Podcasts about Rambert

Beni Rambert und Duri Bonin sprechen über den Fall Walter Stürm – den legendären ‘Ausbrecherkönig'. Stürm wurde in den 1980er-Jahren durch acht spektakuläre Gefängnisausbrüche bekannt. Doch er war mehr als nur ein Krimineller: Mit scharfer Kritik am Justizsystem wurde er zur Symbolfigur des Widerstands gegen die Strafjustiz. Er sagte einmal: «Ich will keinen Anwalt, der sich mit der Justiz arrangiert.» Duri fragt Beni: Was meinte Stürm mit dieser Aussage? War Beni unter diesem Blickwinkel der richtige Anwalt für ihn? Wie war das persönliche Verhältnis zwischen den beiden – und hat sich das nach Benis eigener Inhaftierung verändert? Welche Lehren können heutige Strafverteidiger aus dem Fall Stürm ziehen? Ein weiterer prominenter Fall von Beni ist der Umweltaktivist Marco Camenisch. In den 1980er-Jahren wurde er wegen Sabotageakten und des Mordes an einem Grenzwächter verurteilt. Im Film vertritt Beni die Auffassung, dass es in diesem Fall zu einem Freispruch hätte kommen sollen. Warum? Wie sieht er die Rolle des politischen Aktivismus in Strafprozessen? Im Film [SUSPEKT](https://www.riffraff-houdini.ch/de-ch/film/suspekt.html) sagt Beni: «Viele Kämpfe sind vergebens, aber nie sinnlos.» Duri als Sätzesammler möchte natürlich wissen: Von wem stammt dieses Zitat? Ebenfalls konfrontiert er seinen Gast mit dem Satz «Ich will nicht als Arschloch sterben.» Was bedeuten diese Sätze für Beni? – Ein spannender Podcast für Juristinnen, Aktivisten, True-Crime-Fans oder einfach Menschen, die hinter die Kulissen berühmter Fälle blicken wollen. Es ist ein Gespräch über Strafverteidigung, Widerstand und die Frage, was bleibt, wenn der Kampf vorbei ist. Als Strafverteidiger erhält man Einblicke in die unglaublichsten Fälle und arbeitet eng mit sehr unterschiedlichen und spannenden Menschen zusammen. Im Podcast [Auf dem Weg als Anwält:in](https://www.duribonin.ch/podcast) versucht der Anwalt [Duri Bonin](https://www.duribonin.ch) gemeinsam mit seinen Gesprächspartnern (Beschuldigte, Verurteilte, Staatsanwälte, Strafverteidiger, Gutachter, Opfer, Unschuldige, Schuldige …) zu ergründen, wie diese ticken, was sie antreibt und wie sie das Rechtssystem erleben. Behandelt werden urmenschliche Themen. Bei genauerem Hinsehen findet man Antworten auf eigene Fragen des Lebens und der Gesellschaft. Links zu diesem Podcast: - Anwaltskanzlei von [Duri Bonin](https://www.duribonin.ch) - Titelbild [bydanay](https://www.instagram.com/bydanay/) - Das Buch zum Podcast: [In schwierigem Gelände — Gespräche über Strafverfolgung, Strafverteidigung & Urteilsfindung](https://www.duribonin.ch/shop/) Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribonin.ch/podcast/ oder auf allen üblichen Plattformen zu hören

In discussion with Rob Feltham, Ross McIntosh provides a fascinating overview of the ACT framework and how it can help leaders to build psychological flexibility, in part by managing the interactions between their ‘inner voices' and the ways that they show up at work. Topics covered include: building self awareness with the help of the Micro Pause and Macro Pause; managing transitions between leadership situations; and values-driven authentic leadership.  Ross is a business psychologist and coach who uses evidence-based psychology in all areas of his freelance career. At City St George's, University of London, he works alongside Dr Paul Flaxman in an academic/practitioner partnership. They design and deliver ACT Workplace Training for both the public and private sector. Ross also lectures in organisational psychology at City St George's and Birkbeck, University of London.    Ten years ago, Ross founded his consulting business which aims to cultivate well-being, adaptability, authentic action and awareness in organisations. He has designed and delivered evidence-based training to over 23 NHS Trusts, HM Treasury & Civil Service, Nectar Loyalty, teachers, a global tech company, a big four consultancy, Diageo, hedge fund managers and a variety of ballet companies including Rambert, Scottish Ballet, Northern Ballet and The Royal Ballet.   In a bid to reach more adults with the behavioural science from ACT and beyond, the People Soup Podcast was born in 2018. It's won awards, has a global reach and in the global ranking is one of the top 2.5% most popular podcasts (in a field of around 3.5 million!)   Prior to his portfolio career, Ross spent over 20 years in Senior HR roles in Government. He is a Fellow of the Chartered Institute for Personnel and Development (CIPD), a Fellow of the Royal Society of Arts (FRSA) and a Fellow of the Association for Coaching.  Ross's website can be found at: https://rossmcintosh.co.uk/Rob Feltham is podcast editor of the ABP.

durée : 00:02:17 - Le grand format - La série à succès, qui se déroule dans l'Angleterre des années 20, a été adaptée par le prestigieux ballet londonien Rambert dans un spectacle qui retranscrit avec force, bien que sans paroles, l'ambiance noire des cinq saisons de l'histoire de Thomas Shelby.

