Podcasts about Mima

Send us a textIn this engaging conversation, Bob Sorrentino interviews Mimma Scinardo from Taormina, Sicily, exploring the rich history, culture, and culinary delights of the region. Mimma shares insights on the best times to visit, the unique attractions of Taormina, and the significance of Sicilian identity. She also discusses her journey in running a bed and breakfast and her passion for helping visitors connect with their roots in Sicily.Taormina is a historic city with a rich cultural heritage.Spring and autumn are the best times to visit Sicily.The ancient theater and public gardens are must-see attractions in Taormina.Sicilian identity is strong, with locals identifying as Sicilian first.Mimma runs a bed and breakfast, offering personalized experiences for guests.Sicilian cuisine features unique dishes like arancini and almond wine.Mimma's book provides a guide for American tourists visiting Sicily.The local community is close-knit, celebrating important events together.Mima teaches cooking classes, sharing traditional Sicilian recipes.Direct flights from New York to Catania make travel to Sicily easier.Turnkey. The only thing you'll lift are your spirits.Discover and Love SicilyDiscovering Sicily is a journey that goes beyond a simple visit.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showPurchase my book "Farmers and Nobles" here or at Amazon.

Table Tennis: Tomokazu Harimoto, Mima Ito Reach World Cup Singles Last 8

Stāsta senās mūzikas pētniece, multiinstrumentāliste, vēsturisko pūšaminstrumentu pārvaldītāja Ieva Nīmane Vai zini, kā 18. gadsimta viola da gamba virtuozs Marins Marē (Marin Marais) mūzikā soli pa solim aprakstīja viņam veikto operāciju? Jau kopš viduslaikiem zinām mūziķus, kuri cieši saistīti ar medicīnu. Piemēram, Hildegarde no Bingenas, ievērojamā 12. gadsimta mistiķe, komponiste un ārstniecības augu pārzinātāja: viņas darbi par augu medicīnu tiek izdoti arī mūsdienās. Vairākas labi zināmas personības mūzikas vēsturē – piemēram, mūzikas teorētiķis Marins Mersenē 17. gadsimtā, mūzikas vēsturnieks Čārlzs Burnejs 18. gadsimtā un arī ērģelnieks un Johana Sebastiana Baha biogrāfs Alberts Šveicers savā profesionālajā darbībā apvienoja gan mūziku, gan medicīnu. Un ir daudz tiešu un netiešu atsauču mūzikā par tās dziedinošo spēku. Pieminēsim Heinriha Ignaca Franča Bībera "Rožukroņa sonātes" un vijoles stīgu pārskaņošanas izmantošanu, lai vēl spilgtāk atspoguļotu fiziskās un garīgās ciešanas un mūzikas spēju tās remdēt. Tāpat teju vai katram no mums būs kāds skaņdarbs, kas mūs uzmundrina, vai, gluži pretēji, liek ieslīgt vēl dziļākā melanholijā. Jā, mūzikas ietekme uz mūsu emocionālajiem un arī fizioloģiskajiem procesiem ķermenī ir nenoliedzama. Bet Marina Marē muzikālais operācijas apraksts tiešām ir unikāla kompozīcija. Darbs atrodams 1725. gadā izdotajā "5. grāmatā" violai da gamba ar pavadījumu, kurā apkopti 115 nelieli skaņdarbi. Un Nr. 108 "Le Tableau de l'Opération de la Taille" ir ar 14 operācijas gaitu aprakstošām un mūzikā atveidotām frāzēm! Medicīnā par litotomiju sauc ķirurģisku operāciju akmeņu izņemšanai no urīnpūšļa. Lai gan šādas operācijas tika veiktas jau Senajā Ēģiptē, 18. gadsimtā Parīzē ar to iepazīstina vairāki vadošie ķirurgi. Kā jau varat iedomāties, operācija tajā laikā tika veikta bez anestēzijas, izdarot iegriezumu un izņemot izveidojušos akmeni. Un, lai gan mirstības rādītāji šīs ķirurģiskās manipulācijas rezultātā bija 6-13%, Marins Marē tomēr piekrita veikt operāciju, jo viņam kā vienam no ievērojamākajiem karaļa Luija XIV galma mūziķiem bija pieeja pašiem labākajiem tā laika speciālistiem, kuri ārstē pašu karali. Lai gan partitūrā nav norādes par to, ka pavadošo tekstu jāatskaņo kopā ar muzikālo operācijas atainojumu, mūsdienās, izpildot šo skaņdarbu, Marina Marē detalizēti fiksētā operācijas gaita tiek lasīta atskaņojuma laikā, liekot klausītājam vēl spilgtāk iztēloties komponista piedzīvoto. Viss sākas ar epizodi "Operācijas galda parādīšanās. Trīsas no redzētā" – tā raksta Marins Marē, mūzikā to atainojot ar daudzām ātrām, atkārtotām notīm. "Apņēmība tajā nokļūt" un "Uzkāpšana uz tā" – operācija varētu sākties, bet… "Izkāpšana, apņēmības zudums" un "Nopietnas pārdomas" (Réflections sérieuses – atcerēsimies par mirstības rādītājiem!). Bet, uzticoties mediķiem, viņš atgriežas uz operāciju galda, un tā var turpināties. "Roku un kāju zīda saišu nostiprināšana" "Tiek veikts iegriezums" "Iepazīšanās ar knaiblēm" "Akmens tiek vilkts" " Balss pazūd" "Asinis plūst" "Zīda saites tiek atsietas" "Pacients tiek nogādāts guļvietā" Skaņdarbs ar Nr. 109 Marina Marē "5. grāmatā" violai da gamba ar pavadījumu ir Mimažorā, priecīgi kontrastējot ar iepriekš miminorā aprakstīto operācijas gaitu. Skaņdarba nosaukums " "Les Relevailles" – "Pamošanās" jeb "Atlabšana" – pārliecina mūs par veiksmīgo operācijas rezultātu, un mums atliek cerēt, ka pati operācija nebija garāka par tās atainojumu mūzikā…

Fabrizio Corona Riceve Un Grave Avvertimento: Lucarelli È Sul Piede Di Guerra!Fabrizio Corona insulta pesantemente Selvaggia Lucarelli durante uno spettacolo. La giornalista denuncia il clima pericoloso. Ecco che cosa è successo!#breakingnews #ultimenotizie #notiziedelgiorno #notizie #cronaca #avvertimento #conseguenze #critiche #fabriziocorona #gurulandia #mima #polemiche #sagoma #scena #selvaggialucarelli #social #spettacolo #teatro #video

Si tu veux suivre les ramadan diaries tous les jours, ça se passe ici MiMa enjoooy bb

Jakso Mima Jämsän kanssa tarjoaa katsauksen eläinlääkäriksi opiskeluun, kuoleman kohtaamiseen ja metsästyksen tulevaisuuteen. Mima kertoo uravalinnastaan ja siitä, kuinka eläinlääketieteen opiskelu on opettanut sietämään brutaaleja tilanteita, kuten eläinten lopettamista. Juttelimme myös ihmisille annettavast traumaensiavusta.

