Podcast appearances and mentions of Alfred Brendel

durée : 01:28:45 - Alfred Brendel, pianiste et penseur - par : Aurélie Moreau - Alfred Brendel a marqué le XXe siècle par son jeu sans pathos et la profondeur de son regard sur la musique. Interprète majeur de Beethoven, Schubert et Liszt, il a également mené depuis ses débuts une vaste réflexion sur l'art de l'interprétation.

Alfred Brendel ist vor allem als einer der großen Pianisten der letzten Jahrzehnte bekannt. Doch hat er sich immer wieder auch als Autor betätigt. Jetzt hat er ein neues Buch mit mit Essays und Gesprächen verfasst.

durée : 01:28:26 - En pistes ! du vendredi 07 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Friedrich Gulda, Alfred Brendel ou Jean-Yves Thibaudet, des grands pianistes d'hier et d'aujourd'hui sont à l'honneur ce matin ! Mais aussi le nouveau disque de Patricia Kopatchinskaja ou des lieder par Christian Immler et Helmut Deutsch

durée : 01:28:26 - En pistes ! du vendredi 07 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Friedrich Gulda, Alfred Brendel ou Jean-Yves Thibaudet, des grands pianistes d'hier et d'aujourd'hui sont à l'honneur ce matin ! Mais aussi le nouveau disque de Patricia Kopatchinskaja ou des lieder par Christian Immler et Helmut Deutsch

durée : 00:25:28 - Les Grands entretiens - par : Judith Chaine - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard.

durée : 00:25:08 - Alfred Brendel, pianiste (1/5) - par : Philippe Cassard - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard. - réalisé par : Pierre Willer

durée : 00:25:08 - Alfred Brendel, pianiste (2/5) - par : Philippe Cassard - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard. - réalisé par : Pierre Willer

durée : 00:25:19 - Les Grands entretiens - par : Judith Chaine - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard.

durée : 00:25:16 - Les Grands entretiens - par : Judith Chaine - Le grand pianiste Alfred Brendel (né en 1931) a reçu France Musique dans sa maison londonienne. Il revient sur plus de 60 ans d'une immense carrière au micro de Philippe Cassard.

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLinks to recordings:Solomon - https://www.youtube.com/watch?v=XJEZfhpWVzEFriedrich Gulda - https://www.youtube.com/watch?v=asLzG34NlMYand honorable mention to Alfred Brendel - https://www.youtube.com/watch?v=EqwdVN87sII

durée : 01:58:56 - Le Bach du dimanche du dimanche 08 décembre 2024 - par : Corinne Schneider - Au programme de cette 318e émission : une heure en la mineur à l'écoute de Vikingur Olafsson, Maria Tipo, Alfred Brendel, Clara Haskil, Tamara Stefanovitch… ; la réouverture de la Cathédrale Notre-Dame de Paris avec Olivier Latry et les Six Partitas au piano par Francesco Tristano (Naïve, 8 nov.). - réalisé par : Fanny Constans

durée : 01:27:54 - Relax ! du vendredi 15 novembre 2024 - par : Lionel Esparza - "Un panier du marché du vendredi" : les rappels, regrets, lecture et concerts à venir, le gloubi boulga du vendredi comme on l'aime ! Avec le dernier Opéra Magazine, La Saga Puccini, Schubert par le pianiste Alfred Brendel...

durée : 01:27:54 - Relax ! du vendredi 15 novembre 2024 - par : Lionel Esparza - "Un panier du marché du vendredi" : les rappels, regrets, lecture et concerts à venir, le gloubi boulga du vendredi comme on l'aime ! Avec le dernier Opéra Magazine, La Saga Puccini, Schubert par le pianiste Alfred Brendel...

Regisseur und Produzent Jan Schmidt-Garre spricht im Interview mit Christian Schuler über seinen neuen Film "Die Alchemie des Klaviers". Mit Francesco Piemontesi ging Schmidt-Garre auf Entdeckungsreise und hat bei weiteren Pianisten wie Alfred Brendel und Maria João Pires nachgefragt, wie aus Technik und Kunstfertigkeit die Magie am Instrument entsteht.

Kath-Akademie Archiv: „Peter Hamm zu Gast bei Albert von Schirnding“ (Hördauer: 70 Minuten) Er war, 1937 in München geboren, ein Kind der Nachkriegszeit mit typischem Schicksal: keine leichte Kindheit; früher Tod der Mutter; zunächst im Heim, dann bei den Großeltern in Weingarten bei Ravensburg; er verließ die Schule, arbeitet in der Landwirtschaft, bricht seine Lehre als Buchhändler ab. Gedichte des Siebzehnjährigen erschienen in der Zeitschrift „Akzente“, aber erst 1981 und 1985 kamen die beiden größeren Lyrikbände „Der Balken“ und „Die verschwindende Welt“ heraus. Inzwischen hatte sich Peter Hamm als Herausgeber mehrerer Anthologien mit schwedischer, tschechischer und deutschsprachiger Lyrik, als Kritiker, Essayist, langjähriger Kulturredakteur beim Bayerischen Rundfunk und Autor von Fernsehfilmen über Heinrich Böll, Ingeborg Bachmann, Hanns Eisler, Hans Werner Henze, Alfred Brendel, Robert Walser und Fernando Pessoa einen Namen gemacht. Seine Aufsätze zur Literatur, darunter „Lobreden und Liebeserklärungen“, erschienen in mehreren Bänden im Hanser Verlag, zuletzt die Sammlung „Pessoas Traum“ (2012). „Einer, der selbst daheim ist, wo die Literatur herkommt: im Unsicherheitsland, da, wo gar nichts gewiss ist, am wenigsten man selbst“, sagte Martin Walser über Peter Hamm. Als engagierter Vermittler widmete er sich auch Autoren, die nicht im Literaturbetrieb aufgehen: Robert Walser, Fernando Pessoa, Reinhold Schneider, Georg von der Vring, Hermann Lenz. Peter Hamm war Vizepräsident der Deutschen Akademie für Sprache und Dichtung, Mitglied des PEN und der Bayerischen Akademie der Schönen Künste. Er starb am 22.7.2019 in Tutzing. Wenn Ihnen dieser Beitrag gefallen hat, dann mögen Sie vielleicht auch diesen.  Hörbahn on Stage - live in Schwabing  Literatur und Ihre Autor*innen im Gespräch - besuchen Sie uns! Katholische Akademie in BayernKardinal Wendel HausMandlstraße 23, 80802 München Realisation Uwe Kullnick                                                                                    

