were able to highlight our ice vehicles, which is our gas hybrid and all electric.(07:04):With that being said, it's hey, making a choice should be fun. There's a lot of negative feedback around Bev versus not, or should you have a gas vehicle versus not. And for us it's you have the freedom or power to choose the vehicle that's best for you, and we want to make sure that you make a choice with us and giving customers the education of we are a company for a person like you and we just want you to choose with us. And so that was the premise of it and we were able to do it on one end very humorously. And the other was more around the freedom and pride of being American and being able to make a decision for yourself.Damian Fowler (07:43):Now, one of the most interesting things about the Super Bowl this year was that it was also streamed on Tubi, which is Fox's fast channel. And I wanted to get into this in terms of the campaign. How did you think about and come up with a digital strategy around that that goes beyond the second quarter ad?Raj Register (08:03):Yeah, so I'll just say even for the day of, it was interesting because being at Super Bowl, I got a chance to see what was happening on the two B app and really being able to just see the integration and being able to not only see our ad live, but also our halftime show. So that was incredible to see live TV while you're on the spot because it's a different experience. What consumers see at home is not the same as what you see in the stadium. The important thing for us was leveraging all opportunities from TV to streaming to social, to tell a complete story. And we want it to be just, okay, here's the TV spot and move on. How can we leverage other avenues to make sure that our story is getting out there and then continuing the story with our consumers or those that are interested in learning more. Yeah, there's a group that are watching on TV or in a environment where they're in a sports bar or something like that, but you also have these other group of customers that are watching on their phones. And so that's why it was important for us to leverage all avenues and all media channels to make sure that our collective 360 story was getting out there.Ilyse Liffreing (09:11):Totally. Did you know that it was going to be streamed on Tubi when you first made the buy?Raj Register (09:17):No, we didn't. And so I learned when I was in the suite with Fox Sports, and so they came and said, Raj, you can see everything live and here's how everything works. And so I had everything set up and it was really nice to see. So I was trying to balance be here in the moment, but then I was enthralled by Tubi and so throughout breaks and things like that, I was very much so engaged. So it was a surprise and delight for me and something that I'll definitely continue to leverage as we look at our media buying practices in the future.Ilyse Liffreing (09:49):Totally makes sense. Curious about how those overall numbers added to the results of the Super Bowl spots. And on that note, let's get into those results with the overall takeaway. First off, what was the reaction to the campaign overall?Raj Register (10:04):That one, we did something a little bit different than we typically do. So what we have normally done is Super Bowl is the coveted day. We don't do teasers as a company. Everyone sees it at the same time and it's under lock and key. And we tried something a bit different this year. So for Ram, we created some teasers and so we went live with our teasers a week before Super Bowl, and then on the Wednesday before we had an opportunity with the Today Show to show the entire commercial and really start some of the excitement and engagement before Super Bowl. From a press standpoint, the world knew or people knew that we would have a Jeep spot and we kept up with our previous practice of everything's under embargo, so no one knew that one, we had Harrison Ford or we had a two minute spot.(10:56):And so it was a complete really surprise to most people. And so to have that go live during the Super Bowl itself, I mean that just took off from a social sentiment standpoint. Me being a former Ford employee, I got so many text messages because the last line where Harrison talks about loving his Jeep even though his name is Ford, that was quite the zinger. And so everything that we've seen so far has been overwhelmingly positive. Positive sentiment for Jeep was 99%, and for Ram it was 98%. From a global PR standpoint, over 10 billion for ram, we had over 200 million views for Jeep, over 106 million views on social channels. So many recognition and rewards. Ad blitz was one where we were number one spot for Jeep, and so they just keep coming in. And so those are the things that you know, did the right thing.Ilyse Liffreing (11:52):Yeah, those are fantastic numbers.Damian Fowler (11:54):Amazing. I guess it's fair to say you hit your metrics for successRaj Register (11:58):For game day and right after. So another thing that we did differently this time is that we have usage rights for 90 days after Super Bowl, so it wasn't just a day of and done. We're leveraging the content for some localized messaging. We leveraged our websites CRM and really doing a complete 360 after the fact. So we'll have a postmortem after the 90 days of our campaign, which is something very different for us. And having cut downs and really being able to support more product and storytelling key, why buy messaging? And it's something that I think will be pivotal for us as a company and really set the stage for how we do things in the future.Damian Fowler (12:42):I'd love to zoom out a little bit. You have many iconic brands on your watch, not just Jeep and Ram, Dodge Chrysler and also European brands too. I wanted to ask you though, how do you balance your marketing across so many different brand identities while also sort of keeping in-house that cohesive idea of strategy for the whole company?Raj Register (13:05):At a company Stellantis where you have essentially a house of brands, you have the very all American Chrysler, Dodge, Ram G brands, and then Alpha Mayo and Fiat, each brand has its own DNA. And that's how I see it is the DNA is what sets the stage for the fabric of how that vehicle or how that brand should show up. And we need to be tried and true to that. Many times we get ideas and an agency may pitch us and it might be a great idea and say for example, they pitch us for Chrysler and it comes across as Dodge. I say that's a great idea, but it's very dodge, it's very brotherhood, badass speed power for Chrysler, more of the family with Pacifica and capability and off-road with Jeep and Ram also having capability. It's the only brand that has, and basically in the world that only does pickup trucks.