Prenez un univers de science-fiction proche de Nausicaä de la Vallée du Vent, des dessins dignes de Moebius, une touche d'heroic fantasy et saupoudrez le tout d'une romance aussi douce qu'attachante. Ajoutez à cela la patte unique de Kinaye, et vous obtenez Ish & Mima de Jules Naleb, sorti le 14 février chez nos petits chouchous de l'édition jeunesse. Cette semaine, dans ComicsDiscovery, on vous parle de cet énorme coup de cœur ! Ish & Mima On adore Kinaye et sa ligne éditorialeAvant d'entrer dans le vif du sujet, présentons à nouveau cet éditeur. Kinaye, c'est une maison d'édition indépendante fondée en 2018 par Romain Galand. Spécialisée dans les comics jeunesse anglo-saxons, elle propose des récits inclusifs, dynamiques et inspirants. On leur doit notamment Le Garçon Sorcière de Molly Knox Ostertag, Misfit City de Naomi Franquiz, Kiwi Smith & Kurt Lustgarten, ou encore Ours de Joe Todd-Stanton & Ben Queen. On en parle souvent dans l'émission, car on adore autant leurs BD que leur engagement à rendre celles-ci plus accessibles et progressistes. Parmi leurs titres déjà chroniqués en podcast et sur le site : Lumberjanes, La Fille de la Mer, Puppy Knight et The Deep Dark. Et ce n'est pas près de s'arrêter ! Jules Naleb, de l'animation à la bande dessinéeL'auteur de Ish & Mima, Jules Naleb (de son vrai nom Jules Boulain-Adenis), n'a pas commencé sa carrière dans la BD, mais dans l'animation, et pas sur de petits projets ! Son nom apparaît au générique de Love, Death & Robots, la série Netflix en partie produite par David Fincher, ainsi que du film J'ai perdu mon corps (que je n'ai toujours pas vu, mais dont le trailer m'avait marqué à sa sortie). Il a aussi travaillé sur une pépite méconnue : Scavengers Reign, une série de science-fiction sortie discrètement sur HBO Max. Si vous ne l'avez pas encore regardée, foncez, c'est une merveille ! Aujourd'hui, on s'intéresse à son travail de bédéaste. L'histoire d'Ish & MimaDans la ville-usine de Dreib, Ish & Mima vivent sous le joug implacable de la Reine Nyw'Olin. Un jour, ils décident de fuir et se retrouvent face à un Skôr, une divinité ancienne que l'on croyait exterminée par le père de Nyw'Olin. Pourtant, une rumeur persiste : certains Skôrs auraient survécu et trouvé refuge dans un paradis caché, l'Usil. Portés par cet espoir, Ish & Mima se lancent dans une quête périlleuse. Mais la Reine, bien décidée à finir ce que son père a commencé, n'a pas l'intention de les laisser s'échapper… Ce titre est une claque visuelle et narrativeDès le départ, je savais que j'allais aimer cette BD. Kinaye a l'habitude de proposer des titres de qualité, et Ish & Mima ne fait pas exception. Mais ce que je n'avais pas prévu, c'était de prendre un tel coup de massue. Les 236 pages ont filé en un éclair. Une fois plongé dans l'histoire, impossible de décrocher. À la fin de ma lecture, j'en voulais encore ! Visuellement, c'est sublime. Chaque détail est minutieusement travaillé, et l'influence de Moebius est indéniable. Certains plans rivalisent avec les plus belles œuvres de Jean Giraud. L'univers est riche et foisonnant, mais jamais écrasant. Tout est expliqué de manière fluide, sans surcharge d'informations. On se laisse porter par l'aventure, emporté aux côtés d'Ish & Mima, ressentant leur course effrénée et la découverte de ce monde fascinant. Je pourrais multiplier les superlatifs, mais le mieux, c'est encore de le lire par vous-même. Ish & Mima, c'est une aventure que vous ne regretterez pas. Foncez ! Le mot de la finComme toujours, nous vous invitons à partager votre avis avec nous ! Que vous soyez d'accord ou non, échanger avec vous est toujours un plaisir. Si vous souhaitez nous écouter en direct, rendez-vous le mardi soir à 21 h sur notre chaîne Twitch :James et Faye sur Twitch. Retrouvez nos chroniqueurs : Sophie : Découvrez ses réseaux ici Faye : Découvrez ses réseaux ici Eve : Découvrez ses réseaux ici James : Découvrez son Instagram Suivez-nous sur nos réseaux sociaux : Facebook : ComicsDiscovery sur Facebook Twitter (X) : @comicsdiscovery sur Twitter Instagram : @comicsdiscovery sur Instagram TikTok : @jamesetfaye sur TikTok Écoutez nos podcasts sur vos plateformes préférées : Spotify : ComicsDiscovery sur Spotify Ausha : ComicsDiscovery sur Ausha Apple Podcasts : ComicsDiscovery sur Apple Podcasts Deezer : ComicsDiscovery sur Deezer Retrouvez nos replays vidéo : YouTube : ComicsDiscovery sur YouTube Twitch : James et Faye sur Twitch Pour nous soutenir :Vous aimez notre travail ? Vous pouvez nous aider sur Tipeee ! Rejoignez-nous sur Discord :Venez discuter avec nous sur notre serveur Discord :Rejoindre le serveur Découvrez nos autres productions :Retrouvez toutes nos productions et articles sur notre site officiel :James & Faye

Dans la foulée de notre récente interview de Jules Naleb pour la sortie de Ish & Mima, nous poursuivons nos émissions en allant cette fois discuter en tête à tête avec Romain Galand des éditions Kinaye. En effet, notre série "bilan 2024/perspectives 2025" n'est pas tout à fait achevée (mais quasiment), et ici, on veut que toutes les maisons d'édition aient droit à leur émission. Alors, embarquons sans plus tarder !Comics, création et... jeu vidéo ?!Nous avons retrouvé Romain Galand peu de temps après le FIBD pour pouvoir faire le bilan de l'année dernière, avant de faire le point sur les premières sorties de 2025, et regarder quels seront les gros projets à venir pour les prochains mois - et même sur le temps un peu plus long. C'est à dire que chez Kinaye, on met les bouchées double, sinon triple, du côté de la création originale, mais aussi... du jeu vidéo, hé oui ! On vous laisse écouter cette émission pour en savoir un peu plus !Si vous appréciez notre travail, nous avons besoin de soutien alors ne manquez pas de le faire savoir, histoire qu'on se trouve un peu de motivation à poursuivre ces émissions. Vous pouvez parler de nous à vos proches fan de bande dessinée, à votre libraire ou autres professionnels du milieu, sur vos réseaux sociaux, etc. Et vous pouvez aussi nous soutenir sur notre Tipeee ! Très bonne écoute à vous et à bientôt pour le prochain podcast !Soutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A recent study suggests that long-term yogurt consumption, which typically contains a genus of probiotic Bifidobacterium, is associated with a 20% decreased incidence of colorectal cancer. Listen in this week as Dee explains how Bifidobacterium works in the gut, why it may protect against the formation of tumors, and how much yogurt you need to eat each week to get the same amount reported in the study.References:Ugai, S., Liu, L., Kosumi, K., Kawamura, H., Hamada, T., Mima, K., Arima, K., Okadome, K., Yao, Q., Matsuda, K., Zhong, Y., Mizuno, H., Chan, A. T., Garrett, W. S., Song, M., Giannakis, M., Giovannucci, E. L., Zhang, X., Ogino, S., & Ugai, T. (2025). Long-term yogurt intake and colorectal cancer incidence subclassified by Bifidobacterium abundance in tumor. Gut Microbes, 17(1). https://www.tandfonline.com/doi/full/10.1080/19490976.2025.2452237Link to Probiotics: https://amzn.to/41jCNyP

En ce jour de la Saint-Valentin, nous sommes ravis de vous proposer une nouvelle émission de notre format SuperFriends, qui donne la parole aux personnes qui font vivre la culture BD/comics par leur travail - et donc généralement les auteurs, autrices et artistes. Pourquoi ce jour ? Car la BD dont nous allons parler, Ish & Mima, est un vaste récit qui brasse fantasy, science-fiction, et... romance. Et puisque son auteur, Jules Naleb, aime à parler d'amour quand il parle de son travail sur cette première (imposante) bande dessinée, nous lui avons promis que ce serait notre cadeau de St-Valentin à vous tous et toutes, qui nous écoutez !Venez découvrir Ish & MimaNous avons qui plus est enregistré ce podcast dans la salle des mariages de l'hôtel de ville d'Angoulême, pendant le dernier FIBD. Toutes les étoiles sont donc alignées pour faire de ce podcast une ode à l'amour, mais surtout à Ish & Mima, superbe album qu'on ne pourra que vous recommander. Le SuperFriends ne spoile pas d'éléments majeurs de l'histoire et s'intéresse surtout à la conception du récit et son intégration dans Aeon World, un projet d'univers très ambitieux pensé par Jules Naleb. On vous laisse découvrir tout cela à l'audio !Vous pouvez commander Ish & Mima à ce lien !Si vous appréciez notre travail, ne manquez pas de le faire savoir. Soutenir et partager les émissions nous aide autant que les personnes qui y sont invitées. Mettez des notes, commentaires sur les réseaux sociaux et plateformes d'écoute, et ne manquez pas de nous soutenir aussi via Tipeee si vous le pouvez ! Merci de votre écoute et à bientôt pour le prochain podcast !Soutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Mima…

Mind control, murder, and Mima.  We continue Anime 'Anuary with a film that you do not want to watch with your family.Thomas moved from art direction at Disney World, to creating entertaining comic books, podcasts, and toys riffing on conspiracy theories.  Check out his stuff here:https://www.paranoidamerican.com/Please subscribe, review, and rate us on all the podcatchers.  And if you're Scrooge McDuck, throw a bob out to Patreon:https://www.patreon.com/podcastiopodcastiusMatt makes lots of music.  Brand new ones include the binaural head trip of "Mid-Century Modern," and the acid-folk of "Into the Faerie Mound." Have a listen:https://rovingsagemedia.bandcamp.com/The rest of Anime 'Anuary:Summer WarsYour Name Then on to:Ratatouille

Un Dilo Camilo con musica de SecoSecoSeco, Tall Juan, Mima, Davila 666, La Perla, Zambi, Chiquita y Chatarra, Hablan Por la Espalda, Amarillo Fiesta, Pumuky, Big L y muchos mas.Escuchar audio

L'actu culture-média de ce lundi 06 janvier : Les Golden Globes et le triomphe du film Emilia Perez Le Golden Globe du meilleur film a été attribué à The Brutalist On a appris hier lé décès du scénariste et réalisateur américain Jeff Baena Le musée Mima à Bruxelles a définitivement fermé ses portes hier C'était une figure atypique dans le monde du spectacle, Howard Buten, connu pour son personnage "Buffo", est décédé ce weekend Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Carlos Moreno 'El Pulpo' empieza esta primera hora del programa, en el temazo, hablando de solidaridad. Se acerca la Navidad y nos gusta comprobar cómo se ponen en marcha ciertas iniciativas de ayuda a los más necesitados, a las personas vulnerables. Para ello charlamos con Silvia que es taxista y nos habla de la campaña que cada año hacen en estas fechas. Y también hablamos con Natalia de la asociación "Mima mis mayores" porque hacen reparto de mantas por hospitales de la Comunidad de Madrid

Aujourd'hui on accueille la toute première invitée EVER sur le podcast, j'ai nommé : Camélia aka @mimabycami !! Je suis tellement heureuse de faire cet épisode à ses côtés. On parle confiance en soi, santé mentale, relation amoureuse et pleins d'autres sujets... À vos écouteurs ! Bisoussss Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mima Ito Eliminated in 2nd Round of World Table Tennis Champions Frankfurt

U novoj epizodi podcasta Pank Trepezarija, Minel Abaz Mima i Arnel Šarić pričaju o odlascima u pozorište, ubistvima u Novom Sadu i komunikacijskom suicidu SDP-a. Ovo je zbornik radova o političkoj odgovornosti koji Mima spominje. Sad smo na Twitteru: https://www.twitter.com/panktrepezarija  Podrži nas na http://www.patreon.com/arnelsaric  Pišite nam na radijo@onajkojikuca.com Prijatelji Pank Trepezarije: PiBrewery Shop Print Mania Slušaj gdje god i na www.onajkojikuca.com Disclaimer: Svi stavovi izneseni u podcastu su isključivo stavovi onoga ko ih iznosi. Kompanije navedene kao prijatelji podcasta promovisane su na inzistiranje voditelja Arnela Šarića, u sklopu inicijative promovisanja kvalitetnih bh. proizvoda malih biznisa, te one mogu i ne moraju podržati stavove iznesene u ovoj ili bilo kojoj drugoj epizodi podcasta Pank Trepezarija.  Isto tako, tim Pank Trepezarije ne odgovara za proizvode, aktivnosti ili djelovanja kompanija koje su navedene kao prijatelji podcasta.  

