Podcasts about Claude Monet

There are no shortcuts in navigating growing older. As we pass into the second half of our lives, we will face the challenge of accepting the forces of limitation. The reality of aging is that it is an apprenticeship into life with the invitation of new ways of seeing, feeling, and being. Here we explore the challenges and gifts of growing older. Mark Nepo is a poet and philosopher and a most eloquent spiritual teacher. In 2015 he was given a Life-Achievement Award by AgeNation and in 2016 was named by Watkins Mind Body Spirit as one of the Most Spiritually Influential Living People. He was part of Oprah Winfrey's The Life You Want Tour in 2014 and has appeared several times with Oprah on her Super Soul Sunday program on OWN TV. As a cancer survivor, Mark devotes his writing and teaching to the journey of inner transformation and the life of relationship. Mark Nepo is the author of many audio learning projects and over 20 booksInterview Date: 5/9/2025 Tags: Mark Nepo, aging, curiosity, limitations, Odyssey, Odysseus, Helen Luke, Tiresias, position of mastery, confidence, aging dog, Claude Monet, Personal Transformation, Philosophy, Community, Death & Dying

Traumhafte Dörfer, malerische Strände, mondäne Küsten-Orte, bewegende Weltgeschichte, phantastisches Essen - die Normandie ist eine der wundervollsten Gegenden dieser Welt. Gesegnet mit einem Klima und Landschaften, die schon so viele in ihren Bann gezogen haben. Allen voran Impressionisten wie Claude Monet, dessen Gärten und Seerosen-Teich wir in Giverny besuchen. Ebenso wie unfassbar schicke Orte wie Honfleur, Étretat (mit seinen monumentalen Klippen), das betörende Seebad Cabourg plus viele Highlights abseits der gängigen Pfade. Hinzu kommen die Landungsstrände, an denen einst die Alliierten das Ende des 2. Weltkriegs einleiteten. Und immer wieder diese kulinarischen Highlights - sei es himmlischer Käse, Cidre, Calvados oder einfach die französische Finesse in der Küche. Eine Reise durch die Normandie ist eine Reise zu so vielen Top-Highlights wie man sie nur selten erlebt auf dieser Welt. Und über allem schwebt die bezaubernde Schönheit dieses Landstriches im Nordwesten Frankreichs.Diese Folge entstand mit freundlicher Unterstützung von Normandie Tourisme und seinen Partnern.Unsere Werbepartner findet ihr hier.Noch mehr Reisen Reisen gibt es in unserem Newsletter-Magazin. Hosted on Acast. See acast.com/privacy for more information.

ESSENTIEL, les rendez-vous du jeudi – Un monde de livres présenté par Josyane Savigneau Elle reçoit Catherine Vigourt pour son livre « Une parcelle du monde » sur Claude Monnet chez Gallimard. À propos du livre : « Une parcelle du monde » paru aux éditions Gallimard "Il peint toujours dehors, même à l'atelier : tous les extérieurs sont en lui. Il a tellement regardé. L'ombre portée du pont, Ia fleur de cire des nénuphars, les mèches de saule jetant leur verticale. Le ciel de l'eau que fait trembler au bord des rives l'herbe profonde. Les arbres inversés vibrant au passage de l'air. Cette sorte de couleur que prend l'air Iui-même. Il a tellement vécu ce paysage. Nous voici au plus près de Claude Monet, à Giverny, cette "parcelle du monde" qu'il a réinventée et qu ifut un monde à part. De 1893 à 1926, à travers six journées éclairant Ie passage du temps, sa vie quotidienne et son travail d'artiste nous sont restitués, avec en toile de fond l'affaire Dreyfus, la guerre et l'époque en mouvement. Son épouse Alice, sa belle-fille Blanche, la cuisinière et le jardinier surgissent au détour d'une allée ou d'un souvenir, tout comme l'ami Clemenceau, les galeristes, les peintres Matisse et Marquet... Avec une réelle puissance dévocation et une grande finesse de touche, Catherine Vigourt nous donne à voir la figure émouvante du peintre au fil des âges, son parcours créateur des Cathédrales aux Nymphéas et la magie d'un lieu dont il fit un chef-d'oeuvre.

On today's episode, producer Drew explores the fascinating intersection of science, psychology, and the way we experience art. Inspired by the museum's current lighting renovation, Drew sits down with Jackson Councilman, a recent college graduate with a concentration in neuroscience and former intern for the CMA's communications department, to unpack how light waves interact with the human eye, colorblindness, and how the work of Claude Monet may have been influenced by ultraviolet light. After the break, USC psychology professor Dr. Melanie Palomares joins the conversation to discuss how the brain processes visual information, the connections between Gestalt theory and the work of artist Bridget Riley, and why attention plays such a critical role in how we see.

BURNING CITIES CONTINUED, THEN AND NOW.  5/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  7/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  6/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS COMMUNE https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  8/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS CLAUDE MONET 1840-1926 https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  4/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 PARIS PRUSSIAN BOMBARDMENT   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  3/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 SCHWEINFURT https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  2/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1870 Bucharest  https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

BURNING CITIES CONTINUED, THEN AND NOW.  1/8: Paris in Ruins: Love, War, and the Birth of Impressionism by  Sebastian Smee  (Author) 1871 PARIS   https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

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Claude Monet (1840–1926) foi um dos fundadores e principais expoentes do movimento impressionista, revolucionando a história da arte com sua abordagem inovadora da luz e da cor. Nascido em Paris e criado na Normandia, Monet desenvolveu desde cedo uma sensibilidade única para a natureza e suas transformações. Seu quadro Impressão, Nascer do Sol (1872) deu nome ao movimento impressionista. Ao longo de sua carreira, dedicou-se a capturar os efeitos transitórios da luz sobre a paisagem, muitas vezes pintando o mesmo motivo em diferentes horários e condições atmosféricas.Essa é a nossa história de hoje. Se você gostou deixe seu like, faça seu comentário, compartilhe essa biografia com outras pessoas. Vamos incentivar a cultura em nosso pais. Até a próxima história! (Tania Barros)Ajude Tânia a manter o Canal Ativo - PIX: 7296e2d1-e34e-4c2e-b4a0-9ac072720b88 - Seja Membro Youtube á partir de R$1,99 por mês - Projeto Catarse: https://www.catarse.me/loucosporbiografias - Contato: e-mail - taniabarros339@gmail.com

