Podcasts about Tacita Dean

This episode was originally aired in Novemebr 2022."The direction in which I'm going is never fixed. Because I don't know where I'm going, I'm very able to change direction. . . only at the very end of the process does all this nascent information suddenly have resonance – only in the singularity of the final work does the impact of this desperate journey make any sense." – Tacita Dean. Tickets are now available for Architecture in the Age of Artificial Intelligence – a landmark panel taking place on 2 June at the Barbican Concert Hall. Support our work by becoming a Patreon Member or Practice Supporter Hosted on Acast. See acast.com/privacy for more information.

Episode No. 694 features artists Tacita Dean and Ilana Harris-Babou. The Menil Collection, Houston is presenting "Tacita Dean: Blind Folly," the first major museum survey of Dean's work in the United States. The exhibition examines a range of Dean's production, with a special emphasis on her drawing practice. "Blind Folly" includes new works informed by Dean's time in Houston, including her residency at (and in!) the Menil's Cy Twombly Gallery. It is on view through April 19. The Menil, MACK, and Dean have produced several books related to the Menil exhibition: Why Cy, an artist's book of images Dean produced during her residency in the Twombly Gallery. Within it is a small booklet of notes and drawings that Dean conceived during the same residency. Tacita Dean: Blind Folly, a book by exhibition curator Michelle White that addresses Dean's practice and oeuvre in a strikingly legible, almost narrative way. Why Cy is available from Amazon for about $95; White's Blind Folly is available from Amazon for about $28 - or just $10 on Kindle. Dean is one of Britain's most celebrated artists. She has been the subject of solo exhibitions at museums such as the Bourse de Commerce, Pinault Collection, Paris, the J. Paul Getty Museum, Los Angeles, and the Kunstmuseum Basel. In 2011 Dean's work FILM was shown in the Tate Modern's Turbine Hall. Harris-Babou's 2018 Reparation Hardware is included within "Project a Black Planet: The Art and Culture of Panafrica" at the Art Institute of Chicago. The exhibition, which was curated by Antawan I. Byrd, Elvira Dyangani Ose, Adom Getachew, and Matthew S. Witkovsky, survey's Pan-Africanism's cultural manifestations across 350 objects made over the last 100 or so years. It is on view through March 30. Reparation Hardware, which was made for DIS.ART, is streamed below. Harris-Babou has been included in group shows at the Wellcome Collection, London, Apex Art, New York, and at The Aldrich Contemporary Art Museum, Ridgefield, Conn. Her work is in the collections of museums such as the Whitney Museum of American Art, New York.

“Apocalypse” Hier et demainà la BnF François Mitterrand, Parisdu 4 février au 8 juin 2025Entretien avec Jeanne Brun, directrice adjointe du Musée national d'Art moderne - Centre Pompidou - en charge des collections, et commissaire générale de l'exposition, par Anne-Frédérique Fer, à Paris, le 3 février 2025, durée 15'48, © FranceFineArt.https://francefineart.com/2025/02/07/3589_apocalypse_bnf-francois-mitterrand/Communiqué de presse Commissariat généralJeanne Brun, directrice adjointe du Musée national d'Art moderne – Centre Pompidou en charge des collections, avec la collaboration de Pauline Créteur, chargée de recherche auprès de la directrice adjointe du Musée national d'Art moderne – Centre PompidouCommissariatFrançois Angelier, journaliste et essayisteCharlotte Denoël, cheffe du service des Manuscrits médiévaux et de la Renaissance, département des Manuscrits, BnFLucie Mailland, cheffe du service Philosophie, religion, département Philosophie, histoire, sciences de l'homme, BnFLa Bibliothèque nationale de France propose la première grande exposition consacrée à l'apocalypse. L'apocalypse ? Un mot obscur, qui fait peur, un mot qui parle de la fin du monde. Il n'en finit pas de résonner depuis deux mille ans dans notre culture et nos sociétés occidentales quand survient une catastrophe majeure, et aujourd'hui encore, en fond de nos angoisses climatiques. Et pourtant… L'étymologie de ce mot d'origine grecque signifie révélation, dévoilement, une signification reprise par les chrétiens. Dans le livre de l'Apocalypse qui clôt le Nouveau Testament, saint Jean parle d'un voile se levant sur le royaume intemporel qui réunira les croyants dans la Jérusalem céleste. Un mot porteur d'espoir, fait pour déjouer nos peurs profondes ?Du Moyen Âge à notre époque, l'exposition traverse cet imaginaire en montrant certains des plus prestigieux manuscrits de l'Apocalypse de Jean, des fragments rarement présentés de la célèbre tenture d'Angers, et la fameuse suite de gravures de Dürer consacrées au texte, mais aussi de nombreux chefs-d'oeuvre, peintures, sculptures, photographies, installations, livres rares, extraits de films, venant des collections de la Bibliothèque comme des plus grandes collections françaises et européennes, publiques et privées (Centre Pompidou, musée d'Orsay, British Museum, Victoria and Albert Museum, etc.).Parmi ces quelque 300 pièces, des oeuvres de William Blake, Odilon Redon, Vassily Kandinsky, Ludwig Meidner, Natalia Gontcharova, Otto Dix, Antonin Artaud, Unica Zürn, jusqu'à Kiki Smith, Tacita Dean, Miriam Cahn et Anne Imhof.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jessica Fuentes, Gabriel Martinez, and Brandon Zech discuss the different types of immersive art spaces and the historical work that paved the way. "I've realized that the spaces that really affect me are the ones that put me into a weird situation and take me out of wherever I am, take me out of my body a little bit, and make me have to negotiate. But not everyone is gonna want something that challenges them in that way when they go out to do something for pleasure." See related readings here: https://glasstire.com/2025/01/26/art-dirt-the-rise-of-immersive-spaces This week's podcast is sponsored in part by the Menil Collection, which is celebrating the 30th anniversary of the Cy Twombly Gallery. To mark the occasion, this year the museum will present special programs about the work and legacy of artist Cy Twombly. Highlights include a book signing with artist Tacita Dean, performances by Meredith Monk, and a Neighborhood Community Day. Admission is always free. Learn more at menil.org/cytwombly30.