Katerina Vollten at Legal Aid Works, Joey Kirchgessner with Woerhle, Dahlberg, Yao, UMW Director of Jazz Studies Doug Gately, and UMW students Jacob and Mima.  Jazz4Justice is November 2nd at 7:30 at Dodd Auditorium.  Tickets at the door or legalaidworks.org/jazz4justice    

Dida a Mima sú sestry. Rané detstvo prežili vo veľmi náročných podmienkach, boli to tuláčky odkázané samy na seba. V roku 1980 sa dostanú do detského domova. Rozprávačka Dida opisuje svoj život najskôr v diagnostickom ústave, neskôr v detskom domove a s predstieranou ľahkosťou vykresľuje deti aj dospelých, ktorí sa stali jej veľkou rodinou. Vo finále však nie je zásadným zlomom strata rodičov, ale tragédia, ku ktorej došlo na prelome rokov 1989 a 1990. Po nešťastnej udalosti, keď na školskom výlete zmizne dieťa, sa pozornosť presúva na hlavného vychovávateľa a jeho život. Tento zážitok ovplyvní celé ďalšie smerovanie protagonistky, na konci rozprávania je to štyridsaťročná osamelá žena, ktorá pracuje ako opatrovateľka. Publikáciu z verejných zdrojov podporil Fond na podporu umenia. Číta: Zuzana Jurigová Kapráliková

Como mimo ha presentado su espectáculo de calle desde hace 40 años en la plaza de Coyoacán y otros países como Canadá, Bélgica, Francia, Bulgaria y Eslovaquia.Intérprete mexicano, bailarín con una especialización de actor corporal en Montreal, Canadá. Maestro de Mima corporal desde 1998. Integrante de compañía Onírico ganadora de dos premios de danza INBA UAM, presentando sus obras en México, Argentina, Estados Unidos y China.

The Middlesbrough Institute of Modern Art have an exhibition exploring how disabled, d/deaf and neurodiverse artists experience the world. Amelia spoke to the artistic director Elinor Morgan and blind artist Aaron McPeake to learn more. MIMA, Middlesbrough Institute of Modern Art, is part of Teesside University. Find out more: https://mima.art/ Learn more about the exhibition on the MIMA website - https://mima.art/exhibition/towards-new-worlds/ Learn more about Aaron on his website - aaronmcpeake.com/

A tavola non si invecchia e anzi si allunga la vita. La nostra salute è fortemente condizionata dalle nostre scelte alimentari che hanno un ruolo determinate nell'insorgenza di gran parte delle malattie croniche. Per stare bene e a lungo come fare? Ne parliamo con il professore Valter Longo, docente di Biogerontologia e Direttore dell’Istituto sulla Longevità alla University of Southern California Davis School of Gerontology di Los Angeles, uno degli istituti più importanti per quanto riguarda la ricerca in materia di invecchiamento. Con l’esperto parliamo della dieta mima digiuno.

Lo boys comentan como Black Myth Wukong ta rompiendo el internet, todito lo juego anunciados en Gamescom, aventuras en los mares, questlines malo de la final fantasy, y así

Immediate actions to take if you're victim of a data breach, using a 3D printer to build an entire home and checking back in with the co-owner of Mima's Taste of Cuba.

How to Survive is now on Patreon! Support us at Patreon.com/HowtoSurvivePod to get every episode one week early, plus monthly bonus episodes and more. It's episode 289…and you're tarnished and filthy. Perfect Blue (1997) follows the story of Mima, a Japanese pop idol who gives up singing at the advice of her management in order to pursue an acting career instead. What follows is a descent into paranoia and doubt as Mima begins to lose track of who she is, all as mysterious murders occur in her vicinity. Part one of Anime Horror/inspiration for legally distinct Hollywood movie season kicks off with a bang, as we discuss an artful treatise on the nature of identity, the often problematic sexualisation of young women in Japanese media, whether truck drivers should be more urgent with braking and well-trodden path of Disney actor to sexually explicit pop star. All of which leads to one question: How would you survive? Whatever happens, one thing's for sure: illusions can't come to life. Next time on the main feed, we're watching another Satoshi Kon staple with Paprika (2006), while it's Red Dot (2021) on the Patreon bonus feed.

Dnes sa k nám posadila kaskadérka a trénerka filmových koní Mima! Ktorá aj so svojím manželom a dvoma koňmi bojujú, skáču a padajú, horia a umierajú v známych filmoch. Celé video môžete vidieť na https://youtu.be/CdIbGvEqJCc Alebo sa pripojte na Toldo, kde dávame zadarmo aj nejaký bonusový obsah ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://luzifcak.tol.do⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prípadne nás môžete pozvať na kávu na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/luzifcak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Náš dnešný hosť je https://www.instagram.com/miroslava_tomsikova_mima_stunt/ Môžete nás podporiť aj kúpou Merchu ►►► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Luzifcak.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Všetky dôležité odkazy nájdete aj na linku ►►► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://luzifcak.bio.link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ UPOZORNENIE: Toto je komediálny podcast dvoch komikov, ktorí sa niekedy viac a niekedy menej úspešne snažia každú situáciu premeniť na vtip a nenavádzajú nikoho na nič nesprávne. Všetko, čo je v ňom povedané, je humor a nemalo by byť brané doslova alebo nebodaj vážne. Obsahuje vulgarizmy, satiru a zvieratá chované v zajatí. Akákoľvek podobnosť postáv z našich príbehov so živými je čisto náhodná. Sledujte len po dovŕšení dospelosti alebo so súhlasom rodičov. V prípade výpadku celkovej kamery môže fotosenzitívnym ľuďom spôsobovať epileptický záchvat, vegánom zvracanie, mäsožravcom hlad a národovcom svrbenie. Kubov hlas môže vyvolať rezonovanie stredného ucha. Vlastne by to nemal pozerať nikto.

Synopsis Perfect Blue follows the story of Mima, a pop star who turns her life around to become an aspiring actress. As she goes deeper into her role on a crime thriller tv show, she realizes that someone might be stalking her. The line between reality and acting becomes thinner and thinner as the anxiety of fame and her potential stalker rise. Review This movie is impeccable. Director Satoshi Kon forces the viewer to descend into Mima's madness by blurring the line between real and fantasy throughout the course of the film with quick cuts, disorienting scenes, and an overall sense of unknowingness. Making an anime horror film be this good, this widely received and revered is no easy feat, but Kon makes it look like a cake walk. This is one of my favorite movies of all time, and one of my favorite directors of all time. The sense of dread, doom, and anxiety get bigger and bigger until it all comes to a head at the end of the movie. It is emotional, thrilling, scary, and hard to follow, but that is what makes it perfect. Perfect blue. Get it. Haha Score 10/10

Lecciones de vida con mi mamá! Un diálogo inspirador ❤️ "¡Estoy emocionada de estar de vuelta para la tercera temporada de mi podcast, ahora en formato audiovisual! Cada episodio será un viaje profundo y emocionante. Juntos exploraremos temas inéditos y conversaciones reveladoras que no querrás perderte." ¡En este primero, tengo a la mejor invitada del mundo: mi mamá!

