Podcast appearances and mentions of Laura Poitras

Das DOK.fest München wird 40! Wir nehmen es zum Anlass einer kleinen Retrospektive mit fünf Filmen. Wir besprechen: STAU von Thomas Heise (1992), BLACK BOX BRD von Andres Veiel (2001), ALL THE BEAUTY AND THE BLOODSHED von Laura Poitras (2022), PRATER von Ulrike Ottinger (2007) und TARDES DE SOLEDAD von Albert Serra (2024). Im Filmquartett: Dunja Bialas, Benedikt Guntentaler, Nora Moschüring, Christian Schmuck.

Laura Poitras and Glenn Greenwald prepare to break their story. Edward Snowden goes on the run.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to American Scandal on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting wondery.com/links/american-scandal/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What's the best way to fight evil? Laugh at fascist idiots and keep hunting Nazis, with your camera and the power of your voice.    This week, we're honored to welcome legend Sandi Bachom, an award-winning documentary filmmaker of such powerful films as Telling Jokes in Auschwitz and a Getty Images contributor whose work has appeared in acclaimed films like Laura Poitras's All The Beauty and All The Bloodshed, Danny's Strong's Dopesick, and Alex Gibney's Crime of the Century. But Sandi isn't just behind the camera—she's on the frontlines, documenting Nazis, like Trump's MAGA rallies, and the Charlottesville tiki torch march where Heather Heyer was murdered. Sandi was also at the Capitol on January 6th, capturing Trump's violent coup attempt in real time, footage used by the January 6 committee in Congress.  Stay loud. Stay brave. And as always—get ungaslit.    Join the Resistance Gaslit Nation Book Club: This Monday, March 31st at 4 PM ET, we're discussing From Dictatorship to Democracy by Gene Sharp—the handbook that inspired revolutions from Ukraine to the Arab Spring. Grab your copy in the show notes and join us!  Share Your Story: History is unfolding now—and we need your eyewitness accounts. Take our Reject Hypernormalization Survey (linked in the show notes) to combat gaslighting and preserve the truth.   This week's episode is sponsored by Factor: Eat smart with Factor. Get started at FACTOR MEALS.com/gaslit50off to get 50% off your first box plus free shipping.    Want to enjoy Gaslit Nation ad-free? Join our community of listeners for bonus shows, ad-free episodes, exclusive Q&A sessions, our group chat, invites to live events like our Monday political salons at 4pm ET over Zoom, and more! Sign up at Patreon.com/Gaslit!   Show Notes:   Take Gaslit Nation's Reject Hypernormalization Survey https://www.gaslitnationpod.com/survey-reject-hypernormalization   Read or listen to for free: Gene Sharp's From Dictatorship to Democracy https://archive.org/details/from_dictatorship_to_democracy_1306_librivox   Patti Smith clip: https://www.youtube.com/watch?v=Wxqhg6z-t9o   Humiliation as Propaganda: Videos of Shackled Detainees Have History in El Salvador https://www.nytimes.com/2025/03/19/world/americas/deportation-videos-el-salvador.html Amid ‘DEI' purge, Pentagon removes webpage on Iwo Jima flag-raiser Pages celebrating Navajo code talkers and other minority service members were also erased. https://www.washingtonpost.com/investigations/2025/03/17/pentagon-dei-native-american-iwo-jima/     Olga Lautman unmasks the making of a Russian/Trump group chat: https://x.com/OlgaNYC1211/status/1904344536521797806   EVENTS AT GASLIT NATION: March 31 4pm ET – Gaslit Nation Book Club: From Dictatorship to Democracy: A Conceptual Framework for Liberation, which informed revolts in Ukraine, the Arab Spring, Hong Kong, and beyond NEW! April 7 4pm ET – Security Committee Presents at the Gaslit Nation Salon. Don't miss it! Indiana-based listeners launched a Signal group for others in the state to join, available on Patreon.  Florida-based listeners are going strong meeting in person. Be sure to join their Signal groupavailable on Patreon.  Have you taken Gaslit Nation's HyperNormalization Survey Yet?: https://www.gaslitnationpod.com/survey-reject-hypernormalization Gaslit Nation Salons take place Mondays 4pm ET over Zoom and the first ~40 minutes are recorded and shared on Patreon.com/Gaslit for our community  