Fluent Fiction - French: Faux Pas at the Louvre: A Parisian Spring Awakening Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-05-30-22-34-02-fr Story Transcript:Fr: Le soleil de printemps éclaire doucement les rues de Paris.En: The spring sun gently illuminates the streets of Paris.Fr: Les arbres fleurissent et l'air sent bon le renouveau.En: The trees are blooming, and the air smells of renewal.Fr: Étienne, Lucie et Marc se retrouvent devant le majestueux Musée du Louvre.En: Étienne, Lucie, and Marc meet in front of the majestic Musée du Louvre.Fr: Ils viennent admirer les trésors du patrimoine artistique.En: They have come to admire the treasures of artistic heritage.Fr: Étienne est nerveux.En: Étienne is nervous.Fr: Il rêve d'impressionner Lucie, qu'il trouve brillante et captivante.En: He dreams of impressing Lucie, whom he finds brilliant and captivating.Fr: Elle adore l'art et elle connaît la Renaissance sur le bout des doigts.En: She loves art and knows the Renaissance like the back of her hand.Fr: Étienne, lui, n'y connaît pas grand-chose, mais il est prêt à tout pour attirer son attention.En: As for Étienne, he doesn't know much about it, but he is willing to do anything to get her attention.Fr: Ils entrent dans le musée.En: They enter the museum.Fr: Les grands halls du Louvre sont remplis de murmures et de bruits de pas feutrés.En: The large halls of the Louvre are filled with whispers and the soft sounds of footsteps.Fr: Les murs sont ornés de peintures majestueuses.En: The walls are adorned with majestic paintings.Fr: "Regardez, c'est La Joconde !"En: "Look, it's the Mona Lisa!"Fr: s'exclame Lucie.En: exclaims Lucie.Fr: Étienne observe en silence, prenant note de sa passion.En: Étienne observes in silence, taking note of her passion.Fr: Ils s'arrêtent devant une autre peinture célèbre.En: They stop in front of another famous painting.Fr: Étienne prend son courage à deux mains.En: Étienne gathers his courage.Fr: "Ah, voici l'œuvre de Michelangelo, célèbre pour ses paysages fleuris," annonce-t-il avec assurance.En: "Ah, here's the work of Michelangelo, famous for his flowery landscapes," he announces confidently.Fr: Lucie hausse un sourcil, intriguée mais polie.En: Lucie raises an eyebrow, intrigued but polite.Fr: Cependant, un groupe de touristes approche avec un guide.En: However, a group of tourists approaches with a guide.Fr: Il s'agit d'un guide officiel du musée, souriant et sympathique.En: It's an official museum guide, smiling and friendly.Fr: "Cette peinture, mes amis, n'est pas de Michelangelo mais de Claude Monet, maître de l'impressionnisme," annonce-t-il avec enthousiasme.En: "This painting, my friends, is not by Michelangelo but by Claude Monet, master of impressionism," he announces enthusiastically.Fr: Marc éclate de rire et Lucie ne peut retenir un sourire.En: Marc bursts out laughing, and Lucie can't hold back a smile.Fr: Étienne sent ses joues devenir rouges comme des tomates.En: Étienne feels his cheeks turning as red as tomatoes.Fr: Pris sur le fait, il se gratte la tête, embarrassé.En: Caught in the act, he scratches his head, embarrassed.Fr: "Eh bien, presque, n'est-ce pas ?"En: "Well, almost, right?"Fr: dit-il en riant nerveusement.En: he says, laughing nervously.Fr: Plus tard, à la cafétéria du musée, Étienne se résout à être honnête.En: Later, at the museum cafeteria, Étienne resolves to be honest.Fr: "Lucie, je dois te dire.En: "Lucie, I have to tell you.Fr: Je ne suis pas un expert en art.En: I'm not an art expert.Fr: J'ai beaucoup à apprendre."En: I have a lot to learn."Fr: Lucie éclate de rire.En: Lucie bursts out laughing.Fr: "Ne t'inquiète pas, Étienne.En: "Don't worry, Étienne.Fr: J'apprécie ton effort.En: I appreciate your effort.Fr: Je peux te montrer quelques trucs."En: I can show you a few things."Fr: Marc, toujours amusé, lève son verre à cette nouvelle complicité.En: Marc, still amused, raises his glass to this new connection.Fr: Étienne se sent soulagé.En: Étienne feels relieved.Fr: Il réalise que son honnêteté est plus séduisante qu'une fausse érudition.En: He realizes that his honesty is more attractive than fake erudition.Fr: À partir de ce jour, il est bien déterminé à découvrir l'art, à ses côtés, et à être lui-même.En: From that day on, he is determined to discover art, by her side, and to be himself.Fr: Le printemps à Paris lui a appris une belle leçon.En: Spring in Paris has taught him a beautiful lesson. Vocabulary Words:the spring sun: le soleil de printempsilluminates: éclairerenewal: renouveauartistic heritage: patrimoine artistiquenervous: nerveuxbrilliant: brillantecaptivating: captivantethe museum: le muséelarge halls: grands hallswhispers: murmuressoft sounds: bruits feutrésadorned: ornésmajestic paintings: peintures majestueusesgathers his courage: prend son courage à deux mainslandscapes: paysagesraises an eyebrow: hausse un sourcilofficial museum guide: guide officiel du muséeimpressionism: impressionnismebursts out laughing: éclate de rireembarrassed: embarrassénervously: nervousementcafeteria: cafétériaresolves: se résouthonest: honnêteexpert: expertto learn: apprendreeffort: effortraises his glass: lève son verrefake erudition: fausse éruditionbeautiful lesson: belle leçon

datum: 26 maart 2025 gast: Luc Cromheecke Stripmaker Luc Cromheke kennen we van zijn strips: Tom Carbon, Roboboy, Taco Zip en Plunk! Maar we spreken met hem over zijn nieuwste album De Magnifieke Monet 2: Giverny. Een geweldige strip over de Franse kunstenaar Claude Monet uitgegeven door uitgeverij Oogachtend. En een oplettende luisteraar kan zelfs een album winnen! 

Convidado para expor no templo dos impressionistas, o Museu d'Orsay, em Paris, o artista plástico Lucas Arruda concebeu “Que importa a paisagem” como parte da Temporada França-Brasil 2025. Em suas paisagens, ele fala através de luzes, pinceladas, gestos e memória. Patrícia Moribe, em Paris“Fiquei muito feliz pelo convite”, conta Lucas Arruda, o primeiro artista brasileiro contemporâneo a exibir no Orsay. “Acho que também tive uma certa ansiedade, um certo nervosismo, um certo medo de ter algum aspecto pretensioso em estar aqui. Mas aí, aos poucos, eu fui achando essas relações [entre os quadros] e percebendo que daria para construir algo que não confrontasse, mas que sim, respeitasse e continuasse.”A ideia de trabalhar com Lucas Arruda já estava em pauta há algum tempo, conta o co-curador Nicolas Gausserrand. "Quando estamos diante de uma tela de Lucas Arruda, temos a impressão de que ela nos é familiar, e é o poder da paisagem de nos dar a sensação de que já a vimos", observa."Seja na realidade ou na pintura, as pinturas de Lucas Arruda parecem se inserir perfeitamente nessa continuidade, que é importante no Museu d'Orsay, ao mesmo tempo, trazendo uma contribuição nova, que é o fato de que ele não pinta, ao contrário dos impressionistas, diante da cena que vê. Todas essas telas são imaginadas e são totalmente ideais de paisagens feitas em sua mente.”“Há algo bastante didático na progressão da exposição, falando primeiro sobre paisagens, em um encontro que não é conflituoso, mas organizado de maneira bastante elegante, tanto para as obras das coleções - Rousseau, Corot, Boudin, Pissarro – como para as obras de Lucas Arruda”, explica Gausserrand.“Há também um deslocamento bastante excepcional do Mar Tempestuoso, de Courbet, para a galeria impressionista. E a conversa acontece de maneira bastante fluida com a paisagem como tema”, acrescenta Gausserrand.“Que importa a paisagem”, frase tirada de um poema de Manuel Bandeira, trafega por três salas. A primeira, com vários expoentes do impressionismo; depois, uma ala só com as séries de Arruda, que funciona como uma quebra e a continuidade do diálogo.Há mais de 15 anos, Lucas Arruda vem trabalhando paisagens em quadros de pequeno formato, da série Deserto-Modelo. O formato reduzido parece concentrar e, ao mesmo tempo, aumentar essa realidade virtual. O visitante precisa auscultar traços e matizes, guiado pelas luzes e memórias de Arruda.Depois, na sala de Claude Monet, cinco versões da catedral de Rouen inspiraram Arruda a buscar cinco imagens de florestas.“Tentei achar cinco matas que tivessem luzes diferentes, construções diferentes. Então foi tudo um pouco pensado, com o entorno, com algumas limitações”, explica.Ele fala sobre a influência dos impressionistas, mas sua obra vai além, com imagens que remetem a outras gerações de artistas, como William Turner, Joseph Constable, Mark Rothko, ou ainda as fotografias de Hiroshi Sugimoto.O artista explica ainda a admiração pelo trabalho de Alfredo Volpi, um dos grandes nomes do modernismo brasileiro. “A luz que vem de trás da têmpera do Volpi tem essa transparência, essa pincelada aberta, que não fecha, que não sela. É uma pincelada que, ao mesmo tempo em que ela deposita, ela também abre luz de trás.”“Que importa a paisagem”, de Lucas Arruda, fica em exposição no Museu d'Orsay, em Paris, até 20 de julho de 2025.