durée : 00:19:57 - Disques de légende du jeudi 27 juin 2024 - Les bagatelles de Beethoven sont des petites pièces brèves, la plus célèbre est « La lettre à Elise ».

Kath-Akademie Archiv: „Peter Hamm zu Gast bei Albert von Schirnding“ (Hördauer: 70 Minuten) Er war, 1937 in München geboren, ein Kind der Nachkriegszeit mit typischem Schicksal: keine leichte Kindheit; früher Tod der Mutter; zunächst im Heim, dann bei den Großeltern in Weingarten bei Ravensburg; er verließ die Schule, arbeitet in der Landwirtschaft, bricht seine Lehre als Buchhändler ab. Gedichte des Siebzehnjährigen erschienen in der Zeitschrift „Akzente“, aber erst 1981 und 1985 kamen die beiden größeren Lyrikbände „Der Balken“ und „Die verschwindende Welt“ heraus. Inzwischen hatte sich Peter Hamm als Herausgeber mehrerer Anthologien mit schwedischer, tschechischer und deutschsprachiger Lyrik, als Kritiker, Essayist, langjähriger Kulturredakteur beim Bayerischen Rundfunk und Autor von Fernsehfilmen über Heinrich Böll, Ingeborg Bachmann, Hanns Eisler, Hans Werner Henze, Alfred Brendel, Robert Walser und Fernando Pessoa einen Namen gemacht. Seine Aufsätze zur Literatur, darunter „Lobreden und Liebeserklärungen“, erschienen in mehreren Bänden im Hanser Verlag, zuletzt die Sammlung „Pessoas Traum“ (2012). „Einer, der selbst daheim ist, wo die Literatur herkommt: im Unsicherheitsland, da, wo gar nichts gewiss ist, am wenigsten man selbst“, sagte Martin Walser über Peter Hamm. Als engagierter Vermittler widmete er sich auch Autoren, die nicht im Literaturbetrieb aufgehen: Robert Walser, Fernando Pessoa, Reinhold Schneider, Georg von der Vring, Hermann Lenz. Peter Hamm war Vizepräsident der Deutschen Akademie für Sprache und Dichtung, Mitglied des PEN und der Bayerischen Akademie der Schönen Künste. Er starb am 22.7.2019 in Tutzing. Wenn Ihnen dieser Beitrag gefallen hat, dann mögen Sie vielleicht auch diesen.   Hörbahn on Stage - live in Schwabing  Literatur und Ihre Autor*innen im Gespräch - besuchen Sie uns! Katholische Akademie in BayernKardinal Wendel HausMandlstraße 23, 80802 München Realisation Uwe Kullnick --- Send in a voice message: https://podcasters.spotify.com/pod/show/hoerbahn/message

durée : 00:34:59 - Les Nuits de France Culture - par : Albane Penaranda - André Velter, producteur de l'émission "Poésie sur parole", reçoit le pianiste autrichien Alfred Brendel, auteur de "Une aile blanche, l'autre noire", son second recueil de poèmes publié en 2005 aux éditions Christian Bourgois. - invités : Alfred Brendel Pianiste autrichien (Wiesenberg, 5 janvier 1931 - )

SynopsisOn this date in 1785, a new Piano Concerto in C major was given its premiere at the Burgtheater in Vienna, with its composer, Wolfgang Amadeus Mozart, at the keyboard.Years later, this piano concerto was labeled as Mozart's 21st, and given the number 467 in the chronological list of his works compiled by Ludwig Ritter von Koechel, an Austrian botanist, mineralogist and Mozart enthusiast.Today, this work is popularly referred to as the Elvira Madigan Concerto, for the simple reason that its romantic slow movement was used to great effect in a 1967 Swedish film of that name to underscore a passionate love story.That Swedish movie helped to bring Mozart's concerto to the attention of a far wider audience than ever before, as did the 1984 movie Amadeus, with Mozart's music in general.Musicologists might wince when they hear the title Amadeus. It's a matter of historical record that Mozart signed his name “Amadeo” or “Amadé.” Others object that a Swedish film should provide a nickname for one of Mozart's most sublime works — but, for better or worse, both Amadeus and Elvira Madigan are labels that seem to have stuck to Mozart's name and his concerto.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756-1791): Piano Concerto No. 21; Alfred Brendel, piano; Academy of St. Martin-in-the-Fields; Neville Marriner, cond. Philips 412 856

Leonkoro bedeutet Löwenherz auf Esperanto, und was auch immer das junge Berliner Streichquartett damit verbindet, es scheint die vier Musikerinnen und Musiker zu beflügeln: mit gerade mal Mitte zwanzig gelten sie „schon heute als eines der allerbesten Quartette“, sagt immerhin Alfred Brendel. Seit erst vier Jahren spielt das Leonkoro Quartett zusammen und setzt deutliche Maßstäbe in Ausdruckskraft, Stilsicherheit und Emotionalität.