"J'ai eu besoin d'écrire sur l'amour parce que je ne crois plus qu'il y ait quoi que ce soit à reconstruire ou à réinventer. Il faut détruire l'idée d'amour. " Majé, enseignante, chercheuse, autrice : "Non-binaire quand je suis dans ma chambre, femme cisgenre quand je me présente aux autres".Majé ouvre un débat passionnant : et si finalement, l'amour au sens "relation amoureuse", plutôt qu'un souhait positif, n'était en fait, que l'origine de nombreuses souffrances. Et si on sortait de la matrice ? Des schémas répétitifs ? En serait-on plus heureuse, heureux ? J'ai dévoré le livre de Majé "Ne plus tomber (en amour) - manifeste de dissidence affective" (éditions Ixe), paru en octobre 2023. Dans cet épisode, nous évoquons : l'éducation (conditionnement ?) à l'amour et à la quête d'une relation amoureuse, la dépendance affective, le male gaze (être validé·e par les hommes) mais aussi la joie, le plaisir, la sexualité, la tendresse, la jalousie ou la compersion, les différentes formes d'amour ou de relations intimes pas forcément amoureuses, la CONSIDERATION qu'on est en droit d'attendre de tout partenaire, le consentement, l'amitié, l'habitat, le sommeil (en solo ou à plusieurs) etc. Si vous êtes une grand·e romantique, et que le titre de l'épisode vous effraie, ouvrez votre cœur et votre esprit, cet épisode vous est dédié, vraiment ! Si vous voulez soutenir Single Jungle, avec un don en une seule fois (ou +), j'ai ouvert un Tipeee : https://fr.tipeee.com/single-jungle. J'ai suivi le conseil d'auditrices et d'auditeurs qui ont proposé de participer à la hauteur de leurs moyens, ponctuellement, aux frais des épisodes (prise de son/montage). Merci aux premières personnes qui ont participé ! MERCI à tous et toutes ! Single Jungle a dépassé les 340 000 écoutes cumulées, tous épisodes confondus ! C'est un bel accomplissement ! En route pour les 400 000 ! AUTO-PROMO : Je suis encore passée sur France inter ! Cette fois, dans l'émission "Blockbusters" animée par Frédérick Sigrist, avec Jennifer Padjemi (autrice, journaliste, podcasteuse) et Benjamin Benoit (journaliste et auteur), pour parler de la série "Grey's Anatomy", série féministe, inclusive, qui a déjà 20 ans ! Merci à toute l'équipe, attachés de production : Lysiane Larbani, Benjamin Dussy, réalisation : Charles De Cilliahttps://www.radiofrance.fr/franceinter/podcasts/blockbusters/blockbusters-du-vendredi-12-juillet-2024-8349512Extrait : https://www.instagram.com/p/C9XGV0WAJfQ/La 1ère fois, c'était dans la matinale la plus écoutée de France, animée par Léa Salamé et Nicolas Demorand. Et en plus j'étais aux côtés de Judith Duportail ! C'était super. N'hésitez pas à mettre un like et/ou commentaire, ça aide mon référencement : https://youtu.be/QOaP9WlBcTw?si=tLMgg_rrhMoxSkApLien audio : https://www.radiofrance.fr/franceinter/podcasts/le-debat-du-7-10/le-debat-du-7-10-du-lundi-01-avril-2024-2959967 Références citées dans l'épisode ou en bonus (à suivre) résumé du livre de Majé :"J'ai eu besoin d'écrire sur l'amour parce que je ne crois plus qu'il y ait quoi que ce soit à reconstruire ou à réinventer. Il faut détruire l'idée d'amour. Un jour, Majé en a eu marre. Marre d'être fragilisée par la relation amoureuse, marre d'être anéantie par la rupture, marre de tomber chaque fois dans le même piège. Alors elle a décidé d'arrêter, et ce fut plus facile que prévu. Car si l'amour est une belle boîte noire qui nous arrive toute ficelée, quand on l'ouvre pour chercher à comprendre comment fonctionne l'engrenage, on se rend compte que tous ces rouages qui tournent ensemble peuvent être dissociés les uns des autres. Et à y regarder de plus près, on voit qu'il est possible de ne garder que les moments beaux, intenses et drôles en renonçant au désir d'être « tout » pour l'autre. Et on peut alors choisir de préférer à l'amour la tendresse radicale."https://www.placedeslibraires.fr/livre/9791090062818-ne-plus-tomber-en-amour-maje/ Autres livres "Libres ! manifeste pour s'affranchir des diktats sexuels" d'Ovidie et Diglee (éditions Delcourt) "Sexfriends : comment (bien) rater sa vie amoureuse à l'ère numérique, de Richard Mèmeteau (éditions La Découverte) "Si je veux : mère célibataire par choix" de Johanna Luyssen (éditions Grasset), et son prochain livre "Mères solos : Le combat invisible des mères célibataires", à paraître le 4 septembre 2024 (éditions Payot) "Maternités rebelles" de Judith Duportail, à paraître le 23 octobre 2024 (Binge Audio Editions), couverture dessinée par Chien fou « Polyamoureuse, confidences d'une femme qui aime au pluriel » de Lucile Bellan (éditions Larousse) "Au-delà du personnel : Pour une transformation politique du personnel" ouvrage collectif dirigé par – Grand livre, 30 mai Corinne Monnet et Léo Vidal, résumé :«Il faut du temps. Du temps pour réfléchir, discuter et tenir compte des rapports inégalitaires de genre. Du temps ensuite pour essayer, se tromper, réfléchir, discuter et reprendre. J'ai maintenant trente-sept ans, je réfléchis, je discute, j'essaye, je me trompe, je reprends… Les relations multipartenariales transparentes s'apprennent progressivement – comme la guitare, la bicyclette ou l'espagnol. Mais c'est une discipline encore confidentielle avec peu de pratiquants et peu de pratiquantes.Quant aux manuels et autres ouvrages théoriques… Parmi ceux qui existent en France, Au-delà du personnel explore le genre, le féminisme et l'amour libre dans une perspective libertaire. Vingt ans après le début de cette nouvelle vague de libération affective et sexuelle des années 2000, à une époque qui balbutie encore sa liberté sexuelle entre tantrisme et adultère serein, ce livre reste indéniablement d'actualité. »Éva ThiébaudAvec des contributions de : Tamara Bower, Christel, Katherine Davis, Françoise d'Eaubonne, Dominique Fauquet, Sarah Franklin, Claude Guillon, Sheila Jeffreys, Joris, Lola, Stanfield Major, Marie-Odile Marty , Elise Matthesen, Corinne Monnet, Annie S. Murray, Nicolas, Simone Nijboer, Noémie, Weia Reinboud, Jackie Stacey, Sylvie, Éva Thiébaud, Naomi Tucker, Léo Vidal et Rymke Wiersma. Podcasts Single Jungle, épisode 60 : Ella, 38 ans, a fait congeler ses ovocytes (en Espagne, car c'était trop tard en France) https://singlejungle.lepodcast.fr/ep-point-60-ella-38-ans-a-fait-congeler-ses-ovocytes-je-ne-voulais-plus-depee-de-damocles-au-dessus-de-la-tete "Marie et les œufs en neige", podcast génial de Marie Cahu, à écouter ici : https://www.binge.audio/podcast/le-coeur-sur-la-table/marie-et-les-oeufs-en-neige et en intégralité ici : https://open.spotify.com/show/6VdQuPdfONEWNypix9Emp1 "Les mecs que je veux ken" de Rosa Bursztein, avec Judith Duportail https://open.spotify.com/episode/7kFfQpY23ig25JTk1XA2XF?si=KPTRo76rQiqFrnpl5mbe7w Suivez Judith Duportail, réflexions sur sa vie de jeune maman PMA sola, de jumeaux !, sur son compte Instagram : https://www.instagram.com/judithduportail_/ "Plaisir d'offrir" (sur le don d'ovocytes) de Klaire fait grr, prises de son additionnelles : Elodie Font, Réalisation & mix : Samuel Hirsch, chez Arte Radio https://www.arteradio.com/serie/plaisir_d_offrir [Bonne nouvelle : depuis la loi d'août 2021, le conjoint de la personne qui donne ses gamètes n'a plus à donner son consentement. Ce qui n'était pas le cas lorsque Klaire Fait Grr a fait son don d'ovocytes.] Lucile Bellan, et sa règle personnelle des 24h (et non 48h comme je l'indique dans l'épisode) où elle a besoin d'une pause entre 2 relations intimes avec ses amoureux, amoureuses, dans le cadre de son polyamour. Elle évoque aussi sa vision de la compersion, en comparant avec une mousse au chocolat que l'un de ses amoureux, amoureuses, mangerait sans elle, eh bien, elle serait alors ravie pour elle ou lui. Mais.. les gens ne sont pas des desserts chocolatés, donc pas toujours évident de ne pas être jalouse, jaloux... à retrouver dans l'épisode 66 de Single Jungle https://singlejungle.lepodcast.fr/ep-point-66-lucile-bellan-polyamoureuse-ce-qui-coince-cest-que-je-prenne-du-temps-pour-moi-alors-que-je-suis-maman Photos Oeuvres de Nan Goldin https://www.mep-fr.org/les-collections/nan-goldin/Voir aussi le documentaire avec Nan Goldin, réalisé par Laura Poitras, et sorti en 2022 "Toute la beauté et le sang versé" https://youtu.be/6H_y2iCuQ3I?si=jX4fGG4zMQteLKpD Vidéo Pourquoi les couples se disputent systématiquement à Ikea ? Sketch de Gad Elmaleh dans son spectacle "L'autre, c'est moi"https://youtu.be/6ptarOq0vs4?si=8Vg2kbuKP80TXmMu AVERTISSEMENT IMPORTANT : Ne jamais s'inscrire sur une application ou site de rencontres payant sans 1) lire les avis sur Google (Play store) ou Apple (App store) 2) lire les conditions tarifaires d'abonnement. Ainsi je vous déconseille fortement le site PARSHIP, qui pratique l'extorsion : on ne peut pas résilier avant 1 an obligatoire, même si on n'utilise plus le service, qui n'est pas satisfaisant, car très peu de personnes dans votre région. Le service client n'a que mépris pour les clients et le service communication ne veut rien entendre (un comble), aucun arrangement possible. Donc évitez une dépense inutile. Episode enregistré en avril 2024, merci à elle (et à son chat) pour son hospitalitéMontage et mixage : Isabelle FieldMusique : Générique de "Manimal", virgules sonores : Edouard JoguetLogo conçu par Lynda Mac-ConnellHébergement : Podcloud

Conversamos con Daniel González –especialista en cine– sobre la película de estreno en cartelera comercial: El libro de las soluciones (Le livre des solutions, Francia, 2023), de Michel Gondry. Con las actuaciones de Pierre Niney, Blanche Gardin y Françoise Lebrun.  Además de algunas películas de contexto, a propósito de la liberación de Julian Assange, fundador del portal de Wikileaks, nos recomienda El quinto poder (The Fifth State, EUA-India-Bélgica, 2013), de Bill Condon. We Steal Secrets: La historia de Wikileaks (We Steal Secrets: The Story of WikiLeaks, EUA, 2013), de Alex Gibney  y Citizenfour (Gran Bretaña-Alemania-EUA, 2014), de Laura Poitras.  Programa transmitido 28 de junio de 2024. Escucha Esto no es un noticiero con Nacho Lozano, en vivo de lunes a viernes de 1:00 p.m. a 2:00 p.m. por el 105.3 de FM. Esta es una producción de Radio Chilango.