While the great Italian renaissance painters and the Dutch masters are world famous, why are there so few British artists from this period leading the way? It's one of the questions the art historian Bendor Grosvenor examines in his new history, The Invention of British Art. From prehistoric bone carvings to the landscapes of John Constable, Grosvenor reassesses the contribution British artists have made at home and abroad.The writer and former curator at the V&A Susan Owens wants to turn our attention to drawing. It is a simpler, more democratic form of art-making, she argues in The Story of Drawing: An Alternative History of Art. And one that is a fundamental part of the creative process. She reveals what can be learnt by looking again at the sketches made by Gainsborough, William Blake and Tacita Dean. The artist Lucinda Rogers specialises in urban landscapes. She immerses herself in her environment and records straight from eye to paper. Her intimate street views explore the changing nature of cities, from London to New York. During the US Presidential election she travelled to different locations as a reportage illustrator. A reproduction of her first sketchbook, New York Winter 1988, has just been re-released. Producer: Katy Hickman

Gast: Simon Wald-Lasowski, beeldend kunstenaar “Ik denk vaak dat mijn interesse [in de objecten die hij in zijn werk gebruik red.] ook een ode aan de anonimiteit is. Er zijn heel veel mensen die in de schaduw werken en objecten tekenen, maken, produceren maar we weten hun naam niet. Maar soms zijn we omcirkeld door hun werk en ik zie vaak heel veel schoonheid in die objecten. […] Ik heb hier een boek van Henri Matisse. Volgens mij was hij een verzamelaar. Hij heeft heel vaak bepaalde vazen of objecten geschilderd, en die komen terug op verschillende momenten. Hij noemt dat zijn ‘palette d'objets' en dat vind ik een hele mooie manier van denken. Wij denken vaak aan een palet van kleur of van materiaal maar voor hem was er een ‘palette d'objets'. Dat heeft mij ook wel geholpen om mijn fascinatie te begrijpen.” Foto Simon Wald-Lasowski, Remake van Tacita Dean's 2011 Manhattan Mouse Museum film over Claes Oldenburg SPRINGVOSSEN redactie + presentatie: Robert van Altena contact: springvossen[at]gmail.com www.instagram.com/springvossen www.facebook.com/springvossen www.amsterdamfm.nl/programma/springvossen

In s3e51, Platemark host Ann Shafer talks with Chris Santa Maria, artist and gallery director at Gemini G.E.L. at Joni Moisant Weyl. As director of the New York gallery, Chris is responsible for showcasing and selling the print output of the storied LA workshop to enable it to keep working with amazing artists and producing incredible editions. Chris and Ann touch on Gemini's history, the structure of the workshop, how artists get to work there, and Julie Mehretu, Julie Mehretu, and Julie Mehretu. They also talk about Chris' side hustle as an artist and his intricate paper collages. Josef Albers. White Line Square IV, 1966. 53.3 x 53.3 cm (21 x 21 in.). 2011. The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York; ©Gemini G.E.L. and the Artist. Chris Santa Maria wrangling prints at Gemini G.E.L. at Joni Moisant Weyl, New York. Sidney Felsen, co-founder of Gemini G.E.L. Photo by Alex Berliner. Gemini G.E.L. at Joni Moisant Weyl, 535 West 24th Street, third floor, New York. ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria hanging Julie Mehretu's print at Art Basel Miami, 2019. Julie Mehretu's etching installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Analia Saban working at Gemini workshop. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Robert Rauschenberg working on the limestone for Waves from the Stoned Moon series with Stanley Grinstein in the background. Photograph by Sidney B. Felsen, 1969. From the collection of Getty Research Institute. Jasper Johns deleting imagery from a lithography plate for Cicada, November 1981. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Richard Serra at work on his etchings and Paintstik compositions, November 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Ellsworth Kelly (left) and NGA curator Mark Rosenthal at Gemini; Ellsworth canceling a print from the Portrait Series, February 1990. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Works by Richard Serra and Julie Mehretu at the IFPDA Print Fair, October 2023. ©Gemini G.E.L., Los Angeles, California. Joni Weyl and Sidney Felsen at the 2019 IFPDA Print Fair, New York. Tacita Dean at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Roy Lichtenstein at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Julie Mehretu at Gemini G.E.L.'s booth at the IFPDA Print Fair, October 2023.         Tacita Dean. LA Magic Hour 1, 2021. Hand-drawn, multi-color blend lithograph. 29 7/8 x 29 7/8 in. (75.88 x 75.88 cm). ©Gemini G.E.L., Los Angeles, California. Chris Santa Maria. Field 31, 2023. Paper college on 4-ply ragboard. 10 x 10 in. Chris Santa Maria's studio. Chris Santa Maria's studio. Chris Santa Maria. President Trump, 2020. Paper collage. 72 x 72 in. Chris Santa Maria. No. 5, 2014. Paper collage on MDF. 58 x 60 in. in the window of Jim Kempner Fine Art, New York. Ellsworth Kelly. The River (state), 2003 and River II, 2005. Lithographs. Installed during the exhibition Ellsworth Kelly: The Rivers, October 25–December 8, 2007 at Gemini G.E.L. at Joni Moisant Weyl, New York. Julie Mehretu's etchings installed at the New York gallery, June 8–August 24, 2023. ©Gemini G.E.L., Los Angeles, California. Bruce Nauman in the curating room canceling a copperplate by drawing a sharp tool across it to destroy the image with assistance from William Padien, 1983. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001. Julie Mehretu at work at Gemini G.E.L., Los Angeles. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California. Works by Ann Hamilton and Tacita Dean in the exhibition at the New York gallery, Selected Works by Gemini Artists. January 2–February 24, 2024. ©Gemini G.E.L., Los Angeles, California. Daniel Buren at Gemini workshop, August 1988. Photograph by Sidney B. Felsen. ©Gemini G.E.L., Los Angeles, California, 2001.   USEFUL LINKS Gemini G.E.L. at Joni Moisant Weyl. | (joniweyl.com) Gemini G.E.L. Graphic Editions Limited (geminigel.com) Chris Santa Maria Instagram accounts @chrisantamaria @geminigel @joniweyl    

Tacita Dean is one of the UK's most acclaimed artists, best known for working with 16mm analogue film. Daniel speaks with her about recent work on important living artists, and her huge, mesmerising chalk drawings, from her exhibition at Sydney's Museum of Contemporary Art.My Thing is... getting squished. Actor and choreographer Smac McCreanor went viral for her Hydraulic Press Girl videos, imitating household objects getting crushed by a hydraulic press.  Now she's in the art gallery -- featuring in the National Gallery of Victoria's Triennial.In parts of Mexico, a high price is being paid for the world's insatiable appetite for avocados. Artist Fernando Leposse investigates the ecological and social costs of the industry in his art project Conflict Avocadoes.