¡Bienvenidos a la 4ta temporada de Expediente Terror! Este podcast dedicado a todo lo relacionado con la cultura del terror, la fantasía y la ciencia ficción. En este episodio: Joshep Juárez, Fernando Armenta y Esteban Castellanos platican un poco sobre la opera prima del maestro Satoshi Kon: "Perfect blue", un thriller psicólogico en el que la joven Mima se ve acosada por un fan obsesivo y por su doble fantasmal después de haber dejado el grupo idol del que formaba parte para iniciar una nueva etapa como actriz. Recuerden que también pueden leer reseñas, artículos, creepypastas y algunas cosas más en el siguiente enlace: ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.historiascondenadas.wordpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tampoco olviden visitar nuestras redes sociales: ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/expedienteterror⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/expediente_terror/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Y ahora pueden leer la primera novela de Esteban Castellanos en Wattpad: ⁠⁠⁠https://www.wattpad.com/story/320330026-cr%C3%B3nicas-de-luna-1-el-llamado⁠⁠⁠ Música: October 31st by Nicolas Gasparini (Myuu) Devour by Nicolas Gasparini (Myuu) ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/myuuji⁠

Welcome to this Bonus Episode of PATTERN PORTRAITS in collaboration with MIMA!Lauren Godfrey chats with artist Jacqueline Poncelet on the occasion of her exhibition ‘In The Making' at MIMA, Middlesbrough Institute of Modern Art.We chat about intelligent risk taking, the importance of travel for Jacqui and the visual beefy soup of the world around us!Artist Jacqueline Poncelet graduated from an MA in ceramics from The Royal College of Art in 1972 and garnered a broad following in the international ceramics scene in the 70s and 80s, Jacqueline is an artist whose career spans 50 years and now explores ceramics, painting, sculpture and textiles as well as large scale public commissions. Her work varies from tiny and hand held to vast in scale, wrapping Edgware Road Underground station in a symphony of patterned vitreous enamel in 2012.Pattern is at the crux of all she makes, whether it's subtly impressed into bone china forms, spliced together in carpet swatches covering the floor, or woven into tactile blankets depicting the seasonal colour shifts of the hills of South Wales.This episode of Pattern Portraits is in collaboration with MIMA, Middlesbrough Institute of Modern Art which is part of the School of Arts & Creative Industries at Teesside University. Jacqueline Poncelet's solo exhibition ‘In The Making' is on view there until 23rd June 2024. I highly recommend a visit, this stunning show envelops the breadth of Jacqueline's practice over the past 50 years. Taking a thematic approach, it presents new reflections on work from different eras of Poncelet's practice. This exhibition is her largest to date and is supported by Freelands Foundation and The Henry Moore Foundation. MIMA and Jacqui won the prestigious Freelands Award in 2021 which recognises the work of a midcareer woman artist who has not yet received the acclaim their work deserves.I urge you to go and see the show and you will be rewarded with a feast of pattern!Jacqui has chosen patterns across many forms, a painting - Edouard Vuillard, Interior, Mother and Sister of the Artist, 1893, a ceramic platter by Janice Tchalenko, a Japanese Kimono acquired whilst in Tokyo and a Welsh coat.You can see all these patterns and more on instagram @patternportraitspodcastThe PATTERN PORTRAIT print artwork to accompany Jacqui's interview and featuring the patterns we discuss is available to buy now at www.laurengodfrey.co.uk and via the MIMA shop.Season Two will be coming soon, follow @patternportraitspodcast to stay in the loop! Hosted on Acast. See acast.com/privacy for more information.

Mima's Room: Satoshi Kon's Perfect Blue  This week we thank long time listener and Buy Me a Coffee supporter, Cornelius Burroughs with a viewing and discussion of Satoshi Kon's Perfect Blue. Mr. Burroughs was kind enough to gift me a blu-ray copy of this Classic Japanese Anime many years ago . . . I have finally made the time to watch it and am eager for listeners to hear our admiring, problematic, and conflicted opinions of this film. This is a great discussion that has forced - at least this moviewatcher - an intense critical and psychological understanding of cinema, genre, format, and expectations. Mr. Chavez and I dive head first into this wonderfully telling and suprising (for us at least) experience. Take a listen and let us know what you think (gondoramos@yahoo.com), and - once again - thank you Mr. Burroughs, You Are Appreciated.  For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated from you Cheap Bastards.

Can novels and, by extension, other works of art help us to think about money and trust in new ways? Could embracing alternative perspectives on trust and money help us to avoid climate catastrophe? Rob Hawkes shares a new version of a talk previously presented at the Middlesbrough Institute of Modern Art as part of the One Fifteen at MIMA series of public talks. Highlighting the financial barriers often assumed to stand in the way of local, national, and global efforts to advance ecological and social justice, Rob situates the trust inherent in the act of money creation as much closer than we usually think to the trust fostered and demanded by experimental fiction. If “storytelling” is another word for “accounting,” then maybe we can learn to tell the story of money in new ways, and perhaps this can help us to save the planet.Music: "Yum" from "This Would Be Funny If It Were Happening to Anyone but Me" EP by flirting.flirtingfullstop.bandcamp.com/Twitter: @actualflirting