 Welcome to Visual Intonation, where we explore the transformative power of documentary filmmaking. In this series, we delve into how filmmakers use the camera not just as a tool for storytelling but as a weapon for truth, justice, and social change.  Join us as we journey through the historical context of documentary filmmaking, from the pioneering works of the Lumière brothers to the modern masterpieces of today. We discuss the ethical challenges and responsibilities filmmakers face, such as the balance between storytelling and exploitation, and the need for authentic representation.  Each episode highlights key documentaries that have made significant impacts on society, including: - *The Thin Blue Line* by Errol Morris, which helped overturn a wrongful conviction. - *Citizenfour* by Laura Poitras, which brought Edward Snowden's revelations to the world stage. - *For Sama* by Waad Al-Kateab, providing a personal look into the Syrian Civil War. - *The Cove* by Louie Psihoyos, exposing the brutal practice of dolphin hunting in Japan. - *13th* by Ava DuVernay, a compelling examination of racial inequality and mass incarceration in America.  We also examine the future of documentary filmmaking, including the role of new technologies like VR and AR, the importance of expanding access and diversity in the field, and the ethical considerations that come with increased community engagement and participatory methods.  Whether you're a seasoned filmmaker or a passionate viewer, "The Camera as a Weapon" offers profound insights into the art and impact of documentary filmmaking. Tune in to understand how the camera continues to be a powerful force for highlighting injustices, amplifying marginalized voices, and inspiring societal change.  Subscribe now and join us in uncovering the stories that shape our world, one frame at a time. Visual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

In this final episode of 2023 (and season 18), we (Neil and Dario) ruminate on a year spent thinking cinematically and engaging with cinema in the unique way that has become the hallmark of The Cinematologists; thoughtful, personal, searching for meaning and meaningful experiences across the movie spectrum. We both share brief discussions of two films that stuck with us from different points of the year, Neil talking about Mark Jenkin's short A Dog Called Discord and Christine Molloy and Joe Lawlor's The Future Tense, while Dario ponders Patricio Guzman's My Imaginary Country and Samsara, directed by Lois Patiño. Then, we spend more time discussing three films each at greater length in what could be seen as their top 3 films of the year, if we were so inclined to frame them that way (and we go to great pains in the episode to make sure that they don't come across as ‘ranked'). Dario shares his thoughts on and fondness for Laura Poitras's All The Beauty and the Bloodshed, Celine Song's Past Lives and Todd Haynes's May December. While Neil decides to go deep on Cyril Schäublin's Unrest (which he shamefully claims is set in the 1920s when it's clearly late 19th Century!), Felix van Groeningen and Charlotte Vandermeersch's The Eight Mountains and Aki Kaurismäki's Fallen Leaves. ——— Thank you to all our guests this season and to our listeners, we thank you for your continued support of The Cinematologists, and hope you join us for season 19, which commences in February 2024. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

Cette semaine : Camille déconseille fort le dernier film de Toledano et Nakache Une année difficile, une vaste moquerie du combat écologique par deux boomers, dommage. Léane a eu un coup de coeur pour le docu Toute la beauté et le sang versé, de Laura Poitras sur la photographe Nan Goldin, foncez le voir.Justine a aussi eu son petit kiff, pour un manga tout doux : Le vendeur du magasin de vélo, de Arare Matsumushi. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

 Alex Winter joins Jessica Kantor this week on Raising Cinephiles. Alex is an actor and filmmaker; you might recognize his voice from Bill and Ted's Excellent Adventure or not because he won't be in character. He came on this week to discuss a film he directed, The YouTube Effect, which explores how YouTube is affecting culture from many different angles.Alex Winter is a director, writer and actor who has worked across film, television and theater.Winter entered show business as a child actor with co-starring roles on Broadway in The King & I and Peter Pan, and came to prominence in movies such as Warner Bros' hit The Lost Boys and the wildly popular Bill & Ted franchise. As a filmmaker, Winter's narrative features include the cult classic Freaked, for 20th Century Fox and the critically acclaimed Fever, for Lionsgate, which screened in the Directors' Fortnight at Cannes.Winter is the founder of Trouper Productions, which services his documentary work. In 2020, Winter released two new documentary feature films; Showbiz Kids, premiered on HBO to widespread critical acclaim, garnering a Critics Choice nomination for Best Score. Followed by  Zappa, the first all-access documentary on the life and times of Frank Zappa. The Kickstarter campaign for this project was the highest funded documentary in crowdfunding history. Zappa was released by Magnolia Pictures to widespread critical acclaim. A Critics Pick in the New York Times, Zappa was nominated for Best Music Documentary by the Critics Choice Awards.The highly anticipated third installment in the Bill & Ted franchise,  Bill & Ted Face The Music, opened in August, 2020, as the number one movie both in the U.S. and the UK, and is Certified Fresh on Rotten Tomatoes.Previous documentary work includes The Panama Papers, about the biggest global corruption scandal in history and the journalists who worked in secret and at great risk to break the story. A multiple award-winner, The Panama Papers is executive produced by Laura Poitras, opened to a 100% rating on Rotten Tomatoes, and is out now on Hulu, AmazonPrime and Epix in the US. Also in release worldwide is Trust Machine, about the rise of bitcoin and the blockchain, available on VOD.Deep Web is about the online black market Silk Road, and the trial of its creator Ross Ulbricht. The film premiered on the Epix network, opening as the #1 documentary on iTunes and earning a Cinema Eye nomination among several award wins. Deep Web is now available for streaming and VOD. Downloaded is a VH1 RockDoc about Napster and the digital revolution. The film premiered at SXSW, garnering worldwide critical acclaim at theatrical and festival screenings.Just completed is Winter's next feature documentary, The YouTube Effect. Produced by Winter/Trouper Productions in partnership with Gale Anne Hurd/Valhalla Entertainment and Glen Zipper. The film had its world premiere at Tribeca in June, 2022, completed a sold-out theatrical run in July of 2023 and is now being released worldwide on digital beginning August 8, 2023, from Drafthouse Films.Films Discussed:The Yellow Submarine Match GameLittle RascalsThe GeneralSherlock JrHoly Grail (Monty Python)Willy WonkaWest Side StoryNapster Doc New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram

On this episode, I spoke to producer Howard Gertler about his prolific career.  Gertler is a 2x Oscar nominee for his work on How to Survive a Plague and All the Beauty and the Bloodshed.  In 2007, Gertler won the Producers Award for the Film Independent Spirit Awards. For How to Survive a Plague, Gertler won a Gotham Award for Best Documentary and was nominated for an Independent Spirit Award.  For All the Beauty and the Bloodshed, Gertler was nominated for BAFTA Film Award for Best Documentary, a Cinema Eye Honors Award for Nonfiction Feature, a Gotham Award for Best Documentary, and a British Independent Film Award for Best International Independent Film. He won the Independent Spirit Award for Best Documentary for the Laura Poitras directed project.  His latest project is called Last Call: When a Serial Killer Stalked a Queer New York, where he was a writer and executive producer. 

With her new documentary Analogue Revolution: How Feminist Media Changed the World premiering Friday at the Atlantic International Film Festival (and playing the Toronto Independent Film Festival on Sunday), professor and filmmaker Marusya Bociurkiw salutes Laura Poitras' Nan Goldin documentary All the Beauty and the Bloodshed -- for obvious reasons. Your genial host Norm Wilner is glad she did.