➜ La Newsletter de TheBoldWay : https://www.theboldway.fr/newsletter Dans cet épisode inédit de notre podcast, nous accueillons une invitée d'exception : une journaliste spécialisée en art et commissaire d'exposition au parcours fascinant. Originaire d'un modeste village provençal, elle a poursuivi des études en droit international et sciences politiques. À l'âge de 19 ans, elle s'installe à Paris, où sa passion pour l'art s'est renforcée, la propulsant dans le monde captivant du marché de l'art. Son talent d'écriture et sa curiosité l'ont guidée vers des collaborations avec des institutions prestigieuses comme Christie's et Sotheby's, tout en se nourrissant des musées pour enrichir sa connaissance de l'histoire de l'art. Ses chroniques pour Les Échos, qu'elle écrit depuis maintenant plus de 30 ans, ont laissé une empreinte indélébile, lui ouvrant la voie à devenir une voix influente dans le domaine artistique en tant que commissaire d'exposition et spécialiste renommée du marché de l'art international. À la fois passionnante et inspirante, la vie de cette journaliste spécialiste de l'art est un récit captivant qui témoigne du pouvoir de l'audace et de la détermination pour faire sa place dans le monde de l'art et du marché de l'art. Son parcours est une ode à la passion et à l'engagement, et elle continue de laisser une empreinte profonde sur le paysage artistique international. Ce que vous allez apprendre dans cet épisode : Introduction de l'invitée : son parcours et ses origines Sa passion pour l'art et les débuts de sa carrière journalistique dans le marché de l'art L'Évolution de sa carrière : comment elle est devenue une figure influente en tant que commissaire d'exposition et spécialiste du marché de l'art, la menant à publier un ouvrage majeur sur l'art contemporain. Elle partage ses inspirations, ses méthodes de travail, et comment elle se renouvelle constamment dans le milieu de l'art. Elle évoque également sa quête personnelle dans son travail. Les spécificités du marché de l'art international, la financiarisation du milieu, les différents marchés de l'art, et comment elle juge la qualité d'une œuvre d'art. L'importance de voir les œuvres en vrai et la valeur d'une œuvre Comment elle a préparé son exposition au Guggenheim de Bilbao L'épisode se conclut en évoquant les futurs projets de notre invitée, ses aspirations pour l'avenir, et ses conseils pour ceux qui s'intéressent au monde de l'art. ➜ Retrouvez toutes les références et les photos prises lors de l'enregistrement sur www.theboldway.fr Références : Son dite internet : judith benhamou reports Sa page Instagram Son livre, Global Collectors Son exposition au Guggenheim de Bilbao Son livre, Aleijadinho : le dieu noir de la sculpture brésilien Artistes mentionnés : Jacquemus Marcel Proust Auguste Rodin Andy Warhol Robert Mapplethorpe Firenze Lai Van Gogh Christopher Wool Aimé Maeght AlbertoGiacometti René Magritte Man Ray Dali François Truffaut Theaster Gates Francis Alys Ser Serpas Pol Taburet Maison de ventes aux enchères : Christie's : société de vente aux enchères internationale Sotheby's : Sotheby's est une multinationale américaine d'origine britannique de vente aux enchères d'œuvres d'art et d'objets de collection basée à New York. Œuvres et expositions : Les nuits de la pleine lune : film de Rohmer Querelles de Brest : roman de Jean Genet Damien Hirst : rétrospective au Tate Modern Alighiero Boetti : exposition au Tate Modern Damien Hirst : exposition à Venise Damien Hirst : exposition à la Fondation Cartier Chaine de télévision et film pour Bottega Veneta de Andy Warhol Yayoi Kusama x Louis Vuitton Tableau de Vermeer : La petite rue ou La ruelle Arthur Jafa : Love is the message, the message is Death Campbell Soup d'Andy Warhol Disaster séries d'Andy Warhol Exposition de Tacita Dean à la Bourse de Commerce Exposition de Monet Exposition de Matisse à Nice Musées et galeries : La Fondation Beyeler Musée d'Orsay Galerie Balice Hertling Galerie Crèvecœur Hauser & Wirth Maison de Rubens Eye Filmmuseum Autres : Les Echos Julio Iglesias David Copperfield Emmanuel Perrotin Minas Gerais TheBoldWay ou The Bold Way, anciennement connu sous le nom de Entreprendre dans la mode ou EDLM , est un podcast produit et réalisé par Adrien Garcia.

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman led the museum in opening its new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's thirteen female founders, the opening collection exhibition will be 13 Women, organized by Zuckerman. This is the second building project she has completed. Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum.After reimagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012) and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow and Tobias Rehberger.Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 museum exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.She was recently appointed to be an Arts Commissioner for the City of Costa Mesa.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight. Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London. Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

This episode is also available as a blog post: https://thecitylife.org/2023/01/08/the-international-center-of-photography-icp-presents-face-to-face-portraits-of-artists-by-tacita-dean-brigitte-lacombe-and-catherine-opie/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Tacita Dean is a visual artist who works in Berlin and Los Angeles "The direction in which I'm going is never fixed. Because I don't know where I'm going, I'm very able to change direction. . . only at the very end of the process does all this nascent information suddenly have resonance – only in the singularity of the final work does the impact of this desperate journey make any sense."Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield. Hosted on Acast. See acast.com/privacy for more information.

Jeffrey Young is joined by Emily Sargent, Head of Exhibitions at the Wellcome Collection, to discuss their current exhibition ‘In the Air' (19th May-16th Oct). This exhibition explores our relationship with the air around us and what it tells us about the health of our planet. It brings together historical materials and contemporary artworks by artists including Tacita Dean, David Rickard, Dryden Goodwin, and Forensic Architecture to examine the connections between the atmosphere and the planet, investigate the geopolitics of air, and uncover the secrets of the air we breathe. Emily Sargent is a Head of Exhibitions at Wellcome Collection, she works in Camden and lives in South East London, in Lewisham. She has curated numerous large exhibitions on a wide range of subjects, including exhibitions on human enhancement and the experience of consciousness.

Déi brittesch Kënschtlerin Tacita Dean invitéiert Visiteuren am MUDAM op eng Rees vum Dante Alighieri sengem Jenseits bis an e sonnegen Appartement zu Los Angeles. De Ben Kobs war sech hir grouss Ausstellung um Kierchbierg ukucken an huet en Eenzelgespréich mat der Kënschtlerin geféiert.

Curated by Tate UK and drawn from their prestigious collection, the LIGHT exhibition at ACMI explores the influence of light, shade and darkness across the world of art, imagery and cinema with works by Joseph Mallord, William Turner (including his epic painting The Deluge exhibited for the first time in Australia), Claude Monet, Alfred Sisley, Joseph Albers, Tacita Dean, Liliane Lijn, James Turrell, Yayoi Kusama and Olafur Eliasso. Kerryn Greenberg, former Head of International Collection Exhibitions, Tate, discusses the process of gathering some of the world's most valuable artworks into this touring exhibition, the significance of these works for local audiences and the remarkable Tate collection more broadly.  A transcript of this interview is available for download HERE. The transcriptions are made possible by the support from Pixel Perfect Prolab - The photolab for professionals, and the Australian Arts Channel.  

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast Conversations About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman is leading OCMA as the institution prepares to open a new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's 13 female founders, the opening collection exhibition will be Thirteen Women, organized by Zuckerman.Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum. After re-imagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012), and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow, and Tobias Rehberger. Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim, and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

En este episodio de Pata de Mono nos sentamos a cotorrear con la fotógrafa y artista visual Alexandra Germán acerca de cómo es que se coleccionan las nubes y lo chingón que es detenernos y voltear a ver el cielo.

Our hosts, Sheila and Tom, with Peter Blake, visit Glenstone, discuss issues in contemporary art brought up by sculptures by Charles Ray, chalk drawings by Tacita Dean, large-scale photographs by Jeff Wall, and drawings by Vija Celmins.