Tom Service talks to Anthony McGill, Principal Clarinettist with the New York Philharmonic, as he commences his tenure as Artist-in-Residence at Milton Court in London. They discuss his recent performances of Anthony Davis powerful and operatic work for clarinet and orchestra, You Have the Right to Remain Silent, and his Grammy nominated album, American Stories, on which he collaborated with the Pacific Quartet. On the 400th anniversary of the death of the composer Thomas Weelkes, Music Matters visits Chichester Cathedral - the scene of some of his greatest music and noted misdemeanours. BBC Radio 3 New Generation Thinker, Dr. Ellie Chan, and Organist and Master of the Choristers at Chichester Cathedral, Charles Harrison, discuss how he advanced the English choral tradition. Following the recent news that the Music Department at Oxford Brookes University it set to close, Professor of music at Oxford University, Jonathan Cross, shares his thoughts about the place of music education in our society. And, Sara Mohr Pietsch sits down with the pianist Imogen Cooper to talk about her life in music, studying with Alfred Brendel, her love of Schubert, and how she's curating darkness and light into her forthcoming concert programmes.

Jesus Ministries, Joan Boney  ...    As a new Christian, God cast out of me 3 devils.  I was already born again when this happened.   Some church groups are taught that devils cannot live in the same body as the Holy Spirit.   Here is what happened which God allowed me to witness although this happened in a dream while I was sleeping in the night.   A devil was skipping through my chest cavity and ran into the Holy Spirit in me.  That devil tried to dart back.  It was "a double minded spirit".   The Holy Spirit in me said:  "I see you ... you must leave her ... you must go ... you must go ... you must go ..."  I felt like I was choking.  I began coughing.  I felt something tear out of my body through my throat.  

Chillout Classic w Radiu Spin #18 "Moon". 20 lipca to "Dzień Księżyca", zatem ten odcinek dedykowany jest księżycowi. 1. J.S. Bach - Aria z Wariacji Golbergowskich, Trio Yoshiaki Sato, Akira Harada, Hitomi Nikura (akordeon solo). 2. J.S. Bach - Wariacje Goldbergowskie, 25. wariacja, Glen Gould (1981). 3. L.van Beethoven - Sonata cis-moll, "Księżycowa" cz.1 Adagio sostenuto, Alfred Brendel. 4. Glen Miller - Moonlight Serenade. 5. Blue Moon, Frank Sinatra. 6. Bart Howard - Fly Me to the Moon, Diana Panton & Don Thomson - piano, Reg Schwager - guitar, Neil Swainson - bass. 7. Henry Mancini - Moon River, Jacob Collier. 8. C. Debussy - Clair de lune, Seong-Jin Cho. 9. F. Chopin - Nokturn cis moll, Seong-Jin Cho. 10. Pink Floyd - Dark Side of the Moon, Us and Them.

durée : 00:34:59 - Les Nuits de France Culture - par : Albane Penaranda - André Velter, producteur de l'émission "Poésie sur parole", reçoit le pianiste autrichien Alfred Brendel, auteur de "Une aile blanche, l'autre noire", son second recueil de poèmes publié en 2005 aux éditions Christian Bourgois. - invités : Alfred Brendel pianiste autrichien (Wiesenberg, 5 janvier 1931 - )

DescriptionAt first glance, Mozart's piano music may look simple. Yet for many pianists, the music's greatest challenge lies in that seeming simplicity.  Take a minute to get the scoop!Take a listen: Mozart Piano Sonata No 16 C major K 545 Barenboim c/o YouTubeFun FactAnother challenge for the pianist is Mozart's complete mastery of orchestration. Many of the piano sonatas have a symphonic sweep and soundworld in their opening and closing movements, while the slow movements are soprano arias with dramatic interludes. Such piano writing demands that the pianist harnesses his/her imagination to evoke these instruments and sounds within the scope of two staves and just two hands.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

durée : 00:20:43 - Disques de légende du vendredi 09 décembre 2022 - Le légendaire Label Vox est fondé en 1945, à New-York par George H. de Mendelssohn - Bartholdy, descendant du compositeur. Parmi les lettres de noblesse de ce label : il est le premier à avoir enregistré le jeune Alfred Brendel.

Welcome to the first Slipped Disc Backchat podcast with Rainer and Norman in which we pick out some of the stories that have caught our eye this week. On the show we look ahead to Arts Council funding cuts, we share our Alfred Brendel stories, we look forward to sing-a-long-a Dirty Dancing at the Fairfield Hall Croydon, sympathize with the Sinfonietta Shizuoka and much more irreverent chat. Become a member at https://plus.acast.com/s/slipped-disc-backchat. Hosted on Acast. See acast.com/privacy for more information.

Synopsis On this date in 1828, Franz Schubert attended a party at the Vienna home of one of his admirers and played some of his new piano sonata in B-flat, which he had completed only the previous day. That same month, Schubert composed one of his greatest works, the String Quintet in C Major. Tragically, in less than two months, Schubert would be dead, an apparent victim of tertiary syphilis, the most dreaded sexually-transmitted disease of Schubert's day. In our time, antibiotics can treat this once fatal disease, but in the early 1980s, its place was taken by the AIDS epidemic, which, before effective treatments were discovered, shortened the lives of many contemporary artists. One of these was the American composer Kevin Oldham, born in 1960 in Kansas City. His piano concerto was premiered to critical acclaim and a standing ovation by the Kansas City Symphony conducted by Bill McLaughlin in 1993. At that time, Oldham was seriously ill in a New York hospital and weighed only 135 pounds. Nevertheless he checked himself out, flew to his home town to solo in his concerto, then returned to the hospital the following day. He died six weeks later at age 32. When Schubert died, he was only 31. Music Played in Today's Program Franz Schubert (1797-1828): Piano Sonata in Bb, D. 960 –Alfred Brendel, piano (Philips 456 573) Kevin Oldham (1960-1993): Concerto for Piano, Op. 14 –Ian Hobson, piano; Kansas City Symphony; Bill McGlaughlin, cond. (BMG/Catalyst 61979)

durée : 00:17:42 - Disques de légende du mercredi 21 septembre 2022 - Alfred Brendel interprète Haydn

