Podcasts about Adelaide Festival

From massive storms to green future vision: Laura and Elizabeth Streb explore South Australia's rapid shift from fossil fuels and the inspiring actions of local festivals and government leaders.This show is made possible thanks our members! To become a sustaining member go to https://LauraFlanders.org/donate   Thank you for your continued support!South Australia has become a global leader in green energy transition, getting off fossil fuels faster, and to a greater extent than almost any other country. How did they do it, and what can we learn from them? In this special report, Laura goes Down Under with her partner, Elizabeth Streb, and her extreme dance company, and discovers how the region's culture and its many world-class festivals have helped pave the way for transformation. Helping to unpack it all is a range of impressive guests, including Susan Close, deputy premier of South Australia; Anoté Tong, the former President of the Micronesian island, the Republic of Kiribati; Ruth Mackenzie, former Artistic Director of the Adelaide Festival, now Program Director of Arts, Culture and Creative Industries Policy within the South Australia state government; Rob Brookman, the co-founder of WOMADelaide, the capital's premier outdoor festival; MacArthur “Genius” Award winner, Elizabeth Streb and the action heroes of her company STREB — and a WHALE. As you'll hear, it's taken politics, policy, science and culture to shift public practice in this extreme-weather-vulnerable area. Over the last decade, South Australia has faced massive storms, brush fires, and extreme heat that have put people, wildlife, and even the festival at risk. Now South Australia is leading the way and using art to help people envision a green future, but they can't solve the climate crisis alone. In this Climate Week special, we ask, how can the rest of the world follow suit?“I'd say that WOMADelaide is creating a tiny version of the planet as you would like it to be . . . If you've listened to music from Iraq or if you've listened to music from Vietnam, or if you've listened to music from Palestine and Israel, it's more difficult to say those people, we don't understand them, so we can't deal with who they are.” - Rob Brookman, Director, WOMADelaide Foundation“We don't get exempted from climate change because we've got a green electricity grid . . . It is globally caused and has to be globally solved. So part of what we do is not to boast about what we've done, but to hope that our leadership will show others that you too can do this. Come and learn from us.” - Susan Close, Deputy Premier, South Australia“We've got the arguments, we can tell you the facts, but people don't feel it . . . [Artists] reach into your head, into your heart, they dig in and then they motivate you to action. And of course if you can also motivate the artist in every single child in South Australia, then we really have a force to change the world.” - Ruth Mackenzie, Program Director Arts, Culture & Creative Industries Policy, South Australia Government“For the [Adelaide] festival to go to young people and be like, ‘Hey, we want to hear from you. We want you to be a part of this. What works do you want to see? What works do you want to make and what do you want them to be about?', is something that doesn't happen very often . . . Hopefully it'll mean we can get more people involved.” - Caitlin Moore, Artist, Activist“The science doesn't seem to be making an impact no matter how precise. Maybe the hard facts of science do not ring a bell as much as the emotional language of the arts . . . Maybe the arts can put it in a way that it touches the hearts of your political leadership.” - President Anoté Tong, Former President, Republic of KiribatiGuests:• Rob Brookman: Co-Founder, WOMADelaide; Director, WOMADelaide Foundation• Susan Close: Deputy Premier, South Australia• Cassandre Joseph: STREB Co-Artistic Director & Action Hero• Ruth Mackenzie: Former Artistic Director, Adelaide Festival; Program Director Arts, Culture & Creative Industries Policy, South Australia Government• Caitlin Moore: Director of Create4Adelaide, Adelaide Festival• Elizabeth Streb: STREB Founder, Co-Artistic Director & Choreographer• Anoté Tong: Former President, Republic of Kiribati• Bart Van Peel: Chief Navigating Officer, Captain Boomer Collective Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country  Music Credit:  "Steppin" & "Curious Jungle" by Podington Bear. And original sound production and design by Jeannie Hopper.Recommended book:Undrowned: Black Feminist Lessons from Marine Mammals” by Alexis Pauline Gumbs, *Get the Book Here(*Bookshop is an online bookstore with a mission to financially support local, independent bookstores. The LF Show is an affiliate of bookshop.org and will receive a small commission if you click through and make a purchase.)Related Laura Flanders Show Episodes:•. Jubilee Justice Regenerative Farming: Tackling Racism with Rice. Watch / Listen•. Survival Guide for Humans Learned from Marine Mammals with Alexis Pauline Gumbs, Watch / ListenThe Future of Energy is Indigenous (and it won't involve pipelines!), Watch / ListenRelated Articles and Resources:•  South Australia's stunning renewable energy transition, and what comes next, by Giles Parkinson, RenewEconomy.com. Read Here•  Urban Ecology and Christie Walk setting the pace for low carbon urban precincts, by Carbon Neutral Adelaide• Extreme weather is wreaking havoc on Australian music festivals. Can they survive? By Nell Geraets, The Sidney Morning Herald, Read Here•  Playlist of Adelaide's sustainability efforts on Youtube, Watch HereFull Episode Notes are located HERE. They include related episodes, articles, and more.   Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

It took a catastrophic car accident for the singer and actress to leave a decorated career in architecture and focus on her artistic ambitions, including a tribute show to her friends Sinead O'Connor, and Shane MacGowan of The Pogues.Irish-French singer and performer Camille O'Sullivan grew up in County Cork, with her Irish father and French mother.Although she sang throughout her youth, she was persuaded to become an architect and went on to win awards for her work.But after she nearly lost her life in a harrowing car crash, she decided she had to be honest with herself and become the singer she always wanted to be. Camille has brought her unique voice to the songs of Jacques Brel, Edith Piaf, Nick Cave and Radiohead.In her newest show, she's honouring two late Irish singers who were her friends: Sinead O'Connor and Shane MacGowan from The Pogues. This episode of Conversations touches on epic life stories, origin stories, Ireland, Irish singing, Jacques Brel, friendship, songwriting, poetry, and performing.

It took a catastrophic car accident for the singer and actress to leave a decorated career in architecture and focus on her artistic ambitions, including a tribute show to her friends Sinead O'Connor, and Shane MacGowan of The Pogues.Irish-French singer and performer Camille O'Sullivan grew up in County Cork, with her Irish father and French mother.Although she sang throughout her youth, she was persuaded to become an architect and went on to win awards for her work.But after she nearly lost her life in a harrowing car crash, she decided she had to be honest with herself and become the singer she always wanted to be. Camille has brought her unique voice to the songs of Jacques Brel, Edith Piaf, Nick Cave and Radiohead.In her newest show, she's honouring two late Irish singers who were her friends: Sinead O'Connor and Shane MacGowan from The Pogues. This episode of Conversations touches on epic life stories, origin stories, Ireland, Irish singing, Jacques Brel, friendship, songwriting, poetry, and performing.

We meet Irish screen and theatre actor Stephen Rea, who talks about meeting Samuel Beckett early in his career. Rea so wanted to perform Beckett's play Krapp's Last Tape, he had the foresight to record his youthful self reading it. In his new production at Adelaide Festival, the audience gets to hear those recordings.We head Back Stage to the hat maker's studio! In fiction there are lots of characters who are famous for their hats. Robin Hood. Sherlock Holmes.  Lady Bracknell (she needs a ridiculous hat). In our new series Back Stage, Michael meets theatre milliner Phillip Rhodes, who reveals how hats bring a character to life. Butoh is a dance form that started in Japan in the 1950s and was called 'the dance of darkness'. Dancers often wear white body paint and explore raw psychological states. But it can also be outrageous and funny, as veteran performer Yumi Umiumare tells us about her own life practising Butoh. Yumi's latest show is Butoh Bar: Out of Order II for Asia TOPA.

