Podcast appearances and mentions of nathan moody

You get 1400+ free sound effects at https://www.asoundeffect.com/gift/ (for a limited time!) Just a quick heads up that we've teamed up with indie sound creator Nathan Moody to give you the Analogue Ordnance Lite sound effects library for free right now, featuring 1400+ sci-fi sound effects. You also get the chance to win Nathan Moody's full SFX catalog. The sounds can be used for commercial games too - EULA here: https://www.asoundeffect.com/license-agreement/ Best of luck and hope you enjoy the sounds!

#74: Today's guest is Nathan Moody, a composer, sound designer, mastering engineer, and interaction designer based out of California. He has worked on an insane variety of projects ranging from The Callisto Protocol, Pentiment, to MLK: Now Is The Time.  He has also created sound effects for World War II Battleships, and is even currently working with Skywalker Sound.   In this episode, we talk about the benefits of being a generalist in the world of professional audio, how Nathan started his full-time sound career after the age of 40, how he built his skillset and network over a huge period of time, how to stand out in an industry where audio is becoming more commoditized, and so much more.   Find Nathan Moody here: Shipscape Website: https://noisejockey.net/main/project/shipscape/ Instagram: https://www.instagram.com/n4th4nm00dy/?hl=en Twitter: https://x.com/noisejockey?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor IMBD: https://www.imdb.com/name/nm11708054/     And if you're interested in making music and sound for games, I have a newsletter and free courses that will get you started, and help you find paying work in games. Just go to http://www.bit.ly/soundbizpod

What goes into creating a great sound effects library? Sound designer, recordists and composer Nathan Moody shares his sonic journey behind the making of his latest sound effects library, MetalMotion - available at asoundeffect.com/metalmotion The library features 4 hours of moving metal, including everything from impacts and squeals to scrapes, rattles and beyond - and here's the rarely-told story on what it takes to create such an adventurous, experimental and highly useful sound effects library. Interview by Jennifer Walden, and hosted by Asbjoern Andersen from asoundeffect.com

It's the Friday News Roundup. Host Trenae Nuri is joined by Denise Clay-Murray, City Cast Philly political contributor and co-host of The Philadelphia Hall Monitor, and Thomas Fitzgerald, transportation reporter at The Philadelphia Inquirer. They discuss the I-95 rebuild, safety concerns on SEPTA, and City Council plans to hold hearings on the proposed Roosevelt Boulevard subway line.  Our Friday news roundups are powered by great local journalism:  A temporary fix to I-95 in Philly is underway, but officials can't yet say how long it will take Truckers mourn the death of Nathan Moody after I-95 bridge fire Regional Rail ridership up 12% on some lines in wake of I-95 collapse Roosevelt Boulevard subway project poised to get City Council hearings following I-95 collapse White Starbucks Manager Fired Amid Furor Over Racism Wins $25 Million No-teenager zones increase in Philly New rules in Ocean City focused on teen behavior go into effect immediately Want some more Philly news? Then make sure to sign up for our morning newsletter Hey Philly  We're also on Twitter and Instagram! Follow us @citycastphilly  Have a question or just want to share some thoughts with the team? Leave us a voicemail at 215-259-8170.  Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sound designer and mastering engineer, Nathan Moody, talks about entrepreneurship and learning how to prioritize a wide variety of professional responsibilities. He also talks about how his hobby of open-ocean kayaking gives him the confidence he needs to be present both in and out of the office. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

City Lights Bookstore Mary Beth Meehan and  Fred Turner launch Seeing Silicon Valley,  Monday, May 3, 2021, 6:00 p.m. PT / 9:00 ET, through a virtual Zoom platform event hosted by City Lights Bookstore. Griffin Museum of Photography, Boston, Massachusetts Event on May 13, 2021 at 7:00 ETMary Beth Meehan, is a distinguished  photographer known for her large-scale community-based portraiture. Fred Turner   is the Harry and Norman Chandler Professor of Communication at Stanford University and author of  From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism (Chicago, 2006) among other books.Read Peter Walsh's  review of Seeing Silicon Valley in the Arts Fuse.Nathan Moody  composed the music for this episode.  The song is  "Sonnenaufgang" from the album Future Rituals.   Buy the book!