Heute setzen wir unser Gespräch mit Bernard Rambert fort – dem renommierten Strafverteidiger, der im kürzlich erschienenen Film [SUSPEKT](https://www.riffraff-houdini.ch/de-ch/film/suspekt.html) porträtiert wird. In dieser Episode tauchen wir tief in einen der kontroversesten Justizfälle der Schweiz ein: Brian Keller, bekannt auch als Carlos. Ein Mann, der mehrfach wegen Gewaltdelikten verurteilt wurde – und doch in erster Linie als Symbol für eine zweifelhafte Justizpolitik gilt. Seit 2013 sorgt sein Fall für heftige öffentliche Debatten: von teuren sozialpädagogischen Programmen (Sondersetting) bis hin zu menschenunwürdigen Behandlungen in Schweizer Gefängnissen. Ist Brian Keller ein Einzelfall? Oder zeigt sein Schicksal strukturelle Probleme in der Schweizer Justiz? Bernard Rambert kennt diese Fragen aus eigener Erfahrung. In den späten 70er-Jahren wurde ihm das Anwaltspatent von der Berner Justiz entzogen – weil er öffentlich über Folter in Schweizer Gefängnissen sprach. Nun, über 40 Jahre später: Was hat sich verändert? Was nicht? Was lösen die unmenschlichen Behandlungen von Brian Keller in Beni aus? Welche Rolle spielen die Zürcher Politik und Medien in diesem Fall? Warum musste die Zürcher Justiz wiederholt vom Bundesgericht korrigiert werden? Gibt es ein Happy End im Fall Brian Keller? Welche Lehren sollte die Justiz aus diesem Fall ziehen? Und glaubt Beni, dass die Behandlung von Brian Keller durch die Justiz anders verlaufen wäre, wenn er weisser Hautfarbe wäre? Ein Gespräch über einen Fall, der die Justiz herausgefordert hat - aber auch zeigt, dass sie heute bereit ist, sich kritisch zu hinterfragen. Als Strafverteidiger erhält man Einblicke in die unglaublichsten Fälle und arbeitet eng mit sehr unterschiedlichen und spannenden Menschen zusammen. Im Podcast [Auf dem Weg als Anwält:in](https://www.duribonin.ch/podcast) versucht der Anwalt [Duri Bonin](https://www.duribonin.ch) gemeinsam mit seinen Gesprächspartnern (Beschuldigte, Verurteilte, Staatsanwälte, Strafverteidiger, Gutachter, Opfer, Unschuldige, Schuldige …) zu ergründen, wie diese ticken, was sie antreibt und wie sie das Rechtssystem erleben. Behandelt werden urmenschliche Themen. Bei genauerem Hinsehen findet man Antworten auf eigene Fragen des Lebens und der Gesellschaft. Links zu diesem Podcast: - Anwaltskanzlei von [Duri Bonin](https://www.duribonin.ch) - Titelbild [bydanay](https://www.instagram.com/bydanay/) - Das Buch zum Podcast: [In schwierigem Gelände — Gespräche über Strafverfolgung, Strafverteidigung & Urteilsfindung](https://www.duribonin.ch/shop/) Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribonin.ch/podcast/ oder auf allen üblichen Plattformen zu hören

Mit dieser Folge setzt Duri Bonin das Gespräch mit Bernard Rambert fort – einem der bekanntesten Strafverteidiger der Schweiz. Sein Wirken hat viele geprägt, seine Fälle haben für Aufsehen gesorgt, und nun wird sein Leben und seine Arbeit auch in einem Dokumentarfilm festgehalten. SUSPEKT, der neue Film von Christian Labhart, zeichnet ein Bild von Bernard Rambert – als Verteidiger, als Kritiker des Justizsystems und als Mensch mit einer langen Geschichte des Widerstands. Duri möchte von Beni wissen, wie es sich anfühlt, wenn das eigene Leben durch die Linse eines Filmemachers betrachtet und in einen dramaturgischen Rahmen gesetzt wird? Erkennt Beni sich in dieser Dokumentation wieder – oder gibt es Momente, die ihm fremd erscheinen? Ein weiteres Thema ist die Gesprächsführung im Film: Die Fragen an Beni sind manchmal kritisch, aber bleiben für Duri an der Oberfläche: Hätte Beni sich mehr Tiefe gewünscht? Besonders eindrücklich sind die Archivaufnahmen, die frühere Prozesse und Protestbewegungen zeigen. Was lösen diese Bilder bei Beni aus? Welche Gedanken kommen ihm, wenn er auf seine eigene Vergangenheit blickt? Und dann gibt es noch die ganz persönlichen Momente: Bernard Rambert spricht im Film über Rückschläge, über Kämpfe, die vergeblich waren – aber er bleibt dabei erstaunlich gelassen. Ist diese Distanz eine bewusste Strategie? Oder eine Haltung, die mit den Jahren gewachsen ist? [SUSPEKT](https://www.riffraff-houdini.ch/de-ch/film/suspekt.html) – seit 20. Februar im Kino. Als Strafverteidiger erhält man Einblicke in die unglaublichsten Fälle und arbeitet eng mit sehr unterschiedlichen und spannenden Menschen zusammen. Im Podcast [Auf dem Weg als Anwält:in](https://www.duribonin.ch/podcast) versucht der Anwalt [Duri Bonin](https://www.duribonin.ch) gemeinsam mit seinen Gesprächspartnern (Beschuldigte, Verurteilte, Staatsanwälte, Strafverteidiger, Gutachter, Opfer, Unschuldige, Schuldige …) zu ergründen, wie diese ticken, was sie antreibt und wie sie das Rechtssystem erleben. Behandelt werden urmenschliche Themen. Bei genauerem Hinsehen findet man Antworten auf eigene Fragen des Lebens und der Gesellschaft. Podcasts mit Beni Rambert: - [#429 Was sagt die Verteidigung zur Haftanordung im Fall Brian?](https://www.duribonin.ch/429-was-sagt-die-verteidigung-zur-haftanordung-im-fall-brian/) - [#431 Bernard Rambert, wie wurdest Du Strafverteidiger?](https://www.duribonin.ch/431-bernard-rambert-wie-wurdest-du-strafverteidiger/) - [#436 Bernard Rambert, was ist Strafverteidigung?](https://www.duribonin.ch/436-bernard-rambert-was-ist-strafverteidigung/) - [#441 Die Staatsanwältin ist nicht apriori meine Feindin (mit Beni Rambert)](https://www.duribonin.ch/441-die-staatsanwaeltin-ist-nicht-apriori-meine-feindin-mit-beni-rambert/) - [#445 Beni Rambert, führt die Strafjustiz zu gerechten Urteilen?](https://www.duribonin.ch/445-beni-rambert-fuehrt-die-strafjustiz-zu-gerechten-urteilen/) - [#451 Werden Anwältinnen überwacht?](https://www.duribonin.ch/451-werden-anwaeltinnen-ueberwacht/) - [#455 Während des Plädoyers der Verteidigung ist sogar die Uhr im Gerichtssaal stillgestanden](https://www.duribonin.ch/455-waehrend-des-plaedoyers-der-verteidigung-ist-sogar-die-uhr-im-gerichtssaal-stillgestanden/) - [#459 Verteidigungsstrategie von Andrea Stauffacher vor Bundesstrafgericht](https://www.duribonin.ch/459-verteidigungsstrategie-andrea-stauffacher-vor-bundesstrafgericht/) - [#677 SUSPEKT – Bernard Rambert über Strafverteidigung und den Film über ihn](https://www.duribonin.ch/677-suspekt-50-jahre-strafverteidigung-bernard-rambert-im-gespraech-ueber-seine-wichtigste-lektion/) Links zu diesem Podcast: - Anwaltskanzlei von [Duri Bonin](https://www.duribonin.ch) - Titelbild [bydanay](https://www.instagram.com/bydanay/) - Das Buch zum Podcast: [In schwierigem Gelände — Gespräche über Strafverfolgung, Strafverteidigung & Urteilsfindung](https://www.duribonin.ch/shop/) Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribon

durée : 00:29:23 - Fictions / Théâtre et Cie - "Amour encore et toujours..."

durée : 00:29:23 - Fictions / Théâtre et Cie - "Amour encore et toujours..."