UK director Emma Rice thinks the classic novel Wuthering Heights has many contemporary resonances, particularly around the origins of the character Heathcliff.  Rice turned the story into a rollicking play after successfully adapting other English folktales and films for the stage. She tells us about her career, which included briefly leading Shakespeare's Globe theatre before founding her own company Wise Children.Rwandan writer and director Dorcy Rugamba brings his moving theatre piece Hewa Rwanda: Letter to the absent to the Adelaide Festival. In it, he honours the family members he lost in the 1994 genocide, and the performance has a spiritual significance, accompanied by musician Majnun.Playwright Joanna Murray Smith joins actors Caroline Lee and Peter Houghton for a reading of a scene from her play Honour. Since it was first performed 30 years ago, Joanna says her perspective on the characters has changed. It's being staged at Red Stitch Theatre.

The Hindu epic Mahabharata is the longest poem in the world, a tale where gods and mortals dance around each other in stories about creation, sex, death and destruction. But can it be told in under nine hours? That was the duration of  Peter Brooks' famous 1988 production of The Mahabharata at the Adelaide Festival. Miriam Fernandes and Ravi Jain, from Canada's Why Not Theatre, have wrestled the saga into a two-part, five-hour theatrical production which includes time for a shared meal. It's headlining Perth Festival.The hit Broadway musical Dear Evan Hansen has recently had to cancel its Canberra and Adalaide tours due to poor ticket sales, despite the show doing well in Melbourne and Sydney. Before that news broke, we recorded a song with the musical's Australian star Beau Woodbridge.Stephen Sondheim's Follies is the story of a once-famous company of American showgirls who have a reunion in the 1970s, 30 years after they last performed. The themes of age and regret require the performers to dig deep into vulnerability, says Antoinette Halloran, who stars as Sally in a new production by Victorian Opera. She's joined by director Stuart Maunder.

Brett Sheehy AO is Artistic Director of the 2025 Adelaide Festival. Listen live on the FIVEAA Player. Follow us on Facebook, X and Instagram. Subscribe on YouTubeSee omnystudio.com/listener for privacy information.

Tai Snaith is back with Art Attack! She checked out the latest exhibition at the new Ordinance Gallery, Cardboards by Darcey Bella Arnold. The Australian National Academy of Music (ANAM) Head of Percussion Peter Neville stops by to tell Richard about their festival, Sounds of Australia. It runs from the 28-30 November at the Abbotsford Convent. Tickets and info: https://abbotsfordconvent.com.au/whos-here/anam/ Caitlin Dullard and Nadja Kostich, the Artistic Directors & CEOs of La Mama Theatre & St Martins Youth Arts respectively, are in the studio to tell us about how they're working to fundraise, including their s2m sector pilot program. Brett Sheehy AO, Artistic Director, is on the line to give all the juicy deets on Adelaide Festival 2025! There's nods to the past and an embracing of the present, so something for everyone… start planning your roadtrip! Program available here: https://www.adelaidefestival.com.au/whats-on/Lucy Guerin, Tra Mi Dinh and Joel Bray on PIECES 2024, playing at UMAC (the new Union Theatre, Arts and Cultural Building at Melbourne Uni) for 4 special performances from 28 – 30 November. Tickets at www.umac.melbourne

Art meets climate action in South Australia! Learn how creativity and community have driven a pioneering green energy transition, with insights from influential voices like Susan Close and Ruth Mackenzie. Climate Week Special Report.This show is made possible by you! To become a sustaining member go to https://LauraFlanders.org/donate Thank you for your continued support!Description: South Australia has become a global leader in green energy transition, getting off fossil fuels faster, and to a greater extent than almost any other country. How did they do it, and what can we learn from them? In this report for Climate Week, Laura goes Down Under with her partner, Elizabeth Streb, and her extreme dance company, and discovers how the region's culture and its many world-class festivals have helped pave the way for transformation. Helping to unpack it all is a range of impressive guests, including Susan Close, deputy premier of South Australia; Anoté Tong, the former President of the Micronesian island, the Republic of Kiribati; Ruth Mackenzie, former Artistic Director of the Adelaide Festival, now Program Director of Arts, Culture and Creative Industries Policy within the South Australia state government; Rob Brookman, the co-founder of WOMADelaide, the capital's premier outdoor festival; MacArthur “Genius” Award winner, Elizabeth Streb and the action heroes of her company STREB — and a WHALE. As you'll hear, it's taken politics, policy, science and culture to shift public practice in this extreme-weather-vulnerable area. Over the last decade, South Australia has faced massive storms, brush fires, and extreme heat that have put people, wildlife, and even the festival at risk. Now South Australia is leading the way and using art to help people envision a green future, but they can't solve the climate crisis alone. In this Climate Week special, we ask, how can the rest of the world follow suit?“I'd say that WOMADelaide is creating a tiny version of the planet as you would like it to be . . . If you've listened to music from Iraq or if you've listened to music from Vietnam, or if you've listened to music from Palestine and Israel, it's more difficult to say those people, we don't understand them, so we can't deal with who they are.” - Rob Brookman“We don't get exempted from climate change because we've got a green electricity grid . . . It is globally caused and has to be globally solved. So part of what we do is not to boast about what we've done, but to hope that our leadership will show others that you too can do this. Come and learn from us.” - Susan Close, Deputy Premier, South Australia“We've got the arguments, we can tell you the facts, but people don't feel it . . . [Artists] reach into your head, into your heart, they dig in and then they motivate you to action. And of course if you can also motivate the artist in every single child in South Australia, then we really have a force to change the world.” - Ruth Mackenzie“For the [Adelaide] festival to go to young people and be like, ‘Hey, we want to hear from you. We want you to be a part of this. What works do you want to see? What works do you want to make and what do you want them to be about?', is something that doesn't happen very often . . . Hopefully it'll mean we can get more people involved.” - Caitlin Moore, Artist, Activist“The science doesn't seem to be making an impact no matter how precise. Maybe the hard facts of science do not ring a bell as much as the emotional language of the arts . . . Maybe the arts can put it in a way that it touches the hearts of your political leadership.” - President Anoté TongGuests:• Rob Brookman: Co-Founder, WOMADelaide; Director, WOMADelaide Foundation• Susan Close: Deputy Premier, South Australia• Cassandre Joseph: Streb Co-Artistic Director & Action Hero• Ruth Mackenzie: Former Artistic Director, Adelaide Festival; Program Director Arts, Culture & Creative Industries Policy, South Australia Government• Caitlin Moore: Director of Create4Adelaide, Adelaide Festival• Elizabeth Streb: STREB Founder, Co-Artistic Director & Choreographer• Anoté Tong: Former President, Republic of Kiribati• Bart Van Peel: Chief Navigating Officer, Captain Boomer Collective Full Episode Notes are located HERE.  They include related episodes, articles, and more. Laura Flanders and Friends Crew: Laura Flanders, Sabrina Artel, David Neuman, Nat Needham, Rory O'Conner, Janet Hernandez, Sarah Miller, Jeannie Hopper, Nady Pina, Miracle Gatling, and Jordan Flaherty FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Twitter: https://twitter.com/LFAndFriendsFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

