Podcast appearances and mentions of William Turner

Betrachter können sich in den Bildern von William Turner verlieren. Er brachte bedrohliche Schneegestöber, glühende Sonnenuntergänge und tosende Stürme in leuchtenden Farben auf die Leinwand. Vor 250 Jahren wurde der britische Künstler geboren. Hempel, Berit www.deutschlandfunk.de, Kalenderblatt

Heute vor 250 Jahren wurde in London der Maler, Aquarellist und Zeichner William Turner geboren. Er gilt als einer der bedeutendsten bildenden Künstler in der Epoche der Romantik.

Convidado para expor no templo dos impressionistas, o Museu d'Orsay, em Paris, o artista plástico Lucas Arruda concebeu “Que importa a paisagem” como parte da Temporada França-Brasil 2025. Em suas paisagens, ele fala através de luzes, pinceladas, gestos e memória. Patrícia Moribe, em Paris“Fiquei muito feliz pelo convite”, conta Lucas Arruda, o primeiro artista brasileiro contemporâneo a exibir no Orsay. “Acho que também tive uma certa ansiedade, um certo nervosismo, um certo medo de ter algum aspecto pretensioso em estar aqui. Mas aí, aos poucos, eu fui achando essas relações [entre os quadros] e percebendo que daria para construir algo que não confrontasse, mas que sim, respeitasse e continuasse.”A ideia de trabalhar com Lucas Arruda já estava em pauta há algum tempo, conta o co-curador Nicolas Gausserrand. "Quando estamos diante de uma tela de Lucas Arruda, temos a impressão de que ela nos é familiar, e é o poder da paisagem de nos dar a sensação de que já a vimos", observa."Seja na realidade ou na pintura, as pinturas de Lucas Arruda parecem se inserir perfeitamente nessa continuidade, que é importante no Museu d'Orsay, ao mesmo tempo, trazendo uma contribuição nova, que é o fato de que ele não pinta, ao contrário dos impressionistas, diante da cena que vê. Todas essas telas são imaginadas e são totalmente ideais de paisagens feitas em sua mente.”“Há algo bastante didático na progressão da exposição, falando primeiro sobre paisagens, em um encontro que não é conflituoso, mas organizado de maneira bastante elegante, tanto para as obras das coleções - Rousseau, Corot, Boudin, Pissarro – como para as obras de Lucas Arruda”, explica Gausserrand.“Há também um deslocamento bastante excepcional do Mar Tempestuoso, de Courbet, para a galeria impressionista. E a conversa acontece de maneira bastante fluida com a paisagem como tema”, acrescenta Gausserrand.“Que importa a paisagem”, frase tirada de um poema de Manuel Bandeira, trafega por três salas. A primeira, com vários expoentes do impressionismo; depois, uma ala só com as séries de Arruda, que funciona como uma quebra e a continuidade do diálogo.Há mais de 15 anos, Lucas Arruda vem trabalhando paisagens em quadros de pequeno formato, da série Deserto-Modelo. O formato reduzido parece concentrar e, ao mesmo tempo, aumentar essa realidade virtual. O visitante precisa auscultar traços e matizes, guiado pelas luzes e memórias de Arruda.Depois, na sala de Claude Monet, cinco versões da catedral de Rouen inspiraram Arruda a buscar cinco imagens de florestas.“Tentei achar cinco matas que tivessem luzes diferentes, construções diferentes. Então foi tudo um pouco pensado, com o entorno, com algumas limitações”, explica.Ele fala sobre a influência dos impressionistas, mas sua obra vai além, com imagens que remetem a outras gerações de artistas, como William Turner, Joseph Constable, Mark Rothko, ou ainda as fotografias de Hiroshi Sugimoto.O artista explica ainda a admiração pelo trabalho de Alfredo Volpi, um dos grandes nomes do modernismo brasileiro. “A luz que vem de trás da têmpera do Volpi tem essa transparência, essa pincelada aberta, que não fecha, que não sela. É uma pincelada que, ao mesmo tempo em que ela deposita, ela também abre luz de trás.”“Que importa a paisagem”, de Lucas Arruda, fica em exposição no Museu d'Orsay, em Paris, até 20 de julho de 2025.

Dr. William Turner and Dr. Ted Olson talk to Geonoah Davis and Kelly Thompson, two artists whose hip-hop sounds are expanding traditional ideas about music in Appalachia. Borrowing from a generations-old African American heritage of spoken word expression, rap and hip-hop echo a long narrative tradition of African American cultural survival against all odds. These original historical elements are deeply rooted in the fabric of Appalachia, blending into the backdrop of the region's musical character yet revived and brought forward again by these fresh creative talents with their contemporary styles.Geonoah Davis, known by the artistic name geonovah, was born and raised in Big Stone Gap, VA, in the heart of Appalachia's coal and iron industry. He wasn't the first rapper in his family, and early collaborations with his cousin RKMITCH allowed him to develop his powers of poetry into an artistry for hip-hop lyric and verse. Kelly Thompson, a.k.a Pookie, also hails from Big Stone Gap but spent his early childhood in North Carolina. Friends since middle school, he and Geonoah have made music together for many years—Kelly creating beats and Geonoah writing lyrics. Kelly evolved his talents to include music production, learning from local producers in his area.Dr. William Turner is a long-time African American studies scholar and retired Distinguished Professor of Appalachian Studies and Regional Ambassador from Berea College. He was also a research assistant to Roots author Alex Haley and co-editor of the groundbreaking Blacks in Appalachia. In 2021, Turner received Western Carolina University's individual Mountain Heritage Award in recognition of his outstanding contributions to Southern Appalachian studies. His memoir called The Harlan Renaissance, available from West Virginia University Press, was awarded the prestigious Weatherford Award at the 2022 Appalachian Studies Association Conference.Dr. Ted Olson is a music historian and professor of Appalachian Studies at East Tennessee State University. He is the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including On Top of Old Smoky and Big Bend Killing, both from Smokies Life. His work has received a number of awards, including nine Grammy nominations. The East Tennessee Historical Society honored Olson with its Ramsey Award for Lifetime Achievement in 2021.Music featured includes:1.    “John Henry” performed by Amythyst Kiah and Roy Andrade from GSMA's (now Smokies Life's) album Big Bend Killing2.    “Takin' Me Over” performed by geonovah for the album No Options: Hip-Hop in Appalachia, used courtesy of June Appal Recordings3.    “S&S” performed by geonovah for the album No Options: Hip-Hop in Appalachia, used courtesy of June Appal Recordings4.    “Black Lives Never Mattered” by RKMITCH featuring geonovah, vocals mixed by Pookie 