Follow me aboard bus 164 as I venture to Argenteuil, the picturesque suburb that captivated Impressionist painters like Monet, Caillebotte, and Manet. While heading to a kung-fu competition, I discover the scenic routes along the Seine where Claude Monet lived for five years and created dozens of masterpieces. I share glimpses of the famous Argenteuil bridge that still stands today while appearing in museums worldwide, and my excitement to visit Monet's house with its recreated boat-studio. This episode explores practical French vocabulary about movement with the versatile verb "passer" and the essential pronoun "y". Perfect for intermediate French learners passionate about art history who want to experience authentic everyday French beyond Paris's tourist sites. www.onethinginafrenchday.com  

In this episode, I take you on a journey to Argenteuil, a suburb of Paris made famous by Impressionist painters like Claude Monet. Join me as I travel on bus 164 to a kung-fu competition, while discovering the charming neighborhoods where Monet lived and painted for five years. I share my observations of the Seine river, the historic Argenteuil bridge that appears in many famous paintings, and my plans to visit Monet's house with its recreated boat-studio. This episode also offers practical French vocabulary about transportation and movement with a focus on the versatile verb "passer" and the pronoun "y". Perfect for intermediate French learners who want to improve their comprehension while discovering French art history and daily life outside Paris. www.cultivateyourfrench.co   #LearnFrenchWithPodcast #ImpressionistArtists #ClaudeMonet #Argenteuil #FrenchCulture #FrenchListening #ParisSuburbs #FrenchJourney #PracticalFrench #DailyFrenchLife

This week on Here's What We Know, Gary welcomes back John Zaller, the brilliant executive producer of Exhibition Hub, who has brought some of the most breathtaking immersive experiences to life—including Van Gogh: The Immersive Experience and Claude Monet: The Immersive Experience.John takes us deeper into his creative process, sharing stories from his most impactful projects. He explores how immersive environments can reshape our perceptions and reveals why art continues to serve as a sanctuary for so many. Tune in now!In this episode, you'll discover:How immersive exhibitions are designed to make audiences feel like they're stepping into another world.The fascinating story behind Dialogue in the Dark—an exhibition that turns the lights off and shifts perspectives on ability and disability.How Claude Monet's deteriorating eyesight influenced his most famous works.Why art has the power to provide comfort, connection, and escape—even in the busiest, most chaotic times.This episode is sponsored by: Bison Junk Removal (Effortless solution to your junk removal needs!) Bio:John Zaller is the executive producer of Exhibition Hub, a curator and distributor of world-renowned immersive exhibitions. He has honed his unique skills of production, visual art, and set design for more than 25 years while working in the museum, entertainment, retail, and attractions/theme parks industries through his own immersive design firm, KRE8 360, that specializes in creating story-driven, traveling immersion experiences. He has contributed to creating and overseeing multiple immersive experiential environments, including Titanic: The Artifact Exhibition; Jurassic World: The Exhibition; Bodies the Exhibition; Star Trek: The Exhibition; and the Themed Entertainment Association's Thea award-winning experience at the St. Louis Aquarium at Union Station. Most recently, Zaller has been credited for his contributions and skillful expertise on Van Gogh: The Immersive Experience, which was named the 2021 best immersive experience by USA Today and among the 12 best immersive experiences in the world by CNN. He has been working with Exhibition Hub for more than a decade and is responsible for the implementation of all Exhibition Hub properties in the United States.LinkedIn: https://www.linkedin.com/in/jwzaller/Instagram: https://www.instagram.com/exhibitionhub_eh/Claude Monet The Immersive Experience: https://monetexpo.com/Bubble Planet in Denver: https://bubble-planet.com/denver/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

Franck Ferrand revient sur les obsessions picturales de Claude Monet dans sa maturité. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA ADULTOS 2025“CON JESÚS HOY”Narrado por: Exyomara AvilaDesde: Bogotá, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church ===================|| www.drministries.org ||===================10 de MarzoNenúfares«Bienaventurados los de limpio corazón, porque verán a Dios» (Mat. 5: 8).Los lotos y los nenúfares son algunas de las flores que más me gustan. Aunque pertenecen a distintas familias, ambas especies tienen en común que crecen en aguas pantanosas, charcas, o lagunas y lagos poco profundos. Lo que más admiro de estas plantas es que se alimentan del lodo que se acumula en los fondos de esas zonas, pero de esa materia tan aparentemente impura producen unas flores de extraordinaria belleza.En diversas religiones orientales, como el budismo, así como entre los antiguos egipcios, lotos y nenúfares se consideraban flores sagradas, o al menos estaban asociadas a simbolismos religiosos relacionados con la pureza espiritual. Incluso están representadas en los capiteles de las columnas de algunos templos, como los de Luxor y Karnak.El significado de la flor de loto o del nenúfar en esas culturas casi se impone por sí mismo, ya que el agua lodosa que nutre la planta está asociada con el pecado y los deseos carnales, y la flor impecable que parece subir escapando de los fondos fangosos, en busca de la luz, representa la belleza de la pureza y de la elevación espiritual.Es interesante saber que el pintor Claude Monet concedió especial atención precisamente a los nenúfares, de los que pintó entre 1898 y 1926 unos 250 cuadros. Las tres últimas décadas de su vida están dedicadas casi exclusivamente a ese motivo. Su obra más conocida es sin duda la serie de ocho lienzos de gran formato que representan solo nenúfares en diversos momentos del día, inspirados en el jardín que el artista tenía en Giverny. Esta serie, que ocupa completamente la sala no 1 del Museo de la Orangerie de Paris, se conoce hoy como «la Capilla Sixtina del impresionismo». Se ha comentado que es la expresión de una experiencia espiritual, como si el espejo de agua sobre el que flotan los nenúfares fuera también el reflejo de las propias figuraciones del alma del artista en busca de pureza y quietud.En la cultura bíblica, el corazón es la sede metafórica de la vida moral. Ser puro de corazón, o tener el corazón limpio, significa estar libre de falsedad y de malicia en este centro íntimo de los pensamientos y de los sentimientos. Por eso algunas versiones traducen así esta declaración de Jesús: «Felices los que tienen limpia la conciencia, porque ellos verán a Dios» (BLP).Señor, deseo verte. Purifica mi corazón para que, como el nenúfar, se mantenga siempre limpio. 