In this episode Elaine chats with actor and singer Michaela Burger about her show The State Of Grace. We chat the inspiration for the show, care when you are telling the stories of those who have been brave enough to share their stories, sex work and the outdated narratives around this and much more. The State of Grace Dates: 1st -24th August @7.05pm Tickets here: https://tickets.edfringe.com/whats-on/state-of-grace The State of Grace Grace was a high-class sex worker, who rose to meteoric fame on social media. She was an activist and modern-day maverick, until suddenly, she died... Award-winning artist Michaela Burger (A Migrant's Son, Exposing Edith) explores her legacy in this one-woman show. Through Grace's writing – unpublished hip hop lyrics, monologues and musings – Burger explores her multifaceted life. Her outrageously funny wit and charm, fearlessness and 'f*ck it' outlook on life will seduce you into marching with this social justice warrior who was determined to decriminalise the sex industry. Michaela Burger Described by Kate Ceberano as “an asset to the performing arts community”, Michaela Burger is the recipient of the Frank Ford award, Adelaide Fringe award, American Australian Association Scholarship (performing arts) and has been nominated for two Helpmann Academy Awards. Burger has performed with one of Broadway's most sophisticated writers, Jason Robert Brown, and has shared the stage with Australia's own Tina Arena, Paul Capsis, Alan John, Meow Meow, Nancye Hayes, Mitchell Butel, Johanna Allen, Cameron Goodall, Tyran Park, Robyn Archer, John Thorn and Daniel Koek. Her recent credits include Aftertaste (ABC TV & Closer Productions), Twelfth Night (Adelaide Botanic Gardens/Shakespeare South), Apocalypse Meow (Brooklyn Academy Of Music, New York & Malthouse Theatre), Rumpelstiltskin (Southbank Theatre London/Windmill & State Theatre of South Australia), Simply Brill (Adelaide Cabaret Festival/Amplified Assembly), Driftwood (Umbrella Productions/Chapel off Chapel), Can You Hear Colour? (Adelaide Festival & Patch Theatre), Cranky Bear (Patch Theatre) and Passion (State Opera Studios).Other performing credits include, Merry Widow (State Opera of South Australia), , Brel-The Immortal Troubadour (Adelaide Cabaret Festival), Rouge (Highwire Entertainment), Otello (State Opera of South Australia), Réquiem (State Opera of South Australia), Marriage of Figaro (Co-opera of South Australia), Tosca (Co-opera of South Australia), (Warner Brothers) and as the host of Humphrey B Bear (Banksia Productions, Chanel 9).In addition to winning the 2015 International Cabaret Contest, Burger is the co-writer and star of the world-renowned stage show Exposing Edith, about the life and songs of Edith Piaf and more recently a performer and creative on the team of Simply Brill. Her award-winning show, A Migrant's Son - which explores Greek migration to Australia - has received critical acclaim and features original music written by Burger. HIPA GUIDES: HIPA GUIDES OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

Warwick Fyfe is an Australian opera singer, considered to be one of Australia's leading exponents of the Wagnerian repertoire and is the recipient of Helpmann and Green Room awards.Warwick has performed throughout Australasia and internationally. Most recently, he has sung the rôles of Wotan / Wanderer (MO, OMM and Alberich, OA). Other Wagner rôles include Heerrufer (OA); Beckmesser (OA); Klingsor (OA); Hunding (WASO); Dutchman (OA), Daland (VO); Wolfram (OA); Fasolt (SOSA).Other major work encompasses Amonasro (Aida-FNO, OA); Pizarro (Fidelio-MO, OA,WASO); Athanaël (Thaïs-FNO); Peter (Hansel and Gretel- OA),OMM); Four Villains (Tales of Hoffmann-ETO); Falstaff (OA); Rigoletto (OA, NZO); Sancho Panza (Don Quichotte- OA); Paolo (Simon Boccanegra- OA); Leporello (NZO) (OA); Fra Melitone (Forza del Destino- OA); Scarpia (WAO, OA); Tonio (I Pagliacci- NZO); Faninal (Der Rosenkavalier- OA); Schaunard (La Boheme- OA); Dr Schon /Jack the Ripper (Lulu- OA); Germont (La Traviata- OA); Mandryka (Arabella-OA). Warwick has delighted audiences in comedic rôles, such as Bottom (Midsummer Night's Dream, Adelaide Festival); Barone di Trombonok (Viaggio a Rheims - OA); Geronio (Il Turco in Italia- OA); Dr Bartolo (Barber of Seville- WAO) (VOC); Pooh Bah (OA); Taddeo (Italian Girl in Algiers- NZO); Papageno (OA).Concert work includes: Gurrelieder, (SSO); Carmina Burana (MSO, QSO, Adelaide Philharmonia Chorus); Beethoven 9 (MSO), (Orchestra Wellington); The Bells, WASO; Stabat Mater (Rossini, SSO); Viva Verdi (TYO); St Matthew Passion, St John Passion (Melbourne Bach Choir); Bluebeard's Castle (Monash Academy Orchestra); Mahler 8 (OMM); Stabat Mater (Szymanowski), (Melbourne Bach Choir); Ein Deutsches Requiem (OA), (Melbourne Bach Choir); Messiah (State Symphony Orchestras).Warwick performs the role of Scarpia in Puccini's TOSCA from July 31st to August 16th, for Opera Australia at the Sydney Opera House.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Neil Armfield AO is a leading Australian director of theatre, opera and film. Alongside Rachel Healy, Neil was Artistic Director of Adelaide Festival between 2017 and 2022. Prior to that, Neil was the inaugural Artistic Director of Belvoir St Theatre, which he also co-founded, for 17 years.   As Artistic Director of Belvoir, and for other companies, Neil has directed well over 100 productions, with a focus on new and Indigenous writing, Shakespeare, David Hare and Patrick White.  Some highlights include; The Tempest, Hamlet, Up the Road, Summer of the Seventeenth Doll, Keating!, Toy Symphony, Dallas Winmar's Aliwa, Angels in America, A Cheery Soul, Signal Driver, The Blind Giant is Dancing and Things I KnowTo Be True. Neil's production of Arthur Miller's Death of a Salesman opened in late 2023 to glowing reviews. Produced by GWB Entertainment and Red Line Productions at Her Majesty's Theatre in Melbourne, it starred Anthony LaPaglia and Alison Whyte. After the success of the Melbourne season, the play will be presented at the Theatre Royal Sydney in May/June 2024.   In 2022, Neil directed the world premiere of the oratorio Watershed: The Death of Dr Duncan by Joseph Twist at the Adelaide Festival, and Glyndebourne Festival's production of Brett Dean's Hamlet at the Metropolitan Opera in New York. Neil directed the same production of Hamlet at Munich's Bayerische Staatsoper in July 2023. For the 2021 Adelaide Festival, Neil directed the Australian premiere of A German Life by Christopher Hampton, starring Robyn Nevin, as well as Britten's A Midsummer Night's Dream in the Festival Theatre. Later that year he directed an acclaimed production of Rameau's comic masterpiece Platée for Pinchgut Opera. In addition to his extensive work in Australia, many of Neil's productions have played internationally. These include Cloudstreet (toured to London, Dublin, Zurich, New York), The Diary of a Madman (with Geoffrey Rush, toured to Moscow, St Petersburg, New York), Exit The King (Broadway), The Book of Everything (toured to New York), The Judas Kiss (toured Australia with Bille Brown, London, New York and Toronto with Rupert Everett), The Secret River (adapted by Andrew Bovell, toured to Edinburgh Festival and London) and the world premiere of David Hare's I'm Not Running for National Theatre in London. Neil frequently collaborates with major opera companies, having directed productions at The Metropolitan Opera, English National Opera, Royal Opera House Covent Garden, Chicago Lyric Opera, Zurich Opera, Bregenz Festival, Washington National Opera, Opera Australia, Pinchgut, Canadian Opera, Welsh National Opera, and Houston Grand Opera. In addition to classics by Mozart, Britten and Wagner, Neil directed the premieres of Frankie and The Eighth Wonder by Alan John, Whitsunday by Brian Howard, Love Burns by Graeme Koehne and Bliss and Hamlet by Brett Dean. For screen, Neil directed and co-wrote the feature film Candy, starring Heath Ledger and Abbie Cornish, which screened at over twenty international films festivals including In Competition at the Berlinale. Neil was awarded Best Adapted Screenplay at the AFI Awards and an AWGIE for Best Screenplay. Neil's second feature film Holding the Man premiered at Sydney Film Festival in 2015. For television, Neil directed miniseries Edens Lost for ABC (AFI Award Best Director and Best Mini-Series), The Fisherman's Wake (by Andrew Bovell), which won an ATOM Award for Best Original TV Production, and Coral Island (by Nick Enright). Over his distinguished career, Neil has received 2 AFI Awards, 12 Helpmann Awards and several Sydney Theatre, Victorian Green Room and Sydney Theatre Critics Circle Awards. He holds Honorary Doctorates from Adelaide, Sydney and NSW Universities, and in 2007 was appointed Officer of the Order of Australia. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts.