(14:03):And so when you think of all those things, each brand has its own identity, and so you don't have to mix and match things. As individuals, we have our own personalities and as families, we have our own DNA. That's how I see the brands. And so that part to me is fairly easy to really just understand and make sure that there's clear lines of delineation. When I think of marketing though, there's best practices and there's things as a company that we know to be true. When we think about, for me, I have things that are considered either above the line or below and just really understanding what investment, what media channels, what optimization, what tactics are necessary for us to be successful with a particular nameplate or launch. And ensuring that I have a complete cohesive plan and really establishing what are my KPIs and goals and things that I need to make sure that I'm accomplishing.(14:58):If there's something that needs to be communicated and it falls below the line where we have maybe digital only or we're doing only experiential, really understanding what are my priorities, what am I trying to deliver upon? And then holding true to that. So as a company, having marketing rigor and expertise around what it is that we really need to establish as far as a North star. And then also working with our brand heads on does this meet the brand? DNA does it meet our customer goals? Does it meet our key why buys? And then you move forward. And so a lot of things we do are collaboratively. So it's not the marketing team on our own just driving things and bringing things out the door. It's how are we establishing what's necessary for us to be successful? And at the end of the day, it is about sales and share and making sure that we have a positive sentiment in the market and people are shopping us.Ilyse Liffreing (15:54):Speaking about shopping and digital, today's consumers are really omnichannel in their approach to shopping. How has that shift really impacted marketing in the auto sector? Is AI and automation having an impact on that approach?Raj Register (16:12):So I would say I don't know if AI necessarily has an impact as a compliment. And so what AI does, and when you think of omnichannel, it allows us to do things faster, more agile, more targeted, more regional focused. And so when I think of how customers consume things many times it takes them seeing something in many different places and how are we collectively telling a story and really understanding what part of the funnel are we leveraging, what channel for and ensuring that we're doing it in the most authentic way that is not overbearing to someone that's receiving it. But to me I see it as how are we taking them down the funnel? So if on TV I'm leveraging a brand campaign for excitement and engagement, but then when a customer sees a similar ad or a version of it at the digital level where they're now as a call to action where we're saying, Hey, learn more, there's a call to action for either building price or learning more about our features and options.(17:17):And then when you get to the deal level, allowing them to be the closer of the play. And so all of these things should be, as I said, in compliment with one another. Whenever we create something, we leverage AI to help us with not only creating faster content in a way that gives us that agility, but then we also use it for our data and our forecasting for our modeling and how are we leveraging our media channels, and then also how are things performing and then helping set the stage for, well, you did this component very well, how do you go deeper in a particular audience or market to help establish what success really looks like? And so I think AI is very complimentary in a positive way to really help establish not only from a content perspective, but when you think about performance, it definitely helps guide it from a forecast standpoint what we should expect or how we should leverage certain investments.Ilyse Liffreing (18:18):Certainly, and it's hard enough obviously to differentiate the brands from each other and keep true to their own brand guidelines, but as a marketer, you have to also differentiate your brands from competitors like GM and Ford and Tesla. What shapes basically your approach to that,Raj Register (18:43):The brand, DNA, when you have that and it's rooted in everything you do, we don't have to worry about looking or sounding like someone else because we know who we are. And that when you have that as your true north is very easy to really understand who you are and where you show up. Now when I think of brand health and brand sentiment and things that we need to listen to customers on, so for example, if we have feedback that's saying our brand is beloved, but customers don't understand our features and technology or they don't understand capability or they don't understand certain components, we use that as data to help us with our storytelling, especially at the tier two and retail level, to really start leaning into things that maybe we're missing the boat on, especially if it's something that we believe is a key factor as to a why buy. But when I think of a Tesla or a Ford or a gm, they have their own brand identities as well. And so trying to chase or be them is not the answer. Many of our brands have been in place for decades. I mean, Chrysler will be coming up on its hundredth anniversary at this point. We know who we are. And holding true to that I think is the most important thing you can ever do as a brand and as a marketer.Damian Fowler (20:07):I love that answer. When you know who you are, that's what you lean on. And I think that goes for individuals too in lots of ways. Not to get too psychological about this, but it is a true, it's true. Yeah, it's true. I know that there's a question here about, and maybe that's the answer to this next question, but when things are changing, big picture, macro conditions, global economy, which has a big impact on the auto industry, how do you as a marketer stay focused?Raj Register (20:35):Yeah, and that's an interesting question because when you think of macroeconomic factors, it can be competitive actions. It could be things like tariffs. There's all