We continue our talk with Nathan Moody and we all vibe at the same frequency as we discuss a short story by Orson Scott Card, from the July 1979 episode of Omni. Please check out all of Nathan's amazing music at nathanmoody.bandcamp.com Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners.

In this episode, Chad and Jason commandeer musician and digital sorcerer Nathan Moody to talk about his stellar work providing underscores for the entire HyperLab Omni podcast. This is the first part of a two-part interview. Like what you've been hearing? Please check out more at nathanmoody.bandcamp.com. Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners.

This week Nathan Moddy returns to discuss podcast scoring, exercising the muse and generative patching! https://nathanmoody.bandcamp.com/album/hyperlab-omni-original-soundtrack-volume-2 https://obsidiansound.net/ PATREON: https://www.patreon.com/podularmodcast Tim's YouTube: https://www.youtube.com/channel/UCm-B7BiIOLQBPnW5JvG274w?view_as=subscriber SPONSORS Worng: https://www.worngelectronics.com/ After Later Audio:http://afterlateraudio.com/ Discord Server: https://discord.gg/T7haBAK WAVEFORM: https://www.waveformmagazine.com/ Needham Woodworks: https://needhamwoodworks.com/ Modbang: modbang.com Patchwerks: https://patchwerks.com/ Support One Million Tampons: https://www.onemilliontampons.com/

Ben Hinz and Nathan Moody return to Pod Mod to talk about their collaboration on the animated short film Dead Astronaut! Available now on Bandcamp. Nathan also has recently released a new album on Flag Day Recordings. Dead Astronaut: https://deadastronaut.bandcamp.com/album/dead-astronaut Nathan Moody de/Still: https://flagdayrecordings.bandcamp.com/album/de-still SPONSORS Synth Booth: https://www.synthbooth.com/tickets Modbang: https://www.modbang.com/ After Later Audio:http://afterlateraudio.com/ Void Modular: https://www.etsy.com/shop/VOIDModular Discord Server: https://discord.gg/T7haBAK WAVEFORM: https://www.waveformmagazine.com/ Needham Woodworks: https://needhamwoodworks.com/ Recovery Effects: https://recoveryeffects.com/ Patchwerks: https://patchwerks.com/ Support One Million Tampons: https://www.onemilliontampons.com/

Join us somewhere beyond the tangential event horizon as we resume our conversation with megatalented comic book creator, Jack Foster. And for those of you who missed it, here's a link to part 1. In this episode we wrap up our talk about artist John Berkey, wander through a desert oasis known as "Dune Minute" and engage in some intense pop culture regression therapy to resolve Jack's Star Wars false memory implant. Be sure to check out Jack's work at guncomic.com and follow him on Twitter and Instagram Sound design and music is by Nathan Moody.  Visit nathanmoody.bandcamp.com to hear more.  Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners. Some audio elements in this episode are under a Creative Commons Attribution license. Read the full audio credits and learn how to support this podcast at our Patreon page.

Climb aboard, seal the hatches and sink below the memetic seascape with HLO as we take a deep dive into the Omni art nostalgia trench in the first of a two part interview with the amazing artist/writer/creator, Jack Foster. Be sure to check out Jack's work at guncomic.com and follow him on Twitter and Instagram Sound design and music is by Nathan Moody.  Visit nathanmoody.bandcamp.com to hear more.  Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners. Some audio elements in this episode are under a Creative Commons Attribution license. Read the full audio credits and learn how to support this podcast at our Patreon page.

This episode, Jason and Chad tumble into a memetic wormhole when exploring a cryptozoological science fiction piece called "And Whether Pigs Have Wings" by Nancy Kress, and are saved by their virtual assistant. We also feature a short clip of our upcoming interview with Brian Dowtin, who is a computer scientist working on some of the whys and hows of technology. Brian picked an Omni interview between Bob Guccione and futurist Alvin Toffler, who wrote Future Shock. We’ll connect a lot of dots between Brian’s work and this prescient voice of future past as we take a nostalgic Big Trak journey into the collective hallucination we call childhood. Sound design and music is by Nathan Moody.  Visit nathanmoody.bandcamp.com to hear more.  Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners. Some audio elements in this episode are under a Creative Commons Attribution license. Read the full audio credits and learn how to support this podcast at our Patreon page.