In den letzten 50 Jahren begleitete der Strafrechtsverteidiger Bernard Rambert Prozesse, in welchen so betitelte "Öko-Anarchisten", "RAF-Mitglieder", Anti-faschist:innen und Klimaaktivist:innen oder Demonstrant:innen angeklagt waren. So wurde er auch schon als "Terroristenanwalt" oder als "Roter Beni" bezeichnet. Im neuen Film "Suspekt" von Christian Labhart steht er im Gespräch und redet über Formen von Gewalt und politischen Widerstand. von Mirco Kaempf

In dieser Episode spricht Duri Bonin wieder einmal mit Bernard Rambert, einem der bekanntesten – und auch umstrittensten – Strafverteidiger der Schweiz. Anlass für das Gespräch ist der Dokumentarfilm SUSPEKT von Christian Labhart – ein Film, der Benis Leben als Strafverteidiger nachzeichnet. Duri möchte von Beni wissen, was seine wichtigste Lektion aus 50 Jahren Strafverteidigung ist? Warum jeder Mensch das Recht auf Verteidigung hat? Wer die Idee zum Film gehabt und warum Beni zugesagt hat? Worauf er am meisten gespannt ist, wenn das Publikum den Film sieht? Und ob die Filmpremiere ihn nervöser macht als ein Strafprozess? SUSPEKT – ab 20. Februar im Kino. Als Strafverteidiger erhält man Einblicke in die unglaublichsten Fälle und arbeitet eng mit sehr unterschiedlichen und spannenden Menschen zusammen. Im Podcast [Auf dem Weg als Anwält:in](https://www.duribonin.ch/podcast) versucht der Anwalt [Duri Bonin](https://www.duribonin.ch) gemeinsam mit seinen Gesprächspartnern (Beschuldigte, Verurteilte, Staatsanwälte, Strafverteidiger, Gutachter, Opfer, Unschuldige, Schuldige …) zu ergründen, wie diese ticken, was sie antreibt und wie sie das Rechtssystem erleben. Behandelt werden urmenschliche Themen. Bei genauerem Hinsehen findet man Antworten auf eigene Fragen des Lebens und der Gesellschaft. Podcasts mit Beni Rambert: - [#429 Was sagt die Verteidigung zur Haftanordung im Fall Brian?](https://www.duribonin.ch/429-was-sagt-die-verteidigung-zur-haftanordung-im-fall-brian/) - [#431 Bernard Rambert, wie wurdest Du Strafverteidiger?](https://www.duribonin.ch/431-bernard-rambert-wie-wurdest-du-strafverteidiger/) - [#436 Bernard Rambert, was ist Strafverteidigung?](https://www.duribonin.ch/436-bernard-rambert-was-ist-strafverteidigung/) - [#441 Die Staatsanwältin ist nicht apriori meine Feindin (mit Beni Rambert)](https://www.duribonin.ch/441-die-staatsanwaeltin-ist-nicht-apriori-meine-feindin-mit-beni-rambert/) - [#445 Beni Rambert, führt die Strafjustiz zu gerechten Urteilen?](https://www.duribonin.ch/445-beni-rambert-fuehrt-die-strafjustiz-zu-gerechten-urteilen/) - [#451 Werden Anwältinnen überwacht?](https://www.duribonin.ch/451-werden-anwaeltinnen-ueberwacht/) - [#455 Während des Plädoyers der Verteidigung ist sogar die Uhr im Gerichtssaal stillgestanden](https://www.duribonin.ch/455-waehrend-des-plaedoyers-der-verteidigung-ist-sogar-die-uhr-im-gerichtssaal-stillgestanden/) - [#459 Verteidigungsstrategie von Andrea Stauffacher vor Bundesstrafgericht](https://www.duribonin.ch/459-verteidigungsstrategie-andrea-stauffacher-vor-bundesstrafgericht/) Links zu diesem Podcast: - Anwaltskanzlei von [Duri Bonin](https://www.duribonin.ch) - Titelbild [bydanay](https://www.instagram.com/bydanay/) - Das Buch zum Podcast: [In schwierigem Gelände — Gespräche über Strafverfolgung, Strafverteidigung & Urteilsfindung](https://www.duribonin.ch/shop/) Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribonin.ch/podcast/ oder auf allen üblichen Plattformen zu hören

Zu Gast bei Roger Schawinski ist Bernard Rambert, der seit Jahrzehnten als Terroristen-Anwalt bekannte Strafverteidiger. Was er alles erlebt hat und warum er immer glaubt, was seine Klienten ihm sagen - in dieser Sendung erfahren Sie es. Songs: Figlio del Sud - Mastrovito, Things have Changed - Bob Dylan, Because the Night - Patti Smith, Like Janis - Sixto Rodriguez, I'm Blowing Away - Joan Baez

In this week's Talking Life, Jessica is joined by Daniel Fulvio, Director of Community Partnerships at Rambert, the UK's leading contemporary dance company to discuss how movement can play a powerful role in preparing children for school.

Welcome to “The Next Round,” where we explore the remarkable stories of those who found new beginnings once they stopped seeking answers at the bottom of the bottle. Today's episode is a reflection on recovery, redemption, and the power of turning the past into a foundation for the future.For some, the journey to the other side can feel like a wall between who they were and who they've become. But perhaps, just perhaps, the life they once lived holds the key to the one they're building now.In this episode, we meet Paul Bayes Kitcher, a man who never lost his love for dance. On the other side of recovery, he found himself uniquely placed to channel its transformative power—helping others navigate their own recoveries from addiction or mental health challenges through movement and artistry.Along with Claire Morris he co-founded Fallen Angels Dance Theatre (FADT) in 2011, fostering creativity and using dance to transform lives.In this podcast Josh Kelly, our brand manager who himself used to be a dancer interviews Paul. He shares his story, the life-changing work of his organisation,offering a future through dance. It's a story of resilience, creativity, and the beautiful steps forward when we reclaim what once felt lost. Find out more  you how you can join them or support their work by becoming a guardian angel.Fallen Angels Dance Theatre (FADT) has become a powerful symbol of transformation and hope, helping individuals in recovery from addiction and trauma reconnect with their bodies and rediscover joy. Founded by Paul Byers Kitchen, a former professional ballet dancer and someone in long-term recovery, FADT merges the therapeutic power of movement with the artistic discipline of dance. Over the past decade, it has grown into a flourishing community, offering a safe and creative space for people to heal and thrive.A Journey from Ballet to RecoveryPaul's story is one of both brilliance and struggle. Trained at world-renowned institutions such as the Royal Ballet School and Rambert, he had a successful career with companies like Scottish Ballet and Birmingham Royal Ballet. Yet behind the scenes, unresolved childhood trauma and the relentless pressures of the ballet world led him into addiction.“I never felt comfortable in my own skin – Alcohol and drugs became my solution—a way to escape myself.”Despite his talent and dedication, the demands of perfectionism combined with his personal struggles led him to resign from Birmingham Royal Ballet at 30. Without the structure of his career, his addiction spiraled into chaos.Through recovery, Paul found clarity and purpose. He realised the therapeutic potential of movement for people in recovery and began developing what would eventually become Fallen Angels Dance Theatre.The Birth of Fallen Angels Dance TheatreEstablished over 10 years ago, FADT was born from Paul's passion for recovery and his deep understanding of movement. Recognising that the word “dance” might intimidate some, particularly those unfamiliar with formal training, Paul instead emphasizes “movement.”“Everyone can move. We start with natural movement and somatic practices, creating a space where people feel safe to explore their bodies and emotions.”Read the full blog   Find Club Soda:The Club Soda Tasting Room is at 39 Drury Lane, London, WC2B 5RRFind us on Instagram