Claude Monet, pionnier de l'impressionnisme, a marqué l'histoire de l'art par sa capacité unique à capturer la lumière et les émotions dans ses œuvres. Né en 1840, il traverse une vie jalonnée de défis personnels et financiers, mais son génie transforme chaque épreuve en inspiration artistique. Son tableau Camille sur son lit de mort (1879) est un poignant hommage à sa première épouse, témoignant de sa douleur et de son amour. Rejeté à ses débuts par les institutions officielles, Monet trouve un soutien décisif à l'étranger, notamment aux États-Unis, ce qui lui permet d'acheter la maison de Giverny en 1890. Là, il crée ses célèbres Nymphéas, symboles de son exploration de la nature et de la lumière. Malgré les drames familiaux et une santé déclinante, il reste un innovateur infatigable jusqu'à sa mort en 1926. Monet laisse un héritage universel, incarnant la beauté et la modernité de l'art impressionniste. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

5/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 SIEGE OF PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

6/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 SIEGE OF PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

7/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1871 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

8/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS  https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

1/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

2/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

3/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism

4/8: Paris in Ruins: Love, War, and the Birth of Impressionism Hardcover – September 10, 2024 by  Sebastian Smee  (Author) 1870 PARIS https://www.amazon.com/Paris-Ruins-Love-Birth-Impressionism/dp/1324006951/ref=sr_1_1?dib=eyJ2IjoiMSJ9.0LrrcogTAXmGjiJTXHGqcmh6tG316iU_qBRT5krAjbY8X2w9audnxQy7kzk7OLkh_2lSbQ2ybUZGAqxzqsV7SIXXh__kEnq4cHn6QdDz3Vu5xuCtROqvHYC4bnq-Wd16OQ0xBFKI0YF5Q12M2HxhsXNW0KzxEvl3JkXmjEm-lB835FTP4AOXbZmDkXRwFFwP8JAim1mTpk-tRD1mx2eyRyT4izNxH2zOMi6vWoub4fk.sBKL5PJ8cK_YQQ9SXWo2jUROfRmEzorpra10Qr1m--0&dib_tag=se&qid=1739487181&refinements=p_27%3ASebastian+Smee&s=books&sr=1-1 From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionis

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which famous artist went unnoticed during his life, and commited suicide aged 37 in 1890? Question 2: Who is the author of "Brave New World"? Question 3: The painting "Water Lilies" by Claude Monet is a part of which art movement? Question 4: What was Shakespeare's first play? Question 5: Which author wrote 'Fantastic Beasts and Where to Find Them'? Question 6: Who Wrote The Book 'Alice In Wonderland'? Question 7: Who wrote the "Discworld" series? Question 8: Which author wrote 'A Sportsman's Sketches'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Our latest guest on The One Way Ticket Show is world-renowned Garden Designer, Madison Cox. The interview was conducted in September 2024 in the Willis Pavilion, beside the house today known as Villa Oasis which was built by French Orientalist painter, Jacques Majorelle in the 1920s, and later owned by Yves Saint Laurent & Pierre Bergé. Adjacent to the home is the famed Majorelle Garden. Madison was born September 23, 1958, in Bellingham, Washington, and raised in San Francisco and Marin County, California.  As a garden designer and author of books about gardens, he has traveled extensively across the United States and Europe as well as to Japan, China, Russia, India, North Africa, and Australia.  Madison's passion for garden design has also extended to lecturing, leading garden tours in France and Italy, and book publications.  He has lectured across the United States and Canada: at the Smithsonian Institute in Washington, D.C. and the Art Institute of Chicago, as well as at the Portland Garden Club and the Art Gallery of Ontario in Toronto. Madison Cox is the author of Private Gardens of Paris (Harmony Books, 1989), co-author of Gardens of the World (Macmillan, 1991), and with photographer Erica Lennard, of Artists' Gardens: from Claude Monet to Jennifer Bartlett (Abrams, 1993), and Majorelle: A Moroccan Oasis (Vendome Press, 1999). Cox wrote the preface for The Gardener's Garden (Phaidon, 2014). He was the first American to design a garden at the Chelsea Flower Show in London in 1997, and won a Silver-Gilt Medal.  Madison is a member of the following institutions:  - President, Fondation Pierre Berge – Yves Saint Laurent, Paris, France - President, Foundation Jardin Majorelle, Marrakech, Morocco - Co-Chairman of the American Schools of Tangier and Marrakech in Morocco - Advisory Board Member, The Aangan Trust, Mumbai, India - Patron, American Friends of Blérancourt, France - Board of Directors TALIM (The American Legation in Morocco)  In our conversation, Madison shares his one way ticket destination of choice is to Morocco. His first visit to the country was in 1979.  While he was a student in Paris, Yves Saint Laurent and Pierre Bergé invited him as part of a small group down to Marrakech for a long weekend. During our sit-down, Madison covers: - The difference between Marrakech in the 1970s and today - The nostalgia for Tangier (where Madison has a home) - The rich backstory behind Villa Oasis and the Majorelle Garden - Yves Saint Laurent's love for Morocco (he first visited in 1966) and how the country significantly impacted his work - The Pierre Bergé Museum of Berber Arts which is housed in the former painting studio of Jacques Majorelle, in the garden - The Yves Saint Laurent Museum in Marrakech - How Morocco has impacted his own approach to designing gardens. Plus, J. Paul Getty, Edith Wharton, Winston Churchill, FDR, and the photographer Horst, all make appearances in the interview.  

Claude Monet, pionnier de l'impressionnisme, a marqué l'histoire de l'art par sa capacité unique à capturer la lumière et les émotions dans ses œuvres. Né en 1840, il traverse une vie jalonnée de défis personnels et financiers, mais son génie transforme chaque épreuve en inspiration artistique. Son tableau Camille sur son lit de mort (1879) est un poignant hommage à sa première épouse, témoignant de sa douleur et de son amour. Rejeté à ses débuts par les institutions officielles, Monet trouve un soutien décisif à l'étranger, notamment aux États-Unis, ce qui lui permet d'acheter la maison de Giverny en 1890. Là, il crée ses célèbres Nymphéas, symboles de son exploration de la nature et de la lumière. Malgré les drames familiaux et une santé déclinante, il reste un innovateur infatigable jusqu'à sa mort en 1926. Monet laisse un héritage universel, incarnant la beauté et la modernité de l'art impressionniste. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Kunstenaar Rinus Van de Velde vertelt in deze aflevering van Bar Miroir hoe het komt dat hij zichzelf herkent in het nummer 'What's he building in there?' van Tom Waits, waarom de boodschap ‘DO' in de brief van kunstenaar Sol LeWitt aan Eva Hesse een reminder is om gewoon te ‘doen', en wat hij zo bijzonder vindt aan het beeldmateriaal van een schilderende Claude Monet in zijn tuin in Giverny. See omnystudio.com/listener for privacy information.