Join Rain on LaunchLeft today as they welcome Oscar-nominated Son Lux to kick off Qasim Naqvi's launch. Tune in for an engaging conversation with Ryan, Ian, Rafiq, and Qasim Naqvi as they discuss their unique experiences and creative processes in music-making. This versatile group excels as a live band, studio recording artists, and composers, embracing various aspects of the art they cherish. As a special treat, you'll have the privilege of hearing Qasim Naqvi's captivating performance of "The Curve" at the end of the episode. -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:23] Ryan tells how he and Rafiq came to collaborate.  [08:25] Ian explains how they became composers for Everything, Everywhere, All At Once.  [10:26] Rafiq shares what they have been working on recently.  [12:39] Ryan comments on the reward versus the work and how the work won out.  [17:42] Qasim Naqvi reveals how he met the members of Son Lux, and they all reflect on their times together.  [25:02] Ryan talks about how their music is visual, and Qasim Naquiv discusses the modular synthesis while they land on making music with what they have.  [40:03] Listen to “The Curve” by Qasim Naqvi.    KEY TAKEAWAYS:  The difference between performing on stage and recording in a studio is night-and-day. When you find like-minded artists who appreciate each other's talents, you have a winning combination. Sometimes it’s the accident that makes the music. It’s called working with what you have.   BIOGRAPHIES::  SON LUX BIO: From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and the triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for an equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored the new Daniels film for A24, Everything Everywhere All at Once (March 2022). The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others. Based in New York, Rafiq Bhatia is the first-generation American son of Muslim immigrant parents who trace their ancestry to India through East Africa. Early influences such as Jimi Hendrix, John Coltrane, and Madlib—as well as mentors and collaborators including Vijay Iyer and Billy Hart—prompted him to see music as a way to actively shape and represent his own identity, not limited by anyone else’s prescribed perspective. When Ian Chang describes his creative process, the phrase "third culture” keeps coming up. Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for ten years and since relocated to Dallas, Texas, he built an impressive roster of progressive pop collaborators such as Moses Sumney, Joan As Policewoman, and Matthew Dear, among others, all while performing internationally and recording as a member of Son Lux and Landlady. Ryan Lott makes his home in Los Angeles but grew up all over the United States. Music was the one constant in his formative years spent at the piano. In addition to an extensive career writing music for dance, he has become a sought-after composer for advertising, television, and film. Lott’s feature film credits include The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017). He has co-produced and co-written music for and with Woodkid, Sufjan Stevens, and Lorde.   BIOGRAPHY: QASIM NAQVI  Qasim Naqvi is a drummer and founding member of Dawn of Midi. Outside of his role in D.O.M., Qasim works on various projects, from electronic music to composing for orchestras, chamber groups, dance and film.  His concert music has been performed/commissioned by The BBC Concert Orchestra, Jennifer Koh, The London Contemporary Orchestra, Stargaze, Bang on a Can All-Stars, Crash Ensemble, The Now Ensemble, The Erebus Ensemble, yMusic, The Helsinki Chamber Choir, Alexander Whitley, Cikada, The Chicago Symphony Orchestra(MusicNOW Season) and others. He has been a featured composer at the Musica Nova Festival in Helsinki, the Spitalfields Festival in London, Ultima Festival, Southbank Centre and the Rest is Noise Festival in Holland.   Qasim's soundtracks for the film have appeared on HBO, NBC, PBS, Showtime, New York Times Op-Docs, VICE Media, at The Tribeca, Sundance, Toronto, Rotterdam and London Film Festivals, at dOCUMENTA 13 and 14, The Guggenheim Museum, The Tate Britain (Turner Prize 2018), MOMA P.S. 1, IDFA, Berlinale and others. He has worked with such notable filmmakers as Laura Poitras, Mariam Ghani, Marc Levin, Naeem Mohaiemen, Smriti Keshari, Prashant Bhargava and Erin Heidenreich. Acoustic trio Dawn of Midi has released two albums. Their most recent Dysnomia was acclaimed by Pitchfork, Rolling Stone, Spin, The Guardian and the New Yorker. Radiohead personally picked Dawn of Midi as their support band for two sold-out concerts at New York's Madison Square Garden for their Moon Shaped Pool tour.    Qasim earned his B.F.A in performance from the New School Jazz and Contemporary Music program and his M.F.A in composition and performance from California Institute of the Arts. He studied drums and performance with Andrew Cyrille, Joe Chambers, Reggie Workman, Buster Williams, Ralph Peterson Jr., Charlie Haden and Rashied Ali and composition with Wolfgang von Schweinitz, James Tenney, Morton Subotnick, Marc Sabat, Wadada Leo Smith, Michael Jon Fink and Anne LeBaron. He is a 2016 N.Y.F.A Fellow in Music and Sound and has received other fellowships and awards from Chamber Music America, The Foundation for Contemporary Arts, Mid-Atlantic Arts Council, Harvest Works, The Lower Manhattan Cultural Council, S.T.E.I.M. and Art OMI. Presently, Qasim lives in Brooklyn, New York and works on various projects as a freelance composer and drummer. He is represented by Erased Tapes Publishing.   RESOURCE LINKS Podcast - LaunchLeft   SON LUX LINKS: Son Lux Music - Website Son Lux - Instagram Son Lux - Twitter Son Lux - Facebook Son Lux - YouTube Son Lux - Soundcloud   QASIM NAQVI LINKS: Qasim Naqvi - Website Qasim Naqvi - Instagram Qasim Naqvi - Twitter Qasim Naqvi - Bandcamp  

It's hard to believe, but ten years have passed since former government contractor Edward Snowden shocked the world disclosing that the United States National Security Agency (NSA) was collecting data from the electronic communications of millions of American citizens--all without a warrant. For the majority of the public, that's what people remember. But the classified documents Snowden leaked revealed much more than warrantless electronic surveillance. In this episode of Privacy Files, we take a hard look at about a year's worth of leaks. Starting from June 6, 2013 (when it all started) and ending on May 31, 2014, we revisit some of the most earth-shattering revelations about how the United States intelligence apparatus operates. Colin fills in for Sarah in the co-hosting chair. Colin is a member of Anonyome Labs' Security & Compliance team. Looking back at the disclosures, both Rich and Colin were mesmerized at the extent of what the Snowden leaks cover. Over the years, journalists have released thousands of documents that Snowden entrusted them with. Some believe this is still less than 1% of the entire archive. And they're probably close to being accurate cause according to national intelligence officials, Snowden downloaded up to 1.5 million files before fleeing Hawaii and heading to Hong Kong to meet with journalists Glenn Greenwald and Laura Poitras. After revisiting key revelations, Rich and Colin discuss what this all means for the world today. How have the Snowden Leaks impacted society, government and technology? One thing is clear. Personal privacy is on people's minds more than ever. And as a result, the last ten years have seen an explosion in privacy products for public consumption. In fact, the Snowden Leaks have impacted so much of global society that these impacts are often referred to as the "Snowden Effect." Links Referenced: https://www.cato.org/commentary/snowden-effect-six-years# https://www.businessinsider.com/snowden-leaks-timeline-2016-9 https://www.propublica.org/article/claim-on-attacks-thwarted-by-nsa-spreads-despite-lack-of-evidence https://obamawhitehouse.archives.gov/sites/default/files/docs/2013-12-12_rg_final_report.pdf https://www.congress.gov/bill/114th-congress/house-bill/2048/text/pl?overview=closed https://www.nytimes.com/2018/05/04/us/politics/nsa-surveillance-2017-annual-report.html https://en.wikipedia.org/wiki/Snowden_effect https://www.amnesty.org/en/latest/campaigns/2015/06/7-ways-the-world-has-changed-thanks-to-edward-snowden/ OUR SPONSORS: Anonyome Labs - Makers of MySudo and Sudo Platform. Take back control of your personal data. www.anonyome.com MySudo - The world's only all-in-one privacy app. Communicate and transact securely and privately. Talk, text, email, browse, shop and pay, all from one app. Stay private. www.mysudo.com Sudo Platform - The cloud-based platform companies turn to for seamlessly integrating privacy solutions into their software. Easy-to-use SDKs and APIs for building out your own branded customer apps like password managers, virtual cards, private browsing, identity wallets (decentralized identity), and secure, encrypted communications (e.g., encrypted voice, video, email and messaging). www.sudoplatform.com