One of this country's pre-eminent directors, Neil Armfield has a list of credits which is vast, spanning original works and revived classics, directing shows across the world, including on the West End and on Broadway. He's also of course no stranger to opera, having directed several productions for Opera Australia, as well as for some of the world's other great opera houses including Covent Garden and the English National Opera. A founder and former artistic director of Belvoir Street, he has been a key figure in the shape of Australian theatre for nearly five decades.  His current project is directing a revival of Arthur Miller's Death of a Salesman, a production which ran in Melbourne last year when Limelight magazine called it “outstanding" and The Guardian said Tony award winner “Anthony LaPaglia leads an electric, devastating tragedy”.  Neil speaks about why this piece of mid-20th Century American theatre is so iconic and relevant in today's world. We hear about his life in the theatre, which began with directing his school play in his final year of high school, to working with some of the greats in both Australia and internationally in the subsequent decades. Death of a Salesman plays at Sydney's Theatre Royal from 17 May. Watershed, which Neil directed as part of the Adelaide Festival in 2022, will be presented by Opera Australia in the Joan Sutherland Theatre of the Sydney Opera House from 14-16 June. Hamlet, which Neil directed for Glyndebourne in 2017 and has since been performed by many opera houses around the world including The Met in New York, will be presented by Opera Australia in the Joan Sutherland Theatre of the Sydney Opera House from 20 July - 5 August.

March 2024 Dante's Old South Chelsey Clammer is the award-winning author of the essay collections Human Heartbeat Detected (Red Hen Press, 2022), Circadian (Red Hen Press, 2017), and BodyHome (Hopewell Publications, 2015). Her work has appeared in Salon, The Rumpus, Brevity, and McSweeney's, among many others. She teaches online writing classes with WOW! Women On Writing and is a freelance editor.  www.chelseyclammer.com Dan Veach is the founding editor of Atlanta Review. A poet and translator of Chinese, Arabic, Spanish, and Anglo-Saxon, Dan has won the Willis Barnstone Translation Prize and an Independent Publisher Book Award. His books include Elephant Water, Lunchboxes, Flowers of Flame: Unheard Voices of Iraq, Beowulf & Beyond, Songs of The Cid, and Returning Home: The Poetry of Tao Yuan-ming. Dan has performed his poetry worldwide, including Oxford University, People's University in Beijing, the American University in Cairo, and the Adelaide Festival in Australia. https://irisbooks.com/authors/dan-veach/ Elizabeth Cox has published five novels, a collection of short stories, and a book of poetry.  She has won the North Carolina Fiction Award, the Lillian Smith Award for a novel, and in 2013 she was awarded the Robert Penn Warren Award for Fiction. Cox taught creative writing at Duke for seventeen years, and also taught at Wofford College, Bennington College, Boston College, and MIT.  She resides in Spartanburg, South Carolina. www.mupress.org/cw_contributorinfo.aspx?ContribID=6439&Name=Elizabeth+Barks+Cox Music by: Patrice Pike Wilder Adkins wilderadkins.bandcamp.com Special Thanks Goes to: Lucid House Press: www.lucidhousepublishing.com UCLA Extension Writing Program: www.uclaextension.edu The Crown: www.thecrownbrasstown.com Mercer University Press: www.mupress.org The Red Phone Booth: www.redphonebooth.com The host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. His chapbook, Exiles of Eden, is only available through his website: www.cliffbrooks.com/how-to-order Check out his Teachable course on creative writing as a profession here: brooks sessions.teachable.com/p/the-working-writer

This week's episode of Wavelength is particularly special, with your ever-gracious hosts Cass and Grace guiding you through the journey as always!  In 2024, South Australia witnessed the closure of nine major hospitality venues, including several clubs on Hindley Street. This episode delves into the reasons behind this trend. Alecia engages in a conversation with the Lord Mayor, Jane Lomax-Smith, shedding light on the matter, while Trevor delves deeper into the significance of these venues with Kate and Rachel from My Lover Cindi. Furthermore, Macenzie sits down with Electric Fields, the South Australian representatives for Eurovision, discussing their recent collaboration with the Adelaide Symphony Orchestra at the Adelaide Festival.  But that's not all; Jasmine provides insights into the recent surge of melanoma cases in Australia for Wavelength Explains, and Cass shares uplifting news highlights from the week. Listen to Wavelength live and join the convos about Adelaide you should be having,  Monday night Fortnightly from 6.15 pm on Fresh 92.7. Airdate: March 18th, 2024 Reporters: Cassie Johns,  Grace Smith, Alecia Vinten, Macenzie Frew and Trevor KoulSee omnystudio.com/listener for privacy information.

De Nederlandse Wende Snijders treedt de komende dagen vier keer op tijdens het Adelaide Festival. Het is voor het eerst dat de zangeres in Australië speelt. The Promise belooft een bijzondere show te worden. Gisteren spraken we Wende en vroegen we haar onder meer naar het ontstaan van de liedjes.

At the 2024 Adelaide Festival, we visit theatre foyers, dressing rooms and the city's famous gardens to meet the artists bringing theatregoers to the edge of their seats.We speak with artistic director Ruth Mackenzie, who is delivering her first full program this year, we meet acclaimed choreographer Elizabeth Streb, whose 'Action Hero' performers in Streb Extreme Action will push their bodies to the limit in Time Machine, we visit the Narungga artists and cultural custodians sharing the creation stories of their country on the Yorke Peninsula in Guuranda, and we learn how acts of creative thievery can become a joyful paean to the performing arts in Grand Theft Theatre.

Opening on 29 February, the 18th Adelaide Biennial of Australian Art: Inner Sanctum, curated by José Da Silva, assembles 24 leading artists and poets for an exhibition that can be seen, heard, and felt at the Art Gallery of South Australia until 2 June. As part of the 2024 Adelaide Festival, Inner Sanctum on Kaurna Yerta unfolds across free exhibitions of new and recent works, live performances, music and public programs, all highlighting our engagement with the world and each other. Curator José Da Silva says, ‘The idea of an ‘inner sanctum' evokes the private, protected, or sacred spaces we create in our homes and communities as a refuge and sanctuary, as well as the faculty of imagination, which allows us to see culture and society differently. Within the exhibition, this takes place in homes and gardens and on walking tracks, and in memories and stories of family and ancestors. It is also seen in locations of special knowledge, sacred activities, cultural environments, and, importantly, in the working spaces of artists and the art museum itself.'In this segment, we hear from Adelaide Biennial Curator, Jose Da Silva who has over twenty years of curatorial experience in Australian art museums, George Cooley, a First Nations Artist and old time Opal miner and community leader from Coober Pedy and  Jess Loughlin, one of Australia's most internationally acclaimed glass artists.

One of the headline events at this year's Adelaide Festival is an enchanting production of Stravinsky's opera The Nightingale. It comes from the playful imagination of Robert Lepage. Lepage is an acclaimed French-Canadian writer, director and performer who, during his decades-long career, has reshaped our ideas of what theatre can be.Also, we hear a scene from Monument by Emily Sheehan, a new Australian play at Red Stitch about a tense encounter between a woman prime minister and her makeup artist, and we learn about the family history that has inspired former ABC journalist Jane Hutcheon to tell her own story on stage in the show Lost in Shanghai.