For the 34th episode of "Reading the Art World," host Megan Fox Kelly speaks with Sebastian Smee, Pulitzer Prize-winning art critic for The Washington Post and author of "Paris in Ruins: Love, War, and the Birth of Impressionism,” published by W. W. Norton.This fascinating conversation explores the violent political upheavals of 1870-71 Paris — the Siege of Paris and the Paris Commune — and how they influenced the Impressionist movement. Smee shares insights into the lives of the artists who survived these dramatic days, including Edgar Degas, Édouard Manet and Berthe Morisot, who were trapped in Paris; Pierre-Auguste Renoir and Frédéric Bazille, who joined regiments outside of the capital; and Claude Monet and Camille Pissarro, who fled the country just in time.Through rigorous research into personal letters and historical documents, Smee illuminates the human context behind familiar masterpieces of light created during this dark period. He offers a fresh perspective on why the Impressionists, with their newfound sense of the fragility of life, turned toward transient subjects of modern life, leisure, fleeting moments and the impermanence of all things in the aftermath of such devastating events.ABOUT THE AUTHOR Sebastian Smee is an art critic for The Washington Post and winner of the 2011 Pulitzer Prize for Criticism. His previous works include "The Art of Rivalry" and books on Mark Bradford and Lucian Freud. He was awarded the Rabkin Prize for art journalism in 2018 and was a MacDowell Fellow in 2021.PURCHASE THE BOOK https://wwnorton.com/books/9781324006954SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Fluent Fiction - French: Heartfelt Courage: Émilie's Parisian Journey Through Art Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2024-12-29-08-38-20-fr Story Transcript:Fr: L'air vif de l'hiver soufflait doucement à travers Paris, apportant une fraîcheur piquante à l'atmosphère festive.En: The brisk winter air gently blew across Paris, bringing a sharp freshness to the festive atmosphere.Fr: Au cœur de la ville des lumières se tenait le Louvre, majestueux et imposant.En: In the heart of the City of Lights stood the Louvre, majestic and imposing.Fr: Les couloirs étaient animés par le murmure des visiteurs, tous impatients de découvrir les merveilles cachées derrière chaque porte.En: The corridors were filled with the murmurs of visitors, all eager to discover the wonders hidden behind every door.Fr: Émilie, nouvelle au poste de conservatrice, ressentait un mélange d'excitation et d'inquiétude.En: Émilie, new to the position of curator, felt a mix of excitement and anxiety.Fr: Sa passion pour l'art et son admiration pour Claude Monet l'avaient menée ici.En: Her passion for art and her admiration for Claude Monet had led her here.Fr: Elle avait travaillé avec ferveur sur une exposition spéciale pour la Saint-Sylvestre en honneur de ce maître de l'impressionnisme.En: She had worked fervently on a special exhibition for New Year's Eve in honor of this master of Impressionism.Fr: Pourtant, caché sous son enthousiasme se trouvait un secret lourd : une maladie cardiaque récemment diagnostiquée.En: Yet, hidden beneath her enthusiasm, there was a heavy secret: a recently diagnosed heart condition.Fr: Sa décision de ne rien dire à Lucas, son superviseur sévère mais juste, et à Claire, sa meilleure amie, la pesait.En: Her decision to say nothing to Lucas, her stern but fair supervisor, and Claire, her best friend, weighed on her.Fr: Dans les salles du musée, les œuvres de Monet brillaient sous les lumières tamisées.En: In the museum halls, Monet's works gleamed under the dimmed lights.Fr: Les Nymphéas semblaient presque réels dans l'éclat doré.En: The Water Lilies seemed almost real in the golden glow.Fr: Émilie passa une main tremblante sur son cœur, se remémorant les recommandations du médecin.En: Émilie passed a trembling hand over her heart, recalling the doctor's recommendations.Fr: Se reposer ?En: Rest?Fr: Impossible avec tant à faire.En: Impossible with so much to do.Fr: Claire remarqua quelque chose d'étrange.En: Claire noticed something strange.Fr: "Tu sembles fatiguée, Émilie," dit-elle, préoccupée.En: "You seem tired, Émilie," she said, concerned.Fr: Émilie esquiva la question avec un sourire forcé.En: Émilie dodged the question with a forced smile.Fr: "Juste la tension du grand jour."En: "Just the tension of the big day."Fr: Claire n'était pas convaincue.En: Claire was not convinced.Fr: À l'approche du jour de l'exposition, la pression augmenta.En: As the day of the exhibition approached, the pressure mounted.Fr: Lucas, insoucieux de l'état de santé d'Émilie, exigeait la perfection.En: Lucas, unaware of Émilie's health condition, demanded perfection.Fr: Son ton, bienveillant mais ferme, poussa Émilie à se surpasser.En: His tone, kind yet firm, pushed Émilie to outdo herself.Fr: Enfin arriva le dernier jour de décembre.En: Finally, the last day of December arrived.Fr: La nuit était tombée, et le Louvre scintillait comme un joyau.En: Night had fallen, and the Louvre glittered like a jewel.Fr: Cependant, en plein milieu des préparatifs finaux, Émilie sentit une douleur aiguë dans sa poitrine.En: However, right in the middle of the final preparations, Émilie felt a sharp pain in her chest.Fr: Le monde tourna autour d'elle, flou et incertain.En: The world spun around her, blurry and uncertain.Fr: Dans un moment de panique et de réalisme, elle s'effondra doucement près d'un banc.En: In a moment of panic and realism, she slowly collapsed near a bench.Fr: Claire, toujours attentive, se précipita à son secours.En: Claire, ever attentive, rushed to her aid.Fr: Lucas, alerté, rejoignit rapidement les deux femmes.En: Lucas, alerted, quickly joined the two women.Fr: Il était temps pour Émilie de briser le silence.En: It was time for Émilie to break the silence.Fr: "J'ai besoin d'aide...En: "I need help...Fr: J'ai une maladie cardiaque," avoua-t-elle, ses yeux brillants de larmes.En: I have a heart condition," she confessed, her eyes shining with tears.Fr: Le silence de Lucas ne dura qu'un instant.En: Lucas' silence lasted only a moment.Fr: Puis, avec une compréhension nouvelle, il prit la main d'Émilie et promit : "Nous sommes là pour toi.En: Then, with newfound understanding, he took Émilie's hand and promised, "We are here for you.Fr: Allons terminer cette exposition ensemble."En: Let's finish this exhibition together."Fr: Grâce au soutien de Claire et Lucas, l'exposition de Monet fut un succès éclatant.En: With the support of Claire and Lucas, the Monet exhibition was a resounding success.Fr: Les visiteurs affluaient, émerveillés par la beauté intemporelle des peintures.En: Visitors flocked, amazed by the timeless beauty of the paintings.Fr: Émilie regarda autour d'elle, respirant profondément.En: Émilie looked around, breathing deeply.Fr: Elle avait appris que la vulnérabilité n'était pas une faiblesse mais une porte vers des liens plus forts.En: She had learned that vulnerability was not a weakness but a gateway to stronger bonds.Fr: Main dans la main avec ses amis, elle se tenait prête à affronter une nouvelle année, les feux d'artifice illuminant la nuit froide au-dessus de Paris.En: Hand in hand with her friends, she stood ready to face a new year, the fireworks illuminating the cold night above Paris. Vocabulary Words:the brisk winter air: l'air vif de l'hivermajestic: majestueuximposing: imposantthe murmurs: le murmureeager: impatientsthe wonders: les merveillesthe curator: la conservatricethe excitement: l'excitationthe anxiety: l'inquiétudeadmiration: l'admirationfervently: avec ferveura special exhibition: une exposition spécialeNew Year's Eve: la Saint-Sylvestrea heavy secret: un secret lourda heart condition: une maladie cardiaquestern: sévèrethe trembling hand: la main tremblantethe doctor's recommendations: les recommandations du médecinaware: insoucieuxthe pressure: la pressiona sharp pain: une douleur aiguëthe moment of panic: le moment de paniqueunderstanding: la compréhensiontimeless beauty: la beauté intemporellethe vulnerability: la vulnérabilitéa weakness: une faiblessethe gateway: une portestronger bonds: des liens plus fortsthe fireworks: les feux d'artificeto collapse: s'effondrer