Eng Netflix-Serie an een Text vun der wichtegster Avantgarde-Stëmm aus Éisträich - den Théâtres de la Ville de Luxembourg kann een den Ament kaum ze wéineg Diversitéit virwerfen. Den Nicoals Calmes, d'Lori Dauphin, den Tom Haas an de Jeff Schinker rezenséieren “Winterreise“ vun der Elfriede Jelinek an enger Mise en scène vum Jakob Arnoldi a “Peaky Blinders“ vun der englescher Compagnie Rambert.

Stejně jako příjmení Rampas, Rampich, Rampák a další vzniklo příjmení Rampula patrně z německého rodného jména Rampold, Rambert apod. V ČR ho dnes nosí 190 osob.Všechny díly podcastu O původu příjmení můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

durée : 00:45:21 - Fictions / Théâtre et Cie - Une lettre d'amour sur Avignon et son festival, écrite que Pascal a écrite au fil de ses voyages.

durée : 00:45:21 - Fictions / Théâtre et Cie - Une lettre d'amour sur Avignon et son festival, écrite que Pascal a écrite au fil de ses voyages.

Episode Summary:  UK-based professional dancer Serena McCall shares valuable insights from her diverse career in ballet and contemporary dance. The episode begins with Serena discussing her early training, including her experiences at the Royal Ballet associate scheme and Elmhurst Ballet School, which paved the way for her professional journey. Serena reflects on her recent role in Disney's live-action Snow White movie, where she worked alongside prominent choreographers like Mandy Moore, Martha Nichols, and Shea Barkley.  Serena emphasizes the importance of building genuine relationships within the dance industry, noting that her success is largely due to her consistent attendance in classes and kindness rather than relying solely on connections. She also discusses her social media presence, which grew organically with the support of her "momager," leading to brand ambassadorships with companies like AcroPad. As a brand ambassador, Serena has traveled and appeared at conventions, further expanding her influence in the dance community. Looking to the future, Serena aspires to work with contemporary companies and explore opportunities in runway modeling, leveraging her dance skills and height. She also shares tips for dancers aiming to break into the industry, emphasizing the importance of classical and contemporary training, networking, and maintaining a positive mindset in the face of rejection. The episode concludes with Serena reflecting on her career with gratitude and pride, offering advice on staying determined and embracing the unpredictable nature of life in the dance world. Show Notes: (0:03) Dance career insights with UK-based professional dancer Serena Nicole.  (2:21) Dance career, Snow White movie experience, and agent vs. self-promotion.  (8:42) Dance career, auditions, and upcoming productions.  (13:58) Importance of relationships in dance career. (16:15) Social media presence, brand ambassadorship, and acro pad product.  (22:06) Dance career, brand ambassadorship, and future plans.  (26:47) Dance training opportunities in the UK. (32:48) Balancing classical and contemporary dance training for commercial work.  (35:15) Talent agencies and their roles in the entertainment industry.  (40:11) Dealing with rejection and staying determined in the face of setbacks.  (45:19) Maintaining a positive mindset in dance auditions. Biography: Meet Serena, a rising star in the world of ballet and contemporary dance, whose passion and talent have taken her to great heights. Born and raised with a deep love for the art of movement, Serena's journey began at the renowned Elmhurst Ballet School in Birmingham. There, she honed her skills and developed a strong foundation in ballet, setting the stage for her future success. Recognized for her exceptional abilities, Serena's dedication led her to become an Associate with both the prestigious Royal Ballet and the esteemed Scottish Ballet. Throughout her time at Rambert, Serena had the privilege of showcasing her skills on some of the world's most esteemed stages. She graced the Linbury Theatre at the Royal Opera House and the iconic Sadler's Wells Lilian Baylis, leaving audiences in awe with her performances. Notably, Serena had the honor of collaborating with renowned choreographers such as Daniel Davidson and Seeta Patel, leaving an indelible mark on the dance community. As a testament to her versatility, Serena also had the opportunity to perform works by the legendary Matthew Bourne, an experience that allowed her to embrace various dance styles and storytelling techniques. Beyond her achievements in dance and film, Serena is proud to be an ambassador for ACROPAD, a brand that aligns with her passion for promoting physical well-being and nurturing the next generation of dancers. Connect on Social Media: https://www.instagram.com/serenamccall https://www.facebook.com/serena.mccall.1

Vous rêvez de changer de vie ? Margaux Rambert l'a fait ! Elle est journaliste, auteure ( Managers, osez le courage ! le guide pour trouver sa juste place ) et, depuis, quelques années, l'heureuse co-fondatrice d'une maison d'hôtes : La Lévrière.Dans cet entretien, nous évoquons les plus, les moins, les écueils et les succès de son aventure... à écouter absolument pour se donner une bonne dose d'optimisme !Si vous êtes sur Apple Podcast... n'oubliez surtout pas de mettre une étoile à Happy Work management carrièreSoutenez ce podcast http://supporter.acast.com/happy-work. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

A childhood love of dance and a challenging homelife drove Rafael Bonachela to leave his native Spain at just 17 years old and seek his fortune in the dance studios and theatres of London. The celebrated choreographer was then beckoned to Australia, where he has led the Sydney Dance Company since 2009.Also, in The Audition, we meet a group of asylum seekers vying for a new life in Australia. The play was co-written by a group of established playwrights alongside writers with lived experience of displacement. And we meet high school students from Hong Kong presenting their own bilingual play inspired by classics from Spain and China.