Prowadzenie: Agnieszka Szydłowska Goście: Kasia Borowiecka, Szymon Kloska, Łukasz Maciejewski, Magda Sendecka, Jacek Wakar Gość specjalny: Jan Emil Młynarski FILM 1)   „Indiana Jones i artefakt przeznaczenia”. Reż. James Mangold. Disney. Premiera 30 czerwca 2023 r. 2)    „Całe to piękno i krew”. Reż. Laura Poitras. Against Gravity. Premiera 16 czerwca 2023 r. 3)   Serial „Warszawianka”. Reż. Jacek Borcuch. SkyShowtime.   LITERATURA 1)  Cormac McCarthy „Pasażer” oraz „Stella Maris”. Wydawnictwo Literackie. 2)  Gary Shteyngart „Nasi przyjaciele na wsi”. Wydawnictwo Filtry. 3)  Ilya Kaminsky „Republika głuchych”. Warsztaty Kultury w Lublinie. 4)  Rekomendacje Szymona Kloski: Agata Jabłońska „Księżyc grzybiarek”, Tomasz Bąk „Fiszki”, „Czas Literatury”   TEATR 1) „Pewnego długiego dnia” na podstawie „Long Day's Journey into Night” Eugene'a O'Neilla. Reż. Luk Perceval. Narodowy Stary Teatr w Krakowie. Premiera 23 czerwca 2023 r. 2) „Przemiana”. Reż. Grzegorz Jaremko. Nowy Teatr w Warszawie. Premiera 9 czerwca 2023 r. 3) Rekomendacja Jacka Wakara: „Peter Grimes” Benjamina Brittena. Reż. Mariusz Treliński. Teatr Wielki Opera Narodowa w Warszawie. Premiera 23 czerwca 2023 r.   MUZYKA POPULARNA 1)      Anohni and the Johnsons „My Back Was A Bridge For You To Cross”. Rough Trade Recordings / Sonic Records. 2)     Jan Emil Młynarski, „Narkotyki”, Mystic Production.

Watch full episodes on Rumble, streamed LIVE 7pm ET: https://rumble.com/c/GGreenwald Become part of our Locals community: https://greenwald.locals.com/ - - -  Follow Glenn: Twitter: https://twitter.com/ggreenwald Instagram: https://www.instagram.com/glenn.11.greenwald/ Follow System Update:  Twitter: https://twitter.com/SystemUpdate_ Instagram: https://www.instagram.com/systemupdate__/ TikTok: https://www.tiktok.com/@systemupdate__ Facebook: https://www.facebook.com/systemupdate.tv/ LinkedIn: https://www.linkedin.com/company/systemupdate/ Learn more about your ad choices. Visit megaphone.fm/adchoices

De quelle artiste américaine la cinéaste Laura Poitras dresse-t-elle le portrait dans ce film primé qui sort mercredi ? Parmi les enfants de Bono, à côté de Eve l'actrice, qui s'impose aujourd'hui sur la scène rock ? Après la prison, comment vivre ? Et comment le film belge « Temps mort » explore-t-il ce thème ? A quoi s'attendre avec le deuxième album d'Aimé Simone, musicien français basé à Berlin ? Comment Sean Lennon devient-il producteur avec le groupe Temples ? La franchise de films d'horreur « Evil dead » parvient-elle à se renouveler avec « Evil dead rise » ? Isabelle Boulay qui chante Bashung, est-ce vraiment une bonne idée ? Et le groupe Sir Chloë doit-il beaucoup à Wet Leg ? Toutes les réponses à ces questions sont dans « La semaine des 5 heures » de ce lundi 17 avril

This is a free preview of a paid episode. To hear more, visit yasha.substack.comWe're back with another episode. In the first half hour, we chat about Russia and the war. The rest is about All The Beauty And The Bloodshed, the new Laura Poitras doc about Nan Goldin and her fight against the highly respected Sackler family — the drug dealers that unleashed the opioid epidemic and made billions hooking Americans on pills. Elite barbarity. I guess that's the topic of this ep.—YashaA couple of notes.Early on we talk about an intercepted phone call between a big Russian music producer and a former Russian billionaire Senator in which the two criticize Putin and his war effort from an elite Russian insider perspective. You can read a translated transcript of the call. We talked about Laura Poitras and her previous documentaries in our last episode — the one about Julian Assange. Listen to it here: Triple Threat: Three films about Julian Assange.

This week on See Also, Kate and Brodie debrief on BERNHARDT/HAMLET at the MTC and the 2023 RISING program before covering two new documentaries: All the Beauty and the Bloodshed by Laura Poitras and Meet Me in the Bathroom, Will Lovelace and Dylan Southern's adaptation (kinda) of Lizzy Goodman's book. One makes us think about Jinxy's friend Cookie Mueller, the other unfortunately reminds us of Carlos D from Interpol.See Alsos for ALL THE BEAUTY AND THE BLOODSHEDNan Goldin's Movie ObsessionsBette Gordon's Variety (1983) with a screenplay by Kathy AckerTen years after: Naples 1986-1996 by Nan GoldinSee Also Episode 7David Wojnarowicz docHigh Art by Lisa CholodenkoNan Goldin's Profound Influence on Film and TelevisionNan Goldin showing at the NGA in Canberra, July 2023 – January 2024Cast and Crew panel at NYFFCourtney Love fucking up Joss Sackler Australia's Take Home Naloxone program@sesh.ed resource listSee Alsos for MEET ME IN THE BATHROOMShut Up and Play the HitsLizzy Goodman's bookDate with the Nightcarlos d has herpes dot comALSO ALSOsLISTEN ALSO: Death is Not the EndBATHE ALSO: Asian exfoliating bath clothsSUBSCRIBE ALSO: Hetty McKinnon's To Vegetables With Love newsletter + Choy Love ClubSWEET ALSO: Fluffy TorpedoWATCH ALSO: Of An Age by Goran StolevskiART ALSO: Australiana: Designing a Nation at Bendigo Art Gallery Hosted on Acast. See acast.com/privacy for more information.

We discuss Laura Poitras' All the Beauty and Bloodshed with all the talking and analyzing! Following an intimate portrait of Nan Goldin's photography into her activism specifically targeting the museum donations of the Sackler family, Poitras Oscar nominated film prompts a lot of fascinating questions about divide between the personal and the political. Before you protest our podcast, email us in at onlymoviepodcast@gmail.com or follow us on Twitter at https://twitter.com/onlymoviepod or Instagram at https://www.instagram.com/onlymoviepodcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:54:26 - Le masque et la plume - par : Jérôme Garcin - Faut-il prendre son ticket pour voir "La chambre des merveilles" de Lisa Azuelos; "Emily" de Frances O'Connor, "Toute la beauté et le sang versé" de Laura Poitras; "Sur les chemins noirs" de Denis Imbert; "De grandes espérances" de Sylvain Desclous; "Le Bleu du kaftan" de Maryam Touzani ?

This is a free preview of a paid episode. To hear more, visit yasha.substack.comWe recently went to the local theater to watch Ithaca, a new documentary about Julian Assange that focuses on his dad's efforts to get him out of London's Belmarsh Prison, where he's been held in solitary since 2019 while fighting extradition to United States on espionage charges — initially under Trump but now under Biden. Oh how things change!To add some context to the film, we watched and discuss two other Julian Assange docs: Laura Poitras' Risk and Alex Gibney's We Steal Secrets. They amount to a decade's worth of documentaries about Wikileaks — chronicling the increasing repression and marginalization and hopelessness of Julian and his project to change the world by freeing information.—Yasha and EvgeniaA couple of notes on our discussion.The three films are all very different. Of the three, Risk is probably the most interesting to watch but also the most deceptive and least informative. It gives viewers a false sense of intimacy and reality, while on the backend being very manipulative.As we discus in the ep, most viewers probably won't know that after Risk premiered at Cannes — and after Laura Poitras appeared and hugged on the red carpet with Wikileaks sidekick Jacob Appelbaum — Poitras re-edited the film, changing the narrative to show Julian Assange and Jacob Appelbaum not as heroes but as predators. Yasha first found out about this sneaky re-edit from Julian back in 2017 when Julian was still holed up in the Ecuadorian Embassy. Julian felt betrayed and explained the re-editing of the film as Laura's attempt to protect her reputation from a couple of things that happened not long after the film had its premier in France. One was that Jacob Appelbaum — the Tor Project frontman with whom Laura was intimately involved with — was accused of being a sexual predator and was then cancelled by the privacy community. The second was that Julian became fully toxic in liberal circles during the 2016 presidential election: he was seen as a Russian asset who backed Trump over Hillary and released all those damaging emails.So as Julian explained: because of all of this Poitras had to betray her two friends — one of whom was in captivity, the other who used to be her lover — to make sure she came out of these scandals clean, even though she had no problem with any of this until it became public and a problem for her career. It was a tangled, gross situation.“I think it's mostly defensive. She's the daughter of a billionaire, and has an apartment in Tribecca, Manhattan,” Julian wrote to Yasha back then. “But she's pretty simple. She aspires to maximise her status among the Tribecca/Greenwich Village, etc. set.”