Arend, Ingo www.deutschlandfunkkultur.de, Lesart

Arend, Ingo www.deutschlandfunkkultur.de, Lesart

Arend, Ingo www.deutschlandfunkkultur.de, Lesart

Der berühmte englische Aquarellist William Turner hat 1817 erstmals das Obere Mittelrheintal besucht und ist dann Zeit seines Lebens immer wieder in diese Region zurückgekehrt. In einer zweijährigen Recherchearbeit hat Dr. Armin Thommes, Freier Künstler und Dozent für Zeichnung, Malerei und Kunstphilosophie, die Malstandorte Turners ausfindig gemacht, und die William Turner Route initiiert.  Insgesamt 26 Standorte zwischen Koblenz und Bingen markieren wichtige Stationen auf der Reise Turners durch das Obere Mittelrheintal. Seine hier entstandenen Momentaufnahmen verarbeitete er zu meisterhaften Aquarellen, die seine Leidenschaft für die besondere Atmosphäre und die Ursprünglichkeit der Landschaft um den poetisch verklärten Strom spürbar werden lassen.  Anhand von begehbaren Infotafeln und durch interaktives Storytelling kann man den Spuren des Künstlers folgen und in die Welt des Malers eintauchen. Armin Thommes erzählt uns im Interview mehr über seine Recherchen und die Rheinromantik. [Werbung] Vielen Dank an den Zweckverband Welterbe Oberes Mittelrheintal für die Einladung und Organisation! Redaktion: Andreas Guballa - Journalistenbüro Der Kulturonkel Realisation: Arndt Hauerken

Das Mainzer Landesmuseum unterhält die größte Grafiksammlung in Rheinland-Pfalz. In der Sonderausstellung „Curator's Choice“ gibt es Highlights von Albrecht Dürer, William Turner, Max Beckmann, Käthe Kollwitz oder Thilo Weckmüller zu sehen.

UK breakout band The Heavy Heavy co-founders Georgie Fuller and William Turner are here to unpack their debut full-length album One Of A Kind (ATO Records), the followup to last year's 7-song EP, Life and Life Only. Recorded mostly at Turner's studio in Brighton, England, One Of A Kind finds the band leaning away from Laurel Canyon-esque folk-rock to fully embrace their British roots, finding a particularly crucial inspiration in the gritty and groove-heavy hedonism of the mid-1970s Rolling Stones. They're nice people making compelling retro-tinged modern rock. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

The future comes for us all eventually. No matter how many times we have fought the good fight. So on the morning of September 1838, the HMS Temeraire, known as the ‘Fighting Temeraire', was towed down the Thames to her final destination. On that day the artist William Turner looked upon the scene and immortalised it in what was later to become the nation's favourite painting. Learn more about your ad choices. Visit megaphone.fm/adchoices

The future comes for us all eventually. No matter how many times we have fought the good fight. So on the morning of September 1838, the HMS Temeraire, known as the ‘Fighting Temeraire', was towed down the Thames to her final destination. On that day the artist William Turner looked upon the scene and immortalised it in what was later to become the nation's favourite painting. Learn more about your ad choices. Visit megaphone.fm/adchoices

Der Komet Donati hat 1858 die ganze Welt begeistert. Die Wissenschaft ebenso wie die Kunst, Literatur und sogar einen asiatischen König. Warum der Komet so super war, erfahrt ihr in der neuen Folge der Sternengeschichten: https://astrodicticum-simplex.at/?p=36891 Wer den Podcast finanziell unterstützen möchte, kann das hier tun: Mit PayPal (https://www.paypal.me/florianfreistetter), Patreon (https://www.patreon.com/sternengeschichten) oder Steady (https://steadyhq.com/sternengeschichten)

**Dit is aflevering 32: "De Gestolen Turners en een Sluw Museum"**Leuk als jullie in de spotify Q&A van onze afleveringen een reactie willen geven op onze vraag en de eventuele enquete! Jouw steun betekent veel voor ons. Overweeg een bijdrage te leveren aan Kunstmaffia via Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen: https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben!Bekijk ook graag:https://instagram.com/Kunstmaffia**Aflevering 32** van Kunstmaffia duikt in het adembenemende verhaal van de diefstal van twee onbetaalbare schilderijen van William Turner, samen met een meesterwerk van Caspar Friedrich, uit de Kunsthal van Frankfurt. Deze sensationele aflevering onthult een verhaal vol intriges, misleiding en een gedurfde zoektocht naar gerechtigheid, terwijl het ontrafelt hoe het Tate Gallery in Londen zich in de schaduwwereld waagde om hun verloren schatten terug te krijgen.**Afleveringstitel:** De Gestolen Turners en een Sluw Museum**Uw Gastheren:** Rik Bouman en Robert Tetteroo brengen u wederom een fascinerend verhaal uit de onderwereld van kunst en antiek.**In deze aflevering:**- Ontdek het geniale van William Turner, wiens werk niet alleen de romantiek belichaamde maar ook de weg vrijmaakte voor de impressionisten.- Volg de dramatische nacht van de roof waarbij klassieke dieventactieken een moderne draai krijgen, resulterend in de verdwijning van drie meesterwerken.- Duik in de intense onderhandelingen en de geheime operatie, geleid door het Tate Gallery, om de gestolen schilderijen terug te winnen van de onderwereld.**Hoogtepunten:**- De onthulling van 'Operatie Cobalt': Tate Gallery's riskante strategie om hun gestolen kunst terug te kopen.- De verbijsterende wendingen van internationale misdaad, met kruimeldieven, oplichters en maffiabazen die allen hun rol spelen in dit drama.- De morele dilemma's en ethische vraagstukken rondom het betalen van losgeld voor gestolen kunst.**Achtergrondinformatie:**William Turner, een van de grootste Britse schilders, liet een onuitwisbare stempel achter op de kunstgeschiedenis met zijn revolutionaire benadering van licht, kleur en sfeer. Zijn werken, die nu tot de meest waardevolle ter wereld behoren, zijn een testament van zijn genie.https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558 https://www.artmajeur.com/nl/magazine/5-kunstgeschiedenis/jmw-turner/333118Hartelijk dank voor het luisteren, en blijf ons volgen voor meer intrigerende verhalen uit de verborgen hoeken van de kunstwereld.**#Kunstmaffia #DeGestolenTurners #KunstDiefstal #TateGallery #WilliamTurner #Kunstgeschiedenis #Podcast**