Ceri is joined by the remarkable visionary Artistic Director of Rambert, Benoit Swan Pouffer. From his early days in Paris to his ground breaking work with Alvin Ailey American Dance Theatre and Cedar Lake Contemporary Ballet, Benoit shares invaluable insights on leadership, mentorship, and the power of dance to inspire change. This episode is a must-listen for anyone seeking to unleash their creative potential and make a lasting impact! KEY TAKEAWAYS Embrace your unique story and use it to create a distinctive artistic style that goes beyond technical proficiency. Seek out mentors who challenge you, expand your horizons, and help you grow both personally and professionally. Cultivate a leadership style that nurtures individual talents, fosters growth, and encourages open communication. Be willing to take risks and pursue radical excellence, even if it means stepping away from comfort zones. Recognise the importance of living in the present while also planning for the future. Surround yourself with supportive people who believe in your potential and push you to be your best. Use your art to connect with audiences, provoke thought, and inspire change in the world. Continuously challenge yourself and others to reach new heights, while maintaining a balance between criticism and encouragement. BEST MOMENTS  "Dance changed my life, made me learn another language, made me be able to live with my art." "I believe that you are unique and no one can clone you, no one can be you, because you're you." "If you think you need to go left, go left. You should listen to your instincts because you are a unique individual." "I'm hoping that they do the same for others. So, it's translating the knowledge, translating the philosophy of what we are as artists." "I love the idea to be able to get you out of your routine, your daily life. And then for an hour, an hour and a half, you can escape." "...what interests me the most is the individual, because I believe that you are unique and no one can clone you, no one can be you, because you're you." "Live in the present, because we, as an artistic director, right now I'm talking about 2027, 2028 as well. So, it's, it's a way of, I wish I would have been more living in the present and appreciate the accomplishments." PODCAST HOST BIO Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way. **** Book Your Personal Consultation or Explore Group Coaching Options To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com. Join "Unlock Your Artworld Network" Embark on your journey to success in the artworld! Enrol in our 5-step self-study video course, "Unlock Your Artworld Network," and gain the tools and confidence to build a powerful network that opens doors for you. https://cerihand.com/courses/unlock_your_artworld_network/ Discover How We Empower Creative Excellence Unlock your full creative potential with our tailored support. Visit www.cerihand.com to learn more about how we can help you become an extraordinary creative.  

durée : 00:03:26 - Le Regard culturel - par : Lucile Commeaux - Le metteur en scène et auteur Pascal Rambert donne en France "Finlandia", un nouveau spectacle dont la matière est à nouveau, treize ans après "Clôture de l'amour", la rupture amoureuse. Entre-temps, il s'est passé pas mal de choses dans la représentation du couple contemporain.

Poor Things fans, this episode is for you! Jonathan sat down with the film's costume designer, Holly Waddington, to learn all about her designing process and inspiration. From giant sleeves to working with Emma Stone and Yorgos Lanthimos, we learned all about what it takes to be an Oscar-nominated costume designer! Holly Waddington is an Oscar® nominee and BAFTA winner for her work on Yorgos Lanthimos' Poor Things. Her costume designs for film and TV also include the pilot episode of Hulu's The Great, written and produced by Tony Macnamara, Lady Macbeth directed by William Oldroyd (which won the BIFA for Best Costume and was nominated for a Critics Circle Award for Technical Achievement for Costume). Holly has worked in Theatre, Dance and Visual Art, creating costumes, sets and installations for productions at Rambert, The Royal Ballet, Complicite, and Handspring, working with notable directors and choreographers including: Kim Brandstrup, The Quay Brothers, Natalie Abrahami and Ben Duke. Holly is on Instagram @hollywaddingtoncostume. Poor Things is on Instagram and X @PoorThingsfilm. Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our senior producers are Chris McClure and Julia Melfi. Our associate producer is Allison Weiss. Our engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Poor Things fans, this episode is for you! Jonathan sat down with the film's costume designer, Holly Waddington, to learn all about her designing process and inspiration. From giant sleeves to working with Emma Stone and Yorgos Lanthimos, we learned all about what it takes to be an Oscar-nominated costume designer! Holly Waddington is an Oscar® nominee and BAFTA winner for her work on Yorgos Lanthimos' Poor Things. Her costume designs for film and TV also include the pilot episode of Hulu's The Great, written and produced by Tony Macnamara, Lady Macbeth directed by William Oldroyd (which won the BIFA for Best Costume and was nominated for a Critics Circle Award for Technical Achievement for Costume). Holly has worked in Theatre, Dance and Visual Art, creating costumes, sets and installations for productions at Rambert, The Royal Ballet, Complicite, and Handspring, working with notable directors and choreographers including: Kim Brandstrup, The Quay Brothers, Natalie Abrahami and Ben Duke. Holly is on Instagram @hollywaddingtoncostume. Poor Things is on Instagram and X @PoorThingsfilm. Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our senior producers are Chris McClure and Julia Melfi. Our associate producer is Allison Weiss. Our engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Why Dance Matters, we revisit a conversation from October 2022, in tribute to the poet, performer and activist Benjamin Zephaniah, who died earlier this month. As a performance poet he gave words a glorious physical form, his rhythms dancing from line to line. He had also provided a voiceover for Rambert's dance version of the hit tv series Peaky Blinders. In our conversation, Benjamin was impressively candid about his journey, richly reflective about poetry, and also emotionally generous – unexpectedly moved when speaking about the generations of readers who have been touched and shaped by his work.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Highly interesting chat with Frenchman Olivier Rambert, the manager of Interlim, the commercial arm of the Limousin cattle society in France, based at the Pole du Lanaud station. Holding 4 bull sales per year they market upwards of 500 bulls selected from the best in the country. With many going for export, the bulls have undergone strict tests, not just for weight and muscle but also genomics and temperament. We also hear the differences in beef consummation between France and its neighbouring countries, particularly around eating older animals  

Das Bezirksgericht Dielsdorf hat Brian zu einer Freiheitsstrafe von 2 Jahren und 6 Monaten verurteilt, wobei er für den schwersten Anklagepunkt der versuchten schweren Körperverletzung freigesprochen wurde. Die Staatsanwaltschaft hatte aufgrund der Gewaltakte gegen das Gefängnispersonal eine erheblich längere Strafe von fast 10 Jahren gefordert. Brians Verteidigung plädierte hingegen auf Freispruch, da sie die extremen Haftbedingungen in der JVA Pöschwies als Notstand und Folter bewertet sahen. Das Gericht wies den von der Verteidigung postulierten Notstand zurück und sprach Brian trotz der als menschenunwürdig kritisierten Haftbedingungen schuldig. Es befand weiter, dass Sicherheitshaft vor dem Hintergrund der langen Zeit in Untersuchungshaft (über 6 Jahre) und aufgrund der Erstellung eines Betreuungskonzepts nicht weiter verhältnismässig sei. Daher wird Brian – mit einem Kontaktverbot zu den beteiligten Aufsehern und unter sozialtherapeutischer Begleitung – heute in die Freiheit entlassen. [Gregor Münch](https://www.d32.ch/personen) und [Duri Bonin](https://www.duribonin.ch) versuchen sich in einer Einordnung. Links zu diesem Podcast: - [Gericht verurteilt Brian zu einer Freiheitsstrafe von 2 Jahren und 6 Monaten – trotzdem wird er auf freien Fuss gesetzt](https://www.nzz.ch/zuerich/fall-brian-worum-es-im-neusten-prozess-gegen-carlos-geht-ld.1762441) - [Der bekannteste Häftling der Schweiz kommt frei. Der Richter sagt: «Damit geht ein neues Kapitel auf. Es wird für Brian nicht einfach sein, sich zu bewähren»](https://www.nzz.ch/zuerich/fall-brian-bekanntester-haeftling-der-schweiz-kommt-frei-ld.1762610) - [Gericht kritisiert Einzelhaft scharf – und lässt Brian frei](https://www.tagesanzeiger.ch/urteil-im-brian-prozess-bezirksgericht-dielsdorf-verurteilt-brian-zu-2-5-jahren-932065262551) - Anwaltskanzlei von [Duri Bonin](https://www.duribonin.ch) - Anwaltskanzlei von [Gregor Münch](https://www.d32.ch/personen) - Titelbild [bydanay](https://www.instagram.com/bydanay/) - [Lehrbücher für Anwaltsprüfung und Anwaltsmanagement](https://www.duribonin.ch/shop/) Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribonin.ch/podcast/ oder auf allen üblichen Plattformen zu hören