In Jungle Book Reimagined, the celebrated choreographer Akram Khan brings Rudyard Kipling's classic and contested Jungle Book stories into a near-future world torn apart by the impacts of climate change. But with the original stories rooted in colonial perspectives, why revisit them a century later to tell a story of displacement amid environmental collapse?Also, the role of Brünnhilde in Wagner's Ring Cycle is one of opera's most demanding. It requires a dramatic soprano voice with extraordinary power and maturity and is rarely tackled until a singer is well into their career. To learn more, we're joined by our ABC Top 5 resident, mezzo soprano Katrina Waters, who is investigating the mid-career transitions of female dramatic voices.

Ruth McKenzie, Artistic Director of Adelaide Festival gives an overview of the exciting new festival program; Dynamic duo, choreographer Stephanie Lake and composer Robin Fox astonish Richard with their exhilarating performance art piece, Manifesto, featuring a frenzied nine-person troop dancing to the beat of nine frantic drummers; Performer and choreographer Thomas E.S Kelly on his playful First Nations performance art piece, Weredingo, exploring identity through the historical practice of Indigenous 'shapeshifting', and its status as fantastical and irrational in a contemporary Western society; Ukrainian-Australian photographer, Daniel Hasset brings Ukrainian stories to the forefront of viewers' minds with his exhibition, ЖИТТЯ, battling the Australian ‘news fatigue' towards the ever-present war in Ukraine

On today's show, it's beginning to look a lot like Christmas. Books in every store!! We chat to the author of The Christmas Train (Toot! Toot!) Stopping all stations to the North Pole via the Adelaide Hills. We'll hear a magnificent poem dedicated to Book Week, and we'll share some exciting Taco News. It's gunna be huge!   Mike Lucas moved to Australia from the UK in 2010. He is the author of several poetry anthologies and picture books, He owns a bookshop, Shakespeare's in Blackwood, South Australia.   In 2017 and 2022 he was one of the main organisers of the Adelaide Festival of Children's Books. With all of this, he has very little time to sleep, but often thinks up a poem or two while he does. So everybody please give a big Christmas cheer for the amazing, Mike Lucas.

In this episode, Steph catches up with Helen Fuller in the artist's home studio. Steph asks Helen about the range of mediums she has used over the years, what it's like to have a book published about her career, and Helen gives context to the artwork that featured on the 2023 SALA Poster & program. They also chat about the influence of family on her artmaking, and the joy of coming home from walks with a pocket full of curiosities. Her exhibition Shedding is on at Adelaide Central Gallery until 27 October 2023.   Show notes Interview Transcript (PDF) Helen Fuller, Samstag Museum of Art, UniSA, Adelaide Festival 2022 / catalogue Helen Fuller (book) Wakefield press SALA Feature Artist: Info / Archive South Australian Living Artist Publication Shedding, at Adelaide Central Gallery (until 27 October 2023)   Music: Raven Warble - Chad Crouch

Oz Asia Festival is Australia's leading contemporary arts festival engaging with Asia and is on at Adelaide Festival Centre October 19 to November 5. The 2023 Program for OzAsia Festival was launched on August 17 and tickets are now on sale with programs for people to start making plans to come along to the three-week festival, which includes both free and ticketed events.In this segment, we hear from Joon-Yee Kwok, the Executive Producer of the OzAsia Festival and with Annette Shun Wah, she works to put the program of events and artists represented at the festival together.  Joon is a Creative Producer and Arts Manager with over 20 years' experience working in the Arts and Creative Industries. Durkhanai Ayubi, one of the Curators for the Oz Asia program, 'In Other Words'. Durkhanai is an Afghan born writer and restaurateur (Parwana Restaurant). She is a lifelong fellow of the Oxford University based Atlantic Fellowship which seeks to rewrite global social inequities 

Chatting With Sherri welcomes actor, singer, director, writer and artistic director of the State Theatre Company of South Australia; Mitchell Butel! Mitchell holds four Helpmann Awards, four Sydney Theatre Awards and two Victorian Green Room Awards for his work as a director, actor and writer in Australian theatre over three decades. He has also worked in New York, London, Hong Kong and New Zealand. He has worked extensively for Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, State Theatre Company South Australia, Belvoir, Bell Shakespeare, Griffin, Malthouse, Opera Australia, Sydney Chamber Opera, Pinchgut Opera,  Most recently, Mitchell directed Giovanni Busenello's The Loves of Apollo and Dafne for Pinchgut Opera and the sold-out season of Dennis Kelly's Girls & Boys for State Theatre Company South Australia during the Adelaide Festival (and its tour to Sydney Festival and Theatre Royal, Hobart). For the Company, Mitchell has also directed Edward Albee's The Goat or, Who is Sylvia?, David Lindsay-Abaire's Ripcord,  His performing highlights in theatre, music theatre and opera include A Gentleman's Guide to Love and Murder, The Resistible Rise of Arturo Ui, The Merchant of Venice (as Shylock for which he won the Sydney Theatre Award for Best Actor), Mr Burns (Helpmann Award Best Supporting Actor), South Pacific,Angels in America. His film and TV highlights include A Sunburnt Christmas, Stateless, Dance Academy, Holding the Man, Gettin' Square (AFI nomination), The Bank, Strange Fits of Passion (AFI nomination),

Alicia Burns, dita altrament Alexander Zeldin. Crítica teatral de l'obra «The confessions (Les confessions)». Concepció i creació: Alexander Zeldin. Intèrprets: Joe Bannister, Amelda Brown, Jerry Killick, Lilit Lesser, Brian Lipson, Eryn Jean Norvill, Pamela Rabe, Gabrielle Scawthorn, Yasser Zadeh. Escenografia i vestuari: Marg Horwell. Direcció moviment i coreografia: Imogen Knight. Disseny il·luminació: Paule Constable. Música: Yannis Philippakis. Disseny so: Josh Anio Grigg. Direcció càsting: Jacob Sparrow. Direcció associada: Joanna Pidcock. Col·laboració en la dramatúrgia: Sasha Milavic Davies. Direcció veus: Cathleen McCarron. Fotografia: Stephanie Claire i Christophe Raynaud de Lage. Producció de la Compagnie A Zeldin / A Zeldin Company. Un encàrrec conjunt de The National Theatre of Great Britain, RISING Melbourne i Théâtres de la Ville de Luxembourg. Coproduït per Wiener Festwochen, Comédie de Genève, Odéon-Théâtre de l’Europe, Centro Cultural de Belém, Théâtre de Liège, Festival d’Avignon, Festival d’Automne à Paris, Athens Epidaurus Festival, Piccolo Teatro di Milano-Teatro d'Europa, Adelaide Festival, Centre Dramatique National de Normandie-Rouen. Direcció: Alexander Zeldin. Grec'23. Sala Fabià Puigserver, Teatre Lliure Montjuïc, Barcelona, 2, 3 i 4 de juliol 2023. Veu: Andreu Sotorra. Música: Des hauts, des bas. Interpretació: Stephan Eicher. Composició: Philippe Djian i Stephen Eicher. Àlbum: Rock fançais, 2020.