**Dit is aflevering 32: "De Gestolen Turners en een Sluw Museum"**Leuk als jullie in de spotify Q&A van onze afleveringen een reactie willen geven op onze vraag en de eventuele enquete! Jouw steun betekent veel voor ons. Overweeg een bijdrage te leveren aan Kunstmaffia via Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen: https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben!Bekijk ook graag:https://instagram.com/Kunstmaffia**Aflevering 32** van Kunstmaffia duikt in het adembenemende verhaal van de diefstal van twee onbetaalbare schilderijen van William Turner, samen met een meesterwerk van Caspar Friedrich, uit de Kunsthal van Frankfurt. Deze sensationele aflevering onthult een verhaal vol intriges, misleiding en een gedurfde zoektocht naar gerechtigheid, terwijl het ontrafelt hoe het Tate Gallery in Londen zich in de schaduwwereld waagde om hun verloren schatten terug te krijgen.**Afleveringstitel:** De Gestolen Turners en een Sluw Museum**Uw Gastheren:** Rik Bouman en Robert Tetteroo brengen u wederom een fascinerend verhaal uit de onderwereld van kunst en antiek.**In deze aflevering:**- Ontdek het geniale van William Turner, wiens werk niet alleen de romantiek belichaamde maar ook de weg vrijmaakte voor de impressionisten.- Volg de dramatische nacht van de roof waarbij klassieke dieventactieken een moderne draai krijgen, resulterend in de verdwijning van drie meesterwerken.- Duik in de intense onderhandelingen en de geheime operatie, geleid door het Tate Gallery, om de gestolen schilderijen terug te winnen van de onderwereld.**Hoogtepunten:**- De onthulling van 'Operatie Cobalt': Tate Gallery's riskante strategie om hun gestolen kunst terug te kopen.- De verbijsterende wendingen van internationale misdaad, met kruimeldieven, oplichters en maffiabazen die allen hun rol spelen in dit drama.- De morele dilemma's en ethische vraagstukken rondom het betalen van losgeld voor gestolen kunst.**Achtergrondinformatie:**William Turner, een van de grootste Britse schilders, liet een onuitwisbare stempel achter op de kunstgeschiedenis met zijn revolutionaire benadering van licht, kleur en sfeer. Zijn werken, die nu tot de meest waardevolle ter wereld behoren, zijn een testament van zijn genie.https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558 https://www.artmajeur.com/nl/magazine/5-kunstgeschiedenis/jmw-turner/333118Hartelijk dank voor het luisteren, en blijf ons volgen voor meer intrigerende verhalen uit de verborgen hoeken van de kunstwereld.**#Kunstmaffia #DeGestolenTurners #KunstDiefstal #TateGallery #WilliamTurner #Kunstgeschiedenis #Podcast**

In this episode your boys discuss the lost manucript of William Turner of the Garrison investigation and Ramparts magazine. We also pay tribute to another fallen soldier of the cause! Also a mind blowing JFK X update...LolLocals Community - https://jfkassassinationconversation.locals.comMerch Store -https://the-lone-gunman-podcast.myspreadshirt.comSilk City Hot Sauce - Use code GUNMAN at checkout for 20% off!https://www.silkcityhotsauce.comBBB & JOEBDonate Directly to the show via the link below!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-lone-gunman-podcast-jfk--1181353/support.

London goes München: 80 Gemälde, Aquarelle und Skizzen des großen englischen Malers William Turner (1775 - 1851) sind derzeit im Münchener Lenbachhaus zu bewundern (bis 10. März 2024), darunter auch viele von Turner nicht veröffentlichte Werke. Die Leih-und Tauschgabe der berühmten Londoner Tate Gallery ist Teil einer der gefeiertsten europäischen Kunstausstellungen: William Turner, der "Maler des Lichts", gilt als Vorreiter der Moderne. In seinen Bildern entfaltet die Farbe eine bis dahin ungesehene Freiheit. BRITPOD-Macher Claus Beling trifft Co- Kurator Dr. Nicholas Maniu und gibt uns einen einzigartigen Einblick in die Geheimnisse dieses weltberühmten englischen Genies und sein künstlerisches Werk. Der große William Turner in München - eine Chance, die so bald nicht wiederkommt! -- WhatsApp: Ab sofort kannst Du Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. -- Ein ALL EARS ON YOU Original Podcast.

Der 1775 in London geborene Joseph Mallord William Turner gilt als bedeutendster Maler der englischen Romantik und wichtiges Vorbild nachfolgender Künstlergenerationen. Turners Werke, in denen er Licht und Atmosphäre auf revolutionäre Art und Weise wiedergab, sorgten schon bei seinen Zeitgenoss*innen für Furore und haben ihre Emotion und Modernität bis heute bewahrt. Also war es für Alexander und Herbert Giese selbstverständlich, dass sie die Ausstellung „Turner. Three Horizons“ im Münchner Lenbachhaus zum Anlass für einen Ausflug nehmen. In dieser Folge von „Ausgesprochen Kunst“ berichten sie, was die Ausstellung an ihrem Bild des Künstlers verändert hat und was sie an ihm besonders schätzen. Die in Zusammenarbeit mit der Londoner Tate entstandene Ausstellung ist nur noch bis 10. März zu sehen, nicht verpassen! Kontakt: redaktion@gieseundschweiger.at; Website: https://www.gieseundschweiger.at/ ; Redaktion: Lara Bandion, Fabienne Pohl; Musik: Matthias Jakisic; Sprecherin: Sarah Scherer; Grafische Gestaltung: Studio Riebenbauer Zur Ausstellung: https://www.lenbachhaus.de/entdecken/ausstellungen/detail/turner

This week on the IBC podcast, Rev. William Turner preaches a message titled, "Fact or Fantasy."This message will inspire you to establish your life upon the Rock that will stand through every season and situation in life.Sunday is coming and you need chord charts or MultiTracks? Visit https://store.indianabible.college

William Turner (1775-1851) ist einer der erstaunlichsten Maler der Kunstgeschichte. Weit vor der Erfindung der Abstraktion lösen sich die Konturen seiner Malerei bereits in Farbwolken und Lichteffekten auf. Zugleich gilt der Turner als Chronist der frühen Industrialisierung seiner englischen Heimat. Autorin: Julie Metzdorf

Darauf haben viele seit Monaten gewartet: Das Münchner Lenbachhaus widmet William Turner, einem der wichtigsten Wegbereiter der Moderne, eine umfassende Ausstellung. Selten waren so viele Arbeiten des englischen Romantikers gleichzeitig im Ausland zu sehen. / "MTViva liebt dich!”: Markus Kavka und viele Promis aus der TV- und Musik-Branche erinnern sich an die elektrisierenden Jahre des deutschen Musikfernsehens. Ein Gespräch mit dem legendären Moderator über sein neues Buch / Fridays For Future und Palästina? Eine Bewegung für das Klima - und den ganzen großen Rest - was passiert da eigentlich? / "Bauhaus Staircase”: In ihrem neuen und letzten Album feiern OMD die Schlichtheit der Moderne