This week on The Sound Kitchen, you'll hear a replay of a show aired on 9 November 2019, featuring musical favourites from RFI English journalists Alison Hird, Jan van der Made, and Christina Okello. Just click on the “Audio” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Send me your music requests! I'll make programs of your favorite music when I can't be in the kitchen to cook up something new for you … write to me at thesoundkitchen@rfi.fr This week's quiz: The Sound Kitchen is taking a short break. The quiz will be back next week, 6 August. Here's the music you heard on this week's program: “Feelin' Good” by Anthony Newley and Leslie Bricusse, sung by Nina Simone; “Coyote”, written by and sung by Joni Mitchell; "Rondo" from the Pathetique piano sonata no 8 in c minor, op 13 by Ludwig van Beethoven, performed by pianist Alfred Brendel; “My Favorite Things” from the musical The Sound of Music by Richard Rodgers and Oscar Hammerstein, sung by Julie Andrews; "Buona sera, mio signore" from Il Barbiere di Siviglia by Giacomo Rossini.  

durée : 01:58:22 - Relax ! du mardi 07 juin 2022 - par : Lionel Esparza - A l'occasion d'une rencontre entre Philippe Cassard et Alfred Brendel publiée dans le Classica du mois de juin, retour sur la carrière discographique de ce pianiste exceptionnel. Et en disque de légende, nous écouterons Didon et Enée de Purcell dans une version d'Emmanuelle Haïm. - réalisé par : Antoine Courtin

Kein Aprilscherz: Klassik ist funny! Von der schaurig schief singenden Florence Foster Jenkins bis zu Alfred Brendel mit Schildkröte. Außerdem in dieser Folge: die besten Musiker:innenwitze und das Duo Igudesman&Joo.

Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged the young pianist. A holder of scholarships from the Deutsche Stiftung Musikleben and Studienstiftung des deutschen Volkes, she completed her studies with Professor Pavel Gililov in her adopted home of Cologne in 2013, passing her Concert Examination with Distinction. She rounded out her training with Professor Arie Vardi and Professor Dmitri Bashkirov. Olga Scheps now performs with great success in world-famous concert halls such as the Elbphilharmonie, the Berlin and Cologne Philharmonie, the Vienna Konzerthaus, the Cadogan Hall London, the Zurich Tonhalle, and the Suntory Hall Tokyo. She is a sought-after guest at festivals like the Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Kissinger Sommer, Heidelberger Frühling, Klavier-Festival Ruhr, Schleswig-Holstein Musik Festival, MDR Musiksommer, Lucerne Festival am Piano, ACHTBRÜCKEN Festival in Cologne, Mozart Festival Würzburg, Mersin Festival in Turkey, and Menuhin Festival Gstaad. Since 2009 Olga Scheps has been an exclusive Sony Classical artist. Her debut album ‘Chopin' immediately won an ECHO Klassik award. The two recordings that followed, ‘Russian Album' (2010) and ‘Schubert' (2012), were also highly praised by the press. Her fourth Sony Classical CD was released early in 2014 and features Chopin's Piano Concertos nos. 1 and 2 with the Stuttgart Chamber Orchestra. The success of her solo-album ‘Vocalise', published in 2015, was surpassed by her latest album ‘Satie' which Olga Scheps has recorded on the occasion of the French composer's 150th birthday: It reached top 1 of the German classical music charts at first go. Her CD "Tchaikovsky" was released in October 2017 and she broke new ground with the album "100 % Scooter - Piano Only", on which she recorded arrangements of the most famous Scooter hits by Sven Helbig. In March 2019 Olga Scheps' album “Melody” was released, containing pieces spanning four centuries, from Bach to Aphex Twin. Her recording of the Weinberg Piano Quintet with the Kuss Quartet was released in late 2019. Olga Scheps is a Steinway Artist. FIND OLGA ON SOCIAL MEDIA Facebook | Instagram | Twitter | Twitch | YouTube © Copyright 2022 Den of Rich. All rights reserved.

Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged the young pianist. A holder of scholarships from the Deutsche Stiftung Musikleben and Studienstiftung des deutschen Volkes, she completed her studies with Professor Pavel Gililov in her adopted home of Cologne in 2013, passing her Concert Examination with Distinction. She rounded out her training with Professor Arie Vardi and Professor Dmitri Bashkirov.Besides the well-known works for piano Olga Scheps's repertory consists of compositions that are seldom heard in the concert hall, including the posthumous Études of Frédéric Chopin, Franz Liszt's Malédiction, Olivier Messiaen's Les Oiseaux exotiques, Antonín Dvořák's Piano Concerto, Arvo Pärt's „Lamentate“, and Mieczysław Weinberg's Piano Quintet. Her solo recitals are as popular with audiences all over the world as her acclaimed appearances as soloist with orchestra and her chamber projects.Such noted conductors as Thomas Dausgaard, Lorin Maazel, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton, Cristian Mandeal, Christoph Altstaedt, Tugan Sokhiev, Simone Young, Markus Poschner and Pablo Heras-Casado have invited Olga Scheps to collaborate with them.Among the leading orchestras with which she has appeared in concert are the Orchestre Philharmonique de Monte-Carlo, the Warsaw Philharmonic Orchestra, the Mozarteum Orchester Salzburg, the Munich Symphony Orchestra, the Royal Scottish National Orchestra, the State Symphony Cappella of Russia (Moscow), the Staatskapelle Weimar, the Zurich Chamber Orchestra, the NDR Radiophilharmonie, the Orchestre National du Capitole de Toulouse, the Prague Philharmonia, the Israel Philharmonic Orchestra and the New Japan Philharmonic Orchestra.Olga Scheps now performs with great success in world-famous concert halls such as the Elbphilharmonie, the Berlin and Cologne Philharmonie, the Vienna Konzerthaus, the Cadogan Hall London, the Zurich Tonhalle, and the Suntory Hall Tokyo. She is a sought-after guest at festivals like the Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Kissinger Sommer, Heidelberger Frühling, Klavier-Festival Ruhr, Schleswig-Holstein Musik Festival, MDR Musiksommer, Lucerne Festival am Piano, ACHTBRÜCKEN Festival in Cologne, Mozart Festival Würzburg, Mersin Festival in Turkey, and Menuhin Festival Gstaad.A passionate chamber musician, she plays regularly with such artists as Alban Gerhardt, Daniel Hope, Adrian Brendel, Jan Vogler, Nils Mönkemeyer, the Danish String Quartet, the Danel Quartet and the Kuss Quartet, with which she recorded Mieczysław Weinberg's Piano Quintet.Since 2009 Olga Scheps has been an exclusive Sony Classical artist. Her debut album ‘Chopin' immediately won an ECHO Klassik award. The two recordings that followed, ‘Russian Album' (2010) and ‘Schubert' (2012), were also highly praised by the press. Her fourth Sony Classical CD was released early in 2014 and features Chopin's Piano Concertos nos. 1 and 2 with the Stuttgart Chamber Orchestra. The success of her solo-album ‘Vocalise', published in 2015, was surpassed by her latest album ‘Satie' which Olga Scheps has recorded on the occasion of the French composer's 150th birthday: It reached top 1 of the German classical music charts at first go. Her CD "Tchaikovsky" was released in October 2017 and she broke new ground with the album "100 % Scooter - Piano Only", on which she recorded arrangements of the most famous Scooter hits by Sven Helbig. In March 2019 Olga Scheps' album “Melody” was released, containing pieces spanning four centuries, from Bach to Aphex Twin. Her recording of the Weinberg Piano Quintet with the Kuss Quartet was released in late 2019. Olga Scheps is a Steinway Artist.FIND OLGA ON SOCIAL MEDIAFacebook | Instagram | Twitter | Twitch | YouTube================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://twitter.com/denofrichFacebook: https://www.facebook.com/denofrichYouTube: https://www.youtube.com/c/DenofRich

Elias and I talk about a few of the great performing pianists. Part 2 we discuss modern and currently performing pianists. https://www.eapettersson.com/ Here is a list of pianists we discuss and think you should listen to: Alfred Brendel (b. 1931) Vladimir Ashkenazy (b. 1937) Martha Argerich (b. 1941) Maurizio Pollini (b. 1942) Nelson Freire (b. 1944) Ursula Oppens (b. 1944) Maria João Pires (b. 1944) Radu Lupu (b. 1945) Murray Perahia (b. 1947) Mitsuko Uchida (b. 1948) *Håkon Austbø (b. 1948) Grigory Sokolov (b. 1950) Santiago Rodriguez (b. 1952) András Schiff (b. 1953) Krystian Zimerman (b. 1956) *Dang Thai Son (b. 1958) Yefim Bronfman (b. 1958) *Sara Davis Beuchner (b. 1959) *Stephen Prutsman (b. 1960) *Paul Stewart (b. 1960) *Sergei Babayan (b. 1961) Casadesus (1st), Hamamatsu (1st), Scottish (1st), Busoni (3rd), Honens (4th) Stephen Hough (b. 1961) Jean-Yves Thibaudet (b. 1961) *Frederic Chiu (b. 1964) *Pavel Nersessian (b. 1964) *Alexander Korsantia (b. 1965) Sydney (1st) Rubinstein (1st) Leif Ove Andsnes (b. 1970) *Stanislav Ioudenitch (b. 1971) Evgeny Kissin (b. 1971) Arcadi Volodos (b. 1972) Nikolai Lugansky (b. 1972) Simone Dinnerstein (b. 1972) Valentina Lisitsa (b. 1973) *Antonio Pompa-Baldi (b. 1974) Long-Thibaud (3rd), Cleveland (1st), Cliburn (2nd) Ning An (b. 1976) *Roberto Plano (b. 1978) American Prize, Cleveland (1st), Cliburn (finalist) *Andrius Žlabys (b. 1978) “There is no better time to do the best work of your life than right now” Spencer Myer (b. 1978/9) Sa Chen (b. 1979) Alexander Kobrin (b. 1980) Alexandre Moutouzkine (b. 1980) Yundi Li (b. 1982) Lang Lang (b. 1982) *Boris Giltburg (b. 1984) (Beethoven Sonatas) Santander (2nd=1st), Queen Elisabeth (1st), Rubinstein (2nd) Evgheny Bozhanov (b. 1984) Cliburn (finalist), Queen Elisabeth (2nd), Chopin (4th-refused) Ingolf Wunder (b. 1985) *Rafał Blechacz (b. 1985) Chopin (1st) *Yeol Eum Son (b. 1986) Tchaikovsky (2nd) Vadym Kholodenko (b. 1986) *Vitaly Pisarenko (b. 1987) Liszt (1st), Leeds (3rd) Adam Golka (b. 1987) Yuja Wang (b. 1987) *Sean Chen (b. 1988) American Prize, Cliburn (3rd) *Yekwon Sunwoo (b. 1989) Sendai (1st), Cliburn (1st) *Charles-Richard Hamelin (b. 1989) Seoul (3rd), Montréal (2nd), Chopin (2nd) *Haochen Zhang (b. 1990) China Piano Competition (1st) Avery Fisher Grant, Cliburn (1st) *Claire Huangci (b. 1990) ARD Munich (2nd), Geza Anda (1st) *Lukas Geniušas (b. 1990) Bachauer (1st), Scottish (2nd), Chopin (2nd), Tchaikovsky (2nd) *Daniil Trifonov (b. 1991) Chopin (3rd), Rubinstein (1st), Tchaikovsky (1st) (also composer) *Kenny Broberg (b. 1993) Cliburn (2nd), Tchaikovsky (3rd), American Prize *Beatrice Rana (b. 1993) Montréal (1st), Cliburn (2nd) *Seong-Jin Cho (b. 1994) Hamamatsu (1st), Tchaikovsky (3rd), Rubinstein (3rd), Chopin (1st), DAEWON Music Awards *Kate Liu (b. 1994) NY International (1st), Hilton Head (6th), Montréal (finalist), Chopin (3rd) *Do-Hyun Kim (b. 1994) Gilmore Fellow, Vendome (2nd), Young Concert Artist Auditions (1st) Drew Peterson (b. 1994) American Prize, Avery Fisher Grant,  *Syzmon Nehring (b. 1995) Rubinstein (1st) *Eric Lu (b. 1997) Minnesota E-Comp. (1st), Chopin (4th), German Piano Award (1st), Leeds (1st) Tony Yike Yang (b. 1998) Chopin (5th-age of 16!) *Alexander Malofeev (b. 2001) China (1st), winner of youth competitions…career exploded (a la Kissin)