Claude Monet es el pintor más reconocido del impresionismo. Un lienzo suyo fue el que dio nombre al movimiento. En el episodio anterior analizamos su contexto y todas las conexiones que habían detrás de los bastidores del impresionismo. En este vídeo nos centramos en el análisis de las pinturas impresionistas para que puedas leer cualquier obra de este periodo y disfrutar mucho más tu visita a un museo. En la parte final exploramos la paleta de Monet y sus colores y técnicas. ¿Alguna vez habías probado la paleta impresionista? Te leo en comentarios. Aquí te dejo mi propuesta actualizada para que pruebes a pintar como un impresionista: Blanco Titanio Amarillo cadmio limón (versión económica: amarillo limón azoico) Amarillo cadmio medio (idem) Viridian/ Verde esmeralda/ Verde phtalo Azul ultramar oscuro/ francés Azul Cobalto o un sustituto Rojo de cadmio medio/claro (versión económica: Rojo naphtol o similares) Laca de alizarina o un carmín transparente Negro Marfil o Marte para darle cromatismo al negro (opcional)

Claude Monet es el pintor más reconocido del impresionismo. Un lienzo suyo fue el que dio nombre al movimiento. A través de este documental repasamos los aspectos menos tratados en la vida del artista, así como todas las aristas de su contexto y relaciones con otras figuras clave del siglo XIX como Clemencau, Caillebotte o Durand Reuel. A partir de Monet, la pintura no será lo mismo, no solo por su revolución pictórica, sino por cómo se confrontará el mundo del arte a través de una nueva clase social burguesa y la sublimación de estas clases en la figura del propio artista. También hacemos un breve repaso a la museología moderna.

Send us a textWhat an incredible honor it is to introduce someone to Jesus. When was the last time you were able to do that?John 1:40Andrew, Simon Peter's brother, was one of the two who heard John and followed him. He first found his own brother Simon and told him, “We have found the Messiah” (which is translated “the Christ”),and he brought Simon to Jesus.Remaster of Episode 12, originally released on June 12, 2019.Support the show

At Giverny, artist Claude Monet spent a lot of time, energy, and money to create the circumstances that he knew would feed his creativity. He made the pond and planted the water lilies that inspired some of his greatest masterpieces. Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app.  Find the transcript for this episode on the episode details page in the Apple Podcasts app.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

durée : 00:05:32 - C'est une chanson - par : Frédéric Pommier - Il vient de publier "Le syndrome de l'Orangerie" (ed. Flammarion) », roman-enquête sur Les Nymphéas de Claude Monet. Au micro de Frédéric Pommier, Grégoire Bouillier évoque "La Danse du Grand Calumet de la Paix, Forêts paisibles", passage de l'opéra-ballet Les Indes galantes de Jean-Philippe Rameau.

El dibujante Pep Domingo (Nadar) y Xavier Betaucourt firman 'Regreso a Garden City', un comic sobre aquel marzo de 1967 en el que Truman Capote, escritor, volvió al lugar del crimen de su 'A sangre fría' para visitar el rodaje de la película que adaptaba su novela y después de regresar a Garden City. Con Mery Cuesta visitamos la exposición '31 mujeres. Una exposición de Peggy Guggenheim' que comisaria Patricia Mayayo en Fundación Mapfre. Se inspira en una muestra que la coleccionista Peggy Guggenheim organizó en 1943 y que se recrea hoy en 2024.Hoy ha muerto, a los 88 años, Kris Kristofferson, que no sólo es uno de los nombres indispensables de la música del siglo XX. Para muestra su Me and Bobby Mcgee que popularizó Janis Joplin. Sino que también dejó su huella en medio centenar de películas.Viajamos ahora a Londres en un viaje físico y temporal, hacía los finales del siglo XIX, principios del XX. Londres era entonces la ciudad más poblada del mundo y la capital de la revolución industrial y ahí estaba Claude Monet, a las orillas del Támesis, pintando, capturando, los cambios de luz sobre el río londinense. Ahí nació una de las famosas series del maestro impresionista francés: "Vistas sobre el Támesis". Parte de estas obras se exponen hasta enero en la Galería Courtauld de Londres.Escuchar audio

This week, three major international shows: Claude Monet's Thames views in London, the Henri Matisse retrospective in Basel and Helen Frankenthaler in Florence. An exhibition that Claude Monet hoped to see in his lifetime but which never happened has at last become a reality. A gathering of Monet's views of the Thames—looking from his hotel room at the Savoy and from across the river on a private terrace of St Thomas's hospital—has just opened at the Courtauld Gallery in London. Monet had hoped to stage such an event in London soon after the paintings were exhibited to acclaim in Paris in 1904, but so quickly had they dispersed, he was unable to do so. I spoke to the curator of the show, Karen Serres, first in the very room at the Savoy Hotel where he made many of the paintings, and then in the exhibition itself. Meanwhile, a rare European retrospective of Henri Matisse's work has opened at the Beyeler Foundation in Basel. Matisse: Invitation to the Voyage focuses on the artist's travels, in the world and also in his imagination, through paintings, sculptures and cut-outs made over more than 50 years. Ben Luke went to Basel and spoke to Raphaël Bouvier, the curator. And this episode's Work of the Week is Mediterranean Thoughts (1960) one of the paintings in Helen Frankenthaler: Painting without Rules, a new exhibition at the Palazzo Strozzi in Florence. The Art Newspaper's associate digital editor, Alexander Morrison, spoke to Douglas Dreishpoon, who organised the show.Monet and London: Views of the Thames, Courtauld Gallery, London, until 19 January 2025.Matisse – Invitation to the Voyage, Beyeler Foundation, Basel, Switzerland, until 26 January 2025.Helen Frankenthaler: Painting Without Rules, Palazzo Strozzi, Florence, until 26 January 2025.Subscription offer: get the perfect start to the new academic year with 50% off a student subscription to The Art Newspaper—that's £28, or the equivalent in your currency, for one year. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

In this episode we talk about the Arts of France. And we don't just mean paintings and sculptures – we mean the official classified arts of France. You might be surprised to find out that there is an official and surprising classification of the arts that includes some things you might never have imagined (comic books that's you!) and we'll share some of the best places to see the arts as we go from a World War II submarine pen in Bordeaux to Claude Monet's garden in Normandy.Follow us: On Twitter On Instagram On Facebook On The Good Life France's website Thanks for listening!