Robyn Archer AO FAHA is a singer, writer, artistic director and public advocate for the arts. Winner of the Helpmann Award for Best Cabaret Performer 2013 and named Cabaret Icon at the 2016 Adelaide Cabaret Festival, she currently performs highly acclaimed recitals of French (Que Reste-t'Il) , German (Dancing on the Volcano) and American (The Other Great American Songbook) song, wrote and directed The Sound of Falling Stars (2017/18) and released her album Classic Cabaret Rarities in 2019.  In July 2022 Robyn premiered Robyn Archer: an Australian Songbook with a two-week season for Queensland Theatre. Working with long term accordionist George Butrumlis, actor and guitarist Cameron Goodall and pianist Enio Pozzebon the show was an audience and critical success and will tour in 2023. Robyn is recognised internationally for her expertise in the repertoire of the Weimar Republic (Brecht and his musical collaborators and others from 1920s and 30s Germany) which she has been performing through Australia and worldwide since the 1970s, including at the National Theatre, London in 1977, in Hong Kong, Honolulu, and at the Brecht Festival in Augsburg.  Her many other stage successes include The Seven Deadly Sins which opened the Space in 1974, and one-woman shows A Star is Torn (through Australia and at Wyndham's in London's West End for a year) and Tonight Lola Blau both at the Adelaide Festival Centre. She has written and had produced, plays including Il Magnifico, Poor Joanna (with poet Judith Rodriguez), and Architektin; plays with music including Songs from Sideshow Alley, Café Fledermaus and The Bridge; and devised cabarets featuring her own songs and writing such as The Pack of Women, Scandals and Cut and Thrust.  Robyn has published numerous books from The Robyn Archer Songbook to Mrs Bottle's Burp and Detritus (a collection of her public speeches) as well as writing for the Griffith Review and the Australian Book Review. Among her many awards, including the ABR Laureate, the Dame Elisabeth Murdoch Cultural Leadership Award, the SA Premier's Lifetime Achievement Award, the International Society for Performing Arts' International Achievement Award and an ARIA Award for Best Soundtrack (The Pack of Women), the 2018 Adelaide Festival of Ideas Dedication recognised Robyn for her contribution to the world of ideas and public life. In the same year she also received the JC Williamson Centenary Lifetime Achievement Award. Robyn is an Officer of the Order of Australia, Chevalier de l'Ordre des Arts et des Lettres (France), Officer of the Crown (Belgium), Honorary Fellow of the Australian Academy of the Humanities and has Honorary Doctorates from the Universities of Sydney and Adelaide as well as Flinders, Canberra and Griffith Universities and the University of South Australia.  Robyn Archer - An Australian Songbook - commences a National Tour - kicking off in Melbourne tonight playing …. June 12th & 13th - Victorian Arts CentreAdelaide Cabaret Festival - June 17th and 18thCanberra - July 7th and 8th - Canberra Arts CentreDarwin - August 19th and 20th - Darwin Entertainment CentreSydney - October 18 to 29 - Belvoir TheatreHobart - November 3rd and 4th - Theatre RoyalA journey through Australian music that spans 150 years, from convict lament to Kate Miller Heidke and First Nations songwriters, Robyn explores the unique sound of our country with a repertoire full of passion, politics, landscape and laughter. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Brett Weymark is one of Australia's foremost choral conductors. Since 2003 Brett Weymark has conducted the Sydney Philharmonia Choirs throughout Australia and internationally. He has also conducted the Sydney, Adelaide, Queensland, West Australian and Tasmanian symphony orchestras, Orchestra of the Antipodes, Sydney Youth Orchestra, New Zealand Symphony Orchestra, Hong Kong Philharmonic and productions for WAAPA, Pacific Opera and OzOpera. He has performed with Opera Australia, Pinchgut Opera, Australian Chamber Orchestra, The Song Company and Musica Viva. He studied singing and conducting at Sydney University and the Sydney Conservatorium of Music and continued conducting studies with Simon Halsey, Vance George, Daniel Barenboim and Sir John Eliot Gardiner, amongst others. His performances have included Bach's Passions and Christmas Oratorio, the requiems of Mozart, Verdi, Duruflé and Fauré and Orff's Carmina Burana. He is champion of Australian composers and has premiered works by Matthew Hindson, Elena Kats-Chernin, Peter Sculthorpe, Ross Edwards and many others. He has prepared choirs for Sir Charles Mackerras, Zubin Mehta, Edo de Waart, Vladimir Ashkenazy and Sir Simon Rattle. He has recorded widely for the ABC and conducted film scores, including Happy Feet, Mad Max Fury Road and Australia. Recent highlight performances include Sondheim's Sweeney Todd (West Australian Opera), Paul Stanhope and Steve Hawke's Jandamarra (SSO), Michael Tippett's A Child Of Our Time (Adelaide Festival) and Carousel (State Opera South Australia). In 2001, Brett was awarded an Australian Centenary Medal. In 2021, he was awarded the Medal of the Order of Australia for services to the performing arts through music. Brett is passionate about singing and the role that music plays in both the individual's wellbeing and the overall health and vitality of a community's culture. Music can transform lives and should be accessible to all.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Create4Adelaide gives young people a voice on climate change issues.

Create4Adelaide gives young people a voice on climate change issues.

We sit down with Adelaide-based pop singer and songwriter, Stellie. As a rising star in the music industry, Stellie has already accomplished quite a lot, including being a Triple J Unearthed feature artist, and has supported the likes of G-Flip, Lime Cordiale and Cub Sport. With her biggest gig yet coming up alongside Lorde for Adelaide Festival, we're excited to have Stellie on the show to discuss how this opportunity came to be. Join us as we delve into Stellie's calculated start in songwriting and explore what originally drew her to music. We also discuss what she has in store for the rest of 2023 and get an inside look at her creative process.Stellie: Instagram / Facebook / SpotifyTickets to her show with Lorde for Adelaide can be found here.Thanks again to Stellie for her time. We also want to give a special shout out to Sophie & Anthea from Adelaide Festival for their help with this episode.You can help follow and support here: TSIY Insta / TSIY FB / TSIY TikTok / TSIY Youtube /TSIY Patreon Hosted on Acast. See acast.com/privacy for more information.

The International Theater Amsterdam (ITA), formerly known as Toneelgroep Amsterdam, plays during the Adelaide Festival. Actors like Ramsey Nasr, Hans Kesting and Maarten Heijmans play in 'A Little Life'. The play is in Dutch, while the audience is mainly Australian. Our reporter Malou Helder asked Maarten Heijmans how that works and what his first impression are of Australia. - In Adelaide is het festivalseizoen van start gegaan met de Fringe, Writers' Week en nu ook met het Adelaide Festival. Een van de toneelgezelschappen die hier te bewonderen zijn is het Internationaal Theater Amsterdam (ITA), voorheen Toneelgroep Amsterdam. Onder andere Ramsey Nasr, Hans Kesting en Maarten Heijmans spelen het stuk 'A Little Life' in het Nederlands, voor een voornamelijk Australisch publiek. Verslaggever Malou Helder sprak met Maarten Heijmans over hoe dit precies in zijn werk gaat en over zijn eerste indruk van Australië.

After several years of delays, the Ballett Zürich production of Giuseppe Verdi's Messa da Requiem will feature at this year's Adelaide Festival. Brought to life by 36 dancers and over 170 singers performing with the Adelaide Symphony Orchestra, we meet the show's award-winning choreographer Christian Spuck.Also, the oldest theatre on mainland Australia hosts a thoroughly modern makeover of Hansel and Gretel written by Lally Katz, and Australian Dance Theatre Artistic Director Daniel Riley pays tribute to his great-great uncle Alec Riley in Tracker, a co-production with Ilbijerri Theatre Company co-written by Ursula Yovich.

After several years of delays, the Ballett Zürich production of Giuseppe Verdi's Messa da Requiem will feature at this year's Adelaide Festival. Brought to life by 36 dancers and over 170 singers performing with the Adelaide Symphony Orchestra, we meet the show's award-winning choreographer Christian Spuck. Also, the oldest theatre on mainland Australia hosts a thoroughly modern makeover of Hansel and Gretel written by Lally Katz, and Australian Dance Theatre Artistic Director Daniel Riley pays tribute to his great-great uncle Alec Riley in Tracker, a co-production with Ilbijerri Theatre Company co-written by Ursula Yovich.