"Pan Amicus," Dean's new 16mm film, was commissioned by the Getty Center, Los Angeles, where she was in residency from 2014-2015. Dean speaks with Jim Cuno, the President and CEO of the J. Paul Getty Trust, about the film, which includes museum objects, and is inspired by the Greek god Pan – ‘friend and helper' in the ‘Piper at the Gates of Dawn' (from the book, "The Wind in the Willows").

In episode 72 of The Great Women Artists Podcast, Katy Hessel interviews one of the most trailblazing artists alive today, Tacita Dean!!!!!! Working across drawings, photographs to installations and found objects, Tacita Dean is perhaps best known for her incredibly pioneering and staggeringly beautiful work in film. Interested in capturing the “truth of the moment, the film as a medium, and the sensibilities of the individual”, it is particularly her eloquent 16 and 35mm analogue films that are carried by a sense of history, time and place, which at times become portraits of the medium itself. Painterly, unpredictable, physical and truthful, she has described her films as “depictions of their subject and therefore closer to painting than they are to narrative cinema.” Born in Canterbury, UK, Tacita studied at the Falmouth School of Art, and earned her MA from the Slade. Rising to acclaim in the 1990s and early 2000s with films such as The Green Ray and Disappearance at Sea, the latter of which earned her a nomination for the prestigious Turner Prize, Tacita now lives between Berlin and Los Angeles. A royal academician and recipient of numerous prizes, such as the Hugo Boss Prize at the Guggenheim and Sixth Benesse Prize at the 51st Venice Biennale, Tacita has exhibited all over the world, from solo exhibitions at the Tate Britain, The Royal Academy, The National Gallery and the The National Portrait Gallery; between 2014–15 she was an artist in residence at the Getty Research Institute; and in 2011 she filled Tate Modern's Turbine Hall with her mammoth, 13-metre-high film, Film, which has been described as a lovingly spliced poem of hand-tinted images. But the reason why we are also speaking with Tacita Dean today, is because she is about to unveil her most recent commission: the set design and costumes for a new ballet The Dante Project: a collaboration with the Royal Ballet's choreographer Wayne McGregor at the Royal Opera House, London. And she is also the subject of solo exhibitions across both Frith Street spaces, featuring these forthcoming designs, plus incredible films such as 150 years of painting, featuring a conversation between Julie Mehretu and Luchita Hurtado, and Pan Amicus, which was filmed entirely on the estate of the Getty Center and Villa. Further links: https://www.frithstreetgallery.com/artists/5-tacita-dean/ https://www.roh.org.uk/tickets-and-events/the-dante-project-by-wayne-mcgregor-details https://www.mariangoodman.com/exhibitions/459-tacita-dean-the-dante-project-one-hundred-and-fifty/ LISTEN NOW + ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Research assistant: Viva Ruggi Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Tom Service talks to American composer Steve Reich as he celebrates his 85th birthday, and hears about his upcoming premiere of new work Traveler's Prayer. As the Royal Ballet celebrates its 90th anniversary, Tom talks to some of the creative team behind its upcoming new work: The Dante Project. Composer Thomas Ades, designer Tacita Dean and dancer Edward Watson reveal what's in store. Tom meets up with author Michael Church at Cecil Sharp House in London to talk about Michael's new book, Musics Lost and Found: Song Collectors and the Life and Death of Folk Tradition. Tom also talks to Veronica Doubleday about her many years of folksong collecting in Afghanistan, and her assessment of how the country's rich folksong heritage will be affected by its new government.

Ben Luke talks to Tacita Dean, whose 16mm and 35mm films, drawings on blackboard, photogravures, collages, sound works and found object pieces form one of the most poetic bodies of work in contemporary art. Dean was born in 1965 in Canterbury in the UK, but for most of her life as an artist has lived outside of Britain, first in Berlin, which has provided the location for some of her most compelling works, and now between the German capital and Los Angeles. As the three-venue group of museum shows she had in London in 2018 proved, Dean has a deep engagement with the traditional genres of art, making numerous moving portraits on film, as well as stirring and lyrical works exploring landscape, seascape and cityscape. Although film is her primary medium, her works are intimately connected in form and content. Her films regularly have a distinctive painterly quality, evoke the process of collage, and relate directly to her drawings. In this podcast she talks about her love of film as a medium, the pioneering techniques she uses, her encounters with the work of Giotto, with Cy Twombly and Julie Mehretu, and the influence of writers including WG Sebald and JG Ballard. She also discusses her work for The Dante Project, a new production at the Royal Opera House in London with choreography by Wayne McGregor and music by Thomas Adès, for which she has provided the costumes and set designs. Plus, she responds to the ultimate questions we ask all our guests: if you could live with just one work of art what would it be? And what is art for? This episode is sponsored by Bloomberg Connects. See acast.com/privacy for privacy and opt-out information.

Hello Autumn! We are so ready for you. It's been a disappointing summer weather-wise here in the UK, so we are very excited for a September full of art and exhibitions. New exhibitions include Doron Lamberg at Victoria Miro, Helen Frankenthaler at Dulwich Picture Gallery, Tacita Dean at Frith Street Gallery and Surrealist Female Artists at the Whitechapel. Our main story focuses on Poland, and a controversial ‘anti-cancel culture' art exhibition that was set to open at Ujazdowski Castle Center for Contemporary Art. We discuss some of the 30 artists included, and the protests surrounding it from Poland's anti-fascist league and various LGBTQ+ and Jewish organizers. We also look back on the lives of two artists who passed away recently: Dame Elizabeth Blackadder and Chuck Close, before turning to our Artist Focus: Cindy Sherman. Sherman is an American artist whose work consists primarily photographic self-portraits, depicting herself in many different contexts and as various imagined characters. We try to dig down to the ‘real' Cindy Sherman, if that's possible!SHOW NOTES: Charleston: https://www.charleston.org.uk/ A South London Makers Market: https://asouthlondonmakersmarket.co.uk/ Kate Emma Lee Ceramics: https://kateemmalee.com/ Mimi Dickson Paintings: https://www.etsy.com/uk/shop/mimidickson Harriet Shaw Rugs: https://www.instagram.com/harrietsayshi/?hl=en Doron Lamberg ‘Give Me Love' at Victoria Miro until 6 November 2021: https://online.victoria-miro.com/doron-langberg-london-2021/ Helen Frankenthaler ‘Radical Beauty' at Dulwich Picture Gallery from 15 September 2021 - 18 April 2022: https://www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2021/may/helen-frankenthaler-radical-beauty/ ‘Mixing it up: Painting Today' at Hayward Gallery from 9 September to 12 December 2021: https://www.southbankcentre.co.uk/whats-on/art-exhibitions/mixing-it-painting-today Tacita Dean at Frith Street Gallery from 17 September to 30 October 2021: https://www.frithstreetgallery.com/exhibitions/tacita-dean-4 Phantoms of Surrealism at the Whitechapel Gallery, until 12 December 2021: https://www.whitechapelgallery.org/exhibitions/phantoms-of-surrealism/ Ben Crase: https://www.instagram.com/_gummy_beats_/?hl=en Jenna Gribbon: https://www.instagram.com/jennagribbon/?hl=en Ania Hobson: https://www.aniahobson.com/ 100 Contemporary Female Artists You Need to Know: https://www.marylynnbuchanan.com/blog/100-contemporary-female-artists-you-need-to-know-2021 Dame Elizabeth Blackadder: https://www.theguardian.com/artanddesign/2021/aug/25/dame-elizabeth-blackadder-obituaryChuck Close: https://www.theguardian.com/artanddesign/2021/aug/20/chuck-close-obituary Polish State Museum has put on an anti-cancel culture exhibition: https://www.independent.co.uk/news/warsaw-polish-islamophobic-swedish-jews-b1909742.htmlhttps://news.artnet.com/art-world/ujazdowski-castle-exhibition-2003364 Beyoncé and Jay-Z Pose with Long-Unseen Basquiat in Tiffany Campaign: https://www.artnews.com/art-news/news/beyonce-jay-z-tiffany-basquiat-1234602125/ Cindy Sherman: https://www.theguardian.com/artanddesign/2011/jan/15/cindy-sherman-interview https://www.theguardian.com/artanddesign/2019/jun/08/cindy-sherman-interview-exhibition-national-portrait-gallery