Episode No. 672 features curators Kimberly A. Jones and Mary Morton; and curators Sant Khalsa and Juniper Harrower. Along with Sylvie Patry and Anne Robbins, Jones and Morton are the curators of "1874: The Impressionist Moment" at the National Gallery of Art. The exhibition examines the condition of Parisian art in 1874, both official standards exhibited at and effectively promoted via the official salon, and the renegade works exhibited at the first impressionist exhibition. Included are impressionist stalwarts such as Claude Monet and Camille Pissarro, and also salon lions such as William Bouguereau and Jean-Léon Gérôme. The smart, delightful catalogue was published by the Musee d'Orsay and the NGA. Amazon and Bookshop offer it for about $46-60. "1874" is on view through January 19, 2025. Khalsa and Harrower are the curators of "Desert Forest: Life with Joshua Trees" at the Lancaster (Calif.) Museum of Art and History. Part of this year's sprawling Getty PST ART initiative, it's on view through December 29. "Desert Forest" examines how artists from Carleton Watkins to Cara Romero to Nancy Baker Cahill have presented Joshua trees and the fragile Mojave Desert ecosystem in their work. A fine catalogue was published by Inlandia Institute. It's available from MOAH. Instagram: Mary Morton, Kimberly Jones, Sant Khalsa, Juniper Harrower, Tyler Green.

The Rich Zeoli Show- Full Episode (03/20/2024): 3:05pm- On Tuesday, the Supreme Court decided to temporarily permit Texas's Senate Bill 4 to take effect pending a lower court's review. The bill makes it a crime for migrants to illegally enter Texas—allowing for Texas officials to arrest and/or deport anyone who recently entered the state unlawfully. However, several hours later a Fifth Circuit panel voted 2 to 1, effectively blocking Texas from enforcing SB 4. You can read more here: https://www.wsj.com/us-news/law/supreme-court-ruling-deportation-texas-sb4-f8328b6d?mod=hp_lead_pos4 3:10pm- On Wednesday, the House Oversight Committee held a hearing which included testimony from business associates of Hunter Biden. Biden's “former business partner Tony Bobulinski publicly accused the first son and his uncle, Jim Biden, of lying under oath about the nature of their business dealings with Chinese conglomerate CEFC,” writes James Lynch of National Review. You can read the full article here: https://www.nationalreview.com/news/former-biden-business-partner-accuses-hunter-jim-of-lying-under-oath-about-chinese-dealings/ 3:20pm- During his testimony before the House Oversight Committee, former Hunter Biden business partner Tony Bobulinski said that he was “1,000% sure” that Joe Biden was the “big guy” referred to in several email communications regarding a business deal with a Chinese-based energy corporation—suggesting that Joe may have derived some financial benefit from his family's foreign business transactions. 3:30pm- Ben Schreckinger of Politico reports: “Prosecutors said a business associate of Jim Biden conspired to defraud Medicare alongside an alleged leader of the Colombo crime family in a brief filed Friday in federal court in New Jersey. The government's accusation is likely to intensify scrutiny of the ties between President Joe Biden's brother and the associate, Mississippi businessman Keaton Langston. The Justice Department named Langston as a co-conspirator in the ongoing fraud case just three weeks after congressional investigators grilled Jim Biden about his relationship with the Mississippi businessman. In the course of a previous prosecution, the Justice Department identified a defendant in the fraud case, Florida businessman Thomas Farese, as a high-ranking member of the Colombo crime family, according to court filings.” You can read the full report here: https://www.politico.com/news/2024/03/18/doj-jim-biden-associate-mafia-boss-00147626 3:50pm- Chick-fil-A pizza? Rich says it sounds repulsive—but Matt and Henry are excited to try it. 4:05pm- Coral Davenport of The New York Times reports: “The Biden administration on Wednesday issued one of the most significant climate regulations in the nation's history, a rule designed to ensure that the majority of new passenger cars and light trucks sold in the United States are all-electric or hybrids by 2032. Nearly three years in the making, the new tailpipe pollution limits from the Environmental Protection Agency would transform the American automobile market. A record 1.2 million electric vehicles rolled off dealers' lots last year, but they made up just 7.6 percent of total U.S. car sales, far from the 56 percent target under the new regulation. An additional 16 percent of new cars sold would be hybrids.” You can read the full report here: https://www.nytimes.com/2024/03/20/climate/biden-phase-out-gas-cars.html 4:10pm- Does cross dressing make you a better intelligence officer? Spencer Lindquist of The Daily Wire reports: “Agents at the Central Intelligence Agency, the Federal Bureau of Investigation, and throughout the intelligence community were distributed a newsletter that celebrated an intelligence official for crossdressing, saying that dressing up in women's clothes makes him ‘a better intelligence officer.'” You can read the full article here: https://www.dailywire.com/news/bidens-top-intelligence-agency-says-crossdressing-makes-man-better-intelligence-officer-internal-docs-show 4:30pm- Ben Brasch of The Washington Post reports: “It is the driver who takes tourists on Jeep tours. It is the veteran who works as a carpenter. It is the person who works at the Whole Foods that sells sashimi-grade salmon for $44.99 a pound. They all live a precarious life sleeping every night in their cars parked somewhere around Sedona, Ariz. It's become a big problem for the tony tourist town, which is why the Sedona City Council approved a program last week that temporarily converts an empty parking lot into a place where families or workers or students can live while trying to find a permanent home. Detractors said they feared it would eventually become an encampment of tents, which aren't allowed under the program.” You can read the full report here: https://www.washingtonpost.com/nation/2024/03/19/sedona-homeless-sleep-car-housing-crisis/ 4:40pm- According to reports, New York Attorney General Letitia James does not believe Donald Trump is “truly unable” to post the $450+ million bond in his civil fraud case. Earlier this year, New York Judge Arthur F. Engoron found that the former president inflated the value of assets controlled by the Trump Organization in past financial statements. With no jury, Judge Engoron unilaterally chose to fine Trump and barred him from conducting business in New York for three years. Notably, in 2018, while campaigning to become New York Attorney General, Letitia James vowed to “sue” Trump and routinely spoke of how she would like to see him imprisoned—providing evidence to the defense's legal argument that this civil suit was entirely political. 4:50pm- Kate-Gate! What's the latest online conspiracy theory involving Kate Middleton and the Royal Family? PLUS, are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne.   5:05pm- On Monday, the United States Supreme Court heard oral argument in Murthy v. Missouri—a case which will determine whether officials within the federal government can use their power to coerce social media platforms into censoring speech they unilaterally deem harmful and/or misinformation. While questioning the U.S. Principal Deputy General Brain Fletcher, Justice Samuel Alito seemed to suggest that government pressuring social media companies to do their bidding is violative of the First Amendment, explaining: “The only reason why this is taking place is because the federal government has got Section 230 and antitrust in its pocket…it's got these big clubs available to it—so it's treating Facebook and these other platforms like they are subordinates. Would you do that to The New York Times or The Wall Street Journal or the Associated Press?” 5:10pm- During oral argument in Murthy v. Missouri, Justice Ketanji Brown Jackson voiced concern that ruling against the federal government in this case could result in “hamstringing” their ability to curate speech online—suggesting that the government has a “duty” to police harmful statements. 5:30pm- While appearing at a Mexican restaurant in Phoenix, Arizona, President Joe Biden said of Latino voters: “I need you badly.” According to most polling data, Biden is currently several points behind Republican presidential candidate Donald Trump in Arizona. 5:40pm- Are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne. 6:05pm- On Wednesday, the House Oversight Committee held a hearing which included testimony from business associates of Hunter Biden. Biden's “former business partner Tony Bobulinski publicly accused the first son and his uncle, Jim Biden, of lying under oath about the nature of their business dealings with Chinese conglomerate CEFC,” writes James Lynch of National Review. You can read the full article here: https://www.nationalreview.com/news/former-biden-business-partner-accuses-hunter-jim-of-lying-under-oath-about-chinese-dealings/ 6:15pm- During his testimony before the House Oversight Committee, former Hunter Biden business partner Tony Bobulinski said that he was “1,000% sure” that Joe Biden was the “big guy” referred to in several email communications regarding a business deal with a Chinese-based energy corporation—suggesting that Joe may have derived some financial benefit from his family's foreign business transactions. 6:30pm- A new study suggests intermittent fasting can be bad for your health. Rich hopes the research isn't accurate—because he does it almost every day! 6:40pm- Andrew Restuccia of The Wall Street Journal documents how local governments across the country are just handing out cash. He writes: “Houston is joining dozens of American cities and counties—most led by Democrats—that are experimenting with guaranteed-income programs amid growing wealth inequality in the U.S. The programs are part of a trend at the local and national level toward providing direct, largely unconditional payments to Americans for everything from pandemic relief to child assistance. They reflect a growing sentiment among economists, tech industry leaders and Democrats that distributing money without strings is one of the most effective and least bureaucratic ways to help struggling Americans.” You can read the full article here: https://www.wsj.com/politics/policy/governments-across-the-u-s-are-handing-residents-cashno-strings-attached-7f602ea6?mod=hp_lead_pos8