these things that you need to take into consideration. And the things that we can control, the controllables, I always make sure I understand what those things are. The things that I can't control are the things that I consider noise, meaning there's disruption and people don't like Stellantis because of X, Y, and Z, or this decision was made, we had a lot of leadership change over, we can't digest all of that. And so what I try to do is make sure that whatever plan is done soundly, it's inclusive of any key stakeholders that are necessary to help us make whatever decision it is that we're going to market with. And then also having consistency. And so yes, there's external things that we need to have into consideration, but if we run our business and change day by day, fly by fly, we'll be a weather report. We won't be able to really hold true. So for me, having consistency and sticking to a plan, now you need to have some agility in there to account for things that are more major. But when I think of major versus minor, I try to keep the minors at bay plan for the majors as much as I can, but then hold true. The more you're consistent and the more you have a plan that you stick to, the better success you have.Ilyse Liffreing (22:08):So it said marketing is a balance between art and science. Do you agree?Raj Register (22:14):A thousand percent. A thousand percent. So when I think of art and science one, that's my background. So I have an engineering background, very much science. And then when you have the marketing piece, there is science there, but there's a lot of art. And when you bridge the two together and you know how to yin and yang the two, it works. While I love data, I love to make sure that things are technically sound. I also recognize that there's art in here that you can never discount. And so I think it's an important balance to respect both parts of it. And when you're able to marry the two together, that's where I think the magic happens.Damian Fowler (22:54):What are you obsessed with figuring out right now?Raj Register (22:57):I'm obsessed with figuring out modernization of marketing. And when I say that it's what are the disruptive things that are not necessarily on the map? So we have a voiceover talent that we use for G, and this is a recognizable voice, and we've used this same individual for over a decade. He got into a car accident and his vocal cords were damaged, we had a decision to make. It's going to be a different voice that we maybe don't want to necessarily use. This wasn't the decision, or could we leverage technology using AI to recreate his voice, get him into an agreement, still going to compensate and all of those things. But how do we continue with ensuring that there's a human part of this? We use the technology, but we were able to still move ourselves forward. And so that's an example for me of I'm obsessed with how do you create opportunities? And again, it goes to the art and science to create things that may be a challenge that you can fix quickly, or are there things that I'm not thinking about that are very different and disruptive that I can start grounding myself on today because it's going to be even more relevant in five years.Ilyse Liffreing (24:20):What if you had an unlimited budget? What would be your marketing dream? What would you doRaj Register (24:27):If I had an unlimited budget? Really being able to establish a true footprint that gave true indication of what things are necessary for all consumers, whether they're African-American, Hispanic women, millennials, whoever it is, being able to create very bespoke one-to-one communications for them at the stage and at the channel that they need to make a decision. I think being able to create something like that and really understanding what's necessary, what drives someone, and then being able to truly correlate a marketing action with a true business sale impact, whatever the call to action is, I think it would be huge. Right now, we guess we say, okay, there's all these things. They clicked on an ad, they did X, Y, and Z, but we don't always know, especially for a big purchase for online things, that's easier to track. But when I think of true decision making, what are the things that really triggers individuals to make a choice and be able to correlate it to business results, I think is something that I've not yet seen done. And if I were to be able to crack that code, I'd be winning. So I think that's limitless.Damian Fowler (25:50):So Eli, what were your kind of thoughts off the back of it?Ilyse Liffreing (25:54):Yeah, I really liked how she talked about consistency, especially being a brand that is so prevalent in today's culture. She said, the more you're consistent, the better for customers because customers can see if you're not. Basically, she said, if we change every day, we're just going to be like a weather reports.Damian Fowler (26:15):That was very grounding. And I think when you talk about omnichannel campaigns and you think about the consistency of the brand across all of those channels, that's got to be a huge factor. The thing that resonates with me about that too is the fact that she talked about the DNA of each brand in her portfolio, whether it be Ram or Jeep, and just knowing that that was kind of a revelation to me. You can lean back on that idea. And I thought that kind of idea of when you know who you are, things are easy at is easier. So that was something that really stuck with me. And then there was one other thing she said that clarity of thought when she said it's what now, so what? Now what? And I just thought that was a really nice way of structuring the way a marketing campaign might be planned and then how it might roll out.Ilyse Liffreing (27:03):I also liked how she talked about the balance between art and science, whether data only tells us so much, but you got to lean into things with your heart as well.Damian Fowler (27:10):Hearts and minds, right? That's the old adage.Ilyse Liffreing (27:13):That is. That's it for this edition of the current podcast.Damian Fowler (27:19):This series is produced by Molten Hart. The Current Podcast theme is by loving caliber, and The Current team includes Kat Vesce and Sydney Cairns.Raj Register (27:26):And remember the brand DNA. When you have that and it's rooted in everything you do, we don't have to worry about looking or sounding like someone else because we know who we are.Damian Fowler (27:39):I'm Ilyse, I'm Damian, and we'll see you next time.