Can music, the arts and humanities help us work together across traditional science and industry boundary lines to come up with a solution to climate change? In this episode host Prof Andy Lowe Interim Director of the Environment Institute University of Adelaide, speaks with Airan Berg, Artistic Director of the Adelaide Symphony Orchestra's Floods of Fire Citizens' Orchestra event , and Professor Anna Goldsworthy, Director of The Elder Conservatorium of Music at the University of Adelaide. Together they discuss the arts as communicator of complex human situations, a flawed system for tackling climate change, and how working openly between the sciences and the humanities can unite hearts and minds for a better future. Eco Futurists is supported by the Environment Institute at the University of Adelaide. Learn More: Floods of Fire will be performing for the first time ever at a FREE event Friday 3 March 2023 in Elder Park Adelaide, starting at 7:30pm ahead of Spinifex Gum as part of the Adelaide Festival. You can contact Eco Futurists podcast here Enjoying the show? Rate, review, and share it with your friends to help listeners like yourself explore their inner Eco Futurist.

Sam went out to the Adelaide Festival then headed to Kings Reserve the site of the proposed new site for the Adelaide Crows.See omnystudio.com/listener for privacy information.

Ivo van Hove is renowned as one of the most innovative — and divisive — theatre directors working today. The Belgian's enthralling stage adaptations of classic works consistently subvert expectations. Now, van Hove's adaptation of the confronting novel A Little Life is coming to the Adelaide Festival.Also, a married lesbian couple with two children face divorce in Blessed Union, a new comedy at Belvoir, and Agatha Christie's The Mousetrap, the longest-running play on London's West End, is touring Australia. But is it a paragon of modern theatre or a tourist trap?

Ivo van Hove is renowned as one of the most innovative — and divisive — theatre directors working today. The Belgian's enthralling stage adaptations of classic works consistently subvert expectations. Now, van Hove's adaptation of the confronting novel A Little Life is coming to the Adelaide Festival. Also, a married lesbian couple with two children face divorce in Blessed Union, a new comedy at Belvoir, and Agatha Christie's The Mousetrap, the longest-running play on London's West End, is touring Australia. But is it a paragon of modern theatre or a tourist trap?

Darren Yap has been a part of some huge moments in Australian performing arts history, from acting in Miss Saigon to being on the directorial team for the Sydney 2000 closing ceremony. Now he's using his talents to bringing new Asian Australian work to the stage. Also, we meet artists behind a surge of Asian Australian plays on our mainstages right now and Neil Armfield joins us to pay tribute to the English theatre director Peter Brook, famous for his reinvention of contemporary theatre.

Books, Books, Books is proud to present "Comrade in Words" a session from Adelaide Writer's Week where Nicole facilitated a conversation between Charlotte Wood and Christos Tsiolkas about their latest works, friendship, how they function as artists, and the challenges of living a creative life. SHOW NOTES: Nicole Abadee Website: https://www.nicoleabadee.com.au Facebook: @booksbooksbookspodcast OR @nicole.abadee Twitter: @NicoleAbadee Instagram: @booksbooksbookspodcast OR @nicoleabadee Adelaide Festival Website: https://www.adelaidefestival.com.au Facebook: @adelaidefestival Twitter: @adelaidefest Instagram: @adelaidefestival YouTube: @Adelaide FestivalSee omnystudio.com/listener for privacy information.

Internationally acclaimed for the emotional punch packed into her bold choreography, Meryl Tankard is one of Australia's finest contemporary artists.As a director, choreographer and writer, her work has been staged in Europe, UK, USA, Asia and Australia, and includes co-productions with the Sydney Opera House, a full-length ballet Wild Swans for The Australian Ballet, musicals for Disney on Broadway and Andrew Lloyd Webber on the West End. Meryl created the opening section Deep Sea Dreaming for the Sydney Olympics Games Ceremony 2000 and has been commissioned by some of the world's most dynamic companies including Lyon Ballet and Netherlands Dance Theatre.Beginning her career as a dancer with the Australian Ballet, Meryl went on to become one of Pina Bausch's principal soloists with the ground-breaking Wuppertaler Tanztheater, creating roles in Café Muller, Kontakthof, 1980, Arien, Walzer, Bandoneon etcIn 1989 she founded her own dance company in Canberra, synthesizing a range of influences and styles to create her own unique dance theatre style.As Artistic Director of Adelaide-based Australian Dance Theatre (1993-1999) Meryl transformed the company into a leading International company with her diverse range of full-length works including Furioso, Possessed, Aurora, Rasa, Inuk, Songs with Mara. Since 2000 Meryl has been working as an independent artist and in 2010 began focusing on film direction, graduating from Australian Film Television and Radio School where she made two short films Mad and Moth.Her documentary Michelle's Story, commissioned by ABC TV and 2015 Adelaide Film Festival, won the Adelaide Film Festival Audience Award for Best Short Film and Screen South Australia awards for Best Short Film, Best Documentary and Best Soundtrack.In 2017 Meryl was awarded the prestigious Jim Bettison Helen James Award for her contribution to the community.In 2018 Meryl choreographed Claudel for Theatre de LAthenee in Paris and remounted her acclaimed production Furioso for Sidi Larbi Cherkaouis Royal Ballet of Flanders.For the Adelaide Festival in 2019 Meryl created two works : Two Feet, a full-length solo work for acclaimed Russian ballerina Natalia Osipova, and Zizanie for Restless Dance Theatre (for performers with and without disability)In 2019, Meryl was honoured with an Officer of Australia for her distinguished services to the performing arts.www.meryltankard.comThe STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Answering the questions on this episode are two festival directors from Adelaide. Rachel Healy has been the joint artistic director of the Adelaide Festival since 2017 and the Jo Dyer is the director of Adelaide Writers' Week. They've both had long and distinguished careers in the theatre in Australia, but how well do they know their chemistry, geography and sport? You might be surprised.Follow Jo Dyer on twitter - @instanteruditeSupport this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

We speak to Aussie legend Iva Davies of Icehouse whose pictures were on many a walls of young Aussie ladies in the 80s... Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

We speak to Aussie legend Iva Davies of Icehouse whose pictures were on many a walls of young Aussie ladies in the 80s...

In 1972, a lecturer at the University of Adelaide was attacked at a gay beat, thrown into the River Torrens and drowned. 50 years on, Watershed: The Death of Dr Duncan shines a light into this appalling story and how his death changed Australia. Also, voice and dialect coach Leith McPherson shares more insights into the power of voice and we attend the rehearsal of a reimagined version of Alice's Adventures in Wonderland presented by the Australian Contemporary Opera Company.

In an unnamed city, a man goes suddenly blind. Then another. And another, until it's clear that a pandemic is sweeping through the population. The infected are sent to abandoned hospitals and set under armed guard, while outside the camps the government, and society, slowly fall apart. Blindness was originally a novel by the Nobel Prize-winning author José Saramago, but its most recent adaptation lies somewhere between theatre and sound installation. In the Drawing Room, playwright Simon Stephens talks about his own path to theatre and how one actor changed everything about the show.