The Rich Zeoli Show- Hour 3: 5:05pm- On Monday, the United States Supreme Court heard oral argument in Murthy v. Missouri—a case which will determine whether officials within the federal government can use their power to coerce social media platforms into censoring speech they unilaterally deem harmful and/or misinformation. While questioning the U.S. Principal Deputy General Brain Fletcher, Justice Samuel Alito seemed to suggest that government pressuring social media companies to do their bidding is violative of the First Amendment, explaining: “The only reason why this is taking place is because the federal government has got Section 230 and antitrust in its pocket…it's got these big clubs available to it—so it's treating Facebook and these other platforms like they are subordinates. Would you do that to The New York Times or The Wall Street Journal or the Associated Press?” 5:10pm- During oral argument in Murthy v. Missouri, Justice Ketanji Brown Jackson voiced concern that ruling against the federal government in this case could result in “hamstringing” their ability to curate speech online—suggesting that the government has a “duty” to police harmful statements. 5:30pm- While appearing at a Mexican restaurant in Phoenix, Arizona, President Joe Biden said of Latino voters: “I need you badly.” According to most polling data, Biden is currently several points behind Republican presidential candidate Donald Trump in Arizona. 5:40pm- Are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne.

The Rich Zeoli Show- Hour 2: 4:05pm- Coral Davenport of The New York Times reports: “The Biden administration on Wednesday issued one of the most significant climate regulations in the nation's history, a rule designed to ensure that the majority of new passenger cars and light trucks sold in the United States are all-electric or hybrids by 2032. Nearly three years in the making, the new tailpipe pollution limits from the Environmental Protection Agency would transform the American automobile market. A record 1.2 million electric vehicles rolled off dealers' lots last year, but they made up just 7.6 percent of total U.S. car sales, far from the 56 percent target under the new regulation. An additional 16 percent of new cars sold would be hybrids.” You can read the full report here: https://www.nytimes.com/2024/03/20/climate/biden-phase-out-gas-cars.html 4:10pm- Does cross dressing make you a better intelligence officer? Spencer Lindquist of The Daily Wire reports: “Agents at the Central Intelligence Agency, the Federal Bureau of Investigation, and throughout the intelligence community were distributed a newsletter that celebrated an intelligence official for crossdressing, saying that dressing up in women's clothes makes him ‘a better intelligence officer.'” You can read the full article here: https://www.dailywire.com/news/bidens-top-intelligence-agency-says-crossdressing-makes-man-better-intelligence-officer-internal-docs-show 4:30pm- Ben Brasch of The Washington Post reports: “It is the driver who takes tourists on Jeep tours. It is the veteran who works as a carpenter. It is the person who works at the Whole Foods that sells sashimi-grade salmon for $44.99 a pound. They all live a precarious life sleeping every night in their cars parked somewhere around Sedona, Ariz. It's become a big problem for the tony tourist town, which is why the Sedona City Council approved a program last week that temporarily converts an empty parking lot into a place where families or workers or students can live while trying to find a permanent home. Detractors said they feared it would eventually become an encampment of tents, which aren't allowed under the program.” You can read the full report here: https://www.washingtonpost.com/nation/2024/03/19/sedona-homeless-sleep-car-housing-crisis/ 4:40pm- According to reports, New York Attorney General Letitia James does not believe Donald Trump is “truly unable” to post the $450+ million bond in his civil fraud case. Earlier this year, New York Judge Arthur F. Engoron found that the former president inflated the value of assets controlled by the Trump Organization in past financial statements. With no jury, Judge Engoron unilaterally chose to fine Trump and barred him from conducting business in New York for three years. Notably, in 2018, while campaigning to become New York Attorney General, Letitia James vowed to “sue” Trump and routinely spoke of how she would like to see him imprisoned—providing evidence to the defense's legal argument that this civil suit was entirely political. 4:50pm- Kate-Gate! What's the latest online conspiracy theory involving Kate Middleton and the Royal Family? PLUS, are landscape paintings racist? Cancel culture comes for Vincent van Gogh, Claude Monet, and Paul Cezanne.