The Curse of the Black Pear by Irene Trimble原文Chapter X: Gold.A short time later, Will and Jack and their men arrived at the Isla de Muerta,too.Through the fog, they could see ships – old ships under the water.Jack turned to Gibbs."Stay here with the men," he said.Jack and Will got into a smaller boat and started to go to the island."Do you see that?" said Will. "There! A cave, I think."The boat moved slowly into the cave.It was very dark, and the walls were wet.Jack and Will didn't speak.On their left, they saw a light, and next to it was a skeleton.It had a sword in its back.They stopped the boat and jumped out.Then Will followed Jack, and they climbed for a short time.Suddenly, they saw some lights.In front of them was a second, bigger cave.They saw gold boxes, gold cups, gold plates, and gold swords. And a lot of money.The cave was full of gold!In the middle of the cave, in the middle of the gold, Elizabeth stood next to an old Aztec box.She couldn't move because Barbossa had his hands on her.Will wanted to go to her, but Jack stopped him."No!"he said. "We have to wait."Will didn't want to wait.Elizabeth's life was too important to him."I'm sorry, Jack," he said, and he hit Jack hard.Jack fell to the ground. He didn't move.Will looked around the cave and listened."Do you know my plan?" Captain Barbossa said to his men. "When this curse ends, I'm going to eat fruit. A lot of fruit!"The other pirates laughed.Barbossa looked at Elizabeth. He took her hand and cut it with a knife.Then he put the medallion on her hand and closed her hand around it."Blood,"he said. "Turner's blood. The curse started with blood and it ends with blood."He took the bloody medallion from Elizabeth and put it into the box on to the gold.The pirates waited."I don't feel different,"Ragetti said. "Is that really the end of the curse?""How will we know?" Pintel asked.Barbossa thought about that.Then he took out his gun and shot Pintel.Pintel stayed on his feet.The pirates were very unhappy."Oh,it didn't work!" they shouted.Barbossa didn't understand."You!"he said to Elizabeth. "Was your father William Turner? Bill Turner?""No,"she said.The pirates shouted again."She's not Turner's child!""She's the wrong person!""But she had the medallion!""She's the right age."They called to Barbossa."You killed Bill.""You started this!"Nobody looked at Elizabeth.Suddenly,she felt a hand on her arm.It was Will. "Come with me," he said quietly. "Quickly. Now."Elizabeth started to move.But first, she took the medallion.They ran to the boat."Look,the girl! She has the medallion! Get them!"The pirates ran to their boats.Then they saw Jack."Jack Sparrow!" said Barbossa. "Aren't you dead?""No,I'm not dead.""But you will be..." Barbossa took out his gun."Wait,wait," said Jack. "The girl's blood didn't work.""How do you know?""I know. You don't want her blood. I can help you."

•Raymond Rasberry was born March 10, 1930 in Akron, Ohio.  He began playing piano by ear at the age of eight.  When  he heard a song once he was generally able to play that song to the note.  He accompanied singers in his local church playing hymns and shout music as described in the Pentecostal church where his family attended regularly. •Raymond's talents as a skilled musician, singer and songwriter allowed him to play for such greats in the day as Bishop Robert Hubbard, Della Reece, William Turner, Sister Wynona Carr and several others. •By the mid 1950's Raymond started his own group the Raymond Rasberry Singers after serving in the Army.  The group became internationally acclaimed having toured and travelled throughout singing good Gospel music.  The group recorded and sold-out auditoriums across the country.  With each album recorded they had continual hits.  Though each anniversary year he and the group would return to Ohio with a stellar line up of artists to celebrate his beginnings. •The group eventually disbanded in 1966 when Raymond followed in the footsteps of Alex Bradford in a couple of ways; one was with a multi-gender group and the other going to New York to present in the Broadway theaters.  Raymond worked as a songwriter and composer rather than Alex who went on stage as an actor. •One of Raymond's Many Many hits was “Touch Somebody's Life.” •Please send me an email sharing your thoughts about this show segment also if you have any suggestions of future guests you would like to hear on the show. Send an email to letstalk2gmg@gmail.com •You may also “like” and share the podcast episode; or you may Subscribe to be alerted when the newest show is published. •NEW RADIO SHOW ON INTERNET RADIO STATION WMRM-DB SATURDAY MORNING 9:00 AM CST / 10:00 AM EST •The Podcast and Radio show may be heard anywhere in the World! --- Send in a voice message: https://podcasters.spotify.com/pod/show/letstalk2gmg-ansonia/message

durée : 00:11:04 - Claude Monet à Venise : « C'est trop beau pour être peint ! » - par : Marianne Vourch - Aller ou ne pas aller à Venise ? Monet tergiverse tout le mois de septembre 1908. Craint-il d'être déçu par un sujet traité par William Turner, James Whistler ou encore Auguste Renoir ? Ne sachant en partant s'il aurait envie de peindre à Venise, il a préparé un envoi de quelques châssis, au cas où. - réalisé par : Sophie Pichon