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, Founder of Rubber Cheese.Download the Rubber Cheese 2023 Visitor Attraction Website Report - the annual benchmark statistics for the attractions sector.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcast.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this podcastCompetition ends on 29th March 2024. The winner will be contacted via Twitter. Show references: https://www.linkedin.com/in/emily-rose-yates/https://mimagroup.com/https://mimagroup.com/the-redesign-podcastDownload: VisitEngland Accessible and Inclusive Tourism Toolkit for BusinessesEmily Yates is a wheelchair user with cerebral palsy living in Glasgow, Scotland. She loves to write, travel and is a real pink hair enthusiast. Emily has over a decade of experience as an accessibility consultant. Now the Head of Accessibility and Inclusive Design at Mima, Emily has worked with large transport, culture and heritage and global events organisations such as Heathrow Airport, COP28, the Science Museum Group and the Rio 2016 Olympic and Paralympic Games to further their physical, social and digital accessibility measures.She has also worked with the Council of Europe, international travel networks, and sat on equality boards advising various sporting, transport and travel organisations on their access and inclusion agendas.Emily frequently presents and writes on disability issues, having fronted several documentaries for BBC Three and written for the Guardian, the Independent and Telegraph Travel. She also authored the Lonely Planet Guide to Accessible Rio de Janeiro.  Transcription:  Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host, Kelly Molson. In today's podcast I speak with Emily Yates, Head of Accessibility and Inclusive Design, at Mima.Mima worked alongside Visit Britain to co create the Accessible and Inclusive Tourism Toolkit for Businesses, which aims to act as the resource for travel, tourism and hospitality organisations.Emily and I discuss how it was created, why it is such a vital resource, and how it will evolve over time.If you like what you hear, you can subscribe on all the usual channels by searching Skip the Queue. Kelly Molson: Hi, Emily. It's lovely to have you on the podcast today. Thanks for coming on and joining me and at very short notice, too. Appreciate it. Emily Yates: Not at all. Thank you so much for having me. It's a real pleasure to be here. Kelly Molson: Well, we're going to have a good chat today. I'm looking forward to this. Right, I am going to start my icebreakers with this question for you. Have you ever been told off by a security guard for touching anything in a museum that you should not have been touching? Emily Yates: What a great question. I don't think I have, but something that immediately comes to mind. It was a very embarrassing moment that I had at the Museum of the Future in Dubai a few months ago, where I touched something that I shouldn't have done. And what it was there was an interactive kind of tabletop interactive going on, and there were groups of people from all over the world who were visiting this museum and there was this one couple who were trying to sort their wristband to make this interactive work and I just figured that they couldn't do it. So I put my wristband on to help them and I changed all the information to me and they were so annoyed to me, in a massive grump.Emily Yates: Yeah, they just thought that I'd, like, nicked all of their information and their opportunity to do this activity and I was just trying to be helpful. Kelly Molson: That's the actual digital version of skipping the queue, basically. You wristbanded them out of the way. Emily Yates: I totally did. And the worst thing was that were on this group tour, so I had to stay with them for the rest of the tour.Kelly Molson: They were with you. That's a little bit awkward, those group tours, aren't they? Because you never know if you're going to like anyone or if ones are going to get on your nerves. So you just made it even more awkward than it needed to be. Emily Yates: There you go. Kelly Molson: Right. I love it. Okay, there's a three parter to this question, but it's a good one. And actually, thank you, whoever sent this one in, because I genuinely can't remember who sent me this one, but I really like. It's the first time that I'm using it, too. Okay. So they say the formula for visitor attractions is one, a great view, two, a great brew, and three, a great loo. So I want to know where you've encountered your best three of these. They can be different. So best view? Emily Yates: Best view, I would have to say. Can it be international? I would have to say Sugarloff Mountain, Rio de Janeiro. Kelly Molson: Wow. Emily Yates: Absolutely incredible view. Yeah. Like nothing else. Best brew. Oh, I'm trying to think of somewhere that has a great cafe, the V&A Museum in Dundee has a brilliant cafe that also has a great view, I have to say.  That would be my best brew.Kelly Molson: We like that one. And then three best loo. Emily Yates: Best loo. It would have to be somewhere that has a changing places toilet. And of course, I need to say that being an access consultant, I'm trying to think where does. But I know for certain that a client I'm working with, the National Science and Media Museum in Bradford, has one about to be kind of refurbished and all sorted. So I would say there. Kelly Molson: Excellent. Good choices as well. I love that you've got a Dundee one in there that was like two out of the three. I mean, there you go. There's a challenge for them. If they can up their game, they can get that third one from you as well.Emily Yates: Yeah, absolutely. Kelly Molson: Nice. All right, what's your unpopular opinion? Emily Yates: Oh, my unpopular opinion? Both heels and handbags are overrated. As a wheelchair user, I have never, ever worn a pair of high heels in my life. I'm 32 years old, so I think that's quite an accomplishment. And also pushing all the time. Unless it's a cross body one, I can never hold a handbag, so, yeah, I'm a Converse and rook sack girl all the way. Kelly Molson: Right. Because, yeah, it would get in the way, wouldn't it? You need to kind of have it across and then, I guess, tucked in a little bit and then what's the point of having something fancy if you're going to just.Emily Yates: Exactly. Kelly Molson: I mean, I'm kind of with you. I'm not a wheelchair user. However, my feet were not designed for high heels at all. I'm a flat scale all the way. Emily Yates: Maybe not. Unpopular opinion. Maybe there's just two camps, two very distinct camps, isn't there? Kelly Molson: I think probably two camps, but I don't think this is an unpopular opinion. Even in a camp of people that could actively wear those heels and might want to. I still think that there's a.Emily Yates: There's a secret loo. Wish we didn't have to. Maybe I'm in a lovely position, that I've got a lovely excuse. Kelly Molson: Never had to think about this. Never had to squeeze your tiny feet into those awkwardly pointy, evil contraptions. Right, let's see. Well, let's see what everyone on Twitter has got to share with us on that. Thank you, Emily. I want to find out a little bit about. Well, I want to find out a little bit about your role and your background and then tell us a little bit about Mima as well. Emily Yates: Yes, sure. So, I am a wheelchair user. I was born with cerebral palsy. I'm, as you can probably tell from my accident, from a little town called Skipton in North Yorkshire. And I'm also a twin, and my twin lives in Spain now, so she's got the sunshiny life. There's definitely a tan difference between the two of us now, for sure. And I've always worked in the world of accessibility and inclusive design, from leaving a university, really. And it's led me to amazing opportunities to be able to travel a lot, to be able to see, I guess, the importance of my capabilities as a disabled person, rather than just my limitations as a disabled person. And I've brought that into my professional work as well as my personal life as well. So I now work for an amazing human centred design agency called Mima. Emily Yates: It stands for Micro and Macro, so details and then zooming out into the big picture, looking at that end to end journey. And I head up the accessibility and inclusive design team there. So whether you're talking about airports or train stations or of course, museums and galleries or even global events and sporting events, we look at auditing, facilitating lived experience, user groups, standards, policies, disability awareness training, all of that good stuff, and bring our design expertise into wider projects with us as well. And it's brilliant. Kelly Molson: That's how we got chatting, isn't it? Because you've worked with a really broad. We work with a hugely broad range of clients, as you've just said. But I think David and I started talking somebody I can't remember, it was a good friend of mine, it was Jo Geraghty. She introduced us because we had visitor attractions and kind of heritage and culture organisations in common. So we had a brilliant chat about this and then we had a chat and then this project happened that you've all been involved in, which is amazing. So this is what we're going to talk about today. Now, you'll probably agree with this, but I think when it comes to accessibility and inclusivity, I think it's fair to say that kind of travel tourism organisations, they want to do the right thing. Kelly Molson: There's a real desire to be able to do the right thing, but they often don't really know what that is and where to go and find the support to be able to do those things, like where do they start looking to kind of understand the checklist of things that they need to go through to make sure that their venue is accessible. The Visit Britain Accessible and Inclusive Tourism Toolkit for Businesses aims to change that. Kelly Molson: I saw Ross Calladine, who's the Accessibility and Inclusion Lead at VisitEngland, speak about this a while ago, before it had launched. He was speaking at a Visit Hearts networking event that I went to. It is an incredible resource for the sector. Like, absolutely incredible. I've had a really deep dive into it and it is so useful and so full of incredible information. But you and Mima have been involved in putting this together with them? This has been a joint project. Emily Yates: Yes, absolutely. So we were the toolkit authors and I feel very honoured to have worked with Ross and Hannah at VisitEngland for the last year know. They're just a wonderful client and we've got on really well. And Ross, as you will probably know from hearing him speak, absolutely has his heart in the right place when it comes to accessibility and inclusive design. But I think really importantly as well, has his finger on the pulse of the business benefit of this, which of course is really important. And you very rightly said there that a lot of especially small to medium sized businesses want to do the right thing, but often don't know where to start. And quite a lot of the time that's to do with budget, it's to do with time, it's to do with resourcing constraints, all of that stuff. Emily Yates: And what we really wanted this toolkit to do was to provide some holistic tips and advice for those businesses that actually says, “We understand the limitations that exist.” We understand that it's not possible to just click your fingers and magic up a changing places, for example, that were talking about earlier. But it is possible to think about your staff training, your recruitment, your policies and your processes. Things like making sure that your access routes are clear of seating and clutter. Simple things that make a huge difference. But of course, I said seating clear of access routes, but of course there needs to be seating somewhere as well. That's really important. But these quick wins that you can make, that will make a huge difference to people. It's not always about just installing a really expensive piece of equipment. Emily Yates: It's understanding those holistic changes that you can make that will make a huge difference. And the toolkit covers so many different sections. It provides some information about the purple pound. So the spending power of disabled people in their households, which is worth, I think, 274,000,000,000 pounds per year to UK businesses alone. So that's what you're missing out on if you're not physically or digitally accessible. And then the toolkit also covers the different impairments and medical conditions that you might need to know about how to best provide that inclusive welcome that can often not cost anything at all. It's just about changing your mindset. Emily Yates: And then we talk about the importance of inclusive marketing, changes in the built environment, employing more inclusively, and then the next steps to kind of continue the all encompassing journey that can never really be finished, but will hopefully provide people with stand them in good stead for a future that's a bit more accessible. Kelly Molson: I guess that goes for the toolkit as well. This is going to be something that is never finished too, because it's always going to change and evolve depending on what the needs and requirements are. How was it created in the first place? What was the process that you had to go through? Because this is, know what you've just described. I mean, the resource is phenomenal, it's vast, the things that you can understand and go through with this documentation. So that in itself will have been a mammoth task to have pulled together. How did you work with VisitBritain to do that? Emily Yates: So the first thing that was quite important was thinking about what each of the resources were going to look like. So what I've just gone through there is the more holistic toolkit, the main piece, if you like. But in addition to that, we've also got documents that have 20 top tips for businesses. We've got action checklists where people can almost say, “Right, I'm going to make sure I've provided something in particular for an assistance dog, for example”, and put a timeline of when they're going to do that, give ownership to a certain member of staff, of appeasing that checklist, and then carry on that way. So there's also some action checklists and there's also some technical guidance as an appendix as well. Emily Yates: So the first thing was really thinking about what information do we want to provide and how are we going to segregate that information, so it isn't awfully overwhelming and is actually actionable. And then the second thing was making sure, and probably the most important thing was making sure that we'd co-produced this information and consulted with the correct people. So we've consulted with over 30 disability charities and disabled people's organisations, also trade associations as well as independent reviewers. So everybody from the Business Disability Forum who gave us some great advice in terms of inclusive employment, to self catering trade associations, to museum trade associations, theme parks and things like that, there's so many people that got involved with this and gave us some advice. Emily Yates: And also we wanted to make sure that the information wasn't just actionable, but it was really relevant as well. So we've also created lots of different case studies within the toolkit. So whether that's more independent small farms who've done something amazing in terms of their volunteering and how that can be more inclusive to a local pier, for example, that's made something that, let's face it, in the built environment, isn't all that accessible sometimes. They've made changes to help that out. Emily Yates: We've added those case studies. So as you're reading through the information and learning lots, you're hopefully able to also read something that's quite relevant, that almost sparks that interest and that aspiration and gives you an opportunity to think, “Okay, I can do that. This might be who I might get in touch with and this might be the action I take.”Kelly Molson: Yeah, I love that. The case studies make it so relatable to different scales of organisation. And I think what I found was it was quite inspiring, actually, that, okay, it's a pier. There's always going to be some challenges with accessibility. However, we have gone to these efforts to do these things. So you might have a checklist of 30 things you might be able to cover off, 20 of them, ten of them you're never going to be able to do. But to be able to read and go, “There's still so much that I can do. Even though I don't have something that's all 30, I can still do these things and make it significantly better for a much wider range of people that will be able to come and use these facilities now.”Emily Yates: Absolutely, 100%. And we wanted to make sure that people really got that feeling and they were encouraged by the information rather than overwhelmed by it. And I think one thing that's also really important is that, let's be honest, when it comes to accessibility, we all think about wheelchair users and we all think about step free access, which is great for me as a wheelchair user. But actually it's not always about providing step free access or installing that really expensive lift. How can you think about the colour palettes that you're using to make sure that there's enough tonal contrast for somebody who's visually impaired, but it also provides an appropriate sensory environment for somebody who's neurodivergent? These are things that are so often forgotten or put down the priority list. Emily Yates: And these are the things that we wanted to say, "Okay, you can do these in a way that doesn't break the bank, that doesn't take all the time, but makes all the difference to a certain group of people."Kelly Molson: Do you think that they are harder to associate with because you can't see them? I mean, with the wheelchair it's a very obvious. You can see that person has a disability, you can see that they will need something very specific from you to be able to use your platform. But with some of these other things, you just can't see that trigger. So you don't think to think about it? Emily Yates: Absolutely. Yeah. I think one of the really pivotal points that we have in the inclusive design industry now is thinking about things that are less visible. So somebody who has dementia, for example, that might find really dark flooring looking like a black hole and might really struggle to go into that museum environment that's particularly dark. Thinking about that is just as important as how wide your doorways are. But as you've very rightly said, are so often not thought about or not correctly understood is probably the more correct way of saying it. Kelly Molson: You mentioned earlier about some monetary value for organisations to do this, but why is this such a vital resource from someone like you who has lived experience of this as well? Why is this so vital? Emily Yates: I think it's really vital because it's specific. First of all, so we've created something specific to people within that tourism travel attractions industry. In fact, we've focused specifically on accommodations, attractions, food and beverage and events. There are four main areas that we focused on. So what I really like about it is you read through as somebody who works in one of those businesses and everything is relevant to what you do, and I think that's really important. So often you look at accessibility resources and they've tried to cater to a huge audience and actually made a bit less relevance by doing so. I think that makes it really vital and a really innovative resource actually. By doing so, I think another thing is it allows you to focus on that end to end journey in its entirety. Emily Yates: So if you feel like you're doing really well in the accessibility that you offer your customers, for example. But you want to focus now more internally on, "Okay, what's my culture look like? How inclusive can I be as an employer? What about my marketing? What about my website? I focused on the built environment, but what about what the information I'm putting out there?" All of that information is in there as well. So regardless of where you are on that accessibility journey, I'd like to think that there's something for you within that toolkit. Kelly Molson: There absolutely is as well. You definitely need to go and download it. So we're going to put a link directly to it in the show notes for the show as well. So don't worry about rent searching for it, just go to the show notes. You will find it very easily. How is it going to evolve? Because we said this is not a static thing. It's out there now. Needs requirements are going to change, policies are going to change. What does the roadmap for it look like for the next kind of couple of years, five years down the line? Emily Yates: So I'm doing quite a lot of work with Ross at the moment to think about how we're making sure that people are aware of it and they know exactly how to use it as a tool. Because, of course, with anything like this, it's all well and good writing it, but really it's only as successful as its uses. So we've gone already to the AA and the VisitEngland assessors who go into different hotels and restaurants and review these, and we've made sure that they're aware of the toolkit. We've given them a bit of a presentation and a few exercises on how to use it. We're going to do similar with visitor attractions as well. And then Mima. We've got a bit of a contract with VisitEngland for the next couple of years that focuses on providing updates to this toolkit. Emily Yates: So we will be going out and training different people, but also we really want people to write into us and give us feedback and tell us where they think certain improvements could be made or if they've got a great case study of something that's only happened a couple of months ago. All these things, we want to hear about them so we can make sure that it continues to be an updated, best in class resource. Kelly Molson: Oh, that's good. I love that little shout out. Right, if anyone's listening and something good has happened, you've got something to shout about. You know how to contact Emily. We'll put a link to Emily's LinkedIn profile on here so you can give her a shout out and about. And what do you hope that it's going to achieve? What do you hope that this will bring? Emily Yates: Oh, that's a great question. I think the number one thing I hope, and this is probably quite a personal, selfish plea, is that I hope it encourages businesses to be honest about where they are in their journey. By that, I mean it is no good somebody calling you up and saying, "Hi there. Do you provide step free access and accessible parking?" And you going, "Oh, yes, we do. That's absolutely fine." And somebody like me getting there, and there's five steps up to the front door. There's nothing heroic about not being honest about where you are in your journey. It just complicates matters. Emily Yates: So what I would really love businesses to have the confidence to do is have a statement on their website that details exactly where they are on that journey, is really honest about the things that they've done well, the things that they're still improving, and therefore gives disabled people, older people with access requirements in general, that autonomy to be able to make the decision for themselves, whether this place is suitable for their needs or not. And I think if we can master that and if businesses can do that would be an incredible thing for the industry in general. Emily Yates: And it puts, as I say, that autonomy back on disabled people, back on the audience to say, "Right, this is great, I'm going to go here, I'm going to tell all my friends about it, and this could be a great case study for this business to learn a little bit more from, et cetera."Kelly Molson: That is such an important message, isn't it? The message of honesty? Because that seems like a really simple thing to do. Okay, look, none of us are perfect. None of us are perfect. We all have a long way to go to make things as accessible as they need to be. However, this is where we're at. We've got this. We're back to our checklist again, aren't we? This is our 30 step checklist. We've got ten of those knocked off already. And these are the things that we're doing. This is what we are hoping to achieve, and this is the time frame we're looking to achieve them. And I've just been through this process with the fire safety regulations that were brought out last October. So making sure that I've got. Yep, okay. I've got 90% of those. There's 10% that need to be looked at. Kelly Molson: This is what we're going to do. And this is when we're going to do it by. It's exactly the same message, isn't it? Emily Yates: Exactly. Kelly Molson: Do you not see that from many kind of tourism and attraction organisations then? Do you find that is quite a challenge for them, to be quite honest about where they're at? Emily Yates: I still see being very honest with you, I still see quite a lot of fear surrounding disability and accessibility and this real desire to do the right thing. All of this is coming from a good place. There's a real desire to do the right thing, but as you said right at the very beginning, no idea of where to start. And I think sometimes it's very easy to over promise and under deliver, and that is the worst thing that you can do. Equally what I want to say to caveat all of this is if you offer something that's amazing, please shout about it, please tell people about it.  Because equally outside of the coin, I see actually museums in particular that for all of these amazing things, be as a sell tours, touch tours, tack tile objects, nobody has clue that they even exist. So I'm asking really for both things.Kelly Molson: Balance. Emily Yates: Absolutely. Be honest about what you don't have. Celebrate what you do. Kelly Molson: Another great message, Emily. Okay, what are your top tips? Like I said, this is lived experience for you. What are your top tips around disability awareness? What would you shout out and say these are the things that you need to be looking at. Emily Yates: Okay, first thing, it's quite a philosophical point, but it's quite an important one. I think we need to change our mindset when it comes to accessibility and inclusive designs, especially in the disability space, because each and every one of us at some point in our lives will have experience of disability. Hopefully it's just through old age, but it may be through injury, through something else. And it's important to think about not disabled people and nondisabled people, but disabled people and not yet disabled people. And I think if we changed our mindset around that, suddenly there'd be a lot more movement when it comes to accessibility and inclusive design. So I think that would be my one top tip, my one plea, if you like. I think the second one is to think bigger than wheelchair users. Start thinking about how to design for neurodiversity. Emily Yates: Start reading documents such as the new PaAS 6463, design for the mind. If you are, for example, a contractor or a designer working in these kind of spaces, that's really important too. And I think wherever possible, bring lived experience into your work. If you are working in a gallery and you've got this amazing new exhibition coming out in the next couple of years. Think about how you can represent deaf, disabled and neurodivergent people within that exhibition. Can you have a space where you have an access hub that has BSL, tactile maps, portable stools that people can take round with them? And even more so, can you have part of the exhibition where some of your interpretations, some of your objects are to do with deaf, disabled, neurodivergent creators? That would be incredible too. Kelly Molson: So making sure it's woven through every part of that experience and not seen as an add on at the end. Emily Yates: Absolutely that. Absolutely that. Kelly Molson: Great tips. Thank you. Let's talk quickly about the podcast. So at Mima there's a podcast called Re:Design. Actually episode five does feature Ross. Again, he's the Accessibility and Inclusion Lead at VisitEngland, and he comes on and talks about how do you create a seamless customer experience. So again, this comes back to a lot of the points that we've covered today. I mean, great topic. Congratulations on starting the podcast. In the first place there, what are the hopes and aspirations for Mima? What are they looking to achieve by putting this podcast out there? Emily Yates: I think what we're hoping for is that multidisciplinary design, human centred design, inclusive design, really gets its place on the map a little bit more because it's something that, especially inclusive design, it's spoken about a know you will read articles a lot, I'm sure, Kelly, that mention it and the importance of it. But there's a difference between mentioning it and knowing what to do with it and actually speaking to people that have done it. And I think that's what we're trying to do, really pull out some pearls of wisdom from different individuals that have gone through different scenarios, whether they've travelled a lot for their work, whether they've focused on inclusive internal culture change as one of our episodes focuses on, whether they focus specifically on the importance of inclusion within aviation, whether they're looking at a seamless visitor experience. Emily Yates: We want to hear from people that have experienced that and been through it, and are able to then give a bit of advice to people that want to learn more about a subject that everybody should at least have a bit of a basic understanding of. Kelly Molson: Amazing. Right. We will link to that podcast as well. So that is definitely one for you to go over and subscribe to. Emily, it's been so good to have you on today, and I know that we've had to keep this one short because everyone's got appointments that they need to get to. But this is such a key topic. Kelly Molson: My aspiration is that everybody that listens to this episode goes and downloads that accessibility toolkit and shares it with their network as well. Please. So that's a personal plea from me to you listeners. Go and download it and please give it a little share because it needs to get out to as many different people as possible, as many organisations that it is relevant for as possible. What about a book that you love, that you'd like to share with us today? Emily, I'm intrigued if you've gone on topic or not. Emily Yates: I think I have gone on topic about this. Sorry if I've been a bit one dimensional. Kelly Molson: Not at all. Emily Yates: My book of choice is one that I read recently and one, funnily enough, that I'm running a bit of an internal workshop on at Mima in a couple of weeks. We've started a bit of an inclusive book club and it's called the View From Down Here by Lucy Webster. Lucy is an amazing journalist. She's disabled. She used to work for the BBC before going freelance, and she writes this incredible memoir about what it's like growing up disabled, but really importantly as a disabled woman. Emily Yates: And she talks about so many different scenarios from trying to get into a nightclub on a Saturday night when the difficulty of doing so in terms of the gaze that you so often experience as a woman, but as a disabled woman as well, her thoughts on motherhood and how complex and nuanced that is as somebody who's disabled, friendships, professional lives, all of these different things. And I think it's just such an incredibly powerful, confident, but also very vulnerable account of the realism of what it's really like. And the thing that it made me realise, or the thing that it made me remember, should I say, is that we're not going to solve accessibility by just making sure that all of our train stations are step free. It's much more holistic and nuanced and complex than that. Emily Yates: And it's about human nature and human design and all those holistic things that we so rarely think about. And I would just urge everybody to read it. It's angry, it's sad, it's beautiful. It's just a wonderful book. Kelly Molson: Wow. What a book. I feel quite moved by just hearing your account of it, let alone reading it. Right, that's going top of the list. Listeners, if you would like to win a copy of that book, which, I mean, let's face it sounds like everybody needs to read that anyway, so do throw your hat into the ring for this one. If you head over to our Twitter account and you retweet this episode announcement with the words I want Emily's book, then you will be in a chance to win it. But aside from that, go and buy it and absolutely head over to the show notes download the VisitBritain Accessible and Inclusive Tourism Toolkit for Businesses. You will not be disappointed, I can assure you of that. Emily, it's been brilliant to have you on today. Thank you. I'm sorry it's short and sweet. Kelly Molson: I'm sorry that you've got to dash off to an appointment and you're leaving me, but it's been so amazing to chat. I would love for you to come on and talk about some of the case studies, maybe with some of your clients at some point, because I think that would be a really interesting discussion to talk through some of the processes and the steps that they went through and just showcase that this is for everybody. This really is for everybody. Emily Yates: I would absolutely love that. Thank you. We're working with the National Railway Museum at the moment on their Vision 2025 master plan. So maybe when that's starting to wrap up next year, maybe that would be an amazing opportunity to talk about that. Kelly Molson: I think that would be brilliant. I'd love that. All right. Thank you ever so much. Emily Yates: Emily thank you, Kelly, thank you so much. Kelly Molson:  Thanks for listening to Skip The Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip the queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast. The 2023 Visitor Attraction Website Report is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the report now for invaluable insights and actionable recommendations!