The Oscars are coming on Sunday, and the question is—as has been true for the past couple of years—will the annual broadcast offer up any surprises? On this week's show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart will be offering up their picks, both who they think will win and who they think should win. They'll also review one of the Feature Documentary nominees, Laura Poitras' “All the Beauty and the Bloodshed.”

The 95th Academy Awards is upon us! It's been another great year in film. “Top Gun: Maverick,” one of the Best Picture nominees, has been credited as the blockbuster that brought audiences back to theaters post pandemic. This year also saw the long awaited sequel to James Cameron's technical achievement “Avatar” with “Avatar: The Way Of Water.” But possibly the biggest film of the year was small indie movie “Everything Everywhere All at Once,” which has maintained a dedicated fanbase of everyday movie-goers and critics alike since its premiere in March 2022, and has dominated the award circuit leading up to this year's Oscar ceremony as the projected winner for Best Picture, Best Director, and Best Actress among other categories. Other Best Picture nominees in addition to those three films: “The Banshees Of Inisherin,” “Women Talking,” “Triangle Of Sadness,” “The Fabelmans,” “All Quiet On The Western Front,” “Tár,” and “Elvis.” Other categories covered include Best Animated Feature, Best Documentary Feature, Best Supporting Actress, and more! There's so much to talk about! Larry Mantle and LAist film critics are live at the Orpheum Theater in DownTown Los Angeles to discuss the 95th Academy Award nominations from Best Screenplay to Best Picture. We'll hear which films are the critics' favorites and which ones they think will take home the top prizes. You can find the full list of nominees here. Our critics for the 21th annual Film Week Academy Awards Preview are: Justin Chang – Los Angeles Times and NPR's Fresh Air Tim Cogshell – Alt-Film Guide and CineGods.com Andy Klein – LAist & AV Club Christy Lemire – Roger Ebert.com & Breakfast All Day podcast Lael Loewenstein – LAist                                                            Wade Major – CineGods.com                                       Amy Nicholson – New York Times film writer & podcast Unspooled Claudia Puig – President/LA Film Critics Association   Peter Rainer – Christian Science Monitor Charles Solomon – Animation Scoop and Animation.com   Round One (0:15) Best Animated Feature: Guillermo Del Toro's Pinocchio – Directed by Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley Marcel The Shell With Shoes On – Directed by Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey Puss In Boots: The Last Wish – Directed by Joel Crawford and Mark Swift The Sea Beast – Directed by Chris Williams and Jed Schlanger Turning Red – Directed by Domee Shi and Lindsey Collins   Best Documentary Feature: All That Breathes – Directed by Shaunak Sen, Aman Mann and Teddy Leifer All The Beauty And The Bloodshed – Directed by Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov Fire Of Love – Directed by Sara Dosa, Shane Boris and Ina Fichman A House Made Of Splinters – Directed by Simon Lereng Wilmont and Monica Hellström Navalny – Directed by Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris   Round Two (15:45) Best Supporting Actress: Angela Bassett – Black Panther: Wakanda Forever Hong Chau – The Whale Kerry Condon – The Banshees Of Inisherin Jamie Lee Curtis – Everything Everywhere All At Once Stephanie Hsu – Everything Everywhere All At Once   Best Adapted Screenplay: All Quiet On The Western Front – Screenplay - Edward Berger, Lesley Paterson & Ian Stokell Glass Onion: A Knives Out Mystery – Written by Rian Johnson Living – Written by Kazuo Ishiguro Top Gun: Maverick – Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks Women Talking – Screenplay by Sarah Polley   Best Original Screenplay: The Banshees Of Inisherin – Written by Martin McDonagh Everything Everywhere All At Once – Written by Daniel Kwan & Daniel Scheinert The Fabelmans – Written by Steven Spielberg & Tony Kushner Tár – Written by Todd Field Triangle Of Sadness – Written by Ruben Östlund   Best Supporting Actor: Brendan Gleeson – The Banshees of Inisherin Brian Tyree Henry – Causeway Judd Hirsch – The Fabelmans Barry Keoghan – The Banshees of Inisherin Ke Huy Quan – Everything Everywhere All at Once   Best Actress: Cate Blanchett – Tár Ana De Armas – Blonde Andrea Riseborough – To Leslie Michelle Williams – The Fabelmans Michelle Yeoh – Everything Everywhere All at Once   Round 3 (34:47) Best Actor: Austin Butler – Elvis Colin Farrell – The Banshees of Inisherin Brendan Fraser – The Whale Paul Mescal – Aftersun Bill Nighy – Living   Best Directing: The Banshees Of Inisherin – Directed by Martin McDonagh Everything Everywhere All At Once – Directed by Daniel Kwan and Daniel Scheinert The Fabelmans – Directed by Steven Spielberg Tár – Directed by Todd Field Triangle Of Sadness – Direcetd by Ruben Östlund   Best Picture: All Quiet On The Western Front Avatar: The Way Of Water The Banshees Of Inisherin Elvis Everything Everywhere All At Once The Fabelmans Tár Top Gun: Maverick Triangle Of Sadness Women Talking  

Ahora sí que sí podemos decir que cerramos temporada con los Oscar. Hacemos quiniela, repasamos las claves y analizamos qué Hollywood muestran estos premios. Lo hacemos, además, desde el Festival de Málaga, el gran escaparate del cine español para los próximos meses que abre con una película dirigida por Elvira Lindo. Entre los estrenos, la sexta entrega de ‘Scream' con una de las actrices de moda, Jenna Ortega, hay comedia española con Paco León y Ernesto Alterio y también mucho y buen cine de autor, como el ganador de León de Oro en Venecia, ‘La belleza y el dolor', de Laura Poitras. En televisión, dos figuras muy distintas de la España de los 80 y 90, Miguel Bosé y Nacho Vidal

durée : 00:53:06 - L'Heure bleue - "Toute la beauté et le sang versé" (sortie le 15 mars) est un film documentaire sur le scandale des médicaments opiacés aux États-Unis et l'action militante de l'artiste photographe Nan Goldin. La réalisatrice, Laura Poitras est l'invitée de l'Heure Bleue.

Israel is in chaos as its Prime Minister Benjamin Netanyahu desperately tries to calm protests rocking his country. They started after a controversial decision he made to reform the judiciary. Meanwhile, violence is flaring in the West Bank and now Netanyahu's Finance Minister Bezaelel Smotrich is facing backlash after making incendiary comments, saying the Palestinian town of Huwara "needs to be erased." Shireen Falah Saab, an Arab journalist, tells Bianna why she's not surprised by the minister's comments.  Also on today's show: Laura Poitras, Director, “All the Beauty and the Bloodshed”; Simon Lereng Wilmont, Director, “A House Made of Splinters” To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Medaya Ocher and Eric Newman speak to Laura Poitras about her latest documentary, All the Beauty and the Bloodshed, recently nominated for an Academy Award. The film explores the efforts of celebrated photographer Nan Goldin and a group of activists to compel arts institutions to refuse donations from the Sackler pharmaceutical family and remove their names from the walls of the many exhibits and museums they fund in recognition of the damage their highly lucrative opioid OxyContin has wreaked in communities across America. Blending an intimate and revealing look at Goldin's with footage of the group's actions against the Sacklers, this moving documentary offers a powerful account of art, activism, and the struggle to be heard above the clamor of wealth and the cultural and political power it concentrates. Also, Ann Goldstein, translator of Alba de Cespedes' Forbidden Notebook, returns to recommend The Cazalet Chronicles, a five book series, by Elizabeth Jane Howard.