When farmer John Durfee found the body of a local factory girl hanging from a fence post on his property on the morning of December 21, 1832, he and the rest of the townspeople assumed she had died by suicide. But a cryptic note she had left among her possessions pointed the investigation in a different direction, and the ensuing murder trial captured the public imagination. Joining me now to discuss the murder of Maria Cornell and the shifting cultural milieu of New England in the 1830s is Dr. Bruce Dorsey, Professor of History at Swarthmore College and author of Murder in a Mill Town: Sex, Faith, and the Crime That Captivated a Nation.  Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Midnight,” by Aleksey Chistilin (Lexin_Music) via Pixabay; available for use under the Pixabay License. The episode image is “A very bad man - Ephraim Kingsbury Avery,” published by Henry Robinson & Company in 1833; the image is in the public domain and is available via the Library of Congress Prints and Photographs Division. Additional Sources: “Sarah Maria Cornell,” The Town & the City: Lowell before and after The Civil War, University of Massachusetts Lowell Library. “Trial of Rev. Mr. Avery ; a full report of the trial of Ephraim K. Avery, charged with the murder of Sarah Maria Cornell : before the Supreme Court of Rhode Island, at a special term in Newport, held in May, 1833 ; Avery's trial ; Additional medical testimony by Professor Channing on the part of the defendant, and Dr. William Turner, for the government,” reported by Benjamin F. Hallett, 1832, Harvard Library. “Letters of the law : the trial of E. K. Avery for the murder of Sarah M. Cornell,” by J. Barbour, Law Text Culture, 2, 1995, 118-133. “Religious Revivals and Revivalism in 1830s New England,” TeachUSHistory.org. "The Second Great Awakening and the Making of Modern America," by Kerry Irish, Faculty Publications - Department of History and Politics. 78, 2018.  “Religion and Reform,” The American Yawp. “The Mill Girls of Lowell,” National Park Service. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ferdinand Bellermann salió del puerto de Hamburgo en mayo de 1842 y, mes y medio después, llegó a La Guaira cumpliendo así uno de sus deseos más preciados: conocer el nuevo mundo. Llegó estimulado por Alejandro de Humboldt, quien había venido al país entre 1799 y 1804 para realizar sus importantes expediciones científicas. Fue Humboldt, precisamente, quien intercedió ante el rey prusiano Federico Guillermo IV para que le otorgara la ayuda necesaria para realizar esta travesía, ya que en estos viajes científicos, era imprescindible la presencia de artistas para registrar e ilustrar la naturaleza. Bellermann poseía una sólida formación académica, pues, estudió con reconocidos paisajistas alemanes. Además de pintor, le interesaba la geología. Creció con el gusto por las excursiones, lo que desarrolló su interés por el paisaje, la botánica y, asimismo, el conocimiento de culturas extranjeras. Para un espíritu romántico como el de Bellermann, llegar a Venezuela fue el encuentro con la exuberancia tropical, algo que agudizó su sensibilidad hacia lo sublime. El paisaje venezolano estimuló sin duda esta percepción. En sus pinturas, vemos una naturaleza amplia, panorámica, envolvente. Esta emotividad la mantuvo también en sus ilustraciones botánicas que realizó de manera muy detallada. Mientras hacía sus recorridos por el país, tomaba notas y realizaba bocetos en dibujos y en óleos de pequeños formatos. Años después, en Berlín, retomó estas imágenes para pintarlas en versiones que consideraba definitivas. Si bien la mayoría de estas obras y bocetos quedaron en Alemania como retribución al compromiso adquirido con el rey Federico Guillermo IV, dos obras notables se encuentran en la Galería de Arte Nacional en Caracas: En el Orinoco, pintada en 1860, dieciséis años después de esta expedición, y Atardecer a orillas del río Manzanares, que pintó posteriormente en 1867. En ambas piezas la vegetación se muestra majestuosa, lo que le ha valido el apodo de “pintor de las selvas vírgenes”. En el Orinoco, vemos la imagen del río al atardecer. La ciudad de Angostura se encuentra al fondo. Las figuras humanas y los botes se ven reducidos ante la presencia poderosa de la naturaleza. La luz del atardecer lo inunda todo. Igual sucede en Atardecer a orillas del río Manzanares, obra en la que el sentimiento de “lo sublime” se manifiesta en la visión solitaria e imponente de la vegetación y el río. Ambas pinturas presentan, sin duda, una visión romántica de la naturaleza, lírica y hermosa. Algunos historiadores consideran erróneamente la obra de Bellermann como precursora del impresionismo. Su técnica difiere notablemente de la de los impresionistas. Más bien, profundizó en el tratamiento detallista del paisaje propio de su formación alemana. Tuvo, además, gran admiración por las pinturas de Claude Lorrain, Nicolás Poussin y William Turner, quienes fueron insignes paisajistas. En 1845 Ferdinand Bellermann regresó a Hamburgo llevando más de 650 bocetos realizados en Venezuela. No dejó de pintar nuestro paisaje hasta su muerte en 1889. Escrito y Narrado por Susana Benko FOTOGRAFIA: Ferdinand Bellermann Atardecer a orillas del río Manzanares, Cumaná 1867 Óleo sobre tela 88,7 x 122 cm Colección Fundación Museos Nacionales-Galería de Arte Nacional Fotografía: © Carlos Castrejón

William Turner verstand Kunst als die Neuschöpfung der Erde mit den Augen eines Malers. Sein Umgang mit Licht gilt bis heute als herausragend.

Missiology Instructor at Indiana Bible College, Rev. William Turner preaches a messaged titled, "The Fear of the Lord."Couldn't make it to Preview? Didn't pick up the shirt you meant to while here? Sunday is coming and you need chord charts or MultiTracks? Visit https://store.indianabible.college

Aaron, Martina and a late-arriving Kimberly break down a few key Kentucky political news items from the weak that was. For Black History Month ProKY highlights another amazing Kentuckian, civil rights activist Dr. William Turner. Then the team is joined by State Senator Reggie Thomas who fills them in on the events of the day in the Senate (between aisles at Meijier). Unfortunately, it's not great news for those who want to fund a more compassionate commonwealth. We end with a chance for a positive, proactive effort to show #KYGA23 how much we LOVE democracy in our Call to Action! News of the Weak: https://www.kentucky.com/news/local/education/article272219253.html https://twitter.com/joesonka/status/1623410872499507200? https://kentuckylantern.com/2023/02/06/kelly-craft-vows-kentucky-department-of-education-will-be-dismantled-if-she-becomes-governor/ https://www.kentucky.com/news/politics-government/article272267373.html https://twitter.com/joesonka/status/1623416785146896384 Kentucky Black History: Civil Rights Activist William H. Turner https://dailyyonder.com/qa-civil-rights-activist-william-h-turner-on-his-new-book-the-harlan-renaissance/2022/01/07/ Interview: Sen. Reggie Thomas https://twitter.com/KYSenateDems/status/1623420896189857795/photo/1 Call to Action: We LOVE Voting Rights Day - Feb. 14 in Frankfort! Show up to show your support for legislative action to restore voting rights to Kentuckians with felonies in their past. For more details and to RSVP head here: https://www.mobilize.us/kftc/event/500924/ #ProgressKentucky #ColonelsOfTruth Join us! http://progressky.org/ http://bit.ly/joinproky Support us! http://bit.ly/supportproky Live Wednesdays at 7pm https://www.facebook.com/progressky/live/ Facebook - @progressky Instagram - @progress_ky Twitter - @progress_ky YouTube - http://bit.ly/progress_ky Thanks Nato for the music! Check out more at http://www.NatoSongs.com Logo and some graphic design provided by www.couchfiremedia.com

Shala Miller, also known as Freddie June when she sings, was born and raised in Cleveland, Ohio by two southerners named Al and Ruby. At around the age of 10 or 11, Miller discovered quietude, the kind you're sort of pushed into, and then was fooled into thinking that this is where she should stay put. Since then, Miller has been trying to find her way out, and find her way into an understanding of herself and her history, using photography, video, writing and singing as an aid in this process. Miller's work in photography and film meditates on the intersection of desire, mourning, pain, and pleasure. Taking up skin as a site of history and intimacy with the self and across generations, she holds space for the body's vulnerabilities and maladies. Miller lives and works in Brooklyn. The exhibit discussed in the interview is at Lyles & King. Shala Miller Becoming Obsidian, 2023 Archival pigment print on William Turner paper 20 x 16 inches, 50.8 x 40.6 cm Edition of 2 + 1 AP Courtesy the artist and Lyles & King, New York. Shala Miller Modern Day Sisyphus I, 2023 Archival pigment print on William Turner paper, hand engraving on lava stone 48 x 28 inches, 121.9 x 71.1 cm Edition of 2 + 1 AP Courtesy the artist and Lyles & King, New York. Shala Miller Obsidian as Kneeling Inaction Figure, 2023 Polymer powder printed with ink and filled with resin, hand-painted 5 1/4 x 3 x 2 1/2 inches, 13.3 x 7.6 x 6.3 cm Courtesy the artist and Lyles & King, New York.