New month, new theme. For February we will be watching and discussing the dramatic plight of women in certain film. Be is physical, mental, existential or spiritual we will be discussing WOMEN IN CRISIS all month. Things might get intense for our dramatic leads and why not start with our third Anime feature discussion so far with Satoshi Kon's classic and influential “PERFECT BLUE” from 1997? A pop idol turned actress has her reality discombobulated after diving into a fan site devoted to herself after she learns about this crazy new thing called The Internet. Her past and her performances are also starting to blur together as a strange man seems to be everywhere in her life. Who is Mima? Is she real? A psychedelic thriller an early parable of the modern age of communication. It's easy to see why Kon's cult classic manages to remain relevant. Oh shit here's a dailymotion link for the movie: https://www.dailymotion.com/video/x8h56a7 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Bonne année! On commence 2024 avec un nouveau format que l'on avait en tête depuis un moment, plus court, sur un seul sujet. On attaque cette fois par le Billy Bob's Buffet au Disney Village. Préparez vous à un peu de nostalgie et pas mal de plats à gouter! Le tout en compagnie de Mima, Olivier et Thony! Merci pour votre écoute! N'hésitez pas à nous donner votre avis si vous nous écoutez sur Spotify! Bonne écoute à vous! Si le podcast vous a plu, partagez le un maximum! C'est ce qui nous aide le plus. Et enfin, retrouvez nous partout! Sur ⁠⁠⁠⁠https://mainstreetactu.com⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠https://twitter.com/MainStreetActu⁠⁠⁠⁠ Facebook : ⁠⁠⁠⁠https://www.facebook.com/MainStreetActu⁠⁠⁠⁠ Instagram : ⁠⁠⁠⁠https://www.instagram.com/mainstreetactu⁠⁠⁠⁠ Youtube : ⁠⁠⁠⁠https://www.youtube.com/mainstreetactu⁠