Raghni Naidu Raghni Naidu, owner of Naidu Wines, is our guest on California Wine Country with Steve Jaxon and Dan Berger. Harry Duke is sitting in for Steve Jaxon and Barry Herbst is also in the studio today. To begin, Dan Berger has brought a 2021 Allan Scott Sauvignon Blanc from New Zealand. It was harvested in February, sells for about $15 a bottle and it is excellent. Allan Scott is known as the Marlborough Man, because in 1973 he planted the first Sauvignon Blanc in New Zealand, particularly in the Marlborough region. It has flavors of lime and is rich without being too sweet, but there is only a trace of sugar. "It has perfect structure," says Dan Berger. The lime character is a function of their cold temperatures at night, and winds that go east to west. It is a two-and-one-half hour drive from end to end of the island, so the vines have coastal influences on both sides of it. In that way it does not resemble Californian SVs very much. Raghni Naidu was born and brought up in India. She tells her story on this page of her website. Her parents were very enthusiastic about entertaining guests at home. Her mother would bring seeds back home from her travels, and the fruits would end up on their tables with guests. This had an important influence on her. In 2000 she went to Melbourne to study, where she also met her husband. After they got married they moved to the United States, to the Bay Area. They lived in the city, raised a family and took many visits to wine country. In 2018 they were on a road trip from Monte Carlo to Barcelona. She loved everything about Provence and decided to have that in their lives, back in California. Three months later they purchased a vineyard property in Sebastopol from an Italian American gentleman who had the vineyard for 45 years. Soon after purchase, she realized it was not just a house and a farm, but collectively a very special place that she associated with the joy she felt growing up in her family. Click the logo to visit our sponsor Bottle Barn online. Barry Herbst notes that the property was already known for producing great fruit that was going to several single-vineyard labels. Raghni describes her personal commitment to the quality of Naidu Wines and she wants to do the best she can in showcasing it. She also mentions later that her winemaker, Matt Duffy, was already making wine for the previous property owner and has a lot of experience. Despite the pandemic, she launched her wines on time during 2020. This year, they released their Viognier, a Rosé of Pinot Noir and their estate Pinot Noir. Her wines have gained some early recognition and awards that she describes. Harry Duke introduces Chris DiMatteo, podcast editor and friend of Steve Jaxon. They begin tasting the 2020 Viognier. Barry likes it for being restrained and dry, bright and clean, while some other Viogniers get boring and cloying. Dan says this is "flower basket" which is ideal for Viognier. Chris can't add anything to what the experts have said, but he suggests a musical comparison. It suggests Mozart, not jolly fun light-hearted Mozart, but the darker Mozart, such as the Fantasy for solo piano K. 397. Dan Berger suggests he hears Debussy and Chris thinks maybe the Prélude called Puck's Dance. W. A. Mozart, Fantasy in D minor for piano, K. 397, played by Alfred Brendel. https://secureservercdn.net/198.71.233.28/a1j.e4a.myftpupload.com/wp-content/uploads/2021/09/Mozart-Fantasy-in-D-Minor-K.-397-Alfred-Brendel.mp3 Claude Debussy, the Prelude called Puck's Dance, Book 1 n. 11, played by Leonard Pennario. https://secureservercdn.net/198.71.233.28/a1j.e4a.myftpupload.com/wp-content/uploads/2021/09/Debussy-Préludes-Pucks-Dance-Leonard-Pennario.mp3 Raghni says that even as an outsider, the challenges of making wine are the same for her and everyone else in the business, so she feels that unites them and makes her feel the same as any other. She also wants her customers to have a personal experience with the wine that is an expression of who she is as a per...