Das Kunstmuseum Basel zeigt Werke der britischen Künstlerin Tacita Dean. Herzstück der Ausstellung ist der Analogfilm Antigone. Dean hat den antiken Tragödienstoff um Antigone und Ödipus eindrucksvoll neuinterpretiert. von Paul von Rosen

Sheena Wagstaff leads the Met's commitment to modern and contemporary art, including the design of the international exhibition program at The Met Breuer (2016-20), artist commissions, and collection displays. She has also curated numerous shows at the Met, amongst which are Gerhard Richter: Painting After All (2020); Like Life: Sculpture, Color, and The Body (1300-Now) (2018); and Nasreen Mohamedi (2016), and oversaw the David Hockney exhibition (2017). Significant acquisitions have been brought into the collection under her leadership, including works by Pablo Bronstein, Cecily Brown, Phil Collins, Tacita Dean, Peter Doig, Nick Goss, Chantal Joffe, Hew Locke, Sarah Lucas, Adam McEwen, Steve McQueen, Lucy McKenzie, Cornelia Parker (who was also featured as The Met's 2016 Roof Garden Commission artist), Bridget Riley, Rachel Whiteread, as well as Vanessa Bell, Lucian Freud, Roger Fry, and Barbara Hepworth. A new Met Façade commission, and an exhibition, each by British artists, are planned in the coming years. With a curatorial team representing expertise from across the globe, she is building a distinctive collection for the Met, both culturally and geographically, to reflect the historic depth of its global collections. Before joining the Met, Wagstaff was Chief Curator of Tate Modern, London, where, for 11 years, she was responsible for initiating the exhibition program, the Turbine Hall artist commissions, and contributing to the conceptual framework of collection displays. With the Tate Director, she worked with architects Herzog & de Meuron on the design for the Tate Modern Switch House building. She curated noteworthy exhibitions such as Roy Lichtenstein; John Burke + Simon Norfolk: Photographs from the War in Afghanistan; Jeff Wall Photographs 1978-2004; Darren Almond: Night as Day; and Mona Hatoum: The Entire World as a Foreign Land. Over the course of her career, Wagstaff has worked for the Museum of Modern Art, Oxford; the Whitechapel Art Gallery, London; The Frick Art Museum, Pittsburgh; and Tate Britain, London, where she played a seminal role in its transformation from the former Tate Gallery. She is a member of the Foundation for the Preservation of Art in Embassies (FAPE), and from 2013-2019, she was a United States Nominating Committee Member for Praemium Imperiale. She has written and edited many publications, and lectured widely. Brought to you by the British Consulate General, New York. Follow us on Twitter and Instagram.

Alex has been exploring Camus' surprisingly woke speeches, exploring the role the artist has to play in politics and understanding whilst Rhiannon has been facing her mortality in Atul Gawande's book about standards of care for the elderly. Alex shares with us the importance of generalists and having hobbies in a world that prioritises hyper specialisation. Rhiannon has discovered Olivia Colman's secrets for securing a partner in the National Theatre's Life in Stages, whilst Alex has been confronting how little she knows about art with the Great Women Artists Podcast. And finally, the conversation moves to weddings, with Sara Pascoe's dislike for weddings and Alex's penchant for the occasional Say Yes to the Dress excerpt. And apologies for Alex's sound quality! We are an accessible podcast so find transcripts on our linktree in our instagram bio @thegrandthunk. Follow us on social media @thegrandthunk or email us - thegrandthunk@gmail.com. We'd love to hear from you! Subscribe, rate, review and tell all your friends. See below for a full list of what we discuss: Create Dangerously by Albert Camus Being Mortal by Atul Gawande Sentimental in the City with Caroline O'Donahue and Dolly Alderton Atul Gawande TEDTalk Range by David Epstein Give Birth like a Feminist by Milli Hill Life in Stages by National Theatre Great Women Artists Podcast with Katy Hessel and Ali Smith How to be Both by Ali Smith Barbara Hepsworth, Pauline Boty, Tacita Dean and Lorenza Mazzetti The Panic Years by Nell Frizzell Podcast with Sara Pascoe The Panic Years by Nell Frizzell Book Out of Her Mind by Sara Pascoe Say Yes to the Dress - Gok Wan The Grand Thunk, the podcast in which Alex Blanchard and Rhiannon Kearns discuss the books they've been reading, the films and TV shows they've been watching and the podcasts they've been listening to!