Si vous avez prévu de partir ce samedi, de prendre la voiture, au moins vous êtes prévenus : Bison Futé annonce la couleur, c'est noir, "la journée la plus chargée de l'été". En direct de l'autoroute A7 sur l'aire de Saint-Rambert-d'Albon dans la vallée du Rhône, les vacanciers se sont levés tôt pour éviter les bouchons. Mais pas de chance, ils se sont fait avoir quand même : 1h20 pour faire 40 kilomètres.

Vous rêvez de changer de vie ? Margaux Rambert l'a fait ! Elle est journaliste, auteure ( Managers, osez le courage ! le guide pour trouver sa juste place ) et, depuis, quelques années, l'heureuse co-fondatrice d'une maison d'hôtes : La Lévrière.Dans cet entretien, nous évoquons les plus, les moins, les écueils et les succès de son aventure... à écouter absolument pour se donner une bonne dose d'optimisme !Soutenez ce podcast http://supporter.acast.com/happy-work. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

I had the great pleasure of meeting Simon Sinek the other week. He was doing a speaking engagement at the Royal Festival Hall in London with Steven Bartlett, raising funds for a new piece of choreography for Rambert, where I'm involved as a board member. We were talking about my idea of ‘Alone, With Others' – that sense of it being just you in the midst of the maelstrom. Most of us are lucky enough to have people around us who love us, care for us, support us, mentor us and are simply there for us when we need them. But at a moment of remarkable clarity when you suddenly figure out the path ahead, there is often this overwhelming sense of ‘it's just me, here in this moment.' What others think, what others believe, that pales into the background. Like a macro zoom lens, what's in the periphery fades away and what's in sharp, sharp focus is me. Who I am. What I know. What I choose.It's today's Box of Keys episode, here on The Unlock Moment.--Dr Gary Crotaz, PhD: https://garycrotaz.com

Saints du jour 2023-06-13 Saint Antoine de Padoue et Saint Rambert by Radio Maria France

Lucy Balfour was born and raised in Canterbury. She danced for 10 years with the Royal New Zealand Ballet before moving to London and joining the renowned dance company, Rambert in 2013.

Siobhan Davies is a contemporary dance pioneer who has witnessed and contributed to the development of the British dance scene over the past 50 years. Having originally studied visual arts, Siobhan discovered contemporary dance in 1967, when she began to take classes with the Contemporary Dance Group, which later became London Contemporary Dance Theatre. In 1969, she started performing with the company, and by the seventies she was choreographing for them. Siobhan has had many different chapters of her career, from joining forces with Richard Alston and Ian Spink to form Second Stride, one of the most influential independent British contemporary dance companies of the 1980s, to taking a year's sabbatical in America on a Fulbright Arts Fellowship, from working as an Associate Choreographer for Rambert to founding the Siobhan Davies Dance Company. Siobhan's work is marked by her interest in presenting dance in visual art and gallery spaces, and throughout her career she has worked with venues including Victoria Miro Gallery, the ICA, the Whitworth Gallery, Glasgow Museum of Modern Art, and Turner Contemporary. In the mid 2000s, she opened Siobhan Davies Studios in South London, a base for her research that has become a place not only of dance activity but of traffic between dance and other fields. Two years ago, Siobhan stepped down as artistic director of Siobhan Davies Studios. Since then she's been busy with various personal projects, from being appointed as an Associate Professor at C-dare Coventry University to traveling as an artist to the High Arctic with the Environmental organization Cape Farewell. She's also created ‘Transparent', a film that unravels the complex processes underpinning her 50 years of work in dance. Premiered at the BFI London Film Festival, the film is going to be shown at Sadler's Wells on 20th April and will be followed by a post show talk. Ahead of the screening, I couldn't wait to speak to Siobhan to find out what we can expect, reflect on her extensive career, and discuss her plans for the future.

Pasó una nueva edición de Orgullo Rojo con la palabra de Tomás Rambert.

Conversamos con el ex jugador del Rojo, opinó sobre la actualidad del Club y sobre el presente de su hijo jugando en la reserva.

Analizamos en detalle el equipo. Conversamos con Sebastián Rambert y nos contó sus sensaciones de la actualidad del Rojo.

Benjamin Zephaniah In the last episode of this series of Why Dance Matters, we meet a poet – the resonant, rousing, heart-stopping Benjamin Zephaniah. Benjamin's specific dance connection is that he's recorded the narration for Rambert's acclaimed new stage production based on Peaky Blinders, the cult period crime drama. As a celebrated performance poet, he's used to making language, voice and physicality fuse in the most memorable of ways. His writing for young people as well as adults has been transforming, inspiring generations of readers. He will explore words and bodies, and the way that creativity can change a life. About Benjamin Zephaniah Benjamin Zephaniah was a pioneer of the performance poetry scene in Britain. He has spent most of his life performing around the world in schools, universities, concert halls and other public spaces. He is also an actor, a TV and radio presenter, and a novelist, who has written over 20 books. He has his own band, The Revolutionary Minds, but he has also worked musically with Sinead O'Connor, Moby, and Bob Marley's Wailers. He has his own poetry show on Sky Arts, called Life and Rhymes, and he was born and bred in Birmingham Find out more about the work of the RAD. Follow the RAD on social media, and join the conversation with host David JaysInstagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjays Sign up to our mailing list.RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or make a donation. Benjamin's website is https://benjaminzephaniah.com Peaky Blinders: The Redemption of Thomas Shelby will tour during 2023 – visit https://peakyblindersdance.com/ Hosted on Acast. See acast.com/privacy for more information.