In this April '79 Omni episode, Jason and Chad  sculpt a Devil's Tower shaped mound of wonder as they explore some wild extraterrestrial artwork, sit in on a UN field trip with some high-powered believers, and share a close encounter story of shock and awe. This means something!   Sound design and music is by Nathan Moody.  Visit nathanmoody.bandcamp.com to hear more.  Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners. Some audio elements in this episode are under a Creative Commons Attribution license. Read the full audio credits and learn how to support this podcast at our Patreon page.

Tyresta is the experimental music project of social worker and musician Nick Turner.  Nick is based in Chicago, Illinois and makes music utilizing various instruments including Buchla Music Easel, eurorack modular, mellotron, and guitar.  He also helps behind the scenes with the ambient, drone, and experimental music labels Past Inside the Present and sub-label Fallen Moon Recordings.    You can find his music on Bandcamp or through your streaming service of choice.   Piece description:  I wrote and recorded "Facing Ourselves" during the Coronavirus shelter-in-place order in April 2020.  Outside of my life in music, I am a mental health therapist so I have directly witnessed what happens when people (myself included) are forced to give up certain routines and distractions and face themselves.  The four parts of "Facing Ourselves" sort of represent the various emotional states that both I and the people I work with have gone through since the Coronavirus outbreak.  Though at times uneasy and tense, there have been moments of deep love and connection, which has been interesting to witness and experience.   Like many people, when working with the Easel, I can get lost in shaping sounds for hours on end.  With each of these pieces, I was working with both the Easel and various effects  (Strymon Timeline, Strymon BigSky, and Valhalla reverb) in order to land on sounds that adequately represented the emotions/feelings I wanted to evoke in the listener.  Effects, both in and outside of the box, help inform my approach to sound design and also assist in determining the direction I go in with certain patches on the Easel (timbres, waveshapes, tempo, envelope shapes, etc.).   Mastered by Nathan Moody at Obsidian Sound.

In this episode, Jason and Chad talk about a passel of topics that spring from the January 1979 issue of Omni, and Jason tells tales of unidentified mysteries. Sound design and music is by Nathan Moody.  Visit nathanmoody.bandcamp.com to hear more.  Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners. Some audio elements in this episode are under a Creative Commons Attribution license. Read the full audio credits and learn how to support this podcast at our Patreon page.

Californian lockdown sound reimagined by John Roach. "At first I was drawn to these sounds, recorded by Nathan Moody, because they were captured in Northern California where I grew up, geographically and mentally far away from Queens NY, the Covid capital of the USA, where I reside now.  Doing some research I learned that the recordist is also a hiker and so I've imagined an early evening trek in which the lone protagonist loses his way. Voices emerge. Auditory Mirages.  "Side note: the field recordings of insects were recorded in 2015 in Brescia (Pontevico) the hard-hit Covid capital of Italy." Part of the #StayHomeSounds project, documenting and reimagining the sounds of the global coronavirus lockdown around the world - for more information, see http://www.citiesandmemory.com/covid19-sounds

In this inaugural episode, Jason and Chad launch a podcast that uses Omni magazines from 1979 as a lens to examine the weird sci-fi nature of our present. We take a look at the apocalyptic story The Madagascar Event by Robert Haisty from the June 1979 issue of Omni. Sound design and music is by Nathan Moody.  Visit nathanmoody.bandcamp.com to hear more.  Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners. Some audio elements in this episode are under a Creative Commons Attribution license. Read the full audio credits and learn how to support this podcast at our Patreon page. Amazing digital art courtesy of  Lorenz Duremdes

California lockdown sound recorded by Nathan Moody. "Residents in a California suburb howl and yell in a daily evening ritual during the 2020 COVID-19 pandemic." Part of the #StayHomeSounds project, documenting the sounds of the global coronavirus lockdown around the world - for more information, see http://www.citiesandmemory.com/covid19-sounds