In episode 64 of The Great Women Artists Podcast, Katy Hessel interviews the acclaimed writer ALI SMITH (!!!!) on Pauline Boty, Barbara Hepworth, Tacita Dean and Lorenza Mazzetti !!!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] The FINAL episode of Season 5 of the GWA Podcast, we speak to one of the GREATEST authors and writers in the world, Ali Smith, about the artists who act as the 'spine' for her recently-completed series of four stand-alone novels, grouped as the Seasonal Quartet: Pauline Boty in Autumn, Barbara Hepworth in Winter, Tacita Dean in Spring, and filmmaker Lorenza Mazetti in Summer, who in their own way, as presences as people, spirits, or their work, interweave into each story so beautifully.  Written in the space of four years, between 2016–2020, these books track and are witness to, some of the most unprecedented, and extraordinary events in living history. Beginning with Autumn, known as the first-Brexit novel, the final book in the series, Summer, was written in the midst of the Coronavirus pandemic. Born in Inverness, Scotland, and now based in Cambridge, Ali Smith is acclaimed for her fictional work, and non-fiction writing on some of my favourite artists. The author of Public library and other stories, How to be both, Shire, Artful, and MANY OTHERS, Smith has been shortlisted for the Booker Prize, the Orange Prize, The Man Booker Prize, and has won the Bailey's Prize, the Goldsmiths Prize and the Costa Novel of the Year Award for her brilliant novel, How To Be Both. PAULINE BOTY – AUTUMN One of the most important artists to change the face of British Pop Art (as well as being an Actress, TV star, radio commentator, who read Proust) Pauline Boty EPITOMISED the possibilities of the modern Pop woman. She captured the glamour and vivacity of the 1960s, including those of music stars to film icons, think Marylin to Elvis, Boty worshipped the proliferation of imagery available in the post-War era.  BARBARA HEPWORTH – WINTER The Titan of British sculpture, Hepworth set up a studio in St Ives during World War II, and is hailed for her small-to-colossal hand-carved wooden sculptures. Cast in stone and bronze, sometimes embedded with strings or flashes of colour, and  fluctuating between hard and soft, light and dark, round and straight, solid and hollow, the spirit of Hepworth's work is at the spine of Spring and through Ali's incredible writing makes us SEE differently.  TACITA DEAN – SPRING Filmmaker and artist, Dean, seven-metre-wide work The Montafon Letter is a vast chalk drawing on nine blackboards joined together, looms in Spring (and is also an exhibition visited by the protagonist Richard at the Royal Academy). Dean says in some ways the work about Brexit and about hope; “hope that the last avalanche will uncover us”. Much like Smith's post-Brexit novels.  LORENZA MAZZETTI – SUMMER A new artist for me, this story of the Italian-born filmmaker who came of age in the 1960s is one of the most profound in the history of art. I am not going to tell you anything else other than listen to Ali tell her story.  LINKS TO ALI'S BOOKS! https://www.waterstones.com/book/autumn/ali-smith/9780241973318 https://www.waterstones.com/book/winter/ali-smith/9780241973332 https://www.waterstones.com/book/spring/ali-smith/9780241973356 https://www.waterstones.com/book/summer/ali-smith/9780241973370 We also discuss How To Be Both at the very start! https://www.waterstones.com/book/how-to-be-both/ali-smith/9780141025209 LISTEN NOW + ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Winnie Simon Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Può un proiettile cambiare la storia dell'arte? Sì, se se lo becca Andy Warhol. Dopo aver rischiato di morire per mano della scrittrice Valerie Solanas, infatti, Warhol cambia completamente stile, nell'arte e nella vita. Non si circonda più di artisti derelitti, ma di gente di successo e il tema della morte sparisce dalle sue opere. Ma la morte può essere sinonimo di denuncia, come nel caso di Black Lives Matter e delle opere di artisti com Arthur Jafa e Teresa Margolles. O aprire varchi su altri mondi, come nell'arte di Apichatpong “Joe” Weerasethakul. Infine, Costantino e Francesco ci spiegano perché una vespa può essere molto più letale di uno squalo.In questa puntata si parla di Andrej Tarkovskij, Andy Warhol, Valerie Solanas, Richard Nixon, Mao Tse-Tung, Ronald Reagan, Jean-Michel Basquiat, Francesco Clemente, Jed Johnson, Candy Darling, James Dean, Salvador Dalí, Dorothy Pobder, Matteo Salvini, Alexandre Iolas, Leonardo da Vinci, Arthur Jafa, Steve McQueen, Santiago Sierra, Achille Mbembe, Michel Foucault, Teresa Margolles, Laszlo Thot, Michelangelo Buonarroti, Paolo Bonolis, Damien Hirst, Maurizio Cattelan, Marlene Dumas, Francisco Goya, Agnolo Bronzino, Mohammed Bouyeri, Theo van Gogh, Apichatpong “Joe” Weerasethakul e Tacita Dean.

As her retrospective opens at the Whitney Museum of American Art, the Ethiopian-born, New York-based artist Julie Mehretu talks in depth about her life and work. She discusses the rich language she uses in her paintings, drawing on geopolitical subject matter but pushing towards abstraction. She talks about the influence of contemporary artists like David Hammons, Kara Walker and Glenn Ligon, her collaboration with the British artist Tacita Dean, how Rembrandt made his mark on her as a child and the way she uses news photography as the basis for her most recent works. She talks about her literary influences, from Toni Morrison to Chris Abani, on the music she listens to in her studio, from Sun Ra to Joan Armatrading, and her fruitful collaborations with the jazz pianist Jason Moran and the theatre and opera director Peter Sellars. Among much else, she also talks about the cultural experience that changed the way she sees the world, the one work of art she would choose to live with, and answers our ultimate question: what is art for? See acast.com/privacy for privacy and opt-out information.

Nell'arte la parola acqua ha sempre fatto rima con viaggio. Stavolta, però, il viaggio è burrascoso, perché Costantino e Francesco si scontrano sull'americana Roni Horn e la scoperta dell'acqua calda, su polli e balene, sul ruolo di Willy il Coyote nell'arte concettuale e sulla doppia vita del padre di William Turner: William Gayone Turner. Infine, dei prestigiosi ospiti si uniscono al cast di ArteFatti: due dei maggiori critici di design al mondo, amici intimi di Francesco Bonami.In questa puntata si parla di Roni Horn, Bas Jan Ader, Thierry De Cordier, Hiroshi Sugimoto, Gordon Matta-Clark, Simon Starling, Willy il Coyote, Fabrizio Plessi, Claudio Monteverdi, Luigi Tenco, Peter Fend, Colin De Land, Andrea Fraser, Cady Noland, Rob Scholte, Tacita Dean, William Turner, William Gayone Turner, Mike Leigh, Nanni Moretti, Guy Bourdin, Vaginal Davis, Gustave Moreau, Thomas Chippendale, Laura Ashley, Antonio Citterio, Dan Graham, Donald Judd, Gerrit Rietveld e Gio Ponti

Berlins bekanntester Technoclub, das Berghain, hat wieder geöffnet – als Kunstausstellungshalle. „Studio Berlin“ heißt die Schau und zeigt auf mehr als 3.500 Metern zeitgenössische Kunst. Die Arbeiten entstanden von rund 80 in Berlin lebenden Künstlerinnen und Künstlern während der Corona-Pandemie, darunter prominente Namen wie Olafur Eliasson, Tacita Dean und Wolfgang Tillmans. Eine Reflexion der Corona-Zeit, die besonders die Kunst- und Clubszene getroffen hat und sich in Fotografien, Skulpturen, Sounds, aber auch Malereien, Videos und Installationen wiederfindet. Die Berliner Kunstsammler Karen und Christian Boros und die Boros Foundation haben die Gruppenausstellung organisiert. Gefördert wird sie von der Berliner Kulturverwaltung. „Studio Berlin“ soll solange gezeigt werden, bis der Clubbetrieb im Berghain wieder beginnen kann.