Raghni Naidu, owner of Naidu Wines, is our guest on California Wine Country with Steve Jaxon and Dan Berger. Harry Duke is sitting in for Steve Jaxon and Barry Herbst is also in the studio today. To begin, Dan Berger has brought a 2021 Allan Scott Sauvignon Blanc from New Zealand. It was harvested in February, sells for about $15 a bottle and it is excellent. Allan Scott is known as the Marlborough Man, because in 1973 he planted the first Sauvignon Blanc in New Zealand, particularly in the Marlborough region. It has flavors of lime and is rich without being too sweet, but there is only a trace of sugar. "It has perfect structure," says Dan Berger. The lime character is a function of their cold temperatures at night, and winds that go east to west. It is a two-and-one-half hour drive from end to end of the island, so the vines have coastal influences on both sides of it. In that way it does not resemble Californian SVs very much. Raghni Naidu was born and brought up in India. She tells her story on this page of her website. Her parents were very enthusiastic about entertaining guests at home. Her mother would bring seeds back home from her travels, and the fruits would end up on their tables with guests. This had an important influence on her. In 2000 she went to Melbourne to study, where she also met her husband. After they got married they moved to the United States, to the Bay Area. They lived in the city, raised a family and took many visits to wine country. In 2018 they were on a road trip from Monte Carlo to Barcelona. She loved everything about Provence and decided to have that in their lives, back in California. Three months later they purchased a vineyard property in Sebastopol from an Italian American gentleman who had the vineyard for 45 years. Soon after purchase, she realized it was not just a house and a farm, but collectively a very special place that she associated with the joy she felt growing up in her family. Barry Herbst notes that the property was already known for producing great fruit that was going to several single-vineyard labels. Raghni describes her personal commitment to the quality of Naidu Wines and she wants to do the best she can in showcasing it. She also mentions later that her winemaker, Matt Duffy, was already making wine for the previous property owner and has a lot of experience. Despite the pandemic, she launched her wines on time during 2020. This year, they released their Viognier, a Rosé of Pinot Noir and their estate Pinot Noir. Her wines have gained some early recognition and awards that she describes. Harry Duke introduces Chris DiMatteo, podcast editor and friend of Steve Jaxon. They begin tasting the 2020 Viognier. Barry likes it for being restrained and dry, bright and clean, while some other Viogniers get boring and cloying. Dan says this is "flower basket" which is ideal for Viognier. Chris can't add anything to what the experts have said, but he suggests a musical comparison. It suggests Mozart, not jolly fun light-hearted Mozart, but the darker Mozart, such as the Fantasy for solo piano K. 397. Dan Berger suggests he hears Debussy and Chris thinks maybe the Prélude called Puck's Dance. W. A. Mozart, Fantasy in D minor for piano, K. 397, played by Alfred Brendel. Claude Debussy, the Prelude called Puck's Dance, Book 1 n. 11, played by Leonard Pennario. Raghni says that even as an outsider, the challenges of making wine are the same for her and everyone else in the business, so she feels that unites them and makes her feel the same as any other. She also wants her customers to have a personal experience with the wine that is an expression of who she is as a person. Barry Herbst tells about Bottle Barn, where most of the center of the store is full of Rosé. The harvest fair is 3rd week of September, and the winners will be in the store the following week. Dan Berger suggests a Portuguese wine called Post Scriptum,

Composer Daniel Felsenfeld wonders at the brilliance of Steinway Artist Alfred Brendel.

01 - Annette Focks - Night Train to Lisbon     5 36 02 - Frankie extraits   Dickon Hinchliffe   0 50 03 - Annette Focks - Night Train to Lisbon Raimund     5 42 04 - Tabou Cosi Come Viene (Conjunto Oliveira Muge)   2 59 05 - Annette Focks - Night Train to Lisbon Credits     5 37 06 - Religieuse Portugaise - Aldina Duarte Nao Vou 07 - Colin Stetson Color Out of Space  Reservoir   7 33 08 - Religieuse Portugaise - Camané  Ser Aquele    3 29 09 - F Schubert  Moment Musical Op94 D780 No2 in A flat Major  Alfred Brendel   6 03 10 - Misterios de Lisboa Mystères de Lisbonne  Disco Film    3 50 11 - Fond Ossos 1997  dir Pedro Costa   3 38 12 - José Afonso ao vivo no Coliseu 1983  Grândola Vila Morena  2 25 13 - Fond Ossos - Vitor Os Saburas  Carro Bedjo    5 06 14 - Volver Carlos Gardel   2 41 15 - Madredeus - Lisbon Story - Viagens Interditas   2 50 16 - Dans la ville blanche Générique  Jean-Luc Barbier    1 29 17 - Fond Street of No Return  Générique Début    3 22 18 - Dans la ville blanche Chanson Générique FIn    Jean-Luc Barbier    1 41 19 - Fond Belarmino  Manuel Jorge Velos     5 53 20 - Saltimbancos (1952)   2 36 21 - Fond Vertes années  Manuel Paredes       5 58

durée : 01:58:04 - Alfred Brendel, chambriste - par : Philippe Cassard - Philippe Cassard revient aujourd'hui sur la discographie de ce pianiste légendaire à travers ses enregistrements chambristes. - réalisé par : Pierre Willer

durée : 00:19:17 - Disques de légende du vendredi 26 mars 2021 - Un coffret de légende ! Alfred Brendel enregistre entre 1970 et 1977 les 32 sonates pour piano de Ludwig van Beethoven, pour le label Philips. Ces dernières, qu'il enregistrera en tout trois fois, ont occupé une place centrale dans le répertoire du pianiste.

El pianista Joaquín Soriano (Corbón del Sil, 1941) es entrevistado por el periodista Íñigo Alfonso en una nueva sesión de Memorias de la Fundación, cuyos protagonistas son destacadas personalidades provenientes de diferentes ámbitos de la cultura que fueron destinatarios de becas o ayudas de la Fundación. Joaquín Soriano fue merecedor de una beca para estudios en el extranjero, gracias a la que estudió con el célebre pianista Alfred Brendel.Más información de este acto

Quem está com saudades de ir a um concerto? E de ouvir um concerto ao vivo? "Concerto” em português pode ser tanto o evento onde tocamos sinfonias, sonatas e obras sinfônicas (ah, que saudades de apresentar um concerto...) quanto uma forma musical específica, em que um instrumento solista desafia, confronta e dialoga com uma orquestra. Neste episódio do podcast “Filarmônica no ar”, falamos sobre o segundo significado de “concerto" e comentamos as características desta forma musical tão querida pelo público. Afinal, eles são uma ótima oportunidade para apreciar a virtuosidade de um instrumentista. Este programa é apresentado por Hyu-Kyung Jung (violino) e Eduardo Swerts (violoncelo). Você ouve trechos de: Concerto para piano nº 5, "O Imperador", de Beethoven, com Alfred Brendel e a Orquestra Filarmônica de Londres sob a regência de Bernard Haitink. "Concertos de Brandemburgo" de Bach, com a Orquestra Mozart dirigida por Claudio Abbado. "Concerto para madeiras e harpa" de Hindemith com Werner Andreas Albert dirigindo a Orquestra Sinfônica da Rádio de Frankfurt.