In this episode: With the Academy Awards just two weeks away, another chance to hear conversations John's had with some leading Oscar nominees. Today we have the writer/director of "Tár," Todd Field, and its star Cate Blanchett. The film has six Oscar nominations, including best picture, best director and best actress. And also, filmmaker Laura Poitras, nominated for her documentary "All the Beauty and the Bloodshed."

Medaya Ocher and Eric Newman speak to Laura Poitras about her latest documentary, All the Beauty and the Bloodshed, recently nominated for an Academy Award. The film explores the efforts of celebrated photographer Nan Goldin and a group of activists to compel arts institutions to refuse donations from the Sackler pharmaceutical family and remove their names from the walls of the many exhibits and museums they fund in recognition of the damage their highly lucrative opioid OxyContin has wreaked in communities across America. Blending an intimate and revealing look at Goldin's with footage of the group's actions against the Sacklers, this moving documentary offers a powerful account of art, activism, and the struggle to be heard above the clamor of wealth and the cultural and political power it concentrates. Also, Ann Goldstein, translator of Alba de Cespedes' Forbidden Notebook, returns to recommend The Cazalet Chronicles, a five book series, by Elizabeth Jane Howard.

This week, hear from the creators of the five films nominated for the Best Feature Documentary Oscar, ahead of the ceremony on March 12th. Today: Laura Poitras, documentary director and producer, discusses her film, "All the Beauty and the Bloodshed" about the photographer Nan Goldin's life and work and her activism to have the Sackler family name removed from NYC's cultural institutions. "All the Beauty and the Bloodshed" is in theaters, including IFC Center.

In her latest Oscar-nominated documentary All The Beauty And The Bloodshed, filmmaker Laura Poitras tells the story of the renowned photographer Nan Goldin — and her takedown of the Sackler family.

Investigative journalist Patrick Radden Keefe joins us on the podcast to tell the story of an unlikely criminal mastermind, Sister Ping - a middle-aged, hardworking woman who is highly respected among her community. Originally from Fujian province, China, for years she runs an incredibly lucrative people smuggling business from New York's Chinatown until she comes into trouble with violent gangsters and then later the FBI. In conversation with our host Poppy Damon, they discuss immigration, the dark underbelly of the American Dream, and the questions of who gets to stay. They also speak about Patrick's involvement in the Oscar-nominated documentary starring Nan Goldin and directed by Laura Poitras, All The Beauty And The Bloodshed. Learn more about your ad choices. Visit megaphone.fm/adchoices

The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.Book critic Maureen Corrigan reviews Up With the Sun, by Thomas Mallon.One of the most acclaimed jazz pianists of his generation, Brad Mehldau sits down at the piano, for music and conversation. His album, Your Mother Should Know, interprets songs by The Beatles.

The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.Also, John Powers reviews the documentary (also Oscar-nominated) All That Breathes.

Nan Goldin has been documenting her life through photography since her teens, revealing and intimate portraits exploring issues from sex and drug addition to domestic violence and parenthood. Laura Poitras's film celebrating Nan's work, 'All the Beauty and the Bloodshed' has been nominated for an Oscar. Mark Coles looks at the life of the acclaimed artist, whose addiction to prescription opioids made her determined to hold Purdue Pharma and their owners the Sackler family accountable for the US Opioid addiction crisis. The campaign resulted in galleries and museums around the world cutting financial ties with the Sacklers, because of their link to the prescription opioid OxyContin. Presenter: Mark Coles Producers: Viv Jones, Tural Ahmedzade and Ben Cooper Editor: Richard Vadon

On this week's episode we survey the life and times of Steven Spielberg, whose autobiographical latest The Fabelmans is among the frontrunners at this year's Academy Awards. Speaking of which, Laura Poitras' essential docu-profile of the photographer and activist Nan Goldin is up for some top prizes too – and we're delighted to be joined by the director. Finally, it's back to NYC circa 1983 for Bette Gordon's lo-fi erotic thriller, Variety. Joining host Leila Latif are LWLies editor at large Adam Woodward and associate editor Sophie Monks Kaufman.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Melanie C, aka Sporty Spice, is best known for being in one of the most successful girl groups of all time. But this week she's swapping the pop world for the dance world and performing a new contemporary piece by the choreographer Jules Cunningham at Sadler's Wells. Melanie C and Jules Cunningham discuss their collaboration, How Did We Get Here? Rasha Nahas is a Palestinian singer-songwriter who was born in Haifa and now lives in Berlin. She tells Samira about her new album, Amrat, which is her first album in Arabic, and which explores nostalgia, sense of place, and the importance of authentic instrumental music. Film-maker Laura Poitras talks about her new documentary, All the Beauty and the Bloodshed, which has been nominated for this year's Academy Awards. Following the photographer Nan Goldin's campaign against Purdue Pharma, owned by the Sackler family, for their part in the opioid crisis, the film paints an intimate portrait of Goldin's life, work and activism. Presenter: Samira Ahmed Producer: Eliane Glaser Photo of Mel C, Harry Alexander and Jules Cunningham credit: Camilla Greenwell

This week on Extra Film, Ryan and Jay continue their Frank Capra Movie Series with You Can't Take It with You and they also review the acclaimed Laura Poitras documentary All the Beauty and the Bloodshed! - Review: You Can't Take It with You (5:14) - Review: All the Beauty and the Bloodshed (46:18) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! Apple Podcasts: https://podcasts.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9pbnNlc3Npb25maWxtLmxpYnN5bi5jb20vcnNz?ep=14 Podchaser: https://www.podchaser.com/podcasts/insession-film-podcast-195831 Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/listen-now/

Learn about the making of one of the year's most powerful films from Laura Poitras, the award winning director of Citezenfour, and her editor Amy Foote. The two filmmakers explain how they met photographer Nan Goldin, and how they combined her voice with her incredible photographs to tell the story of her challenging the powerful Sackler family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Larry Mantle and KPCC film critics Claudia Puig and Lael Loewenstein review this weekend's new movie releases in theaters, streaming, and on demand platforms. FilmWeek: ‘Empire Of Light,' ‘Emancipation,' ‘The Whale' And More (0:15) “Empire Of Light,” Wide Release “Emancipation,” Wide Release & Streaming on Apple TV+ “The Whale,” AMC Burbank, AMC The Grove & AMC Century City “One Fine Morning,” Laemmle Royal[West LA] “Second Chance,” AMC Burbank & Alamo Drafthouse[DTLA] “Blanquita,” Laemmle Glendale “I Am DB Cooper,” Cinelounge Sunset December 11[Sunday] & VOD “Loudmouth,” Laemmle NoHo{North Hollywood], AMC Burbank Town Center & Regal Theater in South Gate   John Horn's Interview with actor Anna Diop from ‘Nanny' (31:48) The new film Nanny follows Aisha, an undocumented immigrant from Senegal, who is hired by a wealthy couple to care for their young daughter. The couple makes no attempt to learn about Aisha's personal life, treating her simply as ‘the help,' even demanding she work overtime with no pay. The film is directed by Nikyatu Jusu, and the character Aisha is portrayed by Sengalese-American actor Anna Diop who spoke with KPCC's John Horn about the thriller and the issue of representation in Hollywood.    John Horn's Interview With Director Laura Poitras of ‘All The Beauty And The Bloodshed' (43:51) The Sackler family is known for their pharmaceutical company Purdue Pharma and their contribution to the opioid crisis, in which they created and heavily marketed the painkiller OxyContin knowing it was highly addictive. Possibly far less known, however, is photographer and activist Nan Goldin, who staged public protests at museums bearing the Sackler name as they tried to artwash their image through generous donations. The new documentary ‘All The Beauty And The Bloodshed' tells the story of Goldin and her quest to take down the Sacklers. KPCC's John Horn spoke with the film's director Laura Poitras about bringing Nan Goldin's life and career to the screen. 