Un romanzo cupo in cui i personaggi sembrano quasi non avere possibilità di riscatto o salvezza. È "La mala erba" di Antonio Manzini (Sellerio), romanzo che non fa parte della serie con Rocco Schiavone. La storia si svolge in un piccolo paese di 300 anime, un luogo asfittico e claustrofobico. Tutto è in mano al ricco Cicci Bellè, proprietario sia di case che di attività economiche, un uomo becero, arrogante, un uomo di potere che è disposto a tutto pur di portare avanti i propri interessi. Gli abitanti sono dunque un po' ostaggi di Cicci Bellè. In questo contesto si muove una protagonista femminile, Samantha, 17 anni, che non vede l'ora di fuggire dal paese, ma che rimane incinta. Un romanzo pieno di personaggi disperati in cui alla fine le vittime, per salvarsi, sono costrette a diventare carnefici. Nella seconda parte parliamo di un romanzo che narra un fatto realmente accaduto durante la Prima Guerra Mondiale: la cosiddetta tregua di Natale del 1914. In quell'occasione in diversi punti del fronte i soldati di opposte fazioni abbassarono le armi e celebrarono il Natale insieme, condividento il cibo e organizzando partite di calcio. Questo avvenimento viene ripreso nel romanzo "Una piccola pace" di Mattia Signorini (Feltrinelli) in cui ci sono due piani temporali. Siamo nel 1933 quando un tedesco accompagna il figlio nelle Fiandre, nel luogo dove, a 19 anni, aveva combattuto contro gli inglesi. Qui racconta al figlio la storia del soldato inglese William Turner (personaggio realmente esistito) che è il protagonista della storia. Ed è qui che nasce il secondo piano temporale, quello ambientato nel 1914: Turner si arruola spinto dalla propaganda (la guerra viene presentata come un'avventura) e per mantenere una promessa fatta alla madre sul letto di morte. Arrivato al fronte, però si rende conto che la guerra è molto diversa da quella che si aspettava. Turner passerà alla storia come uno dei militari che diede il via alla Tregua di Natale.

Aktivisten bewerfen berühmte Gemälde mit Tomatensuppe, und Museen in aller Welt thematisieren die Herkunft ihrer Werke: Die Kunst ist in aller Munde. Seit elf Jahren führt Fanni Fetzer das Luzerner Kunstmuseum. Ein Gespräch über das Leben mit und in der Kunst. Aufsehenerregende Ausstellungen mit den Werken von William Turner und zuletzt von David Hockney haben das Luzerner Kunstmuseum in die Topliga der Schweizer Museen befördert. Seit elf Jahren führt Fanni Fetzer das Haus in der Leuchtenstadt. Heuer wurde die gebürtige Bündnerin zudem mit dem Innerschweizer Kulturpreis ausgezeichnet. Wie Fanni Fetzer die Kunst auf dem Dorfplatz und nicht im Elfenbeinturm stattfinden lässt und inwiefern die Kunst grenzenlos ist, darüber spricht sie in «Focus».

We're wrapping up our series of reruns with part 2 of Bill Goodman's discussion with William H. Turner, author of "The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns." They talked about Turner's book, which was recently nominated for the "Book of the Year" Award from the Museum of African American History and about the process of integration in Kentucky. THINK HUMANITIES is made possible with generous support from the Spalding University Sena Jeter Naslun-Karen Mann Graduate School of Writing.

In this latest episode, the Unexpected duo, Professor James Daybell and Dr Sam Willis uncover the fascinating and remarkably unexpected history of OLD AGE! Which is all about being rude about old people and the gendering of the muff, via William Hogarth's 1746 etching 'A Taste of the High Life' and Piercy Roberts ‘Comfort for an Old Maid'. It's also all about intergenerational oral history projects between school pupils and residents in car homes, the history of isolation and loneliness; the photograph and William Turner's famous painting The Fighting Temeraire! Who knew! Hosted on Acast. See acast.com/privacy for more information.

This week we're re-listening to one of our best shows ever, a two-part interview with author William H. Turner. Turner's book is entitled, "The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns." Bill Goodman and Turner talk about the book and assumptions and myths about Appalachian African Americans. Tune in next week for part two of their conversation. THINK HUMANITIES is made possible with generous support from the Spalding University Sena Jeter Naslun-Karen Mann Graduate School of Writing.

Dr. William Turner and Dr. Ted Olson talk to Amythyst Kiah, an acclaimed musician and songwriter whose work is redefining genre boundaries and has established her as a distinctive new voice of Appalachia. Reconnecting with Amythyst in this episode is her mentor, Jack Tottle, an accomplished musician with a long career as a singer, songwriter, author, and educator.Amythyst Kiah has won critical acclaim as a member of the group Our Native Daughters and for her most recent album, Wary + Strange, which melds roots traditions with alternative rock in songs of personal revelation. She is a native of Chattanooga, TN, and a graduate of East Tennessee State University's Bluegrass, Old-Time, and Roots program. She received a Grammy nomination in 2020 for “Black Myself," a song she wrote to confront the oppression of her ancestors and to honor their strength.Jack Tottle is a multi-instrumentalist, recording artist, songwriter, author, and educator whose career has allowed him to share the stage with some of America's most revered bluegrass artists. He founded the first comprehensive bluegrass music studies program at a four-year university, East Tennessee State's Bluegrass, Old-Time, and Roots Music Studies program, which celebrates its 40th anniversary this year. For many years, he has examined the significant influence of Black Appalachian music on the bluegrass canon.Dr. William Turner is an African American studies scholar and retired Distinguished Professor of Appalachian Studies and Regional Ambassador from Berea College. He was also a research assistant to Roots author Alex Haley and co-editor of the groundbreaking Blacks in Appalachia. In 2021, Turner received Western Carolina University's individual Mountain Heritage Award in recognition of his outstanding contributions to Southern Appalachian studies. His memoir The Harlan Renaissance, available from West Virginia University Press, was awarded the prestigious Weatherford Award at the 2022 Appalachian Studies Association Conference.Dr. Ted Olson is a music historian and professor of Appalachian Studies at East Tennessee State University. He is the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA's On Top of Old Smoky and Big Bend Killing. His work has received a number of awards, including seven Grammy nominations. The East Tennessee Historical Society honored Olson with its Ramsey Award for Lifetime Achievement in 2021.Music featured includes:1.    “John Henry” and “Pretty Polly” performed by Amythyst Kiah and Roy Andrade from GSMA's album Big Bend Killing2.    “The Bluegrass Sound” by Jack Tottle, from a collaborative album he produced called The Bluegrass Sound and Other Stories3.    “Black Myself” performed live by Amythyst Kiah for our podcast. Recordings are available on Songs of Our Native Daughters and Wary + Strange4.    “Goin Down this Road Feelin' Bad” performed by Amythyst Kiah and Roy Andrade from GSMA's album On Top of Old Smoky: New Old-Time Smoky Mountain Music