Alfred Brendel tells us “The word listen contains the same letters as the word silent.” If you want to take your meditation practice deeper, you must first become comfortable with silence. In this week's mini meditation, we practice cultivating the skill of deep listening within our meditation practice. We will create a space that is free of agitation, distraction, and reaction. And, if you choose to grab a journal, I'm also sharing one of my favorite ways to hone the skill of deep listening. These mini meditations are meant to support a daily home practice. Tune in every Monday to find your practice for the week! Full episodes are released every Thursday for a longer, deeper practice. Connect with me on Instagram {@merylarnett} to get bonus meditation tips, mini-meditations, and the occasional baby spam: https://www.instagram.com/merylarnett/  ***Did you know I have a FREE Meditation Starter Kit on my website merylarnett.com? It is full of my favorite tips, stories and ideas for starting and maintaining a daily meditation practice. Grab your copy today! --> http://bit.ly/meditationstarterkit *** #meditatewithmeryl

This month's meditation series is all about taking your meditation practice deeper. As we dive into a meditation practice, one of the common quandaries we run into is what do we DO with the practice as it starts to affect us? As we begin to quiet down and listen more, how do we work with all that we discover? When and where does change happen? Well, this deepening starts with a practice of deep listening. Alfred Brendel tells us “The word listen contains the same letters as the word silent.” If you want to take your meditation practice deeper, you must first become comfortable with silence. Our minds offer us the most incredible gift; they are simultaneously able to “do” and to “witness”. This means it is possible to think a thought AND to notice that thought at the same time. This ability to witness our innermost thoughts, this is deep listening. For us to be able to hear our thoughts, we must cultivate a space that is absent of agitation, distraction and, most importantly, reaction. If we pull the judgment card, we are effectively silencing the words we most need to hear. Read to listen? Tune into today's episode of The Mindful Minute for a  talk and 20-minute meditation practice. Be sure to grab a notebook or journal as you settle in, I'm sharing one of my favorite ways to build the skill of deep listening at the end of today's episode! Connect with me on Instagram {@merylarnett} to get bonus meditation tips, mini-meditations, and the occasional baby spam: https://www.instagram.com/merylarnett/  ***Did you know I have a FREE Meditation Starter Kit on my website merylarnett.com? It is full of my favorite tips, stories and ideas for starting and maintaining a daily meditation practice. Grab your copy today! --> http://bit.ly/meditationstarterkit *** #meditatewithmeryl

The buzz: “Most people that I know are interested in on-demand stuff. Podcasts are essentially audio Netflix” (Jordan Harbinger). In our current digital renaissance, with disruptive breakthrough technologies maturing, an old-school yet cutting-edge marketing tactic is resurging: audio. From podcasts to audio whitepapers, apps to smart speakers, the world of sound is immediate, portable, affordable, customizable, and wherever you go. Are you on-board with audio yet? The experts speak. Pam Didner, Consultant and Author: “The word 'listen' contains the same letters as the word 'silent'” (Alfred Brendel). Kenneth Kinney, AI Media Group: “The successful warrior is the average man, with laser-like focus” (Bruce Lee). Ginger Shimp, SAP: “Start where you are. Use what you have. Do what you can” (Arthur Ashe). Jeff Janiszewski, SAP: “The way to get started is to quit talking and begin doing” (Walt Disney). Join us for Hear and Now: Audio Content in Digital Marketing – Part 2.

The buzz: “Most people that I know are interested in on-demand stuff. Podcasts are essentially audio Netflix” (Jordan Harbinger). In our current digital renaissance, with disruptive breakthrough technologies maturing, an old-school yet cutting-edge marketing tactic is resurging: audio. From podcasts to audio whitepapers, apps to smart speakers, the world of sound is immediate, portable, affordable, customizable, and wherever you go. Are you on-board with audio yet? The experts speak. Pam Didner, Consultant and Author: “The word 'listen' contains the same letters as the word 'silent'” (Alfred Brendel). Kenneth Kinney, AI Media Group: “The successful warrior is the average man, with laser-like focus” (Bruce Lee). Ginger Shimp, SAP: “Start where you are. Use what you have. Do what you can” (Arthur Ashe). Jeff Janiszewski, SAP: “The way to get started is to quit talking and begin doing” (Walt Disney). Join us for Hear and Now: Audio Content in Digital Marketing – Part 2.

Kirsty Young's castaway is the classical pianist, Alfred Brendel.A performer of world renown, his career spans seven decades, and he is particularly famous for his interpretations of Mozart, Beethoven, Schubert and Liszt. An Austrian who's lived in the UK for many years, he was born in 1931 in what is now the Czech Republic. Although not from a musical family, he began playing the piano aged six and gave his first recital aged 17. Largely self-taught, in addition to his live performances, he's enjoyed a long and successful recording career. Revered for his intellect and individual and original take on the world, he is also a published poet and essayist.He says, "I regard pessimism as a sign of intelligence. Optimism is a very welcome and life-enhancing feature, a gift, but not necessarily a realistic outlook. I am a pessimist who enjoys being pleasantly surprised."Producer: Cathy Drysdale.