Podcast appearances and mentions of lloyd newson

¡Bienvenidos a nuestro canal de YouTube! Hoy estamos emocionados de presentarles una nueva entrevista, en esta oportunidad con una destacada figura de la danza, Julie Barnsley, quien es intérprete, coreógrafa, maestra e investigadora del cuerpo y del movimiento. Esta maestra de larga trayectoria, se formó en The Place, London Contemporary Dance School. Es PhD en Artes y Culturas del Sur por la Universidad Nacional Experimental de las Artes, en Caracas. Directora Artística y fundadora del Centro de Investigación y Laboratorio de Danza | Teatro Físico | Video Acción Colectiva (actualmente Aktion Kolectiva), así como también, es miembro fundadora de Danzahoy y del Centro Latinoamericano de Danza (CLADA). Barnsley ha trabajado en Alemania para los neoexpresionistas Reinhild Hoffman y Gerhard Bohner, en Inglaterra con Lloyd Newson y la Compañía D.V.8, y en Nueva York con la compañía de Poppo Shiraishi and the GoGo boys (Butoh). Además, es profesora de coreografía y análisis de las estrategias de la danza moderna y posmoderna, y autora del libro El cuerpo como territorio de la rebeldía, con dos ediciones en español y una en inglés (2022). ¡Suscríbanse a nuestro canal para no perderse este increíble contenido!

Wendy Houstoun in conversation with David Eastaugh https://www.wendyhoustoun.com/ Edgehill University Performance coming up. You can book for this show - or Manchester Lowry 14th March 8.00 pm or Soho Theatre March 20th-23rd 7.00 pm Wendy Houstoun is a director, choreographer and performance maker who was worked  with experimental movement and theatre forms since 1980. Her solo works Haunted Daunted and Flaunted, Happy Hour , The 48 Almost Love Lyrics  , Desert Island Dances and  50 ACTS  have all toured Europe , Australia and the US. Works were made with long collaboraters composer John Avery, lighting designer Nigel Edwards who also act as directorial voices Collaborative work with companies and individual artists include: Lloyd Newson and DV8 Physical Theatre , Tim Etchells and Forced Entertainment , Charlotte Vincent and Vincent Dance Company, film-maker David Hinton, dancer Jonathan Burrows, composer Matteo Fargion, performer Nigel Charnock, dancer Rachel Krische, artist Terry O'Connor ,  performance artist Rose English, Gloria Theatre, Lumiere & Son Theatre, Ludus Dance Comapany   in theatre and site specific pieces , films and installations.

Happy Birthday to Lev Ivanov, Tamara Toumanova, Lyudmila Vlasova, and Lloyd Newson! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Pictured: David Toole Matthew Bannister on David Toole, the disabled dancer who starred in the opening ceremony of the 2012 Paralympics. Professor Val Curtis, who was known as the Queen of Hygiene for her expertise on sanitation and research in how to communicate public health messages. Frank Bough, the popular presenter of TV shows like 'Grandstand' and 'Nationwide' whose BBC career ended in disgrace after he was caught taking drugs with prostitutes. Jill Paton Walsh, the award winning children’s author who also wrote the first self-published novel to be shortlisted for the Booker Prize and completed an unfinished work by Dorothy L. Sayers. Interviewed guest: Jenny Sealey Interviewed guest: Oliver Cumming Interviewed guest: John Stapleton Interviewed guest: Sally Magnussen Interviewed guest: Julia Eccleshare Interviewed guest: Oliver Soden Reader: Emma Handy Producer: Neil George Archive clips from: Midweek, Radio 4 01/03/2017; The Cost of Living, directed by Lloyd Newson, DV8 Physical Theatre 2005; In Business, Radio 4 29/07/2010; Science Stories, Radio 4 28/08/2019; Off The Page, Radio 4 Extra 13/07/2016; Grandstand, BBC One 1960; Woman’s Hour, Radio 4 09/07/1975; Nationwide, BBC One 05/08/1983; Desert Island Discs, Radio 4 26/04/1987; PM, Radio 4 26/10/2020; BBC Breakfast Time, BBC One 17/01/1983; The John Dunn Show, Radio 2 17/10/1984; News 92, Radio 1 01/09/1992; Treasure Islands: Jill Paton-Walsh, Radio 4 20/11/1991; The Dolphin Crossing by Jill Paton Walsh, Faber & Faber 15/11/2012, read by Emma Handy; Private Passions, Radio 3 07/12/2014; Knowledge of Angels by Jill Paton Walsh, Black Swan 01/01/1995, read by Natasha Pyne, Radio 4 10/10/1994.

Lloyd Newson is best known as the founder and artistic director of DV8 Physical Theatre, in London. Born in Albury, Australia, Lloyd studied psychology and social work at Melbourne University, becoming interested in dance. This interest continued to deepen when he attended the London Contemporary Dance School on a full scholarship. He started DV8 Physical Theatre in 1986. DV8 as a company has had a profound impact on shaping perceptions of dance and physical theatre, with performers of a range of backgrounds, and different types of bodies all having a place in different performance works. Lloyd has tackled a range of issues in his works including male violence and homophobia. In 2007, Lloyd placed an increased focus on the role of text alongside movement in his pieces, seeing him make works such as Can We Talk About This? and JOHN. DV8’s work is highly acclaimed and has won countless international awards. In 2013 Newson was awarded an OBE from the Queen for services to contemporary dance. He has been cited by the Critics Circle as being one of the hundred most influential artists working in Britain during the last one hundred years. In 2016, after 30 years of running DV8, Lloyd made the decision to step back from the company and to reflect on both the achievements and what he still wanted to say with the company. Running a company for 30 years is no easy task, with a small core team supporting an extensive output. 2020 sees the return of DV8 with the seminal work Enter Achilles, produced by Rambert. The work is touring internationally, starting at Adelaide Festival. This is the first ever remount of a DV8 production, first made in 1995. Enter Achilles set in a British pub, explores themes related to masculinity, stereotypes around men, male violence and men’s insecurities. Lloyd doubts that he will ever make another full length work, and has found a sense of freedom outside the daily operation of arts company.