Jorge Verástegui González, defensor de derechos humanos

Cope, la última hora en la mañana. Cope, estar informado. Señoras, señores, me alegro, buenos días. 8 de la mañana, por ahí está Olivier rondando la borrasca que nos va a fastidiar, ahora está fastidiando en Canarias dejando bastante agua, luego lo hará en península y Baleares previsiblemente esta próxima semana y nos va a dejar sin Domingo de Ramos. Eso, a ver si el viernes Maldonado ya puede afinar exactamente bien los pronósticos. Bienvenidos a un nuevo episodio de la guerra comercial. Hoy entra en vigor la segunda ronda de aranceles de Trump a todos sus socios comerciales, grandes, ...

Última hora en la mañana. Cope, estar informado. Señoras, señores, me alegro. Buenos días. Es miércoles 9 de abril. Es el nuevo día de la guerra comercial. Es la segunda ronda de aranceles de Donald Trump, pero es más cosas. Hoy es un día de tiempo estable en toda España, salvo algunas zonas como Canarias, pero aparece Olivier. Y Olivier provoca lluvias fuertes, tormentas, mucho viento, Canarias y llegará a la península. Llegará a la península y, bueno, empezará a barrer estos días hasta previsiblemente el próximo martes, de forma muy inconstante. Llueve unas horas, llueve otras, llueve a ...