Astrophysicist Dame Jocelyn Bell-Burnell, poets Sam Illingworth and Sunayana Bhargava, and C19 expert and New Generation Thinker Greg Tate from the University of St Andrews join Anne McElvoy to discuss the parallels between poetry and Victorian laboratory work. Dame Jocelyn Bell-Burnell, is perhaps most famous for first discovering Pulsars - strange spinning massively dense stars that emit powerful regular pulses of radiation. she has been President of the Royal Astronomical Society and the Institute of Physics, and more recently was recipient of the Special Breakthrough Prize in Fundamental Physics. Alongside, she collects poetry related to Astronomy. Greg Tate's next book looks at the physical and metaphysical part of rhythm in verse by C19 physical scientists. Sam Illingworth's book "Sonnet to Science" looks at several scientists who have resorted to poetry in their work. Sunayana Bhargava works at University of Sussex studying distant galactic clusters, and is also a practising poet. Previously she was Barbican young Poet. You can hear Greg discussing the 19th-century scientist and mountaineer John Tyndall in a Free Thinking programme which also looks at mountains through the eyes of artist Tacita Dean https://www.bbc.co.uk/programmes/b0b3fkt3 and a short feature about poetry and science in the 19th century https://www.bbc.co.uk/programmes/b04n2zcp Tristram Hunt, Director of the V&A Museum and Sir Paul Nurse, Director of the Francis Crick Institute, debate the divide and the links between arts and science in a Free Thinking debate recording at Queen Mary University London https://www.bbc.co.uk/programmes/m0001f5f Producer: Alex Mansfield.

Tacita Dean

The composer Max Richter meets the artist Tacita Dean. Max Richter has composed eight solo albums including The Blue Notebooks, Vivaldi Recomposed and Sleep, an eight and half hour long exploration into nocturnal neuroscience. His music has been used extensively in film, television, dance, opera and theatre. Tacita Dean captures landscapes, the sea, clouds, solar eclipses, portraits and still life in paint, chalk and film. She works primarily in film and has fought for the survival of 16 and 35mm film production and processing. Producer: Clare Walker

We hear from leading artists working with the moving image - Christian Marclay whose celebrated 24 hour film Clock, is a play on time. Tacita Dean, committed to the traditional medium of film, describes her roots in pictorial image making and her love of celluloid. Gillian Wearing discusses her ambivalence to narrative and acting in her new cinema film Self Made. We capture the spirit of artist filmmaking at a screening of films on the platform of Hackney Downs station, where the context of the screen is important to the films shown. Produced for BBC Radio 4

Contemporary artist Tacita Dean works in many mediums to create a varied and compelling body of work, from collections of four-leaf clovers to chalk drawings to filmed portraits of artists. In 2018, a wide array of these works was on view during three simultaneous exhibitions in London: one at the National Portrait Gallery, one at … Continue reading "Artist Tacita Dean and her Many Mediums"

As new shows featuring the Post-impressionist, Pierre Bonnard and the video artist, Bill Viola, open in London, Laurence Scott and his guests discuss the way we experience art from the current vogue for slow looking to the 30 second appraisal scientists say is the norm for most gallery goers. How do small details reshape our understanding of paintings? What about looking more than once? Does digital art require more or less concentration ? Kelly Grovier's book A New Way of Seeing: The History of Art in 57 Works is out now. Pierre Bonnard: The Colour of Memory runs from 23 January to 6 May 2019 at Tate Modern. It will show 100 works of art by the French painter created between 1912 and 1947 and will include special evenings of "Slow Looking". Bill Viola / Michelangelo Life Death Rebirth runs at the Royal Academy in London from 26 January — 31 March 2019 The Free Thinking Visual Arts Playlist with interviews including Tacita Dean, Chantal Joffe and Sean Scully amongst others is here https://bbc.in/2DpskGS Producer: Zahid Warley

Lucia Nogueira by [por] Tacita Dean by Bienal de São Paulo

Tacita Dean's personal reading of the artwork entitled Smoke, by Lucia Nogueira. / A artista Tacita Dean faz uma leitura pessoal sobre a obra Smoke [Fumaça], de Lucia Nogueira.

Ocean's 8 is the latest in the Ocean's heist movie franchise - but this time with an all-female gang starring Sandra Bullock and Cate Blanchett. Does the twist work? Larushka Ivan-Zadeh reviews.As the World Cup kicks off the team strips are attracting as much attention as the scores: the new Nigeria home kit sold out minutes after its release. Simon Doonan, fashion commentator and soccer obsessive, talks about his favourite World Cup outfits and why some kits are such a hit.Pianist and composer Alexis Ffrench, fresh from his performance at the Classical Brit Awards, tells John what he thinks the sphere of classical music could learn from the very different world of hip-hop.A Slice through the World: Contemporary Artists' Drawings is a new exhibition in Oxford that celebrates the power of drawing in the digital age. Curator Stephanie Straine considers the state of drawing today with artists Olivia Kemp and Tacita Dean, whose work includes drawing, painting, photography and film, and whose new exhibition, Landscape, at the Royal Academy in London features monumental blackboard drawings in chalk.Presenter: John Wilson Producer: Harry Parker(Main Image: (L-R) Sandra Bullock as Debbie Ocean, Cate Blanchett as Lou in Warner Bros. Pictures' and Village Roadshow Pictures' "Oceans 8", a Warner Bros. Pictures release. Credit: Barry Wetcher (c) 2018 Warner Bros. Entertainment Inc.

Eleanor Rosamund Barraclough meets the British artist Tacita Dean. ‘Tacita Dean: Landscape' has just opened at the Royal Academy in London and features vast chalk mountains and cloudscapes and a film made in Cornwall, Yellowstone and Wyoming. And what does an artist do when she travels hundreds of miles to film a total eclipse of the sun… and finds there's no film in the camera. Then focus on mountains and those who climb them. New Generation Thinker Ben Anderson reflects on an interplay between climbing and photography in the late nineteenth century, the age of Being Still. Plus John Tyndall who took his mountaineering and poetic meditations back to the lab and proved why the sky is blue and mountains are cooler at the top than at the bottom. With Tyndall's biographer, Roland Jackson and literary scholar Gregory Tate. Tacita Dean Landscape is at the Royal Academy until August 12th. Last chance to see Tacita Dean: Portrait is at the National Portrait Gallery, 15 March-28 May; Still Life is at the National Gallery, 15 March-28 MayRoland Jackson, Visiting Fellow at the Royal Institution THE ASCENT OF JOHN TYNDALL: Victorian Scientist, Mountaineer and Public Intellectual is out now. Greg Tate lectures in Victorian Literature at the University of St Andrews and was chosen as a New Generation Thinker in 2013.Ben Anderson is a 2018 New Generation Thinker from Keele University who is writing a book Modern Natures: Mountain Leisure and Urban Culture in England and Germany, c. 1885-1918.New Generation Thinkers is a scheme run by BBC Radio 3 and the Arts and Humanities to select ten academics each year who can turn their research into radio.Presenter: Eleanor Rosamund Barraclough Producer: Jacqueline Smith

A new theatrical adaptation of Mary Shelley's Frankenstein at The Manchester Royal Exchange Theatre aims to be one of the most faithful versions to the original novel. What does this add to our understanding of the play and of the Creature? This year's Palme d'Or winning film The Square, is a Swedish satirical drama dealing with the world of contemporary art and our personal boundaries and responsibilities. Chloe Benjamin's latest novel 'The Immortalists' follows the lives of a group of contemporary New York Jewish American siblings and poses the question "how would you live your life if you knew the day you would die'? Two exhibitions have opened this week in London of the work of Tacita Dean (former YBA), known primarily for her work in film Annihilation is a new release on Netflix, written and directed by Alex Garland. With five female leads, its scheduled theatrical release has been dropped, but can we read into that decision: that it's no good? Tom Sutcliffe is joined by Susannah Clapp, Ryan Gilbey and Alex Clark. The producer is Oliver Jones.