This interview is with Shelley Lasica, daughter of pioneering Melbourne dance choreographer and teacher, Margaret Lasica (1926-1993). Shelley herself is an amazing contributor to the performing arts scene as a successful choreographer and performer. Born in Vienna, Margret migrated to Australia with her family in 1939. During the 1940s, Margaret studied with Ruth Bergner. Bergner’s work had a political and social undercurrent, drawing upon European and Jewish dance traditions to create modern dance performances. Margret drew influence from Bergner’s work. In 1967, she founded the Modern Dance Ensemble (MDE). MDE performed up until 1981 and then intermittently until 1990. Margret is noted in history as a dancer, choreographer and teacher. Her teaching was exceptional and she fostered a range of incredible talent. Margret was a significant influence on Lloyd Newson, who went on to establish DV8 in the UK. During her life Margret sought to document the history of Modern Dance in Australia. This is collated in the National Library of Australia’s manuscript collection: Margaret Lasica Papers. The University of Melbourne also holds The Margaret Lasica Collection; a collection of books, journals and ephemera relating to her life. Margret died in 1993, leaving behind an amazing legacy. This is a warm and detailed interview covering Margret’s career and ongoing legacy through the recollections of Shelley. Interview conducted by: Jonathan Homsey from Ausdance Victoria.

What is art if not a place where we can push the boundaries of what we know, what we do and what we can say? As his pioneering dance company DV8 developed and broke boundaries, choreographer Lloyd Newson found out that even in art there are limits, and times when no-one wants to speak out. What don’t we want art to talk about? Born in Australia, Lloyd Newson studied psychology and social work at Melbourne University before embarking on a professional career as a dancer and choreographer. He has led and directed DV8 Physical Theatre’s work since its inception in 1986, winning over 50 national and international awards for his dance-theatre and film productions. In 2013 he was awarded an OBE for services to contemporary dance. Newson’s work straddles dance, text, theatre and film. Since 2007 he has specifically focused his attention on making work that combines verbatim text and movement, focusing on issues such as sexuality and religion in To Be Straight With You and Islam and Free Speech in Can We Talk About This?

Michael Bond, the creator of the much-loved Paddington Bear, joins Kirsty Lang. He'll be talking about writing in Paddington's voice for the first time in a new collection of letters to the bear's Aunt Lucy, Love From Paddington. And he reveals his role in the new Paddington film. Documentary film maker Laura Poitras discusses Citizenfour, her film about being contacted by the mystery whistle blower who eventually revealed himself as Edward Snowden. The dance theatre company DV8 premieres a new verbatim dance work, John, at the National Theatre. Artistic Director Lloyd Newson discusses the art of making a dance documentary. And as pumpkins make their annual appearance, Adam Smith considers how what was once beyond the pale in horror films is now unremarkable. Presenter: Kirsty Lang Producer: Sarah Johnson.

This is a workpack for DV8 Physical Theatre's 2008 To Be Straight With You, directed and conceived by Lloyd Newson. This pack includes interviews and background information on DV8 Physical Theatre.

With John Wilson, who meets Lloyd Newson, director of DV8 physical theatre, whose new work focuses on questions of freedom of speech in a multicultural society. Michael Winterbottom explains why he transposed Thomas Hardy's Tess Of The D'Urbervilles from 19th century Dorset to 21st century India. Love Life is a new ITV drama written by Bill Gallagher, whose previous credits include Lark Rise to Candleford. The three part series explores the complications inherent in romantic relationships. Writer and critic Natalie Haynes gives her verdict. Jim White lines up his fantasy team of footballers who have transferred their talents to the silver screen. Producer Stephen Hughes.

Straight Talk: What is the role of art as a vehicle of social change and Canada's barometer of acceptance? A panel discussion produced by the NAC's Dance department -- With Lloyd Newson, Founding Artistic Director, DV8 Physical Theatre; Dr. Brent Hawkes, Metropolitan Community Church, Toronto; and Joanne St. Lewis, Associate Professor, Faculty of Law, University of Ottawa.

Snittet: DV8 Physical Theatre Onsdagen den 19 november kl 14.03 och 20/11 kl 18.15 Jag gillar inte dans, säger Lloyd Newson. Eller snarare jag gillar inte dans som bara är tomma arabesker utan innehåll. Lloyd Newson är koreograf och utbildad psykolog och hans aversion mot dans har inte hindrat honom och hans kompani DV8 Physical Theatre från att bli ett av de intressantaste kompanierna i världen, som dessutom har producerat de bästa dansfilmerna. Ämnena kretsar kring tolerans eller bristen på tolerans i vårt samhälle, om homofobi och rädslan för allt som faller utanför normalitetsnormen. Det är ofta drastiskt, fysiskt utmanande och bitvis ganska roligt, även om skrattet kan fastna i halsen. I veckan är det Sverigepremiär för DV8s nya hyllade föreställning To Be Straight With You. En föreställning som bygger på 85 djupintervjuer inom fältet homofobi och religiös extremism. Hur har det kunnat bli accepterat att i guds namn till och med tala om att mörda andra människor för att m