Hour 3 Panthers going streaking after winning 4 in a row against 4 quality opponents Leroy tells us about Mima's New Years Eve escapades Paul Maurice praises his team following their 4th straight Coach Spo gets Sassy during post game The HEAT stink up the place vs the Clippers Everyone but Bam seemed to be victim of great Clipper Defense 15 min of Gameday uncenesored! Mike McDaniel discusses watching the Ravens Tape and using it to fix our problems We close the Hour out with Leroy's Game Ball and Game Bum! Leroy praises his alma mater while bashing the NCAA

On this episode of Randomly Generated Rabbit Holes, Jon is joined by strange pal Garrett Kelly of Liminal Earth. Using the liminal.earth map to generate their random topic, they end up at The Mima Mounds of Washington state. This leads them to many strange places including The Oakville Blobs, sea serpents, and phantoms fueled by indigestion. Send your strange tales to ⁠⁠⁠⁠anomalouswaves@gmail.com⁠⁠⁠⁠ and have your story featured on the show! For all the links to support the show, go to ⁠⁠⁠⁠anomalouswaves.com⁠⁠⁠⁠  Join The Strange Pals Club on ⁠⁠⁠⁠Patreon⁠⁠⁠⁠! Follow us: ⁠⁠⁠⁠@anomalouswaves⁠⁠⁠⁠  Jon McEdward | ⁠⁠⁠⁠jonmcedward.com⁠⁠⁠⁠ | @jonmcedward Garrett Kelly | liminal.earth | @boondustie Links Liminal Earth Submission | The Mima Mounds Unsolved Mysteries | Oakville Blobs WUFO Archives 13 Liminal Nights

In this pure episode of The Streaming Heap, we find out which one of us is the real Mima, discuss Japanese gender politics and broader Asian cultural trends, get confused about Schroedinger's fish tank, bring up Taylor Swift, and do our best to untangle one of the most trippy and disturbing anime classics from the 1990's. Also on the docket is Blue Beetle, The Wheel of Time, and Teenage Mutant Ninja Turtles, all while Lin conceals his rage at Eric for not finishing Ahsoka. THIS WEEK'S HEAP 0:04:23 Perfect Blue WHAT WE'RE DOING 1:36:25 Blue Beetle 1:47:34 Wheel of Time, Season 2 1:58:27 Teenage Mutant Ninja Turtles: Mutant Mayhem E-mail feedback to thestreamingheap@outlook.com Support us: Eric's Book: http://www.amazon.com/dp/150321978X Lin's Red Bubble Store: https://www.redbubble.com/people/MuchNerdThings Watch our other content: (Lin) Much Ado about Nerd Things: https://www.youtube.com/channel/UCOan57stR8S-au9Fi3-81Ew (Eric) The Unapologetic Geek: https://www.youtube.com/c/TheUnapologeticGeek Reach us: E-mail: thestreamingheap@outlook.com Eric's Twitter: http://twitter.com/e_magill Lin's Twitter: http://twitter.com/flamingeyebrows Eric's Facebook: http://facebook.com/writeremagill Eric's Website: http://www.emagill.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/crackingfoundation/message

Latest on today's key government jobs report, we'll get a taste of Cuban cuisine offered by a Chicago restaurant and a look at the expansion of artificial intelligence in the workplace.

We meet renowned British painter and artist David Remfry MBE RA RWS, to discuss curating/coordinating this year's RA Summer Exhibition, working with watercolour, more than 5 decades of art making, and what it was like to live in New York's iconic Hotel Chelsea for 20 years!!!Remfry's Summer Exhibition 2023 explores the theme Only Connect, taken from the famous quote in Howards End by E.M. Forster. Among the 1,614 featured works you will find towering sculptures by the late Phyllida Barlow RA, Richard Malone's dramatic mobile installation in the Wohl Central Hall, and a witty painting by comedian Joe Lycett. Plus pieces by Tracey Emin RA, Hew Locke RA, Barbara Walker RA, Gavin Turk, Lindsey Mendick, Caroline Walker and much, much more.Remfry was born in Worthing, UK, in 1942. His family moved to Hull and he studied Art and Printmaking at the Hull College of Art. He currently lives and works in London. Early solo exhibitions include Ferens Art Gallery, Hull in 1974 and Folkestone Art Gallery, Kent in 1976. Since 1973 he has exhibited regularly at galleries and museums across the UK, Europe and the USA. He is perhaps best known for his large-scale watercolours of dancers; his series of drawings and watercolours of his neighbours and friends at the Hotel Chelsea New York City where he lived from 1995-2016, and his commission by designer Stella McCartney to produce a series of drawings for the launch of her fashion house and for Absolut Vodka.Over the past five decades his work has been exhibited in galleries and museums worldwide, including Boca Raton Museum of Art, Florida; MoMA PS1 Contemporary Art Center, New York; the Victoria & Albert Museum, London; the Fitzwilliam Museum, Cambridge; Pallant House Gallery, Chichester; and the DeLand Museum of Art, Florida. In 2014 he was commissioned by Fortnum & Mason, London, to create a series of watercolours which is now on permanent display in Piccadilly, and he was commissioned to paint Sir John Gielgud for the National Portrait Gallery, London, which also acquired for their collection his portrait of Jean Muir.Remfry was elected a member of the Royal Watercolour Society in 1987. In 2001 he was awarded an MBE for services to British Art in America, in 2006 he was elected a Member of the Royal Academy of Arts and, in 2007, he was invited to receive Honorary Doctorate of Arts by the University of Lincoln. He was awarded the Hugh Casson Drawing Prize at the 2010 Royal Academy Summer Exhibition and, in 2016, was appointed Professor of Drawing at the Royal Academy Schools.His work is included in museum permanent collections including the Bass Museum of Art, Florida; Boca Raton Museum of Art, Florida; the British Museum, London; the Contemporary Art Society, London; the Fitzwilliam Museum, Cambridge; MIMA, Middlesborough; the National Portrait Gallery, London; New Orleans Museum of Art, Louisiana; the Royal Academy of Arts, London; the Royal Watercolour Society, London; and the Victoria & Albert Museum, London.A retrospective of Remfry's work, curated by Dr Gerardine Mulcahy-Parker, is planned for 2025 at Beverley Art Gallery, East Riding.Follow @David_Remfry_RA on InstagramVisit his official website: www.davidremfry.com/Visit the RA Summer Exhibition until 20th August 2023: www.royalacademy.org.uk/exhibition/summer-exhibition-2023 Hosted on Acast. See acast.com/privacy for more information.