IT'S OUR ONE YEAR ANNIVERSARY! And no better way to celebrate than to have the iconic cabaret artist and musical director Victoria Falconer on the show. We dive into Victoria's career as a cabaret artist, travelling the world with her feminist power trio, her flavour of musical direction and the incredible People of Cabaret initiative. Join Tiana as she rides solo this week (Giorgia was busy being a superstar in Cry Baby rehearsals!), and hear about the lady who can seriously do it all! A little bit more about Victoria: Victoria Falconer is a cabaret artist, multi-instrumentalist, theatre maker and musical director. Her most recent projects include co-creating and hosting Smashed: The Brunch Party, a femme-fronted, fiercely diverse drag cabaret show that received 5 star reviews and won a Pick of the Fringe Award for its debut season at Adelaide Fringe, whilst concurrently performing in The Boy Who Talked To Dogs, a co-production by Slingsby Theatre and State Theatre South Australia for Adelaide Festival 2021. She is co-creator & performer with acclaimed feminist firebrands Fringe Wives Club, whose debut show Glittery Clittery has been presented on stages including Southbank Centre, Soho Theatre (London), Griffin Theatre (Sydney), Darwin Festival, Bats Theatre (Wellington) and at Edinburgh Fringe, where it received the Spirit of the Fringe Award in 2018. Victoria is a founding director for The People of Cabaret, an initiative formed in 2020 to amplify and advocate for artists who identify as Indigenous and/or Bla(c)k and/or people of colour working in cabaret, circus, burlesque and associated disciplines. In their first six months of existence, they have curated a two week residency of shows at Darlinghurst Theatre Company, presented an online extravaganza for Melbourne Fringe (winning their Spirit of the Fringe Award), and hosted/produced their first Sydney Festival show We Are Here. Victoria also leads the Mentorship Program, empowering and upskilling IBPOC artists across the country. She has twice received the Best Cabaret Award at Adelaide Fringe (2018 & 2011). In 2019 she was nominated for a Sydney Theatre Award (Once, Darlinghurst Theatre Company) and a Green Room Award (Glittergrass, Malthouse Theatre) for musical direction. Other MD credits include Insane Animals (HOME Manchester), Courtney Act's Under The Covers (Underbelly, London) Unroyal Variety (Hackney Empire), Sasquatch The Opera (Summerhall, Edinburgh) and Oklahoma! (Black Swan State Theatre Company). If you would like to follow Victoria's work, you can find her @victoria_falconer on instagram, Victoria Falconer on Facebook, or at www.maestramusic.org/profile/victoria-falconer for her artist page. Additionally this is the link to the mentorship program with People of Cabaret https://www.thepeopleofcabaret.com/the-mentorship We'd love to hear your thoughts from this episode on our instagram @companypod, or Facebook Company Podcast. Hosted and Created by Giorgia Kennedy and Tiana Catalano Edited and Produced by David Duketis Music by David Duketis Graphic Design by David Duketis

Ianto Ware with the story of growing up in the suburbs of Adelaide with his radical feminist lesbian mother Dimity

Paul Grabowsky is a pianist, composer, arranger, conductor – and is one of Australia's most distinguished artists. His recent collaboration with the likes of Paul Kelly and Archie Roach showcases Paul's versatility and both the albums brim with musical gems about love, heartbreak, and tenderness -  a must listen. During the late 70's he became prominent in the music scene in Melbourne, working on various jazz, theater, and cabaret projects. He lived and worked in Europe and the US, during which time he performed with many jazz luminaries including Chet Baker. He returned to Australia and established a reputation as one of Australia's leading jazz musicians and was the musical director for jazz singer Vince Jones. He was also musical director of Tonight Live with Steve Vizard (a nationally televised variety show) and was also Commissioning Editor (Arts and Entertainment) for ABC Television. Paul has written over twenty feature film scores in Australia, the UK, and the US including films for major directors 'Innocence' (Paul Cox) and ‘Words and Pictures' (Fred Schepisi) His works for the theater include four operas and various multimedia works. His most recent opera, created for soprano Emma Matthews, ‘The Space Between', with the libretto by Steve Vizard, premiered at the Arts Centre Melbourne. He has won eight ARIA awards (most recently in 2020 for his recording, 'Please Leave Your Light On' with singer Paul Kelly), two Helpmann awards, several APRA, and was the Sydney Myer Performing Artist of the Year in 2000. Paul was also an Artistic Director of the Queensland Music Festival from 2005 and was Artistic Director of the Adelaide Festival of Arts for 2010 and 2012. Now a Professor at Monash University he is currently director of the Monash University Academy of Performing Arts and the Monash Art Ensemble. He oversaw the development of the Ian Potter Centre for Performing Arts, which opened in May 2019, and launched MLIVE, a year-round series of curated performances. Such a delight to interview. So Grab a Tea or a G and T and let's get intimate x

About the Performance: This production contains extreme sexually explicit images from the Robert Mapplethorpe collection that may be inappropriate for attendees under 18. Discretion is advised. Thirty years after the death of Robert Mapplethorpe, we still cannot turn away from what his photos reveal. Composer Bryce Dessner, Librettist Korde Arrington Tuttle, and director Kaneza Schaal in collaboration with Roomful of Teeth and a musical ensemble of 12 players explore the ways Mapplethorpe's works compel an audience's complicity and characterizes them in the act of attention. As a young man growing up in Cincinnati, Dessner's own exposure to the protests surrounding this galvanizing artist rooted a lifelong kinship to his pivotal body of work. Mapplethorpe's pictures both unite and divide viewers, provoking a consideration of perceived opposites–their literal as well emotional and cultural meanings – Black/White, Male/Female, Gay/Straight, Art/Porn, Classical/Contemporary. His pictures seduce, shock, offend, excite, intrigue and scare us all at once.  Single images take our breath away through the classic capture of everyday acts of nature and the beauty of their composition. On the other hand, a single image has the power to reveal our fears and our desires and the razor-thin line between the two. We confront this work privately, flipping through coffee table books or seeing the work in a museum gallery. But in Triptych (Eyes of One on Another), Dessner, Tuttle & Schaal ask an audience to experience these reactions collectively. Through music, projection of Mapplethorpe's images, and the poetry of Tuttle, Essex Hemphill and Patti Smith, the work puts the audience inside the artist's view finder, inside his beautiful, bold, voracious view of how nature and humans look, touch, feel, hurt and love one another. Co-produced by Los Angeles Philharmonic, Gustavo Dudamel Music and Artistic Director. Produced in Residency with and Commissioned by University Musical Society, University of Michigan, Ann Arbor, MI. TRIPTYCH was co-commissioned by BAM; Luminato Festival, Toronto, Canada; Stavros Niarchos Foundation Cultural Center, Athens, Greece; Cincinnati Opera, Cincinnati, OH; Cal Performances, UC Berkeley, Berkeley, CA; Stanford Live, Stanford University, Stanford, CA; Adelaide Festival, Australia; John F. Kennedy Center for the Performing Arts for performance as part of DirectCurrent 2019; ArtsEmerson: World on Stage, Emerson College, Boston, MA; Texas Performing Arts, University of Texas at Austin, Austin, TX; Holland Festival, Amsterdam; Barbican Centre, London; Wexner Center for the Arts, Ohio State University, Columbus, OH; and Celebrity Series, Boston, MA. Residency development through MassMOCA, North Adams, MA. Photo credits: Alistair Butler, 1980 © Robert Mapplethorpe Foundation. Used by permission. Bryce Dressner photo by Shervin Lainez Korde Arrington Tuttle photo courtesy of the artist Roomful of Teeth photo by Bonica Ayala Produced in cooperation with The Robert Mapplethorpe Foundation Program: Bryce DESSNER : Triptych (Eyes of One on Another) Artists: LA Phil New Music Group Sara Jobin conductor Bryce Dessner composer Korde Arrington Tuttle featuring words by Essex Hemphill & Patti Smith librettist Roomful of Teeth Kaneza Schaal director Simon Harding video Yuki Nakase lighting design Carlos Soto costume design Talvin Wilks dramaturgy ArKtype / Thomas O. Kriegsmann co-producers TUE / MAR 5, 2019 - 8:00PM Upcoming concerts: www.laphil.c