  Former YBA - Young British Artists- Tacita Dean is known for her films exploring themes like the sea, shipwrecks and the landscape.  She opens three shows at the same time in London: at the National Gallery, the National Portrait Gallery and the Royal Academy of Arts. Tacita speaks to us about the difficultly of using film and her attempt to redefine the art historical hierarchy of genres.   Tacita Dean: Still Life, Portrait, Landscape is on view across London's museums from March to August 2018. www.culturealt.com  

Salvatore Settis talks about his new book, plus Tacita Dean on her three London shows See acast.com/privacy for privacy and opt-out information.

What is art - and why do we need it? Fifty years ago the landmark BBC Two series Civilisation set out to answer this question. Now historians Mary Beard, Simon Schama and David Olusoga take on this challenge of defining human civilisation through art, in a bold update renamed Civilisations. Mary Beard tells Andrew Marr how humans have chosen to depict themselves, from enormous pre-historic heads in Mexico to lustful paintings meant for male eyes. She unpicks the bloody battle between religion and art, and declares that "one man's art is another's barbarity". But should art make us recoil? Simon Schama explores our urge to destroy the images we dislike, and finds that hatred and destruction have followed art through the centuries. This clash of religions and cultures has enriched art, argues David Olusoga. He sees culture on the frontline as empires expanded and a battle took place to define what art could be. This spring the artist Tacita Dean offers her own account of art's value and meaning as she unveils three exhibitions at once: exploring landscapes at the Royal Academy, portraits at the National Portrait Gallery and still life at the National Gallery. Moving between film and painted images, she challenges our idea of what art looks like. Producer: Hannah Sander.

The artist Tacita Dean describes how "Fires" by Marguerite Yourcenar changed her life and art. She discovered the book of prose poems as an undergraduate. "Somehow, her pithy and uncompromising language appealed to me, and my own love tragedy," she says. Yourcenar's work helped her find her voice as a feminist, writer and film-maker. "She gave a female voice to my passionate and romantic younger self who was trying to find an artistic context for the desire I had to reach out and touch the classical past."Producer: Smita Patel.

Artist Tacita Dean discusses her work, including her 16mm film 'Portraits' with RA Artistic Director Tim Marlow.

Portraits: Tacita Dean RA in conversation with Tim Marlow by Royal Academy of Arts

Renowned artist Tacita Dean has earned countless awards, accolades and admirers across the globe through her art –and now she's here to tell us all about it. In our inaugural episode of the Kodakery, Tacita discusses her work, love of film and advocacy of the medium that has become one of her favorites. It's undeniable: Tacita's artistic vision exudes passion, creativity and inspiration. We explore this in depth during this episode of the Kodakery. Give it a listen and enjoy!

On Start the Week Tom Sutcliffe talks to the American writer Jonathan Franzen about his latest novel, Purity. One of Franzen's characters compares the internet with the East German Republic and he satirises the utopian ideas of the apparatchik web-users. The head of the Oxford Internet Institute Helen Margetts counters with her research on the success and failure of political action via social media. The artist Tacita Dean laments the ubiquity of digital at the expense of film, and the financial journalist Gillian Tett roots out tunnel vision - both personal and business - in her new book on silos. Producer: Katy Hickman.

In this episode we look in on the love affair between the science of atoms and fiction – from crystallographers’ most inventive models of the invisible sub-microscopic world to the atomic dramas chronicled in artist Tacita Dean’s film The Structure of Ice. We hear from Science Museum curator Boris Jardin, an expert not only on crystallography models but also on the relationship between art and science, and Emily reflects on the place of imaginative speculation in science and design with Alexandra Daisy Ginsberg, an artist and designer who makes a career of walking the line between science and fiction. See image from this episode at http://atomicradio.org.

The actor Simon Russell Beale discusses playing the role of King Lear. Derek Jarman is the subject of a season at the BFI and an exhibition Pandemonium - at the Cultural Institute at King's College London. Composer Simon Fisher Turner, artist Tacita Dean, writer Jon Savage and Director of Film at the British Council Briony Hanson appraise his career. Plus New Generation Thinkers Philip Roscoe and Jonathan Healey reflect on attitudes to the deserving poor, benefits culture and the Channel 4 series Benefits Street.

Philip Dodd is joined by evolutionary biologist Richard Dawkins speaking about his new memoir - An Appetite for Wonder: The Making of a Scientist. Plus Tacita Dean speaks about about her new film 'JG' premiering in a new exhibition of her work at London's Frith Street and theatre critic Susannah Clapp reviews 'The Ritual Slaughter of Gorge Mastromas, a new play by Dennis Kelly at London's Royal Court.

Matthew Sweet discusses the legacy of Sylvia Plath, who died 50 years ago this week, with her friend Ruth Fainlight and the poet Fiona Sampson. Tacita Dean and film maker Mike Figgis join Matthew in the studio to discuss the shift in film from traditional to digital technology and its implications. A review of The Bride and the Bachelors, a new exhibition of the work of Marcel Duchamp. And the science writer Marcus Chown and futurologist Anders Sandberg discuss the potential threats caused by two asteroids passing close to the Earth.

Professor Rosalind E. Krauss discusses Tacita Dean’s work FILM 2011, in relation to her ongoing championing of medium specificity

With Mark Lawson. Turner Prize nominee Tacita Dean unveils her newly commissioned work in Tate Modern's Turbine Hall. Her silent film is displayed on a giant screen which stretches from the floor to the ceiling of the gigantic space. Fim-maker Morgan Spurlock, Oscar-nonimated for his documentary Super Size Me, has turned his attention to product placement, marketing and advertising in movies and TV shows for his new film The Greatest Movie Ever Sold. Wearing a suit embroidered with the names of the sponsors he got on board for the film, Morgan Spurlock discusses the challenge of getting corporations to commit substantial sums to finance his project. Real Steel is a science-fiction action film starring Hugh Jackman, set in the year 2020 when humans have been replaced by robots in the boxing ring. Jackman plays a debt-ridden former boxer, who attempts to profit from illegal robot fights. Mark Eccleston reviews. And as Channel 4 announce that they are putting their popular property series Relocation, Relocation 'on ice' due to the 'current climate', and American children's TV show Sesame Street introduces a character living on the breadline - Mark talks to TV critic Stephen Armstrong about how broadcasters are responding to the recession era. Producer Georgia Mann.

Writer and critic Brian Dillon is UK editor of Cabinet Magazine, and author of the memoir In the Dark Room, and will be discussing the work of Tacita Dean on display in Drawn from the Collection.