This Puritan physician was a man who knew he was free. His liberated conscience was in subjection to Christ, and it certainly showed in his stouthearted courage.

On this episode of our mini-series Sepia Tones, Dr. William Turner and Dr. Ted Olson welcome Dom Flemons, a renowned performer of American folk music and a founding member of The Carolina Chocolate Drops. Citing a variety of musical influences—including the legendary Howard Armstrong and the inimitable Elizabeth Cotten—Flemons shares his journey into becoming a tradition-bearer of old-time music and demonstrates the subtleties of rural black musical styles he's learned along the way. Dom Flemons is a founding member of the Grammy-winning Carolina Chocolate Drops, a two-time Emmy nominee, and the creative force behind a number of solo works including, most recently, Black Cowboys and Prospect Hill: The American Songster Omnibus. He is a multi-instrumentalist whose repertoire spans the history of American folklore, ballads, and tunes.Dr. William Turner is a long-time African American studies scholar and retired Distinguished Professor of Appalachian Studies and Regional Ambassador from Berea College. He was also a research assistant to Roots author Alex Haley and co-editor of the groundbreaking Blacks in Appalachia. In 2021, Turner received Western Carolina University's individual Mountain Heritage Award in recognition of his outstanding contributions to Southern Appalachian studies. His memoir called The Harlan Renaissance, available from West Virginia University Press, was awarded the prestigious Weatherford Award at the 2022 Appalachian Studies Association Conference.Dr. Ted Olson is a music historian and professor of Appalachian Studies at East Tennessee State University. He is the author of many books, articles, reviews, encyclopedia entries, and oral histories. Olson has produced and compiled a number of documentary albums of traditional Appalachian music including GSMA's own On Top of Old Smoky and Big Bend Killing. His work has received a number of awards, including seven Grammy nominations. The East Tennessee Historical Society honored Olson with its Ramsey Award for Lifetime Achievement in 2021.Music featured includes:1.    "John Henry" performed by Amythyst Kiah and Roy Andrade from GSMA's album Big Bend Killing2.    “Going Down the Road Feelin' Bad” and “Knox County Stomp,” both from Dom Flemons' most recent album, Black Cowboys, from Smithsonian Folkways Recordings3.    “Po' Black Sheep” performed by Dom Flemons as part of the African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture. Courtesy of the Library of Congress4.    “Dona Got a Ramblin' Mind” and "Cornbread and Butterbeans" both by The Carolina Chocolate Drops and Joe Thompson, from their collaborative album released by Music Maker Foundation5.    And a selection of music performed for our podcast by Dom Flemons

The true example of a Renaissance Man, or a person who is great with many talents or areas of knowledge, Conrad Gessner joins the ranks of herbalists like William Turner and John Gerard as not only influences on Shakespeare, but examples of the influence of Renaissance thought on life in Elizabethan England. Gessner's works were printed prolifically and consumed regularly in England, most likely by Shakespeare himself. Having completed over 70 publications in his lifetime, Conrad Gessner is a powerhouse of information and his surviving works provide vital links to the mindset and understanding of the world from the Renaissance. Here today to share with us what Conrad Gessner was like, the works he completed, and exactly how it is we are supposed to spell his name, is our guest Dan Hooley.

Join Mark Weaver with William Turner, founder of William Turner Gallery for Designers at Home. This lively discussion will share exclusive insights into William's unique journey in law and fine art, the gallery's current show Halo, upcoming exhibitions, and other interesting anecdotes. If you appreciate art— don't miss it! To learn more about William Turner Gallery you can visit their website www.williamturnergallery.com or follow them on Instagram @williamturnergallery. Be sure to keep up to date on 'Designers at Home' by following @markweaverandassociates on Instagram

Rev. William Turner preaches The Incredible Journey and the Cost to Get There.

In this installment of Minding the Darkness, Minding the Light, our oral history series with Professor Peter Dale Scott, Peter talks with Ben Howard and me about some legendary figures in the history of American parapolitical research—namely: William Turner, Mae Brussell, and Colonel L. Fletcher Prouty. From there, we start to get into Watergate! Peter Dale Scott is the prolific poet, historian, and political theorist who gave us parapolitics as well as the deep politics approach. Follow Ben on Twitter and check out his latest series on the Boston Bombing over at TrueAnon: Episode 220: Marathon Men (Part 1) Special thanks to Casey Moore for the episode art and Dana Chavarria for the sound engineering! Music: "This Nation" by Mock Orange

The downturn of coal in Harlan County, Kentucky has led to an exodus of Black residents in search of work. This week on Inside Appalachia, we listen back to our conversation with William Turner, whose book about growing up in a vibrant Black community in eastern Kentucky just won the Weatherford Award for nonfiction from the Appalachian Studies Association.