Cope, la última hora en la mañana. Cope, estar informado. Señoras, señores, me alegro, buenos días. Bueno, es miércoles 9 de abril del 2025, ahí está amenazante la borrasca Olivier que a partir del viernes, quizá algo del jueves, pero sobre todo el viernes, viernes, sábado, domingo, lunes, martes, va a dejar agua en episodios diferentes en diferentes lugares de la península como ahora lo está dejando en Canarias. Semana Santa, al menos en su primera mitad, pasada por agua. Eso nos ha contado Maldonado que el viernes nos afinará ya al máximo. Bueno, vamos a ver, eh, nuevo episodio de la guerra ...

Les auditions en commission sur "l'aide à mourir", divisée en deux textes législatifs, commencent ce mercredi 9 avril, avant les débats dans l'hémicycle les 12 et 19 mai. Le vote, lui, est prévu le 27 mai. Écoutez le sentiment de Olivier Falorni, député MoDem de Charente-Maritime, rapporteur de la proposition de loi relative aux soins palliatifs et d'accompagnement. Ecoutez Les trois questions de RTL Petit Matin avec Jérôme Florin du 09 avril 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

#RetroRadio EP0375 | A man suffering from paralysis is mistakenly buried alive!Darkness Syndicate members get the ad-free version of #WeirdDarkness and #RetroRadio:https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:00.000 = CBS Radio Mystery Theater, “The Murder Market” (December 23, 1975) ***WD00:49:02.209 = Sleep No More, “Death of Olivier Becaille” and “Fishhead” (December 26, 1956) ***WD01:19:36.389 = BBC Spine Chillers, “Rituals” (1984)01:46:51.599 = Strange, “Captain Robinson” (1955)02:01:15.139 = Suspense, “Mr. Markham – Antique Dealer” (May 11, 1943)02:32:09.099 = Tales of the Frightened, “Call at Midnight” (1957)02:37:54.269 = Theater Five, “Group” (September 18, 1964)03:00:20.559 = The Unexpected, “Mirage” (1958)03:13:37.059 = Unit 99, “See Suspect at Bowling Alley” (January 17, 1958)03:37:23.719 = Unsolved Mysteries, “Writing On The Wall” (1936) ***WD03:52:43.219 = The Weird Circle, “Wuthering Heights” (1944)04:21:21.789 = The Whistler, “Final Decree” (May 29, 1943)04:48:00.011 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0375

Sol. Hoy es un día de sol. Otra vez vuelve a hacerlo mientras esperamos la nueva borrasca que llaman unas cuantas. Esta se va a llamar Olivier y hasta mañana he pasado no nos va a ir dejando lluvias, así que por ahora toca disfrutar por lo menos de este martes con mucho sol y con poquitas nubes. Bueno, primera parada Vietnam y segunda China. Ese es el periplo del presidente del gobierno Pedro Sánchez que hasta el viernes no se va a ver con el presidente chino con Xi Jinping. El objetivo del viaje es mejorar y fortalecer las relaciones comerciales. Ahora con más motivos si cabe. En un momento ...

The name of Jesus doesn't just stop things, it starts things too. In this message, Ps André continues in part 2 of the series Powerful Things as he encourages us with eight powerful truths about what the name of Jesus brings into our lives and into the life of the Church.

Última hora en la mañana. Cope, estar informado. Señoras, señores, me alegro. Buenos días. Es martes 8 de abril del 2025. Hay tiempo primaveral, sol en prácticamente casi toda la península y Baleares. En Canarias hay que sacar el paraguas y a la espera de que llegue la borrasca Olivier que anuncia desde el jueves, viernes, sábado, domingo, tal vez el lunes, tal vez el martes santo, agua generosa y salpicada por todo el territorio. Ya veremos eso qué efecto tiene. Como siempre, el día de emociones económicas. Ayer lo fue tal y como se preveía, lunes negro, bueno quizás algo menos negro, pero ...