Who are you? Who are we? Who's the real Mima? These are the questions the boys set out to answer in a discussion of Satoshi Kon's masterpiece, Perfect Blue.Outro Music: CHAM - "Angel of Love" Support the Pod Boys on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Mima is a pop singer who has decided to chase a new career as an actress. Her manager and agent seem to have conflicting views about this move, where one seems reluctant and the other supportive. However, Mima's decision seems to not be turning out as she might have expected when her former band enters the charts with their new single, while her acting career puts her at odds with her own self image. In the middle of all of this, she finds a mysterious website where her deepest thoughts are published ... Join us as we discuss this great animated film! In addition to the plot, we discuss concepts from psychology, the struggle of adjusting to life under the limelights of real life celebrities, and personal experiences that relate to the content of the movie. We would like to offer an a apology because the audio for our intro segment was corrupted, and we weren't able to fix it. --- Send in a voice message: https://podcasters.spotify.com/pod/show/jmv125150/message

The podcast is back! Back into it with double Commonwealth medalist Jemima Yeats-Brown joining the show this week. Mima joins us fresh from a weeks training at the Nymburk Olympic training camp, and just days before she heads out to Tbilisi Grand Slam. We talk about injuries, changing weight categories, and getting a last minute call-up for the Glasgow Commonwealth Games in 2014. Jemima's really active on social media, follow her journey on youtube at Jemima YB and on twitter @mima_yb

This week on the KORE Women podcast, Dr. Summer Watson welcomes Kathrina Q. Miranda aka Kat, who has enjoyed thousands of hours advising early-stage startups from the San Francisco Bay Area to Bangladesh as the Founder and CEO of the boutique marketing agency - MiMA. She is also a subject matter expert and mentor with "Westerwelle Foundation for International Understanding," whose mission is to create equal opportunities for all by uplifting emerging markets through empowered entrepreneurship. She also sits on the global social enterprise board, "UpRoot" and the Hayward Education Foundation. Kathrina also speaks to audiences around the world about innovative marketing, digital marketing, entrepreneurship, networking, and empowerment. You can follow Kat Miranda on LinkedIn at: Kathrina Q. Miranda and MiMALLC.com Thank you for taking the time to listen to the KORE Women podcast and being a part of the KORE Women experience. You can listen to The KORE Women podcast on your favorite podcast directory - Pandora, iHeartRadio, Apple Podcast, Google Podcast, YouTube, Spotify, Stitcher, Podbean, JioSaavn, Amazon and at: www.KOREWomen.com/podcast. Please leave your comments and reviews about the podcast and check out KORE Women on Instagram, Twitter, and Facebook. You can also learn more about the host, Dr. Summer Watson and KORE Women at: www.korewomen.com

Satoshi Kon's debut feature-length animated movie is often cited as not just as masterpiece of animation, but a masterpiece of cinema full stop.Darren Aronofsky, in particular, has not only credited Perfect Blue as inspiration for a scene in Requiem for a Dream, there are also striking similarities between Perfect Blue and his Oscar-winning psychological horror Black Swan. Mima and Nina, anyone?Controversies aside, Perfect Blue was made on the cusp of the home internet revolution, and horrifically depicts a young woman being judged, stalked and harassed online. Kon wanted to highlight concerns over otaku, the groups of fans becoming obsessed with certain media, but as genius as Satoshi Kon was, even he couldn't have predicted how serious online toxic fan culture would become. I would love to hear your thoughts on Perfect Blue !GET IN TOUCH.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon Thank you to all the patrons Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Sunni, Drew, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Tyler, Stu and Brett!BRAND-NEW Merch STORE!! T-shirts inspired by The Mummy (1999) with more collections to come!EPISODE THANKS TO....Most excellent patrons:Pete for his patron thoughts. You can find him @PodcastMCFC on Twitter and his podcast Middle Class Film Class on all your podcast apps.Andy for his patron thoughts. You can find him @geeksaladradio on Twitter and his podcast Geek Salad on all your podcast apps.and Brendan for his patron thoughts, too!Twitter peeps@ChatsunamiPod@SP_Filmviewers@The80sMoviePod@AndWhyNotPod@thecultworthy@Calum_H_Cooper@GartbagePod@VincentAsher@willeguizabal@PhillerInstinct@mikeb196Instagram folkNone this timeFacebook chumsNone this timeTheme Music: Verbal Diorama Theme SongMusic by Chloe Enticott - Compositions by Chloe Lyrics by Chloe Enticott (and me!)Production by Ellis Powell-Bevan of Ewenique StudioThis podcast is hosted by Captivate, try it yourself for free. Mentioned in this episode:Paid promotions in this episodeThis episode contains a paid Patron promotion for Middle Class Film Class, hosted by patron Pete.

Enjoy over two hours of my absolute favorite ghostly stories about the supernatural creeping into the workplace! Subscribe to Booze and Boos! https://www.youtube.com/c/BoozeandBoos Follow and review Tales from the Break Room on Spotify and Apple Podcasts! https://pod.link/1621075170 Join EERIECAST PLUS to unlock ad-free episodes and support this show! (Will still contain some host-read sponsorships) https://www.eeriecast.com/plus SCARY STORIES TIMESTAMPS: 0:00 INTRO 0:55 College Nightshift from eva_fan33 21:49 The Wandering Man from Anonymous 25:28 Encounter with a Demon from ConkyJoe89 36:00 Haunting at the Funeral Home from Lady Mortician 46:20 You Get Used To It from Mike V. 56:00 Cynthia from OfficerNobody 1:08:28 Mima's Photograph from Andrew 1:30:34 Service Call I'll Never Forget from Sleepyhvacguy 1:39:24 It's Not There from Jonah R. 1:48:19 Ghost at Chuck E. Cheese from JazzyJay 1:58:49 Ice Cream? More Like I Scream from Eden CREDITS: Music in stories created by me, aka Dark Music LINKS:  Join my DISCORD: https://discord.gg/5Wj9RqTR3w Follow us on Spotify! https://open.spotify.com/show/3mNZyXkaJPLwUwcjkz6Pv2 Follow and Review us on iTunes! https://podcasts.apple.com/us/podcast/darkness-prevails-podcast-true-horror-stories/id1152248491   Submit Your Story Here: https://www.darkstories.org/ Get Darkness Prevails Podcast Merchandise! https://teespring.com/stores/darknessprevails Subscribe on YouTube for More Stories! https://www.youtube.com/channel/UCh_VbMnoL4nuxX_3HYanJbA?sub_confirmation=1 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Haunted workplaces and terrifying sightings while on the clock make up today's episode of Tales from the Break Room! Subscribe to Booze and Boos! https://www.youtube.com/c/BoozeandBoos Follow and review Tales from the Break Room on Spotify and Apple Podcasts! https://pod.link/1621075170 Join EERIECAST PLUS to unlock ad-free episodes and support this show! (Will still contain some host-read sponsorships) https://www.eeriecast.com/plus SCARY STORIES TIMESTAMPS: 0:00 INTRO 1:17 Haunted Real Estate Building from Violet 8:56 Man Covered in Blood from Optimistic_Avacado 10:52 Mima's Photograph from Andrew 32:58 Shadow in the Treeline from Dig_Tack_Bro CREDITS: Music in stories created by me, aka Dark Music LINKS:  Join my DISCORD: https://discord.gg/5Wj9RqTR3w Follow us on Spotify! https://open.spotify.com/show/3mNZyXkaJPLwUwcjkz6Pv2 Follow and Review us on iTunes! https://podcasts.apple.com/us/podcast/darkness-prevails-podcast-true-horror-stories/id1152248491   Submit Your Story Here: https://www.darkstories.org/ Get Darkness Prevails Podcast Merchandise! https://teespring.com/stores/darknessprevails Subscribe on YouTube for More Stories! https://www.youtube.com/channel/UCh_VbMnoL4nuxX_3HYanJbA?sub_confirmation=1 Learn more about your ad choices. Visit podcastchoices.com/adchoices

In episode 1310, Jack and Miles are joined by MC, producer, and streamer Illingsworth to discuss… Jan. 6th 2.0, Will Sarah Palin Replace Alaska's (Knife-Wielding) Congressman? And more! Laura Ingraham Says Country Might Be Ready to Move Past Trump: Americans Exhausted By the ‘Constant Battle' ‘Fox & Friends' Begs Trump to Make Supporters Lay Off FBI Rand Paul calls for repeal of Espionage Act after Trump FBI search Will Sarah Palin Replace Alaska's (Knife-Wielding) Congressman? GOP lawmaker once held a knife to Boehner's throat Sarah Palin will advance in Alaska's wild House special primary election, CNN projects Alaska election tests weight of Sarah Palin's celebrity – and Trump's sway 'Another day in paradise. This is a strange day': Trump jokes about FBI raid at Mar-a-Lago while dialing in to 15-minute telephone rally for Sarah Palin's House campaign Trump bashed Alaska's ranked choice voting, but Republicans likely need those 2nd votes to win Check Out: https://illingsworks.bandcamp.com/ LISTEN: El arca de Mima by MimaSee omnystudio.com/listener for privacy information.