Charlotte Edmonds Unusually, Charlotte Edmonds began her career as a professional choreographer while still a teenager. The RAD spotted her talent for making dance when she was just 18: she was Commissioned Choreographer for the RAD's Genée International Ballet Competition (now named The Fonteyn) in 2015, and also became The Royal Ballet's inaugural young choreographer. She continues to navigate a varied freelance career, often making her own creative opportunities. About Charlotte Edmonds Charlotte Edmonds is a choreographer, dancer and filmmaker. In 2013 she received her first choreographic commission from the Yorke Dance Project and The Royal Ballet and has an impressive number of choreographies to her name. She studied at the Royal Ballet School and Rambert, and was The Royal Ballet's Inaugural Young Choreographer. She has also worked with Dutch National Ballet Junior Company, Studio Wayne McGregor and Ballet Cymru, and was Commissioned Choreographer for the RAD's Genée International Ballet Competition (now The Fonteyn). She founded Cameo, a series of dialogues with female and non-binary dance makers; and drawing on her own experience, co-founded Move Beyond Words, to amplify the voices of artists with dyslexia. Find out more about the work of the RAD Find out more about The Fonteyn competition Follow the RAD on social media, and join the conversation with host David JaysInstagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjays Sign up to our mailing listRAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or make a donation Charlotte Edmond's website: https://charlotteedmonds.com/Move Beyond Words: https://www.movebeyondwords.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

This week, Georgie chats to Steven Knight who created the television series 'Peaky Blinders'. Steven adapted it for the stage; bringing us 'Peaky Blinders: The Redemption of Thomas Shelby' which Benoit Swan Pouffer choreographed and directed. Benoit is the Artistic Director of the dance company Rambert and Georgie chats to him and Steven about their time working on the show. She concludes that the sign of a show's success can be when people dress up in Halloween costumes as the characters and asks Steven and Benoit more about how they collaborated on the production as well as what they enjoy watching on TV when they're not working.

This week we're talking about the exciting opera and dance coming up in time for Christmas. Annilese Miskimmon, Artistic Director at ENO (English National Opera), tells us about re-imagining Frank Capra's enduring and much-loved 1946 Christmas movie ‘It's a Wonderful Life' as an opera, which opens on 25th November at the Coliseum. Adapted by Jake Heggie and Gene Scheer, George Bailey, the down-on-his-luck banker so memorably played by James Stewart in the film, is played by Frederick Ballentine but Clarence the Guardian Angel now becomes Clara, played by soprano Danielle de Niese. Other than the gender swap, the opera is otherwise remarkably faithful to the beloved film and is certain to be a festive treat. In the world of dance, Rambert is already wowing audiences with its adaptation of Peaky Blinders: The Redemption of Thomas Shelby, which opened at the Birmingham Hippodrome and is now on tour and in London at Troubador Wembley Park till 6th November. We're thrilled to be talking to the creator, writer and Executive Producer of Peaky Blinders, Steven Knight, alongside Helen Shute of Rambert. We find out that Steven's always loved ballet and so it was a natural progression to ask him to adapt his multi-award-winning series into a dance theatre show. Tune in to hear how the opera and dance worlds are bursting with innovation and new ideas, including the first-ever football opera Gods of the Game at the Theatre in the Woods at Grange Park Opera, complete with a chorus made up entirely of footy fans who've been trained to sing.

Today I am speaking with the Artistic Director of Sydney Dance Company, Rafael  Bonachela. Rafael grew up in the small town of La Garriga near Barcelona in Spain, the eldest of 4 brothers. With no dance school in the town, the young Rafael would instead create dances for himself and his classmates, before at 15, being allowed to take the train to Barcelona to take his first dance class. It was a pivotal moment - both a star and a passion was born. By 17 he was offered a professional contract and was travelling Europe as a contemporary dancer. But rather than continue on that trajectory, Rafael wanted to hone his craft, and decided to return to the studio to train, he moved to London and trained with London Studio Centre. From here, Rafael's world exploded - with dance, with love, and with creating movement—which now had a name, choreography. In this beautifully intimate and joyful interview, Rafael talks about his early years in Spain, bullying, coming out in London just as AIDS had arrived on the scene, losing hair, finding love, life and choreography and living out his dreams. But more than that, Rafael talks about how he came to accept the position of Artistic Director with Sydney Dance Company, what he looks for in selecting dancers and how he has turned Sydney Dance Company into a powerhouse of contemporary dance in Australia, recognised across the globe.Rafael continues to lead the Sydney Dance Company. The Company is now back on the stage and touring "Impermanence," the work Rafael created during COVID. For tour dates and to buy tickets, head to sydneydancecompany.com, or you can find Sydney Dance Company on Instagram @sydneydanceco, and to follow all of Rafael's adventures, you can follow him @rafaelbonachela.Rafael and I recorded our conversation in Sydney on the land of the Gadigal People of the Eora Nation, to whom we pay our greatest respects.Production dream team ✨Hosted by @byclaudialawsonProduced by @fjordreviewAdditional Production @clinttopicSound & Editing @outputmediaStudios @brightsidesydney@sawtoothstudios

In this episode I meet Amanda Britton, the inspirational Chief Executive, Principal and Artistic Director of the world-renowned Rambert School of Ballet and Contemporary Dance. Her powerful story, from leaving home at the age of 12 to pursue her passion for dance, through being one of the youngest new hires at Ballet Rambert and eventually taking on leadership of the iconic Rambert School, reflects her deep personal connection with dance and the legacy of Marie Rambert, but also her incredible vision for the future of a School that just celebrated its centenary. She talks in depth about how the team pivoted an elite dance training institution to fully online learning within 3 weeks of the start of the COVID pandemic and discusses what managing the School and its family of students through the crisis taught her about leadership, culture and values. Essential listening for senior executives, especially those leading brands with a significant legacy to protect.  Enjoy this episode - Amanda demonstrates how the best leadership comes straight from the heart.Rambert School of Ballet and Contemporary Dance: https://www.rambertschool.org.uk/Instagram: https://www.instagram.com/rambertschool/"Away As One" - a film by Rambert School student Blair Moore. The incredible story of how Rambert School managed to shift world-class dance training on to Zoom: https://www.youtube.com/watch?v=3eIdi65DmWgArchive interview with Marie Rambert, founder of Rambert School: https://www.youtube.com/watch?v=Gng5b2_a_Ko