Ep. 150: Laura Poitras on All the Beauty and the Bloodshed Welcome to The Last Thing I Saw. I'm Nicolas Rapold. One of the year's best films is All the Beauty and the Bloodshed, directed by Laura Poitras. It's about the life and work of photographer Nan Goldin, and her successful activism against the Sackler Family, whose company PurduePharma produced Oxycontin. Poitras and Goldin were collaborators on the film, which is a deeply moving work of art itself, featuring Goldin's candid photography and her tough and evocative voiceover. Goldin speaks openly of traumas in her past, including the tragic story of her sister, Barbara. I'm a huge admirer of Poitras's films, and as she generously pointed out, I first interviewed her in 2010 about her film The Oath, which was followed by her features Risk and Citizenfour, winner of the Academy Award for Best Documentary. It was an honor to talk with her again about All the Beauty and the Bloodshed, winner of the Golden Lion in Venice and more recently Best Documentary from the New York Film Critics Circle. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Oscar season is … here? Sean and Amanda briefly dig into the 2022 Sight and Sound poll before discussing the touching new Robert Downey Jr. family documentary 'Sr.' (1:00) . Then, they run through their first power ranking of the 2023 race, ordering all the contenders for Best Picture (1:08:00). Finally, Sean is joined by documentary filmmaker Laura Poitras to talk about her new film, ‘All the Beauty and the Bloodshed' (0:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Laura Poitras Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode: It's one thing to eat turkey.  It's another thing to release one.  A Thanksgiving Disney disaster. Plus, John talks to Emma Corrin, star of a new steamy remake of once-banned Lady Chatterley's lover, still controversial after almost a hundred years. But first, one woman's crusade to expose the family that helped fuel the opioid crisis and remove their name from famous museums, as documented by Oscar-winning director Laura Poitras Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.  

Renowned photographer Nan Goldin has dedicated much of her life to opioid addiction advocacy and activism against the Sackler family, following her own battle with addiction to opioids and near-fatal overdose. The new documentary, "All the Beauty and the Bloodshed," follows her career and determination to bring the Sacklers to justice. Director Laura Poitras joins us to discuss the film, which is out in theaters today.

This week on the Film at Lincoln Center podcast, we're featuring a talk from the 60th New York Film Festival with photographer, artist, and activist Nan Goldin, moderated by NYFF programmer Rachael Rakes. In the NYFF60 Centerpiece selection All the Beauty and the Bloodshed, documentarian Laura Poitras takes as her subject Nan Goldin. An era-defining artist who rose from the New York “No Wave” underground to become one of the great photographers of the late 20th century, Goldin put herself at the forefront of the battle against the Sackler family and their pharmaceutical empire, both as an activist at art institutions around the world that had accepted millions from the Sacklers and as an advocate for the destigmatization of drug addiction. This intimate, career-spanning conversation with Goldin dove into the personal and political roots of her creative practice, the radical humanism of her photography, and the defiant intertwinings of her art and activism.  All the Beauty and the Bloodshed opens on November 23 in our theaters. Don't miss our Q&A with director Laura Poitras and P.A.I.N. activist Harry Cullen on November 26. Get showtimes and tickets at filmlinc.org/beauty All NYFF60 Talks are presented by HBO.

“At first, I was terrified”. These are not words you expect to hear very often from Laura Poitras, one of the world's most fearless and acclaimed documentary filmmakers. Afterall, this is the filmmaker who took on the U.S. intelligence community with her Academy Award-winning film “Citizenfour” about NSA whistleblower Edward Snowden. But shortly into our “Top Docs” interview about her trenchant and luminous new documentary “All the Beauty and the Bloodshed”, Laura began to use words like “nervous”, “intimidating”, and “terrified”. Rather than experiencing a potentially dangerous physical situation or government surveillance operation, Laura, instead, found herself confronting something even more formidable, the groundbreaking visual artist Nan Goldin. Not wanting to come up short in her portrait of someone that Laura describes as a legend, hero and inspiration, Laura was driven to create a documentary that would do justice to Nan, her artwork and her activism. Laura joined Ken on “Top Docs” to talk about how she and Nan came together to collaborate on the film and form a strong creative partnership. Given Nan's frequent use of live slideshows to present her most well-known work, how did Laura and Nan figure out the best way to feature Nan's art in the film? Why and how did Nan and the activist group that she founded in response to the opioid crisis train their sights on the Sackler family, whose company created OxyContin? And in what ways do big themes like destigmatization, resistance and legacy feature prominently in the film? Join us for this lively conversation… and don't be afraid.   Hidden Gems: “Crossroads” “Perfect Film”   Follow on Twitter: @topdocspod   “All the Beauty and the Bloodshed” will be released by NEON in theaters on November 23 in New York City and December 2 in Los Angeles and San Francisco. A national release will follow. The film will premiere on HBO and HBO Max at a date to be announced   The Presenting Sponsor of "Top Docs" is Netflix.

Taking its title from a poem by Bertolt Brecht, this talk explores the role of critique and criticism in the arts and beyond. Does critique represent a negative attitude to the world, or is it in fact an optimistic practice, one that allows us to imagine and work toward alternative and better realities? (Brecht, again: “Criticizing the course of a river means improving it, correcting it.”) Is criticism always a response to art, or can it be a form of art-making in itself? Can one effectively critique an institution or system while also living within it? Film Comment editors Devika Girish and Clinton Krute delved into these questions with a roundtable of directors—Laura Poitras (All the Beauty and the Bloodshed), Elvis Mitchell (Is That Black Enough for You?!?), and Tiffany Sia (What Rules the Invisible)—whose films from the NYFF60 lineup are as stunning as works of art as they are incisive as critiques—whether of history, society, or art itself.

Laura Poitras, artist Nan Goldin, P.A.I.N. activists Harry Cullen & Megan Kapler, and lawyer Mike Quinn discuss their NYFF60 Centerpiece selection All the Beauty and the Bloodshed, moderated by NYFF Artistic Director Dennis Lim, at the press conference. In her essential, urgent, and arrestingly structured new documentary from Participant, Academy Award®–winning filmmaker Laura Poitras (Citizenfour) weaves two narratives: the fabled life and career of era-defining artist Nan Goldin and the downfall of the Sackler family, the pharmaceutical dynasty Goldin personally took on in her fight to hold accountable those responsible for the deadly opioid epidemic. Following her own personal struggle with opioid addiction, Goldin, who rose from the New York “No Wave” underground to become one of the great photographers of the late 20th century, put herself at the forefront of the battle against the Sacklers, both as an activist at art institutions around the world that had accepted millions from the family and as an advocate for the destigmatization of drug addiction. Illustrated with a rich trove of photographs by Goldin, who mesmerizingly narrates her own story, including her dysfunctional suburban upbringing, the loss of her teenage sister, and her community's fight against AIDS in the 1980s, Poitras's film is an enthralling, empowering work that stirringly connects personal tragedy, political awareness, and artistic expression. A NEON release. All NYFF60 documentaries are presented by HBO. All the Beauty and the Bloodshed opens on November 23rd at Film at Lincoln Center! Tickets on sale soon.

Once again we've arrived at that special time of year known as festival season. Today we kick off our coverage of one of the fall's major film events, the Toronto International Film Festival. Throughout this year's festival, we'll be on the ground, covering all the highlights (and lowlights) from the lineup with our rotating crew of critics and special guests. For our second dispatch from the mean streets of Toronto, Film Comment Co-Deputy Editor Devika Girish welcomes critics Madeline Whittle and Mark Asch to talk about some of their favorites from the fest, including Laura Poitras's All the Beauty and Bloodshed, Davy Chou's Return to Seoul, Rebecca Zlotowski's Other People's Children, Sam Mendes's Empire of Light, and more.

Laura Poitras and Glenn Greenwald prepare to break their story. Edward Snowden goes on the run.Listen to new episodes 1 week early and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/americanscandal.Support us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.