On episode 5 of Source Of Uncertainty we bring it back to basics by exploring the ever-present combo of the Quad Function Generator and Quad Dynamics Manager modules. We also speak with the man of many hats: Nathan Moody! We dig in on the music he creates with his Easel++ and tips on recording Buchla Instruments.Show NotesHello: 0:00 Velocity in review: 1:30New module news: 9:30281e & 292e exploration: 17:30 Nathan Moody interview: 53:00 Goodbye: 1:51:24 Find Nathan Moody's music at: nathanmoody.bandcamp.comAnd his mastering services at: obsidiansound.netSupport the show on Patreon: https://www.patreon.com/sourceofuncertaintyListen and subscribe to Podular Modcast: https://podularmodcast.fireside.fm/Listen and subscribe to Esoteric Modulation: https://www.esotericmodulation.com/subscribe-to-podcastSubscribe to Waveform Magazine: https://www.waveformmagazine.com/Listen to Robert’s music at: https://mutierend.bandcamp.com/releasesListen to Kyle’s music at: https://darksparkler.bandcamp.com/Email us at: sourceofuncertaintypod@gmail.comFind us on Instagram: @sourceofuncertainty And at: sourceofuncertainty.audio

About: Jörgen Kjellgren is a music maker and producer from Stockholm, Sweden. He is a free-range sound designer, musician and songwriter. In 2018 he released five EPs of ambient music, He and his wife, Anna Maria, also released a few tracks as pop duo under the name, Little Boxes. "I made these tracks during a period of heightened creativity that eventually shifted into a few nights of insomnia. Maybe it comes through at the end of the set, that slow, sluggish feeling." Some of the tracks from this episode of Data Cult Audio will be released as an EP after they air here on the podcast. The audio for this episode of Data Cult Audio was mastered by Nathan Moody at Obsidian Sound (obsidiansound.net). Links: https://jorgenkjellgren.bandcamp.com/ https://open.spotify.com/artist/49dj9JMf1fRLv9VqBggYfi?si=XG-f3h46TNG5heCa88soeQ https://soundcloud.com/jorgenkjellgren

Nathan Moody is a jack of all trades and he probably mastered a few of your favorite modular albums. http://obsidiansound.net/ https://nathanmoody.bandcamp.com/

Tonight, we've got tapes from Lacanthrope and Soot, Nokuit, Theurgist and Sequences. Also, new stuff from Fischerle and Nathan Moody. 

Nathan Moody first came onto my radar via his Noise Jockey blog – a blog that combined sound design, field recording, music production, art, design… pretty much everything I pay attention to. The posts don’t come often, but they are golden. But recently he popped up again for his music releases on Bandcamp, and I got sucked into his musical vortex. Starting with the Etudes series, he caught both my eye and my ears, and I dove deep into his music, which is both sound designerly as well as musically sophisticated. I dropped him a line, and he was into a chat. When we connected, it was like phoning up an old friend; we immediately dropped into an easy patter, and the discussion ranged all over the place: from combining visual and sound design concepts, to the process of building an instrument for an album – through the difficulties that the Bay Area is going through for creative folks. The time flew by, as you will hear.  If you get a chance, check out his work on Bandcamp (https://nathanmoody.bandcamp.com/), and the related in-depth album notes on his site (http://www.music.noisejockey.net/). Also, check out his blog and read up on his field recording work – all fascinating. And enjoy our chat!

Mylar Melodies is known for his rather fantastic youtube channel exploring modular synth gear and technique, with a particular emphasis on live performance modulars. He has been exploring and producing electronic music for nearly 20 years. This original set was entirely improvised live, in one take, using his live modular performance system explored in recent videos on his Youtube channel: http://www.youtube.com/mylarmelodies - the final session was trimmed then mastered. If you like what you hear, you can support Mylar Melodies by buying this set for download/streaming in lossless quality at: http://mylarmelodies.bandcamp.com Mylar’s own podcast called Why We Bleep, features fascinating long form interviews with electronic musicians and manufacturers and comes highly recommended. Listen at: http://whywebleep.com Mastering by Nathan Moody of Obsidian Sound: http://obsidiansound.net

Nathan Moody is an audio, visual, motion, and interactive designer and artist living in the San Francisco Bay Area.