Avec Laurence, Sébastien et Olivier

After being separated from his fellow Disciples. Mister Shadow embarks upon his very own Holy questFrom members of Mischief Theatre, creators of the Olivier award winning ‘The Play That Goes Wrong' and the BBC's ‘Goes Wrong Show; comes this brand new live action role play podcast.This episode contains Adult content and listener discretion is advisedDon't forget that you can support the show on PatreonCast IncludesGM - @HenryShieldsMister Shadow - @ChrisLeaskSocialsFollow us on Twitter @hellorhighpodFollow us on Instagram @hellorhighrollersWebsite www.hellorhighrollers.comProductionTheme song by Max Runham Max Runham SpotifyCover art by @EllieMorris & @HenryShieldsProducer @GarethTempestGet in contact with us hellorhighrollerspodcast@gmail.comAdditional music and SFX from epidemic sound and sound stripe libraries.This podcast is hosted on Acast. See https://acast.com/privacy-policy for more information. Hosted on Acast. See acast.com/privacy for more information.

Olivier Aizac, CEO do Grupo OLX, fala sobre mercado digital no Brasil e como a companhia, um dos principais players do comércio eletrônico, planeja se expandir e aumentar a eficiência. ESPRESSO QUENTINHO Quer ter um café premium no seu escritório? Conheça a assinatura Nespresso Professional https://adm.to/4j4vP7a FINANÇAS Otimize as rotinas fiscais da sua empresa e adapte-se à reforma tributária com o Grupo Skill. Saiba mais https://adm.to/4ljIeFF Sobre o entrevistado Olivier Aizac é CEO do Grupo OLX, uma das maiores plataformas de compra e venda online do país. Ao longo de sua trajetória profissional, Olivier participou da criação e do desenvolvimento de diferentes negócios digitais, incluindo a fundação e a consolidação do leboncoin, site de petites annonces gratuites , o marketplace líder na França, país onde nasceu. Olivier mora no Brasil desde 2015, tendo liderado no país a Webedia, empresa de entretenimento digital, e a Holu Solar, startup de tecnologia verde.See omnystudio.com/listener for privacy information.

La Profesora ensina a Inês a pedir roupa numa loja, o Olivier fala-nos da nova série "Rematch" sobre a vitória de um computador sobre um jogador de xadrez e Fátima Campos Galvão modera um intenso debate entre candidatos às Câmaras de Lisboa e Almada que querem impor tarifas, como Donald Trump.

Tous les jours dans la matinale d'Europe 1, Olivier de Lagarde scrute et analyse la presse du jour. Aujourd'hui, le débat sur l'euthanasie arrive à l'Assemblée nationale, Donald Trump se moque que les droits de douane qu'il a décidé d'imposer au monde sèment le chaos économique et le futur musée du Caire. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

After US President Donald Trump imposed a baseline of 10% trade tariffs on most countries, more than 50 of those hit by the taxes have reportedly reached out to his administration to negotiate. US Secretary of Commerce Howard Lutnick, however, says steeper tariffs due to be imposed upon such nations will “of course” be implemented. We get reaction from an economist who served in the Biden administration. Also in the programme: Israel says it made a mistake when it opened fire on a convoy of aid workers in Gaza; and which plays and theatre stars look set to win at Britain's famous Olivier awards? (Photo: US President Donald Trump speaks about tariffs in the Rose Garden at the White House, 2nd April 2025. Credit: REUTERS/Carlos Barria)

What role have fossil fuel lobbyists really played in climate negotiations over the past three decades? And what impact do they continue to have on climate progress today?In this episode, Christiana Figueres, Tom Rivett-Carnac and Paul Dickinson explore the history of this often unseen influence, ask why fossil fuel lobbyists have become so embedded in the COP system, and consider what levers are emerging to disrupt their involvement in domestic and international politics.This episode also features another panel from our live event at The Conduit, inspired by the RSC's Olivier-nominated production of Kyoto, and hosted by the Financial Times' Pilita Clark. She's joined by climate lawyer Tessa Khan, climate finance and energy expert Kirsty Hamilton, and historian of climate change negotiations and former UNFCCC secretariat Joanna Depledge, to unpack how industry lobbyists - from oil majors to car manufacturers - used misinformation, procedural manipulation, and political influence to undermine progress in Kyoto and beyond.So, how have fossil fuel lobby tactics changed in the years since Kyoto? Have they achieved everything they set out to? And what might the world look like if the industry had never sought to delay and derail climate negotiations - or, better yet, had taken responsibility for its role in the green transition?Learn more