À l'occasion de la sortiue de son livre "Managers, osez le courage", je reçois Margaux Rambert avec qui nous parlons de ce sujet si important : le courage managérial.Pourquoi est-ce si important ? Et comment faire pour en avoir, ou pour aider son manager à en faire preuve car, oui, même si vous êtes managé, ce livre vous sera utile !Bonne écoute !Soutenez ce podcast http://supporter.acast.com/happy-work. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Paradox House presents… Episode 10 and the season finale of Scripted hosted by Daisy Lewis. For our final episode in season 1, we are treated with the presence of Lolita Chakrabarti OBE. Lolita carved some time out of her busy schedule to chat to Daisy about all things scripted - The process of writing, multi-hyphenates and representation in the stories she creates. Lolita Chakrabarti OBE is an award-winning actress and writer. She trained at RADA and has been working as an actor on stage and screen for over thirty years. Her writing work includes – Theatre HYMN, live-streamed and performed live at the Almeida Theatre, London 2021 Also shown on Sky Arts Adaptation of LIFE OF PI by Yann Martel World premiere at Crucible Theatre, Sheffield, July 2019. Transferred to Wyndhams, London in 2021. Awards: WhatsonStage Best New Play 2019, UK Theatre Award for Best New Play, Cameo Book to Stage 2020 Adaptation of INVISIBLE CITIES by Italo Calvino World premiere at Mayfields, Manchester International Festival and Brisbane Festival 2019 A collaboration with digital projectionist 59Productions, choreographer Sidi Larbi Cherkaoui and twenty two dancers from Rambert. RED VELVET Tricycle Theatre, London 2012 and 2004 St Anne's Warehouse, New York 2014 Garrick Theatre, London 2016 To date there have been over 30 productions worldwide. Awards: Charles Wintour Evening Standard Award Most Promising Playwright Award 2012; Critics Circle Award in 2013 for Most Promising Playwright; AWA Award 2013 for Arts and Culture; Nominations for Whatsonstage Awards 2013 for London Newcomer of the Year & Best New Play; Nomination for an Olivier Award 2013 for Best Play in an Affiliate Theatre. THE GREATEST WEALTH – 2018 Old Vic Theatre, London Curated by Lolita. A series of 8 monologues celebrating the NHS' 70th birthday including SPEEDY GONZALEZ by Lolita Chakrabarti LAST SEEN – JOY – 2009 Almeida Theatre/Slung Low Dramaturg on MESSAGE IN A BOTTLE directed and choreographed by Kate Prince for ZooNation and Sadlers Wells Other Adrian Lester and Lolita Chakrabarti : A Working Diary published by Bloomsbury in 2020 Radio: PUT MY NAME IN LIGHTS – 2020 a monologue for BBC Radio 4 RED VELVET – 2014 Saturday drama BBC Radio 4 THE GODDESS – 2006 Woman's Hour serial BBC Radio 4 Film: Lolita produced OF MARY, a short film, directed by Adrian Lester Awards: Best Short Film at PAFF, Los Angeles 2012, nomination for Best Producers at Underwire 2012

The shooter, If Rashawn got a good look at the basket just count it! Another great story about how basketball can show you the world here on power forward! From ETSU to the G League hear how it all got started.

This episode serves as the beginning of a much needed conversation. Rambert Tyree is a 2019 Commerce grad from the University of Virginia currently a 2L at UVA Law. We catch up with him to see how is life after deciding to spend 7 years in one place for school and also some dope habits he's picked up along the way for self care.

Check out DanceConnectSeries.com for more information on each guest! Instagram: @danceconnectseries -------- Jermaine Maurice Spivey was born in Baltimore, Maryland USA and is a graduate of Baltimore School for the Arts and The Juilliard School. From 2002-present, Jermaine lived and worked predominately in Europe but recently returned to make his home base in Los Angeles, California. He has been a company member of Ballet Gulbenkian and Cullberg Ballet, worked as a freelance/guest artist for Hofesh Shechter Company, Robyn Live 2016, The LID, Arias Company and The Forsythe Company from 2013-2015 as well as a cast member of American Repertory Theater's original production The Shape She Makes conceived by Susan Misner and Jonathan Bernstein. Most consistently since 2008, Jermaine has been a member of Crystal Pite's project based company Kidd Pivot. He has also worked as rehearsal assistant and/or staged Crystal Pite's work for companies such as Cedar Lake Ballet, Carte Blanche, Hessisches StaatsBallett Wiesbaden, Netherlands Dance Theater and Paris Opera Ballet. Jermaine has instructed dance all across North America and Europe for professional companies, universities, studios and training programs including USC Kaufman School of Dance, The Juilliard School, UCLA, NYU Tisch, Baltimore School for the Arts, LA Dance Project, The Performing Arts Project, MOVE NYC, No)one. Art House, Nuova Officina Della Danza, Dance OUT, Salt Contemporary Dance and GöteborgsOperans Danskompani. He is a 2001 Princess Grace Awardee and a 1998 National Foundation for the Advancement of the Arts 1st Level Awardee. At this moment in his career, Jermaine is very grateful for the opportunity to choreograph, having most recently created for Rambert 2, Salt Contemporary Dance as well as two full evening works with partner and co-creator Spenser Theberge titled Rather This Then and Position 3. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this podcast, Sir Richard Alston looks back over his 50-year career that included training with Merce Cunningham, leading Rambert as artistic director and establishing his own company Richard Alston Dance Company more than 25 years ago, building it into one of the most renowned contemporary dance companies and forging a critically acclaimed and award-winning choreographic career comprising more than 100 works. Listen to Richard talk about his decision to fold his company due to a lack of funding from the UK's Arts Council and how he has responded by looking to the next stage in his choreographic career that's sees him take up the role of Resident Choreographer with the New York Theatre Ballet. Richard Alston Dance Company - Detour. Photo by Chris Nash This podcast shares a unique opportunity to hear from one of the most important living contemporary dance choreographers of our time, and listen to his own words as he describes how he creates new work, his inspirations and special moments from his esteemed career. Richard Alston Dance Company is saying farewell with a tour entitled 'The Final Edition', which is coming to London's Sadler's Wells on 7 & 8 March, giving his devoted audiences an opportunity to say goodbye to a company that they have loved and grown up with over the years. If you're in Cambridge you can see The Final Edition on 2 & 3 March - for tickets: www.richardalstondance.com PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/1wwwod/Sir+Richard+Alston.mp3 Also available on Apple Podcasts, Spotify and with other podcasts providers! Richard Alston. Photo by Hugo Glendinning

A conversation with Dancer, Actor and stuntman Darren Tait. Darren tells us his journey from living in Swindon and working in Iceland to living in Las Vegas as a soloist in Cirque De Soleil. Darren also tells us about his drug addiction and how he has overcome it by starting a new fitness journey and competing in Ironman competitions. We also discuss how he can make a impact in the Ironman community through his vlogs. A podcast bringing you inside the minds of the industry professionals and showing you the ins and outs of entertainment. Hosted by Kane Silver Looking to book your dream holiday and make it stress free? Book with Just Travel Tracey and mention you come from the ins and outs podcast and get VIP treatment. www.notjusttravel.com/tracey-silver Instgram @theinsandouts_ @mrballchange @darrentaitofficial Facebook @theinsandoutspodcast @kanesilver @darrentait Twitter @theinsandouts @kanesilver18

The dancer, Dane Hurst, has bought a former Rambert Company dance floor (deep, protective, roll out vinyl) to take back to his home in South Africa, for under-privileged kids to dance on. Modern Dance is like a magic carpet. It transported young Dane out of the volatility, violence and poverty of his childhood in segregated Port Elizabeth, to life as a Rambert student and dancer in London. He believes it can transport other young people.