The downturn of coal in Harlan County, Kentucky has led to an exodus of Black residents in search of work. This week on Inside Appalachia, we listen back to our conversation with William Turner, whose book about growing up in a vibrant Black community in eastern Kentucky just won the Weatherford Award for nonfiction from the Appalachian Studies Association.  We'll also give another listen to a conversation we did last year with reporters with Mountain State Spotlight and GroundTruth, about West Virginia's foster care system. We'll hear from reporters Amelia Ferrell Knisely and Molly Born about what they learned during their year-long investigation. After their reporting, lawmakers vowed to make changes to the foster care system. But the 2022 West Virginia Legislature adjourned this legislative session just ended, and no legislation passed that made any improvements to foster care in the state West Virginia. What could be done to fix our state's failing foster care system?  The Struggle to Stay Derek Akal is a young Black man who grew up in Harlan, Kentucky. For years, he wanted to leave. Derek got a college football scholarship and thought it would be his ticket out, but a serious neck injury led him to drop out of school and return home. Reporter Benny Becker spent a year following Derek's story for our Struggle to Stay series which aired back in 2017. As a warning: this story contains racial slurs. In the past four years, a lot has changed in Akal's life. He did leave Kentucky, and briefly moved to California: Those plans didn't stick, in part because it cost so much to live there. He moved to Atlanta, Georgia for a while, but eventually made his way back to Harlan County. Today, Derek is the father of five children and works as a full-time cook at a restaurant in Harlan County. William Turner's Book Wins Weatherford Award William Turner is one of the most prolific historians of the Black experience in Appalachia. His 1985 book, Blacks in Appalachia, co-authored with Edward J. Cabbell, is considered a landmark work in the field. Turner's latest book, The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns includes his memories of growing up in Lynch, Kentucky. When Turner was a child, coal was still in its post-World War II boom years, and Lynch was a bustling company town run by U.S. Steel — one of the most powerful companies in the country in that era. This week on Inside Appalachia, listen back to co-host Mason Adams speaking with Turner about his book after its release last September. Investigation Shines Spotlight on W.Va's Foster Care System We've reported on the crisis in West Virginia's foster care system on Inside Appalachia. In 2015, the U.S. Department of Justice found that West Virginia is institutionalizing too many foster children with mental health conditions — and often sends them to out-of-state facilities. Last year, we aired a conversation we recorded with two reporters with Mountain State Spotlight and GroundTruth. They found that West Virginia has identified some of these facilities as abusive — accused of sexual assault, forced labor and more. Yet the foster care system continues to leave kids in these abusive, out-of-state centers. Last fall, our producer Roxy Todd sat down with reporters Amelia Ferrell Knisely and Molly Born to find out more about what they learned during their year-long investigation.

IN THIS EPISODE~ Rob & Doug are joined by Intrepid JFK Assassination Student/Researcher, Academic, Award-Winning Archeologist (currently serving with our National Park Service), Media-Content Creator, Published Author and Budding Film Critic Jeffrey Shanks! GET READY, because he knows his stuff and brings much to our discussion. Among the topics covered in this information-packed episode:The tenacious & legendary Warren Report critic William Turner; The mysterious disappearance of adventurer/anti-Castro pilot Alexander Rorke, concurrent with the "Oswald-In-Mexico Cty"-Episode; Mr. Shanks presents further research re: a document shared by Rob on a previous podcast; a deep-dive into the infamous John Martino, and a cryptic memo from the Garrison Investigation regarding Extreme Rightists plotting assassinations in Dallas, Texas, a few years after Dealey PlazaPLUS~ 'The Torbitt Document", Oswald & the Carcano rifle, determining exactly when Ruby got the order to hit Oswald, and why the Non-French should never pronounce French words in a French-like manner.JOIN US!Written & Hosted by Rob Clark & Doug CampbellProduced by Drop-D Podcast Productions

It's time to set sail with the most beloved bunch of pirates ever to grace the silver screen. This week is all about pirates as we look at Pirates of the Caribbean: The Curse of the Black Pearl. I have been excited all week to not only cover this one and bring it to y'all, but to watch it again! I just absolutely love these movies. The Black Pearl kicks off one of the most notable movie franchises in movie history. We have blacksmith William Turner, governor's daughter Elizabeth Swann, and Jack... I mean, "Captain" Jack Sparrow. And while they can return the gold to lift the curse and finally defeat Barbossa and his crew, there is no way to lift the curse of bad reviews. Can our pack of prominent pirates defeat them as well? Tune in to find out!   If you enjoyed this content, be sure to give my official Ko-Fi page a gander!  There you can get access to all kinds of cool perks and prizes from your very own shoutout on the show to choosing which movie I cover next.  Link down below!  You can also find me filling the world with more #BRBR insanity on Insta @billreadsbadreviews and Twitter @BRBR_Bill. Stay awesome. Support BRBR on Ko-Fi: https://ko-fi.com/billreadsbadreviews

Fine Artist John Domont discusses the challenges of visually representing the spiritual and the physical world in his works of art. “I am working to discover a language based on internal and external experiences and circumstances that reveal our commonalities,” said John.John's body of work includes photography, painting, and writing. His compositions represent the human experience integrating the sensed with the known through the realms of color, form, composition, and light.John puts aside his emotional ego to become a blank slate onto which he can enter the state of receiving from the “all that is.” “The joy comes from expressing or being in dialogue with the silent unknown in the living moment,” said John. Chris and John share notes on the challenge between balancing masculine technical skills with feminine intuitiveness in their work. John cites William Turner's process, whose work is currently on display in the “Turner's Modern World” exhibit at the Kimbell Art Museum in Fort Worth, as a source of inspiration.Whether John's process is mystical or sensualist, he emphasizes the importance of seeing, hearing, feeling, and experiencing life in a state of unification. According to the artist, his art expresses, who we are, where we are, and what we share in common.“You are an essence of creation that needs to be fulfilled,” said Domont. For more information or to see his work, visit www.domontstudio.com.

Your Bluetooth will become touched by the holy ghost of artistic expression when Casper Brindle, notorious Southern Californian painter and sculptor illuminates Ramos Gallery in Westwood revealing the artworld's gems to Big Luck's, Ol' Blue Eyes, Schwartz and Chumahan in his enigmatic discussion with Julio Ramos the high octane painter, this is authentic West Coast creativity brought to the living room of your minds.  See Casper's work at https://www.williamturnergallery.com/exhibitionsHe's at William Turner gallery at the infamous Bergamot Station in Santa Monica.Support this podcast at — https://redcircle.com/the-hard-luck-show/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The downturn of coal in Harlan County, Kentucky has led to an exodus of Black residents in search of work. This week on Inside Appalachia, we speak with William Turner, whose new book looks at growing up in a vibrant Black community during Harlan's boom years.  “We're so accustomed in Appalachia's coal camps to booms and busts,” Turner told co-host Mason Adams. “And while it may never come back with a capital B, I think people will survive, and more than that, I think they will thrive.” Turner's new book is called “The Harlan Renaissance: Stories of Black Life in Appalachian Coal Towns.” And a new investigation by Mountain State Spotlight and GroundTruth finds that West Virginia's foster care system sends kids to often abusive, out-of-state facilities. The state's Department of Health and Human Resources has identified some of these facilities to have issues with sexual assault, forced labor and more. We talk with reporters Amelia Ferrell Knisely and Molly Born about what they learned during their yearlong investigation.